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Speaker 1: Hello.

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Speaker 2: My name is Jason Septian.

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Speaker 3: He on Mersey Night, and welcome to Group Chat, our

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Speaker 3: weekly roundtable with our producers and special guests, talking about

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Speaker 3: all the things we're excited about, and we're here doing

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Speaker 3: it for you today Monster Style.

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Speaker 1: It's Halloween. Woo Kisses is here.

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Speaker 4: So we are going to be talking about many cool things.

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Speaker 4: We're going to bring in Carmen Lauren, one of the

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Speaker 4: Scream Queens, to talk about the classic universal movie monsters

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Speaker 4: and their upcoming modern reinterpretations, as well as some of

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Speaker 4: the drama along the way.

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Speaker 1: We are also going to.

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Speaker 4: Be bringing in a Boo the Spice Master is back

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Speaker 4: to talk about the major lesson that we have learned

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Speaker 4: from the twenty twenty five box office so far. It's

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Speaker 4: been an interesting year, guys. And then for thank Galactus,

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Speaker 4: it's Friday, Trickle Tree. We're gonna be ranking our top

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Speaker 4: three Halloween candies and you know me, I will be

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Speaker 4: ranking the British candies and explaining them to you, of course.

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Speaker 5: But first let's talk about those monsters.

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Speaker 1: Hell.

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Speaker 3: First of all, i'd like to let's bring a Karmen.

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Speaker 3: I like to apologize because I am I am in

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Speaker 3: the throes of the convention cold I picked up in

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Speaker 3: It's It's It's horrible, but we're delighted to welcome the

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Speaker 3: screen Queen car and to talk about the classic movie

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Speaker 3: monsters of yesteryear and today with the upcoming release of

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Speaker 3: Giermo del Toro's.

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Speaker 5: Frankenstein, had not been more higher in the offing. And

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Speaker 5: to discuss the Remember the Dark Universe whatever happened in

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Speaker 5: Dark Units.

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Speaker 3: Remember remember when Universal back at the tail end of

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Speaker 3: the of the crest of the MC wave endgame days,

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Speaker 3: when Universe was like, we need one of ours, we

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Speaker 3: need something like that.

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Speaker 5: Why don't we do the Dark.

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Speaker 3: Universe, all our classic monster characters all together in the

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Speaker 3: same universe.

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Speaker 5: Whatever happened to that, I've happened to that.

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Speaker 1: Well, guess well, we're gonna talk about it. Common.

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Speaker 4: How do you feel about the Universal Classic Monsters. I'm

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Speaker 4: assuming you're a fan, oh.

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Speaker 6: A huge fan of especially because not a lot of

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Speaker 6: people know this, but one of the things that got

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Speaker 6: me into this kind of industry of movies in pop

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Speaker 6: culture is I wanted to be a theatrical special effects

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Speaker 6: makeup artist, and so I was looking at those Universal

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Speaker 6: Monsters from like the costume makeup perspective. I'm really excited

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Speaker 6: about that. But never why into podcast producing instead?

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Speaker 1: And here I am, Hey, guess what, never too late.

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Speaker 4: I'm gonna when you come to Universal, we'll go to

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Speaker 4: the Monster movie makeup show and you could.

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Speaker 7: I love dream.

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Speaker 4: I love the original Universal Monsters. You know, these I

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Speaker 4: think are so formative for so many of us as kids.

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Speaker 4: It's what they show you in film school. They show

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Speaker 4: you Frankenstein, you know. But these movies have been around

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Speaker 4: as well for like over one hundred years. The first

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Speaker 4: movie is nineteen thirteen.

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Speaker 1: You know.

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Speaker 4: That's where you get your big boom Lawn Cheney, Doctor

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Speaker 4: Jekyl and mister Hyde. Iconic movie, and from there you're famous.

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Speaker 4: This is really where we establish the literary monsters as

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Speaker 4: their own cannon. We have Handsom of the Opera obviously,

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Speaker 4: Bella Lagosi, Dracula, the Frankenstein with Boris Karloff so famous,

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Speaker 4: the Mummy, the Invisible Man, the Wolfman, Creature from the

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Speaker 4: Black Lagoon, both original characters. In a way, Ah man,

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Speaker 4: I've been waiting to say this for so long. I've

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Speaker 4: written about it, but like, look, guys, in a way,

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Speaker 4: the Universal Monsters were the first original shared Universe.

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Speaker 1: Shocking to tell you, but it's true.

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Speaker 4: I have the fantastic Fast Channel which you can access

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Speaker 4: for free on your Roku or Chuby or Pluto, which

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Speaker 4: is the Universal Monster's Channel. I've actually learned so much

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Speaker 4: from watching a lot of the other movies I hadn't seen,

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Speaker 4: like The Invisible Woman. It's it's hilariously like an outrageous

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Speaker 4: class comedy that's kind of a screwball comedy about her

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Speaker 4: trying to unionize women who work in a sewing factory.

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Speaker 1: And that's then later on I realized.

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Speaker 4: With like Son of Dracula, they start crossing them over.

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Speaker 4: They have multiple characters. So it is really an interesting

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Speaker 4: historical kind of look back at these beautiful black and

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Speaker 4: white movies that became icons for Universal, you know, but

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Speaker 4: that definitely over the years have have lost some some

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Speaker 4: of their shine or recognition or almost like became two face,

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Speaker 4: so they lost the fact that they were just the

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Speaker 4: universal thing. Frankenstein, Bride Creature, they just feel like the versions. Jason,

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Speaker 4: what was the first memory that you have of watching

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Speaker 4: one of these movies?

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Speaker 3: It's going to be the original Frankenstein. I watched it

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Speaker 3: as a child, as I watched most of these, that

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Speaker 3: and the original Dracula. Yeah, But honestly, my favorite of these,

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Speaker 3: and it doesn't get mentioned as one of the classic

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Speaker 3: universal monsters is Hunchback of.

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Speaker 1: Notre Dame Great pol Yeah, which is a.

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Speaker 3: Silent film starring Lan Cheney, but Lan Cheney at his

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Speaker 3: like most like dynamic on screen, like.

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Speaker 5: A true action star.

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Speaker 3: And let me just say, if you've never seen the

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Speaker 3: original Hunchback of Notre Dame from nineteen twenty three, it

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Speaker 3: is a silent film.

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Speaker 5: Watching the action, the stunts.

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Speaker 3: The makeup are incredible, the makeup is incredible, and the

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Speaker 3: last third of the film, when like the residents of

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Speaker 3: Paris are like trying to break into Notre Dame to

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Speaker 3: kill Quasamoto and save Esmerelda, is like so insane, It's

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Speaker 3: so good watch it. Yes, but I watched these as

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Speaker 3: a kid, as I think a lot of us did.

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Speaker 3: They had There was a there was like two channels

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Speaker 3: in New York, Channel five and Channel nine that would

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Speaker 3: do kung fu and monster movies on the weekends.

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Speaker 5: And I would just watch monster movies.

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Speaker 3: Like also, and it's particularly spooky season all October. It

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Speaker 3: would just every weekend would just be like you know,

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Speaker 3: Creature with a black lagron, Invisible Man, The Fly, And

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Speaker 3: I just fell in love with these movies from there

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Speaker 3: and Hammer Hammer Ones.

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Speaker 1: I love a Hammer horror, No, but I like, I

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Speaker 1: do think that Hammer.

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Speaker 4: Is the spiritual successor to it. And you get these

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Speaker 4: really interesting ideas of like what the twenties and thirties

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Speaker 4: were like in America compared to what then, like, you know,

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Speaker 4: the forties, fifties and sixties were like transitioning into British

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Speaker 4: cinema in about the different ways they stole Great Christopher.

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Speaker 5: So much break christ was so scary.

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Speaker 4: Yeah, And I think that's the thing that's really great

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Speaker 4: about these movies is these are essentially gateway horror movies

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Speaker 4: that you can watch as a kid, that are not

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Speaker 4: too terrifying but still have the heart and the kind

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Speaker 4: of heart break, especially with things like Frankenstein or The

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Speaker 4: Bride of Frankenstein, which is actually such an unusual film.

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Speaker 1: And yeah, so I just think these are such.

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Speaker 4: A brilliant basis for so much of what we love

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Speaker 4: about horror and about storytelling and about the idea of

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Speaker 4: the monster as the protagonist that all really comes from,

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Speaker 4: you know, this version as well as of course like

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Speaker 4: the originals by Mary Shelley and Bram Stoker, but these

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Speaker 4: were where we really set up that scale of like, okay, well,

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Speaker 4: the creature is the icon, the bride is the icon.

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Speaker 4: Like nobody cares about Dr Frankenstein. We care about Boris

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Speaker 4: Karloff in that makeup. So it is understandable. I think

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Speaker 4: that in you know, twenty fifteen, twenty sixteen, they said, hey,

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Speaker 4: let's bring these back, baby, we have got ip and yes,

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Speaker 4: very famous photo shoot which Aaron has and and Ian

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Speaker 4: have have loved to point out. Ian calls this one

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Speaker 4: out every time the photo shoot is CG like they

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Speaker 4: they photo shop them together.

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Speaker 1: But the lineup was.

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Speaker 5: In fact Raze Russell Crowe.

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Speaker 3: Russell Crowe is very clearly like whenever whatever original photo

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Speaker 3: he was posted, he was like pasted in from He

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Speaker 3: appears to be like holding like the back of a

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Speaker 3: chaut or something like still and now his hand is

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Speaker 3: just like kind of hovering, like in mid air, like

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Speaker 3: holding nothing.

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Speaker 5: Yes, but this photo shoot is now it's like this weird.

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Speaker 4: Artific, funny effect of that era where everyone thought they

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Speaker 4: could make everything a universe post MCS.

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Speaker 3: This is one of the great failures and in fact,

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Speaker 3: like I think a failure to launch.

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Speaker 5: Because while there was some press.

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Speaker 3: Including this now infamous photograph of Russell Crowe, Harvey Arbard,

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Speaker 3: m Tom Cruise, Johnny DApp, Jonathan Jonathan Depp, the the

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Speaker 3: kind of like marketing launch, like say what you will

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Speaker 3: about the MCU.

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Speaker 5: One thing that they did really well was signaling, oh after.

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Speaker 3: Right after the success of Iron Man Boom, both through

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Speaker 3: the movies and through marketing campaigns, we are doing all

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Speaker 3: your favorite Avengers characters, and then we're gonna bring this

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Speaker 3: together in a shared univer Like we're doing that. While

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Speaker 3: like there are tons of stories in like the Hollywood

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Speaker 3: press and variety, et cetera.

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Speaker 5: I don't know that they ever really hard launched the

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Speaker 5: Dark Universal Terrible Mummy, I would agree.

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Speaker 4: I would also say something I think was that was

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Speaker 4: confusing for them at this point was from you know,

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Speaker 4: the official end of the original Universal Monsters era is

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Speaker 4: nineteen fifty six with the Creature Walks and among Us

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Speaker 4: by John Sherwood. It's like the last official one nineteen

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Speaker 4: seventy nine. We get the movie that we know that

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Speaker 4: me and Jason do love The Dracula with Franklangella very fun,

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Speaker 4: crazy movie.

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Speaker 1: Then don't forget this guys.

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Speaker 4: Nineteen ninety nine the Mummy, bisexual legend Stephen you know

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Speaker 4: Stephen Summer's iconic bisexual Awakening movie. Then we had Mummy Return,

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Speaker 4: Scorpion King Van Helsing remember that Mummy, Tomb of the

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Speaker 4: Dragon Emperor, and the twenty ten Joe Johnston of Iron

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Speaker 4: Man Fame Wolfman movie. And then there is nothing until

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Speaker 4: of Captain America, Fame of Captain America fame, thank you.

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Speaker 4: And the reason I thought of iron Man is because

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Speaker 4: of the Rocketeer, you know, Joe Johnson, a legend, legendary

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Speaker 4: director of OAI iron yess also of the delight og

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Speaker 4: iron Man and also just delightful Captain America author. But

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Speaker 4: then in twenty fourteen they made Dracula I'm Told, which

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Speaker 4: I do love.

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Speaker 1: It's really, really corny.

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Speaker 4: It is a movie about the or the sad origin Dracula.

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Speaker 4: This was Michael de Luca, who, by the way, is

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Speaker 4: now in charge of film at Warner Brothers. He produced

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Speaker 4: this director by Gary Show. It was essentially an iron

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Speaker 4: Man inspired kind of like what did what made Dracula?

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Speaker 1: Dracula? Very corny, very fun.

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Speaker 4: But the point is I think they didn't even feel

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Speaker 4: like they had to relaunch it because they had never

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Speaker 4: stopped making these kind of like not necessarily very popular

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Speaker 4: trying to be spin offs the Dracula and Told Counts

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Speaker 4: as the first.

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Speaker 1: Like modern era.

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Speaker 4: Then you launch in to that Alex Kirtman Tom Cruise

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Speaker 4: The Mummy movie, which, guys, if you haven't seen it,

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Speaker 4: you gotta go and watch this movie, because.

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Speaker 7: One I still haven't seen it.

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Speaker 4: They bought the screenwriters in and they spent money on them.

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Speaker 4: Christopher McCrory, David Cooke, the Legend Jurassic Park.

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Speaker 3: David, It's it's Christopher McCory.

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Speaker 1: They could have saved it, Dylan Chriusman.

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Speaker 4: When you watch the movie, guys, it's gonna blow your

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Speaker 4: mind because esthetically and visually they just wanted to make

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Speaker 4: Iron Man, so they set it in a desert type

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Speaker 4: setting of Egypt. Obviously makes sense because of the Mummy,

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Speaker 4: but they are like military people who like relocate treasure,

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Speaker 4: essentially thieves. And then his best friend in the military

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Speaker 4: is uh Is Nick from New Girl Jake Johnston.

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Speaker 1: You know, yes, we love to see that from the way,

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Speaker 1: but who else did you see on the way back

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Speaker 1: from New York come con.

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Speaker 5: Oh the legend John carp Oh, my god, we love

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Speaker 5: him so much. And uh and uh Dana and Dan

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Speaker 5: Dee's mouchin Oh we love also.

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Speaker 4: Uh just got to say, guys, why didn't you bring

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Speaker 4: John Carpet now, like he's still alive?

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Speaker 1: You could have given him one We've almost talked.

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Speaker 7: Truly, I came very close.

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Speaker 4: Because do you want to talk to him? He's so cool,

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Speaker 4: but you want to respect him.

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Speaker 3: He and he you know, he's he looks like he

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Speaker 3: doesn't want to talk to anybody. But he seemed very polite.

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Speaker 3: He's very polite to the airline staff. That's always good

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Speaker 3: working near him as he was deplaning. But uh, but

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Speaker 3: I did yet.

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Speaker 4: Well he's a big basketball fan, so our dream is

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Speaker 4: one day he can come on and just talk basketball

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Speaker 4: and video games. But yeah, like basically I think the

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Speaker 4: Mummy Jason, you tap onto something really real. They didn't

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Speaker 4: really do a big push, and they didn't really try

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Speaker 4: and relaunch it because I think they felt like, well,

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Speaker 4: we've been just kind of making these mid tier kind

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Speaker 4: of vaguely successful, and this has tom cruise and its action.

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Speaker 4: But if you remember another incredible moment you can still

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Speaker 4: watch this on YouTube. They also failed to launch when

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Speaker 4: they released a trailer that for some reason, only had

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Speaker 4: ambient sound in one of the action sequences. So everyone's

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Speaker 4: getting sucked out the plane and.

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Speaker 3: It's like, it's just like and.

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Speaker 1: It looks bad. It sounds bad.

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Speaker 4: And in the movie, the Jake Johnson character, who is

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Speaker 4: also like a military black Rock esque.

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Speaker 8: Like, come, I don't really understand he dies, guys spoiler alert,

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Speaker 8: And then he is haunting Tom Cruise the whole time

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Speaker 8: as a ghost best friend, and Tom Cruise has to

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Speaker 8: hunt down the Mummy, but there is also an implication

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Speaker 8: at the end.

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Speaker 4: That he is he has to become the Mummy, so

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Speaker 4: he was going He's going to take on the mantle

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Speaker 4: of the Mummy. I'm saying, I watched it in a

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Speaker 4: dollar in Palm Spring's perfect place to watch it.

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Speaker 1: That flops three years later, what happens is the Crazy Thing.

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Speaker 5: Well, let's also add that.

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Speaker 3: Co starring in this film Crazy as kind of the

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Speaker 3: connective tissue to the rest of the universal stuff is

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Speaker 3: Doctor Jekyl, doctor Henry Jekyl played by Russell Crowe, who

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Speaker 3: I think they were.

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Speaker 5: Clearly positioning as like the next here of the Universe, and.

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Speaker 3: It's crazy that you can you can legitimately talk about

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Speaker 3: this train wreck of a movie that had.

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Speaker 5: Really good people and also talented act and talent, very

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Speaker 5: talented actor.

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Speaker 3: Everybody in this is a talent, and you can completely

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Speaker 3: forget the absolutely bananas detail that Russell Crowe is playing

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Speaker 3: a modern day Jekyl who is the nix Furia.

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Speaker 4: And has, by the way, like the last twenty five

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Speaker 4: minutes of the movie is like him, like in his Layer,

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Speaker 4: with all the magical creatures and the books and the

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Speaker 4: easter eggs.

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Speaker 1: Yeah, and again, guys, I gotta tell you this.

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Speaker 4: I tracked me and Carmen talked about this when we

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Speaker 4: were talking about Megan recently.

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Speaker 1: I gotta tell you, guys, you can't do that in

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Speaker 1: the first movie. Everyone knows this. Like Mega two, it

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Speaker 1: was not far and long enough to make her a superhero.

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Speaker 4: The Mummy needed to have a slight teaser like the

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Speaker 4: end of Iron Man.

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Speaker 1: That is how you establish it if you're gonna copy.

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Speaker 7: It, maybe a post credit scene.

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Speaker 1: Post credit scene exactly. But the interesting thing is from

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Speaker 1: The Mummy that flops.

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Speaker 4: Within three years, they've decided that they're gonna be able

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Speaker 4: to release a different kind of movie, and they go

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Speaker 4: for the complete opposite end of the spectrum, which is

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Speaker 4: how low can we make this budget? So, alongside Jason

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Speaker 4: Blam and the Blumhouse of it All, who they have

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Speaker 4: a deal with, they basically say, hey, what can you

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Speaker 4: do for five million dollars and they say, we'll give

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Speaker 4: it to Lee one l. Lee one Ll takes it

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Speaker 4: to Australia. I was lucky enough to actually visit the

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Speaker 4: set for that movie. It was incredible, built a whole movie,

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Speaker 4: and I learned something quite interesting on that set, which

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Speaker 4: was Lee Wannell told us, Hey, if you make a

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Speaker 4: movie for five million dollars in Australia, you're working with

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Speaker 4: the DP of Lord of the Rings, You're working with

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Speaker 4: Peter Jackson's cinematographer, you are working with incredible people who've

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Speaker 4: worked on Ossie B movies their entire life. Like, the

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Speaker 4: amount of quality that you are getting on a set

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Speaker 4: like that is very high for the cost. The movie

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Speaker 4: opens February twenty eighth, twenty twenty, and you may forget this,

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Speaker 4: but that five million dollar movie open to one hundred

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Speaker 4: million dollars on opening weekend domestically. It had the Juice

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Speaker 4: to launch a new franchise, and we were supposed to

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Speaker 4: get many exciting new franchises from that. The one I'm

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Speaker 4: most upset that never happened the Karen Casama Western drag

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Speaker 4: that was one hundred percent up my alley, and instead

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Speaker 4: COVID happened. Three years later we get Renfield, Me and

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Speaker 4: Jason interviewed Lovely Ben Schwartz Valle the movie.

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Speaker 1: We thought it prefers, but it did not hit. It

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Speaker 1: was a Chrismack movie.

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Speaker 4: Robert Kirkman came up with a story of that movie,

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Speaker 4: lots of people involved, but.

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Speaker 1: It didn't hit.

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Speaker 4: And then the newest, most recent Wolfman movie also not

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Speaker 4: a big hit. They went back to Lee Yanol, but

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Speaker 4: we understand the production was tough. It was a movie

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Speaker 4: that did not hit in the same way. And now

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Speaker 4: we're in a space where our next biggest classic monster movie, Frankenstein,

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Speaker 4: is actually not coming from Universal at all and is

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Speaker 4: instead coming from Netflix. Because these movies, these stories are

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Speaker 4: out of a license. They do not have to pay

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Speaker 4: to make Frankenstein. They don't have to pay anyone. So

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Speaker 4: now we're in a space where these movies are actually

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Speaker 4: going to be reclaimed by different storytellers.

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Speaker 5: Let's let me.

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Speaker 3: I'd love to get everybody's hypothesis on one where wrong,

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Speaker 3: and I'm gonna start with mine. I don't think it's possible,

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Speaker 3: or I think it's I should say, I think it's very,

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Speaker 3: very difficult to make a big budget, triple a.

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Speaker 5: Hollywood tentpole horror movie.

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Speaker 3: I actually I actually struggle to think of one that

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Speaker 3: worked and was in any way scary. Like all of

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Speaker 3: the best horror movies are like mid budget at best

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Speaker 3: or indie type movies that come in from outside the system.

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Speaker 3: The second you try to four quadrant the fucking dark Universe,

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Speaker 3: it's just not no no.

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Speaker 4: I think, I think, Jason, you're completely on it. I

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Speaker 4: think that it is a mixture of the assumption of

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Speaker 4: what people want and not really understanding it. You can't

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Speaker 4: four quadrant a movie like the Lee Wannel Invisible Man

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Speaker 4: is an R rated movie. It's really scary, and that

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Speaker 4: still made one hundred million dollars. You know, you can

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Speaker 4: make a movie that is scary, but it's five million dollars.

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Speaker 1: You know.

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Speaker 4: These movies also were made in a completely just different system.

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Speaker 4: The original movies were made under the studio contract system,

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Speaker 4: so it's a completely different situation where they're making these

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Speaker 4: movies really really quickly, really.

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Speaker 5: Far and by the and those were.

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Speaker 1: Of their time.

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Speaker 5: They were not they.

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Speaker 3: Were not They were genre movies of the Toapalpi movies.

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Speaker 4: They were not necessarily meant to be the biggest smash hits,

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Speaker 4: you know. And I think as well, the reason that

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Speaker 4: the Dark Universe specifically didn't work is just it didn't

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Speaker 4: understand what people like about it, which is they like

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Speaker 4: the monsters. They don't want to see a human who's

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Speaker 4: slowly turning into a monster. They want to see the monster.

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Speaker 4: They want to see a new take on the monster.

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Speaker 4: And I think that Gama del Toro understands the nature

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Speaker 4: of Frankenstein, the nature of emotions. I think it's going

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Speaker 4: to be really popular. Think it's going to hit. I'm

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Speaker 4: glad they're putting it in theaters. We haven't seen it yet.

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Speaker 4: And I think that the right way to approach this is,

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Speaker 4: like Maggie Jillenhole's The Bride, do something weird, something out

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Speaker 4: there that is a new take on these characters, because

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Speaker 4: that is what the original versions did and that's why

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Speaker 4: people like them.

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Speaker 1: Calmon, what do you think?

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Speaker 6: Yeah, I think we need it. We definitely need a

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Speaker 6: new take on the characters. If anything, I think back

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Speaker 6: to like when have we had a shared universe before?

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Speaker 6: And I think back to It's a horrible movie, but

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Speaker 6: as a kid, I loved it. I think back to

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Speaker 6: the League of Extraordinary Gentlemen, and we know.

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Speaker 1: That allow more.

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Speaker 4: You know, that is basically what they were trying to

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Speaker 4: do with Dark Universe Ironic and it works.

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Speaker 6: We know that that works together. And I remember as

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Speaker 6: a kid like I remember wanting like, oh, yes, I

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Speaker 6: want to see the follow up of all of these

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Speaker 6: characters together. I just think that they probably spent too

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Speaker 6: much money on the cast, Like I don't think you

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Speaker 6: necessarily well, I will say one thing for me is

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Speaker 6: like I was in a big Tom Hayting Tom Cruise

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Speaker 6: hating phase of my life when that That Mummy came out.

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Speaker 6: Now I will go see a Tom Cruise movie, But

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Speaker 6: at that time, I was like, do I really want

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Speaker 6: to sit through a Tom Cruise movie? So I would

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Speaker 6: love for them to bring us some undiscovered actors, some

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Speaker 6: new people that we can like creature work.

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Speaker 1: Where's he bring him in? We know he can well.

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Speaker 1: Doug Jones, speaking.

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Speaker 3: Of Bill let's let's I've pulled up the top performing

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Speaker 3: horror movies of all time, and I wonder if we

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Speaker 3: can glean any kind of information about what you know, like,

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Speaker 3: is it possible to launch a shared monster movie universe

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Speaker 3: from these? Okay, so number one is it? Twenty seventeen's in?

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Speaker 3: Number two is conjuring Last Rights?

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Speaker 5: Wow? How crazy conjuring.

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Speaker 4: We're about to jump into the lessons we lined the

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Speaker 4: books up as one of them is we're still popping

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Speaker 4: guys and conjuring last rites.

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Speaker 5: It's gotta be.

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Speaker 3: I don't know the budget, but I'm gonna guess like

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Speaker 3: forty million dollar movies probably.

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Speaker 4: I would say, but at this point you're probably looking

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Speaker 4: at one hundred, but it's probably still making a lot,

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Speaker 4: Like this is the fourth Conjuring movie, so still making

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Speaker 4: a lot more than it costs.

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Speaker 3: Twenty nineteen, number three, Chapter Chapter two, number four, and

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Speaker 3: this was the you know, the King of the Hill

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Speaker 3: for thirty plus years is nineteen seventy three is the Exorcist?

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Speaker 3: Just to show you, like how hard it actually.

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Speaker 4: Jason right, Conjuring Last Rights fifty five million dollars, So

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Speaker 4: you were not far off. It's absolutely still a low

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Speaker 4: budget situation. Also, again, guess where the conjuring comes from, guys,

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Speaker 4: from a unique original director who creates an idea that

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Speaker 4: is relatively mid budget that then goes on to become

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Speaker 4: a billion dollar franchise. You have to invest in original ideas,

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Speaker 4: even if you are adapting something that is classical like

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Speaker 4: a haunted house.

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Speaker 3: Yes, number five Sinners, which one of the surprise is

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Speaker 3: of recent cinema years, right, yeah, and not a pure

441
00:24:04,800 --> 00:24:06,320
Speaker 3: and this is what we're not here for, right, what

442
00:24:06,440 --> 00:24:08,399
Speaker 3: is an original take on a horror genre?

443
00:24:08,520 --> 00:24:08,639
Speaker 9: Right?

444
00:24:08,720 --> 00:24:12,520
Speaker 3: Cinners is absolutely that number six. I was a little

445
00:24:12,520 --> 00:24:16,320
Speaker 3: bit shocked. Twenty eighteen's the nun now, I'm telling you.

446
00:24:16,240 --> 00:24:21,639
Speaker 4: That conjuring unibus, guys. I guess that's what we're learning

447
00:24:21,760 --> 00:24:24,000
Speaker 4: is you can launch a new horror universe, but it

448
00:24:24,080 --> 00:24:27,560
Speaker 4: has to follow on from like an organic success.

449
00:24:28,280 --> 00:24:29,040
Speaker 7: That's the contract.

450
00:24:29,200 --> 00:24:32,440
Speaker 3: So that's the point. Yes, that's the point. The conjuring

451
00:24:32,520 --> 00:24:35,920
Speaker 3: is actually on the top twenty of this list several times,

452
00:24:36,280 --> 00:24:40,439
Speaker 3: so I don't know that it's I just think it

453
00:24:40,440 --> 00:24:44,280
Speaker 3: would be really difficult coming from Hey, let's make a

454
00:24:44,359 --> 00:24:47,800
Speaker 3: hit exactly and spend two hundred three hundred million dollars

455
00:24:47,920 --> 00:24:50,320
Speaker 3: on production to make a hit. I think it'd be

456
00:24:50,440 --> 00:24:54,359
Speaker 3: really hard from that, with that kind of philosophy to

457
00:24:54,520 --> 00:24:59,120
Speaker 3: make a one hit monster movie, to say nothing of

458
00:24:59,200 --> 00:25:00,760
Speaker 3: like four or or five.

459
00:25:00,560 --> 00:25:01,600
Speaker 5: That are interconnected.

460
00:25:01,880 --> 00:25:02,280
Speaker 1: Correct.

461
00:25:04,680 --> 00:25:07,040
Speaker 4: Well, that's a perfect time to take an ad break

462
00:25:07,040 --> 00:25:11,480
Speaker 4: and go to our box office lessons of twenty twenty five.

463
00:25:11,520 --> 00:25:29,639
Speaker 3: Thank you, Comma, Let's do it, Thank you Carmen, and

464
00:25:29,680 --> 00:25:34,040
Speaker 3: we're back twenty twenty five. It's been a very interesting

465
00:25:34,480 --> 00:25:38,560
Speaker 3: year thus far. It's only our Calober, of course, very

466
00:25:38,560 --> 00:25:42,359
Speaker 3: interesting year in cinema at the movies, it feels like

467
00:25:42,400 --> 00:25:45,160
Speaker 3: there's something of a movie resurgence, people enjoying going back

468
00:25:45,200 --> 00:25:49,080
Speaker 3: to the movies the big screen. But it's we're clearly

469
00:25:49,440 --> 00:25:52,400
Speaker 3: in a transition period from something. And with that, we'd

470
00:25:52,480 --> 00:25:56,280
Speaker 3: like to welcome super producer the Lord of the Spice.

471
00:25:56,840 --> 00:25:57,320
Speaker 1: He's back.

472
00:25:58,160 --> 00:26:02,720
Speaker 5: Oh oh wow, I got it at Lord.

473
00:26:05,960 --> 00:26:08,000
Speaker 1: Yeah yes, aboo.

474
00:26:08,080 --> 00:26:11,840
Speaker 4: Tell us what are some of the craziest box office

475
00:26:11,880 --> 00:26:14,720
Speaker 4: trends this year that we have noticed?

476
00:26:15,040 --> 00:26:18,440
Speaker 10: Well, I actually I want to throw I have four

477
00:26:18,440 --> 00:26:20,960
Speaker 10: of them written down here, and I want to throw

478
00:26:21,000 --> 00:26:22,760
Speaker 10: them at the two of you and get your thoughts

479
00:26:22,760 --> 00:26:27,280
Speaker 10: on them, because you know, I'm no savant. I can't

480
00:26:27,280 --> 00:26:29,959
Speaker 10: look into my crystal ball and tell you exactly what

481
00:26:30,119 --> 00:26:32,440
Speaker 10: is working or not working at the movies. But here's

482
00:26:32,480 --> 00:26:34,639
Speaker 10: where my gut instincts are going. And I'm curious what

483
00:26:34,680 --> 00:26:39,919
Speaker 10: you think looking at the lists of box office successes

484
00:26:39,920 --> 00:26:43,040
Speaker 10: for twenty twenty five. But then also like ten years ago,

485
00:26:43,160 --> 00:26:47,560
Speaker 10: twenty fifteen, twenty years ago, two thousand and five, here's

486
00:26:47,560 --> 00:26:50,240
Speaker 10: sort of the like sad realization that I had. I

487
00:26:50,240 --> 00:26:52,680
Speaker 10: wonder if you too agree. If you want to crack

488
00:26:52,760 --> 00:26:55,680
Speaker 10: the top ten movies of the year in the box

489
00:26:55,880 --> 00:26:59,520
Speaker 10: at the box office, you've got to lean established ip

490
00:26:59,720 --> 00:27:02,639
Speaker 10: or movie that that's like almost the only way to

491
00:27:02,680 --> 00:27:05,680
Speaker 10: do it. And sadly, like, at least in the last

492
00:27:05,680 --> 00:27:08,200
Speaker 10: twenty years, that seems to have only been been the

493
00:27:08,200 --> 00:27:11,720
Speaker 10: only surefire way to do it. And you know, maybe

494
00:27:11,880 --> 00:27:16,480
Speaker 10: Bob Biker's onto something with the with the push toward

495
00:27:16,520 --> 00:27:18,320
Speaker 10: more remakes and less originals.

496
00:27:18,840 --> 00:27:21,480
Speaker 4: I do think that absolutely for me, one of my

497
00:27:21,520 --> 00:27:24,680
Speaker 4: big takeaways this year was kids movies, kids movies, kids movies,

498
00:27:24,760 --> 00:27:29,160
Speaker 4: because one again, Jason often a lower budget, right, especially

499
00:27:29,200 --> 00:27:32,200
Speaker 4: in the animated space, something like last year's The Bad Guy,

500
00:27:32,280 --> 00:27:33,840
Speaker 4: I mean, The Bad Guys was such a huge hit

501
00:27:33,840 --> 00:27:35,520
Speaker 4: when it came out a couple of years ago. Bad

502
00:27:35,560 --> 00:27:38,919
Speaker 4: Guys Too didn't deliver the same massive success, but it

503
00:27:38,960 --> 00:27:41,760
Speaker 4: had the long legs. I think, if I'm not mistaken,

504
00:27:42,119 --> 00:27:44,280
Speaker 4: one of the biggest movies this year, if not the

505
00:27:44,320 --> 00:27:47,080
Speaker 4: biggest movie this year domestically at least, is gonna be

506
00:27:47,160 --> 00:27:48,400
Speaker 4: Lilo and Stitch remake.

507
00:27:49,119 --> 00:27:50,520
Speaker 1: So I do think.

508
00:27:50,240 --> 00:27:53,959
Speaker 4: That those kids movies are always kind of a safe

509
00:27:54,040 --> 00:27:56,000
Speaker 4: ish bet. Even if we look back a couple of

510
00:27:56,080 --> 00:28:01,320
Speaker 4: years to Elemental, which was an original our IP, it

511
00:28:01,400 --> 00:28:04,080
Speaker 4: seemed like it flopped at the beginning lowest opening open

512
00:28:04,119 --> 00:28:06,600
Speaker 4: to around twenty three million, but the legs that it

513
00:28:06,720 --> 00:28:09,919
Speaker 4: had got it to breaking even and becoming a profit.

514
00:28:10,040 --> 00:28:13,360
Speaker 4: I think that something I've seen change and shift as

515
00:28:13,440 --> 00:28:16,840
Speaker 4: both somebody who does this as my job and somebody

516
00:28:16,880 --> 00:28:18,480
Speaker 4: who has loads of kids in my life.

517
00:28:18,840 --> 00:28:20,399
Speaker 1: Now parents will wait.

518
00:28:20,680 --> 00:28:22,680
Speaker 4: They want to hear what other parents think, they want

519
00:28:22,720 --> 00:28:24,320
Speaker 4: to hear what podcasts think. They want to hear what

520
00:28:24,359 --> 00:28:27,560
Speaker 4: their friends' kids think, so they a kid's movie can

521
00:28:27,600 --> 00:28:30,720
Speaker 4: continue to make money a lot longer than I think

522
00:28:30,960 --> 00:28:34,439
Speaker 4: are the ip even though in the past, you know,

523
00:28:34,520 --> 00:28:37,840
Speaker 4: we had the long legs on superhero films. The big

524
00:28:37,960 --> 00:28:40,880
Speaker 4: drop offs this year have proven that that is not

525
00:28:41,200 --> 00:28:43,240
Speaker 4: the case anymore. They are not up there in my

526
00:28:44,040 --> 00:28:47,280
Speaker 4: kind of vision of what protected Hollywood for sure, IP

527
00:28:47,560 --> 00:28:49,760
Speaker 4: is right now, and I think the big thing for me,

528
00:28:49,880 --> 00:28:51,480
Speaker 4: which we have been talking about on this podcast for

529
00:28:51,480 --> 00:28:53,800
Speaker 4: a long time, I would love to see comic book

530
00:28:53,800 --> 00:28:59,560
Speaker 4: and superhero movies attempt more mid budgets, attempt more different

531
00:28:59,680 --> 00:29:04,040
Speaker 4: takee attempt more unique ways to tell a story that

532
00:29:04,080 --> 00:29:07,840
Speaker 4: could lead to them becoming financially solvent and not having

533
00:29:07,880 --> 00:29:10,280
Speaker 4: spent three hundred and fifty million dollars every time they

534
00:29:10,280 --> 00:29:10,959
Speaker 4: make a movie.

535
00:29:12,000 --> 00:29:13,160
Speaker 5: Yeah, that's absolutely right.

536
00:29:14,280 --> 00:29:17,240
Speaker 3: My other takeaway looking at this, well, first, here's here's

537
00:29:17,240 --> 00:29:18,960
Speaker 3: the glow of ox Office twenty twenty five.

538
00:29:19,040 --> 00:29:21,200
Speaker 5: First of all, NESA two is.

539
00:29:21,120 --> 00:29:26,320
Speaker 3: The second highest grossing movie of all time. Most of that,

540
00:29:26,480 --> 00:29:31,280
Speaker 3: the vast majority of that in just China. Number two

541
00:29:31,560 --> 00:29:37,840
Speaker 3: is Leelo and Stitch. Number three, the Minecraft movie, YEP, four, Draffic,

542
00:29:38,120 --> 00:29:42,280
Speaker 3: Jurassic World Rebirth, five, Demon Slayer, Woh, How to Train

543
00:29:42,320 --> 00:29:47,400
Speaker 3: Your Dragon f one, And then here's our first comic

544
00:29:47,400 --> 00:29:52,200
Speaker 3: book movie, Superman Mission Impossible, the Final Reckoning, and then

545
00:29:52,760 --> 00:29:55,040
Speaker 3: bringing up the tail end of the top ten, the

546
00:29:55,080 --> 00:29:59,680
Speaker 3: Fantastic Four. What do we think of these numbers. What

547
00:29:59,720 --> 00:30:03,120
Speaker 3: are these numbers tell us? Besides obviously IP and kids.

548
00:30:03,320 --> 00:30:06,480
Speaker 3: I agree with you, I are ruling the rooster.

549
00:30:06,720 --> 00:30:12,400
Speaker 4: I think that something that this showcase is is global

550
00:30:13,160 --> 00:30:19,800
Speaker 4: box office is becoming a more interesting and different space

551
00:30:19,920 --> 00:30:22,640
Speaker 4: than what we are seeing in domestic.

552
00:30:22,240 --> 00:30:23,920
Speaker 1: I think that's really interesting.

553
00:30:24,560 --> 00:30:27,680
Speaker 4: I also think that it's showing us a huge move

554
00:30:27,800 --> 00:30:29,600
Speaker 4: towards global cinema.

555
00:30:29,720 --> 00:30:31,760
Speaker 1: I mean the Demon Slayer movie.

556
00:30:31,920 --> 00:30:34,160
Speaker 4: This is one of my themes I've been thinking about

557
00:30:34,160 --> 00:30:37,280
Speaker 4: this year is that I feel like the box office

558
00:30:38,240 --> 00:30:42,280
Speaker 4: predictors that we have now are not necessarily in tune

559
00:30:42,360 --> 00:30:44,920
Speaker 4: with audiences in the same way they always have been

560
00:30:45,280 --> 00:30:47,720
Speaker 4: Demon Slayer. They had no idea it was going to

561
00:30:47,760 --> 00:30:51,360
Speaker 4: open to seventy million dollars. Nobody saw that coming. It

562
00:30:51,400 --> 00:30:55,440
Speaker 4: was not expected. I would also put minecraft movie into

563
00:30:55,480 --> 00:30:58,640
Speaker 4: that one hundred and fifty million dollar budget. It has

564
00:30:58,680 --> 00:31:02,640
Speaker 4: already made almost a billion dollars, and it's opening weekend

565
00:31:03,040 --> 00:31:07,280
Speaker 4: was one hundred and sixty two million dollars plus you know,

566
00:31:07,480 --> 00:31:11,720
Speaker 4: seven hundred and fifty three thousand dollars change. And I

567
00:31:11,840 --> 00:31:14,720
Speaker 4: remember going to see that movie with a kid, and

568
00:31:15,000 --> 00:31:16,600
Speaker 4: they told me this movie is going to make a

569
00:31:16,600 --> 00:31:19,720
Speaker 4: billion dollars, and the box office predictors had it opening

570
00:31:19,760 --> 00:31:21,560
Speaker 4: around forty to sixty million.

571
00:31:21,960 --> 00:31:24,200
Speaker 1: I think there is something that.

572
00:31:24,520 --> 00:31:29,080
Speaker 4: The box office predictors cannot quite grasp anymore. And I

573
00:31:29,120 --> 00:31:31,080
Speaker 4: think it's to do with the fact that, say, Jurassic

574
00:31:31,120 --> 00:31:34,240
Speaker 4: World Rebirth, a movie that was, you know, at best,

575
00:31:34,280 --> 00:31:35,960
Speaker 4: kind of a three out of five movie and was

576
00:31:36,000 --> 00:31:39,920
Speaker 4: generally not particularly beloved. But guess what outside of America

577
00:31:40,240 --> 00:31:43,760
Speaker 4: that movie did crazy, crazy numbers.

578
00:31:44,320 --> 00:31:47,680
Speaker 3: If you want to be to a boost point, if

579
00:31:47,720 --> 00:31:50,240
Speaker 3: you want to be a top five, top ten grossing

580
00:31:50,280 --> 00:31:54,560
Speaker 3: movie of the year, you have to have international appeal.

581
00:31:54,600 --> 00:31:58,320
Speaker 3: In Sinners, which was a massive, massive hit here and

582
00:31:58,360 --> 00:32:03,320
Speaker 3: a surprise hit is like fourteenth, fifteenth on the list,

583
00:32:03,440 --> 00:32:07,200
Speaker 3: like did not really do huge numbers internationally. It's gotta

584
00:32:07,240 --> 00:32:14,040
Speaker 3: be one of these kind of escapism universal type message kids.

585
00:32:13,800 --> 00:32:15,520
Speaker 10: Movie mission impossible.

586
00:32:15,560 --> 00:32:19,480
Speaker 5: I think the top ten mission impossible. The message is really.

587
00:32:19,320 --> 00:32:23,120
Speaker 4: Escaping escapism istory call Jason also as well. Like you said,

588
00:32:23,400 --> 00:32:28,160
Speaker 4: I do think this remakes and IP is still gonna

589
00:32:28,160 --> 00:32:30,480
Speaker 4: be a big story, but I think it has to

590
00:32:30,520 --> 00:32:34,200
Speaker 4: be done in it has to be specific to what

591
00:32:34,240 --> 00:32:36,480
Speaker 4: the audience wants. I could have told you that Leelo

592
00:32:36,560 --> 00:32:39,160
Speaker 4: and Stitch movie was gonna make a ton of money,

593
00:32:39,400 --> 00:32:42,280
Speaker 4: not because I have any feelings about it either way.

594
00:32:42,320 --> 00:32:44,840
Speaker 4: It was quite a controversial movie. But we know Aaron

595
00:32:44,920 --> 00:32:46,200
Speaker 4: loved it, not that that makes.

596
00:32:46,040 --> 00:32:49,480
Speaker 1: It less controversial. He went in the chat and said,

597
00:32:49,480 --> 00:32:50,040
Speaker 1: great movie.

598
00:32:50,960 --> 00:32:52,600
Speaker 4: So you know, but I could have told you that

599
00:32:52,640 --> 00:32:54,960
Speaker 4: for one reason, I in my little comic shop that

600
00:32:55,000 --> 00:32:57,320
Speaker 4: I run on the weekends, I have a VHS player

601
00:32:57,320 --> 00:33:00,520
Speaker 4: and a TV and ninety percent of ORC to come

602
00:33:00,520 --> 00:33:02,920
Speaker 4: in and pick a movie, pick Lilo and Stitch that

603
00:33:03,000 --> 00:33:07,000
Speaker 4: had become for them, the movie they saw on Disney Channel,

604
00:33:07,040 --> 00:33:09,400
Speaker 4: the movie that was easy to access. And of course

605
00:33:09,840 --> 00:33:13,240
Speaker 4: south in southern California, there's also a lot of Hawaiian

606
00:33:13,280 --> 00:33:17,160
Speaker 4: people here and a lot of people of different ethnicities

607
00:33:17,160 --> 00:33:21,920
Speaker 4: who found that movie to be incredibly important and radical

608
00:33:22,000 --> 00:33:25,200
Speaker 4: in some ways. So I think that also it's about understanding.

609
00:33:25,400 --> 00:33:28,800
Speaker 4: For example, I would not have known that How to

610
00:33:28,840 --> 00:33:30,000
Speaker 4: Train Your Dragon was going.

611
00:33:29,920 --> 00:33:31,320
Speaker 1: To be a huge hit. It helped.

612
00:33:31,360 --> 00:33:34,200
Speaker 4: I loved the movie, again controversial take me and Aaron

613
00:33:34,240 --> 00:33:36,400
Speaker 4: were not agreeing there. I thought it was so great,

614
00:33:36,840 --> 00:33:39,160
Speaker 4: But that was a movie where if you knew your

615
00:33:39,200 --> 00:33:43,080
Speaker 4: animated audiences, if you knew what kids are into you

616
00:33:43,120 --> 00:33:45,400
Speaker 4: would have known that that movie was gonna make tons

617
00:33:45,440 --> 00:33:48,760
Speaker 4: of money. So I think it's about now they can't

618
00:33:48,840 --> 00:33:52,360
Speaker 4: rely on Oh people know this for example, snow White,

619
00:33:52,400 --> 00:33:55,880
Speaker 4: Massive flop, Megan two, massive flop, smashing Machine.

620
00:33:55,960 --> 00:33:58,200
Speaker 1: I don't know if I think this is an interesting.

621
00:33:58,400 --> 00:34:01,600
Speaker 3: That's not it. That's not a box office play, that's

622
00:34:01,640 --> 00:34:02,440
Speaker 3: a that's an award.

623
00:34:02,760 --> 00:34:05,520
Speaker 4: This, I will say, I think is an interesting conversation

624
00:34:06,080 --> 00:34:09,560
Speaker 4: again about how people report on box office because I

625
00:34:09,600 --> 00:34:13,320
Speaker 4: saw so many different places, say lowest opening in Duayne

626
00:34:13,360 --> 00:34:16,479
Speaker 4: the Rock Johnson's career. Yeah, babe, it's a sports movie

627
00:34:16,560 --> 00:34:19,240
Speaker 4: from a twenty four. That's not necessarily how.

628
00:34:19,160 --> 00:34:21,239
Speaker 1: You look at its success.

629
00:34:21,400 --> 00:34:23,600
Speaker 4: And also, if we look he has not been that

630
00:34:23,719 --> 00:34:25,880
Speaker 4: much of a box office draw as people assume anyway,

631
00:34:25,920 --> 00:34:28,080
Speaker 4: if you actually look at his numbers.

632
00:34:28,120 --> 00:34:29,520
Speaker 1: So again, I think it's gonna.

633
00:34:29,239 --> 00:34:30,360
Speaker 7: Be about shut.

634
00:34:33,320 --> 00:34:34,640
Speaker 1: Guys. I interviewed The Rock.

635
00:34:34,880 --> 00:34:39,280
Speaker 4: I went to see Skyscraper and Rampage the same weekend

636
00:34:39,360 --> 00:34:41,840
Speaker 4: they opened, because I thought that was such a fun

637
00:34:42,360 --> 00:34:45,920
Speaker 4: double bill of old school action. But he hasn't necessarily

638
00:34:46,040 --> 00:34:49,040
Speaker 4: brought those Fast and the Furious numbers the way that

639
00:34:49,120 --> 00:34:51,920
Speaker 4: he has in other franchises.

640
00:34:52,840 --> 00:34:55,480
Speaker 5: Let's talk about what this means for.

641
00:34:57,320 --> 00:35:02,440
Speaker 3: The former box office heavy wait for seemingly a decade

642
00:35:02,480 --> 00:35:06,800
Speaker 3: and a half, the Superhero movie that is now pully

643
00:35:06,800 --> 00:35:10,080
Speaker 3: in respectable numbers, Superman on a budget of two twenty

644
00:35:10,120 --> 00:35:16,560
Speaker 3: five made six hundred and fifteen million, almost six hundred

645
00:35:16,600 --> 00:35:21,600
Speaker 3: and sixteen million. The Fantastic Four doubled its money essentially,

646
00:35:21,680 --> 00:35:24,760
Speaker 3: although when you put marketing put marketing into the budget,

647
00:35:24,800 --> 00:35:28,120
Speaker 3: it's probably didn't do that well. Still, you know, these

648
00:35:28,160 --> 00:35:31,680
Speaker 3: are respectable finishes, but it's not like.

649
00:35:32,480 --> 00:35:36,520
Speaker 4: One point eight you know, BILLI Yeah, they used when

650
00:35:36,880 --> 00:35:40,279
Speaker 4: when Jurassic World came out after I think it was

651
00:35:40,320 --> 00:35:45,040
Speaker 4: probably Infinity War, they literally did like a handover, like

652
00:35:45,560 --> 00:35:48,799
Speaker 4: you've taken over the one point two billion box Like

653
00:35:48,880 --> 00:35:51,279
Speaker 4: they would be putting ads in trades about how much

654
00:35:51,320 --> 00:35:54,799
Speaker 4: money these movies were making and how gracefully they were

655
00:35:54,840 --> 00:35:57,440
Speaker 4: kind of saying, hey, now another thing we own or

656
00:35:57,480 --> 00:36:00,000
Speaker 4: another thing you own is one point two billion those days?

657
00:36:00,120 --> 00:36:02,279
Speaker 1: Is that kind of done? Post covid as for what

658
00:36:02,320 --> 00:36:02,839
Speaker 1: we've seen?

659
00:36:03,719 --> 00:36:06,800
Speaker 3: So what does this mean in terms of the audience.

660
00:36:06,800 --> 00:36:10,520
Speaker 3: We talked about the structural problems at you know, Marvel

661
00:36:10,600 --> 00:36:13,320
Speaker 3: kind of running out of runway after a number of

662
00:36:13,400 --> 00:36:16,240
Speaker 3: years the fact that the original cast just you can't

663
00:36:16,360 --> 00:36:17,200
Speaker 3: run them out there.

664
00:36:17,280 --> 00:36:17,720
Speaker 9: You can't.

665
00:36:18,719 --> 00:36:20,040
Speaker 5: They are bringing.

666
00:36:19,800 --> 00:36:27,799
Speaker 3: Robert back, but you can't have Robert down. So what

667
00:36:27,800 --> 00:36:31,480
Speaker 3: do we think this means for audiences? What are audiences

668
00:36:31,520 --> 00:36:34,600
Speaker 3: craving right now? Because it's clearly not superheroes in the

669
00:36:34,600 --> 00:36:35,800
Speaker 3: way that it was Aboo.

670
00:36:35,880 --> 00:36:38,400
Speaker 4: What did you learn from kind of reading and looking

671
00:36:38,440 --> 00:36:41,160
Speaker 4: through that history, and also as someone who loves all

672
00:36:41,239 --> 00:36:44,439
Speaker 4: kinds of storytelling, what do you feel like superheroes are

673
00:36:44,800 --> 00:36:46,080
Speaker 4: looking like on the horizon?

674
00:36:46,239 --> 00:36:48,880
Speaker 10: Well, I've actually been thinking about this a lot. I

675
00:36:49,440 --> 00:36:54,520
Speaker 10: personally am going to theaters less and less unless I

676
00:36:54,640 --> 00:36:58,840
Speaker 10: feel like it is an experience beyond just watching the film.

677
00:36:59,400 --> 00:37:02,359
Speaker 10: I think Sinner an Imax for example, what was I mean?

678
00:37:02,400 --> 00:37:05,560
Speaker 10: Centers itself the film itself very much a reason to

679
00:37:05,600 --> 00:37:08,879
Speaker 10: go to the theaters, but in particular here in New York,

680
00:37:09,440 --> 00:37:12,200
Speaker 10: I spent like weeks trying to find an Imax ticket

681
00:37:12,239 --> 00:37:14,520
Speaker 10: and ultimately had to give up because they were just

682
00:37:14,600 --> 00:37:16,920
Speaker 10: all sold out weeks and weeks and weeks in advance.

683
00:37:17,160 --> 00:37:18,799
Speaker 10: But it felt like a movie you had to go

684
00:37:18,880 --> 00:37:21,400
Speaker 10: experience in the best way possible, not something that I

685
00:37:21,440 --> 00:37:24,040
Speaker 10: could just watch on my fifty inch TV at home.

686
00:37:24,640 --> 00:37:27,920
Speaker 10: I think F one, you know, the number one's the

687
00:37:28,000 --> 00:37:31,160
Speaker 10: number seven slot on the top ten. That movie also

688
00:37:31,239 --> 00:37:35,560
Speaker 10: felt like something like, oh, I keep hearing people like

689
00:37:35,640 --> 00:37:37,960
Speaker 10: via word of mouth or through review saying like, this

690
00:37:38,040 --> 00:37:39,760
Speaker 10: is a movie you want to like, hear and feel

691
00:37:39,800 --> 00:37:42,600
Speaker 10: in a theater. It's not necessarily one you want to

692
00:37:42,640 --> 00:37:45,960
Speaker 10: just watch at home on your couch. And I feel

693
00:37:45,960 --> 00:37:50,279
Speaker 10: like that's not the sales pitch I'm getting from superhero

694
00:37:50,320 --> 00:37:54,040
Speaker 10: films anymore. I'm not getting the like, come to the

695
00:37:54,040 --> 00:37:56,520
Speaker 10: theater and be a part of the experience, whether it's

696
00:37:56,560 --> 00:37:59,800
Speaker 10: a part of the superhero culture and the movement, or

697
00:37:59,840 --> 00:38:05,000
Speaker 10: the culmination of ten years of superhero storytelling and the Avengers,

698
00:38:06,640 --> 00:38:09,160
Speaker 10: or like this film was meant to be watched on

699
00:38:09,200 --> 00:38:11,319
Speaker 10: the big screen. A lot of it is just like

700
00:38:11,480 --> 00:38:14,880
Speaker 10: very cgi heavy third act, Like yeah, I mean, I

701
00:38:14,880 --> 00:38:16,640
Speaker 10: guess I'll just like put that on at home and

702
00:38:16,640 --> 00:38:18,759
Speaker 10: watch it when it's on Disney Plus in forty five

703
00:38:18,840 --> 00:38:21,960
Speaker 10: or ninety days, and like, I can wait for this one.

704
00:38:22,000 --> 00:38:22,520
Speaker 1: It didn't.

705
00:38:22,800 --> 00:38:24,840
Speaker 10: I don't feel that urgency with a lot of superhero

706
00:38:24,880 --> 00:38:28,080
Speaker 10: movies that this was made for a theater experience, And

707
00:38:28,560 --> 00:38:31,400
Speaker 10: I do wonder if that is a sales pitch that

708
00:38:31,520 --> 00:38:33,040
Speaker 10: might help films in the future.

709
00:38:34,160 --> 00:38:36,719
Speaker 4: I think you've actually touched on something really deep there

710
00:38:36,800 --> 00:38:40,479
Speaker 4: that speaks to a lot of the issues that maybe

711
00:38:40,560 --> 00:38:43,719
Speaker 4: we didn't even realize that Disney plusification of it all

712
00:38:43,800 --> 00:38:47,520
Speaker 4: would impact. But that knowledge that, yeah, this is gonna

713
00:38:47,560 --> 00:38:51,200
Speaker 4: be on Disney Plus, and also, more importantly, is it

714
00:38:51,239 --> 00:38:54,120
Speaker 4: gonna look any different than what you can access on

715
00:38:54,160 --> 00:38:55,400
Speaker 4: Disney Plus on your TV?

716
00:38:55,719 --> 00:38:57,319
Speaker 1: Because I think that that commitment to.

717
00:38:57,400 --> 00:39:00,719
Speaker 4: Volume and yeah, obviously we want great quality TV. First

718
00:39:00,760 --> 00:39:04,160
Speaker 4: season of The Mandalorian incredible lots of volume use. But

719
00:39:04,239 --> 00:39:07,440
Speaker 4: then you get to ant man in the Watch Quantumania

720
00:39:07,520 --> 00:39:10,880
Speaker 4: and Man in the Worst Quantumania, and you end up

721
00:39:10,920 --> 00:39:12,520
Speaker 4: in a situation where whether you see it on the

722
00:39:12,520 --> 00:39:15,200
Speaker 4: big screen you see on TV, it looks very CGI heavy,

723
00:39:15,360 --> 00:39:16,400
Speaker 4: it looks muddy.

724
00:39:16,480 --> 00:39:18,279
Speaker 1: They're not necessarily you know.

725
00:39:18,360 --> 00:39:21,080
Speaker 4: I think there was an assumption with the MCU and

726
00:39:21,200 --> 00:39:23,719
Speaker 4: DC movies for a long time they're gonna get the

727
00:39:23,719 --> 00:39:26,680
Speaker 4: big format screens that you're gonna go see them in IMAX,

728
00:39:26,719 --> 00:39:28,520
Speaker 4: you're gonna pay the extra money, and they're gonna get

729
00:39:28,520 --> 00:39:32,120
Speaker 4: that kind of boost from that. But I think you

730
00:39:32,160 --> 00:39:36,399
Speaker 4: speak to something very real, which is Sinners obviously did

731
00:39:36,440 --> 00:39:38,799
Speaker 4: not translate in the same way for everyone, but one

732
00:39:38,840 --> 00:39:41,160
Speaker 4: battle after another for certain people, they had to see

733
00:39:41,200 --> 00:39:43,680
Speaker 4: it in the vista vision. And also as well, I

734
00:39:43,719 --> 00:39:50,000
Speaker 4: think like going back to horror, something like Final Destination Bloodlines, right,

735
00:39:50,239 --> 00:39:55,040
Speaker 4: that almost replaced that communal viewing that an old MCU

736
00:39:55,120 --> 00:39:58,600
Speaker 4: movie had had, Like people watching Final Destination in the

737
00:39:58,640 --> 00:40:02,160
Speaker 4: cinema screaming class when they see the lugs coming Aryl

738
00:40:02,239 --> 00:40:04,120
Speaker 4: going oh my god. So you know, I think that

739
00:40:04,239 --> 00:40:08,439
Speaker 4: communal viewing is part of what is driving people back

740
00:40:08,480 --> 00:40:11,799
Speaker 4: to the fit as you this year. But in that mindset,

741
00:40:12,000 --> 00:40:16,120
Speaker 4: are they still are SUPERA movies still playing into that audience,

742
00:40:16,160 --> 00:40:18,120
Speaker 4: is still giving them a reason to go? I think

743
00:40:18,200 --> 00:40:19,719
Speaker 4: is a very good point a boom.

744
00:40:20,320 --> 00:40:23,760
Speaker 3: What do we see as looking at this data, looking

745
00:40:23,760 --> 00:40:26,480
Speaker 3: at the movies that are coming out? Do we see

746
00:40:26,520 --> 00:40:30,600
Speaker 3: any trends that we can predict for twenty twenty six?

747
00:40:30,640 --> 00:40:33,400
Speaker 3: One thing I want to note is that we are

748
00:40:33,440 --> 00:40:37,640
Speaker 3: in a transition period. And you know, the turnaround from

749
00:40:38,120 --> 00:40:41,719
Speaker 3: production to box office for a film is like three

750
00:40:41,800 --> 00:40:45,520
Speaker 3: years yea east, and so we're watching the tail end

751
00:40:45,640 --> 00:40:50,759
Speaker 3: of movies that were planned for a different year. So

752
00:40:50,800 --> 00:40:52,920
Speaker 3: what do we see in twenty twenty six. As we

753
00:40:53,000 --> 00:40:58,000
Speaker 3: start to see companies like retarget and restrategize, what trends

754
00:40:58,080 --> 00:40:58,800
Speaker 3: do we see emerging?

755
00:40:58,840 --> 00:41:01,520
Speaker 4: ROSI would I think that we're gonna continue to see

756
00:41:01,560 --> 00:41:04,799
Speaker 4: I think, for example, The Odyssey, the Christophanola movie. I

757
00:41:04,800 --> 00:41:07,040
Speaker 4: think it's gonna do crazy numbers. I think people are

758
00:41:07,040 --> 00:41:09,160
Speaker 4: gonna want to see it at the cinema. I think

759
00:41:09,160 --> 00:41:12,880
Speaker 4: we're gonna continue that. I think that Superhero wise, I

760
00:41:12,920 --> 00:41:18,440
Speaker 4: think spider Man brand new day, we know the it destined.

761
00:41:18,920 --> 00:41:22,879
Speaker 4: Daniel kran is like an incredible director and has been

762
00:41:22,920 --> 00:41:26,319
Speaker 4: doing some really interesting stuff. I think that could bring

763
00:41:26,440 --> 00:41:30,759
Speaker 4: us back to the superhero movie peak. But I hope

764
00:41:30,760 --> 00:41:34,040
Speaker 4: that that doesn't mean that Marvel don't learn any lessons

765
00:41:34,080 --> 00:41:36,239
Speaker 4: from why the other movies weren't performing. But I think

766
00:41:36,280 --> 00:41:38,560
Speaker 4: that one has a chance to break it. I also

767
00:41:38,600 --> 00:41:42,080
Speaker 4: think it could be interesting Mortal Kombat too. They have

768
00:41:42,239 --> 00:41:44,319
Speaker 4: Obviously I'm biased, we know I love those movies. But

769
00:41:44,920 --> 00:41:47,200
Speaker 4: I do think that the fact that Warner Brothers has

770
00:41:47,200 --> 00:41:50,280
Speaker 4: moved it to May, which is your big blockbuster opening weekend,

771
00:41:50,280 --> 00:41:52,279
Speaker 4: it's under two hours. I think we could see that

772
00:41:52,320 --> 00:41:55,920
Speaker 4: do crazy numbers, maybe bring back more video game movies

773
00:41:56,040 --> 00:41:59,279
Speaker 4: post Minecraft, and I'll be interested to see what the

774
00:41:59,560 --> 00:42:01,840
Speaker 4: Maggie Llen Hall Bride movie looks like.

775
00:42:01,960 --> 00:42:04,000
Speaker 1: It's gonna be a musical, It's.

776
00:42:03,840 --> 00:42:09,120
Speaker 4: Gonna be a weird nineteen thirties set Chicago film.

777
00:42:09,520 --> 00:42:13,400
Speaker 1: Also can the Bone Temple near Dacosta's follow up?

778
00:42:13,440 --> 00:42:17,200
Speaker 4: Will that continue that big resurgence back in cinematic horror?

779
00:42:17,320 --> 00:42:20,280
Speaker 1: I hope, so are the movies. I'm excited for Masters

780
00:42:20,320 --> 00:42:22,960
Speaker 1: of the Universe. It's probably gonna flop. It's got Jared Letowen.

781
00:42:23,080 --> 00:42:26,399
Speaker 4: He's not a good look for them, but it does

782
00:42:26,520 --> 00:42:29,960
Speaker 4: look exciting and fun. We also have Supergirl. Is that

783
00:42:30,040 --> 00:42:33,440
Speaker 4: gonna be able to continue the James Gunnification. But the

784
00:42:33,520 --> 00:42:37,720
Speaker 4: biggest one that I'm interested to see is the gen

785
00:42:37,840 --> 00:42:42,399
Speaker 4: Z's most hated, most hate anticipated movie of the year,

786
00:42:42,560 --> 00:42:46,960
Speaker 4: which is gonna be Wuthering Heights, and it's made by

787
00:42:46,960 --> 00:42:49,880
Speaker 4: the same director and writer, Emerald Fennel of Saltburn.

788
00:42:50,040 --> 00:42:52,680
Speaker 1: The discourse around this one is absolutely crazy.

789
00:42:52,719 --> 00:42:55,240
Speaker 4: But if it does like one hundred mil opening weekend,

790
00:42:55,280 --> 00:42:57,399
Speaker 4: which I think it has the potential to do on

791
00:42:57,480 --> 00:43:00,640
Speaker 4: Valentine's Day, I worked at a theater when they released

792
00:43:00,680 --> 00:43:02,960
Speaker 4: Fifty Shades of Gray on Valentine's Day and we were

793
00:43:02,960 --> 00:43:05,319
Speaker 4: the only non sold out theater and we made so

794
00:43:05,560 --> 00:43:07,760
Speaker 4: much money because we had so many seats.

795
00:43:08,239 --> 00:43:11,320
Speaker 1: And I think it would be interesting to me to see.

796
00:43:11,200 --> 00:43:14,280
Speaker 4: If we get a period piece renaissance or a modern

797
00:43:14,360 --> 00:43:19,000
Speaker 4: Retelling's renaissance post that being a hit, even if it's

798
00:43:19,000 --> 00:43:21,520
Speaker 4: a hate watch hit. Jason Way, you most excited about

799
00:43:21,520 --> 00:43:22,800
Speaker 4: in twenty twenty six.

800
00:43:23,600 --> 00:43:26,279
Speaker 3: I'm I don't know about excited, but I but I

801
00:43:26,320 --> 00:43:29,440
Speaker 3: think that we're going to see I think that the

802
00:43:29,600 --> 00:43:32,920
Speaker 3: success at Five Nights at Frady Oh, It's just like

803
00:43:33,200 --> 00:43:37,760
Speaker 3: Under is under talked about, like this super weird Nietsch

804
00:43:37,840 --> 00:43:42,480
Speaker 3: spooky Kid video game that with you know, multiple episodes

805
00:43:42,600 --> 00:43:46,040
Speaker 3: out on for PC or whatever platform you're playing on,

806
00:43:46,480 --> 00:43:49,480
Speaker 3: that becoming a movie that was a huge hit on

807
00:43:49,520 --> 00:43:50,280
Speaker 3: a tiny budget.

808
00:43:50,280 --> 00:43:51,120
Speaker 5: I think we're gonna see more.

809
00:43:51,160 --> 00:43:53,160
Speaker 4: So Yeah, and we have Five Nights at Freddy's two

810
00:43:53,160 --> 00:43:55,360
Speaker 4: coming out this month, which I think you're right is

811
00:43:55,400 --> 00:43:57,360
Speaker 4: going to open to crazy numbers.

812
00:43:57,800 --> 00:44:01,360
Speaker 3: So I think we're going to start to see more

813
00:44:01,880 --> 00:44:06,040
Speaker 3: weird YouTube like weird video game.

814
00:44:06,080 --> 00:44:09,480
Speaker 1: Kid skipp any toilet It's coming, guys.

815
00:44:09,880 --> 00:44:13,200
Speaker 3: You know, like, uh, will there be at some point

816
00:44:13,239 --> 00:44:15,000
Speaker 3: a Rollblos movie almost like.

817
00:44:15,040 --> 00:44:16,000
Speaker 5: Somebody right now.

818
00:44:16,320 --> 00:44:19,640
Speaker 3: Yeah, almost certainly somebody right now. There's a bunch of

819
00:44:19,719 --> 00:44:21,640
Speaker 3: producers in a room trying to figure that, and.

820
00:44:21,640 --> 00:44:23,359
Speaker 4: It's probably gonna be a ten year old who writes it,

821
00:44:23,440 --> 00:44:25,120
Speaker 4: just like a ten year old writes all the games

822
00:44:25,120 --> 00:44:25,520
Speaker 4: on them.

823
00:44:26,880 --> 00:44:27,719
Speaker 5: Iby, what about you?

824
00:44:27,920 --> 00:44:30,120
Speaker 10: I think it's a big sci fi fan. I'm excited

825
00:44:30,160 --> 00:44:32,600
Speaker 10: for twenty twenty six. I mean, Dune Part three is

826
00:44:32,800 --> 00:44:35,880
Speaker 10: kind of goes without saying for me personally, but I'm

827
00:44:36,000 --> 00:44:40,800
Speaker 10: very very excited for Project Hail Mary. That adaptation looks spectacular.

828
00:44:41,080 --> 00:44:46,040
Speaker 10: How well it'll do, I don't know. I mean, box

829
00:44:46,080 --> 00:44:48,120
Speaker 10: office wise, I'm not so sure that it's going to

830
00:44:48,200 --> 00:44:51,000
Speaker 10: do gangbusters, but as a sci fi fan, I'm very

831
00:44:51,080 --> 00:44:54,080
Speaker 10: much looking forward to it. I agree with with a

832
00:44:54,080 --> 00:44:56,280
Speaker 10: lot of what Rosie said. I think Odyssey is gonna,

833
00:44:56,760 --> 00:44:58,520
Speaker 10: you know, blow the box office out of the water.

834
00:44:59,200 --> 00:45:02,160
Speaker 10: I do think Mando and Grogu and Doomsday are gonna

835
00:45:02,200 --> 00:45:04,920
Speaker 10: like do fine. You know, I think much much like

836
00:45:05,040 --> 00:45:08,879
Speaker 10: this year, they're gonna do like fine and maybe crack

837
00:45:08,920 --> 00:45:11,759
Speaker 10: the top ten like Fantastic Foward did this year, but

838
00:45:11,840 --> 00:45:13,799
Speaker 10: kind of in a way where it still feels like

839
00:45:13,960 --> 00:45:16,839
Speaker 10: not a huge success in some weird way just because

840
00:45:16,920 --> 00:45:20,319
Speaker 10: expectations will be like you know, through the roof. I

841
00:45:20,360 --> 00:45:25,640
Speaker 10: do think this year horror was sort of a standout

842
00:45:26,520 --> 00:45:31,640
Speaker 10: genre at the box office, And Mike Feeling says that'll

843
00:45:31,680 --> 00:45:35,360
Speaker 10: actually continue next year because twenty eight years later, ye

844
00:45:35,680 --> 00:45:37,279
Speaker 10: at a scream, I mean Scream seven.

845
00:45:37,320 --> 00:45:40,640
Speaker 4: I'm not so sure, but like, yes, it's very where

846
00:45:40,640 --> 00:45:43,040
Speaker 4: we're in a contract place of Stream seven. That could

847
00:45:43,040 --> 00:45:47,000
Speaker 4: actually break a trend of Scream always out performing itself.

848
00:45:47,040 --> 00:45:49,239
Speaker 1: That could be the one. But I think I think horror.

849
00:45:48,960 --> 00:45:52,080
Speaker 4: Is a I think it'll continue bet and has is

850
00:45:52,120 --> 00:45:54,560
Speaker 4: going to continue. Also, guys, just before we leave, great

851
00:45:54,680 --> 00:45:58,560
Speaker 4: question that Aaron popped in? Do do we think that,

852
00:45:59,440 --> 00:46:00,400
Speaker 4: oh the e popped in?

853
00:46:00,440 --> 00:46:00,800
Speaker 1: Actually?

854
00:46:01,000 --> 00:46:06,040
Speaker 4: Do we think Wicked for Good or Avatar fire Nation

855
00:46:06,320 --> 00:46:09,719
Speaker 4: or whatever it's called. Do we think that is gonna

856
00:46:09,880 --> 00:46:11,560
Speaker 4: either of those are going to crack the top ten?

857
00:46:11,920 --> 00:46:13,520
Speaker 5: Avatar Absolutely, it.

858
00:46:13,480 --> 00:46:16,719
Speaker 3: Could be the number one Avatar one number one.

859
00:46:16,760 --> 00:46:18,680
Speaker 4: Know if I fully agree that, because I do think

860
00:46:18,719 --> 00:46:20,239
Speaker 4: part of the reason't it made so much money last

861
00:46:20,239 --> 00:46:22,160
Speaker 4: time is because there was a tenure gap. I want

862
00:46:22,160 --> 00:46:26,880
Speaker 4: to see if people's excitement is out there for Avatar

863
00:46:26,920 --> 00:46:28,840
Speaker 4: Fire and ash, but I think both of them will crack.

864
00:46:28,920 --> 00:46:30,560
Speaker 1: I think Avatar will be near the top. I think

865
00:46:30,560 --> 00:46:31,720
Speaker 1: Wicked will be near the middle.

866
00:46:32,000 --> 00:46:34,880
Speaker 5: I think the world loves Avatar, and.

867
00:46:37,640 --> 00:46:41,120
Speaker 4: Do love Avatar. International moms, they gotta watch that movie.

868
00:46:41,520 --> 00:46:44,200
Speaker 3: I simply don't see listen to. The music is a

869
00:46:44,280 --> 00:46:46,840
Speaker 3: huge part of it, and the music is in English,

870
00:46:47,160 --> 00:46:51,799
Speaker 3: and that's just gonna be a barrier internationally, I think. Yeah,

871
00:46:51,920 --> 00:46:56,120
Speaker 3: so I don't see Wicked. I see Wicked putting up numbers,

872
00:46:56,160 --> 00:46:57,600
Speaker 3: but not like Avatar numbers.

873
00:46:57,640 --> 00:46:59,960
Speaker 10: Yeah. Yeah, Plus they're gonna do the hair sex thing

874
00:47:00,080 --> 00:47:01,480
Speaker 10: with the whale or something in the new one.

875
00:47:01,600 --> 00:47:05,359
Speaker 1: So exactly. Thank you for joining us.

876
00:47:06,160 --> 00:47:06,560
Speaker 2: Thank you.

877
00:47:07,360 --> 00:47:09,160
Speaker 3: Let's take a quick break and we'll be right back

878
00:47:09,440 --> 00:47:10,640
Speaker 3: to talk candy top.

879
00:47:25,480 --> 00:47:26,120
Speaker 2: And we're back.

880
00:47:27,000 --> 00:47:32,920
Speaker 3: Let's bring in the full compliment, the superproducers to discuss,

881
00:47:34,880 --> 00:47:36,240
Speaker 3: you know, really, what it's all about.

882
00:47:36,440 --> 00:47:37,280
Speaker 5: Spooky season.

883
00:47:37,360 --> 00:47:38,239
Speaker 1: That's all we care about.

884
00:47:38,360 --> 00:47:39,520
Speaker 5: It's about the candy.

885
00:47:39,640 --> 00:47:42,200
Speaker 1: Come on, guys, it's about the candies, the delicious caddies.

886
00:47:42,280 --> 00:47:48,600
Speaker 3: Time now to discuss our top three, our winners, our

887
00:47:48,680 --> 00:47:56,120
Speaker 3: metal podium of Halloween candies. Let's start with Doctor French himself.

888
00:47:56,120 --> 00:48:04,719
Speaker 3: He's been tasting the greatest, and now he has come

889
00:48:04,760 --> 00:48:11,200
Speaker 3: here to us about about what what real taste is

890
00:48:11,320 --> 00:48:14,840
Speaker 3: like a boo Your top three Halloween candies.

891
00:48:15,680 --> 00:48:17,680
Speaker 10: I think as far as what I would want. First

892
00:48:17,680 --> 00:48:19,360
Speaker 10: of all, I want full sized candy bars. I'm not

893
00:48:19,360 --> 00:48:21,680
Speaker 10: trying to do any of those many nonsense.

894
00:48:22,320 --> 00:48:28,080
Speaker 3: Bougie good luck, good luck looking neighborhood.

895
00:48:30,680 --> 00:48:34,040
Speaker 10: Look, we're a household that gives a full sized candy.

896
00:48:34,400 --> 00:48:36,279
Speaker 10: The rest of the neighborhood's got to keep up with us.

897
00:48:37,920 --> 00:48:40,960
Speaker 9: Look, uh, I'm really basic.

898
00:48:41,040 --> 00:48:44,120
Speaker 10: I'm so sorry. Like, give me a three Musketeers, give

899
00:48:44,160 --> 00:48:46,319
Speaker 10: me it, Give me a Hershey bar with audience like

900
00:48:47,000 --> 00:48:48,680
Speaker 10: I will be so happy with just the.

901
00:48:48,600 --> 00:48:51,880
Speaker 5: Most basic candy in the world. I'm sorry.

902
00:48:52,520 --> 00:48:56,759
Speaker 3: Chocolate, I'm here in chocolate. You're a chocolate that's all.

903
00:48:56,760 --> 00:49:00,480
Speaker 1: Io. Are you eating? Are you eating a candy one? No?

904
00:49:00,560 --> 00:49:01,560
Speaker 5: Absolutely not? No?

905
00:49:02,280 --> 00:49:04,200
Speaker 10: Okay, good candy corn disgusting?

906
00:49:05,400 --> 00:49:09,600
Speaker 5: Okay, Carmen, your top three Halloween candies?

907
00:49:10,080 --> 00:49:14,920
Speaker 6: Okay, Well, the house that has sour Pouch Kids is

908
00:49:15,000 --> 00:49:17,920
Speaker 6: the best house on the got a good start there

909
00:49:18,960 --> 00:49:22,040
Speaker 6: after sour Pouch Kids, I would have to say Twizzlers,

910
00:49:22,160 --> 00:49:24,160
Speaker 6: not any old Twizzlers.

911
00:49:24,440 --> 00:49:26,680
Speaker 5: I need the ones the pull apart the pull apart.

912
00:49:27,160 --> 00:49:30,280
Speaker 9: I need pull up. Yes, the pull apart ones there, cherry,

913
00:49:30,280 --> 00:49:30,839
Speaker 9: those are the best.

914
00:49:32,800 --> 00:49:35,839
Speaker 6: Yes, don't give me those strawberry flavored ships that don't

915
00:49:35,840 --> 00:49:36,320
Speaker 6: pull apart.

916
00:49:37,280 --> 00:49:40,520
Speaker 4: Wow, I'm gonna tak you English strawberry laces. It's like

917
00:49:40,560 --> 00:49:43,400
Speaker 4: the best version. Okay, I'm excited.

918
00:49:44,080 --> 00:49:46,719
Speaker 6: And then the last thing, this is what actually as

919
00:49:46,760 --> 00:49:48,759
Speaker 6: a kid, I remember turning me onto dark chocolate. I

920
00:49:48,800 --> 00:49:51,160
Speaker 6: loved when I would get this in my my bag.

921
00:49:51,800 --> 00:49:55,560
Speaker 6: The what was it milky way midnight?

922
00:49:55,960 --> 00:49:58,160
Speaker 7: They had like a milky way like midnight.

923
00:49:59,719 --> 00:50:01,640
Speaker 9: Yeah, that's a good that's a good call.

924
00:50:02,239 --> 00:50:02,920
Speaker 2: Is that just started?

925
00:50:05,400 --> 00:50:08,239
Speaker 5: It's a dark yeah, but I remember.

926
00:50:09,520 --> 00:50:11,000
Speaker 1: It's really good if you don't find.

927
00:50:13,000 --> 00:50:19,759
Speaker 3: Yeah, all right, Uh my top three Halloween candies. I

928
00:50:19,840 --> 00:50:22,759
Speaker 3: like a texture. I like a crunch. I want I

929
00:50:22,760 --> 00:50:25,440
Speaker 3: want interesting textures. This is why I've never been like

930
00:50:25,440 --> 00:50:30,080
Speaker 3: a red Vines, Twizzlers, gummy bears, you know, like that

931
00:50:30,160 --> 00:50:30,759
Speaker 3: type of guy.

932
00:50:31,600 --> 00:50:35,680
Speaker 5: Excuse me, uh not gummy bears. What's the other one?

933
00:50:37,200 --> 00:50:37,719
Speaker 5: Candy corner?

934
00:50:37,719 --> 00:50:40,400
Speaker 3: I've never been like that kind of like hard, weird,

935
00:50:40,640 --> 00:50:46,080
Speaker 3: like jelly candy. Okay, so here it is Eminem's peanut

936
00:50:46,160 --> 00:50:50,000
Speaker 3: and or regular like a little bag of Eminem's. It's

937
00:50:50,000 --> 00:50:53,640
Speaker 3: it's perfect. You're not gonna get all chocolated, that's true.

938
00:50:54,120 --> 00:50:56,399
Speaker 3: You know, like you could pour it directly in your mouth.

939
00:50:56,480 --> 00:51:01,040
Speaker 3: It's like a perfect product and a perfec. The packaging

940
00:51:01,120 --> 00:51:04,040
Speaker 3: experience for Halloween. You can eat some of it and

941
00:51:04,080 --> 00:51:05,759
Speaker 3: then fold it up and then drop it back to

942
00:51:05,800 --> 00:51:06,120
Speaker 3: your back.

943
00:51:07,520 --> 00:51:11,320
Speaker 5: Number two. It's kind of an M and M knockoff.

944
00:51:11,840 --> 00:51:15,240
Speaker 5: I don't give a shit the Reese's Pieces pieces.

945
00:51:15,960 --> 00:51:18,759
Speaker 3: I love peanut butter and chocolate. I love those two

946
00:51:18,800 --> 00:51:23,360
Speaker 3: things together. It comes in and basically like a like

947
00:51:23,400 --> 00:51:27,040
Speaker 3: a knockoff Eminem kind of styling, and so like I'm

948
00:51:27,040 --> 00:51:28,880
Speaker 3: a fan of that, I'm gonna go with the knockoff

949
00:51:29,200 --> 00:51:32,640
Speaker 3: Eminem type of styling. I thought about a kit Cat

950
00:51:32,760 --> 00:51:35,239
Speaker 3: bar to go full chocolate. I always love to see

951
00:51:35,280 --> 00:51:37,480
Speaker 3: a kit Cat. But you know what, I'm gonna go

952
00:51:37,600 --> 00:51:44,359
Speaker 3: with gummy bears because in my mind, I would be like,

953
00:51:44,920 --> 00:51:48,560
Speaker 3: they're vitamins. It's like I'm taking my vitamins. But they're

954
00:51:48,600 --> 00:51:50,839
Speaker 3: delicious and they're cute.

955
00:51:50,920 --> 00:51:51,840
Speaker 5: You know, you can squeeze them.

956
00:51:51,880 --> 00:51:54,120
Speaker 1: They're like eat little head, you know when I was

957
00:51:54,160 --> 00:51:54,480
Speaker 1: a kid.

958
00:51:54,600 --> 00:51:56,480
Speaker 2: Yeah, they don't off the heads.

959
00:51:56,160 --> 00:51:58,600
Speaker 5: And write the head off. It's not like a candy

960
00:51:58,640 --> 00:52:01,279
Speaker 5: corn where you're like after three or four of them.

961
00:52:01,320 --> 00:52:03,239
Speaker 5: It feels like, you know, like.

962
00:52:03,920 --> 00:52:07,840
Speaker 3: Vitamins do it, yeah, doings on this sphace.

963
00:52:09,320 --> 00:52:20,480
Speaker 1: Jack cannot extra vision, so.

964
00:52:20,680 --> 00:52:25,600
Speaker 5: That after dark, I think of a weak jaw. I

965
00:52:25,640 --> 00:52:27,279
Speaker 5: don't jaw.

966
00:52:28,000 --> 00:52:31,120
Speaker 3: Yeah, And so that's so those are my I like

967
00:52:31,200 --> 00:52:34,600
Speaker 3: these little bike size things where I can moderate how.

968
00:52:34,560 --> 00:52:37,040
Speaker 1: Much I put it in, ease back into a package.

969
00:52:37,160 --> 00:52:42,000
Speaker 3: Yeah. Next up, Joel, top three Halloween candies.

970
00:52:42,960 --> 00:52:47,279
Speaker 11: If we're in a regular ass neighborhood, I want my

971
00:52:47,400 --> 00:52:52,239
Speaker 11: favorite candy all time. I love peanut eminems and I'll

972
00:52:52,239 --> 00:52:54,160
Speaker 11: take a Snickers either that bitch in the freezer it's.

973
00:52:57,120 --> 00:53:01,200
Speaker 5: Uh and then uh. I know I said regularly, but you.

974
00:53:01,160 --> 00:53:03,000
Speaker 11: Know a Japanese kit cat will do it for me

975
00:53:03,040 --> 00:53:03,399
Speaker 11: every time.

976
00:53:03,440 --> 00:53:05,640
Speaker 5: I don't they taste like chalk sticks.

977
00:53:05,719 --> 00:53:08,799
Speaker 11: But if you can get a Japanese kit cat, wow, superior.

978
00:53:09,000 --> 00:53:12,200
Speaker 11: If we're in a wealthy ass neighborhood, Champagne gummy bears,

979
00:53:12,440 --> 00:53:18,680
Speaker 11: I'll take a I like that. And then there's this

980
00:53:18,840 --> 00:53:21,480
Speaker 11: German candy that I don't know what it is. It's

981
00:53:21,480 --> 00:53:25,520
Speaker 11: like chocolate with hazel nut and it's in a giant stare.

982
00:53:26,280 --> 00:53:32,200
Speaker 7: I know exactly. It's you need a rider bar.

983
00:53:32,320 --> 00:53:34,200
Speaker 5: You can have anything, like what can I do for you?

984
00:53:34,280 --> 00:53:36,640
Speaker 11: Like, I'm gonna.

985
00:53:38,239 --> 00:53:39,280
Speaker 1: Like whatever.

986
00:53:43,760 --> 00:53:46,239
Speaker 11: Those are my top three, depending on neighborhood.

987
00:53:47,480 --> 00:53:50,000
Speaker 2: Come on, top three Halloween candies. I mean I would

988
00:53:50,040 --> 00:53:52,080
Speaker 2: love to go trigger treating in the neighborhood giving.

989
00:53:51,880 --> 00:53:58,080
Speaker 12: Out ritter sports Japanese that growing up look so my

990
00:53:58,120 --> 00:54:00,440
Speaker 12: top three Japanese kit cats really quickly so you Potato

991
00:54:00,440 --> 00:54:02,360
Speaker 12: Macha's success.

992
00:54:04,120 --> 00:54:07,360
Speaker 2: My top three Halloween candy though they all have to

993
00:54:07,400 --> 00:54:09,160
Speaker 2: be small. I want mini size. I want to be

994
00:54:09,160 --> 00:54:10,360
Speaker 2: able to eat a bunch of them. I want to

995
00:54:10,400 --> 00:54:13,600
Speaker 2: go back and forth. Yeah, fun size. First up, I

996
00:54:13,640 --> 00:54:18,520
Speaker 2: want Reese's pumpkins or mini pumpkins. Really any any novelty

997
00:54:18,520 --> 00:54:22,840
Speaker 2: shapes about the shape shapes? Yes, the Easter eggs are

998
00:54:22,880 --> 00:54:25,040
Speaker 2: good to any shape of Reese's.

999
00:54:25,120 --> 00:54:25,840
Speaker 5: That's not normal.

1000
00:54:25,880 --> 00:54:29,640
Speaker 2: It just feels like a treat. Twigs like I would

1001
00:54:29,719 --> 00:54:32,600
Speaker 2: rather have rather have a Snickers eleven months out of

1002
00:54:32,600 --> 00:54:34,319
Speaker 2: the year than a TwixT. But give me a little

1003
00:54:34,320 --> 00:54:37,960
Speaker 2: mini twigs and like the month of silver. And lastly,

1004
00:54:38,640 --> 00:54:41,120
Speaker 2: mister Good or crackle like the.

1005
00:54:44,200 --> 00:54:45,919
Speaker 1: Mister mister Good.

1006
00:54:46,120 --> 00:54:47,080
Speaker 2: Mister Good is like.

1007
00:54:48,640 --> 00:54:49,760
Speaker 7: A peanut candy.

1008
00:54:53,640 --> 00:54:54,239
Speaker 1: Oh, I love it.

1009
00:54:54,400 --> 00:54:56,719
Speaker 4: I had one hundred grand for the first time when

1010
00:54:56,719 --> 00:55:00,200
Speaker 4: I went to the Croft at the Hollywood Forever Cemetery.

1011
00:54:59,760 --> 00:55:02,799
Speaker 2: And delicious, very good.

1012
00:55:03,160 --> 00:55:06,160
Speaker 5: Okay, Rosie, actually.

1013
00:55:06,520 --> 00:55:13,000
Speaker 8: Say, let's go to.

1014
00:55:11,200 --> 00:55:13,760
Speaker 9: All of mine have all of might have been said already,

1015
00:55:13,840 --> 00:55:18,200
Speaker 9: But sour Patch Sour Patch Kids is number one. Okay,

1016
00:55:18,239 --> 00:55:24,879
Speaker 9: watch just the ultimate candy taste different. Yeah, yeah, they're

1017
00:55:24,960 --> 00:55:30,440
Speaker 9: all different flavors. This might be controversial, but I think, yeah,

1018
00:55:30,600 --> 00:55:33,800
Speaker 9: I think it's either lime or orange.

1019
00:55:34,000 --> 00:55:35,879
Speaker 2: One of those is not a color from one of them.

1020
00:55:35,880 --> 00:55:36,480
Speaker 1: Is a flavor.

1021
00:55:37,640 --> 00:55:38,719
Speaker 7: I'm about the red and blue.

1022
00:55:40,600 --> 00:55:43,080
Speaker 9: So Sour Patch Kids. It's like my go to movie snack.

1023
00:55:43,120 --> 00:55:44,600
Speaker 9: I get them every time I go to the movies.

1024
00:55:45,080 --> 00:55:48,880
Speaker 9: Love it at Halloween TwixT bar it is a classic.

1025
00:55:49,080 --> 00:55:51,279
Speaker 9: I just love that cookie crunch in the middle of

1026
00:55:51,320 --> 00:55:54,759
Speaker 9: the candy bar. And then one hundred grand. I feel

1027
00:55:54,760 --> 00:55:57,880
Speaker 9: like you only really see those at Halloween, just like

1028
00:55:57,920 --> 00:56:01,439
Speaker 9: the crispies with the caramel, like they're so good. Yeah,

1029
00:56:01,520 --> 00:56:04,239
Speaker 9: like I really don't see them other times of the year.

1030
00:56:04,239 --> 00:56:07,160
Speaker 9: And then some honorable mentions like a bunch of crunch.

1031
00:56:07,239 --> 00:56:10,160
Speaker 9: I think at this point you can only get movies

1032
00:56:10,160 --> 00:56:10,640
Speaker 9: now too, but.

1033
00:56:10,640 --> 00:56:12,040
Speaker 5: Bunch of crunch is so good.

1034
00:56:12,680 --> 00:56:14,760
Speaker 9: Oh wait, Okaya, A bunch of crunch is elite.

1035
00:56:14,840 --> 00:56:18,680
Speaker 11: That best only movie theater candy, A bunch of crunches

1036
00:56:18,719 --> 00:56:19,960
Speaker 11: up there, that's a great selection.

1037
00:56:20,200 --> 00:56:20,840
Speaker 5: I will go cookie.

1038
00:56:21,160 --> 00:56:24,759
Speaker 9: I think it's a bunch of crunch are good too,

1039
00:56:25,560 --> 00:56:26,840
Speaker 9: but I think I think it for me, it's a

1040
00:56:26,840 --> 00:56:29,799
Speaker 9: bunch of crunch. And then I'll just throw in my

1041
00:56:29,800 --> 00:56:32,359
Speaker 9: favorite Japanese kiket flavors too. So so I just came

1042
00:56:32,400 --> 00:56:34,680
Speaker 9: back that Macha has to be up there, peach.

1043
00:56:35,400 --> 00:56:40,240
Speaker 1: And then I just was delicious can compound.

1044
00:56:41,440 --> 00:56:41,839
Speaker 9: Very good.

1045
00:56:42,440 --> 00:56:46,280
Speaker 3: And finally, Rosie, all right, Rosie, bring us top three

1046
00:56:46,520 --> 00:56:49,440
Speaker 3: Halloween candies. And I can't wait to learn about the

1047
00:56:49,440 --> 00:56:50,600
Speaker 3: the candies of your neighbors.

1048
00:56:52,040 --> 00:56:54,480
Speaker 1: I'm gonna festival, guys. I gotta tell you.

1049
00:56:54,480 --> 00:56:57,960
Speaker 4: There is some really hilarious threads on the internet about

1050
00:56:58,520 --> 00:57:03,040
Speaker 4: like English people and like it's not called candy, guys. Firstly,

1051
00:57:03,160 --> 00:57:05,960
Speaker 4: it's called sweets and chocolate. That's at the top of

1052
00:57:06,040 --> 00:57:07,200
Speaker 4: like every single list.

1053
00:57:07,239 --> 00:57:07,960
Speaker 1: Anyone is more.

1054
00:57:08,120 --> 00:57:09,880
Speaker 2: I like that though. I like that because if I

1055
00:57:09,880 --> 00:57:13,160
Speaker 2: want candy, if I ask for candy, I mean chocolate

1056
00:57:13,239 --> 00:57:13,759
Speaker 2: I don't want.

1057
00:57:13,880 --> 00:57:18,320
Speaker 4: Don't give me if I'm gonna ask chocolate controversial, so

1058
00:57:18,360 --> 00:57:20,840
Speaker 4: I'm gonna go for some of the most classic ones

1059
00:57:20,920 --> 00:57:23,800
Speaker 4: I remember as a kid. So basically, also, guys gotta

1060
00:57:23,800 --> 00:57:25,760
Speaker 4: know when you go to England, you go trick or treating,

1061
00:57:25,960 --> 00:57:28,240
Speaker 4: they're gonna make you do the treat like they're gonna

1062
00:57:28,280 --> 00:57:29,000
Speaker 4: make you do something.

1063
00:57:29,040 --> 00:57:31,520
Speaker 1: They're gonna be like, they're gonna be like you.

1064
00:57:33,560 --> 00:57:39,360
Speaker 3: That's that's that's real upstairs down seriously, like.

1065
00:57:39,440 --> 00:57:41,360
Speaker 4: They'll be having you out there like you better have

1066
00:57:41,440 --> 00:57:44,560
Speaker 4: something because also there's not a lot. Yeah, trick or

1067
00:57:44,560 --> 00:57:47,479
Speaker 4: treating not that popular in the UK, so they're gonna

1068
00:57:47,480 --> 00:57:49,880
Speaker 4: make you work for it, and then you're gonna go

1069
00:57:49,920 --> 00:57:52,280
Speaker 4: for we would call it a sweet, you know, sweets

1070
00:57:52,320 --> 00:57:54,960
Speaker 4: like a gummy or a candy, some of the ones

1071
00:57:55,000 --> 00:57:56,960
Speaker 4: that they're bringing out and you guys are gonna love this.

1072
00:57:57,560 --> 00:58:02,760
Speaker 4: What do you know about the tutti fruity?

1073
00:58:03,320 --> 00:58:04,320
Speaker 5: Break it down for me.

1074
00:58:04,400 --> 00:58:10,800
Speaker 4: Tooty fruities are basically like what would you have if

1075
00:58:10,840 --> 00:58:14,720
Speaker 4: they what would you get in a kind of like

1076
00:58:14,760 --> 00:58:20,400
Speaker 4: a gummy that was not made in America. It's got

1077
00:58:20,560 --> 00:58:24,400
Speaker 4: a little bit more of a kind of like a

1078
00:58:24,480 --> 00:58:27,680
Speaker 4: gummy with a little maybe a hard.

1079
00:58:27,520 --> 00:58:31,640
Speaker 1: Kind of sugar on the outside. Very interesting.

1080
00:58:32,440 --> 00:58:36,480
Speaker 4: Not the American style tooty fruits, which are sugar. I

1081
00:58:36,480 --> 00:58:39,040
Speaker 4: would say, like a kind of hard sugar that's very popular.

1082
00:58:39,080 --> 00:58:44,400
Speaker 4: We also have that in fruit pastels world most World

1083
00:58:44,440 --> 00:58:44,760
Speaker 4: War two.

1084
00:58:45,720 --> 00:58:48,560
Speaker 1: No, jelly tots is like a little thing. We got

1085
00:58:48,640 --> 00:58:51,640
Speaker 1: jelly tots for babies. We got two effruies. How about

1086
00:58:51,640 --> 00:58:52,440
Speaker 1: this fruit pasta.

1087
00:58:52,480 --> 00:58:53,440
Speaker 7: They got baby candy.

1088
00:58:53,520 --> 00:58:56,400
Speaker 1: They got candies for babies. Definitely jelly you're giving.

1089
00:58:58,200 --> 00:59:06,920
Speaker 13: Because you're never, never, Jason, because when I was, jelly

1090
00:59:06,920 --> 00:59:09,400
Speaker 13: tots are like a it's we would used to call

1091
00:59:09,440 --> 00:59:12,640
Speaker 13: them jelly babies, and they're like a gummy with powdered

1092
00:59:12,680 --> 00:59:13,640
Speaker 13: sugar on the outside.

1093
00:59:13,680 --> 00:59:15,840
Speaker 4: I hate them, not for me. They kind of got

1094
00:59:15,840 --> 00:59:17,320
Speaker 4: that candy corn bonda.

1095
00:59:17,400 --> 00:59:21,000
Speaker 1: But I will say, yeah, it's kind of like that,

1096
00:59:21,120 --> 00:59:22,360
Speaker 1: I will. I will also.

1097
00:59:22,200 --> 00:59:24,240
Speaker 7: Say that I'm a sucker for dots though.

1098
00:59:24,200 --> 00:59:27,320
Speaker 4: This is the peak kind of like English gonna be

1099
00:59:27,360 --> 00:59:31,200
Speaker 4: in a bag, like prepackaged kind of little bags you

1100
00:59:31,200 --> 00:59:33,840
Speaker 4: can give out. Another big popular thing there. It's called

1101
00:59:33,880 --> 00:59:38,520
Speaker 4: a drumstick. It's just a square kind of taffyish lollipop.

1102
00:59:39,040 --> 00:59:42,000
Speaker 4: Those are pretty good, I would say for if I'm giving,

1103
00:59:42,080 --> 00:59:45,040
Speaker 4: like actual ones. I would want to get lion Bark

1104
00:59:45,240 --> 00:59:53,240
Speaker 4: basically English rand curly whirly jelly. It's like almost a

1105
00:59:53,280 --> 00:59:57,480
Speaker 4: foot long caramel covered in chocolate in like a weird

1106
00:59:57,600 --> 00:59:58,520
Speaker 4: curly whirly.

1107
00:59:58,360 --> 01:00:00,840
Speaker 1: Pat and English caramel delicious.

1108
01:00:01,200 --> 01:00:03,920
Speaker 4: I would also say a double Decker, which is like

1109
01:00:04,520 --> 01:00:08,040
Speaker 4: Uga covered in chocolate on top of crispy chewy rice.

1110
01:00:08,080 --> 01:00:10,200
Speaker 4: So like one hundred grand with like uga. But yes,

1111
01:00:10,400 --> 01:00:13,080
Speaker 4: very good and they all have hilarious English names, so

1112
01:00:13,360 --> 01:00:16,160
Speaker 4: enjoy guys, good luck, trick or treating no matter what.

1113
01:00:16,240 --> 01:00:21,480
Speaker 4: No Cadbury cal Cabrey Egg curly Whurlely is made by Cabrey,

1114
01:00:21,600 --> 01:00:24,520
Speaker 4: so it has the best chocolate. Also, I double decker

1115
01:00:24,600 --> 01:00:27,959
Speaker 4: also I believe has Cabrey chocolate. I would also say yes,

1116
01:00:28,160 --> 01:00:30,600
Speaker 4: love a Cabrey's cream egg, though now they are predominantly

1117
01:00:30,640 --> 01:00:34,760
Speaker 4: made in America sadly because because Cabriy got bought. And yes,

1118
01:00:35,280 --> 01:00:37,760
Speaker 4: but you can't get them during Halloween either, though sometimes

1119
01:00:37,760 --> 01:00:40,360
Speaker 4: they do make a weird Halloween one with green inside,

1120
01:00:40,360 --> 01:00:41,760
Speaker 4: which is kind of gross but fun.

1121
01:00:43,280 --> 01:00:44,840
Speaker 1: Is milk in the UK.

1122
01:00:46,400 --> 01:00:49,240
Speaker 2: Milk It is very popular in the UK.

1123
01:00:49,520 --> 01:00:52,120
Speaker 4: European chocolate, very high quality. You can always buy it

1124
01:00:52,160 --> 01:00:55,439
Speaker 4: in the airport. It's started to make its way into

1125
01:00:55,440 --> 01:00:58,960
Speaker 4: British supermarkets alongside your rittter sports. We are blessed with

1126
01:00:59,040 --> 01:01:02,560
Speaker 4: many incredible europe In gummies and candies as well as

1127
01:01:02,680 --> 01:01:03,120
Speaker 4: let me do.

1128
01:01:03,080 --> 01:01:07,000
Speaker 3: A quick quick pull of the of the group while

1129
01:01:07,040 --> 01:01:13,280
Speaker 3: we have everybody in the County chat group, were any

1130
01:01:13,360 --> 01:01:15,640
Speaker 3: of y'all in your childhoods? Were any of your all

1131
01:01:15,760 --> 01:01:19,120
Speaker 3: family is concerned about the needles in chocolate bar.

1132
01:01:24,040 --> 01:01:28,720
Speaker 9: We hear about it, we hear about.

1133
01:01:28,480 --> 01:01:30,000
Speaker 5: It, but I never knew anybody that.

1134
01:01:30,040 --> 01:01:32,680
Speaker 7: It happened to something today.

1135
01:01:32,840 --> 01:01:33,480
Speaker 5: Even at the.

1136
01:01:33,480 --> 01:01:35,880
Speaker 3: Time, it seemed to me like this is who the

1137
01:01:36,200 --> 01:01:39,160
Speaker 3: is doing this? But parents and parents in Undy Road

1138
01:01:39,200 --> 01:01:40,480
Speaker 3: were very concerned about it.

1139
01:01:40,480 --> 01:01:43,240
Speaker 2: It was something in Joel's neighborhoods since they were given

1140
01:01:43,280 --> 01:01:44,400
Speaker 2: out Japanese.

1141
01:01:44,080 --> 01:01:46,920
Speaker 11: Chick Can I just say also like we had to

1142
01:01:47,000 --> 01:01:51,440
Speaker 11: drive three neighborhoods over Aaron want candy bars like a

1143
01:01:51,480 --> 01:01:51,919
Speaker 11: Boo wanted.

1144
01:01:52,000 --> 01:01:54,160
Speaker 1: Okay, I think that thing in England.

1145
01:01:54,240 --> 01:01:57,560
Speaker 4: Those were not really the rumors, but that did always

1146
01:01:57,720 --> 01:01:59,720
Speaker 4: feel to me when I started to learn about it.

1147
01:01:59,720 --> 01:02:02,400
Speaker 4: Also in movies that always felt like, you know, a

1148
01:02:02,520 --> 01:02:04,920
Speaker 4: chain letter for adults like when we were kids, it

1149
01:02:05,000 --> 01:02:07,520
Speaker 4: was you would have send this chain laugh, and adults

1150
01:02:07,520 --> 01:02:10,480
Speaker 4: were like, maybe someone's putting like a raizor blade. You

1151
01:02:10,520 --> 01:02:13,200
Speaker 4: know nowadays they say, oh, watch out, somebody might be

1152
01:02:13,200 --> 01:02:14,560
Speaker 4: giving your kid edibles.

1153
01:02:15,320 --> 01:02:18,040
Speaker 1: I don't have edible money to give to children like.

1154
01:02:19,800 --> 01:02:20,440
Speaker 9: Expensive.

1155
01:02:22,640 --> 01:02:23,280
Speaker 5: Okay.

1156
01:02:24,760 --> 01:02:27,400
Speaker 6: I was raised by a police officer, so he was

1157
01:02:27,440 --> 01:02:28,400
Speaker 6: paranoid about everything.

1158
01:02:28,920 --> 01:02:32,480
Speaker 5: A cabin Did you ever get did you did he

1159
01:02:33,040 --> 01:02:34,120
Speaker 5: buy evidence?

1160
01:02:34,240 --> 01:02:40,560
Speaker 1: Common that being a real thing? No? Never, never.

1161
01:02:43,120 --> 01:02:46,320
Speaker 3: Well, it's been wonderful to have you all here to talk.

1162
01:02:46,680 --> 01:02:50,240
Speaker 3: Yes tomorrow folks for news. That's it for this episode

1163
01:02:50,240 --> 01:02:55,000
Speaker 3: will be back tomorrow with the biggest news of the week.

1164
01:02:58,400 --> 01:03:00,640
Speaker 3: X ray Vision is hosted by Jason steps Young and

1165
01:03:00,720 --> 01:03:03,320
Speaker 3: Rosie Knight and is a production of iHeart Podcasts.

1166
01:03:03,520 --> 01:03:07,120
Speaker 4: Our executive producers are Joel Monique and Aaron Kaufman.

1167
01:03:07,320 --> 01:03:09,360
Speaker 5: Our supervising producer is Abu Zafar.

1168
01:03:09,760 --> 01:03:13,720
Speaker 4: Our producers are Common Laurent Dean Jonathan and Bay Wag.

1169
01:03:13,840 --> 01:03:16,600
Speaker 3: Our theme song is by Brian Vasquez, with alternate theme

1170
01:03:16,680 --> 01:03:17,920
Speaker 3: songs by Aaron Kaufman.

1171
01:03:18,120 --> 01:03:21,480
Speaker 4: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

1172
01:03:21,560 --> 01:03:23,320
Speaker 4: Heidi Our discord moderator