1
00:00:04,320 --> 00:00:05,920
Speaker 1: I'm excited. I'm excited to meet you.

2
00:00:06,080 --> 00:00:10,119
Speaker 2: I'm excited to get into it with you. You've had

3
00:00:10,119 --> 00:00:14,480
Speaker 2: an amazing journey. I think we have a huge amount to

4
00:00:14,560 --> 00:00:15,800
Speaker 2: talk about.

5
00:00:17,239 --> 00:00:19,160
Speaker 1: We had. We'd always heard people.

6
00:00:18,880 --> 00:00:22,680
Speaker 2: Saying like, like, do you know Sarah Sherman, Like she

7
00:00:22,720 --> 00:00:24,800
Speaker 2: loves she loves the show, she listened to the show,

8
00:00:26,120 --> 00:00:27,960
Speaker 2: and I would be like, oh, like, which is so

9
00:00:28,080 --> 00:00:31,920
Speaker 2: great to hear. It's awesome, It's awesome. And I'd be like,

10
00:00:31,960 --> 00:00:34,120
Speaker 2: Sarah Squirm and they'd be, well, she's like she's Sarah

11
00:00:34,159 --> 00:00:36,320
Speaker 2: Squirm until she gets SNL and then she's going to

12
00:00:36,360 --> 00:00:37,000
Speaker 2: be Sarah Sherman.

13
00:00:37,080 --> 00:00:39,599
Speaker 1: And this was in like twenty fifteen or something like.

14
00:00:39,520 --> 00:00:42,640
Speaker 3: That, yeah, which I was like, oh wow, that's pretty confident.

15
00:00:43,200 --> 00:00:44,159
Speaker 1: I think that's awesome.

16
00:00:44,400 --> 00:00:46,319
Speaker 3: And it paid off, like it was like, yeah, it's

17
00:00:46,320 --> 00:00:48,280
Speaker 3: a good reason you backed that shit up.

18
00:00:49,320 --> 00:00:54,800
Speaker 2: And people would say, but she really admires like you guys,

19
00:00:54,800 --> 00:01:00,400
Speaker 2: and like what you're doing. And she has sort of

20
00:01:00,400 --> 00:01:02,680
Speaker 2: like floated the idea of like when she does get it,

21
00:01:02,720 --> 00:01:06,959
Speaker 2: of like giving giving you her spot because Lauren, like

22
00:01:07,920 --> 00:01:11,160
Speaker 2: for people do doesn't if you don't know you get

23
00:01:11,160 --> 00:01:13,280
Speaker 2: through like the audition and like the quiz and everything,

24
00:01:13,360 --> 00:01:17,800
Speaker 2: and then he offers you the chance to perform the

25
00:01:17,840 --> 00:01:25,199
Speaker 2: noble deed, which is you if there is someone who

26
00:01:25,280 --> 00:01:29,680
Speaker 2: you who's creative work you admire, yes.

27
00:01:29,520 --> 00:01:30,120
Speaker 1: You admire.

28
00:01:30,480 --> 00:01:34,160
Speaker 3: Usually someone admired you who's got you on the show,

29
00:01:34,319 --> 00:01:39,240
Speaker 3: because they, if they have shaped your comedic identity, as

30
00:01:39,319 --> 00:01:43,680
Speaker 3: we apparently have with you, you are able to bestow

31
00:01:43,840 --> 00:01:47,000
Speaker 3: upon them your slot.

32
00:01:47,680 --> 00:01:50,640
Speaker 4: Sorry, as like a faithful and like obedient listener of

33
00:01:50,680 --> 00:01:52,800
Speaker 4: the show. I don't know if you can tell, but

34
00:01:52,920 --> 00:01:55,160
Speaker 4: I'm sort of sitting in silence because I actually don't

35
00:01:55,160 --> 00:01:57,600
Speaker 4: know if it is my am I'm allowed to talk

36
00:01:57,680 --> 00:01:58,680
Speaker 4: yet if well.

37
00:01:58,480 --> 00:02:00,360
Speaker 3: And I and I should talk to Hayes about this,

38
00:02:00,360 --> 00:02:02,680
Speaker 3: and if I could talk to his about this separately. So, so,

39
00:02:03,640 --> 00:02:07,960
Speaker 3: Sarah squirm Is is a listener of the show.

40
00:02:08,080 --> 00:02:12,760
Speaker 2: There's the show. I just but before we do this,

41
00:02:13,160 --> 00:02:15,400
Speaker 2: you're not covering up the lens. What we can see

42
00:02:15,480 --> 00:02:20,079
Speaker 2: is just all skin. And for some people who subscribe

43
00:02:20,080 --> 00:02:23,080
Speaker 2: to the video feed, that's going to be too much

44
00:02:23,120 --> 00:02:27,040
Speaker 2: in in one direction or another, you know what I mean.

45
00:02:27,480 --> 00:02:28,359
Speaker 5: Totally.

46
00:02:29,840 --> 00:02:30,600
Speaker 1: To lose lose.

47
00:02:30,760 --> 00:02:36,000
Speaker 3: Yes, yes, So, so I want to say Hayes that

48
00:02:36,480 --> 00:02:38,080
Speaker 3: you know it is one of the only times we

49
00:02:38,160 --> 00:02:41,680
Speaker 3: have had someone on the show who does listen, and

50
00:02:41,760 --> 00:02:46,639
Speaker 3: you have, in asking for a favor, effectively stolen from her.

51
00:02:46,800 --> 00:02:49,960
Speaker 3: You have robbed her because what but true listeners love

52
00:02:50,120 --> 00:02:53,880
Speaker 3: is the half story at the top of the show

53
00:02:54,400 --> 00:02:57,560
Speaker 3: kind of music. And this is one of the only

54
00:02:57,560 --> 00:03:00,320
Speaker 3: people who would who it was safe to do it

55
00:03:00,320 --> 00:03:02,280
Speaker 3: in front of because they were going to know what

56
00:03:02,360 --> 00:03:09,840
Speaker 3: was happening, and who may have even enjoyed it. And instead,

57
00:03:09,880 --> 00:03:13,000
Speaker 3: what we've done is we have excised that. And so

58
00:03:13,120 --> 00:03:15,639
Speaker 3: I don't know if it's a punishment because we were

59
00:03:15,680 --> 00:03:19,120
Speaker 3: not given the slot. I don't know what the thinking was.

60
00:03:19,160 --> 00:03:22,760
Speaker 3: We haven't talked and I would say a month yes,

61
00:03:22,880 --> 00:03:23,600
Speaker 3: you and I.

62
00:03:24,120 --> 00:03:25,840
Speaker 2: And I know you feel the same way about this,

63
00:03:25,880 --> 00:03:27,480
Speaker 2: when if you actually do you think about it that

64
00:03:27,520 --> 00:03:29,160
Speaker 2: it's not a punishment, it is a gift. I don't

65
00:03:29,160 --> 00:03:31,240
Speaker 2: want to create that sense of obligation. I don't want

66
00:03:31,240 --> 00:03:33,760
Speaker 2: to do SNL. My shit is for grown ups. I

67
00:03:33,800 --> 00:03:36,120
Speaker 2: don't do shit for like college boys, you know what

68
00:03:36,200 --> 00:03:39,400
Speaker 2: I mean, little college boys? Little bit like the shit

69
00:03:39,440 --> 00:03:42,600
Speaker 2: I'm working on right now is like it is for

70
00:03:42,640 --> 00:03:45,360
Speaker 2: grown up adults. I'm working on like a farce right now.

71
00:03:45,360 --> 00:03:51,160
Speaker 2: For example, the doors. It's it's it's so, it's so

72
00:03:52,040 --> 00:03:56,920
Speaker 2: noises off. Yes, this farce Hayes has, it's like an

73
00:03:56,960 --> 00:04:02,280
Speaker 2: Italian noises off, so noises off. It's like if Harlequin

74
00:04:02,400 --> 00:04:06,920
Speaker 2: were just sort of wandering within noises off? Is that

75
00:04:06,960 --> 00:04:09,120
Speaker 2: you know what I mean? Yes, and being able to

76
00:04:09,360 --> 00:04:16,039
Speaker 2: rearrange people. But like and also for Sarah, if you

77
00:04:16,080 --> 00:04:18,640
Speaker 2: accept the noble if you do perform the noble deed,

78
00:04:19,279 --> 00:04:22,839
Speaker 2: you can never see Lauren again. And you can you won't.

79
00:04:23,040 --> 00:04:27,000
Speaker 2: You will not remember lorn m h okay.

80
00:04:27,839 --> 00:04:29,880
Speaker 4: So I get like the men in black kind of

81
00:04:29,920 --> 00:04:31,600
Speaker 4: like flashlight in the eyes.

82
00:04:32,000 --> 00:04:34,200
Speaker 3: Yeah, but it's not a it's not even a flashlight.

83
00:04:34,240 --> 00:04:37,119
Speaker 3: That's just like a nice light. It is a punge

84
00:04:37,120 --> 00:04:38,080
Speaker 3: in the pace from college Jo.

85
00:04:38,120 --> 00:04:44,600
Speaker 4: Just yeah, I like you.

86
00:04:43,360 --> 00:04:46,000
Speaker 1: I was.

87
00:04:46,160 --> 00:04:49,040
Speaker 2: I know Seaun's done it many times. They keep bringing

88
00:04:49,080 --> 00:04:51,520
Speaker 2: him back when he doesn't. I was cast, Yes, I was,

89
00:04:51,640 --> 00:04:52,239
Speaker 2: I was cast.

90
00:04:52,279 --> 00:04:54,800
Speaker 3: I've nailed the audition, I've been flown to New York,

91
00:04:54,839 --> 00:04:57,240
Speaker 3: I've gone on the stage. I've made the writers laugh,

92
00:04:57,320 --> 00:04:58,719
Speaker 3: I've made Lauren laugh.

93
00:04:58,880 --> 00:04:59,720
Speaker 1: And then when they.

94
00:04:59,600 --> 00:05:02,120
Speaker 3: Give it to me, I'll usually pass it off to

95
00:05:02,200 --> 00:05:04,920
Speaker 3: someone who I think needs a little bit more shine.

96
00:05:05,920 --> 00:05:10,080
Speaker 3: And after you do that, and I've done that, you

97
00:05:10,080 --> 00:05:12,600
Speaker 3: know it's it's sort of an inside joke among us

98
00:05:13,120 --> 00:05:18,479
Speaker 3: true SNL noble deed doers that Colin jokes called his

99
00:05:18,560 --> 00:05:21,080
Speaker 3: memoir a punchable face because he has punched me in

100
00:05:21,080 --> 00:05:23,279
Speaker 3: the face five or six times in order to wipe

101
00:05:23,320 --> 00:05:29,679
Speaker 3: my memory clean of my SNL experience. And I would

102
00:05:29,680 --> 00:05:31,680
Speaker 3: do it again, and I will do it again. And

103
00:05:31,720 --> 00:05:33,440
Speaker 3: if you tried to give it to me, all you

104
00:05:33,480 --> 00:05:36,559
Speaker 3: would be doing is just giving me a new punch

105
00:05:36,560 --> 00:05:40,240
Speaker 3: in the face, because I would probably this point, let

106
00:05:40,480 --> 00:05:43,640
Speaker 3: Kevin do SNL instead of me. I think he's ready.

107
00:05:44,240 --> 00:05:46,560
Speaker 3: I think he's ready. Kevin, talk a little bit about

108
00:05:46,600 --> 00:05:49,600
Speaker 3: what you're gonna do this season out SNL. After Sarah

109
00:05:49,600 --> 00:05:51,800
Speaker 3: gives me the slot that I give it to you.

110
00:05:52,480 --> 00:05:54,279
Speaker 6: How's this one, Sarah?

111
00:05:54,520 --> 00:05:54,880
Speaker 1: This is.

112
00:05:57,080 --> 00:06:01,720
Speaker 6: This is my grandma who doesn't like Avatar. I'm not

113
00:06:01,720 --> 00:06:02,480
Speaker 6: gonna watch it.

114
00:06:05,360 --> 00:06:07,520
Speaker 4: You know what keeps happening to me is like I

115
00:06:07,600 --> 00:06:10,200
Speaker 4: know that, like technically I am part of the conversation,

116
00:06:10,880 --> 00:06:15,960
Speaker 4: but this four square zoom experience of my favorite podcast notes, man,

117
00:06:16,520 --> 00:06:18,200
Speaker 4: I feel like I'm watching a little play.

118
00:06:18,360 --> 00:06:19,919
Speaker 7: And even though I know I'm a part of this,

119
00:06:20,000 --> 00:06:21,640
Speaker 7: and I know I'm a part of the dialogue.

120
00:06:22,279 --> 00:06:23,000
Speaker 1: People say that.

121
00:06:23,080 --> 00:06:25,080
Speaker 2: I just want to say, people do we do like

122
00:06:25,200 --> 00:06:28,320
Speaker 2: say that people say that about us, but there it's

123
00:06:28,440 --> 00:06:29,400
Speaker 2: it's actually.

124
00:06:30,560 --> 00:06:33,920
Speaker 1: We actually cater do it really lots of different people.

125
00:06:34,680 --> 00:06:35,440
Speaker 1: It's a big tent.

126
00:06:36,440 --> 00:06:38,640
Speaker 2: How do you think you're doing, Sarah, how do we're like,

127
00:06:38,760 --> 00:06:40,960
Speaker 2: let's check in, Yeah, let's do a little check in.

128
00:06:41,240 --> 00:06:48,480
Speaker 1: We're around minute eight, so you're down a chance.

129
00:06:49,279 --> 00:06:53,120
Speaker 4: This is this is two, we're this is, by the way,

130
00:06:53,160 --> 00:06:54,360
Speaker 4: my dressing room.

131
00:06:54,400 --> 00:06:56,960
Speaker 7: Again for the listeners and who are watching this like

132
00:06:56,960 --> 00:06:57,520
Speaker 7: a little.

133
00:06:57,320 --> 00:07:00,640
Speaker 1: Play, Okay, it's just like a normal room to me.

134
00:07:00,839 --> 00:07:03,080
Speaker 4: And you're and you're shrugging and you're acting like you're

135
00:07:03,120 --> 00:07:05,560
Speaker 4: not getting an eye fall, but there's an eyefoll here

136
00:07:05,560 --> 00:07:07,240
Speaker 4: and you're kind of like acting like this is no

137
00:07:07,240 --> 00:07:09,040
Speaker 4: big deal to be seeing what you're seeing right now.

138
00:07:09,080 --> 00:07:11,160
Speaker 4: But I actually think that I'm giving. I'm actually giving

139
00:07:11,200 --> 00:07:14,160
Speaker 4: a lot, and there's a lot of I'm.

140
00:07:14,120 --> 00:07:18,640
Speaker 1: Very normal for me. Actually, what I would be.

141
00:07:20,160 --> 00:07:24,960
Speaker 2: Like really like my jaw would drop if I ever

142
00:07:25,120 --> 00:07:32,280
Speaker 2: saw just like a normal like working person's bathroom or something.

143
00:07:32,440 --> 00:07:34,800
Speaker 3: In their bathroom, if I was inside their bathroom. That

144
00:07:34,920 --> 00:07:37,680
Speaker 3: to me is like I'm usually getting an eye fall

145
00:07:37,920 --> 00:07:39,560
Speaker 3: or at least an eye half full because I'm not.

146
00:07:39,600 --> 00:07:41,560
Speaker 4: So none of you are charmed at all by the

147
00:07:41,560 --> 00:07:44,560
Speaker 4: clowns sitting on top of my lamp. None of you,

148
00:07:44,880 --> 00:07:48,280
Speaker 4: there's nothing is striking anything.

149
00:07:47,520 --> 00:07:49,400
Speaker 7: Within you, like, oh, there's a cloun sting on top

150
00:07:49,400 --> 00:07:51,600
Speaker 7: of the lamp. I actually like to be seeing that.

151
00:07:51,680 --> 00:07:53,800
Speaker 1: Shit didn't affect me.

152
00:07:54,800 --> 00:07:57,680
Speaker 3: I am curious because you have this like kind of

153
00:07:57,760 --> 00:08:01,120
Speaker 3: nice landscape painting and I can of see in the wah,

154
00:08:01,240 --> 00:08:02,960
Speaker 3: is there a sasquatch or something there?

155
00:08:03,400 --> 00:08:06,360
Speaker 7: There's the swamp thing is rising from them?

156
00:08:06,760 --> 00:08:10,520
Speaker 3: Yes, okay, and this and if you guys could see,

157
00:08:12,000 --> 00:08:14,160
Speaker 3: you know how small it is for me that I

158
00:08:14,200 --> 00:08:18,720
Speaker 3: was able to identify that it's actually pretty cool.

159
00:08:19,280 --> 00:08:20,840
Speaker 7: I do think that is pretty amazing.

160
00:08:20,920 --> 00:08:24,360
Speaker 4: And again, as someone who literally minutes ago forgot that

161
00:08:24,400 --> 00:08:26,600
Speaker 4: I was on the podcast and was watching this like

162
00:08:26,640 --> 00:08:30,160
Speaker 4: a movie and a private show for me, am I

163
00:08:30,160 --> 00:08:31,520
Speaker 4: I did notice that anything.

164
00:08:31,560 --> 00:08:32,800
Speaker 5: I did think that was amazing.

165
00:08:34,000 --> 00:08:37,040
Speaker 2: I want to check in. I haven't looked at the

166
00:08:37,120 --> 00:08:40,200
Speaker 2: numbers in a while. Are we how are we doing

167
00:08:40,200 --> 00:08:42,240
Speaker 2: on like a V club like best sketch of the night?

168
00:08:42,280 --> 00:08:44,240
Speaker 1: Are we are we.

169
00:08:44,559 --> 00:08:48,000
Speaker 3: And what percentage would you say, yeah, Sarah?

170
00:08:48,320 --> 00:08:51,240
Speaker 1: Usually Sarah is it? Sometimes Sarah?

171
00:08:51,440 --> 00:09:00,880
Speaker 3: So here are the options? Never sometimes usually always always so.

172
00:09:00,720 --> 00:09:01,360
Speaker 1: One to four.

173
00:09:02,520 --> 00:09:05,920
Speaker 4: So the fact that I don't know does that mean

174
00:09:06,040 --> 00:09:10,920
Speaker 4: that I'm not it? Because if you are, if someone

175
00:09:10,960 --> 00:09:12,400
Speaker 4: says that you're the best sketch of the night, that

176
00:09:12,480 --> 00:09:14,360
Speaker 4: means you know that you are right.

177
00:09:15,040 --> 00:09:17,240
Speaker 2: They usually try and get a quote, like they usually

178
00:09:17,240 --> 00:09:19,280
Speaker 2: try and call and just like get your you know,

179
00:09:19,480 --> 00:09:22,720
Speaker 2: just like so if they haven't checked in with you

180
00:09:22,800 --> 00:09:29,080
Speaker 2: and just looking back, Hello Kitty, not mine.

181
00:09:31,600 --> 00:09:34,080
Speaker 4: I was actually you know, I don't know if you

182
00:09:34,080 --> 00:09:36,080
Speaker 4: guys like are familiar with my work, but I had

183
00:09:36,120 --> 00:09:38,280
Speaker 4: a line in that sketch, So.

184
00:09:40,000 --> 00:09:41,679
Speaker 7: Yeah, I was a barn burner of a line.

185
00:09:42,320 --> 00:09:44,360
Speaker 4: So you know, a lot of times people say, like

186
00:09:44,440 --> 00:09:46,120
Speaker 4: when you have an X factor.

187
00:09:45,800 --> 00:09:49,760
Speaker 3: Like hello Kitty one line character here with us today.

188
00:09:49,520 --> 00:09:55,160
Speaker 8: Sarah, I mean, do you think we have quick, very quick,

189
00:09:55,320 --> 00:09:59,439
Speaker 8: one sentence conversation with the Hello Kitty one line character.

190
00:09:59,679 --> 00:10:01,240
Speaker 7: I think I could whip out the line. Are you

191
00:10:01,280 --> 00:10:03,080
Speaker 7: ready for this? It's gonna blow your fucking mind.

192
00:10:03,160 --> 00:10:05,199
Speaker 4: It's gonna actually, it's gonna blow your the top of

193
00:10:05,240 --> 00:10:07,120
Speaker 4: your skull clean off the top of your head and

194
00:10:07,120 --> 00:10:08,240
Speaker 4: it's gonna hit the brain.

195
00:10:08,040 --> 00:10:09,719
Speaker 7: Is gonna hit this to do.

196
00:10:11,320 --> 00:10:14,040
Speaker 4: Well, the heck of offers and the rest of it well,

197
00:10:16,800 --> 00:10:24,400
Speaker 4: miss disguise scraper, Okay ready uh I thought this would

198
00:10:24,400 --> 00:10:32,200
Speaker 4: be like an insane place to get high.

199
00:10:32,280 --> 00:10:34,679
Speaker 3: Yeah, and I do have to wash my hat now.

200
00:10:35,400 --> 00:10:36,599
Speaker 1: I'm just like checking it.

201
00:10:38,240 --> 00:10:41,760
Speaker 4: So many people say, like, you know, like Sarah, like

202
00:10:41,840 --> 00:10:44,280
Speaker 4: you seem like not very serious, like you're always being

203
00:10:44,320 --> 00:10:47,480
Speaker 4: crazy and like totally random and wacky. But if you

204
00:10:47,520 --> 00:10:50,040
Speaker 4: put me in a sketch at Saturday Night Live, even

205
00:10:50,080 --> 00:10:51,520
Speaker 4: if I have one line, I.

206
00:10:51,480 --> 00:10:52,480
Speaker 5: Will memorize it.

207
00:10:52,880 --> 00:10:54,880
Speaker 7: I will put my pussy to the pavement.

208
00:10:54,920 --> 00:10:59,040
Speaker 4: I will work harder than you could even possibly one on.

209
00:11:00,440 --> 00:11:02,960
Speaker 3: We stopped saying that you, as a fan of the show,

210
00:11:02,960 --> 00:11:06,160
Speaker 3: should know. We stopped saying that months ago. Do you

211
00:11:06,200 --> 00:11:08,360
Speaker 3: want me to stop catchphrase?

212
00:11:09,920 --> 00:11:12,200
Speaker 7: Well, I put my hold on the floor and I

213
00:11:12,280 --> 00:11:14,839
Speaker 7: grind it out. That's how we.

214
00:11:14,920 --> 00:11:18,360
Speaker 1: Talk to everyone. Now everyone can enjoy it.

215
00:11:18,880 --> 00:11:21,200
Speaker 4: I put my lips to the sidewalk and I I

216
00:11:21,240 --> 00:11:24,720
Speaker 4: got to going, that's what that's kind of stuff we

217
00:11:24,760 --> 00:11:25,240
Speaker 4: say here.

218
00:11:26,280 --> 00:11:29,559
Speaker 3: Have you done inside joke yet? Have you been on

219
00:11:29,679 --> 00:11:30,400
Speaker 3: inside joke?

220
00:11:31,040 --> 00:11:32,839
Speaker 5: What could you possibly be talking.

221
00:11:32,559 --> 00:11:35,280
Speaker 1: About have you done inside joke? Have you been on

222
00:11:35,320 --> 00:11:39,480
Speaker 1: that one? Must have done good one? Have you done

223
00:11:39,520 --> 00:11:40,040
Speaker 1: good one?

224
00:11:40,559 --> 00:11:41,400
Speaker 7: Well on earth?

225
00:11:41,520 --> 00:11:43,040
Speaker 5: Could you possibly be talking about?

226
00:11:43,160 --> 00:11:44,319
Speaker 1: Oh my god?

227
00:11:44,640 --> 00:11:48,560
Speaker 3: Okay, well all right? Does everyone know we're just trying

228
00:11:48,559 --> 00:11:52,760
Speaker 3: to find like where you're at, like in the comedy landscape.

229
00:11:52,360 --> 00:11:53,480
Speaker 7: I'm nowhere.

230
00:11:53,520 --> 00:11:57,040
Speaker 4: You guys knew for years that I was your number

231
00:11:57,080 --> 00:11:59,720
Speaker 4: one fan in the picket line, standing with my fists

232
00:11:59,720 --> 00:12:03,080
Speaker 4: in the air, error saying Hollywood Handbook forever.

233
00:12:03,160 --> 00:12:06,840
Speaker 2: Really, I think it was maybe the messaging, the way,

234
00:12:07,120 --> 00:12:09,480
Speaker 2: like the fact that you did it in a way

235
00:12:09,520 --> 00:12:13,240
Speaker 2: that's like, what is she mad about? What is she protesting? Yeah,

236
00:12:13,320 --> 00:12:15,480
Speaker 2: the scientist says Hollywood Handbook.

237
00:12:15,800 --> 00:12:19,480
Speaker 3: Yeah, and you're screaming yes, And a lot of times

238
00:12:19,559 --> 00:12:26,520
Speaker 3: there's a another protest happening very nearby. Because I don't

239
00:12:26,559 --> 00:12:27,840
Speaker 3: necessarily want our sign.

240
00:12:28,720 --> 00:12:30,960
Speaker 4: Yeah, I'm at the front lines for you guys. It

241
00:12:31,000 --> 00:12:33,760
Speaker 4: doesn't matter what's happening, who's there.

242
00:12:33,880 --> 00:12:37,120
Speaker 3: What it should It should matter what's happening, it should

243
00:12:37,120 --> 00:12:39,200
Speaker 3: matter who's there. I guess that's what we wanted to

244
00:12:39,320 --> 00:12:43,320
Speaker 3: discuss at part, is that as much as we appreciate

245
00:12:43,360 --> 00:12:45,680
Speaker 3: the support me, we could be a little more selective.

246
00:12:46,360 --> 00:12:50,480
Speaker 7: But aren't you glad that like there is there is.

247
00:12:50,520 --> 00:12:53,959
Speaker 4: Conversation constantly on the front lines, on the front page.

248
00:12:54,240 --> 00:12:56,319
Speaker 5: You know what I'm saying, Like it doesn't you know?

249
00:12:56,360 --> 00:12:58,679
Speaker 4: You know what I'm saying, like it's always I'm always

250
00:12:58,679 --> 00:12:59,800
Speaker 4: bringing it to the four.

251
00:13:00,400 --> 00:13:04,600
Speaker 2: Yes, I think we can maybe if we bring you

252
00:13:05,840 --> 00:13:08,200
Speaker 2: well a little more to the four because just reading this,

253
00:13:08,320 --> 00:13:13,200
Speaker 2: I just hello, Kitty alone, I'm reading the sketch belongs

254
00:13:13,280 --> 00:13:17,200
Speaker 2: to Palmer and Yang, so Kiki and y like, so

255
00:13:17,320 --> 00:13:19,960
Speaker 2: no mention of my line, no mention of your line

256
00:13:20,400 --> 00:13:27,160
Speaker 2: at all. Cecily gets a mention, and total ownership of

257
00:13:27,200 --> 00:13:30,319
Speaker 2: the sketch is given to other performers.

258
00:13:30,400 --> 00:13:31,760
Speaker 1: So and I.

259
00:13:31,720 --> 00:13:34,880
Speaker 4: Respect that as a team player and a remember of

260
00:13:34,920 --> 00:13:35,600
Speaker 4: an ensemble.

261
00:13:36,559 --> 00:13:41,120
Speaker 2: Let's actually talk about that because like you are mostly

262
00:13:41,559 --> 00:13:43,920
Speaker 2: known for, like, let's like just take off some of

263
00:13:43,920 --> 00:13:44,600
Speaker 2: your characters.

264
00:13:44,640 --> 00:13:46,840
Speaker 3: Can we just like ye, please, let's go through it

265
00:13:47,040 --> 00:13:47,360
Speaker 3: right now?

266
00:13:47,920 --> 00:13:49,400
Speaker 7: Please? I welcome.

267
00:13:50,080 --> 00:13:53,360
Speaker 2: So one is like you just like it's like it's you,

268
00:13:53,480 --> 00:13:55,200
Speaker 2: Sarah Sherman. You're just doing like you.

269
00:13:56,160 --> 00:13:56,800
Speaker 7: I'm being real.

270
00:13:57,120 --> 00:14:01,240
Speaker 5: I'm I'm no fake fake.

271
00:14:01,320 --> 00:14:03,720
Speaker 3: That's the one I know, the one that Hayes's.

272
00:14:04,040 --> 00:14:07,199
Speaker 2: That's the only one I know too. Yes, and you

273
00:14:07,240 --> 00:14:09,119
Speaker 2: seem very invested in that one.

274
00:14:09,559 --> 00:14:14,960
Speaker 3: That one. I feel you putting the work in. I

275
00:14:15,160 --> 00:14:18,800
Speaker 3: don't know what else is going on, but you know.

276
00:14:19,560 --> 00:14:21,120
Speaker 1: Hayes and I always talk about this.

277
00:14:23,280 --> 00:14:28,480
Speaker 3: People tune into this show to escape, to escape because

278
00:14:28,520 --> 00:14:36,320
Speaker 3: there's so much bullshit out and this should be a relief.

279
00:14:37,160 --> 00:14:45,560
Speaker 3: The world of fantasy, right, crazy costumes, wild accents, incredible

280
00:14:45,960 --> 00:14:51,920
Speaker 3: hello kitty sketches. Yes. Uh, if I wanted to see

281
00:14:53,120 --> 00:14:58,040
Speaker 3: Sarah Sherman, I would just spend six months scheduling a

282
00:14:58,080 --> 00:15:01,120
Speaker 3: single podcast appearance with her. You know, I wouldn't have

283
00:15:01,240 --> 00:15:06,120
Speaker 3: to I wouldn't have to turn on my TV and

284
00:15:06,280 --> 00:15:10,960
Speaker 3: tune in late at night. So what we're thinking is,

285
00:15:11,800 --> 00:15:18,160
Speaker 3: could we help you help the country and possibly develop

286
00:15:18,280 --> 00:15:22,120
Speaker 3: some new characters that a little further removed, maybe from

287
00:15:23,280 --> 00:15:23,960
Speaker 3: what we're.

288
00:15:25,360 --> 00:15:26,400
Speaker 1: Enduring right now.

289
00:15:27,360 --> 00:15:31,000
Speaker 7: I mean I basically, again, as as.

290
00:15:30,840 --> 00:15:34,880
Speaker 4: Your guys, is number one fan who's putting my hoofs

291
00:15:34,880 --> 00:15:37,280
Speaker 4: on the pavement trying to get the word out constantly

292
00:15:38,200 --> 00:15:43,200
Speaker 4: about Hollywood hanbooks, shorthand known as age age. You know again,

293
00:15:43,640 --> 00:15:45,920
Speaker 4: not offended that I wasn't asked for years?

294
00:15:46,440 --> 00:15:48,400
Speaker 5: No, seriously, I'm not I'm not good.

295
00:15:49,200 --> 00:15:52,520
Speaker 1: Did you get a followback? Did you get a followback?

296
00:15:53,000 --> 00:15:55,400
Speaker 4: I actually sort of I'm kind of looking at my

297
00:15:55,480 --> 00:15:57,480
Speaker 4: feet right now and I'm kind of not really seeing

298
00:15:57,480 --> 00:15:59,920
Speaker 4: anything in the realm of follow back territory fallowback from

299
00:16:00,360 --> 00:16:03,680
Speaker 4: but no, seriously, as someone who is a great as

300
00:16:03,720 --> 00:16:06,160
Speaker 4: you guys know, a big fan of the work, who

301
00:16:06,200 --> 00:16:07,800
Speaker 4: again was not asked to be on the podcast, and

302
00:16:07,840 --> 00:16:10,920
Speaker 4: so quite recently I know him, I'm not I'm not.

303
00:16:13,160 --> 00:16:16,360
Speaker 1: Yeah. Again, it's been, it's been.

304
00:16:16,640 --> 00:16:21,480
Speaker 3: It's been quite the dance we've done to uh tilled

305
00:16:21,600 --> 00:16:22,520
Speaker 3: this spot.

306
00:16:22,880 --> 00:16:24,320
Speaker 1: Kevin, do you have to want to hear?

307
00:16:24,440 --> 00:16:26,800
Speaker 3: Sometimes Kevin collects the number of emails that it took

308
00:16:26,840 --> 00:16:27,800
Speaker 3: to schedule someone.

309
00:16:27,960 --> 00:16:30,880
Speaker 6: I started on Instagram then worked my way to email.

310
00:16:30,960 --> 00:16:32,200
Speaker 6: So let me scroll down.

311
00:16:32,720 --> 00:16:36,880
Speaker 3: When was the IG message? When was it initially explored?

312
00:16:37,480 --> 00:16:40,240
Speaker 1: July twelve. Hey, we're coming up on one year.

313
00:16:40,840 --> 00:16:42,800
Speaker 4: Okay, one year, and I just want to if we

314
00:16:42,960 --> 00:16:45,080
Speaker 4: kind of like do the math kind of like blow

315
00:16:45,120 --> 00:16:48,480
Speaker 4: it kind of like exploded outward. So we're talking July

316
00:16:48,680 --> 00:16:52,280
Speaker 4: a year. But if we're talking the grand scheme of listenership,

317
00:16:52,400 --> 00:16:55,360
Speaker 4: like I'm kind of going back, you know what, I'm

318
00:16:55,360 --> 00:16:58,000
Speaker 4: saying like the math of like how long I've been

319
00:16:58,040 --> 00:17:00,520
Speaker 4: listening to kind of how long I kept you guys waiting.

320
00:17:00,520 --> 00:17:01,760
Speaker 7: It's kind of you know what I'm saying, It's like

321
00:17:01,760 --> 00:17:03,120
Speaker 7: a drop in the bucket kind of thing.

322
00:17:03,200 --> 00:17:05,560
Speaker 1: When did you earn it? In your What was the moment?

323
00:17:06,000 --> 00:17:09,400
Speaker 2: Yeah, when you're you have been asked, let's let let's

324
00:17:09,400 --> 00:17:12,919
Speaker 2: go back in your career and let's let's pinpoint the

325
00:17:12,960 --> 00:17:14,640
Speaker 2: exact moment where you earned it.

326
00:17:15,200 --> 00:17:16,840
Speaker 1: Where we where we missed.

327
00:17:17,920 --> 00:17:22,239
Speaker 4: When I was doing bar shows in Chicago, and I

328
00:17:22,280 --> 00:17:24,119
Speaker 4: was kind of like out in these streets being like

329
00:17:24,200 --> 00:17:27,720
Speaker 4: you know, oh, like you know, Oh, there's a Chicago

330
00:17:27,800 --> 00:17:29,560
Speaker 4: comedian who's kind of a little different.

331
00:17:29,680 --> 00:17:30,800
Speaker 7: She's kind of interesting.

332
00:17:31,200 --> 00:17:33,880
Speaker 2: When we had so many we were having just like

333
00:17:34,920 --> 00:17:38,520
Speaker 2: we did Chicago. We did Chicago twenty eighteen that I remember,

334
00:17:38,760 --> 00:17:41,960
Speaker 2: every single show in twenty eighteen was a Chicago bar

335
00:17:42,080 --> 00:17:42,920
Speaker 2: show comedian.

336
00:17:43,480 --> 00:17:46,159
Speaker 5: Yeah, but I was, you know, I was.

337
00:17:46,359 --> 00:17:48,520
Speaker 1: I was actually John Ham.

338
00:17:49,840 --> 00:17:58,040
Speaker 3: Oh yeah, that's right, exactly what you're doing. Actually awesome,

339
00:17:58,080 --> 00:18:02,080
Speaker 3: he's actually really nice. Lets now it's actually fletch. Now

340
00:18:02,080 --> 00:18:02,880
Speaker 3: that you ask.

341
00:18:03,800 --> 00:18:05,400
Speaker 1: I've actually want to know.

342
00:18:07,960 --> 00:18:09,560
Speaker 5: I'm sweating profusely.

343
00:18:09,600 --> 00:18:12,359
Speaker 1: I have to say you don't have to say that

344
00:18:12,440 --> 00:18:12,760
Speaker 1: at all.

345
00:18:13,600 --> 00:18:15,600
Speaker 4: I have to well, because you guys wanted to know

346
00:18:15,640 --> 00:18:19,960
Speaker 4: this Sarah Sherman, like behind the mask, who is she really?

347
00:18:20,040 --> 00:18:24,720
Speaker 3: No? We want, absolutely want we want more masks for

348
00:18:26,119 --> 00:18:29,159
Speaker 3: that is what we were here to give it.

349
00:18:29,359 --> 00:18:32,240
Speaker 7: Listen, I'll tell you what my range is limited. Okay.

350
00:18:32,280 --> 00:18:39,600
Speaker 4: I can't do accents, I can't do an insane little gestures.

351
00:18:38,840 --> 00:18:41,400
Speaker 5: And I can't do characters. I need you badly.

352
00:18:42,040 --> 00:18:43,679
Speaker 7: I need you guys to be telling.

353
00:18:43,440 --> 00:18:44,880
Speaker 1: Me we got to do something.

354
00:18:45,080 --> 00:18:48,480
Speaker 2: This thing was just like, honestly, the the thing with

355
00:18:48,600 --> 00:18:52,640
Speaker 2: like Jost and like abusing Joe's This is gonna come

356
00:18:52,680 --> 00:18:54,679
Speaker 2: back around. People are just gonna be like, this guy

357
00:18:54,760 --> 00:18:57,120
Speaker 2: is the most one of the most depressed people on earth.

358
00:18:57,119 --> 00:18:57,439
Speaker 1: He is.

359
00:18:58,160 --> 00:19:00,320
Speaker 4: So you guys are gonna do you think people are

360
00:19:00,359 --> 00:19:03,040
Speaker 4: gonna look back three four, six, seven, nine.

361
00:19:02,920 --> 00:19:07,439
Speaker 3: Years clips Yes, and you victimized someone.

362
00:19:07,960 --> 00:19:10,280
Speaker 4: Yeah, And there's gonna be a new wave of cancel

363
00:19:10,320 --> 00:19:13,520
Speaker 4: culture that's actually gonna We know she's being ironic, we

364
00:19:13,600 --> 00:19:16,000
Speaker 4: know she's being tongue in cheek, she's being coy, she's

365
00:19:16,080 --> 00:19:17,280
Speaker 4: being a little bit funny.

366
00:19:17,280 --> 00:19:21,280
Speaker 1: Would you say it's cyclical? But we know that now

367
00:19:21,359 --> 00:19:23,680
Speaker 1: we're in this very koy Era right now.

368
00:19:23,960 --> 00:19:24,320
Speaker 7: Totally.

369
00:19:24,880 --> 00:19:29,840
Speaker 1: That's not going to translate to like five years from now.

370
00:19:30,560 --> 00:19:32,360
Speaker 7: They're gonna say this is conflict.

371
00:19:33,560 --> 00:19:36,120
Speaker 4: And then will by the way they right now, they

372
00:19:36,160 --> 00:19:37,880
Speaker 4: will go back and watch.

373
00:19:38,400 --> 00:19:41,320
Speaker 1: Koy Era joke. They'll have to. They'll they'll be selected

374
00:19:41,320 --> 00:19:41,919
Speaker 1: for the jury.

375
00:19:42,800 --> 00:19:46,359
Speaker 3: Yes, and it will be shown in the courtroom, and

376
00:19:46,400 --> 00:19:48,160
Speaker 3: you will have to pick the right face to make

377
00:19:48,200 --> 00:19:49,280
Speaker 3: while it's airing.

378
00:19:50,800 --> 00:19:54,280
Speaker 1: Better. That's better, better than what I thought you would do.

379
00:19:54,480 --> 00:20:00,720
Speaker 3: Yeah, we're getting cold, colder.

380
00:20:00,840 --> 00:20:03,760
Speaker 1: That's further away. I think.

381
00:20:05,920 --> 00:20:08,879
Speaker 3: This is what we were looking for. That you're scolding

382
00:20:08,920 --> 00:20:13,520
Speaker 3: your past self. You should not autagon done that. Now

383
00:20:14,480 --> 00:20:15,840
Speaker 3: we must build characters.

384
00:20:16,760 --> 00:20:18,640
Speaker 1: Mm hmmm, let's go.

385
00:20:18,920 --> 00:20:22,239
Speaker 2: Let's just let's say, no, go ahead, I'm gonna say,

386
00:20:22,320 --> 00:20:22,879
Speaker 2: let's just start.

387
00:20:22,920 --> 00:20:28,360
Speaker 4: But you're gonna say, I feel like, listen, I'm not

388
00:20:28,440 --> 00:20:31,119
Speaker 4: like pointing anything out. I'm like not pointing fingers, and

389
00:20:31,160 --> 00:20:35,320
Speaker 4: I'm not like trying to be like confrontational. But you

390
00:20:35,320 --> 00:20:37,240
Speaker 4: guys aren't like sort of familiar with what I can

391
00:20:37,320 --> 00:20:39,200
Speaker 4: kind of bring to the table, what kind of tool

392
00:20:39,240 --> 00:20:42,040
Speaker 4: belt I'm working with, So like, do you want me

393
00:20:42,080 --> 00:20:44,359
Speaker 4: to tell you what I can bring to the table.

394
00:20:44,480 --> 00:20:47,439
Speaker 4: You kind of work from there because like I already

395
00:20:47,440 --> 00:20:49,639
Speaker 4: want to just go like you want to blue sky it.

396
00:20:50,520 --> 00:20:54,520
Speaker 2: You said no accents, no like, no voices of any kind.

397
00:20:55,760 --> 00:21:00,480
Speaker 7: I could I could do pirate voice. Okay, you know

398
00:21:00,480 --> 00:21:01,000
Speaker 7: what I'm saying.

399
00:21:01,119 --> 00:21:06,000
Speaker 2: Okay, that's that is huge right now.

400
00:21:06,600 --> 00:21:11,399
Speaker 1: Mm hmmm, talking like a pirate captain.

401
00:21:15,320 --> 00:21:19,560
Speaker 7: Oh and I will wear like any like.

402
00:21:21,160 --> 00:21:26,439
Speaker 3: Captain captain Captain Jacqueline let's girl boss. It's kind of

403
00:21:26,480 --> 00:21:36,920
Speaker 3: good you wear anything clothing wise. We're not limited to clothing, no.

404
00:21:36,960 --> 00:21:39,639
Speaker 4: But posture could also if this kind of strikes anything

405
00:21:39,720 --> 00:21:40,560
Speaker 4: character wise.

406
00:21:40,400 --> 00:21:44,880
Speaker 1: Like kind of like going like that, shoulders as areas.

407
00:21:45,640 --> 00:21:50,760
Speaker 2: Yeah, yeah, let's let's I'm gonna throw some stuff out there, okay,

408
00:21:50,880 --> 00:21:53,760
Speaker 2: and we're just gonna kind of see how this fits.

409
00:21:53,520 --> 00:21:54,399
Speaker 1: Were do with it?

410
00:21:54,480 --> 00:21:56,720
Speaker 7: Yeah, you want to cook?

411
00:21:57,640 --> 00:21:59,919
Speaker 1: So where what are we? What do we think about

412
00:22:01,440 --> 00:22:02,200
Speaker 1: snape Dog?

413
00:22:03,840 --> 00:22:05,600
Speaker 7: Okay, do you want me to go for it?

414
00:22:06,840 --> 00:22:09,040
Speaker 1: I will let we don't have to jump right into it.

415
00:22:09,119 --> 00:22:09,960
Speaker 1: I think we could.

416
00:22:11,920 --> 00:22:13,040
Speaker 7: Feeling inspired.

417
00:22:13,520 --> 00:22:17,760
Speaker 1: Can I just ready to go? You're ready to go?

418
00:22:18,320 --> 00:22:19,000
Speaker 1: Let's do it now?

419
00:22:19,640 --> 00:22:22,480
Speaker 7: I smoke weed, mate.

420
00:22:22,960 --> 00:22:27,399
Speaker 2: That's very close. I think Snape Dog would probably smoke

421
00:22:27,560 --> 00:22:31,760
Speaker 2: wart wouldn't he like w what isn't that? Probably they

422
00:22:31,920 --> 00:22:36,560
Speaker 2: he'd probably say that he smoked warp every day.

423
00:22:37,080 --> 00:22:40,360
Speaker 3: I need a I need a tiny bit every day.

424
00:22:40,800 --> 00:22:43,439
Speaker 3: I think we need a tiny bit more of the

425
00:22:43,480 --> 00:22:49,959
Speaker 3: dog in there. And maybe he would smizs oak warped

426
00:22:50,200 --> 00:22:57,840
Speaker 3: every day, same voice, smizz ok war every day.

427
00:22:58,640 --> 00:23:00,919
Speaker 4: And I'm not a child, so I'm not familiar with

428
00:23:00,920 --> 00:23:03,119
Speaker 4: the Harry Potter franchise. But I can respect that you

429
00:23:03,160 --> 00:23:04,800
Speaker 4: guys kind of like off the top of the dome,

430
00:23:04,840 --> 00:23:07,240
Speaker 4: could just like at any moment, like reach back into

431
00:23:07,280 --> 00:23:10,600
Speaker 4: the like unconscious and just kind of pull a snape out,

432
00:23:10,680 --> 00:23:11,160
Speaker 4: you know what I mean?

433
00:23:11,200 --> 00:23:12,320
Speaker 5: I respect that seriously.

434
00:23:13,359 --> 00:23:14,880
Speaker 3: Good into the unconscious.

435
00:23:15,080 --> 00:23:16,920
Speaker 1: Good. That's really nice. Good good.

436
00:23:17,000 --> 00:23:18,840
Speaker 3: The way you said it sucked, But I guess the

437
00:23:18,920 --> 00:23:19,919
Speaker 3: idea is fine with me.

438
00:23:26,359 --> 00:23:29,480
Speaker 2: I'm gonna put snape. Okay, Do you have one more

439
00:23:29,480 --> 00:23:29,720
Speaker 2: in you?

440
00:23:29,840 --> 00:23:31,199
Speaker 1: Or is this thing?

441
00:23:31,280 --> 00:23:31,440
Speaker 4: Yeah?

442
00:23:31,600 --> 00:23:32,880
Speaker 1: Give me one.

443
00:23:32,920 --> 00:23:36,760
Speaker 4: My best friend's Matha Stewart and those pictures. Everybody was

444
00:23:36,800 --> 00:23:40,560
Speaker 4: posting on the line at one time, right.

445
00:23:40,960 --> 00:23:43,520
Speaker 2: And of the two of us, she was in jail

446
00:23:43,720 --> 00:23:45,560
Speaker 2: when actually I should be at jail.

447
00:23:46,720 --> 00:23:48,800
Speaker 1: Do you believe that I didn't go to jail.

448
00:23:51,000 --> 00:23:53,280
Speaker 9: This week on the Patreon. The boys helped me prepare

449
00:23:53,320 --> 00:23:56,159
Speaker 9: for an upcoming big trip to Vegas, and the flakir

450
00:23:56,240 --> 00:23:59,520
Speaker 9: Ones are mostly talking all things basketball. Plus, you can

451
00:23:59,520 --> 00:24:03,040
Speaker 9: see Holly Handbook live in La February fifteenth or March

452
00:24:03,080 --> 00:24:05,840
Speaker 9: twenty ninth at Dynasty Typewriter. If you can't make it,

453
00:24:05,880 --> 00:24:08,440
Speaker 9: there will be live string tickets available, or you can

454
00:24:08,440 --> 00:24:10,879
Speaker 9: watch it later that week on the Patreon. Sounds like

455
00:24:10,880 --> 00:24:13,240
Speaker 9: a pretty nice fun time to me. Check out all

456
00:24:13,240 --> 00:24:16,199
Speaker 9: these shows and the videos for today's episode with Sarah

457
00:24:16,320 --> 00:24:19,000
Speaker 9: at patreon dot com. Slash the Flagrant Ones.

458
00:24:21,280 --> 00:24:26,200
Speaker 3: Well, you're probably as sick of Neppo babies as I am. Hey, guys,

459
00:24:26,320 --> 00:24:27,919
Speaker 3: it's me the clem Dog.

460
00:24:28,119 --> 00:24:28,399
Speaker 4: Yeah.

461
00:24:28,640 --> 00:24:33,000
Speaker 3: These silver spoon chomping sons and guns have just about

462
00:24:33,119 --> 00:24:38,800
Speaker 3: gotten their sticky little fingers into every facet of the industry.

463
00:24:39,200 --> 00:24:44,640
Speaker 3: And it's not just Hollywood, it's the corporate world. It's everywhere,

464
00:24:45,160 --> 00:24:48,280
Speaker 3: and I'm tired of it. And believe me, I was

465
00:24:48,760 --> 00:24:52,879
Speaker 3: sick to my stomach when I saw the ad that

466
00:24:52,960 --> 00:24:58,520
Speaker 3: I had to read today. I can't believe that Terrence Stamp,

467
00:24:59,160 --> 00:25:02,640
Speaker 3: star of the Even Soderberg film about a British gangster

468
00:25:02,840 --> 00:25:07,240
Speaker 3: looking for his daughter. The Limey has a young one

469
00:25:07,280 --> 00:25:11,920
Speaker 3: who has decided to surprise, Surprise, branch out and start

470
00:25:11,960 --> 00:25:16,000
Speaker 3: their own company that advertises on podcasts. But I love

471
00:25:16,080 --> 00:25:18,680
Speaker 3: the movie, so I said, let me check it out,

472
00:25:19,040 --> 00:25:23,360
Speaker 3: and sure enough, stamps dot Com, founded I believe by

473
00:25:23,480 --> 00:25:26,880
Speaker 3: Terrence Stamp Junior, is the real deal.

474
00:25:28,400 --> 00:25:29,080
Speaker 1: I was pissed.

475
00:25:29,640 --> 00:25:31,800
Speaker 3: I wanted to get on here and say I'll never

476
00:25:31,920 --> 00:25:35,960
Speaker 3: do an ad for this friggin' thing because I just

477
00:25:36,040 --> 00:25:41,200
Speaker 3: don't believe in this kind of being handed everything. Born

478
00:25:41,280 --> 00:25:43,919
Speaker 3: on third base as it were, and thought you hit

479
00:25:43,960 --> 00:25:50,880
Speaker 3: a triple. But the goddamn thing effing works, okay. Stamps

480
00:25:50,920 --> 00:25:55,879
Speaker 3: dot Com has partnerships with usps and ups for unbeatable

481
00:25:55,960 --> 00:25:58,600
Speaker 3: rates up to eighty six percent off. Hmm, wonder how

482
00:25:58,640 --> 00:26:01,480
Speaker 3: they can afford that. We thank Gon all that Liny money,

483
00:26:01,800 --> 00:26:04,600
Speaker 3: But the fact is the savings are being passed on

484
00:26:04,680 --> 00:26:07,920
Speaker 3: to you. You never have to stress again about finding

485
00:26:08,320 --> 00:26:12,720
Speaker 3: the fastest and cheapest shipping solutions. Stamps dot Com does

486
00:26:12,760 --> 00:26:17,000
Speaker 3: that for you automatically. So how pissed am I gonna

487
00:26:17,000 --> 00:26:19,800
Speaker 3: be at Terrence Stamps Junior. I mean, with stamps dot

488
00:26:19,800 --> 00:26:21,720
Speaker 3: Com you can print your own postage right from home

489
00:26:21,920 --> 00:26:24,840
Speaker 3: or the office. Within minutes of signing up. They even

490
00:26:24,880 --> 00:26:27,639
Speaker 3: send you a free scale so you'll have everything you

491
00:26:27,720 --> 00:26:31,520
Speaker 3: need to get started. I mean, it's January, guys. I'm

492
00:26:31,520 --> 00:26:34,360
Speaker 3: gonna sit here and be mad that Terrence Stamps has

493
00:26:34,520 --> 00:26:38,960
Speaker 3: famous Dad when I could be, you know, dealing with

494
00:26:39,040 --> 00:26:42,399
Speaker 3: customer emails and returns and gift card purchases and the

495
00:26:42,440 --> 00:26:47,320
Speaker 3: inevitable increase in postage costs easier and more seamlessly by

496
00:26:47,400 --> 00:26:51,400
Speaker 3: using Stamps dot Com. I'm sorry, I'm not gonna cut

497
00:26:51,400 --> 00:26:54,840
Speaker 3: off my nose despite my face on this one. Sometimes

498
00:26:54,880 --> 00:26:59,520
Speaker 3: these nappo babies know what they're doing. Okay, I hate

499
00:26:59,560 --> 00:27:01,959
Speaker 3: to say it, but you can start the new year

500
00:27:02,000 --> 00:27:05,399
Speaker 3: by saving serious money on mailing and shipping. Get started

501
00:27:05,400 --> 00:27:09,080
Speaker 3: with stamps dot Com today. Sign up with promo code

502
00:27:09,240 --> 00:27:11,880
Speaker 3: the Boys for a special offer that includes a four

503
00:27:11,920 --> 00:27:15,600
Speaker 3: week trial plus free postage and a free digital scale.

504
00:27:15,960 --> 00:27:19,960
Speaker 3: No long term commitments or contracts. Rewatch the Limey It's

505
00:27:20,280 --> 00:27:24,119
Speaker 3: very good. Just go to Stamps dot com, click the

506
00:27:24,160 --> 00:27:27,080
Speaker 3: microphone on the top of the page and enter code

507
00:27:27,400 --> 00:27:30,120
Speaker 3: the Boys, T H G, B O, Y S and

508
00:27:30,200 --> 00:27:42,200
Speaker 3: Tel Terrence Stamps Junior, the Clem Dog Sencham. Okay, that's good. Uh,

509
00:27:42,240 --> 00:27:46,439
Speaker 3: So that's one character. I have an easier one in

510
00:27:46,560 --> 00:27:49,400
Speaker 3: some ways, but it may be harder for the podcast.

511
00:27:50,440 --> 00:27:54,840
Speaker 3: Her name is Kelly Costco. And basically you're a host

512
00:27:55,040 --> 00:27:57,080
Speaker 3: and like somebody comes over and you ask like if

513
00:27:57,119 --> 00:27:59,359
Speaker 3: they want like want any tea or anything, and then

514
00:27:59,359 --> 00:28:00,880
Speaker 3: if they say yeah, you han them just.

515
00:28:00,840 --> 00:28:01,920
Speaker 1: A huge cup.

516
00:28:02,400 --> 00:28:02,920
Speaker 5: That's great.

517
00:28:03,440 --> 00:28:09,800
Speaker 1: Cup is so big. It's it's target. We're drawing from target. Lady.

518
00:28:10,560 --> 00:28:16,360
Speaker 3: Yes, the DNA of our of our ancestors, right, yes,

519
00:28:16,600 --> 00:28:18,720
Speaker 3: are always going to be a part of the fabric

520
00:28:18,720 --> 00:28:20,280
Speaker 3: of what we do here at SNL.

521
00:28:22,160 --> 00:28:25,520
Speaker 4: And And she's hosting and she's hosting what sorry, just

522
00:28:25,520 --> 00:28:26,000
Speaker 4: like put me in.

523
00:28:26,440 --> 00:28:28,480
Speaker 3: No, she's just people are coming over. It's just people

524
00:28:28,520 --> 00:28:31,360
Speaker 3: are coming over. She's just hosting at home. I see,

525
00:28:31,760 --> 00:28:33,800
Speaker 3: kind of like Martha Stewart, like you just talked about

526
00:28:33,960 --> 00:28:34,439
Speaker 3: And then do.

527
00:28:34,560 --> 00:28:36,720
Speaker 4: You say hosts And I immediately go like you know

528
00:28:36,760 --> 00:28:38,920
Speaker 4: what I'm saying, Like you put me in the place of.

529
00:28:38,920 --> 00:28:44,520
Speaker 3: Like you THINKNL Oh, okay, you think I should host SNL.

530
00:28:44,800 --> 00:28:48,960
Speaker 3: You know I posted that long ago that if I

531
00:28:49,000 --> 00:28:52,600
Speaker 3: got ten thousand retweets, I would host SNL. And I

532
00:28:52,680 --> 00:28:55,360
Speaker 3: was going through the retweets and for such an enormous

533
00:28:55,480 --> 00:29:00,600
Speaker 3: fan I did not see but one review.

534
00:29:01,400 --> 00:29:03,000
Speaker 1: Not even one retweet.

535
00:29:03,520 --> 00:29:07,400
Speaker 5: Here's the thing about me. I'm actually off the grid.

536
00:29:08,480 --> 00:29:12,120
Speaker 4: Okay, I'm like, my I don't know if you guys

537
00:29:12,120 --> 00:29:15,400
Speaker 4: could tell, Like earlier, kind of before the podcast was rolling,

538
00:29:16,240 --> 00:29:19,000
Speaker 4: I held up my phone and I didn't know.

539
00:29:18,920 --> 00:29:19,680
Speaker 5: If you guys could.

540
00:29:19,560 --> 00:29:25,440
Speaker 4: Tell, but my I got it small iPhone, Yeah, kind

541
00:29:25,440 --> 00:29:28,120
Speaker 4: of kind of to discourage me from being on it

542
00:29:28,240 --> 00:29:29,960
Speaker 4: so much because I thought, if it was such a

543
00:29:30,000 --> 00:29:30,880
Speaker 4: small phone.

544
00:29:30,640 --> 00:29:33,160
Speaker 7: Why would I be on it? So I'm kind of

545
00:29:33,160 --> 00:29:34,680
Speaker 7: off the you know what I'm saying, I'm like off the.

546
00:29:34,600 --> 00:29:37,560
Speaker 2: Grid, and my phone is really small and it looks

547
00:29:37,600 --> 00:29:41,120
Speaker 2: like it's like kind of stink, so like it like

548
00:29:41,160 --> 00:29:45,840
Speaker 2: it's smelly or something. Yeah, it's really small. It's even

549
00:29:45,880 --> 00:29:46,920
Speaker 2: smaller than your hand.

550
00:29:47,640 --> 00:29:50,479
Speaker 3: So yeah, I mean, you know, I don't know how

551
00:29:50,520 --> 00:29:53,000
Speaker 3: you would demonstrate that character for us, but like you

552
00:29:53,000 --> 00:29:56,479
Speaker 3: could maybe even come up with an example of, like

553
00:29:56,760 --> 00:29:59,800
Speaker 3: what something else really big that you could ask someone

554
00:30:00,960 --> 00:30:03,080
Speaker 3: do you want me to huge?

555
00:30:04,800 --> 00:30:07,720
Speaker 2: Just rattling off things that like could be so big

556
00:30:07,800 --> 00:30:10,200
Speaker 2: you're carrying them?

557
00:30:10,320 --> 00:30:13,360
Speaker 4: Okay, Okay, what if I was like, okay, okay, hold on,

558
00:30:13,400 --> 00:30:17,480
Speaker 4: hold on, thanks Okay, give me a host, Give me

559
00:30:17,480 --> 00:30:18,440
Speaker 4: a host for the show.

560
00:30:18,680 --> 00:30:19,680
Speaker 7: Sean is hosting.

561
00:30:20,320 --> 00:30:22,600
Speaker 3: I mean, yeah, if you want to, you should actually

562
00:30:22,760 --> 00:30:24,640
Speaker 3: be funny. Yeah I think I should.

563
00:30:24,720 --> 00:30:28,520
Speaker 4: Yeah, I mean yeah, I told you, like I'm pavement

564
00:30:28,600 --> 00:30:30,320
Speaker 4: with you guys, like.

565
00:30:30,960 --> 00:30:35,800
Speaker 3: You know, tell the fucking please don't destroy guys or whatever, like, hey,

566
00:30:35,840 --> 00:30:36,880
Speaker 3: this guy got a host.

567
00:30:36,800 --> 00:30:39,680
Speaker 7: Like, hey, you guys like looking for like a fourth.

568
00:30:39,560 --> 00:30:42,560
Speaker 5: Like you guys got you guys want another guy in

569
00:30:42,640 --> 00:30:43,160
Speaker 5: the mix?

570
00:30:43,960 --> 00:30:46,120
Speaker 3: It could be cool, you know what I mean, sort

571
00:30:46,160 --> 00:30:47,360
Speaker 3: of an elder statesman of.

572
00:30:50,920 --> 00:30:53,080
Speaker 1: Are you alf type figure?

573
00:30:56,120 --> 00:30:58,920
Speaker 3: Hey, something's missing?

574
00:30:59,120 --> 00:30:59,320
Speaker 8: Right?

575
00:31:00,520 --> 00:31:04,840
Speaker 3: Who's to say it's not that slightly older white guy.

576
00:31:06,800 --> 00:31:09,600
Speaker 4: I can see you're like just like being there like

577
00:31:09,720 --> 00:31:12,360
Speaker 4: best friends, like without you know what I'm saying, Like

578
00:31:12,840 --> 00:31:15,920
Speaker 4: it wouldn't look visually like strange, like oh, there's like

579
00:31:15,960 --> 00:31:19,000
Speaker 4: the three guys and their like best friend. Who's I'm

580
00:31:19,000 --> 00:31:24,400
Speaker 4: gonna say, you know, fifteen to twenty two years old?

581
00:31:28,800 --> 00:31:31,440
Speaker 3: He put an exact number on it, you know. But

582
00:31:31,520 --> 00:31:34,520
Speaker 3: the fact is, like funny's funny at any age, Like

583
00:31:34,840 --> 00:31:38,920
Speaker 3: you know, we're just really about making people laugh and

584
00:31:38,360 --> 00:31:40,200
Speaker 3: and young stuff.

585
00:31:41,160 --> 00:31:46,480
Speaker 7: Fuck man, Like funny is fucking funny? Fuck I thought

586
00:31:46,520 --> 00:31:47,040
Speaker 7: the fuck.

587
00:31:46,920 --> 00:31:50,200
Speaker 1: That do you have no ideas for like big stuff.

588
00:31:49,880 --> 00:31:55,680
Speaker 3: That could be big distracting from like okay, thanks y'all

589
00:31:55,760 --> 00:31:56,440
Speaker 3: for coming over.

590
00:31:57,000 --> 00:31:59,120
Speaker 7: Choice by the way, big accent.

591
00:31:59,040 --> 00:32:02,440
Speaker 3: Big choice, Yes, yeah, in correct choice.

592
00:32:02,480 --> 00:32:05,880
Speaker 7: I might say, you want me to go more mid Atlantic.

593
00:32:06,520 --> 00:32:11,000
Speaker 2: I don't think they don't. They have SAMs. They have SAMs.

594
00:32:11,080 --> 00:32:13,680
Speaker 3: It's like that's like Walmart Country. It's like, not we

595
00:32:14,000 --> 00:32:15,400
Speaker 3: we want to go Costco.

596
00:32:15,600 --> 00:32:21,200
Speaker 4: So okay, sorry, thanks everybody for coming over to my house.

597
00:32:23,080 --> 00:32:26,520
Speaker 4: And then okay, you come over and you take like

598
00:32:26,600 --> 00:32:28,280
Speaker 4: one of the crud de te that I have on

599
00:32:28,320 --> 00:32:31,400
Speaker 4: a big platter, and then you walk away, and then

600
00:32:31,440 --> 00:32:34,120
Speaker 4: you come back to the crud te platter a little

601
00:32:34,200 --> 00:32:38,080
Speaker 4: later with a mustache and say it's not me, it's

602
00:32:38,120 --> 00:32:39,240
Speaker 4: a different God.

603
00:32:39,800 --> 00:32:46,640
Speaker 3: That's so different from the idea.

604
00:32:45,840 --> 00:32:47,520
Speaker 7: Because now we're kind of playing with.

605
00:32:47,400 --> 00:32:49,960
Speaker 3: The you're playing off the sample, the free sample element.

606
00:32:50,080 --> 00:32:52,320
Speaker 1: That's completely the opposite, which, by.

607
00:32:52,160 --> 00:32:54,360
Speaker 3: The way, that's only on certain days and this isn't

608
00:32:54,400 --> 00:32:56,760
Speaker 3: even one of the days where they have that that

609
00:32:56,800 --> 00:32:59,760
Speaker 3: you're hosting this, because I think they don't have it

610
00:32:59,800 --> 00:33:02,440
Speaker 3: on Saturday night, Like they don't do that. You can't

611
00:33:02,440 --> 00:33:04,800
Speaker 3: go to Costco on Saturday night and get free samples.

612
00:33:05,800 --> 00:33:10,200
Speaker 1: So that makes zero gets closed? Do you guys want

613
00:33:10,200 --> 00:33:11,640
Speaker 1: to closed?

614
00:33:12,200 --> 00:33:13,120
Speaker 5: If you guys.

615
00:33:12,880 --> 00:33:16,200
Speaker 7: Want to write the two dimensional sketch, have fun.

616
00:33:16,520 --> 00:33:19,600
Speaker 4: I'm trying to make a five dimensional chest sketch out

617
00:33:19,600 --> 00:33:22,680
Speaker 4: of this shit. Okay, the next time you want to

618
00:33:22,720 --> 00:33:25,920
Speaker 4: serve me ship on a fucking silver platter, and I'm

619
00:33:25,920 --> 00:33:26,320
Speaker 4: trying to.

620
00:33:26,240 --> 00:33:29,320
Speaker 3: Make I guess, I guess, I guess, I guess, I

621
00:33:29,320 --> 00:33:32,560
Speaker 3: guess My real goal is not to get cut it dress.

622
00:33:34,120 --> 00:33:36,800
Speaker 3: That's sort of what I was aiming at.

623
00:33:36,960 --> 00:33:42,680
Speaker 2: But if you mean what a huge honor thinks.

624
00:33:42,520 --> 00:33:45,760
Speaker 4: Mm hmm, well maybe that's why AV Club isn't writing

625
00:33:45,760 --> 00:33:46,960
Speaker 4: about my sketches, because they.

626
00:33:46,920 --> 00:33:48,360
Speaker 1: Get it is why.

627
00:33:49,320 --> 00:33:52,600
Speaker 4: That is why, you know, and sometimes guess why I

628
00:33:52,680 --> 00:33:54,720
Speaker 4: dare to write something that gets pulled before the fucking

629
00:33:54,800 --> 00:33:55,280
Speaker 4: table read.

630
00:33:55,360 --> 00:33:57,000
Speaker 7: You want to know why, because I dare to fucking

631
00:33:57,160 --> 00:33:57,760
Speaker 7: think big.

632
00:33:59,120 --> 00:34:01,160
Speaker 4: And by the way, not many people know that sketches

633
00:34:01,200 --> 00:34:02,400
Speaker 4: get pulled before the tailory, but.

634
00:34:02,400 --> 00:34:05,280
Speaker 3: They do well because the tailor read is famously supposed

635
00:34:05,280 --> 00:34:07,200
Speaker 3: to be like seven hours long, right, like you just

636
00:34:07,200 --> 00:34:10,400
Speaker 3: read everything anyone's thought of, but apparently not everything.

637
00:34:10,400 --> 00:34:12,000
Speaker 7: Seven hours and five minutes.

638
00:34:13,560 --> 00:34:22,080
Speaker 3: God bullshit, Loren forbid. So it's interesting obviously, uh that

639
00:34:22,200 --> 00:34:26,400
Speaker 3: you want to ruin it. Maybe we should focus less

640
00:34:26,560 --> 00:34:31,640
Speaker 3: on these kind of the visual sort of characters, like

641
00:34:31,640 --> 00:34:35,440
Speaker 3: like like my Costco, Yeah Costco.

642
00:34:36,080 --> 00:34:37,560
Speaker 1: Mm hmm this one.

643
00:34:37,600 --> 00:34:40,600
Speaker 2: I'm just putting this out there like, and we can

644
00:34:40,760 --> 00:34:42,600
Speaker 2: just sort of sait with it for a second and

645
00:34:42,640 --> 00:34:46,040
Speaker 2: then maybe come back to it later. Totally psych probiglia,

646
00:34:47,719 --> 00:34:48,759
Speaker 2: you have something for this.

647
00:34:49,080 --> 00:34:52,880
Speaker 1: You feel it good, just go, just go.

648
00:34:53,800 --> 00:34:56,120
Speaker 7: So whatever you were about.

649
00:34:55,920 --> 00:35:00,080
Speaker 4: To say about psych Probiglia, okay, but add this on

650
00:35:00,080 --> 00:35:04,120
Speaker 4: on it, psych burst Smallia.

651
00:35:04,600 --> 00:35:08,160
Speaker 7: So whatever the character is, it's that, but he's just big.

652
00:35:08,960 --> 00:35:10,440
Speaker 7: He's a size of peanut.

653
00:35:11,040 --> 00:35:14,959
Speaker 4: And go okay, And so whatever you're about to say,

654
00:35:15,239 --> 00:35:16,560
Speaker 4: you just want to add on the extra layer.

655
00:35:16,600 --> 00:35:20,600
Speaker 2: Okay, so you get something being something being extra small

656
00:35:20,719 --> 00:35:22,799
Speaker 2: like now you understand.

657
00:35:22,320 --> 00:35:25,640
Speaker 3: Like age like a with Kelly Costco. Something being big

658
00:35:25,800 --> 00:35:30,359
Speaker 3: was like so the entire thing and now you're just

659
00:35:30,400 --> 00:35:34,800
Speaker 3: like crow barring a size change. It just psych for

660
00:35:34,920 --> 00:35:37,120
Speaker 3: big Leia. I said, maybe we should move away from

661
00:35:37,160 --> 00:35:39,319
Speaker 3: these visual things and get into more characters than you

662
00:35:39,360 --> 00:35:43,520
Speaker 3: were a goddamn fucking bobble head on a dirt road,

663
00:35:44,200 --> 00:35:44,720
Speaker 3: just like.

664
00:35:44,920 --> 00:35:46,120
Speaker 1: Yes, let's move away.

665
00:35:46,239 --> 00:35:48,600
Speaker 3: And then instantly it's like, hey, I've got a visual

666
00:35:48,680 --> 00:35:52,240
Speaker 3: aspect for this, like okay, but you said we couldn't

667
00:35:52,280 --> 00:35:56,600
Speaker 3: do that anymore. And and furthermore, it should be psych

668
00:35:57,440 --> 00:35:59,920
Speaker 3: burst small Glia, I think.

669
00:35:59,800 --> 00:36:02,399
Speaker 2: You still do need the G. You think you need

670
00:36:02,400 --> 00:36:06,000
Speaker 2: the G too. I understand why we're taking the whole

671
00:36:06,000 --> 00:36:09,759
Speaker 2: word big out. I get like, it's not that I

672
00:36:09,760 --> 00:36:10,759
Speaker 2: don't understand.

673
00:36:12,160 --> 00:36:14,520
Speaker 1: I get it. I get it, but we need the G.

674
00:36:15,160 --> 00:36:16,080
Speaker 1: We have to have it.

675
00:36:16,120 --> 00:36:22,480
Speaker 2: So okay, he's really small, and he's saying like what

676
00:36:22,560 --> 00:36:25,200
Speaker 2: I what I should have said was something.

677
00:36:25,040 --> 00:36:27,480
Speaker 3: Psyche psych should have been nothing.

678
00:36:28,200 --> 00:36:31,759
Speaker 2: Do think twice psych so that you know we you know,

679
00:36:31,840 --> 00:36:32,920
Speaker 2: we can get back into that.

680
00:36:33,400 --> 00:36:35,400
Speaker 3: And I just want to send a ninety minute story

681
00:36:35,440 --> 00:36:37,080
Speaker 3: about my couch psych.

682
00:36:38,760 --> 00:36:41,120
Speaker 4: I do want to say kind of like again, the

683
00:36:41,239 --> 00:36:46,320
Speaker 4: age gap between like you guys and like me and PD,

684
00:36:46,400 --> 00:36:48,400
Speaker 4: I kind of loot myself in like kind of in

685
00:36:48,400 --> 00:36:51,239
Speaker 4: the age bracket of PDD, like again, you guys could

686
00:36:51,239 --> 00:36:54,200
Speaker 4: be like fifteen sixteen years older than me, like I'm

687
00:36:54,239 --> 00:36:55,080
Speaker 4: not gonna understand.

688
00:36:55,160 --> 00:36:59,760
Speaker 7: Kind of like the rich reference base that PSYCH brings.

689
00:36:59,440 --> 00:37:02,560
Speaker 2: Like that people that have actually done something in this

690
00:37:02,600 --> 00:37:08,560
Speaker 2: world have something to like and enjoy at night. After

691
00:37:08,920 --> 00:37:13,560
Speaker 2: holding up this entire fucking planet for a week. God

692
00:37:13,719 --> 00:37:17,399
Speaker 2: fucking forbid that we actually get to relax one one

693
00:37:17,440 --> 00:37:17,719
Speaker 2: of them.

694
00:37:19,040 --> 00:37:19,360
Speaker 5: Psych.

695
00:37:20,280 --> 00:37:23,200
Speaker 3: Let's let's throw out everything that came before. I'm sure

696
00:37:23,239 --> 00:37:25,680
Speaker 3: the new ship we invent will be way better.

697
00:37:27,040 --> 00:37:33,120
Speaker 2: And we're making everything that so small that we have

698
00:37:33,160 --> 00:37:37,080
Speaker 2: to get our freaking cheaters out just to be able

699
00:37:37,160 --> 00:37:42,200
Speaker 2: to enjoy see this character great, that's the one change

700
00:37:42,239 --> 00:37:42,959
Speaker 2: we make great.

701
00:37:43,520 --> 00:37:47,959
Speaker 3: Yeah, thanks, thanks for your help with that. Just really really, Sarah,

702
00:37:48,040 --> 00:37:51,080
Speaker 3: come on inside joke, psych, that's fucking psych for small.

703
00:37:52,000 --> 00:37:53,600
Speaker 2: Just really quick, I know we're going back and forth,

704
00:37:53,680 --> 00:37:56,600
Speaker 2: just really quick. I don't even want to get into these.

705
00:37:56,640 --> 00:38:00,360
Speaker 2: I just want to kind of consider them. Missus peers,

706
00:38:00,480 --> 00:38:07,000
Speaker 2: Antonio Banderas, Woo Mango. There these are I think available.

707
00:38:07,080 --> 00:38:11,320
Speaker 2: I think we're ready, just written down, just write peepers.

708
00:38:11,920 --> 00:38:17,680
Speaker 2: So this is you, This is you, missus peepers, Antonia Banderas,

709
00:38:17,840 --> 00:38:18,400
Speaker 2: Woo mao.

710
00:38:19,719 --> 00:38:21,920
Speaker 7: And can I pitch on missus peepers?

711
00:38:23,760 --> 00:38:24,000
Speaker 4: Yeah?

712
00:38:24,360 --> 00:38:28,320
Speaker 1: Just okay, sure, yeah, pitch on it.

713
00:38:29,480 --> 00:38:32,400
Speaker 7: Dare I for for just a moment.

714
00:38:35,040 --> 00:38:36,920
Speaker 3: We said yes, we already said yes.

715
00:38:37,200 --> 00:38:40,279
Speaker 7: Do you think the listeners at home. We're familiar, which

716
00:38:40,920 --> 00:38:45,240
Speaker 7: is there with with mister Peepers your pitches?

717
00:38:45,280 --> 00:38:46,160
Speaker 1: People don't know what it is.

718
00:38:46,960 --> 00:38:49,839
Speaker 7: Okay, okay, okay, okay, okay, pitch, here's my Okay, here's

719
00:38:49,840 --> 00:38:50,640
Speaker 7: my pitchre's my pitch?

720
00:38:50,760 --> 00:38:54,320
Speaker 4: And all seriously, seriously, guys, seriously, seriously, I'm being.

721
00:38:54,200 --> 00:38:54,759
Speaker 5: Serious right now.

722
00:38:55,040 --> 00:38:56,120
Speaker 1: I've been serious the whole time.

723
00:38:56,880 --> 00:39:00,319
Speaker 4: Mister Peepers doing his thing. Okay, y'all know what I'm

724
00:39:00,320 --> 00:39:02,920
Speaker 4: talking about. He's going to town on that apple. And

725
00:39:03,000 --> 00:39:05,520
Speaker 4: everyone's going like, I'm sorry. This is kind of the

726
00:39:05,560 --> 00:39:08,320
Speaker 4: certain del sillet of comedy with how physical it is

727
00:39:08,440 --> 00:39:09,560
Speaker 4: and et cetera.

728
00:39:09,680 --> 00:39:14,840
Speaker 2: It says baa, And someone comes up to Chris Gatan,

729
00:39:14,920 --> 00:39:16,399
Speaker 2: who plays mister Peepers.

730
00:39:16,200 --> 00:39:19,320
Speaker 5: And says, is there a missus peepers?

731
00:39:20,200 --> 00:39:23,120
Speaker 7: Kind of you know what I'm saying, Oh, like honey,

732
00:39:23,560 --> 00:39:26,440
Speaker 7: like honey, is there a missus peepers?

733
00:39:26,719 --> 00:39:29,680
Speaker 5: So kind of a flirtatious kind.

734
00:39:29,600 --> 00:39:35,560
Speaker 1: Of what we're pitching here is not somebody somebody else

735
00:39:35,600 --> 00:39:36,920
Speaker 1: who's not this character?

736
00:39:38,160 --> 00:39:38,680
Speaker 7: You want to.

737
00:39:39,200 --> 00:39:41,240
Speaker 3: Character says is there a missus Peepers?

738
00:39:42,120 --> 00:39:44,720
Speaker 7: Well, and then someone like go flirt.

739
00:39:44,800 --> 00:39:47,960
Speaker 4: So let's say Sean is hosting the show he's playing.

740
00:39:48,040 --> 00:39:50,000
Speaker 4: You know, mister Peepers is in front of him.

741
00:39:50,239 --> 00:39:50,879
Speaker 1: You think you should.

742
00:39:51,800 --> 00:39:53,320
Speaker 3: Yeah, if you think i'd do a good job, I

743
00:39:53,400 --> 00:39:55,600
Speaker 3: mean i'd be geez, I'm nervous, but I would try it.

744
00:39:56,440 --> 00:39:58,600
Speaker 7: I mean my lips to God's ears, honey, and boy

745
00:39:58,719 --> 00:40:00,480
Speaker 7: do I wish you know? You know what I mean?

746
00:40:02,280 --> 00:40:09,480
Speaker 1: So you know you're baby, We're of God's ears.

747
00:40:10,280 --> 00:40:12,040
Speaker 5: I just think I have a lot to that he

748
00:40:12,120 --> 00:40:16,160
Speaker 5: should be hearing right now, especially at a time like this.

749
00:40:16,400 --> 00:40:18,160
Speaker 5: I think I actually have a kind of a lot

750
00:40:18,200 --> 00:40:19,640
Speaker 5: of ideas about what could be going on.

751
00:40:21,840 --> 00:40:27,280
Speaker 1: What'd you say something about peeing? Like she said worst,

752
00:40:27,440 --> 00:40:30,080
Speaker 1: p oh, I would.

753
00:40:30,560 --> 00:40:33,040
Speaker 7: I would go into God's ears and I would say

754
00:40:33,120 --> 00:40:33,720
Speaker 7: world peace.

755
00:40:35,080 --> 00:40:38,800
Speaker 3: Call me crazy, right, Like he hasn't had that idea,

756
00:40:39,280 --> 00:40:42,759
Speaker 3: Like I just love this is again like I'm young,

757
00:40:42,920 --> 00:40:46,000
Speaker 3: I've got the idea. Like it's like, yeah, we've been

758
00:40:46,280 --> 00:40:49,640
Speaker 3: working on that. It actually doesn't work. Like if you

759
00:40:49,800 --> 00:40:52,600
Speaker 3: actually were if you were kind of in the draft

760
00:40:52,719 --> 00:40:57,320
Speaker 3: with us, like piecing through this and knew all the

761
00:40:57,400 --> 00:41:00,279
Speaker 3: problems that we had encountered. This is the best person ship.

762
00:41:01,960 --> 00:41:04,840
Speaker 3: You're living it, sweetie.

763
00:41:05,800 --> 00:41:09,520
Speaker 4: So you you go, you go to Chris Catana and

764
00:41:09,600 --> 00:41:13,200
Speaker 4: you are hitting on him sexually sexual style, and you

765
00:41:14,360 --> 00:41:17,640
Speaker 4: you tilt your glasses down like that, and then you

766
00:41:17,719 --> 00:41:20,799
Speaker 4: wiggle the arms of your glasses like this, and you say,

767
00:41:21,000 --> 00:41:26,560
Speaker 4: is there missus pepers And then he goes unfortunately, he

768
00:41:26,640 --> 00:41:30,480
Speaker 4: goes unfortunately yes, And then I I then I do

769
00:41:30,680 --> 00:41:33,919
Speaker 4: come out and I am saying bah, and I'm kind

770
00:41:33,960 --> 00:41:38,440
Speaker 4: of doing the kind of olympic physical olympics of comedy feeds,

771
00:41:39,680 --> 00:41:41,200
Speaker 4: Like I'm on top of the stool and I'm kind

772
00:41:41,200 --> 00:41:44,160
Speaker 4: of flipping around and I'm eating the apples as well.

773
00:41:44,760 --> 00:41:49,080
Speaker 2: And apples, I mean, can we plus apples? How do

774
00:41:49,160 --> 00:41:50,839
Speaker 2: we feel about And I want to get a sense

775
00:41:50,880 --> 00:41:53,200
Speaker 2: of your range here, what kind of peel thickness do

776
00:41:53,320 --> 00:41:55,239
Speaker 2: we think we can really like take down?

777
00:41:56,239 --> 00:41:59,720
Speaker 1: Yeah, at that speed, I think.

778
00:41:59,600 --> 00:42:04,400
Speaker 4: If we're like extrapolating on on a the like, if

779
00:42:04,440 --> 00:42:07,560
Speaker 4: we have to like escalate from apples, I think we

780
00:42:07,680 --> 00:42:09,400
Speaker 4: got to start eating things that are edible.

781
00:42:10,200 --> 00:42:11,920
Speaker 1: Wow, so we're skipping fruit entirely.

782
00:42:12,280 --> 00:42:14,759
Speaker 2: This is I mean, you're talking about like I'm young, Like,

783
00:42:14,880 --> 00:42:16,800
Speaker 2: what are we using your youth for if not to

784
00:42:16,960 --> 00:42:20,759
Speaker 2: like have your bottom teeth scrape? I was gonna say,

785
00:42:20,880 --> 00:42:26,640
Speaker 2: like an unripe grapefruit. Mm hmm, that's the spray.

786
00:42:26,760 --> 00:42:28,319
Speaker 1: Shred through a watermelon.

787
00:42:29,480 --> 00:42:38,000
Speaker 2: That's good, that ian but you're talking inorganic Stuff's okay,

788
00:42:38,760 --> 00:42:42,279
Speaker 2: keep keep going. Throw something out the do not pitch

789
00:42:42,320 --> 00:42:44,760
Speaker 2: anything that you see in the room. Something out, something

790
00:42:44,800 --> 00:42:46,600
Speaker 2: that is clearly not.

791
00:42:46,680 --> 00:42:51,360
Speaker 3: Anthing, something that's an idea that your brain makes, just like.

792
00:42:51,440 --> 00:42:52,399
Speaker 5: Off the top of the dome.

793
00:42:52,520 --> 00:42:54,960
Speaker 4: Like I was thinking, like maybe like a bunch of

794
00:42:55,120 --> 00:43:00,640
Speaker 4: chalk chalk, like you know, I'm putting myself like in

795
00:43:00,880 --> 00:43:01,680
Speaker 4: the scene.

796
00:43:01,480 --> 00:43:04,200
Speaker 3: Like a big round piece of chalk if it's huge.

797
00:43:05,840 --> 00:43:08,279
Speaker 3: I mean, this is why, like the big chalk would

798
00:43:08,280 --> 00:43:11,320
Speaker 3: have been great for the Costco sketch. Like, this is

799
00:43:11,360 --> 00:43:13,759
Speaker 3: why I'm so frustrated. Is I just feel like we

800
00:43:13,880 --> 00:43:17,719
Speaker 3: threw that one away. Actually it is where a lot

801
00:43:17,800 --> 00:43:18,719
Speaker 3: of your ideas live.

802
00:43:20,080 --> 00:43:25,200
Speaker 1: I don't know, we have Costco. I have one idea.

803
00:43:25,480 --> 00:43:27,279
Speaker 3: I have one idea and I want to see if

804
00:43:27,320 --> 00:43:29,799
Speaker 3: you can do this And it does require some accent work.

805
00:43:29,960 --> 00:43:32,600
Speaker 3: Actually might work with what you were what you were

806
00:43:32,640 --> 00:43:38,200
Speaker 3: doing for Costco. So this idea is is James Carvell,

807
00:43:39,239 --> 00:43:44,920
Speaker 3: and it is is the famous political mind. He has

808
00:43:45,080 --> 00:43:47,320
Speaker 3: bought Carvel ice cream and he wants to make cookie

809
00:43:47,360 --> 00:43:50,320
Speaker 3: Puss more Cajun. So it's sort of there's sort of

810
00:43:50,360 --> 00:43:52,920
Speaker 3: a rageing Cajun version of Cookie Puss.

811
00:43:55,040 --> 00:43:58,439
Speaker 2: Then he's advising Cookie Puss on how to like get

812
00:43:58,520 --> 00:44:00,440
Speaker 2: out there, how to like really engrave she ate.

813
00:44:00,880 --> 00:44:03,680
Speaker 1: He's advising Cardiff Bell and deal with a scandal or

814
00:44:03,719 --> 00:44:05,680
Speaker 1: something strategy for around Cookie Puss.

815
00:44:05,719 --> 00:44:09,799
Speaker 2: But everything is making Cookie Puss more cagun more cagun Yes,

816
00:44:09,880 --> 00:44:12,400
Speaker 2: and there's like, oh, James car James Carville.

817
00:44:13,040 --> 00:44:18,120
Speaker 1: Yeah, he's like he's too like he's old guy. Yeah, yeah,

818
00:44:18,960 --> 00:44:19,960
Speaker 1: so see how you deal with.

819
00:44:22,960 --> 00:44:23,720
Speaker 3: Carl Rove.

820
00:44:24,719 --> 00:44:33,720
Speaker 1: Okay, y'all, Okay, yeah.

821
00:44:33,600 --> 00:44:38,360
Speaker 3: We can move on, we can do something else. I

822
00:44:38,440 --> 00:44:40,520
Speaker 3: actually like this idea, actually might do it if I host.

823
00:44:40,600 --> 00:44:43,600
Speaker 3: So I don't want to I don't want to leave.

824
00:44:44,280 --> 00:44:46,279
Speaker 3: I don't want to leave this taste. Everyone's about that

825
00:44:46,400 --> 00:44:49,520
Speaker 3: you try to do the voice because it's like it's good,

826
00:44:49,600 --> 00:44:53,200
Speaker 3: it's gonna be too fresh in people's minds, y'all.

827
00:44:54,680 --> 00:44:57,120
Speaker 1: Okay, yeah, y'all.

828
00:44:59,280 --> 00:45:00,160
Speaker 7: I can not.

829
00:45:02,000 --> 00:45:05,120
Speaker 3: He doesn't say I cannot. He doesn't say that, He

830
00:45:05,200 --> 00:45:07,799
Speaker 3: does not say I cannot wait and actually famously has

831
00:45:07,840 --> 00:45:08,920
Speaker 3: like a can do spirit.

832
00:45:09,160 --> 00:45:14,879
Speaker 2: Yes, is any It's Tuesdays is is a man called

833
00:45:14,920 --> 00:45:16,279
Speaker 2: auto spoken for this week?

834
00:45:16,320 --> 00:45:16,680
Speaker 1: Anyone?

835
00:45:19,840 --> 00:45:21,240
Speaker 7: Well, I was kind of thinking.

836
00:45:21,600 --> 00:45:24,120
Speaker 4: I was kind of like, okay, so Tuesday it is

837
00:45:24,160 --> 00:45:25,840
Speaker 4: writing night, so I am taking the time out of

838
00:45:25,840 --> 00:45:27,800
Speaker 4: my precious writing nights to be here with you guys today.

839
00:45:28,640 --> 00:45:30,920
Speaker 3: Okay, we're actually doing your job for you, but you

840
00:45:30,960 --> 00:45:33,360
Speaker 3: know we're writing way better ship actually, So.

841
00:45:33,480 --> 00:45:36,400
Speaker 4: I was kind of I was like kind of thinking,

842
00:45:36,600 --> 00:45:42,040
Speaker 4: somebody comes up like I like famously, like again, like

843
00:45:42,320 --> 00:45:44,640
Speaker 4: my range is small but powerful, and like, you know,

844
00:45:44,880 --> 00:45:47,920
Speaker 4: my one line can steal something away. So maybe mikey

845
00:45:48,040 --> 00:45:52,680
Speaker 4: Day is playing Tom Hanks and and someone comes up

846
00:45:52,680 --> 00:45:56,440
Speaker 4: to him and goes, is there a woman called missus

847
00:45:56,560 --> 00:46:00,360
Speaker 4: hota you?

848
00:46:00,520 --> 00:46:04,279
Speaker 1: And he says unfortunately yes forgually yes yeah.

849
00:46:05,600 --> 00:46:08,480
Speaker 7: Oh And then I go, well, is there a cat

850
00:46:08,840 --> 00:46:10,080
Speaker 7: I can get my hands on?

851
00:46:11,640 --> 00:46:18,560
Speaker 1: That's you? Now Ye're German again? Okay, Okay, I have this.

852
00:46:18,800 --> 00:46:20,560
Speaker 3: I have this. I don't know if this is anything

853
00:46:20,640 --> 00:46:23,239
Speaker 3: but just hearing you guys talk about it, and maybe

854
00:46:23,360 --> 00:46:26,920
Speaker 3: this makes it. In the show this week, a man

855
00:46:26,960 --> 00:46:28,520
Speaker 3: called auto erotic asphyxiation.

856
00:46:29,200 --> 00:46:32,120
Speaker 1: Mm hmm. That's what we're experiencing right now.

857
00:46:32,280 --> 00:46:36,600
Speaker 4: Is a country with costco with now we're cooking with gas.

858
00:46:36,920 --> 00:46:40,920
Speaker 7: With Costco you came in and gave me fucking nothing. Okay,

859
00:46:41,520 --> 00:46:43,400
Speaker 7: but with autoerotic.

860
00:46:45,920 --> 00:46:48,959
Speaker 1: This is gale. So it builds so easily. It's done.

861
00:46:49,320 --> 00:46:50,799
Speaker 1: It's done on the fetch.

862
00:46:51,000 --> 00:46:53,719
Speaker 3: Things that are small can get so much bigger for this.

863
00:46:57,440 --> 00:46:58,960
Speaker 3: You know, they take the tea and they go oh,

864
00:46:59,160 --> 00:47:00,920
Speaker 3: thank you, and you go, oh, I'm sorry, I forgot

865
00:47:00,960 --> 00:47:04,000
Speaker 3: to offer you sugar, and then there's a fucking sugar

866
00:47:04,120 --> 00:47:09,520
Speaker 3: cube the size of a Volkswagon bus.

867
00:47:10,760 --> 00:47:13,919
Speaker 7: Okay, hear me out, hear me out to your hand again.

868
00:47:14,360 --> 00:47:16,879
Speaker 1: Okay, yeah, go ahead, Sarah. Sorry I thought you were

869
00:47:16,960 --> 00:47:19,480
Speaker 1: doing trying to cover the camera again.

870
00:47:20,200 --> 00:47:24,799
Speaker 4: Okay, when you come to Kelly Costco's house, you might

871
00:47:24,880 --> 00:47:25,840
Speaker 4: be eating in bulk.

872
00:47:26,080 --> 00:47:28,000
Speaker 5: Let me tell you to be shitting in bulk as well.

873
00:47:28,320 --> 00:47:30,919
Speaker 1: No, she doesn't talk about it at all. She thinks

874
00:47:31,800 --> 00:47:35,000
Speaker 1: it's not just the regular size for it. Yeah.

875
00:47:35,280 --> 00:47:38,480
Speaker 4: Yes, but you guys don't think she is a big,

876
00:47:38,560 --> 00:47:40,360
Speaker 4: massive toilet for her when everyone.

877
00:47:40,160 --> 00:47:43,239
Speaker 5: Takes their big BF dumb for his after she.

878
00:47:43,360 --> 00:47:46,520
Speaker 1: Does have a huge toilet. She got it big. Yeah,

879
00:47:46,560 --> 00:47:47,120
Speaker 1: it's huge.

880
00:47:48,600 --> 00:47:51,000
Speaker 3: She has like you should, where's the restroom? And then

881
00:47:51,000 --> 00:47:52,120
Speaker 3: she puts, where's the toilet.

882
00:47:52,200 --> 00:47:54,400
Speaker 1: I got it right here. She has a palette of

883
00:47:54,600 --> 00:47:55,680
Speaker 1: toilets that are.

884
00:47:57,840 --> 00:48:00,120
Speaker 3: Yeah, I know you think it isn't big at go.

885
00:48:00,239 --> 00:48:01,520
Speaker 3: They just have a bunch of them.

886
00:48:01,640 --> 00:48:03,279
Speaker 1: Either one either one work.

887
00:48:04,120 --> 00:48:07,880
Speaker 4: So when I do this sketch this week, do I

888
00:48:08,040 --> 00:48:10,560
Speaker 4: have to like give you guys like producer credit or do.

889
00:48:10,680 --> 00:48:13,680
Speaker 3: I have to like again, I'll be hosting, I can

890
00:48:13,760 --> 00:48:16,279
Speaker 3: say this was my idea. Like I'm there, so I'll

891
00:48:16,320 --> 00:48:18,680
Speaker 3: just be like, hey, this par was my this was

892
00:48:18,760 --> 00:48:19,280
Speaker 3: my idea.

893
00:48:19,800 --> 00:48:23,359
Speaker 2: He can introduce like instead of the way they come

894
00:48:23,400 --> 00:48:25,279
Speaker 2: out for like the musical guest, he can just come

895
00:48:25,360 --> 00:48:29,520
Speaker 2: out like just in front of the stage and be like,

896
00:48:29,640 --> 00:48:31,000
Speaker 2: this is ladies and gentlemen.

897
00:48:31,440 --> 00:48:35,279
Speaker 1: This one was my idea. Did they just go into

898
00:48:35,360 --> 00:48:35,840
Speaker 1: that sketch?

899
00:48:36,040 --> 00:48:37,800
Speaker 3: Yeah, and then we just pop right into the sketch,

900
00:48:37,920 --> 00:48:39,280
Speaker 3: just walk over into the stage.

901
00:48:40,080 --> 00:48:45,120
Speaker 2: I want to just put out their turkey Sorpresa, which

902
00:48:45,239 --> 00:48:49,719
Speaker 2: is a character from Spain who's like kind of the

903
00:48:49,840 --> 00:48:52,040
Speaker 2: Spanish Thanksgiving Santa Claus.

904
00:48:53,400 --> 00:48:54,640
Speaker 1: And you're and you're doing like.

905
00:48:54,680 --> 00:48:59,239
Speaker 2: A holiday event at like a school or something like that,

906
00:48:59,400 --> 00:49:02,600
Speaker 2: and you want to honor like all different traditions around

907
00:49:02,640 --> 00:49:05,799
Speaker 2: the holidays. It's so like you like you know, we're

908
00:49:06,960 --> 00:49:10,120
Speaker 2: doing Christmas and Hanuka at Quaranta and also Spanish Thanksgiving

909
00:49:10,160 --> 00:49:10,480
Speaker 2: which is.

910
00:49:10,480 --> 00:49:16,279
Speaker 1: Represented by Turkey. Soorpresa, which is your character. I think

911
00:49:16,320 --> 00:49:16,799
Speaker 1: that's cool.

912
00:49:16,840 --> 00:49:19,720
Speaker 3: I had one, and this maybe is more in keeping

913
00:49:19,920 --> 00:49:21,480
Speaker 3: what you want to do. It seems like you want

914
00:49:21,520 --> 00:49:23,120
Speaker 3: to go sort of dirty, so I was thinking maybe

915
00:49:23,120 --> 00:49:25,920
Speaker 3: you could be you could be Minie Mouse and it's

916
00:49:26,040 --> 00:49:27,640
Speaker 3: kind of like a Sex and the City type thing

917
00:49:27,680 --> 00:49:30,000
Speaker 3: where you're like telling Daisy Doug about how Mickey blew

918
00:49:30,080 --> 00:49:38,080
Speaker 3: your back out, and I.

919
00:49:38,120 --> 00:49:42,439
Speaker 4: Could say stuff like yo, like I put my Mini

920
00:49:42,520 --> 00:49:46,560
Speaker 4: Mussy to the pavement, like yeah, you.

921
00:49:46,600 --> 00:49:49,600
Speaker 3: Know, I'm not gonna write that. We famously have stopped

922
00:49:49,600 --> 00:49:52,520
Speaker 3: saying that on this show, but I do. Yes, please, Sarah,

923
00:49:52,600 --> 00:49:53,320
Speaker 3: you had something.

924
00:49:54,400 --> 00:49:58,160
Speaker 4: I just also like again like your idea, yes that,

925
00:49:58,719 --> 00:50:01,759
Speaker 4: and I just want to add to it. Maybe it's

926
00:50:01,920 --> 00:50:04,480
Speaker 4: big e Mouse like big le a Mouse.

927
00:50:11,320 --> 00:50:12,360
Speaker 1: Yeah, I just.

928
00:50:12,440 --> 00:50:16,600
Speaker 7: Again so it would be again just a scale thing.

929
00:50:16,760 --> 00:50:19,640
Speaker 4: So it's whatever the specificity like you wanted to put

930
00:50:19,680 --> 00:50:22,360
Speaker 4: on the character, Like I'm respecting that, Like, I just

931
00:50:22,440 --> 00:50:24,160
Speaker 4: want to again put it in your mind kind of

932
00:50:24,280 --> 00:50:25,680
Speaker 4: like we can play with scale here.

933
00:50:27,239 --> 00:50:32,040
Speaker 1: This is topic and uh, and if I would prefer

934
00:50:32,160 --> 00:50:34,440
Speaker 1: they be huge.

935
00:50:34,520 --> 00:50:36,920
Speaker 2: That's better for me and like people of my cohort,

936
00:50:37,000 --> 00:50:38,840
Speaker 2: it's easier for me to see them if they're gigantic

937
00:50:38,920 --> 00:50:41,480
Speaker 2: than if So this is like this is an improvement.

938
00:50:42,800 --> 00:50:45,839
Speaker 2: It can be like HBO Max they're like selling off

939
00:50:45,880 --> 00:50:49,080
Speaker 2: their catalog and like Disney is like expanding and so

940
00:50:49,200 --> 00:50:52,160
Speaker 2: they like bought this up. So it's like it could

941
00:50:52,160 --> 00:50:55,200
Speaker 2: be first it could be like a pre uh like

942
00:50:55,800 --> 00:50:58,239
Speaker 2: whatever the cold open thing, you know, because it's like

943
00:50:58,280 --> 00:50:59,239
Speaker 2: in the news sort of.

944
00:51:02,360 --> 00:51:03,319
Speaker 1: Bart Garfunk Gole.

945
00:51:03,480 --> 00:51:07,040
Speaker 2: It's just like that's kind of self explanatory. He has

946
00:51:07,160 --> 00:51:10,840
Speaker 2: live he's like fully cartoon, except his hair is like

947
00:51:10,960 --> 00:51:11,479
Speaker 2: live action.

948
00:51:11,719 --> 00:51:15,439
Speaker 3: And and I guess for you he would be maybe

949
00:51:15,520 --> 00:51:18,239
Speaker 3: reuniting with small Simon m.

950
00:51:19,920 --> 00:51:22,520
Speaker 7: And can I just like again, off the top of

951
00:51:22,600 --> 00:51:24,600
Speaker 7: my head, he could be like you know, like.

952
00:51:26,600 --> 00:51:31,200
Speaker 4: Shorts like that kind of something like in that maybe

953
00:51:31,280 --> 00:51:33,920
Speaker 4: regard as well Kevin.

954
00:51:34,040 --> 00:51:35,800
Speaker 2: I mean, we've been saying that Kevin's ready for this.

955
00:51:35,960 --> 00:51:37,799
Speaker 2: I do just want to see like if Kevin has

956
00:51:39,920 --> 00:51:43,799
Speaker 2: any Well, here's you're gonna be doing this, like by

957
00:51:44,040 --> 00:51:46,719
Speaker 2: by next week, do you have any characters.

958
00:51:46,320 --> 00:51:51,400
Speaker 6: For I guess here's my big moment What about REPO

959
00:51:51,560 --> 00:51:53,000
Speaker 6: baby instead of NEPO Baby.

960
00:51:56,040 --> 00:51:58,400
Speaker 1: Okay, Sarah, Sarah, Sarah has something?

961
00:51:59,800 --> 00:52:03,000
Speaker 5: Is there a missus Repoma.

962
00:52:04,680 --> 00:52:08,960
Speaker 7: Bye? We can go with Hollywood Hamburg