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Speaker 1: Hey, guys, welcome to the episode. And before we get

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Speaker 1: into the current stuff, I want to bring in Dan

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Speaker 1: and Rita Isbelt, who have the God's Country Podcast, which

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Speaker 1: I'm a fan of. I'm mostly a fan of the

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Speaker 1: episode that you guys did with me. My favorite episode

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Speaker 1: the one you guys. I watch it every week.

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Speaker 2: It was our least performing matter. All the views are

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Speaker 2: from me, so perfect before the hasn't here.

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Speaker 1: Uh so you guys check out the God's Country Podcast.

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Speaker 1: These guys here are very talented songwriters.

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Speaker 2: Did you guys ever try to do.

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Speaker 1: The im hoping? I'm not insulting you guys, but but

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Speaker 1: almost I don't care, right because I like, I know

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Speaker 1: you guys. Did you guys try hard to the artist thing?

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Speaker 3: Wait, this is a kind of funny story.

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Speaker 2: Take a second. So there was a plan. There was

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Speaker 2: a plan.

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Speaker 3: So I had been in town and my buddy Jonathan Singleton,

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Speaker 3: we had this scheme.

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Speaker 2: We were like, dude, my brother fured it out.

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Speaker 3: We really great singer. We'll write all the songs, produce

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Speaker 3: all this stuff, and he can go do the road

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Speaker 3: stuff that we don't.

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Speaker 2: Want to do. He's miserable, he don't know who he is.

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Speaker 3: His idea will just burn him out right, and.

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Speaker 2: So he doesn't have an identity. Ye.

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Speaker 3: Similar We wrote a bunch of songs and I started

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Speaker 3: working with Scooter Caruso and really like building this and

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Speaker 3: built a five or six song EP that was like

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Speaker 3: kind of bulletproof, right. So we start mixing and mastering.

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Speaker 3: In the meantime, we booked some shows. We start playing

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Speaker 3: some shows. He's like, we be in the band. I'm like, ah,

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Speaker 3: I don't really want to do that, but maybe for

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Speaker 3: a few times, you know. So we go do this run,

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Speaker 3: we come back and then he calls and he's like, hey,

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Speaker 3: we got I got a couple of acoustic shows next week.

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Speaker 2: You got to go. And I was like, dude, I'm

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Speaker 2: going to deer Camp with dad. Like where you talking about?

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Speaker 2: We kicked you off?

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Speaker 3: You're started like. He was like, dude, what y'all cooking ribbies?

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Speaker 3: I was like, yeah, it's a week. It's the bow

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Speaker 3: open there, like we're going. I was like, I think

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Speaker 3: I just want to be a songwriter. He was like,

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Speaker 3: I'm canceling shows. If y'all think y'all going to Deer

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Speaker 3: Company without me, It's never happened.

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Speaker 2: It end. That was the end of the artist's career. Yeah,

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Speaker 2: I mean like deer camping in red bys Man and dude,

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Speaker 2: I always was like I was. I was on the

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Speaker 2: fence of like being a being an artist, being a

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Speaker 2: songwriter and I and I and I moved to town

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Speaker 2: obviously with the plan to be an artist, but fell

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Speaker 2: in love with writing songs, especially when I was writing

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Speaker 2: with Jonathan and him at the Gate.

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Speaker 1: And so when you came here, though, you thought it

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Speaker 1: was going to be artists, because that's probably what you knew.

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Speaker 2: Yeah, I mean all I knew how to do was sing. Oh.

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Speaker 2: He used to get those church ladies worked. I'd be

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Speaker 2: saying the same song two and three times. He always

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Speaker 2: the voice. I can only sing that, you know, I

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Speaker 2: get yeah, necessary kick us off. I can't only a

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Speaker 2: I probably shut that down to yeah, yeah, they're gonna

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Speaker 2: catch the met.

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Speaker 1: Yeah, you can speak it out.

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Speaker 3: Yeah I can't el We'll see.

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Speaker 2: We have we have full creative control on our podcast,

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Speaker 2: so we can do whatever we want.

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Speaker 1: You still can't sing songs because you get sued.

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Speaker 2: Songs all the time. But no, it's kind of worse. Yeah,

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Speaker 2: like every episode of so.

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Speaker 1: Loud, we used to do that too. They shut us down.

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Speaker 2: Okay, maybe we just cut that part.

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Speaker 1: Yeah, no, no, good for you guys. If you want

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Speaker 1: to hear songs sang illegally.

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Speaker 2: God's Country podcast, it's covers. Does that matter even worse?

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Speaker 1: Actually?

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Speaker 2: Yeah, yeah, isn't there some blanket lessons out there that

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Speaker 2: covers that lead? Can we just get out of here?

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Speaker 2: Can we just start over?

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Speaker 1: Well, what's funny about that story is that's kind of

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Speaker 1: what Brian Wilson did with the Beach Boys. He stayed

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Speaker 1: back and wrote and got everything ready and set the

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Speaker 1: band out, and so the Beach Boys will be traveling

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Speaker 1: all over touring. Way back in the day, Brian Wilson's like,

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Speaker 1: I don't want to go tour. I'll let them go

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Speaker 1: to concert. I'll take my cut, and then when they

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Speaker 1: come back, I'll hop in. But I've got everything ready

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Speaker 1: to go.

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Speaker 3: Kind of the gig, kind of the best gig truthfully.

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Speaker 2: And then but there were no stakes involved in that story.

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Speaker 3: Well, yeah, there's probably songs are probably not great steaks

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Speaker 3: someone we're talking stuff.

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Speaker 1: I love the idea, though, of creating something that can

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Speaker 1: go out and make money not having to do it

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Speaker 1: like musical to me too, like five or six years ago.

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Speaker 1: I probably told you guys a story, but uh me,

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Speaker 1: Nicole Gallian, who's a massive writer, and Ross Kopperman I

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Speaker 1: went and I said, hey, I have this idea for

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Speaker 1: a hologram artist that opens for like five five tours

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Speaker 1: at once. And I said, let's write songs. And so

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Speaker 1: we created this group called Neon People, and we went

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Speaker 1: and we wrote every day and recorded all these songs masterdom.

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Speaker 1: Nicole was singing it. We were manipulating the voice a

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Speaker 1: little bit. No idea was we can have somebody be

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Speaker 1: the baby opener on like three or four tours. And

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Speaker 1: there were great songs and very cheap.

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Speaker 2: It was split everything that comes out, and so all.

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Speaker 1: The streams, we all the money of the touring revenue.

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Speaker 1: And then Nicole ended up being a president of record

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Speaker 1: label and she had to like quit. She's like I

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Speaker 1: can't because I was.

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Speaker 2: Like integrity kind against it.

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Speaker 1: What the heck it's up? It's up on.

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Speaker 3: People was read as well, jumping off the fence to

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Speaker 3: be a songwriter artist. It was you guys, grow where

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Speaker 3: west right where Alabama, Missippi and Tennessee meet the county

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Speaker 3: above that's Harden County.

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Speaker 2: Where was town then Memphis, Savannah, Georgia, Tennessee.

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Speaker 3: Oh, but Florence is where we took our dates. You

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Speaker 3: know what I'm saying, and shout out red Law or

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Speaker 3: Cartt thirty minutes away.

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Speaker 1: So then where would concerts come that was closest.

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Speaker 3: Well, it's interesting because we're kind of from a melting

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Speaker 3: pot of like a lot of different influences right there.

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Speaker 3: You had rockabillity from Jackson, Tennessee, blues from Memphis you

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Speaker 3: had to be swaggy type stuff from it came out

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Speaker 3: of Memphis, and also North miss South Mississippi, Delta blues

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Speaker 3: from South Misissippi. And then you had country music from Nashville.

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Speaker 2: And then you had the swampers and the funk stuff

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Speaker 2: from Florence. So all of that kind of blended. And

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Speaker 2: our dad's a Baptist preacher that in the obviously Bible belt, there's.

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Speaker 3: A ton of you know, Christian music going on there.

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Speaker 3: Ham's going on too, So you got that influence.

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Speaker 1: Could you guys have secular music?

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Speaker 2: Though?

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Speaker 3: Growing up we could watch TA in you'd have to

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Speaker 3: go you have to go upstairs and turn it down

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Speaker 3: if you watch t r L.

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Speaker 2: Yeah, you have to do. Until you didn't get to

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Speaker 2: go to real like big pop culture.

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Speaker 3: I mean my first concert was Billy Joe Elton John and.

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Speaker 2: It was awesome.

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Speaker 1: How old were you.

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Speaker 2: He too, dude, Our parents weren't like like I hear

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Speaker 2: stories now, especially talking to people like that's all they

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Speaker 2: did when they were little, is like their parents took

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Speaker 2: them on the road to go see Alabama or go

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Speaker 2: see you know, Grateful Dead or whoever it is. And

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Speaker 2: like our parents were never no, they liked music, they

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Speaker 2: liked music, but they just we just work. It's a

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Speaker 2: lot of working as expensive to take a bunch of

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Speaker 2: kids to go see shows. So like we had. We

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Speaker 2: saw a ton of like quartets come through the church though. Man,

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Speaker 2: like all those all those like traveling bands that we

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Speaker 2: come through and doing doing like the church stuff.

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Speaker 3: We went to all those because they would all come

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Speaker 3: through our churchet. Yeah, like harmony, gospel quartets.

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Speaker 1: Yeah, and you end up in music.

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Speaker 2: I think our mom would.

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Speaker 3: Have loved if we had been a gospel we'll singing yeah, yeah,

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Speaker 3: you know, like doing the thing.

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Speaker 2: But it just for me.

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Speaker 3: I loved the storytelling aspect of country music. And my

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Speaker 3: dad's a killer storyteller too. I've seen him hold court

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Speaker 3: at deer camps and churches and pavilions and parking lots

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Speaker 3: with random p McDonald's lines, just captivating these people with stories.

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Speaker 3: And I think that's what I always wanted to be that,

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Speaker 3: and so I kind of wrote poems and things like that,

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Speaker 3: and then I didn't want anybody to know because that

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Speaker 3: was seen as effeminate in my small town stuff.

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Speaker 2: And so then I.

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Speaker 3: Realized, if I get girls, if I put those.

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Speaker 2: Words and stuff to music.

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Speaker 3: So I learned how to play guitar, and from there

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Speaker 3: we already knew how to harmonize because of the church,

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Speaker 3: in the in the singing groups we were in, and

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Speaker 3: it just kind of I went ban ban Ban band,

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Speaker 3: had a big band in Mississippi state, started getting some

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Speaker 3: looks in Nashville. Didn't know it, but we were getting

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Speaker 3: the run up here and just ended up falling in

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Speaker 3: love with being a song right. I also hated the road.

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Speaker 3: I'm just not a road guy at all.

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Speaker 1: In your hometown, you have pizza hut, hell, yeah, absolutely,

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Speaker 1: We were talking about it recently, how I don't see

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Speaker 1: any standalone pizza hights like we talked about in the build,

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Speaker 1: the building, the shape building.

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Speaker 2: Yeah, yeah, like the pizza hut building.

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Speaker 1: And you know the shape of pizza hut building you

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Speaker 1: see one because sometimes you see a dentist office and

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Speaker 1: a pizza hut building that used to be a pizza hut.

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Speaker 3: Yeah, you can dress it up however you want to.

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Speaker 3: There were personal pants cooked in that, dude.

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Speaker 2: What a great? What a great? Uh? What a great

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Speaker 2: marketing schemes to make your building one of a con.

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Speaker 1: Yeah, except what you want to sell.

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Speaker 2: If your pizza hut though, I mean, did you guys

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Speaker 2: do book itt ever?

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Speaker 3: Yes, dude, no, he said he didn't do it.

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Speaker 2: We did accelerated Reader, which.

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Speaker 3: Is kind of the same thing I remember it swapping

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Speaker 3: with when I was in book It.

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Speaker 1: That's probably cause Pizza hu didn't want to pay the

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Speaker 1: give away the free pizzas anymore.

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Speaker 2: Then. I promise you if there was, if there was

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Speaker 2: a program where you got personal pants for free, I

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Speaker 2: would have been in that chain.

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Speaker 3: Bro, I'm still wearing those personal pants. I read like

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Speaker 3: a something No me too?

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Speaker 1: Like in May one, it launched back at Pizza Hut

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Speaker 1: this year where they're doing book it again.

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Speaker 2: And for me, can anybody do it? Can I do it?

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Speaker 2: If there was I'd I'd be reading Johnny Cash The

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Speaker 2: Life in the lyrics right now to get forty points

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Speaker 2: for two personal pants.

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Speaker 1: It was such a big deal in my school, like socioeconomically,

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Speaker 1: we were a very poor school right in areas that

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Speaker 1: didn't have money. You could read and actually provide dinner.

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Speaker 1: It was a It was a culture changer for us.

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Speaker 1: And I love to read, but I could read two

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Speaker 1: books a week for sure, and that was not only

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Speaker 1: dinner for my sister and I. It was you can

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Speaker 1: tell me.

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Speaker 3: You provided for your family by reading. I'm saying that

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Speaker 3: I'm not going to laugh at that.

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Speaker 1: I know it's crazy.

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Speaker 2: I think I want to laugh, but a good, good way,

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Speaker 2: but also awesome.

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Speaker 1: When I saw it was coming back, I was like, dang,

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Speaker 1: I don't think people understand for kids that didn't have anything.

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Speaker 3: No, I wouldn't have never understood that.

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Speaker 2: It's crazy.

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Speaker 1: It's because I would. You could read a book and

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Speaker 1: a quiz on it back in the day, and then

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Speaker 1: you get your personal pan. That that what the cost

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Speaker 1: was though gas going into town because we didn't have

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Speaker 1: a pizza hut, so we had to go into Hot Springs. Yeah,

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Speaker 1: so you're driving, but two personal pan pizzas would be

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Speaker 1: because it was four pieces, three pieces for dinner, one

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Speaker 1: for breakfast the next day that that that.

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Speaker 2: Was two meals for each of us. Absolutely, dude, that's awesome.

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Speaker 2: I love never considered that. We've never our town never

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Speaker 2: like I've never We've never been in that position, you know,

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Speaker 2: with our with our family or anything like that. And honestly,

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Speaker 2: I really never saw that in our town in that way.

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Speaker 2: But that thinking about it that way is Man, that's awesome.

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Speaker 2: I don't remember you specifically talking about That's one. I mean,

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Speaker 2: that's the part of your foundation, is your your very

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Speaker 2: food driven if you don't have food.

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Speaker 1: My favorite episode of the God's Country podcast, Yeah, one

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Speaker 1: of the worst episodes, but worst performing the most meaning most.

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Speaker 2: That's what matters, right, especially in our industry.

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Speaker 1: Do you when you guys book guess? Something that I

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Speaker 1: deal with is like I can get a really good guess,

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Speaker 1: but if they're doing like nine things at once, it

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Speaker 1: doesn't do that well because what have.

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Speaker 2: You made non things that one.

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Speaker 1: Let's say, I'll just pick an artist off my wall,

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Speaker 1: so I'm not picking anybody specifically, So I'm gonna say

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Speaker 1: John Mayer because John Mayer is on my favorite arts

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Speaker 1: of all time. If I have him in and we

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Speaker 1: do a great hour together, but he's also doing nine

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Speaker 1: other podcasts around the same time, like a media tour. Oh,

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Speaker 1: it's so watered down that even a great guest is

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Speaker 1: not gonna get the numbers that the great guests should get.

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Speaker 1: If the great guest is doing so many shows at.

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Speaker 3: Once, you mean like ours and yours, Well they're.

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Speaker 1: On the same level. But I'm just saying, like, if they.

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Speaker 2: Was in which direction, which charts are we talking about?

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Speaker 1: Ding? Do you guys ever see that, Like you have

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Speaker 1: somebody that you're like, man, this is gonna be awesome,

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Speaker 1: and the interview is fantastic, But they're doing so many

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Speaker 1: things at once that it possibly doesn't reflect in the numbers.

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Speaker 3: We kind of have to say from the jump, hey man,

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Speaker 3: we're not really like your media training guys, like you

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Speaker 3: can be here as free in here as you want be.

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Speaker 3: I feel like that does that helps open something?

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Speaker 2: Yeah? But you can still see see some well see

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Speaker 2: some of them still they don't know how to. They don't.

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Speaker 2: It's just so ingrained in them and trained in them

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Speaker 2: that they go straight forward like it's the it's the

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Speaker 2: first thing they do is go toward media training. And

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Speaker 2: I get that because like you see that, you see

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Speaker 2: the clips and the stories or the videos or whatever

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Speaker 2: that that we clip and put on. Mostly honestly, like

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Speaker 2: the ones that hit and pop off are like the

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Speaker 2: kind of the sporadic, like the thing that wasn't planned,

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Speaker 2: the story that wasn't planned, or just like the authentic

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Speaker 2: realness you know of of storytelling. Those usually do the

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Speaker 2: best for us. But I can I think I think

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Speaker 2: that we're probably fall on the same boat. Is like,

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Speaker 2: because most of the days when you catch those artists there,

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Speaker 2: it's media day, it's podcasting. Yeah, so they're doing four

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Speaker 2: after yours.

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Speaker 1: And if it's a fan of theirs who you'd like

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Speaker 1: to come to your podcast, they're possibly going to go

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Speaker 1: listen to their person do any of the four sure,

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Speaker 1: And so it just tends to be water itself down.

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Speaker 1: If I have somebody and that's doing a bunch of

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Speaker 1: interviews in a bunch of places because they have a

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Speaker 1: TV show coming out or something, I really got to

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Speaker 1: do that for like my own people, because they're everywhere, and.

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Speaker 2: You got to find a way to do it different, right,

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Speaker 2: Like like do you have a you're like, man, I

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Speaker 2: need a certain I need a specific game. I need

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Speaker 2: to play with this this, this artist or this guest

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Speaker 2: to make it interesting or spur it along or anything

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Speaker 2: like that. Like do you go into it preparing anything

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Speaker 2: like that?

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Speaker 1: Way to do them in Spanish? If that's the case, dope,

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Speaker 1: hit them with them.

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Speaker 2: I feel.

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Speaker 1: That's a that's a good question. No, I talk a

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Speaker 1: lot in mind. I think sometimes people will be like, hey,

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Speaker 1: why do you talk so much when you're interviewing people.

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Speaker 1: It's like, this is my show too, dude, amen, like

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Speaker 1: and honestly, and you're an interesting cat. I can bring

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Speaker 1: on the biggest guests, and this is something that we've

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Speaker 1: seen with with so much data, I can bring on

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Speaker 1: the greatest A list guest. And that's still the episodes

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Speaker 1: that performed the best for me to when I have

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Speaker 1: no guests at all. That's the weirdest part is it

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Speaker 1: will get so pumped because we have somebody come in.

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Speaker 1: Let's say it John Mayra, and John Mayra comes in

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Speaker 1: and crushes it, and then I'm like, hey, I'm gonna

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Speaker 1: be a solo episode the next time, and it's only

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Speaker 1: going to be you know, fun stuff. The booet I'm

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Speaker 1: talking about BOOKT and it's and that will perform so

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Speaker 1: much higher. Yeah, and that's a weird thing. So I

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Speaker 1: am like, well, I'm just gonna talk with them.

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Speaker 3: Then, Yeah, we get popped a lot with Do you

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Speaker 3: guys sing with every guest that comes on your singers?

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Speaker 1: That's the thing? Have they not heard about the band?

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Speaker 1: You try to start with your brother?

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Speaker 2: That's the whole entire point of this.

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Speaker 1: Yeah, And it's like me too, Like I'm not an interviewer.

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Speaker 1: I'm somebody who likes to talk with people. You guys

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Speaker 1: are real life successful songwriters and singers, so of course

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Speaker 1: you're going to be singing with people.

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Speaker 2: I mean, and that's kind of archtick too, is like

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Speaker 2: we don't it doesn't really feel like an interview to

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Speaker 2: us ever, Like, and that's what I think sometimes. I Mean,

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Speaker 2: there's a there's a certain couple that come to mind,

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Speaker 2: But I'm saying, like it's still people ask me, like, man,

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Speaker 2: do you enjoy the podcast? And I'm still genuinely saying, yeah,

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Speaker 2: I really do, because it feels like I'm having a

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Speaker 2: conversation with somebody for the first time, and it really does,

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Speaker 2: Like it doesn't feel like work when it, And I

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Speaker 2: know that's a cliche or whatever, but sitting down and

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Speaker 2: having a conversation and getting to know about somebody is

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Speaker 2: it doesn't feel like work to me. Still there are

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Speaker 2: times and days that it does, but ours are not interviews.

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Speaker 2: It doesn't feel like it feels like it's more of

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Speaker 2: a conversation.

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Speaker 1: The two times it feels like work to me is

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Speaker 1: if I'm exhausted, and that sucks and I feel bad

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Speaker 1: for the person who's coming in. Yeah, I end up

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Speaker 1: doing a better job because I'm aware that I'm exhausted.

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Speaker 1: It's kind of funny how that works, because I'm like,

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Speaker 1: I do not feel good. I'm so tired, and it

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Speaker 1: kind of focuses me the level. Yeah, so that sucks

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Speaker 1: if I'm not feeling good. And two, man, if people

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Speaker 1: come in so media trained and there are artists in

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Speaker 1: town who I like as people, but they are so

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Speaker 1: trained and big artists, so I can think of it.

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Speaker 1: I'm not going to say their names. I'm friends with

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Speaker 1: them that like, they have their stories down to beats

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Speaker 1: and it's not good for an hour long yeah, no

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Speaker 1: conversation podcast.

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Speaker 3: Let me ask you, this is what actually happens in

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Speaker 3: media training, Like we obviously are not famous enough for

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Speaker 3: anybody to care about training.

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Speaker 1: I've never done media training. Okay, so I've led sports

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Speaker 1: athletes and media training because they get interviewed and they

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Speaker 1: have no background talking to a microphone. Sure, So I've

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Speaker 1: gone to universities and walked people through media training, meaning

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Speaker 1: if you don't know what to say, here's where you go.

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Speaker 1: And you're trying to teach some people, athletes, especially the

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Speaker 1: most cliche things to say that mean nothing.

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Speaker 2: Athletes is trying to grate. Here, you say nothing, you

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Speaker 2: get off my teammate.

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Speaker 1: They will meet prepared.

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Speaker 2: That's when you hear the same things over now. Yeah. Yeah,

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Speaker 2: and those guys know how to ball, dude like, and

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Speaker 2: they don't. They don't know how to talk and they

384
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Speaker 2: don't have to because they're so freaking good at their

385
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Speaker 2: job and their giants. Well yeah, but that's what I'm saying.

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Speaker 1: It's like a jockey and they're not giants, but.

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Speaker 2: There's gonna be a microphone in their face and they've

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Speaker 2: got to say something. They gotta say something.

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Speaker 1: I've worked with some new business like new artists in

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Speaker 1: town secretly not I mean, I'm not hiding from it,

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Speaker 1: but I'll get a call from a friend who's like

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Speaker 1: a manager being like, hey, you just teach this person

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Speaker 1: how to be trained but not sound trained, and that's

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Speaker 1: just not getting yourself in trouble, Like that's all media

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Speaker 1: training is now.

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Speaker 2: Well, there's some that just can't help it.

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Speaker 1: Yeah, but I think some of the people getting in

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Speaker 1: trouble are trained to get in trouble like it's it's

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Speaker 1: purposeful obvious.

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Speaker 2: Oh for for like clickbait kind of stuff.

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00:17:33,000 --> 00:17:34,040
Speaker 1: For sure, and they're smart about it.

402
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Speaker 2: Go viral moments. Yeah, that's a good. Yeah, I just

403
00:17:37,920 --> 00:17:38,960
Speaker 2: thought they were dumb.

404
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Speaker 1: Some are that.

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Speaker 2: Well it's that way too. Yeah, I too.

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Speaker 1: But the hour long interviews are almost impossible with people

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Speaker 1: that come in with an absolute agenda.

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Speaker 3: Yeah, it's pretty easy to pick up too.

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Speaker 2: It's pretty easy to pick up. And we've had a

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Speaker 2: few lately that.

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Speaker 3: I'm like, oh, yeah, okay, have it, have the floor.

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Speaker 2: It's not really go through go through your bullet points,

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Speaker 2: that's it.

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Speaker 1: Do it and get it over with. Yeah, And if

415
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Speaker 1: I feel that in one of ours, we're about to

416
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Speaker 1: we're going to exhaust what you want.

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Speaker 3: It almost be like me talking about God's Country that

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Speaker 3: airs every Tuesday.

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Speaker 2: On Uh was it anywhere anywhere you get podcast? But

420
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Speaker 2: that happens like this Tuesday when Averyanna is coming on.

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Speaker 2: She was great.

422
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Speaker 3: She was as good anyway back to your thing.

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Speaker 1: Yeah, we had like two months ago.

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Speaker 2: It was great.

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Speaker 1: People can scroll up and see that.

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Speaker 2: Yeah, she's grown a lot and done a lot of

427
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Speaker 2: cool things.

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Speaker 1: It's probably a lot of new stuff.

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Speaker 2: She actually took a hiatus from podcast because she hated

430
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Speaker 2: your so much ours because ours and numbers were so big,

431
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Speaker 2: says she had to come.

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Speaker 1: When she was sitting in here, she was like, this

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Speaker 1: is the last one I want to do, because if

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Speaker 1: I have to do freaking God's Country, that means I

435
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Speaker 1: have fallen off.

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Speaker 2: That's so I know.

437
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Speaker 3: I know that's really got Maybe songwriters go to die

438
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Speaker 3: there to hang tight.

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Speaker 4: The Bobby Cast will be right back and we're back

440
00:19:00,040 --> 00:19:00,960
Speaker 4: on the Bobby Cast.

441
00:19:01,760 --> 00:19:03,840
Speaker 1: Did followers from the Big Purge?

442
00:19:04,960 --> 00:19:06,960
Speaker 2: Oh? Did we we read about that? Did we lose

443
00:19:06,960 --> 00:19:08,000
Speaker 2: anything on that?

444
00:19:08,040 --> 00:19:08,680
Speaker 1: Do we lose any?

445
00:19:08,840 --> 00:19:11,280
Speaker 2: No bots for us, But it's authentic over there. Bro.

446
00:19:11,560 --> 00:19:12,040
Speaker 2: We could try to.

447
00:19:12,119 --> 00:19:15,639
Speaker 1: I lost like twelve thousand. Yeah, And these bots have

448
00:19:15,680 --> 00:19:17,080
Speaker 1: to exist, they have to follow a bunch of people.

449
00:19:17,560 --> 00:19:18,760
Speaker 1: And I was looking at some of the.

450
00:19:18,720 --> 00:19:21,960
Speaker 2: Folks, so you don't. So it's not like people are

451
00:19:21,960 --> 00:19:24,560
Speaker 2: going and paying for these bots and then when the

452
00:19:24,600 --> 00:19:25,960
Speaker 2: bots get gone, they're gone.

453
00:19:26,080 --> 00:19:29,399
Speaker 3: These bots are actually just just fake accounts that are

454
00:19:29,400 --> 00:19:30,440
Speaker 3: following people both.

455
00:19:31,160 --> 00:19:34,440
Speaker 1: Okay, so there are ways to buy. The reason I

456
00:19:34,440 --> 00:19:36,840
Speaker 1: would never buy is because you're gonna spend money and

457
00:19:36,880 --> 00:19:38,359
Speaker 1: they're gonna wipe it away at.

458
00:19:38,240 --> 00:19:41,320
Speaker 2: Some eventually, some point. That's right. I feel sad too,

459
00:19:41,440 --> 00:19:43,760
Speaker 2: to buy followers. It feels real sad, was.

460
00:19:43,760 --> 00:19:46,000
Speaker 3: Telling him, do you remember when they did this? They

461
00:19:46,000 --> 00:19:48,639
Speaker 3: had the big thing on TikTok where people were losing

462
00:19:48,680 --> 00:19:53,880
Speaker 3: their stuff and there were some people literally committing suicide.

463
00:19:54,000 --> 00:19:58,280
Speaker 2: That's their job living followers. That was crazy to me, man,

464
00:19:58,359 --> 00:19:59,000
Speaker 2: that was crazy.

465
00:19:59,160 --> 00:19:59,600
Speaker 1: Is that real?

466
00:20:00,080 --> 00:20:02,119
Speaker 2: Yeah? Man, when they had the big TikTok.

467
00:20:01,760 --> 00:20:04,240
Speaker 1: I remember they were going to cancel TikTok, the big TikTok thing.

468
00:20:04,600 --> 00:20:06,639
Speaker 1: When you say the big TikTok thing, I don't know.

469
00:20:06,760 --> 00:20:11,560
Speaker 2: I'm not very versed in this. Yes, please telling you.

470
00:20:11,880 --> 00:20:15,960
Speaker 3: I remember seeing a video of a dude crime Sam.

471
00:20:16,119 --> 00:20:19,040
Speaker 3: I had X amount of followers, and now I have this.

472
00:20:19,440 --> 00:20:22,200
Speaker 3: Because of this, I've lost all my sponsorships. I don't

473
00:20:22,240 --> 00:20:23,800
Speaker 3: know how I'm a feed my family. I'm not saying

474
00:20:23,800 --> 00:20:26,240
Speaker 3: that guy did it, but I'm just saying there there

475
00:20:26,240 --> 00:20:29,600
Speaker 3: are some people that have built legit businesses gosh out

476
00:20:29,600 --> 00:20:32,320
Speaker 3: of those media terrifying.

477
00:20:31,920 --> 00:20:36,600
Speaker 1: And then you lose them you can buy. I would

478
00:20:36,640 --> 00:20:39,199
Speaker 1: never because that's just throwing away money. It's temper that's

479
00:20:39,200 --> 00:20:41,399
Speaker 1: a temporary investment. Hopefully people see you have these followers,

480
00:20:41,440 --> 00:20:42,920
Speaker 1: get your clout, you get to be on other things.

481
00:20:44,119 --> 00:20:46,720
Speaker 1: But there are bots that just follow big accounts as well,

482
00:20:46,760 --> 00:20:48,840
Speaker 1: because they have to prove they're a real person. And

483
00:20:48,880 --> 00:20:50,840
Speaker 1: you can find a bot real easy if their fault.

484
00:20:51,000 --> 00:20:53,480
Speaker 1: If they have they're not following anybody and they're just

485
00:20:53,520 --> 00:20:57,680
Speaker 1: posting like crazy. So there are strategies to create bots

486
00:20:57,720 --> 00:21:00,200
Speaker 1: as well where you don't have to buy them, and

487
00:21:00,280 --> 00:21:04,040
Speaker 1: the biggest accounts get the most bought follows, not even purchased.

488
00:21:04,440 --> 00:21:06,880
Speaker 1: Oh so that's why like Taylor lost five.

489
00:21:06,680 --> 00:21:11,199
Speaker 2: Million, five million, I mean she have three hundred million million.

490
00:21:11,400 --> 00:21:13,440
Speaker 2: Uh is that more people than they're in the world.

491
00:21:13,560 --> 00:21:14,360
Speaker 1: I just pulled the one.

492
00:21:16,440 --> 00:21:19,480
Speaker 2: That's how you know they're ten billion. They're fifty billion

493
00:21:19,480 --> 00:21:20,440
Speaker 2: people following.

494
00:21:20,200 --> 00:21:23,080
Speaker 1: Kendall Jenner lost three point seven millions. Landa Gomez lost

495
00:21:23,119 --> 00:21:26,800
Speaker 1: six million, Beyonce lost five million, Baber lost four million.

496
00:21:27,640 --> 00:21:31,200
Speaker 3: Yeah, man, water weight, right, if I can't, we said

497
00:21:31,520 --> 00:21:36,480
Speaker 3: I dropped eighteen past, you'd be like, hell, yeah, man, congratulations.

498
00:21:36,480 --> 00:21:38,400
Speaker 3: But if I said, well, it's I actually just took

499
00:21:38,440 --> 00:21:43,520
Speaker 3: this hydroxy cut sponsor us and uh and and because

500
00:21:43,560 --> 00:21:45,200
Speaker 3: of that, it's just a bunch of water weight, you'd

501
00:21:45,240 --> 00:21:46,560
Speaker 3: be like, well.

502
00:21:48,119 --> 00:21:52,040
Speaker 1: That these bots are waterweight. Uh So yeah, I didn't

503
00:21:52,040 --> 00:21:54,520
Speaker 1: know if you guys lost any with your wildly successible podcast.

504
00:21:54,600 --> 00:21:57,800
Speaker 2: I mean, honestly, bro, if we did, I wouldn't even know.

505
00:21:57,960 --> 00:22:00,560
Speaker 3: We're barely treading water here, buddy, you know, I mean

506
00:22:00,600 --> 00:22:02,800
Speaker 3: like in life general, not just a podcast. It's doing

507
00:22:03,160 --> 00:22:05,280
Speaker 3: we have this zero time. I was like, wait, it

508
00:22:05,320 --> 00:22:07,440
Speaker 3: is to check up on the follows.

509
00:22:07,440 --> 00:22:09,080
Speaker 2: But yeah, we did research it just so we would

510
00:22:09,119 --> 00:22:10,160
Speaker 2: kind of go what you're talking about?

511
00:22:10,240 --> 00:22:12,560
Speaker 1: Yeah, I lost between ten and fifteen thousand.

512
00:22:12,600 --> 00:22:13,280
Speaker 2: But do you do?

513
00:22:13,840 --> 00:22:14,000
Speaker 3: Right?

514
00:22:14,080 --> 00:22:17,000
Speaker 2: City here? Is that gonna affect you? Now? Do you care?

515
00:22:18,160 --> 00:22:18,760
Speaker 1: Do I care?

516
00:22:18,920 --> 00:22:19,400
Speaker 2: Do you care?

517
00:22:19,720 --> 00:22:22,720
Speaker 1: I expect those bought. I expect that to happen. Those flushes,

518
00:22:22,760 --> 00:22:23,840
Speaker 1: cause about every.

519
00:22:23,800 --> 00:22:26,520
Speaker 2: Year, oh a year, they have them once a year, yeah.

520
00:22:26,359 --> 00:22:28,159
Speaker 1: About every year. They're one of those that happens. This

521
00:22:28,200 --> 00:22:30,719
Speaker 1: one wasn't that bad for me. So and I have

522
00:22:30,800 --> 00:22:33,560
Speaker 1: like on my personal account, I was getting real close

523
00:22:33,560 --> 00:22:34,920
Speaker 1: to one point three million. I was at one point

524
00:22:34,960 --> 00:22:35,879
Speaker 1: two and I was like, oh, I'm about to at

525
00:22:35,880 --> 00:22:38,040
Speaker 1: one point three. They flushed me right before one point three,

526
00:22:38,280 --> 00:22:41,479
Speaker 1: So that was a little frustrating, but I don't social

527
00:22:41,520 --> 00:22:46,359
Speaker 1: media is not social as much anymore, meaning it's not

528
00:22:46,400 --> 00:22:48,239
Speaker 1: who you follow as much as it's more of what

529
00:22:48,240 --> 00:22:51,439
Speaker 1: you're interested in. So algorithms feed us the stuff all

530
00:22:51,480 --> 00:22:53,080
Speaker 1: the time, more so what we're interested in, what we're

531
00:22:53,080 --> 00:22:55,159
Speaker 1: looking at, more than who we follow. It used to

532
00:22:55,200 --> 00:22:56,720
Speaker 1: be back in the day, you follow bunch people. You're

533
00:22:56,720 --> 00:22:58,400
Speaker 1: just gonna see what all your friends are doing. Now

534
00:22:58,480 --> 00:23:00,800
Speaker 1: you can, you can follow everybody, and that's fine, but

535
00:23:01,080 --> 00:23:04,240
Speaker 1: if your friends aren't posting things that you would generally

536
00:23:04,240 --> 00:23:06,119
Speaker 1: be interested in, you're going to see it very little,

537
00:23:06,119 --> 00:23:07,879
Speaker 1: and your algorithm is going to feed you things that

538
00:23:07,920 --> 00:23:09,280
Speaker 1: you like that you don't even follow.

539
00:23:09,480 --> 00:23:09,960
Speaker 2: Very true.

540
00:23:10,000 --> 00:23:12,560
Speaker 1: So it's more like a follower media than a social

541
00:23:12,600 --> 00:23:15,240
Speaker 1: media Yeah, yeah, that was I hurt. No, was that

542
00:23:15,240 --> 00:23:18,440
Speaker 1: a little frustrated? Yeah, yeah, yeah, something about buying them back.

543
00:23:18,520 --> 00:23:20,119
Speaker 1: That's how I buy them, I buy them back to

544
00:23:20,119 --> 00:23:22,280
Speaker 1: get even I got I.

545
00:23:22,160 --> 00:23:25,240
Speaker 2: Got you bots? Yeah, is it the box you're getting?

546
00:23:25,240 --> 00:23:26,919
Speaker 2: There's it's I don't know who it is.

547
00:23:27,240 --> 00:23:29,440
Speaker 1: There are these services, and I don't know if they're

548
00:23:30,040 --> 00:23:33,760
Speaker 1: true that they say they can get you organic followers.

549
00:23:34,760 --> 00:23:36,080
Speaker 1: That just feels like bots though.

550
00:23:36,000 --> 00:23:38,199
Speaker 2: I mean you can buy streams. I mean people know that. Like,

551
00:23:38,240 --> 00:23:38,920
Speaker 2: there's this guy.

552
00:23:39,320 --> 00:23:40,960
Speaker 1: I don't know how to do that. I could show

553
00:23:41,000 --> 00:23:41,960
Speaker 1: you how to buy bots.

554
00:23:42,440 --> 00:23:44,120
Speaker 3: Well, let's just say I know a guy that knows

555
00:23:44,119 --> 00:23:50,000
Speaker 3: a guy and and it is literally I can't tell

556
00:23:50,000 --> 00:23:53,159
Speaker 3: you the exact number, but from the judging by the video,

557
00:23:53,200 --> 00:23:58,360
Speaker 3: I was shown thousands of phones plugged into and they

558
00:23:58,560 --> 00:24:01,159
Speaker 3: and he goes to a computer doo dooo, doo boop,

559
00:24:01,240 --> 00:24:04,280
Speaker 3: and all of those things just playing the same playing

560
00:24:04,320 --> 00:24:06,520
Speaker 3: the same song, and they run that joker for so

561
00:24:06,560 --> 00:24:07,000
Speaker 3: you can pay.

562
00:24:07,320 --> 00:24:09,640
Speaker 2: You can pay this guy X amount of money to run.

563
00:24:09,520 --> 00:24:12,240
Speaker 3: Two thousand dollars, I can guarantee you one hundred thousand

564
00:24:12,240 --> 00:24:16,800
Speaker 3: streams or whatever, a million, whatever the exponential you know

565
00:24:17,000 --> 00:24:21,280
Speaker 3: factor is. But yeah, ultimately you just send a check

566
00:24:21,480 --> 00:24:23,280
Speaker 3: and they whatever you pay.

567
00:24:23,400 --> 00:24:26,040
Speaker 2: Is what is that going on with pds anymore? Still?

568
00:24:26,800 --> 00:24:28,159
Speaker 1: I have no idea. I don't do music. I have

569
00:24:28,160 --> 00:24:30,560
Speaker 1: nothing to do with music, and I would say no

570
00:24:31,240 --> 00:24:31,720
Speaker 1: like a payo.

571
00:24:31,800 --> 00:24:34,080
Speaker 2: The thing is that still radio they.

572
00:24:33,920 --> 00:24:36,560
Speaker 1: Want now they watch that stuff and I'm not involved

573
00:24:36,560 --> 00:24:38,680
Speaker 1: to do nothing with music and radio except if I

574
00:24:38,720 --> 00:24:40,080
Speaker 1: want to have somebody up and play or if I

575
00:24:40,160 --> 00:24:42,880
Speaker 1: want to like. But my career is not based off

576
00:24:42,920 --> 00:24:45,520
Speaker 1: of music anymore. It's just the content that I'm creating

577
00:24:45,920 --> 00:24:46,560
Speaker 1: for the most part.

578
00:24:46,640 --> 00:24:48,080
Speaker 2: So you're not doing the radios in the morning show.

579
00:24:48,119 --> 00:24:49,480
Speaker 1: Yeah, but I just talked about me like I was

580
00:24:49,480 --> 00:24:51,000
Speaker 1: talking about earlier. I just talked about me the whole time,

581
00:24:51,200 --> 00:24:53,600
Speaker 1: or bringing artists to guests, and sure, let them talk

582
00:24:53,600 --> 00:24:56,400
Speaker 1: about it. I don't play music. Music's played. I don't

583
00:24:56,400 --> 00:24:58,800
Speaker 1: pick it. If I want to, like play a song,

584
00:24:59,400 --> 00:24:59,760
Speaker 1: I can.

585
00:25:00,200 --> 00:25:02,200
Speaker 2: But if I was the KICKI like tan K, would

586
00:25:02,200 --> 00:25:02,480
Speaker 2: you play?

587
00:25:02,560 --> 00:25:06,000
Speaker 1: Oh god no, it would be worth it a hundred No, literally,

588
00:25:06,280 --> 00:25:07,040
Speaker 1: I can play this game.

589
00:25:07,080 --> 00:25:08,919
Speaker 2: How much can I make on a catalog souse? I love?

590
00:25:09,040 --> 00:25:11,719
Speaker 2: How much? How much game? Like? What would it take

591
00:25:11,760 --> 00:25:12,040
Speaker 2: you to do?

592
00:25:12,960 --> 00:25:15,119
Speaker 1: They are they cracked down on that stuff so hard.

593
00:25:16,040 --> 00:25:19,400
Speaker 1: But I saw the SEC was investigating the streaming services

594
00:25:20,080 --> 00:25:23,760
Speaker 1: because of all of the manipulation of streams. The difference

595
00:25:23,800 --> 00:25:26,919
Speaker 1: is though the streaming services aren't public, broadcast is public.

596
00:25:27,240 --> 00:25:28,880
Speaker 1: They got to crack down on that because they own that.

597
00:25:28,880 --> 00:25:33,399
Speaker 1: That's the government. But you're right, you can buy so

598
00:25:33,560 --> 00:25:39,320
Speaker 1: many streams YouTube's, you can buy looks. But what they

599
00:25:39,359 --> 00:25:42,119
Speaker 1: do is they feed it in there for you. So

600
00:25:42,160 --> 00:25:44,920
Speaker 1: it's not really they're not forcing anybody to watch it streams.

601
00:25:45,040 --> 00:25:47,840
Speaker 1: They can fake streams, but it works because if there's

602
00:25:47,840 --> 00:25:50,840
Speaker 1: an artist and somebody's pitching them for, you know, to

603
00:25:50,920 --> 00:25:53,520
Speaker 1: open or they're like, yeah, they've got they had four

604
00:25:53,520 --> 00:25:55,840
Speaker 1: million streams last month, You're like what the crew really.

605
00:25:55,720 --> 00:25:59,600
Speaker 2: Does not matter if they were real or not. Absolutely,

606
00:26:00,560 --> 00:26:01,680
Speaker 2: So it's an game.

607
00:26:01,800 --> 00:26:05,560
Speaker 1: It's an investment to buy streams. And I'm not saying

608
00:26:05,560 --> 00:26:07,360
Speaker 1: you should do this. It's an investment to buy streams.

609
00:26:07,800 --> 00:26:10,159
Speaker 1: Then you get streams, then you get work, and hopefully

610
00:26:10,160 --> 00:26:11,919
Speaker 1: that work that you're getting pays off the investment that

611
00:26:11,960 --> 00:26:12,879
Speaker 1: you just did to get.

612
00:26:12,720 --> 00:26:15,399
Speaker 2: The streams and and and picks up the streams.

613
00:26:15,320 --> 00:26:16,600
Speaker 1: Which then picks up the streams.

614
00:26:16,840 --> 00:26:18,119
Speaker 2: You don't have to have fake streams anymore.

615
00:26:18,240 --> 00:26:20,520
Speaker 1: And in the end, if you believe the artist is

616
00:26:20,560 --> 00:26:23,240
Speaker 1: good enough to actually get streams, if you run the

617
00:26:23,280 --> 00:26:28,960
Speaker 1: process you invest in that if you don't have integrity,

618
00:26:29,520 --> 00:26:32,560
Speaker 1: I'd like to say that at the end. Yeah, yeah,

619
00:26:32,560 --> 00:26:35,400
Speaker 1: because like I get the game for sure. I get

620
00:26:35,440 --> 00:26:35,680
Speaker 1: the game.

621
00:26:35,920 --> 00:26:38,119
Speaker 2: Is the game right that's that is, that's the bottom

622
00:26:38,160 --> 00:26:40,560
Speaker 2: of the seventh, your down one the game right there.

623
00:26:40,680 --> 00:26:44,240
Speaker 3: The inside ball of all these things is what kind

624
00:26:44,240 --> 00:26:46,000
Speaker 3: of blows my mind. Like we had a best We

625
00:26:46,040 --> 00:26:47,960
Speaker 3: have a best buddy that pitched in the majors for

626
00:26:48,000 --> 00:26:50,920
Speaker 3: a long time, and for a long time I thought,

627
00:26:50,960 --> 00:26:56,479
Speaker 3: based just say pitch you want to young, Okay, great guy,

628
00:26:56,520 --> 00:26:57,239
Speaker 3: he plays music too.

629
00:26:58,400 --> 00:27:00,920
Speaker 2: Yeah. But he when when we really.

630
00:27:00,760 --> 00:27:03,359
Speaker 3: Became buddies with him and he explained us what's really

631
00:27:03,400 --> 00:27:06,960
Speaker 3: going on in baseball. It isn't even what you think baseball.

632
00:27:07,000 --> 00:27:09,480
Speaker 5: It's not what you're watching like I assumed, and I

633
00:27:09,600 --> 00:27:12,919
Speaker 5: was a player. I played my entire like you know,

634
00:27:13,160 --> 00:27:17,560
Speaker 5: high school, middle school, whatever. Literallygue the game to me

635
00:27:17,840 --> 00:27:21,960
Speaker 5: was seeing the ball come out of the hand, deciding

636
00:27:22,000 --> 00:27:24,040
Speaker 5: on what that pitch was, and doing my best to

637
00:27:24,080 --> 00:27:26,040
Speaker 5: hit the ball. That is not the game in the

638
00:27:26,080 --> 00:27:27,680
Speaker 5: major leagues. The ball's moving.

639
00:27:27,600 --> 00:27:31,199
Speaker 3: So fast that these cats are choosing how they're going

640
00:27:31,280 --> 00:27:34,320
Speaker 3: to swing before he ever even winds.

641
00:27:34,000 --> 00:27:40,800
Speaker 2: Up it's tons of information sitting on pitches based on

642
00:27:41,280 --> 00:27:46,840
Speaker 2: I have to count inning habits down up absolutely last pitch,

643
00:27:46,920 --> 00:27:50,840
Speaker 2: ye base runners, how many outs are in It's it's yeah,

644
00:27:50,840 --> 00:27:51,480
Speaker 2: absolutely man.

645
00:27:51,480 --> 00:27:53,520
Speaker 3: There's always I feel like the older I get, the

646
00:27:53,520 --> 00:27:57,600
Speaker 3: more I realized there's like inside ball on everything.

647
00:27:57,200 --> 00:27:59,000
Speaker 1: And the more knowledge there is about everything, the more

648
00:27:59,040 --> 00:28:02,639
Speaker 1: inside ball is created. It's happening with music now, but

649
00:28:02,760 --> 00:28:07,040
Speaker 1: it has been happening at every level and every generation.

650
00:28:07,160 --> 00:28:09,480
Speaker 1: There's a group of guys like us or women sitting

651
00:28:09,480 --> 00:28:11,240
Speaker 1: around going can you believe how crazy it is now?

652
00:28:11,720 --> 00:28:14,600
Speaker 1: Like that dude that has that that has never stopped.

653
00:28:14,600 --> 00:28:16,879
Speaker 1: Absolutely man, And there's no to be people in twenty

654
00:28:16,960 --> 00:28:19,640
Speaker 1: years doing the same thing with little holograms, a little

655
00:28:19,920 --> 00:28:21,280
Speaker 1: hologram podcast.

656
00:28:22,560 --> 00:28:22,800
Speaker 2: People.

657
00:28:23,000 --> 00:28:24,879
Speaker 1: It was so good back in twenty twenty six. It

658
00:28:24,920 --> 00:28:26,680
Speaker 1: was so easy. All you have to do is by streams,

659
00:28:27,160 --> 00:28:28,719
Speaker 1: and now it's like, well you got to call your

660
00:28:28,760 --> 00:28:34,480
Speaker 1: psychic and so it's an odd It's odd because you

661
00:28:34,520 --> 00:28:38,720
Speaker 1: would just think artists is good. Yes, artist plays and

662
00:28:38,760 --> 00:28:42,040
Speaker 1: gets discovered because they are good people. Then follow come

663
00:28:42,320 --> 00:28:45,720
Speaker 1: there are great artists now that were discovered because of

664
00:28:45,760 --> 00:28:47,800
Speaker 1: people running the schemes.

665
00:28:48,040 --> 00:28:49,080
Speaker 2: There were great artists.

666
00:28:49,080 --> 00:28:51,240
Speaker 1: Now, there are great there are There are great artists

667
00:28:51,280 --> 00:28:53,440
Speaker 1: that only have been broken because of people doing what

668
00:28:53,440 --> 00:28:54,320
Speaker 1: we're talking about.

669
00:28:54,080 --> 00:28:56,880
Speaker 2: You know, no doubt.

670
00:28:56,600 --> 00:28:58,920
Speaker 1: And that doesn't mean they're any less. That was just

671
00:28:58,960 --> 00:29:00,000
Speaker 1: a financial stress.

672
00:29:00,520 --> 00:29:01,960
Speaker 2: That was their road. Yep.

673
00:29:02,080 --> 00:29:04,280
Speaker 1: Yeah and so And if it were me, I'll do

674
00:29:04,320 --> 00:29:06,120
Speaker 1: it for me. Like if I were an artist and

675
00:29:06,120 --> 00:29:07,560
Speaker 1: I had the money, I'd buy streams.

676
00:29:07,640 --> 00:29:07,840
Speaker 2: Oh.

677
00:29:07,880 --> 00:29:09,720
Speaker 3: If you were an artist and you could pump your

678
00:29:09,720 --> 00:29:11,120
Speaker 3: stuff up to get to another level, you.

679
00:29:11,120 --> 00:29:14,640
Speaker 1: Would, yeah, because it was really that good, I would oh.

680
00:29:14,680 --> 00:29:16,800
Speaker 2: Yeah, And that's your lifelong dream. Now, if it's really

681
00:29:16,840 --> 00:29:18,960
Speaker 2: your passion and really you believe you can really do it,

682
00:29:19,000 --> 00:29:21,560
Speaker 2: absolutely you're going to go to all costs to make

683
00:29:21,600 --> 00:29:23,680
Speaker 2: it work. And if that's a viable option, then that's

684
00:29:23,680 --> 00:29:24,240
Speaker 2: a vible option.

685
00:29:24,320 --> 00:29:25,680
Speaker 3: Most of the time, it's not an option though, right,

686
00:29:25,720 --> 00:29:27,040
Speaker 3: Like most of the guys come in here are not

687
00:29:27,120 --> 00:29:29,560
Speaker 3: Like I can go drop two hundred and fifty grand

688
00:29:29,560 --> 00:29:31,040
Speaker 3: to get my song in the Is it that much?

689
00:29:31,080 --> 00:29:33,880
Speaker 1: I don't know, Yeah, I don't know. You're the one

690
00:29:33,920 --> 00:29:36,560
Speaker 1: that has wait the data factory, running the phone.

691
00:29:37,360 --> 00:29:39,160
Speaker 2: You're the one running the scheme.

692
00:29:44,400 --> 00:29:45,960
Speaker 1: It is very much a game inside of game, though,

693
00:29:46,000 --> 00:29:48,200
Speaker 1: and A and R is a whole different world. And

694
00:29:48,440 --> 00:29:50,760
Speaker 1: you know they're like, put out a song seventy two times,

695
00:29:50,880 --> 00:29:52,120
Speaker 1: only play a clip of it and if one of

696
00:29:52,160 --> 00:29:55,280
Speaker 1: them catches, that's good. But now you can hire these companies.

697
00:29:55,320 --> 00:29:57,920
Speaker 1: I think Goose the band was that they were just

698
00:29:57,920 --> 00:29:59,360
Speaker 1: in a story. And I can look this up where

699
00:29:59,480 --> 00:30:01,320
Speaker 1: people are like, oh, their industry plants because they had

700
00:30:01,320 --> 00:30:04,320
Speaker 1: paid all this money to this company to clip feed them.

701
00:30:04,680 --> 00:30:09,560
Speaker 1: And that's not industry plant. That's them just choosing a strategy.

702
00:30:09,600 --> 00:30:12,960
Speaker 3: That's that's paid somebody to clip clip our stuff.

703
00:30:13,360 --> 00:30:19,480
Speaker 1: Different. There's there's there's something that would be you're paying

704
00:30:19,520 --> 00:30:22,760
Speaker 1: one person to do the editing and the clipping. I'm

705
00:30:22,800 --> 00:30:26,880
Speaker 1: going to give you an example of something Tuesday. There

706
00:30:26,960 --> 00:30:30,520
Speaker 1: is a service, there's money account there following different companies

707
00:30:30,520 --> 00:30:33,360
Speaker 1: that you can hire. And let's say, if I wanted.

708
00:30:33,160 --> 00:30:38,400
Speaker 2: To do it, are we doing something for sure?

709
00:30:39,120 --> 00:30:41,560
Speaker 1: That's why I don't feel like the Goose Industry Plant

710
00:30:41,600 --> 00:30:45,080
Speaker 1: story is fair to them. They just chose a strategy.

711
00:30:45,120 --> 00:30:45,600
Speaker 2: Absolutely.

712
00:30:45,600 --> 00:30:48,320
Speaker 3: I heard that as the Goose industry Comma plant and

713
00:30:48,320 --> 00:30:49,640
Speaker 3: I was like you too much?

714
00:30:49,760 --> 00:30:52,000
Speaker 2: Yeah, remove sorry, get out of the woods.

715
00:30:52,120 --> 00:30:53,160
Speaker 1: Come back to music.

716
00:30:53,320 --> 00:30:56,120
Speaker 2: Industry Plant Goose is a rock band, got it? Uh,

717
00:30:56,320 --> 00:30:56,800
Speaker 2: great name.

718
00:30:57,080 --> 00:31:01,160
Speaker 1: There are companies brother, you can pay ten grand a

719
00:31:01,200 --> 00:31:04,600
Speaker 1: month to They will take your stuff and in that

720
00:31:04,640 --> 00:31:06,719
Speaker 1: ten grand a month, not only will they send it

721
00:31:06,760 --> 00:31:10,280
Speaker 1: to be uh to these influencer accounts to put on

722
00:31:10,320 --> 00:31:14,120
Speaker 1: and organically talk about it. They they create all of

723
00:31:14,160 --> 00:31:18,479
Speaker 1: these basically body accounts and they start loading up all

724
00:31:18,480 --> 00:31:21,000
Speaker 1: your clips all over the place. Now, because it's not

725
00:31:21,040 --> 00:31:24,760
Speaker 1: social media, it's interest media, you start to catch all

726
00:31:24,760 --> 00:31:27,280
Speaker 1: these body accounts that are playing. You're seeing it because

727
00:31:27,280 --> 00:31:28,560
Speaker 1: if you ever see like something to co on, you're like,

728
00:31:28,600 --> 00:31:31,120
Speaker 1: the account's for twenty two sixty eight three Red Red Room.

729
00:31:31,400 --> 00:31:33,400
Speaker 1: You're like, oh, that's not a real account, but it

730
00:31:33,400 --> 00:31:35,440
Speaker 1: does have nineties wrestling. I love nineties wrestling.

731
00:31:35,560 --> 00:31:40,120
Speaker 3: Yeah, I've seen that. So that mine's always cockcams following

732
00:31:40,160 --> 00:31:43,680
Speaker 3: a cop cam cockcam cop pa pa.

733
00:31:43,840 --> 00:31:46,120
Speaker 2: You know where a cop goes into a yeah, pup

734
00:31:46,280 --> 00:31:51,360
Speaker 2: chicken husband. What's funny about cop cops cop PU with

735
00:31:51,400 --> 00:31:53,480
Speaker 2: a p copcam pa pa?

736
00:31:54,160 --> 00:31:58,920
Speaker 3: How other cops just keep talking away? So when Tennessee

737
00:31:59,080 --> 00:32:01,520
Speaker 3: VIDs three four three four four three says send me

738
00:32:01,600 --> 00:32:02,720
Speaker 3: this in the DM, it's not.

739
00:32:02,680 --> 00:32:05,720
Speaker 1: A real person, not a real person. Isn't that weird

740
00:32:05,720 --> 00:32:07,880
Speaker 1: when they're like, can I share this? Because that's just

741
00:32:07,880 --> 00:32:10,120
Speaker 1: a bot just doing that at the very bottom. The

742
00:32:10,280 --> 00:32:11,200
Speaker 1: other interesting thing.

743
00:32:11,040 --> 00:32:12,400
Speaker 2: Is I don't even mess with any of that.

744
00:32:12,480 --> 00:32:16,200
Speaker 3: Oh yeah, this is me and Jumps carry the weight

745
00:32:16,280 --> 00:32:17,120
Speaker 3: of what you don't do.

746
00:32:17,360 --> 00:32:19,720
Speaker 2: Thank you, because this sounds terrible. It is.

747
00:32:21,520 --> 00:32:22,200
Speaker 1: You don't do it.

748
00:32:22,600 --> 00:32:25,960
Speaker 2: He'll no, he don't do nothing. Yeah right, I don't

749
00:32:26,000 --> 00:32:28,240
Speaker 2: do social media like I hate I hate it and

750
00:32:28,760 --> 00:32:30,920
Speaker 2: it stresses me out. And she'll fill me in if

751
00:32:30,920 --> 00:32:34,240
Speaker 2: I need to be filled in. But I don't do it.

752
00:32:34,760 --> 00:32:37,600
Speaker 2: You don't do it. You do it because you're addicted

753
00:32:37,640 --> 00:32:37,920
Speaker 2: to it.

754
00:32:38,440 --> 00:32:40,240
Speaker 3: I do it because if I don't do it, then

755
00:32:40,320 --> 00:32:42,040
Speaker 3: Jumps has to post all our stuff by ourself.

756
00:32:42,720 --> 00:32:44,960
Speaker 2: How much you post the bro I mean once a year?

757
00:32:46,680 --> 00:32:46,960
Speaker 1: Slow?

758
00:32:47,440 --> 00:32:48,320
Speaker 2: But the captions I.

759
00:32:48,280 --> 00:32:51,400
Speaker 1: Have, those are so there are people that you can

760
00:32:51,480 --> 00:32:54,840
Speaker 1: hire because the captions are so important, the captions and

761
00:32:54,840 --> 00:32:56,920
Speaker 1: the hooks of the video that are so important that

762
00:32:56,920 --> 00:32:59,640
Speaker 1: that is their specific job. And I will say there

763
00:32:59,680 --> 00:33:03,680
Speaker 1: is absolute value to it. Sure, just captioning videos and

764
00:33:03,720 --> 00:33:06,480
Speaker 1: making sure the first three seconds has a hook to

765
00:33:06,520 --> 00:33:08,640
Speaker 1: it and if it can be the greatest video ever

766
00:33:08,720 --> 00:33:11,600
Speaker 1: and if there's not something that creates engagement that makes

767
00:33:11,640 --> 00:33:13,960
Speaker 1: people want to comment on it. It won't be seen

768
00:33:14,120 --> 00:33:18,560
Speaker 1: because the Instagram's tiktoks of the world. They are basing

769
00:33:18,600 --> 00:33:22,080
Speaker 1: what they're sharing on the engagement, the comments, the shares

770
00:33:22,440 --> 00:33:25,200
Speaker 1: to share to other people. So that's an art. It's

771
00:33:25,240 --> 00:33:27,280
Speaker 1: an absolute art for people to do captions and.

772
00:33:28,400 --> 00:33:35,040
Speaker 3: Yes, clips, I also think it's an art to maintain

773
00:33:35,240 --> 00:33:38,880
Speaker 3: the integrity and sound like the voice of whoever is

774
00:33:38,920 --> 00:33:41,120
Speaker 3: featured in the clips. Like that's the thing that men

775
00:33:41,200 --> 00:33:44,400
Speaker 3: jumps from between each other so much, because yes, she's

776
00:33:44,520 --> 00:33:47,560
Speaker 3: doing all that right, But like, if it doesn't sound

777
00:33:47,640 --> 00:33:51,080
Speaker 3: like a post from us our voice, sure it doesn't

778
00:33:51,080 --> 00:33:51,520
Speaker 3: do as well.

779
00:33:51,760 --> 00:33:54,280
Speaker 1: What about a post that doesn't sound like your voice

780
00:33:54,280 --> 00:33:56,320
Speaker 1: that does great or a post that sounds like your

781
00:33:56,400 --> 00:34:00,520
Speaker 1: voice that does terrible, which would rather have the great one? Yeah,

782
00:34:00,920 --> 00:34:03,080
Speaker 1: but it's a it's a tough thing to yeah, for sure,

783
00:34:03,240 --> 00:34:07,760
Speaker 1: for sure is tough. But yeah, I realize that sometimes

784
00:34:07,800 --> 00:34:10,000
Speaker 1: it doesn't need to sound like it's from my voice

785
00:34:10,560 --> 00:34:12,920
Speaker 1: depending on who I'm talking to, Like the like I

786
00:34:12,960 --> 00:34:15,080
Speaker 1: had a labor and delivery nurse on my wife's had

787
00:34:15,080 --> 00:34:17,600
Speaker 1: a baby and I'm so like, I'm so interested in

788
00:34:17,600 --> 00:34:18,239
Speaker 1: that world now.

789
00:34:18,640 --> 00:34:21,600
Speaker 2: And congrats, by the ways, it was a big guest.

790
00:34:21,640 --> 00:34:22,160
Speaker 1: Why thank you?

791
00:34:22,280 --> 00:34:25,719
Speaker 2: Yeah, no, the baby, I got it? Yeah, wait what

792
00:34:25,840 --> 00:34:29,120
Speaker 2: just happened? Anyway?

793
00:34:29,239 --> 00:34:31,000
Speaker 1: But I have to trust my people.

794
00:34:31,600 --> 00:34:34,160
Speaker 2: Yeah, you have to. You have to. We there was

795
00:34:34,200 --> 00:34:35,000
Speaker 2: a rocky.

796
00:34:34,800 --> 00:34:37,480
Speaker 3: Road there for a little bit of the man and

797
00:34:37,520 --> 00:34:39,799
Speaker 3: then you hone it in, you know, and now it's

798
00:34:40,280 --> 00:34:41,680
Speaker 3: we completely trust our people.

799
00:34:42,360 --> 00:34:48,080
Speaker 4: The Bobby Cast will be right back. Welcome back to

800
00:34:48,200 --> 00:34:49,040
Speaker 4: the Bobby Cast.

801
00:34:49,560 --> 00:34:52,279
Speaker 1: What about the it's called blue dot fever. Have you

802
00:34:52,280 --> 00:34:55,120
Speaker 1: guys been seeing this? Where so? Blue dot fever is

803
00:34:57,239 --> 00:34:59,239
Speaker 1: if you go to the map, let's say, if it's

804
00:34:59,239 --> 00:35:02,120
Speaker 1: Ticketmaster or wherever it is, all the blue dots are

805
00:35:02,200 --> 00:35:05,239
Speaker 1: seats that haven't been sold. Do you ever go to that?

806
00:35:05,280 --> 00:35:08,279
Speaker 1: You ever see? I'm familiar familiar because like when I

807
00:35:08,320 --> 00:35:10,000
Speaker 1: would when I was doing a lot of stand up,

808
00:35:10,040 --> 00:35:11,400
Speaker 1: I would look at the freaking.

809
00:35:11,160 --> 00:35:13,560
Speaker 2: Dots on your show.

810
00:35:13,800 --> 00:35:14,600
Speaker 1: Oh my god.

811
00:35:15,000 --> 00:35:15,600
Speaker 2: Interesting.

812
00:35:15,840 --> 00:35:18,960
Speaker 1: As soon as tickets went on sale and I'm online

813
00:35:19,120 --> 00:35:23,200
Speaker 1: watching going, I wonder if today's day that nobody likes

814
00:35:23,200 --> 00:35:26,160
Speaker 1: me anymore? Like I was putting so much of my worth.

815
00:35:25,920 --> 00:35:28,000
Speaker 2: Into that kind of reading the comments A little bit.

816
00:35:28,239 --> 00:35:31,040
Speaker 1: Yeah, a little bit, except these people are choosing not

817
00:35:31,080 --> 00:35:37,799
Speaker 1: to spend money. A lot of these shows are getting canceled.

818
00:35:38,280 --> 00:35:40,880
Speaker 1: Pusscat Dolls get canceled, their toy get canceled, Megan Trainer's

819
00:35:40,920 --> 00:35:46,120
Speaker 1: tour canceled. We saw some early postmone Jelly Roll stadium

820
00:35:46,120 --> 00:35:48,480
Speaker 1: shows get canceled. And they're calling a blue Dot fever

821
00:35:48,560 --> 00:35:49,839
Speaker 1: because you go and look at the map and there's

822
00:35:49,880 --> 00:35:51,239
Speaker 1: so many blue dots that you're like, oh, this is

823
00:35:51,239 --> 00:35:52,560
Speaker 1: not going to sell enough for them to make their

824
00:35:52,560 --> 00:35:53,040
Speaker 1: money back.

825
00:35:53,160 --> 00:35:55,160
Speaker 2: They can't bro not not in today's day.

826
00:35:55,800 --> 00:36:00,239
Speaker 1: Why do you think it's weird? Because the Wall and

827
00:36:00,239 --> 00:36:04,560
Speaker 1: the combs is are still doing freaking stadiums.

828
00:36:04,520 --> 00:36:06,919
Speaker 2: And I And that's where that's where I think I'm

829
00:36:06,960 --> 00:36:09,040
Speaker 2: at with it, is like I think stadiums could still,

830
00:36:09,120 --> 00:36:10,960
Speaker 2: Like I think stadiums are still if you're an act

831
00:36:11,000 --> 00:36:12,520
Speaker 2: that can fill up a stadium.

832
00:36:12,160 --> 00:36:13,839
Speaker 1: But there's not there's not many. I think people don't

833
00:36:13,840 --> 00:36:15,360
Speaker 1: think they are that act exactly.

834
00:36:15,520 --> 00:36:17,399
Speaker 3: Well, look, man, we've got to be honest about the

835
00:36:17,440 --> 00:36:23,239
Speaker 3: factors that determine that, right, like availability of I mean, look, man,

836
00:36:23,280 --> 00:36:25,200
Speaker 3: my best, our best buddy is Luke Combs. Everybody in

837
00:36:25,200 --> 00:36:27,040
Speaker 3: the world knows that by now he played in Knoxville

838
00:36:27,160 --> 00:36:27,720
Speaker 3: last weekend.

839
00:36:28,080 --> 00:36:30,040
Speaker 2: My wife was like, we should go. I'm like, yeah,

840
00:36:30,080 --> 00:36:33,840
Speaker 2: let's check out the prices, and everybody gets cool. It

841
00:36:33,880 --> 00:36:36,160
Speaker 2: wasn't the ticket, it's the Airbnbs and the hotels and

842
00:36:37,280 --> 00:36:37,680
Speaker 2: rut of my.

843
00:36:37,719 --> 00:36:44,160
Speaker 1: Jet my story here so again.

844
00:36:44,280 --> 00:36:48,319
Speaker 3: So I was talking to uh, she goes, oh, yes,

845
00:36:48,360 --> 00:36:49,879
Speaker 3: this hotel room is eleven hundred dollars.

846
00:36:50,000 --> 00:36:51,160
Speaker 2: I was like, forget that.

847
00:36:51,440 --> 00:36:53,919
Speaker 3: We'll see Combs at is Barn making play a few

848
00:36:53,960 --> 00:36:55,640
Speaker 3: songs for our kids and go to the house like

849
00:36:55,840 --> 00:36:58,479
Speaker 3: it's it's cheaper to do that than to pay three

850
00:36:58,600 --> 00:37:00,879
Speaker 3: nights for that, so we can completely wrote it off,

851
00:37:00,880 --> 00:37:03,680
Speaker 3: which in turn had me had a conversation. My best

852
00:37:03,680 --> 00:37:07,040
Speaker 3: friend in life is Luke Comb's guitar player, and he

853
00:37:07,280 --> 00:37:09,319
Speaker 3: said that even some of the so they get the

854
00:37:09,400 --> 00:37:12,600
Speaker 3: dates right, they get the dates like a year in advance.

855
00:37:13,160 --> 00:37:17,520
Speaker 3: Some of the band's family was booking Airbnbs in Knoxville

856
00:37:17,560 --> 00:37:20,160
Speaker 3: because they knew that was that the show was coming,

857
00:37:20,640 --> 00:37:26,480
Speaker 3: and then Airbnb or whatever the thing was was canceling

858
00:37:26,840 --> 00:37:31,200
Speaker 3: their stuff and rebooking, putting it available for four times

859
00:37:31,200 --> 00:37:34,600
Speaker 3: as much. And his argument was everybody's whining about Ticketmaster

860
00:37:34,680 --> 00:37:36,879
Speaker 3: and how they gaped price gouges. He said, they ought

861
00:37:36,880 --> 00:37:38,960
Speaker 3: to check some of these hotels and Airbnb's doing that

862
00:37:39,000 --> 00:37:41,600
Speaker 3: same thing, because everybody in those towns are doing that,

863
00:37:41,719 --> 00:37:45,560
Speaker 3: and I think that contributes to lack of it's so

864
00:37:45,719 --> 00:37:46,800
Speaker 3: fortunate to go to these.

865
00:37:46,640 --> 00:37:50,640
Speaker 2: Shows and to plane ticket gas. If you're driving the

866
00:37:51,000 --> 00:37:54,200
Speaker 2: ticket to the concerts going up, I mean, and the

867
00:37:54,239 --> 00:37:59,200
Speaker 2: problem is, yeah, lodging. Some of these acts can't it's

868
00:37:59,280 --> 00:38:01,800
Speaker 2: not just five to do some of the venues that

869
00:38:01,840 --> 00:38:04,120
Speaker 2: they're doing, and I don't know that. I don't know

870
00:38:04,160 --> 00:38:06,600
Speaker 2: that most of them will go down and venue size

871
00:38:06,640 --> 00:38:07,360
Speaker 2: to make it work.

872
00:38:08,000 --> 00:38:10,800
Speaker 1: I think too, it's a bit of you. My grandma

873
00:38:10,840 --> 00:38:13,319
Speaker 1: would always say your eyes are bigger than your belly is.

874
00:38:14,200 --> 00:38:16,960
Speaker 1: And I think that's with management and agents more than

875
00:38:17,000 --> 00:38:20,560
Speaker 1: it is the artist, where you have managers and agents

876
00:38:20,600 --> 00:38:22,839
Speaker 1: going we're going to try to do a stadium, We're

877
00:38:22,840 --> 00:38:23,640
Speaker 1: gonna try to do arena.

878
00:38:23,760 --> 00:38:26,080
Speaker 2: It's a million percent, we're going to risk it.

879
00:38:26,120 --> 00:38:27,680
Speaker 1: We think it's closed, but we think you can do it.

880
00:38:27,719 --> 00:38:29,279
Speaker 1: And then when it doesn't, it doesn't look bad on

881
00:38:29,360 --> 00:38:31,920
Speaker 1: the manager or the agent. No, it's kind of embarrassing

882
00:38:32,000 --> 00:38:33,560
Speaker 1: for the artist, and the artist just.

883
00:38:33,560 --> 00:38:36,319
Speaker 2: Wants to do shows. I think what it does get

884
00:38:36,360 --> 00:38:38,719
Speaker 2: I think it gives an opportunity to be creative and

885
00:38:38,760 --> 00:38:41,400
Speaker 2: figure out a way to do it a new way

886
00:38:41,719 --> 00:38:44,480
Speaker 2: and more intimate and like really connect with fans instead

887
00:38:44,520 --> 00:38:45,920
Speaker 2: of just going up there and staying on the stage

888
00:38:45,920 --> 00:38:47,600
Speaker 2: and playing in front of forty thousand people and never

889
00:38:48,360 --> 00:38:49,839
Speaker 2: engaging with them. I think it's got to I think

890
00:38:49,920 --> 00:38:52,840
Speaker 2: there's a real, real opportunity for somebody to engage in

891
00:38:52,880 --> 00:38:55,680
Speaker 2: a way that they can do to make money as

892
00:38:55,719 --> 00:38:56,880
Speaker 2: well as in a different community.

893
00:38:56,920 --> 00:39:00,239
Speaker 3: There's what you're saying, right, tickets are so expensive due yeah,

894
00:39:01,200 --> 00:39:02,960
Speaker 3: they eat the ticket, dude, it's it's it's but I'm

895
00:39:03,000 --> 00:39:03,520
Speaker 3: telling the trick.

896
00:39:03,600 --> 00:39:04,160
Speaker 2: It's the weekend.

897
00:39:04,239 --> 00:39:07,399
Speaker 1: It's also the ticket. I agree with you fully, and

898
00:39:08,320 --> 00:39:11,520
Speaker 1: but like dynamic ticket pricing, I get. I get a

899
00:39:11,560 --> 00:39:13,040
Speaker 1: grocery stores are doing that now too, a little bit

900
00:39:13,040 --> 00:39:15,120
Speaker 1: where it's like, well yeah, some of them are starting

901
00:39:15,120 --> 00:39:17,799
Speaker 1: to do that, where it's like the less that there

902
00:39:17,840 --> 00:39:20,400
Speaker 1: are because it's higher in demand, we're gonna make it

903
00:39:20,440 --> 00:39:21,040
Speaker 1: more expensive.

904
00:39:21,160 --> 00:39:24,240
Speaker 3: Right, Perfect bars leave them so much to Adiom piece.

905
00:39:24,440 --> 00:39:26,319
Speaker 1: I just looked their eleven dollars now piece because they're

906
00:39:26,360 --> 00:39:29,440
Speaker 1: out dynamic ticket pricing on Perfect bars.

907
00:39:30,040 --> 00:39:32,000
Speaker 3: When I see my kids eating half of them things

908
00:39:32,040 --> 00:39:33,719
Speaker 3: and throwing them down the mud, I just want to.

909
00:39:33,840 --> 00:39:35,759
Speaker 2: I just pick it up and eat it. Hug my kid.

910
00:39:36,160 --> 00:39:38,080
Speaker 2: I'm a I'm a trash can dude at my house.

911
00:39:38,400 --> 00:39:40,480
Speaker 2: Nothing go if I pay for it is getting eaten.

912
00:39:40,320 --> 00:39:43,840
Speaker 3: By Let's just say this the world, dude, in the world.

913
00:39:43,920 --> 00:39:46,719
Speaker 3: If you're not balling out, now, how do.

914
00:39:46,680 --> 00:39:47,680
Speaker 1: You afford anything?

915
00:39:47,840 --> 00:39:48,080
Speaker 2: Dude?

916
00:39:48,239 --> 00:39:50,920
Speaker 3: I mean, it is the craziest thing to me that

917
00:39:50,920 --> 00:39:54,560
Speaker 3: that that people are paying what they're paying to I

918
00:39:54,560 --> 00:39:57,200
Speaker 3: mean even to the comb shows. I love him to death,

919
00:39:57,239 --> 00:40:00,640
Speaker 3: and I'm like, man, these guys are spending five to

920
00:40:00,760 --> 00:40:05,440
Speaker 3: eight g's to be here, and they're going to four shows.

921
00:40:05,120 --> 00:40:08,200
Speaker 1: A year, like just to get really high tickets. You're

922
00:40:08,200 --> 00:40:10,840
Speaker 1: going to spend you and if you and your wife

923
00:40:10,920 --> 00:40:13,040
Speaker 1: or you, you're gonna spend five six hundred bucks to

924
00:40:13,080 --> 00:40:15,160
Speaker 1: get the worst to get the worst height.

925
00:40:15,280 --> 00:40:17,279
Speaker 3: Yeah, which is if you take a family of four

926
00:40:17,400 --> 00:40:19,120
Speaker 3: to a show, you're out two g's just.

927
00:40:19,080 --> 00:40:21,560
Speaker 2: On tickets and bro a T shirt's eighty nine dollars,

928
00:40:21,560 --> 00:40:22,880
Speaker 2: the hats sixty bucks.

929
00:40:23,040 --> 00:40:28,600
Speaker 1: Everything's getting more expensive and people aren't making the money right, No, Yeah.

930
00:40:28,320 --> 00:40:30,880
Speaker 2: They are not making the money, But it's also becoming easier,

931
00:40:30,880 --> 00:40:33,240
Speaker 2: and it's also becoming easier to view it in different

932
00:40:33,239 --> 00:40:35,040
Speaker 2: mediums as well. And I think that's what people are

933
00:40:35,080 --> 00:40:37,279
Speaker 2: doing it too. I think people are, oh, bro, you

934
00:40:37,280 --> 00:40:39,239
Speaker 2: don't have to pay for a ticket to go see

935
00:40:39,280 --> 00:40:40,320
Speaker 2: them anymore.

936
00:40:39,920 --> 00:40:42,759
Speaker 3: To sit on my couch and watch the Titans lose them.

937
00:40:42,880 --> 00:40:45,480
Speaker 2: That's what I'm saying in used to you could used

938
00:40:45,480 --> 00:40:46,600
Speaker 2: to is the only way to do it is to

939
00:40:46,600 --> 00:40:48,200
Speaker 2: pay a ticket that you go see who you love?

940
00:40:48,239 --> 00:40:50,239
Speaker 2: Now you can see them on YouTube, you see them

941
00:40:50,280 --> 00:40:52,400
Speaker 2: on Instagram and seem on. It's not the same. I

942
00:40:52,400 --> 00:40:55,280
Speaker 2: get it, I know, I get it. But it's easier.

943
00:40:55,680 --> 00:40:58,480
Speaker 2: It's a it's a something to think of. Go oh man,

944
00:40:58,480 --> 00:40:59,680
Speaker 2: well I can just sit back on this one. What

945
00:40:59,680 --> 00:41:01,840
Speaker 2: do you think you headed in on your first concert?

946
00:41:01,840 --> 00:41:02,320
Speaker 2: You ever went to?

947
00:41:02,960 --> 00:41:05,120
Speaker 1: Church? Paid for it? I went to Diamond Rio. Church

948
00:41:05,160 --> 00:41:07,840
Speaker 1: paid for that. One church paid for domand Magic Springs

949
00:41:07,880 --> 00:41:11,640
Speaker 1: theme park. It was also the Cold Church. Yeah, the

950
00:41:11,719 --> 00:41:15,279
Speaker 1: first concert bought tickets too. Oh you can't sing on

951
00:41:15,320 --> 00:41:18,080
Speaker 1: the show. Sorry, Yeah, there you go.

952
00:41:18,480 --> 00:41:20,040
Speaker 2: You got a guitar sitting there. You can't even sing

953
00:41:20,080 --> 00:41:20,479
Speaker 2: on the show.

954
00:41:21,000 --> 00:41:22,680
Speaker 1: But people will play it and go like, let me

955
00:41:22,719 --> 00:41:25,520
Speaker 1: show how I did, uh wrote this part of this song?

956
00:41:26,000 --> 00:41:29,279
Speaker 1: They can do that. Like the lead singer of switch

957
00:41:29,280 --> 00:41:30,640
Speaker 1: Foot was in and I was like, hey, stars kind

958
00:41:30,640 --> 00:41:31,920
Speaker 1: of sounding. He's like, yeah, this is how it went

959
00:41:31,920 --> 00:41:34,279
Speaker 1: from the bridge here. That's all fine, you're gonna pay

960
00:41:34,320 --> 00:41:37,120
Speaker 1: for that. First ticket ever bought at a concert was

961
00:41:37,160 --> 00:41:41,040
Speaker 1: probably John Fogerty and that was like, but but also

962
00:41:41,040 --> 00:41:42,600
Speaker 1: you're talking like twenty five years ago. I was like

963
00:41:42,680 --> 00:41:43,240
Speaker 1: eighteen bucks.

964
00:41:43,280 --> 00:41:44,439
Speaker 2: Yeah, that's yeah.

965
00:41:45,000 --> 00:41:46,560
Speaker 1: It used to be just a concert fee would be

966
00:41:46,600 --> 00:41:49,919
Speaker 1: like three bucks, but now the fees are almost double

967
00:41:49,960 --> 00:41:50,600
Speaker 1: the ticket price.

968
00:41:51,280 --> 00:41:54,680
Speaker 3: I just think in life people are getting coming to

969
00:41:54,800 --> 00:41:56,279
Speaker 3: the edge, dude, people are coming.

970
00:41:56,360 --> 00:41:57,960
Speaker 1: I think the bubbles about. I think the bubbles about

971
00:41:57,960 --> 00:41:58,160
Speaker 1: to pop.

972
00:41:59,280 --> 00:42:01,719
Speaker 3: There's a tension we're not doing it anymore, like we're

973
00:42:01,760 --> 00:42:03,240
Speaker 3: just not going to pay for it anymore.

974
00:42:03,680 --> 00:42:05,440
Speaker 1: But there are a few artists that can do stadiums,

975
00:42:05,520 --> 00:42:07,839
Speaker 1: and those artists that are right below them are being

976
00:42:07,960 --> 00:42:10,880
Speaker 1: encouraged to do and then it's not working out, and

977
00:42:10,880 --> 00:42:12,799
Speaker 1: it's kind of embarrassing for them because then the news

978
00:42:12,880 --> 00:42:14,280
Speaker 1: runs with it.

979
00:42:14,480 --> 00:42:16,000
Speaker 2: Love it absolutely.

980
00:42:16,120 --> 00:42:22,839
Speaker 1: The stadium acts now Wallin Comb's, Zach Bryan, those three

981
00:42:22,840 --> 00:42:27,800
Speaker 1: because they do them currently Kenny and country music Garth

982
00:42:28,280 --> 00:42:28,680
Speaker 1: for sure.

983
00:42:28,680 --> 00:42:29,719
Speaker 2: I think Eric could do it.

984
00:42:30,480 --> 00:42:32,640
Speaker 1: I think he could strategically do it.

985
00:42:33,120 --> 00:42:34,279
Speaker 2: I don't know that he wants to do it.

986
00:42:34,320 --> 00:42:36,319
Speaker 1: I don't either, And I don't think he invests enough

987
00:42:36,400 --> 00:42:40,560
Speaker 1: in keeping him like he does his own thing. He's

988
00:42:40,560 --> 00:42:43,200
Speaker 1: not trying to stay extremely relevant to a massive press

989
00:42:43,239 --> 00:42:46,400
Speaker 1: tour and getting new people to fall in love with him.

990
00:42:46,520 --> 00:42:49,200
Speaker 1: I think those five I think if you were to

991
00:42:49,200 --> 00:42:50,919
Speaker 1: team some people up, you could do it. But even

992
00:42:50,920 --> 00:42:55,480
Speaker 1: that's hard. Like George Straight with Stapleton does it. George

993
00:42:55,480 --> 00:42:58,080
Speaker 1: Straight doing three shows a year can do it. But

994
00:42:58,120 --> 00:43:01,319
Speaker 1: to do like Wallin and Comb and every weekend just

995
00:43:01,320 --> 00:43:02,880
Speaker 1: go pop around, do freaking stadium.

996
00:43:02,920 --> 00:43:03,000
Speaker 2: Bro.

997
00:43:03,080 --> 00:43:05,879
Speaker 3: He's doing two shows a lambo yeah, man, he's doing

998
00:43:05,920 --> 00:43:07,760
Speaker 3: Wimbley Yeah, three nights.

999
00:43:07,800 --> 00:43:10,080
Speaker 1: But to see that encourage you to go, man, maybe

1000
00:43:10,080 --> 00:43:11,759
Speaker 1: I can do that. If he can do that. And

1001
00:43:11,800 --> 00:43:13,840
Speaker 1: that is a hard jump from an arena.

1002
00:43:13,480 --> 00:43:15,839
Speaker 2: To a stack. Oh it's huge, man, big jump.

1003
00:43:15,920 --> 00:43:18,239
Speaker 1: That is a hard That's a jump from a big

1004
00:43:18,280 --> 00:43:21,080
Speaker 1: stadium twenty two thousand to eighty or ninety thousand. You're

1005
00:43:21,120 --> 00:43:22,239
Speaker 1: like four xing it.

1006
00:43:22,280 --> 00:43:24,040
Speaker 2: And I let me just let me just say this

1007
00:43:24,120 --> 00:43:24,960
Speaker 2: for my boy too.

1008
00:43:25,000 --> 00:43:27,560
Speaker 3: Man, what does he got forty it's a forty seven.

1009
00:43:27,680 --> 00:43:28,640
Speaker 3: It's like forty seven.

1010
00:43:28,760 --> 00:43:31,600
Speaker 1: But here's the here's the other sneaky, he's got forty

1011
00:43:31,600 --> 00:43:32,240
Speaker 1: seven trucks.

1012
00:43:32,320 --> 00:43:34,520
Speaker 2: It's dude, it might be one hundred and forty seven.

1013
00:43:34,640 --> 00:43:36,200
Speaker 2: I mean there are Let's just say.

1014
00:43:36,040 --> 00:43:40,600
Speaker 3: The stadium shows are different when you're blocking off an

1015
00:43:40,680 --> 00:43:42,160
Speaker 3: end zone and doing a stadium show.

1016
00:43:42,440 --> 00:43:45,000
Speaker 2: Yeah sixty, there is nothing.

1017
00:43:44,680 --> 00:43:48,160
Speaker 3: Blocked off, dude, that is a complete three sixty. Every

1018
00:43:48,239 --> 00:43:49,880
Speaker 3: seat you can sit in is open.

1019
00:43:49,960 --> 00:43:51,879
Speaker 2: Yeah. I mean, what do you do at Knoxville ninety two?

1020
00:43:52,160 --> 00:43:55,040
Speaker 2: He did ninety seven in Ohio, Bro, and I'm talking

1021
00:43:55,040 --> 00:43:57,680
Speaker 2: about it looks like it feels like we wait. It

1022
00:43:57,680 --> 00:43:59,600
Speaker 2: feels like Elon Musk is about to send a space

1023
00:43:59,640 --> 00:44:05,200
Speaker 2: action ship off the It's intense, man, It's intense. It's

1024
00:44:05,239 --> 00:44:07,040
Speaker 2: the wildest wild.

1025
00:44:06,960 --> 00:44:09,880
Speaker 1: This is my coolest stadium story. It's a minor flex

1026
00:44:09,920 --> 00:44:12,520
Speaker 1: that I've told it before. It was April fools Day

1027
00:44:12,520 --> 00:44:14,239
Speaker 1: a few years ago and I got a call from

1028
00:44:14,239 --> 00:44:16,880
Speaker 1: a finger quote Garth Brooks on April Fol's Day and

1029
00:44:16,960 --> 00:44:19,600
Speaker 1: Garth Brooks was like, hey, it's Garth. I didn't recognize

1030
00:44:19,600 --> 00:44:21,520
Speaker 1: the number, and I know Garth a little bit. I

1031
00:44:21,560 --> 00:44:23,040
Speaker 1: have Garth's number on my phone. It was from a

1032
00:44:23,120 --> 00:44:25,600
Speaker 1: number that wasn't sound like yeah a little bit. I

1033
00:44:25,600 --> 00:44:27,120
Speaker 1: had my wife come over and I was like, I

1034
00:44:27,160 --> 00:44:29,319
Speaker 1: put it on mute. I was like, this guy says

1035
00:44:29,320 --> 00:44:32,360
Speaker 1: he's Garth. Listen, and so she comes over and I

1036
00:44:32,400 --> 00:44:34,080
Speaker 1: put it back on speaker and he's like, hey, man,

1037
00:44:34,120 --> 00:44:37,200
Speaker 1: it's Garth. I'm gonna play Raised back Stadium about to

1038
00:44:37,200 --> 00:44:38,840
Speaker 1: announce it, and Arkansas would love for you to be

1039
00:44:38,880 --> 00:44:42,120
Speaker 1: the main support for me and Tricia. And I'm like, okay, yeah,

1040
00:44:42,160 --> 00:44:45,400
Speaker 1: I'm in. Hey, I mean I'll come play the stadium Garth.

1041
00:44:45,800 --> 00:44:47,520
Speaker 2: Yeah April Fools.

1042
00:44:47,320 --> 00:44:50,279
Speaker 1: Aprilful's Day, right, And I was like, yeah, count me in,

1043
00:44:50,719 --> 00:44:54,040
Speaker 1: and so he's like cool, uh man hangs up and

1044
00:44:54,080 --> 00:44:55,799
Speaker 1: he hung up so quickly. I was like, was that

1045
00:44:55,880 --> 00:45:00,680
Speaker 1: actually Garth? And my wife goes, I don't It's April

1046
00:45:00,680 --> 00:45:02,480
Speaker 1: Foll's Day, Like why would you believe anything on April

1047
00:45:02,440 --> 00:45:06,360
Speaker 1: Fol's Day? And I'm like okay. Next day, Guard's manager

1048
00:45:06,400 --> 00:45:07,840
Speaker 1: call and said, hey, you're going to open You're going

1049
00:45:07,920 --> 00:45:09,880
Speaker 1: to be main support for Garth and raizorback Stadium. I

1050
00:45:09,880 --> 00:45:10,600
Speaker 1: was like, was that real?

1051
00:45:12,520 --> 00:45:15,200
Speaker 2: And he was like he was like, yes, So it

1052
00:45:15,360 --> 00:45:15,840
Speaker 2: was Garth.

1053
00:45:15,840 --> 00:45:18,440
Speaker 1: I played for one hundred and two thousand people, biggest.

1054
00:45:19,160 --> 00:45:21,160
Speaker 2: That's amazing, biggest show.

1055
00:45:20,920 --> 00:45:23,640
Speaker 1: Ever in Arkansas history. It was a Garth headline show

1056
00:45:23,840 --> 00:45:27,200
Speaker 1: in the round, full stadium around and before the show

1057
00:45:27,239 --> 00:45:30,560
Speaker 1: because he had an opener and Mitch yeah, yeah, yeah

1058
00:45:30,840 --> 00:45:34,440
Speaker 1: and so and he was great and Garth was like, hey,

1059
00:45:34,440 --> 00:45:35,959
Speaker 1: I don't want you to go on till it's dark.

1060
00:45:36,160 --> 00:45:38,520
Speaker 1: He came before I went on, and I was like,

1061
00:45:38,600 --> 00:45:41,000
Speaker 1: that's so cool, Like who would even think of that?

1062
00:45:41,640 --> 00:45:43,360
Speaker 1: He said, because I want you to like experience this

1063
00:45:43,600 --> 00:45:45,080
Speaker 1: with the lights.

1064
00:45:45,080 --> 00:45:46,439
Speaker 2: Pretty sick, dude, it's pretty sick.

1065
00:45:46,440 --> 00:45:48,600
Speaker 1: And then he said then Guard said, I also, if

1066
00:45:48,640 --> 00:45:49,839
Speaker 1: you want to go over your time, because he gave

1067
00:45:49,920 --> 00:45:51,480
Speaker 1: us forty minutes, he said, if you want to go

1068
00:45:51,480 --> 00:45:54,279
Speaker 1: over your time, don't go over the Tricia was right

1069
00:45:54,280 --> 00:45:56,040
Speaker 1: next to him, and she goes, don't go over and

1070
00:45:56,080 --> 00:45:57,160
Speaker 1: I was like, don't worry.

1071
00:45:57,000 --> 00:45:57,840
Speaker 2: I ain't going.

1072
00:46:00,239 --> 00:46:05,520
Speaker 1: Part of me was even thinking I'm thirty ninety yes please.

1073
00:46:05,760 --> 00:46:07,560
Speaker 1: And then what was cool though, He's like, hey, this

1074
00:46:07,640 --> 00:46:10,080
Speaker 1: is around like you're talking about. It's exhausting to play

1075
00:46:10,080 --> 00:46:12,359
Speaker 1: that because you have to pay attention to everybody. He said,

1076
00:46:12,360 --> 00:46:13,839
Speaker 1: I want you to use the whole stage because people

1077
00:46:13,840 --> 00:46:16,040
Speaker 1: will feel like that you're not giving it to them

1078
00:46:16,080 --> 00:46:17,280
Speaker 1: because they're all around.

1079
00:46:17,719 --> 00:46:18,719
Speaker 2: You got to keep it moving.

1080
00:46:18,880 --> 00:46:21,200
Speaker 1: And nobody was No one was there to see me.

1081
00:46:21,200 --> 00:46:24,120
Speaker 1: They were there to see Garth. But to see that,

1082
00:46:25,640 --> 00:46:28,560
Speaker 1: like how much energy has to be done all the

1083
00:46:28,560 --> 00:46:30,879
Speaker 1: way around there are people. It's sea, like shining sea

1084
00:46:30,960 --> 00:46:32,839
Speaker 1: in the stadium. Yeah, and for comes to do that

1085
00:46:32,880 --> 00:46:36,640
Speaker 1: constantly and to not be forty years old, that's crazy.

1086
00:46:36,719 --> 00:46:39,640
Speaker 2: It's crazy. It's crazy, man, it's crazy. It's crazy experience.

1087
00:46:39,640 --> 00:46:42,480
Speaker 3: I mean as far as like what all goes into it,

1088
00:46:42,480 --> 00:46:45,239
Speaker 3: it's just the logistics are insane.

1089
00:46:45,280 --> 00:46:47,799
Speaker 2: They don't make sense. The night we're there, we're on

1090
00:46:47,840 --> 00:46:49,080
Speaker 2: the bus.

1091
00:46:49,920 --> 00:46:51,680
Speaker 3: I mean I kind of bust and combs out on this.

1092
00:46:52,080 --> 00:46:54,239
Speaker 2: But he's like, y'allall we're standing. They all stand with bus,

1093
00:46:54,280 --> 00:46:58,120
Speaker 2: meaning we're like all right. So we we hang out.

1094
00:46:57,360 --> 00:46:59,399
Speaker 3: We eat, we warm up some pizza in the micro world.

1095
00:46:59,480 --> 00:47:02,279
Speaker 3: We eat that, go to bed, and all of a

1096
00:47:02,280 --> 00:47:06,120
Speaker 3: sudden we hear like thirteen alarms go off.

1097
00:47:06,320 --> 00:47:08,520
Speaker 2: This is in South mand From his room, it's like,

1098
00:47:10,800 --> 00:47:13,719
Speaker 2: please take shelter, Please take shelter. He come, you were

1099
00:47:13,760 --> 00:47:16,320
Speaker 2: in the direct line of the tornado. There's a tornado

1100
00:47:16,400 --> 00:47:19,759
Speaker 2: coming right for us. Everybody get gets out stadium right now.

1101
00:47:20,000 --> 00:47:21,440
Speaker 2: We're like, hey, man, maybe we could just chill and

1102
00:47:21,480 --> 00:47:22,200
Speaker 2: see if it like comes.

1103
00:47:22,280 --> 00:47:24,279
Speaker 1: He's like, no, off the bus.

1104
00:47:23,920 --> 00:47:27,440
Speaker 2: And harp his best his best lifetime buddy. It's like,

1105
00:47:27,600 --> 00:47:30,800
Speaker 2: I don't want to do this arms, this false alarm.

1106
00:47:30,840 --> 00:47:35,040
Speaker 2: He's like, he's like going, So it's we're running. We

1107
00:47:35,160 --> 00:47:37,839
Speaker 2: run through a torrential downpoint. We had my contacts then

1108
00:47:37,960 --> 00:47:39,520
Speaker 2: into the stadium. I don't even know. I had a

1109
00:47:39,560 --> 00:47:41,839
Speaker 2: shirt on into the stadium in the locker room when

1110
00:47:41,880 --> 00:47:42,280
Speaker 2: we were.

1111
00:47:42,120 --> 00:47:45,080
Speaker 3: Trying to get in and we were like two o'clock

1112
00:47:45,080 --> 00:47:45,399
Speaker 3: in the morning.

1113
00:47:45,400 --> 00:47:46,800
Speaker 2: There's nobody in the stadium.

1114
00:47:47,160 --> 00:47:48,399
Speaker 1: Did the tornado hit anywhere close?

1115
00:47:48,560 --> 00:47:50,680
Speaker 2: Yeah? Yeah, Oh he did. Yeah. He came right through there.

1116
00:47:50,719 --> 00:47:53,480
Speaker 2: It came right up just like south I think, just

1117
00:47:53,520 --> 00:47:54,480
Speaker 2: south of South maund.

1118
00:47:54,440 --> 00:47:55,759
Speaker 1: So he was kind of right then.

1119
00:47:56,120 --> 00:47:58,719
Speaker 3: I mean the bus didn't get picked up and thrown them, dude,

1120
00:47:58,760 --> 00:47:59,239
Speaker 3: I mean he was.

1121
00:47:59,520 --> 00:48:01,439
Speaker 2: There's a guy on YouTube that we all watch now

1122
00:48:01,560 --> 00:48:03,680
Speaker 2: that I kind of put everybody on and the weather

1123
00:48:03,719 --> 00:48:06,560
Speaker 2: guy and he's like Ryan Hall is saying to get

1124
00:48:06,800 --> 00:48:11,799
Speaker 2: into cover. So right put a helmet on.

1125
00:48:14,239 --> 00:48:17,040
Speaker 1: It was, Yeah, did you guys have tornadoes growing up?

1126
00:48:17,280 --> 00:48:17,400
Speaker 2: Oh?

1127
00:48:17,480 --> 00:48:20,040
Speaker 3: Yeah, I feel like it's more now though, Yeah, I

1128
00:48:20,040 --> 00:48:21,000
Speaker 3: feel like it is too more.

1129
00:48:21,080 --> 00:48:23,200
Speaker 2: I do feel like though, And I tell people this,

1130
00:48:23,520 --> 00:48:25,240
Speaker 2: and I hope my I hope. I've got a little

1131
00:48:25,320 --> 00:48:26,719
Speaker 2: I got a little boy. I got a little girl too.

1132
00:48:26,760 --> 00:48:28,960
Speaker 2: But like when I was little and there's a tornado

1133
00:48:29,000 --> 00:48:32,080
Speaker 2: coming through, This is how much I trusted my dad. Dude,

1134
00:48:32,719 --> 00:48:34,480
Speaker 2: I would I would go to him and I go, hey, Dad.

1135
00:48:34,520 --> 00:48:35,960
Speaker 2: I was like, are we gonna be all right? And

1136
00:48:35,960 --> 00:48:37,560
Speaker 2: he'd be like, yeah, man, we're gonna be fine, And dude,

1137
00:48:37,600 --> 00:48:39,600
Speaker 2: I would have gone out there and played basketball in it,

1138
00:48:40,080 --> 00:48:42,239
Speaker 2: just because the way I try. Like I didn't know,

1139
00:48:42,600 --> 00:48:46,800
Speaker 2: but like I remember being going to uh our neighbors

1140
00:48:46,840 --> 00:48:49,160
Speaker 2: over there that we used to go to the morrises

1141
00:48:49,239 --> 00:48:51,879
Speaker 2: and going downstairs and base yeah, and just playing video

1142
00:48:51,880 --> 00:48:53,440
Speaker 2: games but not being scared because Dad said to not

1143
00:48:53,480 --> 00:48:55,480
Speaker 2: be scared when it could have been. We could have

1144
00:48:55,480 --> 00:48:56,960
Speaker 2: been absolutely direct hitting.

1145
00:48:57,000 --> 00:49:00,920
Speaker 1: When Luke Combs says, be scared, do you be are scared?

1146
00:49:01,000 --> 00:49:01,720
Speaker 2: I was not scared.

1147
00:49:01,840 --> 00:49:04,080
Speaker 3: You're not scared. I was completely fine. I was with

1148
00:49:04,280 --> 00:49:06,120
Speaker 3: I was team Hart. We were going to stay on

1149
00:49:06,120 --> 00:49:08,040
Speaker 3: the bus, but like he was going to.

1150
00:49:08,040 --> 00:49:10,239
Speaker 2: Drag nobody staying on that bus. He was just going

1151
00:49:10,280 --> 00:49:10,720
Speaker 2: to drag.

1152
00:49:10,640 --> 00:49:13,440
Speaker 3: Us out by all right, to get in that if

1153
00:49:13,440 --> 00:49:13,880
Speaker 3: we had to.

1154
00:49:14,200 --> 00:49:17,080
Speaker 1: We don't have basements here, which is odd because we have,

1155
00:49:17,160 --> 00:49:18,880
Speaker 1: like you said, a lot of tornadoes living in Nashville,

1156
00:49:18,960 --> 00:49:21,600
Speaker 1: and half I was reading our nocturnal tornadoes, which means

1157
00:49:21,760 --> 00:49:23,600
Speaker 1: we got a freaking be butt puckered all night long.

1158
00:49:23,880 --> 00:49:26,640
Speaker 1: One of us has to stay awake and watch because

1159
00:49:26,920 --> 00:49:28,680
Speaker 1: they hit at night here in national life.

1160
00:49:29,360 --> 00:49:31,719
Speaker 2: Why is that? It's very true. It does feel like

1161
00:49:31,760 --> 00:49:32,759
Speaker 2: you called him nocturnal.

1162
00:49:33,080 --> 00:49:34,440
Speaker 1: I didn't. I read about it.

1163
00:49:34,440 --> 00:49:35,279
Speaker 2: It's kind of cool name.

1164
00:49:35,360 --> 00:49:37,640
Speaker 1: Yeah, half of the tornadoes to hit where we live

1165
00:49:37,760 --> 00:49:40,240
Speaker 1: are nocturnal tornado like Natos.

1166
00:49:41,800 --> 00:49:42,720
Speaker 2: Tornados.

1167
00:49:43,120 --> 00:49:44,600
Speaker 1: We had a bunch growing up. We had a bunch

1168
00:49:44,600 --> 00:49:48,960
Speaker 1: of Arkansas. Yeah, because Arkansas is not quite Oklahoma and Kansas,

1169
00:49:49,320 --> 00:49:52,160
Speaker 1: but it's close, so we would not have the worst

1170
00:49:52,280 --> 00:49:54,520
Speaker 1: version of it. But we had a bunch And for

1171
00:49:54,719 --> 00:49:57,480
Speaker 1: like significant parts of my life at different times, I

1172
00:49:57,520 --> 00:50:00,640
Speaker 1: lived in different trailer parks, and well, what I remember

1173
00:50:00,680 --> 00:50:03,960
Speaker 1: most is when tornadoes would come. Everybody this is it

1174
00:50:04,320 --> 00:50:06,680
Speaker 1: sounds you know, counterintuitive, to what you do. Everybody gets

1175
00:50:06,719 --> 00:50:09,600
Speaker 1: out and they go to a ditch. You're outside and

1176
00:50:09,640 --> 00:50:11,200
Speaker 1: you go to a ditch and you cover yourself because

1177
00:50:11,200 --> 00:50:13,680
Speaker 1: if you're in the tornado and not even if the

1178
00:50:13,680 --> 00:50:16,160
Speaker 1: tornado hits, if the heavy winds hit. Yeah, the trailer

1179
00:50:17,239 --> 00:50:19,440
Speaker 1: Like one of the memories that's like embedded into my

1180
00:50:19,520 --> 00:50:23,520
Speaker 1: mind is when tornadoes were coming, everybody would be coming

1181
00:50:23,560 --> 00:50:26,279
Speaker 1: out of the trailers, walking down to the ditch, yep,

1182
00:50:26,320 --> 00:50:28,240
Speaker 1: and just getting down crazy.

1183
00:50:28,360 --> 00:50:30,680
Speaker 3: That's pretty nute, you hear, you do hear those stories

1184
00:50:30,680 --> 00:50:32,600
Speaker 3: of like like that's like it hit the trailer park

1185
00:50:32,640 --> 00:50:34,400
Speaker 3: and then there was one guy holding on to the toilet,

1186
00:50:34,480 --> 00:50:34,719
Speaker 3: you know.

1187
00:50:34,719 --> 00:50:37,640
Speaker 2: Cause it was like like the house was gone, but

1188
00:50:37,680 --> 00:50:39,040
Speaker 2: he was sitting there, you know, strapped in.

1189
00:50:39,880 --> 00:50:42,520
Speaker 4: Let's take a quick pause for a message from our sponsor.

1190
00:50:44,440 --> 00:50:46,160
Speaker 4: This is the Bobby cast.

1191
00:50:47,239 --> 00:50:51,040
Speaker 1: Who have you had on your show recently that you

1192
00:50:51,080 --> 00:50:53,600
Speaker 1: did not expect to really like? Not that you didn't

1193
00:50:53,640 --> 00:50:56,000
Speaker 1: think you disliked them, but maybe you didn't know. But

1194
00:50:56,160 --> 00:50:59,279
Speaker 1: they came in and they left, and you're like, legit.

1195
00:51:00,120 --> 00:51:03,200
Speaker 2: Zach top for me, I didn't know and we didn't

1196
00:51:03,200 --> 00:51:05,360
Speaker 2: know it. From Adam. I loved his stuff. I loved

1197
00:51:05,560 --> 00:51:08,400
Speaker 2: the two records he did, and obviously he's a monster,

1198
00:51:08,760 --> 00:51:11,360
Speaker 2: you know, playing the guitar musician and he could sing

1199
00:51:11,600 --> 00:51:14,759
Speaker 2: you know, phone Book, but like really, you know, not

1200
00:51:14,880 --> 00:51:17,319
Speaker 2: knowing anything about him, what he's like, what he likes,

1201
00:51:17,560 --> 00:51:21,600
Speaker 2: his interest that that aversation or that conversation and interview

1202
00:51:21,719 --> 00:51:24,160
Speaker 2: was I left going. Man, I'm a I'm an even

1203
00:51:24,200 --> 00:51:27,200
Speaker 2: bigger fan of that top than I was. Originally I

1204
00:51:28,560 --> 00:51:31,680
Speaker 2: thought he was Morgan's great I've known Morgan for a while.

1205
00:51:31,800 --> 00:51:32,640
Speaker 1: Same, he's the greatest.

1206
00:51:32,840 --> 00:51:36,080
Speaker 2: He's just a great dude. He's a great dude, like

1207
00:51:36,640 --> 00:51:37,600
Speaker 2: man's man.

1208
00:51:38,280 --> 00:51:40,640
Speaker 1: Like just like I would. I feel like I could

1209
00:51:40,640 --> 00:51:42,239
Speaker 1: call him if somebody's gonna beat me up, I could

1210
00:51:42,239 --> 00:51:44,200
Speaker 1: call him. If I needed some money, I could call

1211
00:51:44,640 --> 00:51:47,680
Speaker 1: He would just be there and like we have that relationship.

1212
00:51:47,719 --> 00:51:50,160
Speaker 1: Though I know you guys had some viral stuff with

1213
00:51:50,239 --> 00:51:51,760
Speaker 1: I mean I had some like crazy stuff.

1214
00:51:52,760 --> 00:51:55,040
Speaker 2: Well because we piggybacked off that a little bit.

1215
00:51:55,560 --> 00:51:58,440
Speaker 1: Oh great, I just the Garth Morgan Evan stuff for

1216
00:51:58,480 --> 00:52:00,640
Speaker 1: you guys. Yeah, that's right that we talking about.

1217
00:52:00,680 --> 00:52:02,680
Speaker 3: But we talked about, Yeah, we're talking the guy that

1218
00:52:03,360 --> 00:52:05,600
Speaker 3: we really went nuts on. The guy, Yeah, the girl

1219
00:52:05,640 --> 00:52:08,160
Speaker 3: guy that called him a girl oh yeah, Yeah, you

1220
00:52:08,160 --> 00:52:09,719
Speaker 3: know the guy that wears v Nex with those shirts

1221
00:52:09,800 --> 00:52:10,360
Speaker 3: under them.

1222
00:52:10,200 --> 00:52:11,719
Speaker 2: That's got blonde strips in his hair.

1223
00:52:12,000 --> 00:52:14,040
Speaker 1: I tell you what, if I could pull it off,

1224
00:52:14,080 --> 00:52:16,640
Speaker 1: I would, though, that's the thing, you would, I think,

1225
00:52:16,680 --> 00:52:21,200
Speaker 1: so I can't for that though, I'm not I'm too old. Yes, cool,

1226
00:52:21,640 --> 00:52:21,960
Speaker 1: I'm not.

1227
00:52:22,719 --> 00:52:25,040
Speaker 2: I'm not. Well, you're cool, guy, I can see you

1228
00:52:25,080 --> 00:52:25,720
Speaker 2: going streaks.

1229
00:52:27,200 --> 00:52:30,560
Speaker 1: Yeah, I wear cardigans every day in my life. I

1230
00:52:30,560 --> 00:52:33,960
Speaker 1: think I'm cool because I don't chase it anymore. I

1231
00:52:34,080 --> 00:52:34,920
Speaker 1: chased it for a while.

1232
00:52:35,040 --> 00:52:38,200
Speaker 2: You did that cars kind of screaming chasy my car?

1233
00:52:38,440 --> 00:52:39,919
Speaker 2: Yeah it's his car.

1234
00:52:40,160 --> 00:52:43,200
Speaker 3: I'm guessing it's the probably the blue porch that's sitting

1235
00:52:43,280 --> 00:52:43,560
Speaker 3: right here.

1236
00:52:43,800 --> 00:52:49,680
Speaker 1: No, it's a Lamborghini. Chasy.

1237
00:52:49,880 --> 00:52:53,120
Speaker 2: Nothing says I want to blend like al get to

1238
00:52:53,160 --> 00:52:54,680
Speaker 2: get it right. I'm not a car guys, I don't know.

1239
00:52:54,760 --> 00:52:57,160
Speaker 1: I'm not a car guy either. I know nothing, no

1240
00:52:57,320 --> 00:53:01,000
Speaker 1: know nothing about cars. My dream my whole life was

1241
00:53:01,040 --> 00:53:05,120
Speaker 1: to have a Bentley. And when I your whole life, well,

1242
00:53:05,160 --> 00:53:07,359
Speaker 1: as soon as I saw like rich people on TV,

1243
00:53:08,120 --> 00:53:09,720
Speaker 1: I want to Yeah, I was like, I want.

1244
00:53:09,560 --> 00:53:11,080
Speaker 2: To be the be Is that that's the bee with

1245
00:53:11,120 --> 00:53:11,720
Speaker 2: the wings?

1246
00:53:11,880 --> 00:53:13,319
Speaker 1: You know what it also was a bee. That makes

1247
00:53:13,360 --> 00:53:16,880
Speaker 1: sense because also my name is by twice. I just

1248
00:53:16,880 --> 00:53:18,440
Speaker 1: connected well and I'm a real name.

1249
00:53:18,440 --> 00:53:20,000
Speaker 2: How sick would be to have a Bentley that had

1250
00:53:20,000 --> 00:53:21,000
Speaker 2: the B B on it?

1251
00:53:21,080 --> 00:53:26,880
Speaker 1: Dude, that's I told traded in for that. Yeah, but

1252
00:53:26,960 --> 00:53:29,400
Speaker 1: I didn't. I got it and it was cool, and

1253
00:53:29,440 --> 00:53:30,640
Speaker 1: I was like, man, this, but I was so low

1254
00:53:30,719 --> 00:53:32,840
Speaker 1: to the ground and it was like I should have

1255
00:53:32,840 --> 00:53:34,360
Speaker 1: been drive, I should have been chiffe in somebody.

1256
00:53:34,360 --> 00:53:37,320
Speaker 2: It felt like, so, if you really got a Bentley,

1257
00:53:37,320 --> 00:53:38,319
Speaker 2: you're riding in the back of it.

1258
00:53:38,680 --> 00:53:40,160
Speaker 1: Yeah, it's a good point too. I didn't have a driver,

1259
00:53:41,120 --> 00:53:43,040
Speaker 1: and it was a cool car, but I don't see

1260
00:53:43,160 --> 00:53:45,279
Speaker 1: very well, and I kept hitting potholes because this town

1261
00:53:45,320 --> 00:53:47,279
Speaker 1: sucks for potholes. And my watch is like, you have

1262
00:53:47,320 --> 00:53:50,880
Speaker 1: to have an SUV. This is God's honest story truth,

1263
00:53:51,000 --> 00:53:53,799
Speaker 1: And I said, okay, So I finally had my dream car,

1264
00:53:54,160 --> 00:53:55,880
Speaker 1: to which my When I first moved to town, I

1265
00:53:55,880 --> 00:53:57,480
Speaker 1: got a business manager, which was weird to me to

1266
00:53:57,520 --> 00:53:59,600
Speaker 1: pay somebody money to watch money. But then I was

1267
00:53:59,600 --> 00:54:02,080
Speaker 1: having like pay percentages and I felt like I was

1268
00:54:02,080 --> 00:54:04,080
Speaker 1: going to go to jail for paying for doing wrong.

1269
00:54:04,440 --> 00:54:05,800
Speaker 1: So I was like, I got to have a business manager.

1270
00:54:07,040 --> 00:54:09,759
Speaker 1: And I said that broke board mindset though very much.

1271
00:54:09,800 --> 00:54:12,800
Speaker 1: I had sure, absolutely very much, and I said I

1272
00:54:12,880 --> 00:54:14,399
Speaker 1: want to I really wanted to get to the point

1273
00:54:14,400 --> 00:54:15,920
Speaker 1: where I may make enough money to get a Bentley.

1274
00:54:16,120 --> 00:54:18,400
Speaker 1: And so for Christmas that next year, she gave me

1275
00:54:18,520 --> 00:54:21,120
Speaker 1: a remote control Bentley. She was like, this will do

1276
00:54:21,200 --> 00:54:23,040
Speaker 1: for now. I still have that remote control Bee from

1277
00:54:23,040 --> 00:54:25,160
Speaker 1: when I first moved to town, but I bought that card.

1278
00:54:25,160 --> 00:54:27,479
Speaker 1: It was a big deal for me. And I kept

1279
00:54:27,520 --> 00:54:30,480
Speaker 1: having flat tires and those rims are not cheap. So

1280
00:54:30,520 --> 00:54:32,600
Speaker 1: my wife said, you got to get a suv. So

1281
00:54:32,719 --> 00:54:35,120
Speaker 1: I was like, let's go practical and about the Lamborghinia shub.

1282
00:54:35,760 --> 00:54:37,239
Speaker 3: Well, if it makes you feel any better, there's a

1283
00:54:37,280 --> 00:54:40,040
Speaker 3: screw in my tire right now, letting the air out

1284
00:54:40,080 --> 00:54:40,759
Speaker 3: in your parking lot.

1285
00:54:40,800 --> 00:54:41,640
Speaker 2: And I have a big.

1286
00:54:41,480 --> 00:54:44,680
Speaker 3: Truck, so regardless of what you have, there's screws all

1287
00:54:44,760 --> 00:54:45,319
Speaker 3: over this town.

1288
00:54:46,680 --> 00:54:47,600
Speaker 2: Not a screwish.

1289
00:54:48,040 --> 00:54:49,400
Speaker 1: Why when did that happen?

1290
00:54:49,440 --> 00:54:51,239
Speaker 2: Well, we hopped in the truck today to pick Red

1291
00:54:51,320 --> 00:54:53,480
Speaker 2: up and he goes, hey, man, I was like, you're

1292
00:54:53,520 --> 00:54:56,239
Speaker 2: lift your back lift tires flat. Just sensed it.

1293
00:54:56,280 --> 00:54:57,920
Speaker 1: You're like the Princess and the pee just getting a

1294
00:54:57,920 --> 00:54:59,720
Speaker 1: truck and knowing a tires left.

1295
00:55:00,280 --> 00:55:01,640
Speaker 2: It was pancake, didn't I drive?

1296
00:55:01,760 --> 00:55:06,480
Speaker 1: He sits in, It's like left, no, right rear tire flat.

1297
00:55:06,880 --> 00:55:08,600
Speaker 3: It's a I'm a dude, I know what a flat

1298
00:55:08,600 --> 00:55:10,880
Speaker 3: tire looks like. He goes, you're back tires flat. I

1299
00:55:10,920 --> 00:55:11,840
Speaker 3: was like, no, dude, everybody.

1300
00:55:11,840 --> 00:55:13,040
Speaker 2: He's like, get in, we're late. Come on.

1301
00:55:13,160 --> 00:55:14,880
Speaker 3: I was like, we gotta go now, all right, I

1302
00:55:14,960 --> 00:55:17,080
Speaker 3: whip it out. I'm like, let me just check. It's

1303
00:55:17,120 --> 00:55:20,120
Speaker 3: like thirty one, thirty one, thirty one thirteen.

1304
00:55:20,239 --> 00:55:22,759
Speaker 2: I was like, oh my god, what's happening right now?

1305
00:55:22,800 --> 00:55:24,839
Speaker 2: We're rolling. We're already rolling down the road and I'm

1306
00:55:24,840 --> 00:55:27,040
Speaker 2: like he's like, oh, you weren't lying my tires flat.

1307
00:55:27,080 --> 00:55:28,440
Speaker 2: He's like, I know what a flat tire looks? Like,

1308
00:55:28,760 --> 00:55:31,440
Speaker 2: what don't you tell me? He's like, I did we.

1309
00:55:31,560 --> 00:55:34,360
Speaker 3: Rip it around that story in my life. He's like,

1310
00:55:34,400 --> 00:55:35,879
Speaker 3: I can plug it real quick. I was like, no, dude,

1311
00:55:35,880 --> 00:55:37,560
Speaker 3: we're gonna be like, just guess that thing up. We'll

1312
00:55:37,560 --> 00:55:38,279
Speaker 3: fill it up at a BP.

1313
00:55:38,560 --> 00:55:40,919
Speaker 2: Be flat. It's flat flat. We're gonna have to stop

1314
00:55:40,920 --> 00:55:44,399
Speaker 2: at the BP and I'll do the whole tire. So well,

1315
00:55:44,440 --> 00:55:44,879
Speaker 2: how you are.

1316
00:55:45,000 --> 00:55:45,720
Speaker 1: That sucks.

1317
00:55:46,000 --> 00:55:46,600
Speaker 2: No, it's fine.

1318
00:55:46,800 --> 00:55:48,400
Speaker 1: Back in the day you fill out with fix a flat.

1319
00:55:48,719 --> 00:55:51,040
Speaker 3: Back in the day, I'd be really concerned about it.

1320
00:55:51,080 --> 00:55:52,680
Speaker 2: Today. I haven't thought about it until.

1321
00:55:52,480 --> 00:55:57,000
Speaker 1: Right now because you got songwriting rich. You can't call

1322
00:55:57,000 --> 00:55:58,920
Speaker 1: me out having a Lamborghini and not emit your sign.

1323
00:56:01,960 --> 00:56:02,319
Speaker 2: Me up.

1324
00:56:02,880 --> 00:56:04,839
Speaker 1: What song have you written that you made the most

1325
00:56:04,880 --> 00:56:09,160
Speaker 1: money from? Read kind of Love We May Luke Combs,

1326
00:56:09,239 --> 00:56:11,160
Speaker 1: kind of Love We Make. I'm not asking you how much.

1327
00:56:11,160 --> 00:56:12,520
Speaker 1: I would never do that to you call me out

1328
00:56:12,520 --> 00:56:16,000
Speaker 1: for a porch and not even a Porsche Dan, not

1329
00:56:16,080 --> 00:56:19,480
Speaker 1: a car guy, Guy, What song have you written that

1330
00:56:19,520 --> 00:56:20,600
Speaker 1: you made the most money from?

1331
00:56:20,960 --> 00:56:24,760
Speaker 3: Oh Man, he is kind of love to probably better together.

1332
00:56:25,600 --> 00:56:27,239
Speaker 3: But it was a five week number one. It was

1333
00:56:27,239 --> 00:56:30,480
Speaker 3: in the heat heat of the Combs.

1334
00:56:30,840 --> 00:56:32,480
Speaker 2: He got four. He's got a four week right now.

1335
00:56:32,480 --> 00:56:32,640
Speaker 1: Bro.

1336
00:56:32,719 --> 00:56:34,600
Speaker 2: I'm not saying he's not still all the rockets yet.

1337
00:56:34,640 --> 00:56:37,800
Speaker 3: I'm just saying this was the incline of the I

1338
00:56:37,880 --> 00:56:39,920
Speaker 3: think I had like one of the well I had

1339
00:56:39,960 --> 00:56:43,279
Speaker 3: the first big piano ballad, you know, and it just

1340
00:56:43,280 --> 00:56:46,640
Speaker 3: happened to to really do good.

1341
00:56:46,960 --> 00:56:49,719
Speaker 1: Do you guys get paper checks in the mail or

1342
00:56:49,719 --> 00:56:50,560
Speaker 1: do they just go to your bank.

1343
00:56:50,680 --> 00:56:52,360
Speaker 3: We did for a long time being mine would just

1344
00:56:52,360 --> 00:56:55,200
Speaker 3: send us you get a check by annually, I think.

1345
00:56:55,320 --> 00:56:57,600
Speaker 2: But now it's direct to pause, and there's still some

1346
00:56:57,760 --> 00:57:00,120
Speaker 2: like there's still some publishing checks you can get in

1347
00:57:00,239 --> 00:57:02,120
Speaker 2: the mill if you don't have it set up to

1348
00:57:02,120 --> 00:57:02,880
Speaker 2: go direct deposit.

1349
00:57:02,920 --> 00:57:05,520
Speaker 3: It just makes sense get direct DEPOSITI though, didn't get lost.

1350
00:57:05,280 --> 00:57:07,799
Speaker 1: And yeah, it convinced me. I'm familiar with how the

1351
00:57:07,880 --> 00:57:10,080
Speaker 1: direct deposit works. I just wondered if it actually just

1352
00:57:10,120 --> 00:57:10,719
Speaker 1: mailed it to you.

1353
00:57:11,680 --> 00:57:14,840
Speaker 3: I'll tell you this though, my wife knew what they was.

1354
00:57:14,840 --> 00:57:17,160
Speaker 3: She'd be waiting, but she'd be standing by that. Oh yeah,

1355
00:57:17,200 --> 00:57:18,880
Speaker 3: they know, they know when that thing was coming.

1356
00:57:18,920 --> 00:57:19,160
Speaker 2: Baby.

1357
00:57:19,280 --> 00:57:22,240
Speaker 1: I have nothing to say about that. I'm not I'm

1358
00:57:22,240 --> 00:57:25,400
Speaker 1: not jumping in that. They know in case everybody's bro,

1359
00:57:25,560 --> 00:57:26,680
Speaker 1: that's just them.

1360
00:57:26,920 --> 00:57:27,320
Speaker 2: He knows.

1361
00:57:27,360 --> 00:57:29,520
Speaker 3: They know I'm looking at your camera, so he knows,

1362
00:57:30,000 --> 00:57:32,600
Speaker 3: we know I'm looking at your camera for you and

1363
00:57:32,640 --> 00:57:34,439
Speaker 3: saying they know, Okay.

1364
00:57:34,080 --> 00:57:37,240
Speaker 1: Look, God's Country podcast. You guys do a great job.

1365
00:57:37,280 --> 00:57:39,240
Speaker 1: Is over already, We've done over an hour and your

1366
00:57:39,280 --> 00:57:43,800
Speaker 1: tires flat now guilty flat out there, because that's all

1367
00:57:43,840 --> 00:57:45,480
Speaker 1: I could think about if I were in here in

1368
00:57:45,520 --> 00:57:47,000
Speaker 1: your position and had a flat tire. All I will

1369
00:57:47,040 --> 00:57:48,520
Speaker 1: be thinking about is, oh my god, I'm gonna walk

1370
00:57:48,520 --> 00:57:50,560
Speaker 1: out and I'm gonna be just on a nub bro.

1371
00:57:50,640 --> 00:57:53,040
Speaker 3: We literally filled it up with air and we got like.

1372
00:57:53,080 --> 00:57:54,240
Speaker 3: I was like, all right, it's good, and it was.

1373
00:57:54,240 --> 00:57:58,440
Speaker 2: Like, I was like, let's get it. I was like, well,

1374
00:57:58,560 --> 00:58:02,040
Speaker 2: I couldn't be late because last I'm almost late. We started,

1375
00:58:02,080 --> 00:58:03,120
Speaker 2: we did the whole half of interview.

1376
00:58:03,320 --> 00:58:03,800
Speaker 1: We got there.

1377
00:58:03,960 --> 00:58:07,000
Speaker 2: Yeah, No, it wasn't. It wasn't. I wasn't that late.

1378
00:58:07,760 --> 00:58:11,480
Speaker 3: You just can't ever tell national traffic man, I would

1379
00:58:11,520 --> 00:58:13,560
Speaker 3: be fixing potholes at two o'clock.

1380
00:58:13,240 --> 00:58:15,200
Speaker 1: On Nashville traffic. Are you talking about the last name?

1381
00:58:16,120 --> 00:58:20,040
Speaker 1: You're still apologizing for that one? Yeah, that was the

1382
00:58:20,160 --> 00:58:22,240
Speaker 1: latest anybody has ever been in the history though, honest

1383
00:58:22,280 --> 00:58:24,160
Speaker 1: to God, in the history of me doing that's the

1384
00:58:24,240 --> 00:58:25,280
Speaker 1: latest anybody's ever been.

1385
00:58:26,040 --> 00:58:26,640
Speaker 2: Ten minutes.

1386
00:58:26,840 --> 00:58:31,320
Speaker 1: Yeah, because because once they hit about seven, I cancel it.

1387
00:58:31,720 --> 00:58:36,920
Speaker 2: Mmm, you didn't cancel there? Yeah, yeah, yeah, I get that.

1388
00:58:37,040 --> 00:58:37,720
Speaker 2: I understand that.

1389
00:58:37,760 --> 00:58:39,080
Speaker 1: Actually, unless it.

1390
00:58:38,960 --> 00:58:41,360
Speaker 2: Was out of my control, but I get it. Yeah,

1391
00:58:41,760 --> 00:58:42,280
Speaker 2: it's all good.

1392
00:58:42,440 --> 00:58:45,080
Speaker 1: Yeah, yeah, all rights to everybody. Check out the God's

1393
00:58:45,080 --> 00:58:46,760
Speaker 1: Country Podcast. I'm a fan of it.

1394
00:58:48,080 --> 00:58:48,680
Speaker 2: Come back on.

1395
00:58:49,600 --> 00:58:51,880
Speaker 1: We just did the thing. I'm happy to come back on.

1396
00:58:51,960 --> 00:58:53,000
Speaker 2: I'd love to do this thing.

1397
00:58:53,080 --> 00:58:55,280
Speaker 1: Oh yeah, it's like, what am I going to talk about?

1398
00:58:55,960 --> 00:58:59,640
Speaker 2: Uh, unless we're talking talk about fish, go fishing. Unless

1399
00:58:59,800 --> 00:59:01,880
Speaker 2: let's scope, let's do it, let's go fishing podcasts.

1400
00:59:01,920 --> 00:59:04,880
Speaker 1: Yeah, I would do that with you guys. I would

1401
00:59:04,920 --> 00:59:06,640
Speaker 1: do that. That would be fun.

1402
00:59:07,320 --> 00:59:09,520
Speaker 2: Yeah.

1403
00:59:10,080 --> 00:59:12,880
Speaker 1: Still over Well, I'm just going through my calendar. I'm

1404
00:59:12,880 --> 00:59:16,120
Speaker 1: a little busy that day, like every day for Yeah, yeah,

1405
00:59:16,920 --> 00:59:18,280
Speaker 1: I wanted you heard me, want to do it?

1406
00:59:18,440 --> 00:59:21,320
Speaker 3: Actually, just going fishing without the podcast would be way

1407
00:59:21,360 --> 00:59:21,640
Speaker 3: more fun.

1408
00:59:21,800 --> 00:59:29,160
Speaker 2: I think I just watched Anxiety win. I just that's

1409
00:59:29,200 --> 00:59:32,200
Speaker 2: exactly right. You kind of beat that devil down. I

1410
00:59:32,320 --> 00:59:36,000
Speaker 2: know you gotta go. Man, that sounds fun right now,

1411
00:59:36,360 --> 00:59:37,880
Speaker 2: and it'll be fun today I do it.

1412
00:59:37,920 --> 00:59:39,480
Speaker 1: How are you guys juggling your time though to make

1413
00:59:39,520 --> 00:59:41,680
Speaker 1: sure you do a quality show whenever? You guys writing

1414
00:59:41,680 --> 00:59:42,400
Speaker 1: songs all the time.

1415
00:59:44,280 --> 00:59:52,560
Speaker 2: Hm hmm. We just going before we just go like

1416
00:59:52,600 --> 00:59:55,760
Speaker 2: we like there's honestly like like Jordan gives us a

1417
00:59:55,800 --> 00:59:57,880
Speaker 2: little prep sheet before the show and the night before

1418
00:59:57,920 --> 01:00:01,680
Speaker 2: and we kind of research it. But like I know,

1419
01:00:01,800 --> 01:00:04,320
Speaker 2: without a shadow of a doubt that when we walk

1420
01:00:04,320 --> 01:00:06,800
Speaker 2: into a room, it doesn't matter who we're with, whatever

1421
01:00:06,880 --> 01:00:08,840
Speaker 2: show it is, it's gonna be a good show. Like

1422
01:00:08,920 --> 01:00:12,200
Speaker 2: I just I've got complete on hundred percent confidence in us.

1423
01:00:12,400 --> 01:00:15,520
Speaker 2: Throw on bomb at least. Yeah, nothing's gonna nothing's gonna fail.

1424
01:00:15,640 --> 01:00:17,520
Speaker 3: If we do bomb, it'll at least be funny.

1425
01:00:17,720 --> 01:00:23,479
Speaker 1: Yeah, that's awesome. I feel the opposite. It's gonna suck.

1426
01:00:24,560 --> 01:00:26,520
Speaker 2: We Oh. I feel that every time driving into town.

1427
01:00:26,560 --> 01:00:28,280
Speaker 2: But then I also know at the end of it,

1428
01:00:28,320 --> 01:00:29,640
Speaker 2: like get that anxiety double off.

1429
01:00:30,040 --> 01:00:32,560
Speaker 1: You gotta love it. But it's also my superpower, honest

1430
01:00:32,560 --> 01:00:35,440
Speaker 1: to God, like me being so it pushes you very much.

1431
01:00:35,440 --> 01:00:37,120
Speaker 1: So I have the super focused.

1432
01:00:36,880 --> 01:00:38,200
Speaker 2: Is that exhaustion thing we're talking about?

1433
01:00:38,200 --> 01:00:40,480
Speaker 1: Dial it in very much. So I wasn't worry about

1434
01:00:40,480 --> 01:00:42,800
Speaker 1: with you guys, like I like talking with you guys.

1435
01:00:43,000 --> 01:00:44,400
Speaker 2: Did you wonder if we're gonna be on time?

1436
01:00:44,720 --> 01:00:47,840
Speaker 1: No, No, not at all. I didn't remember that.

1437
01:00:47,800 --> 01:00:50,120
Speaker 2: We were real close to being late. Yeah, but it

1438
01:00:50,160 --> 01:00:50,520
Speaker 2: was legiti.

1439
01:00:50,520 --> 01:00:51,919
Speaker 3: This time, we're gonna be late to whatever we gotta

1440
01:00:51,920 --> 01:00:53,480
Speaker 3: go to next because we gotta fix that tire.

1441
01:00:55,720 --> 01:00:56,360
Speaker 1: What's next?

1442
01:00:57,920 --> 01:00:59,120
Speaker 2: I don't even know you're writing.

1443
01:00:59,440 --> 01:01:04,440
Speaker 3: No, Friday, Friday birthday, one of my kids birthday parties

1444
01:01:04,480 --> 01:01:07,400
Speaker 3: tomorrow and then the next day we're hosting like mother

1445
01:01:07,880 --> 01:01:08,880
Speaker 3: mother's days.

1446
01:01:10,080 --> 01:01:11,920
Speaker 2: Why what a lot coming down the shoot?

1447
01:01:12,320 --> 01:01:14,440
Speaker 1: Is it like a worked thing or just like eight mothers?

1448
01:01:14,440 --> 01:01:15,880
Speaker 1: Like family friends, there's plenty.

1449
01:01:15,640 --> 01:01:17,360
Speaker 3: Of work involved, but it's a marriage thing.

1450
01:01:17,440 --> 01:01:20,200
Speaker 2: Yeah, got it. They know we don't need to go there, dude,

1451
01:01:20,360 --> 01:01:20,880
Speaker 2: they don't.

1452
01:01:21,240 --> 01:01:24,040
Speaker 1: You guys speak so negatively, like the tone is just

1453
01:01:24,080 --> 01:01:28,640
Speaker 1: always so negative. They know we don't got to go there.

1454
01:01:28,720 --> 01:01:32,640
Speaker 3: I mean always twice, it's just so negative twice.

1455
01:01:32,680 --> 01:01:35,920
Speaker 2: It's a long way from always. All right, well this

1456
01:01:35,960 --> 01:01:41,240
Speaker 2: is a long way from it. Yeah, twice from always.

1457
01:01:42,240 --> 01:01:44,840
Speaker 1: Now, as that song that had been published, we just

1458
01:01:44,880 --> 01:01:47,480
Speaker 1: got published because we co wrote it. That's that's not

1459
01:01:47,520 --> 01:01:49,640
Speaker 1: how it works. It's not publishers because you sing it.

1460
01:01:49,640 --> 01:01:52,600
Speaker 1: That's like I declared bankruptcy and then going we.

1461
01:01:53,040 --> 01:01:53,840
Speaker 2: Got to turn it aroun Yeah.

1462
01:01:53,840 --> 01:01:56,280
Speaker 3: We just we just yeah, yeah, we just trademarked it

1463
01:01:56,320 --> 01:01:57,280
Speaker 3: by singing it recorded.

1464
01:01:57,440 --> 01:01:59,040
Speaker 1: So that's not how that works. I thought that's how

1465
01:01:59,080 --> 01:02:02,440
Speaker 1: that worked. Gotta be a brand, we don't. We should

1466
01:02:02,440 --> 01:02:05,560
Speaker 1: do some legal I'll get you a legal zoom. We're good,

1467
01:02:05,800 --> 01:02:08,320
Speaker 1: all right, all right, God's Country Podcast.

1468
01:02:08,440 --> 01:02:10,600
Speaker 2: I think I'd rather go to jail actually that week.

1469
01:02:11,440 --> 01:02:16,600
Speaker 1: Subscribe check them out. They know country music, they live country,

1470
01:02:16,800 --> 01:02:19,800
Speaker 1: they write country music. They bring on the greatest artist

1471
01:02:19,880 --> 01:02:21,800
Speaker 1: and country music to come on, and you guys do

1472
01:02:21,800 --> 01:02:23,440
Speaker 1: a great job. Seriously, I told you this for a

1473
01:02:23,440 --> 01:02:25,880
Speaker 1: long time. So yeah, you guys. Check out God's Country

1474
01:02:25,920 --> 01:02:28,280
Speaker 1: Podcast and we will see you guys later on this week.

1475
01:02:28,320 --> 01:02:29,120
Speaker 1: All right, bye everybody.

1476
01:02:29,400 --> 01:02:31,440
Speaker 2: This has been a Bobby Cast production.