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Speaker 1: What is Looks Maxing. It's very trendy. What is that?

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Speaker 1: Is that true? Is that a thing?

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Speaker 2: Oh gosh? I mean but by the way, I have

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Speaker 2: a Looks Maxer like Adler is just I see his future, Like, I.

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Speaker 1: Don't know if that's a good thing or is that

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Speaker 1: a thing? Is it's a writer? You know what this is?

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Speaker 1: You've heard of this?

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Speaker 2: Yes, because he has a tween. It's going to be

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Speaker 2: everywhere in just you know, I'm mewing right now. Yeah,

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Speaker 2: you're mewing. Look at you, mewing stigma.

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Speaker 1: I don't like any of this exactly. I don't like

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Speaker 1: any of this.

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Speaker 3: Hey, Will, can you stop mogging?

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Speaker 1: Writer?

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Speaker 2: Yeah, you're totally.

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Speaker 1: I'm you.

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Speaker 2: You're lapping Will your will with your mogging.

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Speaker 1: Language. Right? Is this like the six seventh thing where actually,

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Speaker 1: when you get down to what it really doesn't no

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Speaker 1: one knows what it means.

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Speaker 2: Hold on, I just I want to work on my cheekbones.

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Speaker 1: Oh god? Is that the thing?

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Speaker 2: The face take cameras or hard objects to their face

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Speaker 2: to create micro fractures so that certain parts like it's

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Speaker 2: all about manliness. Looks Maxers are boils who have decided

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Speaker 2: that in order to avoid being an inceelluh, they are

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Speaker 2: going to maximalize their beauty and so metrosexual. Well that yeah,

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Speaker 2: that I guess We've had multiple different.

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Speaker 1: Time you rebranded metrosexual. You rebrand metrosexual was always yeah, okay,

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Speaker 1: and then in the seventies it was just being in

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Speaker 1: touch with your femininity.

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Speaker 2: No, no, no, metrosexual. To be fair, it was a

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Speaker 2: little bit like just actually caring about your hygiene, a

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Speaker 2: little bit like oh I trim my beard, hairs, I

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Speaker 2: do my hair, I brush my teeth.

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Speaker 1: But wasn't it also like guys starting to wear like

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Speaker 1: base makeup and like you could wear a little bit

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Speaker 1: of makeup and stuff like that, that was metrosexual.

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Speaker 4: I thought, No, No, it was just for for straight

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Speaker 4: men to actually care about what they look like. That's

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Speaker 4: all the And that's why the word went away is

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Speaker 4: because once men started it was like this is there's

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Speaker 4: no longer hetero hoomo distinction.

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Speaker 1: There's just looking good.

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Speaker 2: They're just taking care of the word.

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Speaker 1: The metrosexual just went away. So the word So the

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Speaker 1: way to make yourself manly is by breaking your cheekbones

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Speaker 1: with something.

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Speaker 2: They've decided that like all high testosterone things like broad shoulders,

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Speaker 2: high cheekbones, chisel jaw, you know, low body fat, like

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Speaker 2: just that kind of stuff is ultimately the most important

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Speaker 2: part of being high on the evolution food chain, and

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Speaker 2: so to be an alpha. And so these guys, there's

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Speaker 2: all the lingo of this young young generation mogging is

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Speaker 2: to upstage someone with your beauty. So say we took

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Speaker 2: a group picture, like Will or Rider could be mogging

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Speaker 2: the other one based on who looks more manly, like

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Speaker 2: who's got broader shoulders, who's got sharper cheekbones. And these

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Speaker 2: people who looks maxers take it extremely far. Plastic surgery, hitting.

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Speaker 4: Their testosterone, they're hitting their.

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Speaker 2: Face, having hair transplants if they don't like their hairline.

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Speaker 1: The idea of what masculinity is is so ridiculous when

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Speaker 1: it comes to stuff like this. So essentially we've just

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Speaker 1: gone back to Jersey Shore.

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Speaker 2: A little bit, A little bit like Jersey Shore, Yeah,

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Speaker 2: a little bit with that GT taking.

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Speaker 1: What you got to take, Jim Tan laundry. It's just

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Speaker 1: about how you look, and you know, it's the facial

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Speaker 1: features and cutting down the body fat. We've gone back

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Speaker 1: to just Jersey Shore. Okay, next generation, good luck for.

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Speaker 3: Your kids, well, the situation. The situation in this case

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Speaker 3: is a guy named Clavicular. He's like the main guy

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Speaker 3: who also made.

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Speaker 1: It sounds like something you need to take a pill form.

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Speaker 2: It's taken from his claviical. He owns to have sharp classicals.

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Speaker 1: This is a thing. What it worked. We're done, We're done,

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Speaker 1: We're done moving.

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Speaker 2: My biggest issue with it is that I read it

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Speaker 2: and I was like, oh God, Adler doesn't know what

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Speaker 2: a look snacksters. But Oddler is like kind of.

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Speaker 4: What he really cares about what he looks like, and.

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Speaker 2: Like, yeah, he cares about what he looks like. And

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Speaker 2: he's like, I just want abs. I want to, Mom,

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Speaker 2: I want to I want to get Oh, I gotta

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Speaker 2: get abs. And like he six and a half, and

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Speaker 2: he anytime he comes, like he goes anywhere, even remotely

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Speaker 2: home adjacent, his shirts immediately ripped off. And he's and

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Speaker 2: I'm like, why where, why don't you have a shirt on?

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Speaker 2: And he's like I just I just like it.

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Speaker 1: He's just like, man, is he gonna get a try?

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Speaker 1: Is he gonna get a tribal henna?

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Speaker 2: He plays he would, he would for sure he would

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Speaker 2: if he saw a guy with a big bicep and

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Speaker 2: a tribal hen attack. If he saw, he'd be like,

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Speaker 2: I want that. The other day I said to he

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Speaker 2: was like, so, what do I have tomorrow? And it

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Speaker 2: was Wednesday, and I know it was Tuesday. He was asking,

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Speaker 2: and so he was asking about Wednesday, and I said,

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Speaker 2: you have tutoring. He has a reading tutor and and

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Speaker 2: he's like, oh, man, I don't care about reading. I

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Speaker 2: don't care about math. All I want to be is

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Speaker 2: strong and athletic, just full set camp.

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Speaker 1: Is that surprise?

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Speaker 4: You guys watched wrestling with him since he was like two.

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Speaker 1: Sure, you could also take the theatricality about about wrestling.

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Speaker 1: You could take the kind of my parents. My mom's

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Speaker 1: an actor, and look at the theatricality behind the wrestling.

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Speaker 1: So like I want is that.

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Speaker 4: You're fighting one another in an athletic competitions.

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Speaker 1: Fighting.

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Speaker 4: You're not getting together to like wrap battle or you know.

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Speaker 4: What you're doing against each other is beating the crap

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Speaker 4: out of each other. So it's not surprising that he's

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Speaker 4: gonna care about physical stuff. You gonna think that that's

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Speaker 4: the highest value.

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Speaker 3: He had the same situation, was set up in the

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Speaker 3: same way and he's just straight up Jester maxing.

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Speaker 1: Yeah, God, all these words, that's that's that's more.

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Speaker 4: Yeah, he does all of this as a completely a joke,

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Speaker 4: like ironically, like he is constantly, but he knows all

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Speaker 4: the terms.

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Speaker 1: They're all talking about it.

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Speaker 4: Yeah, like they're.

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Speaker 1: All so you know what in the nineties, would have

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Speaker 1: just been a douche twat to bring back a word

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Speaker 1: now we're making is now a maxine It would.

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Speaker 3: Be it kind of would have been. I mean, truthfully,

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Speaker 3: it probably would have been a jock.

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Speaker 1: Yeah. Yeah, but that's the thing. I would argue that

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Speaker 1: most jocks that I knew cared more about winning and

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Speaker 1: competition and their sport than they cared about how they

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Speaker 1: looked doing it. Yeah, the difference in it.

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Speaker 4: Jug gonna name names, but let's just say team beat crowd.

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Speaker 4: Like we knew men who were in the team beat scene.

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Speaker 1: That that's what they care liked being in the team

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Speaker 1: beat seam, right, So what.

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Speaker 4: They cared about was their clothing and their presentation, and

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Speaker 4: that was the goal was to like be the hottest thing,

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Speaker 4: and like that was exactly what like I couldn't stand

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Speaker 4: to be around.

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Speaker 1: That's why we would call them douchebags, That's what I'm saying.

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Speaker 1: But he has always existed. Well, it's always there, it's

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Speaker 1: just but it's like now it's but it seems like

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Speaker 1: now it's become the thing.

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Speaker 4: Becausecial media has just amped up everybody's obsession with looks

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Speaker 4: and superficial you know, presentation in general. So you know,

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Speaker 4: people are like kids are, I mean, it's distorting their

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Speaker 4: brain to be on a screen and like constantly only

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Speaker 4: be engaging with other people in like this context. Right,

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Speaker 4: Like if I cared only about my relationship with you

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Speaker 4: guys through the screen, man, I would look a lot

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Speaker 4: better than I do right now, Like I would put

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Speaker 4: an effort into it, right, And so if.

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Speaker 1: I guess you're right too. That's all the social media

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Speaker 1: and everything that that everybody's doing is it's a visual medium.

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Speaker 1: So all you're doing is looking, and sometimes you're looking

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Speaker 1: very quickly. So if you're just looking at a tile

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Speaker 1: this big, you want abs and whatever because somebody's gonna

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Speaker 1: sit by, so you want it to look as good.

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Speaker 1: There's no substance to anything. But we never celebrated that before,

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Speaker 1: at least as a society.

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Speaker 2: I wouldn't say it's being celebrated right now.

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Speaker 1: Okay, so it's kind of being it's like it's a little.

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Speaker 2: Being mocked, and it is still still very very niche subculture.

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Speaker 2: It's it is not it is not a thing that's

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Speaker 2: you know, yeah, it's still a niche subculture right now,

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Speaker 2: but it is going to be talked about a lot.

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Speaker 2: All that's what this guy Clovicular. No, No, this guy

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Speaker 2: Clivicular also has a very polarizing presence. He he's very

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Speaker 2: obviously a person who's willing to do almost anything for

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Speaker 2: likes and clicks and views, including you know, just behaving

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Speaker 2: like a general awful human being. So this isn't someone that,

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Speaker 2: like as of right now, is someone most people are

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Speaker 2: looking up to. But I did want to read the

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Speaker 2: tweet because this is the thing that made me see it.

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Speaker 2: That was like, wait, I have to I have to

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Speaker 2: know more about this. This was and it makes sense

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Speaker 2: if you know the world Clovicular was mid jesture gooning

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Speaker 2: when a group of foyds came and spiked his cortisol levels.

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Speaker 2: Is ignoring the foids while munting and mogging mooids more

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Speaker 2: useful than s MV chad fishing in the club.

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Speaker 1: Wow, I got Club. Yeah, so it is. It's just

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Speaker 1: it's a full on language. It really full.

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Speaker 2: Subculture with its own language that soon, I do think,

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Speaker 2: for better or worse, whether it's because it ends up

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Speaker 2: being heralded or it becomes something people rebuke, it's going

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Speaker 2: it'll be in the lexicon for all of them. We

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Speaker 2: won't be It'll be the nose six seven.

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Speaker 1: Very quickly. There's the thing these things are happening.

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Speaker 4: Like, it's like culture has gotten more intense more quickly,

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Speaker 4: and then it sort of fades away.

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Speaker 1: Just I feel like.

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Speaker 4: It's gonna be like like already six seven feels like

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Speaker 4: last year's thing totally, and like, you know, that's what

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Speaker 4: I love is like the more the adults start using

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Speaker 4: all every time I write down everything that Indy says,

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Speaker 4: I keep a list literally on my fridge of all

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Speaker 4: these words and I use them all the time, and

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Speaker 4: it pisses them off, and then they stops using them.

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Speaker 4: You know what it becomes like if the second I

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Speaker 4: make it dorky because I'm absorbing it, it's over and

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Speaker 4: like because because and I think that's the way these

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Speaker 4: things go. Like there are certain ones like man Bro

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Speaker 4: has really taken over. Oh yeah, every we just say

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Speaker 4: Bro all the time. Which there was a period when

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Speaker 4: he was like six or seven. I was like six

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Speaker 4: seven when I was like yeah. He still points out

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Speaker 4: the license plates will be like six seven. He'll be

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Speaker 4: you know, six seven, like indy, that means nothing. It

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Speaker 4: means nothing. Why is that a thing?

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Speaker 2: Fler says you.

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Speaker 1: But anyway, Bro took over eighties? These are eighties, bros.

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Speaker 1: Does come back.

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Speaker 2: I have an eighties your teenagers.

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Speaker 4: Man, that's when you were aware of teenage culture because

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Speaker 4: you were a teenager.

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Speaker 1: But I played on TV. It's always the same.

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Speaker 4: It's like, that's just it's just teenage culture. They have

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Speaker 4: to invent their own language. They have to separate and

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Speaker 4: isolate themselves from their parents and like break.

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Speaker 1: The rules and come up with their own things. Okay,

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Speaker 1: So what was yours? What were both of yours? What

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Speaker 1: was your six seven or what was the thing that

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Speaker 1: you and your friend said all the time? What was

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Speaker 1: your vernacular?

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Speaker 5: Hella?

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Speaker 4: Hella was crusty, crusty, We called good weed killer couche.

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Speaker 1: Oh I had we had a whole language, dude. Yeah,

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Speaker 1: we used to.

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Speaker 4: We used to say, if I have no idea, But

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Speaker 4: this was a very localized thing. But we used to

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Speaker 4: have like if if somebody was like an adult, was

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Speaker 4: acting really weird, we'd go unhappy mac noam, and like

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Speaker 4: that was our way to say to one another, like.

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Speaker 1: Wait, unhappy.

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Speaker 2: Happy macnam yep.

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Speaker 1: That was and like man like, if I said that

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Speaker 1: to Shilah right now, he would.

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Speaker 2: Lose uppy a voice note. I'm dying to see what

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Speaker 2: he responds back. We had. I mean I was, you know,

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Speaker 2: eighty early nineties, dude.

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Speaker 3: Rad.

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Speaker 1: Coast, West coast cool beans. Oh yeah, cool beans. Somebody

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Speaker 1: just said that to me in in an email and

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Speaker 1: I was like, what cool cools. Let's bring that back. Yeah,

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Speaker 1: there a lot, And then you'd add a word like

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Speaker 1: easy there, tough, easy there, all down, yeah, easy there,

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Speaker 1: all star. You know we did that a lot.

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Speaker 2: Don't have a cow.

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Speaker 1: Oh yeah that was.

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Speaker 4: Don't think about how often we used to quote movies.

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Speaker 4: That's all they're doing with memes. Like we used to

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Speaker 4: sit around and be.

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Speaker 1: Like we would quote, uh what did we quote?

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Speaker 5: Will?

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Speaker 1: We quoted so many?

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Speaker 4: But like weird ones too, Like so I married an

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Speaker 4: axe murderer, Yeah.

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Speaker 1: Was a big one. Yeah, don't go in there.

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Speaker 2: Yeah, Austin Powers.

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Speaker 4: Yeah, doing much Mike Myers, because Mike Myers did Wayne's World,

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Speaker 4: which was super quotable. He was a master of like

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Speaker 4: coming up with those catchphrases that you know.

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Speaker 1: People would just get addicted to.

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Speaker 2: Are you send one?

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Speaker 4: Am I?

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Speaker 1: What am I saying?

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Speaker 2: Uh say, I'm doing the podcast.

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Speaker 1: I wouldn't give it any context? Send it full send?

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Speaker 1: All right? How do I do a voice there? I

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Speaker 1: don't do that ship.

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Speaker 2: Okay, there's a video, there's a microphone.

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Speaker 1: On hamarking them. All right, I'm just sending that.

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Speaker 3: The irony of talking about clipicular when writer can't send

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Speaker 3: a voicema.

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Speaker 2: I'll let me know how that respond how that goes.

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Speaker 2: It's very funny.

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Speaker 1: He's probably just gonna write L O L or. Yeah,

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Speaker 1: I'm trying to think.

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Speaker 4: We had so many other ones like Sebastapolad. It's very particular,

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Speaker 4: weird like George, Yeah, I'm trying. You know who I

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Speaker 4: should really ask his neigh Brewer. He was the king

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Speaker 4: of that neigh Brewer and Aaron Graile defined, right, you

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Speaker 4: tried tried to start and that one never cut off.

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Speaker 1: That was we tried. Yeah, we tried. Oh man, all right,

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Speaker 1: we'll see we'll.

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Speaker 2: See what he says. Welcome to Hodmeats World. I'm Daniel Fishal,

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Speaker 2: I'm right or strong, and.

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Speaker 1: I'm Will Vickilar just smortching on the Tim Tam.

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Speaker 4: Smortching in the Tim TAM's great. I love that Indian

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Speaker 4: I we have a running bit. We have a product

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Speaker 4: called shin Tins that we're always doing commercials for and

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Speaker 4: we just rip on it.

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Speaker 1: It'll be like shins, carry your teeth and make this better.

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Speaker 1: And you know, whatever c your teeth by the way.

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Speaker 2: Your teeth you mean cure, like the way you cure

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Speaker 2: something with a light.

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Speaker 1: You know, like I think it's actually cure, like a disease,

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Speaker 1: cure that squeak and your teeth shin tins. Shins.

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Speaker 2: Well, today we are recapping season seven, episode ten. Guys,

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Speaker 2: we're almost halfway through season seven. Possible picket Fences. It

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Speaker 2: originally aired November twenty first, nineteen ninety nine. The synopsis

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Speaker 2: Corey and Tabanga find themselves in a financial dilemma when

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Speaker 2: looking for an apartment, while Jack and Eric get a

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Speaker 2: new boss at the student union. It was directed just.

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Speaker 1: Because we all know how you feel about the beat story.

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Speaker 2: Dad is a well played silence goes a long way.

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Speaker 1: Just what that that clip? Forever the way you read boss?

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Speaker 1: It was.

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Speaker 2: Crickets, Oh my gosh. It was directed by Jerry Levine.

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Speaker 2: It was written by Erica Montalfo. Before I jump into

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Speaker 2: our guest stars, I've shared.

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Speaker 1: My overall thoughts, I think we're all agreed. Right again.

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Speaker 1: The A story was good, but it was the same

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Speaker 1: as last week. Rusty is also way worse this week

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Speaker 1: and he was last week. And the B story is

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Speaker 1: un It was.

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Speaker 4: Funny how we predicted some of these things during our

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Speaker 4: recount were friends, which was so nice we predicted and

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Speaker 4: because we just actually remember, you know, it was somewhere deep.

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Speaker 4: But yes, like a lot we we I mean to

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Speaker 4: be fair, like a lot of the things that we

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Speaker 4: said should happen did pretty much happen, and or or

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Speaker 4: were said, you know, the things were said that we were.

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Speaker 1: Like, why aren't they saying this? They did?

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Speaker 4: I don't know, Like the episode really bothered me for

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Speaker 4: the first half, and then something happened and I was like, Okay,

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Speaker 4: I guess this is just the way, and you know,

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Speaker 4: I do think this is the Corey to Panga season.

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Speaker 1: Like this and like you two has like a duo,

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Speaker 1: Like that's cool.

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Speaker 4: You know, it's always work, Like I don't think they

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Speaker 4: take advantage of it enough, but like I totally forgot

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Speaker 4: this dynamic me too. And then there's some really great

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Speaker 4: moments like you two on the couch. There's like one

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Speaker 4: there's that one scene in the in the in the

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Speaker 4: living in your apartment. It's it's long and it goes

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Speaker 4: all over the place, but there's a moment with the

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Speaker 4: two of you on the couch where I.

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Speaker 1: Was like, oh wow, this is like real love.

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Speaker 2: This is nice.

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Speaker 4: It reacted, it's simple, it's not for the sake of

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Speaker 4: a plot. And I was like, wow, I have never

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Speaker 4: seen this Coreyan topanga.

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Speaker 1: It was adult.

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Speaker 2: And it felt calm, It felt non chaotic. There's a

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Speaker 2: lot of koreyantopanga dynamic stuff that just feels like frenetic

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Speaker 2: and that I know exactly what you're talking about. It

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Speaker 2: felt very honest, like we were listening to each other, right.

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Speaker 1: Yeah, yeah, exactly, and and not.

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Speaker 4: And then the scene proceeds for you guys to do

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Speaker 4: like a bit like and that's fine, but that moment

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Speaker 4: on the couch was just like, ah, I'm watching two

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Speaker 4: people in love. Two characters in love be together and

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Speaker 4: talking about their life, and I was like, that's cool

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Speaker 4: that more of that would have been nice, you know,

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Speaker 4: throughout the whole season or the show, because it makes sense.

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Speaker 1: It makes you like Corey and Topanga way anyway.

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Speaker 4: You know, It's something that I think I've always taken

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Speaker 4: for granted throughout these recaps. Is I don't know, like

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Speaker 4: I just never I never thought of the Corey to

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Speaker 4: Panga thing as like the essence of boy Meets World,

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Speaker 4: and it was in a lot of ways. It's like

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Speaker 4: one of the main pillars. And I think part of

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Speaker 4: the reason it became like the pillar is because of

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Speaker 4: this season, which I forgot, Like this season just is

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Speaker 4: about you know, it's why Girl meets World. It was

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Speaker 4: what it was because this season sets up Girl meets World.

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Speaker 4: It's about Corey and to Panga living on their own

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Speaker 4: being trying to figure out being adults in this world.

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Speaker 1: Yeah.

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Speaker 4: It's really weird though that Like there's that moment when

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Speaker 4: the parents literally are like, congratulations, you are a grown.

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Speaker 1: Up, Like so this was all a test. But then

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Speaker 1: I'm like no, But if you go back to season one,

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Speaker 1: there were moments like this.

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Speaker 4: He always about the Yeah, it's just really heavy handed

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Speaker 4: and manipulative to think about, like parents going this far

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Speaker 4: extreme to be like, now you've grown up.

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Speaker 1: It's weird, but it's very you know, it's was there

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Speaker 1: was Bill not in this hmm.

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Speaker 2: He had finals, Yeah.

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Speaker 1: You're right, what we're you gonna say? I'm sorry? Interrupted

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Speaker 1: just popped into my head.

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Speaker 2: No, I was, I was just gonna say I did.

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Speaker 2: I feel the same way writer, especially that part where

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Speaker 2: he says, you know, he asks, well, would you have

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Speaker 2: come to help me fix the pipes? And he's like no.

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Speaker 1: It's like no, what why? Why a lesson that gonna

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Speaker 1: help me? That's a wild.

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Speaker 2: Also, having help doesn't take away from the fact that

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Speaker 2: you do something yourself, Like having help doesn't mean you

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Speaker 2: don't have the sense of accomplishment. But I did at

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Speaker 2: least under I did love the line, and I would

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Speaker 2: have Your mother and I fell in love because we

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Speaker 2: knew we were capable, and I never would have taken

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Speaker 2: that opportunity away from you. I at least loved that idea.

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Speaker 2: That sometimes because my parents talk about this too, even

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Speaker 2: though you know, married for thirty years and then divorced

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Speaker 2: and ruined my life just kidding. My life was not ruined.

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00:21:22,960 --> 00:21:24,680
Speaker 2: I just think my family was a fraud, But that

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Speaker 2: doesn't ruin my life.

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Speaker 1: It seems like this is a different, more intense presearch.

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00:21:29,240 --> 00:21:32,160
Speaker 2: Yeah, therapy.

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Speaker 1: No. No.

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Speaker 2: My parents when they got married to twenty one had

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Speaker 2: practically zero money. They truly My dad was a full

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Speaker 2: time college student. He was putting himself through college, and

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Speaker 2: he was working two part time jobs to pay for college.

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Speaker 2: So he would go to school full time during the day,

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Speaker 2: and then one of his jobs was cleaning a bakery

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Speaker 2: from midnight to four am.

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Speaker 1: Oh my god.

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Speaker 2: And then he had a setting up another business job

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Speaker 2: from like five am to nine am, and then he

416
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Speaker 2: would get to sleep on some days and then go

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Speaker 2: to school all day. And my mom was working at

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Speaker 2: a bank, and so they had they had I love

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Speaker 2: the story. They had twenty dollars each to spend total

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Speaker 2: on food for the week, if groceries or if they

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Speaker 2: were had to eat out or get something on the

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Speaker 2: go because of the schedule they couldn't come home to eat.

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Speaker 2: They had twenty dollars a week, and then whatever they

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Speaker 2: could save from that twenty dollars a week they put

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Speaker 2: in their individual pots to buy each other a Christmas gift.

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Speaker 1: Wow, that's how it shipped. My parents are the same.

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Speaker 1: My there's a famous story in our family where they

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Speaker 1: had such a small food budget that my dad surprised

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Speaker 1: my mom their first year and he bought a beef tenderloin,

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Speaker 1: and my mom cried because she's like, it's our whole budget.

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Speaker 2: Right, why'd you do this?

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Speaker 1: Like, we've got this is what we're eating now for

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Speaker 1: a month, We've got nothing else. Yeah, so you could

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Speaker 1: be a tenderline last week. Yeah, stretch it out.

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Speaker 2: But like when my mom remembers those times and remembers thinking,

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Speaker 2: in the moment, this sucks, this is hard, I hate this,

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Speaker 2: I can't live like this. This is really difficult. And

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Speaker 2: then you know, my dad graduated from college with a

439
00:23:35,680 --> 00:23:38,320
Speaker 2: business degree and worked his way up and before long

440
00:23:38,480 --> 00:23:41,520
Speaker 2: they were upper middle class and had two kids in

441
00:23:41,560 --> 00:23:43,920
Speaker 2: a beautiful house. And my mom looked back at those

442
00:23:44,040 --> 00:23:46,280
Speaker 2: years and said, those are some of the happiest times

443
00:23:46,280 --> 00:23:49,600
Speaker 2: of my life. Yes, they were incredibly hard in the moment,

444
00:23:49,760 --> 00:23:52,600
Speaker 2: but like I look back at that and we learned

445
00:23:52,880 --> 00:23:56,119
Speaker 2: so many of our incredible skills about budgeting and communication,

446
00:23:56,400 --> 00:24:00,000
Speaker 2: and like, so many good things came from that experience,

447
00:24:00,760 --> 00:24:04,080
Speaker 2: and I loved that that was his message that like

448
00:24:05,280 --> 00:24:08,240
Speaker 2: he and Amy had that and he knew that that's

449
00:24:08,280 --> 00:24:10,920
Speaker 2: what was on the other side of it, and he

450
00:24:11,000 --> 00:24:12,720
Speaker 2: didn't want to take that away from them by just

451
00:24:12,800 --> 00:24:13,960
Speaker 2: giving them the easy way out.

452
00:24:14,560 --> 00:24:17,719
Speaker 1: Now I agree with everything you said. I think they

453
00:24:17,840 --> 00:24:20,880
Speaker 1: killed it with the character where when he says, would

454
00:24:20,880 --> 00:24:22,520
Speaker 1: you have come to help me? Plumb, Rusty should have

455
00:24:22,520 --> 00:24:26,760
Speaker 1: said co Absolutely, I'll always give you my knowledge, Like

456
00:24:26,840 --> 00:24:28,840
Speaker 1: if I know how to fix something, of course I'm

457
00:24:28,840 --> 00:24:31,159
Speaker 1: going to help you do that. That's all You're always

458
00:24:31,240 --> 00:24:33,439
Speaker 1: my son. Yeah, and I'm always going to be teaching

459
00:24:33,480 --> 00:24:34,840
Speaker 1: you how to be a man. That's all you need.

460
00:24:35,000 --> 00:24:36,959
Speaker 1: But it said like no, I'm not going to come

461
00:24:36,960 --> 00:24:37,320
Speaker 1: and help you.

462
00:24:37,400 --> 00:24:40,119
Speaker 4: It was like I know what well this was, you know,

463
00:24:40,440 --> 00:24:42,680
Speaker 4: like I feel like we've talked a little bit about

464
00:24:42,680 --> 00:24:44,480
Speaker 4: this and then some people have pointed out to us that,

465
00:24:44,600 --> 00:24:46,560
Speaker 4: like the show is from Corey's point of view.

466
00:24:46,680 --> 00:24:48,240
Speaker 1: Yeah, like that whole reading of right.

467
00:24:48,520 --> 00:24:50,560
Speaker 4: And when I that that's what I feel like this

468
00:24:50,680 --> 00:24:53,240
Speaker 4: episode really spoke to me, is like it fell into.

469
00:24:53,119 --> 00:24:56,280
Speaker 1: This like, oh, this is about Corey growing up.

470
00:24:56,520 --> 00:24:58,720
Speaker 4: This is the show about you know, an eleven year

471
00:24:58,720 --> 00:25:01,840
Speaker 4: old boy who's in trouble at school and you know,

472
00:25:01,920 --> 00:25:04,840
Speaker 4: no one pays attention to him figuring life out, And like,

473
00:25:05,280 --> 00:25:06,800
Speaker 4: if I thought about it in those ways, it's like

474
00:25:06,920 --> 00:25:10,000
Speaker 4: a cartoonish because it's so over the top, you know

475
00:25:10,119 --> 00:25:12,040
Speaker 4: that a parent would actually do this to their son.

476
00:25:12,520 --> 00:25:15,359
Speaker 1: But then I was like, oh, but it's it fits.

477
00:25:15,560 --> 00:25:18,160
Speaker 1: It fits the show. It fits the narrative of Boy

478
00:25:18,240 --> 00:25:19,720
Speaker 1: Meets World, you go all the way back.

479
00:25:20,160 --> 00:25:21,879
Speaker 4: So I was like, cool, you know, and and I

480
00:25:22,000 --> 00:25:24,159
Speaker 4: think that like, like you guys are saying, it's a

481
00:25:24,240 --> 00:25:27,320
Speaker 4: nice lesson, you know, like, and it's it's especially nice

482
00:25:27,640 --> 00:25:31,800
Speaker 4: because it counterbalances all the we were meant to be together,

483
00:25:32,000 --> 00:25:33,920
Speaker 4: we're gonna you know, it's like the whole idea of

484
00:25:33,960 --> 00:25:36,480
Speaker 4: ever after, right like once we get married, everything's great.

485
00:25:36,560 --> 00:25:38,960
Speaker 1: And like the fact that our show tackled the idea

486
00:25:38,960 --> 00:25:41,280
Speaker 1: of like no, it's hard, like you know, it's the

487
00:25:41,359 --> 00:25:42,960
Speaker 1: fantasy versus the reality exactly.

488
00:25:43,040 --> 00:25:47,760
Speaker 4: And if Boymans World just ended with their wedding day

489
00:25:47,760 --> 00:25:49,399
Speaker 4: and that was the last episode, it would have been

490
00:25:49,480 --> 00:25:51,960
Speaker 4: like the Cinderella story would have been nothing, you know,

491
00:25:52,080 --> 00:25:54,720
Speaker 4: whereas like now it's something, it's like it's it's it's

492
00:25:54,960 --> 00:25:58,960
Speaker 4: it's at least attempting to wrestle with really great, big issues.

493
00:25:59,359 --> 00:26:01,280
Speaker 1: Well, you also said something really interesting, which is that

494
00:26:01,480 --> 00:26:05,880
Speaker 1: it's it's what it was obviously where Girl Meets World

495
00:26:05,920 --> 00:26:08,480
Speaker 1: came from. You could easily have had Boy Meets World

496
00:26:08,520 --> 00:26:10,480
Speaker 1: not existed. You easily could have gone in and pitched

497
00:26:10,560 --> 00:26:13,560
Speaker 1: this show Corey Intapanga together and pitched it as it's

498
00:26:13,640 --> 00:26:16,600
Speaker 1: Mad about You at nineteen. Yeah, totally, and when it

499
00:26:16,640 --> 00:26:18,399
Speaker 1: would have worked, I mean, that's that would have been

500
00:26:18,400 --> 00:26:20,760
Speaker 1: a whole different sitcom. But it absolutely would have worked.

501
00:26:20,760 --> 00:26:22,960
Speaker 1: And I couldn't agree more about Corey and to Panga

502
00:26:23,040 --> 00:26:25,000
Speaker 1: being very likable and very real. There's a couple of

503
00:26:25,000 --> 00:26:26,400
Speaker 1: moments where it was like, oh, that's not so good,

504
00:26:26,400 --> 00:26:28,880
Speaker 1: but the rest of it was great. And then there's

505
00:26:28,960 --> 00:26:31,359
Speaker 1: the beast story and the story. Oh and I am

506
00:26:31,440 --> 00:26:35,040
Speaker 1: horrible in this episode too. Really, yeah, I hated my

507
00:26:35,200 --> 00:26:37,879
Speaker 1: I'm like so just not into it.

508
00:26:38,000 --> 00:26:40,480
Speaker 2: I only thought you were not into it. In the

509
00:26:40,600 --> 00:26:44,080
Speaker 2: scene with Trina where you're laying no where you're like

510
00:26:44,240 --> 00:26:46,080
Speaker 2: that at the end, at the very end where you're.

511
00:26:46,000 --> 00:26:47,560
Speaker 1: Like it's the only one. I was like, oh, okay

512
00:26:48,400 --> 00:26:49,040
Speaker 1: in that scene.

513
00:26:49,280 --> 00:26:51,440
Speaker 2: I loved the scene of you in Corey and Tepeanga's

514
00:26:51,440 --> 00:26:54,520
Speaker 2: apartment where you're having the conversation with him about like, wait, no, stop,

515
00:26:54,680 --> 00:26:56,919
Speaker 2: why would you have fixed this? I thought you were

516
00:26:57,040 --> 00:26:58,119
Speaker 2: great in that scene.

517
00:26:58,200 --> 00:27:01,000
Speaker 1: I agree. I didn't. It's so I could tell I

518
00:27:01,119 --> 00:27:04,040
Speaker 1: was just badly acting. But you think this was the

519
00:27:04,119 --> 00:27:05,480
Speaker 1: most real I've ever been.

520
00:27:06,720 --> 00:27:11,359
Speaker 2: Yeah, it was nice to see you turn it down.

521
00:27:12,520 --> 00:27:16,680
Speaker 1: The subtext was there. That's it. It's not like that.

522
00:27:16,800 --> 00:27:19,159
Speaker 1: But when Nicole said to us, I was supposed to

523
00:27:19,200 --> 00:27:21,800
Speaker 1: do multiple episodes, I didn't realize how blatant it was

524
00:27:21,880 --> 00:27:25,960
Speaker 1: going to be. Where she clearly they didn't it like

525
00:27:26,040 --> 00:27:28,400
Speaker 1: there was no ending to the story. I went down

526
00:27:28,400 --> 00:27:30,240
Speaker 1: to she do it?

527
00:27:30,400 --> 00:27:30,920
Speaker 2: Does she do it?

528
00:27:32,000 --> 00:27:32,040
Speaker 1: No?

529
00:27:32,200 --> 00:27:34,440
Speaker 2: I think I thought she ended up doing two of

530
00:27:34,600 --> 00:27:35,760
Speaker 2: the episode.

531
00:27:36,280 --> 00:27:38,920
Speaker 1: I hope because if that's the end, No, no, because

532
00:27:39,080 --> 00:27:41,400
Speaker 1: isn't the next one? The next one? I saw pop

533
00:27:41,480 --> 00:27:43,840
Speaker 1: ups called what a drag? I think that's where Eric

534
00:27:45,000 --> 00:27:47,480
Speaker 1: and Jack dressed like girls. She's not in that. This

535
00:27:47,720 --> 00:27:47,879
Speaker 1: was it?

536
00:27:48,160 --> 00:27:50,600
Speaker 2: I think, Yeah, Jensen just said nope, she's gone.

537
00:27:50,960 --> 00:27:51,240
Speaker 3: Wow.

538
00:27:52,920 --> 00:27:57,479
Speaker 2: The fact that he blamed the b storyline not working

539
00:27:58,240 --> 00:28:01,520
Speaker 2: on her is wild.

540
00:28:02,000 --> 00:28:03,840
Speaker 1: Wait wait, who did what? Who blamed this on her?

541
00:28:04,359 --> 00:28:07,399
Speaker 2: Nicole said when we had her, because Nicole's a formal

542
00:28:07,720 --> 00:28:12,280
Speaker 2: former Pod Meets World guest, said, Michael kept telling her

543
00:28:12,440 --> 00:28:14,639
Speaker 2: all week, you're not doing what I want you to do.

544
00:28:14,760 --> 00:28:16,800
Speaker 2: You're not getting it, You're not getting it. And then

545
00:28:16,920 --> 00:28:19,320
Speaker 2: when he cut, when he took the three episode arc

546
00:28:19,359 --> 00:28:21,440
Speaker 2: away from her, he was like, because you just you're

547
00:28:21,480 --> 00:28:23,240
Speaker 2: not you know, you're not getting it.

548
00:28:24,119 --> 00:28:25,720
Speaker 1: What was there to get?

549
00:28:26,920 --> 00:28:32,240
Speaker 2: Also, she plays that character. She was great perfectly.

550
00:28:32,560 --> 00:28:35,720
Speaker 1: She was great, and the dynamic between her and Jack

551
00:28:35,880 --> 00:28:39,040
Speaker 1: could have gone somewhere and Eric in the background, hello

552
00:28:39,200 --> 00:28:41,480
Speaker 1: maybe hello mo honey, Hello Marac time and I was like,

553
00:28:41,560 --> 00:28:43,640
Speaker 1: what the hell is happening? Is this two in a

554
00:28:43,760 --> 00:28:49,160
Speaker 1: row that are unwatchable, watchable, beat stories, awful, awful, that's

555
00:28:49,200 --> 00:28:52,040
Speaker 1: so creeah, it's so great. I mean also, like you'd

556
00:28:52,040 --> 00:28:55,000
Speaker 1: already done all of this with Rachel, Like we.

557
00:28:55,040 --> 00:28:57,920
Speaker 2: Did a whole season and then last week they did

558
00:28:58,080 --> 00:28:59,360
Speaker 2: this with triplets.

559
00:28:59,440 --> 00:28:59,920
Speaker 1: That's what I mean.

560
00:29:00,280 --> 00:29:03,560
Speaker 5: So this this notion of like maybe we introduce a

561
00:29:03,680 --> 00:29:07,960
Speaker 5: female character and God messes up Jack and Eric what

562
00:29:08,600 --> 00:29:11,040
Speaker 5: Like We've done so many versions of this, Like no,

563
00:29:11,360 --> 00:29:13,200
Speaker 5: at least I mean, well, say what you want about

564
00:29:13,240 --> 00:29:15,200
Speaker 5: the monkey storyline at least.

565
00:29:17,880 --> 00:29:21,600
Speaker 2: I liked the monkey storyline because at least it was

566
00:29:21,680 --> 00:29:26,560
Speaker 2: about two friends who were wildly different helping challenge each

567
00:29:26,640 --> 00:29:28,880
Speaker 2: other to rise to the occasion of adulthood.

568
00:29:29,120 --> 00:29:32,920
Speaker 1: Yes, okay something, it's yeah, this and I get the

569
00:29:33,040 --> 00:29:38,520
Speaker 1: pitch for this. Let's bring in a female Jack. Okay, great, yep,

570
00:29:38,680 --> 00:29:43,040
Speaker 1: that's I understand that really good looking, kind of smarmy

571
00:29:43,600 --> 00:29:46,680
Speaker 1: from a rich, total spoiled rich brat. Wow, that could

572
00:29:46,760 --> 00:29:50,080
Speaker 1: be an interesting story. And then they did this and

573
00:29:50,200 --> 00:29:52,680
Speaker 1: it was like, what the hell is going on? And

574
00:29:52,800 --> 00:29:54,880
Speaker 1: maybe this is the whole thing of well, it would

575
00:29:54,920 --> 00:29:57,080
Speaker 1: have made sense if she was there for three episodes.

576
00:29:57,080 --> 00:29:59,400
Speaker 1: I mean, you've got Nicole Eggert, You've got an eighties

577
00:29:59,440 --> 00:30:03,840
Speaker 1: and nineties television mainstay who is doing really well, sorry

578
00:30:03,920 --> 00:30:07,520
Speaker 1: with what she's given and and for something else was

579
00:30:07,600 --> 00:30:08,800
Speaker 1: going on that we don't know about.

580
00:30:09,000 --> 00:30:11,920
Speaker 2: Correct, something else is something else was happening, because it

581
00:30:12,000 --> 00:30:13,360
Speaker 2: doesn't It makes zero sense.

582
00:30:13,640 --> 00:30:14,400
Speaker 1: Something else was going on.

583
00:30:14,680 --> 00:30:17,160
Speaker 2: Jumping into our guest stars former Pod Meets World guest

584
00:30:17,200 --> 00:30:20,200
Speaker 2: as I mentioned, Nicole Eggert is Bridget Eggert burst onto

585
00:30:20,200 --> 00:30:23,000
Speaker 2: the scene in another Michael Jacob's show, Charles in Charge

586
00:30:23,040 --> 00:30:26,200
Speaker 2: as Jamie Powell. She also appeared in seven episodes of

587
00:30:26,200 --> 00:30:28,800
Speaker 2: Who's the Boss, and would later don the iconic red

588
00:30:28,880 --> 00:30:32,480
Speaker 2: swimsuit as a lifeguard on Baywatch. If you remember, Nicole

589
00:30:32,560 --> 00:30:34,880
Speaker 2: told us during her appearance that she was originally told

590
00:30:34,960 --> 00:30:37,960
Speaker 2: this role would have a three episode arc, but was

591
00:30:38,040 --> 00:30:39,960
Speaker 2: asked after this one, so.

592
00:30:40,160 --> 00:30:41,520
Speaker 1: I didn't see where they could add to and I

593
00:30:41,560 --> 00:30:42,440
Speaker 1: think it ended perfectly.

594
00:30:42,520 --> 00:30:46,320
Speaker 2: Yeah, had a nice button. I set a button on

595
00:30:46,360 --> 00:30:49,880
Speaker 2: that story. And then Marisol Nichols returns for her second

596
00:30:49,960 --> 00:30:52,800
Speaker 2: episode as Kelly. We talked about her last week. Probably

597
00:30:52,840 --> 00:30:56,200
Speaker 2: best known as the Audrey Griswold in Vegas Vacation and

598
00:30:56,360 --> 00:31:01,240
Speaker 2: from her time on Riverdale and Joe Anne Worley is Missus. Stevens.

599
00:31:01,720 --> 00:31:04,200
Speaker 2: Warley is famous in the generation of those who maybe

600
00:31:04,360 --> 00:31:07,160
Speaker 2: loved the Monkeys and watched Happy Days. She was one

601
00:31:07,200 --> 00:31:10,600
Speaker 2: of the stars of laugh In, a massive comedy variety

602
00:31:10,640 --> 00:31:13,840
Speaker 2: show that ran from nineteen sixty eight to nineteen seventy three.

603
00:31:14,400 --> 00:31:17,040
Speaker 1: What was Laughing? It was like a did you watch it? Will?

604
00:31:17,280 --> 00:31:19,160
Speaker 1: It was? Well, no, I was. I was very young

605
00:31:19,240 --> 00:31:25,080
Speaker 1: in sixty eight. It was, Uh, it's all old TV.

606
00:31:25,160 --> 00:31:27,720
Speaker 1: I don't know. I didn't watch it time last. It's

607
00:31:27,760 --> 00:31:29,000
Speaker 1: like the variety shows.

608
00:31:29,160 --> 00:31:31,440
Speaker 4: What is there used to be variety shows?

609
00:31:31,560 --> 00:31:33,360
Speaker 2: Oh, Sonny and Share Show.

610
00:31:33,680 --> 00:31:37,520
Speaker 1: Yeah, all variety. I never saw any of the music guests.

611
00:31:37,760 --> 00:31:39,520
Speaker 2: It's when you had to be a triple threat to

612
00:31:39,600 --> 00:31:43,400
Speaker 2: be in entertainment. It's so cool original, right.

613
00:31:43,640 --> 00:31:44,760
Speaker 1: That would still be a thing.

614
00:31:45,160 --> 00:31:48,640
Speaker 2: Yes, sabrina Christmas Special is a bit of a variety show.

615
00:31:49,280 --> 00:31:53,040
Speaker 3: Yeah, sabrinas Muppets, Sabrina's Muppets show.

616
00:31:53,480 --> 00:31:57,240
Speaker 2: Yes, yes, people who can do it all used to

617
00:31:57,360 --> 00:32:02,400
Speaker 2: do hour long shows a wildly entertaining the.

618
00:32:03,120 --> 00:32:06,040
Speaker 4: Calburnett too, right, like she correct, Yeah, it's that's like.

619
00:32:06,040 --> 00:32:08,000
Speaker 1: A variety show. They've tried it. They've tried it.

620
00:32:08,080 --> 00:32:11,560
Speaker 3: The Osbourne's had one, Jessica nick Lasche had one. I

621
00:32:11,600 --> 00:32:12,920
Speaker 3: mean it's it's failed a couple of times.

622
00:32:13,040 --> 00:32:15,560
Speaker 1: It just doesn't Yeah, it doesn't work anymore. I'm translated anymore.

623
00:32:15,640 --> 00:32:19,920
Speaker 2: But kids TV fans may recognize her as Aunt Beulah

624
00:32:20,080 --> 00:32:22,680
Speaker 2: on Sabrina and the Teenage Witch or Maggie on Wizards

625
00:32:22,720 --> 00:32:26,600
Speaker 2: of Waverley Place. She would also morph into a voiceover legend.

626
00:32:26,800 --> 00:32:29,640
Speaker 2: She was Wardrobe in the nineteen ninety one Beauty in

627
00:32:29,680 --> 00:32:32,960
Speaker 2: the Beast movie, Miss Maples in the Goofy movie and

628
00:32:33,480 --> 00:32:37,120
Speaker 2: a co worker of Will's on Kim Possible. Was she

629
00:32:37,720 --> 00:32:38,440
Speaker 2: that's what it says.

630
00:32:38,720 --> 00:32:40,320
Speaker 1: Oh god, I loved working with her. I remember it.

631
00:32:40,400 --> 00:32:40,520
Speaker 3: Well.

632
00:32:40,640 --> 00:32:44,880
Speaker 1: Yes, great, we never recorded with anybody. There's three that room,

633
00:32:45,320 --> 00:32:46,520
Speaker 1: I know. Yeah.

634
00:32:58,880 --> 00:33:01,760
Speaker 2: Jumping into our recap, we are in Angela, Rachel and

635
00:33:01,880 --> 00:33:05,160
Speaker 2: Sean's apartment. I can't wait until we get to the.

636
00:33:07,400 --> 00:33:08,240
Speaker 1: It was so funny.

637
00:33:09,320 --> 00:33:11,200
Speaker 2: We just made so much fun of it at the

638
00:33:11,320 --> 00:33:13,760
Speaker 2: end of the last episode about not being able to

639
00:33:13,840 --> 00:33:15,800
Speaker 2: keep keep tracking, then being like, all right, so now

640
00:33:16,600 --> 00:33:18,280
Speaker 2: it's this, all right, let's remember it.

641
00:33:18,320 --> 00:33:29,800
Speaker 1: And then the next episode, who's coming. We need one

642
00:33:29,840 --> 00:33:32,400
Speaker 1: of those like investigation boards with all the lines.

643
00:33:34,600 --> 00:33:38,360
Speaker 4: Just to track the apartment, Like if if one of

644
00:33:38,400 --> 00:33:41,280
Speaker 4: our listeners wants to dive deep and write out a

645
00:33:41,400 --> 00:33:42,480
Speaker 4: diagram of.

646
00:33:42,560 --> 00:33:44,120
Speaker 2: This apartment a family tree.

647
00:33:44,680 --> 00:33:46,680
Speaker 1: A family tree going all the way back to Turners. Yeah,

648
00:33:47,280 --> 00:33:50,600
Speaker 1: it's the same apartment. Let's be honest. It's has every character,

649
00:33:50,720 --> 00:33:53,160
Speaker 1: not the adults, but all the younger characters. Has every

650
00:33:53,360 --> 00:33:56,240
Speaker 1: character lived there, every other character at some point.

651
00:33:56,520 --> 00:34:00,320
Speaker 4: Yes, yeah, that's everybody and everybody everyone Will us has

652
00:34:00,360 --> 00:34:00,720
Speaker 4: lived in the.

653
00:34:01,280 --> 00:34:05,760
Speaker 2: Has lived in the army episode.

654
00:34:07,040 --> 00:34:07,520
Speaker 1: I guess.

655
00:34:09,000 --> 00:34:11,120
Speaker 4: Yeah, that was the last episode he was he was

656
00:34:11,200 --> 00:34:13,759
Speaker 4: expecting to live there, and then yeah he's there.

657
00:34:14,000 --> 00:34:15,960
Speaker 1: I mean he's the kid in this room and kick

658
00:34:16,040 --> 00:34:17,200
Speaker 1: him out. Oh my god.

659
00:34:18,600 --> 00:34:20,880
Speaker 2: So Sean and Angela are setting the table for dinner,

660
00:34:20,960 --> 00:34:23,160
Speaker 2: catching up on their day. Angela gives him a kiss

661
00:34:23,200 --> 00:34:25,680
Speaker 2: and asks, are the kids all tucked in? He grins,

662
00:34:25,800 --> 00:34:29,279
Speaker 2: All tucked in? Mommy and daddy can have some together time.

663
00:34:29,920 --> 00:34:32,520
Speaker 2: The inmates hoot and holler at the innuendo, and now

664
00:34:32,719 --> 00:34:35,279
Speaker 2: at the dinner table, Angela wonders, when was the last

665
00:34:35,320 --> 00:34:38,640
Speaker 2: time we had a moment alone? Sean notes, certainly before

666
00:34:38,680 --> 00:34:41,959
Speaker 2: the kids came. Angela lets out a sigh. Yeah, life

667
00:34:42,080 --> 00:34:45,040
Speaker 2: was better then on cue, Corey and Tapega walk out

668
00:34:45,080 --> 00:34:49,280
Speaker 2: of their bedroom, frowning and wearing button up pj's. Sean admits, honey,

669
00:34:49,560 --> 00:34:53,080
Speaker 2: I hate the kids. Corey complains, we're still hungry, and

670
00:34:53,160 --> 00:34:55,239
Speaker 2: to Panga's eyes widened as she points at the dining

671
00:34:55,320 --> 00:34:58,879
Speaker 2: room table and yells like a caveman spaghetti. The couple

672
00:34:58,960 --> 00:35:01,360
Speaker 2: sprints to the food, and Corey cheerfully wonders, do you

673
00:35:01,400 --> 00:35:04,920
Speaker 2: have any baked goods or frozen treats? Angela is not amused.

674
00:35:05,160 --> 00:35:08,160
Speaker 2: You're our closest friends, but we are sick and tired

675
00:35:08,200 --> 00:35:10,640
Speaker 2: of you. Shawn ads, please get out and don't ever

676
00:35:10,719 --> 00:35:13,800
Speaker 2: come back. Corey and Tapanga focus on spoonfuls of spaghetti

677
00:35:13,840 --> 00:35:16,719
Speaker 2: and Corey laughs. They crack me up, these two, but

678
00:35:16,840 --> 00:35:20,000
Speaker 2: Tapanga gets the message, maybe we should go back to

679
00:35:20,160 --> 00:35:24,840
Speaker 2: our Corey asks whole are dump our sewer. Sean steps in.

680
00:35:25,120 --> 00:35:26,840
Speaker 2: We'd love to hang out with you guys forever, but

681
00:35:26,960 --> 00:35:29,120
Speaker 2: right now you're on this new marriage thing and we're

682
00:35:29,200 --> 00:35:32,680
Speaker 2: on this new living together thing. Angela tries to relate.

683
00:35:32,920 --> 00:35:36,359
Speaker 2: They're both couples, they're the same. But Shawn ads, you're

684
00:35:36,480 --> 00:35:40,200
Speaker 2: married and we're happy. Sean puts his foot down, get out.

685
00:35:40,520 --> 00:35:44,919
Speaker 2: They're serious. Corey nods. They understand. In fact, they never

686
00:35:45,000 --> 00:35:46,879
Speaker 2: want to impose on their little life of sin.

687
00:35:47,440 --> 00:35:51,320
Speaker 6: This is such a weird chair, so weird life actually

688
00:35:51,640 --> 00:35:53,560
Speaker 6: sluts is wild.

689
00:35:57,040 --> 00:36:00,480
Speaker 1: I don't understand, Like I still am. Like, so Sean

690
00:36:00,600 --> 00:36:02,440
Speaker 1: moved into a different room than Angela.

691
00:36:03,080 --> 00:36:07,120
Speaker 4: Yes, because there's three bedrooms and his own bedroom right

692
00:36:07,560 --> 00:36:09,200
Speaker 4: in the same apartment.

693
00:36:08,800 --> 00:36:11,120
Speaker 1: With his girlfriend, right, but now I think he's living

694
00:36:11,600 --> 00:36:14,640
Speaker 1: You're sleeping on the floor in Angela's room, right, because

695
00:36:15,480 --> 00:36:17,879
Speaker 1: to take it over and now we're going to kick

696
00:36:17,880 --> 00:36:19,120
Speaker 1: you out, and I'm going to go back to that

697
00:36:19,200 --> 00:36:19,799
Speaker 1: empty room.

698
00:36:20,080 --> 00:36:24,000
Speaker 2: God, he can have my own room. Honestly, I do

699
00:36:24,239 --> 00:36:26,280
Speaker 2: think the key to a happy marriage of separate houses.

700
00:36:26,400 --> 00:36:29,520
Speaker 2: I'm just gonna pull that out there. To Pega venomously

701
00:36:29,680 --> 00:36:35,480
Speaker 2: spits out, you make me sick. Corey scals sluts, slats.

702
00:36:35,840 --> 00:36:38,040
Speaker 2: Is this the closest thing to a curse word? We

703
00:36:38,200 --> 00:36:41,840
Speaker 2: get the dom triplets and then sluts and.

704
00:36:42,440 --> 00:36:44,279
Speaker 1: Maybe when she says, I wouldn't use this to wipe

705
00:36:44,320 --> 00:36:47,640
Speaker 1: my at those three things and it's all season seven

706
00:36:49,360 --> 00:36:51,520
Speaker 1: phase do funny.

707
00:36:55,320 --> 00:36:58,120
Speaker 2: They start their exits still wearing pj's and to Pega

708
00:36:58,200 --> 00:37:01,520
Speaker 2: explains they'll just hang out with their other friends. Cory asks,

709
00:37:01,560 --> 00:37:03,360
Speaker 2: you think you're our only friends in the world to

710
00:37:03,440 --> 00:37:06,160
Speaker 2: Panga Pipes and well you're not. In Corey ads because

711
00:37:06,200 --> 00:37:09,120
Speaker 2: we are a beloved couple. Sean's shuts the door in

712
00:37:09,160 --> 00:37:10,520
Speaker 2: their faces without a second thought.

713
00:37:10,960 --> 00:37:12,759
Speaker 1: It was strange to watch this that part of the

714
00:37:12,840 --> 00:37:18,040
Speaker 1: scene knowing you had to pee. That's right, this is

715
00:37:18,120 --> 00:37:21,839
Speaker 1: one of her one of our outtakes. As you right

716
00:37:21,920 --> 00:37:23,480
Speaker 1: out there going like I have to pee's so I'm

717
00:37:23,520 --> 00:37:25,680
Speaker 1: much to see the whole time going, Daniel has to.

718
00:37:25,680 --> 00:37:34,160
Speaker 2: Be that's hilarious. Outside in the hallway, Corey whispers to Tapanga,

719
00:37:34,400 --> 00:37:37,920
Speaker 2: you got any other friends? She responds, no, you, He whispers,

720
00:37:37,920 --> 00:37:39,800
Speaker 2: shouts no, why would we do that? What are we

721
00:37:39,840 --> 00:37:43,640
Speaker 2: going to do now? Topanga has no idea. Then we're

722
00:37:43,680 --> 00:37:45,960
Speaker 2: in the student union. Angela and Rachel are sitting on

723
00:37:46,040 --> 00:37:48,920
Speaker 2: the couch giggling, and Rachel confesses, I've never seen you

724
00:37:49,080 --> 00:37:52,520
Speaker 2: so happy. What do we think? She whispers to her.

725
00:37:52,760 --> 00:37:53,400
Speaker 2: Do we think it's some?

726
00:37:54,520 --> 00:37:56,840
Speaker 1: Oh yeah, it's horribly sexy and dirty? Right okay, right

727
00:37:57,040 --> 00:37:57,920
Speaker 1: in my head, I won't.

728
00:37:57,719 --> 00:37:59,719
Speaker 2: Even say, oh, really, wow, I love that you.

729
00:38:00,760 --> 00:38:04,400
Speaker 1: Oh they were crazy stuff too? Well, everyone's a slut?

730
00:38:04,640 --> 00:38:07,840
Speaker 2: No, true, I mean I did. I did obviously go

731
00:38:08,600 --> 00:38:13,440
Speaker 2: she said something sexual about Sean, but I didn't actually

732
00:38:13,480 --> 00:38:14,759
Speaker 2: go as far as to imagine.

733
00:38:14,440 --> 00:38:16,759
Speaker 1: What it was. Girls talk about that stuff with other

734
00:38:16,880 --> 00:38:19,200
Speaker 1: girls way more than guys talk about that stuff with

735
00:38:19,200 --> 00:38:22,440
Speaker 1: O for sure, like way more like it's detail stuff

736
00:38:22,480 --> 00:38:23,000
Speaker 1: with girls.

737
00:38:23,320 --> 00:38:30,200
Speaker 2: Well, I think that when you're when you're younger, yes, yes, no,

738
00:38:31,200 --> 00:38:34,279
Speaker 2: even yes, even okay, hold on you think.

739
00:38:34,239 --> 00:38:37,760
Speaker 4: Now to yes on, hold on detail like I've asked

740
00:38:37,800 --> 00:38:40,160
Speaker 4: Alex and be like wait, you guys compare notes on

741
00:38:40,400 --> 00:38:42,960
Speaker 4: and like yes, I'm like Jesus.

742
00:38:43,239 --> 00:38:47,560
Speaker 2: Wow, yes, wait do you think that's the case if

743
00:38:47,640 --> 00:38:51,040
Speaker 2: there's like maybe something they're asking an opinion on, like

744
00:38:51,160 --> 00:38:54,399
Speaker 2: I need I want to share something because I want

745
00:38:54,440 --> 00:38:57,280
Speaker 2: to know how you guys feel about it and okay

746
00:38:57,480 --> 00:39:00,560
Speaker 2: and not just like oh god, you writer, had we

747
00:39:00,680 --> 00:39:01,680
Speaker 2: been to like not.

748
00:39:01,960 --> 00:39:05,120
Speaker 1: That, like we don't do my wife my wife?

749
00:39:05,320 --> 00:39:09,400
Speaker 4: No? Okay, friends, yes, friends of ours are like that

750
00:39:10,120 --> 00:39:13,799
Speaker 4: in a sort of somewhat jokey way, or like they'll

751
00:39:13,840 --> 00:39:17,320
Speaker 4: talk about hot guys like you know, like yeah, like

752
00:39:17,480 --> 00:39:20,040
Speaker 4: in a way that I'm like if my guy friends

753
00:39:20,120 --> 00:39:20,720
Speaker 4: don't ever.

754
00:39:20,680 --> 00:39:23,919
Speaker 1: Talk about No, but you and I are very close

755
00:39:23,960 --> 00:39:27,439
Speaker 1: and we're not having full on graphic sexual conversations whatever,

756
00:39:27,880 --> 00:39:31,560
Speaker 1: it doesn't happen, you know. It's definitely women do that. Well,

757
00:39:31,600 --> 00:39:32,400
Speaker 1: hold on, just.

758
00:39:34,000 --> 00:39:38,640
Speaker 2: Women do that? They do, they can, they have I'm

759
00:39:38,719 --> 00:39:41,080
Speaker 2: sure and there are I think to Writer's point, there

760
00:39:41,120 --> 00:39:46,160
Speaker 2: are some women who are more comfortable about doing that.

761
00:39:46,480 --> 00:39:52,520
Speaker 2: I would never unless it was I'm concerned. There's what

762
00:39:52,640 --> 00:39:53,439
Speaker 2: are you laughing about?

763
00:39:53,600 --> 00:39:53,840
Speaker 3: I'm just.

764
00:39:55,800 --> 00:39:57,400
Speaker 1: Do your friends do you sit You have a lot

765
00:39:57,440 --> 00:39:59,120
Speaker 1: of girlfriends do will you sit there? And they talk

766
00:39:59,160 --> 00:39:59,920
Speaker 1: about sex stuff.

767
00:40:00,160 --> 00:40:04,279
Speaker 4: No, I I feel like my wife tends to know

768
00:40:05,760 --> 00:40:08,560
Speaker 4: the regularity of everybody else's sex life because women talk

769
00:40:08,600 --> 00:40:13,560
Speaker 4: about that, they talk about and they're having sex or worse,

770
00:40:13,640 --> 00:40:15,840
Speaker 4: it's like it's too much, it's too little whatever. That

771
00:40:16,040 --> 00:40:17,960
Speaker 4: is a top of a conversation which I never have

772
00:40:18,080 --> 00:40:21,960
Speaker 4: with my guy friends, Like no one's ever talking about like, yeah, no,

773
00:40:22,320 --> 00:40:25,279
Speaker 4: it's it's I do have friends.

774
00:40:25,000 --> 00:40:30,239
Speaker 2: That that will that will say things about like I'm

775
00:40:30,480 --> 00:40:33,040
Speaker 2: in you know, we're we have a couple's therapists and

776
00:40:33,120 --> 00:40:35,120
Speaker 2: it's been really good for us and we we do

777
00:40:35,360 --> 00:40:37,640
Speaker 2: now schedule sex, which has been better for us, Like

778
00:40:38,000 --> 00:40:41,480
Speaker 2: that kind of conversation. I don't have any friends that

779
00:40:41,680 --> 00:40:42,320
Speaker 2: guys don't.

780
00:40:42,120 --> 00:40:44,480
Speaker 4: Even have that let's start. I mean that's like, that's

781
00:40:44,640 --> 00:40:47,560
Speaker 4: distinction number one. I don't think really we talk about

782
00:40:47,640 --> 00:40:47,880
Speaker 4: you know.

783
00:40:48,280 --> 00:40:51,080
Speaker 2: As boldly as we're going to say, well, women talk

784
00:40:51,120 --> 00:40:55,000
Speaker 2: about that, I could also very boldly say, well, men's relation,

785
00:40:55,440 --> 00:40:59,680
Speaker 2: men's male friendships? Do you talk about anything of substance?

786
00:41:00,160 --> 00:41:04,400
Speaker 2: And yet and yes on this call, I know the

787
00:41:04,520 --> 00:41:08,399
Speaker 2: answer to be yes. But there are quite lots of yes,

788
00:41:08,880 --> 00:41:12,560
Speaker 2: quite a few male friendships that actually don't they talk

789
00:41:12,600 --> 00:41:16,560
Speaker 2: about sports, what happened on the news, and and there's

790
00:41:16,640 --> 00:41:19,239
Speaker 2: really that is how they feel like there, I had

791
00:41:19,280 --> 00:41:22,239
Speaker 2: my friend time. But they're not actually talking about emotional

792
00:41:22,920 --> 00:41:26,600
Speaker 2: feelings or personal or personal experiences or relationships. That's so

793
00:41:26,760 --> 00:41:29,000
Speaker 2: absolutely you know, I think I think we're.

794
00:41:28,840 --> 00:41:31,080
Speaker 1: Talking about other of their male friends behind one male

795
00:41:31,120 --> 00:41:31,640
Speaker 1: friend's back.

796
00:41:31,880 --> 00:41:31,960
Speaker 5: Right.

797
00:41:32,280 --> 00:41:33,160
Speaker 1: They don't do that either.

798
00:41:33,360 --> 00:41:36,239
Speaker 2: They don't do that there, don't you know.

799
00:41:36,320 --> 00:41:39,000
Speaker 4: But it's interesting because when I think about when I

800
00:41:39,120 --> 00:41:42,479
Speaker 4: was younger, will like, think about being a teenager, you did.

801
00:41:42,520 --> 00:41:46,439
Speaker 6: Talk about everything all the time, and you talked about

802
00:41:46,480 --> 00:41:49,000
Speaker 6: that hopefully when you're nineteen, right right, but but that

803
00:41:49,280 --> 00:41:52,160
Speaker 6: what you do have like that guy friendship where I

804
00:41:52,200 --> 00:41:54,000
Speaker 6: mean like we would talk about sex, like we would

805
00:41:54,040 --> 00:41:54,799
Speaker 6: talk about like.

806
00:41:54,880 --> 00:41:59,680
Speaker 1: Then and you're like, okay, you know, I don't write,

807
00:42:00,000 --> 00:42:04,880
Speaker 1: I want to hear exactly to know that.

808
00:42:05,040 --> 00:42:07,040
Speaker 2: So much about why you share that stuff though, is

809
00:42:07,080 --> 00:42:09,160
Speaker 2: like where else are you supposed to learn it?

810
00:42:09,840 --> 00:42:10,000
Speaker 1: You know?

811
00:42:10,280 --> 00:42:13,800
Speaker 2: Like when I remember knowing that my friends had started

812
00:42:13,880 --> 00:42:17,839
Speaker 2: having whether it was kissing or then beyond kissing with guys,

813
00:42:17,920 --> 00:42:21,680
Speaker 2: and it was like, great, thank you tell me everything?

814
00:42:22,560 --> 00:42:25,600
Speaker 1: And so you did what with what? And how like

815
00:42:25,760 --> 00:42:27,440
Speaker 1: you the internet?

816
00:42:27,560 --> 00:42:30,840
Speaker 2: So I know exactly telling you.

817
00:42:30,880 --> 00:42:33,080
Speaker 1: How to do it. Oh god, I just have Susan

818
00:42:33,120 --> 00:42:35,360
Speaker 1: sign a NDA every morning, so it's just the easiest

819
00:42:35,400 --> 00:42:37,200
Speaker 1: week day everyone new one. I just have a slack

820
00:42:37,280 --> 00:42:39,600
Speaker 1: a stack of them by the bed and like, here's today's.

821
00:42:42,680 --> 00:42:45,839
Speaker 2: Okay, Angela can't wipe the smile off her face. That's

822
00:42:45,880 --> 00:42:48,839
Speaker 2: because I haven't been. And so Rachel reveals that's why,

823
00:42:48,880 --> 00:42:50,560
Speaker 2: I'm not going to get in the way of you

824
00:42:50,760 --> 00:42:55,480
Speaker 2: and Sean. I'm gonna move out. Here we are again

825
00:42:55,840 --> 00:42:59,320
Speaker 2: in that same storyline that also didn't make sense the

826
00:42:59,440 --> 00:43:02,759
Speaker 2: first time. Why does she have to move through three bedrooms?

827
00:43:02,880 --> 00:43:04,799
Speaker 4: Three bedrooms and she's going to get out of the way,

828
00:43:04,920 --> 00:43:08,320
Speaker 4: so it just becomes Sean and Angela's apartment.

829
00:43:08,400 --> 00:43:09,520
Speaker 1: Now, is that really what happens?

830
00:43:09,600 --> 00:43:10,719
Speaker 2: That's yeah, that's what that's what.

831
00:43:10,920 --> 00:43:13,080
Speaker 1: That's what happens. You're going to double my rent.

832
00:43:13,520 --> 00:43:16,240
Speaker 4: So now I don't get Like I was watching this episode,

833
00:43:16,320 --> 00:43:18,080
Speaker 4: and especially by the end, I was like, but wait,

834
00:43:18,280 --> 00:43:20,120
Speaker 4: Sean and Angela are going to break up in like

835
00:43:20,600 --> 00:43:21,400
Speaker 4: ten episodes.

836
00:43:21,920 --> 00:43:24,640
Speaker 1: Yeah, we don't. It's so weird.

837
00:43:24,960 --> 00:43:26,719
Speaker 2: But don't worry. By the end of this episode, you're

838
00:43:26,719 --> 00:43:27,520
Speaker 2: no longer living there.

839
00:43:28,120 --> 00:43:31,120
Speaker 1: Yeah, it doesn't matter anyway, because everybody has the pinnacle

840
00:43:31,160 --> 00:43:34,680
Speaker 1: of marriage, which is just leaning against your partner on

841
00:43:34,840 --> 00:43:38,719
Speaker 1: some kind of couch and reading a paper. That's Alan

842
00:43:38,800 --> 00:43:41,640
Speaker 1: and Amy do it. This is It's like if this

843
00:43:41,800 --> 00:43:44,160
Speaker 1: is it, this is ultimate marriage. You're reading over my

844
00:43:44,280 --> 00:43:46,120
Speaker 1: shoulder and I'm a little sweaty on this side.

845
00:43:46,480 --> 00:43:50,440
Speaker 2: Sit over there, Yeah, space, get in, go to your house.

846
00:43:53,680 --> 00:43:55,359
Speaker 1: Someday you are going to have separates.

847
00:43:56,160 --> 00:43:58,319
Speaker 2: I would do it immediately. I would have I would

848
00:43:58,320 --> 00:44:00,480
Speaker 2: have done it the day we got married. Cheucer, are

849
00:44:00,480 --> 00:44:02,359
Speaker 2: you going to live in? I love separate houses. Get

850
00:44:02,400 --> 00:44:05,160
Speaker 2: out of mind. I want just MySpace. Just you don't

851
00:44:05,160 --> 00:44:20,640
Speaker 2: need to share that much. Angela is shocked. She insists Rachel,

852
00:44:20,719 --> 00:44:22,480
Speaker 2: she's not in the way. Rachel shrugs.

853
00:44:22,600 --> 00:44:23,120
Speaker 1: I know I'm not.

854
00:44:23,280 --> 00:44:25,160
Speaker 2: But I got this offer to be a resident advisor

855
00:44:25,200 --> 00:44:27,680
Speaker 2: at Britney Hall and I thought it'd be fun. Angela

856
00:44:27,760 --> 00:44:29,680
Speaker 2: promises she doesn't need to move out. It's not like

857
00:44:29,760 --> 00:44:32,319
Speaker 2: she and Sean are a family. Set upset, upset up

858
00:44:33,200 --> 00:44:36,160
Speaker 2: on cue, Sean is tugged through the door by a

859
00:44:36,440 --> 00:44:39,080
Speaker 2: massive Saint Bernard. I didn't remember this dog being on

860
00:44:39,160 --> 00:44:39,640
Speaker 2: set at all.

861
00:44:40,840 --> 00:44:41,279
Speaker 1: This dog.

862
00:44:42,200 --> 00:44:45,960
Speaker 4: This began my love for big dogs, because I remember

863
00:44:46,320 --> 00:44:48,920
Speaker 4: like hanging out with this dog all week or whatever

864
00:44:49,120 --> 00:44:51,799
Speaker 4: the couple days, and I remember.

865
00:44:51,760 --> 00:44:54,360
Speaker 1: Lying on him or her. This was a hymn. I

866
00:44:54,360 --> 00:44:54,920
Speaker 1: think it was a hymn.

867
00:44:54,960 --> 00:44:57,520
Speaker 4: Yeah, I remember lying like, it's just I fell in

868
00:44:57,600 --> 00:44:59,279
Speaker 4: love with it having a big dog, so I ended up.

869
00:44:59,600 --> 00:45:01,759
Speaker 4: You know, my the only dog I've ever had as

870
00:45:01,760 --> 00:45:04,279
Speaker 4: an adult was a Bernie Mountain dog, and it was

871
00:45:04,360 --> 00:45:06,919
Speaker 4: in part because I loved having a big dog because

872
00:45:06,920 --> 00:45:07,080
Speaker 4: of that.

873
00:45:07,160 --> 00:45:09,560
Speaker 1: I remember that because I couldn't get up in between

874
00:45:09,640 --> 00:45:11,640
Speaker 1: takes when the dog was lying on me, so the

875
00:45:11,680 --> 00:45:13,160
Speaker 1: whole time in front of the audience, I just laid

876
00:45:13,200 --> 00:45:15,600
Speaker 1: there in between every take with the dog. And that

877
00:45:15,719 --> 00:45:17,560
Speaker 1: dog cute has been dead for years.

878
00:45:17,800 --> 00:45:20,680
Speaker 2: Yeah, let's thank you for sharing that with us. That's

879
00:45:20,680 --> 00:45:25,200
Speaker 2: a good thing. Look, Angela, I got us a baby.

880
00:45:25,560 --> 00:45:28,200
Speaker 2: Angela rushes over and pets the cute dog, and Sean notes,

881
00:45:28,280 --> 00:45:30,920
Speaker 2: now it's like we got our own family. Rachel watches

882
00:45:30,960 --> 00:45:32,960
Speaker 2: on and just announces I'm going to be an ra.

883
00:45:36,040 --> 00:45:37,600
Speaker 2: Sean responds, good.

884
00:45:37,440 --> 00:45:41,920
Speaker 1: For you, and it's the weirdest good for you reaction,

885
00:45:42,120 --> 00:45:44,840
Speaker 1: Like you can't tell us he joking, is he not?

886
00:45:45,040 --> 00:45:46,640
Speaker 1: It is the strangest reading.

887
00:45:46,719 --> 00:45:49,120
Speaker 2: It was just like what this was just this is

888
00:45:50,320 --> 00:45:52,600
Speaker 2: like the writers just got to what we're there, like

889
00:45:52,640 --> 00:45:53,600
Speaker 2: what do we do with this character?

890
00:45:54,520 --> 00:45:55,040
Speaker 1: But what do we do?

891
00:45:55,239 --> 00:45:58,000
Speaker 4: This whole scene is like a weird like sub Boy

892
00:45:58,080 --> 00:45:59,200
Speaker 4: meets World because it's like.

893
00:45:59,400 --> 00:46:04,719
Speaker 1: These three just don't like it doesn't that's a weird beat.

894
00:46:04,800 --> 00:46:07,160
Speaker 1: That was I'm gonna be an ra good.

895
00:46:07,040 --> 00:46:07,600
Speaker 4: For you for you?

896
00:46:08,120 --> 00:46:08,319
Speaker 1: Yeah.

897
00:46:13,520 --> 00:46:16,800
Speaker 2: Then the dog bar and rushes out the door, pulling

898
00:46:16,880 --> 00:46:19,760
Speaker 2: Sean along with him. Angela and Rachel follow closely behind

899
00:46:19,920 --> 00:46:22,400
Speaker 2: to the park. Then we see Eric, dressed in his

900
00:46:22,520 --> 00:46:25,400
Speaker 2: work uniform, wiping down a table. A pretty girl walks by,

901
00:46:25,480 --> 00:46:27,920
Speaker 2: and his mind instantly turns to mush as he follows her.

902
00:46:27,960 --> 00:46:31,040
Speaker 2: Pretty girl, Pretty girl. She turns around and simply asks

903
00:46:31,120 --> 00:46:32,879
Speaker 2: him it stands and jump up on the couch.

904
00:46:34,040 --> 00:46:36,040
Speaker 1: Jump up on the couch, make a fight. He pulls

905
00:46:36,200 --> 00:46:43,160
Speaker 1: the top hat off cases. Yeah, it's oh god. Do

906
00:46:43,239 --> 00:46:46,560
Speaker 1: you think everything went down hail with these three characters?

907
00:46:46,600 --> 00:46:49,000
Speaker 1: When Jack and Rachel and Eric no longer live together,

908
00:46:49,239 --> 00:46:51,040
Speaker 1: I guess like if they just kept them in the

909
00:46:51,080 --> 00:46:53,879
Speaker 1: same apartment the whole time for the Beast stories, then

910
00:46:53,960 --> 00:46:56,239
Speaker 1: maybe Maitland would have something to do and Jack and

911
00:46:56,360 --> 00:46:58,360
Speaker 1: Eric would have something. The second they split him up,

912
00:46:58,400 --> 00:47:00,520
Speaker 1: it was like, then what was the point? Yeah, because

913
00:47:00,520 --> 00:47:02,399
Speaker 1: it was supposed to be Corey shown that whole click

914
00:47:02,600 --> 00:47:05,120
Speaker 1: and then and now you're breaking us up? So what

915
00:47:05,200 --> 00:47:06,000
Speaker 1: the hell is the point of doing?

916
00:47:06,000 --> 00:47:07,759
Speaker 4: And there's so much more they could have done because

917
00:47:07,760 --> 00:47:09,560
Speaker 4: they spent so much time just on the love triangle

918
00:47:09,600 --> 00:47:10,160
Speaker 4: between the three of you.

919
00:47:10,239 --> 00:47:13,200
Speaker 1: But what if they introduced another guy, another girl.

920
00:47:16,480 --> 00:47:18,920
Speaker 4: But there's things you could have done at that apartment,

921
00:47:19,080 --> 00:47:22,719
Speaker 4: like the regular like apartment living, roommate situations.

922
00:47:22,920 --> 00:47:24,800
Speaker 1: You can easily have given Maitland something to do to

923
00:47:24,920 --> 00:47:26,799
Speaker 1: where it's like she's with Jack, she really likes Jack,

924
00:47:26,840 --> 00:47:28,840
Speaker 1: and then all of a sudden she's starting to have

925
00:47:29,000 --> 00:47:32,080
Speaker 1: feelings for Eric and Eric doesn't feel the same way now.

926
00:47:32,200 --> 00:47:34,080
Speaker 1: And I mean, there's so many ways to play with that,

927
00:47:34,200 --> 00:47:34,880
Speaker 1: and they just went.

928
00:47:35,200 --> 00:47:39,840
Speaker 2: Nah, Yeah, Well, I definitely I don't think watching the

929
00:47:39,920 --> 00:47:42,520
Speaker 2: season of Boy Meets World that what we're missing is

930
00:47:42,640 --> 00:47:46,680
Speaker 2: more characters. I am not getting the vibe. Then bringing

931
00:47:46,800 --> 00:47:50,759
Speaker 2: in another guy I tried though into season seven would

932
00:47:50,840 --> 00:47:51,960
Speaker 2: have helped.

933
00:47:52,360 --> 00:47:54,120
Speaker 1: It worked in this episode with Nicole Eggert.

934
00:47:54,960 --> 00:47:58,440
Speaker 4: Yeah, it's interesting that we just dropped school completely, like

935
00:47:58,520 --> 00:48:01,000
Speaker 4: there's nothing about college.

936
00:48:01,040 --> 00:48:07,919
Speaker 1: Is education learned eighth grade history? Last episode? It's true bag, Yeah,

937
00:48:07,960 --> 00:48:13,120
Speaker 1: and that's what Alaska became the fiftieth state. I mean

938
00:48:13,280 --> 00:48:15,800
Speaker 1: there's a lot to do in college, right, Like just

939
00:48:16,280 --> 00:48:18,359
Speaker 1: this is just our hangout spot. Yeah.

940
00:48:18,960 --> 00:48:21,680
Speaker 2: She asks who's in charge here? Eric creepily responds, you

941
00:48:21,840 --> 00:48:23,320
Speaker 2: are now do things to me?

942
00:48:23,960 --> 00:48:25,879
Speaker 1: Iw esus ill.

943
00:48:27,080 --> 00:48:30,880
Speaker 2: Thankfully, Jack intervenes, but he's just as awkward. Introducing himself

944
00:48:30,920 --> 00:48:33,880
Speaker 2: as the student union manager. He boasts that everything she

945
00:48:34,000 --> 00:48:37,040
Speaker 2: sees is managed by him. The store manager. Eric doesn't

946
00:48:37,040 --> 00:48:39,920
Speaker 2: appreciate Jack's interruptions, so he jumps back in bedwetter. You

947
00:48:39,960 --> 00:48:42,239
Speaker 2: can tell her Jack, She's gonna find out anyway. Eric

948
00:48:42,360 --> 00:48:44,440
Speaker 2: finally asks the new girl's name, and she matter of

949
00:48:44,520 --> 00:48:48,080
Speaker 2: factly states, I'm your new boss. Eric's still resourced.

950
00:48:48,680 --> 00:48:51,080
Speaker 1: Yeah, he just give her a Southern ax.

951
00:48:51,200 --> 00:48:56,480
Speaker 2: It's the same storyline, same same story. Eric repeats name, name, name, name,

952
00:48:56,600 --> 00:49:00,640
Speaker 2: name name. She composes herself and says name is Bridget.

953
00:49:00,960 --> 00:49:03,719
Speaker 2: Over to be funny girl, pretty girl, pretty girl.

954
00:49:08,800 --> 00:49:11,000
Speaker 1: It's all it's crazy, It's like, what's happening.

955
00:49:13,480 --> 00:49:16,640
Speaker 2: Name is Bridget Murphy. Eric grabs her hand and kisses it.

956
00:49:16,840 --> 00:49:23,760
Speaker 2: Murphy like the bed. Jack interjects to understandably say vomit.

957
00:49:24,760 --> 00:49:27,200
Speaker 2: Eric trudges on, If I may be so bold, how

958
00:49:27,280 --> 00:49:30,520
Speaker 2: did somebody I can't even imitate you? How did somebody

959
00:49:32,400 --> 00:49:35,279
Speaker 2: as you get to be manager of the student union.

960
00:49:36,200 --> 00:49:40,120
Speaker 1: I want to see what this page looked like written?

961
00:49:40,239 --> 00:49:41,960
Speaker 4: What was written in that spot yet?

962
00:49:42,080 --> 00:49:44,200
Speaker 1: And also I wondered if it was in the script

963
00:49:44,239 --> 00:49:45,280
Speaker 1: that you take her hand.

964
00:49:45,160 --> 00:49:47,240
Speaker 4: Like you do right, because it's such a funny.

965
00:49:47,320 --> 00:49:50,520
Speaker 1: It's so funny, And I'm like, did we'll just do that?

966
00:49:50,920 --> 00:49:53,000
Speaker 1: Or is it in the script and grabs her hand?

967
00:49:53,080 --> 00:49:54,480
Speaker 1: I don't know. I wanted to see this.

968
00:49:54,880 --> 00:49:58,880
Speaker 2: Yeah, she smiles. I know a guy, Jack asks who,

969
00:49:58,960 --> 00:50:01,440
Speaker 2: and she brags, so may call him the chancellor of

970
00:50:01,520 --> 00:50:05,040
Speaker 2: this university. I, however, like to call him daddy.

971
00:50:06,719 --> 00:50:06,959
Speaker 1: Dude.

972
00:50:07,120 --> 00:50:09,680
Speaker 2: Why did anyone on the writing staff think that the

973
00:50:09,920 --> 00:50:14,240
Speaker 2: chancellor of this university was gonna have give the audience

974
00:50:14,640 --> 00:50:15,759
Speaker 2: some sort of like.

975
00:50:18,120 --> 00:50:27,520
Speaker 1: Not Chancellor Murphy, not Chancellor Murphy. Yeah, none of it.

976
00:50:28,920 --> 00:50:31,440
Speaker 4: No, I mean really it should be you know, my

977
00:50:31,640 --> 00:50:35,279
Speaker 4: uncle Feene you know already done obviously, but like any

978
00:50:35,320 --> 00:50:37,880
Speaker 4: sort of yeah, because right now there's creating.

979
00:50:37,520 --> 00:50:40,840
Speaker 2: A cameras my dad William, my dad.

980
00:50:43,960 --> 00:50:47,440
Speaker 1: His other family. None of it makes none of it

981
00:50:47,520 --> 00:50:49,640
Speaker 1: made any sense. You also wonder if she was supposed

982
00:50:49,640 --> 00:50:52,200
Speaker 1: to do three episodes and only did this one, was

983
00:50:52,280 --> 00:50:55,600
Speaker 1: he going to come back? And also like how how

984
00:50:55,760 --> 00:50:59,600
Speaker 1: was it planned? Because if what a drag is next,

985
00:51:00,440 --> 00:51:03,520
Speaker 1: which is clearly Jack and Eric spending their time as

986
00:51:03,640 --> 00:51:05,840
Speaker 1: that's the a story is we're dressed like women to

987
00:51:05,920 --> 00:51:11,880
Speaker 1: avoid a bully. She wasn't in that anyway, so he

988
00:51:11,960 --> 00:51:13,759
Speaker 1: probably was originally. I mean, yeah, they must have had

989
00:51:13,840 --> 00:51:16,520
Speaker 1: sound plan to have this love triangle going on, but

990
00:51:16,680 --> 00:51:19,040
Speaker 1: literally ends with me dropping on a frame to suck

991
00:51:19,080 --> 00:51:22,719
Speaker 1: her toe. That's the last stop, saying it please, the

992
00:51:22,840 --> 00:51:26,000
Speaker 1: last we see her to me, Danielle, me sucking on

993
00:51:26,120 --> 00:51:30,919
Speaker 1: toes or spiders. You've got one room or another room.

994
00:51:32,480 --> 00:51:35,080
Speaker 1: The last room is just is just spiders, and the

995
00:51:35,160 --> 00:51:38,840
Speaker 1: right room is just me sucking feet. And you've gotta

996
00:51:38,920 --> 00:51:42,839
Speaker 1: pick one. Which room do you take? Take one?

997
00:51:43,120 --> 00:51:45,879
Speaker 2: I take the toe room, absolutely, But boy, oh boy,

998
00:51:46,000 --> 00:51:47,000
Speaker 2: I don't want to think about it.

999
00:51:47,440 --> 00:51:52,000
Speaker 4: She'd be vomiting the whole time. Oh god, oh god,

1000
00:51:54,120 --> 00:51:59,600
Speaker 4: should we look up Nicole Eggert on wicked feet feet?

1001
00:52:03,040 --> 00:52:05,640
Speaker 2: Eric leans in and seductively quips, I like to call

1002
00:52:05,719 --> 00:52:08,520
Speaker 2: him daddy too. Jack grabs his friend by the ear

1003
00:52:08,560 --> 00:52:12,040
Speaker 2: with a warning. Her father is Chancellor Murphy.

1004
00:52:21,120 --> 00:52:29,120
Speaker 1: Chance off, I'm Chancellor Murphy. Got the way with its.

1005
00:52:37,560 --> 00:52:41,480
Speaker 2: Bridget laughs, that's right, boys, Nepotism rears its ugly head.

1006
00:52:41,840 --> 00:52:46,680
Speaker 2: Eric Hoffson complains, nepotism. It's nepotism. Jack see's right through him.

1007
00:52:46,760 --> 00:52:49,240
Speaker 2: You don't even know what that means. Eric instantly shouts,

1008
00:52:49,239 --> 00:52:53,520
Speaker 2: why should I. Bridget's happy to explain, I own you.

1009
00:52:53,800 --> 00:52:55,360
Speaker 2: I can do anything I want with you, and I

1010
00:52:55,440 --> 00:52:58,280
Speaker 2: probably will because I'm a spoilt little brat who always

1011
00:52:58,400 --> 00:53:00,799
Speaker 2: gets her way. Just thanks tell for you are.

1012
00:53:03,760 --> 00:53:08,279
Speaker 4: Like literally well, think about the first line she's Eric says,

1013
00:53:08,400 --> 00:53:10,200
Speaker 4: is if you're in charge, I'll do whatever you want.

1014
00:53:10,640 --> 00:53:12,880
Speaker 4: It's like and it seems like a joke, but that

1015
00:53:13,040 --> 00:53:16,839
Speaker 4: is story. That is the extended the story. It's there's

1016
00:53:17,000 --> 00:53:21,680
Speaker 4: no nuance, there's no human character nothing, there's no regular behavior.

1017
00:53:21,760 --> 00:53:22,839
Speaker 1: It's just literally low.

1018
00:53:24,239 --> 00:53:27,759
Speaker 2: Also, her arrival and presence doesn't change either one of

1019
00:53:27,840 --> 00:53:31,800
Speaker 2: them in the slightest like there isn't some nothing just

1020
00:53:32,160 --> 00:53:32,600
Speaker 2: it's on.

1021
00:53:32,880 --> 00:53:36,399
Speaker 1: It's the it's it's the most pointless storylining character we've

1022
00:53:36,440 --> 00:53:39,640
Speaker 1: ever had on the show, like ever, the bear had

1023
00:53:39,719 --> 00:53:43,680
Speaker 1: more to do. It's so weird.

1024
00:53:45,520 --> 00:53:48,120
Speaker 2: Eric seems excited by this, but Jack keeps him grounded.

1025
00:53:48,320 --> 00:53:49,719
Speaker 2: They sit down next to her on the couch and

1026
00:53:49,800 --> 00:53:53,359
Speaker 2: simultaneously cross their legs. Eric announces, so far, I don't

1027
00:53:53,400 --> 00:53:56,359
Speaker 2: hear anything I don't like. She nods, good, go clean

1028
00:53:56,400 --> 00:53:59,320
Speaker 2: the toilets. He giggles and runs off. Thank you. What

1029
00:53:59,400 --> 00:53:59,799
Speaker 2: are you laughing?

1030
00:54:00,040 --> 00:54:00,160
Speaker 5: Out?

1031
00:54:00,160 --> 00:54:07,360
Speaker 4: Writer like, yeah, no, sorry, go on.

1032
00:54:07,960 --> 00:54:08,880
Speaker 1: I missed the monkey.

1033
00:54:09,040 --> 00:54:10,320
Speaker 3: I missed the monkey story.

1034
00:54:13,000 --> 00:54:20,400
Speaker 1: Sounds like a fully fledged, wonderful character developed peace compared

1035
00:54:20,440 --> 00:54:22,560
Speaker 1: to this. This that's like an Academy award.

1036
00:54:22,719 --> 00:54:26,879
Speaker 2: I mean, yes, give the Emmy posthumously the Emmy. Give

1037
00:54:26,960 --> 00:54:28,799
Speaker 2: the Monkey episode of the.

1038
00:54:28,960 --> 00:54:31,520
Speaker 1: Organ Grinder and the Monkey is like, man, that was

1039
00:54:31,640 --> 00:54:35,040
Speaker 1: just high quality. Is there is there a part of

1040
00:54:35,200 --> 00:54:39,520
Speaker 1: you that's slightly impressed that they did worse than the

1041
00:54:39,600 --> 00:54:43,080
Speaker 1: best story last week? I know not, there's a part

1042
00:54:43,080 --> 00:54:46,040
Speaker 1: of me that was almost like this is this is impressive?

1043
00:54:46,200 --> 00:54:49,040
Speaker 1: This is impressive. I didn't think it was possible, but

1044
00:54:49,200 --> 00:54:50,560
Speaker 1: this is impressive.

1045
00:54:50,920 --> 00:54:54,920
Speaker 6: Just when I think they can't top themselves, there's another

1046
00:54:55,000 --> 00:54:58,360
Speaker 6: bottom to this bay.

1047
00:54:58,800 --> 00:55:00,800
Speaker 1: I forgot there's a floor under east the bottom of

1048
00:55:00,840 --> 00:55:04,200
Speaker 1: the barrel. So bad.

1049
00:55:06,080 --> 00:55:08,960
Speaker 2: Bridget turns her focus to Jack. I understand it must

1050
00:55:09,040 --> 00:55:11,800
Speaker 2: be somewhat embarrassing for you, having once held this position.

1051
00:55:12,719 --> 00:55:15,680
Speaker 2: And now we get a little bit. I don't get

1052
00:55:15,920 --> 00:55:17,480
Speaker 2: she's becoming the manager.

1053
00:55:18,360 --> 00:55:21,000
Speaker 1: Okay, because the chancellor of the school can place his

1054
00:55:21,160 --> 00:55:24,600
Speaker 1: daughter in the manager of the study store, which is.

1055
00:55:24,600 --> 00:55:28,480
Speaker 2: A very high pay, and we all know Chanler Murphy's power.

1056
00:55:30,680 --> 00:55:34,920
Speaker 2: Come on, yeah, I love this little bit of just

1057
00:55:35,160 --> 00:55:39,000
Speaker 2: shaming her for her body too. Jack explains, no, I'm okay.

1058
00:55:39,120 --> 00:55:41,000
Speaker 2: What would be embarrassing, though, is if I let some

1059
00:55:41,200 --> 00:55:46,319
Speaker 2: obviously spoiled She said it so yes, yep, and surgically

1060
00:55:46,560 --> 00:55:50,560
Speaker 2: augmented little daddy skirl ruffle my feathers.

1061
00:55:52,080 --> 00:55:53,960
Speaker 1: I think it just meant he knew that she was

1062
00:55:54,040 --> 00:55:57,080
Speaker 1: born with a vestigial tail, right, she had it, she

1063
00:55:57,200 --> 00:56:00,040
Speaker 1: had it removed. That's what he was talking about. I

1064
00:56:00,120 --> 00:56:03,040
Speaker 1: gotta go for the subtext, Daniel. This is high important,

1065
00:56:03,200 --> 00:56:03,800
Speaker 1: deep stuff.

1066
00:56:03,960 --> 00:56:07,000
Speaker 2: That's just something that happens to every rich kid. Because

1067
00:56:07,200 --> 00:56:09,560
Speaker 2: how did he know that? Because does one.

1068
00:56:11,520 --> 00:56:12,239
Speaker 1: Comes with money?

1069
00:56:13,040 --> 00:56:15,400
Speaker 2: She's intrigued. Are you gonna kiss me?

1070
00:56:15,560 --> 00:56:15,759
Speaker 1: Now?

1071
00:56:16,600 --> 00:56:18,960
Speaker 2: Jack is unfazed. I'm gonna kiss you.

1072
00:56:19,200 --> 00:56:24,960
Speaker 1: Never by the way, their kids would be studding gorgeous,

1073
00:56:25,320 --> 00:56:26,120
Speaker 1: I mean studding.

1074
00:56:26,800 --> 00:56:28,560
Speaker 2: Do you think I don't understand good looks and a

1075
00:56:28,640 --> 00:56:30,800
Speaker 2: rich daddy. Yeah, you and I are cut from the

1076
00:56:30,880 --> 00:56:33,880
Speaker 2: same velvet cloth, Miss Bridget. He assures her. I know

1077
00:56:33,960 --> 00:56:36,000
Speaker 2: how to protect myself from you, and I know how

1078
00:56:36,040 --> 00:56:38,960
Speaker 2: to protect my friends too. On cue, Eric marches back

1079
00:56:39,000 --> 00:56:42,120
Speaker 2: out to declare toilets are clean. Boss, oh and hey look.

1080
00:56:42,480 --> 00:56:44,839
Speaker 2: He places a plunger on his head and brings back

1081
00:56:44,880 --> 00:56:48,680
Speaker 2: a version of the cartman voice. I'm at teletubby. Bridget

1082
00:56:48,800 --> 00:56:52,120
Speaker 2: is seemingly pleased with her brainless employee, and Jack is embarrassed.

1083
00:56:52,680 --> 00:56:55,680
Speaker 2: He's not my friend. Eric is still balancing the plunger

1084
00:56:55,760 --> 00:56:58,520
Speaker 2: on his head. Not the purple one though a little

1085
00:56:58,560 --> 00:56:59,280
Speaker 2: bit of gay panic.

1086
00:56:59,719 --> 00:57:02,440
Speaker 1: Yeah, and also ad libbed gay panic. That was on me.

1087
00:57:03,120 --> 00:57:04,640
Speaker 2: You give yourself credit for that one.

1088
00:57:04,719 --> 00:57:06,640
Speaker 1: Yeah, I ad lib that line like the second or

1089
00:57:06,640 --> 00:57:08,680
Speaker 1: third take, which is why you heard people laugh, because

1090
00:57:08,680 --> 00:57:13,040
Speaker 1: it was just in the zeitgeist about it was Jerry

1091
00:57:13,160 --> 00:57:15,520
Speaker 1: Folwell or somebody at the time coming out saying like

1092
00:57:16,000 --> 00:57:20,960
Speaker 1: the purple teletubby is clearly gay, This anamorphous blob of

1093
00:57:21,040 --> 00:57:23,920
Speaker 1: a thing, like, well, you know what it was because

1094
00:57:23,920 --> 00:57:26,400
Speaker 1: they hadn't know it had to try. They all had

1095
00:57:26,440 --> 00:57:28,400
Speaker 1: weird things. They had shifts on their head and it

1096
00:57:28,480 --> 00:57:30,560
Speaker 1: was an upside down triangle on the purple one. And

1097
00:57:30,600 --> 00:57:32,120
Speaker 1: he was like, well, that obviously means gay. And it

1098
00:57:32,200 --> 00:57:34,960
Speaker 1: was like, oh and so that, yeah, that became a

1099
00:57:35,000 --> 00:57:36,680
Speaker 1: whole thing. So yeah, that was me. I would love

1100
00:57:36,720 --> 00:57:38,480
Speaker 1: to blame the writers for that one, but I completely

1101
00:57:38,560 --> 00:57:40,920
Speaker 1: and totally threw out a gay panic joke and.

1102
00:57:41,160 --> 00:57:42,040
Speaker 2: Take credit for that.

1103
00:57:42,160 --> 00:57:43,720
Speaker 4: I do, I do well.

1104
00:57:43,840 --> 00:57:46,520
Speaker 2: Now in an empty, brand new house, Corey has walked

1105
00:57:46,560 --> 00:57:48,520
Speaker 2: to Panga into the living room, covering her eyes. He

1106
00:57:48,640 --> 00:57:52,120
Speaker 2: finally reveals to her their location, a spacious, newly painted

1107
00:57:52,160 --> 00:57:56,120
Speaker 2: home for sale. Behold our future. Two bedrooms, two bathrooms,

1108
00:57:56,160 --> 00:57:59,520
Speaker 2: a kitchen, and some kind of nook to Panga is baffled,

1109
00:58:00,000 --> 00:58:01,720
Speaker 2: Why would you take us here? Why would you take

1110
00:58:01,800 --> 00:58:03,480
Speaker 2: us to this house we could never afford?

1111
00:58:03,880 --> 00:58:06,960
Speaker 4: Okay, I got a response from Shiloh, Oh great, unhappy

1112
00:58:07,080 --> 00:58:08,200
Speaker 4: mcnam amazing.

1113
00:58:08,560 --> 00:58:10,280
Speaker 1: What did that come from? Feels like it was a

1114
00:58:10,360 --> 00:58:11,400
Speaker 1: Nate Brewer invention.

1115
00:58:12,000 --> 00:58:17,280
Speaker 2: Oh you said, yep, all right, funny. Now you got

1116
00:58:17,360 --> 00:58:18,440
Speaker 2: to reach out to Nate and ask.

1117
00:58:18,360 --> 00:58:20,360
Speaker 1: Him if that was his he's just gonna write back

1118
00:58:20,400 --> 00:58:24,720
Speaker 1: new phone. Who dis I'll send him the same thing.

1119
00:58:25,400 --> 00:58:27,120
Speaker 1: Unhappy mcnam.

1120
00:58:28,240 --> 00:58:28,640
Speaker 3: I love it.

1121
00:58:29,080 --> 00:58:32,520
Speaker 1: See what he says. Have you, by the way, have

1122
00:58:32,640 --> 00:58:35,160
Speaker 1: you seen the thing? I think I sent it to

1123
00:58:35,160 --> 00:58:36,960
Speaker 1: you both. It was either on Instagram or one of

1124
00:58:36,960 --> 00:58:39,480
Speaker 1: the other things about the Are you going to get

1125
00:58:39,480 --> 00:58:39,720
Speaker 1: into that.

1126
00:58:40,120 --> 00:58:42,280
Speaker 2: We do have the clip. Yeah, we have the clip.

1127
00:58:42,280 --> 00:58:44,120
Speaker 2: We're going to play it for everyone. Okay, good, you'll

1128
00:58:44,160 --> 00:58:47,440
Speaker 2: see you'll see it, writer, you'll see writer. I love

1129
00:58:47,560 --> 00:58:50,040
Speaker 2: that there's always some dynamic where two of us know

1130
00:58:50,160 --> 00:58:54,040
Speaker 2: what's going on and the other one has and we're

1131
00:58:54,040 --> 00:58:56,880
Speaker 2: always like you just told you, you'll find out.

1132
00:58:57,000 --> 00:59:01,600
Speaker 1: We get it breaks down like in those situations.

1133
00:59:01,640 --> 00:59:03,120
Speaker 4: How much of our audience is on the side of

1134
00:59:03,200 --> 00:59:04,800
Speaker 4: the knowers and how much of the audience is on

1135
00:59:04,920 --> 00:59:05,520
Speaker 4: the unknown?

1136
00:59:06,240 --> 00:59:07,479
Speaker 1: Like, how much of an audience do you think.

1137
00:59:07,400 --> 00:59:11,800
Speaker 2: Knows about Clovicular You want an actual guess, I would

1138
00:59:11,840 --> 00:59:15,600
Speaker 2: say of our audience where I think the smallest percentage

1139
00:59:15,640 --> 00:59:21,880
Speaker 2: of our listeners are twenty five and younger. Yeah, I

1140
00:59:22,000 --> 00:59:26,800
Speaker 2: would say two percent of our listeners know about Clivikiler.

1141
00:59:27,000 --> 00:59:30,000
Speaker 4: Okay, Really, I think it's in the zeitgeist.

1142
00:59:30,040 --> 00:59:32,080
Speaker 1: I feel like it's something I ever heard of. This

1143
00:59:32,240 --> 00:59:34,600
Speaker 1: is honestly sounds like something you need to take medicine for.

1144
00:59:37,320 --> 00:59:38,080
Speaker 2: We could do a poll.

1145
00:59:38,840 --> 00:59:44,440
Speaker 1: We just have do have articular Are we making this

1146
00:59:44,560 --> 00:59:46,800
Speaker 1: guy it's a guy, it's a guy guy? Can we

1147
00:59:46,880 --> 00:59:48,560
Speaker 1: making this guy more famous by doing this?

1148
00:59:48,880 --> 00:59:50,160
Speaker 2: No, No, we're not going to put a picture of

1149
00:59:50,240 --> 00:59:52,160
Speaker 2: him or any of that. We're just going to do

1150
00:59:52,240 --> 00:59:52,560
Speaker 2: a poll.

1151
00:59:52,720 --> 00:59:55,880
Speaker 1: Have you had you heard just sent back about ten hearts?

1152
00:59:56,440 --> 00:59:58,320
Speaker 2: Oh? He loves it?

1153
00:59:59,000 --> 00:59:59,120
Speaker 1: Was that?

1154
00:59:59,520 --> 01:00:00,320
Speaker 2: Was that a him invention?

1155
01:00:00,720 --> 01:00:01,120
Speaker 5: I think so?

1156
01:00:02,080 --> 01:00:03,880
Speaker 1: I mean we used to say it all the time,

1157
01:00:03,960 --> 01:00:04,600
Speaker 1: but yeah, I don't know.

1158
01:00:04,760 --> 01:00:07,840
Speaker 2: God's cute. He still asks if we could afford it?

1159
01:00:07,960 --> 01:00:08,560
Speaker 1: Do you like it?

1160
01:00:08,800 --> 01:00:10,960
Speaker 2: She crosses her arms. We can't afford it.

1161
01:00:11,800 --> 01:00:14,160
Speaker 1: We're all He's had a textback. We're all just Bozo's

1162
01:00:14,240 --> 01:00:16,760
Speaker 1: on the bus, which is something I don't remember.

1163
01:00:17,640 --> 01:00:18,720
Speaker 4: He's he's going deeper.

1164
01:00:19,040 --> 01:00:20,320
Speaker 1: Oh no, gosh, she.

1165
01:00:20,440 --> 01:00:24,360
Speaker 2: Got Maybe he needs to say it to you. Maybe

1166
01:00:24,400 --> 01:00:26,120
Speaker 2: if you heard it in a voice, you would know

1167
01:00:26,200 --> 01:00:26,600
Speaker 2: what it is.

1168
01:00:27,120 --> 01:00:30,000
Speaker 1: Yeah, maybe the ten hearts mean means you having heart problems.

1169
01:00:34,320 --> 01:00:36,640
Speaker 2: He begs her, don't do that, you're becoming a negative

1170
01:00:36,680 --> 01:00:39,920
Speaker 2: little missy. Tapega explains, it is just cruel to take

1171
01:00:39,960 --> 01:00:42,680
Speaker 2: a person who's this close to losing it, this close

1172
01:00:43,200 --> 01:00:45,919
Speaker 2: and taunt her with this cute, little, adorable house which

1173
01:00:45,960 --> 01:00:51,520
Speaker 2: she'll never ever live in. And I realized here in

1174
01:00:51,600 --> 01:00:55,520
Speaker 2: the scene that Tapega is wearing an exact outfit Danielle

1175
01:00:55,560 --> 01:00:59,640
Speaker 2: would wear today, just really cute sweater jeans with a

1176
01:00:59,640 --> 01:01:01,360
Speaker 2: little bit of a flare at the bottom, and a

1177
01:01:01,400 --> 01:01:03,160
Speaker 2: cute pair of shoes, so tennis shoes.

1178
01:01:03,440 --> 01:01:07,400
Speaker 1: I also have to say, except maybe season one, season

1179
01:01:07,520 --> 01:01:09,760
Speaker 1: seven to Panga is arguably my favorite Tapanga.

1180
01:01:10,520 --> 01:01:13,560
Speaker 2: Oh agreed. There are some moments that are just there

1181
01:01:13,600 --> 01:01:16,040
Speaker 2: are some moments that are weird aside from her for

1182
01:01:16,200 --> 01:01:19,680
Speaker 2: you know, making excuses for Corey's weird behavior. I don't understand,

1183
01:01:19,720 --> 01:01:22,480
Speaker 2: like in the coming up where I go liyap Liyeah,

1184
01:01:22,960 --> 01:01:26,480
Speaker 2: those are just like Michael, I am like Michael read yes,

1185
01:01:26,760 --> 01:01:28,680
Speaker 2: Like I don't get that. But I do, in general

1186
01:01:29,000 --> 01:01:30,240
Speaker 2: love this version of her.

1187
01:01:30,360 --> 01:01:35,800
Speaker 1: Yes, she has character agency and you're having yes, yeah,

1188
01:01:35,800 --> 01:01:38,800
Speaker 1: it's and hitting your like you're finding jokes where there

1189
01:01:38,880 --> 01:01:41,400
Speaker 1: aren't any and we're just playing more and yeah, this

1190
01:01:41,640 --> 01:01:42,840
Speaker 1: this this works for Tapanga.

1191
01:01:42,960 --> 01:01:46,360
Speaker 2: I agree. Thank you, Corey Gritts. So you like this house?

1192
01:01:46,520 --> 01:01:48,720
Speaker 2: She screams at the top of her lungs, I love

1193
01:01:48,800 --> 01:01:51,080
Speaker 2: this house. Why would you do this to me? And

1194
01:01:51,200 --> 01:01:54,200
Speaker 2: then a brightly dressed lady appears atop the stairs and

1195
01:01:54,280 --> 01:01:58,320
Speaker 2: cheerfully chirps hello, you must be my happy happy.

1196
01:02:00,000 --> 01:02:03,560
Speaker 1: But he told the audience to go crazy crazy. Don't

1197
01:02:03,560 --> 01:02:08,720
Speaker 1: you remember her kids from laughing? This is such a

1198
01:02:08,800 --> 01:02:10,680
Speaker 1: weird tradition on our show.

1199
01:02:10,800 --> 01:02:14,280
Speaker 4: I guess sitcoms in general they're like cookie side character

1200
01:02:14,480 --> 01:02:17,600
Speaker 4: for one scene with a big voice. Because we did

1201
01:02:17,720 --> 01:02:20,320
Speaker 4: like the wedding planner, yep, we had. I just feel

1202
01:02:20,360 --> 01:02:22,320
Speaker 4: like this is such a trope initcoms.

1203
01:02:22,520 --> 01:02:24,960
Speaker 2: It is a sitcom trope for sure, and by the way,

1204
01:02:25,960 --> 01:02:29,240
Speaker 2: potential for great drive buys, and in this case, I

1205
01:02:29,280 --> 01:02:31,440
Speaker 2: think it is a great drive by. For example the

1206
01:02:31,480 --> 01:02:34,840
Speaker 2: hair cutting episode, Oh wow, you know that's a talk

1207
01:02:34,880 --> 01:02:37,640
Speaker 2: about a perfect drive buy. So it is a trope

1208
01:02:37,680 --> 01:02:40,040
Speaker 2: for a reason, because when it works, it works well,

1209
01:02:40,120 --> 01:02:40,680
Speaker 2: it works well.

1210
01:02:41,160 --> 01:02:43,200
Speaker 1: Isn't there an Emmy for that? Isn't I think there's

1211
01:02:43,240 --> 01:02:44,520
Speaker 1: a guest star Emmy. Isn't there?

1212
01:02:44,840 --> 01:02:45,880
Speaker 2: Yes? I think there is.

1213
01:02:46,480 --> 01:02:48,520
Speaker 1: It always goes to like the most famous person, right

1214
01:02:48,560 --> 01:02:51,600
Speaker 1: of course, like Lane guest stars like on Star trek right.

1215
01:02:52,200 --> 01:02:54,240
Speaker 2: Tpanga asks if she's the real estate agent, and the

1216
01:02:54,320 --> 01:02:58,720
Speaker 2: lady chuckles, oh, yes, i am. We love that. But

1217
01:02:58,880 --> 01:03:01,960
Speaker 2: she greats blinds down the stairban and start to close

1218
01:03:02,040 --> 01:03:06,480
Speaker 2: the door and introduce herself, Edith Stevens, at your service,

1219
01:03:06,720 --> 01:03:10,360
Speaker 2: Oh how much do you love this breathtaking starter cottage

1220
01:03:10,400 --> 01:03:12,640
Speaker 2: with an ook? Do we think it's weird that Corey

1221
01:03:12,840 --> 01:03:15,840
Speaker 2: didn't bother to let his mother know the possible real

1222
01:03:15,960 --> 01:03:17,320
Speaker 2: estate agent herself?

1223
01:03:17,640 --> 01:03:21,040
Speaker 1: Exactly? Well, mom says the house, skip the household and

1224
01:03:21,120 --> 01:03:21,880
Speaker 1: then fill it with art.

1225
01:03:22,120 --> 01:03:26,080
Speaker 2: Yeah, ex that's right, it's the joy. Topanga threatens the agent.

1226
01:03:26,120 --> 01:03:28,920
Speaker 2: I'm reporting you to the Better Business Bureau. Immediately, the

1227
01:03:29,000 --> 01:03:32,640
Speaker 2: woman is confused. Whatever for Topeka points to Corey, this

1228
01:03:32,800 --> 01:03:35,000
Speaker 2: man's a dope. You knew that after a few minutes

1229
01:03:35,000 --> 01:03:36,520
Speaker 2: of talking with him, and then you led him to

1230
01:03:36,520 --> 01:03:38,840
Speaker 2: believe we could afford this house when the truth is

1231
01:03:39,120 --> 01:03:43,680
Speaker 2: he can barely afford a sandwich. Edith laughs, My dear missus, Matthews,

1232
01:03:43,760 --> 01:03:46,320
Speaker 2: it is my joy to place young couples and cozy

1233
01:03:46,400 --> 01:03:49,720
Speaker 2: surroundings such as these. She grabs Corey into Panka's hands

1234
01:03:49,760 --> 01:03:53,280
Speaker 2: tight like most other couples. You think, I can't afford it.

1235
01:03:54,040 --> 01:03:56,240
Speaker 2: She then raises their hands high in the air and screeches,

1236
01:03:56,320 --> 01:04:01,960
Speaker 2: but you can. I just I've thoroughly enjoyed this.

1237
01:04:02,320 --> 01:04:03,520
Speaker 1: She's she's great.

1238
01:04:04,280 --> 01:04:07,880
Speaker 2: Tapanga is dumbfounded. How could they possibly afford an eighty

1239
01:04:08,240 --> 01:04:13,720
Speaker 2: thousand dollars house? Wow, the lady grins, very simple, over

1240
01:04:13,840 --> 01:04:16,960
Speaker 2: thirty years, I've already explained it to your husband. And

1241
01:04:17,080 --> 01:04:21,560
Speaker 2: she scratches Corey's chin, which is a decision. Tapega commands

1242
01:04:21,600 --> 01:04:23,800
Speaker 2: the lady, I told you not to talk to him.

1243
01:04:24,120 --> 01:04:27,560
Speaker 2: Corey argues, she can talk to me, and the agent degrees, yeah,

1244
01:04:27,760 --> 01:04:30,080
Speaker 2: I can talk to him. She turns to Corey and

1245
01:04:30,160 --> 01:04:33,760
Speaker 2: sings out the instructions. Remember, just a trifle of a

1246
01:04:33,840 --> 01:04:36,360
Speaker 2: down payment and a pittance of a mortgage and two

1247
01:04:36,560 --> 01:04:39,800
Speaker 2: living parents with a pen who can sign. This is

1248
01:04:39,960 --> 01:04:44,200
Speaker 2: the scene writer that has become social media fodder.

1249
01:04:44,800 --> 01:04:44,960
Speaker 1: Yeah.

1250
01:04:45,040 --> 01:04:49,160
Speaker 2: Thirty years later, here is Instagram user Freddie Smith. He

1251
01:04:49,320 --> 01:04:54,520
Speaker 2: is at FMS MIH three one nine updating everything Corey

1252
01:04:54,600 --> 01:04:57,000
Speaker 2: and Tapanga hope for. But now, in twenty twenty five,

1253
01:04:57,400 --> 01:05:00,720
Speaker 2: let's play the clip eight thousand dollars house. It's very simple.

1254
01:05:00,880 --> 01:05:04,240
Speaker 2: Over thirty years, just to trifle down payment and a

1255
01:05:04,320 --> 01:05:07,320
Speaker 2: pittance of a mortgage and two living parents with a

1256
01:05:07,400 --> 01:05:08,240
Speaker 2: pan foo can sell.

1257
01:05:08,360 --> 01:05:10,080
Speaker 7: So that clip was from Boy Meets World, and that

1258
01:05:10,240 --> 01:05:13,080
Speaker 7: episode aired in nineteen ninety nine, and I couldn't help myself,

1259
01:05:13,120 --> 01:05:14,760
Speaker 7: so I had to run the numbers. The show took

1260
01:05:14,800 --> 01:05:17,080
Speaker 7: place in Philly, and I saw that the median house

1261
01:05:17,160 --> 01:05:19,840
Speaker 7: price was around eighty thousand dollars in nineteen ninety nine. Now,

1262
01:05:19,880 --> 01:05:22,160
Speaker 7: core Intopanga were high school students without a job, so

1263
01:05:22,280 --> 01:05:25,160
Speaker 7: they couldn't qualify. But what about the median household income?

1264
01:05:25,200 --> 01:05:28,520
Speaker 7: Back then, it's forty thousand dollars, which is about thirty

1265
01:05:28,560 --> 01:05:31,040
Speaker 7: three hundred dollars a month, and a three percent down

1266
01:05:31,080 --> 01:05:33,840
Speaker 7: payment on the median house was only twenty four hundred dollars,

1267
01:05:34,000 --> 01:05:36,480
Speaker 7: So somebody in Philly in nineteen ninety nine didn't even

1268
01:05:36,520 --> 01:05:39,320
Speaker 7: have to save one month's income to put a down

1269
01:05:39,360 --> 01:05:41,520
Speaker 7: payment on this house. And the interest rates were around

1270
01:05:41,560 --> 01:05:44,400
Speaker 7: seven percent, just like they are today. So with principal interest,

1271
01:05:44,440 --> 01:05:47,880
Speaker 7: property tax insurance, and private mortgage insurance, the total payment

1272
01:05:48,280 --> 01:05:50,720
Speaker 7: was seven hundred and fifty dollars a month to get

1273
01:05:50,720 --> 01:05:53,280
Speaker 7: the median house in Philly, and you're making thirty three hundred,

1274
01:05:53,320 --> 01:05:56,320
Speaker 7: so that's about what twenty five percent, So a family

1275
01:05:56,440 --> 01:05:59,480
Speaker 7: making forty grand could take care of their entire mortgage

1276
01:05:59,520 --> 01:06:01,920
Speaker 7: and just one week. And then I wanted to see, well,

1277
01:06:02,040 --> 01:06:04,120
Speaker 7: let's just see what happened to the prices in Philadelphics.

1278
01:06:04,200 --> 01:06:05,920
Speaker 7: We know the averages around the country, but let's look

1279
01:06:05,920 --> 01:06:08,200
Speaker 7: at Philly. Eighty thousand was the median price in nineteen

1280
01:06:08,240 --> 01:06:10,680
Speaker 7: ninety nine. It's now two hundred and fifty thousand, so

1281
01:06:10,800 --> 01:06:12,800
Speaker 7: below the average for the nation. But the income was

1282
01:06:12,880 --> 01:06:15,640
Speaker 7: forty thousand for the median household. Now it's sixty thousand.

1283
01:06:15,720 --> 01:06:18,400
Speaker 7: So the housing price even in Philly went up over

1284
01:06:18,560 --> 01:06:21,200
Speaker 7: two hundred percent in the last twenty five years, but

1285
01:06:21,360 --> 01:06:24,360
Speaker 7: the income only went up fifty three percent. So even

1286
01:06:24,400 --> 01:06:27,000
Speaker 7: in smaller cities, metro cities, no matter where we look,

1287
01:06:27,080 --> 01:06:29,160
Speaker 7: I don't think I have found a city in America

1288
01:06:29,520 --> 01:06:32,120
Speaker 7: where the housing and income was even close to keeping up.

1289
01:06:32,600 --> 01:06:34,320
Speaker 2: That's isn't that crazy?

1290
01:06:34,560 --> 01:06:37,160
Speaker 1: Crazy? Yeah? When you busts down the numbers that you're

1291
01:06:37,200 --> 01:06:41,040
Speaker 1: looking at it like you can't do that anymore? Wow? Yeah.

1292
01:06:41,680 --> 01:06:43,560
Speaker 1: So the thing, it's weird because the kind of the

1293
01:06:43,720 --> 01:06:47,360
Speaker 1: story that Alan and Amy are talking about and want

1294
01:06:47,480 --> 01:06:49,280
Speaker 1: Corey in too. Panget To experience so.

1295
01:06:49,760 --> 01:06:51,000
Speaker 4: Much harder is impossible.

1296
01:06:51,080 --> 01:06:54,120
Speaker 1: It's almost unattainable. I mean literally almost done it. Well,

1297
01:06:54,120 --> 01:06:55,840
Speaker 1: we've got nothing. We've got to scrape together something to

1298
01:06:55,880 --> 01:06:58,840
Speaker 1: get a down payment. You can't really do that anymore. Wow.

1299
01:06:59,400 --> 01:07:02,240
Speaker 2: Nope, we could not shut up this episode. I don't

1300
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Speaker 2: know what got into us, but I hope you like it.

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Speaker 2: You can listen to part two of this episode later today.

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Speaker 2: Pod Meets World is an iHeart podcast produced and hosted

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Speaker 2: by Danielle Fischel, Wilfridell and Ryder Strong Executive producers, Jensen

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Speaker 2: Karp and Amy Sugarman. Executive in charge of production, Danielle Romo,

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Speaker 2: producer and editor, Tara sudbachsch producer, Maddy Moore, engineer and

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Speaker 2: Boy Meets World super fan Easton Allen. Our theme song

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Speaker 2: is by Kyle Morton of Typhoon. Follow us on Instagram

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Speaker 2: at Pod Meets World Show, or email us at Podmeets

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Speaker 2: Worldshow at gmail dot com