WEBVTT - Happy Friendsgiving!

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<v Speaker 1>I am all in, want kiss you. I am all

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<v Speaker 1>in with Scott Patterson and I Hurt Radio Podcast. Welcome

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<v Speaker 1>everybody to the first ever live virtual podcast. And I

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<v Speaker 1>am Scott Patterson and this is I Heart Radio and

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<v Speaker 1>one eleven Productions bringing you a friends giving events. And

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<v Speaker 1>we're all so happy and so pleased to have you

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<v Speaker 1>join us and thank you so much. We also want

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<v Speaker 1>to say a portion of the proceeds a You're gonna

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<v Speaker 1>go benefiting the St. Jude's Children's Research Hospital and Baby

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<v Speaker 1>Too Baby, two causes that are in charities that are

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<v Speaker 1>close to my heart. I've taken a bunch of tours

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<v Speaker 1>through St. Jude's and other hospitals and to visit kids.

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<v Speaker 1>And let me tell you something, there is nothing more

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<v Speaker 1>rewarding and more satisfying and knowing that that you can

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<v Speaker 1>provide a little tiny bit of comfort for a kid

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<v Speaker 1>on a specific day. Um. And these are beautiful kids

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<v Speaker 1>that need our help and beautiful families all pulling together

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<v Speaker 1>for a great cause. So thank you very much forgetting

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<v Speaker 1>your tickets and uh and joining in. Listen. We want

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<v Speaker 1>to well, I'm gonna tease our guests here a little bit.

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<v Speaker 1>We've got Jackson Douglas, who played Jackson Belleville in series

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<v Speaker 1>fifty seven episodes. We've got Emily Kuroda Mrs Kim, We've

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<v Speaker 1>got Sally Strutters obviously played Babette, and Grantly Phillips the

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<v Speaker 1>Town Troubadour, and we are very, very very excited. I

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<v Speaker 1>want to thank my team UH, led by Amy Sugarman,

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<v Speaker 1>Danielle Romo, Riley pelusis UH and there are others behind

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<v Speaker 1>the scenes. Tomorrow NPR, I'm gonna butcher her last name,

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<v Speaker 1>so I'm not even gonna attempt it. There's Eastern Eastern

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<v Speaker 1>Allen Um, who is our attack on this and he

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<v Speaker 1>does fantastic work. We are in cahoots now Eastern and

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<v Speaker 1>I doing secret things behind everybody else's back to surprise

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<v Speaker 1>us the rest of the team on the podcast. The

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<v Speaker 1>following one is gonna be quite a reveal something that

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<v Speaker 1>I have discovered in the show. One of those things

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<v Speaker 1>that pops up every now and again. It's kind of

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<v Speaker 1>like the clown Fellow. But you'll have to download the

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<v Speaker 1>next podcast series of podcast to find out what it is.

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<v Speaker 1>But it's a bombshell, I guarantee you that. Anyway. Thank

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<v Speaker 1>you all for joining us and without further ado, and

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<v Speaker 1>let me take these off because I gotta get ready

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<v Speaker 1>to talk to one of my favorite people in the

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<v Speaker 1>whole world. Mr. And I think he's living in Spain now,

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<v Speaker 1>So let's welcome Jackson Douglas. Jackson, come on in. How

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<v Speaker 1>you doing, guy? Doing good? How are you doing? I'm

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<v Speaker 1>doing really good. Let me put my specs onto you

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<v Speaker 1>are not? Should I take mine off so you can't

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<v Speaker 1>see that I've got my got something else up on

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<v Speaker 1>my computer that you could see in my glasses now,

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<v Speaker 1>I don't really but I'm good. That's crazy, And I'm

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<v Speaker 1>not in Spain anymore. Where are you? I'm in Los Angeles.

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<v Speaker 1>I'm back in Los Angeles, right. I got tired of

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<v Speaker 1>paying for a house that I wasn't living in, so

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<v Speaker 1>we decided to come back. We're only supposed to be

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<v Speaker 1>gone for a year. We were always supposed to go

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<v Speaker 1>for a year. And we got there and it was

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<v Speaker 1>like a week into it and we're like, oh my god,

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<v Speaker 1>this is beautiful. I don't ever want to go back, right,

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<v Speaker 1>And then the election happened, which kind of, you know,

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<v Speaker 1>helped me to make my choice. But we didn't want

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<v Speaker 1>to come back, so I don't know. At the end

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<v Speaker 1>of a year. It takes you a year to get

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<v Speaker 1>used to living somewhere else, you know what I mean.

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<v Speaker 1>You gotta find your store, you gotta find your coffee shop,

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<v Speaker 1>you gotta find all that stuff, so you get used

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<v Speaker 1>to it after a year. So we stayed for another year,

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<v Speaker 1>and then we stayed for another year, and then another year,

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<v Speaker 1>and then another year, and then COVID happened, and then

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<v Speaker 1>so and then we decided, Okay, we got to get back.

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<v Speaker 1>The kids are getting old enough that they really need

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<v Speaker 1>to have some roots where, you know, not to move anymore.

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<v Speaker 1>So it was time. So they're fluent. They they're fluent Spanish, yes,

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<v Speaker 1>but they don't like to talk in Spanish because they're

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<v Speaker 1>self conscious about it. You know. They're like, they will

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<v Speaker 1>correct the hell out of me when I speak it wrong.

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<v Speaker 1>But you know, and they know it. They can understand it,

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<v Speaker 1>and if if forced they can they can speak. Yeah. Yeah,

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<v Speaker 1>I I My son corrects me all the time. It's

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<v Speaker 1>only something, but he's I call him the correct because

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<v Speaker 1>he's yeah, he's up my asses every day about something.

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<v Speaker 1>Well it's because they that's they finally have some power

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<v Speaker 1>over you, right, you know, so I give them that.

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<v Speaker 1>I was like, Okay, I'm the one who tells you

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<v Speaker 1>when to go to bed, but you can tell me

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<v Speaker 1>when I'm saying the wrong word, when I'm swear ring

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<v Speaker 1>incorrectly in Spanish. So let's get into um, let's get

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<v Speaker 1>into the show. You did fifty seven episodes. What did

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<v Speaker 1>you know about the role of Jackson when you got

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<v Speaker 1>the part? I mean, did casting say anything to you,

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<v Speaker 1>anything about having the same name as the characters things

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<v Speaker 1>like that, Yeah, a little bit. I mean I think

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<v Speaker 1>you know, I went when the pilot was shot. I

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<v Speaker 1>was in Toronto and that's where I met Amy and

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<v Speaker 1>Dan and um, and I think they were saying something

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<v Speaker 1>about like, oh, you're funny. You should be on the show.

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<v Speaker 1>And so they kind of put me in. And I

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<v Speaker 1>think my name originally was supposed to be Crispin, but

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<v Speaker 1>it was too close to Tristan, and so they said, oh, wow,

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<v Speaker 1>what the hell this is? Called you Jackson? Why not?

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<v Speaker 1>That's fine? It works. So you're so you yeah, exactly,

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<v Speaker 1>you were so you yeah that it happened, alright, So

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<v Speaker 1>why not just call you Jackson Douglas. Why Jackson Bellville?

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<v Speaker 1>I don't guess. I don't know. Maybe it's a legal thing.

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<v Speaker 1>I don't know, probe the minds of those two. Yeah,

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<v Speaker 1>and and what's funny is I think I think there's

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<v Speaker 1>even an episode where I was Melville or the last

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<v Speaker 1>name was Melville, and then it changed to Belleville. I

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<v Speaker 1>don't know. There's a lot of controversy about that. I

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<v Speaker 1>asked about that, and Dan just kind of blew me off.

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<v Speaker 1>I don't stop asking about that every time I had

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<v Speaker 1>to try to have a conversation with us, too. I

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<v Speaker 1>wear a miner's homet with the nextra on the helmet.

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<v Speaker 1>It's about right. Yeah. So it's funny that you ask me,

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<v Speaker 1>is do you have any insight into any of that?

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<v Speaker 1>It's like, uh, do we ever? Do we ever have

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<v Speaker 1>any insight into the hy No? Accept it and move on.

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<v Speaker 1>Learned not to ask questions, service to will and get

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<v Speaker 1>that food. Go stand on your marks, say your words

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<v Speaker 1>really fast, and be done. We want to go home.

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<v Speaker 1>Well that's the Kapper man. So tell me, you know,

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<v Speaker 1>how would you describe in your own words? Uh? Not

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<v Speaker 1>that you can use anybody else's get try all right?

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<v Speaker 1>In Pierce bronss No, No, we can steal or or

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<v Speaker 1>or or or James Bond, which, all right, I'll do

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<v Speaker 1>me because I'm really bad at the voices. How would

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<v Speaker 1>you describe Jackson in your own words or Arnold swag

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<v Speaker 1>Schwartzenegger's words or yeah, I don't know, you know, it

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<v Speaker 1>was it was an interesting It was really an interesting

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<v Speaker 1>role because I think it was just kind of a

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<v Speaker 1>I mean, the best way that I can describe it,

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<v Speaker 1>at least the way I feel about it. It's just

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<v Speaker 1>a hyperbolized version of me. You know. It's funny how

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<v Speaker 1>you would live life and they would all of a

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<v Speaker 1>sudden end up in the script. I got named the

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<v Speaker 1>president of the Homos Association, and a month later later

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<v Speaker 1>we were doing I was being elected the town selectman.

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<v Speaker 1>You know, because I don't know, Amy just seemed to

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<v Speaker 1>think that my life was hilarious and just needed to

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<v Speaker 1>use that for something. So, you know, Umm, although there

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<v Speaker 1>are there are some differences, like when I get angry,

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<v Speaker 1>I don't act like Jackson does when he gets angry.

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<v Speaker 1>I think Jackson's more of it. You can kind of

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<v Speaker 1>laugh at his anger. My kids, well, well that's not true.

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<v Speaker 1>Now my kids laugh at my anger too, so they

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<v Speaker 1>don't take me seriously. Anymore and let me just start laughing,

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<v Speaker 1>which really doesn't do much for my anger. Um. But yeah,

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<v Speaker 1>I mean, I don't know. I mean it was a

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<v Speaker 1>lot of fun to play. I mean everybody, I don't know,

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<v Speaker 1>it was so easy. I mean, the character it was

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<v Speaker 1>just so much fun. And I got along with everybody

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<v Speaker 1>so well that it just it really did become effortless.

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<v Speaker 1>The hardest thing was just to use somebody else's words,

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<v Speaker 1>you know, try to It's like, oh, I wouldn't speak

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<v Speaker 1>that way, but I've got to try and force my

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<v Speaker 1>mouth to, you know, say it a certain way. Or

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<v Speaker 1>plus you get to, you know, work with Melissa McCarthy

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<v Speaker 1>for god, Well, yeah, it didn't feel like right exactly

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<v Speaker 1>because we've said on the show, on the podcast, we

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<v Speaker 1>you know, we could I could see because I haven't

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<v Speaker 1>seen the episodes, right, so I'm watching for the first time.

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<v Speaker 1>It's the whole thesis of the podcast. And you know,

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<v Speaker 1>the talent on her from the very first moment you

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<v Speaker 1>see her is so glaring and apparent and and just like, wow,

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<v Speaker 1>did you see it too? You must have seen it, right.

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<v Speaker 1>I guess I felt it, you know, and I guess

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<v Speaker 1>I'm really really fortunate that I felt such a wonderful

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<v Speaker 1>personal connection with her that I think if I were

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<v Speaker 1>to oh my god, I mean, now that you mentioned it,

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<v Speaker 1>I kind of just got shivers. How if I looked

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<v Speaker 1>at it the way that you're you described it, I

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<v Speaker 1>think I would have been really intimidated. And I don't

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<v Speaker 1>think I would have been able to even close, you know,

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<v Speaker 1>I think I think, yeah, it was just but she's

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<v Speaker 1>just so I mean, she's just so nice and warm

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<v Speaker 1>and loving as a person that it's hard to be

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<v Speaker 1>intimidated around it. You just kind of get in the

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<v Speaker 1>role with it, you know, you just kind of she

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<v Speaker 1>doesn't even know how funny she is. Not. She didn't

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<v Speaker 1>back that. I mean, she she did some things. We

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<v Speaker 1>did an interview together for the Humorously Enough for ESPN,

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<v Speaker 1>and you know, in the very beginning, so there we

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<v Speaker 1>are seated together in our director's chairs and there's ESPN

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<v Speaker 1>and there, you know, and and they asked us how

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<v Speaker 1>we stay in shape? And you know, I said, well,

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<v Speaker 1>you know, I run a little bit of oh my god,

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<v Speaker 1>are we supposed to stay in shape? Walk up and

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<v Speaker 1>down the stairs, that kind of thing. And she and

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<v Speaker 1>then when they asked her, she immediately said, oh, I

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<v Speaker 1>love the box, you know, And I thought she was kidding,

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<v Speaker 1>and I let out a little bit of a life

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<v Speaker 1>because just the way she inflects her work, and it's

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<v Speaker 1>just it's just naturally funny. Um. And so she doesn't

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<v Speaker 1>know she's so quick and and and you know, the

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<v Speaker 1>phrasing is so just beautifully time that you have you

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<v Speaker 1>can't help it, not law Can you remember your favorite

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<v Speaker 1>scene that you filmed with her? Uh? Now, if you

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<v Speaker 1>answer correctly, I'll send you fifty dollars. Oh you mean

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<v Speaker 1>there's a correct answer. Well, of course, as a correct answer,

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<v Speaker 1>and it has to be it's got my favorite scene.

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<v Speaker 1>I would be the only one who would know the

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<v Speaker 1>answer to that. I don't know. I mean, there were

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<v Speaker 1>so many there was We had a lot of fun

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<v Speaker 1>when we did the pre wedding um high jinks, you

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<v Speaker 1>know where I was running around Balboa Park in a

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<v Speaker 1>skirt a kilt. But um, you know, we we're doing

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<v Speaker 1>photos and stuff like that. I think the I think

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<v Speaker 1>the one that really sticks out in my mind is

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<v Speaker 1>the is when we get when we decided to move

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<v Speaker 1>in together or kind of get engaged. There's a picnic

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<v Speaker 1>that we did and it was. It's like a when

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<v Speaker 1>you watch it on TV. You see it's a bright

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<v Speaker 1>sunny day and we're having this picnic in the park

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<v Speaker 1>and it was two o'clock in the morning and pitch

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<v Speaker 1>black outside, you know, and it was lit uh night

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<v Speaker 1>for day and you wouldn't even know. And it was

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<v Speaker 1>just so surreal and but it really added something to

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<v Speaker 1>the scene because it kind of took your headspace out

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<v Speaker 1>of you know, it became kind of oh, I'm too

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<v Speaker 1>old in my my brain just drops words um not ethereal,

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<v Speaker 1>but it's you know, it just kind of takes you

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<v Speaker 1>out of yourself and out of the moment. And it

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<v Speaker 1>felt felt very different and special. Oh yeah, yeah, yeah,

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<v Speaker 1>oh my so many Oh my god. I was so

0:13:28.320 --> 0:13:31.440
<v Speaker 1>sweaty and tired at the end of the day. And

0:13:31.600 --> 0:13:33.880
<v Speaker 1>I think and I think they had it after one,

0:13:34.200 --> 0:13:38.640
<v Speaker 1>but you know, I think Amy and Dan just felt

0:13:38.760 --> 0:13:41.400
<v Speaker 1>that they just were laughing at my running and just

0:13:41.480 --> 0:13:44.840
<v Speaker 1>wanted to torture me. But it was fun. It was

0:13:44.840 --> 0:13:47.080
<v Speaker 1>fun torture. I remember that one that was good is

0:13:47.120 --> 0:13:50.160
<v Speaker 1>that The correct answer is that being? Is that one?

0:13:50.440 --> 0:13:55.680
<v Speaker 1>Or is it deep Fred Shoe Thanksgiving did not answer correctly,

0:13:55.800 --> 0:14:00.319
<v Speaker 1>so I don't get by my own dinner to night,

0:14:00.360 --> 0:14:03.640
<v Speaker 1>but I will send you bag of coffee. So okay,

0:14:03.880 --> 0:14:06.360
<v Speaker 1>that's to look forward to, all right, I'll take the

0:14:06.360 --> 0:14:11.880
<v Speaker 1>parting gift. So we're only a handful into of episodes

0:14:11.920 --> 0:14:15.400
<v Speaker 1>into season two, and we're starting to see your romance

0:14:15.640 --> 0:14:19.120
<v Speaker 1>with melissic Rono, SUPI grow. What type of direction did

0:14:19.160 --> 0:14:22.760
<v Speaker 1>you receive when it came to you and Melissa in

0:14:22.760 --> 0:14:30.320
<v Speaker 1>that regard? I think, Um, I don't think there was

0:14:30.360 --> 0:14:32.560
<v Speaker 1>a lot. I don't think there was a lot of direction.

0:14:32.640 --> 0:14:37.760
<v Speaker 1>There's one there's one scene that I'm that I'm so

0:14:37.880 --> 0:14:44.840
<v Speaker 1>embarrassed about that I just even to this day, I cringe.

0:14:44.840 --> 0:14:47.760
<v Speaker 1>And there's and it's when we have our first child

0:14:49.000 --> 0:14:56.120
<v Speaker 1>and Jamie Babbott was directing, and um, and so we're

0:14:56.120 --> 0:14:59.520
<v Speaker 1>in the hospital we've had the child, and I'm go

0:14:59.680 --> 0:15:01.280
<v Speaker 1>up to her and I give her a big kiss

0:15:02.160 --> 0:15:04.040
<v Speaker 1>or a big hug and a kiss. And she's like

0:15:04.080 --> 0:15:06.680
<v Speaker 1>saying that, and she kept saying, you know, we'll give

0:15:06.720 --> 0:15:08.960
<v Speaker 1>her a kiss, give her a kiss. But I've never

0:15:09.320 --> 0:15:13.160
<v Speaker 1>done an on screen kiss before, and I know Melissa

0:15:13.280 --> 0:15:18.640
<v Speaker 1>so well. It just felt so weird to have to

0:15:19.400 --> 0:15:23.040
<v Speaker 1>fake this and I just couldn't do it. I just couldn't.

0:15:23.160 --> 0:15:27.520
<v Speaker 1>I end up giving her a great big hug, and

0:15:28.440 --> 0:15:31.400
<v Speaker 1>I just feel like I failed as an actor that day,

0:15:32.640 --> 0:15:36.320
<v Speaker 1>failed so hard. How it would have been a really tender,

0:15:36.360 --> 0:15:42.280
<v Speaker 1>you know, a wonderful, wonderful moment, but the the person

0:15:42.400 --> 0:15:46.600
<v Speaker 1>that is me, I just couldn't get over that, you know,

0:15:48.640 --> 0:15:52.000
<v Speaker 1>over that. I don't know, it was really weird. Maybe

0:15:52.040 --> 0:15:55.160
<v Speaker 1>you took it in the direction that was unexpected and

0:15:55.280 --> 0:16:01.880
<v Speaker 1>even more effective, more emotional in a way. Maybe, yeah,

0:16:02.360 --> 0:16:04.680
<v Speaker 1>all right, I'll take that to kind of save my

0:16:04.800 --> 0:16:09.600
<v Speaker 1>salve my guilt. But um, yeah, but I so, I

0:16:09.640 --> 0:16:11.640
<v Speaker 1>think that's the only time that I really that we

0:16:11.760 --> 0:16:14.600
<v Speaker 1>really received some kind of you know, a direction to

0:16:14.720 --> 0:16:17.840
<v Speaker 1>do this or that. I mean a lot of it

0:16:18.040 --> 0:16:20.440
<v Speaker 1>had I almost feel like a criminal, you know, getting

0:16:20.440 --> 0:16:22.360
<v Speaker 1>paid to do the show because it was just so

0:16:22.440 --> 0:16:26.440
<v Speaker 1>easy and natural that it just right, you know, right.

0:16:27.880 --> 0:16:31.160
<v Speaker 1>So what was it like to come back almost ten

0:16:31.240 --> 0:16:33.960
<v Speaker 1>years later for a year in the life. That was

0:16:34.120 --> 0:16:37.560
<v Speaker 1>very odd? It was that was very odd. What did

0:16:37.600 --> 0:16:39.520
<v Speaker 1>you think? I want to know what you thought about that?

0:16:39.640 --> 0:16:43.440
<v Speaker 1>It's it was really odd. Yeah, I I didn't feel

0:16:43.480 --> 0:16:48.440
<v Speaker 1>like him at all anymore. I've gotten married, had a son. Um.

0:16:48.520 --> 0:16:50.960
<v Speaker 1>It took me a bit, you know, to get Yeah, yeah,

0:16:51.920 --> 0:16:54.600
<v Speaker 1>I had. Did you know I had two kids? And

0:16:55.480 --> 0:17:00.320
<v Speaker 1>you know the I don't I can't remember if we

0:17:00.320 --> 0:17:03.440
<v Speaker 1>were in Spain yet or not. I don't think so.

0:17:03.520 --> 0:17:06.040
<v Speaker 1>But um, but I had the same kind of feeling

0:17:06.040 --> 0:17:08.040
<v Speaker 1>coming back to l A when I came back from Spain,

0:17:08.240 --> 0:17:13.199
<v Speaker 1>where everything feels very familiar, but it's not familiar, and

0:17:13.240 --> 0:17:17.960
<v Speaker 1>it's that weird juxtaposition of I should feel differently because

0:17:18.000 --> 0:17:20.719
<v Speaker 1>I know my surroundings, I know these people, I know

0:17:20.880 --> 0:17:23.200
<v Speaker 1>this stuff. But it's like I was in a coma

0:17:23.640 --> 0:17:27.399
<v Speaker 1>for ten years and just woke up and just's like, wait,

0:17:27.600 --> 0:17:33.000
<v Speaker 1>do I know you anymore? So okay, so we have

0:17:33.040 --> 0:17:36.000
<v Speaker 1>a fan question for you, Jack. I see, we have

0:17:36.440 --> 0:17:41.320
<v Speaker 1>a Julie who wants to know the picture of pajamas

0:17:41.480 --> 0:17:45.000
<v Speaker 1>that he wore in the episode where those his real

0:17:46.160 --> 0:17:51.880
<v Speaker 1>photos on the pajamas. It was my face, but I

0:17:51.920 --> 0:17:56.080
<v Speaker 1>wasn't a wrestler, so uh they put my face on.

0:17:57.200 --> 0:18:01.520
<v Speaker 1>Funny enough, there was a a Dolly Grip named Cal.

0:18:01.680 --> 0:18:05.720
<v Speaker 1>Remember Cal, His son was a wrestler, so they took

0:18:05.880 --> 0:18:11.600
<v Speaker 1>his picture, put my youth, you know, my face from

0:18:11.640 --> 0:18:15.880
<v Speaker 1>my youth on those and then put those on the pajamas. Okay,

0:18:16.840 --> 0:18:22.119
<v Speaker 1>so it's my face, but Cal's son's body. Oh my god. Okay,

0:18:22.160 --> 0:18:27.560
<v Speaker 1>So here's here's the good question, and you can redeem

0:18:27.760 --> 0:18:32.439
<v Speaker 1>if you answer this correctly. Are you ready to be ready?

0:18:33.680 --> 0:18:38.000
<v Speaker 1>What are you most thankful for? From Gilmore's being that

0:18:38.160 --> 0:18:41.760
<v Speaker 1>it's friends giving and a thanksgiving sort of a podcast

0:18:41.840 --> 0:18:44.280
<v Speaker 1>right now, A love to them? What am I most

0:18:44.359 --> 0:18:48.680
<v Speaker 1>thankful for? And I think I'm thankful for the opportunity

0:18:48.760 --> 0:18:52.720
<v Speaker 1>to get to know so many wonderful people and just

0:18:52.800 --> 0:18:56.080
<v Speaker 1>to you know, I'm really I feel so lucky and

0:18:56.480 --> 0:19:01.160
<v Speaker 1>thankful and grateful for to to be able to do it,

0:19:02.320 --> 0:19:05.000
<v Speaker 1>you know, I mean, just to meet everybody. Everybody was

0:19:05.040 --> 0:19:08.199
<v Speaker 1>so wonderful. We really were like a family. You know.

0:19:08.320 --> 0:19:10.400
<v Speaker 1>There some of us that would fight with each other,

0:19:10.520 --> 0:19:12.600
<v Speaker 1>as some of us that would you know, we get

0:19:12.600 --> 0:19:15.959
<v Speaker 1>along great, just like any other family. And but you

0:19:16.160 --> 0:19:21.040
<v Speaker 1>still felt loved and you could love other people. And

0:19:21.119 --> 0:19:25.320
<v Speaker 1>so that that really was magical for me. Hang on,

0:19:25.560 --> 0:19:31.439
<v Speaker 1>Getting New York is piping in. They're they're wondering if

0:19:31.480 --> 0:19:33.760
<v Speaker 1>that's right or not. Oh wait a minute, hang on, Jackson,

0:19:33.800 --> 0:19:36.080
<v Speaker 1>Hang on a second, Hang on a second. I've got

0:19:36.119 --> 0:19:38.880
<v Speaker 1>the head of the whole thing here, buddy, we're good.

0:19:39.000 --> 0:19:45.000
<v Speaker 1>Correct answer, correct answer, It's good. Okay, all right, that's

0:19:45.000 --> 0:19:50.359
<v Speaker 1>about one door dash order and that about it. Your coupons, okay,

0:19:50.520 --> 0:19:57.000
<v Speaker 1>you're coupons. It's a gift certypicate. Okay, saying good. Thing

0:19:57.119 --> 0:20:01.680
<v Speaker 1>is money in the bank, buddy. Always. Great to see you, um,

0:20:01.760 --> 0:20:04.760
<v Speaker 1>and I guess we'll see you later. Yeah, in the

0:20:05.119 --> 0:20:09.320
<v Speaker 1>in the stick around and you stick around, buddy, and

0:20:09.520 --> 0:20:12.760
<v Speaker 1>great catching up with you and thanks for joining in. Uh,

0:20:12.800 --> 0:20:14.840
<v Speaker 1>this was a lot of fun. I wish we had

0:20:14.880 --> 0:20:18.159
<v Speaker 1>ten times the amount of time to uh, you know

0:20:18.160 --> 0:20:20.040
<v Speaker 1>what I mean. It's just that, you know, fifteen minutes

0:20:20.080 --> 0:20:29.640
<v Speaker 1>it just doesn't cut it. Hi, Hi, are you are

0:20:29.680 --> 0:20:33.800
<v Speaker 1>you on the area? Sure? Yeah, we're my god, we've

0:20:33.840 --> 0:20:37.800
<v Speaker 1>done forty episodes. No, I mean right now, are we

0:20:37.920 --> 0:20:39.840
<v Speaker 1>just you and I talking? Or is this part of

0:20:39.840 --> 0:20:42.800
<v Speaker 1>the podcast? No, we're live bad. We're going out to

0:20:42.840 --> 0:20:51.360
<v Speaker 1>the planet Earth. We are Earth Hill, one of the

0:20:51.440 --> 0:20:54.760
<v Speaker 1>Julian's on the planet. And thank you gravity for keeping

0:20:54.760 --> 0:20:58.560
<v Speaker 1>me on the planet. That's I'm grateful for gravity too. Yeah.

0:21:00.040 --> 0:21:04.119
<v Speaker 1>Are you doing darling? Good? Happy holiday time. I just

0:21:04.160 --> 0:21:07.280
<v Speaker 1>got back from Maine. Where I did the musical Young Frankenstein.

0:21:07.560 --> 0:21:14.400
<v Speaker 1>I played shroud Bocher ive us my boyfriend. Man, you're

0:21:14.440 --> 0:21:18.159
<v Speaker 1>still your man. You're doing that theater stuff. That musical

0:21:18.200 --> 0:21:20.480
<v Speaker 1>theater stuff is so fun, isn't it. Uh? Yeah, it's

0:21:20.520 --> 0:21:24.160
<v Speaker 1>not for whimps. No no, no, no no no no.

0:21:24.200 --> 0:21:27.920
<v Speaker 1>Those are tough schedules, but they're fun, right, yes, they

0:21:27.960 --> 0:21:30.920
<v Speaker 1>are fun. Audiences are great. There's nothing like a live audience,

0:21:31.200 --> 0:21:33.560
<v Speaker 1>nothing like it. So listen. The last time you're on

0:21:33.600 --> 0:21:36.840
<v Speaker 1>the podcast, we had the pleasure of seeing what you

0:21:37.000 --> 0:21:41.240
<v Speaker 1>had in your bag. Oh I'm just kind of wondering

0:21:41.280 --> 0:21:43.600
<v Speaker 1>what isn't what is in there today? And do you

0:21:43.840 --> 0:21:46.840
<v Speaker 1>switch it out for the holidays or you know, I

0:21:46.880 --> 0:21:49.359
<v Speaker 1>took all the fun stuff out of my bag because

0:21:49.400 --> 0:21:51.960
<v Speaker 1>I was traveling in the people the t s A people.

0:21:52.800 --> 0:21:55.040
<v Speaker 1>This is a message to all the people that work

0:21:55.080 --> 0:21:58.000
<v Speaker 1>for t s A around the country. You have made

0:21:58.040 --> 0:22:01.480
<v Speaker 1>my life a living hell. I know you think it's

0:22:01.520 --> 0:22:04.239
<v Speaker 1>fun to go through my suitcase and look through my

0:22:04.280 --> 0:22:09.640
<v Speaker 1>purse claiming that you've seen something on your scanner. You haven't,

0:22:10.359 --> 0:22:13.240
<v Speaker 1>but you've gotten word that I'm in line and now

0:22:13.600 --> 0:22:16.720
<v Speaker 1>you're dicking around with me and this happens every time

0:22:16.760 --> 0:22:20.080
<v Speaker 1>I fly, and I'm effing sick of it. And I

0:22:20.200 --> 0:22:22.440
<v Speaker 1>want you all to go like lemmings to the sea

0:22:22.520 --> 0:22:26.359
<v Speaker 1>and disappear. You make you make travel such an unhappy

0:22:26.440 --> 0:22:29.560
<v Speaker 1>day for me. Just stop it, stop it. I never

0:22:29.640 --> 0:22:33.679
<v Speaker 1>have anything interesting, illegal or dangerous in my carry on

0:22:33.880 --> 0:22:37.080
<v Speaker 1>or my purse, So stop it. Oh you know the

0:22:37.160 --> 0:22:39.960
<v Speaker 1>power that they get the drunk with the power, right,

0:22:40.280 --> 0:22:41.840
<v Speaker 1>you know, I had all those things. I had the

0:22:41.920 --> 0:22:44.080
<v Speaker 1>chicken in my person when you squeeze that she gives

0:22:44.119 --> 0:22:47.159
<v Speaker 1>birth to another chicken. I had the eyes that the

0:22:47.400 --> 0:22:51.040
<v Speaker 1>Google Google eyeglasses, and I had fake nose, and I

0:22:51.080 --> 0:22:53.680
<v Speaker 1>had the things to make children on the airplane stop

0:22:53.760 --> 0:22:57.040
<v Speaker 1>crying or gar them even worse. And I took it

0:22:57.040 --> 0:22:59.800
<v Speaker 1>all out of my purse because t s A. People

0:22:59.800 --> 0:23:02.080
<v Speaker 1>don't have a sense of humor. I know what he

0:23:02.119 --> 0:23:07.800
<v Speaker 1>does anywhere. Oh my goodness, Oh my goodness. So what's

0:23:07.800 --> 0:23:11.280
<v Speaker 1>going on with you and your son? Oh he's just

0:23:11.359 --> 0:23:17.040
<v Speaker 1>you know, in robotics camp, building SUVs and amazing us

0:23:17.040 --> 0:23:21.400
<v Speaker 1>with this mathematics and how six And he's so far

0:23:21.480 --> 0:23:24.639
<v Speaker 1>beyond me now, it's just like, okay, yeah, trying to

0:23:24.680 --> 0:23:27.360
<v Speaker 1>ask me a math question, I'm not like, yeah, it's

0:23:27.359 --> 0:23:34.080
<v Speaker 1>good necks, it's it's he's great. Thanks for asking. Welcome

0:23:34.400 --> 0:23:38.400
<v Speaker 1>in the seventies, I stret oh I did too. Where

0:23:38.400 --> 0:23:41.679
<v Speaker 1>did you run naked? Here? Were you? Hadn't? Field Memorial

0:23:41.760 --> 0:23:45.919
<v Speaker 1>High School? Four of us during an assembly. We ran

0:23:46.000 --> 0:23:48.399
<v Speaker 1>across the football field and then we ran on stage.

0:23:48.440 --> 0:23:52.439
<v Speaker 1>We streaked across the stage and god, that was very brave.

0:23:52.520 --> 0:23:55.040
<v Speaker 1>It's maybe foolish. Did you get in a big big

0:23:55.119 --> 0:23:58.920
<v Speaker 1>doo doo trouble? No, no, no trouble. You know it

0:23:59.040 --> 0:24:01.960
<v Speaker 1>was a thing back then, if everybody was doing it. Yeah,

0:24:02.040 --> 0:24:08.159
<v Speaker 1>I street at the Playboy Club, Oh my goodness. No,

0:24:08.359 --> 0:24:10.800
<v Speaker 1>in in Lake Geneva. It was the only way to

0:24:10.800 --> 0:24:14.200
<v Speaker 1>top the playgirl bunnies because they're on these outfits with

0:24:14.280 --> 0:24:17.080
<v Speaker 1>everything pushed up without and there sexy. But you know

0:24:17.119 --> 0:24:21.119
<v Speaker 1>what's sexy or than an a middle aged lady running

0:24:21.160 --> 0:24:22.919
<v Speaker 1>naked down the hall with a red top hat on.

0:24:26.359 --> 0:24:29.000
<v Speaker 1>So I want to ask you about one of our

0:24:29.200 --> 0:24:31.600
<v Speaker 1>favorite lines on the part. One of our favorite lines

0:24:31.640 --> 0:24:35.080
<v Speaker 1>in the episodes are are from you from Babette. Do

0:24:35.119 --> 0:24:42.359
<v Speaker 1>you remember having a Babette line that you particularly loved? Uh?

0:24:42.400 --> 0:24:44.800
<v Speaker 1>I can't quote it exactly, but I was trying to

0:24:44.840 --> 0:24:52.400
<v Speaker 1>explain how my cats Cinnamon died, and it was pretty funny.

0:24:52.480 --> 0:24:55.600
<v Speaker 1>I remember that scene. And he fell off he thought

0:24:55.600 --> 0:24:57.639
<v Speaker 1>he was asleep and then he fell off the couch

0:24:57.680 --> 0:25:00.040
<v Speaker 1>and didn't move, and then you maybe kicked him and

0:25:00.119 --> 0:25:03.560
<v Speaker 1>he flew across this room the floor and he still

0:25:03.560 --> 0:25:07.439
<v Speaker 1>didn't That's what I knew he was. Yeah, that was

0:25:08.200 --> 0:25:11.119
<v Speaker 1>that was hysterically funny. I remember that. I think I was.

0:25:11.280 --> 0:25:14.520
<v Speaker 1>I was running towards you. I was running towards Luke's anyway.

0:25:14.920 --> 0:25:17.119
<v Speaker 1>I don't remember if you were the receiving end. But

0:25:17.160 --> 0:25:19.480
<v Speaker 1>I had to run all the way across the little

0:25:19.560 --> 0:25:21.840
<v Speaker 1>park in the center of town where the gazebo is,

0:25:22.359 --> 0:25:28.200
<v Speaker 1>and run towards your restaurant, and when you are majorly endowed,

0:25:28.840 --> 0:25:31.239
<v Speaker 1>it was very painful to run. So I held my

0:25:31.280 --> 0:25:34.719
<v Speaker 1>breast the entire way while I was running, and Um,

0:25:35.080 --> 0:25:44.040
<v Speaker 1>Gamy Sherman Palladino said, leave it in, So there you go. Um.

0:25:45.119 --> 0:25:50.000
<v Speaker 1>Do you have moments even to this day where you think, oh,

0:25:50.119 --> 0:25:52.520
<v Speaker 1>that was very bad bet of me, like in your

0:25:52.520 --> 0:25:57.639
<v Speaker 1>real life? Any similarities? Well, in some ways I really

0:25:57.680 --> 0:26:02.480
<v Speaker 1>am bad, bet. Um. I've always dated taller guys and

0:26:02.600 --> 0:26:06.800
<v Speaker 1>I'm only five feet tall, and I'm highly energetic, and

0:26:07.200 --> 0:26:09.960
<v Speaker 1>I'm very nosy. You know, I sit down with somebody,

0:26:10.000 --> 0:26:12.880
<v Speaker 1>I get into their business. So I'm very very much

0:26:13.440 --> 0:26:17.640
<v Speaker 1>like that bad Did you know that Ted Rooney who

0:26:17.640 --> 0:26:22.600
<v Speaker 1>played my husband on Gilmer Girls and I his father

0:26:22.960 --> 0:26:28.479
<v Speaker 1>was my math teacher in in high school? Yes, And

0:26:28.520 --> 0:26:30.280
<v Speaker 1>that he and I went to the same high school

0:26:30.280 --> 0:26:33.520
<v Speaker 1>and grew up in the same town. Yes. But as

0:26:33.520 --> 0:26:36.000
<v Speaker 1>he pointed out the first day I met him, he's

0:26:36.040 --> 0:26:37.680
<v Speaker 1>younger than I am, So I didn't know him in

0:26:37.720 --> 0:26:42.200
<v Speaker 1>high school because he wasn't there yet. Right. Oh, yeah,

0:26:42.240 --> 0:26:44.840
<v Speaker 1>we had We had him on the podcast he was driving.

0:26:46.400 --> 0:26:50.200
<v Speaker 1>He did share that story. Yeah, he's a great guy.

0:26:50.440 --> 0:26:55.560
<v Speaker 1>And his dad, his dad, Ed Rooney, father of Ted Rooney,

0:26:56.080 --> 0:26:58.920
<v Speaker 1>was on the Johnny Carson Show one night because he

0:26:59.000 --> 0:27:02.600
<v Speaker 1>had Ted Rooney is one of like nine children, and

0:27:02.680 --> 0:27:04.879
<v Speaker 1>so you know Ed Rooney was just a high school teacher.

0:27:04.920 --> 0:27:06.560
<v Speaker 1>I mean, how do you feed a family and nine

0:27:06.600 --> 0:27:10.200
<v Speaker 1>kids on that? So he fed them horse meat and

0:27:10.320 --> 0:27:13.040
<v Speaker 1>hope that they didn't hope that they didn't know the difference.

0:27:13.080 --> 0:27:17.159
<v Speaker 1>It was cheaper than buying cow meat, and he was

0:27:17.880 --> 0:27:20.520
<v Speaker 1>somebody got word of it, and the Tonight Show flew

0:27:20.640 --> 0:27:22.520
<v Speaker 1>down and he was on the Tonight Show talking about

0:27:22.560 --> 0:27:30.360
<v Speaker 1>feeding his family horse meat with Johnny Carson. With Johnny Carson, Yeah,

0:27:30.560 --> 0:27:35.359
<v Speaker 1>oh my god, are you gonna have Rose abdu on

0:27:35.359 --> 0:27:41.040
<v Speaker 1>on this one? Yeah? No, No, it's very funny. She's

0:27:41.160 --> 0:27:44.960
<v Speaker 1>very funny. She's a very brilliant gal. I love her,

0:27:45.280 --> 0:27:50.439
<v Speaker 1>she really is and her resume proves that point. And now,

0:27:50.520 --> 0:27:53.640
<v Speaker 1>speaking of Ted Rooney, we had him on the podcast

0:27:54.080 --> 0:27:56.840
<v Speaker 1>what do you remember about the scenes inside your tiny

0:27:56.920 --> 0:27:59.960
<v Speaker 1>home and and what the difference between you and Ted

0:28:00.160 --> 0:28:04.920
<v Speaker 1>height getting the way of those scenes. Uh, it didn't

0:28:04.920 --> 0:28:07.280
<v Speaker 1>get in the way in real life, but it obviously

0:28:07.280 --> 0:28:11.200
<v Speaker 1>got the way in Babbet's marriage to him. Because when

0:28:11.240 --> 0:28:13.840
<v Speaker 1>we were having the wake at our house for our cats,

0:28:13.840 --> 0:28:17.040
<v Speaker 1>Cinnamon and Laura, I was standing in the kitchen with

0:28:17.080 --> 0:28:19.440
<v Speaker 1>me with her legs spread apart so that she would

0:28:19.480 --> 0:28:21.600
<v Speaker 1>be shorter because she was helping me with the dishes

0:28:21.640 --> 0:28:24.719
<v Speaker 1>and the counters were so low, and she she asked,

0:28:24.720 --> 0:28:27.480
<v Speaker 1>you know, if Marie had any trouble moving into this

0:28:27.560 --> 0:28:29.359
<v Speaker 1>house with me, and I said, well, yeah, he he

0:28:29.920 --> 0:28:32.600
<v Speaker 1>hits his head sometime on the dividus between the rooms,

0:28:32.600 --> 0:28:40.560
<v Speaker 1>but he never had a really bad concussions, Are you okay? Yeah? Yeah.

0:28:40.600 --> 0:28:43.560
<v Speaker 1>She had the house built for her own height, probably

0:28:43.600 --> 0:28:45.960
<v Speaker 1>never thinking she'd get married, and then she met maur

0:28:47.240 --> 0:28:50.680
<v Speaker 1>right right right. Let me ask you this, if there

0:28:50.760 --> 0:28:54.800
<v Speaker 1>was ever another reboot of Gilmore Girls and you couldn't

0:28:54.800 --> 0:28:58.160
<v Speaker 1>do it for some reason because you were in a

0:28:58.200 --> 0:29:00.240
<v Speaker 1>player or another movie and the schedule didn't work, God,

0:29:00.240 --> 0:29:05.880
<v Speaker 1>who would you want to play? But that, oh, oh well,

0:29:05.920 --> 0:29:09.840
<v Speaker 1>if we could dig her up, Ruth Gordon, because that's

0:29:09.880 --> 0:29:14.760
<v Speaker 1>who my my, my performances, you know, giving honor to

0:29:14.920 --> 0:29:17.280
<v Speaker 1>because she was the best character actress that ever lived.

0:29:17.480 --> 0:29:21.360
<v Speaker 1>Now I see that now because we just reviewed Rosemary's Baby,

0:29:21.680 --> 0:29:24.440
<v Speaker 1>because it was mentioned in the in in the first episode,

0:29:24.840 --> 0:29:28.840
<v Speaker 1>and you're right, yeah. I loved her. And then I

0:29:28.880 --> 0:29:30.840
<v Speaker 1>got to play her daughter in law in the film

0:29:30.880 --> 0:29:34.480
<v Speaker 1>The Great Houdini's Paul Michael Klaser played Harry Houdini and

0:29:34.520 --> 0:29:37.040
<v Speaker 1>I played best his wife, and Ruth Gordon played his mother,

0:29:37.360 --> 0:29:39.680
<v Speaker 1>and we made friends, and we stayed friends until she

0:29:39.760 --> 0:29:41.680
<v Speaker 1>passed away. As a matter of fact, when I went

0:29:41.720 --> 0:29:44.080
<v Speaker 1>to New York to do my first Broadway show, she

0:29:44.160 --> 0:29:46.440
<v Speaker 1>and her husband, Garson Kanan, let me stay in their

0:29:46.520 --> 0:29:49.360
<v Speaker 1>brownstone on the East side of New York City, and

0:29:49.440 --> 0:29:57.840
<v Speaker 1>my next door neighbors were Katherine Hepburn and Stephen Sondheim.

0:29:57.880 --> 0:29:59.840
<v Speaker 1>And on the morning of my birthday, there was an

0:30:00.120 --> 0:30:02.040
<v Speaker 1>on the front door. On the door, and then you know,

0:30:02.080 --> 0:30:05.360
<v Speaker 1>the first level was the kitchen in the dining room,

0:30:05.360 --> 0:30:06.600
<v Speaker 1>and then you went up a set of stairs, and

0:30:06.600 --> 0:30:08.680
<v Speaker 1>then it was a living room, another set of stairs,

0:30:08.680 --> 0:30:11.640
<v Speaker 1>bedrooms and bathrooms, and another set of stairs, bedrooms and bathrooms.

0:30:11.880 --> 0:30:14.080
<v Speaker 1>And my best friend Pamela was upstairs with my daughter,

0:30:14.080 --> 0:30:16.040
<v Speaker 1>who was turning too and we were trying to toilet

0:30:16.080 --> 0:30:18.800
<v Speaker 1>trainer on little party chair, and so I screamed, Pamela,

0:30:18.840 --> 0:30:21.680
<v Speaker 1>I'm in my pajama. Someone's knocking on the door. Can

0:30:21.720 --> 0:30:23.960
<v Speaker 1>you come down and answer? And she said, I've got

0:30:23.960 --> 0:30:26.720
<v Speaker 1>Samantha on the party chair. I can't come down. So

0:30:26.760 --> 0:30:28.800
<v Speaker 1>I said, all right, I answered the door and there's

0:30:28.840 --> 0:30:31.480
<v Speaker 1>cats and Hepperd standing at my front door. I mean,

0:30:31.560 --> 0:30:34.240
<v Speaker 1>I think my mouth literally hit the floor. And I

0:30:34.280 --> 0:30:37.560
<v Speaker 1>looked at her. I said, oh, miss Happer, hello, I'm sorry,

0:30:37.560 --> 0:30:40.040
<v Speaker 1>I'm in my pajama. And she says, well, hello. Sadly,

0:30:40.280 --> 0:30:45.160
<v Speaker 1>she says, Norah told me it was your birthday. Happy birthday. Dear,

0:30:45.440 --> 0:30:48.720
<v Speaker 1>I painted you a birthday, can't so you let take

0:30:48.760 --> 0:30:50.800
<v Speaker 1>it from me? And sundaytime this week, why don't you

0:30:50.840 --> 0:30:53.200
<v Speaker 1>come next door to my place. I'll show you all around.

0:30:53.240 --> 0:30:55.560
<v Speaker 1>I'll talk to you about Spencer Tracy, and I've got

0:30:55.560 --> 0:30:58.400
<v Speaker 1>my closets full of all my costumes all about wonderful time.

0:30:58.520 --> 0:31:03.560
<v Speaker 1>Can you make coffee at tea? This isn't happening on

0:31:03.600 --> 0:31:08.720
<v Speaker 1>my birthday? Oh my god, Oh my god. But I

0:31:08.800 --> 0:31:13.080
<v Speaker 1>was staying in recording this Brownstone. My ears are so tiny,

0:31:13.280 --> 0:31:17.120
<v Speaker 1>their childlike my ears, that these little pods won't stay

0:31:17.120 --> 0:31:21.000
<v Speaker 1>in because my ear can't accept them. That's okay, I'm

0:31:21.040 --> 0:31:23.040
<v Speaker 1>you know, I'm not doing much talking because you're being

0:31:23.120 --> 0:31:26.120
<v Speaker 1>so great and funny. So if you here's here's a question.

0:31:26.120 --> 0:31:29.960
<v Speaker 1>If you could jump back in time, um to filming

0:31:30.400 --> 0:31:37.720
<v Speaker 1>any episode or season, what would it be? Oh, Gilmore Gross,

0:31:37.760 --> 0:31:41.920
<v Speaker 1>any episode or season of the Gilmore Girls, Gilmore Girls,

0:31:42.080 --> 0:31:47.800
<v Speaker 1>Um Ohm, When did I have the most fun? Probably

0:31:47.880 --> 0:31:51.000
<v Speaker 1>when we did was it called a year in the life?

0:31:51.240 --> 0:31:54.400
<v Speaker 1>What was it? But we came back we all haven't

0:31:54.400 --> 0:31:56.360
<v Speaker 1>seen each other in several years, and then we did

0:31:56.360 --> 0:32:00.200
<v Speaker 1>those four ninety minute movies and I felt so lucky. Yeah,

0:32:00.200 --> 0:32:03.120
<v Speaker 1>I felt like I hadn't been invited to my high

0:32:03.160 --> 0:32:07.120
<v Speaker 1>school reunion. And the reunion went on for you know,

0:32:07.200 --> 0:32:10.560
<v Speaker 1>a month. I was like a kid at Christmas, dancing

0:32:10.600 --> 0:32:13.480
<v Speaker 1>around the Warner Brothers lot, and Rose Abdew said to

0:32:13.480 --> 0:32:16.000
<v Speaker 1>me one day, Oh, here comes one of their where

0:32:16.040 --> 0:32:18.720
<v Speaker 1>their trolleys? What do you call those caravan things where

0:32:18.720 --> 0:32:21.040
<v Speaker 1>they drive people around to take a tour of the studio.

0:32:21.480 --> 0:32:26.960
<v Speaker 1>That the tram right, And she says, let's just stand

0:32:27.000 --> 0:32:29.680
<v Speaker 1>here and give him a thrill. But we were on

0:32:29.720 --> 0:32:31.920
<v Speaker 1>our way to the steppy uppy truck where you could

0:32:31.920 --> 0:32:35.479
<v Speaker 1>get snacks, and we were admonishing one another about how

0:32:35.520 --> 0:32:38.440
<v Speaker 1>we didn't need snacks but we were getting them anyway.

0:32:38.560 --> 0:32:40.960
<v Speaker 1>And then we stopped and kind of post so to

0:32:41.080 --> 0:32:44.440
<v Speaker 1>give the group on the Trauma thrill. They didn't recognize

0:32:44.440 --> 0:32:48.960
<v Speaker 1>either one of us. We both felt so awful. We

0:32:49.080 --> 0:32:56.240
<v Speaker 1>got more snacks than we even originally wanted. I gotta

0:32:56.280 --> 0:32:58.440
<v Speaker 1>tell you, every single time I came to work on that,

0:32:58.480 --> 0:33:01.160
<v Speaker 1>because you you worked in every episode, you were there

0:33:01.200 --> 0:33:03.520
<v Speaker 1>all the time, but I was in one in every

0:33:03.560 --> 0:33:07.640
<v Speaker 1>three episodes, maybe sometimes one in every other one. So

0:33:08.120 --> 0:33:13.680
<v Speaker 1>to me was this realization that I was still in

0:33:13.760 --> 0:33:17.120
<v Speaker 1>show business, you know, because sometimes when you're a woman,

0:33:17.280 --> 0:33:19.640
<v Speaker 1>when you're a woman in this industry, you're pretty much

0:33:19.680 --> 0:33:22.040
<v Speaker 1>told when you hit about forty that you're washed up.

0:33:22.800 --> 0:33:25.800
<v Speaker 1>So here I was on this very popular TV series

0:33:25.920 --> 0:33:29.720
<v Speaker 1>and being written with dialogue that was just as brilliant

0:33:29.760 --> 0:33:32.160
<v Speaker 1>as the dialogue on All in the Family, and I

0:33:32.200 --> 0:33:34.520
<v Speaker 1>really felt every day that I was there that I

0:33:34.560 --> 0:33:39.280
<v Speaker 1>had won the lottery. So I loved all of it.

0:33:39.360 --> 0:33:42.040
<v Speaker 1>I loved the scenes in in uh Laura Lae and

0:33:42.120 --> 0:33:44.520
<v Speaker 1>Rory's house. I was always excited when there's something in

0:33:44.560 --> 0:33:47.239
<v Speaker 1>there to do. I never ever did a scene in

0:33:47.360 --> 0:33:51.080
<v Speaker 1>her parents home. I was not never And I know

0:33:51.160 --> 0:33:54.360
<v Speaker 1>you went to the senior Gilmore's house sometimes. I was

0:33:54.440 --> 0:33:58.400
<v Speaker 1>never in any of those scenes. Yeah, those were great scenes.

0:33:58.480 --> 0:34:01.040
<v Speaker 1>That's where that's a great place to shoot. So here's

0:34:01.040 --> 0:34:05.200
<v Speaker 1>a fan question for you, Sally. Here's somebody typing in

0:34:05.440 --> 0:34:08.560
<v Speaker 1>from the audience. Sally, what was your favorite part of

0:34:08.600 --> 0:34:14.000
<v Speaker 1>playing that that? This is from Ashley. By the way, Ashley,

0:34:14.040 --> 0:34:17.879
<v Speaker 1>thank you for asking that. I think the favorite part.

0:34:17.960 --> 0:34:20.160
<v Speaker 1>The two favorite parts for me is that one they

0:34:20.239 --> 0:34:22.760
<v Speaker 1>let me do my very bad impression of Ruth Gordon

0:34:22.880 --> 0:34:25.279
<v Speaker 1>and never called me on the carpet about it. And

0:34:25.360 --> 0:34:27.600
<v Speaker 1>number two, they always let me wear my own clothes

0:34:28.920 --> 0:34:30.960
<v Speaker 1>because I don't look good when you dressed me in

0:34:31.000 --> 0:34:34.680
<v Speaker 1>other people's clothes. So once they understood that I would

0:34:34.719 --> 0:34:38.320
<v Speaker 1>bring choices, I was always so comfortable on the set

0:34:38.360 --> 0:34:42.480
<v Speaker 1>in my own clothes. Right. I know that's not the

0:34:42.640 --> 0:34:46.120
<v Speaker 1>answer that you were looking for, Ashley, but but I

0:34:46.239 --> 0:34:48.799
<v Speaker 1>was really excited to do my get out my roof

0:34:48.920 --> 0:34:53.960
<v Speaker 1>Gorden kind of thing. Oh my god, that made me happy.

0:34:55.280 --> 0:34:57.400
<v Speaker 1>It's just it's just it's just all hitting me now

0:34:57.480 --> 0:35:00.239
<v Speaker 1>because because I mean, yeah, that's what you were doing.

0:35:00.280 --> 0:35:03.759
<v Speaker 1>It's fantastic. But it wasn't. It was an homage, it was,

0:35:03.840 --> 0:35:06.439
<v Speaker 1>but it was it was mostly you, but a little

0:35:06.440 --> 0:35:10.239
<v Speaker 1>bit that's yeah, that's that's good stuff. All Right, here

0:35:10.239 --> 0:35:13.000
<v Speaker 1>we go, we're gonna, we're gonna. We're gonna wrap it

0:35:13.080 --> 0:35:18.759
<v Speaker 1>upright by asking you a final question, what are you

0:35:18.880 --> 0:35:27.239
<v Speaker 1>most thankful for? From Gilmore Girls? It sounds so selfish

0:35:28.160 --> 0:35:34.960
<v Speaker 1>all about me, but honestly, I was really grateful. But

0:35:35.120 --> 0:35:37.839
<v Speaker 1>I was on a show that was so good and

0:35:38.000 --> 0:35:43.320
<v Speaker 1>so well liked that I stopped being approached as oh,

0:35:43.360 --> 0:35:47.080
<v Speaker 1>there's that girl from Archie Bunker. You know, people didn't

0:35:47.080 --> 0:35:49.120
<v Speaker 1>even remember it was called All in the Family. They

0:35:49.200 --> 0:35:52.320
<v Speaker 1>call it the Archie Bunker shows all about Archie. And

0:35:52.360 --> 0:35:54.360
<v Speaker 1>they'd come up and they'd say, you know, oh, we

0:35:54.440 --> 0:35:57.520
<v Speaker 1>haven't seen you in so long? Have you retired? Dear?

0:35:58.120 --> 0:36:00.440
<v Speaker 1>All of that kind of condescending stuff where you want

0:36:00.440 --> 0:36:03.359
<v Speaker 1>to step on their feet and walk away. But but

0:36:03.400 --> 0:36:06.560
<v Speaker 1>then I started getting stopped by people who watched Gilmore Girls,

0:36:07.120 --> 0:36:09.960
<v Speaker 1>and they it made me feel like I had come

0:36:09.960 --> 0:36:13.720
<v Speaker 1>alive again in my career because I had been hearing

0:36:14.040 --> 0:36:17.440
<v Speaker 1>thirty years worth of All in the Family remarks, and

0:36:17.480 --> 0:36:20.439
<v Speaker 1>now I was getting a whole new generation that would

0:36:20.440 --> 0:36:25.840
<v Speaker 1>talk to me. So and that has lasted, it still

0:36:25.960 --> 0:36:29.960
<v Speaker 1>seems current. Yeah, yeah, yeah, they keep playing it. It's

0:36:30.120 --> 0:36:33.759
<v Speaker 1>uh yeah. Every new generation is discovering the show and

0:36:33.800 --> 0:36:35.680
<v Speaker 1>love and falling in love with the show, and yeah,

0:36:35.719 --> 0:36:38.120
<v Speaker 1>it's it's crazy. I'm so glad you had me on

0:36:38.160 --> 0:36:40.120
<v Speaker 1>your podcast. Should I hang around? Are you gonna have

0:36:40.239 --> 0:36:43.279
<v Speaker 1>us all back in a while? Yes, we're gonna, yeah,

0:36:43.280 --> 0:36:45.320
<v Speaker 1>we're gonna wrap up the segment. You're gonna come back

0:36:46.680 --> 0:36:51.840
<v Speaker 1>for the fan Q and A. Alright, you around because

0:36:51.880 --> 0:36:54.799
<v Speaker 1>I love you. I love you too, very much and

0:36:54.880 --> 0:36:56.799
<v Speaker 1>I love see you in a little bit. All right,

0:36:56.840 --> 0:37:01.960
<v Speaker 1>good deal, Sally, thank you. Okay, so we're gonna, we're

0:37:01.960 --> 0:37:04.960
<v Speaker 1>gonna we're gonna go to some uh some fan Q

0:37:05.200 --> 0:37:11.360
<v Speaker 1>and A here and here's Chris and Tiffany asking, uh me, okay,

0:37:11.560 --> 0:37:16.520
<v Speaker 1>did you serve real food in Luke's diner? Oh? You

0:37:16.640 --> 0:37:20.520
<v Speaker 1>bet you? I did. Um. That was real cooked burgers,

0:37:21.480 --> 0:37:25.520
<v Speaker 1>that was real chicken, that was real waffles, real eggs,

0:37:25.600 --> 0:37:31.320
<v Speaker 1>real everything. Everything was real. I'm not saying it was fresh, Okay,

0:37:31.400 --> 0:37:35.080
<v Speaker 1>I'm not saying that. And sometimes extras did kind of

0:37:35.200 --> 0:37:38.719
<v Speaker 1>you know, break the rules and break down and and

0:37:38.840 --> 0:37:44.040
<v Speaker 1>start eating what they we would call the prop food. Um.

0:37:44.080 --> 0:37:46.400
<v Speaker 1>And I was tempted a few times myself late at

0:37:46.520 --> 0:37:49.920
<v Speaker 1>night and hungry and Crafty was running out of food

0:37:50.080 --> 0:37:52.799
<v Speaker 1>and the pizza was gone, and you know, you look

0:37:52.840 --> 0:37:57.279
<v Speaker 1>at one of those, you know, those old burgers, it's

0:37:57.360 --> 0:38:01.239
<v Speaker 1>like who cares? Just dig it? But now it was.

0:38:01.480 --> 0:38:11.480
<v Speaker 1>To answer your question, it was all real. Everything was real, Yes, yes, yes, yes, indeed. Um. Okay.

0:38:12.040 --> 0:38:18.080
<v Speaker 1>Next question is from Lyndy or Lynde. LYNDI, Uh, did

0:38:18.080 --> 0:38:22.799
<v Speaker 1>the fake snow in Stars Hollow have a smell to it? Yes?

0:38:22.960 --> 0:38:26.960
<v Speaker 1>Absolutely it did because it was made out of paper. Um,

0:38:27.000 --> 0:38:30.480
<v Speaker 1>and it smelled like paper. Uh. So it's it's just

0:38:30.600 --> 0:38:34.480
<v Speaker 1>paper that's chopped up into it's you know, fine not granules,

0:38:34.560 --> 0:38:39.280
<v Speaker 1>but pretty pretty fine, tiny little pieces of paper, hundreds

0:38:39.280 --> 0:38:42.120
<v Speaker 1>of millions of tiny little pieces of paper being shot

0:38:42.200 --> 0:38:46.440
<v Speaker 1>through a very expensive looking and very large, cumbersome machine. Uh.

0:38:46.480 --> 0:38:49.239
<v Speaker 1>And sometimes they'll just sort of rain it down from

0:38:49.280 --> 0:38:55.520
<v Speaker 1>a um, sort of a sieve like contraption way above you.

0:38:55.719 --> 0:39:00.160
<v Speaker 1>And you know, it's quite clever. Um, but it us

0:39:00.200 --> 0:39:02.520
<v Speaker 1>get in your ears and your nose and your mouth

0:39:02.600 --> 0:39:08.600
<v Speaker 1>and your arts and all kinds of places. So um um, yeah,

0:39:08.640 --> 0:39:14.200
<v Speaker 1>it smells like paper, that's what it smells like. Yeah,

0:39:18.000 --> 0:39:21.760
<v Speaker 1>there he is. Hello there man, how you doing, buddy,

0:39:21.880 --> 0:39:24.600
<v Speaker 1>I'm good. Are we live right now? We are live,

0:39:25.080 --> 0:39:29.720
<v Speaker 1>beaming out streaming out to the world. Wow, hey, say hello,

0:39:29.800 --> 0:39:36.120
<v Speaker 1>hi everybody, all your beautiful pable So look, let's uh,

0:39:36.200 --> 0:39:39.000
<v Speaker 1>let's do a couple of questions then well then you

0:39:39.000 --> 0:39:45.360
<v Speaker 1>can play us your song. Okay, really looking forward to um.

0:39:45.440 --> 0:39:47.640
<v Speaker 1>So anyway, thanks for coming on. Great to have you,

0:39:47.719 --> 0:39:51.239
<v Speaker 1>great to see it. My pleasure, my pleasure. And by

0:39:51.280 --> 0:39:52.720
<v Speaker 1>the way, I'm coming to your neck of the Woods

0:39:52.719 --> 0:39:56.400
<v Speaker 1>in February. Are you really? I am the Nashville area.

0:39:56.640 --> 0:39:58.759
<v Speaker 1>I am gonna I'm coming down there. I'm gonna work

0:39:58.760 --> 0:40:01.280
<v Speaker 1>with some top songwriters for a whole week and uh

0:40:01.560 --> 0:40:04.480
<v Speaker 1>do some podcasts with them and write some songs with them,

0:40:04.520 --> 0:40:08.480
<v Speaker 1>and I'll let you know. Yeah, it's gonna be fun. Man. Well, um,

0:40:08.480 --> 0:40:11.120
<v Speaker 1>well we've got to we've got to get together. Yes

0:40:11.239 --> 0:40:14.280
<v Speaker 1>we will. We'll hit the honky tonks, yes we will.

0:40:14.520 --> 0:40:17.360
<v Speaker 1>We will. So look, we absolutely loved having you on

0:40:17.400 --> 0:40:22.680
<v Speaker 1>the podcast last time. Um, what was it like strolling

0:40:22.760 --> 0:40:27.440
<v Speaker 1>down Troubadour memory Lane for you? What was it like

0:40:27.640 --> 0:40:33.680
<v Speaker 1>trolling down Troubadoor Avenue you're referring to, uh when you're

0:40:33.680 --> 0:40:38.920
<v Speaker 1>on the podcast recounting your days on right right right? Well,

0:40:39.320 --> 0:40:41.040
<v Speaker 1>it was great. It went by in a flash. We

0:40:41.120 --> 0:40:43.160
<v Speaker 1>got we got talking and we we covered a lot

0:40:43.200 --> 0:40:47.759
<v Speaker 1>of ground and goodness, Um, I don't know. It's a

0:40:47.800 --> 0:40:51.440
<v Speaker 1>funny thing, isn't it when you when I sometimes forget

0:40:51.480 --> 0:40:55.600
<v Speaker 1>how many seasons, how many years passed that we were

0:40:55.600 --> 0:40:57.520
<v Speaker 1>all involved with the show, you know, because it all

0:40:57.560 --> 0:41:01.719
<v Speaker 1>seems to exist in some ways for me, but like

0:41:02.400 --> 0:41:05.919
<v Speaker 1>in one moment, in some ways, you know, I don't

0:41:05.920 --> 0:41:09.480
<v Speaker 1>know you. And even when we went back to um

0:41:09.520 --> 0:41:11.880
<v Speaker 1>you know, to stars Hollow for the reunion, it was

0:41:11.960 --> 0:41:16.399
<v Speaker 1>like that everybody just found their place immediately. You know,

0:41:16.440 --> 0:41:18.240
<v Speaker 1>you didn't have to find the tape on the ground.

0:41:18.360 --> 0:41:21.920
<v Speaker 1>You knew where to go and everybody, everybody had a connection.

0:41:22.040 --> 0:41:24.640
<v Speaker 1>You know. It was nice. It was nice for you

0:41:24.719 --> 0:41:27.880
<v Speaker 1>visiting that. It really was. We just had Sally on.

0:41:28.040 --> 0:41:32.279
<v Speaker 1>She was so grateful for that opportunity to come back

0:41:32.280 --> 0:41:34.960
<v Speaker 1>and do it again, and I felt I felt the

0:41:35.000 --> 0:41:37.960
<v Speaker 1>same way at the time. It's like you won the lottery.

0:41:37.960 --> 0:41:44.879
<v Speaker 1>It's like, really, it's just happening. I mean, right right right, yeah, Um,

0:41:44.920 --> 0:41:47.160
<v Speaker 1>so you look very cozy and you're in your home.

0:41:47.480 --> 0:41:49.880
<v Speaker 1>I felt very cozy. I've got the you know, the

0:41:49.880 --> 0:41:55.960
<v Speaker 1>the autumnal mantle. You can see behind me, a copious

0:41:55.960 --> 0:42:01.200
<v Speaker 1>amount of flint corn behind me. And yeah, so, how

0:42:01.200 --> 0:42:05.279
<v Speaker 1>would you describe the Troubadorus music and what genre would

0:42:05.320 --> 0:42:10.480
<v Speaker 1>it be? M Uh, it's uh, it's traveling music. It's

0:42:10.560 --> 0:42:15.640
<v Speaker 1>it's music made for walking, for strolling. You know. I

0:42:15.640 --> 0:42:18.399
<v Speaker 1>guess maybe it's because I tend to write songs when

0:42:18.400 --> 0:42:23.120
<v Speaker 1>I'm when I'm on the move, you know, when I'm traveling. Uh,

0:42:23.200 --> 0:42:26.480
<v Speaker 1>when I'm out there on my own. Um, that was

0:42:26.520 --> 0:42:28.480
<v Speaker 1>a hard thing to adjust to with this your pandemic.

0:42:29.000 --> 0:42:31.799
<v Speaker 1>Suddenly I found myself kind of you know, sitting at

0:42:31.800 --> 0:42:34.719
<v Speaker 1>home and there's plenty of time to write songs. But

0:42:34.960 --> 0:42:39.200
<v Speaker 1>something about that, you know, that uh, that kind of

0:42:39.239 --> 0:42:42.160
<v Speaker 1>input that you get, you know, that that stimulation of

0:42:42.760 --> 0:42:47.840
<v Speaker 1>travel and seeing new places. You know. Um, I always

0:42:47.880 --> 0:42:49.880
<v Speaker 1>get a lot of ideas in that way. So I

0:42:49.880 --> 0:42:56.280
<v Speaker 1>guess it's traveling music wherever you're going metaphorically, you know, literally.

0:42:57.640 --> 0:43:00.719
<v Speaker 1>So as as we get further into the series, you know,

0:43:00.760 --> 0:43:03.680
<v Speaker 1>we see the Troubadore more and more. Um, yeah, did

0:43:03.680 --> 0:43:07.719
<v Speaker 1>you get to keep that neck microphone set up? And

0:43:08.800 --> 0:43:11.680
<v Speaker 1>oh I I built that. That was all my own

0:43:11.719 --> 0:43:16.800
<v Speaker 1>that yeah, you know, and um yeah, I mean Amy,

0:43:16.920 --> 0:43:20.440
<v Speaker 1>they they said, yeah, show up, you know, when I

0:43:20.520 --> 0:43:23.640
<v Speaker 1>kind of showed up with with my my suit and

0:43:23.760 --> 0:43:27.919
<v Speaker 1>my homemade um busking rig you know, a little pig

0:43:27.920 --> 0:43:32.560
<v Speaker 1>nose amp with a harmonica holder with a spray painted

0:43:32.560 --> 0:43:34.960
<v Speaker 1>golden microphone, and I kind of rigged the whole thing.

0:43:35.520 --> 0:43:37.720
<v Speaker 1>And I don't know if you remember, at the very beginning,

0:43:38.000 --> 0:43:41.640
<v Speaker 1>that microphone went through like a little echo box and

0:43:41.680 --> 0:43:43.600
<v Speaker 1>I had that, but I soon realized this thing is

0:43:43.680 --> 0:43:46.000
<v Speaker 1>very heavy, and I'm just gonna I'm gonna spend the

0:43:46.000 --> 0:43:48.840
<v Speaker 1>afternoon walking around. So I kind of paired it down finally,

0:43:48.840 --> 0:43:51.640
<v Speaker 1>but it was always heavy and and I had and

0:43:51.680 --> 0:43:52.960
<v Speaker 1>I had to wear it. I didn't want to do

0:43:53.000 --> 0:43:58.239
<v Speaker 1>a scene without it, you know, right, Yeah, How did

0:43:58.280 --> 0:44:01.960
<v Speaker 1>the Trouvadore evolve of the seasons? In your opinion? How what?

0:44:02.000 --> 0:44:05.399
<v Speaker 1>How did he? Uh, that's a good question. I think

0:44:06.680 --> 0:44:12.080
<v Speaker 1>it seems to me that with this might have taken

0:44:12.080 --> 0:44:15.520
<v Speaker 1>place early on, but it seemed to reach a fever pitch.

0:44:17.040 --> 0:44:20.520
<v Speaker 1>I noted that my character was always angry about something,

0:44:21.880 --> 0:44:24.600
<v Speaker 1>you know. I mean maybe maybe there's a little bit

0:44:24.640 --> 0:44:26.920
<v Speaker 1>of you know, a little bit of that, you know,

0:44:27.200 --> 0:44:30.000
<v Speaker 1>you sense it in Taylor. There there are other characters

0:44:30.280 --> 0:44:36.560
<v Speaker 1>that they have, uh, you know, that have these issues.

0:44:36.960 --> 0:44:40.200
<v Speaker 1>And mine, of course was the first reveal itself, you know,

0:44:40.239 --> 0:44:44.000
<v Speaker 1>when I had to like fight for my troubadour turf um,

0:44:44.160 --> 0:44:47.239
<v Speaker 1>which you know that happened. But even later on when

0:44:47.239 --> 0:44:49.680
<v Speaker 1>I come back after being on the road with with

0:44:49.760 --> 0:44:53.799
<v Speaker 1>Neil Young and uh and again, um, you know, kind

0:44:53.800 --> 0:44:57.120
<v Speaker 1>of flying off the handle there too, you know. So

0:44:58.080 --> 0:45:02.760
<v Speaker 1>here's the storyline for maybe the next reboot. We discover

0:45:02.960 --> 0:45:08.200
<v Speaker 1>we find out that you're really Tailor's younger brother you've

0:45:08.360 --> 0:45:13.399
<v Speaker 1>never met, and that the store, the candy store that

0:45:13.520 --> 0:45:18.719
<v Speaker 1>he inherited right from his family, was supposed to go

0:45:18.840 --> 0:45:23.759
<v Speaker 1>to you. So a lengthy court battle, you kick him

0:45:23.800 --> 0:45:26.120
<v Speaker 1>out of that store and you take over and he

0:45:26.200 --> 0:45:28.279
<v Speaker 1>becomes the town trooper or what do you think of that?

0:45:28.600 --> 0:45:32.920
<v Speaker 1>Do I have any chance that I think that's a

0:45:33.120 --> 0:45:35.759
<v Speaker 1>that's a great idea. I'd love to see you as

0:45:35.800 --> 0:45:38.920
<v Speaker 1>the new Tailor Wow, And I'd like I'd like to

0:45:38.960 --> 0:45:43.359
<v Speaker 1>see Taylor in with my with my amplifier around well,

0:45:44.080 --> 0:45:46.360
<v Speaker 1>and he will feel the pain that I haven't heard

0:45:46.440 --> 0:45:49.480
<v Speaker 1>for so long. I was, I I've made a suggestion

0:45:49.520 --> 0:45:51.839
<v Speaker 1>that Taylor like, like I have a place to make

0:45:51.840 --> 0:45:54.640
<v Speaker 1>a suggestion. What if I think Taylor should be uh

0:45:54.719 --> 0:45:57.239
<v Speaker 1>like in the Royal Order of Water Buffaloes like Fred

0:45:57.280 --> 0:45:59.440
<v Speaker 1>flint Stone. You know, doesn't he seem like he should

0:45:59.480 --> 0:46:02.800
<v Speaker 1>kind of like have a secret handshake and I stash

0:46:02.960 --> 0:46:05.640
<v Speaker 1>of some kind, you know. So I'm working on a

0:46:05.719 --> 0:46:10.080
<v Speaker 1>song for Emily Emily Corona with her low internet and

0:46:10.520 --> 0:46:15.560
<v Speaker 1>can't hear or can't hear me? Inspired a song. Hey, Emily,

0:46:15.920 --> 0:46:28.360
<v Speaker 1>can he you what he sent to me? I want

0:46:28.360 --> 0:46:38.640
<v Speaker 1>to talk to you right now, Hey, Emily, can't it?

0:46:42.560 --> 0:46:51.279
<v Speaker 1>Don't be cute? Don't you mute em They're gonna me.

0:46:56.680 --> 0:47:00.399
<v Speaker 1>I don't know. You're tuned to the classic Massile key

0:47:00.440 --> 0:47:06.239
<v Speaker 1>of ease something or another. I think I'm probably not. Look,

0:47:07.320 --> 0:47:09.520
<v Speaker 1>we have our own tuning, you know. I'm in Nashville.

0:47:09.640 --> 0:47:13.360
<v Speaker 1>Nashville tuning right, all right? Um like people that have

0:47:13.480 --> 0:47:18.480
<v Speaker 1>actual talent and good ears. Right, I got um, let's

0:47:18.520 --> 0:47:20.399
<v Speaker 1>get to your song. Man, tell us about your song?

0:47:20.560 --> 0:47:24.200
<v Speaker 1>Tell us, Oh, I'd love to. I thought it might

0:47:24.239 --> 0:47:27.040
<v Speaker 1>be nice. You know, the leaves are changing here, the

0:47:27.160 --> 0:47:31.640
<v Speaker 1>chill in the air. There's a winter front. Winter front

0:47:31.680 --> 0:47:33.640
<v Speaker 1>make it its way from one coast to the next.

0:47:34.280 --> 0:47:38.880
<v Speaker 1>And along with that, I've got a look at this.

0:47:38.880 --> 0:47:41.200
<v Speaker 1>This is coming out on record sort day. This is

0:47:41.320 --> 0:47:45.359
<v Speaker 1>remember these phono graphs. I do play these on your

0:47:45.360 --> 0:47:49.040
<v Speaker 1>photograph player. Um, and this is coming out finally. It's

0:47:49.239 --> 0:47:54.080
<v Speaker 1>on vinyl, not just vinyl, though, it's on that green

0:47:55.000 --> 0:48:00.600
<v Speaker 1>translucent vinyl. Yeah, and uh, it's kind of a nice thing.

0:48:00.640 --> 0:48:05.399
<v Speaker 1>You know. It came out last year digitally, but it's

0:48:05.440 --> 0:48:12.000
<v Speaker 1>finally available on vinyl. A painting by myself, but tuly painting.

0:48:12.239 --> 0:48:14.759
<v Speaker 1>You'll see when you come to Nashville that it's just

0:48:14.880 --> 0:48:18.000
<v Speaker 1>every every inch of it cries out to be painted.

0:48:18.320 --> 0:48:23.480
<v Speaker 1>It's a beautiful. So so i'll I'll play your song

0:48:23.520 --> 0:48:28.239
<v Speaker 1>off off that album that I actually premiered on The

0:48:28.239 --> 0:48:32.880
<v Speaker 1>Gilmore Girls when we did our our winter reunion. Um,

0:48:32.920 --> 0:48:36.359
<v Speaker 1>like so many it's like so many times, I got

0:48:36.360 --> 0:48:40.440
<v Speaker 1>a call from Helen she and Amy talking, do you

0:48:40.840 --> 0:48:45.040
<v Speaker 1>have a song that is uh kind of the scene

0:48:45.080 --> 0:48:47.359
<v Speaker 1>takes place in the winter, the whole episode actually, so

0:48:47.480 --> 0:48:49.080
<v Speaker 1>what do you think anything? And I said, you know

0:48:49.120 --> 0:48:52.080
<v Speaker 1>what I do? I wrote, I wrote a song. Um

0:48:52.160 --> 0:48:55.479
<v Speaker 1>some years ago my dad said, you know, you should

0:48:55.520 --> 0:48:59.440
<v Speaker 1>write a song, a seasonal song, a seasonal ballad, you know,

0:48:59.640 --> 0:49:02.160
<v Speaker 1>all to day number. And I said, you know, that's

0:49:02.160 --> 0:49:06.560
<v Speaker 1>a good idea, And so I did, and lo and behold,

0:49:06.719 --> 0:49:09.480
<v Speaker 1>it made its debut on The Gilmore Girls, just like

0:49:09.520 --> 0:49:12.359
<v Speaker 1>that serendipity. You know what's the name of the song.

0:49:12.520 --> 0:49:15.120
<v Speaker 1>It's called Winter Glow. I'll play it for you here,

0:49:15.239 --> 0:49:24.000
<v Speaker 1>all right, ladies and gentlemen, I give you Grantly Phillips. Okay,

0:49:24.200 --> 0:49:26.520
<v Speaker 1>I just gotta make sure I'm situated just right, Scott,

0:49:27.360 --> 0:49:29.520
<v Speaker 1>a little bar stool here and the rungs if I

0:49:29.560 --> 0:49:33.360
<v Speaker 1>can I can? There we go perfect? Okay, there we

0:49:33.400 --> 0:49:37.759
<v Speaker 1>go perfect. Okay mm hmm. You take a swig of water.

0:49:39.000 --> 0:49:42.000
<v Speaker 1>I've been eating peanuts tonight. No, and you know how

0:49:42.000 --> 0:49:44.279
<v Speaker 1>that happens, Like hours later you realize I still got

0:49:44.320 --> 0:49:57.040
<v Speaker 1>a peanut in there. They're saving up her later m hm. Okay,

0:49:58.480 --> 0:50:03.760
<v Speaker 1>such a tender feeling. The candle light. I'll flickering wool

0:50:03.880 --> 0:50:33.200
<v Speaker 1>shoot in the fireplaces close, thank you you full, thanks

0:50:33.239 --> 0:50:35.840
<v Speaker 1>so much. And that and that was on the show

0:50:35.960 --> 0:50:38.600
<v Speaker 1>that that ended up on Gilmore, that's right, yeah, yeah.

0:50:38.640 --> 0:50:42.440
<v Speaker 1>The snows coming down or crispies or whatever it was.

0:50:43.520 --> 0:50:46.799
<v Speaker 1>And I'm in front of the gazebo and I'm just emoting,

0:50:47.560 --> 0:50:50.280
<v Speaker 1>trying to try and keep my scinuces from going crazy

0:50:50.320 --> 0:50:54.040
<v Speaker 1>from those you know whatever those things are? What are there?

0:50:54.040 --> 0:50:56.799
<v Speaker 1>Potato buds they dropped from the sky when they wanted

0:50:56.880 --> 0:50:59.279
<v Speaker 1>to snow. You know what, now that you mention it,

0:50:59.400 --> 0:51:01.919
<v Speaker 1>it's pay paper and it's that too. Yeah. I think

0:51:01.960 --> 0:51:04.919
<v Speaker 1>sometimes they do use those potato butts, but I really

0:51:04.920 --> 0:51:11.279
<v Speaker 1>think it's mostly paper, right, yeah, wild great song, what

0:51:11.480 --> 0:51:15.400
<v Speaker 1>beautiful song. Thanks so much. What a performer in that

0:51:15.600 --> 0:51:19.000
<v Speaker 1>voice and the melody, Oh my goodness, I've got I've

0:51:19.000 --> 0:51:23.880
<v Speaker 1>got special fuel in me today. I'm full of Scotty peas.

0:51:27.120 --> 0:51:32.160
<v Speaker 1>I'm doubly caffeinated tonight. Songwriter's choice go to coffee for

0:51:32.360 --> 0:51:37.560
<v Speaker 1>that's right. Yes, thank you for the plug. That was wonderful.

0:51:37.640 --> 0:51:44.040
<v Speaker 1>That was absolutely wonderful. Um. Now were there times when

0:51:44.080 --> 0:51:47.040
<v Speaker 1>you were touring and you couldn't and you were offered

0:51:47.040 --> 0:51:49.480
<v Speaker 1>an episode? Amy and Dan reached out and you know,

0:51:49.560 --> 0:51:52.080
<v Speaker 1>can you do this episode? That episode? Sorry, now I'm Torreon,

0:51:52.200 --> 0:51:56.040
<v Speaker 1>can't do it? Did that happen to you? We? I

0:51:56.080 --> 0:51:58.839
<v Speaker 1>don't think there there was ever a time where we

0:51:59.120 --> 0:52:02.359
<v Speaker 1>um we have that happened, funny enough, But a lot

0:52:02.400 --> 0:52:05.879
<v Speaker 1>of that was because Um, I would get I would

0:52:05.920 --> 0:52:09.920
<v Speaker 1>get heads up, usually pretty early on, you know, before

0:52:09.960 --> 0:52:12.839
<v Speaker 1>the season was kicking in, and uh, I would try

0:52:12.880 --> 0:52:16.479
<v Speaker 1>to set aside that time, you know, and just hold

0:52:16.480 --> 0:52:20.040
<v Speaker 1>off on touring during that particular week or two. You know,

0:52:20.200 --> 0:52:22.719
<v Speaker 1>we kind of work around each other. But we were

0:52:22.760 --> 0:52:24.640
<v Speaker 1>lucky that way. I think there maybe there might have

0:52:24.640 --> 0:52:27.920
<v Speaker 1>been a time where I had to recut some some

0:52:28.000 --> 0:52:31.360
<v Speaker 1>dialogue or some music. Um in New York City to

0:52:31.440 --> 0:52:34.319
<v Speaker 1>replace whatever I had done on the show, because you

0:52:34.360 --> 0:52:36.640
<v Speaker 1>know that is I mean, you're out there playing and

0:52:36.680 --> 0:52:43.200
<v Speaker 1>then an airplane flies over and so you gotta you

0:52:43.239 --> 0:52:45.840
<v Speaker 1>gotta make it happen. So you know, that's all I

0:52:45.880 --> 0:52:49.880
<v Speaker 1>can really recall, though he got pretty lucky that way. Yeah, alright,

0:52:49.920 --> 0:52:54.000
<v Speaker 1>so we're gonna we're gonna wrap this little session here, buddy.

0:52:54.040 --> 0:52:57.680
<v Speaker 1>Thank you so much, stick Please, thank for the for

0:52:57.719 --> 0:53:00.920
<v Speaker 1>the Q and A. They're gonna for sure the fans

0:53:01.000 --> 0:53:03.799
<v Speaker 1>have many questions they want to ask you. Thank you

0:53:03.880 --> 0:53:06.520
<v Speaker 1>so much, buddy. Okay, that's gonna do it. That's a

0:53:06.640 --> 0:53:10.760
<v Speaker 1>rap on our first annual live virtual event, Friends Giving.

0:53:10.840 --> 0:53:13.200
<v Speaker 1>We're going to do another one real soon. We'll let

0:53:13.200 --> 0:53:15.400
<v Speaker 1>you know when that is. You are the best fans

0:53:15.400 --> 0:53:17.759
<v Speaker 1>on the planet. Thanks for downloading. Everybody. We helped raise

0:53:17.800 --> 0:53:20.840
<v Speaker 1>some money from some very worthy causes. Very worthy charity

0:53:20.920 --> 0:53:24.040
<v Speaker 1>is very proud of you guys for that. Anyway, Stay safe, everybody,

0:53:24.080 --> 0:53:56.360
<v Speaker 1>all the best, much love, hey everybody, and don't forget

0:53:56.400 --> 0:54:00.480
<v Speaker 1>follow us on Instagram at I Am all In podcast

0:54:00.560 --> 0:54:05.480
<v Speaker 1>and email us at Gilmore at I heart radio dot com.

0:54:05.480 --> 0:54:07.279
<v Speaker 1>Oh you Gilmore fans, if you're looking for the best

0:54:07.320 --> 0:54:10.160
<v Speaker 1>cup of coffee in the world. Go to my website

0:54:10.200 --> 0:54:13.279
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0:54:13.280 --> 0:54:16.400
<v Speaker 1>T y P dot com, scott ep dot com Grade

0:54:16.400 --> 0:54:27.800
<v Speaker 1>one Specialty Coffee. Yeah.