WEBVTT - Episode 51: The History of Shazam

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<v Speaker 1>Right, everyone, welcome to another episode of nerdfficent Um. Your host,

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<v Speaker 1>if you wide away and sitting across from me as always,

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<v Speaker 1>is Danny Fernandez. How are you doing today, I'm doing good, Iffy,

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<v Speaker 1>I'm feeling Why do you giggle because you're like clutching

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<v Speaker 1>yourself as you said, Yes, because we're joined by someone

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<v Speaker 1>that I'm really excited about, me too, very excited. Yeah, great,

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<v Speaker 1>good friend of ours. Host over at Collider Heroes you

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<v Speaker 1>do Callisto six at geek and Sundry was on Valiant

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<v Speaker 1>for a spell Wednesday club at G and S for

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<v Speaker 1>a bit, and she's now at d C Daily. Yeah,

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<v Speaker 1>and she was on an RPG show with us as well. So,

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<v Speaker 1>ladies and gentlemen, put your hands together wherever you are

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<v Speaker 1>in your office, cubicle, on the train, or just sitting

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<v Speaker 1>on the sidewalk. For Amy Dallin, I am being astonishingly welcomed,

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<v Speaker 1>just welcomed, beyond my ability to cope so much for

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<v Speaker 1>having me. Yes, So I think you and I met

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<v Speaker 1>when we did that show together, Vanquished, Yeah, Vanquished. It

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<v Speaker 1>was a Valiant It was after the Valiant comics, but

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<v Speaker 1>you you also worked I think at that time you

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<v Speaker 1>were working at a comic book shop. As what I mean,

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<v Speaker 1>how did you get into when did you first pick

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<v Speaker 1>up a like? What was your first memory of comics?

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<v Speaker 1>When you got into comics? So I I do work

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<v Speaker 1>at a shop. I have worked there for many years.

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<v Speaker 1>But I think, like the comic thing with me goes

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<v Speaker 1>back mostly as far as I can remember, it was.

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<v Speaker 1>You know, I think we all read whatever was around.

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<v Speaker 1>It's like one of my weird side missions is to

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<v Speaker 1>remind everyone that they already read comics. Because if you

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<v Speaker 1>read Archie, or if you read newspaper comics, or if

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<v Speaker 1>you grew up on Asterix and Tintin, like, those are

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<v Speaker 1>all comics. Comics have been in your brain. But I

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<v Speaker 1>definitely hit like the X Men the animated series, and

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<v Speaker 1>Batman the animated series, like and then just off to

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<v Speaker 1>the races after that. So yeah, comics comics quickly followed.

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<v Speaker 1>I grew up on Calvin and Hobbes, Jim and the

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<v Speaker 1>Sunday funnies. Like my dad and I used to have

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<v Speaker 1>a like coffee. He would take me out on Sunday mornings.

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<v Speaker 1>We would go and get coffee, like me and him,

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<v Speaker 1>and he would give me that that section of the newspaper.

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<v Speaker 1>It was always my favorite that in Far Side. Yeah,

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<v Speaker 1>that's that's what I would read as I wanted to

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<v Speaker 1>read comics. Comics quote unquote so bad. But my dad,

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<v Speaker 1>you know, never was putting money out for it. He

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<v Speaker 1>was like, you usually read books. And I was like,

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<v Speaker 1>the parents just know, reading comics is reading. Don't fall

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<v Speaker 1>into my dad's trap. You could have a son that's

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<v Speaker 1>a doctor instead of a comedian. Uh. But I do

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<v Speaker 1>remember it was Sunday funnies for me. And then one

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<v Speaker 1>time when I was in a thrifty remember those uh,

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<v Speaker 1>and they had they were selling comics and they I

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<v Speaker 1>was able to grab Bloodshot and those were like the

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<v Speaker 1>two I grab. Because of course it was the nineties

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<v Speaker 1>and I was a young boy, so I was like murder.

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<v Speaker 1>That was the like as a kid, we'd be on

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<v Speaker 1>road trips and it would be you'd just be like

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<v Speaker 1>a gas station. It would be like a three pack

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<v Speaker 1>of random comics, one issue of Magnus Robot Fighter and

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<v Speaker 1>one issue and you would just be like, I'll figure

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<v Speaker 1>it out. I don't know who these people are, but

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<v Speaker 1>I will, you know. And it was there was some

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<v Speaker 1>of that joy of just like whatever you happened to

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<v Speaker 1>come across. We were all just so hungry for Yeah.

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<v Speaker 1>Also there was that short stint where they had the

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<v Speaker 1>Spider Man comic in the Sunday Funnies and that's I

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<v Speaker 1>lived for it. But but it would like it wasn't

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<v Speaker 1>consistent whatever, probably because my dad wasn't getting the same paper,

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<v Speaker 1>but like sometimes it would be there, and that's what

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<v Speaker 1>initially was like, I need to find Spider me. Yeah.

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<v Speaker 1>It's so funny because we don't really consider I think,

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<v Speaker 1>like Garfield and Peanuts and stuff to be comics, but

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<v Speaker 1>they are. They absolutely are, and they grow out of

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<v Speaker 1>the same traditions. Like in some ways, newspaper comics came first,

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<v Speaker 1>and then they were like, what if we bind them

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<v Speaker 1>up in magazines, maybe that'll work, and the you know,

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<v Speaker 1>the whole thing fit into itself, and now web comics

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<v Speaker 1>are kind of inheriting both legacies. It's yeah, it's super fascinating.

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<v Speaker 1>It's crazy to see how much the web comic industry

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<v Speaker 1>has blown up, you know. Yeah. Yeah, I have a

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<v Speaker 1>friend Austin Murrie. She does a web comic Soul on Hold,

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<v Speaker 1>and she has like over like a hundred thousand people

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<v Speaker 1>ready to read it. And I was like, man, I

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<v Speaker 1>didn't know the community was booming because I tried to

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<v Speaker 1>do web comics when I was in high school. It

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<v Speaker 1>was called Evolution Manga's yeah, because I was a weep,

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<v Speaker 1>so I was like, we're not making comics, we're making manga. Yeah.

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<v Speaker 1>It was real cool too, because like the site I

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<v Speaker 1>mentioned before, Polly Carbon Bbs, there was one guy from

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<v Speaker 1>the site who I knew from there who did comics

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<v Speaker 1>and I was like, hey, just send them to me.

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<v Speaker 1>And I was just gonna upload pages to this website

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<v Speaker 1>because I learned how to make websites. And they're still there.

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<v Speaker 1>I mean, don't go to you can google Evolution mangas.

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<v Speaker 1>Make sure all your blockers are up because it is

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<v Speaker 1>one of the because it's so funny because websites are

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<v Speaker 1>almost like buildings if you just leave them online. Like

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<v Speaker 1>that site has been live since I was in high school.

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<v Speaker 1>It's still live to this day, and now it's just

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<v Speaker 1>infected and slow. It's just like a building that if

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<v Speaker 1>it was unattended for all these years, it's just that. Yeah.

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<v Speaker 1>Did you hear about how my Space finally deleted and

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<v Speaker 1>everyone's like thank god. I mean there's a ton of

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<v Speaker 1>people that were really upset because they had you know,

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<v Speaker 1>I guess high school photos and things on there. But

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<v Speaker 1>I think like us were like cool, cool, don't have

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<v Speaker 1>to worry about that ever again. And my angsty like

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<v Speaker 1>my chemical romance, you know, bio and something corporate Jack's

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<v Speaker 1>mannequin that was my That was my Oh yeah, like

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<v Speaker 1>so cal Rot because I grew up here, um and

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<v Speaker 1>in uh in Orange County and then later in Texas.

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<v Speaker 1>But yeah, so that was my angsty. Like Warped Tour

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<v Speaker 1>years you're saying is gone now, I'm so sad. No,

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<v Speaker 1>I mean, but the that meat that that like that

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<v Speaker 1>rock isn't as prevalent, I would say today as it

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<v Speaker 1>used to be. And I definitely don't go to the

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<v Speaker 1>although we did go to Warp Tour. If you remember

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<v Speaker 1>last year, right, we went to Warp Tour because Valiant,

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<v Speaker 1>who we had our show with, was sponsoring Warp Tour.

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<v Speaker 1>It was really cool how comics and music crossed over

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<v Speaker 1>in that way that it became like more mainstream with

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<v Speaker 1>them because they Valiant had a bunch of their characters

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<v Speaker 1>and stuff at Warped Tour and they were on all

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<v Speaker 1>of their all of their um, yeah, their flyers and stuff.

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<v Speaker 1>So I did go recently, so full circle it was

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<v Speaker 1>all relevant working. Isn't that weird? Super full circle? I

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<v Speaker 1>guess I wanted to know, how did you move from

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<v Speaker 1>just liking comics to doing what you do now? I mean,

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<v Speaker 1>if he and I had an episode about how we

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<v Speaker 1>got into it, But how did you make that jump

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<v Speaker 1>to like being at Geek and Sunjury or working at

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<v Speaker 1>a comic bookstore, Like what made it turn from just

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<v Speaker 1>a hobby to your career? That that's a really good

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<v Speaker 1>question because it was always that, like that thing that

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<v Speaker 1>I was doing instead of whatever I was supposed to

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<v Speaker 1>be doing. Obviously, um, I did not major in comics,

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<v Speaker 1>but I you know, I had always been interested in

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<v Speaker 1>entertainment stuff. And I moved out here after school, uh,

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<v Speaker 1>and I needed just like a day job, and it

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<v Speaker 1>was just that, you know, you always had that like, oh,

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<v Speaker 1>I'd love to work in a bookstore, comic bookstore. And

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<v Speaker 1>I got lucky and I asked at the right store

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<v Speaker 1>on the right day, a lovely place called House of

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<v Speaker 1>Secrets in Burbank, and it just it like that love

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<v Speaker 1>and that joy kind of took over. And at the

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<v Speaker 1>same time I was studying entertainment and I was studying

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<v Speaker 1>communication and all this stuff, and just the sort of

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<v Speaker 1>right weird sequence of Domino's fell that I got to

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<v Speaker 1>know some of the folks over a Geek and Sundry

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<v Speaker 1>and they were launching this was this is ancient internet

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<v Speaker 1>history now, but they were launching a vlogs channel, like

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<v Speaker 1>a side channel, which would be people sort of making

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<v Speaker 1>videos about their own interests. And I had never made

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<v Speaker 1>videos before, but at that point had accumulated like a

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<v Speaker 1>lot of hours of talking about Nerds stuff because we

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<v Speaker 1>can't be stopped. We all accidentally developed that skill because

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<v Speaker 1>we're like, okay, we got ten minutes at lunch break,

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<v Speaker 1>and I'm gonna convince you that this is awesome. You know.

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<v Speaker 1>It's it's a muscle that to some extent, we all

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<v Speaker 1>hone because we are unstoppable monsters of loving things. And

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<v Speaker 1>uh So, somehow that that all just came together, and

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<v Speaker 1>I learned enough about making videos to start shooting some

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<v Speaker 1>stuff in my bedroom and talking about comics, and then

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<v Speaker 1>just one thing led to another, and now I've gotten

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<v Speaker 1>to do a whole lot of explaining Nerds stuff and

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<v Speaker 1>things I care about. Two folks and we've landed in

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<v Speaker 1>this bizarre world where we all met each other playing

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<v Speaker 1>an RPG show and it's all very unrealistic but really

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<v Speaker 1>really fun. Super unrealistic, you know, Like that's one of

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<v Speaker 1>the things where it's like, at this point in our careers,

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<v Speaker 1>if we were to go back to our younger selves

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<v Speaker 1>and try and explain what we're doing now, they'd be like,

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<v Speaker 1>you're a liar charlatan who's trying to get me to

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<v Speaker 1>not focus on school so that I can so you

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<v Speaker 1>can take my life. Uh yeah, Yet, speaking of taking life,

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<v Speaker 1>Shazam takes life in theaters in the coming days, in

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<v Speaker 1>the coming days, And now we're here to talk about

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<v Speaker 1>the origins the comic book. And if you've never heard

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<v Speaker 1>of Shazam and you're going in blind, guess what we're

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<v Speaker 1>gonna give you. You know, a little info about Shazam

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<v Speaker 1>and me and Amy talked about this during my Collider's

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<v Speaker 1>Heroes appearances. If there's something you really wanted to just

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<v Speaker 1>talk about regarding Shazam, uh And I think that's a

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<v Speaker 1>fun way to start off, which is the lawsuit. Yes, okay,

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<v Speaker 1>so that thing I mentioned about, like, how can I

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<v Speaker 1>make this interesting? I am fascinated by this because the

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<v Speaker 1>short version is that Shazam used to out sill Superman

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<v Speaker 1>DC suit out of existence. Then eventually they bought the

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<v Speaker 1>rights and now they can't use the name, and it's

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<v Speaker 1>just like the full version of that, and like, as

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<v Speaker 1>a side note, out of left field indirectly inspired one

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<v Speaker 1>of the greatest temporarily lost works in comics, because Alan

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<v Speaker 1>Moore's Miracle Man is traced back to this exact same

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<v Speaker 1>legal nonsense. Uh So, I don't know how, how, how

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<v Speaker 1>how deep into this can we go. We touched just

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<v Speaker 1>a tiny bit. We touched on it in our Captain

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<v Speaker 1>Marvel episode because there's no way to not talk about

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<v Speaker 1>it because it was originally Captain Marvel. So Tiffany and

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<v Speaker 1>I touched on it a tiny bit. But um, yeah,

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<v Speaker 1>so essentially he was at Fawcett Comics, right, so that

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<v Speaker 1>was his when he originally that was where we trace

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<v Speaker 1>everything back to. But it is essentially they were copying Superman,

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<v Speaker 1>Is that correct? Ish? It's one of those like we

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<v Speaker 1>we can't exactly pull them up and ask them, but

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<v Speaker 1>they're so how much are folks listening? Maybe should be

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<v Speaker 1>some familiarity with the Golden Age of comics. Uh. So

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<v Speaker 1>comics as we know them, like binding them up in

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<v Speaker 1>magazines and telling serialized stories kind of come into their

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<v Speaker 1>own other come into existence in the late nineteen thirties,

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<v Speaker 1>and like the Big Guy, the one out the gate. Uh,

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<v Speaker 1>the somehow just immediately set it off with Iron was

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<v Speaker 1>Superman in Action Comics number one. Uh. And that's by

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<v Speaker 1>whatever cover date February. I want to say, Uh, there

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<v Speaker 1>have already been like, he's immediately a sensation. He's selling

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<v Speaker 1>like crazy. Oddly enough, they designed him to be a

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<v Speaker 1>newspaper strip. Uh, it didn't sell, so they pasted it

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<v Speaker 1>together and made a comic out of it. Uh. But

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<v Speaker 1>he's immediately sensation. And people do legitimately start running to

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<v Speaker 1>be like, we need a Superman, get us a Superman.

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<v Speaker 1>And you can interpret that to mean literally copy Superman,

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<v Speaker 1>which some people definitely did, or you could mean we

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<v Speaker 1>would like a hit comic. Make it about a strong guy.

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<v Speaker 1>And somewhere in the middle of that you get Fawcett Comics,

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<v Speaker 1>who set out to create. If you look at the

0:11:46.040 --> 0:11:48.800
<v Speaker 1>covers of the the first issues as we know them,

0:11:49.120 --> 0:11:52.120
<v Speaker 1>it's it's a strong guy in a cape throwing a

0:11:52.160 --> 0:11:55.760
<v Speaker 1>car there's there's a lot of common ground there, but

0:11:55.800 --> 0:11:58.959
<v Speaker 1>it is funny because to us as readers now, these

0:11:59.040 --> 0:12:02.960
<v Speaker 1>characters are huge July dissimilar. There's really not like for

0:12:03.000 --> 0:12:05.880
<v Speaker 1>a comic book reader in twenty nineteen, there's basically nothing

0:12:05.920 --> 0:12:08.560
<v Speaker 1>in common between I am the last son of an

0:12:08.600 --> 0:12:12.160
<v Speaker 1>alien race who has powers because of our son and

0:12:12.240 --> 0:12:15.120
<v Speaker 1>saves the world as an adult named Clark Kent, and

0:12:15.160 --> 0:12:19.000
<v Speaker 1>also Superman and uh, the the other version, which is

0:12:19.240 --> 0:12:21.800
<v Speaker 1>I am a twelve to sixteen year old homeless newspaper

0:12:21.840 --> 0:12:24.280
<v Speaker 1>selling kid who shouts a magic word that a wizard

0:12:24.360 --> 0:12:27.280
<v Speaker 1>gave me and turns into Like for us, those are

0:12:27.320 --> 0:12:29.959
<v Speaker 1>totally different concepts, but if you put your brain back

0:12:30.040 --> 0:12:32.760
<v Speaker 1>in like nineteen thirty eight to nineteen forty, they were

0:12:32.800 --> 0:12:35.720
<v Speaker 1>sort of like, whoa, whoa, whoa, we just invented this.

0:12:36.120 --> 0:12:39.240
<v Speaker 1>I'm wearing long underwear and I'm incredibly strong and pretty

0:12:39.320 --> 0:12:42.320
<v Speaker 1>much bulletproof and do similar things and d c. Like

0:12:42.360 --> 0:12:44.480
<v Speaker 1>as soon as they had Superman, they had to start

0:12:44.760 --> 0:12:47.040
<v Speaker 1>fighting all of these knockoffs, some of the some of

0:12:47.040 --> 0:12:49.920
<v Speaker 1>which were definitely a hundred percent knockoffs because there were

0:12:49.920 --> 0:12:52.200
<v Speaker 1>a lot of shady people in comics and you know,

0:12:52.559 --> 0:12:54.840
<v Speaker 1>still continue to be, but especially back then, they were

0:12:54.840 --> 0:12:58.120
<v Speaker 1>all like bootlegging half the time. Uh, that's a whole

0:12:58.120 --> 0:13:00.839
<v Speaker 1>thing with paper supplies actually came in with like liquor

0:13:00.840 --> 0:13:05.760
<v Speaker 1>boot legging. Anyway, comics are shady, and d C from

0:13:05.760 --> 0:13:09.400
<v Speaker 1>the very start was fending off imitations. So even though

0:13:10.040 --> 0:13:13.480
<v Speaker 1>Shazam to us seems very very different, they they like

0:13:13.640 --> 0:13:15.800
<v Speaker 1>one of their first cases came up before this particular

0:13:15.880 --> 0:13:19.360
<v Speaker 1>judge with this crazy name Billings learned hand was the

0:13:19.440 --> 0:13:21.040
<v Speaker 1>judge in one of these first cases that was like,

0:13:21.120 --> 0:13:23.760
<v Speaker 1>clearly an infringement. Strong guy does all this stuff you're

0:13:23.760 --> 0:13:26.400
<v Speaker 1>doing Superman, You're not allowed to do that. And uh.

0:13:27.000 --> 0:13:30.000
<v Speaker 1>In nineteen forty one, I want to say, d C

0:13:30.160 --> 0:13:33.959
<v Speaker 1>filed suit against Fawcett for their substantially similar Captain Marvel

0:13:34.040 --> 0:13:36.880
<v Speaker 1>character or what seemed at the time like you know,

0:13:37.000 --> 0:13:39.880
<v Speaker 1>a substantially similar one who, by the way, over as

0:13:39.920 --> 0:13:42.240
<v Speaker 1>I'm sure y'all are also going to get into at

0:13:42.280 --> 0:13:46.600
<v Speaker 1>some point, starts out selling Superman, was the most top

0:13:46.600 --> 0:13:51.000
<v Speaker 1>selling comic for its time, becomes wildly popular, gets a

0:13:51.040 --> 0:13:55.880
<v Speaker 1>whole extended family, basically invents the extended family of superheroes

0:13:55.960 --> 0:14:00.320
<v Speaker 1>before super right. Uh, and there's all these reasons that

0:14:00.400 --> 0:14:03.240
<v Speaker 1>you might be like not happy that this other magazine

0:14:03.280 --> 0:14:07.840
<v Speaker 1>exactly would piss me off so much. If I created

0:14:07.920 --> 0:14:12.240
<v Speaker 1>Superman and someone bootlegged him and then it out sold me,

0:14:13.880 --> 0:14:17.800
<v Speaker 1>that would be that would be Anyways, they made up

0:14:17.800 --> 0:14:20.160
<v Speaker 1>because they're both at the same franchise now, so that's cool,

0:14:20.240 --> 0:14:24.000
<v Speaker 1>but it always please continue. But like you know, the

0:14:24.120 --> 0:14:26.680
<v Speaker 1>legal stuff takes forever, right, So the suits filed in

0:14:26.720 --> 0:14:29.040
<v Speaker 1>like nineteen forty one and a decision doesn't come down

0:14:29.120 --> 0:14:32.960
<v Speaker 1>until like nineteen and you can look into this. It

0:14:33.080 --> 0:14:38.120
<v Speaker 1>is this totally bizarre technicality about whether DC shared the

0:14:38.240 --> 0:14:40.560
<v Speaker 1>rights with this company that was helped publishing a newspaper

0:14:40.560 --> 0:14:43.160
<v Speaker 1>comic and therefore had forfeited something about the copyright. So

0:14:43.200 --> 0:14:46.360
<v Speaker 1>the weird thing is that first result comes down and

0:14:46.560 --> 0:14:52.000
<v Speaker 1>Faucet wins. There's this weird technicality that sort of says like, oh, actually,

0:14:52.200 --> 0:14:54.800
<v Speaker 1>we're throwing this out because of whatever. So obviously d

0:14:54.920 --> 0:14:57.520
<v Speaker 1>C appeals or the company that we now know as

0:14:57.600 --> 0:14:59.960
<v Speaker 1>d C, which was probably National Periodical at the time.

0:15:00.080 --> 0:15:04.160
<v Speaker 1>That's the problem. Comic book company names change all the time. Uh,

0:15:04.280 --> 0:15:08.520
<v Speaker 1>So they appeal and they land in front of Judge

0:15:08.560 --> 0:15:12.080
<v Speaker 1>Billings learned hand the same dude, who by this time,

0:15:12.160 --> 0:15:14.800
<v Speaker 1>like eight or twelve years earlier, had been on one

0:15:14.800 --> 0:15:17.880
<v Speaker 1>of the very first Superman infringement cases. Ends up the

0:15:17.960 --> 0:15:22.360
<v Speaker 1>appeals guy who's looking at this like a newly renewed fight,

0:15:22.520 --> 0:15:26.080
<v Speaker 1>and he basically says that technicality thing was dumb. It's

0:15:26.120 --> 0:15:28.920
<v Speaker 1>obvious that they weren't that this thing doesn't cause them

0:15:28.920 --> 0:15:31.840
<v Speaker 1>to lose their copyright. And I do, looking at what

0:15:31.920 --> 0:15:34.840
<v Speaker 1>you all presented, it seems clear that some level of

0:15:34.880 --> 0:15:38.160
<v Speaker 1>copying existed. But essentially what he said is, I'm taking

0:15:38.160 --> 0:15:40.120
<v Speaker 1>it back down to the other courts, and to settle this,

0:15:40.520 --> 0:15:44.280
<v Speaker 1>you need to find the specific examples, and that would

0:15:44.320 --> 0:15:49.200
<v Speaker 1>mean both companies going through the entire history by this time,

0:15:49.240 --> 0:15:52.560
<v Speaker 1>the like twelve to fourteen years of publishing of each

0:15:52.560 --> 0:15:55.120
<v Speaker 1>of these to be like the first time you bounced

0:15:55.120 --> 0:15:57.160
<v Speaker 1>a bullet up your chest, the first time you jumped

0:15:57.200 --> 0:15:59.080
<v Speaker 1>real high the first time, and to sort of fight

0:15:59.120 --> 0:16:02.480
<v Speaker 1>it out count by count. Now, since he had also

0:16:02.600 --> 0:16:07.200
<v Speaker 1>said basically, you did establish that some level of copying existed,

0:16:07.560 --> 0:16:10.360
<v Speaker 1>Fawcett but was sort of like, this doesn't look great

0:16:10.400 --> 0:16:14.280
<v Speaker 1>for us, because he's basically saying you're gonna lose at

0:16:14.360 --> 0:16:16.360
<v Speaker 1>least some of this fight if you go back down

0:16:16.440 --> 0:16:18.600
<v Speaker 1>to the lower courts and settle it all right. Uh,

0:16:18.640 --> 0:16:21.640
<v Speaker 1>And by this time, it is the early nineteen fifties

0:16:21.800 --> 0:16:25.880
<v Speaker 1>and superheroes go out of style, so already the circulation

0:16:25.960 --> 0:16:30.080
<v Speaker 1>is falling. Already, everybody's like this superhero bubble is bursting,

0:16:30.560 --> 0:16:33.560
<v Speaker 1>and uh, we're not sure it's ever coming back. Now,

0:16:33.600 --> 0:16:36.720
<v Speaker 1>comic book fans know that it's coming back. There's gonna

0:16:36.720 --> 0:16:38.400
<v Speaker 1>be a thing called the Silver Age. It's only a

0:16:38.400 --> 0:16:41.280
<v Speaker 1>couple of years away. It's gonna inject new life into

0:16:41.320 --> 0:16:43.800
<v Speaker 1>comics and totally reinvent thing. Spider Man is gonna get here,

0:16:43.880 --> 0:16:46.000
<v Speaker 1>How Jordan and Barry Allen are going to get here? Uh?

0:16:46.000 --> 0:16:48.040
<v Speaker 1>The X Men and the Fantastic Four. It's all about

0:16:48.080 --> 0:16:50.760
<v Speaker 1>to blow up. But in the early fifties it looked

0:16:50.760 --> 0:16:54.480
<v Speaker 1>like that part was dying, so essentially fast goes Okay,

0:16:54.640 --> 0:16:56.360
<v Speaker 1>So it looks like we're gonna lose if we fight

0:16:56.400 --> 0:16:59.520
<v Speaker 1>this out, and uh, these magazines aren't selling like they

0:16:59.600 --> 0:17:03.680
<v Speaker 1>used to, so let's just basically call it a day.

0:17:03.960 --> 0:17:06.399
<v Speaker 1>They they had to pay the rumor is four hundred

0:17:06.400 --> 0:17:09.280
<v Speaker 1>thousand dollars plus costs to d C and agreed to

0:17:09.320 --> 0:17:13.159
<v Speaker 1>stop publishing their Captain Marvel character. Didn't that put them

0:17:13.160 --> 0:17:16.600
<v Speaker 1>out of business? I believe that they, like they either

0:17:16.800 --> 0:17:19.919
<v Speaker 1>stopped doing I don't. I don't know. I feel like

0:17:19.960 --> 0:17:22.199
<v Speaker 1>Fawcett Comics stopped being a thing, and I don't know,

0:17:22.280 --> 0:17:26.800
<v Speaker 1>to us, they had to fire there too. Yeah, Fawcett

0:17:26.840 --> 0:17:29.199
<v Speaker 1>shut down its comics division in the autumn of nineteen

0:17:29.240 --> 0:17:33.080
<v Speaker 1>fifty three and fired its comic book staff. Yeah so,

0:17:33.160 --> 0:17:36.360
<v Speaker 1>and then two of them, Auto Binder and Kurt Shaffing

0:17:36.359 --> 0:17:40.320
<v Speaker 1>Burger ended up at d C, Yes, being prominent members

0:17:40.320 --> 0:17:42.880
<v Speaker 1>of the creative team for the Superman related comics from

0:17:42.920 --> 0:17:46.760
<v Speaker 1>nineteen fifty four through the nineteen sixties. It's just funny

0:17:46.800 --> 0:17:49.639
<v Speaker 1>that it's like, well, we got fired. Now we're going

0:17:49.680 --> 0:17:52.000
<v Speaker 1>to work on the thing that we were going up against.

0:17:52.000 --> 0:17:54.680
<v Speaker 1>But yeah, so that that sounds like it shut them

0:17:54.720 --> 0:17:58.280
<v Speaker 1>at least their comics part. Uh So. In the meantime,

0:17:58.359 --> 0:18:02.280
<v Speaker 1>all these so so Billy Batson a ka Shazam as

0:18:02.320 --> 0:18:04.960
<v Speaker 1>I'm now finally used to calling him because spoiler alert,

0:18:05.040 --> 0:18:07.760
<v Speaker 1>that's just his name now due to complicated shenanigans that

0:18:07.800 --> 0:18:11.280
<v Speaker 1>will follow all of his like supporting cast and family

0:18:11.480 --> 0:18:15.240
<v Speaker 1>like Mary Marvel and Captain Marvel Jr. And all that stuff.

0:18:15.480 --> 0:18:19.080
<v Speaker 1>You you eventually got Supergirl, Uh, I think co created

0:18:19.080 --> 0:18:22.000
<v Speaker 1>by Auto Binder, who had worked on all of the

0:18:22.040 --> 0:18:25.879
<v Speaker 1>Captain Marvel stuff. Uh, you get like all this talent

0:18:26.000 --> 0:18:29.119
<v Speaker 1>is still there. They're still working on comics. Superman grows

0:18:29.200 --> 0:18:31.000
<v Speaker 1>the rest of his family, so they they sort of

0:18:31.040 --> 0:18:34.720
<v Speaker 1>the borrowing legacy is completed there and uh they yeah,

0:18:34.720 --> 0:18:38.320
<v Speaker 1>they survive on in It's fascinating because those original comics

0:18:38.320 --> 0:18:41.239
<v Speaker 1>that you're talking about, it says shah Zam across the

0:18:41.280 --> 0:18:44.280
<v Speaker 1>comic book, and then underneath that it says the original

0:18:44.359 --> 0:18:46.840
<v Speaker 1>Captain Marvel. Now, I think that is the branding that

0:18:46.880 --> 0:18:49.760
<v Speaker 1>they went with in the early seventies when d c

0:18:49.960 --> 0:18:54.520
<v Speaker 1>C got the rights, right Yeah. Uh and so so

0:18:55.000 --> 0:18:57.840
<v Speaker 1>like a lot of things happened to Captain Marvel because

0:18:57.840 --> 0:19:00.200
<v Speaker 1>he missed the sixties. It's one of those things to

0:19:00.240 --> 0:19:02.919
<v Speaker 1>comic book fans talk about a lot where essentially he

0:19:03.000 --> 0:19:06.200
<v Speaker 1>didn't have a silver age, he had a golden age.

0:19:06.240 --> 0:19:08.600
<v Speaker 1>And then when he showed back up, we were in bronze,

0:19:09.600 --> 0:19:12.199
<v Speaker 1>which is according to the way fans divide up the

0:19:12.240 --> 0:19:15.199
<v Speaker 1>eras of comics, they sort of have different hallmarks, and

0:19:15.240 --> 0:19:19.760
<v Speaker 1>Bronze was when they took the the relatability and imagination

0:19:19.760 --> 0:19:21.800
<v Speaker 1>and promise of the sixties and they got sort of

0:19:21.840 --> 0:19:24.359
<v Speaker 1>a little grittier with it. In the Bronze Age, you

0:19:24.400 --> 0:19:27.399
<v Speaker 1>get the punisher. In the Bronze Age, it's often marked

0:19:27.400 --> 0:19:29.800
<v Speaker 1>by often you mark the beginning of the Bronze Age

0:19:29.800 --> 0:19:33.119
<v Speaker 1>by the death of Gwen Stacy. But Shazam, this like

0:19:33.280 --> 0:19:38.439
<v Speaker 1>beautiful childlike big red cheese of a character had no

0:19:38.520 --> 0:19:40.760
<v Speaker 1>sort of transitional period. So DC got the rights to

0:19:40.840 --> 0:19:43.639
<v Speaker 1>him and brought him back, but it never took off

0:19:43.680 --> 0:19:45.720
<v Speaker 1>the way they wanted it to. And it's like, I

0:19:46.200 --> 0:19:47.960
<v Speaker 1>was just thinking about this earlier, and I don't know

0:19:48.000 --> 0:19:50.280
<v Speaker 1>how to connect these dots, But we always talk about

0:19:50.320 --> 0:19:52.000
<v Speaker 1>that and him sort of missing that, and then we

0:19:52.040 --> 0:19:54.359
<v Speaker 1>also talk about that there's so many different approaches for

0:19:54.520 --> 0:19:57.000
<v Speaker 1>handling the character who is sometimes a kid and sometimes

0:19:57.040 --> 0:20:00.240
<v Speaker 1>an adult. And it's weird to me that he now

0:20:00.280 --> 0:20:02.960
<v Speaker 1>echoes his own history because he had no middle period.

0:20:03.359 --> 0:20:06.679
<v Speaker 1>He only had kid and adult. He missed a whole phase.

0:20:08.080 --> 0:20:10.480
<v Speaker 1>You might have covered this on the Captain Marvel episode.

0:20:10.480 --> 0:20:12.600
<v Speaker 1>So where does Captain Marvel come in? Like, why did

0:20:12.600 --> 0:20:15.679
<v Speaker 1>they go with Captain Marvel after all that Well, I

0:20:15.680 --> 0:20:18.080
<v Speaker 1>think that that so he was originally Captain Marvel. I

0:20:18.119 --> 0:20:19.959
<v Speaker 1>think they liked the name of it, to be honest,

0:20:20.240 --> 0:20:22.600
<v Speaker 1>and with a part of the Marvel family. It was,

0:20:22.680 --> 0:20:24.840
<v Speaker 1>you know, before Marvel was Marvel, So I think it

0:20:24.920 --> 0:20:27.560
<v Speaker 1>was just the word Marvel just sounded cool, like, oh,

0:20:27.600 --> 0:20:30.239
<v Speaker 1>Captain Marvel, and yeah, what what you're getting at there?

0:20:30.240 --> 0:20:32.000
<v Speaker 1>I think is the other thing what he missed while

0:20:32.040 --> 0:20:34.600
<v Speaker 1>he was gone is that the company that had been

0:20:34.640 --> 0:20:38.919
<v Speaker 1>Atlas and Timely rebranded itself as Marvel Comics and became

0:20:39.280 --> 0:20:41.960
<v Speaker 1>just the biggest thing in the universe. So that's the

0:20:42.000 --> 0:20:44.000
<v Speaker 1>other thing that happened in the sixties while he was

0:20:44.119 --> 0:20:47.800
<v Speaker 1>off the scene is that suddenly Marvel was strongly associated

0:20:47.840 --> 0:20:51.080
<v Speaker 1>with comics, but it meant something totally different, and like

0:20:51.160 --> 0:20:54.080
<v Speaker 1>there's so there's this weird speaking of comics being shady.

0:20:54.119 --> 0:20:57.080
<v Speaker 1>There's this other random, tiny company that noticed in the

0:20:57.080 --> 0:20:59.600
<v Speaker 1>mid sixties that nobody was using the Captain Marvel name,

0:20:59.800 --> 0:21:03.320
<v Speaker 1>and they started this this frankly terrible looking superhero whose

0:21:03.359 --> 0:21:05.680
<v Speaker 1>powers that he falls apart, like just all his limbs

0:21:05.680 --> 0:21:10.720
<v Speaker 1>fly off, and then he relatable and it went. It

0:21:10.760 --> 0:21:13.080
<v Speaker 1>went like four or five issues, and they just kind

0:21:13.080 --> 0:21:16.919
<v Speaker 1>of gave up, uh, and Marvel Comics, which by this

0:21:17.000 --> 0:21:19.160
<v Speaker 1>time is getting very into like branding themselves. They got

0:21:19.160 --> 0:21:21.560
<v Speaker 1>the Soapbox, they've got the Mary Marvel Marching Society, where

0:21:21.560 --> 0:21:23.400
<v Speaker 1>they were sort of like, we can't leave that name

0:21:23.440 --> 0:21:26.320
<v Speaker 1>sitting around, right, somebody do something. And they got their

0:21:26.359 --> 0:21:29.040
<v Speaker 1>own Captain Marvel, which they've had basically ever since. What

0:21:29.080 --> 0:21:31.240
<v Speaker 1>was That's what happened in the sixties. I was gonna

0:21:31.240 --> 0:21:33.800
<v Speaker 1>say it was funny to me in Uh in Captain

0:21:33.840 --> 0:21:37.560
<v Speaker 1>Marvel the film is you know Marvel, which is what

0:21:37.600 --> 0:21:40.280
<v Speaker 1>was the original name, Marvel, And it was funny when

0:21:40.280 --> 0:21:42.120
<v Speaker 1>people are like, do do you think? Like I think

0:21:42.160 --> 0:21:44.639
<v Speaker 1>people didn't make the connection, and we're like, isn't it

0:21:44.680 --> 0:21:46.879
<v Speaker 1>awkward that they have to keep saying the name of

0:21:46.920 --> 0:21:50.560
<v Speaker 1>their company. I was like kind of but also not

0:21:50.680 --> 0:21:54.600
<v Speaker 1>really like yeah it is, but also and then you know,

0:21:54.680 --> 0:21:57.360
<v Speaker 1>they like suggest Marvel sounds good, you know, and I'm

0:21:57.400 --> 0:22:02.760
<v Speaker 1>just like, just they're flying around, nothing makes sense. It's chill. Uh.

0:22:02.960 --> 0:22:04.840
<v Speaker 1>The one comment before we move on that I wanted

0:22:04.880 --> 0:22:07.800
<v Speaker 1>to say is the the idea of a character whose

0:22:07.840 --> 0:22:11.320
<v Speaker 1>limbs just fall apart reminds me of something from Action League.

0:22:11.320 --> 0:22:15.439
<v Speaker 1>Now do you remember coblam An Action League. Now, oh god,

0:22:15.640 --> 0:22:21.240
<v Speaker 1>there's like nineties Nickelodeon one was just showing me. It

0:22:21.320 --> 0:22:26.520
<v Speaker 1>was a thing that I missed. But my favorite was

0:22:26.600 --> 0:22:31.120
<v Speaker 1>a melt man with the power to melt. Oh gosh,

0:22:31.680 --> 0:22:33.960
<v Speaker 1>so if if if, I don't know if this is

0:22:33.960 --> 0:22:35.679
<v Speaker 1>the right time for it. But the other hilarious thing

0:22:35.680 --> 0:22:38.920
<v Speaker 1>that happened when Fawcett shut down is that there had

0:22:39.000 --> 0:22:41.600
<v Speaker 1>been a company in England that was basically a big

0:22:41.640 --> 0:22:44.120
<v Speaker 1>part of their business and then was just to republish

0:22:44.200 --> 0:22:47.680
<v Speaker 1>these very popular Captain Marvel adventures, right, and then all

0:22:47.680 --> 0:22:50.000
<v Speaker 1>of a sudden, out of what seemed to them like nowhere,

0:22:50.200 --> 0:22:52.360
<v Speaker 1>it was like just kidding, there are no more uh,

0:22:52.400 --> 0:22:55.000
<v Speaker 1>And so they sort of scrambled around and got one

0:22:55.040 --> 0:22:57.080
<v Speaker 1>of their guys to be like, we need something to

0:22:57.119 --> 0:22:59.800
<v Speaker 1>replace that strip, and that was the birth of a character,

0:23:00.000 --> 0:23:04.479
<v Speaker 1>Old Marvel Man in the nineteen fifties in England. Uh,

0:23:04.800 --> 0:23:08.840
<v Speaker 1>we need aurus here, to be honest, So these people

0:23:08.880 --> 0:23:11.199
<v Speaker 1>need a thesaurus. There are other words you could have

0:23:11.240 --> 0:23:15.880
<v Speaker 1>gone with. So Mike Anglo creates marvel Man, who shouts kimota,

0:23:15.960 --> 0:23:18.520
<v Speaker 1>which is the word atomic backwards to transform into his

0:23:18.560 --> 0:23:22.480
<v Speaker 1>alter ego. Uh. Not like Shazam at all. Definitely not.

0:23:23.359 --> 0:23:25.440
<v Speaker 1>And I love that. It's like someone literally just got

0:23:25.440 --> 0:23:28.400
<v Speaker 1>sued over this guy's But okay, so they do marvel Man.

0:23:28.480 --> 0:23:30.199
<v Speaker 1>That happens for a few years, something happens, they go

0:23:30.200 --> 0:23:32.080
<v Speaker 1>out of business. Is a little bit vague, but one

0:23:32.200 --> 0:23:36.239
<v Speaker 1>British kid was like on vacation reading Young marvel Man,

0:23:36.359 --> 0:23:38.879
<v Speaker 1>which was their version of Captain Marvel jr. Uh, you know,

0:23:38.960 --> 0:23:42.320
<v Speaker 1>possibly similarly legally distinct uh, and he like it stayed

0:23:42.359 --> 0:23:44.479
<v Speaker 1>in his little kid brain and then he grew up

0:23:44.520 --> 0:23:47.280
<v Speaker 1>and he became Alan Moore and eventually he was like,

0:23:47.320 --> 0:23:50.359
<v Speaker 1>I want to bring back that that British superhero that

0:23:50.480 --> 0:23:53.040
<v Speaker 1>I remember from being a kid. But here's what I

0:23:53.080 --> 0:23:55.640
<v Speaker 1>think would happen like in a dark, messed up version

0:23:55.680 --> 0:23:59.480
<v Speaker 1>of that. YadA YadA YadA. That comic is called marvel Man,

0:23:59.520 --> 0:24:02.080
<v Speaker 1>which became a Miracle Man when they published it here,

0:24:02.320 --> 0:24:05.840
<v Speaker 1>which got involved in a totally unrelated series of lawsuits,

0:24:06.000 --> 0:24:09.520
<v Speaker 1>and long story short, those rights have now landed at Marvel.

0:24:10.119 --> 0:24:11.399
<v Speaker 1>You know, I don't know why I thought you were

0:24:11.400 --> 0:24:13.280
<v Speaker 1>gonna be like that kid grew up to beat Jeff

0:24:13.359 --> 0:24:18.960
<v Speaker 1>John's amazing. I'm sure. I'm sure he has Oh of course, yeah,

0:24:19.000 --> 0:24:21.520
<v Speaker 1>because everyone that's involved. I feel like in comic book

0:24:21.560 --> 0:24:24.199
<v Speaker 1>writing grew up with comics. I grew up with comics.

0:24:24.240 --> 0:24:25.919
<v Speaker 1>We have to take a really quick break, and then

0:24:25.920 --> 0:24:29.159
<v Speaker 1>we're going to break down the character of Shazam. Right,

0:24:29.240 --> 0:24:38.000
<v Speaker 1>we go back, Oh right, welcome back, y'all, and we're

0:24:38.040 --> 0:24:42.040
<v Speaker 1>back here with Danny and Amy and we're gonna we're

0:24:42.040 --> 0:24:44.639
<v Speaker 1>gonna jump into this. So you know this. That was

0:24:44.720 --> 0:24:47.639
<v Speaker 1>a fun factoid that you get to talk about with

0:24:47.680 --> 0:24:50.560
<v Speaker 1>your friends as you sit outside the theater waiting to

0:24:50.680 --> 0:24:54.360
<v Speaker 1>go in. Uh, it's it's wild. It's great. And now

0:24:54.359 --> 0:24:56.520
<v Speaker 1>that that's out of the way, let's talk about the

0:24:56.520 --> 0:24:59.400
<v Speaker 1>product itself and start with Billy Batson. I think that's

0:24:59.440 --> 0:25:03.080
<v Speaker 1>the one thing everybody knows about the movie now and

0:25:03.119 --> 0:25:05.480
<v Speaker 1>now about the property, which has been the same. And

0:25:05.560 --> 0:25:08.199
<v Speaker 1>that's what I've kind of always liked about Shazam is

0:25:08.560 --> 0:25:11.560
<v Speaker 1>this hero seems like the one hero that you get

0:25:11.600 --> 0:25:14.879
<v Speaker 1>to be like, you know that kind of well, it

0:25:14.880 --> 0:25:17.440
<v Speaker 1>would be like if I had superheroes. Uh, And I'm

0:25:17.680 --> 0:25:21.639
<v Speaker 1>excited about the movie kind of exploring that idea. And

0:25:21.680 --> 0:25:23.840
<v Speaker 1>I love that because I feel like probably part of

0:25:23.880 --> 0:25:26.000
<v Speaker 1>the reason it went over so well is that it is?

0:25:26.160 --> 0:25:28.960
<v Speaker 1>It is the most basic wish fulfillment of like, I'm

0:25:29.000 --> 0:25:32.200
<v Speaker 1>a kid, I'm not strong, I can't fly. What if

0:25:32.359 --> 0:25:35.639
<v Speaker 1>I had a magic word that made me Earth's mightiest mortal?

0:25:35.760 --> 0:25:40.160
<v Speaker 1>Like done, everyone's just like yep in go on. Uh So.

0:25:40.640 --> 0:25:45.040
<v Speaker 1>Billy Batson has had several different origins. They've periodically revamped

0:25:45.040 --> 0:25:47.679
<v Speaker 1>and tried to retell it, but they all have common DNA,

0:25:48.119 --> 0:25:51.040
<v Speaker 1>which is that he is a kid. He is usually

0:25:51.160 --> 0:25:54.080
<v Speaker 1>a homeless kid or living in a foster home, occasionally

0:25:54.119 --> 0:25:58.160
<v Speaker 1>living with like a mean uncle, but but generally an

0:25:58.280 --> 0:26:03.919
<v Speaker 1>orphan Billy bats And who originally like a selling newspapers

0:26:03.920 --> 0:26:05.679
<v Speaker 1>on the street in what I feel like in the

0:26:05.720 --> 0:26:07.520
<v Speaker 1>forties where they were all like, we're all depression kids.

0:26:07.520 --> 0:26:12.080
<v Speaker 1>This sea. Yeah, kids work, that's just the thing they do.

0:26:12.160 --> 0:26:13.960
<v Speaker 1>Like you know, these stories are half of them are

0:26:13.960 --> 0:26:15.760
<v Speaker 1>being written and drawn by seventeen year olds. We've been

0:26:15.760 --> 0:26:17.520
<v Speaker 1>supporting their families for years, so I feel like that

0:26:17.560 --> 0:26:19.679
<v Speaker 1>seemed more normal back then, where now we're like, you

0:26:19.720 --> 0:26:24.080
<v Speaker 1>put a kid in danger. Uh. Original Billy Patson is

0:26:24.119 --> 0:26:26.400
<v Speaker 1>just a kid with a heart of gold who usually

0:26:26.520 --> 0:26:30.200
<v Speaker 1>lives on the streets and meets a mysterious stranger who

0:26:30.240 --> 0:26:34.440
<v Speaker 1>convinces him to go. In this case, the original one

0:26:34.640 --> 0:26:38.920
<v Speaker 1>is into a subway tunnel. So crazy it is, it's

0:26:39.680 --> 0:26:43.639
<v Speaker 1>he's in a trench code, and especially if this comic

0:26:43.760 --> 0:26:45.960
<v Speaker 1>is for kids, he's just like the shady dude and

0:26:46.000 --> 0:26:47.760
<v Speaker 1>a trench cod Like, hey, kid, come down to the

0:26:47.800 --> 0:26:50.160
<v Speaker 1>subway with me. I got something to show you. It's

0:26:50.160 --> 0:26:53.480
<v Speaker 1>a huge don't try this at home. But a mysterious

0:26:53.480 --> 0:26:55.760
<v Speaker 1>figure shows up calls him down. What I love about

0:26:55.760 --> 0:26:58.520
<v Speaker 1>the mix of like, because these comics are so unafraid

0:26:58.520 --> 0:27:00.600
<v Speaker 1>of magic that they're just like, it's a mad Jack subway.

0:27:00.680 --> 0:27:03.480
<v Speaker 1>Why wouldn't it be a magic subway? He gets on

0:27:03.520 --> 0:27:06.080
<v Speaker 1>a subway, it takes him off to a magical place

0:27:06.119 --> 0:27:08.480
<v Speaker 1>we now know is the Rock of Eternity. He walks

0:27:08.520 --> 0:27:11.879
<v Speaker 1>past these very menacing statues of the seven Deadly Sins

0:27:11.880 --> 0:27:16.800
<v Speaker 1>of mankind uh, and he meets a second mysterious figure,

0:27:17.320 --> 0:27:21.879
<v Speaker 1>the wizard Shazam, who tells him, essentially, you are the

0:27:21.920 --> 0:27:24.960
<v Speaker 1>candidate I've been looking for that I can invest my

0:27:25.080 --> 0:27:28.520
<v Speaker 1>powers in. Essentially I don't have long. You are the

0:27:28.600 --> 0:27:31.600
<v Speaker 1>right candidate. Here's how it works. You say my name

0:27:31.720 --> 0:27:35.119
<v Speaker 1>and you will be transformed, and his name, of course,

0:27:35.200 --> 0:27:40.159
<v Speaker 1>is an extremely reasonable and normal acronym. Yes it is.

0:27:41.040 --> 0:27:45.600
<v Speaker 1>Let's see chasm s for the wisdom of Solomon, h

0:27:45.720 --> 0:27:49.080
<v Speaker 1>for the strength of Hercules, for the stamina of Atlas,

0:27:49.800 --> 0:27:52.520
<v Speaker 1>Z for the power of Zeus, including his ability to

0:27:52.560 --> 0:27:56.680
<v Speaker 1>summon thunderbolts, a courage of Achilles, and m the speed

0:27:56.720 --> 0:28:02.080
<v Speaker 1>of Mercury. So originally that was is the wizard's name Shazam,

0:28:02.080 --> 0:28:05.560
<v Speaker 1>which and that's his his word of power. His power

0:28:05.600 --> 0:28:08.280
<v Speaker 1>gets shared eventually with the other members of the Shazam family,

0:28:08.320 --> 0:28:10.760
<v Speaker 1>with Mary Marvel, with Captain Marvel Jr. Who all have

0:28:10.840 --> 0:28:15.720
<v Speaker 1>their own independent origins and kind of transformation uh personas,

0:28:16.560 --> 0:28:19.960
<v Speaker 1>but uh that that has more or less staid consistent

0:28:20.160 --> 0:28:24.720
<v Speaker 1>wizard sins, magic word, mightiest, mortal. One thing that has

0:28:24.800 --> 0:28:27.359
<v Speaker 1>changed over time is that, I think, in part to

0:28:27.359 --> 0:28:30.679
<v Speaker 1>set him apart from other characters. Originally he was written

0:28:30.720 --> 0:28:33.120
<v Speaker 1>as very much like when he turns into Shazam or

0:28:33.160 --> 0:28:36.119
<v Speaker 1>what would have been Captain Marvel. He's a fully grown dude.

0:28:36.240 --> 0:28:38.080
<v Speaker 1>We're sort of like, oh, little Billy. That was a

0:28:38.080 --> 0:28:40.760
<v Speaker 1>close one. And what he missed is that period in

0:28:40.760 --> 0:28:43.200
<v Speaker 1>the sixties where we tried to get like psychologically realistic

0:28:43.200 --> 0:28:45.440
<v Speaker 1>with comics, so people afterwards have been sort of trying

0:28:45.480 --> 0:28:47.080
<v Speaker 1>to put the pieces together of like are they two

0:28:47.120 --> 0:28:49.760
<v Speaker 1>different people? Does he have a kid brain and an

0:28:49.800 --> 0:28:52.960
<v Speaker 1>adult body? And what we're settling into now is much

0:28:52.960 --> 0:28:55.600
<v Speaker 1>closer to the kid brain in the adult body thing.

0:28:55.640 --> 0:28:59.560
<v Speaker 1>That wisdom of Solomon is like a sometimes feature but

0:29:00.200 --> 0:29:03.920
<v Speaker 1>oh right, but it is interesting because that does set

0:29:04.000 --> 0:29:07.600
<v Speaker 1>him apart being essentially just like a kid in a giant,

0:29:07.600 --> 0:29:11.120
<v Speaker 1>powerful body. And that's fun with now. Yeah, yeah, yeah,

0:29:11.160 --> 0:29:14.480
<v Speaker 1>superhero big. And then I was gonna say so his yeah,

0:29:14.520 --> 0:29:16.760
<v Speaker 1>his family, the Marvel family, which later I think they

0:29:16.840 --> 0:29:20.720
<v Speaker 1>moved to Shazam family. I think so, yeah, it took over,

0:29:21.320 --> 0:29:24.040
<v Speaker 1>which sounds like a normal name to have on your mail.

0:29:25.360 --> 0:29:28.280
<v Speaker 1>Just have everyone this is my this, you know. I

0:29:28.280 --> 0:29:30.680
<v Speaker 1>think that's so funny about comics where we talked I

0:29:30.680 --> 0:29:32.480
<v Speaker 1>think we talked about this with the in the Harley

0:29:32.520 --> 0:29:36.280
<v Speaker 1>Quinn episode about how the villains like Edward did Enigma

0:29:36.320 --> 0:29:38.239
<v Speaker 1>and it was like, oh, I wonder who he is.

0:29:40.000 --> 0:29:43.000
<v Speaker 1>I wonder who he is? Um, I do love those

0:29:43.000 --> 0:29:46.080
<v Speaker 1>original comics. They have that like a lot of they

0:29:46.080 --> 0:29:47.920
<v Speaker 1>get made fun of for being cheesy, but like there's

0:29:47.920 --> 0:29:49.880
<v Speaker 1>so much fun to read, and there's so much fun

0:29:49.920 --> 0:29:52.560
<v Speaker 1>goofiness in them, and they are so unafraid of things.

0:29:52.680 --> 0:29:55.600
<v Speaker 1>Like an original character from those stories is TALKI Tani

0:29:55.720 --> 0:29:59.520
<v Speaker 1>the tiger. He is a tiger who talks. That's he's

0:29:59.560 --> 0:30:02.040
<v Speaker 1>not like you know, later on people would get embarrassed

0:30:02.040 --> 0:30:03.480
<v Speaker 1>about stuff like that. They'd be like, we need to

0:30:03.480 --> 0:30:05.880
<v Speaker 1>come up with a complicated reason that this tiger talks.

0:30:06.040 --> 0:30:07.840
<v Speaker 1>And those comics were just like, I don't know, Happy

0:30:07.880 --> 0:30:10.760
<v Speaker 1>the Marvel Bunny. I was about to say that, yes,

0:30:10.960 --> 0:30:14.280
<v Speaker 1>Happy the Marvel Bunny. So then let's dive in a

0:30:14.320 --> 0:30:18.040
<v Speaker 1>little bit to his villains, because he has two super

0:30:18.040 --> 0:30:20.680
<v Speaker 1>famous villains, and one of them that I thought was

0:30:20.720 --> 0:30:23.000
<v Speaker 1>going to be This isn't a spoiler. This is like

0:30:23.080 --> 0:30:25.040
<v Speaker 1>I thought he was going I haven't seen the film yet,

0:30:25.040 --> 0:30:27.280
<v Speaker 1>but I thought Black Adam was going to be But

0:30:27.320 --> 0:30:30.600
<v Speaker 1>Black Black Adams getting a solo film apparently, Yeah, and

0:30:30.720 --> 0:30:35.200
<v Speaker 1>that might be The Rock, it was announced. But then

0:30:36.000 --> 0:30:38.320
<v Speaker 1>the Rock is like in his own suit? Whatever is

0:30:38.360 --> 0:30:41.280
<v Speaker 1>going on with Hobbs and Shaw? I'm like, what is this?

0:30:41.360 --> 0:30:43.760
<v Speaker 1>Now a superhero? Is if he is the Fast and

0:30:43.800 --> 0:30:47.959
<v Speaker 1>Furious franchise? Now a superhero? Did you not see the

0:30:47.960 --> 0:30:51.600
<v Speaker 1>new trailer is now Superhuman and I'm here for it.

0:30:51.840 --> 0:30:53.720
<v Speaker 1>I love it. I love that he was like, Oh,

0:30:53.760 --> 0:30:56.160
<v Speaker 1>everyone's doing the superhero stuff, we should just make a

0:30:56.200 --> 0:30:59.800
<v Speaker 1>super Let's make our fast and furious thing just superhero. Um. Okay,

0:30:59.840 --> 0:31:02.560
<v Speaker 1>so yeah, let's start with Black Adam. Okay. So Black

0:31:02.600 --> 0:31:06.080
<v Speaker 1>Adam actually had essentially one appearance in the Golden Age,

0:31:06.320 --> 0:31:09.560
<v Speaker 1>and it's a fantastic story with a great ending that

0:31:09.600 --> 0:31:11.920
<v Speaker 1>you kind of have to read to believe. But he

0:31:12.120 --> 0:31:15.080
<v Speaker 1>was a really intriguing character. The idea behind Black Adam

0:31:15.240 --> 0:31:18.080
<v Speaker 1>is that Billy is not the first champion that the

0:31:18.120 --> 0:31:21.360
<v Speaker 1>Wizards or the Elders that's associated with have chosen. They

0:31:21.440 --> 0:31:24.200
<v Speaker 1>chose someone a few thousand years ago and it went badly.

0:31:25.000 --> 0:31:27.040
<v Speaker 1>This has been told a few different times, and Black

0:31:27.080 --> 0:31:30.080
<v Speaker 1>Adam even spent some time as a hero, but usually

0:31:30.080 --> 0:31:33.080
<v Speaker 1>he's just a villain that sort of represents what could

0:31:33.080 --> 0:31:36.120
<v Speaker 1>go wrong if you chose the wrong candidate for this power. Um.

0:31:36.160 --> 0:31:39.200
<v Speaker 1>The The very first origin is that like he went

0:31:39.480 --> 0:31:41.880
<v Speaker 1>super corrupt and mad with power, the exiled him to

0:31:41.880 --> 0:31:43.719
<v Speaker 1>the other side of the galaxy and he literally has

0:31:43.720 --> 0:31:46.520
<v Speaker 1>spent the intervening thousands of years flying here. That was

0:31:46.600 --> 0:31:50.240
<v Speaker 1>like the the All the Explanation United in the Golden Age. Uh.

0:31:50.280 --> 0:31:54.000
<v Speaker 1>But he is has become the best known of of

0:31:54.080 --> 0:31:57.440
<v Speaker 1>the Shazam villains over time. So it was interesting when

0:31:57.480 --> 0:31:59.320
<v Speaker 1>they went to make the movie where we were like, oh, okay,

0:31:59.360 --> 0:32:01.440
<v Speaker 1>they're gonna have a right Oh my god, the Rock

0:32:01.520 --> 0:32:03.240
<v Speaker 1>is gonna be great. Although for the record, he also

0:32:03.240 --> 0:32:07.480
<v Speaker 1>would have been an amazing Captain Marvel. Uh. And so

0:32:07.600 --> 0:32:09.160
<v Speaker 1>then they were like, no, just kidding, it's going to

0:32:09.200 --> 0:32:10.560
<v Speaker 1>be its own movie, and none of us know what

0:32:10.640 --> 0:32:13.200
<v Speaker 1>that means yet. I honestly, my opinion of that was,

0:32:13.280 --> 0:32:15.440
<v Speaker 1>and I was talking to Danna, producer before they started,

0:32:15.640 --> 0:32:18.400
<v Speaker 1>is the Rock is such a big he has to

0:32:18.440 --> 0:32:21.040
<v Speaker 1>be the star, you know what I mean. He's such

0:32:21.120 --> 0:32:25.360
<v Speaker 1>a bit. He's the biggest movie star that there is.

0:32:25.400 --> 0:32:27.320
<v Speaker 1>I feel like out right now, like he sells like

0:32:27.400 --> 0:32:29.200
<v Speaker 1>no one sells. So if you're gonna get if you're

0:32:29.200 --> 0:32:30.719
<v Speaker 1>gonna put him in a movie, he needs to be

0:32:30.760 --> 0:32:32.840
<v Speaker 1>the star of the movie. And not that was my

0:32:32.920 --> 0:32:35.520
<v Speaker 1>opinion on it. They were like, oh, maybe we'll make

0:32:35.600 --> 0:32:37.160
<v Speaker 1>him this side villain, and then they were like, oh,

0:32:37.160 --> 0:32:40.280
<v Speaker 1>we're just gonna give him his whole whole entire film.

0:32:40.320 --> 0:32:41.760
<v Speaker 1>I really want to know if he's still a villain

0:32:41.760 --> 0:32:44.000
<v Speaker 1>in that film or if they're doing like, oh, maybe

0:32:44.120 --> 0:32:47.160
<v Speaker 1>the potentially I guess, but like the briefly existing good

0:32:47.200 --> 0:32:49.320
<v Speaker 1>guy version of him, well I don't even know about that,

0:32:49.360 --> 0:32:52.280
<v Speaker 1>but I think that they're starting to dabble more into

0:32:52.400 --> 0:32:55.160
<v Speaker 1>And this is what I do love how it's told

0:32:55.320 --> 0:32:58.200
<v Speaker 1>that he might be a villain. But it's like with Venom,

0:32:58.240 --> 0:33:01.200
<v Speaker 1>like it's um, but you're rooting or him. Yeah, right,

0:33:01.280 --> 0:33:03.320
<v Speaker 1>so it's the solo film, but for some reason, you're

0:33:03.400 --> 0:33:06.920
<v Speaker 1>rooting for someone that you normally wouldn't necessarily be depending

0:33:06.960 --> 0:33:09.000
<v Speaker 1>on how it's told. And they have a lot of

0:33:09.080 --> 0:33:13.120
<v Speaker 1>room for that with the uh, I guess semi spoilers

0:33:13.160 --> 0:33:17.200
<v Speaker 1>for the two thousand eleven UH redo or the the

0:33:17.240 --> 0:33:21.320
<v Speaker 1>two thousand eleven two now era redo of the Shazam character.

0:33:21.720 --> 0:33:25.320
<v Speaker 1>We're finally just calling him Shazam because it simplifies matters. Uh.

0:33:25.360 --> 0:33:29.800
<v Speaker 1>But they tweaked Billy for that. They they gave him

0:33:29.920 --> 0:33:33.360
<v Speaker 1>kind of a new, different family situation, but that's still

0:33:33.400 --> 0:33:35.640
<v Speaker 1>like comes clearly from that same legacy, but they added

0:33:35.640 --> 0:33:39.080
<v Speaker 1>some new characters who I love, and they've they've kind

0:33:39.080 --> 0:33:41.120
<v Speaker 1>of gone with that version, going forward, but they added

0:33:41.200 --> 0:33:44.120
<v Speaker 1>some new dimensions to Black Adam's story that I wonder

0:33:44.200 --> 0:33:46.280
<v Speaker 1>if our plans for like long term how to make

0:33:46.320 --> 0:33:49.040
<v Speaker 1>more out of that character. He's still villainous in that,

0:33:49.320 --> 0:33:52.320
<v Speaker 1>but they give it some sort of like some some

0:33:52.480 --> 0:33:56.080
<v Speaker 1>interesting shading that that I think might be might be

0:33:56.120 --> 0:33:57.880
<v Speaker 1>what they're playing off in the long term. Yeah, So

0:33:57.920 --> 0:34:00.840
<v Speaker 1>the New fifty two run, the Twin eleven run, I

0:34:00.880 --> 0:34:04.240
<v Speaker 1>think is what is mainly what this film. Have you

0:34:04.320 --> 0:34:06.880
<v Speaker 1>seen it already? I have? Okay, So if he and

0:34:06.920 --> 0:34:08.400
<v Speaker 1>I haven't seen it, so and he's not going to

0:34:08.440 --> 0:34:12.520
<v Speaker 1>give anything away essentially, but if we're it's okay, but

0:34:12.560 --> 0:34:17.440
<v Speaker 1>we're so. Essentially that is what they've based this current character.

0:34:17.520 --> 0:34:20.320
<v Speaker 1>The film adaptation is based off of the New fifty

0:34:20.360 --> 0:34:23.839
<v Speaker 1>two definitely, Like the story isn't the same story exactly,

0:34:23.880 --> 0:34:26.279
<v Speaker 1>but the mythology they're using for this film is very

0:34:26.320 --> 0:34:30.319
<v Speaker 1>clearly that incarnation of Billy and his story. Okay, if

0:34:30.360 --> 0:34:34.480
<v Speaker 1>that makes sense. So Black Adam had also has does

0:34:34.520 --> 0:34:37.640
<v Speaker 1>he also say shazam? I believe that is also his

0:34:37.680 --> 0:34:40.640
<v Speaker 1>magic word yet? Okay? Because he has s the stamina

0:34:40.640 --> 0:34:44.640
<v Speaker 1>of shoe h, the speed of here A, the strength

0:34:44.640 --> 0:34:47.680
<v Speaker 1>of amen Z, the wisdom. Why does he have different

0:34:48.680 --> 0:34:52.239
<v Speaker 1>he got different elders. I guess he was cursed from

0:34:52.239 --> 0:34:55.319
<v Speaker 1>the beginning. See this is not his fault, it was

0:34:55.360 --> 0:35:01.680
<v Speaker 1>it was gave Billy the good elders was Greek gods.

0:35:02.239 --> 0:35:06.200
<v Speaker 1>These all seem like they're yet they're Egyptian deities because

0:35:06.200 --> 0:35:08.839
<v Speaker 1>he originally he was sort of sort of Egypt based.

0:35:08.840 --> 0:35:10.879
<v Speaker 1>And then they invented a country for him to be from,

0:35:10.880 --> 0:35:13.879
<v Speaker 1>something I could kind of give it its own history. Uh,

0:35:13.920 --> 0:35:16.919
<v Speaker 1>and they they got involved, like we haven't even talked

0:35:16.920 --> 0:35:19.520
<v Speaker 1>about there was a seventies MTV show and there was

0:35:19.640 --> 0:35:21.480
<v Speaker 1>a female super here. They made up for that who

0:35:21.480 --> 0:35:24.440
<v Speaker 1>then has become part of the mythology. Her name is

0:35:24.440 --> 0:35:27.560
<v Speaker 1>Isis That does not work out great for We're definitely

0:35:27.600 --> 0:35:31.359
<v Speaker 1>going to get a name changed by the movie, but

0:35:31.960 --> 0:35:34.800
<v Speaker 1>that they've folded that into sort of the fake country

0:35:34.840 --> 0:35:36.480
<v Speaker 1>that they made up for Black Adam to be from.

0:35:36.520 --> 0:35:39.040
<v Speaker 1>But I I feel like even when Mary Marvel gets

0:35:39.040 --> 0:35:41.720
<v Speaker 1>her powers, they give it different female goddesses for those

0:35:42.320 --> 0:35:45.680
<v Speaker 1>letters to be from. I think it's just seemed fun

0:35:45.920 --> 0:35:48.279
<v Speaker 1>is probably the reason. Or they were playing off the

0:35:48.280 --> 0:35:50.080
<v Speaker 1>fact that he's supposed to be old enough to make

0:35:50.440 --> 0:35:55.080
<v Speaker 1>using the Greek gods wouldn't make any sense. Weird coincidence though,

0:35:55.400 --> 0:35:58.360
<v Speaker 1>Good job wizard, all right, yeah yeah, So the you

0:35:58.400 --> 0:36:00.640
<v Speaker 1>know we we did talk about our was with the

0:36:00.719 --> 0:36:02.479
<v Speaker 1>rock not being there. But it seems like the villain

0:36:02.520 --> 0:36:05.000
<v Speaker 1>that is going to be fit featured is Dr Savanna.

0:36:05.040 --> 0:36:07.600
<v Speaker 1>Can you tell us more about the comic book version

0:36:07.600 --> 0:36:11.439
<v Speaker 1>of Dr Savanna gives give some people some some basis. So,

0:36:11.560 --> 0:36:14.560
<v Speaker 1>the comic version of Dr Savannah is one of the

0:36:14.600 --> 0:36:17.719
<v Speaker 1>oldest supervillains in comics, and he started out as just

0:36:17.840 --> 0:36:22.080
<v Speaker 1>your basic evil mad scientist. Apparently his likeness was based

0:36:22.120 --> 0:36:25.720
<v Speaker 1>on Max Shrek being no s fraw to uh and

0:36:25.719 --> 0:36:27.879
<v Speaker 1>it was just sort of like just a creepy faced

0:36:27.920 --> 0:36:32.319
<v Speaker 1>dude who has bad idea plans for the world. He

0:36:32.400 --> 0:36:36.600
<v Speaker 1>was less on the sort of extreme magic and monster

0:36:36.760 --> 0:36:39.680
<v Speaker 1>society and other end and and more just a a

0:36:39.800 --> 0:36:43.680
<v Speaker 1>standard uh I I have plans for domination and lots

0:36:43.680 --> 0:36:47.840
<v Speaker 1>of evil schemes and I'm I'm sinister involved. Now, the

0:36:47.920 --> 0:36:50.319
<v Speaker 1>New fifty two version of him is interesting because they're

0:36:50.360 --> 0:36:54.399
<v Speaker 1>giving him this this relationship with magic. Like the New

0:36:54.400 --> 0:36:57.799
<v Speaker 1>fifty two comics, he has this magic eye that lets

0:36:57.840 --> 0:36:59.960
<v Speaker 1>him see through things and kind of gets him involved

0:37:00.080 --> 0:37:02.120
<v Speaker 1>in the mythology side of it in sort of a

0:37:02.120 --> 0:37:05.840
<v Speaker 1>more integrated way. But his basic deal has just usually

0:37:05.880 --> 0:37:07.719
<v Speaker 1>been that he's he's a bad dude, and Captain Marven

0:37:07.760 --> 0:37:09.960
<v Speaker 1>Lieza stop him. People aren't gonna like this, but some

0:37:10.040 --> 0:37:12.960
<v Speaker 1>of these picks, he looks a little like Heisenberg Um

0:37:13.800 --> 0:37:20.560
<v Speaker 1>and the doctor from Nightmare Before Christmas. Definitely, Sally, people

0:37:20.600 --> 0:37:23.359
<v Speaker 1>love my impressions if he they love them. You know,

0:37:23.480 --> 0:37:26.560
<v Speaker 1>they love it when you're present in the discord or

0:37:26.600 --> 0:37:34.239
<v Speaker 1>you were in there so funny, so it takes so funny.

0:37:34.360 --> 0:37:37.320
<v Speaker 1>So he there's also just for the old school villains,

0:37:37.360 --> 0:37:39.360
<v Speaker 1>you get some of the like the super out there ones.

0:37:39.440 --> 0:37:42.200
<v Speaker 1>There's tons of weird monsters that he fights. There's literally

0:37:42.200 --> 0:37:44.040
<v Speaker 1>the Monster Society of Evil that there have been a

0:37:44.080 --> 0:37:47.160
<v Speaker 1>couple of versions of. There's like an evil little worm

0:37:47.320 --> 0:37:49.960
<v Speaker 1>named Mr. Mind who speaks out of a speaker. This

0:37:50.000 --> 0:37:52.560
<v Speaker 1>is if you I have to a book recommendation. There

0:37:52.640 --> 0:37:55.759
<v Speaker 1>is a hardcover that's called The seventy five Years of

0:37:55.760 --> 0:37:57.920
<v Speaker 1>Shazam or something like that the DC put out that's

0:37:58.000 --> 0:38:00.919
<v Speaker 1>just stories from different ear risk that kind of walk

0:38:01.000 --> 0:38:03.120
<v Speaker 1>you through all of these different versions of the character.

0:38:03.560 --> 0:38:06.359
<v Speaker 1>And so the Mr mind stuff in the Golden Ages,

0:38:06.400 --> 0:38:10.040
<v Speaker 1>some of the most fun bonkers like this, what what happened?

0:38:10.120 --> 0:38:12.200
<v Speaker 1>He took over a movie studio and now he's trying

0:38:12.200 --> 0:38:16.080
<v Speaker 1>to captain Captain trapped Captain Marvel into like it's it's

0:38:16.120 --> 0:38:19.640
<v Speaker 1>this very, very bizarre and out their Golden age delight.

0:38:20.320 --> 0:38:22.120
<v Speaker 1>I love this character. I think it's really fun that

0:38:22.160 --> 0:38:23.680
<v Speaker 1>a bunch of people are about to know who he is.

0:38:23.719 --> 0:38:25.200
<v Speaker 1>And I just had to throw a shout out for

0:38:25.239 --> 0:38:28.080
<v Speaker 1>all the weird stuff. Do people still call him Captain Marvel?

0:38:28.840 --> 0:38:33.319
<v Speaker 1>We shouldn't, but we do. Okay, it's a hard habit

0:38:33.360 --> 0:38:36.120
<v Speaker 1>to break. There's a solo series he has right now

0:38:36.239 --> 0:38:39.360
<v Speaker 1>and they made, uh, like they came really close to

0:38:39.440 --> 0:38:42.520
<v Speaker 1>making a saying Captain Marvel joke, um, and they just

0:38:42.560 --> 0:38:44.400
<v Speaker 1>sort of backed up. But we all know what's happening.

0:38:44.440 --> 0:38:46.520
<v Speaker 1>But his name is Shazam now and we're getting used

0:38:46.520 --> 0:38:48.319
<v Speaker 1>to it, and he just, you know, can't say it.

0:38:49.800 --> 0:38:52.520
<v Speaker 1>I do love the fact that Bree Larson, who had

0:38:53.120 --> 0:38:57.600
<v Speaker 1>the opening weekend of her film like went to the

0:38:57.600 --> 0:38:59.840
<v Speaker 1>theaters and was she had that picture of her that

0:38:59.880 --> 0:39:02.480
<v Speaker 1>I conic one now where she's like drinking from a

0:39:02.560 --> 0:39:05.320
<v Speaker 1>cut like a soda cup and then has some popcorn,

0:39:05.440 --> 0:39:08.840
<v Speaker 1>and then Zachary Levi also took the same exact and

0:39:08.840 --> 0:39:12.120
<v Speaker 1>everyone tweeted like Captain Marvel's you know, honestly so great.

0:39:12.239 --> 0:39:16.000
<v Speaker 1>I think it's beautiful because, especially like ten fifteen years ago,

0:39:16.040 --> 0:39:18.520
<v Speaker 1>if you told me Billy Batson and Carol Danvers are

0:39:18.560 --> 0:39:21.600
<v Speaker 1>both getting movies, and not only are they both getting movies,

0:39:21.640 --> 0:39:23.920
<v Speaker 1>they're coming out a month apart, I would have called

0:39:23.920 --> 0:39:26.160
<v Speaker 1>you a liar. I would have been like, there's just

0:39:26.320 --> 0:39:29.080
<v Speaker 1>no way that that is happening. I would love that,

0:39:29.160 --> 0:39:32.480
<v Speaker 1>but it's not at all realistic. So anyway, I love

0:39:32.560 --> 0:39:35.840
<v Speaker 1>the future. It gives us awesome things, like to Captain

0:39:35.880 --> 0:39:38.680
<v Speaker 1>Marvel movies back to back. I know, it's it's such

0:39:38.719 --> 0:39:42.640
<v Speaker 1>a beautiful thing and so much fun. I mean, man,

0:39:42.719 --> 0:39:44.359
<v Speaker 1>it's a good time to be a comic book fan,

0:39:44.440 --> 0:39:47.440
<v Speaker 1>I must say. But you know it's it's it about

0:39:47.440 --> 0:39:49.560
<v Speaker 1>that time. We're about to go on a quick break

0:39:49.600 --> 0:39:52.720
<v Speaker 1>and then we're gonna come back, give a few closing thoughts,

0:39:52.760 --> 0:39:55.280
<v Speaker 1>and then I'm gonna hit you with a fun question

0:39:55.920 --> 0:39:58.120
<v Speaker 1>uh that I'm gonna wait till the moment that I

0:39:58.160 --> 0:40:00.600
<v Speaker 1>asked it to let you know, see you after this

0:40:00.640 --> 0:40:12.000
<v Speaker 1>brain and we are back. So in January seventeen, d

0:40:12.120 --> 0:40:15.600
<v Speaker 1>C and New Line Cinema announced the Shazam film. Do

0:40:15.680 --> 0:40:19.040
<v Speaker 1>you remember I don't really quite remember when this was

0:40:19.080 --> 0:40:22.400
<v Speaker 1>originally announced, like how everyone felt about it was at

0:40:22.400 --> 0:40:25.919
<v Speaker 1>the same time that was Zachary announced also right away?

0:40:26.000 --> 0:40:28.960
<v Speaker 1>Or did we know? I feel like there was a

0:40:29.000 --> 0:40:31.919
<v Speaker 1>while before we got zach Levi. It was kind of

0:40:32.000 --> 0:40:34.839
<v Speaker 1>for me. It was the puzzle piece that I was like, Oh, okay,

0:40:34.880 --> 0:40:37.160
<v Speaker 1>this is a really fun choice. I could be remembering

0:40:37.160 --> 0:40:40.600
<v Speaker 1>that wrong, but I remember being confused about like why

0:40:40.600 --> 0:40:43.040
<v Speaker 1>they were separating the movies. And you know, I had

0:40:43.080 --> 0:40:44.839
<v Speaker 1>had my fan casting that I thought would be cool

0:40:44.880 --> 0:40:47.440
<v Speaker 1>if Dwayne Johnson played him, or like played both of

0:40:47.480 --> 0:40:50.400
<v Speaker 1>them and all this, and I had time. I just

0:40:50.440 --> 0:40:54.400
<v Speaker 1>thought that what they should have look at you. That

0:40:54.400 --> 0:40:56.640
<v Speaker 1>would have been so funny to have the rock playing

0:40:56.719 --> 0:40:59.680
<v Speaker 1>both Shazam and Black Adam. He would have been a

0:40:59.719 --> 0:41:03.040
<v Speaker 1>lip kita. That would have been really cool. But I

0:41:03.120 --> 0:41:05.560
<v Speaker 1>had time to wonder about that and let all that

0:41:05.600 --> 0:41:07.520
<v Speaker 1>time pass, and then I was ready to be like, okay,

0:41:07.520 --> 0:41:09.560
<v Speaker 1>but what are we actually doing when they cast Achary

0:41:09.600 --> 0:41:12.080
<v Speaker 1>Levi and I was like, oh, this is going to

0:41:12.080 --> 0:41:14.960
<v Speaker 1>be fun. Yes. In July of that year, David F.

0:41:15.080 --> 0:41:17.960
<v Speaker 1>Sandberg was confirmed as a director, which I thought was

0:41:18.000 --> 0:41:21.640
<v Speaker 1>really cool and interesting me. He's typically known for directing horror. Um,

0:41:21.680 --> 0:41:23.799
<v Speaker 1>he did lights Out. We talked about this on our

0:41:23.960 --> 0:41:27.919
<v Speaker 1>How We Got here? Uh podcast? But my favorite thing

0:41:28.000 --> 0:41:31.680
<v Speaker 1>ever is his lights Out short, which is terrifying and

0:41:31.719 --> 0:41:35.920
<v Speaker 1>beautiful and under three minutes and just oh it's so great. Uh.

0:41:35.960 --> 0:41:38.359
<v Speaker 1>And then yeah, he directed lights Out. He did Annabelle, right,

0:41:38.560 --> 0:41:41.200
<v Speaker 1>is that correct? So it was an interesting toys that

0:41:41.239 --> 0:41:43.719
<v Speaker 1>they picked him, but one so far, a lot of

0:41:43.719 --> 0:41:45.839
<v Speaker 1>the reviews have been really great about it. And then yes,

0:41:45.920 --> 0:41:51.160
<v Speaker 1>in October seventeen, they cast Zachary Levi and then Asher

0:41:51.280 --> 0:41:55.840
<v Speaker 1>Angel who plays Billy Batson, Little Billy Batson. So and

0:41:55.880 --> 0:42:00.440
<v Speaker 1>then of course, um Dr Savannah is Mark Strong is

0:42:00.560 --> 0:42:05.239
<v Speaker 1>just fun to watch at all times. But definitely was like, oh,

0:42:05.160 --> 0:42:09.319
<v Speaker 1>we're just I'm I'm excited from all folks to see

0:42:09.320 --> 0:42:11.640
<v Speaker 1>the film because he was just like, I'm I'm who

0:42:11.680 --> 0:42:16.080
<v Speaker 1>now got it, Let's do this. He has a villainous energy,

0:42:16.160 --> 0:42:19.799
<v Speaker 1>is what I think. He's a very villainous Patterson. So

0:42:19.920 --> 0:42:22.600
<v Speaker 1>where do you We're not going to get into the film, Um,

0:42:22.680 --> 0:42:25.000
<v Speaker 1>we don't want to spoil anything. Yeah, no spoilers, But

0:42:25.040 --> 0:42:27.560
<v Speaker 1>where do you see the DC, because there's so much

0:42:27.640 --> 0:42:33.120
<v Speaker 1>change happening right now. Yeah, not to totally just behind it,

0:42:33.160 --> 0:42:35.120
<v Speaker 1>but I do think this is a good point to

0:42:35.200 --> 0:42:37.879
<v Speaker 1>kind of discuss that this is and I think just

0:42:38.000 --> 0:42:39.640
<v Speaker 1>what both of you all have been saying and welcome

0:42:39.760 --> 0:42:41.719
<v Speaker 1>change in the DC universe. And I've said this before.

0:42:41.719 --> 0:42:43.520
<v Speaker 1>I think I said this on Coliner Heroes, and I

0:42:43.560 --> 0:42:46.399
<v Speaker 1>said this on another podcast before that. This is kind

0:42:46.400 --> 0:42:50.480
<v Speaker 1>of DC's first foray into something fun, exciting and not

0:42:50.560 --> 0:42:53.799
<v Speaker 1>necessarily putting the same dark lens filter over all of

0:42:53.840 --> 0:42:57.400
<v Speaker 1>their movies. So yeah, what do what do you What

0:42:57.480 --> 0:43:00.359
<v Speaker 1>do you think for the future, And what's another fun,

0:43:00.520 --> 0:43:02.799
<v Speaker 1>not dark movie you think the DC should take on.

0:43:04.440 --> 0:43:07.359
<v Speaker 1>It's an interesting question because you know, if you if

0:43:07.360 --> 0:43:09.200
<v Speaker 1>you sort of zoom out to all of DC history,

0:43:09.239 --> 0:43:11.360
<v Speaker 1>they've done a bunch of different tones, and sometimes I

0:43:11.360 --> 0:43:13.239
<v Speaker 1>feel like we get unfair where we're sort of like,

0:43:13.480 --> 0:43:15.160
<v Speaker 1>if the last several films have been this thing, we

0:43:15.239 --> 0:43:17.680
<v Speaker 1>feel like they've never done anything else. And the last

0:43:17.680 --> 0:43:20.640
<v Speaker 1>several ones were Aquaman, which wasn't and Wonder Woman, which

0:43:20.680 --> 0:43:23.439
<v Speaker 1>wasn't And yeah, yeah, I Wonder Woman I still view

0:43:23.480 --> 0:43:27.360
<v Speaker 1>as a war Yeah, now you're a period piece. That's

0:43:27.440 --> 0:43:30.239
<v Speaker 1>exactly what it was. And it was, you know, to

0:43:30.920 --> 0:43:33.160
<v Speaker 1>you know, pat my own stuff on the back. And

0:43:33.520 --> 0:43:36.000
<v Speaker 1>the reason I think the last few films were successful

0:43:36.280 --> 0:43:38.839
<v Speaker 1>were two major things. The one thing that I'm gonna

0:43:38.840 --> 0:43:40.640
<v Speaker 1>pat myself on the back is I said, what Marvel

0:43:40.719 --> 0:43:43.400
<v Speaker 1>was doing right right, is that they choose a genre

0:43:43.480 --> 0:43:45.120
<v Speaker 1>for their films. You can even go back to I

0:43:45.120 --> 0:43:47.359
<v Speaker 1>think during the m c U episode, I bring that up,

0:43:47.840 --> 0:43:51.319
<v Speaker 1>and that's what they've done. They took Wonder Woman, was like,

0:43:51.360 --> 0:43:53.960
<v Speaker 1>this is gonna be a World War two war movie,

0:43:54.160 --> 0:43:56.239
<v Speaker 1>because if you just took out Wonder Woman and just

0:43:56.239 --> 0:43:58.919
<v Speaker 1>put like a general in her position, that that could

0:43:58.920 --> 0:44:01.279
<v Speaker 1>be any war movie, you know. And the fact it's

0:44:01.320 --> 0:44:03.759
<v Speaker 1>just happened to have a superhero. And that's I think

0:44:03.800 --> 0:44:06.719
<v Speaker 1>every good superhero movie just happens to have a superhero.

0:44:06.840 --> 0:44:08.640
<v Speaker 1>I haven't seen Aquaman yet, but it seems like a

0:44:08.640 --> 0:44:13.640
<v Speaker 1>fun water romp or whatever. Yeah, and this is going

0:44:13.680 --> 0:44:15.799
<v Speaker 1>to be a fun coming of age film. And that's

0:44:15.800 --> 0:44:18.799
<v Speaker 1>why these three are so successful. I don't think there's

0:44:18.840 --> 0:44:22.640
<v Speaker 1>anything wrong with Dark I think the Dark Knight trilogy

0:44:22.680 --> 0:44:25.680
<v Speaker 1>is great. You know, I'll be a little overrated, you know,

0:44:25.880 --> 0:44:28.439
<v Speaker 1>I think, you know, yeah, I think it's I think

0:44:28.560 --> 0:44:31.319
<v Speaker 1>the Dark Knight was phenomenal and carried the other two

0:44:31.520 --> 0:44:34.399
<v Speaker 1>up in how much in how much everyone likes them.

0:44:34.600 --> 0:44:37.359
<v Speaker 1>I think The Dark Knight was great and amazing. I

0:44:37.400 --> 0:44:45.239
<v Speaker 1>think Dark Knight is not underrated. I said, it's that

0:44:45.320 --> 0:44:48.400
<v Speaker 1>thing is that thing is over I mean it was

0:44:48.440 --> 0:44:52.279
<v Speaker 1>a great entry, but just as as I mean, just so,

0:44:52.320 --> 0:44:55.120
<v Speaker 1>here's where I totally agree with you. I love those movies,

0:44:55.760 --> 0:44:57.799
<v Speaker 1>but I do think that it was sort of a

0:44:57.840 --> 0:45:00.120
<v Speaker 1>mistake in the aftermath of them to assume that all

0:45:00.160 --> 0:45:03.920
<v Speaker 1>movies needed to be those movies. Those movies were those movies.

0:45:04.040 --> 0:45:06.840
<v Speaker 1>And the truth is that like comics is not a genre,

0:45:06.960 --> 0:45:10.520
<v Speaker 1>comics is a medium. Superheroes is closer to a genre.

0:45:11.000 --> 0:45:13.319
<v Speaker 1>But the truth is that even within that, you get

0:45:13.360 --> 0:45:15.840
<v Speaker 1>better stories when you let them Like, you know, I

0:45:15.880 --> 0:45:20.239
<v Speaker 1>I think that you don't need to be embarrassed about

0:45:20.239 --> 0:45:21.719
<v Speaker 1>being a superhero movie. You don't need to be like

0:45:22.120 --> 0:45:24.000
<v Speaker 1>it doesn't even matter if they have powers. You can

0:45:24.040 --> 0:45:26.320
<v Speaker 1>let the powers be part of the fun in the magic. Please,

0:45:26.440 --> 0:45:28.920
<v Speaker 1>for the love of God, don't ask your fans to

0:45:29.000 --> 0:45:31.840
<v Speaker 1>wake up. You came into our world, you came into

0:45:31.920 --> 0:45:34.800
<v Speaker 1>our medium. You're making stuff based off of what we liked.

0:45:35.360 --> 0:45:37.880
<v Speaker 1>You need to wake up. Zack Snyder. I'm sorry, but

0:45:37.920 --> 0:45:40.920
<v Speaker 1>I'm the biggest as a creative. That that made me

0:45:41.000 --> 0:45:43.680
<v Speaker 1>scoff so hard because it's like you can't come into

0:45:43.760 --> 0:45:47.440
<v Speaker 1>someone's subculture and be like, oh, no, y'all need to

0:45:47.480 --> 0:45:49.200
<v Speaker 1>wake up. This is how it should be done, because

0:45:49.200 --> 0:45:52.080
<v Speaker 1>it's like, no, bro, we're telling you you're doing it wrong,

0:45:52.440 --> 0:45:56.719
<v Speaker 1>and you're you are so what Batman killed that one?

0:45:57.120 --> 0:45:59.120
<v Speaker 1>It is funny because it is the thing where it's like, yeah,

0:45:59.160 --> 0:46:00.960
<v Speaker 1>it's not the biggest you like, there can be a

0:46:01.000 --> 0:46:04.200
<v Speaker 1>Batman that kills We can do that, we can establish that.

0:46:04.239 --> 0:46:07.279
<v Speaker 1>I don't think any changes there but to like yell

0:46:07.400 --> 0:46:10.759
<v Speaker 1>at everyone and just basically like he he truly did

0:46:10.960 --> 0:46:13.520
<v Speaker 1>insult fans. He literally said, you know, and then when

0:46:13.560 --> 0:46:16.040
<v Speaker 1>you lost your virginity is like, we're really doing that.

0:46:16.239 --> 0:46:20.720
<v Speaker 1>You're literally a the same jock who goofed on nerds

0:46:20.880 --> 0:46:24.680
<v Speaker 1>making movies for us, and you're you just revealed yourself.

0:46:24.680 --> 0:46:28.440
<v Speaker 1>It really was not that like it. They were not

0:46:28.600 --> 0:46:30.600
<v Speaker 1>nice things to say, and it was weird where it

0:46:30.640 --> 0:46:32.520
<v Speaker 1>was sort of like, but what you just said, like,

0:46:32.560 --> 0:46:34.759
<v Speaker 1>but that is how fans talk to each other. But like,

0:46:35.520 --> 0:46:38.919
<v Speaker 1>you know, maybe when we're younger and before we think

0:46:38.920 --> 0:46:42.360
<v Speaker 1>through how our words make other people feel. I was

0:46:42.400 --> 0:46:44.880
<v Speaker 1>gonna say I had that whole I had a whole

0:46:44.920 --> 0:46:48.720
<v Speaker 1>thread on my thing that Coy actually your co host,

0:46:49.120 --> 0:46:51.719
<v Speaker 1>Um wrote me. He was like, I'm thinking of you

0:46:51.840 --> 0:46:54.960
<v Speaker 1>right now with these punisher comments, because all I wanted

0:46:55.000 --> 0:46:58.440
<v Speaker 1>to say was, Um, it wasn't that. I mean, Batman

0:46:58.480 --> 0:47:01.960
<v Speaker 1>has killed don't don't at me, but he has like canonically.

0:47:02.000 --> 0:47:03.680
<v Speaker 1>And also I mean, if you're counting all the people

0:47:03.680 --> 0:47:05.520
<v Speaker 1>he's punched off a building that we don't know if

0:47:05.520 --> 0:47:07.880
<v Speaker 1>they lived or not. To me, I consider those casualties.

0:47:07.920 --> 0:47:11.719
<v Speaker 1>But whatever. Anyways, you part of the premise of the

0:47:11.760 --> 0:47:15.120
<v Speaker 1>fiction is that, like, you know, if Batman just routinely

0:47:15.200 --> 0:47:18.760
<v Speaker 1>kills people, then Dark Knight returns, which Snyder and everybody

0:47:18.760 --> 0:47:21.520
<v Speaker 1>else loves, including me. Part of the premise of that

0:47:21.560 --> 0:47:25.319
<v Speaker 1>film is like what if Batman could like killed like

0:47:25.400 --> 0:47:27.040
<v Speaker 1>or not film part of the premise of that story

0:47:27.200 --> 0:47:30.040
<v Speaker 1>eased that line. If the line doesn't exist, then the

0:47:30.040 --> 0:47:33.720
<v Speaker 1>story doesn't mean anything. So maybe we participate in the fiction.

0:47:34.200 --> 0:47:38.120
<v Speaker 1>Maybe we let that be the case, Like, it doesn't

0:47:38.120 --> 0:47:43.120
<v Speaker 1>make you dumb to believe in premises of a story.

0:47:43.560 --> 0:47:46.920
<v Speaker 1>I think I agree. I think for me it's I'm

0:47:47.000 --> 0:47:49.360
<v Speaker 1>okay with people taking risks of like what would it

0:47:49.360 --> 0:47:55.240
<v Speaker 1>look like if Batman would And there are actually comics

0:47:55.280 --> 0:47:57.239
<v Speaker 1>that do that with him, you know, there are lines

0:47:57.280 --> 0:48:00.160
<v Speaker 1>that do that. What if this happened with Batman? Um

0:48:00.400 --> 0:48:02.719
<v Speaker 1>for me because people were tweeting him like he has

0:48:02.760 --> 0:48:05.800
<v Speaker 1>a code. I'm like, so do doctors and police officers

0:48:05.840 --> 0:48:08.520
<v Speaker 1>like you know people, He's also human, which I like

0:48:08.640 --> 0:48:11.120
<v Speaker 1>to remind people of. He's one of my favorite characters,

0:48:11.160 --> 0:48:13.120
<v Speaker 1>which another thing I had to keep reminding people of

0:48:13.400 --> 0:48:15.719
<v Speaker 1>when people got mad because I was like, no, no, no no, no,

0:48:15.760 --> 0:48:17.880
<v Speaker 1>I love him. I love that he's human and that

0:48:17.920 --> 0:48:21.040
<v Speaker 1>he's flawed and that he makes mistakes for me. But

0:48:21.160 --> 0:48:23.400
<v Speaker 1>like hearing from so many people like you were saying

0:48:23.440 --> 0:48:25.759
<v Speaker 1>if he I heard from so many fans that were like, no,

0:48:25.880 --> 0:48:28.360
<v Speaker 1>this is so important to us, I was like, okay,

0:48:28.719 --> 0:48:31.480
<v Speaker 1>I get it now, Like I get it that Also

0:48:31.520 --> 0:48:34.439
<v Speaker 1>another thing is the world is so horrific already, why

0:48:34.480 --> 0:48:36.839
<v Speaker 1>can't we just believe? And this man that dresses up

0:48:36.840 --> 0:48:39.319
<v Speaker 1>like a bat and doesn't kill people. And so for me,

0:48:39.360 --> 0:48:41.600
<v Speaker 1>I'm like, sure, fine, you know what, we're already believing

0:48:41.600 --> 0:48:44.120
<v Speaker 1>a billionaire dresses up like a bat why not we

0:48:44.160 --> 0:48:46.000
<v Speaker 1>just go the extra step and believe that he doesn't

0:48:46.040 --> 0:48:48.319
<v Speaker 1>kill So that's exactly the case. It does feel a

0:48:48.320 --> 0:48:50.000
<v Speaker 1>little bit like you go back in time to Superman

0:48:50.040 --> 0:48:52.200
<v Speaker 1>the movie and you're just like anyone who believes a

0:48:52.239 --> 0:48:56.879
<v Speaker 1>man can fly as a sucker, and it's just like, what, no, not, Yeah,

0:48:56.880 --> 0:48:58.560
<v Speaker 1>that's and I think that's what it is. It's not

0:48:58.600 --> 0:49:02.319
<v Speaker 1>even necessarily explore that are all that that's fine. I

0:49:02.360 --> 0:49:05.440
<v Speaker 1>think it's the fact that he's like y'all, the fact

0:49:05.480 --> 0:49:07.920
<v Speaker 1>that y'all would question why I would move from the

0:49:07.960 --> 0:49:12.400
<v Speaker 1>source material. This is done, like he basically said, Batman's

0:49:12.400 --> 0:49:15.280
<v Speaker 1>coat is dumb. And I think that's what drove people

0:49:15.360 --> 0:49:17.399
<v Speaker 1>crazy because you feel bad because the man is allowed

0:49:17.400 --> 0:49:21.319
<v Speaker 1>to have opinions on Batman. For me, I know and

0:49:21.440 --> 0:49:26.160
<v Speaker 1>always people, no, don't come at me and I and

0:49:26.239 --> 0:49:29.040
<v Speaker 1>this is the perfect just desserts for everyone who was

0:49:29.080 --> 0:49:31.360
<v Speaker 1>asking for the Snyder cut, because I know the people

0:49:31.360 --> 0:49:35.000
<v Speaker 1>who are annoyed by this. I know there's some Snyder

0:49:35.040 --> 0:49:37.880
<v Speaker 1>cut folks who are like, yeah, but the people who

0:49:37.920 --> 0:49:40.520
<v Speaker 1>are annoyed by this are also Snyder cut folks. You

0:49:40.560 --> 0:49:43.160
<v Speaker 1>asked for this, this is Is this your king? Is

0:49:43.200 --> 0:49:46.200
<v Speaker 1>this your king? If they do like it, that's that's

0:49:46.200 --> 0:49:48.640
<v Speaker 1>it's a difference opinion. I might not agree with it,

0:49:48.680 --> 0:49:51.439
<v Speaker 1>but like that that's what anyway, I don't know. That's

0:49:51.440 --> 0:49:54.680
<v Speaker 1>a separates so is a separate discussion. I think one

0:49:54.719 --> 0:49:57.960
<v Speaker 1>thing that I feel like we always seem to agree

0:49:57.960 --> 0:50:01.520
<v Speaker 1>on is I am glad when someone finds joy in

0:50:01.560 --> 0:50:03.759
<v Speaker 1>a film. So even if I didn't find joy in

0:50:03.760 --> 0:50:06.560
<v Speaker 1>a film, I'm glad that somebody that it resonated with someone.

0:50:06.719 --> 0:50:09.680
<v Speaker 1>And another thing is for me personally, I don't mind

0:50:09.760 --> 0:50:13.240
<v Speaker 1>when filmmakers take risks or want to see a different story.

0:50:13.440 --> 0:50:15.960
<v Speaker 1>But also we have dragon Ball evolution, so I shouldn't talk.

0:50:16.000 --> 0:50:20.600
<v Speaker 1>So yeah, my my thing is like I just just

0:50:20.640 --> 0:50:24.840
<v Speaker 1>because I want to truly like just so no one's confused.

0:50:25.080 --> 0:50:28.000
<v Speaker 1>I have no problems with people taking that risk, but

0:50:28.200 --> 0:50:30.239
<v Speaker 1>I have a big problem when people don't respect the

0:50:30.280 --> 0:50:32.960
<v Speaker 1>source material, when people are kind of spitting on who

0:50:32.960 --> 0:50:34.680
<v Speaker 1>you're serving too, because at the end of the day,

0:50:34.719 --> 0:50:37.720
<v Speaker 1>those are your fans that you're calling virgins and sitting

0:50:37.719 --> 0:50:40.240
<v Speaker 1>in front and telling to wake up. It's like and

0:50:40.280 --> 0:50:42.359
<v Speaker 1>the thing that the same thing. I mean, if we're

0:50:42.360 --> 0:50:45.120
<v Speaker 1>going way back when who was it. I think it

0:50:45.200 --> 0:50:48.200
<v Speaker 1>might have been Azarello who was like challenging someone at

0:50:48.200 --> 0:50:53.120
<v Speaker 1>a panel. It's like all these corny comic dudes who

0:50:53.160 --> 0:50:55.440
<v Speaker 1>like talk this macheese moost like I grew up in

0:50:55.440 --> 0:50:56.960
<v Speaker 1>that life, and if we want to play that game,

0:50:57.160 --> 0:50:59.400
<v Speaker 1>catch my fate outside of heart al ah. But we

0:50:59.440 --> 0:51:01.200
<v Speaker 1>don't want to do that. We don't want to do that,

0:51:01.239 --> 0:51:04.440
<v Speaker 1>we just wanna We're probably just take the criticism and

0:51:04.600 --> 0:51:07.560
<v Speaker 1>in succinctly say why instead of trying to be an

0:51:07.560 --> 0:51:09.719
<v Speaker 1>insult or because I'm the best at that. And then

0:51:09.880 --> 0:51:12.000
<v Speaker 1>if if I hop in that panel, it's gonna be

0:51:12.040 --> 0:51:14.240
<v Speaker 1>a much different one when you're talking to the crowd

0:51:14.239 --> 0:51:17.239
<v Speaker 1>and no one's challenging you. But if it's me toe

0:51:17.320 --> 0:51:19.560
<v Speaker 1>to toe Zack Snyder roast battle, I'll send you home

0:51:19.600 --> 0:51:22.799
<v Speaker 1>crying like that's the and and I'm it's just like

0:51:22.880 --> 0:51:26.360
<v Speaker 1>it's insulting to have It's almost as if I walked

0:51:26.360 --> 0:51:29.440
<v Speaker 1>into a restaurant and before I and I ordered a

0:51:29.480 --> 0:51:33.080
<v Speaker 1>steak and the waiters like, oh you ordered a steak, dummy,

0:51:34.200 --> 0:51:36.279
<v Speaker 1>that's what it feels like when the other person who's

0:51:36.320 --> 0:51:38.520
<v Speaker 1>worked in a comic shop for many years, it is

0:51:38.560 --> 0:51:41.400
<v Speaker 1>like the besetting sin of comic shops that people are like,

0:51:41.400 --> 0:51:43.960
<v Speaker 1>oh you want that, Well that's terrible, and it's like,

0:51:44.000 --> 0:51:46.440
<v Speaker 1>and we see what happens. It creates a culture no

0:51:46.480 --> 0:51:49.359
<v Speaker 1>one wants. Don't be that guy. Don't be that guy

0:51:49.360 --> 0:51:51.520
<v Speaker 1>behind the counter. Don't be that guy in a conversation.

0:51:51.760 --> 0:51:53.920
<v Speaker 1>I don't know, just be nice y'all. Yeah, But in

0:51:53.920 --> 0:51:56.920
<v Speaker 1>in the end, you know, I hope you know, whatever

0:51:57.040 --> 0:51:59.000
<v Speaker 1>Batman movie you like, I hope you get what you

0:51:59.040 --> 0:52:01.239
<v Speaker 1>want out of it. But the second thing I never

0:52:01.360 --> 0:52:05.440
<v Speaker 1>mentioned that made all these recent films good. What's the

0:52:05.480 --> 0:52:09.080
<v Speaker 1>one thing that was different about all these films? Uh,

0:52:09.239 --> 0:52:13.520
<v Speaker 1>besides just the direction they took. They used different directors,

0:52:14.120 --> 0:52:17.560
<v Speaker 1>You had different eyes, different visions on it. The reason

0:52:17.800 --> 0:52:20.160
<v Speaker 1>the d c U is so dark and gloomy is

0:52:20.200 --> 0:52:23.360
<v Speaker 1>because you got the dark and gloomy. You got the

0:52:23.400 --> 0:52:27.719
<v Speaker 1>regional managers of Hot Topics directing all of the you know,

0:52:27.920 --> 0:52:30.279
<v Speaker 1>the whole universe. So yeah, all the movies look the same.

0:52:30.640 --> 0:52:33.120
<v Speaker 1>And that's the thing I was saying on I think

0:52:33.120 --> 0:52:37.120
<v Speaker 1>it was screen junkies s JU was like, the reason

0:52:37.160 --> 0:52:41.840
<v Speaker 1>Suicide Squad had no chance at succeeding is because what

0:52:42.040 --> 0:52:45.680
<v Speaker 1>made Suicide Squad the comic so crazy is because it's

0:52:45.680 --> 0:52:49.040
<v Speaker 1>such a dark turn on this thing. Like DC comics

0:52:49.040 --> 0:52:51.680
<v Speaker 1>are dark, but Suicide Squad was dark dark. You had

0:52:51.680 --> 0:52:55.360
<v Speaker 1>a suicidal lead of a team who was going to

0:52:55.440 --> 0:52:57.719
<v Speaker 1>do these missions where they weren't supposed to come and

0:52:57.760 --> 0:53:00.680
<v Speaker 1>that's dark dark. But if all your movies are dark,

0:53:01.320 --> 0:53:04.480
<v Speaker 1>how is this gonna pop out of your collection of movies?

0:53:04.719 --> 0:53:07.360
<v Speaker 1>So now, if you have movies like Aquaman, Wonder Woman

0:53:07.600 --> 0:53:09.560
<v Speaker 1>and show Zam out there and you do this new

0:53:09.600 --> 0:53:13.160
<v Speaker 1>Suicide Squad that guns working on, it's gonna pop when

0:53:13.200 --> 0:53:16.000
<v Speaker 1>you see it because you're gonna be like, oh, this

0:53:16.080 --> 0:53:18.319
<v Speaker 1>is dark dark. And I know, like even that film

0:53:18.360 --> 0:53:20.200
<v Speaker 1>has people who found a ton of joy in it.

0:53:20.440 --> 0:53:22.560
<v Speaker 1>But you make like there's a strong case we made

0:53:22.560 --> 0:53:25.040
<v Speaker 1>for like, let the different parts of the universe be different,

0:53:25.120 --> 0:53:27.680
<v Speaker 1>let them embrace what's good about them. Billy Batson doesn't

0:53:27.719 --> 0:53:30.320
<v Speaker 1>need to be involved in any discussions about heroes killing people.

0:53:30.640 --> 0:53:33.239
<v Speaker 1>You know, like, it's let this be what it is,

0:53:33.360 --> 0:53:35.760
<v Speaker 1>and in terms of what it means for the future,

0:53:36.239 --> 0:53:38.600
<v Speaker 1>I hope that people love and find this film. I

0:53:38.680 --> 0:53:40.719
<v Speaker 1>hope that they enjoy, like I love that they got

0:53:40.760 --> 0:53:42.920
<v Speaker 1>a horror guy, because there's an element of fantasy and

0:53:42.960 --> 0:53:45.319
<v Speaker 1>mythology to it. Like what we talked about earlier, those

0:53:45.360 --> 0:53:47.440
<v Speaker 1>comics were never afraid to be like you literally got

0:53:47.480 --> 0:53:49.799
<v Speaker 1>your powers from a wizard. You're gonna You're still gonna

0:53:49.800 --> 0:53:52.560
<v Speaker 1>fight Nazis and do all the normal Golden Age comics stuff,

0:53:52.760 --> 0:53:55.799
<v Speaker 1>but we're not afraid of the like of monsters and

0:53:55.880 --> 0:53:58.200
<v Speaker 1>out there stuff. And I feel like there's so much

0:53:58.239 --> 0:54:00.920
<v Speaker 1>more they can do there that I am excited hopefully

0:54:01.000 --> 0:54:03.239
<v Speaker 1>we'll get to see happen. But the other thing is like,

0:54:03.680 --> 0:54:05.399
<v Speaker 1>don't put all that weight on one movie. Just let

0:54:05.400 --> 0:54:09.040
<v Speaker 1>this movie be a good time. There was so much

0:54:09.080 --> 0:54:12.799
<v Speaker 1>weight on Wonder Woman when you think of how she's terrifying, well,

0:54:12.800 --> 0:54:14.440
<v Speaker 1>when you think of how she blew everyone out of

0:54:14.440 --> 0:54:16.520
<v Speaker 1>the water and how Patty Janke, it's like just how

0:54:16.560 --> 0:54:21.240
<v Speaker 1>amazing that film was. But everything was writing on that film,

0:54:21.280 --> 0:54:23.719
<v Speaker 1>you know, and it's and she's a wonder Woman, so

0:54:23.760 --> 0:54:27.959
<v Speaker 1>she was up to it. That's true. It's true. I

0:54:28.040 --> 0:54:31.400
<v Speaker 1>love her so much. On Heroes, Amy and I just

0:54:31.440 --> 0:54:33.279
<v Speaker 1>got to geek out about wonder Woman. I mean, I

0:54:33.360 --> 0:54:36.480
<v Speaker 1>just she's my aside from the dragon ball tattoo that

0:54:36.480 --> 0:54:39.120
<v Speaker 1>was the other tattoo I was thinking of getting, wonder

0:54:39.120 --> 0:54:42.560
<v Speaker 1>Woman is my She is my everything that I aspire

0:54:42.600 --> 0:54:44.960
<v Speaker 1>to be. Actually not because I post like third straps

0:54:44.960 --> 0:54:46.560
<v Speaker 1>and cuss all the time, which I don't know, you know,

0:54:46.600 --> 0:54:51.399
<v Speaker 1>I think I Wonder Woman would be doing for that.

0:54:51.719 --> 0:54:55.280
<v Speaker 1>So the last question I want to ask Amy actually

0:54:55.280 --> 0:54:58.080
<v Speaker 1>has just a simple question that I think will help

0:54:58.120 --> 0:55:00.200
<v Speaker 1>a lot of listeners. So one slid in a d

0:55:00.360 --> 0:55:03.760
<v Speaker 1>M S recently. It was Toemy wah Ao Tomi Watt

0:55:04.160 --> 0:55:07.799
<v Speaker 1>Underscore on Twitter and he said, Hey, man, love Nerdificent

0:55:08.280 --> 0:55:10.840
<v Speaker 1>you do? Uh? You said love what you do on Nerdificent? Question?

0:55:10.920 --> 0:55:13.759
<v Speaker 1>Do you read the Marvel DC comics regularly or as

0:55:13.800 --> 0:55:17.279
<v Speaker 1>religiously as I hope? Uh? I'm a I'm like a

0:55:17.320 --> 0:55:20.759
<v Speaker 1>whole last year behind on comics, maybe even more than that.

0:55:20.920 --> 0:55:22.520
<v Speaker 1>And I wanted to know if you have opinions on

0:55:22.560 --> 0:55:24.799
<v Speaker 1>where I can jump right in without missing too much,

0:55:25.200 --> 0:55:28.880
<v Speaker 1>to which I replied, yo, in all caps, I'm in

0:55:28.920 --> 0:55:31.239
<v Speaker 1>the same position. But I'm getting the answer to your

0:55:31.320 --> 0:55:34.439
<v Speaker 1>question from Amy Dallin, so we're in good hands. I'll

0:55:34.520 --> 0:55:39.000
<v Speaker 1>let you know, Oh, that's so awesome. Uh, depends on

0:55:39.160 --> 0:55:42.080
<v Speaker 1>what you are looking for. There there used to be

0:55:42.080 --> 0:55:45.279
<v Speaker 1>a rule in comics every comic is someone's first, and

0:55:45.320 --> 0:55:47.879
<v Speaker 1>it was one of those like where whatever you're doing,

0:55:47.960 --> 0:55:50.040
<v Speaker 1>make sure somebody can jump in right now. And obviously,

0:55:50.080 --> 0:55:52.719
<v Speaker 1>these days, because we have most things get collected in

0:55:52.760 --> 0:55:57.120
<v Speaker 1>trade paperbacks, most things you expect, like they call it

0:55:57.200 --> 0:55:59.600
<v Speaker 1>writing for the trade, where now people are planning out

0:55:59.600 --> 0:56:01.800
<v Speaker 1>a lot of arcs and they're sort of like assuming

0:56:01.840 --> 0:56:04.719
<v Speaker 1>that you'll try to catch up. So essentially finding any

0:56:04.800 --> 0:56:06.920
<v Speaker 1>number one is designed to be a good jumping on

0:56:07.680 --> 0:56:10.359
<v Speaker 1>point for folks. But all of the people making these

0:56:10.400 --> 0:56:12.520
<v Speaker 1>are working really hard to try and give their a

0:56:12.520 --> 0:56:14.880
<v Speaker 1>good jumping on point every few months for every book.

0:56:15.040 --> 0:56:17.160
<v Speaker 1>It's an impossible challenge, but that's what they try to do.

0:56:17.520 --> 0:56:20.160
<v Speaker 1>So if you if you're specifically like about a year

0:56:20.200 --> 0:56:23.400
<v Speaker 1>behind and you just want to marathon some stuff, both

0:56:23.640 --> 0:56:26.359
<v Speaker 1>of the major companies have services you can look at.

0:56:26.640 --> 0:56:29.960
<v Speaker 1>Marvel Unlimited has a subscription thing where you can digitally

0:56:29.960 --> 0:56:33.880
<v Speaker 1>read basically everything six months old and older. Um So,

0:56:33.920 --> 0:56:35.440
<v Speaker 1>if there's like a story from the last couple of

0:56:35.480 --> 0:56:37.080
<v Speaker 1>years you really want to catch up on, First of all,

0:56:37.120 --> 0:56:40.200
<v Speaker 1>your local library might have that trade paperback. Second of all,

0:56:40.200 --> 0:56:42.200
<v Speaker 1>your your local comic bookstore might be able to find

0:56:42.200 --> 0:56:43.520
<v Speaker 1>that for you. But third of all, you can just

0:56:43.560 --> 0:56:45.919
<v Speaker 1>pop around on Marvel Unlimited and look for that. DC

0:56:46.080 --> 0:56:49.120
<v Speaker 1>has DC Universe, and that one is more curating, like

0:56:49.640 --> 0:56:51.400
<v Speaker 1>especially if you just don't know where to start with

0:56:51.440 --> 0:56:55.319
<v Speaker 1>a character. They're doing lists of like best Batman story, Uh,

0:56:55.960 --> 0:56:57.719
<v Speaker 1>how to meet the Doom Patrol if you're watching the

0:56:57.719 --> 0:57:00.720
<v Speaker 1>TV show on DC Universe. Uh, they're sort of curating

0:57:00.719 --> 0:57:05.960
<v Speaker 1>a rotating collection over there for that. Now, if you don't,

0:57:06.000 --> 0:57:09.000
<v Speaker 1>if you have a friendly local comic bookstore, go in ask.

0:57:09.360 --> 0:57:11.279
<v Speaker 1>If they're not nice, find a different one. But I

0:57:11.480 --> 0:57:13.520
<v Speaker 1>promise a lot of us are nice and we're really

0:57:13.560 --> 0:57:16.400
<v Speaker 1>excited for you to be there and read some books. Uh.

0:57:16.560 --> 0:57:19.600
<v Speaker 1>Pay attention to the company social media because they're working

0:57:19.680 --> 0:57:22.680
<v Speaker 1>really hard these days to be like here's our latest

0:57:22.680 --> 0:57:24.640
<v Speaker 1>press released about the exciting thing that's happening in a

0:57:24.680 --> 0:57:27.280
<v Speaker 1>couple of months. So they just announced that Jonathan Hickman,

0:57:27.320 --> 0:57:30.280
<v Speaker 1>who's a writer who has been indie only for the

0:57:30.320 --> 0:57:32.560
<v Speaker 1>last couple of years, he's coming back to Marvel. He's

0:57:32.600 --> 0:57:35.320
<v Speaker 1>doing some X Men stories and that's kicking off in July.

0:57:35.440 --> 0:57:37.960
<v Speaker 1>They just announced it at the Chicago Con. I'm so excited.

0:57:38.000 --> 0:57:41.080
<v Speaker 1>If you don't know, Hickman had he was writing Future

0:57:41.120 --> 0:57:44.240
<v Speaker 1>Foundation for a bit, which was the continuation of the

0:57:44.360 --> 0:57:47.440
<v Speaker 1>Fantastic Four when it was like their whole family, and

0:57:47.440 --> 0:57:51.080
<v Speaker 1>it was so good. He's very good at almost everything.

0:57:51.080 --> 0:57:53.480
<v Speaker 1>But I like when he takes on teams, so I'm

0:57:53.520 --> 0:57:56.760
<v Speaker 1>excited for him. The keys like, don't let it scare you.

0:57:56.840 --> 0:57:59.720
<v Speaker 1>There's no wrong place. There's just like whatever calls to you,

0:58:00.880 --> 0:58:03.240
<v Speaker 1>back up to the beginning of an arc, or if

0:58:03.280 --> 0:58:06.160
<v Speaker 1>they're or they like find out when the writer who's

0:58:06.160 --> 0:58:09.000
<v Speaker 1>currently on there took over, and that's usually been designed

0:58:09.040 --> 0:58:11.600
<v Speaker 1>as a place for you to jump in. Uh. They

0:58:11.680 --> 0:58:14.320
<v Speaker 1>really they want you to start reading their books. You

0:58:14.480 --> 0:58:17.560
<v Speaker 1>don't need to know everything. You don't need to read everything.

0:58:17.920 --> 0:58:20.360
<v Speaker 1>Libraries can help, the Internet can help. Your friendly local

0:58:20.360 --> 0:58:23.360
<v Speaker 1>comics store can help. Comic Xology has an unlimited service

0:58:23.400 --> 0:58:26.080
<v Speaker 1>that's just a bunch of stuff you can borrow to

0:58:26.160 --> 0:58:29.440
<v Speaker 1>read and check out. If you have an Amazon Prime membership,

0:58:29.680 --> 0:58:34.280
<v Speaker 1>I think you get free Comicsology unlimited with that. Yeah,

0:58:34.400 --> 0:58:37.080
<v Speaker 1>and like if you want to try a random indie

0:58:37.360 --> 0:58:39.560
<v Speaker 1>Image Comics has a thing where nearly all of their

0:58:39.640 --> 0:58:43.200
<v Speaker 1>volume ones are now, so you can basically just try

0:58:43.280 --> 0:58:44.840
<v Speaker 1>half a year of the book to see if you

0:58:44.880 --> 0:58:48.560
<v Speaker 1>dig it. Uh so, yeah, there's just no wrong answer.

0:58:48.640 --> 0:58:50.720
<v Speaker 1>It depends like figure out if there's a character you

0:58:50.720 --> 0:58:53.560
<v Speaker 1>want to check on, just ask around and it'll be like,

0:58:53.600 --> 0:58:56.240
<v Speaker 1>oh yeah, just four months ago they started a new

0:58:56.320 --> 0:58:58.560
<v Speaker 1>Chazam book. He hasn't had his own solo book in years.

0:58:58.840 --> 0:59:01.360
<v Speaker 1>That started. Number four is this week. This is a

0:59:01.360 --> 0:59:04.760
<v Speaker 1>perfect place to start. Perfect. Well, there we go. That

0:59:04.920 --> 0:59:07.080
<v Speaker 1>was the answer, and I guess the next question is

0:59:07.080 --> 0:59:09.800
<v Speaker 1>where can people find you? Oh? Thank you. I am

0:59:09.960 --> 0:59:14.560
<v Speaker 1>at enthusiamy all over the internet like enthusiasts, but my name,

0:59:15.200 --> 0:59:17.800
<v Speaker 1>Uh you get used to it, I promise. And it's

0:59:17.800 --> 0:59:20.480
<v Speaker 1>been really awesome to be here. Thank you so much. Yeah,

0:59:20.480 --> 0:59:23.000
<v Speaker 1>thanks for stopping by. It was good chatting with you

0:59:23.520 --> 0:59:25.840
<v Speaker 1>and me. As you know, I'm if you Widway on

0:59:25.840 --> 0:59:28.360
<v Speaker 1>Twitter and Instagram. I f y interview A D I

0:59:28.520 --> 0:59:30.800
<v Speaker 1>W E if he's on Twitch. Lots of nerd fam

0:59:30.880 --> 0:59:33.920
<v Speaker 1>coming through with them Twitch Prime stuff. So keep the

0:59:34.040 --> 0:59:36.520
<v Speaker 1>love coming and remember you got to come back every month.

0:59:36.520 --> 0:59:38.400
<v Speaker 1>It doesn't do it by itself. I need you, I

0:59:38.600 --> 0:59:41.080
<v Speaker 1>need you, Promise you, I need you. And the Discord

0:59:41.160 --> 0:59:45.280
<v Speaker 1>Salts Discord dot g G slash Salt Squad if you

0:59:45.280 --> 0:59:47.760
<v Speaker 1>want to continue the convo. Danny was in there talking

0:59:47.840 --> 0:59:49.960
<v Speaker 1>up a storm this morning. She was she was ready

0:59:50.000 --> 0:59:52.640
<v Speaker 1>to blow off some steam. So definitely come in there

0:59:52.880 --> 0:59:56.000
<v Speaker 1>and also go to te public. We're we're already you know.

0:59:56.280 --> 0:59:58.440
<v Speaker 1>DJ Dan has already been like, look, we gotta get

0:59:58.440 --> 1:00:00.560
<v Speaker 1>some more these T shirts. And I got the ideas.

1:00:00.600 --> 1:00:02.960
<v Speaker 1>So you gonna see some new T shirts cooked up

1:00:03.240 --> 1:00:05.800
<v Speaker 1>and ready for you to wear and meet us because

1:00:05.880 --> 1:00:09.560
<v Speaker 1>it's almost SDCC and you know, I don't know where

1:00:09.560 --> 1:00:12.400
<v Speaker 1>we're gonna meet, but we're definitely gonna up. Yeah, no

1:00:12.440 --> 1:00:15.360
<v Speaker 1>matter what we're meeting up saying and anyone who doesn't

1:00:15.360 --> 1:00:17.200
<v Speaker 1>have a nerdistance shirt, I'm not gonna talk to you. No,

1:00:18.680 --> 1:00:23.400
<v Speaker 1>that's not I will talk to you. Um. But also

1:00:23.480 --> 1:00:25.440
<v Speaker 1>if you send us pictures of you in your shirt,

1:00:25.480 --> 1:00:28.640
<v Speaker 1>we will repost them on our Instagram. So that's really cool.

1:00:28.920 --> 1:00:33.000
<v Speaker 1>I met miss Danny Fernandez. I wasn't Discord because we

1:00:33.080 --> 1:00:37.120
<v Speaker 1>had that discussion with Bechtel cast member last week and

1:00:37.160 --> 1:00:41.120
<v Speaker 1>we were talking about Steven Spielberg in him his comments

1:00:41.120 --> 1:00:43.200
<v Speaker 1>on Netflix and then lo and Behold. He is a

1:00:43.200 --> 1:00:46.440
<v Speaker 1>part of Apple Plus. Anyways, Um, I am on a

1:00:46.440 --> 1:00:49.560
<v Speaker 1>new show on Verve with open Mic Eagle. He has

1:00:49.560 --> 1:00:52.280
<v Speaker 1>a show at Comedy Central called New Negroes which is

1:00:52.280 --> 1:00:54.480
<v Speaker 1>really cool. And we have a Wizarding show where we

1:00:54.520 --> 1:00:58.160
<v Speaker 1>play two wizards who go to Wizarding Community College. Because

1:00:58.160 --> 1:01:01.720
<v Speaker 1>we didn't get into saying Paul if Tompkins, isn't it

1:01:01.760 --> 1:01:06.040
<v Speaker 1>Baron Vaughan from Grayson Frankie and New Negroes and um gosh,

1:01:06.040 --> 1:01:10.480
<v Speaker 1>who else? Adoye Travis Uh from Dark Tank. So many

1:01:10.600 --> 1:01:13.920
<v Speaker 1>people are Jamie Loftus, I think Carl. It has a

1:01:13.960 --> 1:01:17.320
<v Speaker 1>lot of how stuff works alumni. Jammy Loftus is on it.

1:01:17.920 --> 1:01:22.400
<v Speaker 1>Carl Tart, I believe plays our dog uh Dean. We

1:01:22.520 --> 1:01:25.040
<v Speaker 1>have a dean that's a dog um and the only

1:01:25.080 --> 1:01:26.520
<v Speaker 1>ways and I say I think it is because he

1:01:26.560 --> 1:01:28.800
<v Speaker 1>had to do vo for it, so I was not there,

1:01:28.920 --> 1:01:32.439
<v Speaker 1>but I was there with the dog Um. It's really great. Yeah,

1:01:32.480 --> 1:01:35.280
<v Speaker 1>we played two wizards in a wizard in Magic School.

1:01:35.440 --> 1:01:38.280
<v Speaker 1>So check it out. It's on for right now, and

1:01:38.640 --> 1:01:41.680
<v Speaker 1>I think that's it. Like we always say, stay nerdy,