1 00:00:01,200 --> 00:00:03,080 Speaker 1: Live from the Mercedes Benz Interview. 2 00:00:03,840 --> 00:00:05,680 Speaker 2: Johnny is here. We have so much to talk about, 3 00:00:05,720 --> 00:00:07,920 Speaker 2: you know, Gumba. I'll just let you know. Our friend 4 00:00:07,920 --> 00:00:10,000 Speaker 2: Felipe is visiting from Italy. I don't know how to 5 00:00:10,000 --> 00:00:13,200 Speaker 2: turn his mind part of Italy. Well hold on, hold on, yeah, 6 00:00:13,240 --> 00:00:14,760 Speaker 2: hold on, we got to push a button. Hold on, 7 00:00:14,800 --> 00:00:19,120 Speaker 2: hold on. This is the worst. Did the Italians make 8 00:00:19,160 --> 00:00:20,560 Speaker 2: this born? It's all there, we are. 9 00:00:20,640 --> 00:00:24,279 Speaker 3: Good morning, guys, good morning, welcome, Thank you so much. 10 00:00:24,360 --> 00:00:26,040 Speaker 3: It's so nice to be here. I'm from the North. 11 00:00:26,120 --> 00:00:27,760 Speaker 3: I was born in a city that you probably don't know, 12 00:00:27,800 --> 00:00:31,600 Speaker 3: which is called Genova. Is that near luc It's I mean, 13 00:00:31,720 --> 00:00:34,599 Speaker 3: it's pretty close to Toscana, to Tuscany, but yeah, it's 14 00:00:34,640 --> 00:00:36,920 Speaker 3: in the north. But now I live in Milan, that 15 00:00:37,080 --> 00:00:40,840 Speaker 3: you know, And you dress like you're from Milan, don't 16 00:00:40,880 --> 00:00:43,080 Speaker 3: you think so? It's so funny, how you know, Gumba, 17 00:00:43,159 --> 00:00:46,800 Speaker 3: Johnny is an Italian American. Scary as an Italian American. 18 00:00:46,880 --> 00:00:47,800 Speaker 3: They think they're Italian. 19 00:00:48,080 --> 00:00:50,120 Speaker 2: Yeah, so Philippa likes to come to town once a 20 00:00:50,200 --> 00:00:55,360 Speaker 2: year to remind them they're not Italian. We've got lots 21 00:00:55,360 --> 00:00:57,480 Speaker 2: to talk about about your trip to New York. 22 00:00:57,520 --> 00:00:57,880 Speaker 4: And everything. 23 00:00:57,880 --> 00:01:01,880 Speaker 2: So Gumba Johnny, we was in radio here for us 24 00:01:01,880 --> 00:01:04,120 Speaker 2: for many years. Now he's he's a comedian. He's on 25 00:01:04,160 --> 00:01:06,560 Speaker 2: the road, he's doing shows, and we're gonna talk about that. 26 00:01:06,560 --> 00:01:09,240 Speaker 2: Now we're about to do a segment called ask a Comedian. Excellent, 27 00:01:10,880 --> 00:01:14,440 Speaker 2: all right, I got music, I get my own if 28 00:01:14,480 --> 00:01:17,760 Speaker 2: ever you wanted to, if ever you've wanted to ask 29 00:01:18,040 --> 00:01:22,040 Speaker 2: a comedian a question about their craft, about what motivates them, 30 00:01:22,480 --> 00:01:28,240 Speaker 2: About how much you get paid textas now at fifty five. 31 00:01:28,160 --> 00:01:31,959 Speaker 4: One, How about my social Security number? We need? 32 00:01:32,560 --> 00:01:34,600 Speaker 2: And uh so Filippa likes to come in and just 33 00:01:34,680 --> 00:01:37,000 Speaker 2: kind of hang out with us. But this is your segment, 34 00:01:37,040 --> 00:01:40,480 Speaker 2: not Filippo's. Pretend he's not. 35 00:01:40,880 --> 00:01:42,360 Speaker 4: Your English is pretty good. 36 00:01:42,240 --> 00:01:44,840 Speaker 3: Thanks man. I really appreciate that. You were expecting like 37 00:01:45,280 --> 00:01:48,600 Speaker 3: a strong Italian accent, like ay everybody something like that. 38 00:01:49,040 --> 00:01:50,120 Speaker 4: Yeah, I was. 39 00:01:50,160 --> 00:01:53,120 Speaker 2: It's kind of what we want. Yeah, yeah, exactly delivery 40 00:01:53,120 --> 00:01:53,760 Speaker 2: it'd be nice. 41 00:01:53,840 --> 00:01:56,920 Speaker 3: Whenever I speak to American people are pretty disappointed because 42 00:01:57,000 --> 00:01:58,360 Speaker 3: this is not the English, not expecting. 43 00:01:58,440 --> 00:02:00,560 Speaker 4: But comedy clubs and Italy. 44 00:02:00,800 --> 00:02:04,640 Speaker 3: Yes, but unfortunately they're not cool as they are here 45 00:02:04,640 --> 00:02:08,839 Speaker 3: in the States. No, why not, because you know, here. 46 00:02:08,919 --> 00:02:11,200 Speaker 3: I feel here in the States, if you are like 47 00:02:11,240 --> 00:02:13,880 Speaker 3: a stand up comedian, you can become like you're the 48 00:02:13,919 --> 00:02:16,320 Speaker 3: main character. You can host like the Academy Awards or 49 00:02:16,360 --> 00:02:19,160 Speaker 3: the Grammys. In Italy, if you're like a stand up comedian, 50 00:02:19,200 --> 00:02:24,840 Speaker 3: you're like the weird guy. It's much more like a niche. 51 00:02:24,720 --> 00:02:27,880 Speaker 4: Yeah, that's what you are, Like a jester. 52 00:02:28,560 --> 00:02:30,680 Speaker 3: Yeah, yeah, you we like comedy like this. 53 00:02:30,840 --> 00:02:33,120 Speaker 4: Yeah, you're like you go into the piazza, you tell 54 00:02:33,160 --> 00:02:34,800 Speaker 4: the joke, people throw coins. 55 00:02:34,440 --> 00:02:37,040 Speaker 2: At That's how it works. 56 00:02:39,160 --> 00:02:41,799 Speaker 4: It's not like that here, kid, I tell you. 57 00:02:41,960 --> 00:02:45,800 Speaker 2: Johnny is doing a show Avenue Performing Arts Center Saturday, 58 00:02:45,840 --> 00:02:48,639 Speaker 2: September fourteenth, that's Saturday, this Saturday. 59 00:02:48,200 --> 00:02:49,840 Speaker 4: At eight o'clock. I'm gonna be there. I have a 60 00:02:49,880 --> 00:02:55,120 Speaker 4: great line up to uh Laura High uh and Ethan 61 00:02:55,200 --> 00:02:58,760 Speaker 4: Corgano and it's hosted by Mike Scaley and I'm gonna 62 00:02:58,760 --> 00:03:02,280 Speaker 4: be obviously the head. And it's an Avenue, New Jersey, 63 00:03:02,320 --> 00:03:05,160 Speaker 4: which is a beautiful theater. By the way. 64 00:03:05,400 --> 00:03:09,000 Speaker 2: You know who it manages telling her who manages Anthony Wilkinson, 65 00:03:09,040 --> 00:03:17,720 Speaker 2: Anthony Anthony Anthony Anthony Anthony from Staten Island, Island. 66 00:03:18,680 --> 00:03:22,160 Speaker 4: You know what they call Staten Island like the New 67 00:03:22,240 --> 00:03:26,200 Speaker 4: York City its last Italy. Yeah. 68 00:03:26,200 --> 00:03:28,480 Speaker 2: See, this is why Italians can't be comedians. They screw 69 00:03:28,520 --> 00:03:29,320 Speaker 2: up the punchline. 70 00:03:30,360 --> 00:03:34,320 Speaker 4: It takes him so long to get the joke. I 71 00:03:34,320 --> 00:03:36,200 Speaker 4: mean there is there's no I mean there's a language 72 00:03:36,240 --> 00:03:36,839 Speaker 4: barrier here. 73 00:03:37,080 --> 00:03:40,200 Speaker 2: Yeah, of course not really, not with Felipo. 74 00:03:40,280 --> 00:03:41,840 Speaker 4: Well, you don't know what's going on in his head. 75 00:03:43,800 --> 00:03:46,320 Speaker 3: Just stays so focused understanding, even if you're saying like 76 00:03:46,320 --> 00:03:48,480 Speaker 3: a simple thing like how are you to be. 77 00:03:48,440 --> 00:03:51,840 Speaker 4: Like, yes, all right, if you know, like if you 78 00:03:51,840 --> 00:03:53,880 Speaker 4: were speaking Italian to me, I'm not. 79 00:03:53,960 --> 00:03:55,840 Speaker 2: I'm not way with English. I can't even speak English. 80 00:03:57,440 --> 00:04:00,960 Speaker 2: So also, you're gonna play Palm Each Kennel Club in 81 00:04:01,000 --> 00:04:03,040 Speaker 2: Palm Beach, Florida, September twenty eighth. 82 00:04:02,800 --> 00:04:05,800 Speaker 4: The day before my birthday. That's my birthday show. And 83 00:04:06,120 --> 00:04:10,960 Speaker 4: the Pompeach Kettle Club in pomp Beach is a great venue. 84 00:04:11,160 --> 00:04:14,600 Speaker 4: I performed there before. I love it. The people are fantastic, 85 00:04:14,760 --> 00:04:17,680 Speaker 4: and you'd be shocked how many New Yorkers they're in 86 00:04:17,960 --> 00:04:18,760 Speaker 4: that area. 87 00:04:18,560 --> 00:04:21,080 Speaker 1: That I retire there. 88 00:04:21,800 --> 00:04:23,760 Speaker 4: I mean, it's so funny to go into Florida and 89 00:04:23,839 --> 00:04:26,440 Speaker 4: I performed there and people you know, wait, to talk 90 00:04:26,480 --> 00:04:28,160 Speaker 4: to you after the show, and they go, I grew 91 00:04:28,240 --> 00:04:29,960 Speaker 4: up with you. I used to listen to you on 92 00:04:30,000 --> 00:04:30,480 Speaker 4: the radio. 93 00:04:31,120 --> 00:04:32,880 Speaker 2: They're all there, Yeah, it all ran. 94 00:04:33,000 --> 00:04:33,680 Speaker 4: It's crazy. 95 00:04:34,200 --> 00:04:36,040 Speaker 2: I'm gonna give those dates and places again in a 96 00:04:36,080 --> 00:04:37,599 Speaker 2: few minutes. So you had a Danielle story. 97 00:04:38,200 --> 00:04:41,280 Speaker 4: My Danielle story is a little embarrassing to the both 98 00:04:41,279 --> 00:04:45,320 Speaker 4: of us. Okay, So Danielle and I, as you know, 99 00:04:46,279 --> 00:04:48,960 Speaker 4: we're friend well you know, we're friends. We love each other, 100 00:04:49,320 --> 00:04:52,000 Speaker 4: and we said, let's get together with our spouses, you know, 101 00:04:52,200 --> 00:04:55,680 Speaker 4: Sheldon and my wife Danielle. So we arranged this date. 102 00:04:55,880 --> 00:04:57,839 Speaker 4: You know, it's very hard to schedule anything with us 103 00:04:57,839 --> 00:05:01,320 Speaker 4: because she has children and she's very busy. So we 104 00:05:01,360 --> 00:05:03,760 Speaker 4: get a date and we decide to go to Houston's 105 00:05:03,760 --> 00:05:07,080 Speaker 4: in Paramus. Yeah, okay, I love houston right, we love 106 00:05:07,120 --> 00:05:09,600 Speaker 4: it too. It's one of our favorite restaurants. So we 107 00:05:09,680 --> 00:05:12,880 Speaker 4: get a beautiful table and the place is packed. That's 108 00:05:12,920 --> 00:05:15,520 Speaker 4: not it's not empty at all. There's not one seat available. 109 00:05:15,800 --> 00:05:19,360 Speaker 4: We're in the on the left, in the corner. Halfway 110 00:05:19,400 --> 00:05:22,800 Speaker 4: through the dinner, the manager of the restaurant comes to 111 00:05:22,839 --> 00:05:25,200 Speaker 4: our table. Now keep in mind we're the furthest point 112 00:05:26,839 --> 00:05:31,040 Speaker 4: if it's possible. We're getting some complaints. You people are 113 00:05:31,440 --> 00:05:39,039 Speaker 4: too loud? Yeah people, how loud are we? Because we 114 00:05:39,080 --> 00:05:41,919 Speaker 4: are so far away from everybody. 115 00:05:41,520 --> 00:05:44,359 Speaker 2: We'll see you're loud and telling the story. Were you 116 00:05:44,480 --> 00:05:45,120 Speaker 2: this loud? 117 00:05:45,920 --> 00:05:47,200 Speaker 4: We didn't. We had no idea. 118 00:05:47,520 --> 00:05:53,400 Speaker 2: The thing that place is loud restaurant. But you're both like, 119 00:05:53,520 --> 00:05:56,280 Speaker 2: I tell you why it's loud, because a restaurant will 120 00:05:56,320 --> 00:05:59,840 Speaker 2: become louder as loud, people become more loud. You understand 121 00:05:59,839 --> 00:06:02,479 Speaker 2: them saying. So with you two, and you just said 122 00:06:02,480 --> 00:06:04,719 Speaker 2: what I'm saying, ganis like, how did. 123 00:06:04,560 --> 00:06:05,080 Speaker 3: They hear. 124 00:06:06,800 --> 00:06:09,960 Speaker 1: Aside of the room in the bathroom, you. 125 00:06:12,960 --> 00:06:15,680 Speaker 2: Guys are loud. Therefore when you speak, the whole room 126 00:06:15,760 --> 00:06:18,000 Speaker 2: gets loud, and therefore you're the Elvis. 127 00:06:18,120 --> 00:06:21,200 Speaker 4: I've been in restaurants with bachelor parties. I've never got 128 00:06:21,240 --> 00:06:25,160 Speaker 4: thrown out. I mean, I'm I'm here with my wife 129 00:06:25,200 --> 00:06:28,960 Speaker 4: and another couple and and we're they want us to leave. 130 00:06:29,279 --> 00:06:29,799 Speaker 1: It's fine. 131 00:06:29,800 --> 00:06:30,440 Speaker 4: Were you drinking? 132 00:06:31,320 --> 00:06:32,320 Speaker 2: Very very Italian? 133 00:06:32,400 --> 00:06:33,000 Speaker 3: Very Italian? 134 00:06:33,080 --> 00:06:35,159 Speaker 2: So what part of Italy? This is Sicily? Right here? 135 00:06:35,320 --> 00:06:36,360 Speaker 3: This is probably the south? 136 00:06:37,920 --> 00:06:39,880 Speaker 4: Yeah, my last name is Siciliana. 137 00:06:40,279 --> 00:06:44,880 Speaker 2: Yeah, people from Sicilia very loud. So the reason why 138 00:06:44,920 --> 00:06:48,200 Speaker 2: they complained is you were the cause of the volume in. 139 00:06:48,200 --> 00:06:49,520 Speaker 1: The room, I think than me. 140 00:06:50,200 --> 00:06:52,440 Speaker 4: I thought they were coming over to like offer us 141 00:06:52,440 --> 00:06:58,720 Speaker 4: a free desert something like that. Would we'd love to 142 00:06:58,720 --> 00:07:00,880 Speaker 4: see one hundred we'd like to buy you? 143 00:07:02,240 --> 00:07:03,880 Speaker 2: Then what they would do, David, offer you a dessert 144 00:07:04,000 --> 00:07:04,360 Speaker 2: to go? 145 00:07:05,240 --> 00:07:07,119 Speaker 1: That's one restaurant I'm taking him to next. 146 00:07:07,720 --> 00:07:09,840 Speaker 2: Almah, you can be very loud. 147 00:07:10,240 --> 00:07:11,320 Speaker 1: I think we could be loud there. 148 00:07:11,440 --> 00:07:11,560 Speaker 4: Now. 149 00:07:11,560 --> 00:07:13,640 Speaker 2: The people who own there are from Naples, they're from Napolis. 150 00:07:13,720 --> 00:07:16,360 Speaker 2: You're gonna be loud. Okay, So what was the they 151 00:07:16,360 --> 00:07:19,040 Speaker 2: walked away after asking you to shut up? Yeah, so 152 00:07:19,240 --> 00:07:21,000 Speaker 2: you must you must have giggled a little. 153 00:07:21,200 --> 00:07:22,760 Speaker 4: Yeah, it was so embarrassed. 154 00:07:22,760 --> 00:07:24,240 Speaker 1: It was like, oh my gosh, we. 155 00:07:24,480 --> 00:07:26,360 Speaker 2: Did you look around to try to figure out who 156 00:07:26,400 --> 00:07:28,160 Speaker 2: in the room was the a hole that told you 157 00:07:28,240 --> 00:07:28,720 Speaker 2: to shut up? 158 00:07:28,800 --> 00:07:31,920 Speaker 1: No, we didn't get quiet. We continued our conversation. 159 00:07:34,520 --> 00:07:37,320 Speaker 2: So let's hear Houston to what town is in a premise? 160 00:07:37,360 --> 00:07:41,120 Speaker 1: Right, Parmise or Hackensack Eside? 161 00:07:41,240 --> 00:07:43,480 Speaker 4: What's that mall? All right? 162 00:07:43,520 --> 00:07:43,760 Speaker 3: All right? 163 00:07:43,800 --> 00:07:49,000 Speaker 2: So whoever manages Houston's at Riverside Square Mall in Hackensack? Yeah, 164 00:07:49,120 --> 00:07:53,560 Speaker 2: you had you had two of the loudest, wonderful Italians 165 00:07:54,520 --> 00:07:56,760 Speaker 2: in your restaurant and you shut them down. 166 00:07:56,920 --> 00:07:59,200 Speaker 4: Wow, you can't. You know. It's like I just look 167 00:07:59,240 --> 00:08:01,800 Speaker 4: at Danielson times when we're talking and I'm like, wow, 168 00:08:02,680 --> 00:08:07,560 Speaker 4: you just can't get rid of the Bronx forever. We're 169 00:08:07,920 --> 00:08:12,520 Speaker 4: talking hard we're hardcore Bronx to the end. And Daniel, 170 00:08:12,760 --> 00:08:15,480 Speaker 4: where we grew up in the same neighborhood. I don't 171 00:08:15,480 --> 00:08:17,520 Speaker 4: know if you're doing that. There was a loud neighborhood. 172 00:08:17,520 --> 00:08:18,040 Speaker 3: I'm sure. 173 00:08:19,800 --> 00:08:23,920 Speaker 2: Should we do? Ask a comedian, where's I hate this music? 174 00:08:24,640 --> 00:08:26,320 Speaker 4: I hate that? 175 00:08:27,320 --> 00:08:30,040 Speaker 2: Ask a comedian do they want to flip? Flip? You 176 00:08:30,040 --> 00:08:32,760 Speaker 2: have to ask you whenever you're ready? Yeah, yeah, I'm ready. 177 00:08:33,880 --> 00:08:35,240 Speaker 2: I guess from Italy has a question? 178 00:08:35,520 --> 00:08:35,640 Speaker 3: You know. 179 00:08:35,640 --> 00:08:35,959 Speaker 4: That's what. 180 00:08:35,960 --> 00:08:38,000 Speaker 3: What's funny that I spent three weeks here in the 181 00:08:38,000 --> 00:08:39,960 Speaker 3: States and I tried to stand up in English and 182 00:08:39,960 --> 00:08:40,520 Speaker 3: this is true? 183 00:08:40,559 --> 00:08:41,640 Speaker 4: All right, this is true. 184 00:08:41,720 --> 00:08:43,719 Speaker 3: So my question is, how do you deal with when 185 00:08:43,720 --> 00:08:46,400 Speaker 3: you're like in a small comedy club and basically the 186 00:08:46,880 --> 00:08:51,360 Speaker 3: crowd is other comedians that are not so how can 187 00:08:51,440 --> 00:08:53,600 Speaker 3: I say they don't want to laugh? How do you 188 00:08:53,640 --> 00:08:56,439 Speaker 3: deal with that like a tough audience. 189 00:08:56,640 --> 00:09:03,640 Speaker 4: Having a little trouble with your English. Can you bring 190 00:09:03,679 --> 00:09:07,160 Speaker 4: that back in Italian's right? 191 00:09:07,200 --> 00:09:11,920 Speaker 3: Though you know scripted, I cannot say I'm only teasing. 192 00:09:12,400 --> 00:09:15,120 Speaker 2: Standing up for me, standing up in front of comedians 193 00:09:15,160 --> 00:09:18,720 Speaker 2: are just normal people who want to laugh. That's frightening. 194 00:09:19,280 --> 00:09:20,000 Speaker 2: It's frightening. 195 00:09:20,160 --> 00:09:22,320 Speaker 4: Then you do it, yes and no, okay, I mean 196 00:09:22,679 --> 00:09:25,880 Speaker 4: it comes with experience, all right. So when you start, 197 00:09:25,960 --> 00:09:30,200 Speaker 4: obviously you're a young comedian and you've experienced, you know, 198 00:09:30,280 --> 00:09:33,200 Speaker 4: performing in front of four people and four hundred people 199 00:09:33,600 --> 00:09:36,280 Speaker 4: and maybe four thousand. Once you go through all those 200 00:09:36,360 --> 00:09:40,120 Speaker 4: cycles and you have all those experiences with the small crowds, 201 00:09:40,160 --> 00:09:43,640 Speaker 4: the medium crowds, the large crowds, you come out and 202 00:09:44,000 --> 00:09:47,079 Speaker 4: you become one thing that nobody could teach you as 203 00:09:47,120 --> 00:09:50,920 Speaker 4: a comedian is seasoning. So in other words, over a 204 00:09:50,920 --> 00:09:55,079 Speaker 4: period of time, you'll experience every situation, every type of crowd. 205 00:09:55,160 --> 00:09:58,120 Speaker 4: So when you come out, you'll get a sense of 206 00:09:58,160 --> 00:10:00,680 Speaker 4: what the audience is like and the audio it's decides 207 00:10:00,840 --> 00:10:04,280 Speaker 4: very quickly whether they like you or not. But if 208 00:10:04,360 --> 00:10:06,800 Speaker 4: they if they're not feeling you, and I've been there, 209 00:10:07,800 --> 00:10:11,320 Speaker 4: you have to you have to feel the vibration of 210 00:10:11,360 --> 00:10:15,599 Speaker 4: the audience and look for the underbelly, and and and 211 00:10:15,600 --> 00:10:18,360 Speaker 4: and make them like you, wow, you'll understand what I'm 212 00:10:18,360 --> 00:10:22,440 Speaker 4: saying and you can. And and also if you're feeling 213 00:10:22,520 --> 00:10:26,160 Speaker 4: uncomfortable and it's really overwhelming, address it. 214 00:10:27,440 --> 00:10:29,200 Speaker 2: Really you should show your vulnerability. 215 00:10:29,360 --> 00:10:31,040 Speaker 4: We'll show your vulnerability. 216 00:10:31,080 --> 00:10:32,880 Speaker 2: You total audience, you fighting me. 217 00:10:33,000 --> 00:10:36,200 Speaker 4: Well yeah, all right, Look, I'll. 218 00:10:36,040 --> 00:10:39,840 Speaker 3: Give you give. 219 00:10:38,480 --> 00:10:41,080 Speaker 2: You a line that wait, four people. To me, four 220 00:10:41,200 --> 00:10:43,640 Speaker 2: thousand people is easier to entertain than four people. 221 00:10:43,679 --> 00:10:46,199 Speaker 4: I'll give you a line that I heard a comedian 222 00:10:46,240 --> 00:10:49,440 Speaker 4: came out and the and the audience was not feeling 223 00:10:49,480 --> 00:10:54,280 Speaker 4: him okay, and it was starting to get uncomfortable, okay, 224 00:10:54,320 --> 00:10:56,680 Speaker 4: and he flipped it like this. He looked at the 225 00:10:56,760 --> 00:11:00,120 Speaker 4: audience and he said, you know what I feel like 226 00:11:00,160 --> 00:11:06,120 Speaker 4: the band on the Titanic and everybody got it, you 227 00:11:06,160 --> 00:11:09,120 Speaker 4: know what I mean. And people, if you're up there 228 00:11:09,200 --> 00:11:12,920 Speaker 4: and you're honest and like Elvis says, you'd display a 229 00:11:12,960 --> 00:11:16,480 Speaker 4: little vulnerability, uh, you know, they'll feel you. They'll give 230 00:11:16,520 --> 00:11:20,120 Speaker 4: they'll give audiences will give you a second chance. Now 231 00:11:20,559 --> 00:11:24,000 Speaker 4: that being said, the times that you don't get second 232 00:11:24,080 --> 00:11:27,560 Speaker 4: chance is if you get very very political and the 233 00:11:27,640 --> 00:11:32,880 Speaker 4: audience is is like, let's say, you know, one on 234 00:11:32,880 --> 00:11:35,840 Speaker 4: one side, like you could do certain jokes in Manhattan 235 00:11:36,840 --> 00:11:39,600 Speaker 4: and you can't do those jokes on Long Island and 236 00:11:39,679 --> 00:11:42,960 Speaker 4: vice versa. You know what I mean. Yeah, so political 237 00:11:43,080 --> 00:11:46,240 Speaker 4: jokes are different. Well they're different, and they're they're a 238 00:11:46,280 --> 00:11:48,640 Speaker 4: little bit dangerous, and you have to remember where you are. 239 00:11:48,679 --> 00:11:50,640 Speaker 4: You have to have a you know, a grip of 240 00:11:50,679 --> 00:11:52,760 Speaker 4: the area. That's a great answer. It's very long, but 241 00:11:52,800 --> 00:11:58,720 Speaker 4: it's a great answer. I got one. Why where is 242 00:11:58,800 --> 00:12:02,360 Speaker 4: your crappy background? 243 00:12:03,080 --> 00:12:09,480 Speaker 2: Oh god, no more questions. I love that you asked 244 00:12:09,480 --> 00:12:12,640 Speaker 2: that question. What is your I know you've been heckled 245 00:12:12,880 --> 00:12:16,000 Speaker 2: a lot. Has a heckler ever made you cry? 246 00:12:17,000 --> 00:12:21,560 Speaker 4: Oh god, no, no, no, no, no, nobody. I've never 247 00:12:21,600 --> 00:12:23,800 Speaker 4: seen that. You don't crying? Softball? 248 00:12:25,080 --> 00:12:27,200 Speaker 2: Have you ever had? Have you ever been heckled? And 249 00:12:27,200 --> 00:12:29,080 Speaker 2: then you go home and it kind of sits with 250 00:12:29,120 --> 00:12:29,960 Speaker 2: you for a couple of nights. 251 00:12:30,000 --> 00:12:34,480 Speaker 4: Yeah, I haven't been. I was heckled once, and I'm 252 00:12:34,480 --> 00:12:38,240 Speaker 4: a I'm pretty big for a comedian. Nice comedian. Go 253 00:12:38,920 --> 00:12:42,920 Speaker 4: you know, I'm an ex athlete and some guy heckled 254 00:12:42,920 --> 00:12:45,360 Speaker 4: me and I said, dude, I said save it. The 255 00:12:45,400 --> 00:12:49,280 Speaker 4: next comedian's five six, one hundred and forty pounds. He's 256 00:12:49,320 --> 00:12:50,960 Speaker 4: gonna take it. I said, I'm just going to come 257 00:12:51,000 --> 00:12:52,640 Speaker 4: out and smash your head off the table. 258 00:12:57,200 --> 00:12:59,160 Speaker 2: It's as comedian, yes, Danielle. 259 00:12:59,440 --> 00:13:02,320 Speaker 1: I would like to know if there's any subject that's 260 00:13:02,360 --> 00:13:05,120 Speaker 1: off limits or do you tackle every subject out there? 261 00:13:05,200 --> 00:13:09,560 Speaker 4: What's your name? Little girl? There? You go? 262 00:13:11,760 --> 00:13:15,360 Speaker 2: Pretty much got it? Comedians? Okay? 263 00:13:15,480 --> 00:13:18,320 Speaker 3: Who and what do you find funny. 264 00:13:20,360 --> 00:13:29,120 Speaker 4: Comedically? I admire and love Colin Quinny. He's just a 265 00:13:29,200 --> 00:13:31,719 Speaker 4: brilliant man, his body of work. He gets mad at 266 00:13:31,720 --> 00:13:34,720 Speaker 4: me because I call him the Vincent Van Goe of comedy. 267 00:13:34,800 --> 00:13:36,960 Speaker 4: I'm like, when you're gone, people are gonna look at 268 00:13:36,960 --> 00:13:39,720 Speaker 4: your body of work and say you are a genius. 269 00:13:39,960 --> 00:13:41,480 Speaker 3: Not till he's gone, Til he's gone. 270 00:13:42,240 --> 00:13:46,319 Speaker 4: I tease him on that. I love Colin Quinn. I 271 00:13:46,480 --> 00:13:49,920 Speaker 4: like Bill Burr a lot, and I also liked there 272 00:13:49,880 --> 00:13:54,200 Speaker 4: as a comedian that you guys, Ryan Hamilton is. I 273 00:13:54,280 --> 00:13:57,240 Speaker 4: really enjoy him a lot. But I've worked with so 274 00:13:57,280 --> 00:13:58,439 Speaker 4: many different comedians. 275 00:13:58,480 --> 00:14:02,079 Speaker 2: But what type of comedy makes you left? What really makes. 276 00:14:01,920 --> 00:14:06,679 Speaker 4: You lose it? People? I like Andrew Schultz. 277 00:14:06,920 --> 00:14:10,760 Speaker 2: No, not names of people, but old people falling. 278 00:14:12,320 --> 00:14:13,760 Speaker 4: Someone formed down the flight of stairs. 279 00:14:13,800 --> 00:14:17,000 Speaker 1: Yes, she had well. 280 00:14:16,920 --> 00:14:21,760 Speaker 4: You know she likes slapstick. I like, uh, you know, 281 00:14:21,880 --> 00:14:26,320 Speaker 4: I like the the like the normic, not the surprised junk, 282 00:14:26,480 --> 00:14:28,960 Speaker 4: you know, punchlines like in other words, you don't see 283 00:14:29,000 --> 00:14:31,080 Speaker 4: it coming. I love that too, you know. And as 284 00:14:31,280 --> 00:14:33,960 Speaker 4: those those things are like very hard to write, you 285 00:14:34,000 --> 00:14:36,120 Speaker 4: know what I mean, Like you can't like, I'll give 286 00:14:36,160 --> 00:14:39,000 Speaker 4: you a joke I wrote recently. Right. I got married 287 00:14:39,040 --> 00:14:42,440 Speaker 4: at fifty, right, so we decided not to have children 288 00:14:42,520 --> 00:14:45,600 Speaker 4: and I was too old. Right, So we sat down 289 00:14:45,640 --> 00:14:48,800 Speaker 4: and we wanted to adopt. So we ran into an 290 00:14:48,880 --> 00:14:52,640 Speaker 4: unexpected hurdle. We couldn't agree on a child, and you 291 00:14:52,680 --> 00:14:55,160 Speaker 4: know we didn't. My wife wanted a boy seven or 292 00:14:55,200 --> 00:14:59,080 Speaker 4: eight Asian or Latino. I wanted a girl Russian about 293 00:14:59,080 --> 00:15:09,480 Speaker 4: thirty years old. And all right, Froggy ask the comedian Kumba. 294 00:15:10,000 --> 00:15:13,160 Speaker 5: Do you ever see somebody do a bit and you think, man, 295 00:15:13,560 --> 00:15:15,920 Speaker 5: that could have been way better. They suck and then 296 00:15:15,920 --> 00:15:17,560 Speaker 5: you kind of change it around to make it your own. 297 00:15:17,880 --> 00:15:20,760 Speaker 4: No, but I will go up to comedians. I mean, well, 298 00:15:20,800 --> 00:15:24,000 Speaker 4: look there, I'm gonna be honest with you. There's many 299 00:15:24,080 --> 00:15:28,040 Speaker 4: comedians that do different versions of the same bit. I mean, look, 300 00:15:28,080 --> 00:15:31,000 Speaker 4: I'm Italian. You know I do Italian stuff. I do 301 00:15:31,160 --> 00:15:35,000 Speaker 4: stuff on Italian wedding. Sebastian does Italian weddings, you know. 302 00:15:36,160 --> 00:15:38,800 Speaker 4: You know Anthony Rodilla does something on it. You know. 303 00:15:38,880 --> 00:15:41,600 Speaker 4: Everybody does their own version of this. But I will 304 00:15:41,600 --> 00:15:43,880 Speaker 4: say you this when I do work with comedians, and 305 00:15:44,440 --> 00:15:47,000 Speaker 4: this happens often a lot of people don't see it. Backstage. 306 00:15:47,360 --> 00:15:49,640 Speaker 4: A comedian will get off stage and come backstage and 307 00:15:49,720 --> 00:15:52,400 Speaker 4: another comedian will grab them and go, hey, that bit 308 00:15:52,520 --> 00:15:55,560 Speaker 4: that you did about your mother I got I got 309 00:15:55,600 --> 00:15:58,200 Speaker 4: a tag. They call them tags the punchlines. He goes, 310 00:15:58,240 --> 00:16:00,520 Speaker 4: I got a tag for you that and the one 311 00:16:00,520 --> 00:16:02,680 Speaker 4: thing that I could pass on to you is from 312 00:16:02,680 --> 00:16:06,680 Speaker 4: a comedian. Uh, your jokes the way you do them now, 313 00:16:06,800 --> 00:16:10,120 Speaker 4: they're never over. You can always add to them. I 314 00:16:10,160 --> 00:16:12,400 Speaker 4: have jokes that I did ten years ago that I've 315 00:16:12,440 --> 00:16:16,920 Speaker 4: expanded recently. They're never done. You can always update and 316 00:16:17,200 --> 00:16:19,720 Speaker 4: remind it. But it's very common for comedians to go 317 00:16:19,800 --> 00:16:23,600 Speaker 4: up to other comedians and tell them, hey, that bit 318 00:16:23,720 --> 00:16:26,320 Speaker 4: you do is fantastic, but did you ever think of this? 319 00:16:27,080 --> 00:16:29,160 Speaker 2: And you're stolen a joke though, I think that's another 320 00:16:29,320 --> 00:16:32,640 Speaker 2: part of Troggy's question. You're taking me if you were 321 00:16:32,640 --> 00:16:34,480 Speaker 2: reconstructed someone else's joke and made it better. 322 00:16:35,520 --> 00:16:38,200 Speaker 4: The concepts and there's jokes. Okay, okay, you know what 323 00:16:38,200 --> 00:16:38,520 Speaker 4: I mean. 324 00:16:38,600 --> 00:16:40,880 Speaker 2: I mean no, I writ people off every day. I 325 00:16:40,880 --> 00:16:41,240 Speaker 2: don't care. 326 00:16:42,160 --> 00:16:44,960 Speaker 5: Always says if you steal from him, you've stolen twice. 327 00:16:44,840 --> 00:16:47,880 Speaker 4: You know. You know who said that to Scott Shannon 328 00:16:47,960 --> 00:16:48,320 Speaker 4: said that. 329 00:16:48,320 --> 00:16:54,520 Speaker 2: Well, I stole it from him. It's scary. Our last 330 00:16:54,560 --> 00:16:56,960 Speaker 2: question for asking me, how is your act. 331 00:16:56,800 --> 00:17:01,520 Speaker 1: Changed over the years in dealing with sensitive times and snowflakes. 332 00:17:03,320 --> 00:17:07,240 Speaker 4: I feel like I straddle the fence. I try, and 333 00:17:07,280 --> 00:17:09,920 Speaker 4: you know, I'll feel the audience, and you know, whichever 334 00:17:10,040 --> 00:17:12,600 Speaker 4: direction the audience tells me to go, I go. I mean, 335 00:17:12,640 --> 00:17:15,560 Speaker 4: I try not to be too offensive or hurt anybody, 336 00:17:15,600 --> 00:17:19,160 Speaker 4: but I definitely try to raise a few eyebrows during 337 00:17:19,200 --> 00:17:22,160 Speaker 4: my act. And you know, you just do the best 338 00:17:22,200 --> 00:17:24,960 Speaker 4: you can. Some comedians make a living living on the edge. 339 00:17:25,359 --> 00:17:29,000 Speaker 4: I make a committing living standing on the fence. All right. 340 00:17:29,680 --> 00:17:31,800 Speaker 1: If you fall on that fence, your bulls are gonna hurt. 341 00:17:32,280 --> 00:17:34,840 Speaker 1: Just saying that was very nice, Thank. 342 00:17:34,680 --> 00:17:35,240 Speaker 5: You, very nice. 343 00:17:35,400 --> 00:17:36,480 Speaker 4: Can I have the music please? 344 00:17:42,880 --> 00:17:45,600 Speaker 2: I'm not really satisfied with this ask a comedians I 345 00:17:45,640 --> 00:17:47,399 Speaker 2: want to ask you ask a question. 346 00:17:47,800 --> 00:17:50,000 Speaker 4: Come on, No, why not? 347 00:17:50,160 --> 00:17:52,520 Speaker 2: Because I'm done with you. You're funnier than me. I 348 00:17:52,600 --> 00:17:55,399 Speaker 2: tell you, you brought the funny back to our show today. 349 00:17:56,359 --> 00:17:59,000 Speaker 4: I don't want to thank you for letting me have 350 00:17:59,080 --> 00:18:01,480 Speaker 4: that opportunity to the funny and to me. I'm sure 351 00:18:01,520 --> 00:18:02,320 Speaker 4: I forgot. 352 00:18:02,000 --> 00:18:04,560 Speaker 3: You Philippo, but you can call me phil. 353 00:18:04,800 --> 00:18:07,040 Speaker 2: Phil But I don't think you're You're not. You're on 354 00:18:07,080 --> 00:18:10,200 Speaker 2: an aspiring comedian, are you. It's just something I'm trying 355 00:18:10,200 --> 00:18:11,960 Speaker 2: to Yeah. I spent three weeks in the States and 356 00:18:12,000 --> 00:18:13,520 Speaker 2: I did a couple of mics I tried to do. 357 00:18:13,560 --> 00:18:16,000 Speaker 2: I did stand up in Chicago, and I did it 358 00:18:16,000 --> 00:18:18,680 Speaker 2: in la and I did it here. I mean, I'm 359 00:18:18,680 --> 00:18:19,320 Speaker 2: just starting out. 360 00:18:19,359 --> 00:18:22,159 Speaker 3: But it's frightening and it's crazy because it's trying to 361 00:18:22,160 --> 00:18:24,040 Speaker 3: be funny. A language that is in yours is tough 362 00:18:24,119 --> 00:18:26,480 Speaker 3: because you think you've got you've got great jokes, but 363 00:18:26,520 --> 00:18:29,200 Speaker 3: people are just laughing. And how you talk so well? 364 00:18:29,240 --> 00:18:31,240 Speaker 4: How long? How long did your visa? How long will 365 00:18:31,280 --> 00:18:34,440 Speaker 4: you be here for? No, I'm leaving today, so when 366 00:18:34,440 --> 00:18:36,320 Speaker 4: you come back, I'll bring you to one of my shows. 367 00:18:36,359 --> 00:18:37,720 Speaker 3: I would love to be back very soon. 368 00:18:38,000 --> 00:18:38,040 Speaker 2: You. 369 00:18:38,080 --> 00:18:39,880 Speaker 3: Actually, my dream is to move to New York, so 370 00:18:40,240 --> 00:18:41,200 Speaker 3: one day it will happen. 371 00:18:41,320 --> 00:18:45,800 Speaker 2: Come host this show whenever you want, like like starting 372 00:18:45,800 --> 00:18:48,040 Speaker 2: in one out music. 373 00:18:48,080 --> 00:18:51,240 Speaker 4: Please hold on. 374 00:18:51,880 --> 00:18:54,120 Speaker 2: We have people calling in. Hello, Okay, is that you 375 00:18:56,240 --> 00:18:58,359 Speaker 2: okay from Beautiful Day and Ohio listening to your Channel 376 00:18:58,600 --> 00:19:00,919 Speaker 2: nine nine. I'm hoping. So what is your question for 377 00:19:00,960 --> 00:19:02,520 Speaker 2: ask a comedian gumba Johnny. 378 00:19:04,280 --> 00:19:07,800 Speaker 6: I just wanted to know when people come up and say, hey, 379 00:19:07,840 --> 00:19:10,720 Speaker 6: tell me a joke, do you look at them and say, oh, 380 00:19:10,800 --> 00:19:13,320 Speaker 6: so you're a surgeon. Can you go ahead and kick 381 00:19:13,359 --> 00:19:14,360 Speaker 6: my appendix out right now? 382 00:19:14,359 --> 00:19:14,800 Speaker 4: Exactly? 383 00:19:16,040 --> 00:19:19,440 Speaker 2: Tell me be funny. Yeah, you gotta go to kus 384 00:19:19,760 --> 00:19:20,320 Speaker 2: be funny. 385 00:19:20,440 --> 00:19:22,920 Speaker 4: Well that you know that does happen a lot. And 386 00:19:23,040 --> 00:19:26,080 Speaker 4: when they say that, I give them the location of 387 00:19:26,080 --> 00:19:30,520 Speaker 4: my next appearance, and I tell them I'll be more 388 00:19:30,520 --> 00:19:31,960 Speaker 4: than happy to tell you a few jokes. 389 00:19:32,000 --> 00:19:34,320 Speaker 2: Okay, they do that to us, they do the laugh. 390 00:19:34,520 --> 00:19:36,400 Speaker 1: To me, do the laugh. Say that to you say 391 00:19:36,440 --> 00:19:38,400 Speaker 1: something funny and I will do the laugh. 392 00:19:39,280 --> 00:19:42,760 Speaker 2: Well, I'm even deeply more deeply insulted. Oh you do 393 00:19:43,280 --> 00:19:43,920 Speaker 2: the show right? 394 00:19:44,040 --> 00:19:44,240 Speaker 4: Yeah? 395 00:19:44,480 --> 00:19:49,239 Speaker 2: What's today's forecast? I don't know what the weather is. 396 00:19:49,400 --> 00:19:51,159 Speaker 2: Oh my god, it's got it wrong every time you 397 00:19:51,200 --> 00:19:54,600 Speaker 2: did it today. So there you go. Okay, you don't 398 00:19:54,600 --> 00:19:56,760 Speaker 2: do that too, chamremians? Do you do you ask comedians 399 00:19:56,760 --> 00:19:59,159 Speaker 2: to be funny? Put them on the spot. No, what 400 00:19:59,200 --> 00:19:59,920 Speaker 2: do you do for today? 401 00:20:00,000 --> 00:20:00,680 Speaker 6: I do love them? 402 00:20:00,760 --> 00:20:01,520 Speaker 2: What do you do for him? 403 00:20:01,600 --> 00:20:02,440 Speaker 6: Nurse? Oh? 404 00:20:02,560 --> 00:20:04,920 Speaker 2: Then can you come in and shave my ball? 405 00:20:05,400 --> 00:20:08,080 Speaker 4: Oh my god, I didn't have a music Please. 406 00:20:10,200 --> 00:20:10,440 Speaker 2: Listen. 407 00:20:10,560 --> 00:20:10,879 Speaker 4: Thank you. 408 00:20:10,920 --> 00:20:13,040 Speaker 2: Okay, thank you for listening to us, and you have 409 00:20:13,080 --> 00:20:16,239 Speaker 2: a great day. Okay, but I know that nurses are 410 00:20:16,280 --> 00:20:19,040 Speaker 2: much more important than ball shaving. I know it's not 411 00:20:19,119 --> 00:20:21,080 Speaker 2: the only thing they do. Now you do a lot. No, No, 412 00:20:21,160 --> 00:20:24,159 Speaker 2: thank god for nurses doctors who failed to exist. Thank you, 413 00:20:24,240 --> 00:20:25,080 Speaker 2: k thank you so much. 414 00:20:25,400 --> 00:20:26,879 Speaker 4: I can't wait till you go to the emergency room 415 00:20:26,920 --> 00:20:27,440 Speaker 4: the next time. 416 00:20:27,720 --> 00:20:31,160 Speaker 2: No. No, nurses and teachers, we got them, I said, Look, 417 00:20:31,240 --> 00:20:34,120 Speaker 2: Goomba Johnny is going to be at Avenel Performing Arts 418 00:20:34,160 --> 00:20:37,080 Speaker 2: Center this Saturday. For tickets and all the info, head 419 00:20:37,119 --> 00:20:39,879 Speaker 2: to Avenel Arts dot com. Or if you want to 420 00:20:39,880 --> 00:20:42,119 Speaker 2: see him at Palm Beach Kennel Club in Palm Beach, Florida, 421 00:20:42,119 --> 00:20:45,760 Speaker 2: which is such an interesting concept of a venue. Yeah, well, 422 00:20:45,800 --> 00:20:47,720 Speaker 2: it's an old dog track exactly. 423 00:20:47,960 --> 00:20:48,200 Speaker 4: Yeah. 424 00:20:48,600 --> 00:20:49,520 Speaker 2: It comedy club. 425 00:20:49,640 --> 00:20:51,800 Speaker 4: Yeah no, it's an old dog track. It's owned by 426 00:20:51,840 --> 00:20:55,040 Speaker 4: the Runey's and the Pittsburgh Steelers. So they closed the 427 00:20:55,080 --> 00:20:57,840 Speaker 4: dog track. They made half of it into this beautiful 428 00:20:57,880 --> 00:21:01,040 Speaker 4: poker room and the other half into an entertainment center 429 00:21:01,040 --> 00:21:04,399 Speaker 4: where they have comedy and uh and and music. 430 00:21:04,720 --> 00:21:05,880 Speaker 1: No old dogs are gonna show. 431 00:21:06,000 --> 00:21:08,720 Speaker 4: No, but the dog track is still there. 432 00:21:09,320 --> 00:21:10,960 Speaker 2: And I'm gonna take my snalogies. 433 00:21:12,320 --> 00:21:12,919 Speaker 1: It's funny. 434 00:21:14,480 --> 00:21:17,480 Speaker 4: I don't know. We love you, Johnny, I love you man, 435 00:21:17,480 --> 00:21:20,600 Speaker 4: I love all you guys, even uh, Filipo, even the 436 00:21:20,640 --> 00:21:21,840 Speaker 4: real Italian. 437 00:21:22,440 --> 00:21:25,480 Speaker 3: The only nice today. 438 00:21:25,560 --> 00:21:26,080 Speaker 1: That's nice. 439 00:21:26,240 --> 00:21:29,600 Speaker 2: Absolutely, it is nice. You got a new best friend? Yeah? 440 00:21:30,040 --> 00:21:31,399 Speaker 2: Do you have Instagram in Italy? 441 00:21:31,520 --> 00:21:36,760 Speaker 3: Yeah? You know what, just arrived. 442 00:21:36,920 --> 00:21:40,800 Speaker 2: We have water, we do just like we do. 443 00:21:41,080 --> 00:21:42,440 Speaker 4: Maybe you could turn it into wine. 444 00:21:44,840 --> 00:21:45,399 Speaker 2: Is that funny? 445 00:21:46,160 --> 00:21:48,000 Speaker 4: It's like a Jesus jokes. 446 00:21:51,720 --> 00:22:01,960 Speaker 2: Good Bye, Johnny, thank you, thank you. Elvis Duran in 447 00:22:02,000 --> 00:22:02,720 Speaker 2: the Morning Show