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Speaker 1: You're listening to Jojo See One Now with me, Jojo

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Speaker 1: Siua and iHeartRadio Podcast. Welcome back to Jojo Sewa. Now,

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Speaker 1: oh my gosh, we are First of all, we are back.

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Speaker 1: We were back in California. I am back in La

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Speaker 1: came home from Atlanta, had a great time there filming

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Speaker 1: So You Think You Can Dance. It was genuinely such

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Speaker 1: an interesting experience. I mean, everyone asked like, oh, did

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Speaker 1: you like Atlanta? Did you like Atlanta? And I was like,

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Speaker 1: I loved Atlanta, but I think I loved living alone

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Speaker 1: for the first time. And so I was like, I

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Speaker 1: don't know if it was Atlanta itself that I liked

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Speaker 1: or if it was the vibe of me being there

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Speaker 1: alone that I liked. I was like, I don't really know,

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Speaker 1: but I did like it and I did have a

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Speaker 1: great time. And now now the season of So You

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Speaker 1: Think You Can Dance has been airing. I'm gonna start

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Speaker 1: being on it very very soon, either this week or

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Speaker 1: next week, depending on the airing schedule, which I am

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Speaker 1: very very excited about. We are getting into the top ten.

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Speaker 1: The I mean, they are absolutely incredible, they are so amazing.

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Speaker 1: I'm doing new new music projects right now, and we're

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Speaker 1: in the process of creating our next visual and you know,

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Speaker 1: when you're creating visual, you're hiring a bunch of dancers.

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Speaker 1: And literally the first ten dancers on my list was

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Speaker 1: the top ten of So You Think You Can Dance,

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Speaker 1: because I got to know them for the last few

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Speaker 1: weeks and I got to I got to see their

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Speaker 1: work ethic and I truly want to give them the

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Speaker 1: opportunity and I just I'm so proud of them. I

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Speaker 1: can't wait for everyone to see the season. You know,

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Speaker 1: we did it. We're not live, it's it's it's definitely

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Speaker 1: pre taped, and so I of course know the results,

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Speaker 1: I know what ended up happening, and I know every

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Speaker 1: week to week of So You Think, but it every

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Speaker 1: single day, every single week was so inspiring as an artist,

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Speaker 1: so inspiring as a dancer, and so inspiring as a judge.

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Speaker 1: I mean seeing seeing what the dancers did and the

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Speaker 1: work they put in and the process for them was

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Speaker 1: was truly awesome. And now now the show's done and

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Speaker 1: been able to become friends with some of the some

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Speaker 1: of the top ten, you know, it's really cool to

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Speaker 1: see their perspective on everything. The new format is incredible.

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Speaker 1: Some people are having mixed reviews about the format. Personally,

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Speaker 1: I love it. I don't think I don't think the

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Speaker 1: world has seen enough of the new format yet to

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Speaker 1: be familiar with it, and so I think once the

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Speaker 1: world does get to see the new format more, they're

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Speaker 1: gonna really enjoy it. And I'm very excited for that.

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Speaker 1: But anyways, while I was in Atlanta, I had an

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Speaker 1: incredible meeting with my team over at my music label, Columbia,

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Speaker 1: and they gave me the green light that it was

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Speaker 1: time for Karma, my very first song to come out.

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Speaker 1: I am beyond excited. I have known since October twenty now,

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Speaker 1: maybe even a little bit before that, maybe like September

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Speaker 1: September twenty twenty three, that this was going to be

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Speaker 1: my first song out. We're gonna go down memory lane,

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Speaker 1: way way down today and then I'm going to do

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Speaker 1: another podcast where I talk about the visual aspect of

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Speaker 1: Karma and how all that was created. But I did

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Speaker 1: find out in September that Karma was going to be

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Speaker 1: the first song. This was the song that I wanted

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Speaker 1: to come first. We do have a lot of songs

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Speaker 1: done and a lot of songs in the bank, and

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Speaker 1: a lot of music that is ready to come out,

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Speaker 1: but I knew I wanted this first one to be

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Speaker 1: a moment, so I always wanted Karma. And then finally

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Speaker 1: in September, got the green light that it was going

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Speaker 1: to be Karma, and I got to run with my

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Speaker 1: music video concept, go for it, create the visual, do

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Speaker 1: exactly what I wanted to do. And then we still

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Speaker 1: didn't know necessarily timeline wise, when it was going to

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Speaker 1: come out. And then while I was living in Atlanta,

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Speaker 1: found out that it was going to be coming out

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Speaker 1: and I got the official date, I got the official

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Speaker 1: green light, and I was just so happy, so excited,

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Speaker 1: so ready for this new world, new era, new chapter,

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Speaker 1: I think is probably the best word. And to truly

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Speaker 1: become the musician and the artists that I've always wanted

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Speaker 1: to be. You know, I always have loved my career.

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Speaker 1: I've loved doing kids music, being a kids before and

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Speaker 1: I loved that, But I knew that I wanted to

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Speaker 1: be like Lady Gaga, like Miley Cyrus, like Freddy Mercury.

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Speaker 1: That was always my goal. And so to now be

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Speaker 1: able to tap into this adult out there, crazy, no

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Speaker 1: holding back, unrestrained, that world is all of my dreams

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Speaker 1: coming true, and I'm so stoked about that. Anyways, though,

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Speaker 1: now we gotta go way back in time so I

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Speaker 1: can give you the rundown on how Karma came to be.

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Speaker 1: I'm gonna go even a little bit for the back

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Speaker 1: that I was planning on. So right before I did

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Speaker 1: the final leg, the fifth and final leg of Dream

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Speaker 1: the Tour, all of my music was done through myself

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Speaker 1: and through Nickelodeon, right, and that was great. We kind

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Speaker 1: of it was very interesting. Nickelodeon is not a record

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Speaker 1: label necessarily, but they had the tools to help me

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Speaker 1: make music right. And so with my full three sixty

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Speaker 1: that I had in Nickelodeon, it did make a lot

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Speaker 1: of sense. We made a lot of great music. It

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Speaker 1: was awesome. But then when I did when I did

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Speaker 1: my movie The j Team, that is when my music

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Speaker 1: relationship with Nickelodeon got very, very rocky. Up until about

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Speaker 1: two weeks before the filming of the movie, they wanted

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Speaker 1: to put all of my old music in the movie,

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Speaker 1: which I understood and if it was a movie, that

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Speaker 1: would make sense. But because it was a musical, I

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Speaker 1: really I felt strongly that it needed to have its

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Speaker 1: own music, and it felt like we were writing this

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Speaker 1: movie but then trying to make my old songs make sense.

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Speaker 1: But then the old songs didn't make sense, and you know,

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Speaker 1: those songs at the time were four or five years old.

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Speaker 1: And I was like, if we're gonna make a musical,

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Speaker 1: we gotta we gotta make a musical. And so then

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Speaker 1: about two weeks before they were like, okay, we can

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Speaker 1: do new songs. And so then it was just a

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Speaker 1: speed mission and it was it was very tough to

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Speaker 1: get everything done. We did it while we were filming

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Speaker 1: the movie. We didn't have this song is done and

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Speaker 1: so that was very hard because we were filming with

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Speaker 1: demos and it was very very complicated. A lot of

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Speaker 1: people worked over time, including myself, but it was it

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Speaker 1: was worth it because we got we got the music

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Speaker 1: of our dreams. But could have been done a little

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Speaker 1: a little kinder, I guess. Anyways, so after after the

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Speaker 1: j team, I did have one remaining chunk of tour,

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Speaker 1: my Dariam tour to fulfill. We had already sold the

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Speaker 1: tickets but they were going to be I was going

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Speaker 1: to be on tour in twenty twenty, but then, of course,

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Speaker 1: you know, COVID happened, and so the tour kept getting pushed,

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Speaker 1: push pushed. At this point in time, it is like

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Speaker 1: mid twenty twenty one, and I wanted Dream the tour

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Speaker 1: to happen still. I was never going to give that

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Speaker 1: up no matter when that happened. And I was like,

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Speaker 1: I don't care if we do it in twenty twenty six,

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Speaker 1: I don't cancel it. Like, just keep pushing it. We

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Speaker 1: will be fine. But I knew after that I didn't

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Speaker 1: want to have any more music obligations with the network.

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Speaker 1: That was that for me was like I want to

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Speaker 1: do that. I want that to be amazing, But then

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Speaker 1: after that, I want to be done and I want

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Speaker 1: to be able to go on my own and go

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Speaker 1: do my own music and go start this process because

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Speaker 1: there was no there was no knew that was gonna happen,

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Speaker 1: and I knew that, and so I was like, let's

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Speaker 1: be able to start to work on new things right.

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Speaker 1: So then we were able to work it out. I

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Speaker 1: was supposed to be under my music contract for another

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Speaker 1: year year and a half with Nickelodeon, but we worked

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Speaker 1: it out. We gave them some sweet stuff in one lane,

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Speaker 1: and I got that in the other lane. And so

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Speaker 1: ended up working out that I could go and start

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Speaker 1: working on my own music, and I met with every

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Speaker 1: record label. I was so grateful that literally all the

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Speaker 1: all the record labels wanted to take a meeting with me,

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Speaker 1: and I wanted to take a meeting with them, of course.

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Speaker 1: And after meeting with all of them, Columbia was just

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Speaker 1: was my home and I knew it. I knew that

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Speaker 1: those people were my people. I felt the vibe and

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Speaker 1: it just it felt so right. And so that was

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Speaker 1: in the end of twenty twenty one. I'm I'm probably

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Speaker 1: gonna mess up some timelines, but that's okay. And then

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Speaker 1: when I was on tour final leg of Dream the

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Speaker 1: Tour in twenty twenty two, my core team from Colombia,

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Speaker 1: I had not signed with them yet. They came to

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Speaker 1: tour and they came to one of my shows and

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Speaker 1: after the show, we met in a VIP room. Had

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Speaker 1: got to meet all of them in person. They loved

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Speaker 1: the show, and that is where they brought my contract

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Speaker 1: and I actually signed a paper copy. Normally nowadays you

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Speaker 1: just kind of signed a digital copy and call it today,

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Speaker 1: but we did a whole spectacle. I signed with them.

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Speaker 1: It was awesome. It was the best day ever. And

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Speaker 1: it was like here we go, let here we go.

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Speaker 1: And the President of Colombia, Hey, Ron Perry, he came

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Speaker 1: to the show. And like, now, at the time, I

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Speaker 1: didn't know what it meant to have Ron Perry come

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Speaker 1: to your show. But now now looking back, I'm like,

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Speaker 1: holy shit, Ron Perry came to my Dream the tour. Okay, okay,

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Speaker 1: I will take it. So then it was go time.

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Speaker 1: The next week, they sent me some song demos and

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Speaker 1: I liked them all. One of the song demos I

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Speaker 1: actually actually still really liked to this day. And that

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Speaker 1: was that was two years ago. You know, they sent me.

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Speaker 1: I actually should revisit one of those that they sent me.

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Speaker 1: They sent me this one that was too scary for

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Speaker 1: me at the time, but now I actually think it

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Speaker 1: might be perfect. Oh I got a text ready after this. Anyways, anyways,

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Speaker 1: back to what I was talking about. So send me

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Speaker 1: a bunch of song demos and I loved them all.

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Speaker 1: Put my voice on a couple of them. Whatever, chilling

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Speaker 1: move on. Then then I go and I do a

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Speaker 1: couple of recording sessions. This it was fresh off of

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Speaker 1: Dream the Tour. So I ended Dream the tour in March,

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Speaker 1: and I started my recording sessions with Columbia and with

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Speaker 1: other producers and writers. I started that in March twenty

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Speaker 1: twenty two as well. So this has been two years

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Speaker 1: now of making this music and now it's finally starting

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Speaker 1: to see the light of day. It's been a long,

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Speaker 1: long two years waiting and holding it in and Karma

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Speaker 1: actually started in the beginning. Karma was not the first

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Speaker 1: one that I did, but it was one of the

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Speaker 1: first few that I did. I got pitched another song

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Speaker 1: that I really really like, and it's a it's a

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Speaker 1: very ballad, it's a power ballad. It's an incredible song.

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Speaker 1: And I got to it's with the music producers rock Mafia,

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Speaker 1: and they pitched this song to me and I loved it.

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Speaker 1: I was like, sign me up, I will be there,

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Speaker 1: right And so then what happened was this song is

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Speaker 1: it's a bit of a love song but also a

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Speaker 1: bit of a breakup love song, but it's it's it's

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Speaker 1: essentially the song in the context is you're still in

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Speaker 1: a relationship, but you're not okay, and that is kind

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Speaker 1: of the context of the song. And the day that

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Speaker 1: I was supposed to record that song is when I

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Speaker 1: went through my breakup and with my ex, and it

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Speaker 1: was very, very hard. It was our second time breaking up,

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Speaker 1: and so it was somehow it was harder than the first.

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Speaker 1: We had started dating again and that's when I got

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Speaker 1: pitched a song and I loved it, like didn't even

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Speaker 1: think twice about the story behind it. But then the

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Speaker 1: day that I was supposed to record it is the

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Speaker 1: day that we broke up, and I called. I called

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Speaker 1: my label and I was like, I can't go to day,

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Speaker 1: like I haven't stopped sobbing, I can't go. And my

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Speaker 1: label was like totally fine, like understandable, we'll make it work,

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Speaker 1: we'll cancel. And then somehow something else really sad. I

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Speaker 1: don't remember what the second thing was, but it was

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Speaker 1: almost like maybe like we had started talking again for

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Speaker 1: the third time, and then we stopped talking again. And

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Speaker 1: that also happened. On the next day that I was

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Speaker 1: supposed to record this slow ballid breakup heardbreak situational song

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Speaker 1: and I was like I can't go again, like I'm

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Speaker 1: too sad, like I can't do it. And this time

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Speaker 1: my label was like, you need to go, and I

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Speaker 1: was like, why I can't go? And they're like, because

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Speaker 1: look at the emotion you have right now, go put

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Speaker 1: it into the song. And I was like, you know, right, okay,

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Speaker 1: I'll go. So I go and I go, and this

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Speaker 1: recording session is fine. It's not It's not the best,

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Speaker 1: but it's not the worst. And then as I'm the producer,

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Speaker 1: Anthonyinna goes, I have a song that I want to

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Speaker 1: play for you. It feels right for you. I don't

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Speaker 1: know if you can have it because it's it's an

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Speaker 1: old song, and I have to get a lot of

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Speaker 1: rights and I have to get a lot of people

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Speaker 1: to sign off on you being able to do this song.

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Speaker 1: But I think you might be the person to have

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Speaker 1: this song. And she played me Karma or a version

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Speaker 1: of Karma. And when I tell you, I was on

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Speaker 1: my way out, ready to go sob in my car,

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Speaker 1: and all of a sudden, I just sat and was like,

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Speaker 1: this song is special. Karma is special. Now. This was

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Speaker 1: two years ago, so I was I was eighteen still,

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Speaker 1: and I was very afraid of the lyrics of Karma.

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Speaker 1: I wasn't ready to say I was a bad girl.

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Speaker 1: I wasn't ready to say I should have known better.

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Speaker 1: If I had wish I would have never fed around

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Speaker 1: another late night, another crazy mood, and I didn't think

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Speaker 1: twice what it would do to you. I didn't. I

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Speaker 1: didn't feel comfortable saying that yet. I didn't feel comfortable

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Speaker 1: singing that yet. But I told her, I said, this

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Speaker 1: song is special. I want it, but it can't be.

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Speaker 1: It's never, never gonna be my first song. I was like,

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Speaker 1: And I remember saying that. I was like, it's never

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Speaker 1: gonna be my first song because it's too much. I

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Speaker 1: was like, but but yes, like I want it and

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Speaker 1: it'll eventually see the light of day with me. And

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Speaker 1: this is when I was planning on my music coming

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Speaker 1: out in two months. Little did I know it was

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Speaker 1: gonna be two years. Anyways, So cut to I put

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Speaker 1: my voice on it and we sing it as it

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Speaker 1: is now, and this is the lyric saying I was

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Speaker 1: a bad girl. I did some bad things and we

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Speaker 1: sing it and I'm like, you know, I can't be

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Speaker 1: the bad guy. I'm not. I'm not I'm not a

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Speaker 1: bad girl. I can't be. And so then we did

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Speaker 1: a version where you were a bad girl, and I

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Speaker 1: was like, it's not hitting. Let's try she she is

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Speaker 1: a bad girl. And I was like, that's the one.

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Speaker 1: I love it. Then it's about anybody. And then cut

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Speaker 1: to a couple of months later, we go and we

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Speaker 1: do a secondary recording session on Karma because my voice

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Speaker 1: had changed a little bit, expanded, shrank, a little bit

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Speaker 1: of both, and so we were like, let's do another one.

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Speaker 1: And I was like, you know what, I'm ready to

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Speaker 1: say I was a bad girl. I'm ready to say

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Speaker 1: I did some bad things. I'm ready. I'm ready. And

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Speaker 1: this was only six months later, and so then we decided,

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Speaker 1: we were like, all right, we're gonna stick to the plan.

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Speaker 1: We're gonna do I was a bad girl. And still

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Speaker 1: with this song, I still didn't think it was gonna

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Speaker 1: be my first I still wasn't ready for it to

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Speaker 1: be the first song that was gonna see the light

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Speaker 1: of day. And then cut to December twenty twenty two.

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Speaker 1: December twenty twenty two, I was like, all right, I've

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Speaker 1: been doing music now for a whole year. I've got

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Speaker 1: lots of songs in my back pocket, none of them

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Speaker 1: are finished, but like, let's make a game plan. And

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Speaker 1: I made I made it one hundred and sixty page

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Speaker 1: document that I brought to my label and was like,

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Speaker 1: here's the order, here's the songs, here's a video coordinating

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Speaker 1: to each song. Here's what the wardrobes I want to be.

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Speaker 1: Here's what I want the tour to look like. And

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Speaker 1: I mean I pitched everything to the nines. We still

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Speaker 1: laugh about it to this day, because I mean I

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Speaker 1: really did my big one, pitching the whole whole plan

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Speaker 1: for twenty plus songs, and everyone at this I was like, Okay,

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Speaker 1: this is great, but like, no one's ready for this yet,

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Speaker 1: And I was like, right, I just wanted everyone to know,

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Speaker 1: like this where my head's at. And look, it was valid.

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Speaker 1: And somehow in twenty twenty three, at the very end

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Speaker 1: in twenty twenty two, at the very end of that year,

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Speaker 1: somewhere in there, I did decide that, look, I want

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Speaker 1: karma to come first. I want the first words that

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Speaker 1: the world hears from me as an adult to be

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Speaker 1: I was a bad girl. I think there's power in that.

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Speaker 1: I think it gives the flip that I want to give.

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Speaker 1: I think it gives the art that I want to give.

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Speaker 1: Take with it what you will. Am I a bad girl?

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Speaker 1: Am I good girl? You will never ever ever know?

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Speaker 1: But it's art. And that's all I want to do,

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Speaker 1: is all I want to do is create art. I

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Speaker 1: want to create music that people can dance to, that

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Speaker 1: people can enjoy, that people don't take too seriously. Do

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Speaker 1: I have stories that can relate to this song, Absolutely,

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Speaker 1: one hundred percent, but that's up to the viewer and

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Speaker 1: the listener to decide. But I ultimately and I'm really

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Speaker 1: excited to do the podcast where I get to talk

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Speaker 1: about my video vision because a massive part about why

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Speaker 1: I wanted Karma to come first was because of my

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Speaker 1: video concept that I have. It was the first music

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Speaker 1: video that I came up with out of all of

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Speaker 1: my songs, this was number one, and I came up

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Speaker 1: with it, and I came up with it at the

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Speaker 1: very end of twenty twenty two, and we didn't make

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Speaker 1: it until the very end of twenty twenty three, but

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Speaker 1: that same idea stuck around, and so get ready that

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Speaker 1: podcast will come next week where I deep dive into that.

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Speaker 1: And it's also coming out a little bit before the

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Speaker 1: music video comes out, so if you listen right away,

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Speaker 1: you will get to hear a little insider on the

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Speaker 1: music video before you see it. But anyways, so then

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Speaker 1: cut to twenty twenty three. Somehow in twenty twenty three,

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Speaker 1: I did four more recording sessions on Karma. We had

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Speaker 1: six sessions on Karma. We had versions of Karma. We

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Speaker 1: had different structures of Karma. I mean the bridge then

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Speaker 1: when I lay me down, sad is anybody next to me?

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Speaker 1: That whole part that was originally on one note that

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Speaker 1: was it was a flat monotone note, and it took

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Speaker 1: so long to record. We did a session just on that.

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Speaker 1: So because you know, it's it's it's hard to get

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Speaker 1: your voice to stick on one note on one breath

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Speaker 1: for the whole line. It's it's it's tricky, but we

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Speaker 1: have ended ended up getting it. And then we're like, mmm,

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Speaker 1: needs a little sway to it, and so then we

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Speaker 1: added a little bit of sway to it, and then

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Speaker 1: you know, there's parts of Karma. The thing with Karma

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Speaker 1: is as a song musically, it is at the top

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Speaker 1: of my range that when I saw the pix of

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Speaker 1: you and her, I felt the knife to us. That's

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Speaker 1: the top of my range. And I was a beg girl.

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Speaker 1: That's the bottom of my range. And so we had

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Speaker 1: to stretch my voice. We had to do days where

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Speaker 1: we did the low stuff days where we did the

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Speaker 1: high stuff days where it was like just scream to

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Speaker 1: get your voice there, like it was. It was not easy,

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Speaker 1: but I am very, very proud of the song that

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Speaker 1: it has become. I remember hearing it back for the

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Speaker 1: first time and being like, damn, like that's a record,

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Speaker 1: that that song is is that song is a record?

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Speaker 1: And then and then we decided that we needed to

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Speaker 1: change the production, whole production, We need to give it

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Speaker 1: to it. We did just you know, a revamp, revamp

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Speaker 1: because the song was originally the song was ten years old,

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Speaker 1: and so we did all feel like it it was

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Speaker 1: not outdated, but sound wise it felt you know, dated,

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Speaker 1: and so we were like, all right, let's let's let's

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Speaker 1: change it up a bit. And then it felt to

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Speaker 1: today and we were like absolutely not. This never got

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Speaker 1: no no way. So then it was a lot of

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Speaker 1: trial and air and trial and Aaron trying this, trying that,

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00:18:33,800 --> 00:18:37,919
Speaker 1: trying this, trying that all. So I mean, we I

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Speaker 1: think this is version like twenty eight or twenty nine

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Speaker 1: of Karma in the production sense. Up until the very

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Speaker 1: very last week. The song goes and it gets mastered. Okay, oh,

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Speaker 1: this is actually kind of funny. This is so, this

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Speaker 1: is a story that'll end this podcast on. But so,

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Speaker 1: we were filming the music video right and I realized

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Speaker 1: about midway in through this last day of the music

389
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Speaker 1: video shoot that I gave everyone the wrong version. It's

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00:19:07,560 --> 00:19:09,359
Speaker 1: my duty to send the direct to the version, to

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00:19:09,359 --> 00:19:11,440
Speaker 1: send playback the version, to send the choreographer the version

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Speaker 1: of my duty, and I picked it up. I sent

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Speaker 1: them the wrong one. We have twenty eight versions of this.

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Speaker 1: Luckily I sent them number twenty six, not twenty eight,

395
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Speaker 1: and then it could have been worse, like it could

396
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Speaker 1: have been I sent number four, you know what I mean.

397
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Speaker 1: But what happened was then my label, after we shot

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Speaker 1: the video videos done, did all the ad libs that

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Speaker 1: were in the version that I sent. But then what

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Speaker 1: happened was my label sent me the final version and

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00:19:34,200 --> 00:19:36,720
Speaker 1: they were like, hey, just want to confirm we're sending

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00:19:36,720 --> 00:19:39,119
Speaker 1: it to mixing. You're good. And they sent it to

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Speaker 1: me and I was like, oh my god. No. I

404
00:19:40,960 --> 00:19:42,840
Speaker 1: was like, this isn't right and they were like, well,

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Speaker 1: this is the latest version. This is the one you

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Speaker 1: lost the frood what do you mean It's all right?

407
00:19:45,840 --> 00:19:47,560
Speaker 1: And I was like this isn't the one we shot

408
00:19:47,600 --> 00:19:51,479
Speaker 1: the video too. And they were like, okay, which one

409
00:19:51,480 --> 00:19:53,240
Speaker 1: did you shoot the video too? And I was like, well, look,

410
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Speaker 1: there is no difference, but one, I said, there was

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Speaker 1: one difference and it was the smallest, s the lightest.

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Speaker 1: It was a drum in the chorus that was throwing

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Speaker 1: everything off, and I was like, the version that we

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Speaker 1: did in the video is a little bit better, just

415
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Speaker 1: in this one part. It was when I saw the

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00:20:11,440 --> 00:20:13,639
Speaker 1: fix of you I was on. I felt the knife twist.

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00:20:13,800 --> 00:20:17,120
Speaker 1: It was on like literally one line. There was one

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Speaker 1: drum that was slightly different, and I told my label.

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Speaker 1: I was like, I don't know what it is, but

420
00:20:21,640 --> 00:20:24,040
Speaker 1: I think you'll be able to find it. Like good luck,

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00:20:24,240 --> 00:20:27,480
Speaker 1: go trial it air. And about a day later they

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Speaker 1: came to me and they found the one thing that

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Speaker 1: was different, and then that they were like, all right,

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Speaker 1: so we'll take that out and we'll send it to mixing.

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Speaker 1: And I was like, perfect, send it to mix it.

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Speaker 1: We are good to go, and they sent it. We

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Speaker 1: got the song. The song is now up and running

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00:20:42,119 --> 00:20:46,719
Speaker 1: on social media. The song officially comes out on April fifth.

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Speaker 1: It actually comes out the midnight like April fourth to

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Speaker 1: April fifth. It comes out at nine pm Pacific Standard

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00:20:53,359 --> 00:20:56,240
Speaker 1: time on April fourth. I got the date tattooed on

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Speaker 1: my hand as soon as I knew when it was

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Speaker 1: coming out. So I have the day of Boomerang tattooed

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Speaker 1: on my left hand, and then I have the date

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Speaker 1: of Karma tattooed on my right hand. But I'm a

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Speaker 1: little pissed because I got four or five twenty twenty four.

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Speaker 1: But for me in the times when that I'm on,

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Speaker 1: the song comes out at four four, twenty twenty four,

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00:21:14,280 --> 00:21:17,240
Speaker 1: So I actually have the wrong date tattooed on my hand.

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Speaker 1: Kind of pissed about it, but it's fine, and all

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Speaker 1: day on four to four, I'm saying, like, song comes

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00:21:22,680 --> 00:21:26,320
Speaker 1: out tonight, not song comes out tomorrow. So little little,

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00:21:26,359 --> 00:21:29,080
Speaker 1: little little TikTok about it. Definitely got the wrong date,

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Speaker 1: but technically it's four or five, but for me it's

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00:21:31,320 --> 00:21:34,439
Speaker 1: four or four. Literally doesn't matter. It's being dramatic. Just

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00:21:34,520 --> 00:21:36,840
Speaker 1: let it happen. But yeah, definitely have the wrong date

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00:21:36,920 --> 00:21:42,520
Speaker 1: on my right hand. We're all gonna live. Okay. That's

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Speaker 1: a little sneak peek into the making of Karma the song.

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Speaker 1: It it was fun. It was hard, it was a push,

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00:21:49,880 --> 00:21:52,720
Speaker 1: it was it was good, there was There's a lot

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Speaker 1: of lot of different versions of Karma that I hope

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Speaker 1: one day the world maybe gets to hear. I mean, like,

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Speaker 1: oh my god, imagine we released the original version. That

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Speaker 1: would actually be kind of sick. I don't think anyone's

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00:22:02,400 --> 00:22:06,760
Speaker 1: done that, like released like the like demo version. Not

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00:22:06,800 --> 00:22:10,119
Speaker 1: a bad idea. Actually might take that to the label today. Anyways,

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Speaker 1: I'm gonna go and I am going to go get

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Speaker 1: prepared for next week's podcast where I get a deep

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Speaker 1: dive into the music video of Karma. Because as much

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Speaker 1: as I love this song and in the song itself,

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Speaker 1: I am not and I never will be, just a singer.

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Speaker 1: I've always said I'm not a singer. I'm an artist.

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Speaker 1: I'm not a singer. I'm a performer because when it

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Speaker 1: comes to me as a person, I thrive in the

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Speaker 1: world a visual That's where I thrive. I always say

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Speaker 1: my label is in charge of what you hear. I'm

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00:22:40,920 --> 00:22:43,080
Speaker 1: in charge of what you see and what you feel.

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Speaker 1: And Karma music video I ran. I ran as the

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Speaker 1: driver in that one, and I'm really proud of it.

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Speaker 1: I've got a lot of inside scoop on it and

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00:22:53,840 --> 00:22:55,760
Speaker 1: how it came to be. So get ready because next

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Speaker 1: week we are deep diving into the Karma music video

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Speaker 1: and you don't want to miss It's all a little

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00:23:00,400 --> 00:23:02,080
Speaker 1: sneak peak because it comes out like two days before

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Speaker 1: the music video comes out, so I'm gonna get a

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Speaker 1: little bit of inside a scoop. Anyways, I love y'all.

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Speaker 1: Thanks for listening, makes you come back, makes you follow me.

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00:23:09,920 --> 00:23:12,359
Speaker 1: I have a write is Showaia. Check out my website

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00:23:12,400 --> 00:23:15,760
Speaker 1: www dot Jojaswa dot com. Watch so you can dance

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00:23:15,840 --> 00:23:20,440
Speaker 1: on Fox next day on Hulu. What else? I think

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Speaker 1: that's I think that's it. I think that's all my

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Speaker 1: oh my, oh my tea I got for the day.

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Speaker 1: I love y'all. Two says, thank you so much for listening. Everybody.

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00:23:28,000 --> 00:23:30,600
Speaker 1: Be sure to follow us on Instagram and TikTok at

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00:23:30,680 --> 00:23:33,679
Speaker 1: Jojosa Now podcast. Be sure to write us a review

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00:23:33,800 --> 00:23:36,320
Speaker 1: and maybe if you're feeling to leave us five stars,

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00:23:36,520 --> 00:23:37,720
Speaker 1: I'll see you next week.