WEBVTT - 9021One-On-One with David Bowe 0:00:00.280 --> 0:00:01.960 It's one. 0:00:03.440 --> 0:00:05.520 With Jenny Garth and Tory Spelling. 0:00:09.880 --> 0:00:12.320 This is it, you, guys, We have a very special 0:00:12.360 --> 0:00:12.960 guest today. 0:00:13.560 --> 0:00:15.400 My gosh, it's spent so many years. 0:00:16.200 --> 0:00:18.440 It's the Stalker. Your stalker. 0:00:19.239 --> 0:00:23.200 David bo Is coming on played Garrett Sland. What Janet? 0:00:23.720 --> 0:00:24.760 Is it going to be triggering? 0:00:24.880 --> 0:00:26.239 I don't know. I feel triggered. 0:00:26.520 --> 0:00:28.880 I really loved him in real life though, but just 0:00:28.880 --> 0:00:33.480 seeing him after just watching all these episodes, here he comes. 0:00:33.520 --> 0:00:34.640 You guys, get ready? 0:00:36.000 --> 0:00:37.680 Hey, how are you you are? 0:00:37.720 --> 0:00:38.280 Hello? 0:00:38.680 --> 0:00:40.240 Should I be triggered right now? 0:00:40.360 --> 0:00:43.360 See hello? Donna? 0:00:43.640 --> 0:00:43.800 Yes? 0:00:44.960 --> 0:00:48.360 Oh my god, it brings back too many memories. 0:00:49.960 --> 0:00:50.960 Still just as. 0:00:50.920 --> 0:00:55.440 Cute though, oh me will Yeah, thank you. You're just 0:00:55.440 --> 0:00:57.400 saying that because it's true. I get it. 0:00:57.520 --> 0:01:04.720 Yeah. Oh my gosh, you were so creepy. 0:01:04.840 --> 0:01:05.520 Yeah, it's funny. 0:01:05.560 --> 0:01:09.120 I I it was a big departure for me. You know, 0:01:09.200 --> 0:01:12.800 I had only really done a lot of comedy and 0:01:12.959 --> 0:01:16.920 like the Buddy you know part and uh, I'm not 0:01:16.959 --> 0:01:20.800 sure how uh it happened, but my my sisters both 0:01:20.880 --> 0:01:27.920 knew your upm uh Now his name is uh drawn 0:01:27.920 --> 0:01:33.480 a blank but no not maybe maybe not your upm 0:01:33.600 --> 0:01:36.759 uh uh Parae his last name was Paray. 0:01:37.319 --> 0:01:39.600 You remember him anyway. 0:01:40.240 --> 0:01:43.679 Uh, So I I went in there and uh tried 0:01:43.680 --> 0:01:46.840 to be as creepy as I could and and I 0:01:46.920 --> 0:01:49.360 got the role and it really changed my the course 0:01:49.400 --> 0:01:53.000 of my career in terms of uh, you know, I'd only, 0:01:53.080 --> 0:01:56.360 like I said, done mostly comedy and commercials and Happy 0:01:56.440 --> 0:01:59.320 Guy and then this, Uh this kind of brought me 0:01:59.320 --> 0:02:04.000 into a new world. And I continued to do some scary, heavy, 0:02:04.240 --> 0:02:06.640 heavy rolls, so much voiceover. 0:02:06.720 --> 0:02:10.000 Okay, do the I Hop forrest please please? Yes? 0:02:10.960 --> 0:02:13.760 Rio s French test is back at Ie Hop. Yeah, 0:02:13.800 --> 0:02:17.720 I was the I was the voice of I Hop 0:02:17.760 --> 0:02:19.639 for seven years and it was the best job I 0:02:19.680 --> 0:02:21.919 ever had. It was so much, so much fun. 0:02:22.120 --> 0:02:25.920 And what was interesting about their free No, I didn't 0:02:25.919 --> 0:02:31.880 get free food, but was there was there number one 0:02:31.960 --> 0:02:34.680 new product that they ever launched, So I can take 0:02:34.720 --> 0:02:35.239 credit for that. 0:02:35.639 --> 0:02:40.400 This was before Cable Guy, your first on season four, 0:02:40.440 --> 0:02:42.360 when you were in two episodes. 0:02:42.240 --> 0:02:45.119 Right right, Yeah, yeah, I were, Well I did. 0:02:45.400 --> 0:02:47.520 I just had the thirtieth anniversary of a movie I 0:02:47.560 --> 0:02:51.040 did called Heavyweights, which was a Disney movie about kids 0:02:51.080 --> 0:02:53.920 who go way to fat camp. Uh and it starred 0:02:53.919 --> 0:02:58.520 Ben Stiller, and I met Ben on that movie, and 0:02:58.600 --> 0:03:00.840 he and jud were working on. 0:03:02.400 --> 0:03:02.840 Or the next. 0:03:02.919 --> 0:03:05.120 One of their next projects that he and jud Aptel 0:03:05.160 --> 0:03:08.520 worked on was The Cable Guy and and Ben like 0:03:08.760 --> 0:03:10.680 you know, called me up and said, hey, I've got 0:03:10.680 --> 0:03:12.079 a part for you to you know, it's just a 0:03:12.080 --> 0:03:12.480 little thing. 0:03:12.520 --> 0:03:13.040 Do you want to do it? 0:03:13.040 --> 0:03:15.720 And I said sure, And when we shot it, it 0:03:16.040 --> 0:03:18.400 was actually at the very end of the movie and 0:03:18.520 --> 0:03:20.320 had there been a sequel, it would I would have 0:03:20.320 --> 0:03:24.200 been the guy. So unfortunately we didn't go to another movie. 0:03:24.200 --> 0:03:25.560 But that was a lot of fun. Ben and I 0:03:25.600 --> 0:03:30.640 worked a few times after Heavyweights, but it's funny. Nine 0:03:30.639 --> 0:03:33.480 O two and Oh was absolutely the number one show 0:03:34.160 --> 0:03:36.200 that I've been recognized for. I mean, I've done hundreds 0:03:36.200 --> 0:03:38.760 of stuff between commercials, voiceovers and more. 0:03:38.600 --> 0:03:39.360 Than Cable Guy. 0:03:39.920 --> 0:03:42.040 I mean, I know You've done so much, but it's 0:03:42.080 --> 0:03:44.640 so iconic and you're in the last scene is just 0:03:44.680 --> 0:03:46.520 like everything that like, oh. 0:03:46.400 --> 0:03:47.520 Awesome, thank you so much. 0:03:48.040 --> 0:03:50.400 Nino two and Oh is by far and away that 0:03:50.480 --> 0:03:54.880 in UHF the Weird Al movie. I did the comedy 0:03:55.000 --> 0:03:58.800 UHF the with Weird Al back in nineteen eighty seven. 0:03:58.880 --> 0:04:01.559 I guess so that was people getting. 0:04:01.240 --> 0:04:04.880 Mad at you when they recognized you as Don's rapist. 0:04:05.640 --> 0:04:08.120 Almost Well, here's here's a true story. 0:04:08.680 --> 0:04:11.880 I was in Palm Springs having dinner and waitress was 0:04:11.920 --> 0:04:16.120 waiting on us. And then next thing I know, police 0:04:16.120 --> 0:04:18.919 officers have entered the restaurant and they walk over to 0:04:18.920 --> 0:04:20.600 the table and they said, sure, we'd like to ask 0:04:20.640 --> 0:04:23.800 you a few questions. I said, what is this all about? 0:04:24.080 --> 0:04:26.599 I said, Well, the waitress recognized you. She said she 0:04:26.640 --> 0:04:29.520 saw you on America's Most Wanted. You're a wait or something. 0:04:29.920 --> 0:04:32.240 And it turns out she thought she had a full 0:04:32.360 --> 0:04:35.600 memory seeing me on America's Most Wanted, but it was 0:04:35.680 --> 0:04:38.560 nine o two and same network, so you know, but. 0:04:38.720 --> 0:04:44.000 Yeah, uh that is correct, like extreme version and people 0:04:44.040 --> 0:04:46.159 like can't place in there, like we think we went 0:04:46.200 --> 0:04:48.280 to high school with you. 0:04:49.120 --> 0:04:55.960 I think I saw you on America's. 0:04:53.680 --> 0:04:54.320 Oh my god, that. 0:04:54.279 --> 0:04:55.960 Must have been scary. Were you scared at all? 0:04:56.000 --> 0:04:58.680 For a second for a second, and then I realized, 0:04:58.720 --> 0:05:02.840 oh wait, no, no, no, no, I'm not a real star. Yeah, 0:05:03.560 --> 0:05:07.320 you're just that good, hilarious. 0:05:07.560 --> 0:05:10.039 We've heard some good stories that I think might be 0:05:10.120 --> 0:05:10.600 a topper. 0:05:10.720 --> 0:05:15.080 Yeah, sure, yeah, I mean I guess I was. I 0:05:15.200 --> 0:05:17.800 was that good, you know, She uh, she was. 0:05:18.000 --> 0:05:21.279 She immediately was frightened when she saw my face, so 0:05:21.279 --> 0:05:22.560 so that kind of was too. 0:05:22.600 --> 0:05:23.440 I'm not gonna lie. 0:05:25.520 --> 0:05:28.880 I loved working with you. You were so kind and we 0:05:29.120 --> 0:05:34.279 we feel so comfortable in it not comfortable situation. That 0:05:34.400 --> 0:05:36.279 was a hard thing to help you. 0:05:36.320 --> 0:05:38.360 Oh yeah, no, I mean it's it's interesting. 0:05:38.400 --> 0:05:41.719 I I I remember being you know, in terms of 0:05:41.760 --> 0:05:44.040 being on top of you, you know, in the bed 0:05:44.120 --> 0:05:46.600 and and you know, with a knife in my hand 0:05:46.640 --> 0:05:48.560 and everything, and we all had we had to be 0:05:48.640 --> 0:05:51.559 you know, so precise because of the camera of course, 0:05:51.839 --> 0:05:54.279 but also you know, personal space and this. 0:05:54.200 --> 0:05:57.040 That and the other. And it was it was so 0:05:57.080 --> 0:05:58.120 good that we had. 0:05:57.920 --> 0:06:00.200 A rapport immediately, you know, that we were able to 0:06:00.720 --> 0:06:04.279 you know, work together, you know that closely, that quickly. 0:06:05.000 --> 0:06:07.360 It was a fake knife though it was a rubber. 0:06:07.120 --> 0:06:10.760 Knife, right, Oh, I don't think it was. I don't 0:06:10.760 --> 0:06:11.240 think it's. 0:06:11.680 --> 0:06:14.360 They always give us those rubber knives, remember. 0:06:14.320 --> 0:06:16.880 Right, right, right, yeah, yeah, and then you could bend 0:06:16.880 --> 0:06:19.400 it on your There's. 0:06:19.160 --> 0:06:22.560 Like certain things that each of our characters like fans. 0:06:22.680 --> 0:06:25.799 It's iconic to them. And one of the big things 0:06:25.839 --> 0:06:29.720 for me is always, like in the phone with David 0:06:29.880 --> 0:06:33.840 you called him Dave. Never call him Dave like that's 0:06:33.839 --> 0:06:34.880 a huge thing. 0:06:35.440 --> 0:06:36.200 No, that was it. 0:06:36.279 --> 0:06:38.360 That was That was the whole reason he came back. 0:06:38.400 --> 0:06:41.080 It is because you said Dave instead of David, which 0:06:41.080 --> 0:06:44.760 is interesting. My name is David and Brian played David. 0:06:44.760 --> 0:06:47.719 But I I never go by Dave either. 0:06:48.000 --> 0:06:49.600 I'm David. I'm a David guy. 0:06:49.920 --> 0:06:51.560 You know the differences. 0:06:53.080 --> 0:06:55.680 I don't know because like Dave is like asking because 0:06:55.680 --> 0:06:56.880 her husband is Dave. 0:06:57.200 --> 0:07:00.200 His name is David, but he goes by Dave. So 0:07:00.839 --> 0:07:03.080 I know, I feel have a theory, but like what's yours? 0:07:03.520 --> 0:07:06.640 Oh, I don't know, because my I think Dave is 0:07:06.680 --> 0:07:10.120 more more like uh inviting to be friendly or you know, 0:07:10.280 --> 0:07:11.720 kind of casual. 0:07:13.440 --> 0:07:15.960 But uh yeah, I just thought most people call me 0:07:16.000 --> 0:07:17.800 by my last name. I always there was. I'm bo 0:07:18.160 --> 0:07:20.360 Hey bo over here bo throwing the ball. 0:07:20.800 --> 0:07:24.800 My son's name is bo Oh cool. What's your theory, Jen? 0:07:25.720 --> 0:07:25.960 Same? 0:07:26.320 --> 0:07:30.320 Dave's are like everybody loves a Dave. You know, there's 0:07:30.320 --> 0:07:32.880 no Dave you don't love. And then David is a 0:07:32.880 --> 0:07:35.880 little bit more grown up and a little more maybe 0:07:35.920 --> 0:07:40.440 intimidating or you know, David got his together. 0:07:53.680 --> 0:07:57.360 Did people? I'm sure you've gotten this, can see the 0:07:57.440 --> 0:08:00.160 name and think it was David Bowie checking in to 0:08:00.280 --> 0:08:02.680 a hotel, or like my. 0:08:02.880 --> 0:08:04.360 Entire career, my whole life. 0:08:04.400 --> 0:08:06.160 I mean I I was in the first grade when 0:08:06.160 --> 0:08:11.720 Space already came out, and I was always called David Bowie, 0:08:11.840 --> 0:08:15.400 you know, from from that, And then when I was 0:08:15.440 --> 0:08:18.880 an adult, I kind of started taking advantage of that 0:08:18.960 --> 0:08:21.720 by making dinner raise reservations. 0:08:21.120 --> 0:08:21.920 For David Bowie. 0:08:22.400 --> 0:08:25.200 And then when they when you're not David Bowie, and 0:08:25.200 --> 0:08:27.240 I throw my idea and like, oh yeah, right this way, 0:08:27.280 --> 0:08:28.640 mister Bowie, you. 0:08:28.600 --> 0:08:31.560 Know is good, good one, good one. 0:08:31.920 --> 0:08:32.200 God. 0:08:32.559 --> 0:08:35.920 But no, I am a bisexual rock star married to 0:08:35.920 --> 0:08:39.959 a beautiful black woman, so the similarities are a little confusing. 0:08:41.960 --> 0:08:43.560 No. I I love David Bowie. 0:08:43.640 --> 0:08:46.280 He sees one of my one of my favorite artists, 0:08:46.960 --> 0:08:50.080 and it was very tragic when he passed. But but I, 0:08:50.360 --> 0:08:52.520 you know, to this day, I still get, you know, 0:08:52.720 --> 0:08:53.800 teased about the name. 0:08:54.840 --> 0:08:57.080 Yeah, I guess you can't use that trick anymore. 0:08:57.679 --> 0:09:01.400 No, unfortunately I can't can't get dinner reservations. 0:09:01.440 --> 0:09:03.760 But did you know you were coming back for season seven? 0:09:04.080 --> 0:09:04.160 Like? 0:09:04.280 --> 0:09:08.120 Did you ever? Did they? When you ended your the 0:09:08.160 --> 0:09:08.640 whole thing. 0:09:09.040 --> 0:09:11.040 Now. I had no idea that bring me back. I 0:09:11.040 --> 0:09:12.920 thought I thought I'd be in jail for a long time. 0:09:13.040 --> 0:09:18.760 I didn't know, right, but Cable Guy had come out 0:09:18.760 --> 0:09:22.800 in ninety six, so this was ninety seven, right, right. 0:09:23.240 --> 0:09:25.560 So were you like, I don't need to go on 0:09:25.600 --> 0:09:27.600 that show. Anyone needed to go back to that show? 0:09:27.800 --> 0:09:27.959 Oh? 0:09:28.040 --> 0:09:31.760 No, Like I said, it was like totally changed my career. 0:09:31.840 --> 0:09:34.080 I definitely wanted to come back. I wanted to come 0:09:34.080 --> 0:09:37.439 back and and be creepy again, you know, and. 0:09:37.320 --> 0:09:40.880 Show the world and you were you were in the Rock, 0:09:42.280 --> 0:09:43.280 it wasn't the Rock. Yeah. 0:09:43.320 --> 0:09:49.560 I have a crazy history with student filmmakers. I did 0:09:49.600 --> 0:09:53.000 four graduate films when I was starting out, and the 0:09:53.120 --> 0:09:58.520 four directors turned out to be huge directors. Those four 0:09:59.040 --> 0:10:02.360 student films I did. The directors from those and one 0:10:02.400 --> 0:10:05.439 of the producers have combined for over sixteen billion dollars 0:10:05.480 --> 0:10:06.360 in box office. 0:10:07.440 --> 0:10:09.040 It's crazy. It's uh. 0:10:09.080 --> 0:10:12.040 And the actor, I mean the directors are John Turtletop, 0:10:12.120 --> 0:10:16.480 who did the National Treasure movies with Nicholas Cage. I 0:10:16.559 --> 0:10:21.040 did Sean Levy's graduate film at USC. Shawn Levy created 0:10:21.080 --> 0:10:23.600 Stranger Things and has directed. 0:10:23.600 --> 0:10:25.160 Month That's so critical. 0:10:25.960 --> 0:10:29.880 I did Michael Bays graduate film at Arts Center, and 0:10:29.920 --> 0:10:33.920 Michael put me in the rock. And the last person 0:10:34.200 --> 0:10:36.240 was JJ Abrams and Matt Reid. 0:10:36.440 --> 0:10:39.480 Did you spun the wheel and got lucky? 0:10:40.080 --> 0:10:40.320 Okay? 0:10:40.360 --> 0:10:43.040 Were you in college at that time or were you? 0:10:43.320 --> 0:10:45.280 I didn't just hire now. 0:10:45.320 --> 0:10:47.000 I went to Santa Monica City College. I was going 0:10:47.040 --> 0:10:48.840 to transfer to UCLA, but I never did. But this 0:10:49.040 --> 0:10:52.360 was just, you know, happenstance. And you know two of 0:10:52.440 --> 0:10:54.959 my I knew Jj from elementary school. I had met 0:10:55.000 --> 0:10:59.319 Michael Bay through my friend Andy Lower, but the other two. Oh, 0:10:59.320 --> 0:11:01.199 and I met Sean leave You when we worked on 0:11:01.240 --> 0:11:02.720 a movie together. I did a movie called Made in 0:11:02.760 --> 0:11:07.200 America with Ted Dance and Whoopee Goldberg, and Sean played 0:11:07.200 --> 0:11:09.480 a director in the movie. He was also acting while 0:11:09.520 --> 0:11:12.839 he was in graduate school while he was at USC. 0:11:13.080 --> 0:11:15.559 So he met me on that movie and said, Hey, 0:11:15.559 --> 0:11:17.160 I'm doing this four eighty. 0:11:17.520 --> 0:11:18.240 You want to be in it? 0:11:18.280 --> 0:11:20.800 I love you, know, So it just all everything kind 0:11:20.800 --> 0:11:25.120 of worked out and and then uh yeah, and then 0:11:25.120 --> 0:11:27.320 I met Ben and Judd. So it's like everybody I 0:11:27.360 --> 0:11:30.280 meet are these huge filmmakers. So I guess I'm the 0:11:30.280 --> 0:11:30.960 good luck charm. 0:11:31.280 --> 0:11:33.640 So it's it's me. Yeah, oh my gosh. 0:11:33.720 --> 0:11:37.920 And just because I'm obsessed with cable guy. And by 0:11:37.920 --> 0:11:42.920 the way, Brian Austin Green does a fabulous cable guy 0:11:43.240 --> 0:11:44.040 till this day. 0:11:44.200 --> 0:11:50.319 We still do it every time. He's like, it's a pathwordieth. 0:11:52.679 --> 0:11:57.920 Can you give us any every every name he had, 0:11:57.920 --> 0:12:01.600 I loved he what it was, Aaron Stevens, Chip Douglas, 0:12:01.600 --> 0:12:04.480 every TV you know, husband or you know. 0:12:05.920 --> 0:12:08.360 I thought that was funny. My experience on that movie 0:12:08.679 --> 0:12:11.880 was well, two things. One, we shot at the hangar 0:12:11.920 --> 0:12:15.440 for the Spruce Goose in Long Beach where they did 0:12:15.520 --> 0:12:19.480 that's where they did the the big satellite dish that 0:12:19.520 --> 0:12:22.319 he falls in at the end, But that was all controlled, 0:12:22.360 --> 0:12:24.040 you know, on a on a kind of a stage. 0:12:24.160 --> 0:12:25.480 Then we went up into the. 0:12:25.400 --> 0:12:28.679 Hills where they're really work with the actual satellite dish 0:12:29.320 --> 0:12:32.880 out off the off the fourteen Freeway way up in 0:12:32.920 --> 0:12:36.439 the hills and that was kind of neat. And then Ben, 0:12:36.679 --> 0:12:40.160 God love him, when they were doing the exterior, when 0:12:40.160 --> 0:12:42.800 they were doing the shots from the helicopter which was 0:12:42.880 --> 0:12:45.160 up in the Bay Area, he said, hey, you want 0:12:45.160 --> 0:12:47.280 to come, you know, just come with us. We're not 0:12:47.480 --> 0:12:49.000 You're probably not going to see you, but you know, 0:12:49.160 --> 0:12:49.720 just come with us. 0:12:49.760 --> 0:12:50.200 So I went. 0:12:50.520 --> 0:12:53.320 I traveled with Ben up to the Bay Area, got 0:12:53.360 --> 0:12:55.400 on a helicopter with him and shot a bunch of 0:12:55.400 --> 0:12:58.120 shots and we hung out and just you know, it 0:12:58.160 --> 0:12:59.240 was it was a great experience. 0:13:00.440 --> 0:13:00.680 Uh. 0:13:00.720 --> 0:13:03.920 And I wish that Ben and I had, uh you know, worked, 0:13:04.160 --> 0:13:07.040 you know more together. But hey, there's there's still a 0:13:07.080 --> 0:13:09.440 little wild life. Yeah, still life left in me. 0:13:12.280 --> 0:13:13.080 Oh my gosh. 0:13:13.120 --> 0:13:15.080 Okay, So where where are you located right now? 0:13:15.200 --> 0:13:15.280 What? 0:13:15.480 --> 0:13:16.199 You're still living in? 0:13:16.360 --> 0:13:16.720 L A? 0:13:17.000 --> 0:13:20.160 I'm in my living room. No, I'm in Uh. 0:13:20.200 --> 0:13:22.719 I mean I live in mar Vista, between Marina del 0:13:22.760 --> 0:13:24.880 Rey and Culver City. 0:13:24.760 --> 0:13:27.520 Very good sushi there? Do you eat sushi? 0:13:27.960 --> 0:13:30.440 I do? Which? What? What? What sushi do you like? 0:13:30.760 --> 0:13:31.320 Where do you go? 0:13:32.240 --> 0:13:34.439 Oh god, I don't know the name. There's a really 0:13:34.440 --> 0:13:37.880 good one. I'm blinking starts with a tea right on. 0:13:38.200 --> 0:13:40.160 Have you ever been to Rice in Manhattan Beach? 0:13:40.960 --> 0:13:41.080 Uh? 0:13:41.679 --> 0:13:43.640 No, no, but I've heard of it. No, my friend 0:13:43.640 --> 0:13:46.199 lives in Manhattan Beach. That's a that's a very pross. 0:13:45.880 --> 0:13:47.400 The woman that doesn't eat sushi. 0:13:48.840 --> 0:13:49.360 Good food. 0:13:50.040 --> 0:13:51.760 Yeah, no, my family loves it. 0:13:52.520 --> 0:13:52.559 No. 0:13:52.679 --> 0:13:54.240 I was born I was born in a small town 0:13:54.240 --> 0:13:56.880 off the West coast called Santa Monica, California, and I 0:13:56.920 --> 0:13:57.440 never left. 0:13:58.720 --> 0:14:01.000 Yeah, no, I've lived in lam folks. 0:14:01.600 --> 0:14:03.400 Wait, have you ever been in it? 0:14:03.559 --> 0:14:06.000 You've had all these great experiences. Have you ever been 0:14:06.000 --> 0:14:08.680 in like on a toxic set, like a have you 0:14:08.720 --> 0:14:09.959 ever had a bad experience? 0:14:10.800 --> 0:14:12.560 I mean, you know what, there there are a couple 0:14:12.640 --> 0:14:15.280 of low budget movies that I wasn't show. 0:14:16.240 --> 0:14:17.120 It was not your show. 0:14:17.240 --> 0:14:20.560 No, now, your show is a great experience. Everybody was 0:14:20.600 --> 0:14:23.600 so nice on on this show. I mean because my my, 0:14:24.800 --> 0:14:27.560 I think I did one scene at the college where 0:14:27.600 --> 0:14:29.760 I was cleaning up your table and kind of spy, 0:14:29.880 --> 0:14:30.560 you know, looking at you. 0:14:30.720 --> 0:14:32.120 And I had other people in it, but for the 0:14:32.120 --> 0:14:34.200 most part it was just you. You, me and and Brian. 0:14:34.520 --> 0:14:37.440 But everybody else took the time to come up and 0:14:37.440 --> 0:14:40.040 introduce themselves and talk to me, and and it was 0:14:40.040 --> 0:14:43.200 a it was a great, uh you know, positive place 0:14:43.240 --> 0:14:46.840 to work. I absolutely, But but in terms of like 0:14:46.920 --> 0:14:51.040 places that didn't go so great, you know. 0:14:51.000 --> 0:14:52.960 What, I I shouldn't say it didn't go great. 0:14:53.000 --> 0:14:55.440 But I did a movie called Wedding Band with William 0:14:55.520 --> 0:14:59.880 Kat and Pollie Shore and Lance Kinsey and it was 0:15:00.080 --> 0:15:02.040 came out before the Wedding Singer, and it was basically 0:15:02.040 --> 0:15:04.040 the Wedding Singer, but a low budget version of it. 0:15:04.400 --> 0:15:06.880 And I'll never forget when William kat the first night, 0:15:06.920 --> 0:15:08.680 we're all sitting around, we're all ready to shoot our 0:15:08.680 --> 0:15:11.160 first scene, and he says, I always. 0:15:10.840 --> 0:15:14.240 Wondered what it would be. I always wondered what would 0:15:14.240 --> 0:15:19.480 do on the way down. Oh, I was like, oh wait. 0:15:19.280 --> 0:15:26.000 What attitude greatest American hero and hero? Right? 0:15:26.360 --> 0:15:27.960 He was the hero And we ended up having a 0:15:28.000 --> 0:15:29.880 blast and we ended up having a great time. 0:15:29.920 --> 0:15:31.840 And but it was that first night of like, yeah, 0:15:31.920 --> 0:15:34.080 oh God, is this going to be a horrible experience? 0:15:34.120 --> 0:15:37.680 And I'm glad it turned around for you. 0:15:37.320 --> 0:15:38.680 You've been to a lot of. 0:15:38.640 --> 0:15:42.040 Commercials, Like how many commercials have you done just this year? 0:15:43.280 --> 0:15:43.560 Uh? 0:15:43.680 --> 0:15:47.000 This year, I have not booked one commercial. So thanks 0:15:47.040 --> 0:15:47.480 for asking? 0:15:48.640 --> 0:15:54.520 Now about last year? 0:15:54.560 --> 0:15:58.760 How about last year? Maybe three years ago? 0:16:00.360 --> 0:16:04.160 No, I at my peak, I remember seeing myself three 0:16:04.200 --> 0:16:05.240 commercials in a row. 0:16:06.200 --> 0:16:10.080 Wow, I was on you were banking in a row? 0:16:10.160 --> 0:16:10.520 I was? 0:16:10.600 --> 0:16:12.560 It was, one was Jack in the Box, one was 0:16:14.000 --> 0:16:17.040 I was the spokesperson for a Remember when calling cards 0:16:17.360 --> 0:16:18.280 calling cards. 0:16:18.000 --> 0:16:21.400 Were a big deal. Yeah. So I did the uh 0:16:21.640 --> 0:16:23.880 friend MCI Friends and Family card. 0:16:23.720 --> 0:16:25.800 Or something, and that was one of them. And then 0:16:25.840 --> 0:16:30.360 I was also, uh, what was the other campaign? Oh, 0:16:30.400 --> 0:16:34.600 the bud Bowl campaign for the super Bowl where in 0:16:34.640 --> 0:16:37.240 the bottles fight each other, they play each other. This 0:16:37.440 --> 0:16:39.840 was the first time they have live action people in 0:16:39.880 --> 0:16:41.920 the Bud Bowl commercials. 0:16:41.600 --> 0:16:43.440 And had a super Bowl commercial. 0:16:44.160 --> 0:16:47.040 I've had several. Yeah, I was I was the man. Yeah, 0:16:47.120 --> 0:16:47.760 that's the goal. 0:16:48.320 --> 0:16:51.640 Yeah, the super Bowl super Bowl spots for Butterwise. I 0:16:51.640 --> 0:16:53.960 did four spots, two of which ran for a couple 0:16:53.960 --> 0:16:55.440 of months leading up to the super Bowl, and then 0:16:55.480 --> 0:16:57.800 two spots ran only during the Super Bowl. 0:16:57.840 --> 0:16:59.600 So it was a big deal. Yeah. Yeah. 0:16:59.840 --> 0:17:03.760 You go into audition for commercials and people were like, oh, 0:17:03.800 --> 0:17:07.719 here he comes, Deveen, He's going to get it. 0:17:07.720 --> 0:17:09.520 It was for a while there it was like, oh, 0:17:09.600 --> 0:17:10.119 here he is. 0:17:10.280 --> 0:17:14.600 Yeah, and then and then it's also like I've had people, 0:17:14.760 --> 0:17:17.920 you know, rooting for me of course as well. Uh, 0:17:18.080 --> 0:17:19.879 the voiceover world and the on camera world are a 0:17:19.880 --> 0:17:23.480 little different. Voiceover world is is everybody's rooting for everybody else, 0:17:23.560 --> 0:17:26.280 and and you know it's a real tight knit, close 0:17:26.359 --> 0:17:28.840 knit group. On camera, it can get a little like, 0:17:29.000 --> 0:17:31.560 you know, uh competitive. 0:17:32.520 --> 0:17:34.919 But I remember one spot I read for. 0:17:35.000 --> 0:17:37.680 It was for Rice Crispies and it was a dad 0:17:37.720 --> 0:17:39.440 trying to get his kid to eat and he starts 0:17:39.480 --> 0:17:41.280 seeing the Rice Crispy song and then he puts the 0:17:41.320 --> 0:17:43.040 cereal on his head and all this and does a 0:17:43.080 --> 0:17:46.080 little dance. Everybody in the room said, there's your guy, 0:17:46.240 --> 0:17:48.199 and I ended up booking it. So it was it 0:17:48.240 --> 0:17:50.800 was a kind of fun, fun thing that people were 0:17:50.880 --> 0:17:52.640 rooting for me and it happened. 0:18:05.160 --> 0:18:09.240 Do commercials pay great? I mean Super Bowl commercials? 0:18:09.280 --> 0:18:11.399 Like yeah, Like, what's the difference if you get a 0:18:11.400 --> 0:18:14.199 commercial that runs like, you know, a whole run or 0:18:14.320 --> 0:18:15.960 a commercial super Bowl commercial? 0:18:16.440 --> 0:18:18.000 Well, there's there's two factors. 0:18:18.040 --> 0:18:20.560 One is how long it's going to run, and and 0:18:20.680 --> 0:18:22.280 they it breaks down to four quarters. 0:18:22.760 --> 0:18:23.480 You know, during the. 0:18:23.520 --> 0:18:27.000 Year, you have a four four month periods. 0:18:27.359 --> 0:18:29.240 I'm not four four month periods. What am I saying? 0:18:29.359 --> 0:18:31.840 Four to three month periods? Yeah? Four quarters? 0:18:32.240 --> 0:18:35.880 And if it if it lasts you know two one two, 0:18:35.960 --> 0:18:38.920 that's great. If it lasts the whole year, that's that's 0:18:38.960 --> 0:18:42.880 even better. But I guess my point is if it's 0:18:42.920 --> 0:18:46.160 a national network spot and it's going be more than 0:18:46.160 --> 0:18:49.359 it is now as opposed to a locally or regional spot. 0:18:49.600 --> 0:18:50.840 You can make a ton of money. I mean you 0:18:50.880 --> 0:18:53.959 can make you know, thirty thousand dollars on a national 0:18:54.000 --> 0:18:57.280 network spot per quarter. So that's you know, you can 0:18:57.320 --> 0:18:59.440 make over one hundred thousand dollars a year on one commercial. 0:18:59.440 --> 0:19:03.920 One commercial. Well, amazing TV. I mean, let's just start 0:19:03.920 --> 0:19:06.439 doing commercials. 0:19:05.000 --> 0:19:10.160 Animation is is really lucrative as well, and so. 0:19:10.560 --> 0:19:13.240