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Speaker 1: Well, you will appreciate this very much. Adler decided he's

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Speaker 1: done with his toddler conversion bed.

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Speaker 2: He has been. He is a very delayed. Like a

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Speaker 2: lot of people.

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Speaker 1: They drop their net, kids, drop their naps early, they're

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Speaker 1: ready to get out of their cribs. I was pretty

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Speaker 1: much like, crib till college. He'll let me because I

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Speaker 1: just liked him being in a crib and he liked

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Speaker 1: it too, And it wasn't until he was like almost

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Speaker 1: four that he then said, well, I don't want all

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Speaker 1: four sides of these.

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Speaker 2: I want to be able to get in and out.

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Speaker 2: And I was like, okay.

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Speaker 1: So then I put the conversion thing so that he

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Speaker 1: could get in and out on one side. And then

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Speaker 1: the night I put it on, he was like, I

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Speaker 1: liked my crib, let's put it back. And I was like, no,

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Speaker 1: we can't do that. It's now I can't go back

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Speaker 1: now this toddler bed. So you're gonna have to get

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Speaker 1: used to it. And he did get used to it,

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Speaker 1: and now he's officially decided no more, this is a

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Speaker 1: baby bed.

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Speaker 2: I want a big boy.

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Speaker 3: Bed, batman bed, Batman bed, batman bed. Are you gonna

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Speaker 3: get him a batman bed.

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Speaker 2: He has a batmobile bed.

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Speaker 4: Yes, oh, get one.

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Speaker 2: You know, I don't know if they make him in

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Speaker 2: King's size, I.

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Speaker 3: Would, I might have to have it made, but it

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Speaker 3: would be the greatest thing ever.

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Speaker 2: It is really cool. It's really cool.

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Speaker 1: And I showed him a picture of it and he

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Speaker 1: was like, yes, I want that, and I was like, okay,

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Speaker 1: So we got it for him for his birthday. His

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Speaker 1: birthday is coming up. And because we have two boys,

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Speaker 1: writer will be able to relate to this. Literally, everything

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Speaker 1: Adler does, Keaton wants to do or wants for himself.

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Speaker 1: And the good news is they actually are very different.

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Speaker 1: For example, small example, but Addler's favorite color is blue,

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Speaker 1: Keaton's favorite color is green.

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Speaker 2: And they don't try to have to be the same.

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Speaker 1: That with that, when we go to a Leghos store

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Speaker 1: and we say, you guys can pick out a lego thing,

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Speaker 1: Keaton will pick out one and Addler will pick out

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Speaker 1: a different one, and I'll look at both of them

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Speaker 1: and I'll say, all right, this is gonna be Adler's

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Speaker 1: and this is gonna be Keaton's and they both are

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Speaker 1: like yeah. And then we get home and we build

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Speaker 1: Adlers and we build Keaton's and Keaton goes, I love it.

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Speaker 1: I want that one, of course, and he points at

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Speaker 1: others and we're like, okay, but remember we had this

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Speaker 1: whole conversation. Anyway, so we bought two Batman beds.

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Speaker 2: Because already no exactly what's gonna happen. I'm gonna get ahead.

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Speaker 4: We have two batman and two Batman's.

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Speaker 1: And I know what's gonna happen because and also it

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Speaker 1: worked out well because literally the week before we bought

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Speaker 1: Adler's Batman bed, Keaton climbed out of his crib for

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Speaker 1: the first time and just walked into the living room

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Speaker 1: and I was like, okay, so you've outgrown your crib.

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Speaker 1: Now you need a big boy bed. Anyway, so we

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Speaker 1: are we're gonna have two Batman that room.

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Speaker 2: They do not.

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Speaker 1: They have two separate rooms right next to each other

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Speaker 1: and caves, two different caves. We are talking about their

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Speaker 1: closets back up to each other. So we're talking about

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Speaker 1: putting in a secret door that's a and then they

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Speaker 1: can go back and forth between each other's rooms.

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Speaker 4: So cool.

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Speaker 2: They don't know that. They don't listen to this podcast.

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Speaker 4: Is make it look like something else, like a bookcase

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Speaker 4: or something.

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Speaker 1: It's going to be a bookcase, because right now, what's

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Speaker 1: there on the other side of that is a bookcase,

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Speaker 1: a free standing bookcase. So we will just take that

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Speaker 1: out build in a bookcase that then spins into the Okay, anyway,

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Speaker 1: I'm saying all of this to say about a month

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Speaker 1: or two ago, Adler was very into Sonic, very into Sonic,

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Speaker 1: and he kept saying he kept talking about this birthday

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Speaker 1: party he wanted to have. And I am of the

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Speaker 1: mindset that children do not need birthday parties every year.

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Speaker 2: Like celebrate some of the bigger ones, but we don't.

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Speaker 1: Need to do a big birthday party every year. And

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Speaker 1: we had a birthday party for Adler last year, but

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Speaker 1: he had so much fun at it he hasn't been

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Speaker 1: able to stop talking about it basically since last year.

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Speaker 1: Next year, for my birthday, I want to do this.

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Speaker 1: So sure enough, a couple of months ago, he's like,

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Speaker 1: for my birthday party, I want to have a Sonic

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Speaker 1: birthday party. And I said, well, I don't think we're

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Speaker 1: going to have a birthday party. What what do you

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Speaker 1: mean I want to? I said, well, what if we

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Speaker 1: go somewhere if what if we do like in a

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Speaker 1: family trip. No, I want a birthday party. I want

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Speaker 1: all my friends to be at my house. And I said, okay,

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Speaker 1: I guess we're doing a birthday party. So he said

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Speaker 1: he wanted it to be Sonic themed. Great, I go

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Speaker 1: all out, Sonic themed birthday.

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Speaker 4: Okay, probably the other day.

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Speaker 5: You just cannot rely on them. No, ut, all your eggs.

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Speaker 1: Well, where we go somewhere and somebody goes, so you're

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Speaker 1: having a birthday party next week?

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Speaker 2: He goes, yeah, it's a Batman birthday.

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Speaker 5: Or the Sonic Bounty House.

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Speaker 2: Character plates on the character literally like what.

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Speaker 5: Frantically calling these actors, please, please, do you have a

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Speaker 5: Batman out there?

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Speaker 2: I go, it's not. It's not a Batman birthday. Yes

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Speaker 2: it is. No, it's not.

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Speaker 1: It's it's a Sonic birthday. I don't want a sonic

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Speaker 1: birthday party. Well you're gonna have one.

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Speaker 4: I don't know what to tell you know.

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Speaker 3: You know what you can do though, That's kind of amazing,

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Speaker 3: is you now disinvite everybody. Nobody's allowed. He has to

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Speaker 3: stay brooding by himself in his room. That's a Batman birthday.

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Speaker 3: So you get to cancel everything you were gonna do.

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Speaker 3: You're a little rich guy exactly who just has to

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Speaker 3: sit in a darkened room by himself and think about

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Speaker 3: the night that the movies. I mean, come on, brilliant Batman,

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Speaker 3: you just saved yourself so much money.

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Speaker 4: Yeah, now you cannot rely.

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Speaker 5: I mean, like, so I make indye because he always

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Speaker 5: wants a plan, and this is I used to do

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Speaker 5: the same thing when I was a kid, plan his Halloween,

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Speaker 5: like the second halloween's over planning the next Halloween. Correct,

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Speaker 5: I'm like, let's let's actually keep a list and let's

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Speaker 5: keep calling. So we just keep a list of like

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Speaker 5: what he wants to be for Halloween because it keeps

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Speaker 5: changing and you can't.

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Speaker 1: You know, I'm gonna have Adler sign a contract next

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Speaker 1: time I sign right here on the don your deposit.

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Speaker 3: We were signing contracts at that age with the with

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Speaker 3: two lawyer parents.

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Speaker 2: I no doubt.

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Speaker 3: But this all leads to one thing I do want

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Speaker 3: to talk about because I've just had a brilliant idea.

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Speaker 3: So I'm going to trademarket before we even start, because

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Speaker 3: you said something that's stuck with me and is now

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Speaker 3: hurting my heart that there is no king size Batman bed.

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Speaker 2: Did you look it up.

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Speaker 4: You still know I'm just silly about right. Well, here's

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Speaker 4: the thing.

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Speaker 3: There's a lot of things from my childhood I wish

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Speaker 3: I still had that were now adult sized. So what

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Speaker 3: about a company that makes things you had when you

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Speaker 3: were a kid like adult size?

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Speaker 4: Like I would love.

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Speaker 3: My favorite kind of tricycle thing growing up was called

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Speaker 3: a green machine.

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Speaker 4: It was badass.

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Speaker 3: It had two wheels in the back, a big one

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Speaker 3: in the front, and these two joysticks where if you

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Speaker 3: cranked them the thing would spin around. I want that now.

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Speaker 3: So how like, what kind of company can we make?

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Speaker 5: I can make it more opposite than you like, I

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Speaker 5: am like already looking forward to just old man stuff.

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Speaker 5: Old man I want all grown up stuff, like the

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Speaker 5: idea of like anything being childish or childlike.

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Speaker 4: Like, I know, no interest in it. I know it's

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Speaker 4: so I absolutely if you I want to.

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Speaker 3: I want to run like nobody's watching. I want to

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Speaker 3: be in my green machine. I want to do all

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Speaker 3: that kind of stuff. Absolutely. See, I went so when

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Speaker 3: One of the reasons I wanted to lose weight when

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Speaker 3: I was heavier is because bounce houses some of them.

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Speaker 3: It's a two hundred pound limit, And I was like,

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Speaker 3: I'm not going to be the kid who breaks the

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Speaker 3: bounce house.

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Speaker 4: So I got to get some my jog on.

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Speaker 3: I got down to his Felt one seventy for the

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Speaker 3: bounce house, so I would get you a hot wheels

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Speaker 3: and you'd be gearing up for real bike race.

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Speaker 4: Get you in shape.

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Speaker 3: My my father to this day free Christmas in our stockings.

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Speaker 3: He mails them out to us. Now if we don't

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Speaker 3: live because we don't live there anymore, every single Christmas,

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Speaker 3: we still get one hot wheels each, my brother's and

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Speaker 3: I and my nephew's.

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Speaker 5: Okay, I said hot wheels, I meant big wheels. Do

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Speaker 5: you remember the Yeah, like a little on the ground,

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Speaker 5: low things.

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Speaker 4: That's what I meant.

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Speaker 2: Have you you've heard shape?

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Speaker 1: You've heard My Mom's favorite story about me as a

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Speaker 1: kid is that I somehow fell off of my big wheels.

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Speaker 4: To the ground.

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Speaker 2: Correct. But here's what happened.

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Speaker 4: I'll tell you.

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Speaker 1: It's a terrible story, and I have a picture to

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Speaker 1: go with it. I was riding my big wheel from

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Speaker 1: my best friend Jessica's house. Jessica lived around a curve,

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Speaker 1: and as I was peddling in the street, a car

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Speaker 1: came flying around the corner facing me, and I had

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Speaker 1: to whip my my steering wheel the other direction, and

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Speaker 1: I flew off of it and skid on my face

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Speaker 1: on the asphalt.

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Speaker 5: I like to kill kids outside them inside and give

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Speaker 5: them an iPad, more social media and the phone, and

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Speaker 5: then they're fine.

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Speaker 1: You see, my face was all there was no skin

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Speaker 1: on my face, and my my mom somehow.

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Speaker 5: And you've been horribly just figured that. This explains so much.

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Speaker 1: So I had a bunch of scabs all over my

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Speaker 1: face and I kept picking at them, and my mom was.

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Speaker 2: Like, your coal face is gonna scar.

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Speaker 1: If you don't, if you don't stop picking, and I do.

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Speaker 1: I have one scar here under my nose that I

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Speaker 1: call my snot scar. And because it looks like it's

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Speaker 1: snot dripping out of my nose, it's not. It's just

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Speaker 1: a scar from a spot that I couldn't stop picking.

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Speaker 1: Every time, you're going to notice it. Absolutely, you're going

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Speaker 1: to notice my snot scar. Anyway, it's my mom's favorite

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Speaker 1: stories because pretty much immediately my mom, god lover, was

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Speaker 1: not the most. My mom was a big on, like

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Speaker 1: you're fine, You're fine. So I came sobbing to my

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Speaker 1: mom's house with no skin on my face, and she's.

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Speaker 2: Like, you're fine, You're fine. Who falls off a big

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Speaker 2: quel exactly.

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Speaker 4: That's it's like impossible to do well.

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Speaker 2: I found a way. I am very clumsy.

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Speaker 3: That's right. We're gonna get We're gonna We're gonna get

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Speaker 3: adult sized toys.

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Speaker 2: They do make adult sized diapers.

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Speaker 1: That's happy for both you and writer people. Will wants

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Speaker 1: toddlerhood and writer wants old man and we got it

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Speaker 1: with the happy pod meets adult diapers.

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Speaker 3: I'm Daniel Fishall, I'm Writer Strong, and I'm Will Fordell.

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Speaker 1: So welcome to today's episode. We are recapping season five,

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Speaker 1: episode three. It's not You, It's Me. It originally aired

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Speaker 1: October seventeenth, nineteen ninety seven. The synopsis Sean suspects that

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Speaker 1: his friendship with Corey is ending when he finds out

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Speaker 1: that Corey applied to Stanford, a school Sean could never

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Speaker 1: get into. Meanwhile, and Jack look for an extension on

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Speaker 1: their first college paper. It was directed by Alan Myerson.

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Speaker 1: It was written by Mark Blutman and Howard bust Gang.

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Speaker 1: And before I jump into the guest stars, who wants

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Speaker 1: to start with their opinions on the episode I'll go I.

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Speaker 4: Thought it was. I thought it was.

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Speaker 5: It was by far the best episode of season five,

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Speaker 5: and like felt like a great return to just comedy

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Speaker 5: and like, oh cool, hijake story fun.

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Speaker 4: I thought it was fun.

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Speaker 3: It was good.

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Speaker 2: Okay, well I don't agree. I hate this episode.

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Speaker 4: I hate I was not a.

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Speaker 3: Fan of this episode either. Yeah, here's the thing, and

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Speaker 3: I'll speak just for myself. Eric is this is it?

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Speaker 3: Eric is now completely different from the time we ended

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Speaker 3: in season four to season five. He's a completely different character.

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Speaker 3: Something happened in between the two seasons where I came

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Speaker 3: back and I'm just playing him entirely different, and I

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Speaker 3: preferred how he used to be.

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Speaker 5: Yeah, I think I think it's you know they this

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Speaker 5: is the episode where they discovered the Jack Eric relationship.

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Speaker 3: At the first episode of season five. I'm just I'm

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Speaker 3: pushing the comedy. I'm doing more Jim Carrey like lilty stuff,

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Speaker 3: and the regular Eric just being Eric is now I

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Speaker 3: think completely and totally gone.

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Speaker 5: It's like you're cut loose from the family, You're on

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Speaker 5: your own, and they just the character is a drift

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Speaker 5: and I'm.

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Speaker 4: Going for comedy, like I'm always going for comedy, but

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Speaker 4: I would think a lot of people love this Eric, right,

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Speaker 4: is something part of it. I get that.

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Speaker 3: It's I was wondering if I was going to be

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Speaker 3: able to if the change was going to be gradual,

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Speaker 3: or I was going to go, oh, I changed the character,

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Speaker 3: and I can now say I changed the character.

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Speaker 5: Well, they It's also the writing, right, I mean, Season

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Speaker 5: four was your arc. It was about you getting into college.

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Speaker 5: It was it has stakes, it had emotions, and now

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Speaker 5: it seems like they're like, oh, put them with put

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Speaker 5: them with Matt Lawrence and you'm a straight guy and he's.

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Speaker 4: But I'm still pushing it much more wacky. And I hadn't.

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Speaker 2: I hadn't thought about it at all until you just

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Speaker 2: said that. But do you do you remember.

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Speaker 1: Was there any part of you that felt a little nervous,

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Speaker 1: not about that you were going to get fired, because

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Speaker 1: at this point now I think they'd already talked to

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Speaker 1: you about spinoffs and all kinds of stuff. But do

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Speaker 1: you think there was a part of you that felt

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Speaker 1: a little intimidated as an actor that they brought in

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Speaker 1: Matt And you're not really sure, like not that Matt

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Speaker 1: was going to be your your comedy rival, but just

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Speaker 1: somehow not sure how you were going to fit into

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Speaker 1: the show now with this new dynamic.

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Speaker 4: No, no, no, I think I think I was.

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Speaker 3: I was secure in my what what it was was,

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Speaker 3: I was getting laughs all the time, and so when

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Speaker 3: you get laughs all the time, you push it even more,

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Speaker 3: I think, and I was, so I was like pushing

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Speaker 3: that boundary more of the comedy, where you know, I,

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Speaker 3: I'm trying to make everything a.

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Speaker 2: Job, everything everything funny.

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Speaker 5: It was like not a single line without a little

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Speaker 5: like a little wilt or a little hey, like I'm

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Speaker 5: trying to I'm trying to make everything comedic, whereas before

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Speaker 5: I picked my moments and Eric at times was quiet

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Speaker 5: and he was, you know, not always.

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Speaker 3: On, and it's just now Eric is And I think

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Speaker 3: this is like with ryders Angst, which thankfully went away

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Speaker 3: in this episode a little bit. And I get that.

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Speaker 3: To me, this was the last episode we saw. Was

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Speaker 3: one of my least favorite episodes of the entire series.

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Speaker 3: This one I did not like, but at least it

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Speaker 3: was funny. Yeah, That's how I look at it was.

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Speaker 3: I thought some of it was again, I thought some

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Speaker 3: of the stuff they were pushing it too much. None

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Speaker 3: of it made any sense, like especially in the beginning,

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Speaker 3: which we'll get into, where it just changed in one

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Speaker 3: line and everything was very strange. But I'm still not

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Speaker 3: recovered from my fifth season drop shock. I didn't think

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Speaker 3: I had it, which I think made it worse. So

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Speaker 3: now that I'm watching, I'm it once again feels like

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Speaker 3: a different joke to me. I'm hoping that season four

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Speaker 3: was not the pinnacle.

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Speaker 4: Now don't know.

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Speaker 2: I just don't know what version of Sean this is.

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Speaker 4: I don't get anything.

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Speaker 2: I don't understand.

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Speaker 1: I was like, well, this is all the stuff we've

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Speaker 1: complained about Corey. Now it's just Sean all of a sudden,

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Speaker 1: all about me and big and and and I don't know.

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Speaker 1: I just I felt like, I mean truly, I wrote

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Speaker 1: in the notes, is this the episode where we've jumped

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Speaker 1: the shark?

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Speaker 2: Is this it?

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Speaker 3: Like?

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Speaker 2: I I didn't find one. I didn't laugh once.

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Speaker 1: Every time I had to pause the show, I went, oh, God,

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Speaker 1: make it end.

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Speaker 2: It was one for me.

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Speaker 1: It was just one supposed joke that I don't find

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Speaker 1: funny through the entire episode, with no real escalation. You

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Speaker 1: guys write and like basically the first scene were like,

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Speaker 1: then let's go make other friends and then that's all

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Speaker 1: that happens for the rest of the episode is exactly that.

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Speaker 1: And yet it's like and then the the over dramatic

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Speaker 1: the thing we found that we loved in the episode

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Speaker 1: with Corey and Sean.

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Speaker 4: Yeah, I was thinking the same thing.

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Speaker 2: Bad version of it because there's no earnestness.

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Speaker 1: And I agree the first one was so they were

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Speaker 1: it was real and you could feel it and it

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Speaker 1: made it sweet. This is being played for comedy with

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Speaker 1: a tinge of homophobia or possibly just toxic masculinity, one

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Speaker 1: of the two.

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Speaker 2: I'm not sure. And I just I don't know.

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Speaker 1: I just I know I'm gonna I don't, I don't,

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Speaker 1: I'm you know, I say it all the time, like

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Speaker 1: I'm not trying to be woke police for a show

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Speaker 1: that happened in the nineties. But I know that we

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Speaker 1: are a better show than this episode. Like we're a

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Speaker 1: way better show than what we've seen so far in

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Speaker 1: season five. Also, I would love to try and have

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Speaker 1: Alan Myerson come on the show. I did not find

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Speaker 1: this to be a well directed episode at all.

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Speaker 3: That he's not going to come on.

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Speaker 1: The children the flashback scene, which is probably the it's awful.

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Speaker 5: I mean, that's the weakness. I mean, to me, I

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Speaker 5: feel like so much of the comedy could have been

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Speaker 5: saved by changing that flat because the flashback is so bad,

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Speaker 5: and you know, it's bad in all the ways that

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Speaker 5: you know, rewrites the history and all the stuff that I'm.

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Speaker 4: Sure a noise. But there's a version. I think.

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Speaker 5: I actually think that this script is not horrible. I

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Speaker 5: think the script is kind of funny. I do think

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Speaker 5: that the actual production is not not great and and

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Speaker 5: you know, but I think as a romp, as like

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Speaker 5: a it is pretty funny at times.

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Speaker 4: And like I agree, it's just want to go and over.

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Speaker 5: But you know, I was like, oh, if you liked

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Speaker 5: an affair to forget, I can see why they were like, well,

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Speaker 5: let's just do that again.

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Speaker 4: And like I said, it felt like a return to.

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Speaker 5: Relationships we already kind of know Corey and Sean and

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Speaker 5: Topanga Eric being you know, trying to recreate a feenie situation.

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Speaker 5: Like I don't know, I was like, yeah, this is riffing.

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Speaker 5: At least, this felt like this felt like the first season.

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Speaker 5: This felt like the first episode where we're like, oh,

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Speaker 5: I'm back in boying me. It's world at least, and

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Speaker 5: so you know, I thought it was fine. I would like,

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Speaker 5: I really think it's weak. It's it's so weakened by

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Speaker 5: that flashback.

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Speaker 2: It's flashback is so bad, so awful.

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Speaker 4: It's painful.

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Speaker 5: And when you could see on the page right like

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Speaker 5: if you read that, you'd be like, oh my god,

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Speaker 5: it's gonna be this funny with the kids and they're

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Speaker 5: going to be a little Sean and a little Corey.

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Speaker 4: And then it's just not good. It's like you should

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Speaker 4: have played those roles. Yes, that's exactly what I said.

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Speaker 4: I was like, play you know, they're going, oh my god.

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Speaker 5: If they had just done the flashback and then we

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Speaker 5: were dressed as little kids and like doing art, it

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Speaker 5: would or go imagine animated, like we just go like

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Speaker 5: way over the top, or make it a musical, like

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Speaker 5: just make it so absurd that the fantasy of like

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Speaker 5: how they are envisioning their past could have been hysterical.

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Speaker 5: And instead it's like the whole episode grinds to a halt.

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Speaker 5: You're like watching you know, kid actors like stiltedly like

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Speaker 5: walking through it.

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Speaker 4: It's so painful.

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Speaker 2: Yeah, I agree.

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Speaker 4: Well.

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Speaker 1: Guest starring Paul Gleeson as Dean Borak. This is a

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Speaker 1: big stunt casting for the show, as Paul was a

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Speaker 1: very well known actor in the eighties and nineties, despite

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Speaker 1: it making very little sense in continuity, he's the Dean

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Speaker 1: of the Cool Yes it was, and she yeap, but

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Speaker 1: this is a throwback to his most famous role as

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Speaker 1: the assistant principal and disciplinarian Richard Vernon watching over detention

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Speaker 1: in The Breakfast Club. He was also seen in other

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Speaker 1: movies like Trading Places, Die Hard and Not Another Teen Movie,

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Speaker 1: and he made appearances on both Friends and Seinfeldt. In

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Speaker 1: two thousand and six, he sadly passed of lung cancer

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Speaker 1: that he is thought to have contracted from asbestos exposure

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Speaker 1: on building sites working for his father as a teenager.

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Speaker 1: He was only sixty seven years old. And then we

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Speaker 1: have Seth Miller as Lionel. It's very difficult to get

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Speaker 1: his true credits, as it seems like IMDb now has

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Speaker 1: him combined with another Seth Miller who was a production

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Speaker 1: assistant in the early nineties, So unless Seth was some

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Speaker 1: sort of doogie houser on movie sets, they're all confused.

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Speaker 1: And then Corey pad Knows as a young Corey Matthews.

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Speaker 1: This was the aptly named Corey's first job at and

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Speaker 1: he would go on to voice Linus in a few

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Speaker 1: Charlie Brown movies and work on some other voiceover jobs,

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Speaker 1: like playing pork Chop and Batman Gotham Night alongside my

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Speaker 1: co host here Will for.

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Speaker 3: Dell, Yes, that's so cool.

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Speaker 1: And then Surprise, and then Glen Bob Sweet as young

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Speaker 1: Sean Hunter. He'd also play a hobo on Third Rock

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Speaker 1: from the Sun in nineteen ninety seven, but he has

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Speaker 1: not worked since.

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Speaker 3: Wait a second, Wait a minute, So this show shot

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Speaker 3: in nineteen ninety seven. Right, our show, so he played

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Speaker 3: a childhood child.

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Speaker 2: Okay, right? Interesting.

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Speaker 1: Rosario grew as a young Tepanga Lawrence. This was also

441
00:20:45,240 --> 00:20:48,359
Speaker 1: her first gig. She would later appear on Baywatch, Power Rangers,

442
00:20:48,400 --> 00:20:52,239
Speaker 1: Lost Galaxy, and nine episodes of Providence, but has not

443
00:20:52,359 --> 00:20:56,000
Speaker 1: acted since the early aughts. And then we have Matt

444
00:20:56,080 --> 00:20:59,680
Speaker 1: Kirkwood as Chubby, a boy meets world stand in Favorite

445
00:20:59,680 --> 00:21:02,720
Speaker 1: appears he was recently technically he's Chubby.

446
00:21:03,000 --> 00:21:05,400
Speaker 4: Yeah, he's just in the credits to Chubby. Yeah, that's

447
00:21:05,440 --> 00:21:06,120
Speaker 4: so interesting.

448
00:21:06,400 --> 00:21:07,000
Speaker 2: Chubby.

449
00:21:07,920 --> 00:21:10,439
Speaker 4: I didn't know that. He assumed he was like you know,

450
00:21:10,560 --> 00:21:12,879
Speaker 4: counter guy or whatever. That's he's chubby.

451
00:21:12,920 --> 00:21:15,399
Speaker 1: He was recently seen in the movie King Richard and

452
00:21:15,520 --> 00:21:17,320
Speaker 1: on the TV show The Lincoln Lawyer.

453
00:21:17,680 --> 00:21:19,880
Speaker 3: I'm sorry, I'm just gonna have Danielle in my head

454
00:21:20,040 --> 00:21:22,480
Speaker 3: all excitedly going, it's our third chubby.

455
00:21:22,760 --> 00:21:23,600
Speaker 2: It's our thirdy.

456
00:21:25,680 --> 00:21:29,160
Speaker 4: Look this morning. Do another chubby, another chubby. That's our

457
00:21:29,280 --> 00:21:34,840
Speaker 4: third chubby. Look at us.

458
00:21:35,600 --> 00:21:36,800
Speaker 2: Thank you writer.

459
00:21:36,920 --> 00:21:39,280
Speaker 1: Do you remember meeting the kids? I remember meeting the kids.

460
00:21:39,280 --> 00:21:41,240
Speaker 1: I also remember the hype around casting the.

461
00:21:41,280 --> 00:21:46,840
Speaker 4: Kids such a big thing. Yeah, yeah, No, I don't

462
00:21:46,840 --> 00:21:48,680
Speaker 4: think I was there when they actually shot it, because

463
00:21:48,680 --> 00:21:50,400
Speaker 4: I don't. I wasn't.

464
00:21:50,760 --> 00:21:53,920
Speaker 5: I remember meeting the kids and and even then kind

465
00:21:53,920 --> 00:21:55,720
Speaker 5: of being like, but they don't really.

466
00:21:55,440 --> 00:21:58,680
Speaker 2: Look like can I get the Yeah?

467
00:21:58,720 --> 00:22:01,640
Speaker 5: And that's like, I mean, it could have even if

468
00:22:01,680 --> 00:22:05,440
Speaker 5: you use the same cast, like our little outfits could

469
00:22:05,440 --> 00:22:07,240
Speaker 5: have been more over the top, you know, like if

470
00:22:07,240 --> 00:22:09,520
Speaker 5: it like you had so much opportunity to be like

471
00:22:09,720 --> 00:22:12,200
Speaker 5: obviously the leather jacket is the only thing I can

472
00:22:12,480 --> 00:22:15,560
Speaker 5: but like, what does like little Topanga have Little Corey.

473
00:22:15,440 --> 00:22:16,960
Speaker 4: Like I don't know what, but it could have been

474
00:22:17,000 --> 00:22:17,920
Speaker 4: so funny.

475
00:22:17,680 --> 00:22:20,400
Speaker 3: Should have gone directly from the scene you were If

476
00:22:20,440 --> 00:22:22,040
Speaker 3: you have to use the little kids, it should have

477
00:22:22,040 --> 00:22:24,800
Speaker 3: gone directly from the scene and chubbies to that scene

478
00:22:24,880 --> 00:22:28,000
Speaker 3: and they're wearing exactly little versions of what you're wearing.

479
00:22:28,680 --> 00:22:33,160
Speaker 5: Per Yes, that's the easy joke, so funny. Yes, oh god,

480
00:22:33,359 --> 00:22:36,280
Speaker 5: there's so many opportunities missed. Yeah, I mean, like you

481
00:22:36,280 --> 00:22:38,199
Speaker 5: look at the Tapanga You're like, what what is she

482
00:22:38,240 --> 00:22:40,560
Speaker 5: doesn't look like you at all? And then it's like,

483
00:22:40,560 --> 00:22:40,959
Speaker 5: what is she?

484
00:22:41,359 --> 00:22:42,879
Speaker 4: What is her character? What is you know?

485
00:22:42,920 --> 00:22:45,239
Speaker 3: I don't hit any time for Topanga that age, by

486
00:22:45,240 --> 00:22:47,639
Speaker 3: the way, Yeah, it could have been.

487
00:22:47,760 --> 00:22:49,240
Speaker 5: It just could have been all these reference I mean

488
00:22:49,240 --> 00:22:51,000
Speaker 5: you think about like in the first season when we

489
00:22:51,119 --> 00:22:53,280
Speaker 5: dressed up like each other for that, you know, when

490
00:22:53,280 --> 00:22:55,120
Speaker 5: Mikus when we're all like, yeah, you could have done

491
00:22:55,200 --> 00:22:58,120
Speaker 5: like that, like where we're all little over the top

492
00:22:58,200 --> 00:23:00,359
Speaker 5: versions and it could have been so cute and funny

493
00:23:00,359 --> 00:23:03,160
Speaker 5: and just a visual gag and we're out back. Yeah.

494
00:23:04,040 --> 00:23:06,680
Speaker 1: Well, jumping into our recap, we start in Phoene's classroom.

495
00:23:06,720 --> 00:23:09,639
Speaker 1: Phoene is finishing up a lecture and that mister Hunter

496
00:23:09,760 --> 00:23:12,560
Speaker 1: is how babies are made because he teaches health too.

497
00:23:13,040 --> 00:23:14,360
Speaker 3: He now teaches health class.

498
00:23:14,640 --> 00:23:17,000
Speaker 1: As the bell rings Phoene alerts the entire class that

499
00:23:17,040 --> 00:23:21,520
Speaker 1: next Friday is college recruitment Day. Representatives from USC, NYU,

500
00:23:21,600 --> 00:23:24,560
Speaker 1: and Rutgers will be attending, and Phoene tells Corey his

501
00:23:24,600 --> 00:23:28,520
Speaker 1: interview with Stanford has been rescheduled from three to three thirty. Now, this,

502
00:23:28,600 --> 00:23:30,760
Speaker 1: of course is a nod to the fact that Ben

503
00:23:31,040 --> 00:23:32,680
Speaker 1: went to Stanford.

504
00:23:32,600 --> 00:23:37,439
Speaker 3: But Corey at one point got a thirteen on a test,

505
00:23:37,920 --> 00:23:41,399
Speaker 3: is lucky to get a bee, has no extracurriculars. But

506
00:23:41,760 --> 00:23:42,480
Speaker 3: he's like, I'm.

507
00:23:42,320 --> 00:23:44,959
Speaker 4: Going to Stanford. It was again, was just kind of right.

508
00:23:44,920 --> 00:23:47,720
Speaker 5: I no, really, it's also like so far, I mean,

509
00:23:48,000 --> 00:23:49,840
Speaker 5: I don't know. Yeah, if you're going to go to

510
00:23:49,840 --> 00:23:52,480
Speaker 5: Stanford from the East Coast, you hire like, you know,

511
00:23:53,200 --> 00:23:55,720
Speaker 5: you have to have the best grades and be wanting

512
00:23:55,760 --> 00:23:58,199
Speaker 5: to go there for very good reason to go all

513
00:23:58,280 --> 00:23:58,840
Speaker 5: the way to the world.

514
00:23:58,840 --> 00:23:59,119
Speaker 3: I don't know.

515
00:23:59,160 --> 00:24:01,400
Speaker 5: It's such a bizarre It's yeh, I mean.

516
00:24:01,800 --> 00:24:03,800
Speaker 1: He's like a film guy, so what is it? What

517
00:24:03,920 --> 00:24:06,800
Speaker 1: like what you'd think he'd want to go to NYU.

518
00:24:06,800 --> 00:24:08,320
Speaker 4: Or journalism or something.

519
00:24:08,400 --> 00:24:10,400
Speaker 3: But yeah, it was just it was just to put

520
00:24:10,440 --> 00:24:11,480
Speaker 3: it in there because Ben's.

521
00:24:11,280 --> 00:24:13,879
Speaker 5: Might the Stanford well, he wasn't going there yet. His

522
00:24:13,960 --> 00:24:16,600
Speaker 5: brother had already been there, That's why. But I'm sure

523
00:24:16,640 --> 00:24:17,399
Speaker 5: that's where he wanted to do.

524
00:24:17,480 --> 00:24:18,640
Speaker 4: That's where he wanted to go. Yeah.

525
00:24:18,720 --> 00:24:23,639
Speaker 1: Yeah, I mean in ninety seven, Ben was probably already

526
00:24:23,640 --> 00:24:25,840
Speaker 1: doing the sas he was in a senior year.

527
00:24:26,000 --> 00:24:28,280
Speaker 5: He was going he was just starting his senior year.

528
00:24:28,359 --> 00:24:30,440
Speaker 5: I was already starting college because I was a year ahead.

529
00:24:30,520 --> 00:24:32,199
Speaker 3: Yeah, and he wasn't going to be a towny. He

530
00:24:32,240 --> 00:24:33,880
Speaker 3: was going to take the SATs and do it right

531
00:24:34,119 --> 00:24:34,680
Speaker 3: for sure.

532
00:24:35,080 --> 00:24:35,280
Speaker 4: Yep.

533
00:24:35,600 --> 00:24:37,879
Speaker 2: Sean is alarmed Stanford. What's that all about?

534
00:24:37,960 --> 00:24:39,840
Speaker 1: Where he plays it off, It's just an interview, it's

535
00:24:39,880 --> 00:24:42,720
Speaker 1: nothing from nothing. And then as they entered the hallway,

536
00:24:42,720 --> 00:24:44,840
Speaker 1: Sean reminds Corey that he made a promise when they

537
00:24:44,840 --> 00:24:46,920
Speaker 1: were little kids that they would go to the same college.

538
00:24:47,000 --> 00:24:49,760
Speaker 1: And you also told me that if I graduated high school,

539
00:24:49,760 --> 00:24:52,280
Speaker 1: you'd take me to Vermont to watch the leaves change.

540
00:24:52,800 --> 00:24:55,080
Speaker 1: And I think that's a funny line, and I love

541
00:24:55,680 --> 00:25:00,480
Speaker 1: the I love the the conceit of it that when

542
00:25:00,480 --> 00:25:02,360
Speaker 1: you guys were kids, you made this promise to each

543
00:25:02,359 --> 00:25:07,879
Speaker 1: other and you remember it, but you're as Sean's right

544
00:25:07,960 --> 00:25:12,840
Speaker 1: off the bat escalation of this situation, and then it

545
00:25:13,080 --> 00:25:15,800
Speaker 1: stays for both of you. You guys both have to

546
00:25:15,920 --> 00:25:19,080
Speaker 1: stay at that same place. This whole episode.

547
00:25:20,119 --> 00:25:23,679
Speaker 5: It's super interesting because I remember all of this, Like

548
00:25:23,720 --> 00:25:26,600
Speaker 5: I remember the run through and it was a disaster,

549
00:25:27,160 --> 00:25:31,040
Speaker 5: our first run through, yep, and this and it's so

550
00:25:31,080 --> 00:25:33,879
Speaker 5: funny because we are we are and I could see it.

551
00:25:33,920 --> 00:25:38,520
Speaker 5: We are responding to the notes and it was a

552
00:25:38,560 --> 00:25:41,720
Speaker 5: shouting match. It was being yelled at and told that

553
00:25:41,840 --> 00:25:45,000
Speaker 5: we were not playing funny enough and that I mean,

554
00:25:45,040 --> 00:25:49,600
Speaker 5: it was like this huge, big showdown of like, you

555
00:25:49,640 --> 00:25:53,439
Speaker 5: guys don't get farce, you don't understand comedy, and you

556
00:25:53,600 --> 00:25:56,240
Speaker 5: have to like, why would you ever take this seriously?

557
00:25:56,240 --> 00:25:59,280
Speaker 5: Why would you ever play this for real? This is

558
00:25:59,320 --> 00:26:02,240
Speaker 5: all just over the top ridiculousness. This whole episode is

559
00:26:02,240 --> 00:26:05,119
Speaker 5: a forest play it as a joke, and so that's

560
00:26:05,119 --> 00:26:07,000
Speaker 5: what we're doing. And I remember being yelled at. I

561
00:26:07,040 --> 00:26:09,600
Speaker 5: remember feeling awful, like I remember just sitting there like

562
00:26:09,640 --> 00:26:12,560
Speaker 5: Ben and I like, you know, being dressed down after

563
00:26:12,600 --> 00:26:15,800
Speaker 5: a run through, and so I can I mean, that's

564
00:26:16,000 --> 00:26:17,800
Speaker 5: all I can see is just you know, I was

565
00:26:17,880 --> 00:26:20,520
Speaker 5: watching it going it's not as bad as you know,

566
00:26:20,560 --> 00:26:22,359
Speaker 5: because in my mind, this was an episode that was

567
00:26:22,359 --> 00:26:24,520
Speaker 5: a complete failure. But what I was remembering was the

568
00:26:24,560 --> 00:26:26,959
Speaker 5: failure of the run through, which, of course you know

569
00:26:27,000 --> 00:26:31,520
Speaker 5: in retrospect, a failure meant that Michael wasn't happy, and

570
00:26:32,480 --> 00:26:34,720
Speaker 5: he let us know and made a big show out

571
00:26:34,760 --> 00:26:37,480
Speaker 5: of how bad we were doing. And so this is

572
00:26:37,480 --> 00:26:40,600
Speaker 5: the US responding to that. And yeah, I clearly there's

573
00:26:40,640 --> 00:26:43,119
Speaker 5: no stakes. There's no actual stakes in the episode, So

574
00:26:43,320 --> 00:26:46,679
Speaker 5: all of it's just us trying to crank up the

575
00:26:46,720 --> 00:26:49,400
Speaker 5: conflict and crank up the comedy, and so it ends

576
00:26:49,480 --> 00:26:52,120
Speaker 5: up being very, yeah, heightened. It's like a super over

577
00:26:52,119 --> 00:26:54,520
Speaker 5: the top, ridiculous episode. I didn't mind it, like, I

578
00:26:54,760 --> 00:26:56,240
Speaker 5: didn't mind it as much as you did. But it's

579
00:26:56,240 --> 00:26:58,240
Speaker 5: interesting that you picked up on that, you know that

580
00:26:58,240 --> 00:27:00,760
Speaker 5: that's and you see it as a weakness because I mean,

581
00:27:00,800 --> 00:27:04,320
Speaker 5: obviously we had played it probably much more earnestly and

582
00:27:04,680 --> 00:27:07,160
Speaker 5: had moments that were you know, probably in my mind

583
00:27:07,200 --> 00:27:09,879
Speaker 5: similar to an affair to forget, in the sense of, like,

584
00:27:09,960 --> 00:27:12,000
Speaker 5: you know, we were going to go to Vermontain, you know,

585
00:27:12,080 --> 00:27:14,600
Speaker 5: like just playing it for like this the reality of

586
00:27:14,640 --> 00:27:17,919
Speaker 5: it and let it build. And that was that was

587
00:27:18,000 --> 00:27:19,040
Speaker 5: a yell of us.

588
00:27:19,080 --> 00:27:22,120
Speaker 3: It's one note, and it's a loud note. Yeah, that's

589
00:27:22,160 --> 00:27:23,840
Speaker 3: that's what I felt like, I said, And I.

590
00:27:23,960 --> 00:27:27,080
Speaker 1: Think, what a one, what a real I mean, I'm

591
00:27:27,080 --> 00:27:30,480
Speaker 1: going through it with out their graduating preschool eler the

592
00:27:30,480 --> 00:27:32,840
Speaker 1: other night just I don't want to go to kindergarten.

593
00:27:33,000 --> 00:27:35,240
Speaker 1: I want to stay with all my friends. I don't

594
00:27:35,280 --> 00:27:38,199
Speaker 1: want to go to a new school. What of course

595
00:27:38,600 --> 00:27:40,959
Speaker 1: high school students feel this way. What am I gonna do?

596
00:27:41,160 --> 00:27:43,520
Speaker 1: How are my friendships going to survive? This is my

597
00:27:43,560 --> 00:27:46,040
Speaker 1: best friend. I've never been to a place. And do

598
00:27:46,119 --> 00:27:48,000
Speaker 1: I want you to actually go to the best school

599
00:27:48,040 --> 00:27:50,359
Speaker 1: you can get into? Or selfishly? Do I want us

600
00:27:50,400 --> 00:27:52,320
Speaker 1: to try to go to the same school and having

601
00:27:52,400 --> 00:27:56,120
Speaker 1: those conversations and actually having by the way, find places

602
00:27:56,119 --> 00:27:58,560
Speaker 1: for comedy where you're pretending to not actually be hurt

603
00:27:58,640 --> 00:28:03,760
Speaker 1: and find I'm I just would have loved for a

604
00:28:03,840 --> 00:28:08,320
Speaker 1: toe in reality, just like just a little foot planted.

605
00:28:09,040 --> 00:28:11,919
Speaker 5: You know now that you're now that we're talking about it,

606
00:28:11,960 --> 00:28:16,600
Speaker 5: I really do think that that is that it's it's

607
00:28:16,720 --> 00:28:20,360
Speaker 5: pure homophobia, because if it was played for reality, then

608
00:28:20,359 --> 00:28:22,600
Speaker 5: you run the risk that Sean and Corey are actually

609
00:28:23,359 --> 00:28:25,280
Speaker 5: get maybe kind of in love with each other and

610
00:28:25,320 --> 00:28:29,360
Speaker 5: gay or like and so I think they they just

611
00:28:29,560 --> 00:28:31,399
Speaker 5: pushed us to be like no, no, no, let's just make

612
00:28:31,440 --> 00:28:33,480
Speaker 5: a complete joke out of this so that from the

613
00:28:33,640 --> 00:28:37,600
Speaker 5: moment it starts there's never any doubt. So then you

614
00:28:37,640 --> 00:28:41,280
Speaker 5: can play Corey as gay as possible, Sean as gay

615
00:28:41,280 --> 00:28:45,040
Speaker 5: as possible, and it's never going to be threatening like actually,

616
00:28:45,120 --> 00:28:47,520
Speaker 5: you know, and you could even make the like does

617
00:28:47,560 --> 00:28:51,040
Speaker 5: he like kissing to Panga jokes, but it's so obvious

618
00:28:51,080 --> 00:28:53,560
Speaker 5: like the audience, you know, it's like there's like there's

619
00:28:53,560 --> 00:28:55,680
Speaker 5: this push to make sure it's like, well, this is

620
00:28:55,720 --> 00:28:58,360
Speaker 5: so ridiculous, right, let's just make it all a big

621
00:28:58,560 --> 00:29:01,560
Speaker 5: like telegraph to the audience that it's a complete joke.

622
00:29:01,840 --> 00:29:03,400
Speaker 5: And you know that they didn't have that problem in

623
00:29:03,400 --> 00:29:05,640
Speaker 5: an Affair to forget because it was literally about about

624
00:29:05,680 --> 00:29:08,440
Speaker 5: a woman. A woman that was the impetus for the

625
00:29:09,320 --> 00:29:12,520
Speaker 5: where in this they have to push so hard because

626
00:29:12,880 --> 00:29:15,080
Speaker 5: you know, I think they were afraid that it would

627
00:29:15,120 --> 00:29:17,720
Speaker 5: be you know, and it's like why not, like why

628
00:29:17,800 --> 00:29:19,440
Speaker 5: not make that the part of the joke. Do like

629
00:29:19,560 --> 00:29:21,440
Speaker 5: what if they are actually kind of maybe in love

630
00:29:21,440 --> 00:29:22,960
Speaker 5: with each other and they need to deal with that

631
00:29:23,120 --> 00:29:23,560
Speaker 5: or whatever.

632
00:29:23,960 --> 00:29:25,720
Speaker 4: But you can't laugh at that.

633
00:29:25,880 --> 00:29:28,600
Speaker 1: You know in the nineties, they could also just be

634
00:29:29,040 --> 00:29:30,280
Speaker 1: and I don't want to say just as if I'm

635
00:29:30,280 --> 00:29:34,800
Speaker 1: minimizing toxic masculinity. But this idea that well, two platonic

636
00:29:34,880 --> 00:29:38,560
Speaker 1: friends can't care about each other enough in order to

637
00:29:38,640 --> 00:29:40,920
Speaker 1: make it sure my best friend can move across the country,

638
00:29:41,000 --> 00:29:41,480
Speaker 1: what do I care.

639
00:29:41,480 --> 00:29:42,920
Speaker 2: I'm still going to be I still so I talked

640
00:29:42,920 --> 00:29:43,480
Speaker 2: to him like.

641
00:29:43,760 --> 00:29:46,360
Speaker 1: There could still be this this element of it that

642
00:29:46,520 --> 00:29:50,240
Speaker 1: isn't but yeah, the mix, I don't know, it's it's

643
00:29:50,280 --> 00:29:53,440
Speaker 1: one of the two that You're right. That's probably exactly

644
00:29:53,440 --> 00:29:55,560
Speaker 1: the reason they had to take it so over the

645
00:29:55,600 --> 00:29:59,680
Speaker 1: top to make sure there wasn't any questions about the

646
00:29:59,720 --> 00:30:03,240
Speaker 1: sense inscitivity of two boys who are platonically in love

647
00:30:03,280 --> 00:30:07,520
Speaker 1: with each other and what that looks like. Nobody wanted

648
00:30:07,560 --> 00:30:08,880
Speaker 1: to actually just have that.

649
00:30:09,200 --> 00:30:12,280
Speaker 5: No, I mean, the word bromance didn't exist yet, right,

650
00:30:12,360 --> 00:30:16,160
Speaker 5: like the idea this was. They had to make it

651
00:30:16,200 --> 00:30:20,280
Speaker 5: an over the top joke to like make it palatable

652
00:30:20,360 --> 00:30:23,920
Speaker 5: to straight America, you know, and to heteronormativity. Like it's

653
00:30:24,040 --> 00:30:26,360
Speaker 5: just the only way that they could sort of make

654
00:30:26,400 --> 00:30:30,840
Speaker 5: it work, because yeah, otherwise, I don't know, it's it's

655
00:30:30,840 --> 00:30:33,040
Speaker 5: a bummer because I think the script is actually kind

656
00:30:33,040 --> 00:30:35,000
Speaker 5: of funny. I think there is a version of this

657
00:30:35,040 --> 00:30:37,560
Speaker 5: where there's nuance and where it builds. You know, we

658
00:30:37,600 --> 00:30:39,680
Speaker 5: saw that version where there's nuance. We saw it was

659
00:30:39,680 --> 00:30:40,440
Speaker 5: an affair to forget.

660
00:30:40,560 --> 00:30:41,760
Speaker 2: We saw it was funny.

661
00:30:41,520 --> 00:30:43,640
Speaker 5: If this was like a real like hurt fight, and

662
00:30:43,680 --> 00:30:45,880
Speaker 5: then the next scene Sean's with all his leather jacket

663
00:30:45,920 --> 00:30:48,240
Speaker 5: guy friends, and that's funny, like if it builds to

664
00:30:48,880 --> 00:30:51,000
Speaker 5: more and more like oh my god, they're acting like,

665
00:30:51,080 --> 00:30:53,880
Speaker 5: you know, crazy people, but we're crazy from the get go.

666
00:30:54,120 --> 00:30:54,320
Speaker 4: Yeah.

667
00:30:54,400 --> 00:30:59,120
Speaker 1: Yeah, and how maybe Sean been like whoa Stanford and

668
00:30:59,200 --> 00:31:01,760
Speaker 1: Corey like yeah, you know, it's no big deal.

669
00:31:01,840 --> 00:31:03,360
Speaker 2: No, no, I'm not saying it's a big deal. That's

670
00:31:03,360 --> 00:31:06,880
Speaker 2: just that's that's so exciting all the way across the country. Cool.

671
00:31:07,400 --> 00:31:11,920
Speaker 1: Yeah, that's cool. And then we see Sean. Yeah, and

672
00:31:11,960 --> 00:31:13,880
Speaker 1: then you have this new you know, like that cut

673
00:31:14,160 --> 00:31:14,640
Speaker 1: real place.

674
00:31:14,760 --> 00:31:15,160
Speaker 4: Yeah.

675
00:31:15,360 --> 00:31:18,040
Speaker 6: It's also but with the flashback, with the flashback of

676
00:31:18,080 --> 00:31:21,080
Speaker 6: the kids, had they decided to play it like you

677
00:31:21,160 --> 00:31:24,400
Speaker 6: reverted back to being two little kids as opposed to

678
00:31:24,440 --> 00:31:27,440
Speaker 6: two spurn lovers, it would have been a completely different thing.

679
00:31:27,440 --> 00:31:28,080
Speaker 3: And you still.

680
00:31:30,080 --> 00:31:34,880
Speaker 5: Like we just suddenly reduced a five year old your slinky.

681
00:31:34,920 --> 00:31:35,880
Speaker 4: This is my slinky.

682
00:31:35,920 --> 00:31:39,160
Speaker 5: I mean if you go there, you side of the sandbox,

683
00:31:39,280 --> 00:31:41,440
Speaker 5: and I clearly right, and then.

684
00:31:41,520 --> 00:31:43,280
Speaker 3: Then you can play it as big as you want,

685
00:31:43,280 --> 00:31:46,320
Speaker 3: because now you're too toddlers as opposed to this kind

686
00:31:46,400 --> 00:31:50,560
Speaker 3: of heightened caricature of lovers that are spur And yeah

687
00:31:50,560 --> 00:31:51,040
Speaker 3: it was weird.

688
00:31:51,560 --> 00:31:53,400
Speaker 5: I think yeah, they were just they were obsessed with

689
00:31:53,400 --> 00:31:55,560
Speaker 5: that one joke and it just became and it just hit.

690
00:31:55,680 --> 00:31:57,240
Speaker 5: It's like a sketch, you know what I mean, This

691
00:31:57,320 --> 00:31:59,640
Speaker 5: is like a one scene sketch stretched into the whole

692
00:31:59,640 --> 00:32:13,800
Speaker 5: episod yes, yea, and it's yeah yeah.

693
00:32:14,160 --> 00:32:18,280
Speaker 1: Corey nods right, Vermont October, write it down. Sean, now

694
00:32:19,200 --> 00:32:22,640
Speaker 1: is in near hysterics, already refuses to drop the conversation.

695
00:32:22,760 --> 00:32:24,840
Speaker 1: Corey assures him it's just one of the many schools

696
00:32:24,840 --> 00:32:29,080
Speaker 1: he's applying to. There's also Wisconsin Pen. Sean dramatically gasps,

697
00:32:29,120 --> 00:32:30,080
Speaker 1: Wisconsin Pen.

698
00:32:30,280 --> 00:32:31,400
Speaker 2: We never discussed those.

699
00:32:31,880 --> 00:32:33,800
Speaker 1: Corey insists they don't need to go to a school

700
00:32:33,840 --> 00:32:35,360
Speaker 1: from his list. They can go to a school from

701
00:32:35,400 --> 00:32:38,120
Speaker 1: Shawn's list. But Sean has had enough of this. I

702
00:32:38,160 --> 00:32:40,719
Speaker 1: don't need a list because my best friend Corey wouldn't

703
00:32:40,720 --> 00:32:43,800
Speaker 1: apply to a school that I couldn't get into. Corey whimpers,

704
00:32:44,000 --> 00:32:46,760
Speaker 1: your list makes me feel bad. He doesn't know what

705
00:32:46,840 --> 00:32:50,520
Speaker 1: his plans are yet. Sean slams his locker. Interesting your

706
00:32:50,600 --> 00:32:52,480
Speaker 1: plans not our plans.

707
00:32:52,760 --> 00:32:53,080
Speaker 4: Hmmm.

708
00:32:54,000 --> 00:32:55,840
Speaker 1: Corey tells him not to take that tone with him,

709
00:32:55,840 --> 00:32:58,400
Speaker 1: but Sean says Corey should just leave for Stanford right now.

710
00:32:58,600 --> 00:33:00,480
Speaker 1: That way, he'll have plenty of time to start making

711
00:33:00,520 --> 00:33:03,320
Speaker 1: new college friends. Corey doesn't want new friends, but Sean

712
00:33:03,360 --> 00:33:06,760
Speaker 1: says he'll start making them too. Corey's visibly upset. Sean

713
00:33:06,800 --> 00:33:08,760
Speaker 1: macks Corey, what did you think that I was going

714
00:33:08,800 --> 00:33:09,840
Speaker 1: to always be here forever?

715
00:33:10,000 --> 00:33:13,160
Speaker 2: Is that what you thought? Well, I'm not. Sean storms off,

716
00:33:13,200 --> 00:33:16,080
Speaker 2: and Corey yells after him, what about Vermont? I put

717
00:33:16,120 --> 00:33:16,960
Speaker 2: down a deposit?

718
00:33:17,520 --> 00:33:20,800
Speaker 1: There we are, We're You've already stormed off told him

719
00:33:20,800 --> 00:33:22,560
Speaker 1: to go to Stanford make new friends. You're going to

720
00:33:22,600 --> 00:33:26,080
Speaker 1: make new friends. It's the first scene, and that's and

721
00:33:26,120 --> 00:33:27,840
Speaker 1: that's where, and then that's all that happens for the

722
00:33:27,840 --> 00:33:28,560
Speaker 1: rest of the episode.

723
00:33:28,640 --> 00:33:30,160
Speaker 2: Is exactly that we.

724
00:33:30,000 --> 00:33:31,240
Speaker 4: Were fed line readings.

725
00:33:31,600 --> 00:33:35,400
Speaker 5: I remember being I'm sure, like, no, why would.

726
00:33:35,200 --> 00:33:38,400
Speaker 4: You ever say this real? This is a joke. Just

727
00:33:38,560 --> 00:33:40,120
Speaker 4: scream at you're yelling, you.

728
00:33:40,040 --> 00:33:42,920
Speaker 5: Know, I just remember being like, yeah, okay, and you

729
00:33:42,920 --> 00:33:46,080
Speaker 5: can feel we're just yell yeah, continued, you can tell.

730
00:33:45,840 --> 00:33:48,120
Speaker 4: Crank it up to ten to eleven.

731
00:33:48,440 --> 00:33:51,120
Speaker 2: Yeah, crazy right back.

732
00:33:51,360 --> 00:33:54,360
Speaker 3: It gets worse because then they get into the classroom, right,

733
00:33:54,880 --> 00:33:56,880
Speaker 3: and then Sean's completely different than he just was in

734
00:33:56,920 --> 00:33:57,400
Speaker 3: the hallway.

735
00:33:58,400 --> 00:34:00,440
Speaker 1: Well, yeah, we're right now, we're in the school hallway.

736
00:34:00,440 --> 00:34:03,120
Speaker 1: There's a lot of background actors in the school. Corey

737
00:34:03,160 --> 00:34:05,800
Speaker 1: cautiously walks up to Sean, proposing that they should talk,

738
00:34:05,840 --> 00:34:09,279
Speaker 1: and Sean calmly says, no, this conversation, their conversation this

739
00:34:09,360 --> 00:34:12,439
Speaker 1: morning was very helpful. And then just on the turn

740
00:34:12,480 --> 00:34:15,920
Speaker 1: of a dime, he becomes completely unhinged. Their relationship has

741
00:34:15,960 --> 00:34:20,040
Speaker 1: been nothing more than a lie. Sean screams so loud

742
00:34:20,080 --> 00:34:22,840
Speaker 1: that everyone in the hallway stops to stare. Corey says,

743
00:34:23,040 --> 00:34:27,320
Speaker 1: move along, we're rehearsing a play lette. Corey calls Sean dramatic,

744
00:34:27,400 --> 00:34:30,760
Speaker 1: to which Seawan admits perhaps a little. Then he excuses

745
00:34:30,800 --> 00:34:32,640
Speaker 1: himself so he can go look out the window. He

746
00:34:32,680 --> 00:34:34,840
Speaker 1: paid a skywriter a lot of money to write Corey,

747
00:34:34,920 --> 00:34:35,560
Speaker 1: I hate.

748
00:34:35,360 --> 00:34:37,040
Speaker 4: You, and now this is a new scene.

749
00:34:37,600 --> 00:34:39,560
Speaker 2: Yeah, there was a commercial break in between.

750
00:34:39,280 --> 00:34:44,120
Speaker 4: These two, right, so I mean more jokes.

751
00:34:44,160 --> 00:34:45,920
Speaker 2: It's more the same scene.

752
00:34:46,239 --> 00:34:49,000
Speaker 1: And then when you say you paid a skywriter to

753
00:34:49,040 --> 00:34:51,160
Speaker 1: write Corey, I hate you in the Clouds. This gets

754
00:34:51,160 --> 00:34:54,759
Speaker 1: a mixed reaction from the audience, who isn't sure that

755
00:34:54,840 --> 00:34:59,240
Speaker 1: this is indeed funny, and they kind of go oh, there's.

756
00:34:59,239 --> 00:35:01,719
Speaker 4: A moment of the prisoners were confused.

757
00:35:04,080 --> 00:35:06,480
Speaker 2: They're like, oh, I don't want Sean to hate Cory.

758
00:35:06,600 --> 00:35:07,200
Speaker 2: That's weird.

759
00:35:07,560 --> 00:35:10,160
Speaker 4: Unlike playlet, which got a huge.

760
00:35:09,960 --> 00:35:14,600
Speaker 2: Laugh, very funny playlet, it was very yeah. Yeah.

761
00:35:14,719 --> 00:35:17,200
Speaker 1: So Sean storms away, and as Corey calls after him

762
00:35:17,239 --> 00:35:19,600
Speaker 1: to Penga walks up. She asks if he and Sean

763
00:35:19,640 --> 00:35:22,520
Speaker 1: are doing okay, and Corey assures her they're fine. Sean

764
00:35:22,600 --> 00:35:24,080
Speaker 1: just spent a lot of money on him and he

765
00:35:24,120 --> 00:35:28,000
Speaker 1: needs to vent. As they enter Phoene's class, Corey explains

766
00:35:28,000 --> 00:35:29,960
Speaker 1: that the beauty of his relationship with Sean is that

767
00:35:30,040 --> 00:35:32,600
Speaker 1: it is rock solid, and then he goes to sit

768
00:35:32,640 --> 00:35:35,080
Speaker 1: in his usual desk seat, but he shrieks when he

769
00:35:35,120 --> 00:35:38,680
Speaker 1: realizes somebody's already in it. Corey asks the mystery boy

770
00:35:38,719 --> 00:35:41,760
Speaker 1: who he is, and Sean answers for him. His name's Andy,

771
00:35:41,880 --> 00:35:45,600
Speaker 1: he's my new Corey nervously finishes the thought best friend.

772
00:35:46,040 --> 00:35:48,600
Speaker 1: Sean corrects him. Friend, we said we were going to

773
00:35:48,640 --> 00:35:51,000
Speaker 1: go out and meet new people, Corey wines, I'm not

774
00:35:51,080 --> 00:35:54,399
Speaker 1: making you happy. Sean searches for the right words. It's

775
00:35:54,440 --> 00:35:57,080
Speaker 1: not you, it's me, And right now I just need

776
00:35:57,080 --> 00:35:58,800
Speaker 1: my space runs.

777
00:35:58,840 --> 00:36:00,759
Speaker 5: Really, we're riffing on this, like because we already had

778
00:36:00,800 --> 00:36:04,120
Speaker 5: the fake Eric too, so our writers are really into

779
00:36:04,160 --> 00:36:06,200
Speaker 5: this idea of like taking our characters and sort of

780
00:36:06,239 --> 00:36:09,319
Speaker 5: replacing us or mocking us, you know, And I know

781
00:36:09,360 --> 00:36:09,960
Speaker 5: that we do a lot.

782
00:36:10,000 --> 00:36:11,600
Speaker 4: I guess we do a lot of this from now

783
00:36:11,600 --> 00:36:12,239
Speaker 4: on because we.

784
00:36:12,200 --> 00:36:16,720
Speaker 1: Also wanted us to know we were still replaceable season five.

785
00:36:16,920 --> 00:36:20,440
Speaker 2: You feel a little comfortable now we could replace you.

786
00:36:20,560 --> 00:36:23,319
Speaker 5: Watch It's just something that happens on all shows that

787
00:36:24,440 --> 00:36:28,120
Speaker 5: you know, once you've established characters, they get bigger, you know,

788
00:36:28,320 --> 00:36:31,040
Speaker 5: and they're allowed to be like, yeah, it's pretty normal.

789
00:36:31,320 --> 00:36:34,879
Speaker 5: I think we really just what was fun about boy

790
00:36:34,920 --> 00:36:37,640
Speaker 5: Mean's World and seasons two and three and four is

791
00:36:37,640 --> 00:36:40,960
Speaker 5: that we were finding those characters and discovering those characters.

792
00:36:41,080 --> 00:36:43,359
Speaker 5: And it feels like season five is just starting with

793
00:36:43,400 --> 00:36:47,400
Speaker 5: them locked in. So now let's just those characters up

794
00:36:47,600 --> 00:36:50,320
Speaker 5: and have them play it out. And we're not changing,

795
00:36:50,360 --> 00:36:53,839
Speaker 5: we're not evolving, we're not like adjusting. It's just now

796
00:36:53,880 --> 00:36:58,600
Speaker 5: we're riffing. We're just riffing on the actors and the characters.

797
00:36:58,640 --> 00:36:59,920
Speaker 4: And yeah, I.

798
00:37:00,160 --> 00:37:04,759
Speaker 5: Also think season four started with a real purpose. I

799
00:37:04,760 --> 00:37:07,720
Speaker 5: mean there was a real character arc for Eric, for Corey.

800
00:37:07,840 --> 00:37:09,920
Speaker 5: We started the yogurt Cup. You knew it was going

801
00:37:10,000 --> 00:37:10,359
Speaker 5: to go here.

802
00:37:10,360 --> 00:37:12,480
Speaker 4: We have Jack and Shawn, Jack and Sean.

803
00:37:12,560 --> 00:37:16,719
Speaker 3: But then you instantly go another direction with it, and

804
00:37:16,719 --> 00:37:18,080
Speaker 3: it's like, all right, well that didn't work. So we're

805
00:37:18,080 --> 00:37:20,080
Speaker 3: gonna put Jack and Eric together, and it's like, now

806
00:37:20,120 --> 00:37:22,040
Speaker 3: that's a new pair. So it doesn't seem to have

807
00:37:22,080 --> 00:37:24,120
Speaker 3: the same kind of focus that season four did just

808
00:37:24,200 --> 00:37:25,200
Speaker 3: right off the bat. I don't know.

809
00:37:25,520 --> 00:37:26,799
Speaker 2: I know, we just ended on.

810
00:37:26,920 --> 00:37:29,439
Speaker 1: We just ended an episode where it's like, oh man,

811
00:37:29,600 --> 00:37:31,480
Speaker 1: it's actually it's kind of nice to have a brother,

812
00:37:31,600 --> 00:37:33,479
Speaker 1: and then we forget that you.

813
00:37:37,000 --> 00:37:41,160
Speaker 2: And then our dad dies, right yes, yeah.

814
00:37:40,440 --> 00:37:43,000
Speaker 1: So Sean explains, as of right now, I don't know

815
00:37:43,040 --> 00:37:45,960
Speaker 1: what we are. Give me my space. Corey stomps over

816
00:37:46,000 --> 00:37:48,680
Speaker 1: to Topanga. Sean has a new best friend to Panga

817
00:37:48,760 --> 00:37:51,920
Speaker 1: notices he's jealous and she thinks it's cute. Corey insists

818
00:37:51,960 --> 00:37:54,520
Speaker 1: he isn't jealous and that two can play. Two can

819
00:37:54,520 --> 00:37:58,080
Speaker 1: play at this game, girlfriend, And then Corey walks over

820
00:37:58,120 --> 00:38:00,680
Speaker 1: to a nearby classmate, trying to turn the armand make

821
00:38:00,719 --> 00:38:03,319
Speaker 1: a new friend. The boy introduces himself as Lionel, and

822
00:38:03,360 --> 00:38:06,279
Speaker 1: Corey smarks, I know who you are. And this is

823
00:38:06,320 --> 00:38:11,160
Speaker 1: the sexiest Corey has ever been, ever been. He's never

824
00:38:12,280 --> 00:38:14,839
Speaker 1: he's got, He's never been this charming, He's never been

825
00:38:14,840 --> 00:38:17,960
Speaker 1: this sexy, He's never been this smooth, confident, he feels

826
00:38:18,280 --> 00:38:21,799
Speaker 1: I've never seen it like this.

827
00:38:19,800 --> 00:38:20,799
Speaker 3: This is.

828
00:38:22,640 --> 00:38:24,000
Speaker 2: Riz to the max.

829
00:38:24,200 --> 00:38:28,120
Speaker 4: Yes, double stuff, Riz, Yeah exactly.

830
00:38:29,520 --> 00:38:32,440
Speaker 1: Lionel offers him some grapes and Corey takes the whole bunch,

831
00:38:32,480 --> 00:38:34,880
Speaker 1: eating directly from the vine, and then he sits behind

832
00:38:34,920 --> 00:38:39,880
Speaker 1: Lionel and glances right at Sean. I'm taking another boy's grapes.

833
00:38:40,719 --> 00:38:41,640
Speaker 4: It's a pretty funny one.

834
00:38:42,719 --> 00:38:44,719
Speaker 2: It was pretty funny. I guess I did.

835
00:38:44,960 --> 00:38:51,480
Speaker 1: I guess I didn't I taking another Well, then we're

836
00:38:51,480 --> 00:38:54,160
Speaker 1: in the guy's apartment. Eric announces it's time for his

837
00:38:54,200 --> 00:38:58,799
Speaker 1: first college paper. Ten thousand words word number one I

838
00:38:58,880 --> 00:39:01,480
Speaker 1: want my mommy. That's three words.

839
00:39:01,640 --> 00:39:02,280
Speaker 4: Three words.

840
00:39:02,719 --> 00:39:03,520
Speaker 2: It's actually for.

841
00:39:06,040 --> 00:39:08,319
Speaker 4: I did the same thing. I was like, no, wait,

842
00:39:08,440 --> 00:39:09,759
Speaker 4: that's what that's four.

843
00:39:12,160 --> 00:39:15,360
Speaker 1: Jack with a giant picture of a meat lover's pizza

844
00:39:15,480 --> 00:39:17,000
Speaker 1: hanging on the place, you have to say.

845
00:39:17,440 --> 00:39:19,960
Speaker 4: I was like, what they have a pizza Bosters.

846
00:39:20,440 --> 00:39:24,960
Speaker 5: It's like what a kids into because moden up?

847
00:39:25,320 --> 00:39:28,600
Speaker 1: What maybe it's a sixteen by twenty No, you know what,

848
00:39:28,719 --> 00:39:30,919
Speaker 1: let's actually me four.

849
00:39:32,719 --> 00:39:36,200
Speaker 4: It was like, how do they decorate their apartment? I

850
00:39:36,400 --> 00:39:37,120
Speaker 4: love it.

851
00:39:37,120 --> 00:39:38,520
Speaker 5: It's well, it's like it goes back to the like

852
00:39:38,520 --> 00:39:40,120
Speaker 5: also the trailer member and that was just like a

853
00:39:40,120 --> 00:39:42,960
Speaker 5: greyhound bus and right, yeah, it was like, what are

854
00:39:42,960 --> 00:39:44,960
Speaker 5: they into buses?

855
00:39:44,320 --> 00:39:48,120
Speaker 4: The busses? They're poor people and trailer people. There there's

856
00:39:48,520 --> 00:39:51,080
Speaker 4: pictures of trailer Yeah, public transportation.

857
00:39:52,040 --> 00:39:54,120
Speaker 5: And these are twenty year olds who eat a lot

858
00:39:54,160 --> 00:39:55,839
Speaker 5: of pizza.

859
00:39:55,920 --> 00:39:57,920
Speaker 2: It looks like the art that would be inside a

860
00:39:57,960 --> 00:39:58,640
Speaker 2: little Caesar.

861
00:39:59,200 --> 00:40:07,839
Speaker 5: It's just I like pizza.

862
00:40:05,560 --> 00:40:06,960
Speaker 4: In the kitchen. Pizza.

863
00:40:07,200 --> 00:40:11,160
Speaker 1: Okay, he scolds Eric, you had three weeks to write

864
00:40:11,160 --> 00:40:14,560
Speaker 1: this paper. Eric yells, don't make fun of my learning disability.

865
00:40:14,960 --> 00:40:18,080
Speaker 1: Jack's confused, you have a learning disability. Eric scoffs, I

866
00:40:18,080 --> 00:40:21,080
Speaker 1: would think so, and he laughs.

867
00:40:21,080 --> 00:40:26,040
Speaker 4: Here, Yeah, Matt's clothing is so big.

868
00:40:26,239 --> 00:40:29,040
Speaker 1: That was Matt's style. Though Matt really did like big.

869
00:40:29,120 --> 00:40:31,640
Speaker 1: He liked he liked big, over over size.

870
00:40:33,840 --> 00:40:34,120
Speaker 2: Yeah.

871
00:40:35,120 --> 00:40:38,759
Speaker 1: Wow, you guys are so risy today.

872
00:40:37,520 --> 00:40:40,800
Speaker 2: I don't know. I don't know what's happening.

873
00:40:40,480 --> 00:40:42,759
Speaker 5: But I keep an ongoing list from India of all

874
00:40:42,800 --> 00:40:47,040
Speaker 5: the terms. But decided he likes drips, so he's wait.

875
00:40:47,040 --> 00:40:48,840
Speaker 3: Drip is now a good thing. I thought if you

876
00:40:48,840 --> 00:40:50,080
Speaker 3: were a drip it was a bad thing.

877
00:40:50,080 --> 00:40:51,040
Speaker 4: And you're.

878
00:40:52,600 --> 00:40:55,640
Speaker 5: Like, wear big. I mean, it's what Matt Lawrence is doing. Yeah,

879
00:40:55,920 --> 00:40:56,840
Speaker 5: guys wear big clothes.

880
00:40:56,880 --> 00:40:59,600
Speaker 4: I still do that. Yeah, you got this episode. We

881
00:40:59,640 --> 00:41:00,560
Speaker 4: haven't talked about that.

882
00:41:00,800 --> 00:41:03,600
Speaker 7: I got one haircut a haircut, and it's so obvious

883
00:41:03,640 --> 00:41:05,880
Speaker 7: that they were like either you or they were like,

884
00:41:06,000 --> 00:41:08,919
Speaker 7: we have three guys, three floppy hair god the white

885
00:41:08,960 --> 00:41:11,239
Speaker 7: guys with the exactly it's like, which, you can't all

886
00:41:11,280 --> 00:41:11,799
Speaker 7: be the same.

887
00:41:12,080 --> 00:41:14,200
Speaker 4: And I don't have that curl in the middle.

888
00:41:14,239 --> 00:41:16,200
Speaker 2: I know you've got like a Clark Kent line.

889
00:41:16,280 --> 00:41:16,680
Speaker 4: I do.

890
00:41:17,200 --> 00:41:21,000
Speaker 1: And then Andy, the friend replacement for Corey, also has

891
00:41:21,040 --> 00:41:25,439
Speaker 1: the floppy hair cut. Big Nights very popular anyway, Eric

892
00:41:25,480 --> 00:41:27,680
Speaker 1: asks Jack what he wrote his paper on, and Jack

893
00:41:27,680 --> 00:41:30,480
Speaker 1: happily sits down next to Eric and pulls out his laptop.

894
00:41:30,880 --> 00:41:33,480
Speaker 1: Eric's impressed that he has a laptop for his lap

895
00:41:33,719 --> 00:41:35,600
Speaker 1: And I did think when I saw Will holding up

896
00:41:35,600 --> 00:41:37,240
Speaker 1: the pencil as Eric ready to write.

897
00:41:37,120 --> 00:41:39,320
Speaker 2: Like, oh my gosh. We used to have to write

898
00:41:39,400 --> 00:41:41,200
Speaker 2: papers with pencil.

899
00:41:41,080 --> 00:41:45,480
Speaker 3: Right high school to submit papers that way, because then

900
00:41:45,520 --> 00:41:47,279
Speaker 3: you might have used spell check, and that was like

901
00:41:47,360 --> 00:41:48,280
Speaker 3: considered cheating.

902
00:41:48,600 --> 00:41:49,520
Speaker 4: Yeah.

903
00:41:49,600 --> 00:41:52,160
Speaker 1: So I then went on a deep dive to figure

904
00:41:52,200 --> 00:41:55,680
Speaker 1: out what how much were laptops in nineteen ninety seven?

905
00:41:57,080 --> 00:41:57,719
Speaker 4: I had one?

906
00:41:57,960 --> 00:41:58,680
Speaker 2: How much was it?

907
00:41:59,120 --> 00:42:01,000
Speaker 4: I remember exactly five thousand dollars?

908
00:42:01,120 --> 00:42:01,239
Speaker 5: Right?

909
00:42:01,719 --> 00:42:03,799
Speaker 3: You paid seven for yours because you had all this

910
00:42:03,880 --> 00:42:05,759
Speaker 3: special bonus IBM, think pad.

911
00:42:06,400 --> 00:42:08,440
Speaker 5: Yeah, and I but that was actually even earlier. I

912
00:42:08,800 --> 00:42:11,040
Speaker 5: spent a lot of because I wanted, you know, I'd

913
00:42:11,040 --> 00:42:13,200
Speaker 5: be able to do games and go golf and Stein

914
00:42:13,480 --> 00:42:17,439
Speaker 5: Wolfenstein and yeah, and and laptops were so they were rare,

915
00:42:17,640 --> 00:42:20,359
Speaker 5: like especially because I must have bought it like first

916
00:42:20,440 --> 00:42:21,080
Speaker 5: or second.

917
00:42:20,840 --> 00:42:23,600
Speaker 4: Season, because you were still in the school. Yeah, so yeah,

918
00:42:23,680 --> 00:42:25,719
Speaker 4: you were. So it was first season, and that was

919
00:42:25,760 --> 00:42:28,160
Speaker 4: like what the big the biggest thing I spent money on.

920
00:42:28,480 --> 00:42:31,640
Speaker 1: Yeah, well it's funny you say. Originally you said five

921
00:42:31,640 --> 00:42:33,960
Speaker 1: thousand dollars before Will said he thought it was seven

922
00:42:34,239 --> 00:42:36,360
Speaker 1: because I looked it up and it said that with

923
00:42:36,440 --> 00:42:40,560
Speaker 1: inflation today, it would be about forty eight hundred dollars.

924
00:42:40,719 --> 00:42:43,919
Speaker 4: There you go. Remember TVs were the same way.

925
00:42:43,920 --> 00:42:46,080
Speaker 3: When I could buy my first big screen TV, I

926
00:42:46,120 --> 00:42:48,279
Speaker 3: like took a second mortgage on the house to get it. Yeah,

927
00:42:48,280 --> 00:42:49,719
Speaker 3: now they give them away with like, oh, you open

928
00:42:49,760 --> 00:42:52,239
Speaker 3: a bank account, here's an eighty h screen Like, yeah, yeah,

929
00:42:52,239 --> 00:42:52,840
Speaker 3: it's crazy.

930
00:42:53,040 --> 00:42:57,000
Speaker 1: I know. So Jack shows him his perfectly crafted ten

931
00:42:57,040 --> 00:42:59,279
Speaker 1: thousand word essay on his summer in China, where he

932
00:42:59,320 --> 00:43:02,839
Speaker 1: worked with pale ontologists. Eric scoffs he can't believe he's

933
00:43:02,840 --> 00:43:05,600
Speaker 1: writing about his summer for his first college paper. Jack

934
00:43:05,640 --> 00:43:08,759
Speaker 1: boasts that he uncovered dinosaur fossils. Eric asks if he

935
00:43:08,760 --> 00:43:11,040
Speaker 1: has any pictures, and Jack says no, then you had

936
00:43:11,080 --> 00:43:13,399
Speaker 1: got nothing. And before I knew where this was going,

937
00:43:13,400 --> 00:43:15,160
Speaker 1: I was like, what, he has a laptop, but not

938
00:43:15,200 --> 00:43:18,359
Speaker 1: a single picture from his his summer in China, As

939
00:43:18,440 --> 00:43:20,719
Speaker 1: with the paleontologists, who doesn't take a picture of you

940
00:43:20,960 --> 00:43:22,320
Speaker 1: looking for dinosaur fossils?

941
00:43:22,600 --> 00:43:23,440
Speaker 2: But either way.

942
00:43:23,520 --> 00:43:25,880
Speaker 1: Jack thought his essay was pretty good, but Eric reminds

943
00:43:25,960 --> 00:43:28,080
Speaker 1: him there in college now being judged on a whole

944
00:43:28,120 --> 00:43:32,080
Speaker 1: new level. Theories in footnotes, shades of meaning, nuance, spelling,

945
00:43:32,400 --> 00:43:33,200
Speaker 1: Where does it end?

946
00:43:33,200 --> 00:43:34,000
Speaker 2: Where does it end?

947
00:43:34,400 --> 00:43:36,759
Speaker 1: Jack breaks and admits he didn't even go. His ten

948
00:43:36,800 --> 00:43:38,600
Speaker 1: year old's sister went Eric, he.

949
00:43:38,600 --> 00:43:40,680
Speaker 3: Was so Matt Lawrence in that moment too, and there

950
00:43:41,600 --> 00:43:46,200
Speaker 3: it was like he was so mad in that moment, like, oh,

951
00:43:46,239 --> 00:43:48,440
Speaker 3: there he is, like it's her third episode.

952
00:43:48,480 --> 00:43:49,839
Speaker 4: There's there's Matt, there is.

953
00:43:50,560 --> 00:43:53,279
Speaker 1: Eric comforts him and explained situations like this is where

954
00:43:53,400 --> 00:43:54,719
Speaker 1: Eric Matthews shines.

955
00:43:55,160 --> 00:43:56,000
Speaker 2: Jack asks if.

956
00:43:55,880 --> 00:44:00,879
Speaker 5: There what's happening exactly? Finally wrote something funny for Matt

957
00:44:00,920 --> 00:44:05,239
Speaker 5: to do, right, But it's kind of a weird character thing,

958
00:44:05,400 --> 00:44:08,719
Speaker 5: like so Jack is lying like he's not now, and

959
00:44:08,760 --> 00:44:10,920
Speaker 5: then he speaks Chinese at the end, So it was

960
00:44:11,000 --> 00:44:13,719
Speaker 5: kind of like, oh, but you did so. I don't know.

961
00:44:13,760 --> 00:44:16,520
Speaker 5: It's like they went for the joke, but they sacrificed

962
00:44:16,520 --> 00:44:18,840
Speaker 5: the character that they've already spent two episodes. You know

963
00:44:18,880 --> 00:44:22,439
Speaker 5: that he is this like straight a student. Yeah, does

964
00:44:22,480 --> 00:44:25,440
Speaker 5: the work. And I don't know, I can hear.

965
00:44:25,280 --> 00:44:28,400
Speaker 3: Michael just with this episode just going just don't think

966
00:44:28,440 --> 00:44:32,279
Speaker 3: about it for everything, just in the episode, like, hey, wait,

967
00:44:32,360 --> 00:44:34,319
Speaker 3: this character is not don't think about it, just do it.

968
00:44:34,360 --> 00:44:36,360
Speaker 3: Like it's just That's what it came off to me,

969
00:44:36,640 --> 00:44:37,960
Speaker 3: is just just do it. Episode.

970
00:44:38,040 --> 00:44:40,040
Speaker 5: We're coming off of two heavy episodes, you know. I

971
00:44:40,040 --> 00:44:42,160
Speaker 5: feel like they were just like, well, let's just it

972
00:44:42,200 --> 00:44:44,640
Speaker 5: didn't work. The two episodes didn't work, so now let's

973
00:44:44,640 --> 00:44:46,839
Speaker 5: just make it.

974
00:44:46,880 --> 00:44:50,360
Speaker 1: I do wonder if ABC was like, all right, guys,

975
00:44:50,800 --> 00:44:54,040
Speaker 1: we gave you your two episodes to break in this

976
00:44:54,080 --> 00:44:56,680
Speaker 1: new character, the emotional brother.

977
00:44:56,920 --> 00:44:58,839
Speaker 2: They're going to live together. Now, we got to see

978
00:44:58,840 --> 00:44:59,560
Speaker 2: it be funny.

979
00:44:59,719 --> 00:45:04,640
Speaker 1: Yeah, and then this is how it all is, where

980
00:45:04,719 --> 00:45:07,560
Speaker 1: it got okay. So Jack asks if they're going to

981
00:45:07,600 --> 00:45:09,560
Speaker 1: pull an all night until their papers turn out great,

982
00:45:09,600 --> 00:45:12,120
Speaker 1: but Eric says he's got one better. They're gonna make

983
00:45:12,120 --> 00:45:15,239
Speaker 1: friends with the Dean. And I was thinking, gotta go.

984
00:45:15,320 --> 00:45:17,440
Speaker 1: He's gonna go lay on the charm with Dean Bolander.

985
00:45:18,000 --> 00:45:20,319
Speaker 1: And then we're in the Matthew's kitchen. Corey, seated next

986
00:45:20,360 --> 00:45:22,879
Speaker 1: to Morgan at the kitchen table, is sulking. Amy points

987
00:45:22,920 --> 00:45:24,880
Speaker 1: out that he's in his pajamas at six pm, and

988
00:45:24,920 --> 00:45:27,520
Speaker 1: she asks if he's okay, He responds, I don't want

989
00:45:27,520 --> 00:45:29,319
Speaker 1: to talk about it, and he eats ice cream straight

990
00:45:29,360 --> 00:45:31,160
Speaker 1: out of the Chubby Chubbies container.

991
00:45:31,239 --> 00:45:32,880
Speaker 3: Yeah, Chubbies apparently sells pints.

992
00:45:33,120 --> 00:45:35,319
Speaker 2: Oh, that's right, we know that when to Panga was sick.

993
00:45:37,360 --> 00:45:41,720
Speaker 2: That's right with sprinkles, Yeah, Jimmy's jimmies.

994
00:45:42,080 --> 00:45:42,520
Speaker 3: Yes.

995
00:45:43,440 --> 00:45:45,839
Speaker 1: Morgan reveals to her mom Corey and Sean had a fight.

996
00:45:45,920 --> 00:45:48,760
Speaker 1: Sean dumped him. Corey denies this, He did not get dumped.

997
00:45:48,800 --> 00:45:50,839
Speaker 1: They just agreed to see to not see each other

998
00:45:50,880 --> 00:45:54,320
Speaker 1: for a while. Morgan scoffs, you believe that. She also

999
00:45:54,640 --> 00:45:59,799
Speaker 1: starts very hot and stays very hot through this entire scene.

1000
00:45:59,800 --> 00:46:04,000
Speaker 1: There there's no build up for her either. Amy changes

1001
00:46:04,040 --> 00:46:06,480
Speaker 1: the subject. A boy from school called for Corey. His

1002
00:46:06,560 --> 00:46:09,920
Speaker 1: name is Lionel. Morgan judgingly asks, is that your new boyfriend?

1003
00:46:10,400 --> 00:46:13,120
Speaker 1: Corey shyly answers, he's just this guy from school. If

1004
00:46:13,120 --> 00:46:15,720
Speaker 1: he goes again, tell him I'm not home. Morgan reminds

1005
00:46:15,760 --> 00:46:17,680
Speaker 1: him that if he treats Lionel that way, he's gonna

1006
00:46:17,719 --> 00:46:20,840
Speaker 1: dump him too. Right Then Alan walks in. He asks

1007
00:46:20,840 --> 00:46:23,200
Speaker 1: why he didn't see Corey at Pinks for lunch today.

1008
00:46:23,600 --> 00:46:24,560
Speaker 2: A new food place.

1009
00:46:24,640 --> 00:46:26,000
Speaker 4: I thought the same thing. I'm like, what is this

1010
00:46:26,120 --> 00:46:27,239
Speaker 4: Pinks that you speak of?

1011
00:46:27,440 --> 00:46:32,560
Speaker 5: Is it a reference to Pink's hot Dogs?

1012
00:46:33,080 --> 00:46:35,479
Speaker 1: So Corey wonders, well, why would you? And Alan says

1013
00:46:35,520 --> 00:46:38,840
Speaker 1: because Sean was there. Corey, trying to hide his hurt feelings,

1014
00:46:38,880 --> 00:46:41,480
Speaker 1: asks if Sean was alone. Alan says no, he was

1015
00:46:41,480 --> 00:46:44,680
Speaker 1: with a couple of guys, a couple of guys. Corey

1016
00:46:44,760 --> 00:46:47,240
Speaker 1: is shocked to hear there's more than one. Alan asks

1017
00:46:47,280 --> 00:46:49,520
Speaker 1: what he's so upset about, and Corey wines, Pinks was

1018
00:46:49,560 --> 00:46:53,000
Speaker 1: our place. I mean, we've never heard of it, so

1019
00:46:53,040 --> 00:46:54,120
Speaker 1: how could it be your place?

1020
00:46:54,360 --> 00:46:54,880
Speaker 3: Exactly?

1021
00:46:55,080 --> 00:46:57,360
Speaker 2: If we've never heard of it, Give me a break.

1022
00:46:58,360 --> 00:47:00,759
Speaker 3: How do you not do he is a Chubbies with

1023
00:47:00,800 --> 00:47:02,840
Speaker 3: other people. That was our place, and the joke is

1024
00:47:02,960 --> 00:47:05,920
Speaker 3: that's everybody. It's the only place in town, Like, how

1025
00:47:05,960 --> 00:47:06,759
Speaker 3: do you not do that?

1026
00:47:07,520 --> 00:47:09,759
Speaker 5: So yeah, I know, so more.

1027
00:47:09,800 --> 00:47:12,799
Speaker 1: Morgan pokes funded him again, not anymore. Amy asks what's

1028
00:47:12,840 --> 00:47:15,719
Speaker 1: going on, and Corey forcefully says, it's two people moving

1029
00:47:15,760 --> 00:47:18,279
Speaker 1: in different directions. Now, if you'll excuse me, I'm going

1030
00:47:18,280 --> 00:47:20,200
Speaker 1: into the other room to watch Lifetime and have a

1031
00:47:20,200 --> 00:47:22,960
Speaker 1: good cry, and then he leaves the ice cream behind,

1032
00:47:23,040 --> 00:47:26,040
Speaker 1: and that makes no sense. He would clearly take the

1033
00:47:26,040 --> 00:47:28,160
Speaker 1: ice cream and cry and eat your ice cream. That's

1034
00:47:28,200 --> 00:47:29,040
Speaker 1: what that's what we do.

1035
00:47:29,200 --> 00:47:32,200
Speaker 4: Now the room comes back, grabs the pine from.

1036
00:47:32,120 --> 00:47:32,560
Speaker 2: The ice cream.

1037
00:47:32,719 --> 00:47:35,640
Speaker 1: I just need this ice cream. Alan's concerned. He wonders

1038
00:47:35,640 --> 00:47:38,600
Speaker 1: if everything's okay between their son and Tipanga. Amy says

1039
00:47:38,600 --> 00:47:41,560
Speaker 1: they've never been better. Alan asks when they kiss, he

1040
00:47:41,719 --> 00:47:45,760
Speaker 1: enjoys it, right? And this was where I wrote, yikes,

1041
00:47:46,160 --> 00:47:47,200
Speaker 1: have we jumped the shark?

1042
00:47:47,480 --> 00:47:47,719
Speaker 5: Yeah?

1043
00:47:47,960 --> 00:47:50,080
Speaker 1: This is this was This was the actual moment where

1044
00:47:50,120 --> 00:47:54,600
Speaker 1: I was like, oh no, what if the show never recovers.

1045
00:47:55,640 --> 00:47:56,600
Speaker 2: From this moment?

1046
00:47:56,719 --> 00:48:01,600
Speaker 1: And I'm I'm a little nervous. Season five, so far

1047
00:48:01,640 --> 00:48:08,279
Speaker 1: from Me is a big old stinky doodo head just just.

1048
00:48:08,320 --> 00:48:11,319
Speaker 5: Like this episode so much. I assumed that there would

1049
00:48:11,360 --> 00:48:15,280
Speaker 5: be more. You guys would have a little more lighthearted response,

1050
00:48:15,360 --> 00:48:19,040
Speaker 5: but yeah, it's it's interesting that you again.

1051
00:48:19,160 --> 00:48:23,120
Speaker 3: I just think, to me, it was not a real moment.

1052
00:48:23,400 --> 00:48:25,600
Speaker 3: It just cranked it up to eleven and it stayed

1053
00:48:25,600 --> 00:48:28,120
Speaker 3: there the whole time. There was to breathe.

1054
00:48:28,440 --> 00:48:30,320
Speaker 5: I don't want to hear from my listeners. I'm curious

1055
00:48:30,600 --> 00:48:32,680
Speaker 5: if people, if anybody likes this episode. I don't know,

1056
00:48:32,719 --> 00:48:35,279
Speaker 5: you know, it's not one. It's not one I hear

1057
00:48:35,400 --> 00:48:38,680
Speaker 5: about ever. No, but people yell Lama pen all the

1058
00:48:38,680 --> 00:48:42,600
Speaker 5: time and yes, well yeah that's because the history. But

1059
00:48:42,600 --> 00:48:46,279
Speaker 5: but this joke, right this, like Sean and Corey are

1060
00:48:46,280 --> 00:48:49,560
Speaker 5: really lovers? Isn't it funny? They're they're not gay, but

1061
00:48:49,640 --> 00:48:53,480
Speaker 5: they act like it. That was like such a big part.

1062
00:48:53,520 --> 00:48:56,200
Speaker 5: I remember in Girl Meets World that was like the

1063
00:48:56,320 --> 00:48:59,000
Speaker 5: joke when I came on the show. And so I'm wondering,

1064
00:48:59,120 --> 00:49:01,400
Speaker 5: did we drop it after this or is it becoming like.

1065
00:49:01,640 --> 00:49:04,200
Speaker 4: Oh my god, I'm just having a flashback, Danielle.

1066
00:49:04,400 --> 00:49:09,719
Speaker 3: Isn't there an episode where you constantly go his lover?

1067
00:49:11,480 --> 00:49:13,879
Speaker 4: Oh, isn't that a thing where it's like and then

1068
00:49:13,920 --> 00:49:18,960
Speaker 4: Sean his lover? Isn't that? Why? Why am I happy? Familiar?

1069
00:49:19,440 --> 00:49:20,760
Speaker 2: That does sound familiar.

1070
00:49:20,920 --> 00:49:23,920
Speaker 3: I think there's an episode where every time somebody says

1071
00:49:23,960 --> 00:49:25,960
Speaker 3: Corey or Sean, you go his life.

1072
00:49:26,440 --> 00:49:28,160
Speaker 5: And the point of the wedding episode is that it

1073
00:49:28,200 --> 00:49:32,640
Speaker 5: becomes all about Corey and Sean, right Like, Unfortunately, we're

1074
00:49:32,680 --> 00:49:34,840
Speaker 5: just gonna stay in this mode.

1075
00:49:35,960 --> 00:49:38,080
Speaker 3: I think I think if this was the first time

1076
00:49:38,120 --> 00:49:40,120
Speaker 3: we saw it would be one thing. But it's the

1077
00:49:40,160 --> 00:49:45,160
Speaker 3: fact that we've seen this already done better that made

1078
00:49:45,200 --> 00:49:47,520
Speaker 3: it that through it for me, because it's like this

1079
00:49:47,600 --> 00:49:48,239
Speaker 3: episode it was.

1080
00:49:48,200 --> 00:49:52,560
Speaker 1: Good writers exactly right. They didn't have to play the comedy.

1081
00:49:52,600 --> 00:49:55,160
Speaker 1: They didn't have to play the but you're not gay,

1082
00:49:55,360 --> 00:49:58,439
Speaker 1: right because because it was about him dating a woman.

1083
00:49:59,440 --> 00:50:04,120
Speaker 1: If this, by the way, if they removed all the

1084
00:50:04,200 --> 00:50:05,680
Speaker 1: boyfriend ye are they boyfriends?

1085
00:50:05,680 --> 00:50:08,440
Speaker 2: Are they gay? Stuff from it, I might have enjoyed

1086
00:50:08,480 --> 00:50:10,960
Speaker 2: the episode more. If if if it.

1087
00:50:10,920 --> 00:50:14,840
Speaker 1: Had been a farce about their friendship, the intensity of friendship,

1088
00:50:14,960 --> 00:50:17,799
Speaker 1: the intensity of a friendship and guys come on to

1089
00:50:17,840 --> 00:50:19,560
Speaker 1: look even to Penga is going to go to Miami

1090
00:50:19,600 --> 00:50:21,160
Speaker 1: and Coran to Panger are going to be fine?

1091
00:50:21,480 --> 00:50:23,920
Speaker 5: Or like Will pointed out, you could have versions of

1092
00:50:24,000 --> 00:50:26,759
Speaker 5: taking things too seriously that aren't just a gay joke,

1093
00:50:27,320 --> 00:50:29,400
Speaker 5: you know, like where we act like toddlers, who are

1094
00:50:29,440 --> 00:50:31,799
Speaker 5: we we take things too far and we hurt each

1095
00:50:31,840 --> 00:50:34,880
Speaker 5: other's feelings, or we start pranking one another, whatever. But

1096
00:50:34,920 --> 00:50:38,759
Speaker 5: instead they just played the one joke, which is isn't

1097
00:50:38,800 --> 00:50:43,239
Speaker 5: it funny Corey's acting like a jilted lover. Yeah, but

1098
00:50:43,280 --> 00:50:45,640
Speaker 5: they're they're cheating on each other, they're seeing it's just

1099
00:50:45,719 --> 00:50:46,600
Speaker 5: the story of a breakup.

1100
00:50:46,600 --> 00:50:47,839
Speaker 4: And that's It's one.

1101
00:50:48,040 --> 00:50:50,240
Speaker 5: It's one joke, over and over and how many variations

1102
00:50:50,239 --> 00:50:50,840
Speaker 5: of this can we do?

1103
00:50:51,360 --> 00:50:51,600
Speaker 3: Yeah?

1104
00:51:03,440 --> 00:51:06,240
Speaker 1: So then we're back at Penbrook, where there is also

1105
00:51:06,680 --> 00:51:15,080
Speaker 1: a blood drive signy.

1106
00:51:12,480 --> 00:51:16,680
Speaker 5: Telling you lots of blood, meat and pizza.

1107
00:51:17,680 --> 00:51:19,440
Speaker 3: We have to I'm sorry, I'm throwing this out there

1108
00:51:19,480 --> 00:51:21,400
Speaker 3: right now at some point because it's it's obviously a

1109
00:51:21,520 --> 00:51:22,160
Speaker 3: very good cause.

1110
00:51:22,360 --> 00:51:25,359
Speaker 4: At some point we have to do a job drive.

1111
00:51:25,920 --> 00:51:29,520
Speaker 1: That's a great idea that we have at our next

1112
00:51:29,800 --> 00:51:33,320
Speaker 1: get together with everyone, We'll make everyone.

1113
00:51:33,480 --> 00:51:36,840
Speaker 5: We'll also have a sex ed class, yes, and go

1114
00:51:36,880 --> 00:51:38,200
Speaker 5: to a PEP rally exactly.

1115
00:51:38,280 --> 00:51:39,240
Speaker 4: We'll do all three.

1116
00:51:39,640 --> 00:51:41,240
Speaker 3: But we should we'll do it. We'll do a bloodrive.

1117
00:51:41,280 --> 00:51:43,279
Speaker 3: It's a it's a good obviously a great thing to do.

1118
00:51:43,400 --> 00:51:44,480
Speaker 3: So what we should do that?

1119
00:51:44,880 --> 00:51:47,319
Speaker 1: Eric and Jack are outside the Dean's office and Jack

1120
00:51:47,400 --> 00:51:50,279
Speaker 1: tries to chicken out. Eric forces him to stay. The

1121
00:51:50,320 --> 00:51:52,400
Speaker 1: beauty of befriending the dean is He's going to give

1122
00:51:52,440 --> 00:51:54,480
Speaker 1: them an extension on their paper. And that's where I

1123
00:51:54,520 --> 00:51:59,320
Speaker 1: was like, he like, what's happening here? Is Bonnie Bartlett?

1124
00:51:59,560 --> 00:52:02,160
Speaker 3: I wonder if Fannie couldn't do it if there was

1125
00:52:02,239 --> 00:52:04,520
Speaker 3: if she was shooting something or doing something, because it

1126
00:52:04,600 --> 00:52:06,680
Speaker 3: made sense to not have Bonnie in the.

1127
00:52:06,960 --> 00:52:09,600
Speaker 2: I think they wanted the stunt casting. I think they thought.

1128
00:52:09,360 --> 00:52:11,040
Speaker 5: They want to think they also wanted it to be

1129
00:52:11,200 --> 00:52:13,080
Speaker 5: like more of a mirror of Phoenie, you know, where

1130
00:52:13,080 --> 00:52:16,160
Speaker 5: it's a it's a man who who's who should be

1131
00:52:17,120 --> 00:52:19,840
Speaker 5: like Fenian, He's just not He's the opposite, whereas Ballinger

1132
00:52:19,880 --> 00:52:22,520
Speaker 5: already did have like this relationship with Eric where she

1133
00:52:22,560 --> 00:52:23,600
Speaker 5: was impressed by him and.

1134
00:52:23,600 --> 00:52:25,839
Speaker 3: Like, but that's what you want to play I mean,

1135
00:52:25,880 --> 00:52:27,200
Speaker 3: that's what I would want to play off of. And

1136
00:52:27,239 --> 00:52:28,759
Speaker 3: I want to play off of the fact that it's

1137
00:52:28,800 --> 00:52:32,120
Speaker 3: obviously the stunt casting is it's Bill's wife, so it's

1138
00:52:32,200 --> 00:52:35,120
Speaker 3: like she's obvious the new Phoene's obviously gonna love me,

1139
00:52:35,160 --> 00:52:37,400
Speaker 3: and it's you know, turns out that she doesn't to

1140
00:52:37,440 --> 00:52:37,640
Speaker 3: me that.

1141
00:52:37,880 --> 00:52:40,480
Speaker 5: No, they were just into the idea of like, who's

1142
00:52:40,520 --> 00:52:43,279
Speaker 5: like the harshest anti Feenie we can come up with,

1143
00:52:43,680 --> 00:52:46,200
Speaker 5: and it's you know, I mean like if you close

1144
00:52:46,200 --> 00:52:49,120
Speaker 5: your eyes, he is he has JK. Simmons voice. It's

1145
00:52:49,160 --> 00:52:54,399
Speaker 5: like the same type. It's like that archetypal hyper masculine again.

1146
00:52:54,480 --> 00:52:57,359
Speaker 3: He also is going to be ultimate guy Dean from

1147
00:52:57,520 --> 00:52:59,360
Speaker 3: from Breakfast Club. I mean that's all it is is

1148
00:52:59,400 --> 00:53:01,000
Speaker 3: He's he's the ultimate bad guy.

1149
00:53:01,080 --> 00:53:03,520
Speaker 1: So yeah, well then Eric continues, We'll never have to

1150
00:53:03,520 --> 00:53:06,360
Speaker 1: do any work until we graduate, get jobs, befriend our bosses,

1151
00:53:06,400 --> 00:53:08,000
Speaker 1: get married, befriend our wives.

1152
00:53:08,560 --> 00:53:09,640
Speaker 2: Jack pleads, I just.

1153
00:53:09,640 --> 00:53:11,239
Speaker 1: Want to go to college. I just want to do

1154
00:53:11,280 --> 00:53:13,600
Speaker 1: the work. Eric shakes him, I like you too much

1155
00:53:13,640 --> 00:53:16,120
Speaker 1: to let you do that. The dean who is not

1156
00:53:16,200 --> 00:53:17,080
Speaker 1: Bonnie Bartlett.

1157
00:53:17,280 --> 00:53:19,399
Speaker 4: Yeah, see, like why Jack wants to do the work,

1158
00:53:19,520 --> 00:53:23,520
Speaker 4: just go do it. But he becomes an on running

1159
00:53:23,520 --> 00:53:23,799
Speaker 4: thing though.

1160
00:53:23,800 --> 00:53:27,239
Speaker 3: This becomes because he says it again when when during

1161
00:53:27,239 --> 00:53:29,080
Speaker 3: the Plays with Squirrels episode, he's like, what is it

1162
00:53:29,080 --> 00:53:29,600
Speaker 3: about you?

1163
00:53:29,640 --> 00:53:29,759
Speaker 2: Like?

1164
00:53:29,800 --> 00:53:32,160
Speaker 3: Why can I not just get away from you and

1165
00:53:32,160 --> 00:53:33,960
Speaker 3: not listen to what you have to say? So they

1166
00:53:34,040 --> 00:53:37,480
Speaker 3: build it up to where Jack is like sucked into

1167
00:53:38,120 --> 00:53:41,560
Speaker 3: Eric's orbit and his craziness and for some reason Eric,

1168
00:53:41,760 --> 00:53:42,480
Speaker 3: he says.

1169
00:53:42,280 --> 00:53:43,960
Speaker 4: Why do you have this power over me? In the

1170
00:53:44,080 --> 00:53:46,440
Speaker 4: in the.

1171
00:53:45,880 --> 00:53:50,000
Speaker 5: Come up with a reason that that's they're doing is

1172
00:53:50,000 --> 00:53:52,600
Speaker 5: that Eric is magnetic and is like, can can talk

1173
00:53:52,640 --> 00:53:53,440
Speaker 5: people into everything?

1174
00:53:53,480 --> 00:53:55,160
Speaker 3: I think that's the point I don't think it lands,

1175
00:53:55,200 --> 00:53:57,319
Speaker 3: but I think that's the point that they're true.

1176
00:53:57,840 --> 00:54:01,000
Speaker 2: The Dean angrily walks through the guys into his office.

1177
00:54:01,040 --> 00:54:03,920
Speaker 2: When Eric tries to chat, the Dean bellows not now.

1178
00:54:04,680 --> 00:54:06,960
Speaker 2: Jack tries to leave, but Eric assures him he's gonna

1179
00:54:06,960 --> 00:54:09,640
Speaker 2: love us. Even though the Dean slammed his door shut,

1180
00:54:09,760 --> 00:54:12,359
Speaker 2: Eric lets himself in anyway. The Dean isn't pleased, so.

1181
00:54:12,480 --> 00:54:14,960
Speaker 1: Eric instructs Jack to bow to the Dean with him

1182
00:54:15,320 --> 00:54:17,759
Speaker 1: mid bow, Eric talks about the paper they're writing, and

1183
00:54:17,800 --> 00:54:19,920
Speaker 1: he wants to establish a relationship with the Dean like

1184
00:54:20,200 --> 00:54:23,160
Speaker 1: he had with his former mentor, mister Feeney. The Dean

1185
00:54:23,200 --> 00:54:25,880
Speaker 1: is not impressed. The only people who have mentors are

1186
00:54:25,880 --> 00:54:28,799
Speaker 1: people who can't think for themselves. He hits Eric's arm

1187
00:54:29,000 --> 00:54:31,839
Speaker 1: hard and reminds him, you're in college now, buddy boy.

1188
00:54:31,960 --> 00:54:34,640
Speaker 1: The big leagues, all twenty five thousand of his students

1189
00:54:34,640 --> 00:54:36,759
Speaker 1: are lined up to kiss his dean butt, looking for

1190
00:54:36,800 --> 00:54:39,680
Speaker 1: the easy way. But the easy way is the hard way.

1191
00:54:40,000 --> 00:54:42,720
Speaker 1: The Dean notices that the pretty boy Jack isn't talking,

1192
00:54:42,800 --> 00:54:45,919
Speaker 1: and Jack whimpers, I'm very scared, sir. The Dean tells

1193
00:54:45,960 --> 00:54:48,520
Speaker 1: him good before again aggressively shoving him out of the

1194
00:54:48,520 --> 00:54:50,839
Speaker 1: way and leaving. Eric isn't discouraged at all.

1195
00:54:50,960 --> 00:54:53,200
Speaker 5: We're so in now.

1196
00:54:53,239 --> 00:54:58,759
Speaker 3: This is potentially a funny storyline, Yeah, trying to just

1197
00:54:59,480 --> 00:55:00,799
Speaker 3: we're not going to do any of the work. We're

1198
00:55:00,840 --> 00:55:02,759
Speaker 3: just going to find their new FIENI. We're going to

1199
00:55:02,800 --> 00:55:05,600
Speaker 3: get him on our side. That's great. If the a

1200
00:55:05,920 --> 00:55:11,520
Speaker 3: story is more modulated, then this heightened story of craziness

1201
00:55:11,520 --> 00:55:12,960
Speaker 3: and wackiness works of.

1202
00:55:13,080 --> 00:55:16,920
Speaker 1: Sneaking into the Dean's house exactly, that's the farce.

1203
00:55:17,680 --> 00:55:21,480
Speaker 3: If everything is this note, then it all just blends together.

1204
00:55:21,640 --> 00:55:23,400
Speaker 3: That's that's the problem for me.

1205
00:55:24,440 --> 00:55:26,360
Speaker 4: Is a very funny storyline.

1206
00:55:26,560 --> 00:55:28,200
Speaker 3: Eric like, no, no, no, we don't do the work. Here's

1207
00:55:28,200 --> 00:55:31,080
Speaker 3: what we do. We find a new Phoenie. Great storyline,

1208
00:55:31,600 --> 00:55:35,040
Speaker 3: but it just it was lost in this sea of noise.

1209
00:55:36,040 --> 00:55:41,160
Speaker 1: Well, then we're at Chubby's not Pink's. Corey Topanga, Corey

1210
00:55:41,160 --> 00:55:43,440
Speaker 1: Topanga and Lionel are sitting in a booth with Corey's

1211
00:55:43,480 --> 00:55:46,799
Speaker 1: arm draped over Lionel's shoulder like old chums. Topanga says,

1212
00:55:46,880 --> 00:55:49,160
Speaker 1: I know you and Sean are having some problems right now.

1213
00:55:49,280 --> 00:55:51,400
Speaker 1: Corey cuts her off. I don't think this is the

1214
00:55:51,440 --> 00:55:54,839
Speaker 1: time to bring him up. Corey brags to Tapanga, did

1215
00:55:54,840 --> 00:55:57,360
Speaker 1: you know that Lionel has a really wonderful singing voice.

1216
00:55:57,600 --> 00:55:59,839
Speaker 1: He prompts Lionel to prove it, but Topanga pulls Cory

1217
00:55:59,880 --> 00:56:02,520
Speaker 1: as side. She stands between his legs on a stool

1218
00:56:02,560 --> 00:56:05,960
Speaker 1: and kisses him in an attempt to ensorcele him. She asks,

1219
00:56:06,360 --> 00:56:10,160
Speaker 1: did you enjoy that? Cory smiles yes, ma'am to Pang

1220
00:56:10,239 --> 00:56:13,680
Speaker 1: is relieved. Okay, good, now listen to me being a senior,

1221
00:56:14,400 --> 00:56:17,120
Speaker 1: Thank god, thank god. My boyfriend still likes it when

1222
00:56:17,120 --> 00:56:18,400
Speaker 1: I kiss him, very benignly.

1223
00:56:19,320 --> 00:56:24,040
Speaker 3: Well, Danielle, in all fairness, you've got a history. True.

1224
00:56:24,320 --> 00:56:27,759
Speaker 3: I'm just saying, just a history of your boyfriend's turning

1225
00:56:27,800 --> 00:56:31,000
Speaker 3: out to be gay.

1226
00:56:31,320 --> 00:56:35,320
Speaker 1: I'm just honestly from my very first boyfriend in elementary school.

1227
00:56:35,480 --> 00:56:36,320
Speaker 4: That's what I'm saying.

1228
00:56:36,840 --> 00:56:41,120
Speaker 1: So to my boyfriend in high school, you're right, valid, Okay,

1229
00:56:42,320 --> 00:56:44,400
Speaker 1: being a senior is a very scary time. We have

1230
00:56:44,440 --> 00:56:47,279
Speaker 1: a lot of decisions to make. To Pega continues, You're

1231
00:56:47,320 --> 00:56:49,120
Speaker 1: probably going to have your choice of schools to go

1232
00:56:49,160 --> 00:56:51,400
Speaker 1: to all over the country. Corey knows, but that doesn't

1233
00:56:51,400 --> 00:56:53,520
Speaker 1: mean Sean has to be upset about it.

1234
00:56:53,560 --> 00:56:58,280
Speaker 4: Is certainly like a student student behind.

1235
00:56:58,360 --> 00:57:02,600
Speaker 3: Yeah, after that, after obviously that Pulitzer Prize he one,

1236
00:57:02,640 --> 00:57:03,760
Speaker 3: as well as the Nobel Prize.

1237
00:57:03,760 --> 00:57:07,439
Speaker 4: He's doing very well. Yeah, that's actually a big story,

1238
00:57:08,480 --> 00:57:08,839
Speaker 4: a story.

1239
00:57:09,840 --> 00:57:13,279
Speaker 5: He's so consistently average, like that's always been the joke

1240
00:57:13,440 --> 00:57:18,920
Speaker 5: is that he's like a B minus student like, yeah, yeah.

1241
00:57:19,600 --> 00:57:22,040
Speaker 1: Tapega says he's just afraid his best friend is moving

1242
00:57:22,080 --> 00:57:23,120
Speaker 1: on and leaving him behind.

1243
00:57:23,320 --> 00:57:27,040
Speaker 2: Corey thinks she's right. He imagine Sean somewhere alone, miserable,

1244
00:57:27,400 --> 00:57:29,479
Speaker 2: But then we see Sean leading a bunch of leather

1245
00:57:29,600 --> 00:57:33,280
Speaker 2: jacket dudes down the stairs. Corey declares he's in denial.

1246
00:57:33,520 --> 00:57:37,400
Speaker 2: Three guys, I'm only with Lionel Tapanga encourages him to

1247
00:57:37,440 --> 00:57:40,240
Speaker 2: talk to Sean. Corey walks over and says hello to Sean,

1248
00:57:40,440 --> 00:57:42,960
Speaker 2: then looks at the rest of the table boys. He

1249
00:57:43,040 --> 00:57:45,320
Speaker 2: grabs Sean by the leather jacket and pulls him aside.

1250
00:57:45,400 --> 00:57:47,600
Speaker 2: Corey needles him. This certainly appears to be more than

1251
00:57:47,680 --> 00:57:50,440
Speaker 2: just giving each other space. Sean reminds him of their

1252
00:57:50,480 --> 00:57:53,760
Speaker 2: agreement to make new friends, but Corey refutes, no, you agreed.

1253
00:57:53,920 --> 00:57:56,600
Speaker 2: I was perfectly happy with the way things were. Sean

1254
00:57:56,840 --> 00:58:00,360
Speaker 2: shouts explain him, and he points at Lionel. He tells

1255
00:58:00,400 --> 00:58:02,200
Speaker 2: him that he and Lionel met today and they're getting

1256
00:58:02,200 --> 00:58:05,680
Speaker 2: along just famously. I'm young, hunter, I'm vital, and I

1257
00:58:05,720 --> 00:58:06,800
Speaker 2: have a lot to offer.

1258
00:58:07,120 --> 00:58:10,360
Speaker 5: I love this joke that, like Sean's surrounded by leather

1259
00:58:10,440 --> 00:58:12,800
Speaker 5: jacket wearing guys, and I also kind of love the

1260
00:58:12,840 --> 00:58:15,280
Speaker 5: low key joke that Lionel is kind of like another Corey,

1261
00:58:15,400 --> 00:58:17,240
Speaker 5: Like it would have been such a good way to

1262
00:58:17,280 --> 00:58:19,680
Speaker 5: go where like you see us hanging out, and like

1263
00:58:20,000 --> 00:58:22,120
Speaker 5: the fact that we find other people just like us

1264
00:58:22,280 --> 00:58:24,640
Speaker 5: doesn't work like that, We're like miserable, like that I'm

1265
00:58:24,720 --> 00:58:27,880
Speaker 5: surrounded by Shaan's and I'm suddenly like I miss I

1266
00:58:27,920 --> 00:58:30,320
Speaker 5: miss my Cory. That would have been a joke built

1267
00:58:30,360 --> 00:58:33,160
Speaker 5: on our actual characters and our personalities.

1268
00:58:33,200 --> 00:58:34,560
Speaker 4: Instead it's just this visual gag.

1269
00:58:34,600 --> 00:58:37,120
Speaker 5: And then it's like, yeah, if Lionel was like super

1270
00:58:37,160 --> 00:58:39,720
Speaker 5: dorky and anxious and neurotic and Corey was like and

1271
00:58:39,760 --> 00:58:41,840
Speaker 5: you could see himself how he is and then be

1272
00:58:41,880 --> 00:58:42,720
Speaker 5: like I need a Sean.

1273
00:58:43,080 --> 00:58:47,520
Speaker 4: Yeah, yes, this is supposed to be the same night that.

1274
00:58:47,640 --> 00:58:49,880
Speaker 5: Yeah, I'm wearing the I know I had the same

1275
00:58:50,040 --> 00:58:52,160
Speaker 5: I had the same thought, because later at the party

1276
00:58:52,200 --> 00:58:54,040
Speaker 5: at the house, I'm wearing the same outfit I was

1277
00:58:54,120 --> 00:58:57,360
Speaker 5: in the morning. So this is also one day Lionel

1278
00:58:57,400 --> 00:59:00,920
Speaker 5: at school and that day. This is all happening in

1279
00:59:00,960 --> 00:59:01,960
Speaker 5: one day, which I'm not sure.

1280
00:59:02,000 --> 00:59:03,640
Speaker 4: Okay, yeah, but wait.

1281
00:59:03,480 --> 00:59:06,240
Speaker 1: You're right, Yeah, you're right, because he says in the

1282
00:59:06,400 --> 00:59:10,200
Speaker 1: in the Chubbies, I met him today, right, Yeah, going to.

1283
00:59:10,240 --> 00:59:14,320
Speaker 4: Throw a party this night. Yeah, a long day.

1284
00:59:15,040 --> 00:59:17,760
Speaker 1: Okay, Well, Sean thinks the same thing about himself. Corey

1285
00:59:17,760 --> 00:59:20,120
Speaker 1: fire's back. The only difference is I have the dignity

1286
00:59:20,160 --> 00:59:22,600
Speaker 1: to keep my friendships personal in private, not parade them

1287
00:59:22,640 --> 00:59:26,120
Speaker 1: around in public for your twisted amusement. Sean shouts, you

1288
00:59:26,280 --> 00:59:31,440
Speaker 1: little punk. Corey yells you dirty man Chubby. Yet another

1289
00:59:31,480 --> 00:59:33,480
Speaker 1: actor playing the role, and this time it's our very

1290
00:59:33,520 --> 00:59:37,320
Speaker 1: own stand in. Matt Kirkwood yells cad bite. Corey grabs

1291
00:59:37,360 --> 00:59:39,480
Speaker 1: a cup of water and throws it in Sean's face.

1292
00:59:39,760 --> 00:59:42,120
Speaker 1: Sean does the same thing right back at him and screams,

1293
00:59:42,200 --> 00:59:44,480
Speaker 1: face it. Our friendship never made any sense in the

1294
00:59:44,560 --> 00:59:46,720
Speaker 1: first place. And writer, did you think you look like

1295
00:59:46,760 --> 00:59:50,000
Speaker 1: you were about to break? I was wondering if Ben

1296
00:59:50,120 --> 00:59:51,480
Speaker 1: was making a funny face.

1297
00:59:51,880 --> 00:59:54,200
Speaker 5: Yeah, this was a yeah, I didn't in the rest

1298
00:59:54,200 --> 00:59:54,680
Speaker 5: of the episode.

1299
00:59:54,800 --> 00:59:55,280
Speaker 4: I was surprised.

1300
00:59:56,280 --> 00:59:58,720
Speaker 5: Yeah, this was like where I actually look like Ben

1301
00:59:58,760 --> 01:00:01,320
Speaker 5: and I are having fun for the first time. We're

1302
01:00:01,440 --> 01:00:03,760
Speaker 5: being tortured into line readings and screaming.

1303
01:00:03,360 --> 01:00:06,400
Speaker 2: For each other. Right, you're actually throwing well.

1304
01:00:06,080 --> 01:00:07,960
Speaker 5: There was probably the only time we got to throw water,

1305
01:00:07,960 --> 01:00:09,920
Speaker 5: because we had been rehearsing without throwing water, so this

1306
01:00:10,040 --> 01:00:11,439
Speaker 5: was like, oh, we have to do it now.

1307
01:00:11,840 --> 01:00:13,120
Speaker 4: So I'm sure there was a level of.

1308
01:00:13,080 --> 01:00:16,000
Speaker 1: Like your nose at some point, and I think water

1309
01:00:16,120 --> 01:00:18,160
Speaker 1: really had gone up your nose, and I think the

1310
01:00:18,200 --> 01:00:20,320
Speaker 1: only way to like recover from it was you had

1311
01:00:20,320 --> 01:00:21,040
Speaker 1: to wipe your nose.

1312
01:00:21,800 --> 01:00:24,840
Speaker 4: So Corey the only honest moment in the whole episode.

1313
01:00:24,960 --> 01:00:26,280
Speaker 2: Exactly, and it does look fun.

1314
01:00:26,920 --> 01:00:30,240
Speaker 1: Corey agrees, but then asks why because we're different your college,

1315
01:00:30,280 --> 01:00:32,479
Speaker 1: I'm Towny, it was only a matter of time before

1316
01:00:32,520 --> 01:00:35,040
Speaker 1: that caught up with us. Corey demands, then let's end

1317
01:00:35,040 --> 01:00:37,520
Speaker 1: it now before it lasts any longer than it did,

1318
01:00:37,800 --> 01:00:41,120
Speaker 1: and then Sean yell's no now, as if Corey didn't

1319
01:00:41,160 --> 01:00:43,800
Speaker 1: just say that, And then Sean yells for his leather

1320
01:00:43,880 --> 01:00:47,320
Speaker 1: jacket boys to follow him out, and this scene also

1321
01:00:47,360 --> 01:00:49,720
Speaker 1: has so much laughter at like odd points.

1322
01:00:49,840 --> 01:00:53,120
Speaker 4: So the same scene. It's the same so the opening scene.

1323
01:00:53,320 --> 01:00:56,960
Speaker 1: Correct, it's again the third time. Not one thing has changed.

1324
01:00:57,080 --> 01:00:58,840
Speaker 1: It's the exact same scene.

1325
01:00:58,640 --> 01:01:01,960
Speaker 3: Yep, in a different place though the same day.

1326
01:01:01,880 --> 01:01:08,000
Speaker 1: Apparently same day, new location. Yeah, same scene, the guy's apartment.

1327
01:01:08,040 --> 01:01:10,520
Speaker 1: Corey and Lionel are exiting the elevator and Lionel wants

1328
01:01:10,560 --> 01:01:12,680
Speaker 1: to know why he has to be here. Corey admits,

1329
01:01:12,840 --> 01:01:14,600
Speaker 1: it's no secret that Sean and I went through a

1330
01:01:14,640 --> 01:01:17,040
Speaker 1: pretty brutal breakup. Things could get pretty ugly, and if

1331
01:01:17,040 --> 01:01:19,800
Speaker 1: a punch gets thrown, well, I need you to take it.

1332
01:01:20,680 --> 01:01:22,440
Speaker 4: Great line, very funny.

1333
01:01:23,560 --> 01:01:26,480
Speaker 2: Lionel nobly says he will do that, Will Cory? I

1334
01:01:26,520 --> 01:01:27,000
Speaker 2: will do that.

1335
01:01:27,400 --> 01:01:29,720
Speaker 1: Corey assumes that Sean has no intention of giving him

1336
01:01:29,760 --> 01:01:32,960
Speaker 1: a stuff stuff back, considering how vindictive he is. Set up,

1337
01:01:33,000 --> 01:01:35,520
Speaker 1: set up, set up, But then we see a box

1338
01:01:35,600 --> 01:01:39,280
Speaker 1: labeled Corey's stuff sitting right outside the door. Corey cries,

1339
01:01:39,400 --> 01:01:41,480
Speaker 1: where does it end? He knocks on the door and

1340
01:01:41,520 --> 01:01:43,680
Speaker 1: calls out to Sean. When a half second goes by

1341
01:01:43,720 --> 01:01:45,800
Speaker 1: with no answer, Corey is sure Sean has.

1342
01:01:47,040 --> 01:01:49,600
Speaker 4: The situation happened to me in life? It was devastating

1343
01:01:49,680 --> 01:01:50,360
Speaker 4: where it broke up.

1344
01:01:50,840 --> 01:01:54,880
Speaker 5: I got dumped and then called like months later and

1345
01:01:54,960 --> 01:01:55,600
Speaker 5: it was like.

1346
01:01:55,800 --> 01:01:58,320
Speaker 4: Oh, we should get together, Let's get together. I was

1347
01:01:58,520 --> 01:02:00,520
Speaker 4: so excited. I was like maybe that we're going to

1348
01:02:00,520 --> 01:02:01,200
Speaker 4: get back together.

1349
01:02:01,440 --> 01:02:03,840
Speaker 5: And I showed up at her apartment and she just

1350
01:02:04,040 --> 01:02:05,720
Speaker 5: walked out handed me a box of all of my

1351
01:02:05,800 --> 01:02:09,320
Speaker 5: stuff that I loved, and I was like, oh, we're

1352
01:02:09,360 --> 01:02:10,760
Speaker 5: not This is okay.

1353
01:02:11,120 --> 01:02:13,040
Speaker 2: You wanted to see me to give me my She'll.

1354
01:02:12,840 --> 01:02:14,960
Speaker 5: Give me my ship and then we'll go get coffee

1355
01:02:15,000 --> 01:02:17,680
Speaker 5: and I'll see it devastating.

1356
01:02:18,880 --> 01:02:20,000
Speaker 2: Was your leather jacket in there?

1357
01:02:21,080 --> 01:02:22,280
Speaker 3: Yeah?

1358
01:02:22,520 --> 01:02:23,880
Speaker 2: You hadn't left it at our house? Right?

1359
01:02:24,800 --> 01:02:26,480
Speaker 3: Did you? Did you write a song about it under

1360
01:02:26,480 --> 01:02:28,640
Speaker 3: the name go Ta just curious?

1361
01:02:28,760 --> 01:02:30,920
Speaker 4: No, very very thank you.

1362
01:02:31,320 --> 01:02:33,680
Speaker 5: That's the hit, the reference twenty years ago.

1363
01:02:36,200 --> 01:02:37,120
Speaker 4: Exactly there you go.

1364
01:02:37,520 --> 01:02:39,520
Speaker 1: Corey is sure Sean must be hurting, and he is

1365
01:02:39,600 --> 01:02:42,680
Speaker 1: loving it. But then Sean answers the door and shouts Kirk,

1366
01:02:42,800 --> 01:02:45,400
Speaker 1: it's about time, but then realizes it's Corey and his

1367
01:02:45,440 --> 01:02:48,960
Speaker 1: tone changes. He's having a party. Corey laughs at this excuse,

1368
01:02:49,040 --> 01:02:51,600
Speaker 1: Sean must be lying. When Sean opens the door a little,

1369
01:02:51,600 --> 01:02:53,440
Speaker 1: we do see a big group of people gathered in

1370
01:02:53,480 --> 01:02:57,480
Speaker 1: the apartment. The background budget was in big effect this week.

1371
01:02:57,880 --> 01:03:00,960
Speaker 1: Sean boasts just pounding down some so swapping a few

1372
01:03:01,040 --> 01:03:04,360
Speaker 1: stories with some close friends. Corey argues that he hardly

1373
01:03:04,360 --> 01:03:07,000
Speaker 1: knows these people. Sean explains exactly so if they leave,

1374
01:03:07,040 --> 01:03:09,520
Speaker 1: who cares? He abruptly yells at his new friends, telling

1375
01:03:09,560 --> 01:03:11,439
Speaker 1: them to leave. As they begin to file out, Sean

1376
01:03:11,520 --> 01:03:13,200
Speaker 1: yells at them to get back in there, and they do.

1377
01:03:13,800 --> 01:03:16,520
Speaker 1: See that's what no emotional attachment looks like, his kind

1378
01:03:16,560 --> 01:03:19,280
Speaker 1: of friendship. Corey tells Sean it's been a fun run.

1379
01:03:19,400 --> 01:03:23,080
Speaker 1: Sean nods it has been. Corey reminisces remember the time

1380
01:03:23,080 --> 01:03:25,600
Speaker 1: we ate cake and the paramus mall. Sean stops him,

1381
01:03:25,840 --> 01:03:27,320
Speaker 1: no emotion because it's too hard.

1382
01:03:27,400 --> 01:03:29,120
Speaker 2: And now I.

1383
01:03:29,080 --> 01:03:33,280
Speaker 1: Guess here's like the tiniest bit of reality between them.

1384
01:03:33,440 --> 01:03:35,560
Speaker 1: Where are we really gonna do this? I thought we

1385
01:03:35,600 --> 01:03:37,760
Speaker 1: had a good thing going good look, and Sean is

1386
01:03:37,760 --> 01:03:40,560
Speaker 1: actually honest and says, let's not go there.

1387
01:03:40,600 --> 01:03:41,480
Speaker 2: It's just too hard.

1388
01:03:42,520 --> 01:03:44,880
Speaker 1: He puts on a brave face and tell tells Corey

1389
01:03:44,920 --> 01:03:47,680
Speaker 1: to have a nice whatever. Corey tries to tell him

1390
01:03:47,680 --> 01:03:49,960
Speaker 1: that he doesn't hate him, and Sean winss just go.

1391
01:03:50,400 --> 01:03:53,200
Speaker 1: Corey obliges, taking Lionel with him, but Sean grabs Lionel.

1392
01:03:53,440 --> 01:03:55,840
Speaker 1: If you guys ever play basketball, make sure there's plenty

1393
01:03:55,840 --> 01:03:59,520
Speaker 1: of water around, because Corey tends to dehydrate. Corey waits

1394
01:03:59,520 --> 01:04:01,440
Speaker 1: in the elevator, but Sean has more tips and let

1395
01:04:01,520 --> 01:04:03,920
Speaker 1: him win once in a while. He likes that. Oh

1396
01:04:03,960 --> 01:04:08,280
Speaker 1: and never eat cake and paramus, that's ours. Lionel joins

1397
01:04:08,280 --> 01:04:10,120
Speaker 1: his pal in the elevator, and Corey pokes his head

1398
01:04:10,160 --> 01:04:12,320
Speaker 1: out to get one more glimpse of Sean. Sean stands

1399
01:04:12,320 --> 01:04:14,280
Speaker 1: in the doorway and watches them leave before playing it

1400
01:04:14,320 --> 01:04:15,960
Speaker 1: off cool and going back inside.

1401
01:04:16,320 --> 01:04:21,280
Speaker 3: Now, had this scene right here been the only time

1402
01:04:21,360 --> 01:04:24,400
Speaker 3: they took it to that level of its lovers breaking

1403
01:04:24,480 --> 01:04:28,320
Speaker 3: up funny howling, I know you're right, it would have

1404
01:04:28,360 --> 01:04:28,840
Speaker 3: been hiss.

1405
01:04:30,000 --> 01:04:32,000
Speaker 4: It's all about modulation. I think you're right. This whole

1406
01:04:32,000 --> 01:04:33,400
Speaker 4: episode is just not modulated.

1407
01:04:33,760 --> 01:04:36,960
Speaker 3: Yes, because Sean grabbing and giving all the advice it

1408
01:04:37,240 --> 01:04:39,760
Speaker 3: could have been, but by this point it's just lost

1409
01:04:39,800 --> 01:04:40,160
Speaker 3: in the sea.

1410
01:04:41,120 --> 01:04:43,600
Speaker 5: Like the lines are actually pretty funny, the writings pretty good.

1411
01:04:43,640 --> 01:04:46,160
Speaker 5: I think the script could have you know, well, it's

1412
01:04:46,200 --> 01:04:48,760
Speaker 5: it's it's the same scene over and over it's just

1413
01:04:48,880 --> 01:04:51,880
Speaker 5: it's a sketch, it's a it's one joke, one scene,

1414
01:04:52,160 --> 01:04:54,080
Speaker 5: and they just kept riffing on it and having fun.

1415
01:04:54,120 --> 01:04:56,280
Speaker 4: And it doesn't quite Also.

1416
01:04:56,160 --> 01:04:58,440
Speaker 1: The way the laughs are with the audience, it's like

1417
01:04:58,600 --> 01:05:01,720
Speaker 1: nobody was really sure what was funny and what kind

1418
01:05:01,720 --> 01:05:04,080
Speaker 1: of wasn't funny, and so they just acted like everything

1419
01:05:04,160 --> 01:05:07,480
Speaker 1: was funny and there's laughter everywhere. Even that doesn't feel

1420
01:05:07,840 --> 01:05:11,640
Speaker 1: quite so earned. It's it's just odd. Then we are

1421
01:05:11,720 --> 01:05:16,640
Speaker 1: at a nice new exterior for our fake Dean Borax house.

1422
01:05:16,680 --> 01:05:19,280
Speaker 3: That looks kind of like the Matthews house. And I

1423
01:05:19,280 --> 01:05:20,919
Speaker 3: had the same Matthews house.

1424
01:05:21,440 --> 01:05:22,400
Speaker 4: Do you remember shooting this?

1425
01:05:22,440 --> 01:05:24,040
Speaker 3: Will not even slightly.

1426
01:05:24,120 --> 01:05:25,240
Speaker 2: I know where did they shoot this?

1427
01:05:25,440 --> 01:05:25,960
Speaker 3: Nothing of it?

1428
01:05:26,040 --> 01:05:28,240
Speaker 5: And I bet you it was No, I bet you

1429
01:05:28,280 --> 01:05:30,520
Speaker 5: it's one of the houses, because there's standing houses at

1430
01:05:30,560 --> 01:05:34,720
Speaker 5: CBS Radford. Yeah, that neighborhood, you know, that little neighborhood area.

1431
01:05:34,960 --> 01:05:37,400
Speaker 5: We rarely went there, but I've been there for auditions

1432
01:05:37,400 --> 01:05:39,320
Speaker 5: and stuff. It's like there's this whole office that.

1433
01:05:39,400 --> 01:05:41,160
Speaker 4: Has to be there. Then must must have been.

1434
01:05:42,320 --> 01:05:44,840
Speaker 5: I think it was the neighborhood in for the Burbs,

1435
01:05:46,600 --> 01:05:47,640
Speaker 5: that movie with Tom Hanks.

1436
01:05:47,640 --> 01:05:48,480
Speaker 4: That's what they willed it for.

1437
01:05:48,640 --> 01:05:51,480
Speaker 5: So it's a famous like little spake somewhere that they

1438
01:05:51,560 --> 01:05:52,000
Speaker 5: use a lot.

1439
01:05:52,120 --> 01:05:53,440
Speaker 3: Then, yeah, they had to have been there, because I

1440
01:05:53,440 --> 01:05:55,000
Speaker 3: don't think we ever left the lot or anything. But no,

1441
01:05:55,040 --> 01:05:56,880
Speaker 3: I remember nothing shooting this at all.

1442
01:05:57,200 --> 01:05:59,440
Speaker 1: So Eric stands outside, yelling for the Dean the way

1443
01:05:59,480 --> 01:06:02,320
Speaker 1: he usually for Phoenie. Jack is behind him, holding a

1444
01:06:02,360 --> 01:06:04,800
Speaker 1: rapt present. He nervously tells Eric, I was a very

1445
01:06:04,800 --> 01:06:06,840
Speaker 1: good student in high school. I can write this paper.

1446
01:06:06,920 --> 01:06:10,240
Speaker 1: I'm going home. Eric mocks him, Fine, go high school boy.

1447
01:06:10,560 --> 01:06:12,760
Speaker 1: Jack is offended, but Eric assures him he meant nothing

1448
01:06:12,800 --> 01:06:14,440
Speaker 1: by it. He knows that high school was a very

1449
01:06:14,480 --> 01:06:16,840
Speaker 1: important time in Jack's life. He wants some spelling bees

1450
01:06:16,880 --> 01:06:19,240
Speaker 1: he took out the prom queen he peaked early. Good

1451
01:06:19,280 --> 01:06:21,760
Speaker 1: for him. This worries Jack, and he starts yelling for

1452
01:06:21,760 --> 01:06:24,880
Speaker 1: the Dean too. The Dean eventually answers the door in

1453
01:06:24,920 --> 01:06:26,560
Speaker 1: a huff, and Eric asks if he can put on

1454
01:06:26,600 --> 01:06:28,520
Speaker 1: a pot of coffee and invite them inside to discuss

1455
01:06:28,520 --> 01:06:29,720
Speaker 1: the extension on their papers.

1456
01:06:29,960 --> 01:06:32,880
Speaker 5: Now this is where I will I think it's this scene.

1457
01:06:33,000 --> 01:06:36,200
Speaker 5: I will revi heist my earlier sentiment that the Phoenie

1458
01:06:36,200 --> 01:06:40,320
Speaker 5: call has not happened because he does a deed does

1459
01:06:40,360 --> 01:06:43,400
Speaker 5: it here, And I was like, okay, it's it's obviously

1460
01:06:43,520 --> 01:06:44,480
Speaker 5: enough of the thing.

1461
01:06:44,800 --> 01:06:46,160
Speaker 4: Yes, that him.

1462
01:06:45,960 --> 01:06:49,720
Speaker 5: Screening in that tone got or Dean whatever his name is,

1463
01:06:49,800 --> 01:06:53,280
Speaker 5: got the and I was like, okay, so I know

1464
01:06:53,320 --> 01:06:55,240
Speaker 5: I said that the Phoenie call hasn't happened, but I

1465
01:06:55,800 --> 01:06:57,200
Speaker 5: will say after watching.

1466
01:06:56,880 --> 01:07:01,919
Speaker 1: This, yeah, it was the thing that before he ever

1467
01:07:02,040 --> 01:07:05,280
Speaker 1: did the escalation with dragging it out, this had been

1468
01:07:05,320 --> 01:07:09,040
Speaker 1: the previous Phoenie call. Once he does the once he

1469
01:07:09,080 --> 01:07:11,040
Speaker 1: does the dragged out one, that's like.

1470
01:07:11,400 --> 01:07:12,919
Speaker 4: The peak Phoenie call.

1471
01:07:13,040 --> 01:07:14,480
Speaker 2: Yeah, that's the pinnacle of it all.

1472
01:07:14,840 --> 01:07:17,840
Speaker 1: But this was the Phoene call up until the point

1473
01:07:17,840 --> 01:07:22,200
Speaker 1: that he found it even a funnier way of doing it. Well,

1474
01:07:22,240 --> 01:07:25,960
Speaker 1: thank you Rid for revising, revising your thoughts always. You know,

1475
01:07:26,000 --> 01:07:27,760
Speaker 1: it's always one of my favorite things in a person

1476
01:07:27,760 --> 01:07:28,200
Speaker 1: when they can.

1477
01:07:28,160 --> 01:07:30,280
Speaker 2: Say I've thought about it, I was wrong.

1478
01:07:32,040 --> 01:07:34,320
Speaker 1: Jack offers the gift he brought a Bobka. The Dean

1479
01:07:34,400 --> 01:07:36,440
Speaker 1: is angry, you bums think you're going to buy me

1480
01:07:36,480 --> 01:07:39,320
Speaker 1: off with a stink in Bobka. The Dean calls for Hildy,

1481
01:07:39,400 --> 01:07:42,400
Speaker 1: and Eric excitedly tells Jack, we're going to meet his daughter.

1482
01:07:42,800 --> 01:07:45,360
Speaker 1: The dean corrects him, you're gonna meet my doberman. Dean

1483
01:07:45,400 --> 01:07:48,400
Speaker 1: Borak warns them, I am a nasty, nasty man, and

1484
01:07:48,400 --> 01:07:51,360
Speaker 1: we hear a vicious dog barking inside the house. Eric

1485
01:07:51,400 --> 01:07:53,720
Speaker 1: and Jack run away, but the Dean yells leave the bobka,

1486
01:07:53,920 --> 01:08:07,200
Speaker 1: and Jack throws it on his way out, And then

1487
01:08:07,280 --> 01:08:10,560
Speaker 1: we're at Phoene's house the backyard sideyard, Eric is yelling

1488
01:08:10,600 --> 01:08:13,720
Speaker 1: for Feoenie in the familiar way we all love, and

1489
01:08:14,400 --> 01:08:16,600
Speaker 1: we see a hand abruptly cover his mouth before he

1490
01:08:16,640 --> 01:08:21,360
Speaker 1: can scream again. And it's Feenie. I was expecting you today, tomorrow, yesterday.

1491
01:08:21,920 --> 01:08:25,439
Speaker 1: Eric introduces Jack, who's nervously standing behind him. Phoene asks

1492
01:08:25,439 --> 01:08:28,320
Speaker 1: why isn't he looking at me? Jack admits, I'm afraid, Sir.

1493
01:08:28,800 --> 01:08:31,040
Speaker 1: Eric tells him that they have their first paper due

1494
01:08:31,080 --> 01:08:33,679
Speaker 1: tomorrow and they're both scared that the college may realize

1495
01:08:33,720 --> 01:08:37,000
Speaker 1: they're fakes. Phoenie assures them getting accepted into college is

1496
01:08:37,040 --> 01:08:39,639
Speaker 1: not a random act. You both were accepted on your merits.

1497
01:08:39,840 --> 01:08:42,240
Speaker 1: You belong. He asks the boys what the topic of

1498
01:08:42,280 --> 01:08:44,479
Speaker 1: their paper is, and Eric tells them it's an open assignment.

1499
01:08:44,640 --> 01:08:46,400
Speaker 1: No rules, no guidelines. It doesn't even have to be

1500
01:08:46,479 --> 01:08:50,360
Speaker 1: in English. Phoene shocked. You're kidding, right, Eric confirms it,

1501
01:08:50,400 --> 01:08:52,920
Speaker 1: and Phoene's advice is to write about something personal. He

1502
01:08:53,040 --> 01:08:55,920
Speaker 1: suggests they write about the anxiety they're feeling and will

1503
01:08:56,280 --> 01:08:58,000
Speaker 1: Had you already had your first panic attack?

1504
01:08:58,040 --> 01:08:58,519
Speaker 3: Were you? No?

1505
01:08:58,720 --> 01:09:00,599
Speaker 4: I thought the same thing. I hadn't had it yet.

1506
01:09:01,200 --> 01:09:03,120
Speaker 3: It was because I had it during h Double Hockey

1507
01:09:03,160 --> 01:09:04,559
Speaker 3: six with with Matt.

1508
01:09:04,439 --> 01:09:06,479
Speaker 4: With Matt next time, and that's was the foul.

1509
01:09:06,520 --> 01:09:08,840
Speaker 3: Between these two seasons. Yeah, so no, I had not

1510
01:09:08,920 --> 01:09:09,360
Speaker 3: had it yet.

1511
01:09:09,400 --> 01:09:09,639
Speaker 6: Wow.

1512
01:09:09,720 --> 01:09:11,559
Speaker 1: I thought, wonder if they had like pulled you know,

1513
01:09:11,640 --> 01:09:14,040
Speaker 1: not just Stanford for cour and yeah, you know, we've

1514
01:09:14,080 --> 01:09:16,040
Speaker 1: already talked about how many things they pulled from writer's life.

1515
01:09:16,040 --> 01:09:18,320
Speaker 2: But I wonder if the anxiety but okay.

1516
01:09:18,080 --> 01:09:20,400
Speaker 4: No old older women in anxiety they pulled for my life?

1517
01:09:20,439 --> 01:09:20,799
Speaker 5: Possible?

1518
01:09:20,920 --> 01:09:23,599
Speaker 2: Yeah, right, there you go. Eric loves it.

1519
01:09:23,640 --> 01:09:26,760
Speaker 1: He exclaims, Yes, Phoenie and Eric back together again, just

1520
01:09:26,880 --> 01:09:28,840
Speaker 1: like the old days. I make you look so good.

1521
01:09:29,240 --> 01:09:31,679
Speaker 1: He runs off and leaves Jack and Feenie alone. Phoene

1522
01:09:31,800 --> 01:09:34,120
Speaker 1: approaches Jack, who still won't look at him. Jack tells

1523
01:09:34,160 --> 01:09:36,879
Speaker 1: him he was thinking about writing about uncovering dinosaur fossils

1524
01:09:36,880 --> 01:09:39,760
Speaker 1: in China. Phoene wants to know he got pictures. Jack

1525
01:09:39,800 --> 01:09:40,559
Speaker 1: shakes his head.

1526
01:09:40,439 --> 01:09:43,160
Speaker 2: No, Phoenie declares, then you got nothing, and he walks

1527
01:09:43,200 --> 01:09:44,040
Speaker 2: back inside his house.

1528
01:09:46,320 --> 01:09:52,000
Speaker 3: Okay, I thought, I thought the thing about the exchange

1529
01:09:52,040 --> 01:09:54,799
Speaker 3: that he and I had together of it's an open paper,

1530
01:09:54,880 --> 01:09:57,479
Speaker 3: you could do whatever you like, the easiest assignment. Every's like, like,

1531
01:09:57,760 --> 01:10:00,519
Speaker 3: you're kidding, right, Like that was funny to me. I agree,

1532
01:10:00,640 --> 01:10:03,160
Speaker 3: But the rest of it is just to get Jack

1533
01:10:03,240 --> 01:10:05,479
Speaker 3: and Foenie on screen together for the first time ever,

1534
01:10:05,520 --> 01:10:07,479
Speaker 3: which has never happened. I think that's the whole reason

1535
01:10:07,560 --> 01:10:08,960
Speaker 3: why this happened, right.

1536
01:10:09,000 --> 01:10:12,880
Speaker 1: But again, the funny exchange of what are the guidelines

1537
01:10:13,040 --> 01:10:16,280
Speaker 1: there are no guidelines to then immediately be followed up

1538
01:10:16,280 --> 01:10:19,599
Speaker 1: by if you don't have pictures, that's a terrible paper.

1539
01:10:19,800 --> 01:10:22,280
Speaker 2: Is like, I get that. It's a kind of a

1540
01:10:22,360 --> 01:10:24,400
Speaker 2: joke that if you don't have pictures. I don't know.

1541
01:10:24,439 --> 01:10:26,519
Speaker 2: It's just I don't know. I have a hard I

1542
01:10:26,600 --> 01:10:26,800
Speaker 2: have a.

1543
01:10:26,800 --> 01:10:29,160
Speaker 4: Paper about fossils in China. Whether he went or not,

1544
01:10:29,200 --> 01:10:30,080
Speaker 4: who cares.

1545
01:10:29,720 --> 01:10:31,680
Speaker 3: He's got his paper's done.

1546
01:10:31,520 --> 01:10:34,640
Speaker 1: Absolutely, And then we're in Phoene's office, Corey enters, I

1547
01:10:34,640 --> 01:10:36,000
Speaker 1: got a message. You want to see me. You have

1548
01:10:36,000 --> 01:10:38,639
Speaker 1: two extra tickets to Sunday's Eagles game. And then there's

1549
01:10:38,640 --> 01:10:40,920
Speaker 1: another knock at the door. It's Sean. You have an

1550
01:10:40,920 --> 01:10:44,080
Speaker 1: academic achievement award for me. Corey and Sean make eye

1551
01:10:44,080 --> 01:10:47,120
Speaker 1: contact and in unison, say you. Then they turn back

1552
01:10:47,120 --> 01:10:49,960
Speaker 1: to Feenie and Yelle sting. Phoene tells the boys to

1553
01:10:49,960 --> 01:10:52,559
Speaker 1: sit down. Corey wants to know why Peoene is doing this,

1554
01:10:52,880 --> 01:10:55,200
Speaker 1: and on cue Tapega walks in. I asked him to

1555
01:10:55,240 --> 01:10:59,040
Speaker 1: see you. Both boys gasp and iconic line alert.

1556
01:10:59,400 --> 01:11:06,240
Speaker 2: They dramat gasp to Penga.

1557
01:11:04,960 --> 01:11:06,400
Speaker 5: I don't know do we say this a bunch? I

1558
01:11:06,439 --> 01:11:08,200
Speaker 5: know it's a but I don't know if it's just

1559
01:11:08,240 --> 01:11:10,200
Speaker 5: because we did this long term, this is you.

1560
01:11:10,160 --> 01:11:12,160
Speaker 1: Do it again later? I know for sure. In like

1561
01:11:12,200 --> 01:11:15,320
Speaker 1: the college scene in the college, Matt and I do it,

1562
01:11:15,360 --> 01:11:16,880
Speaker 1: A bunch of people do it. It's like the way

1563
01:11:16,960 --> 01:11:17,479
Speaker 1: to say her.

1564
01:11:17,439 --> 01:11:20,679
Speaker 2: Name now, Benga, Yeah, it becomes a thing.

1565
01:11:20,960 --> 01:11:23,240
Speaker 5: Which again is just riffing on an affair to forget.

1566
01:11:23,280 --> 01:11:28,040
Speaker 5: When to Panga, yes, arranges for the scene, then she yes.

1567
01:11:28,280 --> 01:11:30,160
Speaker 1: You won't listen to me? You won't listen to each other.

1568
01:11:30,240 --> 01:11:32,920
Speaker 1: Maybe you'll listen to mister Feoenie, she says. Phoenie admits

1569
01:11:33,240 --> 01:11:35,360
Speaker 1: it hasn't happened yet, but I'll take a shot at it.

1570
01:11:35,640 --> 01:11:37,680
Speaker 1: He asks, who wants to start? Both agree they have

1571
01:11:37,720 --> 01:11:39,800
Speaker 1: nothing to say. Phoene's fed up and done. That was

1572
01:11:39,840 --> 01:11:43,120
Speaker 1: his best shot to Pega is shocked. She shouts at Phoene,

1573
01:11:43,200 --> 01:11:45,519
Speaker 1: these boys are about to throw away ten years of friendship,

1574
01:11:45,560 --> 01:11:46,960
Speaker 1: and he calls that his best shot.

1575
01:11:47,120 --> 01:11:49,639
Speaker 4: You are dressed so well for school.

1576
01:11:50,000 --> 01:11:51,680
Speaker 5: I was like, where's.

1577
01:11:55,240 --> 01:11:55,439
Speaker 3: Out?

1578
01:11:55,680 --> 01:11:58,439
Speaker 5: Yeah, it was just like wow, she's really like decked

1579
01:11:58,560 --> 01:12:00,280
Speaker 5: up for you know, it's like fancy first.

1580
01:12:00,439 --> 01:12:02,760
Speaker 1: I know, I don't understand my wardrobe this season. That's

1581
01:12:02,760 --> 01:12:04,880
Speaker 1: another thing. It seems like I'm not sure what's going

1582
01:12:04,880 --> 01:12:08,200
Speaker 1: on with my wardrobe choices. I don't quite know whats in.

1583
01:12:08,200 --> 01:12:09,160
Speaker 4: A lot of sweater vests.

1584
01:12:09,760 --> 01:12:11,760
Speaker 3: I've noticed every episode of sweater vests.

1585
01:12:11,880 --> 01:12:16,400
Speaker 1: Yes, so she scolds, shame on you shame Phoene asks,

1586
01:12:16,479 --> 01:12:19,559
Speaker 1: I show up, I teach. Why isn't that enough? Shawn

1587
01:12:19,600 --> 01:12:21,760
Speaker 1: assures him they don't need to waste anyone's time. He

1588
01:12:21,840 --> 01:12:24,519
Speaker 1: and Corey broke up. Corey explains it should have happened sooner,

1589
01:12:24,640 --> 01:12:26,599
Speaker 1: and Shawn adds, but we stayed together for the kids.

1590
01:12:26,920 --> 01:12:29,839
Speaker 1: Phoene gives them a look and Corey clarifies. In the class,

1591
01:12:30,600 --> 01:12:33,200
Speaker 1: Phoene asks the boys when this problem started. Sean says

1592
01:12:33,200 --> 01:12:36,160
Speaker 1: Corey's problem started the day he met him. He continues

1593
01:12:36,200 --> 01:12:38,040
Speaker 1: to shout in Corey's face, you didn't think I was

1594
01:12:38,040 --> 01:12:39,920
Speaker 1: good enough for you since the day you met me,

1595
01:12:40,120 --> 01:12:42,960
Speaker 1: the day he met me. And then there's some weird

1596
01:12:43,000 --> 01:12:46,040
Speaker 1: blocking here. They're already leading into this thing. You looking

1597
01:12:46,120 --> 01:12:46,840
Speaker 1: up stage, just.

1598
01:12:46,800 --> 01:12:49,599
Speaker 5: Blocking the dissolve is happening.

1599
01:12:49,680 --> 01:12:52,160
Speaker 1: While a dissolve starts to happen, where we enter a flashback,

1600
01:12:52,280 --> 01:12:54,759
Speaker 1: the screen gets blurry and a banjo starts to play.

1601
01:12:54,960 --> 01:12:57,280
Speaker 1: We're at the zoo and we see a lama, a

1602
01:12:57,320 --> 01:13:00,680
Speaker 1: young Sean who looks nothing like writer Tipe, wearing a

1603
01:13:00,760 --> 01:13:01,400
Speaker 1: leather jacket.

1604
01:13:01,520 --> 01:13:03,479
Speaker 4: I know, and like the poor they couldn't even like

1605
01:13:03,520 --> 01:13:05,479
Speaker 4: give the kid a wig that looks like my hair,

1606
01:13:05,640 --> 01:13:07,720
Speaker 4: like they you could tell they just took this poor

1607
01:13:07,800 --> 01:13:10,880
Speaker 4: kid's hair and tried to force the hair kind get

1608
01:13:10,880 --> 01:13:13,880
Speaker 4: a wig, spend the money, make a very over the

1609
01:13:13,920 --> 01:13:15,639
Speaker 4: top Sean like Floppy.

1610
01:13:16,040 --> 01:13:18,639
Speaker 1: I know, because I also thought't what a perfect opportunity

1611
01:13:18,680 --> 01:13:21,160
Speaker 1: to have an enormous to panga wig that like goes

1612
01:13:21,200 --> 01:13:22,920
Speaker 1: all her hair all the way down to the floor

1613
01:13:23,040 --> 01:13:23,760
Speaker 1: or something.

1614
01:13:23,600 --> 01:13:27,560
Speaker 4: Or just have those played by muppets. How great muppets

1615
01:13:27,600 --> 01:13:27,840
Speaker 4: to be.

1616
01:13:28,120 --> 01:13:31,599
Speaker 3: Like Sean remembering this means you can do whatever. That's

1617
01:13:31,600 --> 01:13:34,759
Speaker 3: what you want to do, because what happens in Sean's

1618
01:13:34,800 --> 01:13:38,719
Speaker 3: memory is exactically there should have been clowns juggling jump.

1619
01:13:38,520 --> 01:13:40,880
Speaker 5: In and like we're recorrecting each other, like Corey said, no,

1620
01:13:40,960 --> 01:13:42,960
Speaker 5: that's not what happened. You see in another flashback that's

1621
01:13:42,960 --> 01:13:44,360
Speaker 5: seen Corey's version, and it's.

1622
01:13:44,240 --> 01:13:46,240
Speaker 4: Like everybody has different versions of this.

1623
01:13:46,360 --> 01:13:48,760
Speaker 5: It's such a great idea, Like they could have done

1624
01:13:48,800 --> 01:13:51,080
Speaker 5: that whole This could have been like the second scene

1625
01:13:51,120 --> 01:13:52,920
Speaker 5: of the episode, and then the whole episode is just

1626
01:13:53,560 --> 01:13:56,679
Speaker 5: just retaking, yeah, the flashback and redoing it in different versions.

1627
01:13:56,960 --> 01:13:59,200
Speaker 1: I love the idea of in each of our memory

1628
01:13:59,320 --> 01:14:01,479
Speaker 1: what we look like in the other one's memory, Like

1629
01:14:01,560 --> 01:14:04,920
Speaker 1: in Corey's, Corey would maybe be at like the most

1630
01:14:04,960 --> 01:14:08,599
Speaker 1: gorgeous bread pit style, you know, like.

1631
01:14:09,080 --> 01:14:10,280
Speaker 2: It's very funny.

1632
01:14:10,600 --> 01:14:13,519
Speaker 1: Yeah, time machine, a young Sean who looks nothing like

1633
01:14:13,560 --> 01:14:16,479
Speaker 1: writer outside of wearing a leather jacket, asks a young Corey,

1634
01:14:16,520 --> 01:14:20,720
Speaker 1: who looks nothing like Ben, who is also wearing glasses

1635
01:14:20,800 --> 01:14:21,640
Speaker 1: for some reason.

1636
01:14:21,720 --> 01:14:23,040
Speaker 2: If he wants to have lunch with him.

1637
01:14:23,240 --> 01:14:26,799
Speaker 1: Young Corey, now near a little girl who is supposed

1638
01:14:26,840 --> 01:14:30,240
Speaker 1: to be young Topanga but looks nothing like me, admits,

1639
01:14:30,320 --> 01:14:32,439
Speaker 1: I don't think I should. Those guys say you live

1640
01:14:32,439 --> 01:14:34,559
Speaker 1: in a trailer park, and I shouldn't like you. Tiny

1641
01:14:34,560 --> 01:14:36,880
Speaker 1: Sean says if he changes his mind, he'll still be there.

1642
01:14:37,200 --> 01:14:39,040
Speaker 1: At the next exhibit. Corey is trying to get to

1643
01:14:39,040 --> 01:14:42,920
Speaker 1: Pega's attention. Also, why does Sean want to have lunch

1644
01:14:42,920 --> 01:14:43,200
Speaker 1: with him?

1645
01:14:43,640 --> 01:14:46,639
Speaker 4: Sean, it's the loner, none of me. And why can't

1646
01:14:46,680 --> 01:14:48,919
Speaker 4: he why does he need Shawn's help to crawl.

1647
01:14:48,720 --> 01:14:51,840
Speaker 2: Out of the get me started on that?

1648
01:14:52,560 --> 01:14:53,920
Speaker 5: I mean, I don't even know where we are, Like

1649
01:14:53,960 --> 01:14:56,040
Speaker 5: it doesn't steel like where any I don't I can't

1650
01:14:56,080 --> 01:14:57,439
Speaker 5: like wrap my head around where we.

1651
01:14:57,400 --> 01:15:01,080
Speaker 3: Are that we like we're at service Oho.

1652
01:15:01,240 --> 01:15:05,280
Speaker 5: You literally like all right, But in the scene, I

1653
01:15:05,320 --> 01:15:07,800
Speaker 5: couldn't wrap my head around like where the Lamas were.

1654
01:15:08,040 --> 01:15:10,160
Speaker 5: The fact we never get to see them, so we

1655
01:15:10,240 --> 01:15:13,880
Speaker 5: never feel the threat. It's just it's poorly put together.

1656
01:15:14,080 --> 01:15:15,960
Speaker 1: Yeah, it really is Corey is trying to get to

1657
01:15:15,960 --> 01:15:18,040
Speaker 1: Pega's attention. He gets up on a dividing wall and

1658
01:15:18,080 --> 01:15:20,880
Speaker 1: pretends to be a lama by doing absolutely nothing at

1659
01:15:20,880 --> 01:15:25,040
Speaker 1: all except yelling I'm a lama. But then the worst happens,

1660
01:15:25,080 --> 01:15:30,040
Speaker 1: and young Corey very slowly falls off the wall and

1661
01:15:30,200 --> 01:15:33,960
Speaker 1: into the lama exhibit to Penga rubs it in at first,

1662
01:15:34,080 --> 01:15:36,599
Speaker 1: I told you not to play by the lamas. Corey's

1663
01:15:36,640 --> 01:15:39,719
Speaker 1: yelling help help to Panga is desperately looking for someone

1664
01:15:39,760 --> 01:15:43,160
Speaker 1: to help the other kids run away, but mid soup,

1665
01:15:43,320 --> 01:15:45,960
Speaker 1: Sean comes to the rescue. He hops over the wall

1666
01:15:46,000 --> 01:15:50,200
Speaker 1: and into the llama pen. Sean does literally nothing to

1667
01:15:50,280 --> 01:15:54,080
Speaker 1: rescue Corey. Then reached down softly, and then Corey is

1668
01:15:54,120 --> 01:15:57,200
Speaker 1: able to just hop over the wall by himself, making

1669
01:15:57,280 --> 01:15:59,160
Speaker 1: us wonder how or why he.

1670
01:15:59,240 --> 01:16:00,439
Speaker 2: Was stuck in the first place.

1671
01:16:01,280 --> 01:16:04,040
Speaker 1: Despite this, he thanks Sean for saving him with his

1672
01:16:04,240 --> 01:16:07,200
Speaker 1: entire back to camera, and Sean says, either it was

1673
01:16:07,280 --> 01:16:09,439
Speaker 1: fun or it was fine, but we can't see his

1674
01:16:09,520 --> 01:16:12,320
Speaker 1: face and his mouth is entirely covered, so we'll never know.

1675
01:16:12,600 --> 01:16:16,000
Speaker 4: It's so poorly done. I don't know what's happening.

1676
01:16:15,960 --> 01:16:19,320
Speaker 2: Like I don't know did they have six minutes with children.

1677
01:16:19,479 --> 01:16:20,120
Speaker 4: It feels like.

1678
01:16:20,080 --> 01:16:22,719
Speaker 5: Our entire production team just like went out the window,

1679
01:16:22,800 --> 01:16:23,799
Speaker 5: like what is happening?

1680
01:16:23,840 --> 01:16:24,799
Speaker 4: Yeah, it must have been.

1681
01:16:24,680 --> 01:16:29,600
Speaker 5: So everybody seeing stressed that day, like and maybe it

1682
01:16:29,640 --> 01:16:31,080
Speaker 5: was just that you having kids.

1683
01:16:31,120 --> 01:16:32,720
Speaker 4: I don't know, but you think a show with a

1684
01:16:32,760 --> 01:16:34,880
Speaker 4: lot of children would be okay with kids.

1685
01:16:34,880 --> 01:16:38,200
Speaker 3: I don't know why it wasn't good though, it was.

1686
01:16:39,080 --> 01:16:40,000
Speaker 4: It's truly it was.

1687
01:16:40,160 --> 01:16:42,160
Speaker 1: It's just and I don't want to I mean, we

1688
01:16:42,240 --> 01:16:44,799
Speaker 1: don't know children. I don't want to bash the kids.

1689
01:16:44,840 --> 01:16:48,479
Speaker 1: Come on, but this, every single aspect from from the

1690
01:16:48,479 --> 01:16:50,760
Speaker 1: production of it is just all of it's bad.

1691
01:16:50,960 --> 01:16:53,040
Speaker 2: So anyway, the.

1692
01:16:53,000 --> 01:16:55,719
Speaker 1: Two boys introduce themselves into Panga ads in a sweet hello,

1693
01:16:55,800 --> 01:16:58,519
Speaker 1: Corey refers to her as the wife. Corey apologizes to

1694
01:16:58,560 --> 01:17:00,679
Speaker 1: Sean for not having lunch with him. My friends were wrong.

1695
01:17:00,760 --> 01:17:03,639
Speaker 1: They're not even my friends. Sean smiles. I'll be your friend.

1696
01:17:03,880 --> 01:17:06,200
Speaker 1: His one condition promise me that when we grow up,

1697
01:17:06,200 --> 01:17:07,479
Speaker 1: you won't go to college and leave me.

1698
01:17:07,720 --> 01:17:08,080
Speaker 4: Funny.

1699
01:17:08,200 --> 01:17:10,439
Speaker 3: I mean, that's funny at least too. The thing saying

1700
01:17:10,479 --> 01:17:12,200
Speaker 3: to Panga is the wife referring to her as the

1701
01:17:12,240 --> 01:17:16,600
Speaker 3: wife and then him the yes. How Sean remembers it

1702
01:17:16,680 --> 01:17:18,519
Speaker 3: are the only funny parts of the entire.

1703
01:17:18,400 --> 01:17:22,760
Speaker 5: Right, and because they're jokes based on this fabrication of

1704
01:17:22,760 --> 01:17:24,640
Speaker 5: the memory, right, which is like, we should have just

1705
01:17:24,640 --> 01:17:27,520
Speaker 5: made that the whole joke. Yes, that we're like recreating,

1706
01:17:27,680 --> 01:17:29,000
Speaker 5: you know, we're just yeah.

1707
01:17:28,960 --> 01:17:32,320
Speaker 1: Yeah, Corey shrugs, Okay, friends forever, Sean agrees.

1708
01:17:32,439 --> 01:17:32,839
Speaker 2: Forever.

1709
01:17:33,120 --> 01:17:35,639
Speaker 1: They give each other a big hug, and little Topega says,

1710
01:17:35,680 --> 01:17:39,960
Speaker 1: stop it your boys. Thankfully, that ends a truly brutal

1711
01:17:40,000 --> 01:17:42,240
Speaker 1: scene made even more brutal by a.

1712
01:17:42,720 --> 01:17:43,640
Speaker 2: Joke of gayscare.

1713
01:17:43,680 --> 01:17:47,719
Speaker 1: So it's we return from the flashback back in Phoenie's classroom.

1714
01:17:47,720 --> 01:17:50,120
Speaker 1: The two now grown boys are hugging is Topanga watches

1715
01:17:50,200 --> 01:17:52,479
Speaker 1: just like at the zoo, to Pega repeats the truly

1716
01:17:52,640 --> 01:17:55,640
Speaker 1: stupid line, stop it your boys, And I am so

1717
01:17:55,800 --> 01:17:59,360
Speaker 1: thankful this stereotype of men not being able to hug

1718
01:17:59,479 --> 01:18:00,880
Speaker 1: is no long unger common.

1719
01:18:01,320 --> 01:18:05,000
Speaker 4: It's we also hog just everybody all the time. It

1720
01:18:05,080 --> 01:18:07,400
Speaker 4: was like, I know, we're a huggy set. It was

1721
01:18:07,560 --> 01:18:09,520
Speaker 4: so yeah, that was very California.

1722
01:18:09,520 --> 01:18:09,720
Speaker 3: Though.

1723
01:18:09,800 --> 01:18:11,240
Speaker 5: I mean, I still think it's a thing. I still

1724
01:18:11,280 --> 01:18:13,519
Speaker 5: think a lot of really make this a thing.

1725
01:18:13,720 --> 01:18:17,439
Speaker 3: Yeah, No, I don't know. I don't think this has

1726
01:18:17,479 --> 01:18:18,920
Speaker 3: big a thing. I mean again, I could be wrong,

1727
01:18:18,960 --> 01:18:20,840
Speaker 3: but no, I hug everybody. Everybody hugs me.

1728
01:18:21,040 --> 01:18:21,720
Speaker 4: Well, I know you do.

1729
01:18:21,840 --> 01:18:25,639
Speaker 5: I'm saying like, in a lot of parts of America

1730
01:18:25,800 --> 01:18:28,679
Speaker 5: that's not the case. We definitely think, yeah, I definitely

1731
01:18:28,720 --> 01:18:33,280
Speaker 5: think there's a lot of you know, insecure masculinity posture

1732
01:18:33,360 --> 01:18:34,799
Speaker 5: and out there for sure.

1733
01:18:35,320 --> 01:18:38,759
Speaker 1: Okay, The boys break their embrace and Corey says to Sean,

1734
01:18:38,840 --> 01:18:40,439
Speaker 1: thank you for pulling me out of the lama pen.

1735
01:18:40,520 --> 01:18:43,400
Speaker 1: Sean responds, thank you for having lunch with me. Phoene

1736
01:18:43,400 --> 01:18:46,200
Speaker 1: size Oh here we go. Sean tell's his best friend,

1737
01:18:46,240 --> 01:18:47,800
Speaker 1: So I don't I mean, why would he say that

1738
01:18:47,840 --> 01:18:49,160
Speaker 1: it wasn't the whole point of this to get them

1739
01:18:49,200 --> 01:18:51,639
Speaker 1: back together into being friends. Why would he now say, oh,

1740
01:18:51,680 --> 01:18:55,120
Speaker 1: here we go? So Sean tells his best friend, I

1741
01:18:55,160 --> 01:18:56,599
Speaker 1: want you to go to the best college you can

1742
01:18:56,600 --> 01:18:58,760
Speaker 1: get into. We'll be best friends all our lives, no

1743
01:18:58,800 --> 01:19:01,080
Speaker 1: matter where you go. All these back, I should have

1744
01:19:01,080 --> 01:19:03,240
Speaker 1: been more aware of your insecurities and how sensitive you

1745
01:19:03,280 --> 01:19:06,400
Speaker 1: can be. Sean asks, you think I'm sensitive? Corey nods

1746
01:19:06,479 --> 01:19:09,200
Speaker 1: I do. Shawn declares, I'm gonna work real hard. So

1747
01:19:09,240 --> 01:19:11,360
Speaker 1: whatever college you get into, I'll be right there with you.

1748
01:19:11,720 --> 01:19:13,840
Speaker 1: As they go in for another hug, to Panga yells

1749
01:19:13,840 --> 01:19:16,200
Speaker 1: stop it. We all still have to be ready for

1750
01:19:16,240 --> 01:19:18,400
Speaker 1: the possibility that we may end up in different places.

1751
01:19:18,560 --> 01:19:20,400
Speaker 1: That's why we have to make our senior year together

1752
01:19:20,439 --> 01:19:23,120
Speaker 1: the best year of our lives. Topanga admits I applied

1753
01:19:23,120 --> 01:19:26,000
Speaker 1: to the University of Miami, and Corey immediately interrupts her.

1754
01:19:26,040 --> 01:19:28,559
Speaker 1: You're going to Miami? To Panga responds, I did tell

1755
01:19:28,600 --> 01:19:30,240
Speaker 1: you that. If you didn't listen, that's not my fault.

1756
01:19:30,520 --> 01:19:33,120
Speaker 1: Corey argues that she never said anything like that. They

1757
01:19:33,160 --> 01:19:35,679
Speaker 1: go back and forth. Util Phoene stops them. Sit down,

1758
01:19:36,200 --> 01:19:38,920
Speaker 1: more weird laughter. Here they sit, and Corey begins it

1759
01:19:38,960 --> 01:19:40,960
Speaker 1: all started the day she was nagging me by the

1760
01:19:41,080 --> 01:19:44,920
Speaker 1: Lama pen to Panga smacksim on the knee. I don't nag.

1761
01:19:45,400 --> 01:19:47,880
Speaker 1: They plead their cases to Feenie. As we've fade to black,

1762
01:19:48,040 --> 01:19:51,719
Speaker 1: Please Lord let this episode end. And then in the tag,

1763
01:19:51,760 --> 01:19:53,920
Speaker 1: we're in the Dean's office. The dean walks in into

1764
01:19:53,920 --> 01:19:55,680
Speaker 1: his surprise, Eric and Jack are waiting for him.

1765
01:19:55,720 --> 01:19:56,240
Speaker 2: Inside.

1766
01:19:56,520 --> 01:19:59,320
Speaker 1: Eric in his chair, casually says, hey, d The dean

1767
01:19:59,360 --> 01:20:01,439
Speaker 1: asks how they go in there? It's after hours and

1768
01:20:01,479 --> 01:20:04,320
Speaker 1: the building is locked. The boys are trespassing and violating

1769
01:20:04,320 --> 01:20:07,200
Speaker 1: his personal property. I could have you both shock therapy.

1770
01:20:07,880 --> 01:20:10,760
Speaker 1: Eric begs dean, we really need that extension. The dean

1771
01:20:10,840 --> 01:20:13,920
Speaker 1: is just appalled in my entire twenty seven year dean career,

1772
01:20:13,960 --> 01:20:17,559
Speaker 1: which spans five colleges on three continents, including China. He

1773
01:20:17,640 --> 01:20:20,680
Speaker 1: then speaks Chinese terribly, but it translates in English to

1774
01:20:21,040 --> 01:20:24,559
Speaker 1: I have never given any students an extension. Jack sighs,

1775
01:20:24,760 --> 01:20:28,960
Speaker 1: but then he magically speaks Chinese right back his translation,

1776
01:20:29,320 --> 01:20:31,639
Speaker 1: can you make an exception for us? Maybe for a month.

1777
01:20:32,200 --> 01:20:34,360
Speaker 1: The Dean lets out a very forced laugh and gives

1778
01:20:34,439 --> 01:20:37,360
Speaker 1: Jack a high five before walking away. I guess he

1779
01:20:37,439 --> 01:20:39,719
Speaker 1: didn't need anything from his office at all. He walked

1780
01:20:39,720 --> 01:20:43,120
Speaker 1: in and just walked out without getting anything. Jack turns

1781
01:20:43,160 --> 01:20:44,719
Speaker 1: back to Eric. He bought them a month.

1782
01:20:44,960 --> 01:20:48,200
Speaker 2: Eric is shocked. You speak Chinese. They decide to celebrate.

1783
01:20:48,320 --> 01:20:51,240
Speaker 1: Jack offers the dean's house, and Eric responds and insult

1784
01:20:51,360 --> 01:20:54,200
Speaker 1: him by going anywhere else. They laugh and leave the

1785
01:20:54,280 --> 01:20:56,480
Speaker 1: office together in excitement.

1786
01:20:57,080 --> 01:21:01,200
Speaker 3: I did like how both of Chet's boln for some reason,

1787
01:21:01,720 --> 01:21:07,400
Speaker 3: can just speak multiple random languages. Of course, Shawn's brother

1788
01:21:07,640 --> 01:21:09,959
Speaker 3: just happens to speak Chinese language.

1789
01:21:10,040 --> 01:21:12,840
Speaker 1: Yeah, I mean, how do they use the principle from

1790
01:21:12,840 --> 01:21:15,479
Speaker 1: Breakfast Club? And he never says you mess with the bowl,

1791
01:21:15,520 --> 01:21:16,320
Speaker 1: you get the horn.

1792
01:21:16,560 --> 01:21:19,880
Speaker 3: Two months I got it right, None of that, none

1793
01:21:19,880 --> 01:21:20,120
Speaker 3: of that.

1794
01:21:20,280 --> 01:21:24,960
Speaker 1: No, Well, thank you all for joining us for this

1795
01:21:25,040 --> 01:21:25,880
Speaker 1: episode of Podus.

1796
01:21:26,200 --> 01:21:27,800
Speaker 4: Expectations are just so low.

1797
01:21:29,240 --> 01:21:36,040
Speaker 1: Lot, I'm hoping for a good season five episode.

1798
01:21:36,479 --> 01:21:38,679
Speaker 4: There's got to be one. There's one that we know well.

1799
01:21:38,800 --> 01:21:41,200
Speaker 3: I mean, first of all, we know one of our

1800
01:21:41,240 --> 01:21:44,240
Speaker 3: overall favorite episodes of the entire series is in season five,

1801
01:21:44,400 --> 01:21:48,200
Speaker 3: so the and then there was so I mean, we

1802
01:21:48,320 --> 01:21:51,479
Speaker 3: know episodes coming up, they've got to be there.

1803
01:21:51,720 --> 01:21:52,599
Speaker 4: Just we're not.

1804
01:21:53,000 --> 01:21:57,519
Speaker 3: Maybe hey, we've got a new direction, Maybe we've got

1805
01:21:57,520 --> 01:21:59,960
Speaker 3: some new actors. Maybe we're all just trying to find

1806
01:22:00,040 --> 01:22:04,080
Speaker 3: our vibe again as the show. And we're now, you know,

1807
01:22:04,080 --> 01:22:06,559
Speaker 3: we've got new pieces in place, and we're just trying

1808
01:22:06,560 --> 01:22:07,559
Speaker 3: to click and we'll get there.

1809
01:22:07,600 --> 01:22:08,200
Speaker 4: We'll get there.

1810
01:22:08,320 --> 01:22:09,080
Speaker 2: We will, we will.

1811
01:22:09,240 --> 01:22:10,720
Speaker 4: I'm convinced. I'm convinced.

1812
01:22:11,400 --> 01:22:12,880
Speaker 1: Thank you all for joining us for this episode of

1813
01:22:12,880 --> 01:22:15,040
Speaker 1: Podmeets World. As always, you can follow us on Instagram

1814
01:22:15,080 --> 01:22:17,919
Speaker 1: Podmeets World Show. You can send us your emails Podmeets

1815
01:22:17,920 --> 01:22:20,920
Speaker 1: World Show at gmail dot com and we have.

1816
01:22:20,920 --> 01:22:23,600
Speaker 4: Merch optimistic merch.

1817
01:22:24,479 --> 01:22:28,080
Speaker 1: Podmetsworldshow dot com will send us out.

1818
01:22:28,360 --> 01:22:29,200
Speaker 4: We love you all.

1819
01:22:29,600 --> 01:22:34,080
Speaker 3: Pod dismissed. Podmeets World is nheart podcast producer and hosted

1820
01:22:34,080 --> 01:22:38,160
Speaker 3: by Danielle Fischel, Wilfredell and Ryder Strong executive producers, Jensen

1821
01:22:38,240 --> 01:22:41,759
Speaker 3: Karp and Amy Sugarman executive in charge of production, Danielle Romo,

1822
01:22:42,080 --> 01:22:46,360
Speaker 3: producer and editor, Tara sudbachsch producer, Maddie Moore, engineer and

1823
01:22:46,400 --> 01:22:49,040
Speaker 3: Boy Meets World super fan Easton Allen. Our theme song

1824
01:22:49,080 --> 01:22:51,120
Speaker 3: is by Kyle Morton of Typhoon and you can follow

1825
01:22:51,200 --> 01:22:53,960
Speaker 3: us on Instagram at Podmeets World Show or email us

1826
01:22:53,960 --> 01:22:57,960
Speaker 3: at Podmets Worldshow at gmail dot com