1 00:00:00,200 --> 00:00:11,120 Speaker 1: It's with Jenny Garth and Tori Spelling. Oh boy, you guys, 2 00:00:11,680 --> 00:00:19,200 Speaker 1: Happy Monday. It's Monday. And guess what we're recording our 3 00:00:19,239 --> 00:00:22,720 Speaker 1: podcast today? It's live. This is basically live podcast. You 4 00:00:22,760 --> 00:00:25,000 Speaker 1: guys are hearing today. What are you seeing here? Is 5 00:00:25,079 --> 00:00:31,840 Speaker 1: what you get? Nine to one. Oh, and it's very early, 6 00:00:31,920 --> 00:00:35,800 Speaker 1: So we apologize because I think I might get goofy. 7 00:00:36,200 --> 00:00:39,000 Speaker 1: I know, I feel like I have those early morning jitters, 8 00:00:39,080 --> 00:00:40,879 Speaker 1: like right when you wake up for school and you're 9 00:00:40,920 --> 00:00:44,120 Speaker 1: just like all like chatting, like, I just want you 10 00:00:44,159 --> 00:00:45,960 Speaker 1: to know. It might be Monday, it might be a 11 00:00:46,040 --> 00:00:50,640 Speaker 1: little gloomy out, but we are here. Okay. Last week 12 00:00:50,720 --> 00:00:54,120 Speaker 1: we ended our show saying, please God, don't let the 13 00:00:54,120 --> 00:01:00,800 Speaker 1: next episode be Christmas already. And guess what it is? Well, 14 00:01:00,840 --> 00:01:04,720 Speaker 1: it's like almost Christmas. It's the Christmas episode though for 15 00:01:04,840 --> 00:01:08,800 Speaker 1: season three, right, this is it. This is the goofiest episode. 16 00:01:08,800 --> 00:01:10,800 Speaker 1: Oh my gosh, we're gonna to jump right in because 17 00:01:10,800 --> 00:01:13,600 Speaker 1: I can't stand it when you jump ahead and we 18 00:01:13,640 --> 00:01:16,440 Speaker 1: haven't even introduced it. It really bugs me to hold out. Okay, 19 00:01:16,480 --> 00:01:19,360 Speaker 1: I'm so sorry, because I have two major aunts. I'm 20 00:01:19,400 --> 00:01:22,680 Speaker 1: not gonna be able to keep them at Bay any longer? Okay? 21 00:01:22,880 --> 00:01:29,119 Speaker 1: Season three, episode sixteen, You Guys, It's a totally happening life, 22 00:01:29,200 --> 00:01:37,039 Speaker 1: air December. Synopsis to Guardian Angels, Clarence and Miriam narrate 23 00:01:37,120 --> 00:01:41,080 Speaker 1: the Christmas episode Andrean Brandon kiss. After j Brook's episode 24 00:01:41,080 --> 00:01:44,240 Speaker 1: Will Be a Letter, David decides to graduate early so 25 00:01:44,240 --> 00:01:46,959 Speaker 1: when he can move with Donna. The Word finds themselves 26 00:01:46,959 --> 00:01:50,480 Speaker 1: helping underprivileged kids in the end. Merry Christmas, you guys. 27 00:01:51,240 --> 00:01:56,040 Speaker 1: Directed by Richard Lang, Written by Karen Rosen and Charles Rosen. 28 00:01:56,800 --> 00:02:00,440 Speaker 1: What did you guys think of this? I was I 29 00:02:00,520 --> 00:02:04,960 Speaker 1: thought I was watching Morgan Mindy at first? Did you 30 00:02:05,080 --> 00:02:06,720 Speaker 1: did you feel like it was work and Mindy? We 31 00:02:06,840 --> 00:02:10,600 Speaker 1: just lost half our viewers. Morgan Mindy was a great 32 00:02:10,600 --> 00:02:14,600 Speaker 1: show about guy from space starring Robin Williams. For anybody 33 00:02:14,639 --> 00:02:19,080 Speaker 1: who doesn't know, it was super goofy. I'm not saying 34 00:02:19,080 --> 00:02:24,200 Speaker 1: I didn't like it, but it was really goofy. Yeah. WHOA. 35 00:02:24,760 --> 00:02:27,639 Speaker 1: Can you remember getting the script for this and being like, wait, what, 36 00:02:28,639 --> 00:02:30,519 Speaker 1: I don't remember getting the script for this? I think 37 00:02:31,919 --> 00:02:33,920 Speaker 1: I don't. I don't remember it at all. I just 38 00:02:34,200 --> 00:02:37,280 Speaker 1: remember that it was just about so weird watching it. 39 00:02:38,000 --> 00:02:42,160 Speaker 1: But I gotta say, I really, really, we really wanted 40 00:02:42,200 --> 00:02:45,880 Speaker 1: to hate it, but I loved it. I didn't hate 41 00:02:45,919 --> 00:02:51,360 Speaker 1: it all. You heard me, right, people? Oh my heart 42 00:02:51,400 --> 00:02:54,120 Speaker 1: grew Tori, did you I liked it? I did not 43 00:02:54,360 --> 00:02:57,600 Speaker 1: love it. No, I liked it. Well, that's that's better 44 00:02:57,600 --> 00:03:00,720 Speaker 1: than I thought was coming. Awesome, And a lot of 45 00:03:00,840 --> 00:03:04,680 Speaker 1: things happened in it for being so weird, A lot 46 00:03:04,720 --> 00:03:09,320 Speaker 1: of things happened like what like, I feel like some 47 00:03:09,560 --> 00:03:15,000 Speaker 1: major I just felly yeah stuff, and then David's stuff, 48 00:03:15,120 --> 00:03:20,360 Speaker 1: major David stuff, major Brandon stuff, major Andrea and Brandon stuff. 49 00:03:20,400 --> 00:03:24,399 Speaker 1: I mean, major stuff happened. But it just felt like 50 00:03:25,040 --> 00:03:28,440 Speaker 1: somehow everything felt so light because it was Christmas, like, 51 00:03:28,520 --> 00:03:31,239 Speaker 1: it all sort of felt like it was glossed over 52 00:03:32,320 --> 00:03:38,840 Speaker 1: mm hmm in the name of the Angels. The end 53 00:03:39,080 --> 00:03:43,240 Speaker 1: was completely ridiculous. Wait, you guys, how weird is it 54 00:03:43,640 --> 00:03:48,160 Speaker 1: that this show is narrated by two Rando angels and 55 00:03:48,280 --> 00:03:52,440 Speaker 1: we just had this whole conversation about angels with Valerie. Weird? 56 00:03:52,880 --> 00:03:55,800 Speaker 1: That was weird. Okay, we'll go through the important stuff 57 00:03:55,840 --> 00:03:58,760 Speaker 1: in a second, But did you think the end was 58 00:03:59,680 --> 00:04:03,040 Speaker 1: buz cs are like too far fetched that like the 59 00:04:03,120 --> 00:04:11,840 Speaker 1: bus and the truck magically went through each other. Yeah, no, 60 00:04:12,120 --> 00:04:16,719 Speaker 1: I loved it. It's Christmas. It was a Christmas miracle? Amy, 61 00:04:16,760 --> 00:04:20,800 Speaker 1: haven't you ever seen one of those? Yeah? Well, is 62 00:04:20,800 --> 00:04:23,880 Speaker 1: that why they kept showing um the movie? I've never 63 00:04:23,920 --> 00:04:28,240 Speaker 1: seen that movie. It's a Wonderful Life. Do you think 64 00:04:28,279 --> 00:04:29,880 Speaker 1: that was part of the gist? Like? Have you seen 65 00:04:29,920 --> 00:04:34,800 Speaker 1: It's a wonderful life? Who hasn't seen that? I haven't. 66 00:04:35,000 --> 00:04:37,800 Speaker 1: Apparently Kelly never saw that. We may have to pull 67 00:04:37,800 --> 00:04:42,040 Speaker 1: in Randy because is it's a wonderful life and it's 68 00:04:42,120 --> 00:04:44,400 Speaker 1: I apologize that I haven't seen it. Is there an 69 00:04:44,440 --> 00:04:49,000 Speaker 1: angel miracle element to it that made the parallel between 70 00:04:49,040 --> 00:04:57,360 Speaker 1: the bus and the truck not so weird? Randall? I 71 00:04:57,360 --> 00:05:00,440 Speaker 1: I'm not an expert on a wonderful life. I've seen 72 00:05:00,480 --> 00:05:06,479 Speaker 1: it once, so I oh my god. Ready, we we 73 00:05:06,960 --> 00:05:09,960 Speaker 1: very rarely throw to you and you can't deliver. Really, 74 00:05:10,279 --> 00:05:13,840 Speaker 1: I know this. I hesitated getting on because I thought 75 00:05:14,800 --> 00:05:18,200 Speaker 1: this is going to blow my my the whole perception 76 00:05:18,240 --> 00:05:20,600 Speaker 1: of my winning streak isn't going to end right now. 77 00:05:20,640 --> 00:05:24,000 Speaker 1: Your fire other producer or other producers said there is 78 00:05:24,040 --> 00:05:27,719 Speaker 1: an angel, So to me, there I knew there was something. 79 00:05:27,880 --> 00:05:29,800 Speaker 1: I feel like there was like somebody watching down on 80 00:05:29,839 --> 00:05:34,040 Speaker 1: somebody watching things go awry, and then I got to 81 00:05:34,120 --> 00:05:36,960 Speaker 1: rewatch it. That's you've watched a million times and we 82 00:05:36,960 --> 00:05:40,080 Speaker 1: can't remember what happens in it. Yeah. So I'm thinking 83 00:05:40,120 --> 00:05:42,200 Speaker 1: the gist of this is this is the It's a 84 00:05:42,200 --> 00:05:46,120 Speaker 1: Wonderful Life episode, because it's also called It's a totally 85 00:05:46,200 --> 00:05:51,839 Speaker 1: Happening life. You're so smart, that's what the kids say. Yeah, 86 00:05:52,080 --> 00:05:57,000 Speaker 1: it's a totally think this episode. We're supposed to take 87 00:05:57,040 --> 00:05:58,880 Speaker 1: away that it's really it's a wonderful life. And that's 88 00:05:58,880 --> 00:06:01,520 Speaker 1: why we can what's the word like, you don't you 89 00:06:01,560 --> 00:06:05,920 Speaker 1: can surrender having it to be so real, take a yeah, 90 00:06:06,160 --> 00:06:10,760 Speaker 1: take a moment to appreciate. Okay. So here's the thing 91 00:06:11,520 --> 00:06:14,799 Speaker 1: that I right away. Um, they were like the little 92 00:06:14,839 --> 00:06:18,400 Speaker 1: angel voices, we're weird at first, but then I started 93 00:06:18,400 --> 00:06:21,440 Speaker 1: to really like them and I found comfort in them. 94 00:06:22,080 --> 00:06:26,000 Speaker 1: And when they said and then I was like completely 95 00:06:26,040 --> 00:06:29,000 Speaker 1: on board when they were like they introduced all the 96 00:06:29,040 --> 00:06:32,599 Speaker 1: wicked characters, the little devils, and then they say, and 97 00:06:32,880 --> 00:06:36,680 Speaker 1: Donna Angel on Earth Donna, and I was like, oh 98 00:06:36,760 --> 00:06:41,240 Speaker 1: my gosh, that's the best way to describe Donna Martin. Yes, 99 00:06:41,480 --> 00:06:43,880 Speaker 1: and how about the fact that Donna is really the 100 00:06:43,920 --> 00:06:53,080 Speaker 1: glue in this entire episode. I don't feel worthy. You 101 00:06:53,120 --> 00:06:56,080 Speaker 1: know what you just you earned You've earned your angel 102 00:06:56,160 --> 00:06:59,840 Speaker 1: wings right there. And you also kind of there is 103 00:06:59,880 --> 00:07:01,960 Speaker 1: a sort of a major thing that happens in this 104 00:07:02,000 --> 00:07:06,119 Speaker 1: episode is that you realize Donna is the anchor. Once again. 105 00:07:06,200 --> 00:07:08,600 Speaker 1: We've seen it happening. We know it's kind of a 106 00:07:08,640 --> 00:07:13,560 Speaker 1: part of nine O two on Oh. She made everybody 107 00:07:14,240 --> 00:07:19,800 Speaker 1: get their bleep together, stop acting you know, selfish essentially, 108 00:07:20,560 --> 00:07:23,680 Speaker 1: and she bonds the group and they listened to her. 109 00:07:23,800 --> 00:07:25,880 Speaker 1: I can clearly see now from early on in the 110 00:07:25,880 --> 00:07:30,720 Speaker 1: episode they kept using that like device of when everybody's like, 111 00:07:31,720 --> 00:07:34,760 Speaker 1: you know, I can't handle anything, Donna comes in and 112 00:07:34,800 --> 00:07:40,280 Speaker 1: saves the day with her profound little monologue. It happens 113 00:07:40,320 --> 00:07:43,480 Speaker 1: a lot, it does, and it doesn't just and then 114 00:07:43,760 --> 00:07:46,040 Speaker 1: the funny thing is it doesn't just happen on the show. 115 00:07:46,280 --> 00:07:50,520 Speaker 1: We use the same device on VHO in the airplane 116 00:07:50,880 --> 00:07:54,160 Speaker 1: this like that whole thing and the bus. I'm seeing 117 00:07:54,160 --> 00:07:58,800 Speaker 1: a pattern, but I like it. What about okay, what 118 00:07:58,880 --> 00:08:02,800 Speaker 1: about the the angels point of view? Like like the 119 00:08:02,880 --> 00:08:05,760 Speaker 1: angel like you know, they're looking down on the group 120 00:08:05,800 --> 00:08:07,720 Speaker 1: from up above and the whole way the story is 121 00:08:07,760 --> 00:08:12,160 Speaker 1: being told. Because so even though this episode is so 122 00:08:12,200 --> 00:08:15,720 Speaker 1: sort of ridiculous, it's like there is their time jumping 123 00:08:15,840 --> 00:08:18,520 Speaker 1: because how crazy was the moment when you're like, wait, 124 00:08:18,560 --> 00:08:20,920 Speaker 1: what's going on with Brandon and Andrea? Like did I 125 00:08:20,960 --> 00:08:23,320 Speaker 1: miss something? I actually thought did I go to the 126 00:08:23,320 --> 00:08:25,960 Speaker 1: bathroom or get a drink or something? It was confusing. 127 00:08:26,040 --> 00:08:28,200 Speaker 1: I had to tell you the time jumping. I was like, 128 00:08:28,320 --> 00:08:30,960 Speaker 1: is this what's that show where they did that leap frog? Now? 129 00:08:31,200 --> 00:08:34,760 Speaker 1: What's that show where they quantum? I thought, Oh, by 130 00:08:34,800 --> 00:08:37,439 Speaker 1: the way, so random, you're bringing that up. Did you 131 00:08:37,480 --> 00:08:41,360 Speaker 1: know that show is coming back? Yes? They always come back, 132 00:08:42,720 --> 00:08:46,800 Speaker 1: come back. It's so true. We every show comes back. Wait, 133 00:08:46,880 --> 00:08:50,040 Speaker 1: that'll be exciting because without Scott Bacula or maybe he's 134 00:08:50,080 --> 00:08:51,160 Speaker 1: like I don't know if he's going to be in 135 00:08:51,200 --> 00:08:54,480 Speaker 1: it at all, but he's not like the main dude 136 00:08:54,480 --> 00:08:56,720 Speaker 1: prop he has to be or it's not Quantum leap 137 00:08:57,840 --> 00:08:59,880 Speaker 1: So yeah, that was a little bit tricky for me 138 00:09:00,000 --> 00:09:04,960 Speaker 1: in this episode with like things being missing and then 139 00:09:05,440 --> 00:09:07,719 Speaker 1: you go back to it. But then in the at 140 00:09:07,760 --> 00:09:11,760 Speaker 1: the end, I was like, oh that was sort of clever. Okay, 141 00:09:11,760 --> 00:09:13,920 Speaker 1: are you guys ready for So we've got to break 142 00:09:13,920 --> 00:09:15,560 Speaker 1: down all the major things that happened. But are you 143 00:09:15,559 --> 00:09:22,480 Speaker 1: ready for the two humongous things please? Number one, the 144 00:09:22,559 --> 00:09:30,800 Speaker 1: gum is back Amy even Donna was chewing gum. M. 145 00:09:31,920 --> 00:09:35,760 Speaker 1: I don't mind it, but it is very noticeable. Like 146 00:09:35,840 --> 00:09:39,160 Speaker 1: Jason Priestley on the bus, is everybody jumping up at 147 00:09:39,200 --> 00:09:41,920 Speaker 1: the school. Everybody, all all the main guys had come. 148 00:09:42,920 --> 00:09:47,000 Speaker 1: What school allows gum? Isn't that? Like? Here's what happened. 149 00:09:47,040 --> 00:09:50,400 Speaker 1: They let these actors off the stage where there was 150 00:09:50,440 --> 00:09:53,640 Speaker 1: some sort of control, and we were on location filming 151 00:09:53,679 --> 00:09:56,199 Speaker 1: on a bus. Nobody around to tell us what we 152 00:09:56,240 --> 00:09:59,719 Speaker 1: couldn't do in that bus while we're filming, So everybody's like, 153 00:09:59,800 --> 00:10:01,920 Speaker 1: let to gum. Who knows what else we were doing. 154 00:10:01,960 --> 00:10:05,480 Speaker 1: I mean to be honest, you guys, this is real. 155 00:10:05,600 --> 00:10:07,559 Speaker 1: I just went to a show the other night at 156 00:10:07,559 --> 00:10:11,240 Speaker 1: the Fonda, and uh, they check your mouth for gum 157 00:10:11,360 --> 00:10:16,000 Speaker 1: before you go in. Stop, no, stop it not kidding smart. Wait, 158 00:10:16,000 --> 00:10:18,800 Speaker 1: they go open up, they take all the gum out 159 00:10:18,800 --> 00:10:21,960 Speaker 1: of your purse or whatever you have, and then they like, 160 00:10:22,080 --> 00:10:23,880 Speaker 1: do you have any gum in your mouth? Spit it out? 161 00:10:24,679 --> 00:10:28,880 Speaker 1: You're like, wait, okay, are you joking? They really like 162 00:10:29,000 --> 00:10:32,440 Speaker 1: their carpet in there. It is a beautiful theater, but 163 00:10:32,520 --> 00:10:36,200 Speaker 1: that seems like invasive a little bit. Okay, are you 164 00:10:36,240 --> 00:10:39,760 Speaker 1: ready for the biggest news of all the gum? I 165 00:10:39,800 --> 00:10:42,080 Speaker 1: actually can't believe you guys don't know what I'm about 166 00:10:42,080 --> 00:10:45,800 Speaker 1: to reveal. Say it and then I'll tell you. Steve 167 00:10:46,160 --> 00:10:51,720 Speaker 1: Sanders got a haircut. No more mullet, you guys, it's 168 00:10:51,760 --> 00:10:55,360 Speaker 1: God shave that little friend he had off hanging off 169 00:10:55,360 --> 00:10:58,679 Speaker 1: the back of his head. They're just somebody thinks he 170 00:10:58,720 --> 00:11:00,800 Speaker 1: did with the back of it. You bet. I bet 171 00:11:00,840 --> 00:11:06,200 Speaker 1: he's saved it. The mullet he should have that, he 172 00:11:06,240 --> 00:11:15,319 Speaker 1: should have saved Steve. Steve, Yeah, he looked excellent, it really. 173 00:11:15,600 --> 00:11:18,040 Speaker 1: First of all, that one little inch off the back. 174 00:11:21,440 --> 00:11:24,680 Speaker 1: What a difference than inch can make, you guys, he 175 00:11:25,160 --> 00:11:33,400 Speaker 1: looked so much better beyond yea, he really did. Barely 176 00:11:33,480 --> 00:11:39,440 Speaker 1: didn't notice it until you guys got to the school yard, 177 00:11:40,440 --> 00:11:41,719 Speaker 1: and then all of a sudden, I was like, is 178 00:11:41,760 --> 00:11:44,360 Speaker 1: it the sweatshirt because he's wearing this like green sweatshirt 179 00:11:44,400 --> 00:11:46,720 Speaker 1: and not like the weird button down. And then I'm like, 180 00:11:46,880 --> 00:11:52,320 Speaker 1: oh my god, his hair it looked good. I don't know. 181 00:11:52,400 --> 00:11:56,520 Speaker 1: I definitely not, so to answer your question, and we noticed, 182 00:11:56,640 --> 00:12:00,080 Speaker 1: We definitely noticed that. Who could not notice it? It? 183 00:12:00,600 --> 00:12:03,719 Speaker 1: I wrote down, Steve got haircut. I've given the big announcements. 184 00:12:03,760 --> 00:12:05,480 Speaker 1: Let's get into the meat. Can I do it? Jenny, 185 00:12:05,640 --> 00:12:09,479 Speaker 1: tell me how you're feeling about Dylan, Kelly and Brenda. 186 00:12:09,600 --> 00:12:13,640 Speaker 1: This is no longer. He's no longer Dylan to me. 187 00:12:13,760 --> 00:12:18,480 Speaker 1: He is now, from this moment forward, Dilwig. I don't 188 00:12:18,480 --> 00:12:20,360 Speaker 1: know if you noticed this, but in one of these 189 00:12:20,400 --> 00:12:23,679 Speaker 1: scenes in the very beginning, someone said they called him Dillwig, 190 00:12:23,720 --> 00:12:26,319 Speaker 1: and I don't know why, but I was like, oh 191 00:12:26,320 --> 00:12:28,200 Speaker 1: my god, that's what they used to call him. It 192 00:12:28,280 --> 00:12:29,600 Speaker 1: was like a funny name. But now I just want 193 00:12:29,600 --> 00:12:31,680 Speaker 1: to call him Dilwig from now on because that's how 194 00:12:31,720 --> 00:12:34,120 Speaker 1: I feel about him. This was the first time where 195 00:12:34,160 --> 00:12:38,400 Speaker 1: I actually thought, and I'm debating this in my mind, 196 00:12:39,080 --> 00:12:45,000 Speaker 1: that Dylan was a little bit jerky, a little bit 197 00:12:45,600 --> 00:12:50,280 Speaker 1: like he shouldn't make both of them. So we've said 198 00:12:50,320 --> 00:12:53,760 Speaker 1: the whole time. This just like brought it into technicolor, 199 00:12:53,920 --> 00:12:57,199 Speaker 1: like this is this is the mental torture. I'm not 200 00:12:57,280 --> 00:12:59,640 Speaker 1: I'm not just saying it. I'm not just talking about 201 00:12:59,679 --> 00:13:02,839 Speaker 1: it hypothesizing about it, this is it. This is like, 202 00:13:03,160 --> 00:13:05,120 Speaker 1: let me go over here and kiss this girl. And 203 00:13:05,160 --> 00:13:06,960 Speaker 1: then when I go over here and I kiss this girl, 204 00:13:07,000 --> 00:13:10,640 Speaker 1: like this is the torture right there. And Brendan Right 205 00:13:10,720 --> 00:13:14,000 Speaker 1: and Brendan Kelly were willing participants in their own kisses, 206 00:13:14,920 --> 00:13:17,880 Speaker 1: I mean, as one would be correct, and they couldn't 207 00:13:17,920 --> 00:13:19,719 Speaker 1: be mad at each other even though they wanted to be, 208 00:13:19,720 --> 00:13:22,200 Speaker 1: because they both did it, so it would be very 209 00:13:22,240 --> 00:13:24,280 Speaker 1: hypocritical to be like, how dare you? But it's like 210 00:13:24,320 --> 00:13:29,480 Speaker 1: how dare you? They were guilty was privy to both 211 00:13:29,600 --> 00:13:31,760 Speaker 1: so it was like I don't but I but I 212 00:13:31,800 --> 00:13:37,480 Speaker 1: also think this teenage kid, it was realistic because that's 213 00:13:37,520 --> 00:13:40,880 Speaker 1: exactly what a teenage kid would do. Why why, I mean, 214 00:13:40,920 --> 00:13:43,200 Speaker 1: do all teenage kids have to be players like that 215 00:13:43,280 --> 00:13:47,480 Speaker 1: and be, you know, disrespectful of the other. I think 216 00:13:47,480 --> 00:13:49,840 Speaker 1: you're expecting a lot of an eighteen year old that 217 00:13:49,920 --> 00:13:52,320 Speaker 1: he's not going to just kiss. And he's just kissing 218 00:13:52,960 --> 00:13:56,560 Speaker 1: these two girls who they all admit, they all like 219 00:13:56,720 --> 00:13:59,200 Speaker 1: each other, but they're just gonna be friends. Like it's 220 00:13:59,240 --> 00:14:04,480 Speaker 1: just too much. It's a lot, it's a lot. But 221 00:14:04,679 --> 00:14:09,200 Speaker 1: I was like, oh, this is excruciating. I don't know, Yes, 222 00:14:09,800 --> 00:14:11,920 Speaker 1: it was painful. This was the first time where I 223 00:14:11,960 --> 00:14:16,640 Speaker 1: was like, oh, this is a little oh well, at 224 00:14:16,640 --> 00:14:19,320 Speaker 1: first I got it aggravated me because right out of 225 00:14:19,360 --> 00:14:22,640 Speaker 1: the gate they were just all like buddy buddy again, 226 00:14:22,800 --> 00:14:27,240 Speaker 1: as if none of this whole thing had happened. There 227 00:14:27,360 --> 00:14:30,000 Speaker 1: was tension between them two on the bus, which I 228 00:14:30,040 --> 00:14:32,320 Speaker 1: was like, one of those two having a beef about 229 00:14:32,360 --> 00:14:34,840 Speaker 1: but maybe just everyone had so much tension on the bus. 230 00:14:35,000 --> 00:14:37,040 Speaker 1: I don't know, I mean, did you guys Okay, So 231 00:14:37,120 --> 00:14:40,040 Speaker 1: that moment on the bus when everybody was literally throwing 232 00:14:40,240 --> 00:14:43,400 Speaker 1: each other under the bus, I really enjoyed that moment. 233 00:14:44,360 --> 00:14:47,320 Speaker 1: I felt like, yeah, everybody's like letting off some heat. 234 00:14:47,760 --> 00:14:50,760 Speaker 1: We're we're all working together real closely, and we've all 235 00:14:50,800 --> 00:14:52,840 Speaker 1: got a little beef with each other by this point, 236 00:14:52,840 --> 00:14:55,000 Speaker 1: whether we want to admit it or not, there's got 237 00:14:55,000 --> 00:14:58,600 Speaker 1: to be some underlying tension. And this was fun because 238 00:14:58,640 --> 00:15:01,640 Speaker 1: we got to like the daggers at each other and 239 00:15:01,760 --> 00:15:16,600 Speaker 1: not got in trouble for it. All Right, let's talk 240 00:15:16,640 --> 00:15:22,760 Speaker 1: about Nikki and Brandon's breakup, which, obviously I guess we 241 00:15:22,840 --> 00:15:27,680 Speaker 1: sort of know. There writing her out, writing her out, 242 00:15:27,720 --> 00:15:31,320 Speaker 1: They wrote her out. That was it. She was like, uh, hi, 243 00:15:31,720 --> 00:15:34,640 Speaker 1: I'm back wait, I'm moving out of town. At least 244 00:15:34,680 --> 00:15:36,920 Speaker 1: they let her come back for the quick makeout scene, 245 00:15:37,000 --> 00:15:38,840 Speaker 1: which was like also a little rough that she's just 246 00:15:39,080 --> 00:15:42,360 Speaker 1: making out with him, and then she gets interrupted by 247 00:15:42,440 --> 00:15:45,360 Speaker 1: Mrs Walsh awkward, and then she's just like, oh, by 248 00:15:45,400 --> 00:15:49,840 Speaker 1: the way, by so by, where is she going? She's 249 00:15:49,880 --> 00:15:52,160 Speaker 1: moving to see France, is gonna be with her familys. 250 00:15:52,520 --> 00:15:54,760 Speaker 1: But the thing is, did you it was so weird? 251 00:15:54,800 --> 00:15:58,600 Speaker 1: The kissing was weird, just weird at first, and then 252 00:15:59,000 --> 00:16:01,160 Speaker 1: when they went and then I don't know, like it 253 00:16:01,200 --> 00:16:03,720 Speaker 1: looked like Brandon had lipsticks all over his face or 254 00:16:03,880 --> 00:16:05,920 Speaker 1: he was well and she even wipes it. There was 255 00:16:05,960 --> 00:16:09,360 Speaker 1: a whole like, yeah, it was a weird, mouthy, lippy, 256 00:16:09,440 --> 00:16:12,360 Speaker 1: weird exchange of saliva. I don't know. It was making 257 00:16:12,400 --> 00:16:14,800 Speaker 1: me really uncomfortable. I mean, I would assume that was 258 00:16:14,800 --> 00:16:17,440 Speaker 1: all intentional, because like they had to move scenes to 259 00:16:17,520 --> 00:16:21,640 Speaker 1: the bathroom. I wonder did anyone notice the reference to 260 00:16:22,080 --> 00:16:24,480 Speaker 1: when Clarence I think his name was Clarence, the angel 261 00:16:24,640 --> 00:16:29,440 Speaker 1: was Clarence. Clarence was like, you're making me miss Circus 262 00:16:29,440 --> 00:16:36,400 Speaker 1: of the Stars for this first of all, and then 263 00:16:36,440 --> 00:16:40,360 Speaker 1: they made a joke about save it for the reunion movie, 264 00:16:40,400 --> 00:16:42,600 Speaker 1: and I was like, because reunion movies are so in, 265 00:16:43,400 --> 00:16:47,600 Speaker 1: but were they in the who knows? I wonder if 266 00:16:47,640 --> 00:16:50,000 Speaker 1: I had been on Circus of the Stars already. I 267 00:16:50,000 --> 00:16:52,080 Speaker 1: don't know what year I did, because I did start 268 00:16:52,120 --> 00:16:55,800 Speaker 1: of the starts with Mario Lopez, and I wondered if 269 00:16:55,800 --> 00:17:01,360 Speaker 1: that was your what was your talent the trapeze stop? 270 00:17:01,480 --> 00:17:06,200 Speaker 1: My talent was wearing that was my talent. It's really good. 271 00:17:06,320 --> 00:17:08,120 Speaker 1: Did you actually let know of the thing and catch 272 00:17:08,160 --> 00:17:11,840 Speaker 1: another one? Yes, and flip around in the air. I 273 00:17:11,880 --> 00:17:15,879 Speaker 1: don't think you are aware of my Circus of the 274 00:17:16,359 --> 00:17:19,679 Speaker 1: Stars experience. And Mario was on the other end to 275 00:17:19,760 --> 00:17:23,600 Speaker 1: catch you. Yes, yes, he was very strong. I know 276 00:17:23,720 --> 00:17:25,760 Speaker 1: he didn't catch me. They caught I don't know what happened. 277 00:17:25,800 --> 00:17:28,800 Speaker 1: He caught the other girl because she weighed less. No, 278 00:17:29,040 --> 00:17:32,080 Speaker 1: that was he always your partner in all of the 279 00:17:32,119 --> 00:17:35,640 Speaker 1: competitions or only one. It was just it wasn't a competition. 280 00:17:35,680 --> 00:17:38,800 Speaker 1: Even Circus of the Stars was just like, um, a 281 00:17:38,880 --> 00:17:42,879 Speaker 1: fun night of TV. Yeah, yeah, celebrities doing circus acts, 282 00:17:43,359 --> 00:17:46,320 Speaker 1: no prizes and you just trained for months, but your 283 00:17:46,359 --> 00:17:52,200 Speaker 1: glory But your glory. My always say to the grandkids. Off, 284 00:17:52,520 --> 00:17:57,560 Speaker 1: remember when I flew up the trappy with Mario Lopez. 285 00:17:59,000 --> 00:18:05,520 Speaker 1: That might be the new end, guys, granny Okay, so simultaneously, wait, wait, 286 00:18:05,640 --> 00:18:08,000 Speaker 1: you didn't mention the other huge thing in this episode, 287 00:18:10,000 --> 00:18:17,280 Speaker 1: No more crutches, no more wheelchair and fast that was 288 00:18:17,359 --> 00:18:19,800 Speaker 1: fast held fast to us, but I'm sure not to her. 289 00:18:19,840 --> 00:18:22,560 Speaker 1: But I was so happy. So speaking of Andrea, we 290 00:18:22,720 --> 00:18:26,200 Speaker 1: do get the breakup letter. Well, first we get that 291 00:18:26,359 --> 00:18:29,920 Speaker 1: from Ja. More importantly, hello, we get the acceptance letter. 292 00:18:29,960 --> 00:18:36,440 Speaker 1: She gets accepted to an amazing point, right, so yes, 293 00:18:36,680 --> 00:18:40,080 Speaker 1: and the whole in the same beat she gets dumped. 294 00:18:41,359 --> 00:18:45,400 Speaker 1: That happens, you know, they did sort of. I had 295 00:18:45,440 --> 00:18:49,480 Speaker 1: forgotten about Ja a little bit, right. I was like, wait, 296 00:18:49,520 --> 00:18:52,720 Speaker 1: who's your uncle? Who's that I don't know, Peter Kraus. 297 00:18:53,359 --> 00:18:55,840 Speaker 1: So it was like I felt like they mentioned him 298 00:18:55,840 --> 00:18:57,639 Speaker 1: a few times so that we would all kind of 299 00:18:57,680 --> 00:19:02,000 Speaker 1: remember him, so that when he dumped her, we were like, oh, 300 00:19:02,440 --> 00:19:07,440 Speaker 1: he exists. The letter breakup. I don't know how did 301 00:19:07,440 --> 00:19:11,240 Speaker 1: people break up in the nineties nineties. Apparently they put 302 00:19:11,240 --> 00:19:16,280 Speaker 1: a pen to paper and literally clothed and that was that. 303 00:19:16,920 --> 00:19:19,680 Speaker 1: It was called life was hell for me till texting 304 00:19:19,760 --> 00:19:22,920 Speaker 1: came along. I didn't know how to break up with someone. 305 00:19:23,080 --> 00:19:26,800 Speaker 1: Oh my god, right you that's good because now that 306 00:19:26,880 --> 00:19:29,479 Speaker 1: you have texting, so many people can say things they 307 00:19:29,480 --> 00:19:32,200 Speaker 1: would have never felt comfortable saying straight to someone's face, 308 00:19:32,400 --> 00:19:35,199 Speaker 1: like you're dumped. And then they were a little pissed 309 00:19:35,200 --> 00:19:39,880 Speaker 1: about the breakup letter. But it's I guess he would 310 00:19:39,880 --> 00:19:42,440 Speaker 1: have done it on the phone. Was that what they wanted? That? 311 00:19:42,680 --> 00:19:47,399 Speaker 1: Maybe the isn't that called a dear John letter? Or 312 00:19:47,480 --> 00:19:49,200 Speaker 1: is it dear John letter? When you live with someone 313 00:19:49,240 --> 00:19:52,360 Speaker 1: and then you're like, dear John, I'm out. Is that 314 00:19:52,400 --> 00:19:53,840 Speaker 1: you have to live with them, you can't just be 315 00:19:53,920 --> 00:19:56,400 Speaker 1: dating them? This was a dear Andrea letter. I don't know. 316 00:19:56,520 --> 00:19:58,560 Speaker 1: We have to find out what the exact definition of 317 00:19:58,560 --> 00:20:00,480 Speaker 1: a dear John letter is because if they that might 318 00:20:00,520 --> 00:20:03,639 Speaker 1: just be like an end to a marriage. I'm not sure, 319 00:20:03,760 --> 00:20:07,280 Speaker 1: but either way, I'm I wasn't as mad about the letter. Wait, 320 00:20:07,359 --> 00:20:10,399 Speaker 1: were you mad about the fact that dil was back? 321 00:20:12,000 --> 00:20:18,119 Speaker 1: The teacher, the gil, the deal, the Dilster. No, he'd given, 322 00:20:18,960 --> 00:20:22,280 Speaker 1: He's all forgiven, didn't Okay, this is gonna be this 323 00:20:22,320 --> 00:20:24,840 Speaker 1: is gonna make people mad but I don't remember a 324 00:20:24,880 --> 00:20:28,320 Speaker 1: few episodes ago. That's how bad my memory is. But 325 00:20:29,440 --> 00:20:34,720 Speaker 1: I thought he's all forgiven. Bil got canned because of 326 00:20:34,920 --> 00:20:39,240 Speaker 1: the girl. The sisters no she but then she like 327 00:20:39,320 --> 00:20:43,399 Speaker 1: recanted and we learned it was the creepy uncle. So 328 00:20:43,440 --> 00:20:47,000 Speaker 1: they gave him his job back, and all is right 329 00:20:47,040 --> 00:20:50,159 Speaker 1: in the West Beverly High. I was all fired up 330 00:20:50,200 --> 00:20:54,439 Speaker 1: for no reason, although very inappropriate bet to make a 331 00:20:54,440 --> 00:20:58,000 Speaker 1: teacher shave, like his relationship with them is just always 332 00:20:58,000 --> 00:21:01,720 Speaker 1: going to be a little bit yeah, there's not. The 333 00:21:01,760 --> 00:21:05,399 Speaker 1: boundary has been blending, and the way Andrea talks to 334 00:21:05,520 --> 00:21:09,399 Speaker 1: him is so blurty and like he's there. They're the 335 00:21:09,800 --> 00:21:13,359 Speaker 1: because those two were very similar in age. I think 336 00:21:14,000 --> 00:21:18,320 Speaker 1: in real life, yes, she might have been older than him, 337 00:21:18,320 --> 00:21:25,160 Speaker 1: their relationship felt more like sparring, like intellectual and Yeah. 338 00:21:26,320 --> 00:21:29,200 Speaker 1: The other thing that always bumps me about Andrea and 339 00:21:29,720 --> 00:21:32,120 Speaker 1: I know, ever really don't think about it because it's 340 00:21:32,119 --> 00:21:34,480 Speaker 1: just Andrea. I mean, she's one of the gang. But 341 00:21:34,600 --> 00:21:39,880 Speaker 1: whenever I see her lady fingernails, like she has the 342 00:21:39,920 --> 00:21:47,879 Speaker 1: prettiest little, perfect French, tippy beautiful lady nails, I have 343 00:21:48,080 --> 00:21:50,800 Speaker 1: to admit I've never noticed that I'm always so sort 344 00:21:50,800 --> 00:21:53,440 Speaker 1: of like my eyes are on her blazers. They're they're 345 00:21:53,440 --> 00:21:58,199 Speaker 1: like butter oh yeah, you're gonna notice him now, and 346 00:21:58,200 --> 00:22:00,760 Speaker 1: you're welcome, and they are liked always said they were 347 00:22:00,800 --> 00:22:06,080 Speaker 1: real and she just had pretty nails. Always that that 348 00:22:06,240 --> 00:22:09,480 Speaker 1: Gabrielle kurt Chare, She's got the best nails in town. 349 00:22:12,640 --> 00:22:26,359 Speaker 1: Let's take a break and we'll come back, all right, 350 00:22:26,400 --> 00:22:28,119 Speaker 1: tell me what do you want to know, Andrea Brandon? 351 00:22:28,240 --> 00:22:32,200 Speaker 1: What I'd like to know why the heck lar locking lips. 352 00:22:33,200 --> 00:22:38,760 Speaker 1: First of all, his hand move was amazing one. So 353 00:22:38,800 --> 00:22:42,119 Speaker 1: they're sitting on the couch babysitting, which also was like 354 00:22:43,160 --> 00:22:45,040 Speaker 1: it just the whole thing was a little bit like 355 00:22:45,640 --> 00:22:48,159 Speaker 1: far fetched, but fine, you felt like it was set up. 356 00:22:48,960 --> 00:22:50,879 Speaker 1: It's just a little quick like he breaks up, she 357 00:22:50,920 --> 00:22:54,159 Speaker 1: breaks up. That happens on the show. You break up 358 00:22:54,160 --> 00:22:57,080 Speaker 1: with somebody and took up with somebody the same exact day, 359 00:22:58,800 --> 00:23:03,600 Speaker 1: but he does. He goes her babysit, which is would 360 00:23:03,600 --> 00:23:07,119 Speaker 1: you let your babysitter have a boy over? That was 361 00:23:07,160 --> 00:23:09,000 Speaker 1: like a big teenage thing. I kind of remember like 362 00:23:09,040 --> 00:23:12,439 Speaker 1: can I bring my boyfriend? But so you're sitting on 363 00:23:12,480 --> 00:23:15,400 Speaker 1: the couch again with the it's a wonderful life. So 364 00:23:15,440 --> 00:23:17,840 Speaker 1: now I'm getting the parallels and the I don't even 365 00:23:17,880 --> 00:23:20,840 Speaker 1: think I could do it. So okay, So her face 366 00:23:20,920 --> 00:23:24,320 Speaker 1: is here and he does the hand, like the hands 367 00:23:24,480 --> 00:23:28,480 Speaker 1: around her face. Maybe it was this hand. All of 368 00:23:28,520 --> 00:23:33,199 Speaker 1: a sudden, there's just the hand and the makeout. She 369 00:23:33,240 --> 00:23:35,160 Speaker 1: didn't like it, you know what. I didn't like it either. 370 00:23:36,440 --> 00:23:40,880 Speaker 1: Consensus says, uh no, thumbs down to Andrea and Brandon 371 00:23:41,040 --> 00:23:45,760 Speaker 1: making out on the couch sexy kiss. No, no, well, 372 00:23:45,760 --> 00:23:49,040 Speaker 1: they're just good kissers, like in theory, but these two 373 00:23:49,119 --> 00:23:54,800 Speaker 1: characters should not be kissing. We've already established that we're 374 00:23:54,920 --> 00:23:57,399 Speaker 1: trying again. Were there people out there though that were like, 375 00:23:57,520 --> 00:24:02,480 Speaker 1: I really want Brandon and Andrea to be together? We're 376 00:24:02,560 --> 00:24:07,359 Speaker 1: not such a good question. They probably are, and and 377 00:24:07,400 --> 00:24:10,760 Speaker 1: people need to let us know. Back then, it wasn't 378 00:24:10,840 --> 00:24:17,919 Speaker 1: the same yearning. I don't think yearning. I don't like 379 00:24:18,000 --> 00:24:21,119 Speaker 1: that word, Amy, Can you never say that again? Write 380 00:24:21,160 --> 00:24:23,520 Speaker 1: that down on the list of words to never say again. 381 00:24:23,640 --> 00:24:28,120 Speaker 1: One is moist to yearning. Okay, alright, so then our 382 00:24:28,200 --> 00:24:31,280 Speaker 1: next sort of major which again I know I said 383 00:24:31,320 --> 00:24:33,880 Speaker 1: this earlier in the episode, but like a lot happens 384 00:24:33,920 --> 00:24:37,520 Speaker 1: in this episode. So all of a sudden, in the 385 00:24:37,560 --> 00:24:41,280 Speaker 1: blink of an eye, David is skipping. There was no 386 00:24:41,359 --> 00:24:44,720 Speaker 1: discussion with mom and dad. He just decides whose idea 387 00:24:44,800 --> 00:24:47,520 Speaker 1: was that was that? David's idea? Was it Donna's idea? 388 00:24:48,320 --> 00:24:51,600 Speaker 1: Was it Donna? I see, I can't I couldn't figure out. 389 00:24:52,600 --> 00:24:55,520 Speaker 1: It just came out of nowhere that as you know, okay, 390 00:24:55,560 --> 00:24:57,920 Speaker 1: because we're in episode sixteen, so we've got like ten 391 00:24:58,400 --> 00:25:01,199 Speaker 1: twelve to go because the nine o two on I 392 00:25:01,280 --> 00:25:03,840 Speaker 1: just did so many episodes, so they must be sort 393 00:25:03,840 --> 00:25:06,320 Speaker 1: of preparing, like these guys are gonna graduate, and we 394 00:25:06,400 --> 00:25:08,640 Speaker 1: gotta figure out because now they've got Nicky blown out 395 00:25:08,640 --> 00:25:12,359 Speaker 1: of there, and you know, Scanlin's gone, so they know 396 00:25:12,440 --> 00:25:15,600 Speaker 1: they're not going to go back youngsters. So they've got YEP, 397 00:25:15,720 --> 00:25:17,280 Speaker 1: so they know they're not going to do this thing 398 00:25:17,320 --> 00:25:20,280 Speaker 1: where they've got a whole new cast, So they've got 399 00:25:20,280 --> 00:25:25,199 Speaker 1: to figure out a way to get David. With the 400 00:25:25,280 --> 00:25:32,840 Speaker 1: rest of the two point five seconds, they just like 401 00:25:32,920 --> 00:25:35,080 Speaker 1: j they sprinkled it in, so you get like three 402 00:25:35,600 --> 00:25:39,600 Speaker 1: mentions of David being sad he's younger, and he goes 403 00:25:39,640 --> 00:25:42,320 Speaker 1: off in a huff and then he's like, I'm not 404 00:25:42,359 --> 00:25:43,800 Speaker 1: going to be with you guys, and I don't want 405 00:25:43,800 --> 00:25:45,919 Speaker 1: to go on this trip because I'm not really a 406 00:25:45,960 --> 00:25:49,800 Speaker 1: part of you. And then literally the episode, he's like, 407 00:25:50,080 --> 00:25:51,720 Speaker 1: if I work really hard, I can just graduate with 408 00:25:51,720 --> 00:25:55,000 Speaker 1: you guys. No discussion with anyone, just comes at it. 409 00:25:55,040 --> 00:25:57,120 Speaker 1: But maybe he needed that time to figure it out. 410 00:25:57,840 --> 00:26:00,200 Speaker 1: Now he's got it, I'll figured out and he's act 411 00:26:00,280 --> 00:26:02,320 Speaker 1: and I don't know whatever. I just also want to 412 00:26:02,320 --> 00:26:06,080 Speaker 1: talk a little bit for a second, um about Kelly 413 00:26:06,280 --> 00:26:11,600 Speaker 1: and Dilwig and Brenda, because um, they're trying to be 414 00:26:12,160 --> 00:26:15,040 Speaker 1: in trouble with Yeah, we knew we were in trouble 415 00:26:15,080 --> 00:26:19,600 Speaker 1: with the like Brenda kissing Dylan on the cheek. She 416 00:26:19,800 --> 00:26:23,200 Speaker 1: started and started it. But then Kelly comes in hot 417 00:26:23,359 --> 00:26:27,960 Speaker 1: and uses her feminine wiles to get She tries to 418 00:26:27,960 --> 00:26:30,720 Speaker 1: get him to dress up like Santa, and she says 419 00:26:30,760 --> 00:26:33,600 Speaker 1: to to Brenda, well you said do whatever it takes. 420 00:26:34,800 --> 00:26:41,399 Speaker 1: Come on. I'm pretty sure she didn't mean that particularly bad. 421 00:26:42,920 --> 00:26:47,400 Speaker 1: So okay, who do you blame in that mess? Like 422 00:26:48,000 --> 00:26:52,960 Speaker 1: we kind of mentioned it, it's like they're all guilty. Yeah, 423 00:26:52,960 --> 00:26:57,400 Speaker 1: they're all guilty. Who do you blame? Like I wanted 424 00:26:57,440 --> 00:26:58,920 Speaker 1: to be mad at Dylan and then I kind of 425 00:26:59,240 --> 00:27:03,760 Speaker 1: go there doing this too. I think what we need 426 00:27:03,800 --> 00:27:05,960 Speaker 1: to understand is like the three of these people cannot 427 00:27:06,000 --> 00:27:09,679 Speaker 1: just be besties. No, well, I you know what, if 428 00:27:09,720 --> 00:27:14,280 Speaker 1: you think about it, they there's if they don't have 429 00:27:14,440 --> 00:27:20,399 Speaker 1: the you know, the like communication skills in order to 430 00:27:20,480 --> 00:27:22,960 Speaker 1: deal with something like this. Like so they're just like 431 00:27:23,200 --> 00:27:25,359 Speaker 1: mucking their way through it and figuring out as they go. 432 00:27:25,400 --> 00:27:27,000 Speaker 1: And it's kind of cute the way they kind of 433 00:27:27,080 --> 00:27:31,400 Speaker 1: landed on this, uh, with Brenda and Kelly a little 434 00:27:31,400 --> 00:27:33,960 Speaker 1: bit more united for right now it feels like right 435 00:27:34,880 --> 00:27:37,800 Speaker 1: that I like them as friends kind of getting crafty 436 00:27:37,840 --> 00:27:40,760 Speaker 1: and and think, but but who's going to be the winner? 437 00:27:40,840 --> 00:27:42,600 Speaker 1: Like where is this going to lead? Like I feel 438 00:27:42,640 --> 00:27:46,600 Speaker 1: like this is just a dead end. It's not gonna 439 00:27:47,200 --> 00:27:52,600 Speaker 1: gone more. It's not good. But it made me want 440 00:27:52,840 --> 00:27:56,280 Speaker 1: to eat Christmas cookies. That's what I do now. It 441 00:27:56,320 --> 00:28:00,240 Speaker 1: also made me impressed by Mrs Teasley throwing down how 442 00:28:00,280 --> 00:28:03,919 Speaker 1: about when she was just like, y'all are getting on 443 00:28:03,960 --> 00:28:06,719 Speaker 1: this bus and she's like, if you would have been 444 00:28:06,760 --> 00:28:10,000 Speaker 1: appropriate and had to change your plans, but now you've 445 00:28:10,040 --> 00:28:12,600 Speaker 1: left us in the lurch, and she just was like, boom, 446 00:28:12,800 --> 00:28:15,320 Speaker 1: get on the bus. So get back to Mrs T. 447 00:28:16,160 --> 00:28:18,399 Speaker 1: And poor Donna is just having to suffer while every 448 00:28:18,400 --> 00:28:22,360 Speaker 1: single one of you guys bailed her. Yeah, well she 449 00:28:22,920 --> 00:28:25,840 Speaker 1: she's a smart girl. She goes and talks to Mrs 450 00:28:25,840 --> 00:28:29,639 Speaker 1: T and gets Mrs T involved, which is that's what 451 00:28:29,720 --> 00:28:32,960 Speaker 1: the principles for I have one of their analogy. Did 452 00:28:32,960 --> 00:28:39,520 Speaker 1: you think of at all during this episode the movie Speed? Oh? 453 00:28:39,560 --> 00:28:43,120 Speaker 1: I did? I was like, wait, when the bus was 454 00:28:43,160 --> 00:28:45,560 Speaker 1: going out of control and everybody's like having a bad moment, 455 00:28:45,600 --> 00:28:49,840 Speaker 1: and then the wait, the best part was when um, 456 00:28:50,000 --> 00:28:55,160 Speaker 1: the angel gets uh you get the mistake, you know, mistaken, 457 00:28:55,800 --> 00:28:59,160 Speaker 1: He mistakens Greg Clemmons for Craig Clemmons, which you know 458 00:28:59,280 --> 00:29:04,360 Speaker 1: that's an honest stake. It happens, by the way. So 459 00:29:04,600 --> 00:29:10,040 Speaker 1: here's what's crazy. Okay, I just looked this up. Speed 460 00:29:10,160 --> 00:29:13,560 Speaker 1: comes out after this. What was the date of this episode? Again, 461 00:29:13,720 --> 00:29:17,080 Speaker 1: gave them the idea for the movies, like you guys 462 00:29:17,080 --> 00:29:19,280 Speaker 1: gave them the idea. Wait, what was the date? I 463 00:29:19,280 --> 00:29:21,360 Speaker 1: know you said it in the synopsis? What was the 464 00:29:21,440 --> 00:29:30,400 Speaker 1: date this aired? Right? Uh? December? Okay, Speed doesn't come 465 00:29:30,400 --> 00:29:35,440 Speaker 1: out for another year and a half. So here I 466 00:29:35,440 --> 00:29:38,200 Speaker 1: am thinking they must be doing this because speed was 467 00:29:38,240 --> 00:29:42,160 Speaker 1: so huge, wrong, I was, Nope, Well we helped them. 468 00:29:42,240 --> 00:29:45,040 Speaker 1: We made everybody want to see a movie about two 469 00:29:45,080 --> 00:29:51,040 Speaker 1: buses on a collision course together exactly. So also back 470 00:29:51,080 --> 00:29:54,640 Speaker 1: on what you were saying, Jenny, there was some disturbing 471 00:29:54,720 --> 00:29:58,600 Speaker 1: drunk driving going on, like they gloss over that part two. Yeah, 472 00:29:58,720 --> 00:30:00,520 Speaker 1: I mean, I don't know if it was greg Or Craig, 473 00:30:00,680 --> 00:30:04,280 Speaker 1: but old man Clemmens was hit in the bottle. But 474 00:30:04,320 --> 00:30:06,360 Speaker 1: then then did you notice they used the same shot 475 00:30:06,440 --> 00:30:09,440 Speaker 1: of him drinking. It was the same shot. They used 476 00:30:09,440 --> 00:30:11,680 Speaker 1: the same shot like three times. They cut to the 477 00:30:12,360 --> 00:30:15,760 Speaker 1: garbage man driving and what a bad rap for garbage 478 00:30:15,760 --> 00:30:19,520 Speaker 1: man everywhere like garbageman everybody that doesn't happen rough and 479 00:30:19,560 --> 00:30:25,280 Speaker 1: then the whole just miracle But okay, gave me the tingles. 480 00:30:25,360 --> 00:30:28,920 Speaker 1: Admit it was like it felt like an electrical jolt 481 00:30:29,080 --> 00:30:32,600 Speaker 1: to my happiness that they didn't die, because I would 482 00:30:32,600 --> 00:30:36,800 Speaker 1: have sucked. That would have been a whole different show. 483 00:30:37,280 --> 00:30:39,760 Speaker 1: I didn't want them to crash, did you. Well for 484 00:30:39,800 --> 00:30:42,320 Speaker 1: a minute, I did, but then I wanted to see 485 00:30:42,320 --> 00:30:44,640 Speaker 1: what would happen. I don't I just thought I just 486 00:30:44,960 --> 00:30:49,800 Speaker 1: didn't envision it ending with the miracle going through one another. 487 00:30:50,000 --> 00:30:52,400 Speaker 1: I thought somebody was just going to pull over. I 488 00:30:52,440 --> 00:30:55,640 Speaker 1: don't know. That would have been really anti climactic. Yeah, 489 00:30:55,760 --> 00:30:59,080 Speaker 1: I'm glad they went with a miracle. But two takeaways 490 00:30:59,120 --> 00:31:04,840 Speaker 1: for me was again Brandon and Andrea, no chemistry. Please 491 00:31:04,840 --> 00:31:09,480 Speaker 1: stop with that. Don't keep trying. I don't know. Yes, 492 00:31:09,560 --> 00:31:12,280 Speaker 1: you know what, they don't have chemistry. You're right, like 493 00:31:12,360 --> 00:31:14,840 Speaker 1: they have it as friends, but they do not have 494 00:31:14,840 --> 00:31:19,000 Speaker 1: have chemistry. Yeah, you said it was Jason priestly gave 495 00:31:19,040 --> 00:31:22,800 Speaker 1: it an effort, that kiss with the hands and gave 496 00:31:23,520 --> 00:31:25,360 Speaker 1: How about her effort? What if she had to put 497 00:31:25,400 --> 00:31:27,080 Speaker 1: a lot of effort into making that kiss. I think 498 00:31:27,080 --> 00:31:29,840 Speaker 1: it was. I think it was the hand for me. 499 00:31:30,200 --> 00:31:32,920 Speaker 1: The hand. Really you have to rewatch it. We have 500 00:31:32,960 --> 00:31:34,960 Speaker 1: to get a watch on the Instagram because it was 501 00:31:35,320 --> 00:31:38,440 Speaker 1: it was so much hand. It was almost because I've 502 00:31:38,440 --> 00:31:41,520 Speaker 1: been at the mercy of those hands that you're talking 503 00:31:41,560 --> 00:31:45,760 Speaker 1: so u adoring Lee about, and I don't maybe have 504 00:31:45,840 --> 00:31:48,200 Speaker 1: the same feelings about those big meat hooks coming at 505 00:31:48,240 --> 00:31:58,720 Speaker 1: you like grabbing your head, saying different different here. Tell 506 00:31:58,760 --> 00:32:00,400 Speaker 1: me more. Was it hard to shoot a on those 507 00:32:00,440 --> 00:32:03,520 Speaker 1: hands or was it just like whoa, they're so grabby 508 00:32:03,640 --> 00:32:06,400 Speaker 1: they're just they're just they're just bit. He's always had 509 00:32:06,520 --> 00:32:12,560 Speaker 1: real big hands, like and they're strong, strong, like Canadian 510 00:32:12,600 --> 00:32:16,720 Speaker 1: man hands. They're a front and center on Andrea's face. 511 00:32:17,080 --> 00:32:20,760 Speaker 1: They really were. There was some good fashion in this episode. 512 00:32:20,840 --> 00:32:24,200 Speaker 1: I thought Donna had a very cute striped crop top. 513 00:32:24,200 --> 00:32:27,080 Speaker 1: Oh my god, um that was was this before there 514 00:32:27,120 --> 00:32:31,120 Speaker 1: was a Harry Potter color combination because that was the 515 00:32:31,160 --> 00:32:36,400 Speaker 1: o G. Harry Potter striping sweater, but just way, way, way, 516 00:32:36,480 --> 00:32:40,920 Speaker 1: way way shorter. And then there's sort of an iconic 517 00:32:41,040 --> 00:32:44,880 Speaker 1: Dylan look in this episode. It's that brown jacket. You 518 00:32:44,920 --> 00:32:46,280 Speaker 1: know what I'm talking about. It's when you guys were 519 00:32:46,360 --> 00:32:48,760 Speaker 1: on the peach pit and Dylan's wearing sort of a 520 00:32:48,800 --> 00:32:52,720 Speaker 1: shirt jacket brown and I was like, oh wow, that's 521 00:32:52,800 --> 00:32:55,840 Speaker 1: like an iconic fashion moment. Those were very I feel 522 00:32:55,840 --> 00:33:01,239 Speaker 1: like even in the nineties, those were vintage. Those were retro, like, um, 523 00:33:01,320 --> 00:33:05,120 Speaker 1: that's from the James Dean era collection, you know. And 524 00:33:05,400 --> 00:33:07,680 Speaker 1: I like the way they would put him in stuff 525 00:33:07,720 --> 00:33:10,040 Speaker 1: like that because he looks so much like James Dean. 526 00:33:11,760 --> 00:33:14,800 Speaker 1: And I also liked even the Angel's reference of the 527 00:33:14,800 --> 00:33:17,480 Speaker 1: blonde girl and the guy with the sideburns do you 528 00:33:17,520 --> 00:33:19,880 Speaker 1: remember that when the angels talking about the love triangle, 529 00:33:19,880 --> 00:33:21,600 Speaker 1: and he's all, what about the love triangle with the 530 00:33:21,720 --> 00:33:23,960 Speaker 1: blonde girl and the guy with the side. That's how 531 00:33:24,000 --> 00:33:30,720 Speaker 1: you describe them, say that you're gonna instantly What about 532 00:33:31,400 --> 00:33:38,320 Speaker 1: Andrea's floral vest? Bad again thing? There must have been 533 00:33:38,360 --> 00:33:41,760 Speaker 1: like a whole rack of these things back there. There 534 00:33:41,760 --> 00:33:44,280 Speaker 1: had to have been just like rows of ugly vests 535 00:33:44,360 --> 00:33:46,640 Speaker 1: for her to choose from, and this was the one today. 536 00:33:46,920 --> 00:33:49,440 Speaker 1: It didn't match. They couched this time, but maybe one 537 00:33:49,440 --> 00:33:52,120 Speaker 1: of her pillows. They crushed her with the fashion choices. 538 00:33:52,160 --> 00:33:54,400 Speaker 1: And I'm sure it was like intentional, but it's just 539 00:33:54,480 --> 00:33:58,280 Speaker 1: so bad. Yeah, I mean, that was it. How about 540 00:33:58,600 --> 00:34:05,800 Speaker 1: favorite lines? Anybody any buddy? I started to count how 541 00:34:05,800 --> 00:34:11,320 Speaker 1: many times they say Heaven's sakes. Oh my god, Jenny, 542 00:34:11,520 --> 00:34:14,200 Speaker 1: I literally just almost said, it's for charity, for Heaven's sake, 543 00:34:15,719 --> 00:34:19,200 Speaker 1: because first of all, Dylan says it for Heaven's sakes, 544 00:34:19,200 --> 00:34:22,080 Speaker 1: he screams it at the girls, and that does not 545 00:34:22,360 --> 00:34:25,680 Speaker 1: roll out of a young guy's mouth. For Heaven's sakes. 546 00:34:26,120 --> 00:34:29,000 Speaker 1: The whole thing was like a little bit far fat, yeah, 547 00:34:29,040 --> 00:34:31,319 Speaker 1: but it was you know, it really had to lay 548 00:34:31,320 --> 00:34:34,480 Speaker 1: it in there for Christmas. I have two quick notes. 549 00:34:35,120 --> 00:34:39,359 Speaker 1: One is the coke machine. At one point someone got 550 00:34:39,360 --> 00:34:41,840 Speaker 1: a coke out of a drink machine, and the drink 551 00:34:41,920 --> 00:34:44,680 Speaker 1: machine was so vintage looking that I was only one 552 00:34:44,719 --> 00:34:50,920 Speaker 1: in the school hallway. I love that machine. Did it 553 00:34:51,000 --> 00:34:53,719 Speaker 1: really pop cokes out? I don't know, I must have. 554 00:34:53,760 --> 00:34:56,400 Speaker 1: I mean, I'm sure it was a man behind it 555 00:34:57,239 --> 00:35:01,640 Speaker 1: that somebody it's kind of like said here's your soda. 556 00:35:03,239 --> 00:35:07,920 Speaker 1: Then I also loved wherever they were babysitting Andrea and Brandon. 557 00:35:08,480 --> 00:35:12,400 Speaker 1: It was the ultimate late eighties house, because I know 558 00:35:12,400 --> 00:35:16,759 Speaker 1: we're in the nineties, but it was totally first of all, 559 00:35:16,840 --> 00:35:20,399 Speaker 1: multi levels, like three steps down to the TV room, 560 00:35:20,440 --> 00:35:22,719 Speaker 1: four steps sideways to the dinner room, and it had 561 00:35:22,760 --> 00:35:27,320 Speaker 1: that dark green rug, the red couch and dark wood. 562 00:35:27,360 --> 00:35:29,960 Speaker 1: I was like, whoever that? I think that was someone's house. 563 00:35:30,000 --> 00:35:31,640 Speaker 1: I wanted to hang out there. That they would have 564 00:35:31,640 --> 00:35:34,600 Speaker 1: created a set it was. It looked cool. I'm trying 565 00:35:34,640 --> 00:35:36,640 Speaker 1: to think of where we could have shot that though, 566 00:35:36,680 --> 00:35:40,800 Speaker 1: because I've never there's no set on our stage with 567 00:35:41,000 --> 00:35:43,680 Speaker 1: like that kind of dropped down living room that far 568 00:35:43,840 --> 00:35:45,759 Speaker 1: like that. That's what I'm saying, What do they call you? 569 00:35:45,920 --> 00:35:47,799 Speaker 1: What is that called a drop down living room. I 570 00:35:47,880 --> 00:35:51,280 Speaker 1: just named it that so the old drop stat because 571 00:35:51,320 --> 00:35:54,319 Speaker 1: it felt real nineties to me. I was like, yeah, 572 00:35:54,440 --> 00:35:56,359 Speaker 1: I definitely want to hang out there, not with them 573 00:35:56,760 --> 00:36:00,640 Speaker 1: making out of the couch. And this was so weird 574 00:36:00,680 --> 00:36:03,839 Speaker 1: in that scene when they're kissing and then they get 575 00:36:03,880 --> 00:36:06,520 Speaker 1: mad at each other and she's like, you were thinking 576 00:36:06,520 --> 00:36:08,759 Speaker 1: about Nikki and he's like you were thinking about Jay? 577 00:36:08,960 --> 00:36:13,279 Speaker 1: Like what? Yeah? It was there's no like there to 578 00:36:13,320 --> 00:36:15,880 Speaker 1: be keep referring to and I don't know, I just 579 00:36:15,880 --> 00:36:18,040 Speaker 1: couldn't sing it into that And how would they have 580 00:36:18,160 --> 00:36:20,440 Speaker 1: known who each other was thinking of? The kiss was 581 00:36:20,480 --> 00:36:24,320 Speaker 1: going perfectly fine, well because the angels. Maybe maybe the 582 00:36:24,400 --> 00:36:28,680 Speaker 1: angels were giving them some messages. I don't know. I 583 00:36:28,719 --> 00:36:32,120 Speaker 1: don't know. I just my takeaway on this episode is 584 00:36:33,080 --> 00:36:37,319 Speaker 1: I don't know it was. It was the takeaway. I 585 00:36:37,360 --> 00:36:41,680 Speaker 1: love it. I don't know, but yet good Well, I 586 00:36:41,760 --> 00:36:44,120 Speaker 1: just wanted to hate it, but I did love it. 587 00:36:44,160 --> 00:36:47,200 Speaker 1: But I did feel at the end, excuse me, Dylan, 588 00:36:47,560 --> 00:36:51,000 Speaker 1: you don't get to have your cookie and eat it too, 589 00:36:52,120 --> 00:36:55,120 Speaker 1: Like that was too cookies. Don't get to have cookies 590 00:36:55,840 --> 00:36:59,279 Speaker 1: and need them both. Overall, I'm going to give it 591 00:36:59,320 --> 00:37:06,359 Speaker 1: a see pretty good, pretty good, like C plus no 592 00:37:06,480 --> 00:37:08,480 Speaker 1: higher than a C plus like a B plus B 593 00:37:08,520 --> 00:37:12,839 Speaker 1: plus B plus. Yeah, yeahs Ophelia, I liked it too. 594 00:37:12,920 --> 00:37:15,720 Speaker 1: I liked it. Okay, so now it's Christmas. Then what happens? 595 00:37:16,560 --> 00:37:21,600 Speaker 1: I feel weird because we're next week's Christmas. I'm super confused. 596 00:37:22,880 --> 00:37:25,600 Speaker 1: But next week's gotta be like New Year's Eve. In 597 00:37:25,640 --> 00:37:27,840 Speaker 1: the opening scene, they showed the wall shouse with the 598 00:37:27,920 --> 00:37:31,280 Speaker 1: Christmas lights, and obviously they had to go Christmas lighted 599 00:37:31,320 --> 00:37:34,080 Speaker 1: because there was no like c g I then, so 600 00:37:34,120 --> 00:37:36,239 Speaker 1: they had to go back to those poor people, pay 601 00:37:36,320 --> 00:37:38,759 Speaker 1: them again and say, we gotta put the lights on 602 00:37:38,840 --> 00:37:41,920 Speaker 1: your house. I learn. You know what I love though 603 00:37:41,920 --> 00:37:44,840 Speaker 1: about the lights and about all of the walshes Christmas 604 00:37:44,880 --> 00:37:48,120 Speaker 1: and takeore is it was super homemade, E feeling like 605 00:37:48,200 --> 00:37:50,880 Speaker 1: it wasn't like it is in Beverly Hills where the 606 00:37:51,000 --> 00:37:54,359 Speaker 1: lights are strung perfectly by a professional. It wasn't a 607 00:37:54,400 --> 00:37:56,920 Speaker 1: tree that a bit installed by some company. It was 608 00:37:57,000 --> 00:38:00,200 Speaker 1: like their family tree and their family You're like, I 609 00:38:00,239 --> 00:38:03,160 Speaker 1: want to trim the tree, Like who says that? Don't 610 00:38:03,160 --> 00:38:04,879 Speaker 1: you say? Like I want to hang ornaments, I want 611 00:38:04,880 --> 00:38:08,200 Speaker 1: to decorate the tree. I said, that, and then I said, 612 00:38:08,239 --> 00:38:14,960 Speaker 1: for Heaven's sake, but it is true, you guys, whenever 613 00:38:15,000 --> 00:38:19,080 Speaker 1: you hear a bell, an angel is getting their wings. 614 00:38:19,840 --> 00:38:24,000 Speaker 1: So today, just today, maybe let's go out and listen, 615 00:38:24,040 --> 00:38:27,799 Speaker 1: and if you hear any bells, if you hear any 616 00:38:27,960 --> 00:38:31,200 Speaker 1: like ring ding dings, you'll know an angels getting their wings. 617 00:38:31,239 --> 00:38:38,440 Speaker 1: I can't make a bell sound that was decent. It's okay, 618 00:38:38,480 --> 00:38:40,319 Speaker 1: I get I get a paid extra for my sound 619 00:38:40,360 --> 00:38:45,120 Speaker 1: effect talents to here's another one. Here's another one. Nope, 620 00:38:45,200 --> 00:38:51,680 Speaker 1: that was a dud. Anyway, if you hear any next week, 621 00:38:51,840 --> 00:38:55,360 Speaker 1: that's a good question. Next week we have the Game 622 00:38:55,600 --> 00:39:01,560 Speaker 1: is Chicken Season three, episode seventeen. Let's all watch it 623 00:39:01,800 --> 00:39:04,360 Speaker 1: and get together and talk about it because it's so 624 00:39:04,440 --> 00:39:12,640 Speaker 1: much fun. I can't wait. Bye, guys, mh.