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Speaker 1: You want anywhere else, so you're friend fronds. The world's

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Speaker 1: most stagers want to sell the cameras. I don't agree.

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Speaker 1: What is this list? The city South with DJ Henvy

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Speaker 1: the captain of this the only one who can keep

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Speaker 1: these guys in chat charge. God is the breakfast club

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Speaker 1: pictation is your time to get it off your chests,

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Speaker 1: whether you're man or blessed, so so you better have

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Speaker 1: the same industry. We want to hear from you on

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Speaker 1: the breakfast club? Hello, who's this good chest brow? I

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Speaker 1: wanted to just spread some good news, and I wanted

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Speaker 1: to tell y'all thinks. I don't think y'all know how

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Speaker 1: I'm pointing. Y'all are out here, Charlomagne Henry, and yet

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Speaker 1: y'all sometimes feel like you just think of how y'all

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Speaker 1: what y'all do for people on a regularation? Thank you

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Speaker 1: someone all, but everybody got time to be thinking about

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Speaker 1: that bottom of like you do? Ask she when she

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Speaker 1: humbly talk to people and getting good as good advice.

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Speaker 1: Then she traveled to cities and countries, controvel to state

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Speaker 1: this country, doing seminars and powering our sisters, you know,

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Speaker 1: the short sisters what they can do how they can

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Speaker 1: become and they can grow up and blow up. Charlotte Magne,

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Speaker 1: you constantly big ingen up a pc us, right, Oh,

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Speaker 1: y'all do pretty much fund raisers, they help presidents to

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Speaker 1: go to college. Then you channel a mental awareness and

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Speaker 1: you donate the brothers and sisters are helping sisters and

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Speaker 1: brothers wood mental illnesses because you know how to fake

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Speaker 1: the you right, Yeah, definitely, we appreciate now, we appreciate

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Speaker 1: you for recognizing. We appreciate you for recognizing the work.

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Speaker 1: That's nice it is, and even envy you travel this

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Speaker 1: country polar seminars, you don't be probably be Boston, and

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Speaker 1: then you people ain't your family and friends? Y allay

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Speaker 1: do this to people? Y'all don't even know. I don't

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Speaker 1: want let y'all know. We appreciate y'all man, and we

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Speaker 1: have because we wouldn't even be in the position that

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Speaker 1: we're in without you. So that's right. We got your

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Speaker 1: Universal Basic income check coming in the mail for you know,

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Speaker 1: bigging us up this morning. Thank you for that. Thank you. Brother. Hello,

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Speaker 1: who's this? Hey, good morning man. This Jermaine out Atlanta

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Speaker 1: with Bombay Voda. We're going on guys, what's up, Jamaine?

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Speaker 1: Hey man, just want to send some positive vibes, positive

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Speaker 1: energy out there. Man, scar every time they prayed up,

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Speaker 1: we're gonna get through this. And man, just it was

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Speaker 1: trying time y'all, so like, let's just stick together on

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Speaker 1: the hey say nothing but pray for America. This is

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Speaker 1: exactly why Donald Trump is saying in America first we

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Speaker 1: should have led with pray for America. I pray for

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Speaker 1: us first, pray for us. Say America, y'all all of y'all, Man,

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Speaker 1: pray for America. Man, Like, how y'all doing though? How

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Speaker 1: y'all doing, because y'all we're doing good? Man, We blessed

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Speaker 1: with we love. We're talking to the good people. Man,

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Speaker 1: we are right. Man. Hello, who's this? He this Chandler

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Speaker 1: from CLEMSONIO. How y'all doing? Hey man, we're good morning,

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Speaker 1: high schood morning. Just wanting to let y'all know, you

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Speaker 1: know this, this coronavirus ain't scaring me. I still uber

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Speaker 1: all weekend, still my money. You know what I'm saying.

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Speaker 1: I'm still outside with its inside. I'm saying, chairless, stay

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Speaker 1: your ass inside, bro, there's no reason to be outside.

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Speaker 1: All you're doing is you probably you could be infecting people,

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Speaker 1: or you can get infected. Just stay your ass home, bro,

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Speaker 1: I'm gonna do my best. I'm gonna definitely do my best,

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Speaker 1: all right, brother. Hello, Who's this is Chris from Bloomfield,

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Speaker 1: New Jersey. I just want to give a shout out

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Speaker 1: to everybody who out here is still grinding. I want

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Speaker 1: to give a shout out to you guys at the

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Speaker 1: radio stations was keeping us, you know, calm and entertained,

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Speaker 1: and I want to give a shout out, Like I

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Speaker 1: said again to Bloomfield Police Department, Fire department. They holding

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Speaker 1: it down for us. Hello. Who's this? Warren from Norfolk, Virginia,

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Speaker 1: Warren from the seven five seven. Get it off your chest, bro,

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Speaker 1: how are you doing? Good morning to DJ Envy Sharpote

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Speaker 1: and God Angela even more. It's one to say, having

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Speaker 1: a tough week, got this coronavirus going around the world,

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Speaker 1: got a lot going on at work, got legal problems,

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Speaker 1: but everything's gonna be all right by the end of

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Speaker 1: the day. You got to keep your head up, keep

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Speaker 1: moving forward. There you go. It could be worse. You

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Speaker 1: could have the coronavirus, sir, Yes, yes, thank you. Charlotte Mane.

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Speaker 1: Men that's right, but we all got to get through it.

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Speaker 1: We gotta be come together. It don't matter about We

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Speaker 1: don't got no choice, no anything. Everybody got to come

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Speaker 1: together and be one. Get this out of the way

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Speaker 1: and get this stuff out of the way. And yeah,

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Speaker 1: that is very true. This is something that impacts us all.

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Speaker 1: Keep your head up, bro, Hello, who's this? All right?

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Speaker 1: This is Courtney Renette? How I is? Hey? Courtney Renette?

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Speaker 1: Get it off your chest, mama, Well, I don't have

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Speaker 1: anything on my chest. I just wanted to really wish

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Speaker 1: my sister, Brittany marshake I happy twenty nice birthdays. Happy birthday,

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Speaker 1: all right, well, happy birthday to her. She can't go

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Speaker 1: on the way to celebrate what y'all doing. No, we

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Speaker 1: already heard of. All weekend we had a couple of

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Speaker 1: house parties with all our family and friends. You know,

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Speaker 1: everybody was coornthizers and lifefall. Social distancing. No, no social distancing.

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Speaker 1: You're supposed to be six feet away from each other.

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Speaker 1: To shame on y'all. I know, but you know in

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Speaker 1: South Carolina, solive as you already know, get it off

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Speaker 1: your chests. Eight hundred five eight five one on five

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Speaker 1: one if you need to vent hit this up now.

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Speaker 1: It's the Breakfast Club. Good morning. It is your time

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Speaker 1: to get it off your chests, whether you're Man or blast,

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Speaker 1: so people to have the same. Anything we want to

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Speaker 1: hear from you on the Breakfast Club, he'll know who's this. Hey,

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Speaker 1: this was a lot of us as up. Bro. How

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Speaker 1: you feeling the day, man, I'm feeling fine. One love

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Speaker 1: to you all, One love to y'all in these get

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Speaker 1: it off your chests. Brother, man, I'm upset about that

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Speaker 1: black authors of sci Fire have no outlets really, like

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Speaker 1: we're kind of rejecting and thrown and loose from the

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Speaker 1: film industry to the book literaries, to the publishing companies.

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Speaker 1: You know, like we really need some some better outlets

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Speaker 1: with black Sci Fire authors. Now, I agree Smooth, my

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Speaker 1: dude's investor, he got this line call planet dead, But

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Speaker 1: I agree with you. It's only because they don't take

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Speaker 1: us serious in that space right now. They look at

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Speaker 1: black people and they think we're only supposed to be

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Speaker 1: writing about one thing, which is usually the screet life,

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Speaker 1: right and that's that's like like they want us just

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Speaker 1: to walk write an identity of corruption and nothing that

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Speaker 1: develops us or gives us some science about life. You know.

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Speaker 1: So like in my book The Black Rose, a coush,

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Speaker 1: we got everything in there from post traumatic slave syndrome.

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Speaker 1: Like with doctor J. M. Joy Degury puts in her book,

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Speaker 1: y'all definitely need to put her on your show. Have

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Speaker 1: y'all had doctor post traumatic slave syndrome. She is, She

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Speaker 1: is the I call her the female Malcolm mix of

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Speaker 1: this time. You got to really check her out, like

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Speaker 1: she is the truth for for post traumatic slave syndrome.

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Speaker 1: If I've heard that, yeah, I mean I've heard that term. Yeah,

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Speaker 1: I've definitely used that term. I don't maybe, man, maybe

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Speaker 1: I do know her. I don't know. I've definitely used

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Speaker 1: that term. Though. You like to go see the slave

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Speaker 1: play on Broadway, then well when it's whenever it's back

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Speaker 1: open again, it's kind of all about that too. But

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Speaker 1: I shout out to touch. We had him on the show.

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Speaker 1: He's a black sid think he wrote the book of

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Speaker 1: war Girls. Hello, who's this? This is Douglas Pond from

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Speaker 1: the top notch Mobile Salon and Detroit, Michigan. What's up, brother?

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Speaker 1: Get it off at chess bro I agree with Charlotte

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Speaker 1: mine man, man, my wife and now we worked together

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Speaker 1: all the time. Now we're home with the kids, and

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Speaker 1: I see it's a blessed man that you know all

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Speaker 1: the time, and the work I put it on my

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Speaker 1: kids as children, it's paying off because I can see

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Speaker 1: exactly what's going on with him. You know. Yeah, my

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Speaker 1: wife and I we were we uh, we really truly

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Speaker 1: appreciate each other's company. Now, man, you know now that

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Speaker 1: we out with sanitizing, with disrespecting the salon, getting ready

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Speaker 1: to go back to work. You know, it's just that,

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Speaker 1: like I agree with Charlotte mine, they never did liked

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Speaker 1: each other in the first place. For us, never liked

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Speaker 1: each other. You can't take this a couple of weeks.

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Speaker 1: You never liked the person you would. I'm witching, man,

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Speaker 1: I'm enjoying this so much. Thank you for calling brother. Hello,

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Speaker 1: who's this this? Missus? Sparkt Up. I go by the

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Speaker 1: name of kay mane it okay whatever, get it off

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Speaker 1: at chess bro Oh yeah, I just like, uh, let's

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Speaker 1: know that at the fifteen long months your boys finally

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Speaker 1: got his license clear your third number, dirty driving okay regulations, King, Yes, sir,

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Speaker 1: Thank y'all, Thank y'all very much. All right, we'll be

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Speaker 1: safe out there. Don't lose it again. Brother. Hey, one

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Speaker 1: more thing though, Hey, y'all gotta call our D. Go

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Speaker 1: ahead and say my number. So when I called this time,

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Speaker 1: y'all already we don't know damn call our D. But

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Speaker 1: we're not we're not storing this number. St number because

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Speaker 1: I can win. You gotta ask, ye, I got something

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Speaker 1: on to ask your numbers? The nine O four number

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Speaker 1: right your third? Yeah, we're not storing that though, but

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Speaker 1: have a good one. No, brother, who who've all got? Duvall? He? Oh? Hello?

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Speaker 1: Who's this? Just shapers man? What's up? Broke? Get it

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Speaker 1: off your chest? And man, I'm just black, you know,

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Speaker 1: woke up this morning, got a little work out man

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Speaker 1: at work? No blessing of a dog? Regulations, bro bro

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Speaker 1: that's it appreciated man, that's how you feel good? Yeah? Yeah,

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Speaker 1: I'm even gonna follow me on Instagram that case the

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Speaker 1: man or not? Okay? Brother? Hello, who's this Romeo? Romeo?

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Speaker 1: What's up? Make it off your chest? What's up? How

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Speaker 1: you doing? First? First? Because stay on blessed this morning

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Speaker 1: I'm having my first child, Thank you, thank you? But

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Speaker 1: um your suller man a guard man I love you.

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Speaker 1: Ain't enough wrong with a black buzzer? You love you

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Speaker 1: say I'm mad at you. I'm mad at you because

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Speaker 1: I can't believe you're surprised that on EMV lightskin ucy

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Speaker 1: so can't change some tires. Man. Well, I don't want

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Speaker 1: to stereotype people. But it's easy to take. To take

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Speaker 1: some tire, It's like, how do you care to say

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Speaker 1: some tire? You gotta be taught like my father had

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Speaker 1: to teach me. I mean I know how to. I mean,

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Speaker 1: I know the concept, but changing the time, never change.

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Speaker 1: It's a very easy thing to dizy concept. But I

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Speaker 1: just don't. I'm not sing and say it's easy now,

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Speaker 1: you know, I rather to do it. Were you from, brother,

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Speaker 1: I'm from Brooklyn. How many how many uh fixing fa

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Speaker 1: places by you? It's a whole lot. There you go.

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Speaker 1: That's why I gotta change the tie. That's what I

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Speaker 1: paid them to do. Thank you, though, brother, you might

196
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Speaker 1: not have the money. Hey, people are struggling, you know,

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Speaker 1: don't even does it. Some people don't even have actually

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Speaker 1: tire in their time. Now that's expensive around with extra tire.

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Speaker 1: Get it off your chest. Eight undred five eight five

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Speaker 1: one oh five one. If you need to vent, you

201
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Speaker 1: can hit us up at any time. Morning. Everybody is

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Speaker 1: J M. D Angela, Charlomagne, the guy, We all the

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Speaker 1: breakfast club. We got a special guest in the buildings. Indeed,

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Speaker 1: this is the first time man finally get the energy

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Speaker 1: right here. God damn Sugar. A K eighteen of Snow

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Speaker 1: in the Building album is out right now, let's let's

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Speaker 1: start it. For people that don't know, how did it

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Speaker 1: Meg the Stallion start out as a rapper? How did

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Speaker 1: you get into this rap game? So my mom was

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Speaker 1: a rapper, and like every day after school and when

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Speaker 1: she would get off work, I will see her in

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Speaker 1: her room writing and stuff. And then she would be

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Speaker 1: like going to the studio and I'll be in the

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Speaker 1: little waiting room and I'm pretty sure she thought I

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Speaker 1: was in there doing like little kids stuff. But I'll

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Speaker 1: be like listening at the door, like okay, yeah, And

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Speaker 1: I really thought it was normal. I kind of low

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Speaker 1: key thought everybody mama was doing that. Yeah I didn't know,

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Speaker 1: so like, I don't know, it was just normal. So

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Speaker 1: I would eventually like start stealing her CDs with like

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Speaker 1: all her instrumentals on there, and like start sneaking and writing,

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Speaker 1: and then she'll be like asking, like have you seen

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Speaker 1: my CDs? And I'll be like no, like and then

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Speaker 1: like eventually, when I graduated from high school, I was like,

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Speaker 1: I can wrap and she was like, no, you can't.

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Speaker 1: And I was like, yeah, I can't. She was like,

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Speaker 1: let me hear you. So I started rapping and she

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Speaker 1: was like, oh my god, like rapa. I really don't

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Speaker 1: remember what I was saying, but I remember wrapped over

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Speaker 1: like that, I'm different beat by two chains and she

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Speaker 1: was like, oh like so then ever since then, like

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Speaker 1: I don't think she still even took me seriously then,

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Speaker 1: so I started going to the studio on my own,

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Speaker 1: and so when she knew I was at the studio

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Speaker 1: by myself and stuff, she was like, oh, hell no,

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Speaker 1: I'm a manage you and we too. I was exactly

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Speaker 1: how I rapped now, like I was talking probably a

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Speaker 1: more crazy life. I was like, Mama, don't be mad,

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Speaker 1: I'm a curse okay, and she was she was like okay.

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Speaker 1: I don't think she knew exactly how hard I was

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Speaker 1: about to go. And she was like, I don't know

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Speaker 1: where your mouth came from. And the only thing my

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Speaker 1: mama ever played for me, was like PEMC U g

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Speaker 1: k oh. Yes, my daddy only played three six mo fia.

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Speaker 1: So understand why y'all not figuring out why I'm talking

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Speaker 1: like this. So I read somewhere that Pimc's wife wanted

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Speaker 1: to she had vocals for you that she wanted. Ye,

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Speaker 1: I mean I got the vocals. I got vocals from

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Speaker 1: her and Juicy J. So I mean I was working.

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Speaker 1: I'm still working on my album. Like I had to

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Speaker 1: hurry up and put together EP like of songs that

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Speaker 1: I just really liked that I recorded so far, but

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Speaker 1: like stuff like that, I really liked to take my

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Speaker 1: time because I really look up to PEMC. So I

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Speaker 1: really wanted to. I want to do the song right.

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Speaker 1: How long did it take for you to to I

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Speaker 1: don't want to say pop, but to actually pop because

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Speaker 1: it seems like on the outside world it seems like

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Speaker 1: it was fast. So it seems like it was a

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Speaker 1: little rumbling and then it was going. I feel like

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Speaker 1: I'm I'm still getting there, Like I don't feel like

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Speaker 1: I'm just like I don't feel like I've like popped.

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Speaker 1: How many platinum singles you got already? Three? I mean, no,

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Speaker 1: you got the right attitude that they don't only count

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Speaker 1: until you put out a debut out right, Yeah, I

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Speaker 1: feel like I just got a lot more work to do,

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Speaker 1: Like I like to work. I like to hustle. I

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Speaker 1: don't feel like nothing should just be given to me,

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Speaker 1: like I really do want to work for you think

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Speaker 1: that sometimes people are misjudged, like looking from the outside

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Speaker 1: with you know, hot girl and all of that, because

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Speaker 1: I looked at it and we were trying to have

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Speaker 1: this discussion on just being like somebody about your business

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Speaker 1: as a woman that is independent, taking care of yourself.

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Speaker 1: You go to school, TSU shout out to TSU shot

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Speaker 1: because they show proud of you. But sometimes people think

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Speaker 1: that means you just out here holing and that, and

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Speaker 1: then they think that that's what it is, um being

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Speaker 1: a hot girl. You know, it really started off as

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Speaker 1: me really just letting everybody know what type of summer

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Speaker 1: I was about to have, Like me just being unapolo, unapologetic,

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Speaker 1: me just doing what I want to do, not really

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Speaker 1: caring about anybody else's opinion, Like me just being me,

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Speaker 1: you know, just doing what we want to do as women,

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Speaker 1: Like we shouldn't be trying to fit into like a

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Speaker 1: certain standard that people try to put us in a

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Speaker 1: certain box. People try to put us and you should

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Speaker 1: just do what makes you happy. Now, when the boys

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Speaker 1: got involved, it was like, oh yeah, y'all on that

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Speaker 1: high girl, y'all think y'all this, and then it turned

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Speaker 1: into like a whole like ballo. Yeah. I was like,

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Speaker 1: whoa y'all making this? Something started that Yeah, well they

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Speaker 1: drunk it. I was like, damn like high girls like

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Speaker 1: I was saying, that was like, yeah, real high girl,

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Speaker 1: And I was like, what did you do for the fall?

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Speaker 1: I went it's high girl semester. Oh yeah, when we

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Speaker 1: went back school, we got more with Megan the Stallion.

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Speaker 1: When we come back, don't move. It's the Breakfast Club.

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Speaker 1: Come on, the Breakfast Club is back backs should thing

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Speaker 1: everybody in DJ Envy Angela Yee, Charlomagne the guy, we

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Speaker 1: are the Breakfast Club. We're still kicking it with Meg

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Speaker 1: the Stallion. Charlomagne. Do you think this is a situation

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Speaker 1: where major company is poaching off the work that A

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Speaker 1: fifteen on one day to help you get to this point? No,

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Speaker 1: like Rock Nation don't have nothing to do with the problems.

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Speaker 1: We was already going through. I don't like it. I

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Speaker 1: don't like that, you know, people bring up jay Z

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Speaker 1: like jay Z and I worried about them, like you're

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Speaker 1: saying names that I feel like, it's just you're just

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Speaker 1: trying to draw like attention to the situation, like facts

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Speaker 1: or public. I don't have to lie. Why would I lie?

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Speaker 1: Like I just I feel like people want to bully me,

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Speaker 1: like you don't have to gang up on me, like

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Speaker 1: I didn't do nothing in the y'ase. So I really

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Speaker 1: don't understand where it's coming from. I think I think

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Speaker 1: a lot of that came from I think you said

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Speaker 1: that that Rock Nation looked at the contract and told

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Speaker 1: you something. So when when I finally got real lawyers

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Speaker 1: and like you know, people around me that knew what

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Speaker 1: they were talking about, it was like, some things in

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Speaker 1: my contract are just uncomfortable in the state of Texas.

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Speaker 1: So it's like, well, let's just fix the things that

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Speaker 1: are wrong. So I just wanted to renegotiate my contract.

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Speaker 1: It look like things are going to move to our

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Speaker 1: dad direction. Are you feeling like, do you feel like

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Speaker 1: if you had a conversation. I tried to have a

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Speaker 1: conversation because he said he had cars that he hasn't

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Speaker 1: heard from you since August. He's like, I haven't had

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Speaker 1: heard from me before that. Like we just don't have

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Speaker 1: a relationship. So it's not nothing that's brand new. Is

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Speaker 1: not because of rock Nation. We just already didn't have

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Speaker 1: a relationship. Maybe call was the money guy, but he

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Speaker 1: wasn't the day to day guy. That's what it seems like.

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Speaker 1: I mean, like I said, like I couldn't well, I

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Speaker 1: know what's being said, it's not true, like all that

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Speaker 1: hundreds of thousands of dollars, like people not even you know,

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Speaker 1: putting it out there, Like we asked for the proof

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Speaker 1: and you're not even giving us the proof of that.

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Speaker 1: Like I gotta go back and look at some of

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Speaker 1: your old Instagram pictures. Thank god, we got an album

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Speaker 1: out today, So it's not even my album, Like it's

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Speaker 1: an EPP. So who is Sugar now? So Sugar? It's

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Speaker 1: basically just like a girl who is going through it,

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Speaker 1: but she getting through it. It's like me basically letting

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Speaker 1: people know that I'm not perfect. I'm a human. I

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Speaker 1: know I'll be fucking up, but I'll be trying. I'll

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Speaker 1: be getting through it. You know what, I'm saying, and

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Speaker 1: I just I don't like the I don't like the

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Speaker 1: fact that everybody be trying to seem so perfect. Why perfect,

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Speaker 1: But obviously people are online they just are all so

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Speaker 1: amazing and nothing's wrong with them and they've never been

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Speaker 1: through in their life. So I mean, that's more so

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Speaker 1: what I'm talking about. And then it whack. Know that

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Speaker 1: you gotta you gotta learn that in real time, like

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Speaker 1: you gotta that have to play out in front of

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Speaker 1: the world, you know what I'm saying, Those growing pains,

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Speaker 1: I mean, it's just all a part of being in

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Speaker 1: the light. So I can't complain. I knew knew what

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Speaker 1: I was getting into, so it's not nothing I'm upset about.

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Speaker 1: It's just I'm just learning as I go. So when

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Speaker 1: I put my head, I'll just be like, Okay, you

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Speaker 1: and the Baby make great records with each other. Yeah,

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Speaker 1: y'all doing an album together? Is that a plan to

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Speaker 1: do it a full project? I don't know if we're

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Speaker 1: gonna do a full project, but I know we definitely

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Speaker 1: got some music that's gonna come up and some other

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Speaker 1: things I don't want to say yet. Yeah, the Baby

368
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Speaker 1: always says if he could do a collab album with

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Speaker 1: somebody would be you I love him, Like, I really

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Speaker 1: think that will be fired if we actually did it.

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Speaker 1: What type of deal is making the Stallion looking for?

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Speaker 1: Not necessarily in that situation, but just in general at

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Speaker 1: this point in your career, what would be fair to

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Speaker 1: making a study? I just wanted to be fair and

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Speaker 1: I wanted to be you know, good for everybody, Like

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Speaker 1: nothing is gonna be perfect, but if we can both

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Speaker 1: come to agreement, like you gotta you gotta give a

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Speaker 1: little to get a little. You know what I'm saying.

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Speaker 1: And I understand that. So I just want everything to

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Speaker 1: be fair. Can you have a relationship with Jay Prince

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Speaker 1: at all? No? So have you ever met him in person? Though? Okay,

382
00:18:22,520 --> 00:18:24,199
Speaker 1: growing up, did you look up to rap a lot

383
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Speaker 1: in Jay Prince had to write in Houston? Oh? Really?

384
00:18:27,760 --> 00:18:29,840
Speaker 1: Like I didn't. I was young, so I didn't really

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Speaker 1: know anything about it. You see all of them though,

386
00:18:33,920 --> 00:18:36,320
Speaker 1: I only knew the music, Like, I didn't know the backstory.

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00:18:36,359 --> 00:18:39,320
Speaker 1: I didn't know the background. I mean, you know, you're

388
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Speaker 1: from I'm from Houston. You know you hear things, But

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Speaker 1: it wasn't I didn't think it was gonna be anything.

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Speaker 1: I would ever have to deal with rights. I wanted

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Speaker 1: to talk about the song. Oh lord, what with Jay

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Speaker 1: accused you of lying this morning on this Instagram said

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Speaker 1: you're lying on him and court documents? What is that about? Like,

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Speaker 1: that's something that I definitely can't talk about. But I

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Speaker 1: don't lie though. Who helped you negotiate your original deal?

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Speaker 1: I'm just saying, I'm just yeah, I mean all of this,

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Speaker 1: I really would like to answer. It got you. So

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Speaker 1: hopefully you know, next time I come, I will be

399
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Speaker 1: able to talk about it. But right now, you know,

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Speaker 1: it's just in court. Like, so I can't say a

401
00:19:16,880 --> 00:19:18,920
Speaker 1: lot of stuff. All right, It's Meg the Stye, It's

402
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Speaker 1: the Breakfast Club. Good morning, It's time to shoot your shot.

403
00:19:30,080 --> 00:19:31,960
Speaker 1: To shoot your shot with the Breakfast Club. You just

404
00:19:32,240 --> 00:19:35,359
Speaker 1: want chance. Don't mess it up? Mess it up? Mess

405
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Speaker 1: what's up? What's up? Guys? Who are you trying to

406
00:19:38,560 --> 00:19:42,320
Speaker 1: shoot your shot with? Davante? This girl Lot she works

407
00:19:42,359 --> 00:19:45,440
Speaker 1: at the pharmacy. I go too, all right, now you

408
00:19:45,800 --> 00:19:47,280
Speaker 1: gotta go there to pick up your Vale trecks every

409
00:19:47,280 --> 00:19:49,800
Speaker 1: now and then. Maybe you know tricks an STD problem

410
00:19:49,840 --> 00:19:51,040
Speaker 1: because I'm letting you know if you got to pick

411
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Speaker 1: up your Vale treks. I don't think this is a

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Speaker 1: good idea to shoot your shot if she knows that

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00:19:53,800 --> 00:19:56,119
Speaker 1: she's given you. Nah, she's just this dope man. I

414
00:19:56,160 --> 00:19:58,280
Speaker 1: don't even have a prescription there. I just go there

415
00:19:58,359 --> 00:20:00,639
Speaker 1: once a week to get like a packer or something,

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Speaker 1: and then you go with that pharmacy register just to

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Speaker 1: go see her. Yeah, she definitely did you have an

418
00:20:05,760 --> 00:20:07,879
Speaker 1: STD and too scared to get the prescription? Bro, I

419
00:20:07,960 --> 00:20:10,320
Speaker 1: don't know. I don't know. I'm scared to shoot my shot.

420
00:20:10,400 --> 00:20:12,359
Speaker 1: I was hoping y'all to help me. Why have you

421
00:20:12,440 --> 00:20:15,280
Speaker 1: ever had an Have you ever had a conversation? Dude?

422
00:20:15,320 --> 00:20:17,040
Speaker 1: You know, I get the gum, ask her how her

423
00:20:17,160 --> 00:20:19,439
Speaker 1: day is doing, what's going on? And she's going at

424
00:20:19,480 --> 00:20:23,520
Speaker 1: this for that concert? Not question. Do you put the

425
00:20:23,600 --> 00:20:26,640
Speaker 1: gum in your mouth before you talk to her? Oh?

426
00:20:26,880 --> 00:20:28,560
Speaker 1: You know, I usually get a piece of the offer

427
00:20:28,640 --> 00:20:30,879
Speaker 1: her one, because if you're talking to her before you

428
00:20:30,920 --> 00:20:33,120
Speaker 1: put the gum in your mouth, that's probably why she's

429
00:20:33,160 --> 00:20:36,520
Speaker 1: not interested, because your breath is clearly funcky. Now it's

430
00:20:36,560 --> 00:20:40,160
Speaker 1: like half a half half with gum, half without. Okay, okay,

431
00:20:40,280 --> 00:20:41,840
Speaker 1: all right, well let's get right into it. I mean

432
00:20:41,920 --> 00:20:44,240
Speaker 1: they've only had some brief conversations, though he doesn't see

433
00:20:44,240 --> 00:20:46,040
Speaker 1: her when he buys some gums, So I'll be interested

434
00:20:46,080 --> 00:20:48,199
Speaker 1: to see if she's noticed you. Does she say hi

435
00:20:48,320 --> 00:20:51,679
Speaker 1: when you walk in? Oh? Yeah, yeah, she's very friendly. Okay,

436
00:20:51,960 --> 00:20:54,040
Speaker 1: it's got to be a reason that you haven't shot

437
00:20:54,080 --> 00:20:56,520
Speaker 1: your shot yet other than just nerves. Maybe he's scared.

438
00:20:56,560 --> 00:20:57,960
Speaker 1: Maybe he got a small wee week. I don't know

439
00:20:58,560 --> 00:21:02,800
Speaker 1: damn about Okay, all right, well let's maybe maybe you

440
00:21:02,920 --> 00:21:05,960
Speaker 1: need some some zannies then for anxiety. I don't have

441
00:21:06,040 --> 00:21:08,720
Speaker 1: a prescription for it. You know where I could get something? Yeah,

442
00:21:08,880 --> 00:21:11,639
Speaker 1: the girl? Once you shoot your shot. We're in the

443
00:21:11,720 --> 00:21:15,680
Speaker 1: middle of shoot your shot. We have DeVante on the line.

444
00:21:16,680 --> 00:21:31,480
Speaker 1: Shoot your shot, man, make that phone call? Hello, Hey,

445
00:21:31,600 --> 00:21:38,560
Speaker 1: what's up with Tylier? Who's DeVante from the pharmacy? DeVante

446
00:21:38,680 --> 00:21:42,159
Speaker 1: from the pharmacy? How did you get my number? You

447
00:21:42,359 --> 00:21:45,840
Speaker 1: gave it to me? Remember No, I don't remember. I

448
00:21:45,960 --> 00:21:49,600
Speaker 1: never gave you one. Wait, please don't see what do

449
00:21:49,640 --> 00:21:51,640
Speaker 1: you want? Well, you didn't actually give me a number.

450
00:21:51,680 --> 00:21:54,000
Speaker 1: You actually gave me your name, and then our search

451
00:21:54,080 --> 00:21:58,280
Speaker 1: Facebook and your number came off. Jesus Christ, Okay, got stop.

452
00:21:58,320 --> 00:22:00,720
Speaker 1: You did not tell us this part. I'm sorry. Let's

453
00:22:00,720 --> 00:22:04,959
Speaker 1: have you ever from the Yes wait Djeli Charagne from

454
00:22:04,960 --> 00:22:07,360
Speaker 1: the Breakfast Club. Mama, yeah, we're doing because he is going.

455
00:22:07,760 --> 00:22:09,840
Speaker 1: We thought that you gave him your number, and so

456
00:22:09,960 --> 00:22:11,639
Speaker 1: he was calling to shoot his shot because he has

457
00:22:11,640 --> 00:22:13,080
Speaker 1: a crush on you. He said, he comes in there

458
00:22:13,119 --> 00:22:17,600
Speaker 1: all the time to buy gum. Oh my god, oh

459
00:22:17,720 --> 00:22:19,960
Speaker 1: my god, to du that bars gum. I don't even

460
00:22:20,400 --> 00:22:22,760
Speaker 1: put his change in his hand like I put it

461
00:22:22,880 --> 00:22:27,000
Speaker 1: on the Oh my god, he's the creepiest. Why is

462
00:22:27,040 --> 00:22:29,200
Speaker 1: he calling me? I don't understand why he still he's

463
00:22:29,200 --> 00:22:31,159
Speaker 1: still on the phone. He can hear he can hear you,

464
00:22:31,280 --> 00:22:34,760
Speaker 1: he's here. I got this point. I don't even care

465
00:22:34,840 --> 00:22:37,840
Speaker 1: because you're talking about too looked up my number on Facebook.

466
00:22:37,880 --> 00:22:43,840
Speaker 1: That's it's kind of weird. That's really because Facebook does

467
00:22:43,920 --> 00:22:46,600
Speaker 1: provide this kind of information. But I do think I

468
00:22:46,680 --> 00:22:48,399
Speaker 1: wish we would have asked him, you know, did he

469
00:22:48,440 --> 00:22:51,800
Speaker 1: get your number before? And but yeah, but wait, why

470
00:22:52,000 --> 00:22:54,159
Speaker 1: is he calling me? I'm not understanding. He wants to

471
00:22:54,200 --> 00:22:55,879
Speaker 1: have sex with no, No, he wants to take you

472
00:22:55,960 --> 00:22:57,320
Speaker 1: out on a date. He wants to take you out

473
00:22:57,359 --> 00:23:00,720
Speaker 1: on a date. Why would go out billion people on

474
00:23:00,800 --> 00:23:02,280
Speaker 1: the planet, and you think I would go out with

475
00:23:02,359 --> 00:23:06,760
Speaker 1: this dude? Speak no, no, no, no, no, no, Sea.

476
00:23:07,160 --> 00:23:09,560
Speaker 1: You have the name of America. I just want to

477
00:23:09,600 --> 00:23:18,320
Speaker 1: take such keep no, well, let me keep it one hundred.

478
00:23:18,960 --> 00:23:22,119
Speaker 1: DeVante has adult acne. I can't even get past that

479
00:23:22,200 --> 00:23:25,120
Speaker 1: because we're not even doing it like that. No, are

480
00:23:25,160 --> 00:23:33,280
Speaker 1: you kidding me? Trying to figure out? Figure me out? No? Please,

481
00:23:33,840 --> 00:23:37,040
Speaker 1: and let me tell you. I'm giving out medicine for diabetes,

482
00:23:37,560 --> 00:23:40,639
Speaker 1: for HIV, for cancer, and this is coming every day

483
00:23:40,720 --> 00:23:45,240
Speaker 1: buying gum. Do you know how creepy that she is? Listen,

484
00:23:46,160 --> 00:23:48,359
Speaker 1: why don't you prescribe him something for his adult acne?

485
00:23:48,400 --> 00:23:50,520
Speaker 1: Should he go see a dermatan? I have a great man.

486
00:23:51,920 --> 00:23:56,720
Speaker 1: I can't believe. I really don't know why she's being

487
00:23:56,800 --> 00:23:58,800
Speaker 1: like that. I always offer a piece of dumb when

488
00:23:58,800 --> 00:24:04,000
Speaker 1: I come, and that's creepy. I don't think. I don't

489
00:24:04,000 --> 00:24:06,080
Speaker 1: think you should tell a guy like this any last words.

490
00:24:06,840 --> 00:24:12,000
Speaker 1: They're creepy and you chew it it really okay to

491
00:24:12,160 --> 00:24:14,240
Speaker 1: it all nice and slow. Flirt with me. You know

492
00:24:14,400 --> 00:24:16,280
Speaker 1: you love the girl. Yeah, Why are you taking the

493
00:24:16,320 --> 00:24:17,919
Speaker 1: gun from him? Why are you leading him on by

494
00:24:18,000 --> 00:24:20,040
Speaker 1: taking the gun from gun from him. If you're never

495
00:24:20,160 --> 00:24:25,480
Speaker 1: taking a gun from him, I'm never taking fire. I

496
00:24:25,640 --> 00:24:30,080
Speaker 1: have a video I snapshotted Lata. Yeah, next time he

497
00:24:30,119 --> 00:24:32,159
Speaker 1: comes in there, I would call the policeman. He's creepy

498
00:24:32,200 --> 00:24:34,080
Speaker 1: as hell. Yeah, and the table, you might you might

499
00:24:34,119 --> 00:24:38,760
Speaker 1: need to get a rest. No, we didn't know. I'm sorry,

500
00:24:38,800 --> 00:24:42,359
Speaker 1: you know we didn't know. Hey, DeVante, your mother or

501
00:24:42,440 --> 00:24:45,639
Speaker 1: father was clearly a Jodasy fan. Okay, because they named Devant.

502
00:24:45,800 --> 00:24:49,480
Speaker 1: Are you familiar with DeVante swing from Jodas? Yeah, okay,

503
00:24:49,640 --> 00:24:51,760
Speaker 1: he did a juicy fru commercial back in the day.

504
00:24:52,000 --> 00:24:57,680
Speaker 1: Oh my god, La, I'm sorry, all right, we gotta go.

505
00:24:57,760 --> 00:25:01,439
Speaker 1: We got things to do. I'm sorry, good time, Bante,

506
00:25:01,640 --> 00:25:04,119
Speaker 1: have a blessed day. Stop stalking women. Okay, all right,

507
00:25:04,160 --> 00:25:12,040
Speaker 1: I'll see you. To see you next week, girl, Sorry, sorry,

508
00:25:12,480 --> 00:25:14,359
Speaker 1: all right. We got more coming up next with a

509
00:25:14,400 --> 00:25:18,160
Speaker 1: breakfast club for the best of the best of the best.

510
00:25:18,480 --> 00:25:21,080
Speaker 1: We'll be right back with our best of interviews morning.

511
00:25:21,119 --> 00:25:24,680
Speaker 1: Everybody is DJ Envy Angela Yee, Charlomine the guy. We

512
00:25:24,760 --> 00:25:26,760
Speaker 1: are the breakfast club. We got some special guests in

513
00:25:26,800 --> 00:25:29,280
Speaker 1: the building with now we have one special guy. Yeah,

514
00:25:29,320 --> 00:25:32,600
Speaker 1: we always say we got special guests. Right in the building.

515
00:25:32,880 --> 00:25:39,760
Speaker 1: We don't always apply to everybody. This this one definitely applied, dude.

516
00:25:39,760 --> 00:25:41,399
Speaker 1: When the start on show, like, yo, see we can

517
00:25:41,480 --> 00:25:44,040
Speaker 1: get Donelle to come in, buddy, I'm cool. We have

518
00:25:44,160 --> 00:25:47,080
Speaker 1: Ashley Larry, Donnelle Rawlins, and we have a special guest

519
00:25:47,119 --> 00:25:51,679
Speaker 1: that has in twelve man the legendary that's right, iconic

520
00:25:52,040 --> 00:25:56,080
Speaker 1: Dave Chappelle. Oh my god, good morning, Hey, good morning.

521
00:25:57,000 --> 00:25:59,600
Speaker 1: You feel you feel pressure to do a great radio

522
00:25:59,640 --> 00:26:02,600
Speaker 1: interview that you haven't done it in twelve years? Not really,

523
00:26:03,359 --> 00:26:05,520
Speaker 1: I mean yeah, I just you know, I want everybody

524
00:26:05,600 --> 00:26:08,840
Speaker 1: like me. I don't come out and try to do bad.

525
00:26:09,600 --> 00:26:11,960
Speaker 1: I saw you with the fight Charlotamagne. Yes, I was

526
00:26:12,040 --> 00:26:14,720
Speaker 1: at the Triple G Danny Jacob's fight, and I gotta

527
00:26:14,720 --> 00:26:16,520
Speaker 1: tell you, I got excited to see that. I realized

528
00:26:16,600 --> 00:26:19,000
Speaker 1: I've never met this person. That's how I felt. I

529
00:26:19,040 --> 00:26:21,240
Speaker 1: saw you a few rolls up, I'm like, that's Dave Chappelle,

530
00:26:21,440 --> 00:26:23,760
Speaker 1: and then you turned around and you saluted. But I'm like,

531
00:26:23,880 --> 00:26:25,760
Speaker 1: I don't think he's doing that to me. I didn't

532
00:26:25,760 --> 00:26:30,840
Speaker 1: want us to look back at first. I wanted to

533
00:26:30,920 --> 00:26:32,600
Speaker 1: look back out from like, oh he's talking to me.

534
00:26:32,920 --> 00:26:34,639
Speaker 1: I told my wife, say you see Dave Chappelle, just

535
00:26:34,680 --> 00:26:36,600
Speaker 1: say what's up to me? So I'm saying all that

536
00:26:36,680 --> 00:26:38,800
Speaker 1: to say, you know, I got really good flat show

537
00:26:38,880 --> 00:26:41,240
Speaker 1: that night because you said what's upthing, I didn't know

538
00:26:41,280 --> 00:26:51,280
Speaker 1: where that was gone. Marital Fla. Do you wake in

539
00:26:51,400 --> 00:26:52,960
Speaker 1: bake in the morning? Day? We do? You wait till

540
00:26:52,960 --> 00:26:55,960
Speaker 1: after breakfast? Yeah, I'm a waiter. I usually late at night.

541
00:26:56,160 --> 00:26:58,720
Speaker 1: Oh at night? Okay, okay, you said something interesting. You

542
00:26:58,760 --> 00:27:01,520
Speaker 1: said you don't ever want to just present something bad.

543
00:27:01,600 --> 00:27:03,400
Speaker 1: You still feel like you got something to prove because

544
00:27:03,440 --> 00:27:07,320
Speaker 1: you're like critically acclaimed, you're respected by your peers. You

545
00:27:07,400 --> 00:27:10,720
Speaker 1: feel still like you got something to proof. No, it's

546
00:27:10,760 --> 00:27:12,480
Speaker 1: not it's not necessary. You feel like you has something

547
00:27:12,480 --> 00:27:14,320
Speaker 1: to prove. I'm sure you guys feel the same way.

548
00:27:14,320 --> 00:27:16,760
Speaker 1: It's like quality control, right, yea. You want to make

549
00:27:16,840 --> 00:27:20,000
Speaker 1: sure that whatever you offer you put your best foot for.

550
00:27:20,600 --> 00:27:22,399
Speaker 1: You know, that's doesn't mean you want to prove anything.

551
00:27:22,400 --> 00:27:25,159
Speaker 1: It just means you respect the people that respect you,

552
00:27:25,320 --> 00:27:28,560
Speaker 1: and you want to reciprocate their respect with a good product.

553
00:27:28,680 --> 00:27:30,760
Speaker 1: You still get nervous when you do shows or this

554
00:27:30,880 --> 00:27:32,520
Speaker 1: is a piece of cake too. Well, one time it

555
00:27:32,560 --> 00:27:34,920
Speaker 1: didn't work out and sometimes don't worry. You know what

556
00:27:35,000 --> 00:27:37,760
Speaker 1: it's like and done. You can attested this. People ask me, like,

557
00:27:37,760 --> 00:27:39,639
Speaker 1: do you get nervous when you're going stage? It's like

558
00:27:39,800 --> 00:27:42,320
Speaker 1: asking a pilot if he gets nervous before a flight.

559
00:27:43,000 --> 00:27:49,639
Speaker 1: I might hit some weather, but I feel like you

560
00:27:49,680 --> 00:27:52,280
Speaker 1: normally are laying the plane. I don't think we've ever

561
00:27:52,400 --> 00:27:55,560
Speaker 1: not landed. Maybe Detroit, but other than that, By the way,

562
00:27:55,600 --> 00:27:56,960
Speaker 1: I would never want I would never want to know

563
00:27:57,000 --> 00:27:58,840
Speaker 1: if my pilot was nervous, by the way, you want

564
00:27:58,880 --> 00:28:01,520
Speaker 1: on nervous pilots. I'm just a little confused because everybody's

565
00:28:01,560 --> 00:28:04,639
Speaker 1: throwing so much respect and Dave, I've been on this

566
00:28:04,680 --> 00:28:06,400
Speaker 1: show four or five times. When I come in here,

567
00:28:06,600 --> 00:28:11,480
Speaker 1: they don't even look me at my face every time

568
00:28:11,520 --> 00:28:14,920
Speaker 1: I come here, y'all on social media, y'all everything. What

569
00:28:15,040 --> 00:28:17,600
Speaker 1: about that time you came in I told everybody that said,

570
00:28:17,640 --> 00:28:25,480
Speaker 1: no matter what Donelle says, do not laugh. It was

571
00:28:25,560 --> 00:28:28,200
Speaker 1: like it was like, I was like, oh, this looked

572
00:28:28,200 --> 00:28:30,720
Speaker 1: like the set up? What made you even like down

573
00:28:30,800 --> 00:28:35,680
Speaker 1: there was? It was? What was it down there that saying,

574
00:28:35,680 --> 00:28:37,960
Speaker 1: you know what? I could work with this guy up?

575
00:28:38,120 --> 00:28:40,080
Speaker 1: The first time I heard about you. I was. I

576
00:28:40,160 --> 00:28:43,320
Speaker 1: went home to DC and I went to the comedy

577
00:28:43,360 --> 00:28:45,440
Speaker 1: club when I asked some old comers like what's popping

578
00:28:45,480 --> 00:28:48,240
Speaker 1: around here? And everybody was like, yo, you gotta see

579
00:28:48,280 --> 00:28:51,680
Speaker 1: this new kid downe now rawlings. And then I met

580
00:28:51,760 --> 00:28:55,880
Speaker 1: you and we had we had a swell time that yeah,

581
00:28:55,920 --> 00:29:05,560
Speaker 1: I do all right, swell time. We're gonna leave me everywhere.

582
00:29:09,840 --> 00:29:12,840
Speaker 1: I watched the like, okay, like I watched your show

583
00:29:12,920 --> 00:29:14,560
Speaker 1: one line all the time, Like I watched all you

584
00:29:14,640 --> 00:29:17,360
Speaker 1: guys I've seen. I just watched an interview that you

585
00:29:17,440 --> 00:29:20,160
Speaker 1: did with Neil yeah faced, yeah, it's my guy. I

586
00:29:20,280 --> 00:29:24,280
Speaker 1: watched you on a real estate show. Yeah. And then

587
00:29:24,320 --> 00:29:27,720
Speaker 1: I and I saw you with the DJ Awards I

588
00:29:27,920 --> 00:29:30,040
Speaker 1: presented awards. Yeah, and you promise you said I'm gonna

589
00:29:30,040 --> 00:29:31,600
Speaker 1: come on the show. You said, you know, I need

590
00:29:31,600 --> 00:29:33,360
Speaker 1: a little time, but I'm gonna come. Yeah. That's right,

591
00:29:33,440 --> 00:29:35,480
Speaker 1: that's right. You definitely kept your work. Yeah. Man, s

592
00:29:35,720 --> 00:29:37,160
Speaker 1: to my guy, Neil, Why why do you think white

593
00:29:37,160 --> 00:29:40,120
Speaker 1: people have gravitated towards you your comedy because it's been

594
00:29:40,160 --> 00:29:42,160
Speaker 1: like that your whole career. Well, you know, I don't know,

595
00:29:42,200 --> 00:29:43,640
Speaker 1: I don't look at it that way. Like the whites

596
00:29:43,680 --> 00:29:47,320
Speaker 1: are really gravitating to it. I don't use those I

597
00:29:47,400 --> 00:29:52,360
Speaker 1: don't use those kinds of metrics. I think all of us,

598
00:29:52,520 --> 00:29:55,120
Speaker 1: at some point we have ventured into some kind of

599
00:29:55,280 --> 00:29:59,800
Speaker 1: cultural cross road with black people, with corporate people. And

600
00:30:00,240 --> 00:30:02,840
Speaker 1: we all smoke weed, We all smoke weed, we all,

601
00:30:02,960 --> 00:30:05,640
Speaker 1: you know, we traverse the American landscape. So I don't

602
00:30:05,640 --> 00:30:08,560
Speaker 1: think there's anyone in America that I'm incapable of communicating

603
00:30:08,600 --> 00:30:10,800
Speaker 1: to on some level. Now, if you think so sensitive,

604
00:30:10,880 --> 00:30:13,480
Speaker 1: Now do you think you could do the Dave Chappelle's

605
00:30:13,480 --> 00:30:16,600
Speaker 1: show and not have backlash? Because it seems like everything

606
00:30:16,680 --> 00:30:18,560
Speaker 1: is sensitive. You say a word and people are already

607
00:30:18,600 --> 00:30:22,120
Speaker 1: crying and pick it in outside of things. Hey man, president, grads, girls,

608
00:30:22,160 --> 00:30:25,880
Speaker 1: a boy. That's all you need to know, right, That's

609
00:30:25,960 --> 00:30:30,560
Speaker 1: what That's what I'm saying, you know, you know, and

610
00:30:30,760 --> 00:30:34,120
Speaker 1: comedians wipe out, you know everybody that sometimes you're gonna

611
00:30:34,120 --> 00:30:36,720
Speaker 1: say something that you might be wrong, but that's that's

612
00:30:36,800 --> 00:30:39,920
Speaker 1: the nature of the genre. You know, to not take

613
00:30:39,960 --> 00:30:42,520
Speaker 1: a chance for fear of that would be would not

614
00:30:42,640 --> 00:30:45,480
Speaker 1: be being true to the music. Would you ever apologize

615
00:30:45,480 --> 00:30:48,160
Speaker 1: if if you said something too far? If if if

616
00:30:48,280 --> 00:30:51,160
Speaker 1: I can see if I actually can see this too far.

617
00:30:51,960 --> 00:30:54,320
Speaker 1: But it's a it's a touchy line, you know what

618
00:30:54,320 --> 00:30:56,760
Speaker 1: I mean? I like, I like it harder I think

619
00:30:57,000 --> 00:30:58,880
Speaker 1: I think that. Yeah, no, I'm gonna say you have

620
00:30:59,120 --> 00:31:01,000
Speaker 1: you have quite possib be the greatest rape joke of

621
00:31:01,080 --> 00:31:07,120
Speaker 1: all time, Billy. What he says was that was that

622
00:31:07,200 --> 00:31:10,960
Speaker 1: an observation you was pondering? Or I mean, you know,

623
00:31:11,160 --> 00:31:13,240
Speaker 1: the thing is, this is a thing. It's tough to

624
00:31:13,360 --> 00:31:16,560
Speaker 1: talk about jokes because I don't want to open to

625
00:31:16,680 --> 00:31:20,120
Speaker 1: do it all these weird like analytics and like what

626
00:31:20,240 --> 00:31:24,720
Speaker 1: does he actually mean by that? That's a slippery slope. Well,

627
00:31:24,840 --> 00:31:28,120
Speaker 1: you know, I don't want to antagonize anybody or intentionally

628
00:31:28,160 --> 00:31:30,320
Speaker 1: offend somebody. Have you come up with an answer for

629
00:31:30,440 --> 00:31:32,400
Speaker 1: as far as like what should we do with Bill Cobby?

630
00:31:32,440 --> 00:31:35,320
Speaker 1: Should be still watch his work? Should we still appreciate

631
00:31:35,400 --> 00:31:38,720
Speaker 1: his art? To have an answer for that? Yeah, no,

632
00:31:39,040 --> 00:31:41,760
Speaker 1: the question, it's a kind of question that makes more questions.

633
00:31:42,120 --> 00:31:43,920
Speaker 1: Got you know what I mean, Like, it's a it's

634
00:31:43,920 --> 00:31:45,840
Speaker 1: a tough one, man, because you know Way's accused of

635
00:31:45,880 --> 00:31:47,520
Speaker 1: it is very serious. I don't I don't. I don't

636
00:31:47,720 --> 00:31:50,480
Speaker 1: like take that lightly. However, you know, I don't know.

637
00:31:51,320 --> 00:31:54,080
Speaker 1: It was seventies times. It's crazy. She's going on. I

638
00:31:54,120 --> 00:31:56,920
Speaker 1: don't know what. I don't know what to say. America's

639
00:31:57,000 --> 00:32:00,480
Speaker 1: dad is now America's rapists. Yeah, but what According to

640
00:32:00,560 --> 00:32:03,040
Speaker 1: The New York Post, Yeah, so it's a tough one.

641
00:32:03,440 --> 00:32:05,680
Speaker 1: We got more with Dave Chappelle and Donnelle Rawlins when

642
00:32:05,680 --> 00:32:07,760
Speaker 1: we come back. Don't move. It's the breakfast clo Good

643
00:32:07,800 --> 00:32:12,520
Speaker 1: morning morning. Everybody is DJ n Vy, Angela, Yee, Charlemagne

644
00:32:12,520 --> 00:32:15,000
Speaker 1: and Guy. We all the breakfast club. We have Dave

645
00:32:15,120 --> 00:32:18,479
Speaker 1: Chappelle and Donnelle Rawlins in the building. Yee. I did

646
00:32:18,640 --> 00:32:21,120
Speaker 1: appreciate on those specials that you didn't shy away from

647
00:32:21,200 --> 00:32:24,240
Speaker 1: any topics, because I do feel like everybody's so politically correct,

648
00:32:24,800 --> 00:32:26,960
Speaker 1: you know. And I also find it ironic that everybody's like,

649
00:32:27,040 --> 00:32:29,120
Speaker 1: he walked away from fifty millions, but then you came

650
00:32:29,200 --> 00:32:34,040
Speaker 1: back and got sixty million doing Netflix specials. Yeah, well

651
00:32:34,120 --> 00:32:36,760
Speaker 1: you know what. Yeah, thank god that there was a

652
00:32:36,840 --> 00:32:40,120
Speaker 1: happy ending to thee because I could have just never

653
00:32:40,200 --> 00:32:43,560
Speaker 1: worked again, you know, but I never stopped. Even when

654
00:32:43,600 --> 00:32:45,080
Speaker 1: I was like not in the public guy, I was

655
00:32:45,120 --> 00:32:48,480
Speaker 1: still playing comedy clubs, and I found the altitude that

656
00:32:48,560 --> 00:32:51,960
Speaker 1: I was comfortable with and you know, a good time.

657
00:32:52,120 --> 00:32:54,080
Speaker 1: How many times have theyd Donnelle call you and beg

658
00:32:54,200 --> 00:32:59,280
Speaker 1: you to come back? He didn't call. Were you guys

659
00:32:59,320 --> 00:33:02,000
Speaker 1: always in communication because Danielle did it for a while

660
00:33:02,080 --> 00:33:06,040
Speaker 1: he was in a state of depression. After Dannielle was Jesus,

661
00:33:06,560 --> 00:33:11,600
Speaker 1: I had a tough time myself, like what if the

662
00:33:11,640 --> 00:33:15,720
Speaker 1: he mean? I think, you know when I was gone,

663
00:33:15,760 --> 00:33:17,680
Speaker 1: I think I stayed. Daniell stay in touch with me

664
00:33:17,720 --> 00:33:20,680
Speaker 1: and Neil were cool the whole time. You know, it wasn't.

665
00:33:20,800 --> 00:33:24,080
Speaker 1: It wasn't as a bad blood of monkst like people

666
00:33:24,080 --> 00:33:26,560
Speaker 1: would assume that I left in a hub. It wasn't

667
00:33:26,600 --> 00:33:28,120
Speaker 1: like I mean, I didn't leave in a hub. I

668
00:33:28,240 --> 00:33:30,200
Speaker 1: wasn't mad at the guy. A lot of people like after,

669
00:33:30,320 --> 00:33:31,720
Speaker 1: you know, after he left a lot of people would

670
00:33:31,720 --> 00:33:33,600
Speaker 1: ask me, you know how I feel about it or whatever,

671
00:33:34,160 --> 00:33:37,000
Speaker 1: all you're upset? And I never was upset because I

672
00:33:37,200 --> 00:33:39,640
Speaker 1: was doing calmly for a while before I was introduced

673
00:33:39,640 --> 00:33:42,520
Speaker 1: to Dave Chappelle. Like with anything, you can be, You

674
00:33:42,560 --> 00:33:44,240
Speaker 1: could be as talented as you want, but until you

675
00:33:44,320 --> 00:33:46,760
Speaker 1: get the right platform, nobody never know about it got you,

676
00:33:46,960 --> 00:33:48,680
Speaker 1: so you know, just I don't know if I can't

677
00:33:48,840 --> 00:33:50,480
Speaker 1: being at Dave Chapelle's eating here, but go ahead what

678
00:33:57,960 --> 00:34:07,680
Speaker 1: you speak, so I know what happened. But you know everybody,

679
00:34:07,920 --> 00:34:09,600
Speaker 1: you know the one that I've been asked that question

680
00:34:09,640 --> 00:34:12,880
Speaker 1: a million times that I always felt that I was talented.

681
00:34:12,920 --> 00:34:15,520
Speaker 1: But again, you need the right opportunity, like even in sports,

682
00:34:16,000 --> 00:34:17,919
Speaker 1: you know you could be a talented person, but until

683
00:34:17,920 --> 00:34:19,560
Speaker 1: the coach put you in the game, nobody will never

684
00:34:19,600 --> 00:34:21,440
Speaker 1: see what you um so you do. So he gave

685
00:34:21,480 --> 00:34:23,719
Speaker 1: me a platform to do what I've been doing for years.

686
00:34:23,760 --> 00:34:26,560
Speaker 1: And I think there was an even exchange after all that. Okay, So, Dave,

687
00:34:26,920 --> 00:34:33,600
Speaker 1: do you have a favorite mumble rapper? Because you're hip hop? Hey,

688
00:34:33,719 --> 00:34:36,920
Speaker 1: do you appreciate anything from the generation? Uh? Yeah, I

689
00:34:36,960 --> 00:34:39,319
Speaker 1: appreciate it. I'm at party too. If I go out,

690
00:34:39,800 --> 00:34:42,400
Speaker 1: they playing me goos. I listened to that. Yeah, but

691
00:34:42,560 --> 00:34:44,520
Speaker 1: a favorite mumble rapper, I don't know about all that.

692
00:34:45,080 --> 00:34:47,440
Speaker 1: I like to build to say the lyrics too, well,

693
00:34:47,480 --> 00:34:49,359
Speaker 1: I can tell who you really like based on who

694
00:34:49,440 --> 00:34:50,880
Speaker 1: you have on tour. When you well, when you do

695
00:34:50,960 --> 00:34:53,200
Speaker 1: this residency that you're doing in New York City at

696
00:34:53,320 --> 00:34:55,759
Speaker 1: Radio City, I can see that you hand picked the

697
00:34:55,880 --> 00:34:58,160
Speaker 1: artist that you wanted to be there. Yeah, you know,

698
00:34:58,239 --> 00:35:01,239
Speaker 1: it's it's funny, man. So this year will be like

699
00:35:01,400 --> 00:35:05,560
Speaker 1: my thirtieth anniversary standard. I figured, like why I should

700
00:35:05,680 --> 00:35:07,800
Speaker 1: mark that occasion right, Like you know, it's you know,

701
00:35:07,880 --> 00:35:11,200
Speaker 1: this business is hard. You you existed in a long time,

702
00:35:11,280 --> 00:35:12,960
Speaker 1: and it's good to stop for a minute and just

703
00:35:13,120 --> 00:35:16,120
Speaker 1: appreciate the fact that you I'm still able to do

704
00:35:16,239 --> 00:35:18,920
Speaker 1: this and I'm very lucky to be successful. So it's

705
00:35:19,040 --> 00:35:24,000
Speaker 1: it's it's a it's a celebration. Like even now, you'll

706
00:35:24,040 --> 00:35:26,320
Speaker 1: see my next special the act I'm doing now. I

707
00:35:26,480 --> 00:35:31,040
Speaker 1: like it because he's joying, Like I'm really enjoying what

708
00:35:31,160 --> 00:35:33,640
Speaker 1: I'm doing right now. I really you know what I mean.

709
00:35:33,680 --> 00:35:37,680
Speaker 1: It's like I want skydiving once. Have you ever done? Okay,

710
00:35:37,760 --> 00:35:41,719
Speaker 1: I hated it, you know, Like what did you hate

711
00:35:41,719 --> 00:35:47,120
Speaker 1: about it? Because I hated going up? I hate people.

712
00:35:47,160 --> 00:35:49,560
Speaker 1: I enjoyed that part, but the whole going up part

713
00:35:49,560 --> 00:35:52,000
Speaker 1: I didn't like it was because it was terrifying the

714
00:35:52,200 --> 00:35:56,279
Speaker 1: time time. Like Okay, yeah, in the beginning, it's a

715
00:35:56,360 --> 00:35:59,120
Speaker 1: plane right then the door opens and you realize you

716
00:35:59,200 --> 00:36:01,920
Speaker 1: expected to jump about and I'm strapped to a guy

717
00:36:02,000 --> 00:36:04,680
Speaker 1: that I've never met before, and I didn't see the

718
00:36:04,760 --> 00:36:07,360
Speaker 1: shoot pack and oh my god, I have kids and

719
00:36:07,440 --> 00:36:09,200
Speaker 1: all this stuff. You're thinking as you edge up to

720
00:36:09,280 --> 00:36:11,400
Speaker 1: the door. Next you know, you're just in the sky.

721
00:36:11,880 --> 00:36:15,520
Speaker 1: There's no logical reason to be there. There's no you know,

722
00:36:16,120 --> 00:36:18,120
Speaker 1: my life didn't depend on any yet. I jumped out

723
00:36:18,160 --> 00:36:21,319
Speaker 1: of this plane and just falling. And then one says

724
00:36:21,360 --> 00:36:23,920
Speaker 1: it feels like flying, but to me, it felt like

725
00:36:24,320 --> 00:36:27,840
Speaker 1: falling about one hundred and twenty miles and I was terrified.

726
00:36:28,400 --> 00:36:29,920
Speaker 1: So what did you get out the situation other than

727
00:36:30,000 --> 00:36:32,680
Speaker 1: being terrified? Well, the point is when you when the

728
00:36:32,719 --> 00:36:36,000
Speaker 1: shoot lands and you survive it, you go home at night,

729
00:36:36,160 --> 00:36:39,880
Speaker 1: you eat then a food taste, but house is quiet

730
00:36:39,920 --> 00:36:42,440
Speaker 1: and still, and you feel comfortable in saving your house.

731
00:36:42,480 --> 00:36:44,560
Speaker 1: You're like, man, I'm glad to be home. Everything's good.

732
00:36:44,800 --> 00:36:47,759
Speaker 1: So that's what it felt like. It felt like coming

733
00:36:47,840 --> 00:36:50,320
Speaker 1: back and doing this Netflix special. All that felt like

734
00:36:50,480 --> 00:36:53,600
Speaker 1: my shoot open and everything's just good. Right. Yeah. I

735
00:36:53,600 --> 00:36:55,040
Speaker 1: don't got to do all that to get that feeling.

736
00:36:55,080 --> 00:36:56,840
Speaker 1: I'm black in America. All I gotta do is to

737
00:36:56,960 --> 00:36:59,160
Speaker 1: drive through the neighborhood that I live in and making

738
00:36:59,200 --> 00:37:01,680
Speaker 1: home without being I feel that I live in a

739
00:37:01,880 --> 00:37:11,279
Speaker 1: much nice and Neige. I I mean, we're all black,

740
00:37:11,360 --> 00:37:13,239
Speaker 1: you know what I mean? Like, I know what you mean.

741
00:37:13,360 --> 00:37:15,120
Speaker 1: But it's not like I'm gonna try to survive and

742
00:37:15,239 --> 00:37:17,719
Speaker 1: traffic stop just to get that feeling. I mean, it's

743
00:37:17,760 --> 00:37:20,279
Speaker 1: like it's the black experience. But I did it. I

744
00:37:20,320 --> 00:37:21,920
Speaker 1: don't know why I did it, but the point is

745
00:37:22,000 --> 00:37:25,840
Speaker 1: that now this is just I'm happy to be doing it.

746
00:37:26,080 --> 00:37:28,719
Speaker 1: Would you do it again? What quit my show? No?

747
00:37:31,760 --> 00:37:35,920
Speaker 1: Oh no, I don't think I would. Man, I mean,

748
00:37:36,040 --> 00:37:37,880
Speaker 1: like I get it. I know what it's about, you

749
00:37:37,920 --> 00:37:40,360
Speaker 1: know what I mean. I just think that you know

750
00:37:40,560 --> 00:37:42,600
Speaker 1: something's It's just one of those things that I didn't

751
00:37:42,600 --> 00:37:44,600
Speaker 1: even mean to do it the first time. It's a

752
00:37:44,719 --> 00:37:46,680
Speaker 1: long story, Dave. I hate to do this, but I

753
00:37:46,880 --> 00:37:48,800
Speaker 1: have to put you on the spot. But could you

754
00:37:48,920 --> 00:37:52,320
Speaker 1: explain to the breakfast club interviewing what you did to

755
00:37:52,520 --> 00:37:58,680
Speaker 1: my apple pie a year ago? Something? No, he's taught Okay.

756
00:37:58,719 --> 00:38:02,279
Speaker 1: So we're playing at the perhaps Blue Ribbon Theater and

757
00:38:02,440 --> 00:38:05,160
Speaker 1: the pastry chef and Donelle hit it off the first

758
00:38:05,320 --> 00:38:13,120
Speaker 1: night of engagement. She was white, no, no, no, but

759
00:38:13,280 --> 00:38:15,080
Speaker 1: but she just know she was an older woman, real

760
00:38:15,120 --> 00:38:18,840
Speaker 1: sweet woman. And she really liked. So I came to

761
00:38:18,920 --> 00:38:22,960
Speaker 1: work and she had baked him a pie and the

762
00:38:23,160 --> 00:38:26,800
Speaker 1: pipe had his name stencil and the crest. Wow. And

763
00:38:26,880 --> 00:38:28,600
Speaker 1: I was excited about it because every day she would

764
00:38:28,640 --> 00:38:30,239
Speaker 1: come of where she says that anything that you could

765
00:38:30,239 --> 00:38:32,320
Speaker 1: do for is there anything specially want? I was like,

766
00:38:32,400 --> 00:38:33,879
Speaker 1: make me a post. She was like, that's pretty simple.

767
00:38:34,200 --> 00:38:36,640
Speaker 1: I said, well, if that's so simple, make me a pie,

768
00:38:37,000 --> 00:38:38,759
Speaker 1: then put my name on the top of the pot.

769
00:38:42,360 --> 00:38:52,160
Speaker 1: Of the story that is correct. And I was excited

770
00:38:52,239 --> 00:38:56,000
Speaker 1: about the pie. No, no, I was sure. Everybody pipe,

771
00:38:56,400 --> 00:38:58,680
Speaker 1: I didn't actually put money in it. Well, you have

772
00:38:58,719 --> 00:39:00,960
Speaker 1: still leading the pipe day with put he kept going.

773
00:39:01,040 --> 00:39:03,120
Speaker 1: He was like, because somebody put that pie in a

774
00:39:03,200 --> 00:39:06,960
Speaker 1: mic way for three seconds. So it's a bunch of

775
00:39:07,000 --> 00:39:10,160
Speaker 1: people love Dave Chappelle. He's an evil friend. Man. That

776
00:39:10,440 --> 00:39:13,600
Speaker 1: was funny. Man, We got more with Dave Chappelle. When

777
00:39:13,640 --> 00:39:15,600
Speaker 1: we come back, don't move. It's the Breakfast Club. Good

778
00:39:15,640 --> 00:39:20,680
Speaker 1: morning morning. Everybody's DJ n v Angela Ye, Charlemagne the guy.

779
00:39:20,719 --> 00:39:22,880
Speaker 1: We all the breakfast Club. We have Dave Chappelle and

780
00:39:22,960 --> 00:39:26,000
Speaker 1: Donnelle Rawlings in the building. Charlemagne. When when the last

781
00:39:26,040 --> 00:39:29,680
Speaker 1: time you've been humbled, Dave humbled. Yeah, you mean like

782
00:39:29,840 --> 00:39:36,719
Speaker 1: what professionally or personally both? Yo, yo, man, life is humiliating, yeah,

783
00:39:37,200 --> 00:39:40,239
Speaker 1: for you, for everybody. Yo. You think if I'm walking

784
00:39:40,280 --> 00:39:42,759
Speaker 1: down the street and a lady says you gonna take

785
00:39:42,800 --> 00:39:44,239
Speaker 1: a picture and she don't know how to work her

786
00:39:44,320 --> 00:39:46,600
Speaker 1: camera and we all staying in there, but you do

787
00:39:46,800 --> 00:39:49,800
Speaker 1: that because you gotta you know, you gotta have empathy.

788
00:39:50,160 --> 00:39:53,160
Speaker 1: But life is humilly. Being a parents, humiliating, being a

789
00:39:53,320 --> 00:39:58,200
Speaker 1: husband's humiliating. All of it's humiliate. Hindsight is twenty twenty.

790
00:39:58,280 --> 00:40:01,080
Speaker 1: Was it was everything worth it? Like everything you went through,

791
00:40:01,200 --> 00:40:04,960
Speaker 1: like even the Chapelle Shaw experience, and even walking away

792
00:40:05,000 --> 00:40:06,600
Speaker 1: from it was at all worth it? Hey man, Yeah,

793
00:40:06,640 --> 00:40:08,960
Speaker 1: I was. I was happy to have that show. You know.

794
00:40:09,360 --> 00:40:10,960
Speaker 1: I'm sorry it end of the way it ended. But

795
00:40:11,920 --> 00:40:15,560
Speaker 1: I enjoyed making that show. It was a it was

796
00:40:15,600 --> 00:40:19,680
Speaker 1: an experience that very few people get. The head you

797
00:40:19,760 --> 00:40:24,040
Speaker 1: miss it, especially with everything going on and so much material. Yeah,

798
00:40:25,200 --> 00:40:28,759
Speaker 1: because I see something and I say, damn I misspell Yeah,

799
00:40:28,760 --> 00:40:30,400
Speaker 1: I miss it too, you know, but I think I

800
00:40:30,440 --> 00:40:32,120
Speaker 1: don't know if I could do it again though, because

801
00:40:32,120 --> 00:40:33,759
Speaker 1: I missed it. But then I remember what it was

802
00:40:33,880 --> 00:40:36,359
Speaker 1: like to do it and it just wasn't. It might

803
00:40:36,440 --> 00:40:40,080
Speaker 1: be easier now to make just because of technology, and yeah,

804
00:40:40,200 --> 00:40:43,359
Speaker 1: but the internet ruined because it won't be the same. Yeah,

805
00:40:43,440 --> 00:40:45,400
Speaker 1: stuff that you want to do, somebody will do on

806
00:40:45,560 --> 00:40:49,520
Speaker 1: YouTube ten times faster than ten times worse. Right, Yeah,

807
00:40:49,600 --> 00:40:51,880
Speaker 1: it's true, but you didn't play a lot of people.

808
00:40:52,719 --> 00:40:54,560
Speaker 1: It was great. Yeah, I worked with a lot of

809
00:40:54,600 --> 00:40:56,279
Speaker 1: great people that I was doing the showing at Lanta

810
00:40:56,360 --> 00:40:59,080
Speaker 1: the other night and bumped into like similar guys from

811
00:40:59,080 --> 00:41:00,799
Speaker 1: the crew. I hadn't seen those guys as I walked

812
00:41:00,880 --> 00:41:03,239
Speaker 1: up to set. It was good to see him. You know,

813
00:41:03,320 --> 00:41:06,920
Speaker 1: you remember people finally, like after it's all said and done.

814
00:41:06,960 --> 00:41:09,840
Speaker 1: So you know, I do have bad feelings about how

815
00:41:09,880 --> 00:41:12,000
Speaker 1: it ended, but I don't have bad feelings about what

816
00:41:12,120 --> 00:41:14,360
Speaker 1: it was. It was a great experience. How did Charlie

817
00:41:14,440 --> 00:41:16,759
Speaker 1: Murphy's pass and affect you? Because I know you guys

818
00:41:16,800 --> 00:41:19,719
Speaker 1: were pretty close. It was tough, man, it was. It

819
00:41:19,880 --> 00:41:22,480
Speaker 1: was a reality check. I feel very lucky that I

820
00:41:22,560 --> 00:41:25,080
Speaker 1: got to know him. I feel like he was a

821
00:41:25,280 --> 00:41:27,320
Speaker 1: very large part of the reason that I got to

822
00:41:27,400 --> 00:41:30,719
Speaker 1: be successful, Like literally changed my life just by saying

823
00:41:31,000 --> 00:41:33,040
Speaker 1: I fought Rick James. Many times we were like, what

824
00:41:34,560 --> 00:41:49,879
Speaker 1: fought James? Jesus who I didn't know? You can stay

825
00:41:50,280 --> 00:41:55,000
Speaker 1: on the radio, but no, he said he fought Rick James.

826
00:41:55,120 --> 00:41:57,800
Speaker 1: Many times we tell us his story of lunch and

827
00:41:57,880 --> 00:42:00,520
Speaker 1: it literally from then on to just change. It changed

828
00:42:00,520 --> 00:42:03,480
Speaker 1: your lives. You immortalized him. Yeah, man, But you know

829
00:42:03,560 --> 00:42:06,400
Speaker 1: I got to like meet and work with rig And

830
00:42:07,520 --> 00:42:09,480
Speaker 1: and the I mean, you know Charlie, and he was

831
00:42:09,560 --> 00:42:12,719
Speaker 1: an og Like Charlie's been around the block. You know,

832
00:42:12,800 --> 00:42:16,920
Speaker 1: his brother is Eddie Murphy. He's seen the epicenter of

833
00:42:17,040 --> 00:42:19,400
Speaker 1: like the fame that we all wanted to acquire. He

834
00:42:19,480 --> 00:42:22,120
Speaker 1: had great stories and he was also a real nurturend dude,

835
00:42:22,160 --> 00:42:25,120
Speaker 1: I think he gave me great advice. Uh, you know,

836
00:42:25,200 --> 00:42:27,319
Speaker 1: I got missage presents. Man, I'm really I was real

837
00:42:27,400 --> 00:42:29,960
Speaker 1: sad that year that doing a great job on Power

838
00:42:30,960 --> 00:42:38,040
Speaker 1: a great job job busted you in New York. Yeah,

839
00:42:38,440 --> 00:42:40,600
Speaker 1: but I will say, you know, like you when other

840
00:42:40,640 --> 00:42:44,440
Speaker 1: people get stuff away from yourself, it's hard to celebrate that.

841
00:42:44,600 --> 00:42:47,160
Speaker 1: But you know, when I found out that Charlie was

842
00:42:47,200 --> 00:42:49,920
Speaker 1: doing that role, I realized that he was probably perfect

843
00:42:50,040 --> 00:42:52,400
Speaker 1: person for him. And then the hindsight as far as

844
00:42:52,440 --> 00:42:54,279
Speaker 1: with him passing away or whatever. I just think this

845
00:42:54,560 --> 00:42:56,919
Speaker 1: is a nice thing for people to see him being

846
00:42:56,960 --> 00:42:58,480
Speaker 1: a part of a great body of work like that

847
00:42:58,680 --> 00:43:00,920
Speaker 1: he said. And he did a good job, did Charlie. Definitely,

848
00:43:01,040 --> 00:43:03,240
Speaker 1: y'all think about your own mortality because I know Donellill

849
00:43:03,320 --> 00:43:04,839
Speaker 1: called me one day random, He's like, y'all just want

850
00:43:04,880 --> 00:43:06,440
Speaker 1: to tell you, man, you know what I'm saying. You know,

851
00:43:06,520 --> 00:43:08,480
Speaker 1: people dying and you might die, So I just wanna

852
00:43:08,480 --> 00:43:09,920
Speaker 1: tell y'all love you. You're doing a good job. I'm like,

853
00:43:12,200 --> 00:43:14,279
Speaker 1: you know, I will say. I don't know, Daven have

854
00:43:14,360 --> 00:43:16,840
Speaker 1: different answers, like when someone passed away some specially with

855
00:43:16,960 --> 00:43:19,440
Speaker 1: somebody that you care about, it makes you think about

856
00:43:19,840 --> 00:43:21,920
Speaker 1: people important in your life, for the people that you respect.

857
00:43:22,280 --> 00:43:24,600
Speaker 1: And I don't know, I was probably you know, in

858
00:43:24,719 --> 00:43:27,359
Speaker 1: my feelings that day, but it was at a time

859
00:43:27,400 --> 00:43:30,080
Speaker 1: when you just dropped your book and I'm seeing like

860
00:43:30,560 --> 00:43:33,680
Speaker 1: your transition from not just doing urban stuff, but like

861
00:43:33,960 --> 00:43:36,480
Speaker 1: the media running you get oh, I'll keep it real.

862
00:43:36,920 --> 00:43:43,600
Speaker 1: All the white folks that you partnered up. I was like,

863
00:43:44,040 --> 00:43:46,439
Speaker 1: I was like, he's taking it to the next level.

864
00:43:46,719 --> 00:43:48,879
Speaker 1: And another thing in our community is not too often

865
00:43:48,920 --> 00:43:51,080
Speaker 1: to people read books. So the fact that you know,

866
00:43:51,520 --> 00:43:53,800
Speaker 1: a brother put a book out and he got people

867
00:43:53,840 --> 00:43:57,440
Speaker 1: that wouldn't normally pay attention to that. Like, I know,

868
00:43:57,520 --> 00:44:00,760
Speaker 1: it's hard to say. And I didn't say no homo

869
00:44:00,880 --> 00:44:03,480
Speaker 1: before I said that I loved and I know that's right.

870
00:44:05,560 --> 00:44:09,840
Speaker 1: And I didn't say pauls at the end, right, I

871
00:44:09,920 --> 00:44:12,120
Speaker 1: thought you were sick. No, no, when you called, I

872
00:44:12,160 --> 00:44:13,719
Speaker 1: thought he was sick. I thought he was like guys.

873
00:44:13,880 --> 00:44:16,920
Speaker 1: And that's the one time that we really appreciate people

874
00:44:17,719 --> 00:44:20,759
Speaker 1: in death, and when someone passed away, it makes you

875
00:44:20,840 --> 00:44:22,839
Speaker 1: think about so many times in our life. We get

876
00:44:22,880 --> 00:44:25,040
Speaker 1: to a point where you say to yourself, I wanted

877
00:44:25,040 --> 00:44:26,800
Speaker 1: to call that person just to say hi or just

878
00:44:27,040 --> 00:44:29,680
Speaker 1: say what's up. And you don't act on on those

879
00:44:29,719 --> 00:44:33,239
Speaker 1: films and didn't something tragically happened and then you're like, oh, man,

880
00:44:33,239 --> 00:44:34,960
Speaker 1: I was just supposed to call him. So that was

881
00:44:35,040 --> 00:44:36,880
Speaker 1: me and my mom. You know, sometimes on the tour bus,

882
00:44:37,000 --> 00:44:39,120
Speaker 1: Danielle gets drunk and looks at pictures of his son

883
00:44:39,200 --> 00:44:46,640
Speaker 1: and cry, oh, you just tell you that. I couldn't

884
00:44:46,640 --> 00:44:49,680
Speaker 1: believe that. That's cute. I called him doing it. You

885
00:44:49,719 --> 00:44:53,319
Speaker 1: haven't met Danielle, baby mama. Yeah, of course, Yeah, of course,

886
00:44:53,600 --> 00:44:56,480
Speaker 1: she's wonderful. Were vacation together. Yeah, I've seen that you

887
00:44:56,520 --> 00:45:02,640
Speaker 1: guys were on the yacht. Well, yeah, because I thought

888
00:45:02,680 --> 00:45:09,000
Speaker 1: it wasn't yacht until I saw puffy shit times that

889
00:45:09,120 --> 00:45:11,680
Speaker 1: we had a boat, that we had a boat. You

890
00:45:11,719 --> 00:45:14,160
Speaker 1: don't feel the need to compete with stuff like that though,

891
00:45:14,280 --> 00:45:17,359
Speaker 1: not at all. Yeah, I'm yeah, I'm really, like, really

892
00:45:17,480 --> 00:45:21,360
Speaker 1: really happy right now. And I you know, I appreciate it.

893
00:45:21,480 --> 00:45:23,239
Speaker 1: Like my kids are safe right now. I don't know

894
00:45:23,280 --> 00:45:27,680
Speaker 1: where they everyone's happy, everyone's fat and clean and skill. Look, man,

895
00:45:27,760 --> 00:45:32,879
Speaker 1: I'm just Yeah. We've seen you pop out with Chris

896
00:45:33,000 --> 00:45:35,919
Speaker 1: Rock a couple of times. Another legend, another icon. Yeah,

897
00:45:35,960 --> 00:45:38,680
Speaker 1: he's that's the homie man. There's only two of y'all

898
00:45:38,719 --> 00:45:41,680
Speaker 1: in that space though. Yeah, Chris is, he's definitely a

899
00:45:41,680 --> 00:45:44,160
Speaker 1: big brother. Though he's like he's killing it. I wasn't

900
00:45:44,160 --> 00:45:46,680
Speaker 1: so exact as soon as act a few times one

901
00:45:46,719 --> 00:45:49,160
Speaker 1: he's doing he's killing it right now. He's seen. Maybe

902
00:45:49,160 --> 00:45:52,160
Speaker 1: you guys would do a tour together, Well, we are.

903
00:45:52,360 --> 00:45:55,279
Speaker 1: We are gonna do two nights together at Radio City.

904
00:45:55,320 --> 00:45:57,920
Speaker 1: Would be the first time we've ever officially headlined to

905
00:45:57,960 --> 00:46:01,600
Speaker 1: show a co headline show. Together, and I'm very excited

906
00:46:01,640 --> 00:46:04,680
Speaker 1: about it because it's the first time any comic has

907
00:46:04,760 --> 00:46:09,080
Speaker 1: ever done a residency of a month at Radio City

908
00:46:09,200 --> 00:46:11,440
Speaker 1: Music Hall. Dave is a real humble dude. I'm not

909
00:46:11,520 --> 00:46:14,080
Speaker 1: gonna say, really a spectacle of what's about to go down,

910
00:46:14,480 --> 00:46:17,360
Speaker 1: but nobody's ever done a joint where like the entire

911
00:46:17,480 --> 00:46:20,759
Speaker 1: month of August, we're locking everything down. We got some

912
00:46:20,840 --> 00:46:35,000
Speaker 1: of the best show I don't don't let me get people,

913
00:46:35,239 --> 00:46:39,440
Speaker 1: don't let me. Don't let me. I do think y'all

914
00:46:39,440 --> 00:46:44,120
Speaker 1: need other comedians on those, and be quite honest, I'd

915
00:46:44,160 --> 00:46:46,480
Speaker 1: be quite honest you don't. But you know what I'm saying.

916
00:46:46,560 --> 00:46:48,120
Speaker 1: We got a team. I'm not. I'm not I'm gonna

917
00:46:48,160 --> 00:46:50,239
Speaker 1: do some of the shows, but do you know that

918
00:46:50,360 --> 00:47:00,160
Speaker 1: your show, y'all, well, in the event that I have

919
00:47:00,200 --> 00:47:05,399
Speaker 1: the opportunity, He's totally gonna be on it. We all

920
00:47:05,480 --> 00:47:08,280
Speaker 1: the Breakfast Club now coming up next. Usually we do rumors,

921
00:47:08,360 --> 00:47:10,719
Speaker 1: but I mean, damn it, man, Dave Chappelle's here. We're

922
00:47:10,719 --> 00:47:12,719
Speaker 1: gonna kick it with Dave Chappelle's some more soon. Don't move.

923
00:47:13,120 --> 00:47:16,680
Speaker 1: It's the Breakfast Club. Good morning Now. Usually we do

924
00:47:17,400 --> 00:47:19,920
Speaker 1: rumors right here, but I mean Donnell Rawlins and Dave

925
00:47:20,040 --> 00:47:23,040
Speaker 1: Chappelle's here. Dave Chappelle hasn't done radio in twelve years,

926
00:47:23,360 --> 00:47:26,920
Speaker 1: so we're kicking it with Dave Chappelle. Charlemagne ask you today,

927
00:47:26,920 --> 00:47:28,279
Speaker 1: where do you draw the line when it comes to

928
00:47:28,400 --> 00:47:31,239
Speaker 1: like a cultural appropriation. What do you mean white people

929
00:47:31,239 --> 00:47:36,440
Speaker 1: appropriating like black culture? Okay, this is a controversial question.

930
00:47:37,760 --> 00:47:41,359
Speaker 1: I'm not sure if the premise. I'm not sure if

931
00:47:41,440 --> 00:47:45,000
Speaker 1: the premise of the question is correct. Kylie and Kendall

932
00:47:45,160 --> 00:47:49,880
Speaker 1: today superimposed their images on Biggie and Tupac and they

933
00:47:49,960 --> 00:47:54,200
Speaker 1: got t shirt right, Okay, And as a black person

934
00:47:54,760 --> 00:48:01,960
Speaker 1: or person from that culture, you feel like they misrespectful disrespect. Yeah, yeah,

935
00:48:02,160 --> 00:48:04,239
Speaker 1: that's that's a tough one. Did you go see the

936
00:48:04,320 --> 00:48:08,640
Speaker 1: Tupac movie? No? Did you like it? I don't think

937
00:48:08,680 --> 00:48:11,840
Speaker 1: it was as terrible as everybody was saying. But it wasn't.

938
00:48:12,080 --> 00:48:15,320
Speaker 1: I haven't heard good things and it wasn't like it

939
00:48:15,480 --> 00:48:19,040
Speaker 1: starts before Tupac is born and it ends when he dies.

940
00:48:19,080 --> 00:48:21,000
Speaker 1: That's a long period of time to cover, and so

941
00:48:21,120 --> 00:48:23,600
Speaker 1: many things that happened in Tupac's life, and he was

942
00:48:23,680 --> 00:48:27,800
Speaker 1: such a complex person and so many different incident you

943
00:48:27,920 --> 00:48:31,040
Speaker 1: ever had a club when Tupac was there. No, never.

944
00:48:31,440 --> 00:48:36,960
Speaker 1: It wasn't that much fun really, Yeah, I just remember

945
00:48:37,040 --> 00:48:38,680
Speaker 1: being in part it just felt like a lot of

946
00:48:38,760 --> 00:48:41,080
Speaker 1: dark shoes around a guy. I liked them. I didn't

947
00:48:41,120 --> 00:48:44,319
Speaker 1: know well, but I felt like culturally that those were

948
00:48:44,440 --> 00:48:49,120
Speaker 1: darker time. Yeah, yeah, absolutely right, you know. And I'm

949
00:48:49,160 --> 00:48:51,239
Speaker 1: not saying this should be controversial. I don't even it's

950
00:48:51,239 --> 00:48:53,000
Speaker 1: just nothing to do with the question that you asked me.

951
00:48:53,160 --> 00:48:54,560
Speaker 1: I just thought you got out the question like a

952
00:48:54,680 --> 00:48:58,799
Speaker 1: UFC fighter. I didn't know what's good you have been

953
00:48:58,880 --> 00:49:02,759
Speaker 1: watching Charlotte Man was ready for you, was like, just

954
00:49:03,000 --> 00:49:11,960
Speaker 1: ignore him. I just didn't think, Yeah, you know, do

955
00:49:12,000 --> 00:49:14,560
Speaker 1: you plan to see it to just get an idea.

956
00:49:15,280 --> 00:49:18,200
Speaker 1: I'm gonna watch that at home probably, you know what

957
00:49:18,280 --> 00:49:21,840
Speaker 1: I mean. Like, I don't know, man, something the question

958
00:49:22,000 --> 00:49:24,880
Speaker 1: asking I think it is a very important question, but

959
00:49:25,040 --> 00:49:28,080
Speaker 1: I'm not sure how to answer that, you know what

960
00:49:28,120 --> 00:49:32,320
Speaker 1: I mean, Because at a certain point, I feel like

961
00:49:33,200 --> 00:49:36,000
Speaker 1: no one's gonna feel that way more than African American

962
00:49:36,440 --> 00:49:39,920
Speaker 1: because we create so much culture and oftentimes just sighting

963
00:49:40,000 --> 00:49:42,560
Speaker 1: from us, and it's almost all that we've ever had.

964
00:49:43,120 --> 00:49:45,400
Speaker 1: I'm we've never had, We've done many great things, but

965
00:49:45,480 --> 00:49:49,239
Speaker 1: you know what I mean. But but it is American

966
00:49:49,320 --> 00:49:52,759
Speaker 1: culture too. Kylie and Kenna, like they don't understand what

967
00:49:53,080 --> 00:49:55,480
Speaker 1: they had happened then too, they don't understand. I don't

968
00:49:55,480 --> 00:49:58,040
Speaker 1: think they were doing that maliciously. I just think that

969
00:49:58,160 --> 00:50:01,520
Speaker 1: they don't. They're never gonna black dude, I'm gonna see

970
00:50:01,560 --> 00:50:05,200
Speaker 1: the world. They if you have some glasses that someone

971
00:50:05,239 --> 00:50:07,719
Speaker 1: could put on this to see the world, how you

972
00:50:07,920 --> 00:50:13,120
Speaker 1: saw the world be terrified? Yeah, you know, I heard

973
00:50:13,160 --> 00:50:15,320
Speaker 1: the interview with you. I get it. I know what

974
00:50:15,440 --> 00:50:17,880
Speaker 1: you gotta get it. But that's a hard question to answer.

975
00:50:18,440 --> 00:50:22,480
Speaker 1: Do your kids think you're funny? Yeah? Yeah, I mean, look,

976
00:50:22,520 --> 00:50:25,080
Speaker 1: I'm gonna dance, so there's something about me that's corenty

977
00:50:25,120 --> 00:50:29,160
Speaker 1: to them. But but they but they yeah, they get it.

978
00:50:29,280 --> 00:50:32,720
Speaker 1: They know. Like my kids are teenagers. Then my youngest

979
00:50:32,760 --> 00:50:35,040
Speaker 1: son is as old as I was when I started

980
00:50:35,080 --> 00:50:38,920
Speaker 1: doing he's fourteen. He started at fourteen. Yeah, I started

981
00:50:38,920 --> 00:50:42,080
Speaker 1: really young. Wow, thirty years I'll be I'll be forty

982
00:50:42,120 --> 00:50:46,840
Speaker 1: four this this summer. Veteran seasoned. Yeah, and it'll be

983
00:50:47,000 --> 00:50:49,680
Speaker 1: my thirtieth anniversion. I'm like really proud of that. We

984
00:50:49,760 --> 00:50:51,440
Speaker 1: means you're get on stage at the age of fourteen.

985
00:50:52,080 --> 00:50:55,279
Speaker 1: The fear of death, Well you do? You do? You

986
00:50:55,320 --> 00:50:58,080
Speaker 1: have been thinking about your own mortality? Well, Yo, we're

987
00:50:58,160 --> 00:51:00,600
Speaker 1: black dudes in America. So right when I was in

988
00:51:00,719 --> 00:51:02,960
Speaker 1: high school. My freshman year of high school, I talked

989
00:51:03,000 --> 00:51:05,600
Speaker 1: about on an active studio, Oh, six hundred kids my

990
00:51:05,680 --> 00:51:09,120
Speaker 1: age got murdered in Washington, DC. You can't be in

991
00:51:09,160 --> 00:51:12,239
Speaker 1: an environment like that and they're not affected. Like, Yo,

992
00:51:12,360 --> 00:51:14,560
Speaker 1: you made me want to just do whatever it was

993
00:51:14,640 --> 00:51:17,359
Speaker 1: I wanted to do. I feel very lucky to get

994
00:51:17,400 --> 00:51:21,040
Speaker 1: to be forty four, right, which which you know. Now

995
00:51:21,160 --> 00:51:23,759
Speaker 1: I'm more ambitious and I'm looking forward to paying half

996
00:51:23,800 --> 00:51:27,040
Speaker 1: price at the movies. But before that I didn't. I

997
00:51:27,120 --> 00:51:28,719
Speaker 1: didn't know I was going to live this long, you know.

998
00:51:29,040 --> 00:51:31,880
Speaker 1: And I think the fear of not doing what I

999
00:51:31,960 --> 00:51:33,759
Speaker 1: want to do in life made me do what I

1000
00:51:33,840 --> 00:51:35,959
Speaker 1: want to be. Even in Kevin Harts book, he talks

1001
00:51:35,960 --> 00:51:39,480
Speaker 1: about doing comedy because he was just trying to survive too,

1002
00:51:39,640 --> 00:51:42,359
Speaker 1: Like just being funny is what actually helped him. Not. Yeah,

1003
00:51:42,360 --> 00:51:43,759
Speaker 1: I wonder what makes it? What makes you believe the

1004
00:51:43,800 --> 00:51:47,279
Speaker 1: stage can save you, though it absolutely did. Look at

1005
00:51:47,320 --> 00:51:50,920
Speaker 1: guy like Kevin Harts from Philly he is the number

1006
00:51:51,040 --> 00:51:56,239
Speaker 1: one selling artist on tour on Earth from any jump.

1007
00:51:57,040 --> 00:51:59,480
Speaker 1: You know, I'm very proud that somebody from my genre

1008
00:51:59,680 --> 00:52:02,360
Speaker 1: is at the top of the food chains, right and

1009
00:52:02,640 --> 00:52:06,719
Speaker 1: somebody I remember him starting out. It's amazing to see it.

1010
00:52:06,880 --> 00:52:09,239
Speaker 1: And it's absolutely can save your life. What made you

1011
00:52:09,320 --> 00:52:12,840
Speaker 1: think that you're fast talking? And and your liking of

1012
00:52:13,160 --> 00:52:16,120
Speaker 1: controversial questions would take as far as that that's true?

1013
00:52:17,480 --> 00:52:22,759
Speaker 1: And yeah, and then yeah, and I've never met you,

1014
00:52:23,239 --> 00:52:25,279
Speaker 1: but you one of the few celebrities I've met a

1015
00:52:25,320 --> 00:52:27,759
Speaker 1: long time. Like literally, I feel like I know you

1016
00:52:28,320 --> 00:52:31,480
Speaker 1: and I've I've only seen you once. It means you're

1017
00:52:31,560 --> 00:52:33,640
Speaker 1: very effective at what you do. In my opinion, I

1018
00:52:33,640 --> 00:52:35,399
Speaker 1: would say it means you're very effective. But I still

1019
00:52:35,440 --> 00:52:37,760
Speaker 1: feel like I can get shot because of my fast

1020
00:52:37,840 --> 00:52:41,759
Speaker 1: talking you up. Yeah, but god forbid, no, man, you've

1021
00:52:41,840 --> 00:52:45,720
Speaker 1: transcended that. I mean, look, anything terrible can happen to anybody.

1022
00:52:45,800 --> 00:52:48,239
Speaker 1: But there's some people that get shot, that never get

1023
00:52:48,280 --> 00:52:51,080
Speaker 1: a platform, they never get to write a book, that

1024
00:52:51,239 --> 00:52:53,800
Speaker 1: never get there. I mean, everybody knows your name. You

1025
00:52:53,920 --> 00:52:56,440
Speaker 1: meet famous people, they already know who you are. It's amazing,

1026
00:52:57,320 --> 00:52:59,400
Speaker 1: you know, what's about that? I was so aware. Somebody

1027
00:52:59,640 --> 00:53:01,080
Speaker 1: came up to me, want to take a picture. They

1028
00:53:01,120 --> 00:53:03,160
Speaker 1: thought I was here. No, they didn't swear to God.

1029
00:53:07,920 --> 00:53:10,279
Speaker 1: Not happen. I swear to God. He was like, are

1030
00:53:10,320 --> 00:53:16,239
Speaker 1: you Charloman the god come? How are you feel mad

1031
00:53:16,239 --> 00:53:20,640
Speaker 1: about that? You wasn't mad with Morris Chestnuts. That's Morris chestnuts. Mean,

1032
00:53:21,200 --> 00:53:25,279
Speaker 1: it's a difference. You caught a Mars chester Nut. Mars

1033
00:53:25,320 --> 00:53:27,880
Speaker 1: chestnut chestn give me take with you. That's the big day.

1034
00:53:28,000 --> 00:53:30,279
Speaker 1: Then Chiel gotta go. So let's tell him about radio

1035
00:53:30,520 --> 00:53:34,120
Speaker 1: get one more. I was driving Dave in twenty seventeen.

1036
00:53:34,400 --> 00:53:36,880
Speaker 1: I was driving you right now, right now. It's a

1037
00:53:36,960 --> 00:53:49,360
Speaker 1: gentleman named Nester. Let's get radio president. We look forward

1038
00:53:49,400 --> 00:53:52,480
Speaker 1: to seeing the show. And when does gotta come? Man?

1039
00:53:52,719 --> 00:53:57,520
Speaker 1: I'm uh, it's August. It's August first and fourth is

1040
00:53:58,239 --> 00:54:01,279
Speaker 1: first for this me in the roots. All right, you

1041
00:54:01,320 --> 00:54:08,080
Speaker 1: sound like Floyd Mayweather or not. I saw you. I

1042
00:54:08,239 --> 00:54:15,920
Speaker 1: know this This starts August first first? Now? And who

1043
00:54:16,000 --> 00:54:18,560
Speaker 1: do we here for tickets? Oh? You guys, you're good.

1044
00:54:18,640 --> 00:54:25,600
Speaker 1: You're good money. Until we get to the door. I

1045
00:54:25,680 --> 00:54:30,640
Speaker 1: was like, oh, never knock, I beg your I would

1046
00:54:30,680 --> 00:54:32,680
Speaker 1: love to get that call. Yo. This is a breast.

1047
00:54:32,920 --> 00:54:36,040
Speaker 1: We all saw Hi, what what what? What? What's that about?

1048
00:54:37,239 --> 00:54:43,280
Speaker 1: What dare you have? Is Dave Chappelle? Come on, damn Donna?

1049
00:54:43,560 --> 00:54:45,959
Speaker 1: All right, don row Is, it's the Breakfast Club. Good morning,

1050
00:54:46,320 --> 00:54:48,040
Speaker 1: It's don't be a dusty because right now you are

1051
00:54:48,120 --> 00:54:52,719
Speaker 1: some real It's time for Donkey of the Day. So

1052
00:54:52,800 --> 00:54:54,600
Speaker 1: if we ever feel I need to be a dog man,

1053
00:54:54,840 --> 00:54:58,560
Speaker 1: give me with the heat. Did she get? Please tell

1054
00:54:58,640 --> 00:55:04,160
Speaker 1: me I had become Donkey of the Day. Past club bitches, you'dy?

1055
00:55:04,840 --> 00:55:08,520
Speaker 1: Dunkya Today goes to the icon known is Ellen degenerous.

1056
00:55:08,800 --> 00:55:10,680
Speaker 1: Safe to say, Ellen is one of the most successful

1057
00:55:10,719 --> 00:55:13,120
Speaker 1: daytime talk show host of all time. Right, I have

1058
00:55:13,160 --> 00:55:15,080
Speaker 1: to put her jersey in the rafters with the Oprah,

1059
00:55:15,200 --> 00:55:18,160
Speaker 1: Winfreys and Donnie Hughes of the world, for sure. But

1060
00:55:18,400 --> 00:55:20,359
Speaker 1: Donkey Today is all about giving people the credit they

1061
00:55:20,400 --> 00:55:23,160
Speaker 1: deserve for being stupid. Doesn't mean they are stupid, but

1062
00:55:23,320 --> 00:55:26,120
Speaker 1: we all have blind spots that make us sound stupid

1063
00:55:26,200 --> 00:55:28,520
Speaker 1: at times. And that's why I love donkeya Today because

1064
00:55:28,719 --> 00:55:31,880
Speaker 1: I get to correct people for saying something stupid. Okay,

1065
00:55:31,960 --> 00:55:34,600
Speaker 1: just like I would hope someone would do for me. Well,

1066
00:55:34,680 --> 00:55:36,759
Speaker 1: in this case of rich privileged white people say the

1067
00:55:36,840 --> 00:55:40,279
Speaker 1: darnedest things. Ellen on Monday taped a new episode of

1068
00:55:40,320 --> 00:55:42,759
Speaker 1: her Daytime Talk showing her mansion where she and her

1069
00:55:42,840 --> 00:55:45,640
Speaker 1: wife have been self quarantining for weeks now. A very

1070
00:55:45,719 --> 00:55:48,960
Speaker 1: important note, Ellen lives in a mansion that's over eight

1071
00:55:49,000 --> 00:55:51,919
Speaker 1: thousand square feet, sits on eight point two four acres

1072
00:55:51,960 --> 00:55:54,760
Speaker 1: of land. It has five bedrooms, a companner that doubles

1073
00:55:54,800 --> 00:55:57,000
Speaker 1: as a gym, a two bedroom gastouse, and up a

1074
00:55:57,080 --> 00:56:01,160
Speaker 1: salt pebble infinity pool that overlooks the ocean, and it

1075
00:56:01,200 --> 00:56:03,239
Speaker 1: cost her twenty seven million dollars to buy. Dropping the

1076
00:56:03,280 --> 00:56:06,719
Speaker 1: clue box for Ellen DeGeneres, listen, I'm not mad at her.

1077
00:56:06,840 --> 00:56:09,520
Speaker 1: She has a skill set, a talent, and she has

1078
00:56:09,560 --> 00:56:11,120
Speaker 1: made the most of death talent in order to be

1079
00:56:11,160 --> 00:56:13,080
Speaker 1: able to secure the bag and live like that. So

1080
00:56:13,200 --> 00:56:14,680
Speaker 1: I'm not mad at her for that. I'm not one

1081
00:56:14,680 --> 00:56:17,080
Speaker 1: of those people who not people for what they have accomplished. Okay.

1082
00:56:17,120 --> 00:56:19,160
Speaker 1: I see certain people get mad at rich folks for

1083
00:56:19,280 --> 00:56:21,839
Speaker 1: acting their wage. If the celebrity takes a picture from

1084
00:56:21,840 --> 00:56:24,279
Speaker 1: a yacht and says this is how I'm quarantining, well

1085
00:56:24,560 --> 00:56:26,400
Speaker 1: that's just what it is. Okay. They put themselves in

1086
00:56:26,480 --> 00:56:29,200
Speaker 1: that position. That's their life. Salute to them. We all

1087
00:56:29,360 --> 00:56:31,160
Speaker 1: do what we can, and if you're able to afford

1088
00:56:31,239 --> 00:56:33,759
Speaker 1: that lifestyle, God bless you. So I'm not giving her

1089
00:56:33,800 --> 00:56:36,160
Speaker 1: donkey to day because she is quarantining from her mansion. No,

1090
00:56:36,360 --> 00:56:39,160
Speaker 1: I'm giving her donkey of the day because Ellen Degenerous

1091
00:56:39,480 --> 00:56:43,200
Speaker 1: insisted at her mansion feels like a prison. Don't believe me.

1092
00:56:43,360 --> 00:56:45,600
Speaker 1: Listen to yourself. One thing that I've learned from being

1093
00:56:45,680 --> 00:56:49,960
Speaker 1: in quarantine is that people this is like being in jail.

1094
00:56:50,400 --> 00:56:52,919
Speaker 1: Is what it is. It's mostly because I've been wearing

1095
00:56:52,960 --> 00:56:54,880
Speaker 1: the same clothes for ten days and everyone in here

1096
00:56:54,960 --> 00:56:58,280
Speaker 1: is gay. Now I understand she's a comedian. She was joking,

1097
00:56:58,800 --> 00:57:01,319
Speaker 1: terrible joke though, I even understand what she was trying

1098
00:57:01,360 --> 00:57:03,439
Speaker 1: to go with it, because because if what you want

1099
00:57:03,640 --> 00:57:05,719
Speaker 1: is to go outside but you're stuck in the house,

1100
00:57:05,719 --> 00:57:07,879
Speaker 1: no matter what type of residence you're in, it's gonna

1101
00:57:07,960 --> 00:57:10,239
Speaker 1: feel like you have a lack of freedom. Doesn't matter

1102
00:57:10,239 --> 00:57:12,040
Speaker 1: if you're an a mansion or a one bedroom apartment.

1103
00:57:12,080 --> 00:57:14,399
Speaker 1: If what you really want is to go outside, you're

1104
00:57:14,400 --> 00:57:17,400
Speaker 1: gonna feel deprived of that during this time. But in

1105
00:57:17,560 --> 00:57:20,000
Speaker 1: light of what's going on in prisons and jails all

1106
00:57:20,040 --> 00:57:23,200
Speaker 1: around the country during this global pandemic called COVID nineteen.

1107
00:57:23,760 --> 00:57:26,040
Speaker 1: Ellen degenerous sounds tone deaf as hell. I am so

1108
00:57:26,200 --> 00:57:28,400
Speaker 1: glad that she said what she said because it provides

1109
00:57:28,440 --> 00:57:31,680
Speaker 1: me an opportunity shine light on something that folks may

1110
00:57:31,800 --> 00:57:34,520
Speaker 1: not know what is going on. Okay, Please, I'm sure

1111
00:57:34,640 --> 00:57:36,960
Speaker 1: someone will send this to Ellen later, because Ellen, your

1112
00:57:37,000 --> 00:57:39,320
Speaker 1: platform is way bigger than mine and you can help

1113
00:57:39,400 --> 00:57:41,920
Speaker 1: shed some light on this problem. Okay, So let's start

1114
00:57:42,160 --> 00:57:45,600
Speaker 1: with Aaron Campbell. He's a prisoner at FCI Elkton, a

1115
00:57:45,680 --> 00:57:48,680
Speaker 1: low security federal prison in Ohio where three people have

1116
00:57:48,800 --> 00:57:55,000
Speaker 1: already died from coronavirus. He posted this online from the jail. Listen, Ellen, literally,

1117
00:57:57,200 --> 00:58:01,080
Speaker 1: Now they got this law. The care the car is

1118
00:58:01,160 --> 00:58:05,400
Speaker 1: for people who not in game member, not a sexual offender,

1119
00:58:05,840 --> 00:58:08,720
Speaker 1: and not on duff from If you at risk of

1120
00:58:09,320 --> 00:58:12,280
Speaker 1: catching it and die like three people I know already

1121
00:58:12,360 --> 00:58:14,600
Speaker 1: celt it and die, they can send you home on

1122
00:58:14,680 --> 00:58:16,960
Speaker 1: home confirming. Right. So I went to talk to these

1123
00:58:17,000 --> 00:58:19,160
Speaker 1: mornings to get on home confirming. They're not gonna let

1124
00:58:19,240 --> 00:58:21,840
Speaker 1: us on home confirming why because they got to make

1125
00:58:21,880 --> 00:58:23,480
Speaker 1: money off of us. So the nurse came in this

1126
00:58:23,560 --> 00:58:26,560
Speaker 1: bitch today. I talked to this morning. This tell me

1127
00:58:27,360 --> 00:58:29,600
Speaker 1: be prepared half the unit about to dine in this

1128
00:58:29,680 --> 00:58:31,440
Speaker 1: bitch like. He literally told me that they put the

1129
00:58:31,480 --> 00:58:33,520
Speaker 1: ten up everything. That's what they're stuck in. Dead bodies.

1130
00:58:34,080 --> 00:58:36,400
Speaker 1: One dude, his moment was on his way out of here.

1131
00:58:36,520 --> 00:58:40,080
Speaker 1: You feel me? He did serious? Bro, Look at that.

1132
00:58:40,440 --> 00:58:43,760
Speaker 1: So y'all want to think of playing a mine? Let

1133
00:58:43,800 --> 00:58:48,400
Speaker 1: me see bro, Bro? You all right? Oh, by the way,

1134
00:58:48,800 --> 00:58:50,680
Speaker 1: Aaron has not been heard from since he posted that

1135
00:58:50,720 --> 00:58:53,760
Speaker 1: Facebook live video. Twenty three residents and staff members at

1136
00:58:53,800 --> 00:58:56,200
Speaker 1: that prison have tested positive for coronavirus, and I told

1137
00:58:56,240 --> 00:58:58,240
Speaker 1: you already three have died. Now, Ellen, would you like

1138
00:58:58,320 --> 00:58:59,880
Speaker 1: to hear what it sounds like with a family men

1139
00:59:00,240 --> 00:59:03,480
Speaker 1: his home, worried, begging for their loved one to get

1140
00:59:03,560 --> 00:59:06,160
Speaker 1: help in a prison. This is Teresa Massey and her

1141
00:59:06,240 --> 00:59:09,120
Speaker 1: husband is Angelo Massey. Listen to what she had to say. Ellen,

1142
00:59:09,360 --> 00:59:12,800
Speaker 1: My name is Teresa Massey. My husband, Angelo Massey, is

1143
00:59:12,840 --> 00:59:16,160
Speaker 1: locked up and FCI helped him. Someone called me and

1144
00:59:16,240 --> 00:59:18,720
Speaker 1: said my husband was real sick. No one has called

1145
00:59:18,760 --> 00:59:21,520
Speaker 1: me from the jail. I tried to reach the jail.

1146
00:59:21,640 --> 00:59:24,880
Speaker 1: No one has called on returned my calls. My husband

1147
00:59:24,920 --> 00:59:27,840
Speaker 1: called me yesterday and said he wasn't feeling good. Now

1148
00:59:27,960 --> 00:59:31,640
Speaker 1: today he did not call me. Someone's calling from inside

1149
00:59:31,680 --> 00:59:33,880
Speaker 1: the jail on a cell phone, telling me he's sick,

1150
00:59:33,960 --> 00:59:35,520
Speaker 1: that I need to call the warden, that I need

1151
00:59:35,600 --> 00:59:38,640
Speaker 1: to contact somebody. He finally went over to the nurse.

1152
00:59:38,960 --> 00:59:41,160
Speaker 1: He hasn't returned. They came and they packed up his

1153
00:59:41,280 --> 00:59:43,680
Speaker 1: belongings and didn't tell no word where they was sending him.

1154
00:59:44,040 --> 00:59:46,240
Speaker 1: I'm just reaching out to someone who can tell me

1155
00:59:46,360 --> 00:59:50,480
Speaker 1: where my husband is, if he's okay, Just anything that

1156
00:59:50,600 --> 00:59:53,360
Speaker 1: somebody could tell me, if somebody can help me, please,

1157
00:59:53,440 --> 00:59:56,240
Speaker 1: like these minutes up there dying. My husband is locked

1158
00:59:56,280 --> 00:59:58,720
Speaker 1: up on a drug charge. Ellen, I'm sure you get

1159
00:59:58,760 --> 01:00:02,080
Speaker 1: the picture as to why you're statement was completely culturally clueless,

1160
01:00:02,120 --> 01:00:04,960
Speaker 1: because you are simply not in this world. These things

1161
01:00:05,080 --> 01:00:08,360
Speaker 1: aren't at your front doorsteps, so you're not thinking about them. Okay,

1162
01:00:08,400 --> 01:00:11,280
Speaker 1: You've probably being watched all seven seasons of Oranges the

1163
01:00:11,360 --> 01:00:13,760
Speaker 1: New Black and thought to yourself, well, prisonism so bad.

1164
01:00:14,000 --> 01:00:16,160
Speaker 1: But Ellen, no, I want to play for you these

1165
01:00:16,240 --> 01:00:19,000
Speaker 1: brothers who made this video from a prison in Alabama

1166
01:00:19,280 --> 01:00:22,640
Speaker 1: and what they are currently experiencing California is releasing people

1167
01:00:22,680 --> 01:00:25,919
Speaker 1: for the coronavirus. New York has started to release people

1168
01:00:25,960 --> 01:00:30,800
Speaker 1: for the coronavirus. But Alabama is the most open, crowded

1169
01:00:31,320 --> 01:00:36,520
Speaker 1: prison system in the nation, and they refuse to turn

1170
01:00:36,600 --> 01:00:40,880
Speaker 1: people into it's gonna be a mass grave site. I'm

1171
01:00:41,040 --> 01:00:44,840
Speaker 1: seventy one years old. I am a number of part

1172
01:00:44,920 --> 01:00:49,720
Speaker 1: of illnesses that make me accessible even more so, they

1173
01:00:49,760 --> 01:00:53,520
Speaker 1: are not giving us hand sanitizers. They're not giving us

1174
01:00:53,640 --> 01:00:58,800
Speaker 1: proper so, they're not giving us mass my thing to

1175
01:00:59,040 --> 01:01:02,800
Speaker 1: the outside. How world, it's killed. The moral of the

1176
01:01:02,840 --> 01:01:04,560
Speaker 1: story is this is happening all over the country, Ellen,

1177
01:01:04,680 --> 01:01:07,200
Speaker 1: de generous. Okay, in California where you live, damn there

1178
01:01:07,240 --> 01:01:10,040
Speaker 1: thirty five hundred inmates have been released. And they aren't

1179
01:01:10,040 --> 01:01:12,960
Speaker 1: just releasing random people, Okay, prisoners whose crimes were violent,

1180
01:01:13,240 --> 01:01:17,200
Speaker 1: those registered sex offenders and domestic abuse abusers. They're not

1181
01:01:17,280 --> 01:01:19,919
Speaker 1: eligible to see for this, Okay, all right. See, people

1182
01:01:19,960 --> 01:01:22,600
Speaker 1: think when you're in jail, it's fu Okay, you do

1183
01:01:22,720 --> 01:01:24,440
Speaker 1: the crime, you should do the time. True. In a

1184
01:01:24,480 --> 01:01:26,400
Speaker 1: lot of cases, and a lot more cases, people are

1185
01:01:26,440 --> 01:01:29,480
Speaker 1: in there for non violent drug offenses because they were

1186
01:01:29,520 --> 01:01:31,600
Speaker 1: just simply trying to make kings meet. Okay, some folks

1187
01:01:31,640 --> 01:01:33,720
Speaker 1: are in there innocent of the crime they committed and

1188
01:01:33,880 --> 01:01:36,760
Speaker 1: might be awaiting trial because they can't afford to bail out.

1189
01:01:37,000 --> 01:01:39,840
Speaker 1: It's all types of nuance to prison and why prisoners

1190
01:01:39,880 --> 01:01:42,200
Speaker 1: are locked up, and those folks don't deserve to die

1191
01:01:42,840 --> 01:01:45,480
Speaker 1: just because people don't know, don't show, or don't give

1192
01:01:45,520 --> 01:01:48,080
Speaker 1: a damn about what's going on in America's jail. Since

1193
01:01:48,280 --> 01:01:50,560
Speaker 1: did I even mention Rikers Island in New York City,

1194
01:01:50,720 --> 01:01:53,720
Speaker 1: I saw a letter that tax don't wrote from jail,

1195
01:01:53,960 --> 01:01:56,000
Speaker 1: wrote from Rikers where he spoke about the conditions and

1196
01:01:56,120 --> 01:01:58,760
Speaker 1: Rikers and he started the letter by saying, I'm currently

1197
01:01:58,880 --> 01:02:02,600
Speaker 1: in my grave with my eyes wide open. He said

1198
01:02:02,640 --> 01:02:04,760
Speaker 1: that DA's in the head of the Board of Corrections

1199
01:02:04,760 --> 01:02:08,120
Speaker 1: are playing judge, jury and executioner with people's lives because

1200
01:02:08,160 --> 01:02:10,720
Speaker 1: this virus is spreading all through right because and nobody

1201
01:02:10,800 --> 01:02:13,520
Speaker 1: seems to care. He said, the CEOs have no protective yet,

1202
01:02:13,560 --> 01:02:17,480
Speaker 1: and they aren't giving them anything to protect themselves. Since then,

1203
01:02:17,840 --> 01:02:20,120
Speaker 1: you know, Reform has stepped in and provided mask and

1204
01:02:20,200 --> 01:02:23,840
Speaker 1: some other ppe. But Ellen, I think you understand now

1205
01:02:24,520 --> 01:02:27,880
Speaker 1: why you saying your mansion feels like a prison. Didn't

1206
01:02:27,880 --> 01:02:30,680
Speaker 1: sit well with people. So now, Ellen, since you know

1207
01:02:30,760 --> 01:02:35,040
Speaker 1: the problems, what are the solutions? How can you fix this? Easy?

1208
01:02:35,640 --> 01:02:38,440
Speaker 1: Use your platform to sign the alarm. Okay, I'll put

1209
01:02:38,480 --> 01:02:40,360
Speaker 1: you onto some of the things that are happening. But

1210
01:02:40,480 --> 01:02:42,600
Speaker 1: I'm a black male with a criminal record and a

1211
01:02:42,720 --> 01:02:46,280
Speaker 1: list that can't pronounce words correctly. You are a white, privileged,

1212
01:02:46,280 --> 01:02:48,640
Speaker 1: white woman, Ellen, I need you to use your privilege

1213
01:02:48,680 --> 01:02:51,040
Speaker 1: to come back to this prejudice that is going on. Ellen,

1214
01:02:51,120 --> 01:02:53,840
Speaker 1: I need you to act like your name is Karen. Okay,

1215
01:02:54,080 --> 01:02:56,000
Speaker 1: reach out to someone who was on the front lines

1216
01:02:56,040 --> 01:02:58,640
Speaker 1: fighting for these inmates, like Van Jones. All Right, have

1217
01:02:58,840 --> 01:03:01,760
Speaker 1: Van Jones or CNN on your show, on your platform,

1218
01:03:01,880 --> 01:03:03,520
Speaker 1: and let's see if we can get these brothers and

1219
01:03:03,600 --> 01:03:05,680
Speaker 1: sisters some help. We should be calling for people to

1220
01:03:05,760 --> 01:03:08,760
Speaker 1: be released from prisons in jails at a time like this,

1221
01:03:08,880 --> 01:03:11,040
Speaker 1: because we don't need any more stories like Patrick Jones.

1222
01:03:11,080 --> 01:03:12,840
Speaker 1: You know who Patrick Jones is, Ellen, Oh? Well, he

1223
01:03:12,920 --> 01:03:15,040
Speaker 1: was the first federal prisoner to die from coronavirus. He

1224
01:03:15,080 --> 01:03:17,360
Speaker 1: was locked up in Louisiana on a drug conviction, and

1225
01:03:17,440 --> 01:03:18,800
Speaker 1: if I read right, I think he had a year

1226
01:03:18,880 --> 01:03:20,760
Speaker 1: left on his sinis. Not to mention for other people

1227
01:03:20,840 --> 01:03:24,280
Speaker 1: have died in that Louisiana jail from coronavirus since he died,

1228
01:03:24,520 --> 01:03:27,360
Speaker 1: Simple and Plaine. There's a lot going on, Ellen that

1229
01:03:27,480 --> 01:03:29,720
Speaker 1: clearly you don't know about, because if you did, you

1230
01:03:29,760 --> 01:03:34,040
Speaker 1: would have never compared your mansion to a jail. Please

1231
01:03:34,560 --> 01:03:37,439
Speaker 1: give Ellen Degenerous the sweet signs of the hamiltones. Oh

1232
01:03:37,640 --> 01:03:49,520
Speaker 1: no you are dogee the day, do gee, oh the day.

1233
01:03:54,640 --> 01:03:56,200
Speaker 1: And like I said, you know, there's a lot of

1234
01:03:56,240 --> 01:03:57,960
Speaker 1: different ways to help. You know, if I was hurt,

1235
01:03:57,960 --> 01:04:00,480
Speaker 1: I would reach out to Van Jones or CNN. Van

1236
01:04:00,600 --> 01:04:04,040
Speaker 1: Jones it's part of the reform alliance, you know, him

1237
01:04:04,200 --> 01:04:07,439
Speaker 1: and Meek Mill and jay Z. They all made sure

1238
01:04:07,520 --> 01:04:10,560
Speaker 1: that right because Island got ppe and got you know,

1239
01:04:10,680 --> 01:04:13,240
Speaker 1: the things that they needed to properly protect themselves. And

1240
01:04:13,280 --> 01:04:14,840
Speaker 1: I think she needs to have somebody like that on

1241
01:04:14,920 --> 01:04:18,360
Speaker 1: the show to highlight everything that's going on in the

1242
01:04:18,640 --> 01:04:22,560
Speaker 1: prison in jail systems right now due to COVID nineteen.

1243
01:04:22,880 --> 01:04:24,880
Speaker 1: Because if we don't ring the alarm for our brothers

1244
01:04:24,920 --> 01:04:27,960
Speaker 1: and sisters behind those walls, nobody will. And Ellen, you

1245
01:04:28,000 --> 01:04:30,360
Speaker 1: can be an ally and help us do that. Have

1246
01:04:30,480 --> 01:04:32,240
Speaker 1: a blessed day, all right, Well, thank you for that.

1247
01:04:32,320 --> 01:04:35,240
Speaker 1: Dawnke here to day, don't move. It's the Breakfast Club.

1248
01:04:35,320 --> 01:04:42,880
Speaker 1: Good morning. The Breakfast Club is back with our best stuff, interviews, spoting,

1249
01:04:42,920 --> 01:04:46,960
Speaker 1: everybody is DJ Envy, Angela Yee, Charlemagne the Guy. We

1250
01:04:47,080 --> 01:04:50,680
Speaker 1: are the Breakfast Club again. Rest in peace to Nipsey Hustle.

1251
01:04:50,800 --> 01:04:53,080
Speaker 1: It's like, it's a lot of things, you know, you

1252
01:04:53,200 --> 01:04:55,880
Speaker 1: don't expect to say that definitely is one of them.

1253
01:04:56,120 --> 01:04:59,080
Speaker 1: Right now. He was shot and murdered over the weekend,

1254
01:04:59,320 --> 01:05:03,880
Speaker 1: and he stopped by here last February February. Yes, Victory

1255
01:05:03,960 --> 01:05:06,400
Speaker 1: Lap came out of last year February. You know, Victory

1256
01:05:06,440 --> 01:05:08,640
Speaker 1: Lap is my favorite rap album of twenty and eighteen.

1257
01:05:09,040 --> 01:05:10,480
Speaker 1: I think that. I think he came here on like

1258
01:05:10,520 --> 01:05:14,240
Speaker 1: the twenty if if I'm not mistaken, Yeah, February we

1259
01:05:14,360 --> 01:05:16,880
Speaker 1: added on the twenty first. Yeah, so we're gonna get

1260
01:05:16,920 --> 01:05:19,280
Speaker 1: that back on. We talk about so much of that interview.

1261
01:05:19,400 --> 01:05:21,040
Speaker 1: So that was a great interview. Man, it's like an

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01:05:21,040 --> 01:05:23,560
Speaker 1: hour long and we covered a lot of ground in

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01:05:23,680 --> 01:05:25,960
Speaker 1: that interview, you know, but let's get into it. Now.

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01:05:26,080 --> 01:05:28,280
Speaker 1: What up? What up? What up? What's up? My brother

1265
01:05:28,680 --> 01:05:30,800
Speaker 1: del bro? Now, I don't know nothing about la politics,

1266
01:05:30,880 --> 01:05:32,520
Speaker 1: but are you allowed to wear that much read I

1267
01:05:32,640 --> 01:05:37,560
Speaker 1: could do it, I won't. Man, it's my brand. I'm saying. Absolutely,

1268
01:05:37,840 --> 01:05:39,800
Speaker 1: I like I read look with gold. I mean people

1269
01:05:39,840 --> 01:05:42,600
Speaker 1: tripped like that with the colors you wear or depend

1270
01:05:42,840 --> 01:05:46,680
Speaker 1: like again, everybody knows who I am far as where

1271
01:05:46,720 --> 01:05:49,720
Speaker 1: I belong, so you know I'll be seeing like internet

1272
01:05:50,240 --> 01:05:52,560
Speaker 1: uh comments some time when I'll be flamed up. But

1273
01:05:53,200 --> 01:05:55,080
Speaker 1: in La, you know what I mean, we grew up.

1274
01:05:55,680 --> 01:05:57,040
Speaker 1: If you was a real one, you can wear what

1275
01:05:57,080 --> 01:06:00,680
Speaker 1: you don't really apply, you know what I'm saying. Yeah,

1276
01:06:01,480 --> 01:06:04,360
Speaker 1: it's still heavy like that though. I mean it's like

1277
01:06:04,600 --> 01:06:06,560
Speaker 1: if I'm in somebody elsehood with a gang of red

1278
01:06:06,600 --> 01:06:09,160
Speaker 1: on and I'm not a known face and I'm in

1279
01:06:09,200 --> 01:06:11,440
Speaker 1: a crip hood, Yeah it'll probably I probably get addressed.

1280
01:06:12,000 --> 01:06:13,840
Speaker 1: But I don't think I had that problem. They'd be like,

1281
01:06:13,920 --> 01:06:16,240
Speaker 1: that's n it, you know what I'm saying. Congratulations on

1282
01:06:16,320 --> 01:06:21,080
Speaker 1: the album, man, Yeah, Victory Lapping stores, don't grab that

1283
01:06:21,240 --> 01:06:25,440
Speaker 1: stream that all that I've had to It took too long, right,

1284
01:06:25,520 --> 01:06:27,480
Speaker 1: you had a lot to prove on that head. I did.

1285
01:06:27,640 --> 01:06:30,480
Speaker 1: Let's talk about it now. The album's dope first and foremost.

1286
01:06:30,680 --> 01:06:32,600
Speaker 1: You love the album. I hear a lot that you

1287
01:06:32,640 --> 01:06:35,040
Speaker 1: don't like weirdo rappers. Well, I think you talk about

1288
01:06:35,080 --> 01:06:36,560
Speaker 1: the line when I was like the saint this weird

1289
01:06:36,800 --> 01:06:40,080
Speaker 1: rapping it's used to. Yeah, I just feel like, you know, um,

1290
01:06:40,920 --> 01:06:44,000
Speaker 1: I felt pressure a little bit from where the game

1291
01:06:44,120 --> 01:06:46,200
Speaker 1: is at, and there ain't no this to nobody specific,

1292
01:06:46,320 --> 01:06:49,720
Speaker 1: just like it ain't in a direction of what we

1293
01:06:49,880 --> 01:06:52,760
Speaker 1: grew up on in terms of like you gotta say something,

1294
01:06:52,960 --> 01:06:54,240
Speaker 1: you know what I mean. You gotta be a man

1295
01:06:54,320 --> 01:06:56,840
Speaker 1: of respect or a woman of respect, you know what

1296
01:06:56,880 --> 01:06:59,080
Speaker 1: I mean, even from like just the drug stuff. Like

1297
01:06:59,640 --> 01:07:02,680
Speaker 1: you know, I was never glorified in rap culture. We

1298
01:07:02,760 --> 01:07:06,240
Speaker 1: could almost like led by Scarface, a jay Z or

1299
01:07:06,640 --> 01:07:10,360
Speaker 1: Tupac lyrics. If we ain't had no principles, like a

1300
01:07:10,520 --> 01:07:12,680
Speaker 1: man around, we could led by the lyrics and come

1301
01:07:12,720 --> 01:07:15,480
Speaker 1: out as a solid individual. That's what I meant. Just

1302
01:07:15,560 --> 01:07:19,120
Speaker 1: as far as, like, you know, just returning to that direction,

1303
01:07:19,200 --> 01:07:22,280
Speaker 1: I don't know, like telling people what to do, but

1304
01:07:22,480 --> 01:07:26,000
Speaker 1: just you know, try to represent the principles that I

1305
01:07:26,080 --> 01:07:28,440
Speaker 1: grew up on in rap music. That's one thing I

1306
01:07:28,520 --> 01:07:30,520
Speaker 1: like a bunch of music. It always has socially redeeming

1307
01:07:30,600 --> 01:07:33,640
Speaker 1: value to it. On dedication, you know, Kendricks said that

1308
01:07:33,680 --> 01:07:36,200
Speaker 1: this man, El said, do a song with nip here

1309
01:07:36,240 --> 01:07:38,520
Speaker 1: better cryp. M. Kendricks said, here a man first, or

1310
01:07:38,520 --> 01:07:40,440
Speaker 1: do you hear what these peaks about from black businesses?

1311
01:07:40,560 --> 01:07:43,240
Speaker 1: The false imprisonments? And he said listen closest bigger than

1312
01:07:43,280 --> 01:07:45,360
Speaker 1: deduces and four. So is that a challenge for you

1313
01:07:45,400 --> 01:07:46,640
Speaker 1: to get people to see you for more than the

1314
01:07:46,680 --> 01:07:50,120
Speaker 1: stereotypical West Coast gangster rapper? I mean people people received

1315
01:07:50,160 --> 01:07:52,680
Speaker 1: me based on what I said, so I wouldn't I

1316
01:07:52,680 --> 01:07:54,680
Speaker 1: wouldn't blame people for that. I came in and said,

1317
01:07:55,160 --> 01:07:57,240
Speaker 1: it's where I'm from and it's when I represent. But

1318
01:07:57,320 --> 01:07:59,840
Speaker 1: it was for a reason I wanted. I wanted to establish,

1319
01:08:00,480 --> 01:08:02,480
Speaker 1: you know, what I belong to, and I looked at

1320
01:08:02,520 --> 01:08:03,800
Speaker 1: it like jail. That's what I used to tell my

1321
01:08:03,880 --> 01:08:06,360
Speaker 1: homies because even some of my homeboys would be like, well,

1322
01:08:06,440 --> 01:08:09,840
Speaker 1: you can't come out talking about the hood and specifically

1323
01:08:10,080 --> 01:08:12,240
Speaker 1: you know what I mean. When you walk into a dorm,

1324
01:08:12,320 --> 01:08:14,160
Speaker 1: the first thing you establish is where are you from?

1325
01:08:14,800 --> 01:08:17,200
Speaker 1: And then from there you get into the person behind this.

1326
01:08:17,360 --> 01:08:19,240
Speaker 1: Just in case whoever got a problem with this, wherever

1327
01:08:19,280 --> 01:08:20,960
Speaker 1: your enemies is, you go to the back. You hunt

1328
01:08:21,000 --> 01:08:23,799
Speaker 1: of your business and then you get into like, Okay,

1329
01:08:24,680 --> 01:08:26,680
Speaker 1: I could actually with you you you know what I mean,

1330
01:08:26,720 --> 01:08:28,720
Speaker 1: We get to know each other, but you get that

1331
01:08:28,800 --> 01:08:32,160
Speaker 1: out the way first. And so also I wanted to

1332
01:08:32,680 --> 01:08:37,120
Speaker 1: I wanted my message to impact gang culture, you know

1333
01:08:37,160 --> 01:08:38,720
Speaker 1: what I'm saying. I wanted what I had to say

1334
01:08:38,760 --> 01:08:42,479
Speaker 1: to impact individuals like myself, young people. I was in

1335
01:08:42,560 --> 01:08:44,760
Speaker 1: these areas that I was controlled by gang banging. I

1336
01:08:44,760 --> 01:08:46,760
Speaker 1: didn't want appreciate the choir, but I wanted to be

1337
01:08:46,840 --> 01:08:49,680
Speaker 1: able to say, you know, I'm one of you, and

1338
01:08:49,760 --> 01:08:52,160
Speaker 1: where I'm gonna go, wherever I end up, you're gonna

1339
01:08:52,240 --> 01:08:54,000
Speaker 1: You're gonna know that you can end up there too,

1340
01:08:54,320 --> 01:08:56,560
Speaker 1: whether it's at the top of the game or in

1341
01:08:56,600 --> 01:08:59,720
Speaker 1: a successful situation as a business owner. I came from

1342
01:08:59,760 --> 01:09:02,120
Speaker 1: this and it's authentic, and I'm not on the outside

1343
01:09:02,160 --> 01:09:03,960
Speaker 1: of this culture. That's why I came in like I

1344
01:09:04,040 --> 01:09:06,240
Speaker 1: came in. I wasn't trying to like be on no

1345
01:09:06,400 --> 01:09:08,200
Speaker 1: super tough guys, you know what I'm saying. I just

1346
01:09:08,320 --> 01:09:11,760
Speaker 1: wanted to be clear that you know, wherever I take it,

1347
01:09:12,320 --> 01:09:14,960
Speaker 1: I'm not I'm not different. I'm exactly the same. I've

1348
01:09:15,000 --> 01:09:16,640
Speaker 1: been through everything you've been through, or you're gonna go

1349
01:09:16,760 --> 01:09:19,560
Speaker 1: through as a somebody in that culture. What is it?

1350
01:09:19,640 --> 01:09:21,880
Speaker 1: What is a better crip? What does that mean? I

1351
01:09:21,920 --> 01:09:23,720
Speaker 1: don't know because I ain't saying, But what I would

1352
01:09:23,760 --> 01:09:28,200
Speaker 1: assume Kendrick meant was that, um, somebody that is not

1353
01:09:28,520 --> 01:09:36,719
Speaker 1: one hundred bias or outside of communicating with a blood

1354
01:09:36,840 --> 01:09:38,920
Speaker 1: or somebody from the other side of the tracks. Maybe

1355
01:09:38,960 --> 01:09:40,439
Speaker 1: that's what he meant. That's what I took it, as

1356
01:09:40,520 --> 01:09:42,800
Speaker 1: you know, But we had to ask Kendrick his his

1357
01:09:43,600 --> 01:09:45,280
Speaker 1: take on what he meant by that. You talk about

1358
01:09:45,400 --> 01:09:48,919
Speaker 1: West Coach's infrastructure, it was a period when you needed adopted.

1359
01:09:49,000 --> 01:09:51,200
Speaker 1: Drake co signed to get out of the West Why

1360
01:09:51,240 --> 01:09:54,439
Speaker 1: why do you think that changed? Drake Man he built Uh.

1361
01:09:54,720 --> 01:09:57,080
Speaker 1: I call it an island. If you look at music,

1362
01:09:57,240 --> 01:10:00,720
Speaker 1: it's like three or four islands in rap Mus, you

1363
01:10:00,800 --> 01:10:02,200
Speaker 1: know what I mean. And a lot of a lot

1364
01:10:02,240 --> 01:10:04,200
Speaker 1: of the things that you might not know, well y'all know,

1365
01:10:04,320 --> 01:10:06,560
Speaker 1: but that the people might not know are connected to

1366
01:10:06,680 --> 01:10:09,719
Speaker 1: these islands. They connected. You got to like Jimmy Iveen

1367
01:10:09,880 --> 01:10:12,840
Speaker 1: doctor dre Island, which you gotta let's stall the artist

1368
01:10:12,920 --> 01:10:18,519
Speaker 1: Tupac came under that Drake snoop game. Um, Kendrick, well, Yeah,

1369
01:10:18,600 --> 01:10:20,680
Speaker 1: Kendrick is a part of the top Dog thing as well.

1370
01:10:20,760 --> 01:10:22,760
Speaker 1: But it connects, you know what I'm saying. And so

1371
01:10:23,240 --> 01:10:26,519
Speaker 1: then you got like the Leoor def Jam Island and

1372
01:10:26,640 --> 01:10:30,080
Speaker 1: that not the island records. I'm just saying, you know

1373
01:10:30,120 --> 01:10:34,920
Speaker 1: what I'm saying. Yeah, and a rough frauder's murder ain't Rockefeller. Yeah,

1374
01:10:35,080 --> 01:10:38,400
Speaker 1: you know, um Kanye, then all the artists that came

1375
01:10:38,439 --> 01:10:41,160
Speaker 1: out to ya fall under that, and then you got

1376
01:10:41,400 --> 01:10:43,800
Speaker 1: um whatever happened on Sony, you know what I mean.

1377
01:10:43,920 --> 01:10:47,200
Speaker 1: And so it was one of them three options right

1378
01:10:47,360 --> 01:10:50,320
Speaker 1: for artists, and unless you you wanted to go what

1379
01:10:50,479 --> 01:10:52,920
Speaker 1: I call just taking the stairs and figuring out how

1380
01:10:52,960 --> 01:10:56,519
Speaker 1: to how to get into one of those situations as

1381
01:10:56,560 --> 01:10:58,320
Speaker 1: your own thing. Top Dog did it. You know what

1382
01:10:58,360 --> 01:11:00,800
Speaker 1: I'm saying. Top Dog created his own thing. And so

1383
01:11:00,920 --> 01:11:03,280
Speaker 1: that was my goal to build the island myself. You

1384
01:11:03,360 --> 01:11:05,080
Speaker 1: know what I mean. I saw what even like Jay

1385
01:11:05,120 --> 01:11:07,439
Speaker 1: they got rock Nation, I saw island right, Absolutely, that's

1386
01:11:07,439 --> 01:11:09,519
Speaker 1: the own thing. Even though it came from then being

1387
01:11:09,520 --> 01:11:12,479
Speaker 1: an artist connected to another situation, they have turned that

1388
01:11:12,560 --> 01:11:15,280
Speaker 1: into its own operation. What kind of conversation did you

1389
01:11:15,400 --> 01:11:17,360
Speaker 1: and did he have? Because you and did he? Yeah,

1390
01:11:17,560 --> 01:11:21,320
Speaker 1: formed a relationship I assumed through Lauren London and Cassie

1391
01:11:21,479 --> 01:11:26,640
Speaker 1: and yeah yeah yeah book through me too, you know Lauren. No,

1392
01:11:26,800 --> 01:11:30,000
Speaker 1: I'm saying Lauren. Lauren introduced me to Puff. I mean

1393
01:11:30,040 --> 01:11:31,840
Speaker 1: I knew Puff, but it was it was more of

1394
01:11:31,880 --> 01:11:35,000
Speaker 1: a personal relationship out to you know. Uh we was

1395
01:11:35,040 --> 01:11:37,880
Speaker 1: at Cassie something like that. You know who made you

1396
01:11:37,880 --> 01:11:39,160
Speaker 1: want to get a old? Like? Did he and put

1397
01:11:39,240 --> 01:11:42,840
Speaker 1: him on Young? That's crazy? Did he did? He chose Young?

1398
01:11:42,960 --> 01:11:45,200
Speaker 1: I'll try to get you more rapper because I was.

1399
01:11:45,320 --> 01:11:48,560
Speaker 1: I was referencing to Hate Me Now video and what

1400
01:11:48,760 --> 01:11:51,719
Speaker 1: what what his his presence on that record with nas

1401
01:11:51,840 --> 01:11:54,120
Speaker 1: brought to it. I'm like, look this this the record,

1402
01:11:54,160 --> 01:11:55,840
Speaker 1: this rapp. I want you to get on this. Put

1403
01:11:55,880 --> 01:11:57,880
Speaker 1: the mink one in the video. We're gonna make a movie.

1404
01:11:58,479 --> 01:12:00,920
Speaker 1: He was like, um, he told the whole story behind that.

1405
01:12:01,000 --> 01:12:03,000
Speaker 1: He like, Robbuster forty million out of check a week

1406
01:12:03,080 --> 01:12:05,240
Speaker 1: before I did that movie, So I wouldn't. I mean

1407
01:12:05,680 --> 01:12:08,000
Speaker 1: that video wow? So like that's that's the energy you

1408
01:12:08,080 --> 01:12:10,320
Speaker 1: saw in that video, Like I wouldn't spend all this

1409
01:12:10,439 --> 01:12:12,680
Speaker 1: dough on the chain and we got tigers. He's like,

1410
01:12:12,880 --> 01:12:15,320
Speaker 1: I got the biggest check in my life. Yeah, so

1411
01:12:15,400 --> 01:12:16,920
Speaker 1: he like, we probably gonna be able to recreate that,

1412
01:12:19,160 --> 01:12:21,760
Speaker 1: but you know, um, when I played the rest of

1413
01:12:21,800 --> 01:12:24,000
Speaker 1: the songs for him, he heard young and he chose

1414
01:12:24,040 --> 01:12:26,439
Speaker 1: that record. Yeah, so you know he just went in

1415
01:12:26,479 --> 01:12:29,439
Speaker 1: the booth and then start you know, yeah, start gassing,

1416
01:12:30,040 --> 01:12:32,920
Speaker 1: you know, but even still like rappers. He gave me

1417
01:12:33,040 --> 01:12:36,120
Speaker 1: some real production advice on that record. When I played

1418
01:12:36,160 --> 01:12:37,800
Speaker 1: it for him, it was different than what y'all heard.

1419
01:12:38,479 --> 01:12:40,800
Speaker 1: Loud enough, yeah, and he was like, listen, bro, he

1420
01:12:40,840 --> 01:12:43,360
Speaker 1: pulled up Natural warn Killers, Boy ice Cube and Doctor

1421
01:12:43,439 --> 01:12:45,920
Speaker 1: Dre like, this is what you're going for. This is

1422
01:12:45,920 --> 01:12:48,320
Speaker 1: what y'all trying to do on this record, maximizing make

1423
01:12:48,360 --> 01:12:49,920
Speaker 1: it sound like this. And we went back in the

1424
01:12:50,040 --> 01:12:52,320
Speaker 1: studio and I played it for my producers and then

1425
01:12:52,360 --> 01:12:55,680
Speaker 1: we turned it up and added a sin flead all

1426
01:12:55,720 --> 01:12:58,040
Speaker 1: the way through so it sound more like West Coast violent,

1427
01:12:58,120 --> 01:13:00,400
Speaker 1: you know what I mean. And I felt what he said.

1428
01:13:00,439 --> 01:13:01,720
Speaker 1: After the fun I was a little set, like what

1429
01:13:01,840 --> 01:13:07,160
Speaker 1: you mean, banging, but at reapproached it. It was room

1430
01:13:07,240 --> 01:13:09,200
Speaker 1: to make the record better, all right. Well that was

1431
01:13:09,280 --> 01:13:11,599
Speaker 1: part one of our interview with Nipsey Hustle Again, Rest

1432
01:13:11,640 --> 01:13:14,080
Speaker 1: in peace, Nipsey Hustle. If you're just joining us, we're

1433
01:13:14,120 --> 01:13:16,920
Speaker 1: reairing when Nipsey Hustle stopped. Though. When we come back,

1434
01:13:16,920 --> 01:13:18,760
Speaker 1: we'll get into part two about interview keeping locked us

1435
01:13:18,760 --> 01:13:32,120
Speaker 1: to Breakfast Club. Go Morning Money, Colin Morning, Everybody's DJ,

1436
01:13:32,720 --> 01:13:36,240
Speaker 1: Envy Angela, Yee, Charlemagne the guy, we are the Breakfast Club.

1437
01:13:36,320 --> 01:13:38,759
Speaker 1: If you just joined us, We're gonna reair our interview

1438
01:13:38,840 --> 01:13:42,000
Speaker 1: with Nipsey Hustle. This is part two. Charlemagne, you said

1439
01:13:42,040 --> 01:13:44,559
Speaker 1: with Hard Knocked Life on the album, Yeah, yeah, did

1440
01:13:44,600 --> 01:13:45,760
Speaker 1: you have to clear? What do you have to clear? That?

1441
01:13:45,840 --> 01:13:48,599
Speaker 1: With jay Z? Ok? Okay? Yeah? You know what's crazy

1442
01:13:48,640 --> 01:13:50,240
Speaker 1: about that record? I thought you played the keys over

1443
01:13:50,320 --> 01:13:52,360
Speaker 1: just the stuff where you have to clear. Let us

1444
01:13:52,400 --> 01:13:55,960
Speaker 1: a hard motivation record. Hustling and motivation. Yeah. So when

1445
01:13:56,040 --> 01:13:59,479
Speaker 1: jay Z got Annie to clear the record, I guess

1446
01:13:59,520 --> 01:14:01,320
Speaker 1: when he ate him. He said, y'all gotta let every

1447
01:14:01,360 --> 01:14:05,360
Speaker 1: other rap artists after me used it. Wow. Yeah, So

1448
01:14:05,520 --> 01:14:08,519
Speaker 1: that was his that was his deal with with with whoever,

1449
01:14:08,600 --> 01:14:11,840
Speaker 1: the producers and riding you know what I'm saying. Yeah,

1450
01:14:11,920 --> 01:14:15,439
Speaker 1: so we benefited off his negotiation in nineteen ninety eight.

1451
01:14:16,200 --> 01:14:18,320
Speaker 1: We just had to get jay Z to clear because

1452
01:14:18,400 --> 01:14:21,000
Speaker 1: when he cleared it with the owners of the copyright.

1453
01:14:21,479 --> 01:14:23,599
Speaker 1: He made it to where any hip hop artist after

1454
01:14:23,760 --> 01:14:26,400
Speaker 1: him could use the rector. Jay did that, so hopefully

1455
01:14:26,439 --> 01:14:28,439
Speaker 1: you don't have to go through that. I'm saying yeah

1456
01:14:28,960 --> 01:14:31,280
Speaker 1: for everybody. Every hip hop artist gotta clear with Jay first,

1457
01:14:31,560 --> 01:14:33,479
Speaker 1: where they just need skilled me, they just need the

1458
01:14:33,520 --> 01:14:35,760
Speaker 1: jay Z clearance to any clearance as good long as

1459
01:14:35,760 --> 01:14:37,800
Speaker 1: they are hip hop artist. Jays always showed you love it.

1460
01:14:37,800 --> 01:14:39,960
Speaker 1: Didn't you buy like a thousand copies of your Crenshaw?

1461
01:14:40,160 --> 01:14:41,800
Speaker 1: What album? With the he bought it? He bought a

1462
01:14:41,880 --> 01:14:45,479
Speaker 1: hundred copies of Crenshaw That was one hundred dollars. Ok? Yeah, yeah,

1463
01:14:45,600 --> 01:14:47,360
Speaker 1: And now you didn't even know him back then. Now.

1464
01:14:47,400 --> 01:14:49,479
Speaker 1: I mean, you know, I met j in La years

1465
01:14:49,479 --> 01:14:51,840
Speaker 1: ago at a concert. I was just backstage and I

1466
01:14:52,080 --> 01:14:53,720
Speaker 1: you know, I ran up to I ain't run up

1467
01:14:53,760 --> 01:14:55,040
Speaker 1: to him just like what's upthing, I'm nipp you know

1468
01:14:55,040 --> 01:14:57,280
Speaker 1: what I mean? From at like bro Rolling sixties. He

1469
01:14:57,320 --> 01:14:59,679
Speaker 1: actually bought a low rider. The story is I ain't

1470
01:14:59,680 --> 01:15:01,280
Speaker 1: never I seem but he bought a low Rider from

1471
01:15:01,280 --> 01:15:03,920
Speaker 1: one of my homeboys, Money Mike. That's into maya video

1472
01:15:04,320 --> 01:15:06,680
Speaker 1: that's to me. Yeah, you know what I mean. He

1473
01:15:06,760 --> 01:15:08,360
Speaker 1: bought that from one of my homeboys, one of my

1474
01:15:08,439 --> 01:15:10,679
Speaker 1: j homies from La I was an old school hustling

1475
01:15:10,760 --> 01:15:12,439
Speaker 1: that was really his hunt Yeah, that was here. He

1476
01:15:12,520 --> 01:15:16,519
Speaker 1: bought that being so real. Yeah yeah, yeah, that's confirmed,

1477
01:15:16,640 --> 01:15:19,599
Speaker 1: you know what I mean. Wow. So I just was like, yeah,

1478
01:15:19,600 --> 01:15:22,040
Speaker 1: I'm I'm nim rolling sixties. He's like, nah, I know.

1479
01:15:22,439 --> 01:15:24,880
Speaker 1: And you know, this was years before the Crenshaw thing.

1480
01:15:24,920 --> 01:15:27,200
Speaker 1: He like, you know, y'all doing your thing. He keep going.

1481
01:15:27,840 --> 01:15:29,519
Speaker 1: So that was the only count boy we ever had

1482
01:15:29,640 --> 01:15:33,320
Speaker 1: until the Crenshaw thing. But um, yeah, Jake been a

1483
01:15:33,400 --> 01:15:35,200
Speaker 1: hunted man. So you know what I know, a lot

1484
01:15:35,240 --> 01:15:37,519
Speaker 1: of love and now Blue Laces too, one of my

1485
01:15:37,560 --> 01:15:40,000
Speaker 1: favorite records on the album You make a spook who

1486
01:15:40,080 --> 01:15:42,839
Speaker 1: Sat by the Door reference you know about that man? Yeah? Absolutely,

1487
01:15:43,320 --> 01:15:44,920
Speaker 1: but I don't. I don't think you are spookle sat

1488
01:15:45,000 --> 01:15:46,639
Speaker 1: by the door. I think your intention to pretty clip

1489
01:15:46,960 --> 01:15:48,760
Speaker 1: Well now, I would say so, but even to the

1490
01:15:48,840 --> 01:15:51,080
Speaker 1: to the point made earlier. That's one of the reasons

1491
01:15:51,080 --> 01:15:53,519
Speaker 1: I was so vocal about where I was coming from

1492
01:15:53,680 --> 01:15:56,479
Speaker 1: and what I represented, because I knew I knew who

1493
01:15:56,520 --> 01:15:58,720
Speaker 1: I wanted to mobilize, you know what I mean? And

1494
01:15:58,960 --> 01:16:01,240
Speaker 1: if anybody ain't seen that book, I mean, see that movie.

1495
01:16:01,280 --> 01:16:04,360
Speaker 1: You read the book. It's about a gang member from

1496
01:16:04,400 --> 01:16:08,599
Speaker 1: Chicago who uh, you know, presented himself in a way

1497
01:16:08,680 --> 01:16:10,560
Speaker 1: he never kind of cases he was. He was. He

1498
01:16:10,680 --> 01:16:13,679
Speaker 1: had a clean cut look, and he infiltrated the CIA,

1499
01:16:14,400 --> 01:16:17,639
Speaker 1: and he became educated and became and basically he used

1500
01:16:17,680 --> 01:16:20,720
Speaker 1: their agenda, which was to have a token in the

1501
01:16:20,800 --> 01:16:25,320
Speaker 1: CIA for political reasons. You know, we're gonna speak blunt um.

1502
01:16:25,720 --> 01:16:28,040
Speaker 1: He used it against him. And I think that in

1503
01:16:28,200 --> 01:16:29,840
Speaker 1: terms of hip hop, you think of the message that

1504
01:16:29,920 --> 01:16:33,479
Speaker 1: they embrace, I feel parallel with like, you know what

1505
01:16:33,560 --> 01:16:36,599
Speaker 1: I mean the power structure. I don't mean the culture

1506
01:16:36,640 --> 01:16:39,120
Speaker 1: of hip hop, but the power structure of music they

1507
01:16:39,160 --> 01:16:42,560
Speaker 1: got prescribed personas they expect from us, you know what

1508
01:16:42,600 --> 01:16:44,559
Speaker 1: I'm saying. So I feel like the way he used

1509
01:16:45,000 --> 01:16:49,400
Speaker 1: their intention against him was was one of my underlying strategies.

1510
01:16:49,439 --> 01:16:51,280
Speaker 1: You know, you gotta put the medicine in the candy.

1511
01:16:51,520 --> 01:16:53,559
Speaker 1: And was interesting by that book. All his people used

1512
01:16:53,560 --> 01:16:55,200
Speaker 1: to call him my uncle Tom and the coon, you

1513
01:16:55,240 --> 01:16:57,360
Speaker 1: know what I'm saying. Yeah, but he was there working

1514
01:16:57,400 --> 01:16:59,200
Speaker 1: for them the whole time. Yeah, and he and he

1515
01:16:59,439 --> 01:17:01,080
Speaker 1: I don't want to up blow nothing up like he

1516
01:17:01,160 --> 01:17:02,640
Speaker 1: did in the movie, you know what I mean. But

1517
01:17:02,880 --> 01:17:05,759
Speaker 1: just in terms of being able to mobilize his homies

1518
01:17:06,360 --> 01:17:08,600
Speaker 1: towards to a hard cause. You know, there's a lot

1519
01:17:08,640 --> 01:17:10,120
Speaker 1: of little jewels that you're saying. And then that's what

1520
01:17:10,200 --> 01:17:12,240
Speaker 1: I like, Like I said, the medicine really isn't the candy,

1521
01:17:12,240 --> 01:17:15,040
Speaker 1: because Eve, when you drop a ball, like about doctor Seby. Yeah,

1522
01:17:15,240 --> 01:17:17,200
Speaker 1: like just that one thing they killed doctor Seby will

1523
01:17:17,240 --> 01:17:27,800
Speaker 1: make somebody go research undt doctor cebb Takettle doctor. I

1524
01:17:27,920 --> 01:17:29,720
Speaker 1: never met him, I met his wife and I take

1525
01:17:29,760 --> 01:17:32,760
Speaker 1: his products for sure. Why why do they kill all

1526
01:17:32,840 --> 01:17:37,080
Speaker 1: holistic doctors messing up to the medicals? You short stopping

1527
01:17:37,120 --> 01:17:39,080
Speaker 1: the ground? Why don't you get killed for hustling in

1528
01:17:39,120 --> 01:17:42,240
Speaker 1: front of a spot? You're short stopping the grind? And

1529
01:17:42,360 --> 01:17:46,360
Speaker 1: these they check his billions, You got that get flipped

1530
01:17:46,400 --> 01:17:48,880
Speaker 1: for a couple hundred thousand, So you're playing with some

1531
01:17:49,040 --> 01:17:52,519
Speaker 1: pharmaceutical money, you know. And what's crazy. I'm working on

1532
01:17:52,600 --> 01:17:55,599
Speaker 1: doing a documentary on the trial. In nineteen eighty five,

1533
01:17:56,240 --> 01:17:59,080
Speaker 1: doctor Seby went to trial against New York because he

1534
01:17:59,240 --> 01:18:02,040
Speaker 1: put the newspaper cure age. Did he did? He beat

1535
01:18:02,120 --> 01:18:04,400
Speaker 1: the case and he went to federal court the next

1536
01:18:04,479 --> 01:18:07,800
Speaker 1: day and beat that case on record, and nobody talk

1537
01:18:07,840 --> 01:18:10,320
Speaker 1: about it. We're still talking to Nipsey Hustle. He's in

1538
01:18:10,400 --> 01:18:12,880
Speaker 1: the building right now now. What happened with reboking and

1539
01:18:13,880 --> 01:18:15,840
Speaker 1: were you signed the reboking the rebok do the release

1540
01:18:15,920 --> 01:18:18,000
Speaker 1: that you were there? Nah? I didn't. I didn't endorse

1541
01:18:18,080 --> 01:18:21,240
Speaker 1: me with Puma right recently. Um, I don't want to

1542
01:18:21,280 --> 01:18:26,200
Speaker 1: go too deep into that because man, I ain't. I

1543
01:18:26,200 --> 01:18:29,439
Speaker 1: ain't uh faking nah, But I don't want to go

1544
01:18:29,800 --> 01:18:32,040
Speaker 1: too far into details with the with the other thing

1545
01:18:32,160 --> 01:18:35,920
Speaker 1: because it's something that we're gonna pursue. But um, you know,

1546
01:18:36,040 --> 01:18:39,320
Speaker 1: it wasn't authorize, It wasn't authorized and they put all

1547
01:18:39,360 --> 01:18:41,840
Speaker 1: money in on the shoe. They put rich Rolling on

1548
01:18:41,920 --> 01:18:44,360
Speaker 1: the shoe. I don't even that's that's some gang. You

1549
01:18:44,439 --> 01:18:47,240
Speaker 1: don't put rich Rolling on the shoe. You know, you

1550
01:18:47,320 --> 01:18:50,840
Speaker 1: gotta pay thousands of people. It's doing life in jail

1551
01:18:51,439 --> 01:18:53,639
Speaker 1: that you know what I mean, fall under that structure.

1552
01:18:53,720 --> 01:18:56,320
Speaker 1: So you gotta be careful with that, you know. I don't.

1553
01:18:56,439 --> 01:18:58,240
Speaker 1: I'm not even taking a check for nothing to say

1554
01:18:58,360 --> 01:19:01,599
Speaker 1: rich Rolling. I would have told him out of total designers, no, bro,

1555
01:19:02,160 --> 01:19:04,560
Speaker 1: stay clear of that. You can't copy right. It's like

1556
01:19:04,640 --> 01:19:06,840
Speaker 1: putting crip on a shoe or something. Who are you

1557
01:19:06,880 --> 01:19:09,240
Speaker 1: gonna pay? And that caused the problems for you. It's like, oh,

1558
01:19:09,280 --> 01:19:12,639
Speaker 1: you got paid off. And even outside of that, because

1559
01:19:12,880 --> 01:19:15,280
Speaker 1: if if I was right, I would I would stand

1560
01:19:15,320 --> 01:19:18,080
Speaker 1: on being right. That's not right. I'm not I'm not

1561
01:19:18,200 --> 01:19:21,320
Speaker 1: the beneficiary of that. You can't just pay me and

1562
01:19:21,400 --> 01:19:23,160
Speaker 1: think that. And by the way, they didn't pay me.

1563
01:19:23,439 --> 01:19:25,200
Speaker 1: But you can't just pay me and think that we

1564
01:19:25,520 --> 01:19:29,519
Speaker 1: paid nip Man he speaked for the nah Ross got

1565
01:19:29,600 --> 01:19:31,240
Speaker 1: they got a hundred years. You know what I'm saying,

1566
01:19:31,280 --> 01:19:33,640
Speaker 1: what I looked like taking a check. I can't do that,

1567
01:19:34,920 --> 01:19:36,960
Speaker 1: grinding all my life. You tell a story where somebody

1568
01:19:37,040 --> 01:19:39,679
Speaker 1: got stomped out and you say, fifty and Midweather bounced

1569
01:19:39,680 --> 01:19:41,800
Speaker 1: from y'all in Vegas? What was that? That was a

1570
01:19:41,880 --> 01:19:43,720
Speaker 1: long time ago. Man at a club, Me and YG

1571
01:19:43,880 --> 01:19:46,280
Speaker 1: was performing that in Vegas called strip Hot, and uh,

1572
01:19:47,000 --> 01:19:51,160
Speaker 1: you know somebody Melee broke out and U you know

1573
01:19:51,520 --> 01:19:54,439
Speaker 1: it ain't going nice favor that didn't that started it?

1574
01:19:54,760 --> 01:19:57,960
Speaker 1: And uh just so happened. Fifty and Mayweather was in

1575
01:19:58,000 --> 01:19:59,760
Speaker 1: the club. You know they had all the cars and

1576
01:20:00,040 --> 01:20:02,360
Speaker 1: that was really just coming to show love and uh,

1577
01:20:03,200 --> 01:20:05,559
Speaker 1: you know, it made the news. It was a big

1578
01:20:05,600 --> 01:20:08,040
Speaker 1: old thing. But tried to robbers, you know what I mean.

1579
01:20:08,120 --> 01:20:10,320
Speaker 1: Like somebody was waiting outside in my section. It was

1580
01:20:10,360 --> 01:20:13,680
Speaker 1: all girls coming into section and take pictures. And you know,

1581
01:20:13,760 --> 01:20:15,719
Speaker 1: you be in the section, your chain hang, you stand

1582
01:20:15,720 --> 01:20:18,400
Speaker 1: on the couch, and you know, somebody was like, where

1583
01:20:18,400 --> 01:20:19,960
Speaker 1: are you from? One of the things you're a fan.

1584
01:20:20,640 --> 01:20:22,560
Speaker 1: I'm like, huh, you got my concert? You don't know

1585
01:20:22,600 --> 01:20:24,599
Speaker 1: what I'm from? From La Bro. He's like, no, where

1586
01:20:24,600 --> 01:20:27,679
Speaker 1: are you from? And I frowned. I guess my homeboys

1587
01:20:27,680 --> 01:20:31,360
Speaker 1: seeing me frowning, dopfending and then it just a big

1588
01:20:31,400 --> 01:20:33,960
Speaker 1: old melee broke out, you know what I'm saying. But yeah,

1589
01:20:33,960 --> 01:20:36,559
Speaker 1: that's what that was about. It's on YouTube. The news

1590
01:20:36,600 --> 01:20:39,280
Speaker 1: footage is on YouTube. But fifty and maywe a bound

1591
01:20:39,280 --> 01:20:40,599
Speaker 1: for y'all, like they need they needed to get out

1592
01:20:40,600 --> 01:20:44,000
Speaker 1: the club. Well, you that was probably taking out of context.

1593
01:20:44,320 --> 01:20:49,800
Speaker 1: They left the same time, twenty thirty security and fifty

1594
01:20:49,840 --> 01:20:52,720
Speaker 1: was it with fifty thirty people? So yeah, yeah, yeah,

1595
01:20:52,760 --> 01:20:54,760
Speaker 1: that was good money on I wasn't saying like they

1596
01:20:54,800 --> 01:20:58,120
Speaker 1: needed our help. It's just like you know a little

1597
01:20:58,200 --> 01:21:00,640
Speaker 1: fact they was in the building and you know that

1598
01:21:00,760 --> 01:21:02,720
Speaker 1: got footage and flooried on the end of arguing with

1599
01:21:02,800 --> 01:21:05,400
Speaker 1: the police in the front of the club. You know,

1600
01:21:05,640 --> 01:21:07,600
Speaker 1: I just I'll be trying to revolve around really that

1601
01:21:07,720 --> 01:21:09,479
Speaker 1: took place, you know what I mean? Just to go

1602
01:21:09,520 --> 01:21:11,200
Speaker 1: back to the doctor semi thing real quick? What makes

1603
01:21:11,200 --> 01:21:14,000
Speaker 1: you want to do a documentary? Okay, get it right, man,

1604
01:21:14,080 --> 01:21:16,799
Speaker 1: it makes you want to do a documentary about doctor Cebe.

1605
01:21:17,200 --> 01:21:19,040
Speaker 1: I think the story is important. I think it's a

1606
01:21:19,120 --> 01:21:21,479
Speaker 1: powerful narrative. It is, you know what I mean. And

1607
01:21:21,560 --> 01:21:24,680
Speaker 1: I think if imagine this anybody in this room, if

1608
01:21:24,680 --> 01:21:27,960
Speaker 1: I could say somebody cured a's, Ya'll be like, yeah, right,

1609
01:21:28,320 --> 01:21:31,000
Speaker 1: And then I can show you an example of him

1610
01:21:31,080 --> 01:21:34,880
Speaker 1: going a trial, improving in the court to a jury

1611
01:21:35,320 --> 01:21:38,560
Speaker 1: that he cured a's. I'll be interested in that absolutely,

1612
01:21:38,680 --> 01:21:40,599
Speaker 1: and y'all will look into the way he did it. Right,

1613
01:21:41,120 --> 01:21:44,080
Speaker 1: So I feel like, more so than like champion his

1614
01:21:44,200 --> 01:21:49,320
Speaker 1: products or explaining his methodology, put some light on that case.

1615
01:21:49,640 --> 01:21:52,160
Speaker 1: Imagine being able to cure cancer, or being able to

1616
01:21:52,280 --> 01:21:55,200
Speaker 1: cure any type of herpies and all kinds, and that's

1617
01:21:55,200 --> 01:21:57,280
Speaker 1: what he do. Bout what he did yeah, yeah, yeah.

1618
01:21:57,280 --> 01:21:59,680
Speaker 1: He used to send all types of vitamins up to

1619
01:21:59,680 --> 01:22:04,160
Speaker 1: the state. Yeah herbes No, I said vitamin station. Hear me?

1620
01:22:04,240 --> 01:22:09,040
Speaker 1: I said crazy? All right? That was part two of

1621
01:22:09,120 --> 01:22:12,479
Speaker 1: our interview with Nipsey Hustle. With re airing our interview

1622
01:22:12,520 --> 01:22:14,840
Speaker 1: he stopped through last year, and let's get on a

1623
01:22:14,960 --> 01:22:16,880
Speaker 1: Nipsey Hustle mini mix. Let's play a couple of this joint.

1624
01:22:16,920 --> 01:22:18,960
Speaker 1: So I said, don't move, it's to breakfast Club, good morning.

1625
01:22:19,080 --> 01:22:21,439
Speaker 1: That wasn't Nipsey Hustle mini mix. If he just joined

1626
01:22:21,520 --> 01:22:24,160
Speaker 1: us again, Rest in peace to Nipsey Hustle. He was

1627
01:22:24,360 --> 01:22:26,560
Speaker 1: killed over the weekend, and we're replaying an interview that

1628
01:22:26,640 --> 01:22:28,519
Speaker 1: we did with him a year ago. All right, so

1629
01:22:28,640 --> 01:22:30,760
Speaker 1: let's get back into that now. Nipsey, you were talking

1630
01:22:30,800 --> 01:22:34,439
Speaker 1: about Cardi and how wearing different colors and I wasn't. No,

1631
01:22:34,600 --> 01:22:36,680
Speaker 1: that's not what I said. And you know what I mean,

1632
01:22:37,200 --> 01:22:40,120
Speaker 1: he's a woman. Yeah, I like Cardi b Cardi B

1633
01:22:40,200 --> 01:22:43,479
Speaker 1: DI diverse for me. I like, yeah, that's that's that's

1634
01:22:43,520 --> 01:22:46,639
Speaker 1: a fact. Like anybody don't like Cardi that a hater.

1635
01:22:47,360 --> 01:22:49,800
Speaker 1: I used to watch her ig clips and be laughing

1636
01:22:49,880 --> 01:22:53,560
Speaker 1: like this girl crazy. But our personality is golden. You

1637
01:22:53,640 --> 01:22:56,120
Speaker 1: know what I mean. But wrong is wrong? Right is right? Bro,

1638
01:22:56,560 --> 01:22:59,160
Speaker 1: that's what I grew up on. That loved me brog

1639
01:22:59,200 --> 01:23:01,080
Speaker 1: gonna tell me about you it's wrong, right, all right,

1640
01:23:01,200 --> 01:23:03,120
Speaker 1: don't tell me that in public. Wait till we get

1641
01:23:03,120 --> 01:23:05,160
Speaker 1: back to the hood. I might set off a melee

1642
01:23:05,720 --> 01:23:07,559
Speaker 1: and we're gonna fight with me. But when we get

1643
01:23:07,600 --> 01:23:09,320
Speaker 1: back to the hood, bro, that was but don't do that.

1644
01:23:09,360 --> 01:23:11,599
Speaker 1: You're gonna have us. You're gonna get us in the wreck. Wrong,

1645
01:23:11,680 --> 01:23:14,600
Speaker 1: it's wrong, right, it's right. That terminology she used is

1646
01:23:14,680 --> 01:23:17,160
Speaker 1: like real. Look, let me just for the record, that's

1647
01:23:17,160 --> 01:23:22,479
Speaker 1: how blood's talk. Blood says crab, bloods say flute, crips

1648
01:23:22,520 --> 01:23:26,479
Speaker 1: say slod, crips say dead like the files. With all

1649
01:23:26,520 --> 01:23:28,760
Speaker 1: my homeboys, I'd be like, bro, give me a dead bull.

1650
01:23:29,240 --> 01:23:34,760
Speaker 1: That's how we talk. But I'll be intentionally respectful on

1651
01:23:34,920 --> 01:23:39,760
Speaker 1: the record because we're talking about a public environment, which

1652
01:23:39,880 --> 01:23:42,840
Speaker 1: is the music industry. You feel what I'm saying. We

1653
01:23:42,960 --> 01:23:46,680
Speaker 1: saw what happened with death Row, so we're gonna set

1654
01:23:46,720 --> 01:23:49,360
Speaker 1: trip in public. You're gonna get caught on camera squabbling.

1655
01:23:49,680 --> 01:23:52,240
Speaker 1: You're gonna violate while you worth three hundred million sugar night.

1656
01:23:52,800 --> 01:23:56,800
Speaker 1: You're gonna go to the pen. Pockey gonna die right.

1657
01:23:56,840 --> 01:23:59,439
Speaker 1: A wrong that happened. That was game banging, that was

1658
01:23:59,479 --> 01:24:03,240
Speaker 1: set trip publicly, so we would be bad leaders to

1659
01:24:03,400 --> 01:24:07,479
Speaker 1: read create that. What about somebody like Takashi sixth nine.

1660
01:24:07,880 --> 01:24:10,240
Speaker 1: I don't want to talk about other people for real,

1661
01:24:10,360 --> 01:24:12,760
Speaker 1: you know what I'm saying. I feel I feel my

1662
01:24:12,840 --> 01:24:15,599
Speaker 1: own way about it, but God bless everybody. Man, get

1663
01:24:15,640 --> 01:24:17,840
Speaker 1: your money. You feel me what I said about Cardi

1664
01:24:18,080 --> 01:24:20,360
Speaker 1: big ask me and so I spoke on it. But

1665
01:24:20,400 --> 01:24:22,559
Speaker 1: I don't want to hate on Cardi. B get your money. Cardi.

1666
01:24:22,600 --> 01:24:24,479
Speaker 1: I respect what you're doing. You know what I'm saying.

1667
01:24:24,720 --> 01:24:26,840
Speaker 1: She done a verse for me. I see to me goes,

1668
01:24:26,880 --> 01:24:28,720
Speaker 1: I shake their hand. You know what I'm saying. I

1669
01:24:28,880 --> 01:24:31,880
Speaker 1: respect her. Come up, she came from the gutter about

1670
01:24:32,000 --> 01:24:37,400
Speaker 1: saying disrespectful things on I G I'm gonna always be

1671
01:24:37,520 --> 01:24:39,760
Speaker 1: like that. Ain't to move, that's not That's not what

1672
01:24:39,840 --> 01:24:41,960
Speaker 1: you're supposed to do. Now. Do I tell you what

1673
01:24:42,040 --> 01:24:44,320
Speaker 1: to do? Nah? You get it how you live. If

1674
01:24:44,360 --> 01:24:46,240
Speaker 1: you like it, I love it. I just know me

1675
01:24:46,360 --> 01:24:49,000
Speaker 1: and mine we're gonna move this way because I'm always

1676
01:24:49,439 --> 01:24:51,920
Speaker 1: stand on what I do so that if I walk

1677
01:24:51,960 --> 01:24:54,280
Speaker 1: into a room full of bloods and I ain't gonna

1678
01:24:54,280 --> 01:24:56,840
Speaker 1: be like, oh, they go to slops. I'm not gonna

1679
01:24:56,880 --> 01:24:59,559
Speaker 1: talk like that, because that's that's called being a sales

1680
01:24:59,560 --> 01:25:04,080
Speaker 1: soldier on some jails. You know what I'm saying, Get

1681
01:25:04,080 --> 01:25:06,880
Speaker 1: that's in the cell, popping it because you can't get touched.

1682
01:25:07,320 --> 01:25:10,760
Speaker 1: You're hiding behind the cell. You know what I'm saying,

1683
01:25:10,800 --> 01:25:13,479
Speaker 1: pop the gates. Talk like that. If you ain't gonna

1684
01:25:13,479 --> 01:25:16,040
Speaker 1: talk like that, then keep it one way. I've been

1685
01:25:16,080 --> 01:25:19,080
Speaker 1: in a tank with a hundred bloods before. I'm from

1686
01:25:19,120 --> 01:25:22,320
Speaker 1: six old crib. I ain't even to call slaves to

1687
01:25:22,479 --> 01:25:25,439
Speaker 1: kill me. But I ain't even that's where I'm from, homie.

1688
01:25:25,920 --> 01:25:28,800
Speaker 1: You feel what I'm saying, And so same the other

1689
01:25:28,840 --> 01:25:31,280
Speaker 1: way around. I've been in a dorm with a hundred

1690
01:25:31,280 --> 01:25:34,920
Speaker 1: cribs in two or three bloods and it ain't using

1691
01:25:35,000 --> 01:25:39,200
Speaker 1: that terminology. They not. That's just against the laws of nature.

1692
01:25:39,240 --> 01:25:42,280
Speaker 1: This is just self preservation gonna prevent you from talking

1693
01:25:42,360 --> 01:25:44,680
Speaker 1: like that. That's what I was speaking on. But for

1694
01:25:44,800 --> 01:25:47,840
Speaker 1: the record, and just for the New York bangers, I

1695
01:25:48,000 --> 01:25:52,200
Speaker 1: respect real everywhere in every city and state. You can't

1696
01:25:52,240 --> 01:25:55,479
Speaker 1: take that from nobody. Gang culture came from out of LA.

1697
01:25:56,080 --> 01:25:58,519
Speaker 1: I don't mean it ain't really in New York that

1698
01:25:58,800 --> 01:26:03,400
Speaker 1: pushing on as bloods and crips. But we gotta be honest,

1699
01:26:03,439 --> 01:26:06,560
Speaker 1: We gotta speak honestly. We can't be political about the

1700
01:26:07,000 --> 01:26:09,760
Speaker 1: dead and doing life for you fee what I'm saying.

1701
01:26:10,520 --> 01:26:12,760
Speaker 1: So that's that's that's my stance on it. But like

1702
01:26:12,840 --> 01:26:15,560
Speaker 1: I said, everybody get money. Man. I respect CARDI, you

1703
01:26:15,640 --> 01:26:17,640
Speaker 1: know what I mean. She linked up with Whacko. One

1704
01:26:17,680 --> 01:26:22,479
Speaker 1: of my respect he had Paro and you know, I

1705
01:26:22,560 --> 01:26:25,160
Speaker 1: ain't ad out of deal thing. I just my personal opinion.

1706
01:26:25,640 --> 01:26:28,799
Speaker 1: It's in your interest not to be public dising gangs,

1707
01:26:29,600 --> 01:26:31,400
Speaker 1: you know what I'm saying, unless you want to put

1708
01:26:31,439 --> 01:26:33,400
Speaker 1: your security at risk, because it ain't gonna be you

1709
01:26:33,479 --> 01:26:36,679
Speaker 1: shooting or getting shot at. You're gonna be pushed into

1710
01:26:36,720 --> 01:26:39,400
Speaker 1: the car. You know, we were talking about checking in

1711
01:26:39,920 --> 01:26:41,880
Speaker 1: and how do you feel about checking in? Because I mean,

1712
01:26:41,960 --> 01:26:43,800
Speaker 1: it's it's a big thing, especially in LA, you know

1713
01:26:43,840 --> 01:26:45,680
Speaker 1: what I mean, because it's so open and you mean,

1714
01:26:45,720 --> 01:26:47,360
Speaker 1: you could drive in a block in LA one block,

1715
01:26:47,400 --> 01:26:49,360
Speaker 1: it'd be a sunny, clean block, mixed block. You're in

1716
01:26:49,400 --> 01:26:52,800
Speaker 1: the middle of the hood. Yeah, checking in is it

1717
01:26:53,120 --> 01:26:57,880
Speaker 1: suggests friendly extortion when you say checking in. Our relationship

1718
01:26:58,320 --> 01:27:01,280
Speaker 1: is different because we all need relationships. You know what

1719
01:27:01,320 --> 01:27:04,240
Speaker 1: I'm saying. I'm sure when you travel you from New York,

1720
01:27:04,479 --> 01:27:06,559
Speaker 1: but you got relationships all over the country, Charlotte, man,

1721
01:27:06,640 --> 01:27:08,720
Speaker 1: you got relationships all over it and I'm sure you

1722
01:27:08,800 --> 01:27:12,160
Speaker 1: do too, and a relationship I don't. I don't believe

1723
01:27:12,200 --> 01:27:16,360
Speaker 1: in fake relationships. So it just established genuine relationships. Everywhere

1724
01:27:16,439 --> 01:27:19,280
Speaker 1: you go, you'll be in a better position. And you

1725
01:27:19,360 --> 01:27:23,400
Speaker 1: do that off being respectful and being you know you're reciprocated.

1726
01:27:23,439 --> 01:27:25,160
Speaker 1: Some mighty come to your city. Bro, you need something,

1727
01:27:25,640 --> 01:27:28,200
Speaker 1: whether it's a car, some weed, you know what I mean.

1728
01:27:28,320 --> 01:27:30,160
Speaker 1: You want to go somewhere to eat what you need?

1729
01:27:30,200 --> 01:27:32,240
Speaker 1: You out of town. I got you, not just some

1730
01:27:32,400 --> 01:27:36,080
Speaker 1: protection you feel me? So I wouldn't say to check in.

1731
01:27:36,400 --> 01:27:38,760
Speaker 1: I don't know know about that, but just I got

1732
01:27:38,840 --> 01:27:42,000
Speaker 1: relationships in New York. That it's respect. When I pull up,

1733
01:27:42,080 --> 01:27:44,120
Speaker 1: you know what I mean, to make sure I got

1734
01:27:44,200 --> 01:27:46,519
Speaker 1: whatever I need. Same in La I can get you

1735
01:27:46,560 --> 01:27:48,640
Speaker 1: from the airport. Bro. You could take my car. You

1736
01:27:48,720 --> 01:27:51,240
Speaker 1: could come to my store. You could you meet my homeboys.

1737
01:27:51,520 --> 01:27:54,000
Speaker 1: You could get numbers if you any problems or whatever,

1738
01:27:54,120 --> 01:27:55,760
Speaker 1: just call in or you want to know where to

1739
01:27:55,800 --> 01:27:57,920
Speaker 1: go eat at. That ain't because you had to. That's

1740
01:27:58,000 --> 01:28:00,920
Speaker 1: because especially Yeah, we can strength numbers and we only

1741
01:28:01,000 --> 01:28:04,200
Speaker 1: from one place. You know. My last question for Nip Man,

1742
01:28:04,200 --> 01:28:05,880
Speaker 1: because I'm riding in the car and I'm like, boy,

1743
01:28:06,040 --> 01:28:08,519
Speaker 1: Nip gonna get into for this. You said that your

1744
01:28:08,600 --> 01:28:11,920
Speaker 1: mistress is creole? How do you get away with that? Man?

1745
01:28:12,000 --> 01:28:14,800
Speaker 1: This music man, I said, I said, my wife is

1746
01:28:14,840 --> 01:28:17,400
Speaker 1: a CEO. I said, this life is a free through

1747
01:28:17,600 --> 01:28:20,000
Speaker 1: my life, my wife has a ce No, but my

1748
01:28:20,120 --> 01:28:23,599
Speaker 1: mistress is creole. You know that was that was number one.

1749
01:28:23,600 --> 01:28:25,760
Speaker 1: I recorded that before me, before I had a girl.

1750
01:28:25,840 --> 01:28:30,360
Speaker 1: For real. That's that's a claim. That's a fact though.

1751
01:28:30,360 --> 01:28:34,040
Speaker 1: I just but then again, this music man like my

1752
01:28:34,160 --> 01:28:36,559
Speaker 1: girls an actress? If she kissing on camera, what I'm

1753
01:28:36,600 --> 01:28:39,560
Speaker 1: gonna be mad? No, do your thing? I love. I

1754
01:28:39,640 --> 01:28:41,360
Speaker 1: love the fact you said your girl. So you're back together,

1755
01:28:41,439 --> 01:28:44,000
Speaker 1: y'all go? Yeah, yeah, yeah, we solid players up too. Man.

1756
01:28:44,080 --> 01:28:46,720
Speaker 1: That's all I'm gonna saying about that. Never Eaven, I asked,

1757
01:28:46,720 --> 01:28:49,120
Speaker 1: because she don't play. Yeah, no, run down on it. Yes,

1758
01:28:49,200 --> 01:28:51,800
Speaker 1: she ran down on you know. Charlot Knight went hard,

1759
01:28:51,880 --> 01:28:55,280
Speaker 1: you know what I'm saying. But yeah, boogie boogie, boogie man.

1760
01:28:55,320 --> 01:28:57,400
Speaker 1: You know, she knows how to defend herself and stand up,

1761
01:28:57,479 --> 01:29:00,280
Speaker 1: you know what I mean. And you know she La

1762
01:29:00,479 --> 01:29:02,439
Speaker 1: she grew up. Um. A lot of people might think

1763
01:29:02,479 --> 01:29:05,040
Speaker 1: she got a privileged background. She ain't got no privilege background.

1764
01:29:05,080 --> 01:29:08,800
Speaker 1: I think she's new, new in real life. That's yeah, yeah, yeah, no,

1765
01:29:08,920 --> 01:29:10,640
Speaker 1: but she comes from La Man, and you know what

1766
01:29:10,680 --> 01:29:13,360
Speaker 1: I mean, She's seen Charlotte Magne zero then, but she

1767
01:29:13,920 --> 01:29:16,080
Speaker 1: I told her, I told her from jump though. I'm like,

1768
01:29:16,080 --> 01:29:18,200
Speaker 1: you're gonna meet Charlotte Magne and like Charlotte magn respect

1769
01:29:18,280 --> 01:29:20,559
Speaker 1: Charlotte man, you know what I mean. Charlotte Magne known

1770
01:29:20,640 --> 01:29:23,639
Speaker 1: for being honest and you know what I mean, ruffling feathers.

1771
01:29:24,080 --> 01:29:27,240
Speaker 1: But I know his stance and I'm like, y'all got

1772
01:29:27,320 --> 01:29:30,280
Speaker 1: the similar mentality in terms of like what's right? You

1773
01:29:30,320 --> 01:29:32,360
Speaker 1: know what I'm saying. So, yeah, she she got a

1774
01:29:32,400 --> 01:29:34,760
Speaker 1: lot of love and respect for you. We appreciate you

1775
01:29:34,920 --> 01:29:40,080
Speaker 1: joining us, Yeah yeah, yeah yeah. And it's the Breakfast Club.

1776
01:29:40,160 --> 01:29:46,439
Speaker 1: Good morning, yeah, mourning everybody a DJ Envy and Jela Yee,

1777
01:29:46,560 --> 01:29:50,439
Speaker 1: Charlomagne the guy we are the Breakfast Club. Now, I'm Charlomagne.

1778
01:29:50,439 --> 01:29:52,479
Speaker 1: You got a positive note now the positive note is

1779
01:29:52,560 --> 01:29:55,479
Speaker 1: simply this. You can't be committed to your BS and

1780
01:29:55,680 --> 01:29:59,200
Speaker 1: your growth. I repeat, you can't be committed to your

1781
01:29:59,280 --> 01:30:02,000
Speaker 1: BS and your growth. It's one of the other. Choose

1782
01:30:02,040 --> 01:30:04,160
Speaker 1: wisely the Breakfast Club.