WEBVTT - TGI – Episode 710 “Picket Fences” PART 1

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<v Speaker 1>What is Looks Maxing. It's very trendy. What is that?

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<v Speaker 1>Is that true? Is that a thing?

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<v Speaker 2>Oh gosh? I mean but by the way, I have

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<v Speaker 2>a Looks Maxer like Adler is just I see his future, Like, I.

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<v Speaker 1>Don't know if that's a good thing or is that

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<v Speaker 1>a thing? Is it's a writer? You know what this is?

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<v Speaker 1>You've heard of this?

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<v Speaker 2>Yes, because he has a tween. It's going to be

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<v Speaker 2>everywhere in just you know, I'm mewing right now. Yeah,

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<v Speaker 2>you're mewing. Look at you, mewing stigma.

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<v Speaker 1>I don't like any of this exactly. I don't like

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<v Speaker 1>any of this.

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<v Speaker 3>Hey, Will, can you stop mogging?

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<v Speaker 1>Writer?

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<v Speaker 2>Yeah, you're totally.

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<v Speaker 1>I'm you.

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<v Speaker 2>You're lapping Will your will with your mogging.

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<v Speaker 1>Language. Right? Is this like the six seventh thing where actually,

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<v Speaker 1>when you get down to what it really doesn't no

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<v Speaker 1>one knows what it means.

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<v Speaker 2>Hold on, I just I want to work on my cheekbones.

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<v Speaker 1>Oh god? Is that the thing?

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<v Speaker 2>The face take cameras or hard objects to their face

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<v Speaker 2>to create micro fractures so that certain parts like it's

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<v Speaker 2>all about manliness. Looks Maxers are boils who have decided

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<v Speaker 2>that in order to avoid being an inceelluh, they are

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<v Speaker 2>going to maximalize their beauty and so metrosexual. Well that yeah,

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<v Speaker 2>that I guess We've had multiple different.

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<v Speaker 1>Time you rebranded metrosexual. You rebrand metrosexual was always yeah, okay,

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<v Speaker 1>and then in the seventies it was just being in

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<v Speaker 1>touch with your femininity.

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<v Speaker 2>No, no, no, metrosexual. To be fair, it was a

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<v Speaker 2>little bit like just actually caring about your hygiene, a

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<v Speaker 2>little bit like oh I trim my beard, hairs, I

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<v Speaker 2>do my hair, I brush my teeth.

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<v Speaker 1>But wasn't it also like guys starting to wear like

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<v Speaker 1>base makeup and like you could wear a little bit

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<v Speaker 1>of makeup and stuff like that, that was metrosexual.

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<v Speaker 4>I thought, No, No, it was just for for straight

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<v Speaker 4>men to actually care about what they look like. That's

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<v Speaker 4>all the And that's why the word went away is

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<v Speaker 4>because once men started it was like this is there's

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<v Speaker 4>no longer hetero hoomo distinction.

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<v Speaker 1>There's just looking good.

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<v Speaker 2>They're just taking care of the word.

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<v Speaker 1>The metrosexual just went away. So the word So the

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<v Speaker 1>way to make yourself manly is by breaking your cheekbones

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<v Speaker 1>with something.

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<v Speaker 2>They've decided that like all high testosterone things like broad shoulders,

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<v Speaker 2>high cheekbones, chisel jaw, you know, low body fat, like

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<v Speaker 2>just that kind of stuff is ultimately the most important

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<v Speaker 2>part of being high on the evolution food chain, and

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<v Speaker 2>so to be an alpha. And so these guys, there's

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<v Speaker 2>all the lingo of this young young generation mogging is

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<v Speaker 2>to upstage someone with your beauty. So say we took

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<v Speaker 2>a group picture, like Will or Rider could be mogging

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<v Speaker 2>the other one based on who looks more manly, like

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<v Speaker 2>who's got broader shoulders, who's got sharper cheekbones. And these

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<v Speaker 2>people who looks maxers take it extremely far. Plastic surgery, hitting.

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<v Speaker 4>Their testosterone, they're hitting their.

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<v Speaker 2>Face, having hair transplants if they don't like their hairline.

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<v Speaker 1>The idea of what masculinity is is so ridiculous when

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<v Speaker 1>it comes to stuff like this. So essentially we've just

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<v Speaker 1>gone back to Jersey Shore.

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<v Speaker 2>A little bit, A little bit like Jersey Shore, Yeah,

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<v Speaker 2>a little bit with that GT taking.

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<v Speaker 1>What you got to take, Jim Tan laundry. It's just

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<v Speaker 1>about how you look, and you know, it's the facial

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<v Speaker 1>features and cutting down the body fat. We've gone back

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<v Speaker 1>to just Jersey Shore. Okay, next generation, good luck for.

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<v Speaker 3>Your kids, well, the situation. The situation in this case

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<v Speaker 3>is a guy named Clavicular. He's like the main guy

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<v Speaker 3>who also made.

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<v Speaker 1>It sounds like something you need to take a pill form.

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<v Speaker 2>It's taken from his claviical. He owns to have sharp classicals.

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<v Speaker 1>This is a thing. What it worked. We're done, We're done,

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<v Speaker 1>We're done moving.

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<v Speaker 2>My biggest issue with it is that I read it

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<v Speaker 2>and I was like, oh God, Adler doesn't know what

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<v Speaker 2>a look snacksters. But Oddler is like kind of.

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<v Speaker 4>What he really cares about what he looks like, and.

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<v Speaker 2>Like, yeah, he cares about what he looks like. And

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<v Speaker 2>he's like, I just want abs. I want to, Mom,

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<v Speaker 2>I want to I want to get Oh, I gotta

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<v Speaker 2>get abs. And like he six and a half, and

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<v Speaker 2>he anytime he comes, like he goes anywhere, even remotely

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<v Speaker 2>home adjacent, his shirts immediately ripped off. And he's and

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<v Speaker 2>I'm like, why where, why don't you have a shirt on?

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<v Speaker 2>And he's like I just I just like it.

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<v Speaker 1>He's just like, man, is he gonna get a try?

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<v Speaker 1>Is he gonna get a tribal henna?

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<v Speaker 2>He plays he would, he would for sure he would

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<v Speaker 2>if he saw a guy with a big bicep and

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<v Speaker 2>a tribal hen attack. If he saw, he'd be like,

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<v Speaker 2>I want that. The other day I said to he

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<v Speaker 2>was like, so, what do I have tomorrow? And it

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<v Speaker 2>was Wednesday, and I know it was Tuesday. He was asking,

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<v Speaker 2>and so he was asking about Wednesday, and I said,

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<v Speaker 2>you have tutoring. He has a reading tutor and and

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<v Speaker 2>he's like, oh, man, I don't care about reading. I

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<v Speaker 2>don't care about math. All I want to be is

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<v Speaker 2>strong and athletic, just full set camp.

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<v Speaker 1>Is that surprise?

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<v Speaker 4>You guys watched wrestling with him since he was like two.

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<v Speaker 1>Sure, you could also take the theatricality about about wrestling.

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<v Speaker 1>You could take the kind of my parents. My mom's

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<v Speaker 1>an actor, and look at the theatricality behind the wrestling.

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<v Speaker 1>So like I want is that.

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<v Speaker 4>You're fighting one another in an athletic competitions.

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<v Speaker 1>Fighting.

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<v Speaker 4>You're not getting together to like wrap battle or you know.

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<v Speaker 4>What you're doing against each other is beating the crap

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<v Speaker 4>out of each other. So it's not surprising that he's

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<v Speaker 4>gonna care about physical stuff. You gonna think that that's

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<v Speaker 4>the highest value.

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<v Speaker 3>He had the same situation, was set up in the

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<v Speaker 3>same way and he's just straight up Jester maxing.

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<v Speaker 1>Yeah, God, all these words, that's that's that's more.

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<v Speaker 4>Yeah, he does all of this as a completely a joke,

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<v Speaker 4>like ironically, like he is constantly, but he knows all

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<v Speaker 4>the terms.

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<v Speaker 1>They're all talking about it.

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<v Speaker 4>Yeah, like they're.

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<v Speaker 1>All so you know what in the nineties, would have

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<v Speaker 1>just been a douche twat to bring back a word

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<v Speaker 1>now we're making is now a maxine It would.

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<v Speaker 3>Be it kind of would have been. I mean, truthfully,

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<v Speaker 3>it probably would have been a jock.

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<v Speaker 1>Yeah. Yeah, but that's the thing. I would argue that

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<v Speaker 1>most jocks that I knew cared more about winning and

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<v Speaker 1>competition and their sport than they cared about how they

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<v Speaker 1>looked doing it. Yeah, the difference in it.

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<v Speaker 4>Jug gonna name names, but let's just say team beat crowd.

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<v Speaker 4>Like we knew men who were in the team beat scene.

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<v Speaker 1>That that's what they care liked being in the team

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<v Speaker 1>beat seam, right, So what.

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<v Speaker 4>They cared about was their clothing and their presentation, and

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<v Speaker 4>that was the goal was to like be the hottest thing,

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<v Speaker 4>and like that was exactly what like I couldn't stand

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<v Speaker 4>to be around.

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<v Speaker 1>That's why we would call them douchebags, That's what I'm saying.

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<v Speaker 1>But he has always existed. Well, it's always there, it's

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<v Speaker 1>just but it's like now it's but it seems like

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<v Speaker 1>now it's become the thing.

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<v Speaker 4>Becausecial media has just amped up everybody's obsession with looks

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<v Speaker 4>and superficial you know, presentation in general. So you know,

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<v Speaker 4>people are like kids are, I mean, it's distorting their

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<v Speaker 4>brain to be on a screen and like constantly only

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<v Speaker 4>be engaging with other people in like this context. Right,

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<v Speaker 4>Like if I cared only about my relationship with you

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<v Speaker 4>guys through the screen, man, I would look a lot

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<v Speaker 4>better than I do right now, Like I would put

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<v Speaker 4>an effort into it, right, And so if.

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<v Speaker 1>I guess you're right too. That's all the social media

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<v Speaker 1>and everything that that everybody's doing is it's a visual medium.

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<v Speaker 1>So all you're doing is looking, and sometimes you're looking

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<v Speaker 1>very quickly. So if you're just looking at a tile

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<v Speaker 1>this big, you want abs and whatever because somebody's gonna

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<v Speaker 1>sit by, so you want it to look as good.

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<v Speaker 1>There's no substance to anything. But we never celebrated that before,

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<v Speaker 1>at least as a society.

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<v Speaker 2>I wouldn't say it's being celebrated right now.

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<v Speaker 1>Okay, so it's kind of being it's like it's a little.

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<v Speaker 2>Being mocked, and it is still still very very niche subculture.

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<v Speaker 2>It's it is not it is not a thing that's

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<v Speaker 2>you know, yeah, it's still a niche subculture right now,

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<v Speaker 2>but it is going to be talked about a lot.

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<v Speaker 2>All that's what this guy Clovicular. No, No, this guy

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<v Speaker 2>Clivicular also has a very polarizing presence. He he's very

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<v Speaker 2>obviously a person who's willing to do almost anything for

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<v Speaker 2>likes and clicks and views, including you know, just behaving

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<v Speaker 2>like a general awful human being. So this isn't someone that,

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<v Speaker 2>like as of right now, is someone most people are

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<v Speaker 2>looking up to. But I did want to read the

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<v Speaker 2>tweet because this is the thing that made me see it.

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<v Speaker 2>That was like, wait, I have to I have to

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<v Speaker 2>know more about this. This was and it makes sense

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<v Speaker 2>if you know the world Clovicular was mid jesture gooning

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<v Speaker 2>when a group of foyds came and spiked his cortisol levels.

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<v Speaker 2>Is ignoring the foids while munting and mogging mooids more

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<v Speaker 2>useful than s MV chad fishing in the club.

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<v Speaker 1>Wow, I got Club. Yeah, so it is. It's just

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<v Speaker 1>it's a full on language. It really full.

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<v Speaker 2>Subculture with its own language that soon, I do think,

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<v Speaker 2>for better or worse, whether it's because it ends up

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<v Speaker 2>being heralded or it becomes something people rebuke, it's going

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<v Speaker 2>it'll be in the lexicon for all of them. We

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<v Speaker 2>won't be It'll be the nose six seven.

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<v Speaker 1>Very quickly. There's the thing these things are happening.

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<v Speaker 4>Like, it's like culture has gotten more intense more quickly,

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<v Speaker 4>and then it sort of fades away.

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<v Speaker 1>Just I feel like.

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<v Speaker 4>It's gonna be like like already six seven feels like

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<v Speaker 4>last year's thing totally, and like, you know, that's what

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<v Speaker 4>I love is like the more the adults start using

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<v Speaker 4>all every time I write down everything that Indy says,

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<v Speaker 4>I keep a list literally on my fridge of all

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<v Speaker 4>these words and I use them all the time, and

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<v Speaker 4>it pisses them off, and then they stops using them.

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<v Speaker 4>You know what it becomes like if the second I

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<v Speaker 4>make it dorky because I'm absorbing it, it's over and

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<v Speaker 4>like because because and I think that's the way these

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<v Speaker 4>things go. Like there are certain ones like man Bro

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<v Speaker 4>has really taken over. Oh yeah, every we just say

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<v Speaker 4>Bro all the time. Which there was a period when

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<v Speaker 4>he was like six or seven. I was like six

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<v Speaker 4>seven when I was like yeah. He still points out

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<v Speaker 4>the license plates will be like six seven. He'll be

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<v Speaker 4>you know, six seven, like indy, that means nothing. It

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<v Speaker 4>means nothing. Why is that a thing?

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<v Speaker 2>Fler says you.

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<v Speaker 1>But anyway, Bro took over eighties? These are eighties, bros.

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<v Speaker 1>Does come back.

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<v Speaker 2>I have an eighties your teenagers.

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<v Speaker 4>Man, that's when you were aware of teenage culture because

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<v Speaker 4>you were a teenager.

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<v Speaker 1>But I played on TV. It's always the same.

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<v Speaker 4>It's like, that's just it's just teenage culture. They have

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<v Speaker 4>to invent their own language. They have to separate and

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<v Speaker 4>isolate themselves from their parents and like break.

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<v Speaker 1>The rules and come up with their own things. Okay,

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<v Speaker 1>So what was yours? What were both of yours? What

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<v Speaker 1>was your six seven or what was the thing that

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<v Speaker 1>you and your friend said all the time? What was

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<v Speaker 1>your vernacular?

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<v Speaker 5>Hella?

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<v Speaker 4>Hella was crusty, crusty, We called good weed killer couche.

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<v Speaker 1>Oh I had we had a whole language, dude. Yeah,

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<v Speaker 1>we used to.

0:12:20.400 --> 0:12:24.240
<v Speaker 4>We used to say, if I have no idea, But

0:12:24.280 --> 0:12:26.720
<v Speaker 4>this was a very localized thing. But we used to

0:12:26.720 --> 0:12:28.960
<v Speaker 4>have like if if somebody was like an adult, was

0:12:29.000 --> 0:12:35.559
<v Speaker 4>acting really weird, we'd go unhappy mac noam, and like

0:12:35.880 --> 0:12:37.880
<v Speaker 4>that was our way to say to one another, like.

0:12:40.280 --> 0:12:42.079
<v Speaker 1>Wait, unhappy.

0:12:43.600 --> 0:12:45.600
<v Speaker 2>Happy macnam yep.

0:12:46.480 --> 0:12:48.760
<v Speaker 1>That was and like man like, if I said that

0:12:48.760 --> 0:12:50.160
<v Speaker 1>to Shilah right now, he would.

0:12:50.040 --> 0:12:56.560
<v Speaker 2>Lose uppy a voice note. I'm dying to see what

0:12:56.640 --> 0:12:59.440
<v Speaker 2>he responds back. We had. I mean I was, you know,

0:12:59.679 --> 0:13:01.599
<v Speaker 2>eighty early nineties, dude.

0:13:01.559 --> 0:13:02.119
<v Speaker 3>Rad.

0:13:04.440 --> 0:13:08.200
<v Speaker 1>Coast, West coast cool beans. Oh yeah, cool beans. Somebody

0:13:08.280 --> 0:13:11.160
<v Speaker 1>just said that to me in in an email and

0:13:11.200 --> 0:13:15.240
<v Speaker 1>I was like, what cool cools. Let's bring that back. Yeah,

0:13:16.600 --> 0:13:18.560
<v Speaker 1>there a lot, And then you'd add a word like

0:13:18.679 --> 0:13:24.120
<v Speaker 1>easy there, tough, easy there, all down, yeah, easy there,

0:13:24.200 --> 0:13:26.040
<v Speaker 1>all star. You know we did that a lot.

0:13:26.200 --> 0:13:27.240
<v Speaker 2>Don't have a cow.

0:13:28.240 --> 0:13:29.000
<v Speaker 1>Oh yeah that was.

0:13:31.280 --> 0:13:33.880
<v Speaker 4>Don't think about how often we used to quote movies.

0:13:34.080 --> 0:13:36.319
<v Speaker 4>That's all they're doing with memes. Like we used to

0:13:36.320 --> 0:13:37.079
<v Speaker 4>sit around and be.

0:13:37.080 --> 0:13:39.440
<v Speaker 1>Like we would quote, uh what did we quote?

0:13:39.440 --> 0:13:39.600
<v Speaker 5>Will?

0:13:39.640 --> 0:13:41.480
<v Speaker 1>We quoted so many?

0:13:41.520 --> 0:13:44.520
<v Speaker 4>But like weird ones too, Like so I married an

0:13:44.520 --> 0:13:46.439
<v Speaker 4>axe murderer, Yeah.

0:13:48.960 --> 0:13:51.320
<v Speaker 1>Was a big one. Yeah, don't go in there.

0:13:51.400 --> 0:13:53.840
<v Speaker 2>Yeah, Austin Powers.

0:13:53.800 --> 0:13:59.680
<v Speaker 4>Yeah, doing much Mike Myers, because Mike Myers did Wayne's World,

0:13:59.679 --> 0:14:02.360
<v Speaker 4>which was super quotable. He was a master of like

0:14:02.400 --> 0:14:04.439
<v Speaker 4>coming up with those catchphrases that you know.

0:14:04.400 --> 0:14:05.680
<v Speaker 1>People would just get addicted to.

0:14:06.480 --> 0:14:07.920
<v Speaker 2>Are you send one?

0:14:07.920 --> 0:14:08.839
<v Speaker 4>Am I?

0:14:08.920 --> 0:14:09.600
<v Speaker 1>What am I saying?

0:14:09.679 --> 0:14:11.520
<v Speaker 2>Uh say, I'm doing the podcast.

0:14:12.200 --> 0:14:15.440
<v Speaker 1>I wouldn't give it any context? Send it full send?

0:14:16.440 --> 0:14:18.360
<v Speaker 1>All right? How do I do a voice there? I

0:14:18.360 --> 0:14:19.400
<v Speaker 1>don't do that ship.

0:14:19.640 --> 0:14:22.640
<v Speaker 2>Okay, there's a video, there's a microphone.

0:14:22.080 --> 0:14:29.840
<v Speaker 1>On hamarking them. All right, I'm just sending that.

0:14:30.720 --> 0:14:33.400
<v Speaker 3>The irony of talking about clipicular when writer can't send

0:14:33.400 --> 0:14:33.800
<v Speaker 3>a voicema.

0:14:37.800 --> 0:14:41.200
<v Speaker 2>I'll let me know how that respond how that goes.

0:14:41.320 --> 0:14:42.080
<v Speaker 2>It's very funny.

0:14:43.280 --> 0:14:46.120
<v Speaker 1>He's probably just gonna write L O L or. Yeah,

0:14:46.880 --> 0:14:47.480
<v Speaker 1>I'm trying to think.

0:14:47.520 --> 0:14:50.840
<v Speaker 4>We had so many other ones like Sebastapolad. It's very particular,

0:14:51.080 --> 0:14:55.120
<v Speaker 4>weird like George, Yeah, I'm trying. You know who I

0:14:55.120 --> 0:14:57.280
<v Speaker 4>should really ask his neigh Brewer. He was the king

0:14:57.400 --> 0:15:00.400
<v Speaker 4>of that neigh Brewer and Aaron Graile defined, right, you

0:15:00.520 --> 0:15:03.240
<v Speaker 4>tried tried to start and that one never cut off.

0:15:03.520 --> 0:15:06.840
<v Speaker 1>That was we tried. Yeah, we tried. Oh man, all right,

0:15:06.960 --> 0:15:07.960
<v Speaker 1>we'll see we'll.

0:15:07.880 --> 0:15:11.080
<v Speaker 2>See what he says. Welcome to Hodmeats World. I'm Daniel Fishal,

0:15:11.280 --> 0:15:12.720
<v Speaker 2>I'm right or strong, and.

0:15:12.760 --> 0:15:15.120
<v Speaker 1>I'm Will Vickilar just smortching on the Tim Tam.

0:15:17.680 --> 0:15:21.240
<v Speaker 4>Smortching in the Tim TAM's great. I love that Indian

0:15:21.320 --> 0:15:23.760
<v Speaker 4>I we have a running bit. We have a product

0:15:23.800 --> 0:15:26.520
<v Speaker 4>called shin Tins that we're always doing commercials for and

0:15:26.640 --> 0:15:27.400
<v Speaker 4>we just rip on it.

0:15:27.440 --> 0:15:31.000
<v Speaker 1>It'll be like shins, carry your teeth and make this better.

0:15:31.080 --> 0:15:33.200
<v Speaker 1>And you know, whatever c your teeth by the way.

0:15:34.080 --> 0:15:36.600
<v Speaker 2>Your teeth you mean cure, like the way you cure

0:15:36.640 --> 0:15:37.440
<v Speaker 2>something with a light.

0:15:37.680 --> 0:15:41.200
<v Speaker 1>You know, like I think it's actually cure, like a disease,

0:15:43.080 --> 0:15:46.960
<v Speaker 1>cure that squeak and your teeth shin tins. Shins.

0:16:01.160 --> 0:16:04.880
<v Speaker 2>Well, today we are recapping season seven, episode ten. Guys,

0:16:04.960 --> 0:16:08.920
<v Speaker 2>we're almost halfway through season seven. Possible picket Fences. It

0:16:09.040 --> 0:16:12.440
<v Speaker 2>originally aired November twenty first, nineteen ninety nine. The synopsis

0:16:12.640 --> 0:16:15.600
<v Speaker 2>Corey and Tabanga find themselves in a financial dilemma when

0:16:15.640 --> 0:16:18.160
<v Speaker 2>looking for an apartment, while Jack and Eric get a

0:16:18.240 --> 0:16:23.560
<v Speaker 2>new boss at the student union. It was directed just.

0:16:24.200 --> 0:16:26.440
<v Speaker 1>Because we all know how you feel about the beat story.

0:16:30.880 --> 0:16:34.120
<v Speaker 2>Dad is a well played silence goes a long way.

0:16:35.000 --> 0:16:39.160
<v Speaker 1>Just what that that clip? Forever the way you read boss?

0:16:41.360 --> 0:16:41.680
<v Speaker 1>It was.

0:16:43.960 --> 0:16:51.680
<v Speaker 2>Crickets, Oh my gosh. It was directed by Jerry Levine.

0:16:51.840 --> 0:16:55.920
<v Speaker 2>It was written by Erica Montalfo. Before I jump into

0:16:56.000 --> 0:16:58.600
<v Speaker 2>our guest stars, I've shared.

0:16:58.400 --> 0:17:04.840
<v Speaker 1>My overall thoughts, I think we're all agreed. Right again.

0:17:05.320 --> 0:17:07.280
<v Speaker 1>The A story was good, but it was the same

0:17:07.359 --> 0:17:10.040
<v Speaker 1>as last week. Rusty is also way worse this week

0:17:10.080 --> 0:17:12.359
<v Speaker 1>and he was last week. And the B story is

0:17:12.600 --> 0:17:14.000
<v Speaker 1>un It was.

0:17:14.040 --> 0:17:16.520
<v Speaker 4>Funny how we predicted some of these things during our

0:17:16.560 --> 0:17:19.879
<v Speaker 4>recount were friends, which was so nice we predicted and

0:17:20.560 --> 0:17:23.880
<v Speaker 4>because we just actually remember, you know, it was somewhere deep.

0:17:24.200 --> 0:17:26.800
<v Speaker 4>But yes, like a lot we we I mean to

0:17:26.920 --> 0:17:28.240
<v Speaker 4>be fair, like a lot of the things that we

0:17:28.320 --> 0:17:32.359
<v Speaker 4>said should happen did pretty much happen, and or or

0:17:32.480 --> 0:17:34.760
<v Speaker 4>were said, you know, the things were said that we were.

0:17:34.640 --> 0:17:36.320
<v Speaker 1>Like, why aren't they saying this? They did?

0:17:37.720 --> 0:17:40.320
<v Speaker 4>I don't know, Like the episode really bothered me for

0:17:40.400 --> 0:17:43.080
<v Speaker 4>the first half, and then something happened and I was like, Okay,

0:17:43.119 --> 0:17:45.800
<v Speaker 4>I guess this is just the way, and you know,

0:17:46.280 --> 0:17:48.879
<v Speaker 4>I do think this is the Corey to Panga season.

0:17:49.480 --> 0:17:52.480
<v Speaker 1>Like this and like you two has like a duo,

0:17:53.280 --> 0:17:54.000
<v Speaker 1>Like that's cool.

0:17:54.280 --> 0:17:56.800
<v Speaker 4>You know, it's always work, Like I don't think they

0:17:56.840 --> 0:17:59.920
<v Speaker 4>take advantage of it enough, but like I totally forgot

0:18:00.200 --> 0:18:04.800
<v Speaker 4>this dynamic me too. And then there's some really great

0:18:04.840 --> 0:18:07.879
<v Speaker 4>moments like you two on the couch. There's like one

0:18:08.000 --> 0:18:09.680
<v Speaker 4>there's that one scene in the in the in the

0:18:09.920 --> 0:18:13.200
<v Speaker 4>living in your apartment. It's it's long and it goes

0:18:13.200 --> 0:18:14.760
<v Speaker 4>all over the place, but there's a moment with the

0:18:14.800 --> 0:18:16.840
<v Speaker 4>two of you on the couch where I.

0:18:16.920 --> 0:18:19.280
<v Speaker 1>Was like, oh wow, this is like real love.

0:18:19.480 --> 0:18:20.160
<v Speaker 2>This is nice.

0:18:20.480 --> 0:18:23.080
<v Speaker 4>It reacted, it's simple, it's not for the sake of

0:18:23.119 --> 0:18:25.160
<v Speaker 4>a plot. And I was like, wow, I have never

0:18:25.320 --> 0:18:26.720
<v Speaker 4>seen this Coreyan topanga.

0:18:27.080 --> 0:18:28.120
<v Speaker 1>It was adult.

0:18:29.880 --> 0:18:35.240
<v Speaker 2>And it felt calm, It felt non chaotic. There's a

0:18:35.359 --> 0:18:39.159
<v Speaker 2>lot of koreyantopanga dynamic stuff that just feels like frenetic

0:18:39.760 --> 0:18:42.200
<v Speaker 2>and that I know exactly what you're talking about. It

0:18:42.320 --> 0:18:46.359
<v Speaker 2>felt very honest, like we were listening to each other, right.

0:18:46.560 --> 0:18:48.280
<v Speaker 1>Yeah, yeah, exactly, and and not.

0:18:48.680 --> 0:18:50.680
<v Speaker 4>And then the scene proceeds for you guys to do

0:18:50.840 --> 0:18:53.920
<v Speaker 4>like a bit like and that's fine, but that moment

0:18:53.960 --> 0:18:56.440
<v Speaker 4>on the couch was just like, ah, I'm watching two

0:18:56.600 --> 0:18:59.359
<v Speaker 4>people in love. Two characters in love be together and

0:18:59.520 --> 0:19:01.600
<v Speaker 4>talking about their life, and I was like, that's cool

0:19:01.680 --> 0:19:03.440
<v Speaker 4>that more of that would have been nice, you know,

0:19:04.040 --> 0:19:07.080
<v Speaker 4>throughout the whole season or the show, because it makes sense.

0:19:07.160 --> 0:19:09.240
<v Speaker 1>It makes you like Corey and Topanga way anyway.

0:19:09.600 --> 0:19:12.200
<v Speaker 4>You know, It's something that I think I've always taken

0:19:12.240 --> 0:19:16.119
<v Speaker 4>for granted throughout these recaps. Is I don't know, like

0:19:16.200 --> 0:19:18.720
<v Speaker 4>I just never I never thought of the Corey to

0:19:18.800 --> 0:19:21.080
<v Speaker 4>Panga thing as like the essence of boy Meets World,

0:19:22.160 --> 0:19:23.800
<v Speaker 4>and it was in a lot of ways. It's like

0:19:23.840 --> 0:19:25.720
<v Speaker 4>one of the main pillars. And I think part of

0:19:25.760 --> 0:19:29.760
<v Speaker 4>the reason it became like the pillar is because of

0:19:29.880 --> 0:19:32.720
<v Speaker 4>this season, which I forgot, Like this season just is

0:19:32.840 --> 0:19:35.440
<v Speaker 4>about you know, it's why Girl meets World. It was

0:19:35.560 --> 0:19:38.680
<v Speaker 4>what it was because this season sets up Girl meets World.

0:19:39.000 --> 0:19:41.160
<v Speaker 4>It's about Corey and to Panga living on their own

0:19:41.320 --> 0:19:43.639
<v Speaker 4>being trying to figure out being adults in this world.

0:19:44.560 --> 0:19:44.760
<v Speaker 1>Yeah.

0:19:44.920 --> 0:19:47.440
<v Speaker 4>It's really weird though that Like there's that moment when

0:19:47.520 --> 0:19:51.840
<v Speaker 4>the parents literally are like, congratulations, you are a grown.

0:19:51.640 --> 0:19:54.679
<v Speaker 1>Up, Like so this was all a test. But then

0:19:54.720 --> 0:19:57.040
<v Speaker 1>I'm like no, But if you go back to season one,

0:19:58.040 --> 0:19:58.879
<v Speaker 1>there were moments like this.

0:19:59.080 --> 0:20:03.199
<v Speaker 4>He always about the Yeah, it's just really heavy handed

0:20:03.320 --> 0:20:06.359
<v Speaker 4>and manipulative to think about, like parents going this far

0:20:06.440 --> 0:20:08.679
<v Speaker 4>extreme to be like, now you've grown up.

0:20:09.640 --> 0:20:13.439
<v Speaker 1>It's weird, but it's very you know, it's was there

0:20:13.680 --> 0:20:15.560
<v Speaker 1>was Bill not in this hmm.

0:20:16.160 --> 0:20:20.280
<v Speaker 2>He had finals, Yeah.

0:20:20.160 --> 0:20:25.080
<v Speaker 1>You're right, what we're you gonna say? I'm sorry? Interrupted

0:20:25.200 --> 0:20:26.120
<v Speaker 1>just popped into my head.

0:20:26.240 --> 0:20:28.320
<v Speaker 2>No, I was, I was just gonna say I did.

0:20:28.720 --> 0:20:31.200
<v Speaker 2>I feel the same way writer, especially that part where

0:20:31.800 --> 0:20:33.639
<v Speaker 2>he says, you know, he asks, well, would you have

0:20:33.720 --> 0:20:35.520
<v Speaker 2>come to help me fix the pipes? And he's like no.

0:20:36.080 --> 0:20:41.480
<v Speaker 1>It's like no, what why? Why a lesson that gonna

0:20:41.480 --> 0:20:44.560
<v Speaker 1>help me? That's a wild.

0:20:45.640 --> 0:20:49.119
<v Speaker 2>Also, having help doesn't take away from the fact that

0:20:49.240 --> 0:20:52.840
<v Speaker 2>you do something yourself, Like having help doesn't mean you

0:20:52.960 --> 0:20:56.439
<v Speaker 2>don't have the sense of accomplishment. But I did at

0:20:56.520 --> 0:21:00.520
<v Speaker 2>least under I did love the line, and I would

0:21:00.520 --> 0:21:03.359
<v Speaker 2>have Your mother and I fell in love because we

0:21:03.400 --> 0:21:05.440
<v Speaker 2>knew we were capable, and I never would have taken

0:21:05.520 --> 0:21:11.040
<v Speaker 2>that opportunity away from you. I at least loved that idea.

0:21:11.520 --> 0:21:15.280
<v Speaker 2>That sometimes because my parents talk about this too, even

0:21:15.320 --> 0:21:17.679
<v Speaker 2>though you know, married for thirty years and then divorced

0:21:17.800 --> 0:21:22.760
<v Speaker 2>and ruined my life just kidding. My life was not ruined.

0:21:22.960 --> 0:21:24.680
<v Speaker 2>I just think my family was a fraud, But that

0:21:24.840 --> 0:21:26.160
<v Speaker 2>doesn't ruin my life.

0:21:26.440 --> 0:21:28.520
<v Speaker 1>It seems like this is a different, more intense presearch.

0:21:29.240 --> 0:21:32.160
<v Speaker 2>Yeah, therapy.

0:21:33.040 --> 0:21:41.200
<v Speaker 1>No. No.

0:21:42.200 --> 0:21:45.160
<v Speaker 2>My parents when they got married to twenty one had

0:21:46.200 --> 0:21:51.120
<v Speaker 2>practically zero money. They truly My dad was a full

0:21:51.200 --> 0:21:54.600
<v Speaker 2>time college student. He was putting himself through college, and

0:21:54.760 --> 0:21:59.160
<v Speaker 2>he was working two part time jobs to pay for college.

0:21:59.560 --> 0:22:02.040
<v Speaker 2>So he would go to school full time during the day,

0:22:02.160 --> 0:22:05.320
<v Speaker 2>and then one of his jobs was cleaning a bakery

0:22:05.560 --> 0:22:07.159
<v Speaker 2>from midnight to four am.

0:22:07.480 --> 0:22:08.480
<v Speaker 1>Oh my god.

0:22:09.160 --> 0:22:12.400
<v Speaker 2>And then he had a setting up another business job

0:22:12.880 --> 0:22:16.440
<v Speaker 2>from like five am to nine am, and then he

0:22:16.520 --> 0:22:20.000
<v Speaker 2>would get to sleep on some days and then go

0:22:20.080 --> 0:22:23.359
<v Speaker 2>to school all day. And my mom was working at

0:22:23.359 --> 0:22:26.560
<v Speaker 2>a bank, and so they had they had I love

0:22:26.640 --> 0:22:33.160
<v Speaker 2>the story. They had twenty dollars each to spend total

0:22:33.960 --> 0:22:40.679
<v Speaker 2>on food for the week, if groceries or if they

0:22:40.760 --> 0:22:42.720
<v Speaker 2>were had to eat out or get something on the

0:22:42.760 --> 0:22:44.920
<v Speaker 2>go because of the schedule they couldn't come home to eat.

0:22:45.000 --> 0:22:48.399
<v Speaker 2>They had twenty dollars a week, and then whatever they

0:22:48.520 --> 0:22:52.520
<v Speaker 2>could save from that twenty dollars a week they put

0:22:52.640 --> 0:22:56.440
<v Speaker 2>in their individual pots to buy each other a Christmas gift.

0:22:56.960 --> 0:22:59.800
<v Speaker 1>Wow, that's how it shipped. My parents are the same.

0:22:59.840 --> 0:23:02.159
<v Speaker 1>My there's a famous story in our family where they

0:23:02.240 --> 0:23:05.160
<v Speaker 1>had such a small food budget that my dad surprised

0:23:05.200 --> 0:23:07.360
<v Speaker 1>my mom their first year and he bought a beef tenderloin,

0:23:07.640 --> 0:23:10.920
<v Speaker 1>and my mom cried because she's like, it's our whole budget.

0:23:10.720 --> 0:23:11.560
<v Speaker 2>Right, why'd you do this?

0:23:11.920 --> 0:23:13.680
<v Speaker 1>Like, we've got this is what we're eating now for

0:23:13.800 --> 0:23:16.760
<v Speaker 1>a month, We've got nothing else. Yeah, so you could

0:23:16.760 --> 0:23:19.480
<v Speaker 1>be a tenderline last week. Yeah, stretch it out.

0:23:20.080 --> 0:23:24.440
<v Speaker 2>But like when my mom remembers those times and remembers thinking,

0:23:24.600 --> 0:23:28.440
<v Speaker 2>in the moment, this sucks, this is hard, I hate this,

0:23:28.760 --> 0:23:31.560
<v Speaker 2>I can't live like this. This is really difficult. And

0:23:31.760 --> 0:23:35.639
<v Speaker 2>then you know, my dad graduated from college with a

0:23:35.680 --> 0:23:38.320
<v Speaker 2>business degree and worked his way up and before long

0:23:38.480 --> 0:23:41.520
<v Speaker 2>they were upper middle class and had two kids in

0:23:41.560 --> 0:23:43.920
<v Speaker 2>a beautiful house. And my mom looked back at those

0:23:44.040 --> 0:23:46.280
<v Speaker 2>years and said, those are some of the happiest times

0:23:46.280 --> 0:23:49.600
<v Speaker 2>of my life. Yes, they were incredibly hard in the moment,

0:23:49.760 --> 0:23:52.600
<v Speaker 2>but like I look back at that and we learned

0:23:52.880 --> 0:23:56.119
<v Speaker 2>so many of our incredible skills about budgeting and communication,

0:23:56.400 --> 0:24:00.000
<v Speaker 2>and like, so many good things came from that experience,

0:24:00.760 --> 0:24:04.080
<v Speaker 2>and I loved that that was his message that like

0:24:05.280 --> 0:24:08.240
<v Speaker 2>he and Amy had that and he knew that that's

0:24:08.280 --> 0:24:10.920
<v Speaker 2>what was on the other side of it, and he

0:24:11.000 --> 0:24:12.720
<v Speaker 2>didn't want to take that away from them by just

0:24:12.800 --> 0:24:13.960
<v Speaker 2>giving them the easy way out.

0:24:14.560 --> 0:24:17.719
<v Speaker 1>Now I agree with everything you said. I think they

0:24:17.840 --> 0:24:20.880
<v Speaker 1>killed it with the character where when he says, would

0:24:20.880 --> 0:24:22.520
<v Speaker 1>you have come to help me? Plumb, Rusty should have

0:24:22.520 --> 0:24:26.760
<v Speaker 1>said co Absolutely, I'll always give you my knowledge, Like

0:24:26.840 --> 0:24:28.840
<v Speaker 1>if I know how to fix something, of course I'm

0:24:28.840 --> 0:24:31.159
<v Speaker 1>going to help you do that. That's all You're always

0:24:31.240 --> 0:24:33.439
<v Speaker 1>my son. Yeah, and I'm always going to be teaching

0:24:33.480 --> 0:24:34.840
<v Speaker 1>you how to be a man. That's all you need.

0:24:35.000 --> 0:24:36.959
<v Speaker 1>But it said like no, I'm not going to come

0:24:36.960 --> 0:24:37.320
<v Speaker 1>and help you.

0:24:37.400 --> 0:24:40.119
<v Speaker 4>It was like I know what well this was, you know,

0:24:40.440 --> 0:24:42.680
<v Speaker 4>like I feel like we've talked a little bit about

0:24:42.680 --> 0:24:44.480
<v Speaker 4>this and then some people have pointed out to us that,

0:24:44.600 --> 0:24:46.560
<v Speaker 4>like the show is from Corey's point of view.

0:24:46.680 --> 0:24:48.240
<v Speaker 1>Yeah, like that whole reading of right.

0:24:48.520 --> 0:24:50.560
<v Speaker 4>And when I that that's what I feel like this

0:24:50.680 --> 0:24:53.240
<v Speaker 4>episode really spoke to me, is like it fell into.

0:24:53.119 --> 0:24:56.280
<v Speaker 1>This like, oh, this is about Corey growing up.

0:24:56.520 --> 0:24:58.720
<v Speaker 4>This is the show about you know, an eleven year

0:24:58.720 --> 0:25:01.840
<v Speaker 4>old boy who's in trouble at school and you know,

0:25:01.920 --> 0:25:04.840
<v Speaker 4>no one pays attention to him figuring life out, And like,

0:25:05.280 --> 0:25:06.800
<v Speaker 4>if I thought about it in those ways, it's like

0:25:06.920 --> 0:25:10.000
<v Speaker 4>a cartoonish because it's so over the top, you know

0:25:10.119 --> 0:25:12.040
<v Speaker 4>that a parent would actually do this to their son.

0:25:12.520 --> 0:25:15.359
<v Speaker 1>But then I was like, oh, but it's it fits.

0:25:15.560 --> 0:25:18.160
<v Speaker 1>It fits the show. It fits the narrative of Boy

0:25:18.240 --> 0:25:19.720
<v Speaker 1>Meets World, you go all the way back.

0:25:20.160 --> 0:25:21.879
<v Speaker 4>So I was like, cool, you know, and and I

0:25:22.000 --> 0:25:24.159
<v Speaker 4>think that like, like you guys are saying, it's a

0:25:24.240 --> 0:25:27.320
<v Speaker 4>nice lesson, you know, like, and it's it's especially nice

0:25:27.640 --> 0:25:31.800
<v Speaker 4>because it counterbalances all the we were meant to be together,

0:25:32.000 --> 0:25:33.920
<v Speaker 4>we're gonna you know, it's like the whole idea of

0:25:33.960 --> 0:25:36.480
<v Speaker 4>ever after, right like once we get married, everything's great.

0:25:36.560 --> 0:25:38.960
<v Speaker 1>And like the fact that our show tackled the idea

0:25:38.960 --> 0:25:41.280
<v Speaker 1>of like no, it's hard, like you know, it's the

0:25:41.359 --> 0:25:42.960
<v Speaker 1>fantasy versus the reality exactly.

0:25:43.040 --> 0:25:47.760
<v Speaker 4>And if Boymans World just ended with their wedding day

0:25:47.760 --> 0:25:49.399
<v Speaker 4>and that was the last episode, it would have been

0:25:49.480 --> 0:25:51.960
<v Speaker 4>like the Cinderella story would have been nothing, you know,

0:25:52.080 --> 0:25:54.720
<v Speaker 4>whereas like now it's something, it's like it's it's it's

0:25:54.960 --> 0:25:58.960
<v Speaker 4>it's at least attempting to wrestle with really great, big issues.

0:25:59.359 --> 0:26:01.280
<v Speaker 1>Well, you also said something really interesting, which is that

0:26:01.480 --> 0:26:05.880
<v Speaker 1>it's it's what it was obviously where Girl Meets World

0:26:05.920 --> 0:26:08.480
<v Speaker 1>came from. You could easily have had Boy Meets World

0:26:08.520 --> 0:26:10.480
<v Speaker 1>not existed. You easily could have gone in and pitched

0:26:10.560 --> 0:26:13.560
<v Speaker 1>this show Corey Intapanga together and pitched it as it's

0:26:13.640 --> 0:26:16.600
<v Speaker 1>Mad about You at nineteen. Yeah, totally, and when it

0:26:16.640 --> 0:26:18.399
<v Speaker 1>would have worked, I mean, that's that would have been

0:26:18.400 --> 0:26:20.760
<v Speaker 1>a whole different sitcom. But it absolutely would have worked.

0:26:20.760 --> 0:26:22.960
<v Speaker 1>And I couldn't agree more about Corey and to Panga

0:26:23.040 --> 0:26:25.000
<v Speaker 1>being very likable and very real. There's a couple of

0:26:25.000 --> 0:26:26.400
<v Speaker 1>moments where it was like, oh, that's not so good,

0:26:26.400 --> 0:26:28.880
<v Speaker 1>but the rest of it was great. And then there's

0:26:28.960 --> 0:26:31.359
<v Speaker 1>the beast story and the story. Oh and I am

0:26:31.440 --> 0:26:35.040
<v Speaker 1>horrible in this episode too. Really, yeah, I hated my

0:26:35.200 --> 0:26:37.879
<v Speaker 1>I'm like so just not into it.

0:26:38.000 --> 0:26:40.480
<v Speaker 2>I only thought you were not into it. In the

0:26:40.600 --> 0:26:44.080
<v Speaker 2>scene with Trina where you're laying no where you're like

0:26:44.240 --> 0:26:46.080
<v Speaker 2>that at the end, at the very end where you're.

0:26:46.000 --> 0:26:47.560
<v Speaker 1>Like it's the only one. I was like, oh, okay

0:26:48.400 --> 0:26:49.040
<v Speaker 1>in that scene.

0:26:49.280 --> 0:26:51.440
<v Speaker 2>I loved the scene of you in Corey and Tepeanga's

0:26:51.440 --> 0:26:54.520
<v Speaker 2>apartment where you're having the conversation with him about like, wait, no, stop,

0:26:54.680 --> 0:26:56.919
<v Speaker 2>why would you have fixed this? I thought you were

0:26:57.040 --> 0:26:58.119
<v Speaker 2>great in that scene.

0:26:58.200 --> 0:27:01.000
<v Speaker 1>I agree. I didn't. It's so I could tell I

0:27:01.119 --> 0:27:04.040
<v Speaker 1>was just badly acting. But you think this was the

0:27:04.119 --> 0:27:05.480
<v Speaker 1>most real I've ever been.

0:27:06.720 --> 0:27:11.359
<v Speaker 2>Yeah, it was nice to see you turn it down.

0:27:12.520 --> 0:27:16.680
<v Speaker 1>The subtext was there. That's it. It's not like that.

0:27:16.800 --> 0:27:19.159
<v Speaker 1>But when Nicole said to us, I was supposed to

0:27:19.200 --> 0:27:21.800
<v Speaker 1>do multiple episodes, I didn't realize how blatant it was

0:27:21.880 --> 0:27:25.960
<v Speaker 1>going to be. Where she clearly they didn't it like

0:27:26.040 --> 0:27:28.400
<v Speaker 1>there was no ending to the story. I went down

0:27:28.400 --> 0:27:30.240
<v Speaker 1>to she do it?

0:27:30.400 --> 0:27:30.920
<v Speaker 2>Does she do it?

0:27:32.000 --> 0:27:32.040
<v Speaker 1>No?

0:27:32.200 --> 0:27:34.440
<v Speaker 2>I think I thought she ended up doing two of

0:27:34.600 --> 0:27:35.760
<v Speaker 2>the episode.

0:27:36.280 --> 0:27:38.920
<v Speaker 1>I hope because if that's the end, No, no, because

0:27:39.080 --> 0:27:41.400
<v Speaker 1>isn't the next one? The next one? I saw pop

0:27:41.480 --> 0:27:43.840
<v Speaker 1>ups called what a drag? I think that's where Eric

0:27:45.000 --> 0:27:47.480
<v Speaker 1>and Jack dressed like girls. She's not in that. This

0:27:47.720 --> 0:27:47.879
<v Speaker 1>was it?

0:27:48.160 --> 0:27:50.600
<v Speaker 2>I think, Yeah, Jensen just said nope, she's gone.

0:27:50.960 --> 0:27:51.240
<v Speaker 3>Wow.

0:27:52.920 --> 0:27:57.479
<v Speaker 2>The fact that he blamed the b storyline not working

0:27:58.240 --> 0:28:01.520
<v Speaker 2>on her is wild.

0:28:02.000 --> 0:28:03.840
<v Speaker 1>Wait wait, who did what? Who blamed this on her?

0:28:04.359 --> 0:28:07.399
<v Speaker 2>Nicole said when we had her, because Nicole's a formal

0:28:07.720 --> 0:28:12.280
<v Speaker 2>former Pod Meets World guest, said, Michael kept telling her

0:28:12.440 --> 0:28:14.639
<v Speaker 2>all week, you're not doing what I want you to do.

0:28:14.760 --> 0:28:16.800
<v Speaker 2>You're not getting it, You're not getting it. And then

0:28:16.920 --> 0:28:19.320
<v Speaker 2>when he cut, when he took the three episode arc

0:28:19.359 --> 0:28:21.440
<v Speaker 2>away from her, he was like, because you just you're

0:28:21.480 --> 0:28:23.240
<v Speaker 2>not you know, you're not getting it.

0:28:24.119 --> 0:28:25.720
<v Speaker 1>What was there to get?

0:28:26.920 --> 0:28:32.240
<v Speaker 2>Also, she plays that character. She was great perfectly.

0:28:32.560 --> 0:28:35.720
<v Speaker 1>She was great, and the dynamic between her and Jack

0:28:35.880 --> 0:28:39.040
<v Speaker 1>could have gone somewhere and Eric in the background, hello

0:28:39.200 --> 0:28:41.480
<v Speaker 1>maybe hello mo honey, Hello Marac time and I was like,

0:28:41.560 --> 0:28:43.640
<v Speaker 1>what the hell is happening? Is this two in a

0:28:43.760 --> 0:28:49.160
<v Speaker 1>row that are unwatchable, watchable, beat stories, awful, awful, that's

0:28:49.200 --> 0:28:52.040
<v Speaker 1>so creeah, it's so great. I mean also, like you'd

0:28:52.040 --> 0:28:55.000
<v Speaker 1>already done all of this with Rachel, Like we.

0:28:55.040 --> 0:28:57.920
<v Speaker 2>Did a whole season and then last week they did

0:28:58.080 --> 0:28:59.360
<v Speaker 2>this with triplets.

0:28:59.440 --> 0:28:59.920
<v Speaker 1>That's what I mean.

0:29:00.280 --> 0:29:03.560
<v Speaker 5>So this this notion of like maybe we introduce a

0:29:03.680 --> 0:29:07.960
<v Speaker 5>female character and God messes up Jack and Eric what

0:29:08.600 --> 0:29:11.040
<v Speaker 5>Like We've done so many versions of this, Like no,

0:29:11.360 --> 0:29:13.200
<v Speaker 5>at least I mean, well, say what you want about

0:29:13.240 --> 0:29:15.200
<v Speaker 5>the monkey storyline at least.

0:29:17.880 --> 0:29:21.600
<v Speaker 2>I liked the monkey storyline because at least it was

0:29:21.680 --> 0:29:26.560
<v Speaker 2>about two friends who were wildly different helping challenge each

0:29:26.640 --> 0:29:28.880
<v Speaker 2>other to rise to the occasion of adulthood.

0:29:29.120 --> 0:29:32.920
<v Speaker 1>Yes, okay something, it's yeah, this and I get the

0:29:33.040 --> 0:29:38.520
<v Speaker 1>pitch for this. Let's bring in a female Jack. Okay, great, yep,

0:29:38.680 --> 0:29:43.040
<v Speaker 1>that's I understand that really good looking, kind of smarmy

0:29:43.600 --> 0:29:46.680
<v Speaker 1>from a rich, total spoiled rich brat. Wow, that could

0:29:46.760 --> 0:29:50.080
<v Speaker 1>be an interesting story. And then they did this and

0:29:50.200 --> 0:29:52.680
<v Speaker 1>it was like, what the hell is going on? And

0:29:52.800 --> 0:29:54.880
<v Speaker 1>maybe this is the whole thing of well, it would

0:29:54.920 --> 0:29:57.080
<v Speaker 1>have made sense if she was there for three episodes.

0:29:57.080 --> 0:29:59.400
<v Speaker 1>I mean, you've got Nicole Eggert, You've got an eighties

0:29:59.440 --> 0:30:03.840
<v Speaker 1>and nineties television mainstay who is doing really well, sorry

0:30:03.920 --> 0:30:07.520
<v Speaker 1>with what she's given and and for something else was

0:30:07.600 --> 0:30:08.800
<v Speaker 1>going on that we don't know about.

0:30:09.000 --> 0:30:11.920
<v Speaker 2>Correct, something else is something else was happening, because it

0:30:12.000 --> 0:30:13.360
<v Speaker 2>doesn't It makes zero sense.

0:30:13.640 --> 0:30:14.400
<v Speaker 1>Something else was going on.

0:30:14.680 --> 0:30:17.160
<v Speaker 2>Jumping into our guest stars former Pod Meets World guest

0:30:17.200 --> 0:30:20.200
<v Speaker 2>as I mentioned, Nicole Eggert is Bridget Eggert burst onto

0:30:20.200 --> 0:30:23.000
<v Speaker 2>the scene in another Michael Jacob's show, Charles in Charge

0:30:23.040 --> 0:30:26.200
<v Speaker 2>as Jamie Powell. She also appeared in seven episodes of

0:30:26.200 --> 0:30:28.800
<v Speaker 2>Who's the Boss, and would later don the iconic red

0:30:28.880 --> 0:30:32.480
<v Speaker 2>swimsuit as a lifeguard on Baywatch. If you remember, Nicole

0:30:32.560 --> 0:30:34.880
<v Speaker 2>told us during her appearance that she was originally told

0:30:34.960 --> 0:30:37.960
<v Speaker 2>this role would have a three episode arc, but was

0:30:38.040 --> 0:30:39.960
<v Speaker 2>asked after this one, so.

0:30:40.160 --> 0:30:41.520
<v Speaker 1>I didn't see where they could add to and I

0:30:41.560 --> 0:30:42.440
<v Speaker 1>think it ended perfectly.

0:30:42.520 --> 0:30:46.320
<v Speaker 2>Yeah, had a nice button. I set a button on

0:30:46.360 --> 0:30:49.880
<v Speaker 2>that story. And then Marisol Nichols returns for her second

0:30:49.960 --> 0:30:52.800
<v Speaker 2>episode as Kelly. We talked about her last week. Probably

0:30:52.840 --> 0:30:56.200
<v Speaker 2>best known as the Audrey Griswold in Vegas Vacation and

0:30:56.360 --> 0:31:01.240
<v Speaker 2>from her time on Riverdale and Joe Anne Worley is Missus. Stevens.

0:31:01.720 --> 0:31:04.200
<v Speaker 2>Warley is famous in the generation of those who maybe

0:31:04.360 --> 0:31:07.160
<v Speaker 2>loved the Monkeys and watched Happy Days. She was one

0:31:07.200 --> 0:31:10.600
<v Speaker 2>of the stars of laugh In, a massive comedy variety

0:31:10.640 --> 0:31:13.840
<v Speaker 2>show that ran from nineteen sixty eight to nineteen seventy three.

0:31:14.400 --> 0:31:17.040
<v Speaker 1>What was Laughing? It was like a did you watch it? Will?

0:31:17.280 --> 0:31:19.160
<v Speaker 1>It was? Well, no, I was. I was very young

0:31:19.240 --> 0:31:25.080
<v Speaker 1>in sixty eight. It was, Uh, it's all old TV.

0:31:25.160 --> 0:31:27.720
<v Speaker 1>I don't know. I didn't watch it time last. It's

0:31:27.760 --> 0:31:29.000
<v Speaker 1>like the variety shows.

0:31:29.160 --> 0:31:31.440
<v Speaker 4>What is there used to be variety shows?

0:31:31.560 --> 0:31:33.360
<v Speaker 2>Oh, Sonny and Share Show.

0:31:33.680 --> 0:31:37.520
<v Speaker 1>Yeah, all variety. I never saw any of the music guests.

0:31:37.760 --> 0:31:39.520
<v Speaker 2>It's when you had to be a triple threat to

0:31:39.600 --> 0:31:43.400
<v Speaker 2>be in entertainment. It's so cool original, right.

0:31:43.640 --> 0:31:44.760
<v Speaker 1>That would still be a thing.

0:31:45.160 --> 0:31:48.640
<v Speaker 2>Yes, sabrina Christmas Special is a bit of a variety show.

0:31:49.280 --> 0:31:53.040
<v Speaker 3>Yeah, sabrinas Muppets, Sabrina's Muppets show.

0:31:53.480 --> 0:31:57.240
<v Speaker 2>Yes, yes, people who can do it all used to

0:31:57.360 --> 0:32:02.400
<v Speaker 2>do hour long shows a wildly entertaining the.

0:32:03.120 --> 0:32:06.040
<v Speaker 4>Calburnett too, right, like she correct, Yeah, it's that's like.

0:32:06.040 --> 0:32:08.000
<v Speaker 1>A variety show. They've tried it. They've tried it.

0:32:08.080 --> 0:32:11.560
<v Speaker 3>The Osbourne's had one, Jessica nick Lasche had one. I

0:32:11.600 --> 0:32:12.920
<v Speaker 3>mean it's it's failed a couple of times.

0:32:13.040 --> 0:32:15.560
<v Speaker 1>It just doesn't Yeah, it doesn't work anymore. I'm translated anymore.

0:32:15.640 --> 0:32:19.920
<v Speaker 2>But kids TV fans may recognize her as Aunt Beulah

0:32:20.080 --> 0:32:22.680
<v Speaker 2>on Sabrina and the Teenage Witch or Maggie on Wizards

0:32:22.720 --> 0:32:26.600
<v Speaker 2>of Waverley Place. She would also morph into a voiceover legend.

0:32:26.800 --> 0:32:29.640
<v Speaker 2>She was Wardrobe in the nineteen ninety one Beauty in

0:32:29.680 --> 0:32:32.960
<v Speaker 2>the Beast movie, Miss Maples in the Goofy movie and

0:32:33.480 --> 0:32:37.120
<v Speaker 2>a co worker of Will's on Kim Possible. Was she

0:32:37.720 --> 0:32:38.440
<v Speaker 2>that's what it says.

0:32:38.720 --> 0:32:40.320
<v Speaker 1>Oh god, I loved working with her. I remember it.

0:32:40.400 --> 0:32:40.520
<v Speaker 3>Well.

0:32:40.640 --> 0:32:44.880
<v Speaker 1>Yes, great, we never recorded with anybody. There's three that room,

0:32:45.320 --> 0:32:46.520
<v Speaker 1>I know. Yeah.

0:32:58.880 --> 0:33:01.760
<v Speaker 2>Jumping into our recap, we are in Angela, Rachel and

0:33:01.880 --> 0:33:05.160
<v Speaker 2>Sean's apartment. I can't wait until we get to the.

0:33:07.400 --> 0:33:08.240
<v Speaker 1>It was so funny.

0:33:09.320 --> 0:33:11.200
<v Speaker 2>We just made so much fun of it at the

0:33:11.320 --> 0:33:13.760
<v Speaker 2>end of the last episode about not being able to

0:33:13.840 --> 0:33:15.800
<v Speaker 2>keep keep tracking, then being like, all right, so now

0:33:16.600 --> 0:33:18.280
<v Speaker 2>it's this, all right, let's remember it.

0:33:18.320 --> 0:33:29.800
<v Speaker 1>And then the next episode, who's coming. We need one

0:33:29.840 --> 0:33:32.400
<v Speaker 1>of those like investigation boards with all the lines.

0:33:34.600 --> 0:33:38.360
<v Speaker 4>Just to track the apartment, Like if if one of

0:33:38.400 --> 0:33:41.280
<v Speaker 4>our listeners wants to dive deep and write out a

0:33:41.400 --> 0:33:42.480
<v Speaker 4>diagram of.

0:33:42.560 --> 0:33:44.120
<v Speaker 2>This apartment a family tree.

0:33:44.680 --> 0:33:46.680
<v Speaker 1>A family tree going all the way back to Turners. Yeah,

0:33:47.280 --> 0:33:50.600
<v Speaker 1>it's the same apartment. Let's be honest. It's has every character,

0:33:50.720 --> 0:33:53.160
<v Speaker 1>not the adults, but all the younger characters. Has every

0:33:53.360 --> 0:33:56.240
<v Speaker 1>character lived there, every other character at some point.

0:33:56.520 --> 0:34:00.320
<v Speaker 4>Yes, yeah, that's everybody and everybody everyone Will us has

0:34:00.360 --> 0:34:00.720
<v Speaker 4>lived in the.

0:34:01.280 --> 0:34:05.760
<v Speaker 2>Has lived in the army episode.

0:34:07.040 --> 0:34:07.520
<v Speaker 1>I guess.

0:34:09.000 --> 0:34:11.120
<v Speaker 4>Yeah, that was the last episode he was he was

0:34:11.200 --> 0:34:13.759
<v Speaker 4>expecting to live there, and then yeah he's there.

0:34:14.000 --> 0:34:15.960
<v Speaker 1>I mean he's the kid in this room and kick

0:34:16.040 --> 0:34:17.200
<v Speaker 1>him out. Oh my god.

0:34:18.600 --> 0:34:20.880
<v Speaker 2>So Sean and Angela are setting the table for dinner,

0:34:20.960 --> 0:34:23.160
<v Speaker 2>catching up on their day. Angela gives him a kiss

0:34:23.200 --> 0:34:25.680
<v Speaker 2>and asks, are the kids all tucked in? He grins,

0:34:25.800 --> 0:34:29.279
<v Speaker 2>All tucked in? Mommy and daddy can have some together time.

0:34:29.920 --> 0:34:32.520
<v Speaker 2>The inmates hoot and holler at the innuendo, and now

0:34:32.719 --> 0:34:35.279
<v Speaker 2>at the dinner table, Angela wonders, when was the last

0:34:35.320 --> 0:34:38.640
<v Speaker 2>time we had a moment alone? Sean notes, certainly before

0:34:38.680 --> 0:34:41.959
<v Speaker 2>the kids came. Angela lets out a sigh. Yeah, life

0:34:42.080 --> 0:34:45.040
<v Speaker 2>was better then on cue, Corey and Tapega walk out

0:34:45.080 --> 0:34:49.280
<v Speaker 2>of their bedroom, frowning and wearing button up pj's. Sean admits, honey,

0:34:49.560 --> 0:34:53.080
<v Speaker 2>I hate the kids. Corey complains, we're still hungry, and

0:34:53.160 --> 0:34:55.239
<v Speaker 2>to Panga's eyes widened as she points at the dining

0:34:55.320 --> 0:34:58.879
<v Speaker 2>room table and yells like a caveman spaghetti. The couple

0:34:58.960 --> 0:35:01.360
<v Speaker 2>sprints to the food, and Corey cheerfully wonders, do you

0:35:01.400 --> 0:35:04.920
<v Speaker 2>have any baked goods or frozen treats? Angela is not amused.

0:35:05.160 --> 0:35:08.160
<v Speaker 2>You're our closest friends, but we are sick and tired

0:35:08.200 --> 0:35:10.640
<v Speaker 2>of you. Shawn ads, please get out and don't ever

0:35:10.719 --> 0:35:13.800
<v Speaker 2>come back. Corey and Tapanga focus on spoonfuls of spaghetti

0:35:13.840 --> 0:35:16.719
<v Speaker 2>and Corey laughs. They crack me up, these two, but

0:35:16.840 --> 0:35:20.000
<v Speaker 2>Tapanga gets the message, maybe we should go back to

0:35:20.160 --> 0:35:24.840
<v Speaker 2>our Corey asks whole are dump our sewer. Sean steps in.

0:35:25.120 --> 0:35:26.840
<v Speaker 2>We'd love to hang out with you guys forever, but

0:35:26.960 --> 0:35:29.120
<v Speaker 2>right now you're on this new marriage thing and we're

0:35:29.200 --> 0:35:32.680
<v Speaker 2>on this new living together thing. Angela tries to relate.

0:35:32.920 --> 0:35:36.359
<v Speaker 2>They're both couples, they're the same. But Shawn ads, you're

0:35:36.480 --> 0:35:40.200
<v Speaker 2>married and we're happy. Sean puts his foot down, get out.

0:35:40.520 --> 0:35:44.919
<v Speaker 2>They're serious. Corey nods. They understand. In fact, they never

0:35:45.000 --> 0:35:46.879
<v Speaker 2>want to impose on their little life of sin.

0:35:47.440 --> 0:35:51.320
<v Speaker 6>This is such a weird chair, so weird life actually

0:35:51.640 --> 0:35:53.560
<v Speaker 6>sluts is wild.

0:35:57.040 --> 0:36:00.480
<v Speaker 1>I don't understand, Like I still am. Like, so Sean

0:36:00.600 --> 0:36:02.440
<v Speaker 1>moved into a different room than Angela.

0:36:03.080 --> 0:36:07.120
<v Speaker 4>Yes, because there's three bedrooms and his own bedroom right

0:36:07.560 --> 0:36:09.200
<v Speaker 4>in the same apartment.

0:36:08.800 --> 0:36:11.120
<v Speaker 1>With his girlfriend, right, but now I think he's living

0:36:11.600 --> 0:36:14.640
<v Speaker 1>You're sleeping on the floor in Angela's room, right, because

0:36:15.480 --> 0:36:17.879
<v Speaker 1>to take it over and now we're going to kick

0:36:17.880 --> 0:36:19.120
<v Speaker 1>you out, and I'm going to go back to that

0:36:19.200 --> 0:36:19.799
<v Speaker 1>empty room.

0:36:20.080 --> 0:36:24.000
<v Speaker 2>God, he can have my own room. Honestly, I do

0:36:24.239 --> 0:36:26.280
<v Speaker 2>think the key to a happy marriage of separate houses.

0:36:26.400 --> 0:36:29.520
<v Speaker 2>I'm just gonna pull that out there. To Pega venomously

0:36:29.680 --> 0:36:35.480
<v Speaker 2>spits out, you make me sick. Corey scals sluts, slats.

0:36:35.840 --> 0:36:38.040
<v Speaker 2>Is this the closest thing to a curse word? We

0:36:38.200 --> 0:36:41.840
<v Speaker 2>get the dom triplets and then sluts and.

0:36:42.440 --> 0:36:44.279
<v Speaker 1>Maybe when she says, I wouldn't use this to wipe

0:36:44.320 --> 0:36:47.640
<v Speaker 1>my at those three things and it's all season seven

0:36:49.360 --> 0:36:51.520
<v Speaker 1>phase do funny.

0:36:55.320 --> 0:36:58.120
<v Speaker 2>They start their exits still wearing pj's and to Pega

0:36:58.200 --> 0:37:01.520
<v Speaker 2>explains they'll just hang out with their other friends. Cory asks,

0:37:01.560 --> 0:37:03.360
<v Speaker 2>you think you're our only friends in the world to

0:37:03.440 --> 0:37:06.160
<v Speaker 2>Panga Pipes and well you're not. In Corey ads because

0:37:06.200 --> 0:37:09.120
<v Speaker 2>we are a beloved couple. Sean's shuts the door in

0:37:09.160 --> 0:37:10.520
<v Speaker 2>their faces without a second thought.

0:37:10.960 --> 0:37:12.759
<v Speaker 1>It was strange to watch this that part of the

0:37:12.840 --> 0:37:18.040
<v Speaker 1>scene knowing you had to pee. That's right, this is

0:37:18.120 --> 0:37:21.839
<v Speaker 1>one of her one of our outtakes. As you right

0:37:21.920 --> 0:37:23.480
<v Speaker 1>out there going like I have to pee's so I'm

0:37:23.520 --> 0:37:25.680
<v Speaker 1>much to see the whole time going, Daniel has to.

0:37:25.680 --> 0:37:34.160
<v Speaker 2>Be that's hilarious. Outside in the hallway, Corey whispers to Tapanga,

0:37:34.400 --> 0:37:37.920
<v Speaker 2>you got any other friends? She responds, no, you, He whispers,

0:37:37.920 --> 0:37:39.800
<v Speaker 2>shouts no, why would we do that? What are we

0:37:39.840 --> 0:37:43.640
<v Speaker 2>going to do now? Topanga has no idea. Then we're

0:37:43.680 --> 0:37:45.960
<v Speaker 2>in the student union. Angela and Rachel are sitting on

0:37:46.040 --> 0:37:48.920
<v Speaker 2>the couch giggling, and Rachel confesses, I've never seen you

0:37:49.080 --> 0:37:52.520
<v Speaker 2>so happy. What do we think? She whispers to her.

0:37:52.760 --> 0:37:53.400
<v Speaker 2>Do we think it's some?

0:37:54.520 --> 0:37:56.840
<v Speaker 1>Oh yeah, it's horribly sexy and dirty? Right okay, right

0:37:57.040 --> 0:37:57.920
<v Speaker 1>in my head, I won't.

0:37:57.719 --> 0:37:59.719
<v Speaker 2>Even say, oh, really, wow, I love that you.

0:38:00.760 --> 0:38:04.400
<v Speaker 1>Oh they were crazy stuff too? Well, everyone's a slut?

0:38:04.640 --> 0:38:07.840
<v Speaker 2>No, true, I mean I did. I did obviously go

0:38:08.600 --> 0:38:13.440
<v Speaker 2>she said something sexual about Sean, but I didn't actually

0:38:13.480 --> 0:38:14.759
<v Speaker 2>go as far as to imagine.

0:38:14.440 --> 0:38:16.759
<v Speaker 1>What it was. Girls talk about that stuff with other

0:38:16.880 --> 0:38:19.200
<v Speaker 1>girls way more than guys talk about that stuff with

0:38:19.200 --> 0:38:22.440
<v Speaker 1>O for sure, like way more like it's detail stuff

0:38:22.480 --> 0:38:23.000
<v Speaker 1>with girls.

0:38:23.320 --> 0:38:30.200
<v Speaker 2>Well, I think that when you're when you're younger, yes, yes, no,

0:38:31.200 --> 0:38:34.279
<v Speaker 2>even yes, even okay, hold on you think.

0:38:34.239 --> 0:38:37.760
<v Speaker 4>Now to yes on, hold on detail like I've asked

0:38:37.800 --> 0:38:40.160
<v Speaker 4>Alex and be like wait, you guys compare notes on

0:38:40.400 --> 0:38:42.960
<v Speaker 4>and like yes, I'm like Jesus.

0:38:43.239 --> 0:38:47.560
<v Speaker 2>Wow, yes, wait do you think that's the case if

0:38:47.640 --> 0:38:51.040
<v Speaker 2>there's like maybe something they're asking an opinion on, like

0:38:51.160 --> 0:38:54.399
<v Speaker 2>I need I want to share something because I want

0:38:54.440 --> 0:38:57.280
<v Speaker 2>to know how you guys feel about it and okay

0:38:57.480 --> 0:39:00.560
<v Speaker 2>and not just like oh god, you writer, had we

0:39:00.680 --> 0:39:01.680
<v Speaker 2>been to like not.

0:39:01.960 --> 0:39:05.120
<v Speaker 1>That, like we don't do my wife my wife?

0:39:05.320 --> 0:39:09.400
<v Speaker 4>No? Okay, friends, yes, friends of ours are like that

0:39:10.120 --> 0:39:13.799
<v Speaker 4>in a sort of somewhat jokey way, or like they'll

0:39:13.840 --> 0:39:17.320
<v Speaker 4>talk about hot guys like you know, like yeah, like

0:39:17.480 --> 0:39:20.040
<v Speaker 4>in a way that I'm like if my guy friends

0:39:20.120 --> 0:39:20.720
<v Speaker 4>don't ever.

0:39:20.680 --> 0:39:23.919
<v Speaker 1>Talk about No, but you and I are very close

0:39:23.960 --> 0:39:27.439
<v Speaker 1>and we're not having full on graphic sexual conversations whatever,

0:39:27.880 --> 0:39:31.560
<v Speaker 1>it doesn't happen, you know. It's definitely women do that. Well,

0:39:31.600 --> 0:39:32.400
<v Speaker 1>hold on, just.

0:39:34.000 --> 0:39:38.640
<v Speaker 2>Women do that? They do, they can, they have I'm

0:39:38.719 --> 0:39:41.080
<v Speaker 2>sure and there are I think to Writer's point, there

0:39:41.120 --> 0:39:46.160
<v Speaker 2>are some women who are more comfortable about doing that.

0:39:46.480 --> 0:39:52.520
<v Speaker 2>I would never unless it was I'm concerned. There's what

0:39:52.640 --> 0:39:53.439
<v Speaker 2>are you laughing about?

0:39:53.600 --> 0:39:53.840
<v Speaker 3>I'm just.

0:39:55.800 --> 0:39:57.400
<v Speaker 1>Do your friends do you sit You have a lot

0:39:57.440 --> 0:39:59.120
<v Speaker 1>of girlfriends do will you sit there? And they talk

0:39:59.160 --> 0:39:59.920
<v Speaker 1>about sex stuff.

0:40:00.160 --> 0:40:04.279
<v Speaker 4>No, I I feel like my wife tends to know

0:40:05.760 --> 0:40:08.560
<v Speaker 4>the regularity of everybody else's sex life because women talk

0:40:08.600 --> 0:40:13.560
<v Speaker 4>about that, they talk about and they're having sex or worse,

0:40:13.640 --> 0:40:15.840
<v Speaker 4>it's like it's too much, it's too little whatever. That

0:40:16.040 --> 0:40:17.960
<v Speaker 4>is a top of a conversation which I never have

0:40:18.080 --> 0:40:21.960
<v Speaker 4>with my guy friends, Like no one's ever talking about like, yeah, no,

0:40:22.320 --> 0:40:25.279
<v Speaker 4>it's it's I do have friends.

0:40:25.000 --> 0:40:30.239
<v Speaker 2>That that will that will say things about like I'm

0:40:30.480 --> 0:40:33.040
<v Speaker 2>in you know, we're we have a couple's therapists and

0:40:33.120 --> 0:40:35.120
<v Speaker 2>it's been really good for us and we we do

0:40:35.360 --> 0:40:37.640
<v Speaker 2>now schedule sex, which has been better for us, Like

0:40:38.000 --> 0:40:41.480
<v Speaker 2>that kind of conversation. I don't have any friends that

0:40:41.680 --> 0:40:42.320
<v Speaker 2>guys don't.

0:40:42.120 --> 0:40:44.480
<v Speaker 4>Even have that let's start. I mean that's like, that's

0:40:44.640 --> 0:40:47.560
<v Speaker 4>distinction number one. I don't think really we talk about

0:40:47.640 --> 0:40:47.880
<v Speaker 4>you know.

0:40:48.280 --> 0:40:51.080
<v Speaker 2>As boldly as we're going to say, well, women talk

0:40:51.120 --> 0:40:55.000
<v Speaker 2>about that, I could also very boldly say, well, men's relation,

0:40:55.440 --> 0:40:59.680
<v Speaker 2>men's male friendships? Do you talk about anything of substance?

0:41:00.160 --> 0:41:04.400
<v Speaker 2>And yet and yes on this call, I know the

0:41:04.520 --> 0:41:08.399
<v Speaker 2>answer to be yes. But there are quite lots of yes,

0:41:08.880 --> 0:41:12.560
<v Speaker 2>quite a few male friendships that actually don't they talk

0:41:12.600 --> 0:41:16.560
<v Speaker 2>about sports, what happened on the news, and and there's

0:41:16.640 --> 0:41:19.239
<v Speaker 2>really that is how they feel like there, I had

0:41:19.280 --> 0:41:22.239
<v Speaker 2>my friend time. But they're not actually talking about emotional

0:41:22.920 --> 0:41:26.600
<v Speaker 2>feelings or personal or personal experiences or relationships. That's so

0:41:26.760 --> 0:41:29.000
<v Speaker 2>absolutely you know, I think I think we're.

0:41:28.840 --> 0:41:31.080
<v Speaker 1>Talking about other of their male friends behind one male

0:41:31.120 --> 0:41:31.640
<v Speaker 1>friend's back.

0:41:31.880 --> 0:41:31.960
<v Speaker 5>Right.

0:41:32.280 --> 0:41:33.160
<v Speaker 1>They don't do that either.

0:41:33.360 --> 0:41:36.239
<v Speaker 2>They don't do that there, don't you know.

0:41:36.320 --> 0:41:39.000
<v Speaker 4>But it's interesting because when I think about when I

0:41:39.120 --> 0:41:42.479
<v Speaker 4>was younger, will like, think about being a teenager, you did.

0:41:42.520 --> 0:41:46.439
<v Speaker 6>Talk about everything all the time, and you talked about

0:41:46.480 --> 0:41:49.000
<v Speaker 6>that hopefully when you're nineteen, right right, but but that

0:41:49.280 --> 0:41:52.160
<v Speaker 6>what you do have like that guy friendship where I

0:41:52.200 --> 0:41:54.000
<v Speaker 6>mean like we would talk about sex, like we would

0:41:54.040 --> 0:41:54.799
<v Speaker 6>talk about like.

0:41:54.880 --> 0:41:59.680
<v Speaker 1>Then and you're like, okay, you know, I don't write,

0:42:00.000 --> 0:42:04.880
<v Speaker 1>I want to hear exactly to know that.

0:42:05.040 --> 0:42:07.040
<v Speaker 2>So much about why you share that stuff though, is

0:42:07.080 --> 0:42:09.160
<v Speaker 2>like where else are you supposed to learn it?

0:42:09.840 --> 0:42:10.000
<v Speaker 1>You know?

0:42:10.280 --> 0:42:13.800
<v Speaker 2>Like when I remember knowing that my friends had started

0:42:13.880 --> 0:42:17.839
<v Speaker 2>having whether it was kissing or then beyond kissing with guys,

0:42:17.920 --> 0:42:21.680
<v Speaker 2>and it was like, great, thank you tell me everything?

0:42:22.560 --> 0:42:25.600
<v Speaker 1>And so you did what with what? And how like

0:42:25.760 --> 0:42:27.440
<v Speaker 1>you the internet?

0:42:27.560 --> 0:42:30.840
<v Speaker 2>So I know exactly telling you.

0:42:30.880 --> 0:42:33.080
<v Speaker 1>How to do it. Oh god, I just have Susan

0:42:33.120 --> 0:42:35.360
<v Speaker 1>sign a NDA every morning, so it's just the easiest

0:42:35.400 --> 0:42:37.200
<v Speaker 1>week day everyone new one. I just have a slack

0:42:37.280 --> 0:42:39.600
<v Speaker 1>a stack of them by the bed and like, here's today's.

0:42:42.680 --> 0:42:45.839
<v Speaker 2>Okay, Angela can't wipe the smile off her face. That's

0:42:45.880 --> 0:42:48.839
<v Speaker 2>because I haven't been. And so Rachel reveals that's why,

0:42:48.880 --> 0:42:50.560
<v Speaker 2>I'm not going to get in the way of you

0:42:50.760 --> 0:42:55.480
<v Speaker 2>and Sean. I'm gonna move out. Here we are again

0:42:55.840 --> 0:42:59.320
<v Speaker 2>in that same storyline that also didn't make sense the

0:42:59.440 --> 0:43:02.759
<v Speaker 2>first time. Why does she have to move through three bedrooms?

0:43:02.880 --> 0:43:04.799
<v Speaker 4>Three bedrooms and she's going to get out of the way,

0:43:04.920 --> 0:43:08.320
<v Speaker 4>so it just becomes Sean and Angela's apartment.

0:43:08.400 --> 0:43:09.520
<v Speaker 1>Now, is that really what happens?

0:43:09.600 --> 0:43:10.719
<v Speaker 2>That's yeah, that's what that's what.

0:43:10.920 --> 0:43:13.080
<v Speaker 1>That's what happens. You're going to double my rent.

0:43:13.520 --> 0:43:16.240
<v Speaker 4>So now I don't get Like I was watching this episode,

0:43:16.320 --> 0:43:18.080
<v Speaker 4>and especially by the end, I was like, but wait,

0:43:18.280 --> 0:43:20.120
<v Speaker 4>Sean and Angela are going to break up in like

0:43:20.600 --> 0:43:21.400
<v Speaker 4>ten episodes.

0:43:21.920 --> 0:43:24.640
<v Speaker 1>Yeah, we don't. It's so weird.

0:43:24.960 --> 0:43:26.719
<v Speaker 2>But don't worry. By the end of this episode, you're

0:43:26.719 --> 0:43:27.520
<v Speaker 2>no longer living there.

0:43:28.120 --> 0:43:31.120
<v Speaker 1>Yeah, it doesn't matter anyway, because everybody has the pinnacle

0:43:31.160 --> 0:43:34.680
<v Speaker 1>of marriage, which is just leaning against your partner on

0:43:34.840 --> 0:43:38.719
<v Speaker 1>some kind of couch and reading a paper. That's Alan

0:43:38.800 --> 0:43:41.640
<v Speaker 1>and Amy do it. This is It's like if this

0:43:41.800 --> 0:43:44.160
<v Speaker 1>is it, this is ultimate marriage. You're reading over my

0:43:44.280 --> 0:43:46.120
<v Speaker 1>shoulder and I'm a little sweaty on this side.

0:43:46.480 --> 0:43:50.440
<v Speaker 2>Sit over there, Yeah, space, get in, go to your house.

0:43:53.680 --> 0:43:55.359
<v Speaker 1>Someday you are going to have separates.

0:43:56.160 --> 0:43:58.319
<v Speaker 2>I would do it immediately. I would have I would

0:43:58.320 --> 0:44:00.480
<v Speaker 2>have done it the day we got married. Cheucer, are

0:44:00.480 --> 0:44:02.359
<v Speaker 2>you going to live in? I love separate houses. Get

0:44:02.400 --> 0:44:05.160
<v Speaker 2>out of mind. I want just MySpace. Just you don't

0:44:05.160 --> 0:44:20.640
<v Speaker 2>need to share that much. Angela is shocked. She insists Rachel,

0:44:20.719 --> 0:44:22.480
<v Speaker 2>she's not in the way. Rachel shrugs.

0:44:22.600 --> 0:44:23.120
<v Speaker 1>I know I'm not.

0:44:23.280 --> 0:44:25.160
<v Speaker 2>But I got this offer to be a resident advisor

0:44:25.200 --> 0:44:27.680
<v Speaker 2>at Britney Hall and I thought it'd be fun. Angela

0:44:27.760 --> 0:44:29.680
<v Speaker 2>promises she doesn't need to move out. It's not like

0:44:29.760 --> 0:44:32.319
<v Speaker 2>she and Sean are a family. Set upset, upset up

0:44:33.200 --> 0:44:36.160
<v Speaker 2>on cue, Sean is tugged through the door by a

0:44:36.440 --> 0:44:39.080
<v Speaker 2>massive Saint Bernard. I didn't remember this dog being on

0:44:39.160 --> 0:44:39.640
<v Speaker 2>set at all.

0:44:40.840 --> 0:44:41.279
<v Speaker 1>This dog.

0:44:42.200 --> 0:44:45.960
<v Speaker 4>This began my love for big dogs, because I remember

0:44:46.320 --> 0:44:48.920
<v Speaker 4>like hanging out with this dog all week or whatever

0:44:49.120 --> 0:44:51.799
<v Speaker 4>the couple days, and I remember.

0:44:51.760 --> 0:44:54.360
<v Speaker 1>Lying on him or her. This was a hymn. I

0:44:54.360 --> 0:44:54.920
<v Speaker 1>think it was a hymn.

0:44:54.960 --> 0:44:57.520
<v Speaker 4>Yeah, I remember lying like, it's just I fell in

0:44:57.600 --> 0:44:59.279
<v Speaker 4>love with it having a big dog, so I ended up.

0:44:59.600 --> 0:45:01.759
<v Speaker 4>You know, my the only dog I've ever had as

0:45:01.760 --> 0:45:04.279
<v Speaker 4>an adult was a Bernie Mountain dog, and it was

0:45:04.360 --> 0:45:06.919
<v Speaker 4>in part because I loved having a big dog because

0:45:06.920 --> 0:45:07.080
<v Speaker 4>of that.

0:45:07.160 --> 0:45:09.560
<v Speaker 1>I remember that because I couldn't get up in between

0:45:09.640 --> 0:45:11.640
<v Speaker 1>takes when the dog was lying on me, so the

0:45:11.680 --> 0:45:13.160
<v Speaker 1>whole time in front of the audience, I just laid

0:45:13.200 --> 0:45:15.600
<v Speaker 1>there in between every take with the dog. And that

0:45:15.719 --> 0:45:17.560
<v Speaker 1>dog cute has been dead for years.

0:45:17.800 --> 0:45:20.680
<v Speaker 2>Yeah, let's thank you for sharing that with us. That's

0:45:20.680 --> 0:45:25.200
<v Speaker 2>a good thing. Look, Angela, I got us a baby.

0:45:25.560 --> 0:45:28.200
<v Speaker 2>Angela rushes over and pets the cute dog, and Sean notes,

0:45:28.280 --> 0:45:30.920
<v Speaker 2>now it's like we got our own family. Rachel watches

0:45:30.960 --> 0:45:32.960
<v Speaker 2>on and just announces I'm going to be an ra.

0:45:36.040 --> 0:45:37.600
<v Speaker 2>Sean responds, good.

0:45:37.440 --> 0:45:41.920
<v Speaker 1>For you, and it's the weirdest good for you reaction,

0:45:42.120 --> 0:45:44.840
<v Speaker 1>Like you can't tell us he joking, is he not?

0:45:45.040 --> 0:45:46.640
<v Speaker 1>It is the strangest reading.

0:45:46.719 --> 0:45:49.120
<v Speaker 2>It was just like what this was just this is

0:45:50.320 --> 0:45:52.600
<v Speaker 2>like the writers just got to what we're there, like

0:45:52.640 --> 0:45:53.600
<v Speaker 2>what do we do with this character?

0:45:54.520 --> 0:45:55.040
<v Speaker 1>But what do we do?

0:45:55.239 --> 0:45:58.000
<v Speaker 4>This whole scene is like a weird like sub Boy

0:45:58.080 --> 0:45:59.200
<v Speaker 4>meets World because it's like.

0:45:59.400 --> 0:46:04.719
<v Speaker 1>These three just don't like it doesn't that's a weird beat.

0:46:04.800 --> 0:46:07.160
<v Speaker 1>That was I'm gonna be an ra good.

0:46:07.040 --> 0:46:07.600
<v Speaker 4>For you for you?

0:46:08.120 --> 0:46:08.319
<v Speaker 1>Yeah.

0:46:13.520 --> 0:46:16.800
<v Speaker 2>Then the dog bar and rushes out the door, pulling

0:46:16.880 --> 0:46:19.760
<v Speaker 2>Sean along with him. Angela and Rachel follow closely behind

0:46:19.920 --> 0:46:22.400
<v Speaker 2>to the park. Then we see Eric, dressed in his

0:46:22.520 --> 0:46:25.400
<v Speaker 2>work uniform, wiping down a table. A pretty girl walks by,

0:46:25.480 --> 0:46:27.920
<v Speaker 2>and his mind instantly turns to mush as he follows her.

0:46:27.960 --> 0:46:31.040
<v Speaker 2>Pretty girl, Pretty girl. She turns around and simply asks

0:46:31.120 --> 0:46:32.879
<v Speaker 2>him it stands and jump up on the couch.

0:46:34.040 --> 0:46:36.040
<v Speaker 1>Jump up on the couch, make a fight. He pulls

0:46:36.200 --> 0:46:43.160
<v Speaker 1>the top hat off cases. Yeah, it's oh god. Do

0:46:43.239 --> 0:46:46.560
<v Speaker 1>you think everything went down hail with these three characters?

0:46:46.600 --> 0:46:49.000
<v Speaker 1>When Jack and Rachel and Eric no longer live together,

0:46:49.239 --> 0:46:51.040
<v Speaker 1>I guess like if they just kept them in the

0:46:51.080 --> 0:46:53.879
<v Speaker 1>same apartment the whole time for the Beast stories, then

0:46:53.960 --> 0:46:56.239
<v Speaker 1>maybe Maitland would have something to do and Jack and

0:46:56.360 --> 0:46:58.360
<v Speaker 1>Eric would have something. The second they split him up,

0:46:58.400 --> 0:47:00.520
<v Speaker 1>it was like, then what was the point? Yeah, because

0:47:00.520 --> 0:47:02.399
<v Speaker 1>it was supposed to be Corey shown that whole click

0:47:02.600 --> 0:47:05.120
<v Speaker 1>and then and now you're breaking us up? So what

0:47:05.200 --> 0:47:06.000
<v Speaker 1>the hell is the point of doing?

0:47:06.000 --> 0:47:07.759
<v Speaker 4>And there's so much more they could have done because

0:47:07.760 --> 0:47:09.560
<v Speaker 4>they spent so much time just on the love triangle

0:47:09.600 --> 0:47:10.160
<v Speaker 4>between the three of you.

0:47:10.239 --> 0:47:13.200
<v Speaker 1>But what if they introduced another guy, another girl.

0:47:16.480 --> 0:47:18.920
<v Speaker 4>But there's things you could have done at that apartment,

0:47:19.080 --> 0:47:22.719
<v Speaker 4>like the regular like apartment living, roommate situations.

0:47:22.920 --> 0:47:24.800
<v Speaker 1>You can easily have given Maitland something to do to

0:47:24.920 --> 0:47:26.799
<v Speaker 1>where it's like she's with Jack, she really likes Jack,

0:47:26.840 --> 0:47:28.840
<v Speaker 1>and then all of a sudden she's starting to have

0:47:29.000 --> 0:47:32.080
<v Speaker 1>feelings for Eric and Eric doesn't feel the same way now.

0:47:32.200 --> 0:47:34.080
<v Speaker 1>And I mean, there's so many ways to play with that,

0:47:34.200 --> 0:47:34.880
<v Speaker 1>and they just went.

0:47:35.200 --> 0:47:39.840
<v Speaker 2>Nah, Yeah, Well, I definitely I don't think watching the

0:47:39.920 --> 0:47:42.520
<v Speaker 2>season of Boy Meets World that what we're missing is

0:47:42.640 --> 0:47:46.680
<v Speaker 2>more characters. I am not getting the vibe. Then bringing

0:47:46.800 --> 0:47:50.759
<v Speaker 2>in another guy I tried though into season seven would

0:47:50.840 --> 0:47:51.960
<v Speaker 2>have helped.

0:47:52.360 --> 0:47:54.120
<v Speaker 1>It worked in this episode with Nicole Eggert.

0:47:54.960 --> 0:47:58.440
<v Speaker 4>Yeah, it's interesting that we just dropped school completely, like

0:47:58.520 --> 0:48:01.000
<v Speaker 4>there's nothing about college.

0:48:01.040 --> 0:48:07.919
<v Speaker 1>Is education learned eighth grade history? Last episode? It's true bag, Yeah,

0:48:07.960 --> 0:48:13.120
<v Speaker 1>and that's what Alaska became the fiftieth state. I mean

0:48:13.280 --> 0:48:15.800
<v Speaker 1>there's a lot to do in college, right, Like just

0:48:16.280 --> 0:48:18.359
<v Speaker 1>this is just our hangout spot. Yeah.

0:48:18.960 --> 0:48:21.680
<v Speaker 2>She asks who's in charge here? Eric creepily responds, you

0:48:21.840 --> 0:48:23.320
<v Speaker 2>are now do things to me?

0:48:23.960 --> 0:48:25.879
<v Speaker 1>Iw esus ill.

0:48:27.080 --> 0:48:30.880
<v Speaker 2>Thankfully, Jack intervenes, but he's just as awkward. Introducing himself

0:48:30.920 --> 0:48:33.880
<v Speaker 2>as the student union manager. He boasts that everything she

0:48:34.000 --> 0:48:37.040
<v Speaker 2>sees is managed by him. The store manager. Eric doesn't

0:48:37.040 --> 0:48:39.920
<v Speaker 2>appreciate Jack's interruptions, so he jumps back in bedwetter. You

0:48:39.960 --> 0:48:42.239
<v Speaker 2>can tell her Jack, She's gonna find out anyway. Eric

0:48:42.360 --> 0:48:44.440
<v Speaker 2>finally asks the new girl's name, and she matter of

0:48:44.520 --> 0:48:48.080
<v Speaker 2>factly states, I'm your new boss. Eric's still resourced.

0:48:48.680 --> 0:48:51.080
<v Speaker 1>Yeah, he just give her a Southern ax.

0:48:51.200 --> 0:48:56.480
<v Speaker 2>It's the same storyline, same same story. Eric repeats name, name, name, name,

0:48:56.600 --> 0:49:00.640
<v Speaker 2>name name. She composes herself and says name is Bridget.

0:49:00.960 --> 0:49:03.719
<v Speaker 2>Over to be funny girl, pretty girl, pretty girl.

0:49:08.800 --> 0:49:11.000
<v Speaker 1>It's all it's crazy, It's like, what's happening.

0:49:13.480 --> 0:49:16.640
<v Speaker 2>Name is Bridget Murphy. Eric grabs her hand and kisses it.

0:49:16.840 --> 0:49:23.760
<v Speaker 2>Murphy like the bed. Jack interjects to understandably say vomit.

0:49:24.760 --> 0:49:27.200
<v Speaker 2>Eric trudges on, If I may be so bold, how

0:49:27.280 --> 0:49:30.520
<v Speaker 2>did somebody I can't even imitate you? How did somebody

0:49:32.400 --> 0:49:35.279
<v Speaker 2>as you get to be manager of the student union.

0:49:36.200 --> 0:49:40.120
<v Speaker 1>I want to see what this page looked like written?

0:49:40.239 --> 0:49:41.960
<v Speaker 4>What was written in that spot yet?

0:49:42.080 --> 0:49:44.200
<v Speaker 1>And also I wondered if it was in the script

0:49:44.239 --> 0:49:45.280
<v Speaker 1>that you take her hand.

0:49:45.160 --> 0:49:47.240
<v Speaker 4>Like you do right, because it's such a funny.

0:49:47.320 --> 0:49:50.520
<v Speaker 1>It's so funny, And I'm like, did we'll just do that?

0:49:50.920 --> 0:49:53.000
<v Speaker 1>Or is it in the script and grabs her hand?

0:49:53.080 --> 0:49:54.480
<v Speaker 1>I don't know. I wanted to see this.

0:49:54.880 --> 0:49:58.880
<v Speaker 2>Yeah, she smiles. I know a guy, Jack asks who,

0:49:58.960 --> 0:50:01.440
<v Speaker 2>and she brags, so may call him the chancellor of

0:50:01.520 --> 0:50:05.040
<v Speaker 2>this university. I, however, like to call him daddy.

0:50:06.719 --> 0:50:06.959
<v Speaker 1>Dude.

0:50:07.120 --> 0:50:09.680
<v Speaker 2>Why did anyone on the writing staff think that the

0:50:09.920 --> 0:50:14.240
<v Speaker 2>chancellor of this university was gonna have give the audience

0:50:14.640 --> 0:50:15.759
<v Speaker 2>some sort of like.

0:50:18.120 --> 0:50:27.520
<v Speaker 1>Not Chancellor Murphy, not Chancellor Murphy. Yeah, none of it.

0:50:28.920 --> 0:50:31.440
<v Speaker 4>No, I mean really it should be you know, my

0:50:31.640 --> 0:50:35.279
<v Speaker 4>uncle Feene you know already done obviously, but like any

0:50:35.320 --> 0:50:37.880
<v Speaker 4>sort of yeah, because right now there's creating.

0:50:37.520 --> 0:50:40.840
<v Speaker 2>A cameras my dad William, my dad.

0:50:43.960 --> 0:50:47.440
<v Speaker 1>His other family. None of it makes none of it

0:50:47.520 --> 0:50:49.640
<v Speaker 1>made any sense. You also wonder if she was supposed

0:50:49.640 --> 0:50:52.200
<v Speaker 1>to do three episodes and only did this one, was

0:50:52.280 --> 0:50:55.600
<v Speaker 1>he going to come back? And also like how how

0:50:55.760 --> 0:50:59.600
<v Speaker 1>was it planned? Because if what a drag is next,

0:51:00.440 --> 0:51:03.520
<v Speaker 1>which is clearly Jack and Eric spending their time as

0:51:03.640 --> 0:51:05.840
<v Speaker 1>that's the a story is we're dressed like women to

0:51:05.920 --> 0:51:11.880
<v Speaker 1>avoid a bully. She wasn't in that anyway, so he

0:51:11.960 --> 0:51:13.759
<v Speaker 1>probably was originally. I mean, yeah, they must have had

0:51:13.840 --> 0:51:16.520
<v Speaker 1>sound plan to have this love triangle going on, but

0:51:16.680 --> 0:51:19.040
<v Speaker 1>literally ends with me dropping on a frame to suck

0:51:19.080 --> 0:51:22.719
<v Speaker 1>her toe. That's the last stop, saying it please, the

0:51:22.840 --> 0:51:26.000
<v Speaker 1>last we see her to me, Danielle, me sucking on

0:51:26.120 --> 0:51:30.919
<v Speaker 1>toes or spiders. You've got one room or another room.

0:51:32.480 --> 0:51:35.080
<v Speaker 1>The last room is just is just spiders, and the

0:51:35.160 --> 0:51:38.840
<v Speaker 1>right room is just me sucking feet. And you've gotta

0:51:38.920 --> 0:51:42.839
<v Speaker 1>pick one. Which room do you take? Take one?

0:51:43.120 --> 0:51:45.879
<v Speaker 2>I take the toe room, absolutely, But boy, oh boy,

0:51:46.000 --> 0:51:47.000
<v Speaker 2>I don't want to think about it.

0:51:47.440 --> 0:51:52.000
<v Speaker 4>She'd be vomiting the whole time. Oh god, oh god,

0:51:54.120 --> 0:51:59.600
<v Speaker 4>should we look up Nicole Eggert on wicked feet feet?

0:52:03.040 --> 0:52:05.640
<v Speaker 2>Eric leans in and seductively quips, I like to call

0:52:05.719 --> 0:52:08.520
<v Speaker 2>him daddy too. Jack grabs his friend by the ear

0:52:08.560 --> 0:52:12.040
<v Speaker 2>with a warning. Her father is Chancellor Murphy.

0:52:21.120 --> 0:52:29.120
<v Speaker 1>Chance off, I'm Chancellor Murphy. Got the way with its.

0:52:37.560 --> 0:52:41.480
<v Speaker 2>Bridget laughs, that's right, boys, Nepotism rears its ugly head.

0:52:41.840 --> 0:52:46.680
<v Speaker 2>Eric Hoffson complains, nepotism. It's nepotism. Jack see's right through him.

0:52:46.760 --> 0:52:49.240
<v Speaker 2>You don't even know what that means. Eric instantly shouts,

0:52:49.239 --> 0:52:53.520
<v Speaker 2>why should I. Bridget's happy to explain, I own you.

0:52:53.800 --> 0:52:55.360
<v Speaker 2>I can do anything I want with you, and I

0:52:55.440 --> 0:52:58.280
<v Speaker 2>probably will because I'm a spoilt little brat who always

0:52:58.400 --> 0:53:00.799
<v Speaker 2>gets her way. Just thanks tell for you are.

0:53:03.760 --> 0:53:08.279
<v Speaker 4>Like literally well, think about the first line she's Eric says,

0:53:08.400 --> 0:53:10.200
<v Speaker 4>is if you're in charge, I'll do whatever you want.

0:53:10.640 --> 0:53:12.880
<v Speaker 4>It's like and it seems like a joke, but that

0:53:13.040 --> 0:53:16.839
<v Speaker 4>is story. That is the extended the story. It's there's

0:53:17.000 --> 0:53:21.680
<v Speaker 4>no nuance, there's no human character nothing, there's no regular behavior.

0:53:21.760 --> 0:53:22.839
<v Speaker 1>It's just literally low.

0:53:24.239 --> 0:53:27.759
<v Speaker 2>Also, her arrival and presence doesn't change either one of

0:53:27.840 --> 0:53:31.800
<v Speaker 2>them in the slightest like there isn't some nothing just

0:53:32.160 --> 0:53:32.600
<v Speaker 2>it's on.

0:53:32.880 --> 0:53:36.399
<v Speaker 1>It's the it's it's the most pointless storylining character we've

0:53:36.440 --> 0:53:39.640
<v Speaker 1>ever had on the show, like ever, the bear had

0:53:39.719 --> 0:53:43.680
<v Speaker 1>more to do. It's so weird.

0:53:45.520 --> 0:53:48.120
<v Speaker 2>Eric seems excited by this, but Jack keeps him grounded.

0:53:48.320 --> 0:53:49.719
<v Speaker 2>They sit down next to her on the couch and

0:53:49.800 --> 0:53:53.359
<v Speaker 2>simultaneously cross their legs. Eric announces, so far, I don't

0:53:53.400 --> 0:53:56.359
<v Speaker 2>hear anything I don't like. She nods, good, go clean

0:53:56.400 --> 0:53:59.320
<v Speaker 2>the toilets. He giggles and runs off. Thank you. What

0:53:59.400 --> 0:53:59.799
<v Speaker 2>are you laughing?

0:54:00.040 --> 0:54:00.160
<v Speaker 5>Out?

0:54:00.160 --> 0:54:07.360
<v Speaker 4>Writer like, yeah, no, sorry, go on.

0:54:07.960 --> 0:54:08.880
<v Speaker 1>I missed the monkey.

0:54:09.040 --> 0:54:10.320
<v Speaker 3>I missed the monkey story.

0:54:13.000 --> 0:54:20.400
<v Speaker 1>Sounds like a fully fledged, wonderful character developed peace compared

0:54:20.440 --> 0:54:22.560
<v Speaker 1>to this. This that's like an Academy award.

0:54:22.719 --> 0:54:26.879
<v Speaker 2>I mean, yes, give the Emmy posthumously the Emmy. Give

0:54:26.960 --> 0:54:28.799
<v Speaker 2>the Monkey episode of the.

0:54:28.960 --> 0:54:31.520
<v Speaker 1>Organ Grinder and the Monkey is like, man, that was

0:54:31.640 --> 0:54:35.040
<v Speaker 1>just high quality. Is there is there a part of

0:54:35.200 --> 0:54:39.520
<v Speaker 1>you that's slightly impressed that they did worse than the

0:54:39.600 --> 0:54:43.080
<v Speaker 1>best story last week? I know not, there's a part

0:54:43.080 --> 0:54:46.040
<v Speaker 1>of me that was almost like this is this is impressive?

0:54:46.200 --> 0:54:49.040
<v Speaker 1>This is impressive. I didn't think it was possible, but

0:54:49.200 --> 0:54:50.560
<v Speaker 1>this is impressive.

0:54:50.920 --> 0:54:54.920
<v Speaker 6>Just when I think they can't top themselves, there's another

0:54:55.000 --> 0:54:58.360
<v Speaker 6>bottom to this bay.

0:54:58.800 --> 0:55:00.800
<v Speaker 1>I forgot there's a floor under east the bottom of

0:55:00.840 --> 0:55:04.200
<v Speaker 1>the barrel. So bad.

0:55:06.080 --> 0:55:08.960
<v Speaker 2>Bridget turns her focus to Jack. I understand it must

0:55:09.040 --> 0:55:11.800
<v Speaker 2>be somewhat embarrassing for you, having once held this position.

0:55:12.719 --> 0:55:15.680
<v Speaker 2>And now we get a little bit. I don't get

0:55:15.920 --> 0:55:17.480
<v Speaker 2>she's becoming the manager.

0:55:18.360 --> 0:55:21.000
<v Speaker 1>Okay, because the chancellor of the school can place his

0:55:21.160 --> 0:55:24.600
<v Speaker 1>daughter in the manager of the study store, which is.

0:55:24.600 --> 0:55:28.480
<v Speaker 2>A very high pay, and we all know Chanler Murphy's power.

0:55:30.680 --> 0:55:34.920
<v Speaker 2>Come on, yeah, I love this little bit of just

0:55:35.160 --> 0:55:39.000
<v Speaker 2>shaming her for her body too. Jack explains, no, I'm okay.

0:55:39.120 --> 0:55:41.000
<v Speaker 2>What would be embarrassing, though, is if I let some

0:55:41.200 --> 0:55:46.319
<v Speaker 2>obviously spoiled She said it so yes, yep, and surgically

0:55:46.560 --> 0:55:50.560
<v Speaker 2>augmented little daddy skirl ruffle my feathers.

0:55:52.080 --> 0:55:53.960
<v Speaker 1>I think it just meant he knew that she was

0:55:54.040 --> 0:55:57.080
<v Speaker 1>born with a vestigial tail, right, she had it, she

0:55:57.200 --> 0:56:00.040
<v Speaker 1>had it removed. That's what he was talking about. I

0:56:00.120 --> 0:56:03.040
<v Speaker 1>gotta go for the subtext, Daniel. This is high important,

0:56:03.200 --> 0:56:03.800
<v Speaker 1>deep stuff.

0:56:03.960 --> 0:56:07.000
<v Speaker 2>That's just something that happens to every rich kid. Because

0:56:07.200 --> 0:56:09.560
<v Speaker 2>how did he know that? Because does one.

0:56:11.520 --> 0:56:12.239
<v Speaker 1>Comes with money?

0:56:13.040 --> 0:56:15.400
<v Speaker 2>She's intrigued. Are you gonna kiss me?

0:56:15.560 --> 0:56:15.759
<v Speaker 1>Now?

0:56:16.600 --> 0:56:18.960
<v Speaker 2>Jack is unfazed. I'm gonna kiss you.

0:56:19.200 --> 0:56:24.960
<v Speaker 1>Never by the way, their kids would be studding gorgeous,

0:56:25.320 --> 0:56:26.120
<v Speaker 1>I mean studding.

0:56:26.800 --> 0:56:28.560
<v Speaker 2>Do you think I don't understand good looks and a

0:56:28.640 --> 0:56:30.800
<v Speaker 2>rich daddy. Yeah, you and I are cut from the

0:56:30.880 --> 0:56:33.880
<v Speaker 2>same velvet cloth, Miss Bridget. He assures her. I know

0:56:33.960 --> 0:56:36.000
<v Speaker 2>how to protect myself from you, and I know how

0:56:36.040 --> 0:56:38.960
<v Speaker 2>to protect my friends too. On cue, Eric marches back

0:56:39.000 --> 0:56:42.120
<v Speaker 2>out to declare toilets are clean. Boss, oh and hey look.

0:56:42.480 --> 0:56:44.839
<v Speaker 2>He places a plunger on his head and brings back

0:56:44.880 --> 0:56:48.680
<v Speaker 2>a version of the cartman voice. I'm at teletubby. Bridget

0:56:48.800 --> 0:56:52.120
<v Speaker 2>is seemingly pleased with her brainless employee, and Jack is embarrassed.

0:56:52.680 --> 0:56:55.680
<v Speaker 2>He's not my friend. Eric is still balancing the plunger

0:56:55.760 --> 0:56:58.520
<v Speaker 2>on his head. Not the purple one though a little

0:56:58.560 --> 0:56:59.280
<v Speaker 2>bit of gay panic.

0:56:59.719 --> 0:57:02.440
<v Speaker 1>Yeah, and also ad libbed gay panic. That was on me.

0:57:03.120 --> 0:57:04.640
<v Speaker 2>You give yourself credit for that one.

0:57:04.719 --> 0:57:06.640
<v Speaker 1>Yeah, I ad lib that line like the second or

0:57:06.640 --> 0:57:08.680
<v Speaker 1>third take, which is why you heard people laugh, because

0:57:08.680 --> 0:57:13.040
<v Speaker 1>it was just in the zeitgeist about it was Jerry

0:57:13.160 --> 0:57:15.520
<v Speaker 1>Folwell or somebody at the time coming out saying like

0:57:16.000 --> 0:57:20.960
<v Speaker 1>the purple teletubby is clearly gay, This anamorphous blob of

0:57:21.040 --> 0:57:23.920
<v Speaker 1>a thing, like, well, you know what it was because

0:57:23.920 --> 0:57:26.400
<v Speaker 1>they hadn't know it had to try. They all had

0:57:26.440 --> 0:57:28.400
<v Speaker 1>weird things. They had shifts on their head and it

0:57:28.480 --> 0:57:30.560
<v Speaker 1>was an upside down triangle on the purple one. And

0:57:30.600 --> 0:57:32.120
<v Speaker 1>he was like, well, that obviously means gay. And it

0:57:32.200 --> 0:57:34.960
<v Speaker 1>was like, oh and so that, yeah, that became a

0:57:35.000 --> 0:57:36.680
<v Speaker 1>whole thing. So yeah, that was me. I would love

0:57:36.720 --> 0:57:38.480
<v Speaker 1>to blame the writers for that one, but I completely

0:57:38.560 --> 0:57:40.920
<v Speaker 1>and totally threw out a gay panic joke and.

0:57:41.160 --> 0:57:42.040
<v Speaker 2>Take credit for that.

0:57:42.160 --> 0:57:43.720
<v Speaker 4>I do, I do well.

0:57:43.840 --> 0:57:46.520
<v Speaker 2>Now in an empty, brand new house, Corey has walked

0:57:46.560 --> 0:57:48.520
<v Speaker 2>to Panga into the living room, covering her eyes. He

0:57:48.640 --> 0:57:52.120
<v Speaker 2>finally reveals to her their location, a spacious, newly painted

0:57:52.160 --> 0:57:56.120
<v Speaker 2>home for sale. Behold our future. Two bedrooms, two bathrooms,

0:57:56.160 --> 0:57:59.520
<v Speaker 2>a kitchen, and some kind of nook to Panga is baffled,

0:58:00.000 --> 0:58:01.720
<v Speaker 2>Why would you take us here? Why would you take

0:58:01.800 --> 0:58:03.480
<v Speaker 2>us to this house we could never afford?

0:58:03.880 --> 0:58:06.960
<v Speaker 4>Okay, I got a response from Shiloh, Oh great, unhappy

0:58:07.080 --> 0:58:08.200
<v Speaker 4>mcnam amazing.

0:58:08.560 --> 0:58:10.280
<v Speaker 1>What did that come from? Feels like it was a

0:58:10.360 --> 0:58:11.400
<v Speaker 1>Nate Brewer invention.

0:58:12.000 --> 0:58:17.280
<v Speaker 2>Oh you said, yep, all right, funny. Now you got

0:58:17.360 --> 0:58:18.440
<v Speaker 2>to reach out to Nate and ask.

0:58:18.360 --> 0:58:20.360
<v Speaker 1>Him if that was his he's just gonna write back

0:58:20.400 --> 0:58:24.720
<v Speaker 1>new phone. Who dis I'll send him the same thing.

0:58:25.400 --> 0:58:27.120
<v Speaker 1>Unhappy mcnam.

0:58:28.240 --> 0:58:28.640
<v Speaker 3>I love it.

0:58:29.080 --> 0:58:32.520
<v Speaker 1>See what he says. Have you, by the way, have

0:58:32.640 --> 0:58:35.160
<v Speaker 1>you seen the thing? I think I sent it to

0:58:35.160 --> 0:58:36.960
<v Speaker 1>you both. It was either on Instagram or one of

0:58:36.960 --> 0:58:39.480
<v Speaker 1>the other things about the Are you going to get

0:58:39.480 --> 0:58:39.720
<v Speaker 1>into that.

0:58:40.120 --> 0:58:42.280
<v Speaker 2>We do have the clip. Yeah, we have the clip.

0:58:42.280 --> 0:58:44.120
<v Speaker 2>We're going to play it for everyone. Okay, good, you'll

0:58:44.160 --> 0:58:47.440
<v Speaker 2>see you'll see it, writer, you'll see writer. I love

0:58:47.560 --> 0:58:50.040
<v Speaker 2>that there's always some dynamic where two of us know

0:58:50.160 --> 0:58:54.040
<v Speaker 2>what's going on and the other one has and we're

0:58:54.040 --> 0:58:56.880
<v Speaker 2>always like you just told you, you'll find out.

0:58:57.000 --> 0:59:01.600
<v Speaker 1>We get it breaks down like in those situations.

0:59:01.640 --> 0:59:03.120
<v Speaker 4>How much of our audience is on the side of

0:59:03.200 --> 0:59:04.800
<v Speaker 4>the knowers and how much of the audience is on

0:59:04.920 --> 0:59:05.520
<v Speaker 4>the unknown?

0:59:06.240 --> 0:59:07.479
<v Speaker 1>Like, how much of an audience do you think.

0:59:07.400 --> 0:59:11.800
<v Speaker 2>Knows about Clovicular You want an actual guess, I would

0:59:11.840 --> 0:59:15.600
<v Speaker 2>say of our audience where I think the smallest percentage

0:59:15.640 --> 0:59:21.880
<v Speaker 2>of our listeners are twenty five and younger. Yeah, I

0:59:22.000 --> 0:59:26.800
<v Speaker 2>would say two percent of our listeners know about Clivikiler.

0:59:27.000 --> 0:59:30.000
<v Speaker 4>Okay, Really, I think it's in the zeitgeist.

0:59:30.040 --> 0:59:32.080
<v Speaker 1>I feel like it's something I ever heard of. This

0:59:32.240 --> 0:59:34.600
<v Speaker 1>is honestly sounds like something you need to take medicine for.

0:59:37.320 --> 0:59:38.080
<v Speaker 2>We could do a poll.

0:59:38.840 --> 0:59:44.440
<v Speaker 1>We just have do have articular Are we making this

0:59:44.560 --> 0:59:46.800
<v Speaker 1>guy it's a guy, it's a guy guy? Can we

0:59:46.880 --> 0:59:48.560
<v Speaker 1>making this guy more famous by doing this?

0:59:48.880 --> 0:59:50.160
<v Speaker 2>No, No, we're not going to put a picture of

0:59:50.240 --> 0:59:52.160
<v Speaker 2>him or any of that. We're just going to do

0:59:52.240 --> 0:59:52.560
<v Speaker 2>a poll.

0:59:52.720 --> 0:59:55.880
<v Speaker 1>Have you had you heard just sent back about ten hearts?

0:59:56.440 --> 0:59:58.320
<v Speaker 2>Oh? He loves it?

0:59:59.000 --> 0:59:59.120
<v Speaker 1>Was that?

0:59:59.520 --> 1:00:00.320
<v Speaker 2>Was that a him invention?

1:00:00.720 --> 1:00:01.120
<v Speaker 5>I think so?

1:00:02.080 --> 1:00:03.880
<v Speaker 1>I mean we used to say it all the time,

1:00:03.960 --> 1:00:04.600
<v Speaker 1>but yeah, I don't know.

1:00:04.760 --> 1:00:07.840
<v Speaker 2>God's cute. He still asks if we could afford it?

1:00:07.960 --> 1:00:08.560
<v Speaker 1>Do you like it?

1:00:08.800 --> 1:00:10.960
<v Speaker 2>She crosses her arms. We can't afford it.

1:00:11.800 --> 1:00:14.160
<v Speaker 1>We're all He's had a textback. We're all just Bozo's

1:00:14.240 --> 1:00:16.760
<v Speaker 1>on the bus, which is something I don't remember.

1:00:17.640 --> 1:00:18.720
<v Speaker 4>He's he's going deeper.

1:00:19.040 --> 1:00:20.320
<v Speaker 1>Oh no, gosh, she.

1:00:20.440 --> 1:00:24.360
<v Speaker 2>Got Maybe he needs to say it to you. Maybe

1:00:24.400 --> 1:00:26.120
<v Speaker 2>if you heard it in a voice, you would know

1:00:26.200 --> 1:00:26.600
<v Speaker 2>what it is.

1:00:27.120 --> 1:00:30.000
<v Speaker 1>Yeah, maybe the ten hearts mean means you having heart problems.

1:00:34.320 --> 1:00:36.640
<v Speaker 2>He begs her, don't do that, you're becoming a negative

1:00:36.680 --> 1:00:39.920
<v Speaker 2>little missy. Tapega explains, it is just cruel to take

1:00:39.960 --> 1:00:42.680
<v Speaker 2>a person who's this close to losing it, this close

1:00:43.200 --> 1:00:45.919
<v Speaker 2>and taunt her with this cute, little, adorable house which

1:00:45.960 --> 1:00:51.520
<v Speaker 2>she'll never ever live in. And I realized here in

1:00:51.600 --> 1:00:55.520
<v Speaker 2>the scene that Tapega is wearing an exact outfit Danielle

1:00:55.560 --> 1:00:59.640
<v Speaker 2>would wear today, just really cute sweater jeans with a

1:00:59.640 --> 1:01:01.360
<v Speaker 2>little bit of a flare at the bottom, and a

1:01:01.400 --> 1:01:03.160
<v Speaker 2>cute pair of shoes, so tennis shoes.

1:01:03.440 --> 1:01:07.400
<v Speaker 1>I also have to say, except maybe season one, season

1:01:07.520 --> 1:01:09.760
<v Speaker 1>seven to Panga is arguably my favorite Tapanga.

1:01:10.520 --> 1:01:13.560
<v Speaker 2>Oh agreed. There are some moments that are just there

1:01:13.600 --> 1:01:16.040
<v Speaker 2>are some moments that are weird aside from her for

1:01:16.200 --> 1:01:19.680
<v Speaker 2>you know, making excuses for Corey's weird behavior. I don't understand,

1:01:19.720 --> 1:01:22.480
<v Speaker 2>like in the coming up where I go liyap Liyeah,

1:01:22.960 --> 1:01:26.480
<v Speaker 2>those are just like Michael, I am like Michael read yes,

1:01:26.760 --> 1:01:28.680
<v Speaker 2>Like I don't get that. But I do, in general

1:01:29.000 --> 1:01:30.240
<v Speaker 2>love this version of her.

1:01:30.360 --> 1:01:35.800
<v Speaker 1>Yes, she has character agency and you're having yes, yeah,

1:01:35.800 --> 1:01:38.800
<v Speaker 1>it's and hitting your like you're finding jokes where there

1:01:38.880 --> 1:01:41.400
<v Speaker 1>aren't any and we're just playing more and yeah, this

1:01:41.640 --> 1:01:42.840
<v Speaker 1>this this works for Tapanga.

1:01:42.960 --> 1:01:46.360
<v Speaker 2>I agree. Thank you, Corey Gritts. So you like this house?

1:01:46.520 --> 1:01:48.720
<v Speaker 2>She screams at the top of her lungs, I love

1:01:48.800 --> 1:01:51.080
<v Speaker 2>this house. Why would you do this to me? And

1:01:51.200 --> 1:01:54.200
<v Speaker 2>then a brightly dressed lady appears atop the stairs and

1:01:54.280 --> 1:01:58.320
<v Speaker 2>cheerfully chirps hello, you must be my happy happy.

1:02:00.000 --> 1:02:03.560
<v Speaker 1>But he told the audience to go crazy crazy. Don't

1:02:03.560 --> 1:02:08.720
<v Speaker 1>you remember her kids from laughing? This is such a

1:02:08.800 --> 1:02:10.680
<v Speaker 1>weird tradition on our show.

1:02:10.800 --> 1:02:14.280
<v Speaker 4>I guess sitcoms in general they're like cookie side character

1:02:14.480 --> 1:02:17.600
<v Speaker 4>for one scene with a big voice. Because we did

1:02:17.720 --> 1:02:20.320
<v Speaker 4>like the wedding planner, yep, we had. I just feel

1:02:20.360 --> 1:02:22.320
<v Speaker 4>like this is such a trope initcoms.

1:02:22.520 --> 1:02:24.960
<v Speaker 2>It is a sitcom trope for sure, and by the way,

1:02:25.960 --> 1:02:29.240
<v Speaker 2>potential for great drive buys, and in this case, I

1:02:29.280 --> 1:02:31.440
<v Speaker 2>think it is a great drive by. For example the

1:02:31.480 --> 1:02:34.840
<v Speaker 2>hair cutting episode, Oh wow, you know that's a talk

1:02:34.880 --> 1:02:37.640
<v Speaker 2>about a perfect drive buy. So it is a trope

1:02:37.680 --> 1:02:40.040
<v Speaker 2>for a reason, because when it works, it works well,

1:02:40.120 --> 1:02:40.680
<v Speaker 2>it works well.

1:02:41.160 --> 1:02:43.200
<v Speaker 1>Isn't there an Emmy for that? Isn't I think there's

1:02:43.240 --> 1:02:44.520
<v Speaker 1>a guest star Emmy. Isn't there?

1:02:44.840 --> 1:02:45.880
<v Speaker 2>Yes? I think there is.

1:02:46.480 --> 1:02:48.520
<v Speaker 1>It always goes to like the most famous person, right

1:02:48.560 --> 1:02:51.600
<v Speaker 1>of course, like Lane guest stars like on Star trek right.

1:02:52.200 --> 1:02:54.240
<v Speaker 2>Tpanga asks if she's the real estate agent, and the

1:02:54.320 --> 1:02:58.720
<v Speaker 2>lady chuckles, oh, yes, i am. We love that. But

1:02:58.880 --> 1:03:01.960
<v Speaker 2>she greats blinds down the stairban and start to close

1:03:02.040 --> 1:03:06.480
<v Speaker 2>the door and introduce herself, Edith Stevens, at your service,

1:03:06.720 --> 1:03:10.360
<v Speaker 2>Oh how much do you love this breathtaking starter cottage

1:03:10.400 --> 1:03:12.640
<v Speaker 2>with an ook? Do we think it's weird that Corey

1:03:12.840 --> 1:03:15.840
<v Speaker 2>didn't bother to let his mother know the possible real

1:03:15.960 --> 1:03:17.320
<v Speaker 2>estate agent herself?

1:03:17.640 --> 1:03:21.040
<v Speaker 1>Exactly? Well, mom says the house, skip the household and

1:03:21.120 --> 1:03:21.880
<v Speaker 1>then fill it with art.

1:03:22.120 --> 1:03:26.080
<v Speaker 2>Yeah, ex that's right, it's the joy. Topanga threatens the agent.

1:03:26.120 --> 1:03:28.920
<v Speaker 2>I'm reporting you to the Better Business Bureau. Immediately, the

1:03:29.000 --> 1:03:32.640
<v Speaker 2>woman is confused. Whatever for Topeka points to Corey, this

1:03:32.800 --> 1:03:35.000
<v Speaker 2>man's a dope. You knew that after a few minutes

1:03:35.000 --> 1:03:36.520
<v Speaker 2>of talking with him, and then you led him to

1:03:36.520 --> 1:03:38.840
<v Speaker 2>believe we could afford this house when the truth is

1:03:39.120 --> 1:03:43.680
<v Speaker 2>he can barely afford a sandwich. Edith laughs, My dear missus, Matthews,

1:03:43.760 --> 1:03:46.320
<v Speaker 2>it is my joy to place young couples and cozy

1:03:46.400 --> 1:03:49.720
<v Speaker 2>surroundings such as these. She grabs Corey into Panka's hands

1:03:49.760 --> 1:03:53.280
<v Speaker 2>tight like most other couples. You think, I can't afford it.

1:03:54.040 --> 1:03:56.240
<v Speaker 2>She then raises their hands high in the air and screeches,

1:03:56.320 --> 1:04:01.960
<v Speaker 2>but you can. I just I've thoroughly enjoyed this.

1:04:02.320 --> 1:04:03.520
<v Speaker 1>She's she's great.

1:04:04.280 --> 1:04:07.880
<v Speaker 2>Tapanga is dumbfounded. How could they possibly afford an eighty

1:04:08.240 --> 1:04:13.720
<v Speaker 2>thousand dollars house? Wow, the lady grins, very simple, over

1:04:13.840 --> 1:04:16.960
<v Speaker 2>thirty years, I've already explained it to your husband. And

1:04:17.080 --> 1:04:21.560
<v Speaker 2>she scratches Corey's chin, which is a decision. Tapega commands

1:04:21.600 --> 1:04:23.800
<v Speaker 2>the lady, I told you not to talk to him.

1:04:24.120 --> 1:04:27.560
<v Speaker 2>Corey argues, she can talk to me, and the agent degrees, yeah,

1:04:27.760 --> 1:04:30.080
<v Speaker 2>I can talk to him. She turns to Corey and

1:04:30.160 --> 1:04:33.760
<v Speaker 2>sings out the instructions. Remember, just a trifle of a

1:04:33.840 --> 1:04:36.360
<v Speaker 2>down payment and a pittance of a mortgage and two

1:04:36.560 --> 1:04:39.800
<v Speaker 2>living parents with a pen who can sign. This is

1:04:39.960 --> 1:04:44.200
<v Speaker 2>the scene writer that has become social media fodder.

1:04:44.800 --> 1:04:44.960
<v Speaker 1>Yeah.

1:04:45.040 --> 1:04:49.160
<v Speaker 2>Thirty years later, here is Instagram user Freddie Smith. He

1:04:49.320 --> 1:04:54.520
<v Speaker 2>is at FMS MIH three one nine updating everything Corey

1:04:54.600 --> 1:04:57.000
<v Speaker 2>and Tapanga hope for. But now, in twenty twenty five,

1:04:57.400 --> 1:05:00.720
<v Speaker 2>let's play the clip eight thousand dollars house. It's very simple.

1:05:00.880 --> 1:05:04.240
<v Speaker 2>Over thirty years, just to trifle down payment and a

1:05:04.320 --> 1:05:07.320
<v Speaker 2>pittance of a mortgage and two living parents with a

1:05:07.400 --> 1:05:08.240
<v Speaker 2>pan foo can sell.

1:05:08.360 --> 1:05:10.080
<v Speaker 7>So that clip was from Boy Meets World, and that

1:05:10.240 --> 1:05:13.080
<v Speaker 7>episode aired in nineteen ninety nine, and I couldn't help myself,

1:05:13.120 --> 1:05:14.760
<v Speaker 7>so I had to run the numbers. The show took

1:05:14.800 --> 1:05:17.080
<v Speaker 7>place in Philly, and I saw that the median house

1:05:17.160 --> 1:05:19.840
<v Speaker 7>price was around eighty thousand dollars in nineteen ninety nine. Now,

1:05:19.880 --> 1:05:22.160
<v Speaker 7>core Intopanga were high school students without a job, so

1:05:22.280 --> 1:05:25.160
<v Speaker 7>they couldn't qualify. But what about the median household income?

1:05:25.200 --> 1:05:28.520
<v Speaker 7>Back then, it's forty thousand dollars, which is about thirty

1:05:28.560 --> 1:05:31.040
<v Speaker 7>three hundred dollars a month, and a three percent down

1:05:31.080 --> 1:05:33.840
<v Speaker 7>payment on the median house was only twenty four hundred dollars,

1:05:34.000 --> 1:05:36.480
<v Speaker 7>So somebody in Philly in nineteen ninety nine didn't even

1:05:36.520 --> 1:05:39.320
<v Speaker 7>have to save one month's income to put a down

1:05:39.360 --> 1:05:41.520
<v Speaker 7>payment on this house. And the interest rates were around

1:05:41.560 --> 1:05:44.400
<v Speaker 7>seven percent, just like they are today. So with principal interest,

1:05:44.440 --> 1:05:47.880
<v Speaker 7>property tax insurance, and private mortgage insurance, the total payment

1:05:48.280 --> 1:05:50.720
<v Speaker 7>was seven hundred and fifty dollars a month to get

1:05:50.720 --> 1:05:53.280
<v Speaker 7>the median house in Philly, and you're making thirty three hundred,

1:05:53.320 --> 1:05:56.320
<v Speaker 7>so that's about what twenty five percent, So a family

1:05:56.440 --> 1:05:59.480
<v Speaker 7>making forty grand could take care of their entire mortgage

1:05:59.520 --> 1:06:01.920
<v Speaker 7>and just one week. And then I wanted to see, well,

1:06:02.040 --> 1:06:04.120
<v Speaker 7>let's just see what happened to the prices in Philadelphics.

1:06:04.200 --> 1:06:05.920
<v Speaker 7>We know the averages around the country, but let's look

1:06:05.920 --> 1:06:08.200
<v Speaker 7>at Philly. Eighty thousand was the median price in nineteen

1:06:08.240 --> 1:06:10.680
<v Speaker 7>ninety nine. It's now two hundred and fifty thousand, so

1:06:10.800 --> 1:06:12.800
<v Speaker 7>below the average for the nation. But the income was

1:06:12.880 --> 1:06:15.640
<v Speaker 7>forty thousand for the median household. Now it's sixty thousand.

1:06:15.720 --> 1:06:18.400
<v Speaker 7>So the housing price even in Philly went up over

1:06:18.560 --> 1:06:21.200
<v Speaker 7>two hundred percent in the last twenty five years, but

1:06:21.360 --> 1:06:24.360
<v Speaker 7>the income only went up fifty three percent. So even

1:06:24.400 --> 1:06:27.000
<v Speaker 7>in smaller cities, metro cities, no matter where we look,

1:06:27.080 --> 1:06:29.160
<v Speaker 7>I don't think I have found a city in America

1:06:29.520 --> 1:06:32.120
<v Speaker 7>where the housing and income was even close to keeping up.

1:06:32.600 --> 1:06:34.320
<v Speaker 2>That's isn't that crazy?

1:06:34.560 --> 1:06:37.160
<v Speaker 1>Crazy? Yeah? When you busts down the numbers that you're

1:06:37.200 --> 1:06:41.040
<v Speaker 1>looking at it like you can't do that anymore? Wow? Yeah.

1:06:41.680 --> 1:06:43.560
<v Speaker 1>So the thing, it's weird because the kind of the

1:06:43.720 --> 1:06:47.360
<v Speaker 1>story that Alan and Amy are talking about and want

1:06:47.480 --> 1:06:49.280
<v Speaker 1>Corey in too. Panget To experience so.

1:06:49.760 --> 1:06:51.000
<v Speaker 4>Much harder is impossible.

1:06:51.080 --> 1:06:54.120
<v Speaker 1>It's almost unattainable. I mean literally almost done it. Well,

1:06:54.120 --> 1:06:55.840
<v Speaker 1>we've got nothing. We've got to scrape together something to

1:06:55.880 --> 1:06:58.840
<v Speaker 1>get a down payment. You can't really do that anymore. Wow.

1:06:59.400 --> 1:07:02.240
<v Speaker 2>Nope, we could not shut up this episode. I don't

1:07:02.280 --> 1:07:04.200
<v Speaker 2>know what got into us, but I hope you like it.

1:07:04.560 --> 1:07:07.160
<v Speaker 2>You can listen to part two of this episode later today.

1:07:09.160 --> 1:07:11.920
<v Speaker 2>Pod Meets World is an iHeart podcast produced and hosted

1:07:11.960 --> 1:07:15.920
<v Speaker 2>by Danielle Fischel, Wilfridell and Ryder Strong Executive producers, Jensen

1:07:16.000 --> 1:07:19.520
<v Speaker 2>Karp and Amy Sugarman. Executive in charge of production, Danielle Romo,

1:07:19.800 --> 1:07:24.040
<v Speaker 2>producer and editor, Tara sudbachsch producer, Maddy Moore, engineer and

1:07:24.160 --> 1:07:27.400
<v Speaker 2>Boy Meets World super fan Easton Allen. Our theme song

1:07:27.480 --> 1:07:30.320
<v Speaker 2>is by Kyle Morton of Typhoon. Follow us on Instagram

1:07:30.440 --> 1:07:33.040
<v Speaker 2>at Pod Meets World Show, or email us at Podmeets

1:07:33.080 --> 1:07:34.480
<v Speaker 2>Worldshow at gmail dot com