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Speaker 1: And we were at uh, we're just going down the

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Speaker 1: aisles at uh target for back to school, Me and

3
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Speaker 1: Ray park Ah not you know Park, I know Ray Donovan, Okay.

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Speaker 1: And because it's like back to school, it's where they

5
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Speaker 1: have like the good erasers, that's when they bring in

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Speaker 1: the big though. No, that's when they finally load up

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Speaker 1: on the ones that you really want. You don't have

8
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Speaker 1: to get those like bottom of the barrel.

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Speaker 2: Racers, even like the exciting ones, but you have to

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Speaker 2: go very fast.

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Speaker 1: Yeah.

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Speaker 3: Uh.

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Speaker 1: And so we're I'm just kind of gathering up erasers

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Speaker 1: and this kid comes up. It's like that's too many.

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Speaker 1: You like, oh right, you can't. And every target has

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Speaker 1: one of these kids. Yes, the eraser police who's enforced

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Speaker 1: the limit of how many races you can buy. It's like, buddy, yeah,

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Speaker 1: I could buy the whole damn target. That's all you

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Speaker 1: And you don't work here. Oh you say hitting, Well,

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Speaker 1: that's that's what I'm saying. Every target has one of

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Speaker 1: these and they never do work here.

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Speaker 2: And so I'm like, he's like, that's too many, and

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Speaker 2: I'm like, well, I got a big mess to erase.

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Speaker 1: And I'm looking at him.

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Speaker 2: That's what I said, And so he starts immediately giving

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Speaker 2: me like kind of body blows and I'm sort of

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Speaker 2: just like he's very small, that's father with me. So

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Speaker 2: I'm just kind of pounding on his head. But he's

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Speaker 2: wearing a helmet, so he's like invincible basically.

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Speaker 1: Yeah.

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Speaker 2: And I you know, you start, once you start to

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Speaker 2: take so many hiss to the body, you do start

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Speaker 2: to kind of.

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Speaker 1: That'll wear your head. Yeah, it just yeah, it does

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Speaker 1: start to sort of like drain the energy from you. Yeah.

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Speaker 1: And so when I woke up, a lot of me

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Speaker 1: had been erased. Oh no, if the eraser and you

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Speaker 1: turned out to be his big mess, Well, I'm sorry

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Speaker 1: to hear that, Hayes, but that's not why I'm telling you.

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Speaker 1: I'm not telling you and I'm not apologizing, and I

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Speaker 1: just want you to know. I mean, I'm not mad. No,

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Speaker 1: I'm not mad at you. No, And I'm not at

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Speaker 1: you for not being mad at me.

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Speaker 2: Hey, welcome to Hollywood, ham but guy to kicking button

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Speaker 2: dropping names in the red car of this industry we

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Speaker 2: call We've been.

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Speaker 1: Talking show so much about Maria and it's so much fun.

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Speaker 1: Like remember how much we've been saying like it would

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Speaker 1: be like, wouldn't that be to the exclusion of other

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Speaker 1: conversation and to the detriment of our personal relationship because

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Speaker 1: a lot of times one of us will ask the

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Speaker 1: other one for favor, for a ride home from the

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Speaker 1: airport or something, and the other one will just go, like,

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Speaker 1: when are we going to get Amanda Maria? Or we're

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Speaker 1: just catching up, or just like what's going on? And

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Speaker 1: then and then the first person is stranded at the

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Speaker 1: airport because we can't talk about anything else because that

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Speaker 1: takes up so much of our mental space. But we

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Speaker 1: have them here, and guys, do you want to just

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Speaker 1: say hi, Hey, Oh my god, that'll be so fun. First. Yeah,

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Speaker 1: the people listening to hear. Yeah, that's really fun.

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Speaker 3: Hey guys, what's up?

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Speaker 4: Oh?

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Speaker 1: Perfect, Yes, I don't even know anymore. What's up? This

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Speaker 1: country is going through some changes. We're not here to

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Speaker 1: say if they're good or if they're bad. We're just

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Speaker 1: here to say that they're happening. And we got a

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Speaker 1: front row seat for all of it. So when you

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Speaker 1: ask me what's up, I go it's too early to say.

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Speaker 3: That's fair.

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Speaker 1: Uh. As a rule, when we have guests on, they're

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Speaker 1: the guests and we're the host, and the plan is

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Speaker 1: to keep it that way. This show's a little different. Yeah,

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Speaker 1: this is it's so funny. I don't know.

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Speaker 2: Maybe you guys thought we were mad. I don't want

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Speaker 2: you to guys think that we're mad about that. You know,

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Speaker 2: like this thing that happened. Yeah you guys, of course, right,

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Speaker 2: you've got this thing that happened. No, and you probably

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Speaker 2: thought we were mad and you were nervous to come in. Okay,

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Speaker 2: we're actually so cool that we're being It was a

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Speaker 2: little while ago, and you honestly don't have to pretend

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Speaker 2: that you don't know about this.

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Speaker 1: It was a little while ago.

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Speaker 2: Yeah, Like you don't have to pretend that you forgot,

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Speaker 2: because I know that you didn't forget.

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Speaker 1: And just not to belabor the point, but we're so

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Speaker 1: confident and cool that we're be nice about it.

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Speaker 3: Where was this new?

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Speaker 2: It was online. So there's this guy Kevin. You know

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Speaker 2: this guy Kevin. He's like this perverted thing.

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Speaker 1: Yeah, he's like it's like a basement troll. Like he's like,

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Speaker 1: I shouldn't say basement, but he got a but yeah yeah,

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Speaker 1: but he yes, he's like he's like a troll that

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Speaker 1: lived underground that has escaped and doesn't want to go.

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Speaker 2: Back, and he wants to sample some of the above

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Speaker 2: ground where just like everything he can find, wants to

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Speaker 2: enjoy now because he's been underground for so long.

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Speaker 1: It's good for him. Yeah. If you look at the

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Speaker 1: story just from his perspective, you go like, Okay, I understand.

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Speaker 1: But if you look at it from the perspective of

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Speaker 1: polite society, uh, you go, oh, this guy's a problem.

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Speaker 1: We got to get him back underground somehow.

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Speaker 2: So he looks online for us sometimes just to see

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Speaker 2: what people are talking about with the show, and a

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Speaker 2: lot of it is very nice.

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Speaker 1: Yeah, I've noticed that people like the show.

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Speaker 2: But a few months ago, uh, some some guy did

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Speaker 2: a post Kevin. No, this is not Kevin. So this

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Speaker 2: confused me too, because Kevin was telling me about it.

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Speaker 2: So I was like, Okay, you must have liked you

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Speaker 2: say this, how else would you know? But apparently this

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Speaker 2: guy did it to He did an all post, so

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Speaker 2: Kevin to everyone.

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Speaker 1: No, Kevin is sort of an underground troll who's now

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Speaker 1: escaped into society.

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Speaker 3: That's who you guys were talking about. Or is Kevin

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Speaker 3: the guy who found the underground troll, Kevin.

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Speaker 1: No, Kevin found the post Kevin which was which, as

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Speaker 1: Hayes said, was an all post. That even it was

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Speaker 1: an all post. So Kevin is the underground troll.

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Speaker 2: This post that he found was by a troll who

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Speaker 2: lives in the Internet.

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Speaker 5: He hasn't come up up to the ground, not.

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Speaker 2: To my null and there is no above ground or

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Speaker 2: below ground with him. It's all wires, it's all online

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Speaker 2: for this troll. I'm so glad that I heard Kevin.

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Speaker 3: And Kevin has a direct line to you? Is that?

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Speaker 3: Is that how he communicates with you? How do you

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Speaker 3: know Kevin?

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Speaker 1: So, Kevin, Kevin works here? It works here, Yes, I

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Speaker 1: see it.

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Speaker 5: I think I understand in.

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Speaker 1: Some sort of sick experiment, Scott Auckerman has hired Kevin

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Speaker 1: to do work here.

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Speaker 2: But he is able to move between the physical world

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Speaker 2: with us and also check online sometimes.

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Speaker 1: Yes. Okay, okay, So I asked this before. But have

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Speaker 1: you seen Virtuosity? No, like they were dodging it a

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Speaker 1: little bit more. Yeah, why that you stayed on? No,

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Speaker 1: I think that it's good to double back for this.

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Speaker 1: So Virtuosity is a movie. Uh, that's about kind of

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Speaker 1: our real life right now? It's old, but it was

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Speaker 1: very prescient and Denzil Washington.

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Speaker 3: Okay, is it a sci fi drama?

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Speaker 1: I wish it was sci fi. It's it's just sigh,

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Speaker 1: it's just science, science, sciences. Time it was made, it

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Speaker 1: was sci fi. But now the fi has become reality. Wow,

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Speaker 1: so I become science fiction? To himsel, yes, well, unfortunately,

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Speaker 1: welcome to the future. And uh and it's your present.

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Speaker 1: Oh and you can't return it. So Danzel is fighting criminal.

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Speaker 1: Criminal is a wires guy who live only in electric

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Speaker 1: and is from a computer. And he can't fight him

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Speaker 1: with keyboard. He has to shoot him with a gun

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Speaker 1: and it doesn't work. And then what does he do?

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Speaker 1: You know? And I haven't seen it in a long time,

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Speaker 1: so I don't remember.

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Speaker 3: Doesn't seem like my cup of tea.

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Speaker 5: I would check it out.

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Speaker 1: You'd have to, because it's because it's coming for all

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Speaker 1: of us.

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Speaker 2: So we should talk about the all post. Yeah, because

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Speaker 2: Sam is kind of an expert on this stuff. This

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Speaker 2: is one of those messages for the whole It's an

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Speaker 2: Internet wide message.

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Speaker 1: It's for America as far as I know, Yes, for

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Speaker 1: anyone to see what do we do?

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Speaker 4: Oh?

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Speaker 1: This is my sorry guys, this is my little cousin Sam,

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Speaker 1: and he's sort of our resident textpert. Do you want

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Speaker 1: me to look something up? No, you didn't know, Like,

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Speaker 1: maybe you can explain a little bit, because I feel like.

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Speaker 2: We're because he's good at reading the screeneime two. Technically

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Speaker 2: the screen, like when I'm looking at it, it's so it's.

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Speaker 1: Like a blaster on me. Yeah.

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Speaker 5: So is it like a tweet?

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Speaker 1: Okay, this is and this is a word that Kevin

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Speaker 1: kept using. Yes, he was saying this, yes, okay, so

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Speaker 1: like on Twitter. Right, these are all things I recognize

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Speaker 1: from talking to Kevin.

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Speaker 2: But he was saying that it's like a post like that.

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Speaker 2: It is like an all an all tweet. I guess

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Speaker 2: is the same.

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Speaker 1: Yeah, and all all out tweets.

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Speaker 5: Yes, okay, like a public tweet yeah yeah public.

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Speaker 1: Yeah.

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Speaker 6: Yeah, it's what you would use if you want to

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Speaker 6: talk Internet. You would take what you want to say

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Speaker 6: out M pushed out to Internet.

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Speaker 1: That's good. Yeah, it's at you, yeah right, but it's

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Speaker 1: not going private.

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Speaker 3: No, you'd have to DM for the private. Yeah, that's

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Speaker 3: a direction.

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Speaker 1: Another thing Kevin talks about a lot is how eager

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Speaker 1: he is to slide into people's dms. He says slither.

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Speaker 1: He's yes, he always yes, that's right, he says, I'm

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Speaker 1: going to slither into their dms.

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Speaker 3: Oh god, an Internet snake. The wires are all internets.

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Speaker 5: You got to be in the Internet.

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Speaker 1: You have to be that shape to go through the

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Speaker 1: wires as fast as he can.

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Speaker 4: Yeah.

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Speaker 1: So will you read this him? Because you ever like,

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Speaker 1: as soon as the thing turns on, you want me

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Speaker 1: to find It's like the son, I'm so happy you're

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Speaker 1: moving the screen away because I'm addicted to eye contact. Okay,

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Speaker 1: And and Hayes is my dealer. You know, he's given me.

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Speaker 1: He's given me the good stuff.

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Speaker 4: I know.

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Speaker 6: So it says, it says it's replying to another too,

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Speaker 6: so someone is to get in.

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Speaker 1: Don't do the complicated stuff.

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Speaker 6: So it says, just the format of Hollywood Handbook, but

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Speaker 6: with Maria Succi, Suji and Amanda Lond instead that's me.

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Speaker 1: It would be incredible.

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Speaker 3: Wait read it again.

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Speaker 1: I wasn't listening just the format.

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Speaker 6: Of Hollywood Handbook, but with Maria Lsucci and Amanda Lond instead,

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Speaker 6: it would be incredible.

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Speaker 1: And then all these people say, before we go back,

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Speaker 1: what they said, we do your research before we do

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Speaker 1: the show, before we have people, we have just a

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Speaker 1: little bit.

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Speaker 3: Okay, it's an Italian name, it's not you know, it's

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Speaker 3: all right?

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Speaker 1: Oh yeah, really no Italian stuff in America. You never know.

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Speaker 1: It's kind of you.

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Speaker 3: I hear your apology. I don't accept it, but I absolutely.

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Speaker 5: He didn't say it wrong. He just paused and you

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Speaker 5: jump right in.

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Speaker 1: So we don't know what he might have been doing,

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Speaker 1: like a Michael Buffer.

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Speaker 3: Well, he did a thing where he looked at it

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Speaker 3: and it was like he had already given up. But

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Speaker 3: he may have gotten it right.

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Speaker 1: He was trying to do a big load up like Mario.

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Speaker 5: But the truth is none of us will ever know.

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Speaker 3: Well what then?

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Speaker 5: What were the replies?

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Speaker 1: And then it says all that is unknowable, isn't. All

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Speaker 1: that's left is to decide how often Matt Gorley guest stars.

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Speaker 1: And then it's it's it and you don't have to

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Speaker 1: pronounce the tea. And often people think smart, it's actually

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Speaker 1: it's awesome. Amanda's a person, That's what I think, and

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Speaker 1: it drives Will. He's not.

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Speaker 2: He's like just like just like Matt's wife, she's like

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Speaker 2: her own person. So for these people to be like, oh,

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Speaker 2: but what it meant? Yeah, actually she's like human beings.

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Speaker 3: They didn't tag us in those though, so I never

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Speaker 3: saw it.

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Speaker 5: No, I would have loved to be tagged in them,

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Speaker 5: just to double back.

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Speaker 1: And I hate that I keep going back to things

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Speaker 1: that were blowing past. But Will Smith is like a

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Speaker 1: grammar junkie. He loves this stuff and he thinks that

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Speaker 1: people try to sound intelligent by hitting the tea and

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Speaker 1: often pretty hard, but it's actually often and he knows

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Speaker 1: that will it does. Yeah, and if you read an

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Speaker 1: interview with him from nineteen ninety eight, I think you're

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Speaker 1: going to find that H'll agree with me.

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Speaker 6: And then this guy wrote, that's a great pick because

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Speaker 6: they are goofy. They are as goofy as Clements and

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Speaker 6: Davenport without being weird. Cross between smug post irony and infantilization.

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Speaker 3: That's all.

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Speaker 1: Yeah, that's rightization.

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Speaker 2: Yeah.

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Speaker 5: I don't know you guys that well, but that seems

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Speaker 5: spot on.

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Speaker 1: Yeah, and we're actually being nice about it. Yeah, we're

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Speaker 1: actually being nice something. It's actually funny that you thought

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Speaker 1: we were amand and that you were so scared to

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Speaker 1: think that you would think that it would hurt my feelings,

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Speaker 1: and that I would go to debate the infantilization part,

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Speaker 1: and then I would remember the way that I described

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Speaker 1: the movie virtuosity.

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Speaker 6: Oh, this guy, I cannot I basically cannot think it

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Speaker 6: too more. Two people more excelling at the most basic

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Speaker 6: podcast format imaginable.

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Speaker 5: Talking about Marianda.

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Speaker 2: I don't know if that was clear. Wow, that's nice

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Speaker 2: as they were. It is a nice whoever was it

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Speaker 2: was about, it is super nice.

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Speaker 1: Yeah, two people more excelling. God. Will Smith would have

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Speaker 1: a freaking field down.

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Speaker 3: Maybe this is your guys problem. It's like someone's giving

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Speaker 3: a compliment.

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Speaker 1: And maybe it's not to you.

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Speaker 5: But then you like, you're like focusing in on ling

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Speaker 5: the small things.

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Speaker 1: The grammar on the grammar. Yeah, and I know somebody

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Speaker 1: else who did that Will Smith. Then I think it's

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Speaker 1: worked well for him.

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Speaker 3: That's another thing. You bring Will into it and you're like, yeah,

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Speaker 3: Will would hate this too, And then people get they

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Speaker 3: don't feel good.

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Speaker 4: I have to say I did rewatch Wild Wild West

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Speaker 4: very recently and it does hold up to what to

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Speaker 4: anything any New Western well.

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Speaker 2: And also he they act like it's a bad thing.

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Speaker 2: He is infantilizing too. Because he made two infants.

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Speaker 3: Yeah he made more than that. Willy, Yeah, big Willy.

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Speaker 3: He made the two and then he made the one

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Speaker 3: that he did.

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Speaker 1: The Oh tray, I forgot. I forgot about first marriage.

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Speaker 1: I forgot about y'all forgot about maybe they were Yeah,

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Speaker 1: And so.

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Speaker 2: These guys are like, oh, infantilizing is bad, but actually

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Speaker 2: it's because they can't find any girlfriend.

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Speaker 1: Would you say that? Nowadays everybody want to talk like

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Speaker 1: they got something to say, but if it comes out

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Speaker 1: when they move their lips just a bunch of gibberish,

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Speaker 1: and they forgot about trey their mouth.

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Speaker 3: What did he say, lips? No, it is when they

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Speaker 3: move the lips, just a bunch of gibberish.

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Speaker 1: Yeah, it sounds better than mouth. Yeah, they move, Yeah,

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Speaker 1: he was talking about when they move they mouth just

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Speaker 1: to gibber moving their lips without using their mouth.

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Speaker 2: That's why it comes out to where because they're just

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Speaker 2: that's like the idea of the song that they're just

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Speaker 2: moving their lips but not their whole mouth.

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Speaker 1: Oh yeah, because if you do use your mouth, it's

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Speaker 1: can make all kinds of noise. It's very hard to

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Speaker 1: talk if you're just doing the with just lips. If

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Speaker 1: you keep your well even that, that's like bringing in

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Speaker 1: some air from the throat and lungs. But if you're

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Speaker 1: literally keeping your teeth clenched, tongue still and just moving

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Speaker 1: your lips, it's a little bit of this. And please

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Speaker 1: everyone be quiet for this, because those are the most

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Speaker 1: you can do. And that's it. I like that sound.

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Speaker 3: Yeah, it's not bad.

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Speaker 1: Yeah, it's sort of asmri Are you guys into ASM artists?

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Speaker 1: Who's your favorite?

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Speaker 5: Is that when they whisper?

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Speaker 4: Mmmm?

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Speaker 5: I've checked out a few videos.

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Speaker 1: I don't know any of the names of.

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Speaker 5: The people who are making them.

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Speaker 1: Thank you for being honest. So we are here to

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Speaker 1: talk about these they're pretending all this stuff. It's so

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Speaker 1: weird and I hate to double back, but it's like

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Speaker 1: they don't have virtuous and we don't usually double back

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Speaker 1: this much. I don't know about what didn't know about?

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Speaker 4: What?

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Speaker 1: Are you scared of?

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Speaker 2: Is it?

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Speaker 1: Sam?

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Speaker 3: No, we're not scared of anything. We just we came

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Speaker 3: in you guys invited just on, we came in here,

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Speaker 3: and then I mean, we don't you know, we're not

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Speaker 3: podcast junkies.

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Speaker 4: No, Son, you have a language that we're not. We're

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Speaker 4: trying to adapt, but we have to listen for a while.

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Speaker 1: What are you guys? What are you guys junkies about?

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Speaker 1: What are you nerds? I would love to talk about

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Speaker 1: people's passions, and being a nerd is really just being

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Speaker 1: passionate about something. And that's why nerd culture to me

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Speaker 1: is just like it's just being a fan.

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Speaker 3: I like snacks, I like pastries.

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Speaker 1: Okay, pastry nerd.

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Speaker 3: Yeah, I really am a pastry nerd sometimes, Like I'll

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Speaker 3: even start to tear up if if I see something

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Speaker 3: really decadent.

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Speaker 5: Oh wow, Like what would that be for you?

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Speaker 3: Something like puffy with like like a puff pastry with

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Speaker 3: maybe like some.

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Speaker 1: Can I do? Sorry this kind? Can I do that?

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Speaker 1: What can we just have me be doing the like

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Speaker 1: I'm sort of Sean is sort of I'm like a

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Speaker 1: sidekick figure. He'll sort of run with it, but I'll

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Speaker 1: initiate the question my role you didn't know, you didn't know?

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Speaker 3: What's my role?

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Speaker 1: You'll find it? Yeah, yeah, we don't. We don't have

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Speaker 1: it yet and we don't need to have it. I

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Speaker 1: hate that kind of pressure.

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Speaker 3: Funny he sees you as a sidekick, because I would

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Speaker 3: have said the other thing.

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Speaker 5: Really, Yeah, so interesting.

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Speaker 2: Yeah, and that's actually a compliment to me because that

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Speaker 2: means that I'm just like blending in so seeming that

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Speaker 2: the show is running so smoothly that people aren't even

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Speaker 2: noticing I'm there.

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Speaker 1: And that's the best version of the show to me.

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Speaker 2: That's what I want, because if they're kind of busting out,

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Speaker 2: because if they're not talking about you, that's good.

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Speaker 1: It is.

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Speaker 2: Oh yeah, that's really good because sometimes when they're talking

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Speaker 2: about you you're in trouble. It's because you're in trouble.

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Speaker 3: Yeah, but no, all press is good press.

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Speaker 5: Yeah, publicity. And I mean, like you guys could definitely

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Speaker 5: get away with only having one of you here.

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Speaker 3: Absolutely.

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Speaker 1: Boy, that makes me think, well, it's funny.

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Speaker 2: Can I go back to asking the question that like that?

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Speaker 2: I was actually gonna ask right before Amanda did. So

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Speaker 2: it's so delicious and what is it delectable or decadent?

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Speaker 4: What are you?

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Speaker 3: What are you talking about?

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Speaker 1: Was in your pastry thing? That something? It would make

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Speaker 1: you cry?

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Speaker 5: I said, what would that?

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Speaker 1: So?

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Speaker 5: What would that be for you?

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Speaker 1: And that's actually and that's what actually what I was saying.

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Speaker 1: And you look at it and you think it's so

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Speaker 1: yummy to eat and tell me what what's the what?

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Speaker 1: Talk about it?

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Speaker 3: I told her.

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Speaker 2: We that we that will not be in the show.

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Speaker 2: That part is gone. It's already. Is that gone already?

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Speaker 2: Can you be a little more interested with our posture please?

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Speaker 1: Sam? Just engaged. Do you need me to look something up? No,

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Speaker 1: we need to answer a question. There just five people

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Speaker 1: in the room. The part I've been doing the cut signals?

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Speaker 1: Have you been not seeing those? He's been doing the

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Speaker 1: Dave Cooley? I cut it out?

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Speaker 5: So do you prefer pastries over cookies?

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Speaker 1: That was me?

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Speaker 3: I said that I like pastries over cookies.

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Speaker 5: I think like a fruit tart is my favorite.

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Speaker 3: I'll take a fruit tart. Anything is in a case

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Speaker 3: that's not that's got some sort of chocolate in it,

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Speaker 3: or like a custard.

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Speaker 1: Okay, this is actually helpful in a way that this

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Speaker 1: is happening, because part of why we wanted to talk

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Speaker 1: to you and part of how we were going to

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Speaker 1: be so nice about this tweet saying you guys should

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Speaker 1: take over and that they wish that it was the

427
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Speaker 1: same format of this show, but that you were hosting it.

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Speaker 1: We're actually so not mad at it that we think

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Speaker 1: it's a good idea, and we're going to try to

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Speaker 1: sort of shepherd that along. We recently found out that

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Speaker 1: we're not allowed to stop doing the show, but there's

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Speaker 1: actually nothing in our contract that says that we have

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Speaker 1: to like be here for the show, So the show

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Speaker 1: does have to keep going.

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Speaker 2: And so say that we could do it with one

436
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Speaker 2: of us, but really what we are maybe trying to

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Speaker 2: do is do it with none of us.

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Speaker 1: Please, yes, oh yes, so that would be really good.

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Speaker 1: And the only thing is we can't just sort of

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Speaker 1: drop you in the deep end and watch it drown.

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Speaker 1: We wanna coach you a little bit and kind of

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Speaker 1: shape you into good hosts of this show. That pastry

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Speaker 1: stuff that's solid gold.

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Speaker 3: For the top of the show, it was like the

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Speaker 3: logline of the show, like when you sold it to

446
00:19:18,280 --> 00:19:20,520
Speaker 3: Earwolf or whatever? What what did you say? Because I

447
00:19:20,600 --> 00:19:21,679
Speaker 3: can't make heads or tails?

448
00:19:22,080 --> 00:19:25,000
Speaker 1: Mmmm. That's so funny to go back to that, to

449
00:19:25,160 --> 00:19:27,720
Speaker 1: think back to the beginning of when we sold it

450
00:19:27,920 --> 00:19:30,240
Speaker 1: in that bidding war to ear Wolf, But like, what

451
00:19:30,560 --> 00:19:31,000
Speaker 1: is the show?

452
00:19:31,080 --> 00:19:32,920
Speaker 5: Could you just that's going to elevate our pitch?

453
00:19:33,800 --> 00:19:37,040
Speaker 1: Yes, yes, yes, okay, it's okay. This is going to

454
00:19:37,080 --> 00:19:39,080
Speaker 1: be easy for haste to do. Go ahead. I guess

455
00:19:39,119 --> 00:19:41,520
Speaker 1: we can just go back to me. In my head,

456
00:19:41,560 --> 00:19:43,520
Speaker 1: I have to go back to that first meeting. Do

457
00:19:43,640 --> 00:19:46,159
Speaker 1: I pull up the deadline announcement? Yes? You know what

458
00:19:46,240 --> 00:19:48,760
Speaker 1: I mean? Do I pull up the deadline because they

459
00:19:48,920 --> 00:19:52,280
Speaker 1: normally you know we Yeah, you're involved in that press release. Yeah,

460
00:19:53,200 --> 00:19:53,320
Speaker 1: you know.

461
00:19:53,400 --> 00:19:55,399
Speaker 3: It's not easy to get a show on Earwolf. So

462
00:19:55,840 --> 00:19:59,439
Speaker 3: you guys are making making fun saying deadline. But god knows,

463
00:19:59,480 --> 00:20:03,040
Speaker 3: Amanda and I can't get a show fair a second.

464
00:20:03,080 --> 00:20:05,240
Speaker 1: I have a premium exclusive.

465
00:20:06,320 --> 00:20:06,760
Speaker 3: That's a hell.

466
00:20:06,840 --> 00:20:07,040
Speaker 1: But I.

467
00:20:08,960 --> 00:20:14,840
Speaker 3: Premium exclusive homepage show is not the easiest book to write.

468
00:20:14,880 --> 00:20:17,119
Speaker 1: I have been told that a Stitcher premium exclusive is

469
00:20:17,160 --> 00:20:20,960
Speaker 1: even better than that. I think you get a little more.

470
00:20:21,119 --> 00:20:21,239
Speaker 4: Uh.

471
00:20:22,119 --> 00:20:24,200
Speaker 2: John talk to like a professor about this, and he

472
00:20:24,200 --> 00:20:27,280
Speaker 2: said that having a Stitcher premium exclusive is like actually

473
00:20:27,400 --> 00:20:31,320
Speaker 2: more scientifically more prestigious, and it's better for the listener

474
00:20:31,440 --> 00:20:32,720
Speaker 2: that they can't listen to it.

475
00:20:32,920 --> 00:20:35,320
Speaker 1: Mm hm yeah, professor X.

476
00:20:35,640 --> 00:20:38,680
Speaker 5: That's my favorite part about it. It's not that many people.

477
00:20:38,480 --> 00:20:41,880
Speaker 1: Can act allow so great. Yes, it's exclusive.

478
00:20:41,960 --> 00:20:44,080
Speaker 3: People have to really pay and commit if they want

479
00:20:44,119 --> 00:20:46,320
Speaker 3: to hear it. Yeah, as closed to this without.

480
00:20:46,160 --> 00:20:48,000
Speaker 1: Knowing if it's good or if it's anything.

481
00:20:48,160 --> 00:20:50,239
Speaker 3: This is like one O two point seven. And then

482
00:20:50,359 --> 00:20:53,280
Speaker 3: Amanda's got a show that's like Howard Stern or something,

483
00:20:53,720 --> 00:20:55,680
Speaker 3: so you have to really pay. You get the cream

484
00:20:55,720 --> 00:20:57,119
Speaker 3: of the crop coming over to you and people that

485
00:20:57,240 --> 00:20:57,760
Speaker 3: make a living.

486
00:20:58,359 --> 00:20:59,160
Speaker 1: Is it like Howard?

487
00:20:59,840 --> 00:21:02,320
Speaker 5: It's similar in a way, but instead of how Stern,

488
00:21:02,400 --> 00:21:05,560
Speaker 5: it's me. Yeah, okay, right Howard?

489
00:21:05,680 --> 00:21:07,800
Speaker 1: Yeah? And who's Robin?

490
00:21:08,440 --> 00:21:10,160
Speaker 3: I'm probably Robin. You might be Robin.

491
00:21:10,320 --> 00:21:12,119
Speaker 5: Maria plays a woman named Joni.

492
00:21:12,359 --> 00:21:15,359
Speaker 3: Yeah, okay, but I'm Robin in everyday life, just kind

493
00:21:15,400 --> 00:21:17,760
Speaker 3: of there's the foil. And also to like just keep

494
00:21:17,800 --> 00:21:18,480
Speaker 3: things grounded.

495
00:21:19,400 --> 00:21:21,080
Speaker 1: You don't have to do that anymore. If you do

496
00:21:21,160 --> 00:21:24,520
Speaker 1: this is another thing. No, we don't. This show doesn't

497
00:21:24,560 --> 00:21:25,600
Speaker 1: need a straight man.

498
00:21:26,119 --> 00:21:28,280
Speaker 4: So what will you guys do if you do pass

499
00:21:28,359 --> 00:21:30,560
Speaker 4: the baton? Like, what are some things that you've been

500
00:21:30,600 --> 00:21:31,199
Speaker 4: putting off that.

501
00:21:31,240 --> 00:21:33,880
Speaker 1: I'm gonna I'm gonna catch up on sleep. Okay, I've

502
00:21:33,920 --> 00:21:36,200
Speaker 1: been just going twenty four hours. I'm gonna see the

503
00:21:36,800 --> 00:21:39,440
Speaker 1: Natural as much of the natural world as i can. Oh,

504
00:21:39,520 --> 00:21:43,239
Speaker 1: I'm going to watch the Natural Robert Redford, and then

505
00:21:43,240 --> 00:21:44,960
Speaker 1: I'm gonna get a nice long.

506
00:21:44,800 --> 00:21:47,080
Speaker 5: Sleep okay, like eternal sleep.

507
00:21:48,040 --> 00:21:49,680
Speaker 1: I may yeah, I may never wake again.

508
00:21:50,359 --> 00:21:50,840
Speaker 3: That's cool.

509
00:21:51,680 --> 00:21:54,359
Speaker 1: But the log line for the show, I guess would

510
00:21:54,359 --> 00:21:58,200
Speaker 1: be what do we mostly do on this show? Yeah?

511
00:21:58,320 --> 00:22:00,520
Speaker 1: So the deadline I guess we can go back. Okay,

512
00:22:00,720 --> 00:22:05,399
Speaker 1: deadline announcement. Do you want to just take turns reading it? Yeah? Absolutely,

513
00:22:06,000 --> 00:22:09,000
Speaker 1: let me just pull it up. You're gonna start. I'm

514
00:22:09,040 --> 00:22:10,720
Speaker 1: just gonna go to deadline dot com real.

515
00:22:10,640 --> 00:22:13,840
Speaker 3: Quick, okay, and dead air isn't a problem to you, guys.

516
00:22:15,480 --> 00:22:17,800
Speaker 1: He's doing the cut signal, Sam, He's doing the Kolia

517
00:22:17,920 --> 00:22:19,520
Speaker 1: cut it out, which is, if you think about it,

518
00:22:19,560 --> 00:22:22,480
Speaker 1: it's also three two sir, it's also three two one.

519
00:22:22,520 --> 00:22:25,560
Speaker 1: Have you ever noticed that about that? That hand signal? No,

520
00:22:26,200 --> 00:22:29,840
Speaker 1: show it to me so I can cut it out? Okay,

521
00:22:30,040 --> 00:22:33,320
Speaker 1: you know what I mean? What's the three three two?

522
00:22:33,600 --> 00:22:33,719
Speaker 4: Oh?

523
00:22:33,800 --> 00:22:36,320
Speaker 5: He's using his thumb. That's something I never knew he is.

524
00:22:36,880 --> 00:22:39,520
Speaker 1: Yeah, yeah, it is out because because then you kick

525
00:22:39,600 --> 00:22:42,639
Speaker 1: the thumb cut it out, you know, you're out of here,

526
00:22:42,760 --> 00:22:43,880
Speaker 1: like a calling you out.

527
00:22:44,000 --> 00:22:46,360
Speaker 5: That's genius. Whoever came up with that day.

528
00:22:46,440 --> 00:22:51,520
Speaker 3: It's so so good mm hmm oh really yeah?

529
00:22:51,720 --> 00:22:58,560
Speaker 1: Oh okay, So I didn't get the exact article, but

530
00:22:58,640 --> 00:23:02,760
Speaker 1: I think this will be helpful. Star Wars Rebels gets

531
00:23:02,840 --> 00:23:07,399
Speaker 1: premiere date. Disney XD has slotted a fall premiere date

532
00:23:07,440 --> 00:23:09,440
Speaker 1: and released a new trailer for the fourth and final

533
00:23:09,520 --> 00:23:12,800
Speaker 1: season of its Emmy nominated animated series Star Wars Rebels.

534
00:23:13,200 --> 00:23:15,800
Speaker 1: Season four debuts with an hour long episode on Monday,

535
00:23:15,840 --> 00:23:23,080
Speaker 1: October sixteenth, and then I'm skipping, skipping, skipping. Grand Admiral

536
00:23:23,160 --> 00:23:29,880
Speaker 1: thron Lars Michelson. In addition to Gray and Michelson, Imperial

537
00:23:29,920 --> 00:23:32,960
Speaker 1: threat rises on Lothal Ezra Taylor. Gray leads the crew

538
00:23:33,040 --> 00:23:35,119
Speaker 1: back to his home world to fefty pressent force at

539
00:23:35,160 --> 00:23:39,920
Speaker 1: the Empire. Freddy Prince Junior Kanan Vanessa Marshall as hair As,

540
00:23:39,960 --> 00:23:44,480
Speaker 1: Steve Glum as zeb Freddy Prince Junior as Kane Ess Marshalls,

541
00:23:44,520 --> 00:23:46,840
Speaker 1: Harris Steve Bloe, but I'm glad that he's doing highest

542
00:23:46,880 --> 00:23:50,760
Speaker 1: Sir Car as Sabine Dee Bradley Baker as Captain Rex.

543
00:23:51,440 --> 00:23:53,680
Speaker 1: It seems like they didn't try too hard on that name.

544
00:23:54,320 --> 00:23:57,720
Speaker 1: David Oyl as Callous, and Forrest Whitaker has Saugaray.

545
00:23:57,800 --> 00:23:59,560
Speaker 3: Wait a minute, Freddy Prince Junior is in the new

546
00:23:59,680 --> 00:24:00,359
Speaker 3: Star Wars.

547
00:24:01,119 --> 00:24:04,520
Speaker 1: This is Star Wars Rebels. Yes, do it again, Work

548
00:24:04,560 --> 00:24:08,000
Speaker 1: Davis joints the cat yest Wars. Star Wars Rebels gets

549
00:24:08,080 --> 00:24:10,920
Speaker 1: premiere date. New trailer for fourth and final season. That's

550
00:24:10,960 --> 00:24:14,560
Speaker 1: a cartoon by Denise Petts. It's on Disney XD d

551
00:24:14,800 --> 00:24:18,119
Speaker 1: s ball premiere date it has released in the Disney

552
00:24:18,240 --> 00:24:24,360
Speaker 1: XD is that it looks like a laughing man or woman. Yes,

553
00:24:24,520 --> 00:24:28,200
Speaker 1: Work Davis joints the cast as as Rooke, Admiral Thron's

554
00:24:28,280 --> 00:24:29,880
Speaker 1: Deadly assassin.

555
00:24:30,920 --> 00:24:35,760
Speaker 5: D the tissue don't get on the table like that.

556
00:24:36,720 --> 00:24:38,159
Speaker 1: You turn it like this and.

557
00:24:41,040 --> 00:24:42,480
Speaker 5: You could do that with any word.

558
00:24:42,359 --> 00:24:46,200
Speaker 1: With a d M it the X is the eyes

559
00:24:46,240 --> 00:24:48,680
Speaker 1: closed because they're Laughing's like f D.

560
00:24:48,840 --> 00:24:51,480
Speaker 3: What's that funny about Star Wars Rebels?

561
00:24:51,600 --> 00:24:54,920
Speaker 1: Is there? I think they make room for some humor.

562
00:24:55,000 --> 00:24:57,520
Speaker 3: I'm sure there's humor, but I wouldn't. I wouldn't be

563
00:24:57,600 --> 00:24:58,280
Speaker 3: laughing that hard.

564
00:24:58,440 --> 00:25:03,920
Speaker 1: My god, he's saying the BBA isn't funny, which he

565
00:25:04,080 --> 00:25:06,280
Speaker 1: here actually is not a safe place to say that.

566
00:25:06,600 --> 00:25:07,159
Speaker 3: It's fine.

567
00:25:11,320 --> 00:25:14,800
Speaker 1: I've worked with him and BBA is really a special talent.

568
00:25:15,440 --> 00:25:18,920
Speaker 1: He wrote a book, but that's not actually helping you.

569
00:25:18,960 --> 00:25:21,720
Speaker 1: Too much of our show Falling Water casts Christopher Turner

570
00:25:21,760 --> 00:25:25,359
Speaker 1: and Stephen Arbuckle. Michael Beasley joins Escape at Dani Mora.

571
00:25:26,160 --> 00:25:29,040
Speaker 1: So this is about just an article about saving hope

572
00:25:29,080 --> 00:25:32,960
Speaker 1: alone Christopher Turner, it's Stephen R. Buckle, and they're set

573
00:25:33,000 --> 00:25:35,000
Speaker 1: for recurring roles on the second season of USA is

574
00:25:35,040 --> 00:25:35,640
Speaker 1: Falling Water.

575
00:25:35,880 --> 00:25:38,280
Speaker 3: Can you find the article about your show or there

576
00:25:38,359 --> 00:25:39,119
Speaker 3: is no article?

577
00:25:39,400 --> 00:25:41,000
Speaker 5: It's I think that I don't.

578
00:25:42,320 --> 00:25:44,520
Speaker 2: As you just heard, this is a real like we

579
00:25:44,600 --> 00:25:48,480
Speaker 2: read other announcements, so you know that the idea of

580
00:25:48,560 --> 00:25:50,080
Speaker 2: the shape of it, you know what I mean, Like,

581
00:25:50,200 --> 00:25:51,440
Speaker 2: this is definitely what they do.

582
00:25:51,680 --> 00:25:54,919
Speaker 3: They do, but we're asking you, guys, what.

583
00:25:55,280 --> 00:25:57,040
Speaker 5: Is the log I mean, we can probably come up

584
00:25:57,080 --> 00:25:57,399
Speaker 5: to one.

585
00:25:57,680 --> 00:26:01,920
Speaker 1: Well, I mean Beasley is ripped by Cube Management, Stuart

586
00:26:01,960 --> 00:26:04,520
Speaker 1: Little and Pierce Law Group. And well, as we said,

587
00:26:05,320 --> 00:26:07,880
Speaker 1: Kevin is not here and he is the main searcher

588
00:26:07,960 --> 00:26:08,480
Speaker 1: of the show.

589
00:26:08,600 --> 00:26:10,560
Speaker 5: Okay, Oh, Kevin is normally in the room.

590
00:26:11,800 --> 00:26:14,280
Speaker 1: Unfortunately, he is here a lot, and he's not here

591
00:26:14,320 --> 00:26:16,240
Speaker 1: to take pictures today. And I wonder if Sam will

592
00:26:16,280 --> 00:26:19,520
Speaker 1: take any pictures or if he will read his phones?

593
00:26:20,960 --> 00:26:26,359
Speaker 1: What's up? Do you want me to look something? Oh? No, no,

594
00:26:26,960 --> 00:26:27,560
Speaker 1: apparently not.

595
00:26:27,720 --> 00:26:29,520
Speaker 2: And he can't even look stuff up. So if you

596
00:26:29,600 --> 00:26:31,720
Speaker 2: were thinking that he could look up the article, he

597
00:26:32,280 --> 00:26:33,280
Speaker 2: is pretending that he can.

598
00:26:33,359 --> 00:26:35,480
Speaker 1: He's trying to impress you.

599
00:26:35,800 --> 00:26:37,440
Speaker 3: Podcasts. He's like the Jamie.

600
00:26:38,119 --> 00:26:40,120
Speaker 1: Thank you for putting in the terms I can understand.

601
00:26:40,280 --> 00:26:44,000
Speaker 3: Yeah, in podcast, in podcast lingo, he's the Jamie.

602
00:26:44,040 --> 00:26:48,520
Speaker 1: And we're saying head and dropping.

603
00:26:50,800 --> 00:26:54,200
Speaker 3: I'm not a podcast head, just Joe specifically, just I'm

604
00:26:54,200 --> 00:26:54,959
Speaker 3: a roganhead.

605
00:26:55,320 --> 00:26:59,080
Speaker 1: And guys, let's talk a little more. Because one thing

606
00:26:59,280 --> 00:27:02,920
Speaker 1: is you wanted to know what the show's about, and

607
00:27:03,000 --> 00:27:05,760
Speaker 1: the shows called Hollywood Handbook. And so maybe since I'm

608
00:27:05,760 --> 00:27:10,359
Speaker 1: already on Deadline dot com, I could give you a

609
00:27:10,400 --> 00:27:12,439
Speaker 1: little piece of Hollywood news and we could see how

610
00:27:12,480 --> 00:27:14,479
Speaker 1: you handle it, because a lot of it is us,

611
00:27:15,040 --> 00:27:17,920
Speaker 1: you know, taking the new Hollywood news and just talking

612
00:27:17,960 --> 00:27:20,800
Speaker 1: about what's happening in this city, in this industry.

613
00:27:21,080 --> 00:27:23,080
Speaker 2: Just like whatever the big news is from the week,

614
00:27:24,119 --> 00:27:26,200
Speaker 2: and we sort of pick it apart and we'll no

615
00:27:26,320 --> 00:27:28,480
Speaker 2: filter about it before you get started. We never have

616
00:27:28,600 --> 00:27:32,520
Speaker 2: any filter, and we're honesty. Yeah, and we have people

617
00:27:32,560 --> 00:27:33,280
Speaker 2: the real deal.

618
00:27:33,359 --> 00:27:35,400
Speaker 1: Yeah, they finally get a real look at it, no spin.

619
00:27:36,480 --> 00:27:38,400
Speaker 1: So I'm just going to give you a piece of news,

620
00:27:38,600 --> 00:27:40,399
Speaker 1: just a fun piece of news to talk about, and

621
00:27:40,480 --> 00:27:43,360
Speaker 1: then you'll be able to spin it into whatever. Roku

622
00:27:43,600 --> 00:27:47,359
Speaker 1: looks to raise one hundred million dollars in IPO to

623
00:27:47,520 --> 00:27:50,480
Speaker 1: fuel growth plants, and then you just run with it.

624
00:27:50,640 --> 00:27:53,600
Speaker 3: Okay, So Roku is the Amazon. No, no, no, it's

625
00:27:53,680 --> 00:27:56,280
Speaker 3: the it's not the Amazon fire stick, it's not the

626
00:27:56,720 --> 00:27:58,840
Speaker 3: it's not the iTunes.

627
00:27:59,040 --> 00:28:01,639
Speaker 1: That's good really giving people this it is.

628
00:28:01,800 --> 00:28:04,440
Speaker 3: It's like the other thing that's not Apple TV, or

629
00:28:04,480 --> 00:28:05,320
Speaker 3: it's not Apple TV.

630
00:28:05,480 --> 00:28:08,680
Speaker 1: It's not to say this is good. Keep going. No

631
00:28:08,800 --> 00:28:10,359
Speaker 1: one goes after like this.

632
00:28:10,560 --> 00:28:12,440
Speaker 3: And I don't know if you can fast forward and

633
00:28:12,560 --> 00:28:14,199
Speaker 3: rewind with Roku. I think you can.

634
00:28:14,440 --> 00:28:16,760
Speaker 4: I think that you probably can't. I don't know, however,

635
00:28:16,880 --> 00:28:18,960
Speaker 4: if it does include a built in DVR where you

636
00:28:19,000 --> 00:28:21,800
Speaker 4: could record your favorite shows, but is everything on demand?

637
00:28:23,800 --> 00:28:26,680
Speaker 1: I don't know, because then is it like TV hitting

638
00:28:26,800 --> 00:28:27,879
Speaker 1: himself right now on.

639
00:28:28,520 --> 00:28:31,000
Speaker 3: Remember TiVo, TiVo tvo.

640
00:28:31,160 --> 00:28:32,160
Speaker 5: I don't have a TVO.

641
00:28:35,040 --> 00:28:37,520
Speaker 1: It's good to have the jokes and that they're laughing

642
00:28:37,680 --> 00:28:40,040
Speaker 1: with each other and people are going, oh, I'm learning

643
00:28:40,120 --> 00:28:42,880
Speaker 1: about Hollywood. I'm learned about but I'm also.

644
00:28:42,880 --> 00:28:45,480
Speaker 3: Losing it laughing fun because the sounds it made and

645
00:28:46,240 --> 00:28:46,400
Speaker 3: like that.

646
00:28:47,680 --> 00:28:48,680
Speaker 5: Now is that something you had?

647
00:28:48,880 --> 00:28:50,480
Speaker 3: You had that? And I watched a lot of de

648
00:28:50,600 --> 00:28:52,920
Speaker 3: grass you when we had that, because and I would

649
00:28:53,000 --> 00:28:55,960
Speaker 3: record that. I will watch a lot of Xils and

650
00:28:56,200 --> 00:28:59,880
Speaker 3: Drake and their gabr. It was a DVR. It was ah, yeah,

651
00:29:00,040 --> 00:29:02,400
Speaker 3: you could. You couldn't. It wasn't on demand though, you

652
00:29:02,440 --> 00:29:04,320
Speaker 3: could just record things that were on TV.

653
00:29:04,840 --> 00:29:07,640
Speaker 1: I'm gonna stop you, guys. That was so good except

654
00:29:07,680 --> 00:29:10,240
Speaker 1: for the mean this. Yes, and we do want to

655
00:29:10,400 --> 00:29:12,800
Speaker 1: go a little easy on being really mean to who

656
00:29:13,000 --> 00:29:15,520
Speaker 1: too much mean this? Yeah, we were kind of mean

657
00:29:15,600 --> 00:29:17,400
Speaker 1: in that, and we try to be nice on the show,

658
00:29:17,560 --> 00:29:19,640
Speaker 1: just the show, just so you know. And this is

659
00:29:19,720 --> 00:29:22,120
Speaker 1: maybe the log line. It's smart, it's cool, it's funny,

660
00:29:22,200 --> 00:29:26,800
Speaker 1: it's nice, it's fun. It's for friends. It's nice. We're

661
00:29:26,960 --> 00:29:30,000
Speaker 1: nice cool, We're cool, smart, funny guys, and we are

662
00:29:30,080 --> 00:29:30,520
Speaker 1: having fun.

663
00:29:30,560 --> 00:29:32,200
Speaker 3: It's from can you give us another one?

664
00:29:32,280 --> 00:29:35,600
Speaker 1: Notice what he didn't say me? Did you hear that

665
00:29:35,760 --> 00:29:39,840
Speaker 1: in there? I was listening very closely, remember hearing anything

666
00:29:39,880 --> 00:29:43,240
Speaker 1: about mean this? Okay? William H. Macy directs the layover

667
00:29:43,440 --> 00:29:48,080
Speaker 1: Hugh Bonaville back in Viceroy House Specialty bo preview.

668
00:29:48,480 --> 00:29:51,560
Speaker 3: Oh the Layovers. That movie with the two girls. Remember

669
00:29:51,640 --> 00:29:52,920
Speaker 3: you sent me the trailer for it.

670
00:29:53,440 --> 00:29:55,160
Speaker 5: Oh, I'm sorry.

671
00:29:55,360 --> 00:29:58,320
Speaker 3: It was Oh, it's with what's her face? The Kate Upton?

672
00:29:58,560 --> 00:29:58,920
Speaker 5: Kate up?

673
00:29:59,200 --> 00:30:00,520
Speaker 1: What else did you say in the email?

674
00:30:00,800 --> 00:30:05,800
Speaker 3: It wasn't an email, this was face to face. I

675
00:30:05,840 --> 00:30:07,600
Speaker 3: think we were sitting next to each other. Emailed it.

676
00:30:07,680 --> 00:30:09,880
Speaker 5: We both had our laptops open and now so I

677
00:30:10,000 --> 00:30:11,920
Speaker 5: emailed it to her. No, no, no, actually you were

678
00:30:12,000 --> 00:30:13,000
Speaker 5: not over No.

679
00:30:13,160 --> 00:30:16,120
Speaker 3: No, you told me about it, but I think, oh, really, yeah.

680
00:30:15,960 --> 00:30:17,960
Speaker 1: I emailed it. This is almost like this is like

681
00:30:18,080 --> 00:30:21,200
Speaker 1: a serial element to the podcast. We're piecing back together

682
00:30:21,320 --> 00:30:22,400
Speaker 1: the timeline of event.

683
00:30:22,720 --> 00:30:24,680
Speaker 3: But it was sad because we had kind of had

684
00:30:24,720 --> 00:30:25,840
Speaker 3: a similar idea and.

685
00:30:25,920 --> 00:30:28,600
Speaker 5: I said, this is what our movie maybe would have become.

686
00:30:28,920 --> 00:30:32,200
Speaker 3: Yeah, I mean, William H. Macy is no slouch.

687
00:30:32,520 --> 00:30:36,560
Speaker 4: The other gal, the other gal was the brunette who

688
00:30:36,600 --> 00:30:39,280
Speaker 4: was in True Detective with the Good Figure and she

689
00:30:39,600 --> 00:30:43,240
Speaker 4: was also in the New Baywatch. Who the other gal

690
00:30:43,840 --> 00:30:45,520
Speaker 4: not Kate Upton, the brunette Kate.

691
00:30:45,440 --> 00:30:47,280
Speaker 3: Upton, the Brunette cade Upton.

692
00:30:47,440 --> 00:30:50,680
Speaker 1: I would like to see them, and it's good to

693
00:30:50,880 --> 00:30:52,560
Speaker 1: not be tied up on their.

694
00:30:52,520 --> 00:30:56,360
Speaker 5: Names, like Miranda Miranda.

695
00:30:58,080 --> 00:31:01,520
Speaker 1: Yes, and then you we all and we sort of

696
00:31:01,600 --> 00:31:03,600
Speaker 1: get and there's an initial end to that segment, and

697
00:31:03,800 --> 00:31:04,120
Speaker 1: that is.

698
00:31:04,680 --> 00:31:07,400
Speaker 2: Now people will run with Now the fans will take

699
00:31:07,480 --> 00:31:09,000
Speaker 2: Miranda Branda and people.

700
00:31:08,800 --> 00:31:12,680
Speaker 1: Are gonna animating it and everything, and it's they'll make

701
00:31:12,760 --> 00:31:16,160
Speaker 1: a hot Miranda Miranda shirts and yes, it'll.

702
00:31:15,920 --> 00:31:17,960
Speaker 5: Be a hot whmember, I make a little whoopsie.

703
00:31:18,000 --> 00:31:21,120
Speaker 1: We laugh and and that's a oh yes, that's a

704
00:31:21,320 --> 00:31:24,320
Speaker 1: great sort of trademark of this new version of the

705
00:31:24,400 --> 00:31:26,960
Speaker 1: show that Hayes and I watched from a far I.

706
00:31:27,120 --> 00:31:27,520
Speaker 3: Listen to this.

707
00:31:29,960 --> 00:31:31,840
Speaker 1: You'd have to because you have to edit it because

708
00:31:32,040 --> 00:31:32,880
Speaker 1: you can't really trust.

709
00:31:33,080 --> 00:31:35,480
Speaker 2: You have to cut out the meanness and like, yeah,

710
00:31:35,640 --> 00:31:37,880
Speaker 2: sort of the like leued stuff that you guys were

711
00:31:37,920 --> 00:31:38,560
Speaker 2: doing in that one.

712
00:31:39,760 --> 00:31:42,760
Speaker 1: Come on, you're talking about this girl's figure. Yeah, we don't.

713
00:31:43,360 --> 00:31:43,800
Speaker 3: On this show.

714
00:31:43,880 --> 00:31:47,880
Speaker 2: We don't really like to especially talk about yeah, you know,

715
00:31:47,960 --> 00:31:50,440
Speaker 2: women that way or guys. And it's actually sometimes worse

716
00:31:50,480 --> 00:31:50,680
Speaker 2: when you.

717
00:31:50,720 --> 00:31:52,840
Speaker 1: Do it with guys. Yeah, it can be because there's

718
00:31:52,840 --> 00:31:57,320
Speaker 1: a stigma to it. So the show's going really well.

719
00:31:59,160 --> 00:32:02,320
Speaker 1: One thing we haven't seen you do is because obviously

720
00:32:02,400 --> 00:32:06,240
Speaker 1: the dynamic between you two is lights out amazing next

721
00:32:06,360 --> 00:32:10,200
Speaker 1: level just you know, forget it. No notes there. We

722
00:32:10,280 --> 00:32:12,360
Speaker 1: haven't seen you deal with a guest and incorporate a

723
00:32:12,440 --> 00:32:15,560
Speaker 1: third party into this. Do we have them interview Sam

724
00:32:15,720 --> 00:32:16,640
Speaker 1: as if he's.

725
00:32:17,240 --> 00:32:21,120
Speaker 2: As we get someone because usually what we do is

726
00:32:21,160 --> 00:32:23,120
Speaker 2: we look at who's in the news this week, and

727
00:32:23,200 --> 00:32:26,240
Speaker 2: we bring in whoever is making I gotta say, I

728
00:32:26,240 --> 00:32:30,800
Speaker 2: gotta say they did totally ignore the hubod.

729
00:32:31,440 --> 00:32:35,320
Speaker 1: We didn't see that that side of that news piece,

730
00:32:35,440 --> 00:32:38,320
Speaker 1: So you could deal with that. Maybe we'll pretend that

731
00:32:38,400 --> 00:32:41,440
Speaker 1: Hugh Bonoville's here and then Sam can play Hubonoville and

732
00:32:41,520 --> 00:32:43,560
Speaker 1: you guys kind of talk to him about what he's

733
00:32:43,600 --> 00:32:45,560
Speaker 1: been up to. What we do is we talk to

734
00:32:45,600 --> 00:32:47,840
Speaker 1: people about upcoming projects and sort of how they got

735
00:32:47,920 --> 00:32:51,560
Speaker 1: into entertainment and when they first realized they were funny

736
00:32:52,160 --> 00:32:56,240
Speaker 1: and just like what was their first big break and

737
00:32:56,480 --> 00:32:58,680
Speaker 1: that kind of stuff. It's sort of like, uh, we're

738
00:32:58,720 --> 00:33:01,040
Speaker 1: the only podcasts really that is able to kind of

739
00:33:01,120 --> 00:33:02,680
Speaker 1: get people to open up about these things.

740
00:33:03,000 --> 00:33:08,360
Speaker 3: Okay, okay, Uh so Sam, you're playing Hugh bon Bonneville.

741
00:33:09,320 --> 00:33:11,880
Speaker 5: Hugh Bonneville, Yes, okay.

742
00:33:11,680 --> 00:33:13,840
Speaker 3: So Hugh, thanks thanks for coming in.

743
00:33:14,680 --> 00:33:17,440
Speaker 1: Sure, So tell us what what are you up.

744
00:33:17,360 --> 00:33:23,160
Speaker 2: To I am, and it would probably be yeah, yeah,

745
00:33:23,360 --> 00:33:26,360
Speaker 2: just let him sort of like ask him a question.

746
00:33:26,400 --> 00:33:28,560
Speaker 2: I know, but if you give him like a little introduction,

747
00:33:29,040 --> 00:33:30,440
Speaker 2: that would probably be nice for you.

748
00:33:30,760 --> 00:33:32,120
Speaker 5: So this is Hugh Bonneville.

749
00:33:32,320 --> 00:33:37,080
Speaker 4: He's the new lead of Viceroy House. You've probably seen

750
00:33:37,160 --> 00:33:39,920
Speaker 4: him before and a couple other TV appearances.

751
00:33:40,120 --> 00:33:42,320
Speaker 3: What was your favorite TV appearance you've done?

752
00:33:42,400 --> 00:33:42,520
Speaker 4: Hugh?

753
00:33:43,560 --> 00:33:46,000
Speaker 1: Uh device, Oh the one you just shot?

754
00:33:47,400 --> 00:33:49,200
Speaker 5: Is that reality or is it scripted?

755
00:33:50,280 --> 00:33:53,360
Speaker 6: I couldn't tell. I'm pretty sure it's a documentary, is

756
00:33:53,440 --> 00:33:55,320
Speaker 6: really the Vice News is like.

757
00:33:56,200 --> 00:33:57,600
Speaker 1: And I love that I could just be out in

758
00:33:57,680 --> 00:33:59,680
Speaker 1: the natural world while this is happening. Yeah, you know,

759
00:34:00,080 --> 00:34:02,560
Speaker 1: and then my legacy would go on because this is

760
00:34:02,800 --> 00:34:04,720
Speaker 1: Hollywood Handbook in its purest form.

761
00:34:05,280 --> 00:34:07,360
Speaker 5: Like what inspiration?

762
00:34:07,480 --> 00:34:10,040
Speaker 3: Yeah, what is what inspires you to act or like

763
00:34:10,200 --> 00:34:11,239
Speaker 3: to get into a role?

764
00:34:11,360 --> 00:34:13,919
Speaker 1: And don't attack him? Do you know this Sklar brother

765
00:34:14,520 --> 00:34:15,800
Speaker 1: Whoklar Brothers?

766
00:34:16,680 --> 00:34:17,360
Speaker 5: Yeah, the director.

767
00:34:17,640 --> 00:34:19,480
Speaker 1: It happens a lot when people come in here, they

768
00:34:19,520 --> 00:34:21,240
Speaker 1: sort of think they're going to meet the Squar Brothers.

769
00:34:21,480 --> 00:34:24,240
Speaker 2: This is like a big Sam is being very faithful

770
00:34:24,320 --> 00:34:26,200
Speaker 2: to what the show is. A lot of times people

771
00:34:26,280 --> 00:34:30,240
Speaker 2: will expect to be seeing us many episodes?

772
00:34:30,360 --> 00:34:32,160
Speaker 3: Yeah, is that if we had a guest come in,

773
00:34:32,320 --> 00:34:34,839
Speaker 3: we would have done research on And so you're giving

774
00:34:34,920 --> 00:34:36,040
Speaker 3: us someone that we don't.

775
00:34:36,200 --> 00:34:38,000
Speaker 1: We don't know who you would you would think, you

776
00:34:38,040 --> 00:34:40,000
Speaker 1: would think, but at the same time, you didn't really

777
00:34:40,160 --> 00:34:42,840
Speaker 1: know what we were talking about. At the top of

778
00:34:42,920 --> 00:34:45,239
Speaker 1: the show. You hadn't seen virtuosity and so for me

779
00:34:45,320 --> 00:34:47,600
Speaker 1: to trust you to do that kind of research.

780
00:34:47,680 --> 00:34:50,360
Speaker 3: Can Sam play someone we know? Yeah, and then we.

781
00:34:50,400 --> 00:34:53,200
Speaker 1: Can well, Okay, who do you want from recent deadline?

782
00:34:54,320 --> 00:34:56,400
Speaker 3: Could he be William H. Macy that that.

783
00:34:56,560 --> 00:35:02,320
Speaker 1: Story is Mogan Minnesota from Kannan Warsami and Catherine Bigelow

784
00:35:02,400 --> 00:35:06,320
Speaker 1: not going forward? So who do you want to talk to? Okay?

785
00:35:06,760 --> 00:35:07,400
Speaker 1: Your choice?

786
00:35:08,120 --> 00:35:10,080
Speaker 3: Hey Catherine, how's it going? Thank you so much for

787
00:35:10,160 --> 00:35:11,080
Speaker 3: being on the podcast.

788
00:35:11,719 --> 00:35:15,880
Speaker 1: Sure, so Sam, don't you know? Yeah, just do it normal. No,

789
00:35:15,960 --> 00:35:17,480
Speaker 1: it's just for Sam. It's not you guys.

790
00:35:17,520 --> 00:35:19,560
Speaker 3: You guys are you guys are so crazy having an

791
00:35:19,760 --> 00:35:22,000
Speaker 3: Oscar winner in here. Yes, we're thrilled.

792
00:35:23,400 --> 00:35:23,759
Speaker 1: That's my.

793
00:35:25,640 --> 00:35:27,280
Speaker 5: Was it fun giving an Oscar speech?

794
00:35:28,360 --> 00:35:28,600
Speaker 1: Yeah?

795
00:35:28,800 --> 00:35:31,799
Speaker 6: I am actress news good.

796
00:35:31,920 --> 00:35:34,879
Speaker 3: No, you warn't an actress, you're a director at home. Yeah,

797
00:35:35,640 --> 00:35:36,880
Speaker 3: you were married to James Cameron.

798
00:35:36,920 --> 00:35:39,960
Speaker 1: What was that like? Was there a lot of it?

799
00:35:40,080 --> 00:35:42,359
Speaker 1: Was good? He made Terminator, thank god. Yeah, this show

800
00:35:42,440 --> 00:35:44,319
Speaker 1: is hosted by two women now because we could get

801
00:35:44,440 --> 00:35:47,600
Speaker 1: crucified if we had portray Katherine this way.

802
00:35:47,760 --> 00:35:50,200
Speaker 3: I know, I'm kind of offended by how he's portraying.

803
00:35:50,280 --> 00:35:52,720
Speaker 2: I can't imagine being out and being out in nature

804
00:35:52,760 --> 00:35:54,320
Speaker 2: and listening to this and not being able to do

805
00:35:54,440 --> 00:35:55,040
Speaker 2: anything about it.

806
00:35:55,280 --> 00:35:55,640
Speaker 1: Scary.

807
00:35:56,400 --> 00:35:58,560
Speaker 3: Who is in you think, Catherine Heigel?

808
00:35:59,239 --> 00:36:02,879
Speaker 1: Catherine Heigel, Yeah, can I just tell you what Sam?

809
00:36:03,080 --> 00:36:05,720
Speaker 1: Knowing Sam, he's thinking of Kate Boswin and that's about

810
00:36:05,760 --> 00:36:09,839
Speaker 1: one hundred percent of the time that that's blue Crush. Yes, yes,

811
00:36:10,680 --> 00:36:12,120
Speaker 1: alone there, it's so good.

812
00:36:12,320 --> 00:36:16,880
Speaker 6: And I turned down sair hm the Vampire movies, Twilight.

813
00:36:17,800 --> 00:36:19,360
Speaker 1: That what she's shooting.

814
00:36:20,600 --> 00:36:27,319
Speaker 4: Huh wait, Kate Beckonstale, that's that's Underworld he's thinking of, Yeah,

815
00:36:27,360 --> 00:36:30,280
Speaker 4: he said, but he's talking about CAP's in Hollywood.

816
00:36:30,400 --> 00:36:31,719
Speaker 1: Blood War is in Underworld.

817
00:36:31,800 --> 00:36:35,320
Speaker 3: I cannot Kate Plancha was smart to put the sea there, okay,

818
00:36:35,440 --> 00:36:36,560
Speaker 3: because everyone else has.

819
00:36:36,480 --> 00:36:38,920
Speaker 1: A K stands out and she's got the C.

820
00:36:39,239 --> 00:36:42,480
Speaker 3: So she's got that classy like step. She's stepping aside

821
00:36:42,520 --> 00:36:45,440
Speaker 3: from the cage. She put her sea up and she went,

822
00:36:45,840 --> 00:36:48,239
Speaker 3: I'm a little bit different, a little bit classier.

823
00:36:48,600 --> 00:36:50,080
Speaker 5: Any other seas in Hollywood?

824
00:36:51,400 --> 00:36:55,520
Speaker 3: Kates, Uh, well, I'm I don't even know. Can you

825
00:36:55,560 --> 00:36:57,759
Speaker 3: think of a Catherine with a sea in Hollywood?

826
00:36:58,360 --> 00:37:00,080
Speaker 5: Are you allowed to spat Christina.

827
00:37:02,800 --> 00:37:05,000
Speaker 1: Chris? Now, we should do that. What we like to

828
00:37:05,080 --> 00:37:07,399
Speaker 1: do at the end of every show is to get

829
00:37:07,480 --> 00:37:11,520
Speaker 1: personal and get really raw. Yeah, And this is where

830
00:37:11,560 --> 00:37:13,480
Speaker 1: we open up and we go, hey, it's not always

831
00:37:13,520 --> 00:37:16,759
Speaker 1: about show biz and entertainment. Sometimes it's about starting their

832
00:37:16,840 --> 00:37:19,840
Speaker 1: soul to the world and self care. And we just

833
00:37:19,920 --> 00:37:24,319
Speaker 1: talk about how we have had a lot of struggles

834
00:37:24,719 --> 00:37:28,239
Speaker 1: and we're just not doing that good and uh, it's

835
00:37:28,320 --> 00:37:30,359
Speaker 1: just really hard to keep kind of getting out of bed.

836
00:37:30,600 --> 00:37:31,239
Speaker 3: Yeah, for sure.

837
00:37:31,640 --> 00:37:34,960
Speaker 1: For you. For therapy stuff, Yeah, we basically do like

838
00:37:35,120 --> 00:37:39,440
Speaker 1: therapy stuff, and it's and this and this is therapy

839
00:37:39,520 --> 00:37:42,360
Speaker 1: for us. And also real therapy is that. Yeah, And

840
00:37:42,480 --> 00:37:44,920
Speaker 1: our fans are our real friends, okay.

841
00:37:45,040 --> 00:37:45,239
Speaker 3: Yeah.

842
00:37:45,760 --> 00:37:45,880
Speaker 4: Oh.

843
00:37:46,080 --> 00:37:49,440
Speaker 1: And also one thing we do to our guests is,

844
00:37:49,520 --> 00:37:52,040
Speaker 1: like when Sam was being the guest before, is a

845
00:37:52,120 --> 00:37:54,120
Speaker 1: lot of times with the guests, I like to get

846
00:37:54,200 --> 00:37:56,359
Speaker 1: really close in their ear if I feel like they're

847
00:37:56,440 --> 00:37:59,920
Speaker 1: like not really being totally forthreatened. This is a marenth

848
00:38:00,040 --> 00:38:01,719
Speaker 1: And I get in as close to them as I

849
00:38:01,800 --> 00:38:06,560
Speaker 1: can and I go, your mask is slipping. It's not funny.

850
00:38:10,080 --> 00:38:12,640
Speaker 1: So that's something you can do, and it kind of

851
00:38:12,680 --> 00:38:16,440
Speaker 1: and it's it's a bit disarming, and sure, I can't imagine.

852
00:38:17,880 --> 00:38:20,680
Speaker 1: Trust me, it's not funny. Sometimes we'll get them to

853
00:38:20,840 --> 00:38:24,120
Speaker 1: maybe give you a piece of interview that you wouldn't

854
00:38:24,120 --> 00:38:27,160
Speaker 1: have otherwise gotten. Sometimes it makes them leave, you know,

855
00:38:28,480 --> 00:38:29,680
Speaker 1: so this gets slipping.

856
00:38:29,800 --> 00:38:35,000
Speaker 5: Okay, He looked right at me, like, well I didn't

857
00:38:35,040 --> 00:38:35,800
Speaker 5: put it on today.

858
00:38:36,400 --> 00:38:38,520
Speaker 1: We're getting a new Yeah, we're getting sort of a

859
00:38:38,640 --> 00:38:41,400
Speaker 1: new take on you guys. But yeah, to do some

860
00:38:41,480 --> 00:38:44,160
Speaker 1: therapy stuff, yeah, where you get like super raw and

861
00:38:44,600 --> 00:38:47,000
Speaker 1: very emotional and also talking to the fans in a

862
00:38:47,040 --> 00:38:48,719
Speaker 1: way that they know that they're like not alone and

863
00:38:48,840 --> 00:38:49,520
Speaker 1: stay positive.

864
00:38:49,960 --> 00:38:53,719
Speaker 3: Well, it's just hard being in Hollywood sometimes and you know,

865
00:38:53,920 --> 00:38:56,120
Speaker 3: putting like spending your days putting.

866
00:38:55,920 --> 00:38:58,680
Speaker 5: In work on like things that you're not getting paid.

867
00:38:58,800 --> 00:39:01,359
Speaker 1: And also it's not you get but no talk about

868
00:39:01,440 --> 00:39:02,239
Speaker 1: like you do get paid.

869
00:39:02,440 --> 00:39:04,080
Speaker 3: No, like a lot of the time, we're not that

870
00:39:04,239 --> 00:39:07,560
Speaker 3: much money. Yeah, yeah, no, we both are struggling, to

871
00:39:07,640 --> 00:39:10,840
Speaker 3: be honest, Yeah, in a lot of ways. And you know,

872
00:39:10,960 --> 00:39:12,879
Speaker 3: we try and put stuff out there, but it's hard

873
00:39:13,000 --> 00:39:15,880
Speaker 3: every day to wake up and just just keep hitting doors,

874
00:39:16,320 --> 00:39:19,400
Speaker 3: hitting doors and being knocked down the doors slammed back

875
00:39:19,440 --> 00:39:20,040
Speaker 3: and face.

876
00:39:20,440 --> 00:39:21,600
Speaker 1: Best damn job in the world.

877
00:39:22,160 --> 00:39:22,359
Speaker 4: Yeah.

878
00:39:22,360 --> 00:39:24,200
Speaker 2: And also and also the vibe we're kind of looking

879
00:39:24,200 --> 00:39:26,080
Speaker 2: for is that you are booking stuff. You are like

880
00:39:26,239 --> 00:39:29,360
Speaker 2: doing a lot of stuff. So people are not like no, no, no, no, no,

881
00:39:29,640 --> 00:39:31,520
Speaker 2: you're all the time. You're doing good stuff all the time,

882
00:39:31,719 --> 00:39:33,759
Speaker 2: and you're only on TV. But that is actually even

883
00:39:33,880 --> 00:39:35,200
Speaker 2: harder sometimes.

884
00:39:34,880 --> 00:39:36,920
Speaker 3: Yeah, people get to show yours.

885
00:39:37,400 --> 00:39:39,160
Speaker 1: No no, no, that's the hardest. This is what you do.

886
00:39:39,400 --> 00:39:40,920
Speaker 1: You do say a bunch of stuff that people be

887
00:39:41,000 --> 00:39:42,640
Speaker 1: jealous of, and you get like, I'm jealous of people

888
00:39:42,640 --> 00:39:45,000
Speaker 1: who don't have jack shit going up because actually I

889
00:39:45,160 --> 00:39:45,480
Speaker 1: do have.

890
00:39:45,600 --> 00:39:49,440
Speaker 3: Things going on. I don't think it ever gets easier, honestly.

891
00:39:49,360 --> 00:39:52,799
Speaker 4: Because they're this is good feeling, like what's next, Yeah,

892
00:39:52,800 --> 00:39:53,239
Speaker 4: what's next?

893
00:39:53,280 --> 00:39:55,279
Speaker 3: Like even if you get on a big sitcom, like

894
00:39:55,560 --> 00:39:57,560
Speaker 3: the actors on that are like, oh I feel so

895
00:39:57,960 --> 00:40:02,319
Speaker 3: I feel so like constrained and say you're yes, say

896
00:40:02,360 --> 00:40:02,600
Speaker 3: that's me.

897
00:40:02,960 --> 00:40:03,279
Speaker 1: That's me.

898
00:40:03,719 --> 00:40:07,600
Speaker 3: No, Amanda was on a sitcom I never aired, never aired,

899
00:40:07,880 --> 00:40:11,600
Speaker 3: Yeah it did. I never have been on a sitcom.

900
00:40:11,920 --> 00:40:16,439
Speaker 3: I mean it's it's it's it's not easy for sure.

901
00:40:16,480 --> 00:40:18,200
Speaker 3: That's why you have to make things yourself.

902
00:40:18,960 --> 00:40:20,359
Speaker 1: Yeah, maybe a little joke.

903
00:40:20,440 --> 00:40:22,000
Speaker 3: Now, well, there's nothing fun.

904
00:40:22,080 --> 00:40:25,320
Speaker 4: There's peaks and valleys, but the valleys can seem like

905
00:40:25,480 --> 00:40:29,239
Speaker 4: like there's no end in like peaks, like like inverted peaks. Yes,

906
00:40:29,680 --> 00:40:31,640
Speaker 4: so that it makes even when you're on a valley,

907
00:40:31,640 --> 00:40:33,040
Speaker 4: you're like, am I up right now?

908
00:40:33,280 --> 00:40:35,840
Speaker 1: But you're not inverted peaks. Maybe there's something like that.

909
00:40:35,920 --> 00:40:39,600
Speaker 2: Yeah, we're looking for like funny, like you say something wrong,

910
00:40:39,800 --> 00:40:41,839
Speaker 2: you remember, like remember how that was like your little

911
00:40:41,880 --> 00:40:42,279
Speaker 2: funny thing.

912
00:40:42,480 --> 00:40:45,040
Speaker 1: Yeah, it just gives us an out for the second

913
00:40:45,160 --> 00:40:48,120
Speaker 1: we just button, you know, and maybe the show Sam,

914
00:40:50,000 --> 00:40:52,000
Speaker 1: how long we've been doing it? Oh this is this

915
00:40:52,040 --> 00:40:53,919
Speaker 1: will be episode two O one.

916
00:40:54,440 --> 00:40:54,920
Speaker 4: No, it's not.

917
00:40:56,760 --> 00:40:58,839
Speaker 5: I'm sorry, I don't have anything funny to say.

918
00:40:59,120 --> 00:41:03,480
Speaker 3: Yeah, there's nothing honest honestly, like, there's.

919
00:41:03,320 --> 00:41:04,400
Speaker 5: Nothing funny about comments.

920
00:41:04,560 --> 00:41:05,719
Speaker 1: This is a lot like our show.

921
00:41:06,520 --> 00:41:06,800
Speaker 4: It is.

922
00:41:07,560 --> 00:41:14,960
Speaker 1: Yeah, bye, I'm a horny girl. Wolf.

923
00:41:15,320 --> 00:41:19,040
Speaker 4: This has been an Earwolf production executive produced by Scott Ackerman,

924
00:41:19,200 --> 00:41:21,000
Speaker 4: Colin Anderson, and Chris Bannon.

925
00:41:21,160 --> 00:41:24,000
Speaker 3: For more information and content, visit earwolf dot com.

926
00:41:24,840 --> 00:41:25,080
Speaker 4: Oh