1 00:00:04,960 --> 00:00:07,280 Speaker 1: Welcome to Money Making Conversations. It's the show that she 2 00:00:07,320 --> 00:00:10,039 Speaker 1: has the secrets of success experience firsthand by marketing and 3 00:00:10,119 --> 00:00:13,080 Speaker 1: Brandon expert Rashan McDonald. I will know he's giving me 4 00:00:13,080 --> 00:00:16,640 Speaker 1: advice to many occasions. Indication didn't notice I'm not broke. 5 00:00:17,200 --> 00:00:20,560 Speaker 1: You know. He'll be interviewing celebrity CEOs, entrepreneurs and industry 6 00:00:20,600 --> 00:00:22,959 Speaker 1: decision makers. It's what he likes to do, it's what 7 00:00:23,040 --> 00:00:25,520 Speaker 1: he likes to share. Now it's time to hear from 8 00:00:25,520 --> 00:00:29,520 Speaker 1: my man, Rashan McDonald. Money Making Conversations. Here we come. 9 00:00:32,159 --> 00:00:35,479 Speaker 1: Thank you, Welcome to Money Making Conversations. I'm your host, 10 00:00:35,560 --> 00:00:38,960 Speaker 1: Rushean McDonald. I recognize that we all have different definitions 11 00:00:38,960 --> 00:00:41,960 Speaker 1: of success. For some, it's a sizable paycheck. Mine is 12 00:00:42,000 --> 00:00:44,440 Speaker 1: helping people wake up and inspiring them to accomplish their 13 00:00:44,479 --> 00:00:47,000 Speaker 1: goals and live their very best life. These are my 14 00:00:47,040 --> 00:00:48,879 Speaker 1: passions and that's what I'm going to do for you. 15 00:00:48,960 --> 00:00:51,640 Speaker 1: That's why I created Money Making Conversations. I want you 16 00:00:51,680 --> 00:00:54,360 Speaker 1: to stop tripping over small challenges and prepared to rise 17 00:00:54,400 --> 00:00:58,160 Speaker 1: above the bigger obstacles that life will present to you. Really, 18 00:00:58,200 --> 00:01:00,800 Speaker 1: and in the year pandemic, you have to understand that 19 00:01:01,000 --> 00:01:03,200 Speaker 1: You need relationships. You need people to believe in you, 20 00:01:03,480 --> 00:01:07,640 Speaker 1: and as you develop those relationships, they will go beyond. 21 00:01:08,520 --> 00:01:11,640 Speaker 1: My next guest is a as a survivor, is a 22 00:01:11,640 --> 00:01:15,560 Speaker 1: trooper as as as they say has a sultry voice? 23 00:01:15,640 --> 00:01:17,600 Speaker 1: Is what has a voice that I don't have? By 24 00:01:17,600 --> 00:01:19,960 Speaker 1: the way, my next guest is Will Downing, with a 25 00:01:20,040 --> 00:01:22,520 Speaker 1: career expands thirty or two years in the music business 26 00:01:22,520 --> 00:01:25,040 Speaker 1: and twenty three albums to his credit. The Prince of 27 00:01:25,120 --> 00:01:29,360 Speaker 1: Sophisticated Soul has a repertoire that consists of signature interpretations 28 00:01:29,360 --> 00:01:32,560 Speaker 1: of R and B classics like I Go Crazy, Wishing 29 00:01:32,640 --> 00:01:35,520 Speaker 1: on the Star and I Try with original hits A 30 00:01:35,560 --> 00:01:38,920 Speaker 1: Million Ways Sorry I and the show stopping duet with 31 00:01:39,000 --> 00:01:42,360 Speaker 1: Rachel Farrell. Nothing has ever felt like this. Will is 32 00:01:42,440 --> 00:01:45,600 Speaker 1: discussing his release of his latest music project, So Many 33 00:01:45,640 --> 00:01:49,160 Speaker 1: Good Die Young, a moving and powerful tribute song and video, 34 00:01:49,440 --> 00:01:51,919 Speaker 1: as well as current events such as being an artist 35 00:01:51,960 --> 00:01:56,080 Speaker 1: in the pandemic, coping with work stoppage, hosting this popular 36 00:01:56,120 --> 00:01:59,040 Speaker 1: weekly radio show, The Wine Down. Please welcome to money 37 00:01:59,080 --> 00:02:02,320 Speaker 1: making Conversation. I've seen it many times on stage in Houston, 38 00:02:02,320 --> 00:02:07,000 Speaker 1: Texas at the Arena Theater. My man Will Donnie, How 39 00:02:07,080 --> 00:02:10,519 Speaker 1: you doing pretty good, my friend? Pretty good? I mentioned 40 00:02:10,520 --> 00:02:13,040 Speaker 1: that I mentioned I threw back some history on you 41 00:02:13,560 --> 00:02:16,120 Speaker 1: the Houston, Texas That's why I'm born and raised. Many 42 00:02:16,160 --> 00:02:18,960 Speaker 1: times I've seen you in concert at the Arena theater. 43 00:02:19,160 --> 00:02:21,640 Speaker 1: Tell everybody what the arena theater is and some of 44 00:02:21,639 --> 00:02:27,360 Speaker 1: the complications that it presents for a performer like you. Well, uh, 45 00:02:27,560 --> 00:02:30,640 Speaker 1: first and foremost good to see you. I always loved 46 00:02:30,680 --> 00:02:33,919 Speaker 1: playing in the Houston area. In Houston, I mean I 47 00:02:34,240 --> 00:02:38,680 Speaker 1: think I started my first show there was that like Rockefellers. Man, Yeah, wow, 48 00:02:38,880 --> 00:02:43,880 Speaker 1: for I know exactly. Oh yeah, I just looked this way. Yeah, 49 00:02:44,320 --> 00:02:48,440 Speaker 1: my mind of works a little bit. I know exactly. Rockefellers. 50 00:02:48,520 --> 00:02:51,920 Speaker 1: There you go. Yeah. Yeah. But the Arena theater, for 51 00:02:52,000 --> 00:02:53,960 Speaker 1: those who don't know, it's a theater in the round. 52 00:02:54,000 --> 00:02:55,600 Speaker 1: It's one of the few that still exists in the 53 00:02:55,760 --> 00:02:58,120 Speaker 1: in the country. Uh, there's one in New York, and 54 00:02:58,520 --> 00:03:00,679 Speaker 1: I think maybe the Arena might be the only. There's 55 00:03:00,720 --> 00:03:04,919 Speaker 1: another one and and Arizona. But what I was gonna 56 00:03:04,919 --> 00:03:07,800 Speaker 1: say is a theater, it's a it's a stage that rotates, 57 00:03:08,240 --> 00:03:11,520 Speaker 1: so it rotates very slowly, so when you're performing, it's like, oh, 58 00:03:11,560 --> 00:03:15,359 Speaker 1: there's that lady. Is that lady again? Is that lady? 59 00:03:15,960 --> 00:03:21,120 Speaker 1: So it's a rotating stage teach about three thousand people. Yeah, yeah, 60 00:03:21,160 --> 00:03:23,800 Speaker 1: and you have to entertain because basically you have to 61 00:03:23,840 --> 00:03:26,440 Speaker 1: kind of cater to everyone. It's not like you're looking 62 00:03:26,480 --> 00:03:28,640 Speaker 1: at them, you know, head on. It's like you gotta 63 00:03:28,639 --> 00:03:30,919 Speaker 1: turn around and look this way, to look this way 64 00:03:30,960 --> 00:03:33,440 Speaker 1: and try to make everyone engage. So it's it's a 65 00:03:33,520 --> 00:03:37,880 Speaker 1: it's an interesting concept. But if you're a good entertainer, uh, 66 00:03:37,880 --> 00:03:40,680 Speaker 1: it's it's a perfect you know setting, absolutely well. You 67 00:03:40,720 --> 00:03:42,640 Speaker 1: know when we were talking about your career and that 68 00:03:42,960 --> 00:03:45,400 Speaker 1: being a singer and that you in the time, I 69 00:03:45,400 --> 00:03:47,840 Speaker 1: don't know what you consider the times we are living 70 00:03:47,880 --> 00:03:50,240 Speaker 1: in right now with the pandemic and with the social 71 00:03:50,320 --> 00:03:52,240 Speaker 1: unrest that's going about. Because I want to get to 72 00:03:52,280 --> 00:03:55,440 Speaker 1: your song so many Good Die Young and includes some 73 00:03:55,560 --> 00:03:59,400 Speaker 1: social unrest conversation and that in that tremendous song. Where 74 00:03:59,440 --> 00:04:02,120 Speaker 1: is it as an artists emotionally? Where are you at 75 00:04:02,280 --> 00:04:05,840 Speaker 1: right now? Will Downing? Well, you know what I think 76 00:04:05,880 --> 00:04:08,720 Speaker 1: that as artists and I can speak for some of 77 00:04:08,720 --> 00:04:12,000 Speaker 1: my other artists friends because we talk often. It's a 78 00:04:12,080 --> 00:04:14,600 Speaker 1: roller coaster ride, you know. Um, you know, we were 79 00:04:14,680 --> 00:04:17,000 Speaker 1: riding high for a long time. I mean, you know, 80 00:04:17,080 --> 00:04:20,080 Speaker 1: work was plentiful, and then all of a sudden in March, 81 00:04:20,520 --> 00:04:23,160 Speaker 1: this thing just sort of hit and most of us 82 00:04:23,160 --> 00:04:24,840 Speaker 1: were kind of thinking like, oh, you know, we'll be 83 00:04:24,839 --> 00:04:27,200 Speaker 1: out of work for maybe a month or so, you know, 84 00:04:27,200 --> 00:04:30,039 Speaker 1: and then we'll get back and here we are and 85 00:04:30,680 --> 00:04:35,680 Speaker 1: you know, November and even the horizon, you know that 86 00:04:35,680 --> 00:04:38,360 Speaker 1: that light at the end of the tunnel, it's very dim, 87 00:04:39,000 --> 00:04:42,120 Speaker 1: So you know, we're looking at you know, probably you know, 88 00:04:42,160 --> 00:04:45,479 Speaker 1: the mid part of one before we get back to work. 89 00:04:45,560 --> 00:04:48,720 Speaker 1: So in the meantime, you know, we have to make 90 00:04:48,800 --> 00:04:53,920 Speaker 1: do with what we have and find a new way. 91 00:04:54,600 --> 00:04:57,680 Speaker 1: Has been challenging for something interesting for us. So when 92 00:04:57,680 --> 00:04:59,560 Speaker 1: you say, because look, a lot of people look at 93 00:04:59,560 --> 00:05:02,240 Speaker 1: a singer, doesn't realize a singer or performer like you're 94 00:05:02,640 --> 00:05:05,280 Speaker 1: you're an entrepreneur. You're a business person, and so when 95 00:05:05,320 --> 00:05:06,800 Speaker 1: you're looking at the business, you have to put together 96 00:05:06,800 --> 00:05:09,799 Speaker 1: a budget and other people depend on your your touring, 97 00:05:10,000 --> 00:05:12,600 Speaker 1: your revenue that you bring to the table. Like I said, 98 00:05:12,680 --> 00:05:14,960 Speaker 1: we all expected it to be as well as I 99 00:05:15,000 --> 00:05:17,359 Speaker 1: you know, I'm an entrepreneur own the business and the 100 00:05:17,400 --> 00:05:20,560 Speaker 1: line of George, I have employees that look to me 101 00:05:20,680 --> 00:05:23,720 Speaker 1: to deliver a paycheck at least twice a month when 102 00:05:23,720 --> 00:05:26,320 Speaker 1: they expected to pay their own personal bills. And so 103 00:05:26,760 --> 00:05:28,479 Speaker 1: when they when they told us to shut down for 104 00:05:28,520 --> 00:05:31,800 Speaker 1: two months, I thought, like, you up. And maybe we've 105 00:05:31,839 --> 00:05:33,400 Speaker 1: been back up and running. But then when all the 106 00:05:33,520 --> 00:05:36,520 Speaker 1: advertising industry said, hey, we're gonna go away for the 107 00:05:36,560 --> 00:05:39,160 Speaker 1: second quarter and then the third quarter, and then we 108 00:05:39,240 --> 00:05:42,240 Speaker 1: look now when we see the pandemic is spiking again. 109 00:05:42,400 --> 00:05:44,760 Speaker 1: You know, we're over a hundred and fifty cases per day. 110 00:05:45,160 --> 00:05:47,640 Speaker 1: So that's what you're saying, is that when it looks 111 00:05:47,680 --> 00:05:50,279 Speaker 1: like it may be a potential to get turned around 112 00:05:50,360 --> 00:05:53,919 Speaker 1: and live venues start opening back up and featuring consistent, 113 00:05:54,000 --> 00:05:56,040 Speaker 1: there are some venues out there to open, but it's 114 00:05:56,080 --> 00:05:59,600 Speaker 1: inconsistent because of the fact that all people willing are 115 00:05:59,600 --> 00:06:02,880 Speaker 1: comfortable to go back into arenas. Because right now the 116 00:06:02,920 --> 00:06:06,400 Speaker 1: movie industry is dying because people are not comfortable with 117 00:06:06,520 --> 00:06:09,000 Speaker 1: going into movie theaters. So what do you think is 118 00:06:09,040 --> 00:06:11,760 Speaker 1: the big push that's gonna make a difference. Is the vaccine? 119 00:06:12,120 --> 00:06:15,040 Speaker 1: All you think a conference zone with people accept the 120 00:06:15,120 --> 00:06:19,800 Speaker 1: responsibility of wearing masks, Well, I think it's a combination 121 00:06:19,839 --> 00:06:26,400 Speaker 1: of both, and unfortunately, uh, you know, people of color 122 00:06:26,839 --> 00:06:30,039 Speaker 1: have been used as guinea pigs for you know, these 123 00:06:30,160 --> 00:06:32,560 Speaker 1: vaccines in the past, and it hasn't really worked out 124 00:06:32,560 --> 00:06:35,520 Speaker 1: well for us. So I'm assuming that a lot of 125 00:06:35,560 --> 00:06:37,200 Speaker 1: folks are sort of like, you know, I think I'm 126 00:06:37,200 --> 00:06:40,560 Speaker 1: gonna wait, you know, and and see what happens soon, 127 00:06:41,040 --> 00:06:44,720 Speaker 1: you know, other folks, and and see how this you know, 128 00:06:44,760 --> 00:06:49,080 Speaker 1: see how this vaccine works. So um. And then plus 129 00:06:49,279 --> 00:06:52,080 Speaker 1: you know, for my demographic, you know, our demographic is 130 00:06:52,120 --> 00:06:55,640 Speaker 1: slightly older. Um that you don't have to yeah, get 131 00:06:55,680 --> 00:06:57,800 Speaker 1: out of there. We know we will. But you're telling 132 00:06:57,880 --> 00:06:59,360 Speaker 1: the truth, you know, because I'm gonna tell you when 133 00:06:59,440 --> 00:07:03,599 Speaker 1: when when the uh pandemic hit in Atlanta, Georgia, eight 134 00:07:03,640 --> 00:07:05,919 Speaker 1: out of the ten cases that were in the hospital 135 00:07:06,279 --> 00:07:09,360 Speaker 1: or African Americans. And so that is why when I 136 00:07:09,440 --> 00:07:11,480 Speaker 1: look at it, the whole situation right now, you know, 137 00:07:11,520 --> 00:07:14,520 Speaker 1: that's where Donald Trump was out there campaigning. They didn't 138 00:07:14,520 --> 00:07:16,560 Speaker 1: want to say it, but they know who has been affecting. 139 00:07:16,600 --> 00:07:20,480 Speaker 1: Its affecting people of color, people over sixty five. And 140 00:07:20,480 --> 00:07:23,320 Speaker 1: that wasn't his base, and so so he was just 141 00:07:23,400 --> 00:07:27,560 Speaker 1: out there flaunting it. Again his base can get COVID nineteen, 142 00:07:27,760 --> 00:07:30,320 Speaker 1: but not like at the risk of like we can 143 00:07:30,320 --> 00:07:32,160 Speaker 1: get it. And I said, we mean people of color, 144 00:07:32,200 --> 00:07:35,880 Speaker 1: African Americans, especially when you say eight out of ten cases. 145 00:07:36,200 --> 00:07:39,120 Speaker 1: So they all know from a standpoint that you know, 146 00:07:39,440 --> 00:07:42,880 Speaker 1: that's why that that the minority community when I include 147 00:07:42,880 --> 00:07:45,920 Speaker 1: the minority, including the Latinos. But this is our audience, 148 00:07:45,960 --> 00:07:49,480 Speaker 1: and so you know our audience dollars already stretched anyway 149 00:07:49,520 --> 00:07:51,680 Speaker 1: will and so when you have us having to deal 150 00:07:51,760 --> 00:07:56,520 Speaker 1: with you know, uh no stimulus package, uh venues that 151 00:07:56,560 --> 00:07:58,760 Speaker 1: are not available for us to perform in. When I 152 00:07:58,800 --> 00:08:02,360 Speaker 1: say us, you know, I book venues. I booked talent. 153 00:08:02,440 --> 00:08:05,280 Speaker 1: I've been a talent myself as a stand up comic, 154 00:08:05,600 --> 00:08:07,600 Speaker 1: So I know what it takes and what it what 155 00:08:07,680 --> 00:08:10,760 Speaker 1: it means when you go out there with these venues opportunities, 156 00:08:10,840 --> 00:08:12,920 Speaker 1: venue opportunity, you make a difference when you used to 157 00:08:12,920 --> 00:08:15,600 Speaker 1: come in to Houston because that venue was open and 158 00:08:15,640 --> 00:08:19,200 Speaker 1: then people work through ticket booth, people did the ticket 159 00:08:19,440 --> 00:08:21,920 Speaker 1: you know, did soul drinks. And so you are like 160 00:08:21,960 --> 00:08:25,200 Speaker 1: a machine and you are a revenue generator not only 161 00:08:25,280 --> 00:08:28,040 Speaker 1: for the for yourself personally for the city of Houston. 162 00:08:28,280 --> 00:08:30,240 Speaker 1: You know, you flew into town. You know, you had 163 00:08:30,280 --> 00:08:33,360 Speaker 1: car service, hotel, so you know, I don't know if 164 00:08:33,360 --> 00:08:35,560 Speaker 1: you look at yourself at that perspective. So as you 165 00:08:35,600 --> 00:08:37,920 Speaker 1: go from town to town, you're just moving. You just 166 00:08:37,960 --> 00:08:41,080 Speaker 1: bringing your little revenue generating behind from each city, and 167 00:08:41,080 --> 00:08:43,360 Speaker 1: you're making a difference in the community. And that's not 168 00:08:43,400 --> 00:08:46,120 Speaker 1: happening anymore. And that's a really big deal. Do you 169 00:08:46,120 --> 00:08:51,600 Speaker 1: recog responsibility, Yeah, there's certainly a domino theory that you 170 00:08:51,640 --> 00:08:54,800 Speaker 1: know that you're speaking you know, um, as you said, 171 00:08:55,000 --> 00:08:59,320 Speaker 1: you know, I have eight employees that you know, eight 172 00:08:59,320 --> 00:09:02,559 Speaker 1: folks that travel with me, so band members who rely 173 00:09:02,800 --> 00:09:06,880 Speaker 1: on me in some cases not exclusively to to feed 174 00:09:06,880 --> 00:09:09,360 Speaker 1: their family, because musicians kind of jumped from you know, 175 00:09:09,520 --> 00:09:12,000 Speaker 1: artists to artists. Uh, and they make it work in 176 00:09:12,040 --> 00:09:14,760 Speaker 1: their calendar somehow so that no one gets screwed. You know. 177 00:09:14,840 --> 00:09:18,679 Speaker 1: So if I'm performing, you know, more than likely there's 178 00:09:18,720 --> 00:09:20,520 Speaker 1: someone that they're working with is not hitting at the 179 00:09:20,559 --> 00:09:24,000 Speaker 1: same time or the same uh, same same weekend, so 180 00:09:24,040 --> 00:09:26,400 Speaker 1: we can get the same folks. So needless to say, 181 00:09:26,480 --> 00:09:29,640 Speaker 1: eight or nine people I employed, uh, and they you know, 182 00:09:29,679 --> 00:09:31,840 Speaker 1: when this thing hit, they were looking at me like, 183 00:09:32,120 --> 00:09:35,040 Speaker 1: you know, hey, you want to take this chance, and 184 00:09:35,280 --> 00:09:39,679 Speaker 1: as you just said, you know, this disproportionately hits our community. 185 00:09:40,160 --> 00:09:43,840 Speaker 1: And as I was saying earlier, the age demo for us, 186 00:09:43,960 --> 00:09:46,360 Speaker 1: if even if they did open up the venues, now, 187 00:09:47,160 --> 00:09:49,320 Speaker 1: if a lot of the people that come to my 188 00:09:49,440 --> 00:09:52,280 Speaker 1: concerts check off all those boxes, you know, hot blood 189 00:09:52,280 --> 00:09:55,679 Speaker 1: pressure of a certain age, uh, you know, had pre 190 00:09:55,720 --> 00:10:00,200 Speaker 1: existing uh conditions. So if someone were to come through 191 00:10:00,559 --> 00:10:04,240 Speaker 1: the arena theater to come see me, and if someone sneeze, 192 00:10:04,600 --> 00:10:07,040 Speaker 1: people would be running up them aisle to get the 193 00:10:07,160 --> 00:10:12,240 Speaker 1: freak out and not to mention the potential loss, will 194 00:10:12,520 --> 00:10:15,000 Speaker 1: you might be running off the stage. I might be 195 00:10:15,080 --> 00:10:25,000 Speaker 1: running sneeze good night. Yeah, I mean it's just a 196 00:10:25,120 --> 00:10:29,280 Speaker 1: risk that uh right now, uh is I don't think 197 00:10:29,320 --> 00:10:33,000 Speaker 1: that's a smart thing to do. Um. I think everyone 198 00:10:33,040 --> 00:10:34,640 Speaker 1: just has to be patient, you know what I mean. 199 00:10:34,800 --> 00:10:37,400 Speaker 1: I know we've been patient for some time, and yes 200 00:10:37,440 --> 00:10:39,559 Speaker 1: we are. It looks like we are going into some 201 00:10:39,679 --> 00:10:43,720 Speaker 1: form of a second lockdown. But even with that, I mean, 202 00:10:43,800 --> 00:10:48,520 Speaker 1: you're nothing without your health. You know, you gotta you 203 00:10:48,520 --> 00:10:51,320 Speaker 1: gotta be patients. Just take your time. Well, I want 204 00:10:51,320 --> 00:10:52,760 Speaker 1: to I want to shift gears and go to the 205 00:10:53,280 --> 00:10:58,320 Speaker 1: new inspirational single. So many good Die Young. You know, 206 00:10:58,760 --> 00:11:03,400 Speaker 1: I think that we were really really stunned by the 207 00:11:03,800 --> 00:11:07,640 Speaker 1: death of Kobe and his daughter g Gi this year. 208 00:11:07,679 --> 00:11:11,000 Speaker 1: I think the world was stunned. Uh you know, from 209 00:11:11,600 --> 00:11:14,560 Speaker 1: have a daughter, so I was affected emotionally because I 210 00:11:14,600 --> 00:11:17,440 Speaker 1: know how much of my daughter means to me. And 211 00:11:17,480 --> 00:11:20,480 Speaker 1: he died with his daughter, and she was kind of 212 00:11:20,520 --> 00:11:24,920 Speaker 1: like his his his his female version of him. You know, 213 00:11:24,960 --> 00:11:28,280 Speaker 1: she played basketball, so she loved her daddy, you know 214 00:11:28,280 --> 00:11:30,240 Speaker 1: what I'm saying. Not saying the other daughters didn't love 215 00:11:30,320 --> 00:11:33,280 Speaker 1: him either, But but so many people and I starwed 216 00:11:33,400 --> 00:11:35,480 Speaker 1: and I saw the video and I looked at it 217 00:11:35,559 --> 00:11:38,840 Speaker 1: again and includes a lot of individuals that you know, 218 00:11:38,840 --> 00:11:41,200 Speaker 1: when I realized that a Leah she died when she 219 00:11:41,280 --> 00:11:43,599 Speaker 1: was twenty two, I forgot about it that she was 220 00:11:43,720 --> 00:11:47,640 Speaker 1: that young and Tupac was twenty five, I was wow, 221 00:11:47,880 --> 00:11:50,560 Speaker 1: you know, and you know you have Whitney Houston. But 222 00:11:50,640 --> 00:11:53,199 Speaker 1: before I jumped too early into us, just talk about 223 00:11:53,200 --> 00:11:55,640 Speaker 1: walk us through the steps of that song coming about 224 00:11:56,240 --> 00:11:59,199 Speaker 1: so many Good Die Young. It was released November eleven, 225 00:11:59,640 --> 00:12:02,120 Speaker 1: and one of the main reasons we are interviewing you 226 00:12:02,160 --> 00:12:04,600 Speaker 1: today is to let people know about that song and 227 00:12:04,640 --> 00:12:08,000 Speaker 1: get the word out and people start downloading and start 228 00:12:08,080 --> 00:12:11,240 Speaker 1: living with it and yeah, yeah, well, thank you very much. 229 00:12:11,360 --> 00:12:13,920 Speaker 1: Um once again. The song is entitled so Many Good 230 00:12:14,000 --> 00:12:17,440 Speaker 1: Die Young, and the inspiration for it was, I'm working 231 00:12:17,480 --> 00:12:20,000 Speaker 1: with one of my band members. We've been doing the 232 00:12:20,080 --> 00:12:24,000 Speaker 1: last my four or five records together, and we were 233 00:12:24,040 --> 00:12:26,720 Speaker 1: doing this record and I just said, you know, we 234 00:12:26,760 --> 00:12:29,040 Speaker 1: need something with a little bit more substance, that we're 235 00:12:29,040 --> 00:12:31,680 Speaker 1: missing a song. You know, I've pretty much been recording 236 00:12:31,679 --> 00:12:34,320 Speaker 1: an album since we've been off and you know, and 237 00:12:34,400 --> 00:12:36,560 Speaker 1: listening to what we've had, I said, man, we you know, 238 00:12:36,600 --> 00:12:38,640 Speaker 1: we got all the dance stuff, we got all the 239 00:12:39,040 --> 00:12:40,800 Speaker 1: you know, we got all the love songs. I said, 240 00:12:40,800 --> 00:12:43,600 Speaker 1: we need a song of substance. He said, I'm working 241 00:12:43,640 --> 00:12:48,480 Speaker 1: on something right now. That's um, It's it's sad, he said, 242 00:12:48,480 --> 00:12:50,200 Speaker 1: but it's a beautiful song. Is that you want to 243 00:12:50,200 --> 00:12:52,760 Speaker 1: hear it? I just started on it and he started 244 00:12:52,760 --> 00:12:55,960 Speaker 1: playing me so Many Good Die Young, and together we 245 00:12:56,040 --> 00:12:59,720 Speaker 1: kind of penned, uh this song. The inspiration for it 246 00:13:00,120 --> 00:13:03,760 Speaker 1: is the passing of Chadwick Boseman, you know, which was 247 00:13:03,800 --> 00:13:06,679 Speaker 1: a shop to the world as world and no one 248 00:13:06,760 --> 00:13:10,679 Speaker 1: knew It's finally here. The season of celebration, and no 249 00:13:10,720 --> 00:13:13,719 Speaker 1: matter how you celebrate with family and friends, whether you're 250 00:13:13,720 --> 00:13:17,559 Speaker 1: preparing for Reyus magos or Karamu lighting the Manura, are 251 00:13:17,600 --> 00:13:20,720 Speaker 1: going to midnight mass, Coals has just what you need 252 00:13:20,720 --> 00:13:24,400 Speaker 1: to make those traditions special. Plus you'll find gifts for 253 00:13:24,440 --> 00:13:29,360 Speaker 1: all your loved ones. Send warm wishes with cozy fleeces, sweaters, loungeware, 254 00:13:29,440 --> 00:13:33,280 Speaker 1: blankets and throws. Support minority owned or founded brands by 255 00:13:33,320 --> 00:13:37,080 Speaker 1: giving gifts from Human Nation and shame moisture, or treat 256 00:13:37,120 --> 00:13:41,319 Speaker 1: them to everyone's favorite active wear from top brands like Nike, Adidas, 257 00:13:41,320 --> 00:13:44,720 Speaker 1: and under Armour. 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That he was sick, uh, and it 283 00:15:07,160 --> 00:15:09,080 Speaker 1: kind of hit us all hard. And then it got 284 00:15:09,280 --> 00:15:11,720 Speaker 1: both of us thinking, like, how many other people have 285 00:15:11,840 --> 00:15:14,920 Speaker 1: died at this early age? And as you said, you 286 00:15:14,920 --> 00:15:20,760 Speaker 1: know people like Kaliyah, Um, Prince Michael Jackson was fifty two, 287 00:15:20,840 --> 00:15:30,120 Speaker 1: part he Martin, Luther King and Malcolm were only thirty nine. 288 00:15:30,160 --> 00:15:35,520 Speaker 1: The world Oh, no, yeah, yeah, at thirty nine, both 289 00:15:35,560 --> 00:15:39,000 Speaker 1: of them gentlemen change the world, you know, uh, And 290 00:15:39,080 --> 00:15:41,720 Speaker 1: it makes you look at yourself and what you're doing 291 00:15:41,760 --> 00:15:43,960 Speaker 1: with your life and how you're living your every day 292 00:15:44,000 --> 00:15:46,880 Speaker 1: and all those old things that you used to hear 293 00:15:46,920 --> 00:15:49,520 Speaker 1: your your aunts and your uncles and your grandparents and 294 00:15:49,560 --> 00:15:52,080 Speaker 1: your parents say, like, you know, tomorrow is not promised. 295 00:15:52,280 --> 00:15:55,040 Speaker 1: Live every day like it's your last. All of a sudden, 296 00:15:55,280 --> 00:15:58,120 Speaker 1: it's sort of like thing, all that stuff starts to 297 00:15:58,160 --> 00:16:00,800 Speaker 1: make sense to you, and you might start taking life 298 00:16:00,840 --> 00:16:04,640 Speaker 1: a little bit more seriously and enjoying life and also 299 00:16:05,160 --> 00:16:08,440 Speaker 1: adding something to society and giving something back, you know 300 00:16:08,440 --> 00:16:11,440 Speaker 1: what I mean, leaving your mark. You know. With the 301 00:16:11,520 --> 00:16:14,720 Speaker 1: advent of the Internet, which in my opinion, is one 302 00:16:14,760 --> 00:16:17,920 Speaker 1: of the greatest inventions ever made, the great one of 303 00:16:17,920 --> 00:16:21,560 Speaker 1: the greatest, but it is also one of the worst. 304 00:16:23,120 --> 00:16:28,080 Speaker 1: There's so much information out there that yet when when 305 00:16:28,120 --> 00:16:31,520 Speaker 1: something happens in the world today, if someone passes away, 306 00:16:31,960 --> 00:16:35,640 Speaker 1: it's almost like like we've become desensitized. It's kind of 307 00:16:35,680 --> 00:16:39,680 Speaker 1: like you're here and then you're not, you know, so 308 00:16:39,760 --> 00:16:42,160 Speaker 1: you're a blurb on a on a feed, you know, 309 00:16:42,200 --> 00:16:45,000 Speaker 1: if you're on one of the social media platforms. You 310 00:16:45,040 --> 00:16:47,120 Speaker 1: see it so and so passed away today and it's like, 311 00:16:47,120 --> 00:16:49,440 Speaker 1: oh my god, this is terrible, and then it rolls 312 00:16:49,520 --> 00:16:51,920 Speaker 1: up a little bit and then it's like literally just 313 00:16:52,000 --> 00:16:56,080 Speaker 1: forgotten we were talking about. And when I'm feeling the video, 314 00:16:56,160 --> 00:16:58,320 Speaker 1: when I was watching it and listening to the song, 315 00:16:58,440 --> 00:17:00,880 Speaker 1: you know, it's a lot of things going on in there, 316 00:17:01,000 --> 00:17:03,120 Speaker 1: you know, like I said, you know, because you know, 317 00:17:03,320 --> 00:17:06,040 Speaker 1: we have Kobe in there where Chadwick you know his 318 00:17:06,040 --> 00:17:08,600 Speaker 1: his untimely death. You know, we have Marvin Gaye, you 319 00:17:08,680 --> 00:17:13,359 Speaker 1: have you know, civil rights leaders mart Luther King and 320 00:17:13,520 --> 00:17:16,920 Speaker 1: uh Malcolm Max and then you had a Tupacket in there, 321 00:17:17,240 --> 00:17:20,680 Speaker 1: and then you got current even more current. George Floyd's 322 00:17:20,720 --> 00:17:24,520 Speaker 1: in there, Brianna Taylor's in there, so and and and 323 00:17:24,520 --> 00:17:28,520 Speaker 1: and putting it in the inspiring layers together, because that's 324 00:17:28,720 --> 00:17:30,520 Speaker 1: a lot of different things going on there. You know, 325 00:17:30,560 --> 00:17:33,600 Speaker 1: when you have something with Michael Jackson and printing there, 326 00:17:33,920 --> 00:17:35,800 Speaker 1: you know, you could have went all all Luther and 327 00:17:35,960 --> 00:17:38,000 Speaker 1: Ross is in there. And so I've seen this video 328 00:17:38,080 --> 00:17:40,040 Speaker 1: several times as well, so I could I could just 329 00:17:40,040 --> 00:17:42,160 Speaker 1: start rattling off, you know, my boy, and I saw 330 00:17:42,200 --> 00:17:45,280 Speaker 1: Gerald leaverte I almost and Sean I took a seatback 331 00:17:45,280 --> 00:17:48,919 Speaker 1: because Gerald's death was a shocker to Gerald Leverte uh 332 00:17:48,960 --> 00:17:51,400 Speaker 1: and so when I when I look, when it could 333 00:17:51,400 --> 00:17:54,720 Speaker 1: have been all music. Okay, because you have Witney and 334 00:17:54,760 --> 00:17:59,120 Speaker 1: and Leillah, what made you start crossing genres as far 335 00:17:59,200 --> 00:18:04,160 Speaker 1: as you know, because Chadwick and Kobe Kobe sports, Chadwick 336 00:18:04,280 --> 00:18:08,480 Speaker 1: is acting and then the death of the several arts 337 00:18:08,600 --> 00:18:11,080 Speaker 1: that led to major several arrest in the city of 338 00:18:11,160 --> 00:18:14,720 Speaker 1: Louisville is Brianna Taylor and George Floyd at the Minnesota 339 00:18:14,880 --> 00:18:16,520 Speaker 1: When did you start saying, you know something, I gonna 340 00:18:16,520 --> 00:18:20,160 Speaker 1: include everybody. I have to make sure this message goes 341 00:18:20,200 --> 00:18:22,520 Speaker 1: across board and I'm not gonna make it just a 342 00:18:22,600 --> 00:18:26,960 Speaker 1: celebrity driven piece. Well I decided to do that because 343 00:18:27,040 --> 00:18:30,280 Speaker 1: all of these people really meant something to the world 344 00:18:30,840 --> 00:18:34,240 Speaker 1: and change the world. I mean, no one, you know, 345 00:18:34,359 --> 00:18:37,359 Speaker 1: the average person didn't know who George Floyd was. And 346 00:18:37,359 --> 00:18:40,480 Speaker 1: then all of a sudden, the world is looking at 347 00:18:40,640 --> 00:18:44,159 Speaker 1: the TV and they're saying this officer with his knee 348 00:18:44,160 --> 00:18:47,680 Speaker 1: on his neck, and all of a sudden people around 349 00:18:47,720 --> 00:18:51,760 Speaker 1: the world got it, like, Okay, you know, maybe maybe 350 00:18:51,800 --> 00:18:54,639 Speaker 1: we are leaning a little bit too hard on people 351 00:18:54,680 --> 00:18:57,399 Speaker 1: of color. You know. It made the world pay attention. 352 00:18:57,480 --> 00:19:01,600 Speaker 1: They had demonstrations around the world. So it changed. It 353 00:19:01,720 --> 00:19:05,800 Speaker 1: changed all about thinking the numbers eight, four or six 354 00:19:05,800 --> 00:19:08,560 Speaker 1: in the time eight minutes and forty six seconds, all 355 00:19:08,640 --> 00:19:11,320 Speaker 1: of a sudden means something to everyone around the world. 356 00:19:11,359 --> 00:19:14,280 Speaker 1: It will almost be as iconic as nine a left. 357 00:19:14,920 --> 00:19:17,480 Speaker 1: You know. So when you think of something like that, 358 00:19:17,480 --> 00:19:19,479 Speaker 1: that's big and you need to speak on that and 359 00:19:19,560 --> 00:19:22,480 Speaker 1: let people know. And you know, and and it's funny 360 00:19:22,560 --> 00:19:25,040 Speaker 1: in the video and it's not funny. But in the video, 361 00:19:25,080 --> 00:19:28,520 Speaker 1: I put um the officer, you know, I put his 362 00:19:28,600 --> 00:19:31,560 Speaker 1: picture in the video, and some and some people commented, say, everybody, 363 00:19:31,600 --> 00:19:33,800 Speaker 1: you put the space. It's like, I never want you 364 00:19:33,840 --> 00:19:36,320 Speaker 1: to forget how this young man passed away. It was 365 00:19:36,359 --> 00:19:39,320 Speaker 1: not of natural cause. You know, I always want you 366 00:19:39,359 --> 00:19:41,760 Speaker 1: to as young folks say, stay woke. I want you 367 00:19:41,800 --> 00:19:44,920 Speaker 1: to stay awake, stay woke, you know, keep your eyes open. 368 00:19:45,040 --> 00:19:48,000 Speaker 1: This man took this young man's life at this early age, 369 00:19:48,480 --> 00:19:50,400 Speaker 1: but in a in a warp sort of a way, 370 00:19:50,480 --> 00:19:53,280 Speaker 1: he's become a martyr, you know, because now people are awake. 371 00:19:53,320 --> 00:19:55,399 Speaker 1: Every time they see that, they're kind of like, you know, 372 00:19:55,440 --> 00:19:58,280 Speaker 1: maybe they'll they'll treat people that don't look like them 373 00:19:58,320 --> 00:20:00,600 Speaker 1: a little differently, you know, and they're wake up and 374 00:20:00,680 --> 00:20:03,000 Speaker 1: kind of maybe I should give this person an opportunity. 375 00:20:03,160 --> 00:20:05,680 Speaker 1: Maybe I shouldn't be so nasty, Maybe I shouldn't you 376 00:20:05,720 --> 00:20:07,240 Speaker 1: know what I mean, Let's treat each other a little 377 00:20:07,240 --> 00:20:09,520 Speaker 1: bit more fairly. So you know that that's why I 378 00:20:09,600 --> 00:20:11,879 Speaker 1: left that in there. So everyone that's on that video 379 00:20:12,200 --> 00:20:15,639 Speaker 1: has changed the world in some sort of a way, 380 00:20:15,880 --> 00:20:18,920 Speaker 1: right from a musical standpoint, from an acting stand from 381 00:20:19,000 --> 00:20:22,360 Speaker 1: from a I think Kobe from a from a parentee standpoint, 382 00:20:22,400 --> 00:20:24,399 Speaker 1: as well as a sports figure, you know, Hall of 383 00:20:24,440 --> 00:20:26,880 Speaker 1: Fame career that he had with the l A Lakers. 384 00:20:27,119 --> 00:20:29,399 Speaker 1: But like I said, you know that's why I was 385 00:20:29,480 --> 00:20:31,800 Speaker 1: really you know, uh towards B I. G. And and 386 00:20:31,920 --> 00:20:34,080 Speaker 1: you you really got a lot of people in this 387 00:20:34,200 --> 00:20:38,359 Speaker 1: in this in this video, and it really uh took 388 00:20:38,359 --> 00:20:41,240 Speaker 1: me down memory lane. And also like when you go 389 00:20:41,280 --> 00:20:44,919 Speaker 1: from louther you go to Tupac, go to towards and 390 00:20:44,920 --> 00:20:46,840 Speaker 1: then when you look at some of me, there's tragic 391 00:20:46,840 --> 00:20:50,520 Speaker 1: because you know, Tupac was killed you know, by drive 392 00:20:50,560 --> 00:20:53,159 Speaker 1: by situation. Same thing with Tors B I G. So 393 00:20:53,200 --> 00:20:56,320 Speaker 1: a lot of these individuals were victimize and Marvin Gaye 394 00:20:56,400 --> 00:20:58,520 Speaker 1: was killed by his brother. So a lot of the 395 00:20:58,560 --> 00:21:02,760 Speaker 1: individual victimized by circumstances that that that they didn't even 396 00:21:02,800 --> 00:21:06,320 Speaker 1: see coming. Uh, didn't even have control of. It wasn't 397 00:21:06,440 --> 00:21:09,200 Speaker 1: natural causes, you know, you know, we know that live 398 00:21:09,320 --> 00:21:12,399 Speaker 1: was through a plane crash and so that's that they 399 00:21:12,400 --> 00:21:14,800 Speaker 1: didn't get a chance to live their lives to the 400 00:21:15,000 --> 00:21:17,920 Speaker 1: to the fullest because they all died young. And that's 401 00:21:17,960 --> 00:21:20,400 Speaker 1: the name of the song. So many good die young 402 00:21:20,720 --> 00:21:23,159 Speaker 1: that right now you can see it on YouTube. Uh. 403 00:21:23,280 --> 00:21:26,000 Speaker 1: It was released November eleven. I'm putting in my news 404 00:21:26,080 --> 00:21:28,679 Speaker 1: letter this week. We're all I go out there, Nanny thousand, 405 00:21:28,720 --> 00:21:31,480 Speaker 1: subscribe if you don't mind, I like, you know, put 406 00:21:31,560 --> 00:21:33,800 Speaker 1: put a few Moale views on it from from the 407 00:21:33,840 --> 00:21:42,480 Speaker 1: Money Making Conversation side, hold on, hold on, amen, from 408 00:21:42,520 --> 00:21:46,560 Speaker 1: your lips to God's is I mean another interesting thing 409 00:21:46,600 --> 00:21:48,199 Speaker 1: about the song and I'm not gonna take up too 410 00:21:48,280 --> 00:21:50,480 Speaker 1: much of your time. Oh no, no. First of all, well, 411 00:21:50,560 --> 00:21:52,880 Speaker 1: first of all, will you know your family help money 412 00:21:52,880 --> 00:21:55,480 Speaker 1: Making Conversations that it's my family because I want to 413 00:21:55,480 --> 00:21:58,679 Speaker 1: talk about more about your greatest accomplishments and because you 414 00:21:58,680 --> 00:22:01,080 Speaker 1: know the thing about it, and you create relationships and 415 00:22:01,119 --> 00:22:03,960 Speaker 1: you know the value relationships. And I created this platform 416 00:22:04,080 --> 00:22:06,720 Speaker 1: because of the fact that I wanted individuals to come 417 00:22:06,720 --> 00:22:08,479 Speaker 1: on here and talk about their music, but also talk 418 00:22:08,520 --> 00:22:11,159 Speaker 1: about their career, to talk about their brands. Because you 419 00:22:11,280 --> 00:22:15,919 Speaker 1: are iconic in this industry, you let icon there's longevity 420 00:22:15,920 --> 00:22:21,359 Speaker 1: tied to your success. So I'm just let you know. 421 00:22:21,560 --> 00:22:23,679 Speaker 1: People always say that, you know, everybody wants to be 422 00:22:23,720 --> 00:22:26,479 Speaker 1: a singer. It's hard man to come into the city 423 00:22:26,760 --> 00:22:30,000 Speaker 1: and convince somebody to take food off their table and 424 00:22:30,040 --> 00:22:33,320 Speaker 1: go buy a ticket to come see you. That's a gift. 425 00:22:34,160 --> 00:22:39,399 Speaker 1: That's it's true. Man. My my father, uh he passed 426 00:22:39,400 --> 00:22:42,280 Speaker 1: away five years ago. When I told him, you know, 427 00:22:42,320 --> 00:22:44,480 Speaker 1: many many, many many years ago, that this is what 428 00:22:44,560 --> 00:22:46,000 Speaker 1: I wanted to do for a living. One of the 429 00:22:46,040 --> 00:22:48,920 Speaker 1: first things that came out of his face for you know, well, 430 00:22:48,960 --> 00:22:52,040 Speaker 1: you know, everybody can sing, everybody can dance, everybody can 431 00:22:52,040 --> 00:22:54,680 Speaker 1: play sports. What makes you special? What makes you think 432 00:22:54,680 --> 00:22:57,520 Speaker 1: people mud spend their hard earned money to come and 433 00:22:57,560 --> 00:23:00,919 Speaker 1: see you? And you know, so me there and I 434 00:23:01,000 --> 00:23:03,479 Speaker 1: laugh about it now, but back that he was very serious. 435 00:23:03,880 --> 00:23:06,840 Speaker 1: And I remember as I was coming up, I started 436 00:23:06,840 --> 00:23:09,600 Speaker 1: out in the clubs um like around New York and 437 00:23:09,640 --> 00:23:11,199 Speaker 1: he would come and he'd come to like, you know, 438 00:23:11,280 --> 00:23:13,399 Speaker 1: two or three hundred seed there, and you know, he 439 00:23:13,480 --> 00:23:15,360 Speaker 1: kind of got it then, and I was like, you know, yeah, 440 00:23:15,400 --> 00:23:18,200 Speaker 1: this is cool. And then one time I played Carnegie 441 00:23:18,200 --> 00:23:21,639 Speaker 1: Hall and he came to Carnegie Hall and he's like, well, 442 00:23:21,760 --> 00:23:24,439 Speaker 1: you know what, who else is on the show? I'm like, 443 00:23:25,960 --> 00:23:27,600 Speaker 1: I said, no, no, Dad, it's just me? Is it? 444 00:23:28,800 --> 00:23:31,960 Speaker 1: Were you telling me all these people I come to 445 00:23:31,960 --> 00:23:35,520 Speaker 1: see you? I said, yeah, so you just need here 446 00:23:35,520 --> 00:23:37,919 Speaker 1: and your mom waa come to fill some seats. I'm like, no, no, no, no, 447 00:23:37,960 --> 00:23:41,000 Speaker 1: I said, Dad, I think it's sold up to come 448 00:23:41,040 --> 00:23:46,040 Speaker 1: see you say yeah, So I can see him from 449 00:23:46,080 --> 00:23:48,359 Speaker 1: the stage. So I come walking out on stage and 450 00:23:48,440 --> 00:23:51,720 Speaker 1: my father does this. It is the funniest thing ever. 451 00:23:52,400 --> 00:23:55,639 Speaker 1: I see him and I started singing and people are applauding, 452 00:23:55,800 --> 00:24:03,040 Speaker 1: and he's doing this. He's looking back in the audience. Yeah, 453 00:24:03,280 --> 00:24:09,919 Speaker 1: like ye see him, So like, Dad, I'm gonna kill you. 454 00:24:10,280 --> 00:24:12,480 Speaker 1: But it was it was the moment that he kind 455 00:24:12,480 --> 00:24:15,840 Speaker 1: of got it, you know, you know, iding the money 456 00:24:15,840 --> 00:24:18,080 Speaker 1: and people were singing along and he's like, okay, well, 457 00:24:18,640 --> 00:24:20,840 Speaker 1: you know, yeah, I guess, you know, I guess you 458 00:24:20,880 --> 00:24:24,639 Speaker 1: are kind of doing absolutely because the same way My 459 00:24:24,720 --> 00:24:27,200 Speaker 1: father was the same way because I did stand up comedy. 460 00:24:27,480 --> 00:24:30,080 Speaker 1: So he didn't he didn't even remotely understand how that 461 00:24:30,160 --> 00:24:33,280 Speaker 1: was gonna be a possible success turn for me. And 462 00:24:33,320 --> 00:24:36,040 Speaker 1: it wasn't. And I bought a club and uh, Houston, 463 00:24:36,040 --> 00:24:40,399 Speaker 1: Texas in two and so um. He came in and 464 00:24:40,440 --> 00:24:43,200 Speaker 1: he looked around. He said, this you and he walked 465 00:24:43,200 --> 00:24:45,440 Speaker 1: into the room. We see about three fifty people. It 466 00:24:45,560 --> 00:24:47,800 Speaker 1: was sold out. People as a line outside the door 467 00:24:47,800 --> 00:24:50,399 Speaker 1: where people couldn't get in to see me. He said, 468 00:24:51,000 --> 00:24:53,359 Speaker 1: they come here to see you. So I know exactly 469 00:24:53,800 --> 00:24:56,440 Speaker 1: when you take a person who is blue collar, true 470 00:24:56,480 --> 00:24:59,920 Speaker 1: and true. Okay, entertainment is you know back there that 471 00:25:00,080 --> 00:25:01,639 Speaker 1: Sam with David J. You know what I'm saying, that 472 00:25:01,720 --> 00:25:04,080 Speaker 1: was that was Pearl Bailey, you know to him, you 473 00:25:04,080 --> 00:25:05,840 Speaker 1: know that was that was? That was the stall and 474 00:25:05,840 --> 00:25:10,520 Speaker 1: that you know that King Cole dude, his ball, his 475 00:25:10,720 --> 00:25:13,679 Speaker 1: boy to be a Cornegan Hall, This wife country here 476 00:25:13,680 --> 00:25:15,360 Speaker 1: and now his wife folks call, I know exactly where 477 00:25:15,359 --> 00:25:18,520 Speaker 1: it was that now, and that's if anybody knows Carnegie 478 00:25:18,640 --> 00:25:20,919 Speaker 1: Hall is in Manhattan, it's one of the you know, 479 00:25:21,000 --> 00:25:24,840 Speaker 1: the classic venues. Man, it's one of the venues when 480 00:25:24,840 --> 00:25:27,199 Speaker 1: you started making it in this business. You know. You know, 481 00:25:27,320 --> 00:25:30,679 Speaker 1: you play Carnegie Hall, you know, then you play like 482 00:25:30,800 --> 00:25:33,320 Speaker 1: you get really big, play you know, play their Masterson 483 00:25:33,359 --> 00:25:37,960 Speaker 1: Square Guard, play any place like the Fox, any of 484 00:25:37,960 --> 00:25:40,720 Speaker 1: the Fox theaters, you know, and you sell all those 485 00:25:40,720 --> 00:25:47,120 Speaker 1: bad boys. Your career is on fine wine Lane right there. Yeah, yeah, 486 00:25:47,400 --> 00:25:50,040 Speaker 1: you're saying something. So it was. It was an Hall 487 00:25:50,119 --> 00:25:52,840 Speaker 1: moment and it's and it's also good to know that 488 00:25:52,840 --> 00:25:55,080 Speaker 1: people do you know, spend their hard earned money to 489 00:25:55,160 --> 00:25:57,560 Speaker 1: come see you, you know, and it's it's tough out there, 490 00:25:57,600 --> 00:26:00,480 Speaker 1: you know, and and you know people have responded stabilities, 491 00:26:00,520 --> 00:26:03,240 Speaker 1: they have children, they have bills, you know, and for 492 00:26:03,280 --> 00:26:05,840 Speaker 1: someone to kind of say, I'm gonna take my money 493 00:26:06,000 --> 00:26:09,080 Speaker 1: and go see this person, right, you know, that means 494 00:26:09,080 --> 00:26:11,960 Speaker 1: a lot. Well, my whole thing that, like I said, 495 00:26:12,320 --> 00:26:14,560 Speaker 1: what you're taking the time to come on money making conversation, 496 00:26:14,640 --> 00:26:17,479 Speaker 1: Will is that you know, your your brand is like 497 00:26:17,520 --> 00:26:21,520 Speaker 1: I said, you know you're so humble, but believe me 498 00:26:21,560 --> 00:26:24,320 Speaker 1: when I hear I try. You know, you know you're 499 00:26:24,359 --> 00:26:26,359 Speaker 1: sitting on that stool. I can see that video, right 500 00:26:26,440 --> 00:26:29,400 Speaker 1: now you know you're sitting on that stood that black 501 00:26:29,440 --> 00:26:32,920 Speaker 1: and white. But this bar do you remember too even 502 00:26:32,960 --> 00:26:41,720 Speaker 1: remember too much? Well, I can't sing, but I can 503 00:26:41,800 --> 00:26:43,719 Speaker 1: be you though, you know what I'm saying. I can 504 00:26:43,800 --> 00:26:48,120 Speaker 1: imagine myself being you because of the fact that your gifts, 505 00:26:48,119 --> 00:26:51,200 Speaker 1: your talent, man, you're you. You've given us a sound 506 00:26:51,280 --> 00:26:53,920 Speaker 1: that relaxes me. You know what I'm saying that that 507 00:26:54,040 --> 00:26:57,200 Speaker 1: makes me feel good about the tomorrow. And that's all 508 00:26:57,280 --> 00:27:00,439 Speaker 1: that we ask And your song and you know so 509 00:27:00,480 --> 00:27:03,640 Speaker 1: many good die young. It's really about a song about tomorrow. 510 00:27:03,680 --> 00:27:07,600 Speaker 1: Like you said, you know, never never look to today 511 00:27:07,960 --> 00:27:09,879 Speaker 1: and say I can do it tomorrow, do it today 512 00:27:09,920 --> 00:27:12,240 Speaker 1: if you can do it today today, And that's what 513 00:27:12,280 --> 00:27:14,600 Speaker 1: you're saying with that song, and and and and and 514 00:27:14,640 --> 00:27:17,600 Speaker 1: putting it together again, came I November Loving I'm putting 515 00:27:17,600 --> 00:27:20,480 Speaker 1: into my newsletter, will you know, because you're part of 516 00:27:20,480 --> 00:27:23,560 Speaker 1: my repertoire. Like I said, I'm happy, I see this 517 00:27:23,640 --> 00:27:25,000 Speaker 1: gets to me to be a fan because I've been 518 00:27:25,040 --> 00:27:27,160 Speaker 1: a fan of all these years. Will I've been seeing 519 00:27:27,200 --> 00:27:29,359 Speaker 1: you at the arena, theaters and all that good stuff, 520 00:27:29,600 --> 00:27:31,199 Speaker 1: you know, coming in there. Right. So that was one 521 00:27:31,240 --> 00:27:33,719 Speaker 1: of those guys like your daddy. That's my man right there, 522 00:27:33,760 --> 00:27:37,800 Speaker 1: but he don't know yet, but now we do know 523 00:27:37,960 --> 00:27:41,080 Speaker 1: each other and my brother. Just keep the legacy building, man. 524 00:27:41,119 --> 00:27:42,880 Speaker 1: I hope you realize that you have a home here 525 00:27:42,920 --> 00:27:45,760 Speaker 1: with money making conversations, and I will promote you man. 526 00:27:45,840 --> 00:27:48,199 Speaker 1: And like I said, when this pandemic pulls up, I 527 00:27:48,240 --> 00:27:51,400 Speaker 1: know you'll be traveling when you come down through Atlanta, Georgia, 528 00:27:51,440 --> 00:27:53,760 Speaker 1: That's where I'm based. IM gonna invite you down into 529 00:27:53,760 --> 00:27:56,520 Speaker 1: the studio and we go one on one and we 530 00:27:56,640 --> 00:27:59,359 Speaker 1: just keep building this relationship and just keep keep sending 531 00:27:59,359 --> 00:28:02,600 Speaker 1: the message the world down and sound the Prince of 532 00:28:02,720 --> 00:28:08,840 Speaker 1: Sophisticated Soul. Thank you, Thank you so much. I appreciate you. Man. 533 00:28:09,680 --> 00:28:12,439 Speaker 1: We talked to well, you got it. Thank you. If 534 00:28:12,480 --> 00:28:14,480 Speaker 1: you want to hear more money making conversations, please go 535 00:28:14,520 --> 00:28:17,680 Speaker 1: to money Making Conversations got dot com with Sean McDowell. 536 00:28:17,880 --> 00:28:24,720 Speaker 1: I'm your host. In this season of giving Coals has 537 00:28:24,720 --> 00:28:27,240 Speaker 1: gifts for all your loved ones. 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