1 00:00:00,120 --> 00:00:02,080 Speaker 1: We read a niggas chill. 2 00:00:02,400 --> 00:00:04,760 Speaker 2: Hey, welcome back to one music. 3 00:00:04,840 --> 00:00:07,560 Speaker 3: Face it she man Carlos Miller and I got them 4 00:00:07,600 --> 00:00:10,440 Speaker 3: lovely ladies over there from poor Man's and we got 5 00:00:10,480 --> 00:00:12,640 Speaker 3: one of our partners in here with us right now. 6 00:00:14,600 --> 00:00:17,759 Speaker 2: Na yeah, nigga Ever in the history of niggas. 7 00:00:17,840 --> 00:00:20,040 Speaker 3: Ever, this is the first nigga that I heard say 8 00:00:20,120 --> 00:00:21,360 Speaker 3: nigga four times in the row. 9 00:00:24,079 --> 00:00:26,720 Speaker 2: Nigga unlocked a portal when he did this ship right now. 10 00:00:26,720 --> 00:00:29,120 Speaker 1: If you say nigga four times, something specially happened to you. 11 00:00:30,000 --> 00:00:32,800 Speaker 4: Heaven is in the earth apart, and start writing down 12 00:00:32,800 --> 00:00:36,400 Speaker 4: Hennings supper. Then that boy that James in here, what 13 00:00:37,320 --> 00:00:39,320 Speaker 4: we made it were back on the couch. 14 00:00:39,840 --> 00:00:42,680 Speaker 2: Hey man, what's up family, you've been going crazy per usual? 15 00:00:43,000 --> 00:00:44,560 Speaker 1: Hey man, thank you. 16 00:00:44,680 --> 00:00:46,839 Speaker 3: And you just did a song on one of my 17 00:00:46,960 --> 00:00:48,800 Speaker 3: favorite Herby Hancocks. 18 00:00:49,720 --> 00:00:53,000 Speaker 4: Oh yes, sir Watermeller Man, Come on, man, hey man, 19 00:00:53,000 --> 00:00:53,440 Speaker 4: come on now. 20 00:00:53,479 --> 00:00:54,560 Speaker 1: Shout out to Herbie Hancock. 21 00:00:54,600 --> 00:00:59,240 Speaker 4: Shout out to his team for even allowing us to 22 00:00:59,240 --> 00:01:01,880 Speaker 4: clear that sound people, and you know, then tax me 23 00:01:02,320 --> 00:01:05,240 Speaker 4: I've paid, but shout out man, because they had to 24 00:01:05,280 --> 00:01:05,560 Speaker 4: do it. 25 00:01:07,040 --> 00:01:08,080 Speaker 1: I love it, I love it. 26 00:01:08,120 --> 00:01:10,760 Speaker 4: I'm so happy that that's in my discography because not 27 00:01:10,840 --> 00:01:12,200 Speaker 4: many people got to do that sample. 28 00:01:12,560 --> 00:01:12,760 Speaker 1: Yeah. 29 00:01:12,840 --> 00:01:15,400 Speaker 3: Man, one thing about your music, when you see the 30 00:01:15,520 --> 00:01:17,600 Speaker 3: visuals that you put with it, it looked like you 31 00:01:17,800 --> 00:01:21,880 Speaker 3: actually having fun that like on camera fun. It looks 32 00:01:21,920 --> 00:01:23,959 Speaker 3: like it's a one take shot. 33 00:01:23,959 --> 00:01:24,640 Speaker 1: Make this shit. 34 00:01:25,040 --> 00:01:27,440 Speaker 2: So man, what do you draw your inspiration from? 35 00:01:27,480 --> 00:01:27,640 Speaker 1: Man? 36 00:01:27,640 --> 00:01:29,720 Speaker 3: What keep you going after all the ups and downs 37 00:01:29,720 --> 00:01:31,560 Speaker 3: and turn more off from the industry. 38 00:01:31,959 --> 00:01:32,840 Speaker 1: I ain't gonna lie to you. 39 00:01:32,880 --> 00:01:36,640 Speaker 4: I mean I always surprised myself and remind myself like, 40 00:01:36,640 --> 00:01:38,760 Speaker 4: oh damn nigga, we got more in the tank. Like 41 00:01:38,800 --> 00:01:41,880 Speaker 4: when I do something or make a song or put 42 00:01:41,920 --> 00:01:46,000 Speaker 4: something on it's just like an inner black feeling of 43 00:01:46,120 --> 00:01:49,280 Speaker 4: like I feel like I'm still doing what I'm supposed 44 00:01:49,320 --> 00:01:52,040 Speaker 4: to do. I'm not doing too much. I ain't never 45 00:01:52,120 --> 00:01:55,880 Speaker 4: fucked nobody over, and like God just aligns it where 46 00:01:55,880 --> 00:01:59,000 Speaker 4: it's like my actual job is to live. 47 00:02:00,240 --> 00:02:01,800 Speaker 1: Everything else is what I do. 48 00:02:02,480 --> 00:02:02,640 Speaker 2: Now. 49 00:02:02,680 --> 00:02:04,720 Speaker 3: We would be crazy there not to ask you what 50 00:02:04,840 --> 00:02:07,520 Speaker 3: is the what's the motivation? 51 00:02:06,320 --> 00:02:10,680 Speaker 2: But I love the grill? 52 00:02:11,120 --> 00:02:18,639 Speaker 4: Uh damn twin Okay, his ship that's not. 53 00:02:20,280 --> 00:02:20,720 Speaker 1: Fraudy. 54 00:02:20,800 --> 00:02:25,359 Speaker 4: Now today, all day I dream about sex. 55 00:02:25,400 --> 00:02:27,399 Speaker 1: All I do is dream about sex and they were gold. 56 00:02:27,400 --> 00:02:31,080 Speaker 4: That's what I gotta go gold to the gold socks 57 00:02:31,120 --> 00:02:31,760 Speaker 4: because why not. 58 00:02:32,400 --> 00:02:33,600 Speaker 1: The gold matches the flag. 59 00:02:33,639 --> 00:02:35,040 Speaker 4: This is a trigger that flag by the way, with 60 00:02:35,080 --> 00:02:37,600 Speaker 4: the gold stripes, so sir, the flag matches shoes. 61 00:02:38,639 --> 00:02:38,919 Speaker 2: Uh. 62 00:02:39,200 --> 00:02:41,200 Speaker 4: These I got these in London, a brand called k 63 00:02:41,240 --> 00:02:44,679 Speaker 4: t Z And I'm a little overweight. So when you 64 00:02:44,760 --> 00:02:48,160 Speaker 4: put on the tights, they get you. 65 00:02:49,400 --> 00:02:51,360 Speaker 1: Baby, you aren't snatching me up. 66 00:02:51,360 --> 00:02:53,160 Speaker 4: So I'll be on stage and you know, I don't 67 00:02:53,160 --> 00:02:55,120 Speaker 4: want to be tworking on stage because you know, I 68 00:02:55,160 --> 00:02:57,520 Speaker 4: got a little little ass on the side, little ass 69 00:02:57,560 --> 00:02:58,000 Speaker 4: on the back. 70 00:02:58,560 --> 00:03:03,040 Speaker 1: Tighten it up. I feel you. 71 00:03:03,120 --> 00:03:04,840 Speaker 2: I love some tight now. 72 00:03:05,440 --> 00:03:08,400 Speaker 4: And then I was like, hey, you know ship nigga, 73 00:03:08,760 --> 00:03:09,640 Speaker 4: you'all got to see all this. 74 00:03:09,720 --> 00:03:10,400 Speaker 1: You know who it is. 75 00:03:10,520 --> 00:03:13,000 Speaker 2: Yeah, that's when my lady is right here. 76 00:03:13,200 --> 00:03:15,520 Speaker 1: A little curl, little curl, little curl. 77 00:03:15,800 --> 00:03:18,560 Speaker 3: Now I want to I want to ask you about this, 78 00:03:18,720 --> 00:03:21,760 Speaker 3: right because I remember when you drop your first mixed Yes, sir, 79 00:03:21,840 --> 00:03:23,280 Speaker 3: don't be sorry as fuck. 80 00:03:23,240 --> 00:03:24,800 Speaker 2: Safe, safe as fuck every day. 81 00:03:25,040 --> 00:03:28,120 Speaker 4: No what the project was called don't be safe, but 82 00:03:28,160 --> 00:03:30,720 Speaker 4: the acronym was don't be sensitive as fuck every day. 83 00:03:30,760 --> 00:03:31,600 Speaker 1: Okay, yes, sir. 84 00:03:31,800 --> 00:03:35,480 Speaker 3: Now, look I remember when you posted the ship it was, 85 00:03:35,520 --> 00:03:36,360 Speaker 3: it went viral. 86 00:03:36,680 --> 00:03:39,080 Speaker 2: You was on there responding, getting in people like, hey, man, 87 00:03:39,120 --> 00:03:39,880 Speaker 2: you ain't got to fuck with me. 88 00:03:39,920 --> 00:03:40,880 Speaker 1: It ain't dropping for you. 89 00:03:41,320 --> 00:03:44,840 Speaker 3: But did you think that it would become like historical 90 00:03:44,920 --> 00:03:46,800 Speaker 3: at a point in the Atlanta music. 91 00:03:46,840 --> 00:03:50,440 Speaker 4: Oh no, No, I dropped my first project so that 92 00:03:50,560 --> 00:03:53,920 Speaker 4: I could start trapping music. I was ready to drop 93 00:03:53,960 --> 00:03:55,600 Speaker 4: it out the trunk. You know what I'm saying, Like, 94 00:03:56,240 --> 00:03:58,720 Speaker 4: it's no. You can go do the research right now, 95 00:03:58,840 --> 00:04:01,760 Speaker 4: and mark my words, you will not find another black 96 00:04:01,800 --> 00:04:04,880 Speaker 4: man that was not born in America that has ever 97 00:04:05,080 --> 00:04:08,760 Speaker 4: dropped music like I did and dB be as successful 98 00:04:09,160 --> 00:04:12,080 Speaker 4: as it happened for me in the beginning. Never everybody 99 00:04:12,080 --> 00:04:14,440 Speaker 4: else You just didn't know when they wasn't the man 100 00:04:14,520 --> 00:04:18,880 Speaker 4: then motherfucking Indiana, Like you didn't know about Indiana. You 101 00:04:18,920 --> 00:04:21,840 Speaker 4: know about the nigga when he popped off. True though, 102 00:04:21,920 --> 00:04:25,120 Speaker 4: when you saw me nigga popped off, I was brand new. 103 00:04:26,200 --> 00:04:26,440 Speaker 5: Man. 104 00:04:26,600 --> 00:04:29,960 Speaker 3: I feel though, when like when Bruno Mars hits you 105 00:04:30,080 --> 00:04:32,320 Speaker 3: up and say I want to sample this shit. 106 00:04:32,240 --> 00:04:34,279 Speaker 2: Up, you get a lot of people who fucking with 107 00:04:34,360 --> 00:04:34,640 Speaker 2: the shit. 108 00:04:34,760 --> 00:04:37,120 Speaker 4: Well, honestly take it. That goes back to your question 109 00:04:37,160 --> 00:04:39,440 Speaker 4: of like what keeps a nigga motivated. You gotta think 110 00:04:39,480 --> 00:04:41,560 Speaker 4: about it. If you come from nothing, you don't got 111 00:04:41,560 --> 00:04:43,880 Speaker 4: no mentor. I didn't grow up with my dad when 112 00:04:43,920 --> 00:04:46,360 Speaker 4: I needed them too, So I don't have no nigga 113 00:04:46,360 --> 00:04:47,280 Speaker 4: telling me the right thing. 114 00:04:47,360 --> 00:04:51,360 Speaker 1: I am the right thing. So I gotta wait till another. 115 00:04:51,080 --> 00:04:53,839 Speaker 4: Older gentleman or older woman that I respect say something 116 00:04:53,880 --> 00:04:56,920 Speaker 4: to me that resonates with my reasoning mind, like, oh, 117 00:04:56,920 --> 00:04:59,080 Speaker 4: I think I'm doing the right thing, just like every 118 00:04:59,080 --> 00:05:02,120 Speaker 4: other Black man in America black women in America. If 119 00:05:02,120 --> 00:05:04,400 Speaker 4: we don't got no goddamn role models or no person 120 00:05:04,480 --> 00:05:06,120 Speaker 4: like letting us know that this is right or this 121 00:05:06,160 --> 00:05:08,320 Speaker 4: is wrong, we are just doing right. 122 00:05:08,400 --> 00:05:10,240 Speaker 1: You just do. So that's what I've been doing. 123 00:05:10,240 --> 00:05:15,120 Speaker 4: And when jay Z Beyonce one hundred three thousand Bruno, 124 00:05:15,480 --> 00:05:18,200 Speaker 4: when they pour into me, nigga, I put that in 125 00:05:18,279 --> 00:05:19,240 Speaker 4: a special box. 126 00:05:19,839 --> 00:05:23,080 Speaker 1: We slip that like one little snip a year. That's 127 00:05:23,120 --> 00:05:24,479 Speaker 1: all I got. You know what I'm saying. 128 00:05:25,160 --> 00:05:27,839 Speaker 5: But if you are like a true creative, like it's 129 00:05:27,920 --> 00:05:31,520 Speaker 5: not a lot of people who are truly creative, innovative 130 00:05:31,680 --> 00:05:34,919 Speaker 5: and have their own pace, their own flow. How do 131 00:05:35,000 --> 00:05:38,400 Speaker 5: you feel though, when you see people steal from you 132 00:05:38,520 --> 00:05:40,400 Speaker 5: and don't give you your props because a lot of people 133 00:05:40,440 --> 00:05:42,360 Speaker 5: would be like, asked, hey, can I have this? Can 134 00:05:42,360 --> 00:05:45,200 Speaker 5: my body? But some people don't ask how does that 135 00:05:45,240 --> 00:05:45,799 Speaker 5: make you feel? 136 00:05:46,560 --> 00:05:50,039 Speaker 4: I'll be honest with you, I appreciate it from the 137 00:05:50,080 --> 00:05:53,200 Speaker 4: standpoint of like in the beginning, like the first five 138 00:05:53,279 --> 00:05:56,600 Speaker 4: to six years, Yeah, I was like, okay, cool, if 139 00:05:56,600 --> 00:05:58,840 Speaker 4: they stealing from me, I must be doing something good. 140 00:05:59,200 --> 00:06:02,360 Speaker 4: I ain't tripping rock out because if I go in 141 00:06:02,480 --> 00:06:05,000 Speaker 4: on it, then it's gonna keep people. 142 00:06:05,320 --> 00:06:07,920 Speaker 1: I won't know who's stealing. You see what I'm saying. 143 00:06:07,960 --> 00:06:09,800 Speaker 1: It's like if you call him out, then they'll be like, 144 00:06:09,839 --> 00:06:10,480 Speaker 1: oh no, we can't. 145 00:06:10,520 --> 00:06:12,799 Speaker 4: No, I want you to steal because when you steal 146 00:06:12,839 --> 00:06:14,760 Speaker 4: from me, you keep me alive. 147 00:06:15,680 --> 00:06:17,320 Speaker 1: When you do. When I write a song with. 148 00:06:17,360 --> 00:06:20,839 Speaker 4: Somebody or somebody steals something from me, the real niggas 149 00:06:20,839 --> 00:06:23,280 Speaker 4: who know what's up. I'm like, oh, that nigga trying 150 00:06:23,320 --> 00:06:25,640 Speaker 4: to be Trinidad, and they'll hit me. They'll damn you, like, 151 00:06:25,640 --> 00:06:27,520 Speaker 4: look at this nigga trying to be you. I've been 152 00:06:27,520 --> 00:06:30,240 Speaker 4: seeing that. But every year it's a nigga that want 153 00:06:30,240 --> 00:06:32,919 Speaker 4: to go Trinidad. Every year, some nigga decide to go 154 00:06:32,960 --> 00:06:36,080 Speaker 4: Trinidad every single year, and I wouldn't. 155 00:06:35,760 --> 00:06:40,200 Speaker 3: Feel like it's around Halloween town Like now, ye see 156 00:06:40,279 --> 00:06:42,120 Speaker 3: the little kids every kids. 157 00:06:42,560 --> 00:06:44,640 Speaker 4: I steal a nigga when he was when he was 158 00:06:44,680 --> 00:06:47,680 Speaker 4: a kid, showed me his outfit, Like you know, it's 159 00:06:48,320 --> 00:06:52,400 Speaker 4: to be influential as a black man, black woman in America. 160 00:06:53,000 --> 00:06:55,640 Speaker 4: That is actually one of the hardest things to be 161 00:06:55,720 --> 00:06:56,440 Speaker 4: appreciated for. 162 00:06:57,240 --> 00:06:58,640 Speaker 1: People will know that you're doing it. 163 00:06:58,720 --> 00:07:00,920 Speaker 4: People know that you'all fired and you can still be 164 00:07:00,920 --> 00:07:05,120 Speaker 4: trying to hold they dick. Yeah, they know our funniest 165 00:07:05,160 --> 00:07:08,520 Speaker 4: hell O, nigga still act like you ain't told two 166 00:07:08,560 --> 00:07:15,200 Speaker 4: million jokes. Bitch stopped playing You're crazy once Game got 167 00:07:15,240 --> 00:07:16,320 Speaker 4: me and God got me. 168 00:07:16,360 --> 00:07:16,880 Speaker 1: We good. 169 00:07:17,040 --> 00:07:21,400 Speaker 6: Yeah, So you came on Poor Minds recently and then 170 00:07:21,480 --> 00:07:23,880 Speaker 6: for karaoke we need dress song all the way. So 171 00:07:24,040 --> 00:07:27,000 Speaker 6: many people love the song. You obviously make a lot 172 00:07:27,000 --> 00:07:29,640 Speaker 6: of hits. Do you have another single coming out songs? 173 00:07:29,800 --> 00:07:31,520 Speaker 1: Yes, well right now. 174 00:07:31,600 --> 00:07:33,760 Speaker 4: The next thing, I'm gonna drop Gold Jesus, a song 175 00:07:33,800 --> 00:07:36,400 Speaker 4: called Gold Jesus, and then I'm gonna drop my project. 176 00:07:36,680 --> 00:07:38,080 Speaker 2: Okay you love gold? 177 00:07:38,120 --> 00:07:41,880 Speaker 1: Do you have a well silk? I love God and 178 00:07:41,960 --> 00:07:46,640 Speaker 1: I love were born, they give us gold. They give 179 00:07:46,720 --> 00:07:49,440 Speaker 1: us gold when you're born as a baby. Yeah, gold 180 00:07:49,440 --> 00:07:51,880 Speaker 1: to put inside your pamper. Oh wow, I ain't have 181 00:07:52,000 --> 00:07:52,960 Speaker 1: no gold on my pap. 182 00:07:54,480 --> 00:07:57,000 Speaker 5: We had a car a. 183 00:07:56,960 --> 00:07:59,800 Speaker 1: Little do you snig? 184 00:08:00,360 --> 00:08:00,480 Speaker 6: Yes? 185 00:08:00,760 --> 00:08:04,400 Speaker 3: From camping out waiting in land two three days. But 186 00:08:04,520 --> 00:08:06,680 Speaker 3: now it's like you're on the level and I follow 187 00:08:06,720 --> 00:08:09,960 Speaker 3: you as you you hit Paris and France. 188 00:08:10,120 --> 00:08:12,640 Speaker 1: Yes, and go get you some swag. 189 00:08:12,760 --> 00:08:15,560 Speaker 3: Man, do you feel like the days of like you know, 190 00:08:15,560 --> 00:08:17,520 Speaker 3: the sneaker culture, do you feel like it's dying on? 191 00:08:18,560 --> 00:08:22,880 Speaker 4: What's happened is that as a man, you're a man first. 192 00:08:23,000 --> 00:08:26,040 Speaker 4: You're a man before you're an artist. You're a woman 193 00:08:26,080 --> 00:08:28,120 Speaker 4: before you're an artist. You're a man or a woman 194 00:08:28,160 --> 00:08:31,840 Speaker 4: before you're a sneaker head. So as you grow as 195 00:08:31,880 --> 00:08:34,920 Speaker 4: a woman or as a man, you will grow out 196 00:08:34,920 --> 00:08:39,120 Speaker 4: of things. That thing, it's not dead, you're just dead 197 00:08:39,160 --> 00:08:41,800 Speaker 4: to the feeling of loving it. And that's really what 198 00:08:41,880 --> 00:08:44,120 Speaker 4: it is. It's like I don't have to love sneakers. 199 00:08:44,320 --> 00:08:46,840 Speaker 4: I'm already a god. I don't have to love it. 200 00:08:47,440 --> 00:08:51,240 Speaker 4: So for me, I'm more focused on, like, since the pandemic, 201 00:08:51,840 --> 00:08:55,439 Speaker 4: I've made six shoes, like my own shoes, and don't 202 00:08:55,520 --> 00:09:00,280 Speaker 4: work homework. You know, do your homework and then next year. 203 00:09:00,760 --> 00:09:02,880 Speaker 4: Right now, in real time, we're working on my actual 204 00:09:02,920 --> 00:09:06,360 Speaker 4: first sneaker, like my own sneaker. So as like I said, 205 00:09:06,400 --> 00:09:09,920 Speaker 4: as a human, first your job, you're obligated to grow. 206 00:09:10,480 --> 00:09:14,160 Speaker 4: When you grow. You don't just grow in size. You 207 00:09:14,200 --> 00:09:17,600 Speaker 4: grow out of spiritual feelings too. You don't just grow 208 00:09:17,600 --> 00:09:20,959 Speaker 4: out of clothes. You grow out of liking the same shoes, 209 00:09:21,400 --> 00:09:26,720 Speaker 4: liking the same niggas, dealing with the same yay too much, 210 00:09:27,080 --> 00:09:30,440 Speaker 4: Hey lex slow it down, Hey hey, hey, hey. 211 00:09:30,280 --> 00:09:32,440 Speaker 2: Hey, we had to get were at the one music face. 212 00:09:32,480 --> 00:09:35,800 Speaker 3: Don't come over here preaching now. 213 00:09:37,520 --> 00:09:40,920 Speaker 1: That's talking with a viral, because we ain't no. 214 00:09:41,000 --> 00:09:43,920 Speaker 2: Mom we the viral ready for now. 215 00:09:46,320 --> 00:09:48,680 Speaker 3: I'm gonna wrap this up, but I gotta ask you this, yessir, 216 00:09:48,840 --> 00:09:51,640 Speaker 3: as an artist from Atlanta, not an Atlanta artists, Yes, 217 00:09:51,920 --> 00:09:54,480 Speaker 3: how important is it to see things like One Music 218 00:09:54,520 --> 00:09:55,800 Speaker 3: Fancet be held in the city. 219 00:09:56,559 --> 00:10:00,680 Speaker 4: I pray, I pray and I pray every day that 220 00:10:00,880 --> 00:10:03,720 Speaker 4: more things like one Fest will come to Atlanta. 221 00:10:04,080 --> 00:10:06,800 Speaker 1: Atlanta, Georgia on the whole is. 222 00:10:06,800 --> 00:10:10,719 Speaker 4: Beautiful if you don't get so caught up in what 223 00:10:10,800 --> 00:10:13,000 Speaker 4: everybody tell you to get caught up in which is 224 00:10:13,080 --> 00:10:16,800 Speaker 4: strip club and that type of idea. We love our 225 00:10:16,920 --> 00:10:19,120 Speaker 4: ladies of the night, we love them, we love them 226 00:10:19,160 --> 00:10:23,960 Speaker 4: to death. But Georgia Atlanta is so much big of 227 00:10:23,960 --> 00:10:24,800 Speaker 4: an ecosystem. 228 00:10:24,880 --> 00:10:28,880 Speaker 1: So I pray for. 229 00:10:27,640 --> 00:10:31,960 Speaker 4: New festivals to come, festivals that's like rolling Loud and 230 00:10:32,040 --> 00:10:35,000 Speaker 4: all the things that brings value. I mean, we got 231 00:10:35,000 --> 00:10:38,360 Speaker 4: the World Cup coming, like, that's a festival, so many people, 232 00:10:38,360 --> 00:10:41,560 Speaker 4: that's a festival. And so don't be scared to come 233 00:10:41,600 --> 00:10:47,400 Speaker 4: to Atlanta. Baby, we don't bite well. Folks. 234 00:10:47,679 --> 00:10:53,760 Speaker 6: Love you, love family at this point, at this point. 235 00:10:53,000 --> 00:10:54,600 Speaker 2: And we want to tell you, man, make sure you 236 00:10:54,679 --> 00:10:55,840 Speaker 2: keep pushing the envelope. 237 00:10:59,320 --> 00:10:59,960 Speaker 1: Thank y'all. 238 00:11:00,800 --> 00:11:05,960 Speaker 4: Love pour minds, edieboy style show yad know Atlanta, Trinidad. 239 00:11:06,080 --> 00:11:09,160 Speaker 2: Ye, let's do it.