WEBVTT - Hypernormalization

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<v Speaker 1>Strange Arrivals is a production of I Heart three D

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<v Speaker 1>audio for full exposure, listen with headphones. How did the

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<v Speaker 1>United States develop the technology to pull ahead of the

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<v Speaker 1>Russians in the space race? Many believe that a sophisticated

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<v Speaker 1>guidance system was salvage from a crashed UFO. Not for

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<v Speaker 1>the first time, a motion picture tells the story of

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<v Speaker 1>these incredible events. It started with an accident in space

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<v Speaker 1>and it led to the crash of a large metallic

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<v Speaker 1>disc in the Arizona Desert. Why have the facts been

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<v Speaker 1>kept hidden from the American public? What is it our

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<v Speaker 1>government doesn't want us to know? This new motion picture

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<v Speaker 1>reveals the startling proof that the government actually has the

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<v Speaker 1>wreckage of Appliance Saucer and the bodies of alien astronauts.

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<v Speaker 1>You will learn the incredible story of the most startling

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<v Speaker 1>government cover up ever conceived. See a story of the

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<v Speaker 1>UFO Covered up Hanger eight D. I'm Toby Ball and

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<v Speaker 1>this is Strange Arrivals Episode twelve. Hypernormalization in Pearson's Magazine

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<v Speaker 1>in Great Britain and Cosmopolitan Magazine in the United States

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<v Speaker 1>serialized H. G. Wells The War of the World's It

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<v Speaker 1>was published in book form the following year. It is

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<v Speaker 1>one of the first stories of humans confronted with beings

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<v Speaker 1>from outer space, and its inspired movies, comic books, in

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<v Speaker 1>orson Wells famous radio broadcast. It's safe to say that

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<v Speaker 1>most alien related popular culture doesn't engage to directly with

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<v Speaker 1>the UFO folklore. Classics such as Invasion of the Body

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<v Speaker 1>Snatchers or The Day the Earth Stood still common on

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<v Speaker 1>larger social issues of the time. Abduction accounts have led

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<v Speaker 1>to movies like The UFO Incident and Fire in the Sky,

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<v Speaker 1>which addressed those particular stories, but not the broader UFO context.

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<v Speaker 1>Even Close Encounters of the Third Kind, which borrows some

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<v Speaker 1>from the UFO folklore of the late nineteen seventies, does

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<v Speaker 1>not concern itself much with broader themes of government complicity

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<v Speaker 1>beyond the security around Devil's Tower. The most significant piece

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<v Speaker 1>of popular culture to use the UFO folklore was the

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<v Speaker 1>iconic nine nineties television show The X Files. I had

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<v Speaker 1>an idea way back in the eighties there was a

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<v Speaker 1>show on that I loved when I was a kid

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<v Speaker 1>called cold Check The Night Stuck, and it was the

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<v Speaker 1>scariest thing I've ever seen on TV. So I thought,

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<v Speaker 1>there's nothing scary on TV one, and I try to

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<v Speaker 1>do a show that is as scary as that one.

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<v Speaker 1>This is Chris Carter, creator of The X Files. So

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<v Speaker 1>I sat down and came up with the characters of

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<v Speaker 1>Molder and Scully FBI agents. I was inspired, especially you

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<v Speaker 1>can see Scully's red hair by Silence of the Lambs.

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<v Speaker 1>That was an early inspiration. So I came up with

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<v Speaker 1>these two characters, and I kind of turned the tables

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<v Speaker 1>on what would be the stereotypical believer in skeptic Maiden

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<v Speaker 1>Molder the male the believer, and Scully the female, the skeptic.

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<v Speaker 1>I wanted to make her not only a doctor, but

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<v Speaker 1>a scientist, so she could refute Molder's claims with her

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<v Speaker 1>hard science. It's a take on another iconic duo, the

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<v Speaker 1>Kirk Spock partnership from the original Star Trek, a way

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<v Speaker 1>for the issues of the show to be reasoned through

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<v Speaker 1>the two lead characters. The show is fictionalized, scripted storytelling

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<v Speaker 1>vehicle for these characters, Molder and Scarlet looking for the truth.

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<v Speaker 1>And I said to them, you know, they wanted to

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<v Speaker 1>wrap up the episodes at the end kind of in

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<v Speaker 1>a neat bow with an explanation for what Malder and

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<v Speaker 1>Scully had seen. And I said, that's exactly what you

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<v Speaker 1>don't want. You don't want to have the answers. You

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<v Speaker 1>want to be left with wonder, you want to be

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<v Speaker 1>left with ah. You want to be left with your

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<v Speaker 1>own opinions at the end. And it took me a

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<v Speaker 1>real hard sales pitch to get them to understand that.

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<v Speaker 1>With this initial conception in place, Carter brought together writers

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<v Speaker 1>to help develop the show and write episodes. I was

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<v Speaker 1>really lucky to hire two teams of smart guys. Glenn

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<v Speaker 1>Morgan and James Wong were a writing team, uh, and

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<v Speaker 1>then a writing team of Howard Gordon and Alex Gonza,

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<v Speaker 1>who were also too smart guys who went on to

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<v Speaker 1>create Homeland together. I'm glad more gonna it's one of

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<v Speaker 1>the exact producers of The X Files and you're one

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<v Speaker 1>two for. And then the last time Morgan wrote with

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<v Speaker 1>a partner named Jim Wong, who had been friends with

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<v Speaker 1>since high school. We were gonna go on some other show,

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<v Speaker 1>a romantic comedy that was the hit pilot of that season,

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<v Speaker 1>and Peter Roth, who was the head of Fox TV,

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<v Speaker 1>had said watch his pilot I demand that you watch

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<v Speaker 1>his pilot, and so sort of career politics, we go, well,

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<v Speaker 1>we'll watch this pilot the X Files and tell Peter

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<v Speaker 1>thanks for thinking of us, but we're gonna go do

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<v Speaker 1>this other hot show. And uh, Jim and I watch

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<v Speaker 1>Exiles pilot, We're like, WHOA, I want to do this show. Carter,

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<v Speaker 1>along with the two writing teams, developed the Molder and

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<v Speaker 1>Scully arc through different types of stories. Depending on the week,

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<v Speaker 1>it could be a horror, suspense, thriller, or paranormal episode.

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<v Speaker 1>So The X Files from the very beginning was not

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<v Speaker 1>just going to be an UFO alien show. It was

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<v Speaker 1>going to be more than that. And I had actually

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<v Speaker 1>created a marketing package before any of these people came

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<v Speaker 1>on when I turned the pilot and originally to twenty

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<v Speaker 1>Century Fox, spelling out what the show was. So it

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<v Speaker 1>just happened that I was able to pair with the

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<v Speaker 1>right people to bring the idea of making it a

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<v Speaker 1>horror show, a suspense show, a thriller, what have you,

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<v Speaker 1>that it became. Really three fifths of the time it

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<v Speaker 1>was something other than aliens and UFOs. The shows can

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<v Speaker 1>be broken down into two types. The monster of the

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<v Speaker 1>Week shows that are primarily standalons, but which also advanced

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<v Speaker 1>the Molder Scully dynamic and the mythology episodes which run

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<v Speaker 1>throughout the length of the series until the ongoing UFO story.

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<v Speaker 1>We did, I think six mythology episodes typically per season,

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<v Speaker 1>a two parter, three two partners actually, and that kind

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<v Speaker 1>of became our formula. The way modern Scully coached the

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<v Speaker 1>other typically sixteen to nineteen cases was by taking positions,

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<v Speaker 1>by taking hard edged science versus a obdurate and determined

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<v Speaker 1>belief in the paranormal on Moulder side, And it became

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<v Speaker 1>kind of competitive, and it became a really a long

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<v Speaker 1>uh nine years flirtation between the two characters and a

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<v Speaker 1>seduction of sorts. These episodes required the writers to be

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<v Speaker 1>able to articulate both a skeptical and a paranormal explanation

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<v Speaker 1>for each phenomenon investigated by Molder and Scully. For Morgan,

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<v Speaker 1>who had grown up very open to the reality of

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<v Speaker 1>the paranormal, writing from Scully's perspective opened his eyes to

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<v Speaker 1>a new viewpoint. Certainly, working on the X Files, the

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<v Speaker 1>Need to be Scully is the first time that I

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<v Speaker 1>started looking at what's the other side of the story,

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<v Speaker 1>Because you always had to have Muhler's explanation. You have

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<v Speaker 1>to have Scullies explanation, and many times you'd have to

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<v Speaker 1>have an explanation was down the middle. So it was

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<v Speaker 1>the X Files and having to write for Scully that

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<v Speaker 1>I started getting a little more grounded, a little more skeptical. Movies, books,

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<v Speaker 1>and television shows that are inspired by or reference purported

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<v Speaker 1>actual events make a claim on some relation to reality.

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<v Speaker 1>When shows are prefaced by, based on a true story,

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<v Speaker 1>or inspired by actual events, the implication for the audience

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<v Speaker 1>is that what they are consuming is not mere fiction.

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<v Speaker 1>It is given a stamp of some sort of factual legitimacy.

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<v Speaker 1>In a note to open The Da Vinci Code, Dan

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<v Speaker 1>Brown famously wrote that while the characters and plot of

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<v Speaker 1>the book were fiction, the history it referenced was factual.

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<v Speaker 1>This was, to put it mildly, a ratch. Carter had

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<v Speaker 1>to contend with how close he wanted to hue to

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<v Speaker 1>actual cases and the stories that were out there. When

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<v Speaker 1>we first started this show, there was something interesting that happened.

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<v Speaker 1>Fox had bought my pitch, they had liked my outline,

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<v Speaker 1>they had liked the pilot script. We had begun casting,

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<v Speaker 1>and we had filmed the pilot. We had shown the

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<v Speaker 1>pilot to the network. They were very happy with it,

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<v Speaker 1>but they wanted me to put a disclaimer up before

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<v Speaker 1>the show, saying that for the viewer that these are

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<v Speaker 1>all based on actual events. It was as if we

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<v Speaker 1>were creating a kind of documentary in the network's mind

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<v Speaker 1>for the pilot episode. I went along with it, but

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<v Speaker 1>then it's like, I realized that's not what the show is.

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<v Speaker 1>I was trying to create a sense of awe and

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<v Speaker 1>the idea that science doesn't have all the answers, and

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<v Speaker 1>that religion doesn't have all the ans ers, and that

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<v Speaker 1>there are things beyond the pale. I liked all that,

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<v Speaker 1>but I also have to say I come at this

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<v Speaker 1>from more Scully side than Moulder's side, with a science bias.

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<v Speaker 1>I really have a kind of prove it to me philosophy,

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<v Speaker 1>and so really it was me. The thesis was my

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<v Speaker 1>own troubled perspective on what is true and what is not.

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<v Speaker 1>While there were more episodes that were not concerned with UFOs,

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<v Speaker 1>the mythology is what many people associate with the show.

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<v Speaker 1>The X Files did pull from the line of UFO

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<v Speaker 1>folklore that we've been examining centered around government conspiracy and

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<v Speaker 1>cover ups, but it also took from another strain of

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<v Speaker 1>UFO folklore, alien abductions. We looked at alien abductions in

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<v Speaker 1>Season one of Strange Arrivals, and the X Files was

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<v Speaker 1>created during the late evolutionary phase of that narrative. For

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<v Speaker 1>Carter his collaborators, this was the cutting edge of UFO

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<v Speaker 1>studies at the time. There were two things I've been

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<v Speaker 1>reading about UFOs and alien abductions. But also I was

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<v Speaker 1>given just my chance a survey called the Roper Survey,

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<v Speaker 1>which was done by Dr John Mack, who, in the

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<v Speaker 1>UFO afficionado will know well. Mac was a highly regarded

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<v Speaker 1>professor of psychology at Harvard who came to believe, along

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<v Speaker 1>with Bud Hopkins and David Jacobs, that hundreds of thousands,

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<v Speaker 1>if not millions, of people had been abducted by aliens.

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<v Speaker 1>Back to the Roper Survey, and it said that millions

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<v Speaker 1>of Americans believed in the UFO phenomenon, some millions less

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<v Speaker 1>believed they had actually seen a UFO, some millions less

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<v Speaker 1>believed they had had contact, but that there was interest

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<v Speaker 1>in the phenomenon. And so I thought the first thing,

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<v Speaker 1>and I would like to do is play with that

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<v Speaker 1>in a personal way Molder, making moulder sister an abductee,

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<v Speaker 1>which is what his entry was into the world of

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<v Speaker 1>the paranormal. I had kind of three go to guys

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<v Speaker 1>was Dr John mac David Jacobs and Bud Hopkins. Those

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<v Speaker 1>were the three people that I read mostly and I

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<v Speaker 1>had I really developed my sense of all things UFOs

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<v Speaker 1>and abductions through reading their books. This is Carol Rainey

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<v Speaker 1>Bud Hopkins ex wife and former research partner, talking about

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<v Speaker 1>how Hopkins changed the alien abduction narrative from what had

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<v Speaker 1>been developed over more than two decades, starting with the

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<v Speaker 1>alleged abduction of Betty and Barney Hill in the mountains

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<v Speaker 1>of New Hampshire. He is writing added to it was

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<v Speaker 1>that nobody was safe anywhere, that aliens could enter your

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<v Speaker 1>bedroom at night, coming straight through the walls, coming through

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<v Speaker 1>the windows. I mean his view of alien beings in

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<v Speaker 1>the world was that they were godlike. Really they I

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<v Speaker 1>mean ordinary physics did not prohibit them from doing whatever

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<v Speaker 1>they wanted to do to take advantage of people's helplessness,

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<v Speaker 1>and they were the abductees were used in Budd's thought

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<v Speaker 1>in the same way that we observe, you know, wolves

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<v Speaker 1>out on the in the wild, and we experimented on

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<v Speaker 1>them to some degree from afar, and that's what he

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<v Speaker 1>felt the aliens were doing to us. They might put

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<v Speaker 1>tracking devices in us, what's called an implant these days.

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<v Speaker 1>And you know, many of his people came up with

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<v Speaker 1>those implants, partly to add credence to Bud's narrative and

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<v Speaker 1>because that was the story that was becoming increasingly popular

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<v Speaker 1>in mainstream media during the nineteen eighties and nineties. Carter

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<v Speaker 1>had established that a key point in the X Files

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<v Speaker 1>mythology would be that Mulder's sister was abducted by aliens,

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<v Speaker 1>and he had taken the Hopkins mac Jacobs books as

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<v Speaker 1>the source material for alien abductions. So the question was

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<v Speaker 1>how to portray the actual events in the show? How

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<v Speaker 1>is she gonna be abducted? I think we start with

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<v Speaker 1>a lot of what the accepted mif was that it

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<v Speaker 1>was at night, that there was a bright light. You know,

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<v Speaker 1>it's it's real monster movie stuff, really the mythology, and

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<v Speaker 1>then you go, well, people know what it is by

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<v Speaker 1>now because of the Hills story that you know, that

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<v Speaker 1>was a movie of the week. This was the made

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<v Speaker 1>for TV movie. The UFO incident about the Betty and

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<v Speaker 1>Barney Hill story and then Close Encounters is like so huge.

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<v Speaker 1>Everybody knew, you know, the the Barry being abducted is

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<v Speaker 1>just one of the great scenes. And so and what

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<v Speaker 1>can we do different? And you had read some things

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<v Speaker 1>where people had been taken out their window, or so, well,

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<v Speaker 1>let's do that, or let's make something up. How can

0:15:33.440 --> 0:15:37.360
<v Speaker 1>we make it fresh? And it's here that the writer's

0:15:37.400 --> 0:15:40.520
<v Speaker 1>creativity pulled the story a little bit away from the

0:15:40.560 --> 0:15:44.920
<v Speaker 1>abduction narratives that had served as their source material. And

0:15:44.960 --> 0:15:48.720
<v Speaker 1>I think actually that's where the damage to the mythology,

0:15:48.840 --> 0:15:51.880
<v Speaker 1>because you made stuff up because you needed to have

0:15:52.000 --> 0:15:55.520
<v Speaker 1>something different for a TV show. And so people who

0:15:55.560 --> 0:15:59.480
<v Speaker 1>saw this episode came away with a slightly different conception

0:15:59.600 --> 0:16:02.080
<v Speaker 1>of an abduction that had been in the books at

0:16:02.080 --> 0:16:07.760
<v Speaker 1>the time, and the folklore subtly changed. The childhood abduction

0:16:07.800 --> 0:16:10.880
<v Speaker 1>of Molder sister is the er moment of his obsession

0:16:10.920 --> 0:16:16.080
<v Speaker 1>with UFOs. From that event, Carter Morgan and the other

0:16:16.120 --> 0:16:20.760
<v Speaker 1>writers built out the X Files mythology. I had what

0:16:20.880 --> 0:16:25.480
<v Speaker 1>I would consider to be the kind of foundation of

0:16:25.520 --> 0:16:28.480
<v Speaker 1>the mythology that was based in things that anybody could

0:16:28.520 --> 0:16:32.560
<v Speaker 1>read about alien abductions and kind of classic scoopmark stars,

0:16:32.600 --> 0:16:36.000
<v Speaker 1>the triangular shapes, it kind of shape that appeared on

0:16:36.040 --> 0:16:39.840
<v Speaker 1>Scully's back and the pilot episode. So I had the

0:16:40.120 --> 0:16:44.160
<v Speaker 1>ideas that I had taken from all of the accumulated

0:16:44.480 --> 0:16:49.960
<v Speaker 1>science and background on alien abductions, and I created a

0:16:50.000 --> 0:16:54.600
<v Speaker 1>world with the episode. Actually, if you watch the first

0:16:54.600 --> 0:16:57.760
<v Speaker 1>and second episode of The X Files and the season finale,

0:16:57.800 --> 0:17:00.600
<v Speaker 1>which is called the erlen Mere Flash, you really get

0:17:00.640 --> 0:17:06.119
<v Speaker 1>a foundational view of the X Files mythology that was

0:17:06.359 --> 0:17:11.159
<v Speaker 1>established by Chris. You know that Maulder's sister had been abducted,

0:17:11.320 --> 0:17:15.000
<v Speaker 1>and what the background was with Malder, you know. And

0:17:15.040 --> 0:17:17.840
<v Speaker 1>I think those are things that you you have and

0:17:17.880 --> 0:17:20.320
<v Speaker 1>when you're selling a pilot, especially back in those days,

0:17:21.040 --> 0:17:25.200
<v Speaker 1>it's just kind of red meat for executives. And and

0:17:25.240 --> 0:17:27.280
<v Speaker 1>then you get in a room. Nowadays you have to

0:17:27.320 --> 0:17:29.760
<v Speaker 1>have the whole show figured out for five years. But

0:17:29.880 --> 0:17:31.719
<v Speaker 1>back then you gave a piece of paper and this

0:17:31.760 --> 0:17:35.440
<v Speaker 1>is what six episodes we could do, and they okay,

0:17:36.119 --> 0:17:38.399
<v Speaker 1>So it just becomes a process of sitting down and

0:17:38.440 --> 0:17:43.360
<v Speaker 1>going what can it be. Well, we're gonna introduce a

0:17:43.400 --> 0:17:47.040
<v Speaker 1>government conspiracy deep background. So you bring a deep Throat,

0:17:47.920 --> 0:17:51.959
<v Speaker 1>you bring up more UFO stuff. The conspiracy is a

0:17:51.960 --> 0:17:56.400
<v Speaker 1>critical part of the mythology, and in follows iconic characters

0:17:56.440 --> 0:18:00.480
<v Speaker 1>such as the Smoking Man, Deep Throat and the government

0:18:00.520 --> 0:18:04.760
<v Speaker 1>agent Alex Krycheck. I've always been interested in conspiracies, I

0:18:04.800 --> 0:18:07.160
<v Speaker 1>think because I was a child of the Watergate era.

0:18:07.880 --> 0:18:11.440
<v Speaker 1>You know, I was a disbeliever in what our government

0:18:11.520 --> 0:18:14.480
<v Speaker 1>was telling us, and they believer that they were keeping

0:18:14.520 --> 0:18:17.560
<v Speaker 1>things from us. So they fit in perfect with the

0:18:17.640 --> 0:18:21.800
<v Speaker 1>UFO literature, which is all about government, you know, black budget,

0:18:22.119 --> 0:18:26.919
<v Speaker 1>secret operations, and all the reasons there are for the

0:18:27.000 --> 0:18:31.600
<v Speaker 1>government to keep the truth about extraterrestrial life from the

0:18:31.600 --> 0:18:34.960
<v Speaker 1>American public and those who you know, things that are

0:18:35.520 --> 0:18:40.359
<v Speaker 1>you know, scientific, cultural, religious. Uh, it would upend a

0:18:40.359 --> 0:18:45.720
<v Speaker 1>lot of the institutions in society. There's this idea that

0:18:45.880 --> 0:18:49.600
<v Speaker 1>the government has been keeping all this stuff quiet secret

0:18:49.720 --> 0:18:54.080
<v Speaker 1>for their own purposes, and that one day somebody will

0:18:54.080 --> 0:18:56.879
<v Speaker 1>get them to disclose, or there will be reason to

0:18:56.960 --> 0:19:00.320
<v Speaker 1>disclose the truth. I think that's where the Expiles mythology

0:19:00.359 --> 0:19:05.520
<v Speaker 1>took flight from the accepted X Files mythology, and so

0:19:05.840 --> 0:19:11.719
<v Speaker 1>we were imagining the world before disclosure and modern Scully

0:19:11.760 --> 0:19:16.679
<v Speaker 1>as the people seeking to learn the truth. Of course,

0:19:16.960 --> 0:19:20.119
<v Speaker 1>the best laid plans and all of that. No matter

0:19:20.160 --> 0:19:23.720
<v Speaker 1>the amount of planning in foresight, there's always the potential

0:19:23.840 --> 0:19:28.640
<v Speaker 1>for circumstances beyond the creator's control to complicate things. If

0:19:28.640 --> 0:19:30.440
<v Speaker 1>you look at it the first year, there wasn't a

0:19:30.480 --> 0:19:32.879
<v Speaker 1>lot of mythology. I think on the twenty two episodes

0:19:33.400 --> 0:19:38.159
<v Speaker 1>five maybe it wasn't a conscious thing. And January of

0:19:38.160 --> 0:19:41.480
<v Speaker 1>the first season, Jillian became pregnant, so she was going

0:19:41.560 --> 0:19:45.040
<v Speaker 1>to have her baby in September, and so that was like, well,

0:19:45.080 --> 0:19:47.320
<v Speaker 1>she wasn't gonna be able to work on the first

0:19:47.359 --> 0:19:50.040
<v Speaker 1>few episodes that we were filming for a year two.

0:19:50.400 --> 0:19:53.040
<v Speaker 1>We scrambled because we didn't know what to do, how

0:19:53.119 --> 0:19:55.280
<v Speaker 1>to if she was going to be pregnant for the

0:19:55.320 --> 0:19:57.920
<v Speaker 1>whole first part of the second season, how we were

0:19:57.920 --> 0:20:01.280
<v Speaker 1>going to do modern Scully. And we figured I had

0:20:01.359 --> 0:20:04.440
<v Speaker 1>a clever way to do that, a way that actually

0:20:04.520 --> 0:20:07.800
<v Speaker 1>played into the larger storyline. But I actually had a

0:20:07.840 --> 0:20:10.080
<v Speaker 1>network executive saying, I mean, you've gotta get rid of

0:20:10.080 --> 0:20:12.720
<v Speaker 1>her in no uncertain terms, and so you have to

0:20:12.800 --> 0:20:16.360
<v Speaker 1>fight against that. You know, you can't establish these two

0:20:16.440 --> 0:20:19.760
<v Speaker 1>characters and then just break him up because he uh

0:20:20.200 --> 0:20:24.560
<v Speaker 1>doesn't want a pregnant woman working on the show. And

0:20:24.600 --> 0:20:27.639
<v Speaker 1>so we all came up with like Skully's gonna disappear,

0:20:28.840 --> 0:20:32.680
<v Speaker 1>and that really began the mythology, the need to tell

0:20:32.760 --> 0:20:36.720
<v Speaker 1>multiple stories near the end of the first year. We

0:20:36.840 --> 0:20:40.720
<v Speaker 1>never set out to be the serialized show. There was

0:20:40.800 --> 0:20:44.280
<v Speaker 1>necessity due to Jillian's pregnancy that we sort of shaped

0:20:44.320 --> 0:20:46.400
<v Speaker 1>it in the end of the first year to go

0:20:46.440 --> 0:20:48.720
<v Speaker 1>into her disappearing for the first few episodes. In the

0:20:48.760 --> 0:21:07.600
<v Speaker 1>second year, strange arrivals will return after the break. During

0:21:07.640 --> 0:21:11.280
<v Speaker 1>our conversation, Glenn Morrigan told me about one of the

0:21:11.359 --> 0:21:14.760
<v Speaker 1>Monster of the Week episodes that he wrote, and talked

0:21:14.760 --> 0:21:18.040
<v Speaker 1>about how a fictitious story seeing on a television show

0:21:18.480 --> 0:21:22.840
<v Speaker 1>could come to enter people's consciousness as something real. It's

0:21:22.880 --> 0:21:27.760
<v Speaker 1>an example of the larger folklore producing dynamic of popular culture.

0:21:28.920 --> 0:21:31.480
<v Speaker 1>I would get a publication every Monday. It was called

0:21:31.480 --> 0:21:34.560
<v Speaker 1>Science News. It was really a pamphlet, no more than

0:21:34.600 --> 0:21:39.560
<v Speaker 1>ten pages of findings in the world of science that week.

0:21:39.800 --> 0:21:41.760
<v Speaker 1>And so, for example, one week I saw they had

0:21:41.760 --> 0:21:44.520
<v Speaker 1>an article that I think they've broken the record for

0:21:44.680 --> 0:21:47.600
<v Speaker 1>drilling into the greenland ice cores I don't remember a

0:21:47.600 --> 0:21:51.639
<v Speaker 1>mile or whatever. And they pulled out this stuff that

0:21:51.720 --> 0:21:54.080
<v Speaker 1>had not seen the light of day for two fifty

0:21:54.119 --> 0:21:58.200
<v Speaker 1>thousand years. That had just happened. That was a fact.

0:21:59.000 --> 0:22:01.520
<v Speaker 1>And then I go, well, what could be in there?

0:22:02.320 --> 0:22:06.120
<v Speaker 1>What could be in that two? It's like, okay, it's

0:22:06.119 --> 0:22:10.360
<v Speaker 1>a creepy show. What's creepy? Like? I find worms, creepy worms, snakes,

0:22:10.440 --> 0:22:12.760
<v Speaker 1>they don't have arms, they have too many arms, like

0:22:12.760 --> 0:22:14.760
<v Speaker 1>a millipede. Forget it. I don't want to near me.

0:22:14.800 --> 0:22:17.479
<v Speaker 1>And so I'm like, okay, oh, there's these worms. And

0:22:17.520 --> 0:22:21.760
<v Speaker 1>then without two years of evolution, what would that do

0:22:21.840 --> 0:22:24.119
<v Speaker 1>to us? And then that part I would make up.

0:22:24.359 --> 0:22:25.959
<v Speaker 1>I don't remember what it was. It gets into your

0:22:26.000 --> 0:22:28.280
<v Speaker 1>brain and makes you paranoid or some stuff like that.

0:22:28.480 --> 0:22:31.320
<v Speaker 1>So that's how you make an next him. You take

0:22:31.359 --> 0:22:35.720
<v Speaker 1>that science truth and another truth and you try to

0:22:35.720 --> 0:22:40.720
<v Speaker 1>fit them together by making stuff up. Inevitably, people would

0:22:40.720 --> 0:22:43.560
<v Speaker 1>go I read about worms and make it crazy, and

0:22:43.600 --> 0:22:46.639
<v Speaker 1>I'd say, no, no, I made that up, and they no, no, no,

0:22:46.680 --> 0:22:48.840
<v Speaker 1>I read that in a nastro geographic like I know

0:22:48.920 --> 0:22:51.320
<v Speaker 1>you didn't because I made it up. It isn't even

0:22:51.320 --> 0:22:53.439
<v Speaker 1>a thing. It lodged in my head, I just flat

0:22:53.440 --> 0:22:56.640
<v Speaker 1>out made it up. And it always fascinated me how

0:22:56.680 --> 0:23:00.520
<v Speaker 1>often people would say not I read about the ice

0:23:00.840 --> 0:23:05.800
<v Speaker 1>or from Greenland, or the evolutionary traits of these worms.

0:23:06.200 --> 0:23:08.760
<v Speaker 1>I heard about the stuff you made up, and it's true.

0:23:09.119 --> 0:23:12.880
<v Speaker 1>And so when I look at these abduction myths, where

0:23:12.920 --> 0:23:15.480
<v Speaker 1>some of the conspiracy theories that are floating around now

0:23:15.840 --> 0:23:19.600
<v Speaker 1>you can see where there's both that are people are

0:23:19.640 --> 0:23:22.320
<v Speaker 1>believing in fact. There's an X Files where a deep

0:23:22.359 --> 0:23:28.120
<v Speaker 1>throat specifically says a lie is the best delivered sandwich

0:23:28.200 --> 0:23:30.480
<v Speaker 1>between two truths, and I just I'm sure I didn't

0:23:30.480 --> 0:23:33.240
<v Speaker 1>make that up, but that's to me, I always thought

0:23:33.240 --> 0:23:37.240
<v Speaker 1>the best way to go about the mythology. So if

0:23:37.960 --> 0:23:42.800
<v Speaker 1>you know that aliens come at night, and you might

0:23:42.800 --> 0:23:45.920
<v Speaker 1>take some other scientific fact the position of the moon

0:23:46.040 --> 0:23:48.919
<v Speaker 1>or something and make something up, that's that's how you

0:23:48.920 --> 0:23:50.760
<v Speaker 1>did it. That's how I went about it, and I

0:23:50.840 --> 0:23:57.840
<v Speaker 1>see that approach and other myths contemporary. There have been

0:23:57.880 --> 0:24:00.879
<v Speaker 1>other shows that focus more directly on the themes that

0:24:00.920 --> 0:24:05.040
<v Speaker 1>we've been looking at during this season. The History Channel,

0:24:05.119 --> 0:24:08.960
<v Speaker 1>for instance, has a show called Project Blue Book, which

0:24:09.000 --> 0:24:12.440
<v Speaker 1>features a more action ready version of Alan Heinek leading

0:24:12.560 --> 0:24:18.040
<v Speaker 1>UFO investigations. Another show focusing on a highly fictionalized blue

0:24:18.040 --> 0:24:22.640
<v Speaker 1>book style program was Dark Skies, which ran on NBC.

0:24:22.760 --> 0:24:29.359
<v Speaker 1>In its tagline was history as we know It is

0:24:29.400 --> 0:24:33.760
<v Speaker 1>a lie. The show was launched based on the popularity

0:24:33.800 --> 0:24:37.320
<v Speaker 1>of the X Files. It was created by Brent Friedman

0:24:37.520 --> 0:24:41.760
<v Speaker 1>and Bryce Sable. Zabel in particular, is active in the

0:24:41.880 --> 0:24:45.600
<v Speaker 1>UFO scene. I think in the case of Bryce especially,

0:24:45.640 --> 0:24:48.640
<v Speaker 1>but Brent as well, uthology was something that very much

0:24:48.680 --> 0:24:52.200
<v Speaker 1>interested them. And I think that between the two of them,

0:24:52.320 --> 0:24:54.399
<v Speaker 1>and Bryce having done a lot of the table reading

0:24:54.440 --> 0:24:56.880
<v Speaker 1>as it were, and Brent having had one or two

0:24:56.920 --> 0:25:00.200
<v Speaker 1>experiences that he was, that between them, they and it

0:25:00.240 --> 0:25:02.359
<v Speaker 1>came together and figured out this is what they wanted

0:25:02.359 --> 0:25:06.119
<v Speaker 1>to do. I'm Matthew Cressell. I'm the author of the

0:25:06.200 --> 0:25:10.920
<v Speaker 1>Silver Archive Dark Skies on the television series from the

0:25:11.000 --> 0:25:15.440
<v Speaker 1>ninet nineties at the same name. The series follows two agents,

0:25:16.040 --> 0:25:20.159
<v Speaker 1>John Loane Guard and Kim Sayers as they investigate and

0:25:20.200 --> 0:25:24.120
<v Speaker 1>try to foil the activities of the Hive, an alien

0:25:24.240 --> 0:25:28.720
<v Speaker 1>race already among us. The government knows about the aliens

0:25:29.119 --> 0:25:31.720
<v Speaker 1>and is involved in a massive cover up to hide

0:25:31.760 --> 0:25:34.560
<v Speaker 1>from the public their presence and the fact that we

0:25:34.600 --> 0:25:38.879
<v Speaker 1>are actually fighting a kind of covert war against them.

0:25:38.920 --> 0:25:43.120
<v Speaker 1>The show presents an alternative history, with major events such

0:25:43.119 --> 0:25:47.080
<v Speaker 1>as the Kennedy assassination the result of actions taken by

0:25:47.119 --> 0:25:53.119
<v Speaker 1>the Hive. The series begins, perhaps not surprisingly with Roswell.

0:25:54.000 --> 0:25:56.840
<v Speaker 1>Obviously Roswell is the big one, but you know, Roswell

0:25:57.119 --> 0:26:00.720
<v Speaker 1>is uthologies, Jack the Ripper. It's this big thing that

0:26:01.000 --> 0:26:04.240
<v Speaker 1>everybody knows what it is. You can say just that

0:26:04.320 --> 0:26:06.520
<v Speaker 1>word and it evokes imagery. You know, if you say

0:26:06.600 --> 0:26:09.040
<v Speaker 1>Jack the Ripper, people are gonna think, you know, fog

0:26:09.040 --> 0:26:13.320
<v Speaker 1>shrouded London streets, guy walking through the shadows. You say Roswell,

0:26:13.480 --> 0:26:18.480
<v Speaker 1>people think soldiers in the desert, crashed flying saucer, little

0:26:18.520 --> 0:26:22.880
<v Speaker 1>gray aliens thrown across the ground, weird debris. So it's

0:26:23.000 --> 0:26:27.160
<v Speaker 1>I think if you're going to write anything since we'll

0:26:27.200 --> 0:26:29.760
<v Speaker 1>say probably the mid eighties that deals with the UFO

0:26:29.840 --> 0:26:32.679
<v Speaker 1>topic in a big way, Roswell is going to be

0:26:32.680 --> 0:26:35.800
<v Speaker 1>your touchstone. I think what Bryce and Brent do that's

0:26:35.840 --> 0:26:38.840
<v Speaker 1>interesting with Roswell in terms of what Dark Skies does

0:26:38.920 --> 0:26:41.680
<v Speaker 1>with it, is it becomes the starting point of sorts

0:26:41.760 --> 0:26:45.000
<v Speaker 1>for their history in sort of engaging with the phenomenon.

0:26:45.480 --> 0:26:47.960
<v Speaker 1>The other thing that Dark Skies does it's interesting with

0:26:48.040 --> 0:26:50.880
<v Speaker 1>Roswell is in a couple of episodes it brings Jesse

0:26:51.040 --> 0:26:56.000
<v Speaker 1>Marcel It as a supporting character. Remember, Marceau was the

0:26:56.080 --> 0:26:59.359
<v Speaker 1>major at Roswell Army Air Force Base who went to

0:26:59.440 --> 0:27:02.879
<v Speaker 1>mac brown Ussele's ranch and was later photographed with the

0:27:02.960 --> 0:27:07.639
<v Speaker 1>debris he found there. In the nineteen seventies, he was

0:27:07.680 --> 0:27:12.240
<v Speaker 1>tracked down by UFO researcher Stanton Friedman and by then

0:27:12.320 --> 0:27:16.119
<v Speaker 1>his story had changed. It became the foundation for the

0:27:16.240 --> 0:27:20.080
<v Speaker 1>new Roswell narrative that emerged in the late nineteen seventies

0:27:20.160 --> 0:27:24.560
<v Speaker 1>in early nineteen eighties and that continues to evolve today.

0:27:25.040 --> 0:27:27.480
<v Speaker 1>They turned him into a supporting character, which is really

0:27:27.520 --> 0:27:31.040
<v Speaker 1>interesting for them to do. So they used Roswell and

0:27:31.119 --> 0:27:33.280
<v Speaker 1>him to sort of set it up. But it's almost

0:27:33.280 --> 0:27:36.200
<v Speaker 1>in some ways the original sin of the series. It's

0:27:36.240 --> 0:27:40.320
<v Speaker 1>at this point that Freedman and zabels alternate history diverges

0:27:40.400 --> 0:27:43.560
<v Speaker 1>from the one we know. It's made everything wrong in

0:27:43.560 --> 0:27:45.880
<v Speaker 1>that in some respects, at least at the beginning, John

0:27:45.920 --> 0:27:48.920
<v Speaker 1>loewen Gard and Kim Sayers are trying to set right.

0:27:49.040 --> 0:27:51.720
<v Speaker 1>Is bringing this out to the world Roswell is just

0:27:51.840 --> 0:27:55.119
<v Speaker 1>one tiny part of the UFO mythos that Dark Sky's

0:27:55.160 --> 0:27:58.520
<v Speaker 1>the sides they're going to run with. Another aspect of

0:27:58.560 --> 0:28:01.719
<v Speaker 1>the folklore we've looked at that Dark Skies picks up

0:28:01.880 --> 0:28:05.399
<v Speaker 1>is Majestic twelve, and while the show retains m J.

0:28:05.560 --> 0:28:09.520
<v Speaker 1>Twelves role as the deeply mysterious keepers of the UFO secrets,

0:28:10.119 --> 0:28:15.480
<v Speaker 1>it also takes artistic license. Here's Matthew Krazel talking about

0:28:15.480 --> 0:28:19.719
<v Speaker 1>how the show portrays the Majestic twelve. What Dark Skies

0:28:19.800 --> 0:28:22.280
<v Speaker 1>does is interesting with that is, not only are they

0:28:22.359 --> 0:28:26.040
<v Speaker 1>the ones covering everything up, they're at the soldiers on

0:28:26.119 --> 0:28:29.479
<v Speaker 1>the front line fighting the secret war. So they're not

0:28:29.760 --> 0:28:33.960
<v Speaker 1>so much a group of twelve guys sitting in a

0:28:34.000 --> 0:28:37.440
<v Speaker 1>shadowy boardroom somewhere, smoking on their pipes and puffing away

0:28:37.480 --> 0:28:41.480
<v Speaker 1>on cigars. They're the ones controlling the generals and what not,

0:28:41.680 --> 0:28:46.480
<v Speaker 1>fighting this whole secret war. They become the if you

0:28:46.520 --> 0:28:48.520
<v Speaker 1>want to use the term for TV tropes, there, the

0:28:48.560 --> 0:28:52.400
<v Speaker 1>sinister government agency, rather than just being these guys in

0:28:52.440 --> 0:28:56.400
<v Speaker 1>the boardroom, and that's certainly something that separates them, the

0:28:56.440 --> 0:28:59.120
<v Speaker 1>Majestic Twelve of Dark Skies from the Syndicate. For example,

0:28:59.200 --> 0:29:03.080
<v Speaker 1>of the X file us. Friedman and Zabel are also

0:29:03.240 --> 0:29:06.800
<v Speaker 1>much more specific in their references to the UFO folklore.

0:29:07.880 --> 0:29:11.600
<v Speaker 1>One such instance involves a callback to UFO Cover Up Live,

0:29:12.040 --> 0:29:15.280
<v Speaker 1>which we looked at in the last episode. As a

0:29:15.320 --> 0:29:19.120
<v Speaker 1>side note, it's interesting that Kruszel identifies Falcon from the

0:29:19.160 --> 0:29:23.480
<v Speaker 1>show as Doughty. Remember Doughty denies that he was on

0:29:23.520 --> 0:29:28.440
<v Speaker 1>this show anyway. There's a particular reference that Doughty makes

0:29:28.640 --> 0:29:32.840
<v Speaker 1>when he's on UFO Cover Up Live in talking about

0:29:32.840 --> 0:29:35.880
<v Speaker 1>the alien who's a supuzzling an Area fifty one who

0:29:35.960 --> 0:29:40.400
<v Speaker 1>likes strawberry ice cream and listening to Buddhist chance aliens

0:29:40.520 --> 0:29:48.720
<v Speaker 1>enjoyed music, all types of music, especially ancient Tibetan style music.

0:29:49.480 --> 0:29:54.640
<v Speaker 1>And you eat vegetables, they might vegetables, and your favorite

0:29:54.840 --> 0:30:02.840
<v Speaker 1>fish or snack is ice cream, especially strawberry. And there's

0:30:02.880 --> 0:30:05.720
<v Speaker 1>an episode Late and Dark Skies where they've captured one

0:30:05.720 --> 0:30:08.360
<v Speaker 1>of the Grays and the Gray has a craving for

0:30:08.400 --> 0:30:10.840
<v Speaker 1>strawberry ice cream, and one of the characters makes a

0:30:10.840 --> 0:30:15.000
<v Speaker 1>comment about how strange that is. It becomes an almost

0:30:15.000 --> 0:30:17.120
<v Speaker 1>in a way, it becomes a very kind of meta

0:30:17.760 --> 0:30:21.160
<v Speaker 1>in that kind of postmodern way that you know, everything

0:30:21.240 --> 0:30:26.280
<v Speaker 1>is influencing everything. Dark Skies was canceled after just one

0:30:26.440 --> 0:30:31.400
<v Speaker 1>of an anticipated five seasons. It didn't achieve the ratings

0:30:31.480 --> 0:30:34.520
<v Speaker 1>or cultural haft of The X Files, but it was

0:30:34.560 --> 0:30:38.040
<v Speaker 1>a primetime network show and it did put these concepts

0:30:38.040 --> 0:30:41.680
<v Speaker 1>and themes in front of a mainstream audience. Things like

0:30:41.800 --> 0:30:46.200
<v Speaker 1>Dark Skies make great entertainment, don't get me wrong, but

0:30:46.360 --> 0:30:49.440
<v Speaker 1>I think that they add to in a weird way,

0:30:49.480 --> 0:30:52.720
<v Speaker 1>add to the mudding of the waters in that once

0:30:52.760 --> 0:30:55.920
<v Speaker 1>it enters the pop culture consciousness. You know, if you

0:30:56.040 --> 0:30:59.680
<v Speaker 1>say Area fifty one to somebody, they're gonna think, you know,

0:31:00.040 --> 0:31:04.680
<v Speaker 1>lying Saucers UFOs. Same thing if you mentioned Dulcie Bass

0:31:04.840 --> 0:31:08.520
<v Speaker 1>or Roswell, for example, And it becomes almost in a way,

0:31:08.560 --> 0:31:11.720
<v Speaker 1>sort of an agent for putting those ideas out there.

0:31:12.200 --> 0:31:15.360
<v Speaker 1>And I don't think necessarily through in that case, through

0:31:15.400 --> 0:31:18.920
<v Speaker 1>any kind of deliberate act on anybody's part. It's just

0:31:19.040 --> 0:31:21.720
<v Speaker 1>something that's in the ether and it's out there. It's

0:31:21.720 --> 0:31:23.920
<v Speaker 1>an idea that's just waiting for somebody to come and

0:31:23.960 --> 0:31:26.960
<v Speaker 1>pick it up and run with it. Robbie Graham and

0:31:27.080 --> 0:31:30.880
<v Speaker 1>his books Over Screen Saucers talks about hypernormalization and the

0:31:30.960 --> 0:31:35.320
<v Speaker 1>idea that you things become the brain becomes so stimulated.

0:31:35.360 --> 0:31:37.280
<v Speaker 1>The idea of the basic idea of it is that

0:31:37.280 --> 0:31:42.680
<v Speaker 1>that the brain can't tell reality from perception. Perception becomes reality,

0:31:42.680 --> 0:31:44.600
<v Speaker 1>and you can't tell fact from fiction. And I think

0:31:44.600 --> 0:31:49.640
<v Speaker 1>that that is a great descriptor for where uthology stands today.

0:31:52.280 --> 0:31:57.880
<v Speaker 1>The X Files peaked in the Nielsen ratings at number nineteen.

0:31:59.120 --> 0:32:03.240
<v Speaker 1>Shows above them included the blockbusters Seinfeld and e R

0:32:04.000 --> 0:32:08.320
<v Speaker 1>in decades long franchises like Monday Night Football, Sixty Minutes

0:32:08.680 --> 0:32:14.640
<v Speaker 1>and Dateline NBC. The group also includes the show's Veronica's Closet,

0:32:15.280 --> 0:32:20.720
<v Speaker 1>Union Square, and Just Shoot Me. Much like Star Trek,

0:32:21.160 --> 0:32:24.720
<v Speaker 1>the X Files reach has extended well beyond its initial run,

0:32:25.160 --> 0:32:27.560
<v Speaker 1>and it has become a shorthand for interest in the

0:32:27.640 --> 0:32:33.360
<v Speaker 1>paranormal and in particular UFOs. Think about the poster in

0:32:33.480 --> 0:32:36.640
<v Speaker 1>Molder's office with a photo of a flying saucer and

0:32:36.720 --> 0:32:41.160
<v Speaker 1>the message I want to believe, the phrases the truth

0:32:41.280 --> 0:32:45.920
<v Speaker 1>is out there and trust no one. Even the distinctive

0:32:46.000 --> 0:32:50.400
<v Speaker 1>theme music signals UFOs. What makes the X Files so

0:32:50.640 --> 0:32:54.840
<v Speaker 1>iconic certainly the quality of writing and acting in the

0:32:54.920 --> 0:32:58.720
<v Speaker 1>Molder and Scully partnership. But I think it also has

0:32:58.720 --> 0:33:00.600
<v Speaker 1>to do with the way they kept or a certain

0:33:00.720 --> 0:33:05.880
<v Speaker 1>nuance about the UFO myths in American culture, a combination

0:33:05.920 --> 0:33:08.960
<v Speaker 1>of conspiracy in the sense that while things can be

0:33:09.040 --> 0:33:12.920
<v Speaker 1>found out, they can't actually be known, and maybe things

0:33:12.960 --> 0:33:17.560
<v Speaker 1>aren't really in control. Even if you are a UFO skeptic,

0:33:18.240 --> 0:33:21.440
<v Speaker 1>it speaks to a narrative that makes sense, and because

0:33:21.480 --> 0:33:26.680
<v Speaker 1>it makes sense, it indoors. I think people look up

0:33:26.680 --> 0:33:29.480
<v Speaker 1>into the sky at night and wonder if the truth

0:33:29.560 --> 0:33:32.240
<v Speaker 1>is out there, if there are other civilizations. So it

0:33:32.320 --> 0:33:35.960
<v Speaker 1>has a kind of human component to it, and the

0:33:36.000 --> 0:33:41.080
<v Speaker 1>idea that the aliens have in many cases humanoid qualities,

0:33:41.120 --> 0:33:44.280
<v Speaker 1>and that they actually seem to have some steak and

0:33:44.400 --> 0:33:49.240
<v Speaker 1>humanity and they have some either good or bad purposes

0:33:49.280 --> 0:33:52.120
<v Speaker 1>for being here. It's our fear of the other that

0:33:52.280 --> 0:33:55.280
<v Speaker 1>is natural, and in this case, I think it's the

0:33:55.360 --> 0:33:59.440
<v Speaker 1>fear of a another that has either a good or

0:33:59.520 --> 0:34:04.000
<v Speaker 1>evil intent. What is the source of the fear that

0:34:04.080 --> 0:34:08.360
<v Speaker 1>finds its expression in Ufo folklore? Why does this story

0:34:08.440 --> 0:34:12.520
<v Speaker 1>continue to maintain public interest when other paranormal subjects have

0:34:12.640 --> 0:34:23.440
<v Speaker 1>ebbed in popularity. Next time on Strange Arrivals. Strange Arrivals

0:34:23.600 --> 0:34:26.040
<v Speaker 1>is a production of I Heart three D Audio and

0:34:26.080 --> 0:34:29.360
<v Speaker 1>Grimm and Mild from Aaron Mankey. This episode was written

0:34:29.360 --> 0:34:32.600
<v Speaker 1>and hosted by Toby Ball and produced by Miranda Hawkins

0:34:32.719 --> 0:34:37.040
<v Speaker 1>and Josh Thame, with executive producers Alex Williams, Matt Frederick,

0:34:37.360 --> 0:34:41.080
<v Speaker 1>and Aaron Mankey, and special thanks to Wendy Connors, creator

0:34:41.120 --> 0:34:44.680
<v Speaker 1>of the Faded Discs archive of UFO related audio on

0:34:44.880 --> 0:34:48.359
<v Speaker 1>archive dot org. Learn more about Strange Rivals over at

0:34:48.360 --> 0:34:52.239
<v Speaker 1>Grimm and Mild dot com, and find more podcasts from

0:34:52.239 --> 0:34:54.879
<v Speaker 1>my Heart Radio by visiting the I Heart Radio app,

0:34:55.239 --> 0:34:58.560
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

0:35:03.000 --> 0:35:03.360
<v Speaker 1>Step