1 00:00:04,080 --> 00:00:07,480 Speaker 1: Welcome to Aaron Benky's Cabinet of Curiosities, a production of 2 00:00:07,480 --> 00:00:13,840 Speaker 1: I Heart Radio and Grim and Mild. Our world is 3 00:00:13,960 --> 00:00:17,960 Speaker 1: full of the unexplainable, and if history is an open book, 4 00:00:18,280 --> 00:00:21,640 Speaker 1: all of these amazing tales are right there on display, 5 00:00:22,000 --> 00:00:27,600 Speaker 1: just waiting for us to explore. Welcome to the Cabinet 6 00:00:27,840 --> 00:00:39,199 Speaker 1: of Curiosities. The dead are never truly gone. We remember 7 00:00:39,240 --> 00:00:41,760 Speaker 1: them in all sorts of ways. Today we have the 8 00:00:41,800 --> 00:00:44,720 Speaker 1: convenience of cameras in our pockets that can store hours 9 00:00:44,800 --> 00:00:47,960 Speaker 1: of video footage and thousands of photographs, so we never 10 00:00:48,000 --> 00:00:51,639 Speaker 1: forget before we had such luxuries, though the dead were 11 00:00:51,680 --> 00:00:55,160 Speaker 1: commemorated using other methods. A widow might have kept some 12 00:00:55,240 --> 00:00:57,720 Speaker 1: of her late husband's hair in a locket around her neck. 13 00:00:58,160 --> 00:01:01,320 Speaker 1: Death masks were also a popular way to preserve someone's 14 00:01:01,400 --> 00:01:04,440 Speaker 1: visage by making a cast of their face using wax 15 00:01:04,640 --> 00:01:08,120 Speaker 1: or plaster. In fact, wax was the preferred medium for 16 00:01:08,280 --> 00:01:11,160 Speaker 1: Marie Grossoltz, who made death masks of some of the 17 00:01:11,160 --> 00:01:14,760 Speaker 1: French Revolution's most famous casualties, and it was pretty easy 18 00:01:14,840 --> 00:01:18,839 Speaker 1: for her too, since she only needed their heads. Marie 19 00:01:18,920 --> 00:01:22,200 Speaker 1: was born in seventeen sixty one in Strasburg, France, she 20 00:01:22,440 --> 00:01:24,760 Speaker 1: never knew her father. He was killed in battle during 21 00:01:24,760 --> 00:01:27,440 Speaker 1: the Seven Years War two months before she was born. 22 00:01:27,880 --> 00:01:30,800 Speaker 1: Six years later, her mother uprooted the family and whisked 23 00:01:30,840 --> 00:01:33,640 Speaker 1: them all off to Switzerland. Marie's mother had found work 24 00:01:33,680 --> 00:01:36,160 Speaker 1: as a housekeeper in the home of a noted doctor, 25 00:01:36,319 --> 00:01:39,959 Speaker 1: Philippe Cursuisse, who immediately took a shine to the young girl. 26 00:01:40,720 --> 00:01:43,400 Speaker 1: Under his tutelage, Marie learned how to work with wax, 27 00:01:43,680 --> 00:01:46,600 Speaker 1: molding and shaping it to her will. She even accompanied 28 00:01:46,600 --> 00:01:48,920 Speaker 1: Philippe to Paris, where she lived for much of her 29 00:01:48,920 --> 00:01:53,440 Speaker 1: life thereafter. In seventeen seventy seven, Marie demonstrated all she 30 00:01:53,480 --> 00:01:56,480 Speaker 1: had learned in her first solo venture, a wax sculpture 31 00:01:56,560 --> 00:02:00,200 Speaker 1: of French philosopher Voltaire. One year later, the student had 32 00:02:00,200 --> 00:02:03,320 Speaker 1: become the teacher. She traveled to Versailles to teach art 33 00:02:03,360 --> 00:02:07,440 Speaker 1: to a single student, King Louis the sixteenth sister Elizabeth. 34 00:02:08,160 --> 00:02:10,800 Speaker 1: After that, Marie was invited to live at the palace. 35 00:02:11,040 --> 00:02:14,079 Speaker 1: For roughly a decade, she sat in on private conversations 36 00:02:14,120 --> 00:02:16,839 Speaker 1: among the royals, building their trust and becoming a kind 37 00:02:16,840 --> 00:02:19,560 Speaker 1: of confidant to them. She had begun her time as 38 00:02:19,560 --> 00:02:22,640 Speaker 1: an educator, but wound up making some important friends along 39 00:02:22,680 --> 00:02:27,360 Speaker 1: the way. Unfortunately, nothing good last forever. The political climates 40 00:02:27,360 --> 00:02:29,920 Speaker 1: of the time was dangerous for someone in Marie's shoes. 41 00:02:30,200 --> 00:02:33,200 Speaker 1: You might even say it was revolting. Thousands of French 42 00:02:33,240 --> 00:02:35,400 Speaker 1: citizens were about to rise up, and they were not 43 00:02:35,520 --> 00:02:39,040 Speaker 1: going to let the art teacher for the aristocracy get away. 44 00:02:39,440 --> 00:02:41,919 Speaker 1: Marie left Verssilles the night before the start of the 45 00:02:41,960 --> 00:02:44,840 Speaker 1: French Revolution and fled back to Paris to hide with 46 00:02:44,880 --> 00:02:47,720 Speaker 1: her mother and Philippe. A handful of years later, however, 47 00:02:47,760 --> 00:02:50,600 Speaker 1: the revolution caught up with them. All three were hauled 48 00:02:50,600 --> 00:02:54,160 Speaker 1: away to the forced prison, accused of being royal sympathizers. 49 00:02:54,200 --> 00:02:57,680 Speaker 1: Marie's hair was even shaved off in preparation for her beheading. 50 00:02:58,680 --> 00:03:01,080 Speaker 1: Luckily for her, Philippe was able to get her released 51 00:03:01,080 --> 00:03:04,160 Speaker 1: with the help of an influential friend. But instead of escaping, 52 00:03:04,280 --> 00:03:07,280 Speaker 1: Marie decided to stick around, putting her talents to work 53 00:03:07,320 --> 00:03:11,120 Speaker 1: by making death masks of famous royals, including her former boss, 54 00:03:11,360 --> 00:03:16,200 Speaker 1: Louis the sixteenth and Marie Antoinette. Billip died the following 55 00:03:16,280 --> 00:03:19,600 Speaker 1: year in sevent and left his former student with the 56 00:03:19,639 --> 00:03:22,240 Speaker 1: wax figures he'd created over the course of his life. 57 00:03:22,560 --> 00:03:25,320 Speaker 1: As she got older, Marie settled down. She got married 58 00:03:25,360 --> 00:03:28,480 Speaker 1: and had three children, but continued to pursue her passion. 59 00:03:29,160 --> 00:03:31,560 Speaker 1: She was able to get her wax portraits exhibited in 60 00:03:31,639 --> 00:03:34,800 Speaker 1: London in eighteen o two. They weren't exactly a hit, 61 00:03:35,120 --> 00:03:37,480 Speaker 1: but that didn't stop her from trying in other parts 62 00:03:37,520 --> 00:03:40,520 Speaker 1: of England. She toured the country for over thirty years, 63 00:03:40,760 --> 00:03:44,000 Speaker 1: setting up temporary showcases where visitors could gawk at the 64 00:03:44,120 --> 00:03:47,960 Speaker 1: lifelike figures of people who had died long ago. It 65 00:03:48,080 --> 00:03:51,360 Speaker 1: wasn't until the early eighteen thirties when Marie finally found 66 00:03:51,360 --> 00:03:54,200 Speaker 1: a permanent home for her work on London's Baker Street. 67 00:03:54,680 --> 00:03:56,880 Speaker 1: It was a whole floor of the Baker Street Bazaar, 68 00:03:57,280 --> 00:03:59,760 Speaker 1: and one of its highlights was what one magazine called 69 00:04:00,080 --> 00:04:03,360 Speaker 1: the Chamber of Horrors. That section of the exhibit featured 70 00:04:03,400 --> 00:04:07,320 Speaker 1: the figures she had done of the French Revolutions victims. Today, 71 00:04:07,320 --> 00:04:10,160 Speaker 1: the Chamber has come to hold wax representations of some 72 00:04:10,240 --> 00:04:12,880 Speaker 1: of the most notorious people to ever walk the earth, 73 00:04:13,240 --> 00:04:17,880 Speaker 1: including Adolf Hitler, Genghis Khan, and vlad the Impaler. Over 74 00:04:17,880 --> 00:04:21,320 Speaker 1: the years, many of Marie's statues were lost, some melted 75 00:04:21,320 --> 00:04:24,279 Speaker 1: in a fire, while others were destroyed during World War Two, 76 00:04:24,720 --> 00:04:27,400 Speaker 1: but because she had the foresight to make molds of them, 77 00:04:27,440 --> 00:04:33,040 Speaker 1: they were easily recreated and duplicated. Marie died in eighteen fifty, 78 00:04:33,080 --> 00:04:35,600 Speaker 1: but her work lives on all around the world in 79 00:04:35,640 --> 00:04:39,920 Speaker 1: places like London, Hong Kong, Washington, d C. New York City, 80 00:04:39,960 --> 00:04:43,080 Speaker 1: and Las Vegas, to name a few. New figures are 81 00:04:43,120 --> 00:04:46,160 Speaker 1: being added to her exhibits each year as well, including 82 00:04:46,200 --> 00:04:49,599 Speaker 1: movie stars and politicians, and those who want to see 83 00:04:49,640 --> 00:04:53,640 Speaker 1: the lasting wax legacy of Madame Marie Grossholtz need only 84 00:04:53,720 --> 00:04:56,920 Speaker 1: to look for the sign outside bearing her married name 85 00:04:57,600 --> 00:05:13,920 Speaker 1: Madam Too, So nobody wants to work on their day off. 86 00:05:13,920 --> 00:05:16,000 Speaker 1: The last thing anyone wants is to get an email 87 00:05:16,040 --> 00:05:18,479 Speaker 1: from their boss when they're supposed to be relaxing, or 88 00:05:18,520 --> 00:05:22,679 Speaker 1: a call about an urgent crisis during their vacation. Judith 89 00:05:22,720 --> 00:05:25,840 Speaker 1: had scheduled some time off in nineteen sixty nine. Luckily 90 00:05:25,960 --> 00:05:28,080 Speaker 1: she didn't have to come back into the office since 91 00:05:28,080 --> 00:05:30,320 Speaker 1: she'd finished her work ahead of time, and a good 92 00:05:30,320 --> 00:05:33,839 Speaker 1: thing too, Otherwise the astronauts of the Apollo thirteen mission 93 00:05:33,880 --> 00:05:37,360 Speaker 1: would have been in serious trouble. Judith was born in Brooklyn, 94 00:05:37,360 --> 00:05:40,479 Speaker 1: New York, in nineteen thirty three. Growing up, she became 95 00:05:40,480 --> 00:05:43,719 Speaker 1: known for two things, her ballet dancing and her stellar 96 00:05:43,800 --> 00:05:46,920 Speaker 1: math skills. She not only tutored her classmates in math, 97 00:05:47,040 --> 00:05:49,080 Speaker 1: she also earned a little money on the side by 98 00:05:49,120 --> 00:05:52,279 Speaker 1: doing their homework for them. She was so skilled, in fact, 99 00:05:52,320 --> 00:05:56,120 Speaker 1: that Brooklyn College offered her a full scholarship to pursue mathematics. 100 00:05:56,600 --> 00:05:59,200 Speaker 1: But once she got there, she realized her true passion 101 00:05:59,279 --> 00:06:02,560 Speaker 1: was in engineer ring. She switched majors, splitting her time 102 00:06:02,600 --> 00:06:06,680 Speaker 1: between school and dancing in New York's Metropolitan Opera Ballet Company. 103 00:06:06,760 --> 00:06:09,240 Speaker 1: But in nineteen fifty two, she left the East Coast 104 00:06:09,279 --> 00:06:11,760 Speaker 1: and Brooklyn College for a new life and a new 105 00:06:11,800 --> 00:06:15,440 Speaker 1: engineering career in California. Her skills had earned her a 106 00:06:15,480 --> 00:06:18,720 Speaker 1: position at North American Aviation, the birthplace of the P 107 00:06:18,920 --> 00:06:21,920 Speaker 1: fifty one Mustang fighter plane and the B twenty five 108 00:06:22,000 --> 00:06:26,000 Speaker 1: Mitchell bomber. When she wasn't designing aircraft components, though Judith 109 00:06:26,040 --> 00:06:29,720 Speaker 1: continued to pursue her bachelor's degree at USC, she also 110 00:06:29,800 --> 00:06:32,920 Speaker 1: started building systems and parts for the United States budding 111 00:06:33,040 --> 00:06:37,320 Speaker 1: space program. Judith Cohen graduated in nineteen fifty seven and 112 00:06:37,400 --> 00:06:41,000 Speaker 1: moved on from North American Aviation to a new aerospace company, 113 00:06:41,080 --> 00:06:45,560 Speaker 1: Space Technologies Laboratories, was working on several interesting projects, one 114 00:06:45,560 --> 00:06:47,800 Speaker 1: of which she would play an integral part in. Some 115 00:06:47,920 --> 00:06:51,040 Speaker 1: years later, they were developing a capsule that was going 116 00:06:51,080 --> 00:06:54,400 Speaker 1: to be launched into space and landed safely on the Moon. 117 00:06:54,680 --> 00:06:57,880 Speaker 1: It was part of a new initiative called the Apollo Program. 118 00:06:57,960 --> 00:07:01,240 Speaker 1: Judith spent the next several years working on specific aspects 119 00:07:01,320 --> 00:07:05,719 Speaker 1: of Apollo, including the lunar modules abort guidance system. The 120 00:07:05,760 --> 00:07:08,960 Speaker 1: abort guidance system allowed the astronauts to abort a lunar 121 00:07:09,040 --> 00:07:13,080 Speaker 1: landing if the modules primary guidance system malfunctioned, which is 122 00:07:13,160 --> 00:07:17,120 Speaker 1: exactly what happened during the Apollo thirteen mission. On April 123 00:07:17,160 --> 00:07:20,240 Speaker 1: eleventh of nineteen seventy, Jim Level and his crew were 124 00:07:20,320 --> 00:07:23,440 Speaker 1: launched into orbit from Kennedy Space Center in Florida. The 125 00:07:23,440 --> 00:07:26,000 Speaker 1: original plan had been to land on the Moon, but 126 00:07:26,120 --> 00:07:28,880 Speaker 1: one of the oxygen tanks exploded two days into the 127 00:07:28,920 --> 00:07:32,160 Speaker 1: mission and contact with the lunar surface could not be made. 128 00:07:32,760 --> 00:07:36,680 Speaker 1: Communications dropped out for almost two seconds a lifetime if 129 00:07:36,720 --> 00:07:40,120 Speaker 1: you're stranded in a cramped box hurtling through space. As 130 00:07:40,160 --> 00:07:43,480 Speaker 1: electrical malfunctions flickered, it was clear there was no way 131 00:07:43,560 --> 00:07:45,680 Speaker 1: Level and his men were going to reach the Moon. 132 00:07:46,400 --> 00:07:49,480 Speaker 1: The problem now was in getting home. With help from 133 00:07:49,480 --> 00:07:52,600 Speaker 1: Mission control back in Houston, the crew devised a new 134 00:07:52,640 --> 00:07:55,440 Speaker 1: way to return to Earth. By looping around the Moon. 135 00:07:55,880 --> 00:07:58,200 Speaker 1: At the right time, they would fire up the module's 136 00:07:58,240 --> 00:08:02,120 Speaker 1: engines and slingshot the vessel back to Earth. A critical 137 00:08:02,200 --> 00:08:05,040 Speaker 1: part of the plan was in executing a direct abort 138 00:08:05,160 --> 00:08:08,200 Speaker 1: of the landing procedure. Otherwise the module would have descended 139 00:08:08,200 --> 00:08:10,480 Speaker 1: to the Moon's surface and the crew would have died there. 140 00:08:10,800 --> 00:08:13,120 Speaker 1: Thanks to Judith Cohen and her work on the abort 141 00:08:13,160 --> 00:08:16,120 Speaker 1: guidance system, Level and his team were able to avoid 142 00:08:16,160 --> 00:08:19,760 Speaker 1: the lunar detour and make it home. Cohen took her 143 00:08:19,840 --> 00:08:24,040 Speaker 1: job and her responsibilities very seriously, So seriously, in fact, 144 00:08:24,080 --> 00:08:26,240 Speaker 1: that she even worked while she was giving birth. One 145 00:08:26,320 --> 00:08:29,920 Speaker 1: year earlier, in August of nineteen sixty nine, Judith went 146 00:08:29,960 --> 00:08:33,040 Speaker 1: into labor while working on a difficult problem at the office, 147 00:08:33,200 --> 00:08:36,679 Speaker 1: presumably related to the abort guidance system. Rather than leave 148 00:08:36,679 --> 00:08:39,200 Speaker 1: it unsolved, though, she printed it out and took it 149 00:08:39,240 --> 00:08:42,520 Speaker 1: with her to the hospital. After several hours of labor, 150 00:08:42,679 --> 00:08:44,720 Speaker 1: she called the office and let her boss know that 151 00:08:44,760 --> 00:08:47,600 Speaker 1: she had solved the problem. Oh and she had also 152 00:08:47,800 --> 00:08:50,600 Speaker 1: just given birth to a little boy who would eventually 153 00:08:50,600 --> 00:08:53,960 Speaker 1: grow up to become a world famous actor and musician, 154 00:08:54,800 --> 00:09:01,480 Speaker 1: none other than Jack Black. I hope you've enjoyed today's 155 00:09:01,480 --> 00:09:05,160 Speaker 1: guided tour of the Cabinet of Curiosities. Subscribe for free 156 00:09:05,200 --> 00:09:07,880 Speaker 1: on Apple Podcasts, or learn more about the show by 157 00:09:07,960 --> 00:09:12,959 Speaker 1: visiting Curiosities podcast dot com. The show was created by 158 00:09:12,960 --> 00:09:16,600 Speaker 1: me Aaron Mankey in partnership with how Stuff Works. I 159 00:09:16,679 --> 00:09:20,479 Speaker 1: make another award winning show called Lore, which is a podcast, 160 00:09:20,600 --> 00:09:23,560 Speaker 1: book series, and television show, and you can learn all 161 00:09:23,559 --> 00:09:27,120 Speaker 1: about it over at the World of Lore dot com. 162 00:09:27,160 --> 00:09:30,560 Speaker 1: And until next time, stay curious. Yea