WEBVTT - The Karol Markowicz Show: The Red Pill Controversy with Blake Nelson

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<v Speaker 1>Hi, and welcome back to the peril Markoi Show on iHeartRadio.

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<v Speaker 1>The dating monologues continue to be popular in both my

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<v Speaker 1>mentions and my messages. A listener wrote out a list

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<v Speaker 1>of suggestions for people hoping to meet someone. I particularly

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<v Speaker 1>like these two points. First, identify the kind of mate

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<v Speaker 1>you want. Then transform yourself into the kind of person

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<v Speaker 1>who would make a good mate for him her. Maybe

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<v Speaker 1>that fails too because your concept of the best mate

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<v Speaker 1>wasn't fully developed. That's part of the learning and maturing process.

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<v Speaker 1>Then you readjust your perception of what is optimal, remake

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<v Speaker 1>yourself again, try again until you get it right. You

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<v Speaker 1>become a better person in the process, and second, become

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<v Speaker 1>the most happy, content sociable, fulfilled, et cetera person you

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<v Speaker 1>can be without a partner, and even the best of marriages,

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<v Speaker 1>you don't cease to be an individual, nor does your partner.

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<v Speaker 1>Both pretty good on your own than your expectations and

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<v Speaker 1>needs from each other are lower, therefore increasing the success.

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<v Speaker 1>So a lot of this stuff is not rocket science.

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<v Speaker 1>As I've said before, and even on TikTok you can

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<v Speaker 1>hear that working on yourself is a good thing to do,

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<v Speaker 1>but it's important to say out loud, and I particularly

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<v Speaker 1>liked how he says your idea of the perfect mate

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<v Speaker 1>isn't fully developed.

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<v Speaker 2>You don't really.

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<v Speaker 1>Know what you want sometimes a lot of the time,

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<v Speaker 1>and that hinders people from finding what they actually need.

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<v Speaker 1>That's one of the many problems with the swiping culture.

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<v Speaker 1>For some reason, a lot of this advice is aimed

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<v Speaker 1>at women, but men need to get that advice too.

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<v Speaker 1>What you're attracted to in a picture won't necessarily be

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<v Speaker 1>what attracts you in real life.

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<v Speaker 3>A lot of the time, the.

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<v Speaker 1>People I hear from want to help someone else, often

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<v Speaker 1>their grown child, but sometimes a friend or a family

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<v Speaker 1>member find someone. Now, obviously that's a tough thing to do.

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<v Speaker 1>Helping others with this kind of thing is even harder

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<v Speaker 1>than helping yourself. If you're trying to help someone else,

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<v Speaker 1>advise them to go easier on themselves. It's so easy

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<v Speaker 1>to get into that spiral of you know, no one

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<v Speaker 1>will ever want me, et cetera. A lot of life

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<v Speaker 1>is luck, and a lot of the rest of it

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<v Speaker 1>is putting yourself in the right situation to get lucky.

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<v Speaker 1>This isn't a dating podcast, so I'll wrap up the

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<v Speaker 1>dating segments here, but it is a show about living

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<v Speaker 1>a better life, and I pretty firmly believe that finding

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<v Speaker 1>someone to spend your life with makes it better. If

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<v Speaker 1>you've got thoughts, drop me an email. Carol Markowitz Show

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<v Speaker 1>at gmail dot com. It's Ka R O L M A.

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<v Speaker 1>R kow I c As and Charlie Zias and Zebra's

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<v Speaker 1>Show at gmail dot com. Coming up next and interview

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<v Speaker 1>with Blake Nelson. Welcome back to the Carol Markowitz Show

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<v Speaker 1>on iHeartRadio. Blake Nelson is the author of many adult

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<v Speaker 1>and young adult novels. His many titles include which was

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<v Speaker 1>serialized by Sassy Magazine, My Favorite When I Was a

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<v Speaker 1>Teen to Great Acclaim, Paranoid Park, which was made into

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<v Speaker 1>a film by Gus Vincent, and Recovery Road, which was

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<v Speaker 1>adapted into a TV show for ABC Disney.

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<v Speaker 3>In twenty sixteen. He currently writes travel and memoir pieces

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<v Speaker 3>on his Fantastic subsetac page Travels to Distant Cities. Hi, Blake,

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<v Speaker 3>so nice to have you on.

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<v Speaker 2>Oh great to be on. Nice to see it, Carol.

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<v Speaker 3>Really good to see you too. Can I tell the

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<v Speaker 3>story of how we met?

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<v Speaker 2>Is that sare okay?

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<v Speaker 3>Do you know what you know? So it was funny.

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<v Speaker 1>I met a woman on Twitter, right, Julia Malucci, and.

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<v Speaker 3>We hit it off.

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<v Speaker 1>I don't know, I don't even remember how we scott

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<v Speaker 1>to talking, but I looked up that she had written

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<v Speaker 1>a book I loved and lost and made spaghetti and

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<v Speaker 1>I read the book and.

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<v Speaker 3>She and I were going out for a drink and.

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<v Speaker 1>I said, you know, I think one of the guys

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<v Speaker 1>in your book it was a book about like.

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<v Speaker 3>Love affairs she had had.

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<v Speaker 1>I said, I think I know one of the guys

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<v Speaker 1>in your book is Is it Blake Nelson? And she

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<v Speaker 1>said we were out for a drink and she said, yes,

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<v Speaker 1>it is.

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<v Speaker 3>And he's meeting us here in ten minutes.

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<v Speaker 1>And I was like, Blake Nelson my favorite writer, and

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<v Speaker 1>so I you know, sometimes I hold up a book

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<v Speaker 1>I'm about to like.

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<v Speaker 3>I have many Blake Nelson books. I am obviously huge,

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<v Speaker 3>huge fan.

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<v Speaker 1>I have The City Once You Alone on my nightstand

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<v Speaker 1>that it's in the cue for me to read. So

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<v Speaker 1>that's why it's not that stat extra showed. But you

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<v Speaker 1>are a long time, very much one of my favorite writers.

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<v Speaker 3>I read everything. You're right, and I'm so happy to

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<v Speaker 3>have you on the show.

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<v Speaker 2>No thank you so much.

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<v Speaker 1>And you know, when I was talking to Julia, it

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<v Speaker 1>was just funny that I was able to figure out

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<v Speaker 1>who you were based on her description of Portland music

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<v Speaker 1>writer guy. And so tell us a little bit about

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<v Speaker 1>how you got to, you know, having seventeen thousand books

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<v Speaker 1>on my shelf.

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<v Speaker 2>Well, I just I was a musician when I was

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<v Speaker 2>a teenager and in my beIN in college and uh

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<v Speaker 2>and I but I love to write. I always love

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<v Speaker 2>to write, and so writing and music were my two

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<v Speaker 2>favorite things. And when I got sort of kind of

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<v Speaker 2>deep into the music world, I kind of felt like

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<v Speaker 2>I had to make a choice if I wanted to

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<v Speaker 2>be a writer or a musician. And I'd seen I'd played.

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<v Speaker 3>A terrible decision.

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<v Speaker 2>I know, how did you choose that?

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<v Speaker 3>I would definitely music?

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<v Speaker 2>And I just chose it based on the fact that

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<v Speaker 2>I thought I'd be doing it for my whole life.

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<v Speaker 2>And I thought the music thing is super fun when

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<v Speaker 2>you're twenty one, and but but doing it forever would

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<v Speaker 2>just be kind of a slog I thought. And I'd

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<v Speaker 2>seen the life, you know, I'd played clubs, I'd played

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<v Speaker 2>with bigger bands that I could see what it was

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<v Speaker 2>like to be successful in that world, and I just

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<v Speaker 2>thought being a writer would be more interesting, and I

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<v Speaker 2>thought it would last longer. I felt like, you know,

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<v Speaker 2>people take writer seriously when they're in their forties and fifties,

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<v Speaker 2>and nobody.

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<v Speaker 1>Take it like, you know, Mick Jagger is still jumping

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<v Speaker 1>around the stage and he's like eighty, so I'm in

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<v Speaker 1>my forties. I saw Mick Jagger the Rolling Stones play

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<v Speaker 1>when I was in college collegames a long time ago,

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<v Speaker 1>and I was like, ooh, these guys are too old

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<v Speaker 1>and they're still playing today right now.

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<v Speaker 2>Yeah, so you could have.

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<v Speaker 3>Had a long, illustrious musical career if you had done

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<v Speaker 3>it slightly.

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<v Speaker 2>You know, maybe most musical careers are not do not

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<v Speaker 2>go like the Rolling Stones. Most musical careers. And I

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<v Speaker 2>saw myself as a musician. You have a kind of

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<v Speaker 2>breakout and have like maybe a big record or something,

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<v Speaker 2>and then you kind of just try to hang around

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<v Speaker 2>as long as you can. And I see bands that

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<v Speaker 2>were my contemporaries and they're playing in small clubs now.

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<v Speaker 2>You know, these great bands like the Psychedelic Firs just

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<v Speaker 2>played in a club in Portland, and I'm really glad

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<v Speaker 2>I became a writer. I don't want to be writer

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<v Speaker 2>the right.

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<v Speaker 1>Decision making yes, no other pants for you at the stage.

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<v Speaker 2>And also as a writer you're kind of always doing

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<v Speaker 2>new things, whereas in music, if you kind of have hits,

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<v Speaker 2>then you just really got to do the hits. Yeah,

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<v Speaker 2>And I just thought it would be more interesting. I

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<v Speaker 2>thought it would just I didn't know. And at the

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<v Speaker 2>time I was doing music, like every every kind of

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<v Speaker 2>cool person did music, and I thought, don't we need

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<v Speaker 2>some cool people?

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<v Speaker 3>Yes, we did, We did need that.

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<v Speaker 2>And so and that really turned out to be right

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<v Speaker 2>because when I read wrote Girl, the book you were

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<v Speaker 2>that you were saying talking about nobody really wrote a

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<v Speaker 2>good book about that world. No, So I felt like,

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<v Speaker 2>you know, in one sense that just on the basis

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<v Speaker 2>of that one book, my sort of gampit to try to,

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<v Speaker 2>you know, to try to do something interesting in the

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<v Speaker 2>literary world. You know, it was worth it, because really

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<v Speaker 2>there wasn't. If there wasn't that book, you know, that's

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<v Speaker 2>kind of the best potent if you want to know

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<v Speaker 2>about that scene the nineties Northwest, that was a significant

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<v Speaker 2>cultural moment. Yeah, and it really isn't that, you know,

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<v Speaker 2>there's not really a good novel about it except for

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<v Speaker 2>why right there really was Eddy, There isn't any novels

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<v Speaker 2>about it, and so that's right.

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<v Speaker 1>We'll have more coming up with Blake Nelson, but first,

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<v Speaker 1>it's funny with this show, I sort of have started

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<v Speaker 1>to describe it as I ask political people non political questions.

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<v Speaker 3>But you're not a political person. You're just somebody I

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<v Speaker 3>think is interesting and.

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<v Speaker 1>I wanted to have on the show where you did

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<v Speaker 1>have a bit of a political controversy with a book

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<v Speaker 1>a few books ago.

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<v Speaker 3>Now right, two books ago.

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<v Speaker 1>Your book was called The Red Pill and it was

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<v Speaker 1>about the dating kind of guys, the what are they.

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<v Speaker 2>Called the manosphere?

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<v Speaker 1>The manosphere, I think on the pickups, the pickup pickup artists.

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<v Speaker 3>Yeah, can you you know.

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<v Speaker 1>And you got some pushback and you had some protests

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<v Speaker 1>at bookstores, but I didn't feel that you.

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<v Speaker 3>Were glamorizing them at all.

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<v Speaker 1>I didn't think that, Like I didn't read that book

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<v Speaker 1>and think, oh, I hope my son grows up to

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<v Speaker 1>be one of these guys either. So what what was

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<v Speaker 1>that like for you to have that kind of controversy

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<v Speaker 1>not a political person, Yeah.

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<v Speaker 2>You know, I'm not really in the book. I named

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<v Speaker 2>the book the Red Pill because the book was so

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<v Speaker 2>he was so non political. It was about his family

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<v Speaker 2>that was they kind of went through. This is just

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<v Speaker 2>a story of a family during the time of the

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<v Speaker 2>year before Trump got elected, in the year after Trump

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<v Speaker 2>got elected, so it was kind of which was a

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<v Speaker 2>very storm me weird time, and families were kind of

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<v Speaker 2>families that, you know, normal families will often have conservatives liberals,

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<v Speaker 2>right at that moment for the first time that was

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<v Speaker 2>really causing problems with families, and so that's what the

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<v Speaker 2>book was about. The book was about a family of

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<v Speaker 2>fairly normal, up er, middle class, liberal, arts educated people.

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<v Speaker 2>But one of the guys in the family was kind

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<v Speaker 2>of a manisphere guy, and one of the other people

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<v Speaker 2>in the family was trying to get married and was

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<v Speaker 2>having a terrible time. So the manisphere guy tries to

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<v Speaker 2>help the guy wants to get married, and it was

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<v Speaker 2>very funny, yeah, hilarity exactly, but it was also a

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<v Speaker 2>pretty serious look at that time. And I thought it

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<v Speaker 2>was great. I know, I thought it was going to

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<v Speaker 2>be a big hit or something like, I thought it

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<v Speaker 2>was my house. Yeah, So, but I bet it did

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<v Speaker 2>get a lot of pushback. People didn't want to hear

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<v Speaker 2>anything about Trump. And I handled the Trump thing completely objective.

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<v Speaker 2>It was a lot about Trump, it was not about

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<v Speaker 2>any of that stuff. But but it just didn't ay

0:12:11.240 --> 0:12:15.440
<v Speaker 2>red Pill. I've got people really upset and and it

0:12:15.520 --> 0:12:18.240
<v Speaker 2>was again that was that really affected me. I had

0:12:18.240 --> 0:12:20.920
<v Speaker 2>to sort to deal with that. It was it kind

0:12:20.960 --> 0:12:23.960
<v Speaker 2>of that kind of pushed me into the substack world

0:12:24.000 --> 0:12:26.679
<v Speaker 2>where I, you know, which is the only real place.

0:12:26.720 --> 0:12:30.480
<v Speaker 2>I felt like I could pursue something else, and you know,

0:12:30.600 --> 0:12:33.640
<v Speaker 2>and eventually I started writing the Travel Staff and then

0:12:33.640 --> 0:12:37.319
<v Speaker 2>and then that's turned out really well. So yeah, I.

0:12:36.840 --> 0:12:40.839
<v Speaker 1>Loved your I love your travel writings and hearing about

0:12:40.840 --> 0:12:44.439
<v Speaker 1>the different places. Actually your recent one of your recent

0:12:44.520 --> 0:12:47.479
<v Speaker 1>ones was about Julia's memoir where.

0:12:47.240 --> 0:12:48.000
<v Speaker 2>She mentioned you.

0:12:48.320 --> 0:12:51.240
<v Speaker 1>So I was like, oh, this is how we we

0:12:51.360 --> 0:12:52.040
<v Speaker 1>first met.

0:12:52.520 --> 0:12:54.719
<v Speaker 2>Yeah. Yeah. A question I.

0:12:54.679 --> 0:12:57.800
<v Speaker 3>Asked all of my guests is what do you worry about?

0:12:57.960 --> 0:13:00.559
<v Speaker 2>Well, I just worry about the world in general. Uh

0:13:00.640 --> 0:13:03.880
<v Speaker 2>you know, I as as things crank up and get

0:13:03.920 --> 0:13:09.720
<v Speaker 2>more uh interesting, shall we say, Uh, Like two years ago,

0:13:09.840 --> 0:13:14.520
<v Speaker 2>I was more worried. And now that everybody else is worried,

0:13:15.240 --> 0:13:18.680
<v Speaker 2>if everybody else is free, dad that I can relax. Right.

0:13:19.880 --> 0:13:22.079
<v Speaker 2>It's so in a weird way, I'm not that concerned

0:13:22.080 --> 0:13:25.480
<v Speaker 2>about this Coverlent election, and everybody else is very worried

0:13:25.520 --> 0:13:28.880
<v Speaker 2>about it. In Portland, they're you know, gearing up the

0:13:28.920 --> 0:13:32.920
<v Speaker 2>police force and putting unsensires for the stuff and.

0:13:33.080 --> 0:13:36.280
<v Speaker 1>For the Trump supporters who are going to riot, right, well,

0:13:36.320 --> 0:13:39.240
<v Speaker 1>I think that they did well.

0:13:40.440 --> 0:13:44.200
<v Speaker 3>Yes, not a lot of Trump supporters in Portland, right right.

0:13:44.880 --> 0:13:48.240
<v Speaker 3>But yeah, the anti foot right there, their concerns that.

0:13:48.360 --> 0:13:51.080
<v Speaker 2>They're very active here. We see them, you know, they

0:13:51.280 --> 0:13:55.280
<v Speaker 2>they come out when uh, they might make an appearance.

0:13:55.320 --> 0:13:57.760
<v Speaker 2>But you know what, usually, as I noticed in the

0:13:57.840 --> 0:14:00.760
<v Speaker 2>years when the we'd have these riots, that one summer

0:14:00.800 --> 0:14:04.840
<v Speaker 2>we had riots every night. The more the media tells

0:14:04.880 --> 0:14:09.480
<v Speaker 2>you there's going to be a riot, there's less chances. Interesting, Yeah,

0:14:09.960 --> 0:14:12.840
<v Speaker 2>when everybody gets all geared up, right, nothing happens.

0:14:13.240 --> 0:14:13.880
<v Speaker 3>I think that you.

0:14:13.840 --> 0:14:17.160
<v Speaker 1>Don't worry when everybody else is worried, but you worry

0:14:17.400 --> 0:14:18.840
<v Speaker 1>when nobody else is worried.

0:14:19.080 --> 0:14:20.520
<v Speaker 2>Or is that WEIRDO?

0:14:20.680 --> 0:14:24.160
<v Speaker 1>I don't think you would write ya stuff, you know,

0:14:24.400 --> 0:14:28.200
<v Speaker 1>young adult novels, so you are speaking to teenagers a

0:14:28.200 --> 0:14:30.960
<v Speaker 1>lot of the time anyway, But what advice would you

0:14:31.080 --> 0:14:33.240
<v Speaker 1>give a sixteen year old Blake Nelson?

0:14:33.320 --> 0:14:36.560
<v Speaker 3>How would you do things differently? Or what should he know?

0:14:37.440 --> 0:14:39.560
<v Speaker 2>Wow? You know, I don't know. You know, one thing

0:14:39.600 --> 0:14:43.040
<v Speaker 2>in my particular case, the thing about the music and

0:14:43.080 --> 0:14:45.520
<v Speaker 2>the writing. You know, music is a lot less political

0:14:45.880 --> 0:14:48.240
<v Speaker 2>so if I wanted to have a nice, long career

0:14:48.280 --> 0:14:51.480
<v Speaker 2>in the arts, maybe music would have been the better choice.

0:14:51.520 --> 0:14:56.160
<v Speaker 2>Because now, you know, in a climate where politics is

0:14:56.200 --> 0:14:59.200
<v Speaker 2>really important, then they're being a writer, it becomes much

0:14:59.280 --> 0:15:04.160
<v Speaker 2>more dicey and so I but this has only happened recently.

0:15:04.320 --> 0:15:08.760
<v Speaker 2>So for most of my writing career, I was I

0:15:08.800 --> 0:15:12.320
<v Speaker 2>was faring. So but yeah, I would say tell my

0:15:12.400 --> 0:15:16.200
<v Speaker 2>young self, just do you know, just follow your instincts,

0:15:16.240 --> 0:15:19.160
<v Speaker 2>which is what I did, and just enjoy it. You know,

0:15:19.720 --> 0:15:23.680
<v Speaker 2>I'm a warrior and I you know, and it was

0:15:24.360 --> 0:15:26.720
<v Speaker 2>obviously being a writer is very difficult that you know,

0:15:26.800 --> 0:15:29.080
<v Speaker 2>you have to get rejected a ton and you have

0:15:29.160 --> 0:15:32.640
<v Speaker 2>to you know, my career had wild ups and downs.

0:15:33.080 --> 0:15:35.680
<v Speaker 1>We'll have more coming up with Blake Nelson. But first

0:15:36.240 --> 0:15:39.120
<v Speaker 1>October seventh was the one year mark of the worst

0:15:39.120 --> 0:15:42.880
<v Speaker 1>massacre of the Jewish people since the Holocaust. Twelve hundred

0:15:42.960 --> 0:15:45.840
<v Speaker 1>Israelis were murdered and more than two hundred and fifty

0:15:45.880 --> 0:15:50.880
<v Speaker 1>taken hostage. The war in Israel rages on today. Israel

0:15:50.920 --> 0:15:53.680
<v Speaker 1>and the Jewish people are facing attacks from enemies on

0:15:53.760 --> 0:15:58.360
<v Speaker 1>all sides seeking Israel's destruction. The International Fellowship of Christians

0:15:58.360 --> 0:16:01.880
<v Speaker 1>and Jews is on the ground providing food, shelter, and

0:16:01.960 --> 0:16:05.720
<v Speaker 1>safety to those in need during this crisis. Since the

0:16:05.760 --> 0:16:09.720
<v Speaker 1>war started, there are reservists every day is Raeli citizens

0:16:09.720 --> 0:16:13.680
<v Speaker 1>who have left families behind to serve their country, soldiers

0:16:13.720 --> 0:16:17.320
<v Speaker 1>who have been injured, and their families need support. Your

0:16:17.400 --> 0:16:20.360
<v Speaker 1>gift of one hundred and fifty dollars today helps the

0:16:20.400 --> 0:16:24.320
<v Speaker 1>Fellowship provide food and other necessities to these families to

0:16:24.360 --> 0:16:28.040
<v Speaker 1>help them survive, and thanks to a generous Fellowship supporter,

0:16:28.560 --> 0:16:32.320
<v Speaker 1>your gift will be matched to double an impact. Join

0:16:32.440 --> 0:16:34.400
<v Speaker 1>us and letting those families.

0:16:33.960 --> 0:16:36.520
<v Speaker 3>Know that listeners like you stand with Israel.

0:16:37.120 --> 0:16:39.160
<v Speaker 1>Call to make your one hundred and fifty dollars gift

0:16:39.280 --> 0:16:43.600
<v Speaker 1>right now at eight eight eight four eight eight IFCJ

0:16:44.320 --> 0:16:48.160
<v Speaker 1>that's eight eight eight four eight eight four three two five,

0:16:48.720 --> 0:16:52.800
<v Speaker 1>or go online to support IFCJ dot org to give

0:16:53.160 --> 0:16:56.600
<v Speaker 1>that's one word support IFCJ dot org.

0:17:00.120 --> 0:17:00.880
<v Speaker 3>You like to write.

0:17:00.720 --> 0:17:03.240
<v Speaker 1>About like what's your You know, I know that you

0:17:03.360 --> 0:17:06.640
<v Speaker 1>like like music and sort of talking to the teens,

0:17:06.680 --> 0:17:10.280
<v Speaker 1>But do you have like what you consider your passion Like.

0:17:13.240 --> 0:17:16.399
<v Speaker 2>Yeah, I don't know. Well, I really loved writing the

0:17:16.400 --> 0:17:18.680
<v Speaker 2>young adult books. I kind of got forced into writing

0:17:18.680 --> 0:17:21.000
<v Speaker 2>the young adult books because I was having trouble getting

0:17:21.920 --> 0:17:25.439
<v Speaker 2>my adult stuff published. After those first couple of books,

0:17:25.880 --> 0:17:27.919
<v Speaker 2>I kind of hit a wall with that. So then

0:17:27.960 --> 0:17:30.720
<v Speaker 2>I started writing YA books. And at first I was

0:17:30.800 --> 0:17:32.960
<v Speaker 2>kind of annoyed, like I don't want to write WYA books.

0:17:32.960 --> 0:17:34.800
<v Speaker 2>I want to be a famous writer, Like, oh, that's

0:17:34.880 --> 0:17:40.160
<v Speaker 2>you know, coming away. But I found that I really

0:17:40.400 --> 0:17:44.159
<v Speaker 2>liked writing about teenagers and the stuff that you go

0:17:44.320 --> 0:17:48.000
<v Speaker 2>through at that age. And I felt like teenagers are

0:17:48.160 --> 0:17:52.560
<v Speaker 2>kind of more themselves than adults are, you know, because

0:17:52.560 --> 0:17:58.399
<v Speaker 2>they're kind of they're becoming themselves, and they're way more idealistic,

0:17:59.000 --> 0:18:04.359
<v Speaker 2>and they're more uh, they're more like focused as personalities.

0:18:04.440 --> 0:18:06.960
<v Speaker 2>They don't have to call they haven't they haven't compromised

0:18:07.480 --> 0:18:12.439
<v Speaker 2>away all themselves yet and uh and you know, in

0:18:12.440 --> 0:18:15.439
<v Speaker 2>the in the draw and the romantic dramas they go

0:18:15.560 --> 0:18:20.080
<v Speaker 2>through are kind of pure in a way because it's

0:18:20.080 --> 0:18:22.679
<v Speaker 2>the first time they're going through it. And I just

0:18:22.880 --> 0:18:24.960
<v Speaker 2>I just loved it. I just really love doing it.

0:18:25.480 --> 0:18:28.000
<v Speaker 2>And uh, and I'm one of those people that I

0:18:28.119 --> 0:18:34.000
<v Speaker 2>kind of I didn't ever really mature. I never so

0:18:34.240 --> 0:18:36.840
<v Speaker 2>it's always was very close to my heart and it

0:18:36.960 --> 0:18:38.639
<v Speaker 2>was just fine I really and it turned out I

0:18:38.680 --> 0:18:41.800
<v Speaker 2>loved it doing it, and uh, and then and then

0:18:41.880 --> 0:18:45.520
<v Speaker 2>it turned out, you know, I got it movies and

0:18:46.119 --> 0:18:48.879
<v Speaker 2>you know, it just was a good place for me.

0:18:48.960 --> 0:18:51.560
<v Speaker 3>And then, what do you like about being on sub sect?

0:18:52.200 --> 0:18:55.200
<v Speaker 1>I'm not like I'm on it, and I do send

0:18:55.280 --> 0:18:58.520
<v Speaker 1>out an occasional thing, but I can't say that I've

0:18:58.600 --> 0:18:59.600
<v Speaker 1>I understand it yet.

0:18:59.640 --> 0:19:01.000
<v Speaker 3>I feel a little old for it.

0:19:01.200 --> 0:19:03.360
<v Speaker 1>All my young friends are like, you should be on substack,

0:19:03.440 --> 0:19:05.040
<v Speaker 1>and I'm like, I don't get it.

0:19:05.320 --> 0:19:07.760
<v Speaker 3>So you see, you do get it. Tell me about it.

0:19:07.840 --> 0:19:10.000
<v Speaker 2>Well, you know the thing I did on it is

0:19:10.080 --> 0:19:13.840
<v Speaker 2>I just I just developed. I'm a columnist on Substack.

0:19:14.160 --> 0:19:17.480
<v Speaker 2>Every Saturday at three pm, I put out one of

0:19:17.480 --> 0:19:21.199
<v Speaker 2>my travel pieces. Travel pieces, don't yes, because I do

0:19:21.320 --> 0:19:26.160
<v Speaker 2>that on a regular basis. I can't always write about travel,

0:19:26.359 --> 0:19:29.080
<v Speaker 2>so I have to write about other things also, And

0:19:29.119 --> 0:19:33.359
<v Speaker 2>I've kind of just led myself adjust to the schedule

0:19:33.400 --> 0:19:35.240
<v Speaker 2>of it. And I kind of always when I was

0:19:35.280 --> 0:19:38.480
<v Speaker 2>a kid, I always wanted to be I love columnists.

0:19:38.600 --> 0:19:41.160
<v Speaker 2>I loved it's the same person and you could tell

0:19:41.160 --> 0:19:43.280
<v Speaker 2>when they were bored, you could tell what they did

0:19:43.359 --> 0:19:48.439
<v Speaker 2>really want to write the column.

0:19:46.840 --> 0:19:49.520
<v Speaker 3>As a columnist. I find that bar.

0:19:49.440 --> 0:19:55.440
<v Speaker 2>Being yeah, yeah, and yeah, so you should know that pattern.

0:19:55.800 --> 0:19:59.359
<v Speaker 2>But uh yeah, I feel like that, and I feel

0:19:59.400 --> 0:20:02.120
<v Speaker 2>like I I feel like in the Rolling Stones and

0:20:02.160 --> 0:20:05.320
<v Speaker 2>the Beatles in those early days in the sixties, those

0:20:05.359 --> 0:20:08.359
<v Speaker 2>bands would put out singles like all the time, like

0:20:09.440 --> 0:20:13.639
<v Speaker 2>very quickly. You're not not once a week obviously, but

0:20:13.720 --> 0:20:17.040
<v Speaker 2>I love that idea. I love like, oh, this week's

0:20:17.080 --> 0:20:19.920
<v Speaker 2>Colin didn't really hit Oh, but that Colin really did.

0:20:20.000 --> 0:20:23.119
<v Speaker 2>You know, maybe I can. It's just this way or

0:20:23.160 --> 0:20:26.040
<v Speaker 2>that way you have just and that's what and that's

0:20:26.040 --> 0:20:29.600
<v Speaker 2>what substack is fun for because you get this instant feedback.

0:20:30.240 --> 0:20:33.040
<v Speaker 2>You you know, if you're lucky, you start to develop

0:20:33.040 --> 0:20:38.440
<v Speaker 2>a following. Like I now have enough fans or subscribers

0:20:39.040 --> 0:20:43.000
<v Speaker 2>that I really get a broad you know, I can

0:20:43.080 --> 0:20:45.359
<v Speaker 2>kind of tell like what the older people like, I

0:20:45.359 --> 0:20:49.800
<v Speaker 2>can the kids sort of like this stuff. And it's

0:20:49.920 --> 0:20:52.960
<v Speaker 2>really fun and it's really interactive. I really enjoy it.

0:20:53.760 --> 0:20:56.520
<v Speaker 2>When I had to kind of retire from the book business,

0:20:56.640 --> 0:21:00.320
<v Speaker 2>I really did. I can't really imagine myself published at

0:21:00.400 --> 0:21:03.680
<v Speaker 2>Simon and Schuster, Random House or something like that, which

0:21:03.720 --> 0:21:06.320
<v Speaker 2>is how I made my living for you know, all

0:21:06.359 --> 0:21:09.439
<v Speaker 2>my adult life, but says, I can't do that. I

0:21:09.480 --> 0:21:11.520
<v Speaker 2>really didn't know if there would be anything I could

0:21:11.520 --> 0:21:14.560
<v Speaker 2>do that would be fun or rewarding, or should I

0:21:14.640 --> 0:21:17.840
<v Speaker 2>just stop writing completely and learn how to make chairs

0:21:18.000 --> 0:21:21.040
<v Speaker 2>or something, you know, Like, I really didn't know what

0:21:21.119 --> 0:21:25.480
<v Speaker 2>to what to do. And I stumbled into substack and

0:21:25.680 --> 0:21:29.320
<v Speaker 2>I just started writing up. And I I loved writing

0:21:29.320 --> 0:21:32.119
<v Speaker 2>travel stuff. Early in my career. I'd written some travel

0:21:32.200 --> 0:21:38.480
<v Speaker 2>articles for Details magazine. Yeah that was really fun, and

0:21:38.480 --> 0:21:40.440
<v Speaker 2>they would pay you lots of money in those days.

0:21:41.000 --> 0:21:44.120
<v Speaker 3>And imagine getting paid lots of money to write that's.

0:21:43.960 --> 0:21:50.879
<v Speaker 2>Crazy, no way, Oh my god, it's amazing. But so

0:21:51.040 --> 0:21:54.480
<v Speaker 2>I just thought, and you know what, there's I love

0:21:54.640 --> 0:21:58.840
<v Speaker 2>reading travel stuff, but there's almost no good travel stuff. Really.

0:21:59.000 --> 0:22:04.000
<v Speaker 2>I don't like most travel writing in magazines or you know,

0:22:04.119 --> 0:22:07.480
<v Speaker 2>like in New York Times, and it's not very good.

0:22:07.520 --> 0:22:11.520
<v Speaker 2>It's just boring. People writers put on this tone when

0:22:11.520 --> 0:22:14.520
<v Speaker 2>they're writing a travel piece, like oh, the sun set

0:22:14.600 --> 0:22:18.679
<v Speaker 2>over Egypt. You know, it's just this really boring. And

0:22:18.240 --> 0:22:23.160
<v Speaker 2>I and I was really the true you know yeah, yeah, yeah, yeah,

0:22:23.240 --> 0:22:26.000
<v Speaker 2>yeah exactly, oh yeah, that's the classic what was Axui driver?

0:22:28.000 --> 0:22:30.960
<v Speaker 2>And I really was determined I'm gonna, like, if nothing else,

0:22:31.000 --> 0:22:33.560
<v Speaker 2>I'm going to get a different kind of voice to

0:22:33.680 --> 0:22:36.280
<v Speaker 2>do travel stuff where it's going to be it's as

0:22:36.320 --> 0:22:39.040
<v Speaker 2>if you're standing you're sitting next to me, and I'm

0:22:39.160 --> 0:22:43.680
<v Speaker 2>just talking ship and just saying whatever and uh and

0:22:43.720 --> 0:22:48.040
<v Speaker 2>you know, making fun of things and uh it's I've

0:22:48.080 --> 0:22:51.080
<v Speaker 2>really and that's kind of worked and uh so the

0:22:51.160 --> 0:22:55.280
<v Speaker 2>substack has its Uh, I've kind of established a tone

0:22:55.359 --> 0:22:58.080
<v Speaker 2>of voice, which is what you're always trying to do

0:22:58.160 --> 0:23:00.919
<v Speaker 2>as a right You're always trying to get a recognizable

0:23:01.359 --> 0:23:04.679
<v Speaker 2>and it isn't like exactly what I think always, but

0:23:04.800 --> 0:23:08.280
<v Speaker 2>it's but it's a voice and it works, and it's uh,

0:23:08.320 --> 0:23:11.320
<v Speaker 2>I really enjoy it. I love sitting down. I love

0:23:11.359 --> 0:23:13.159
<v Speaker 2>it when I send in the you know what I

0:23:13.320 --> 0:23:15.879
<v Speaker 2>pit sind Oh yeah. And then I started working on

0:23:15.960 --> 0:23:18.040
<v Speaker 2>the next one, and you're you know what am I

0:23:18.080 --> 0:23:20.440
<v Speaker 2>going to do? Sometimes I don't have a good win,

0:23:20.840 --> 0:23:23.040
<v Speaker 2>you know, so I have to throw something together. And

0:23:23.240 --> 0:23:28.000
<v Speaker 2>I'm sure you bet you all this, but I really

0:23:28.040 --> 0:23:31.240
<v Speaker 2>like it. And because you're on a schedule, you can't

0:23:31.280 --> 0:23:34.720
<v Speaker 2>be a perfectionist. You can't like worry about stuff too much.

0:23:34.800 --> 0:23:37.120
<v Speaker 3>Yeah, and that's it.

0:23:38.000 --> 0:23:42.040
<v Speaker 2>Yeah, Yeah, and I've been a big fan of your

0:23:42.040 --> 0:23:45.080
<v Speaker 2>work and I love I love the New York Post.

0:23:45.240 --> 0:23:46.840
<v Speaker 2>The New York Post is are you trying to get

0:23:46.960 --> 0:23:51.160
<v Speaker 2>UFE full together? Exactly?

0:23:51.320 --> 0:23:56.080
<v Speaker 1>Yeah, Well, I've loved this conversation. He's Blake Nelson. His

0:23:56.200 --> 0:23:59.320
<v Speaker 1>subsect page is called Travels to Distant Cities. You have

0:23:59.400 --> 0:24:01.560
<v Speaker 1>to check it out. But if you're looking to read

0:24:01.560 --> 0:24:04.200
<v Speaker 1>some of his books, start with Girl. It's really among

0:24:04.280 --> 0:24:08.800
<v Speaker 1>my favorites. And here Blake with your best tip for

0:24:08.960 --> 0:24:11.680
<v Speaker 1>my listeners on how they can improve their lives.

0:24:12.480 --> 0:24:14.919
<v Speaker 2>Well, you know, I go for walks. I just go

0:24:15.080 --> 0:24:20.240
<v Speaker 2>for a walk, heavy night, forty five minutes fortes. Yeah, yeah,

0:24:20.560 --> 0:24:22.200
<v Speaker 2>I'm a long one.

0:24:22.280 --> 0:24:24.800
<v Speaker 3>Constitutional Yeah.

0:24:24.920 --> 0:24:27.520
<v Speaker 2>And you know, find cool places in your neighborhood. Explore

0:24:27.520 --> 0:24:29.879
<v Speaker 2>your neighborhood. You know, I live in Portland where I

0:24:29.880 --> 0:24:32.760
<v Speaker 2>grew up. Sometimes I drive places to go for a

0:24:32.800 --> 0:24:35.399
<v Speaker 2>walk in the place I used to live or something.

0:24:35.600 --> 0:24:37.560
<v Speaker 2>So walking that's product.

0:24:38.080 --> 0:24:40.320
<v Speaker 3>All right, we'll take you up on that. Thank you

0:24:40.400 --> 0:24:42.280
<v Speaker 3>so much, Blake Nelson. Check them out.

0:24:42.480 --> 0:24:45.399
<v Speaker 1>Thank you, Thanks, thanks so much for joining us on

0:24:45.440 --> 0:24:49.480
<v Speaker 1>the Carol Mark which show. Subscribe wherever you get your podcasts.