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Speaker 1: What I'm talking. Hold on, hold on, I want to

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Speaker 1: say something.

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Speaker 2: No hold on, no no no no no no no

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Speaker 2: no no no no you no you you listen.

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Speaker 1: Hold hold up, pause paused. Super Paul bruises from out. Yeah.

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Speaker 1: It as good as the Boy Live Jet Lenny a

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Speaker 1: k A Uncle Murder and it's turbulent as Tony a

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Speaker 1: k A. Tony Yayo. She's the real report.

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Speaker 3: And we have the number on one worldwide d J

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Speaker 3: out world.

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Speaker 1: It's the kid. What's happening, what's going on? What's happening? Legend?

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Speaker 4: Man?

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Speaker 1: Happy to have you here? Man, Happy to have you here.

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Speaker 5: Man, glad to be here, Man, glad to be here.

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Speaker 1: Yo, were glad to have you here. Man. You know

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Speaker 1: you you a pillar and hip hop.

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Speaker 3: You know, we was backstage talking about case Slay and

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Speaker 3: you know sometimes people do only give you flowers when

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Speaker 3: you're going, you know, God like you.

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Speaker 1: We're going to give your flowers now while you hear

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Speaker 1: you know what I'm saying. That's why we did some business.

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Speaker 3: Mark shout to my man Dre shout to the guarding

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Speaker 3: the Dreams, the whole Knicks Foundation, and you know, Kick

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Speaker 3: Capri is the type of dude that he's he what what?

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Speaker 3: What people don't need to know is he doesn't only DJ.

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Speaker 3: He raps, he produces and he makes speechs. So we

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Speaker 3: gave a song to the New York Knicks, me and

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Speaker 3: my man Dre. They love Kick Capri. He's a legend

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Speaker 3: and live from New York is playing on the make

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Speaker 3: some noise for that playing.

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Speaker 1: Make some noise going on, Jim.

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Speaker 3: So what I'm saying to you is he's not a

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Speaker 3: one trick pony. You know, he's like a Kanye West.

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Speaker 3: He's like a Q tip.

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Speaker 1: You know. He produces and he wraps. He's like a Havoc.

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Speaker 1: He does a lot.

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Speaker 6: You ain't telling me nothing. I don't ready know about

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Speaker 6: Kick Capri, but I could tell you something. You don't

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Speaker 6: know what what?

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Speaker 3: What is one of the infamous clubs that he used

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Speaker 3: to DJ at in the Bronx is too name one.

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Speaker 1: I don't know, all right, So we're gonna talk about

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Speaker 1: that one of.

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Speaker 3: The most and you know back in the eighties, shout

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Speaker 3: to the Bronx, it's still that.

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Speaker 1: That must have just been talking about this a little

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Speaker 1: while ago.

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Speaker 3: No, No, we didn't talk about all right, snow Kickingprika.

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Speaker 3: So back in the you know, back in the you know.

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Speaker 3: But in the eighties, the Bronx was dangerous. It's still

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Speaker 3: dangerous now shouting definitely. We love y'all though I love

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Speaker 3: to be you know what I'm saying, But make it

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Speaker 3: safe again, so come in, you know. So the Bronx

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Speaker 3: in the eighties, DJ, Kick Capri DJ see. I don't

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Speaker 3: even know what these niggas don't. They don't be knowing nothing.

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Speaker 1: I don't even either, Okay, I'm talking about.

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Speaker 3: DJ Ki Capri DJ at a club called a Castle

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Speaker 3: right now. Jim don't even know this the so called real.

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Speaker 1: No, Jim don't know that. That's Capri right hand man

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Speaker 1: wasn't around there. He wasn't around there. This Jim don't notice.

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Speaker 1: Don't I know this is right here? Man, don't that's crazy.

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Speaker 3: So the thing about the Castle is like in the eighties,

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Speaker 3: that's like the infamous times. Like just picture the Bronx

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Speaker 3: in the eighties, the biggest gangsters, the biggest drug dealers.

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Speaker 3: Kick Capri was DJ in there, like it was so infamous.

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Speaker 3: Not trying to promote it. But the rumor is that

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Speaker 3: even Slick Rick got shot outside of the Castle back

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Speaker 3: in the days, got shot in his eye.

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Speaker 1: Like it's an infamous club. In the other club, he did.

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Speaker 5: Get shotter get shot. They shot at him. And if

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Speaker 5: I'm not mistaken, I think you had a girl in

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Speaker 5: the truck and she got grades in the side. They

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Speaker 5: had cheesed up the truck, if I'm not mistaken. But yeah,

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Speaker 5: it was, it was. It was a crazy time in

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Speaker 5: the Castle.

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Speaker 3: Man talk about that, Man talk about that, because that's

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Speaker 3: eighties hip hop, you know what I mean.

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Speaker 5: Well that that was when we started to Castle. Castle

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Speaker 5: was like ninety maybe.

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Speaker 2: It was.

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Speaker 1: Eight tonight, So yeah, so there.

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Speaker 5: You know, before that, it was the sn S club.

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Speaker 5: S S Club was really where I started getting known

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Speaker 5: at because that's where in the sn S Club is.

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Speaker 5: You know, you're nothing to glorify, but it was the

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Speaker 5: most killers and drug people in street people that you

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Speaker 5: ever could meet, the top that you ever meet. And

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Speaker 5: they were all there at one place. And so I'm

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Speaker 5: sitting in this place looking at the steak, you know,

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Speaker 5: spending a year and a half day, I've seen a lot.

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Speaker 5: After left there, I started playing, you know, doing the

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Speaker 5: Castle and doing uh I was doing the Castle at

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Speaker 5: the same time, but then doing the Castle and doing

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Speaker 5: the building downtown doing my New York thing and then

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Speaker 5: started going out of town the mixtape things. What really

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Speaker 5: took off me When I took off, it was like

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Speaker 5: I was a soundtrack to the drug dealers.

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Speaker 1: They shot at Slick recall that he didn't get hit

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Speaker 1: that day. No he didn't get Okay, you went back

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Speaker 1: to Slick.

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Speaker 3: No, No, I'm saying because I mean, I think somebody

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Speaker 3: said he got shot in the eye.

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Speaker 1: I wanted to know if it was. It wasn't there though.

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Speaker 3: Okay, I know, but he got his car got shot up.

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Speaker 3: So now I'm visualizing Slick Rick, you know, with the

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Speaker 3: jewelry on in the Bronx.

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Speaker 5: Rick will be by itself.

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Speaker 1: That's what I'm saying. Called the whole with all the

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Speaker 1: jewelry on, and call the whole.

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Speaker 5: Team with dudes peasants.

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Speaker 1: You know what I'm saying.

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Speaker 5: He was was that was like you know what I'm saying.

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Speaker 5: And you know, I think he might have did that

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Speaker 5: in that in the castle, and you know it was

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Speaker 5: to these dudes.

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Speaker 1: That was the kids that was up at the Bronx

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Speaker 1: see and.

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Speaker 5: It just jumped up. But nothing happened to Rick.

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Speaker 3: He just shot the whip up. Sure, he got grades

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Speaker 3: with some gangster ship was going. He had Old Julio

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Speaker 3: slipper Old ju.

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Speaker 1: You see that.

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Speaker 6: He talked so fast, like he know what happens now.

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Speaker 6: He's like, yo, yeah, nigga shut up the whip so

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Speaker 6: he got grades. You just told him like you just

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Speaker 6: told him like you already know. He had niggas that

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Speaker 6: shut up the whip so he got grades. He just

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Speaker 6: thought the nigga, look, let's keep it real murdering. When

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Speaker 6: she happened in the hood, you hear five different stories.

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Speaker 6: I heard the fifth story.

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Speaker 4: You know.

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Speaker 1: He got shut in.

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Speaker 6: With his story so fast. Yes, shot the whip, so

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Speaker 6: he got grades. My niggas say, he don't even know

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Speaker 6: she got grace. He said, he think. You know, I

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Speaker 6: like read when he came in the game with.

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Speaker 1: The I pads. Oh that was.

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Speaker 3: But the car got shot up. So he called niggas

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Speaker 3: preasidts slick rich out to slick Rick. I can see

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Speaker 3: him doing that. You know, crazy murkers. We got kicked

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Speaker 3: pre the legend that does this worldwide. You know, talk

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Speaker 3: about some of the places you've been in the world.

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Speaker 5: I've been all over man. I just well, I mean Houston,

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Speaker 5: I just got back from Houston yesterday.

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Speaker 1: But I've been everywhere.

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Speaker 4: Man.

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Speaker 5: I just came out from Africa. That was really crazy.

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Speaker 5: I came mat from Mexico with a Swiss beasts and

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Speaker 5: these kids.

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Speaker 1: That was really big. Look at that.

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Speaker 5: I've been all fifty two states. At one time. I

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Speaker 5: was doing two undred fifty shows of the year every year.

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Speaker 5: First dude in hip hop to own the tour bus.

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Speaker 5: So that's how much I was traveling.

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Speaker 1: So I told you, he's so cocky.

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Speaker 5: You know what I'm saying. It's the truth that traveling

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Speaker 5: so much with.

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Speaker 1: Fifteen soldier boy would have said though.

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Speaker 5: But it was. He was traveling with fifteen crates of

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Speaker 5: records on the plane all over. We just got tired

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Speaker 5: of paying all that money and you know, wait and

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Speaker 5: all that. So we just said, we buy a tour bus.

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Speaker 5: This way we could travel and everything will be safe.

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Speaker 5: And that's what we did. But we was just going

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Speaker 5: and going, and after the pandemic, when the pandemic came

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Speaker 5: was starting to leave, they started calling me to go

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Speaker 5: back on the road, and you know, I told the manager, like, look,

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Speaker 5: I ain't doing on the dates that we.

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Speaker 3: Would say that again, fifteen crates you hit him. DJ

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Speaker 3: e Crazs rest in peace to my man, DJ Roffians Man,

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Speaker 3: So that's why about how many clubs you did that

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Speaker 3: got shot up and somebody got to get the creeks.

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Speaker 5: Well, none of my clubs, I'm just saying that something happened.

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Speaker 5: None of my never had none of joint.

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Speaker 3: Back in the days, my man Roughians, we're going to

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Speaker 3: hold other joints. You okay, man, we would do the

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Speaker 3: club ship in Queens. Did we get shot up and

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Speaker 3: we got to get the fifteen club?

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Speaker 5: And yeah, Fortunately at none of my parties, I keep

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Speaker 5: people occupied, so none of that ship happens. It when

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Speaker 5: it's when it's when everybody standing around, get a chance

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Speaker 5: to look at each other. Nobody's being busy. When you

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Speaker 5: keep everybody busy, you can step up somebody's foot and

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Speaker 5: ain't no problem. But it's when everybody's in there and

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Speaker 5: they're on their phone and looking at each other and

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Speaker 5: ship pop off. Next thing you know, it goes where

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Speaker 5: it goes. But we don't have that problem. We never

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Speaker 5: had that reputation. Ship happened at my events. You know

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Speaker 5: what I'm saying. My events is my party. We do

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Speaker 5: come to my you don't see people with phones and ship,

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Speaker 5: my ship shaking, and people get lit. The word lit

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Speaker 5: a little confused. They think lit means because it's crowded.

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Speaker 1: Is lit?

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Speaker 5: Now, Yes, it ain't lit. Cloudy, My ship is lit.

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Speaker 5: You come to kicking pre events. Shit's shaky, you know,

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Speaker 5: chick's head falling out, no phones and all that shit.

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Speaker 5: Motherfuckers time, and that's everybody comes from.

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Speaker 3: Classic errors of music, hip hop the culture I mean,

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Speaker 3: you know, to me, the eighties in the nineties was like.

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Speaker 5: But even with the new music, even I could play listen,

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Speaker 5: I could do a whole trap set and that ship

202
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Speaker 5: is shaking, shaking, shaky, doesn't matter.

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Speaker 6: Look talking about that right, kill all the errors that

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Speaker 6: you've been in from this hip hop in.

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Speaker 1: The eighties, nineties, two thousand.

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Speaker 6: What album you feel like you could play with? No

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Speaker 6: Skips like classic album No.

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Speaker 5: Skips being Rock, Campaign, Full Slick Wick, Great Adventures, fifty

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Speaker 5: Get Rich, Die Trying, Uh, low end theory, Trial called Quest,

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Speaker 5: so many of them, you know what I'm saying. The

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Speaker 5: you know, like you go on and on, so you know,

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Speaker 5: but what happens.

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Speaker 3: Whenever you think is the best Between the eighties, nineties

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Speaker 3: and the two thousand.

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Speaker 5: That's the well, the nineties ain't gonna be like the nineties.

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Speaker 5: None's gonna be.

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Speaker 1: Like over the eighties. Rock Kim, Big Daddy can No. No,

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Speaker 1: I'm not talking about.

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Speaker 5: I'm not talking about as far as I'm talking about

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Speaker 5: as far as like the way hip hop went, you know,

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Speaker 5: it became bigger, but as far as like the beginning

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Speaker 5: of it, and none's gonna be that. You're not gonna beat.

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Speaker 5: Matter of fact, even with records that came out, you

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Speaker 5: ain't gonna be beat the beginning. You're not gonna beat

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Speaker 5: the tapes of Cold Crush and Fantastic and Furious five

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Speaker 5: when there was no rap records, when when you went

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Speaker 5: to the parties and there was just rappers playing break

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Speaker 5: beats and the rapper rapping over the break beat the

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Speaker 5: whole party, and it be the baddest chicks in the party,

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Speaker 5: you know what I'm saying. So that's that's the real ship.

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Speaker 5: They didn't get the accolades that we got later on.

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Speaker 5: They didn't make the money that we made. They didn't

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Speaker 5: see the fame that we've seen. But these are the

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Speaker 5: dudes that built it. Without them, wouldn't have jobs right now,

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Speaker 5: you know, what I'm saying. So that's why the older

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Speaker 5: dudes I always respect. I never look at them as

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Speaker 5: as a down thing. I always look at them as

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Speaker 5: my hero.

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Speaker 1: Of course they started the game. Yeah, you know what

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Speaker 1: I'm saying.

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Speaker 5: So you look at dudes like dudes like Melloy mel

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Speaker 5: dudes like you know what I'm saying, it's just great

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Speaker 5: mcs that you know that that really put it down.

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Speaker 5: You know, they deserve to be put on a pedestal.

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Speaker 1: Not the Bronx started the game, but you know, queens

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Speaker 1: ran the game.

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Speaker 5: You know what I'm saying.

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Speaker 1: Get that.

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Speaker 4: I'm on my.

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Speaker 1: Go. Now on another note, right, who's your top five?

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Speaker 5: I don't have no top five?

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Speaker 1: Oh ship? For real?

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Speaker 5: Why you say that? Because what are you talking about?

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Speaker 5: You talking about top five rappers. You're talking about top

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Speaker 5: five fast in the top five records sellers. What are

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Speaker 5: you talking about? Because you're talking about top five rappers.

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Speaker 5: Ain't nobody beating Battle Rappers if you asked me, you

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Speaker 5: know what I'm saying, a lot of the top five rappers,

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Speaker 5: a lot of the rappers that's in the game, get

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Speaker 5: this ship from Battle Rappers. Right, So that's one thing. Secondly,

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Speaker 5: there's people that's in the top five.

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Speaker 1: You say that battle rappers, you have rappers that was

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Speaker 1: doing it.

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Speaker 5: I'm not talking about them. I'm talking about when the

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Speaker 5: day of days right now, a lot of rappers that

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Speaker 5: was rapping a certain way. They listen to battle rappers

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Speaker 5: and now they're rapping that way. And that's the truth,

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Speaker 5: you know what I'm saying. We ain't gonna sugar it

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Speaker 5: for any And he got a lot of a lot

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Speaker 5: of technique from what battle rappers is doing. It's just

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Speaker 5: that battle rappers always had a stigma that they couldn't

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Speaker 5: make good records, you know what I'm saying. So that's

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Speaker 5: why they wasn't really successful in making.

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Speaker 1: Winning the eighty were talking about. We're talking about.

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Speaker 5: Us, right, you know what I'm saying. And and and

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Speaker 5: just to speak to that, I mean, I'm called top

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Speaker 5: tier with all battle rappers. This is when I was

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Speaker 5: trying to help the battle before the battle Rapper thing

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Speaker 5: blew up. I was trying to help them get on

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Speaker 5: this one left. We had shot some things, Me and Lux,

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Speaker 5: load of Lux and a bunch of us, and we

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Speaker 5: did some stuff and then you know it was gonna

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Speaker 5: do this deal with HBO and disibdating. So I made

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Speaker 5: this album called Top Tier that I never put out,

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Speaker 5: but shit is incredible.

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Speaker 1: Never put it out. You know what I'm thinking about?

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Speaker 1: You know what I yeah, I'm gonna get it.

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Speaker 3: We're talking about better rap because you know what I

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Speaker 3: think about battle rap. I think because I'm a fan

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Speaker 3: of Loaded Lux, Murder Move, you know, everybody, DNA. The

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Speaker 3: list goes on and on, even if the female rappers,

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Speaker 3: you know, I love them too. I feel like when

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Speaker 3: you had the battles like Loaded Lux and these guys

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Speaker 3: Murder Move, and these guys were starting to make money,

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Speaker 3: I think, and Smack was making all the money they

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Speaker 3: got kind of you know, they had deals with I

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Speaker 3: think Eminem, right, it was eminem doing the show. So

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Speaker 3: listen when the bag came, they wasn't on YouTube no

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Speaker 3: more so when they was on YouTube, it was like

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Speaker 3: you can catch all the battles.

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Speaker 1: And I think that they.

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Speaker 3: Was making so much money, like to a point where

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Speaker 3: they was making more than rappers saying his ballot because

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Speaker 3: they would say, now for Lord de Luxe, Murder Move, Battle,

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Speaker 3: I need forty thousand, Like now numbers started.

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Speaker 1: Getting like you start doing ridiculous promoters.

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Speaker 3: They're like yo, yeah, battles, and then then you got

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Speaker 3: rappers that you know, like DNA and other rappers, Goods

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Speaker 3: and all these other rappers. They're like, well, fuck it,

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Speaker 3: we won twenty, we went thirty, we won fifteen. No,

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Speaker 3: I'm not saying not. But then it was just less battles.

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Speaker 3: And then you wasn't seeing on YouTube because there was

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Speaker 3: a point where always watching was battle rap cleaning, the ring,

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Speaker 3: the female battle raps. I was watching that. There was

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Speaker 3: a time where that's always watching. But back to kicking free,

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Speaker 3: let's get back.

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Speaker 1: He got into his battle, he got have some battle

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Speaker 1: rappers up here.

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Speaker 5: Couick to go back to your question, asked me who

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Speaker 5: the top five is?

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Speaker 1: All right?

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Speaker 5: So like yeah, like there's there's great mcs, but there's

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Speaker 5: a lot of times out here top five lists and

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Speaker 5: the people that I think that should be in top

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Speaker 5: five isn't. Now I'll tell you, if you're talking about skills,

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Speaker 5: why isn't Twisted in top five? Why isn't eminem and

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Speaker 5: everybody's top five?

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Speaker 1: He is in my top five?

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Speaker 5: Hold on your mind too, but why is it in

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Speaker 5: everybody's top five? But right, so so, so that's what

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Speaker 5: I'm saying it's all.

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Speaker 1: It's all subjected. You may let the brother you made

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Speaker 1: like your he's bugging can't. So you mean to tell

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Speaker 1: me because he's stripping.

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Speaker 4: Him.

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Speaker 1: I'm gonna tell you.

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Speaker 3: Look, I'm gonna tell you what's the real If you

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Speaker 3: tell me in the eighties, who's my top five, we're

339
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Speaker 3: gonna have I'm not and there's no order, we're gonna

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Speaker 3: have Big Daddy came on.

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Speaker 1: That that's in the eight that's ever about? You say

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Speaker 1: top five? Right?

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Speaker 6: You say he's my top five?

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Speaker 1: No, no, we gotta let's put this. Let's put this right.

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Speaker 1: We can rewind it. I don't rewind nothing.

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Speaker 5: If somebody asked me who's my top five and they

347
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Speaker 5: don't say in whatever, they just say who's my top five,

348
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Speaker 5: I'm thinking they saying my top five best sim.

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Speaker 1: Seas of all time.

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Speaker 5: If you say who's the top five of the eighties,

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Speaker 5: I'm gonna tell you exactly who's my top five. If

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Speaker 5: you say who's the top five in the nineties, I'm

353
00:16:15,880 --> 00:16:20,320
Speaker 5: gonna tell you, depending on what you're talking about, record

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Speaker 5: sells or raps, somebod these motherfuckers top five because.

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Speaker 1: Of how they are dressing. They are here modeling. They

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Speaker 1: ain't had to hit.

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Speaker 5: Am I right right, Okay, they getting viraal because I

358
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Speaker 5: don't first of all, let's do this, I don't want

359
00:16:33,480 --> 00:16:35,680
Speaker 5: to deal with. First of all, let's go here. I

360
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Speaker 5: don't want to pay for it. If I'm doing to

361
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Speaker 5: show us something, I won't pay nobody because they fucking

362
00:16:40,640 --> 00:16:42,400
Speaker 5: because they poppular. I won't pay because they get the

363
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Speaker 5: job done. You'll be popular because you tripped over a

364
00:16:44,560 --> 00:16:47,000
Speaker 5: goddamn rock on TikTok and that them all you virrable,

365
00:16:47,320 --> 00:16:48,880
Speaker 5: And now they hire you to come in the club

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Speaker 5: and everybody's in the club watching you stand in the

367
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Speaker 5: ri people like they do with some of the chicks.

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Speaker 1: Right now, I'm paying for somebody who's gonna get the

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Speaker 1: job done.

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Speaker 5: My crowd gonna come the grod, gonna be happy when

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Speaker 5: they pump the They pay their money, and they left

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Speaker 5: with your money.

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Speaker 1: Find the nah. You know different times. Let me.

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Speaker 3: Saying, the mom that got popular on TikTok off that song,

375
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Speaker 3: we at different times. Finder it's a mother, look it up,

376
00:17:18,960 --> 00:17:21,240
Speaker 3: type it up, mother that got popular off TikTok song.

377
00:17:21,640 --> 00:17:23,560
Speaker 3: Everybody knows it. I don't know the song, but we

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Speaker 3: at different times when things are different.

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Speaker 5: I'm not mad at the young Lissten. I'm not mad

380
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Speaker 5: at the young kid that gets popular of for some

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Speaker 5: dumb ship. That's them that listen. I want them to

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Speaker 5: do good. They're gonna make money from it. But I'm

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Speaker 5: talking about as a grown man. I'm not walking around

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Speaker 5: doing dumb ship to get popular. And now, if I'm

385
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Speaker 5: gonna work with somebody or pay somebody to come do something,

386
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Speaker 5: I'm not gonna pay them because they're popular for some

387
00:17:45,320 --> 00:17:47,720
Speaker 5: dumb shit. I'm gonna pay them because they're gonna get

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Speaker 5: the job that I need done done, period, for whatever

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Speaker 5: time it is. And if you don't like that, don't come.

390
00:17:53,720 --> 00:17:55,800
Speaker 5: But I want part. I want people to get their

391
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Speaker 5: money's work when you come. That's why I pay for

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Speaker 5: a DJ to open for a show for me where

393
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Speaker 5: I go.

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Speaker 1: This is money.

395
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Speaker 5: I can keep it in my pocket. I don't have

396
00:18:02,760 --> 00:18:04,440
Speaker 5: to pay for no hotels and planes and all the

397
00:18:04,440 --> 00:18:06,280
Speaker 5: shit for him. But I want people to get the

398
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Speaker 5: best show they can. So I don't want to walk

399
00:18:07,840 --> 00:18:09,960
Speaker 5: in and hear the song three four times. You know

400
00:18:10,000 --> 00:18:11,680
Speaker 5: what I'm saying. Where a lot of DJ's are coming

401
00:18:11,880 --> 00:18:14,000
Speaker 5: play the popping shit at ten o'clock at night when

402
00:18:14,040 --> 00:18:16,919
Speaker 5: nobody's there because he wants to get get it on.

403
00:18:17,080 --> 00:18:17,840
Speaker 1: And I hear that.

404
00:18:18,000 --> 00:18:20,560
Speaker 5: But if you really thinking about the event, you're thinking

405
00:18:20,560 --> 00:18:23,119
Speaker 5: about the people. It's a strategy as a science, a

406
00:18:23,200 --> 00:18:24,600
Speaker 5: science to everything that you do.

407
00:18:24,800 --> 00:18:26,520
Speaker 3: So what you're thinking before you get on the set.

408
00:18:26,520 --> 00:18:28,400
Speaker 3: Because you one of the greatest DJs in the world.

409
00:18:28,880 --> 00:18:30,800
Speaker 1: He's the he's the best. We gotta give it to him,

410
00:18:30,840 --> 00:18:34,640
Speaker 1: his Kick Capri that because I'm gonna get a bunch

411
00:18:34,640 --> 00:18:36,000
Speaker 1: of comments he ain't the best.

412
00:18:36,359 --> 00:18:39,040
Speaker 3: Well, I don't give a fuck about that. I don't

413
00:18:39,080 --> 00:18:42,639
Speaker 3: read comments. Brother, He's the best. You're the fucking best.

414
00:18:43,720 --> 00:18:47,120
Speaker 3: From the Castle to the fever tell I'm just don't

415
00:18:47,160 --> 00:18:49,040
Speaker 3: be modest because you're a cocky motherfucker.

416
00:18:49,240 --> 00:18:49,760
Speaker 4: I told you.

417
00:18:49,760 --> 00:18:51,960
Speaker 1: Listen, listen murder.

418
00:18:51,960 --> 00:18:55,359
Speaker 3: When I first met Kick Capri, my experience was I

419
00:18:55,440 --> 00:18:58,560
Speaker 3: never left the fucking hood. Fifty flew me out to

420
00:18:58,680 --> 00:18:59,200
Speaker 3: kid Kun.

421
00:18:59,520 --> 00:19:03,879
Speaker 1: He was signed on the Colombia toning poking them And

422
00:19:05,040 --> 00:19:06,520
Speaker 1: what was the soundtrack for what's.

423
00:19:06,359 --> 00:19:09,040
Speaker 5: The movie with l L and Into Deep Sound?

424
00:19:09,200 --> 00:19:15,480
Speaker 1: Into Deep soundtrack? Don't say pause? The story behind that? Support? Yeah,

425
00:19:15,480 --> 00:19:20,080
Speaker 1: support in too deep to cool? All right?

426
00:19:20,200 --> 00:19:20,520
Speaker 4: Pause?

427
00:19:21,800 --> 00:19:24,200
Speaker 3: It was a dope movie and I never left the hood.

428
00:19:24,200 --> 00:19:26,600
Speaker 3: I went to King Kun fifty flew me out. I

429
00:19:26,680 --> 00:19:29,080
Speaker 3: was out there, and this is when I knew Kickapri

430
00:19:29,240 --> 00:19:33,879
Speaker 3: is cocky. Your He's just cocky. Mother did the best.

431
00:19:34,000 --> 00:19:36,240
Speaker 3: He's the best, right he knows he's the best. That's

432
00:19:36,240 --> 00:19:40,960
Speaker 3: why I like him, kicking. Prix came through right Shaine swinging.

433
00:19:41,720 --> 00:19:43,520
Speaker 3: He came through the crowd. Now, mind you, this is

434
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Speaker 3: a show like Gloria Velle ass. It was mass ship

435
00:19:46,320 --> 00:19:48,800
Speaker 3: going on. Girls was getting eight out on stage. We

436
00:19:48,840 --> 00:19:50,560
Speaker 3: could we could mute.

437
00:19:50,280 --> 00:19:50,800
Speaker 1: That or whatever.

438
00:19:50,840 --> 00:19:51,120
Speaker 4: You guy.

439
00:19:52,119 --> 00:19:52,479
Speaker 1: Girls.

440
00:19:52,480 --> 00:19:54,480
Speaker 3: This is my first time leaving the hood. Girls getting

441
00:19:54,480 --> 00:19:56,399
Speaker 3: eight out on stage. I think it was Luca, one

442
00:19:56,400 --> 00:19:58,840
Speaker 3: of them niggas up there like Luke. So this is like,

443
00:19:58,880 --> 00:20:01,600
Speaker 3: what was that non seven after Yo Luke? And it

444
00:20:01,680 --> 00:20:03,480
Speaker 3: was like Gloria Villas with their girls was getting it

445
00:20:03,600 --> 00:20:06,040
Speaker 3: on stage. It was crazy, my first time leaving the hood.

446
00:20:06,040 --> 00:20:09,320
Speaker 3: I'm in kid cool Mexico fifty got rowdy, rowdy, rowdy, rowdy,

447
00:20:09,400 --> 00:20:12,240
Speaker 3: looking up y'all produce he produced.

448
00:20:12,400 --> 00:20:15,240
Speaker 5: Okay, we were signing the same label on Columbia. Gotcha

449
00:20:15,440 --> 00:20:16,320
Speaker 5: now the crazy ship.

450
00:20:17,200 --> 00:20:17,560
Speaker 1: I didn't.

451
00:20:17,560 --> 00:20:21,159
Speaker 5: I didn't even realize that until later that movie. The

452
00:20:21,200 --> 00:20:25,240
Speaker 5: first time I ever took an airplane ever was to Boston. Right,

453
00:20:26,080 --> 00:20:28,360
Speaker 5: These drug dealer kids in Boston had me come out

454
00:20:28,400 --> 00:20:30,919
Speaker 5: there and do some shows. Right, first time I've been

455
00:20:30,920 --> 00:20:34,840
Speaker 5: on the plane. Ironically, the drug dealers that brought me

456
00:20:34,880 --> 00:20:36,840
Speaker 5: out there. The movie was about them.

457
00:20:37,880 --> 00:20:43,240
Speaker 1: Oh shit, The leader was ll That was g Oh

458
00:20:43,280 --> 00:20:44,320
Speaker 1: from the Into Deep movie.

459
00:20:44,359 --> 00:20:48,240
Speaker 5: Pause right right, I didn't know that. And and then

460
00:20:48,359 --> 00:20:51,560
Speaker 5: on top of that, I produced the first record record,

461
00:20:51,600 --> 00:20:54,040
Speaker 5: which was Rowdy Rody fifth. I didn't know none of

462
00:20:54,080 --> 00:20:56,000
Speaker 5: this ship until later on I realized who they were

463
00:20:56,000 --> 00:20:57,639
Speaker 5: talking about. But yeah, it was the dudes in Boston.

464
00:20:57,680 --> 00:20:59,160
Speaker 5: That was the first time I ever been on the airplane.

465
00:20:59,200 --> 00:21:00,679
Speaker 5: Look shout to them. After all my guys and.

466
00:21:01,920 --> 00:21:04,960
Speaker 3: Thigs, it's rounded roundy. That's my first start was that

467
00:21:05,040 --> 00:21:07,680
Speaker 3: none seven? Yeah, my first time ever leaving the hood

468
00:21:07,720 --> 00:21:10,639
Speaker 3: drug dealer? What three four got brew a dirty nigga

469
00:21:10,720 --> 00:21:15,320
Speaker 3: leaving yo fifth, Thank you fifty kicking pri Oh yeah,

470
00:21:15,359 --> 00:21:17,160
Speaker 3: back to being cock. He came through with the chain

471
00:21:17,200 --> 00:21:19,960
Speaker 3: on change swinging. He still got the head now, curly

472
00:21:20,000 --> 00:21:20,720
Speaker 3: head ship.

473
00:21:20,640 --> 00:21:24,639
Speaker 1: I still got my head man still what niggas be

474
00:21:24,680 --> 00:21:27,600
Speaker 1: mad a kicking pre talking about it. He came through,

475
00:21:27,960 --> 00:21:29,760
Speaker 1: but he was came through and that and this is

476
00:21:29,840 --> 00:21:31,920
Speaker 1: nine seven and he sucked up. I his headup.

477
00:21:31,920 --> 00:21:34,600
Speaker 3: He didn't think I remember that he had the brownskin

478
00:21:34,720 --> 00:21:37,080
Speaker 3: chick with the super fatty like before the bb out.

479
00:21:40,560 --> 00:21:48,520
Speaker 3: He too cocky, that's man. I'm totally he's a legend,

480
00:21:48,520 --> 00:21:49,879
Speaker 3: but he's a cocky motherfucker.

481
00:21:50,960 --> 00:21:53,359
Speaker 4: Man, how was it?

482
00:21:53,400 --> 00:21:55,240
Speaker 1: You know? Not to now?

483
00:21:55,280 --> 00:21:57,159
Speaker 3: You know I'm always you know we got Brooklyn in

484
00:21:57,200 --> 00:21:59,960
Speaker 3: the house. Brooklyn, So how was it? Because I know

485
00:22:00,119 --> 00:22:01,199
Speaker 3: you did some things with Biggie?

486
00:22:01,200 --> 00:22:01,880
Speaker 1: How was that? Man?

487
00:22:02,880 --> 00:22:03,960
Speaker 5: I just showed with Biggie.

488
00:22:04,520 --> 00:22:05,440
Speaker 1: That's what I want to show.

489
00:22:05,840 --> 00:22:06,680
Speaker 5: I remember one show.

490
00:22:07,119 --> 00:22:09,040
Speaker 1: I just want to hear about backstage with Biggie.

491
00:22:09,280 --> 00:22:11,800
Speaker 5: You know, I remember one time we was backstage. He

492
00:22:11,880 --> 00:22:15,080
Speaker 5: was in the car right. I came up to the car.

493
00:22:15,200 --> 00:22:17,520
Speaker 5: He was sitting there. Biggie was cool. I was sitting there.

494
00:22:17,560 --> 00:22:20,800
Speaker 5: I was like, Yo, I'm proudly are you pulling me?

495
00:22:21,760 --> 00:22:22,399
Speaker 1: Yeah? Probably?

496
00:22:23,040 --> 00:22:25,480
Speaker 5: So about to d ship down kids like I know,

497
00:22:25,840 --> 00:22:28,000
Speaker 5: he had a purple suit on. It was me and

498
00:22:28,119 --> 00:22:31,840
Speaker 5: him and R Kelly, Oh ship and see swallow and

499
00:22:32,400 --> 00:22:37,440
Speaker 5: he got on stage. When he walked on stage, that

500
00:22:37,560 --> 00:22:40,240
Speaker 5: ship just said it was I never heard of war

501
00:22:40,440 --> 00:22:43,359
Speaker 5: like that, Like it was like a real like a

502
00:22:44,680 --> 00:22:47,240
Speaker 5: it was like it was I never heard that ship before.

503
00:22:47,760 --> 00:22:50,840
Speaker 5: But it was so crazy when he got on stage.

504
00:22:50,880 --> 00:22:54,440
Speaker 5: This was in Detroit. When I seen that ship, man,

505
00:22:54,560 --> 00:22:57,480
Speaker 5: it was like, Yo, this is this is massive because

506
00:22:57,480 --> 00:23:00,119
Speaker 5: you just seen the like people just throwing people in it.

507
00:23:00,720 --> 00:23:02,560
Speaker 5: And I had experienced like that in the Garden when

508
00:23:02,560 --> 00:23:06,080
Speaker 5: I did the Garden, you know, shook this ship so crazy?

509
00:23:06,760 --> 00:23:07,080
Speaker 1: Who was that?

510
00:23:07,200 --> 00:23:08,880
Speaker 5: I did the Garden many times, but the one time

511
00:23:08,920 --> 00:23:10,639
Speaker 5: I did it was when the Lea. When I went

512
00:23:10,680 --> 00:23:14,160
Speaker 5: on tour with the Lea I had, we came into

513
00:23:14,160 --> 00:23:17,639
Speaker 5: the Garden and I would come out, well, through the

514
00:23:17,680 --> 00:23:19,479
Speaker 5: whole tour, I would come out she had we had.

515
00:23:19,600 --> 00:23:22,120
Speaker 5: It was five people on the tour. It was Mary J. Blige,

516
00:23:22,600 --> 00:23:27,480
Speaker 5: Bone Thugs in Harmony, Leah Genuine, and Drew Hill. So

517
00:23:27,720 --> 00:23:30,440
Speaker 5: every Leah had a dancing show. So they wanted somebody

518
00:23:30,480 --> 00:23:32,120
Speaker 5: to come with the energy. So that's why they came

519
00:23:32,160 --> 00:23:33,680
Speaker 5: and got me to come in the middle of a show.

520
00:23:33,760 --> 00:23:35,560
Speaker 5: So we would do this the whole tour. When we

521
00:23:35,640 --> 00:23:38,040
Speaker 5: got to the Garden, they over the They oversold the

522
00:23:38,080 --> 00:23:40,400
Speaker 5: Garden like eight thousand seats. The whole bottom. That ship

523
00:23:40,520 --> 00:23:43,040
Speaker 5: was just crazy. So I seen Bust the rhymes in

524
00:23:43,080 --> 00:23:44,919
Speaker 5: the back and this was right when when put your

525
00:23:44,960 --> 00:23:47,720
Speaker 5: hands where I could see just trap. I said, yo,

526
00:23:47,760 --> 00:23:49,480
Speaker 5: I'm bringing on stage and he was like word. I

527
00:23:49,520 --> 00:23:51,359
Speaker 5: was like, yeah, but I ain't got the record. I turned,

528
00:23:51,400 --> 00:23:53,679
Speaker 5: I seen flex. I see flex, I need to put

529
00:23:53,720 --> 00:23:56,439
Speaker 5: you put your hands, I see joint. Gave me the record.

530
00:23:57,000 --> 00:23:58,960
Speaker 5: I go on stage. I do this fifteen minute set,

531
00:23:59,600 --> 00:24:02,800
Speaker 5: shake it and this motherfucker to the man was so crazy.

532
00:24:03,560 --> 00:24:04,240
Speaker 1: Then I stopped.

533
00:24:04,359 --> 00:24:07,480
Speaker 5: I said, yo, I ain't done, and then I dropped

534
00:24:07,520 --> 00:24:09,239
Speaker 5: put your hands while I could see him. Buster come

535
00:24:09,280 --> 00:24:13,200
Speaker 5: wiggling his ass out there. To this day, to this yeah,

536
00:24:13,680 --> 00:24:17,480
Speaker 5: to this day, me and Buster talk about the wind

537
00:24:17,960 --> 00:24:21,720
Speaker 5: that we felt from people screaming at us. It was

538
00:24:22,000 --> 00:24:24,080
Speaker 5: I'm glad he was there to witness that ship, because

539
00:24:24,080 --> 00:24:27,040
Speaker 5: if I was by myself, nobody would believe that shit.

540
00:24:27,680 --> 00:24:29,879
Speaker 5: He brings it up like your kid, Do you remember

541
00:24:29,960 --> 00:24:32,560
Speaker 5: the fucking win from the people screaming at us. It

542
00:24:32,800 --> 00:24:33,879
Speaker 5: was so crazy.

543
00:24:34,040 --> 00:24:34,280
Speaker 1: Murder.

544
00:24:35,160 --> 00:24:38,440
Speaker 5: My daughter's mother, Rena love mother at the time she

545
00:24:39,000 --> 00:24:40,360
Speaker 5: was at the show, used to go all the guard

546
00:24:40,400 --> 00:24:40,720
Speaker 5: and shows.

547
00:24:40,800 --> 00:24:43,120
Speaker 1: She said, kid, I was there. She said, I never

548
00:24:43,240 --> 00:24:45,879
Speaker 1: seen no shit like that. She said, it looked like

549
00:24:47,320 --> 00:24:48,520
Speaker 1: people were throwing people.

550
00:24:48,640 --> 00:24:50,800
Speaker 3: She was like, this ship was just your kid, not

551
00:24:50,880 --> 00:24:52,760
Speaker 3: the fast forward because working with the Lee is crazy.

552
00:24:52,840 --> 00:24:54,160
Speaker 3: But I'm just still visualized.

553
00:24:54,200 --> 00:24:56,480
Speaker 5: But to do that for but the point I was

554
00:24:56,520 --> 00:24:59,560
Speaker 5: about to make, to do that for Leah, that was

555
00:25:00,080 --> 00:25:02,600
Speaker 5: and just see what the outcome for Lee was. That's

556
00:25:02,600 --> 00:25:05,280
Speaker 5: something that's always going to you know what I'm saying

557
00:25:05,400 --> 00:25:07,399
Speaker 5: that that's the bigger that's the part of it. It

558
00:25:07,520 --> 00:25:09,159
Speaker 5: wasn't so much the show was I was able to

559
00:25:09,200 --> 00:25:10,840
Speaker 5: do to you, you know what I'm saying.

560
00:25:11,520 --> 00:25:14,560
Speaker 3: And then, kid, when you say Biggie and R Kelly,

561
00:25:14,640 --> 00:25:17,560
Speaker 3: did they do you must be used to me spend

562
00:25:17,960 --> 00:25:19,920
Speaker 3: Did they come out to that or Biggy did some

563
00:25:20,000 --> 00:25:20,400
Speaker 3: other ship?

564
00:25:21,440 --> 00:25:21,480
Speaker 2: No?

565
00:25:21,760 --> 00:25:24,480
Speaker 1: Well yeah, no, no, No, I had left by that.

566
00:25:24,600 --> 00:25:27,040
Speaker 5: I had by left by the time R Kelly came out.

567
00:25:27,760 --> 00:25:28,600
Speaker 5: R Kelly was last.

568
00:25:28,640 --> 00:25:29,520
Speaker 1: I already had left.

569
00:25:29,680 --> 00:25:31,800
Speaker 5: I left in the middle of bigg didn't BIGGI didn't

570
00:25:31,800 --> 00:25:33,800
Speaker 5: bring all Kelly out, No, it was it was the

571
00:25:33,880 --> 00:25:36,520
Speaker 5: show was me, Biggie and R Kelly. So R Kelly

572
00:25:36,640 --> 00:25:38,000
Speaker 5: was coming out last. But I don't know if R

573
00:25:38,080 --> 00:25:40,600
Speaker 5: Kelly came out with Biggie or if Biggie came back

574
00:25:40,640 --> 00:25:40,919
Speaker 5: out with.

575
00:25:41,119 --> 00:25:44,439
Speaker 1: R Kelly left got you? It was crazy, That's why.

576
00:25:45,000 --> 00:25:46,639
Speaker 5: But I was also I was also on tour with R.

577
00:25:46,760 --> 00:25:49,960
Speaker 5: Kelly and Salt and Pepper. That tour was ridiculous. That

578
00:25:50,119 --> 00:25:52,640
Speaker 5: was who who said Salt and Pepper and R Kelly

579
00:25:52,760 --> 00:25:53,439
Speaker 5: was Sultan Peppers?

580
00:25:53,720 --> 00:25:57,560
Speaker 1: What year was that? That was like see we bring

581
00:25:57,640 --> 00:25:58,760
Speaker 1: the legends on the show.

582
00:25:59,119 --> 00:26:01,119
Speaker 4: That was see your light Man year.

583
00:26:01,280 --> 00:26:03,800
Speaker 1: We did that now classic four.

584
00:26:04,320 --> 00:26:07,520
Speaker 5: Then we did the Buve Wise and Superfest tour, all

585
00:26:07,560 --> 00:26:09,400
Speaker 5: the Deaf Comedy Jam tours we did.

586
00:26:10,440 --> 00:26:11,840
Speaker 1: How was it with Sow and Pepper because you know

587
00:26:11,920 --> 00:26:14,520
Speaker 1: they was like the first sex back in the days.

588
00:26:14,600 --> 00:26:15,200
Speaker 5: It was crazy.

589
00:26:15,240 --> 00:26:18,840
Speaker 3: Remember one push it came out. You know they was

590
00:26:18,920 --> 00:26:23,359
Speaker 3: like they had the tight level Shout the Peer, Spinderella

591
00:26:23,920 --> 00:26:26,399
Speaker 3: always the date over which DJ is witch Because I.

592
00:26:26,640 --> 00:26:28,560
Speaker 1: Wasn't with Deaf Comedy Jam man, take us back to

593
00:26:28,640 --> 00:26:29,600
Speaker 1: those days, Kud.

594
00:26:29,680 --> 00:26:30,560
Speaker 5: That sh it was crazy.

595
00:26:31,359 --> 00:26:34,160
Speaker 3: I was classic good We see a Light of Murder.

596
00:26:34,440 --> 00:26:38,359
Speaker 3: That's a good one because I forgot about to be there.

597
00:26:38,280 --> 00:26:42,720
Speaker 5: With all them dudes. Man, Like you gotta keep in mind,

598
00:26:42,800 --> 00:26:45,720
Speaker 5: like Deaf Comedy Jam before Death Comedy Jam it was

599
00:26:45,880 --> 00:26:49,200
Speaker 5: Eddie Murphy, was Richard Prye, was Red Fox. It was

600
00:26:49,240 --> 00:26:52,000
Speaker 5: the standards. It wasn't the whole big lane for comedians.

601
00:26:52,040 --> 00:26:54,480
Speaker 5: So Death Comedy Jam gave a stage every comedy that

602
00:26:54,640 --> 00:26:57,000
Speaker 5: was real funny and real dope. In their own city.

603
00:26:57,280 --> 00:26:59,360
Speaker 5: They never had no outlet, you know what I'm saying.

604
00:26:59,400 --> 00:27:01,840
Speaker 5: So when they got there, it gave up being out

605
00:27:01,880 --> 00:27:04,080
Speaker 5: there on a big stage. And then you got me

606
00:27:04,880 --> 00:27:07,400
Speaker 5: this DJ on the show that you know what I'm saying.

607
00:27:07,880 --> 00:27:09,720
Speaker 5: It just gave it a different kind of feel of

608
00:27:09,800 --> 00:27:12,000
Speaker 5: the ship. And the real party was before the cameras

609
00:27:12,040 --> 00:27:14,520
Speaker 5: went on. That was when the real ship was popping.

610
00:27:14,560 --> 00:27:16,359
Speaker 5: That was when the party was shaking in there. And

611
00:27:16,440 --> 00:27:18,200
Speaker 5: then when the cameras went on and became fun the

612
00:27:18,240 --> 00:27:20,800
Speaker 5: funny time, but the whole ship was dope. And we

613
00:27:20,880 --> 00:27:23,800
Speaker 5: went on tour and went on Deaf Comedy Jam tour.

614
00:27:23,840 --> 00:27:25,560
Speaker 5: That's when they really got a chance to really see you.

615
00:27:25,600 --> 00:27:28,720
Speaker 1: So how was it being around?

616
00:27:30,240 --> 00:27:33,080
Speaker 3: We got to backstage because Mark being backstage with Bernie,

617
00:27:35,800 --> 00:27:38,960
Speaker 3: we want to hear them stories. I wasn't around Bernie Mack,

618
00:27:39,320 --> 00:27:42,360
Speaker 3: I wasn't around Martin. Who else was on there? It's

619
00:27:42,400 --> 00:27:45,040
Speaker 3: a list, look him up and then you the moderator.

620
00:27:44,640 --> 00:27:46,679
Speaker 1: Rather let my man kick you pre talk, right, I'm

621
00:27:46,720 --> 00:27:47,240
Speaker 1: letting him.

622
00:27:47,160 --> 00:27:49,880
Speaker 3: Talk, but I'm letting him moderate to find out all

623
00:27:49,920 --> 00:27:51,320
Speaker 3: the people that was in that comedy.

624
00:27:52,359 --> 00:27:56,440
Speaker 1: Find out all the people. Yeah about Bernie with Bernie.

625
00:27:56,160 --> 00:28:01,200
Speaker 5: Max Bernie right a fuck. It was funny all day.

626
00:28:02,040 --> 00:28:05,000
Speaker 5: Like You'll be on the tour bus with Bernie and

627
00:28:05,080 --> 00:28:08,760
Speaker 5: this He'll have you laughing the whole trip. You know.

628
00:28:08,880 --> 00:28:12,000
Speaker 5: He put his little stocking cap on and he had

629
00:28:12,080 --> 00:28:14,920
Speaker 5: his heinde get in his hand and shit, and motherfucker

630
00:28:14,920 --> 00:28:18,520
Speaker 5: would tell jokes the whole trip, like through cities and shit,

631
00:28:19,080 --> 00:28:21,199
Speaker 5: and you go to sleep in your buck and now

632
00:28:21,280 --> 00:28:23,280
Speaker 5: he go fuck with the bus driver and make him

633
00:28:23,359 --> 00:28:25,000
Speaker 5: laugh to where he got to pull over and shit

634
00:28:25,000 --> 00:28:27,760
Speaker 5: because he laughing like he was naturally like that.

635
00:28:27,840 --> 00:28:28,680
Speaker 1: And he'll do that.

636
00:28:29,160 --> 00:28:32,920
Speaker 5: Get to the city, get on stage, shut that ship down,

637
00:28:33,000 --> 00:28:35,800
Speaker 5: host the whole show, shut that ship down, get back

638
00:28:35,840 --> 00:28:37,560
Speaker 5: on the bus, and do the shit all over again.

639
00:28:37,640 --> 00:28:39,480
Speaker 5: This was him every day. You know what I'm saying.

640
00:28:39,520 --> 00:28:41,440
Speaker 5: I have videos and all kind of shit from us

641
00:28:41,520 --> 00:28:44,680
Speaker 5: backstage and all kind of shit, so you know, to

642
00:28:44,760 --> 00:28:47,120
Speaker 5: see them. I remember one time when Chris Tucker, he

643
00:28:47,160 --> 00:28:48,880
Speaker 5: got on my tour bus. We took my tour bus

644
00:28:48,960 --> 00:28:51,640
Speaker 5: out and Chris Tucker got on the bus. Chris Tucker

645
00:28:51,720 --> 00:28:54,040
Speaker 5: was hot on Deaf Comedy Jam. He sat on my bus.

646
00:28:54,160 --> 00:28:56,200
Speaker 5: He said, Yo, I ain't never been on the tour

647
00:28:56,280 --> 00:28:56,840
Speaker 5: bus before.

648
00:28:57,080 --> 00:28:59,400
Speaker 1: This is crazy. I never seen no shit like this.

649
00:29:00,680 --> 00:29:03,720
Speaker 5: Two years later, he was making twenty million dollars making moves.

650
00:29:04,200 --> 00:29:06,080
Speaker 5: Two years later, at the time, I was getting paid

651
00:29:06,080 --> 00:29:07,600
Speaker 5: more than he was. Look at that, you know what

652
00:29:07,600 --> 00:29:10,400
Speaker 5: I'm saying. So shit could happen in an instant, you know,

653
00:29:10,520 --> 00:29:12,400
Speaker 5: depending on how much ground you put it to it.

654
00:29:12,560 --> 00:29:15,520
Speaker 5: Defin comedy Jam putting those dudes out, because today you

655
00:29:15,640 --> 00:29:20,560
Speaker 5: see everybody cap all these doing everybody that came up

656
00:29:20,800 --> 00:29:22,320
Speaker 5: that came from that ship, you know what I'm saying.

657
00:29:22,400 --> 00:29:24,520
Speaker 5: So it was a big platform from all of us.

658
00:29:24,640 --> 00:29:26,880
Speaker 1: Know what's the list, what's the list? Everybody who's jump?

659
00:29:30,960 --> 00:29:38,480
Speaker 1: Oh yeah, well that's crazy.

660
00:29:38,520 --> 00:29:42,520
Speaker 5: Remember Kevin Hall from comedy Javi just the tip of

661
00:29:42,560 --> 00:29:43,120
Speaker 5: the iceberg.

662
00:29:43,560 --> 00:29:44,560
Speaker 1: Yeah, because there was so many.

663
00:29:45,640 --> 00:29:47,920
Speaker 5: Here's the ones that didn't make it big, you know

664
00:29:47,960 --> 00:29:51,800
Speaker 5: what I'm saying. You know, the Charles, Charlie Burnett and

665
00:29:52,240 --> 00:29:54,160
Speaker 5: like people like that that didn't make it with the

666
00:29:54,200 --> 00:29:58,160
Speaker 5: big name and them motherfuckers was incredibly funny as ship,

667
00:29:58,520 --> 00:29:59,960
Speaker 5: you know what I'm saying, and they tore the sh

668
00:30:00,000 --> 00:30:03,440
Speaker 5: sit down, you know, but everybody couldn't know. It was

669
00:30:03,520 --> 00:30:05,920
Speaker 5: so many. We gave so many APPLIEDFI.

670
00:30:05,760 --> 00:30:06,600
Speaker 1: The most on stage.

671
00:30:09,360 --> 00:30:11,680
Speaker 5: I'll tell you what was who surprised me as a

672
00:30:11,760 --> 00:30:14,400
Speaker 5: guest the most, and that was Dolomite. When Dolomite popped

673
00:30:14,440 --> 00:30:15,840
Speaker 5: his ass out there, that ship was like.

674
00:30:17,520 --> 00:30:20,560
Speaker 1: Dolomite was on Death Comedy crazy.

675
00:30:20,680 --> 00:30:23,080
Speaker 5: I was like, oh ship more he was on there.

676
00:30:23,080 --> 00:30:25,080
Speaker 5: I was like wow. So yeah, we brought a lot

677
00:30:25,120 --> 00:30:27,760
Speaker 5: of people out and everything like and the great thing

678
00:30:27,800 --> 00:30:29,480
Speaker 5: is when you seen the guests, all the guests that

679
00:30:29,680 --> 00:30:32,120
Speaker 5: was there. But you know, the crazy thing is a

680
00:30:32,200 --> 00:30:35,040
Speaker 5: lot of shows I've done. You know, I've had Michael

681
00:30:35,440 --> 00:30:38,000
Speaker 5: Michael Jordan's sitting right next to me while I'm tearing down,

682
00:30:38,760 --> 00:30:41,760
Speaker 5: you know what I'm saying, Like place. You know, people

683
00:30:41,800 --> 00:30:44,760
Speaker 5: don't like Donald Trump. I'm not a Donald Trump supporter,

684
00:30:45,120 --> 00:30:46,800
Speaker 5: none of that ship or what he does, and nothing

685
00:30:46,840 --> 00:30:48,480
Speaker 5: against I'm not in political or nothing. But I did

686
00:30:48,520 --> 00:30:49,800
Speaker 5: a party in Donald Trump's house.

687
00:30:49,960 --> 00:30:50,640
Speaker 1: It's crazy.

688
00:30:50,760 --> 00:30:53,000
Speaker 5: I did Martha Stewart's first hip hop party.

689
00:30:53,440 --> 00:30:54,520
Speaker 1: Like you know what I'm saying, Like I did a

690
00:30:54,560 --> 00:30:55,920
Speaker 1: lot of ship that people don't really know.

691
00:30:57,720 --> 00:30:59,440
Speaker 5: Crazy, you know, and at the end of the day,

692
00:30:59,800 --> 00:31:02,920
Speaker 5: you know, God put you in the position, so you

693
00:31:03,040 --> 00:31:05,040
Speaker 5: just do what you do sometimes, you know, we have

694
00:31:05,080 --> 00:31:05,640
Speaker 5: to talk about it.

695
00:31:05,800 --> 00:31:08,320
Speaker 1: Just keep going. That's crazy.

696
00:31:08,440 --> 00:31:08,520
Speaker 4: Bro.

697
00:31:08,840 --> 00:31:11,960
Speaker 1: You ever worked with Michael Jackson. Nah?

698
00:31:12,080 --> 00:31:14,320
Speaker 5: But I was on the show when we did the

699
00:31:14,480 --> 00:31:16,920
Speaker 5: when we did the BT Awards, when we did the

700
00:31:17,000 --> 00:31:22,480
Speaker 5: tribute to jam Master j James Brown and Michael Jackson

701
00:31:22,600 --> 00:31:24,520
Speaker 5: was on that show. I met James. Me and James

702
00:31:24,600 --> 00:31:26,960
Speaker 5: talked for a while. I didn't get a chance. But

703
00:31:27,600 --> 00:31:31,080
Speaker 5: Janet Jackson, Tito Jackson, Jermaine Jackson, I know all of them.

704
00:31:31,440 --> 00:31:32,920
Speaker 5: I know Jackie, I know Marlon.

705
00:31:32,960 --> 00:31:34,800
Speaker 1: I just did it. I just did it.

706
00:31:34,920 --> 00:31:37,240
Speaker 5: Just had me come to do the house, their house

707
00:31:37,320 --> 00:31:40,160
Speaker 5: in Indiana and Gaby, Indiana. I just came and did

708
00:31:40,200 --> 00:31:43,680
Speaker 5: an event there for them. I met, uh, Marlon and

709
00:31:43,760 --> 00:31:47,440
Speaker 5: Jackie there. So Janet, Janet. How I met Janet. We

710
00:31:47,560 --> 00:31:49,600
Speaker 5: were going me and Jim. We was at the airport.

711
00:31:49,640 --> 00:31:51,160
Speaker 5: We was on our way going to North Carolina. Go

712
00:31:51,240 --> 00:31:56,080
Speaker 5: too right, But what's how it went down. We're walking

713
00:31:56,160 --> 00:31:59,080
Speaker 5: into the airport and her husband. At the time, I

714
00:31:59,160 --> 00:32:02,520
Speaker 5: forgot his name light skin dude. He walks up to me.

715
00:32:02,560 --> 00:32:03,600
Speaker 5: I didn't even know who he was.

716
00:32:04,000 --> 00:32:06,520
Speaker 1: He says, Yo, my wife is a big fan of yours.

717
00:32:06,560 --> 00:32:08,600
Speaker 5: She wants to meet you. I was like, who's your wife.

718
00:32:08,640 --> 00:32:10,120
Speaker 5: He was like, she's in the van. Come to the man.

719
00:32:10,160 --> 00:32:12,200
Speaker 5: I come to the van. She opens the door, she says, Yo,

720
00:32:13,280 --> 00:32:15,240
Speaker 5: I seen Jen. I was like, oh, she said, I'm

721
00:32:15,280 --> 00:32:16,040
Speaker 5: your biggest fan.

722
00:32:16,480 --> 00:32:20,360
Speaker 1: Biggest fan. I felt him up. I bet she invited

723
00:32:20,400 --> 00:32:21,040
Speaker 1: me to the show.

724
00:32:21,280 --> 00:32:22,720
Speaker 5: We went to the show because I had a showing

725
00:32:22,760 --> 00:32:24,520
Speaker 5: off can She had a show in the same city

726
00:32:24,560 --> 00:32:26,200
Speaker 5: we was at for husbands in the day time, so

727
00:32:26,320 --> 00:32:28,760
Speaker 5: we went there. Me and mc light got on stage

728
00:32:28,880 --> 00:32:30,920
Speaker 5: at her show, and then I did my show that night,

729
00:32:30,920 --> 00:32:33,440
Speaker 5: and then I came into the birthday party. So they

730
00:32:33,760 --> 00:32:36,040
Speaker 5: cool family man, thanksful family man.

731
00:32:36,160 --> 00:32:38,480
Speaker 1: You know, be in rooms you never thought you'd being man.

732
00:32:38,680 --> 00:32:38,840
Speaker 5: Yeah.

733
00:32:38,960 --> 00:32:41,480
Speaker 1: Being one of the best DJs in the world and

734
00:32:41,640 --> 00:32:43,600
Speaker 1: not only a DJ, you know.

735
00:32:43,840 --> 00:32:47,480
Speaker 3: I said, Grammy nominated backstage, and Jim and him corrected me.

736
00:32:47,560 --> 00:32:49,360
Speaker 3: He wanted to Grammy so make some noise.

737
00:32:49,520 --> 00:32:53,240
Speaker 1: Oh okay, I'm right, okay, should I'm talking about that

738
00:32:54,440 --> 00:32:54,760
Speaker 1: about that.

739
00:32:55,560 --> 00:32:59,600
Speaker 5: Yeah, well how that happened? That was kind of about default, right.

740
00:33:00,200 --> 00:33:01,560
Speaker 5: I was doing the album i' gonna tell you. I'm

741
00:33:01,560 --> 00:33:03,360
Speaker 5: gonna tell you what I mean by that. What I

742
00:33:03,440 --> 00:33:05,920
Speaker 5: mean by I was doing I was doing an album

743
00:33:06,000 --> 00:33:07,360
Speaker 5: called Soundtrack to the Streets.

744
00:33:07,480 --> 00:33:07,600
Speaker 1: Right.

745
00:33:07,880 --> 00:33:10,000
Speaker 5: My first album was Kicking Pretty Tape where rhyme on

746
00:33:10,040 --> 00:33:13,080
Speaker 5: the whole album. I wasn't really into making an album

747
00:33:13,120 --> 00:33:15,880
Speaker 5: when I got that album. Bizmarck Bismark got me that

748
00:33:15,960 --> 00:33:18,360
Speaker 5: first album deal on one of the brothers, right, but

749
00:33:18,480 --> 00:33:20,520
Speaker 5: he got me down deal based on I was hot

750
00:33:20,560 --> 00:33:22,480
Speaker 5: in the street from my mixtapes. I wasn't looking for

751
00:33:22,520 --> 00:33:24,760
Speaker 5: no album deal, right, so he got me dow I'm deal.

752
00:33:25,080 --> 00:33:27,480
Speaker 5: A few six years later, I decided to do another

753
00:33:27,520 --> 00:33:29,240
Speaker 5: album where I wanted to be a producer. I wanted

754
00:33:29,240 --> 00:33:31,320
Speaker 5: to be like the Quincy Jones of hip hop. So

755
00:33:31,400 --> 00:33:33,560
Speaker 5: I got to deal with Columbia to do this album

756
00:33:33,600 --> 00:33:36,080
Speaker 5: called Soundtrack to the Streets. Jay Z was on the

757
00:33:36,160 --> 00:33:38,880
Speaker 5: album on the first record is like That. At the

758
00:33:38,960 --> 00:33:41,600
Speaker 5: same time, we was on the Puff tour and I

759
00:33:41,720 --> 00:33:45,480
Speaker 5: was playing this track on the plate that forty five

760
00:33:45,640 --> 00:33:48,240
Speaker 5: King did the beat too, which was hard knocked Life.

761
00:33:49,040 --> 00:33:51,000
Speaker 5: That record hard Knock Lived. I was gonna put on

762
00:33:51,080 --> 00:33:53,680
Speaker 5: the soundtrack to the Streets album. While I was cleaning

763
00:33:53,720 --> 00:33:56,960
Speaker 5: in the arena. Jay heard it. Your kid was that

764
00:33:58,120 --> 00:33:59,680
Speaker 5: it's hard knocked, like shit crazy.

765
00:33:59,680 --> 00:34:00,200
Speaker 1: He's like yo.

766
00:34:00,520 --> 00:34:01,600
Speaker 5: I was like, all right. I put him on the

767
00:34:01,640 --> 00:34:04,120
Speaker 5: phone with forty five king too much. Two weeks later

768
00:34:04,280 --> 00:34:06,800
Speaker 5: he had the record. So I gave it no big deal,

769
00:34:07,040 --> 00:34:08,480
Speaker 5: not saying anything, but it was going to go on

770
00:34:08,560 --> 00:34:08,920
Speaker 5: my album.

771
00:34:09,320 --> 00:34:09,839
Speaker 1: Gave it to Jay.

772
00:34:09,880 --> 00:34:11,680
Speaker 5: It probably worked out better than I gave it him,

773
00:34:11,920 --> 00:34:13,239
Speaker 5: more than it was for me. You know what I'm saying.

774
00:34:13,280 --> 00:34:15,279
Speaker 5: But that's the way you know it went. And then

775
00:34:15,360 --> 00:34:19,000
Speaker 5: it blew up. Man. So because it's like that record,

776
00:34:19,120 --> 00:34:21,560
Speaker 5: my record that was on my album with Jay, he

777
00:34:21,760 --> 00:34:24,239
Speaker 5: licensed it on that same album. So that's how I

778
00:34:24,320 --> 00:34:26,279
Speaker 5: won the Grammar. That's what I mean by the fault.

779
00:34:26,280 --> 00:34:28,040
Speaker 1: All right, God, you know what I'm saying. But that's

780
00:34:28,040 --> 00:34:33,520
Speaker 1: still dopeh Hey, I'm grateful shout to day. That's crazy.

781
00:34:33,719 --> 00:34:35,920
Speaker 3: So we take it to you know, to the you know,

782
00:34:36,000 --> 00:34:39,080
Speaker 3: he's been around all these people, you know, James Brown.

783
00:34:40,080 --> 00:34:44,040
Speaker 3: But I did my homework on you back in the days.

784
00:34:44,080 --> 00:34:46,239
Speaker 3: I heard you used to go to Harlem. You know

785
00:34:46,239 --> 00:34:47,839
Speaker 3: what I mean and the Benzes. I don't know if

786
00:34:47,840 --> 00:34:50,200
Speaker 3: you had the benz to be in, but they said

787
00:34:50,239 --> 00:34:53,400
Speaker 3: you had some ship. This is the word on the streets.

788
00:34:53,880 --> 00:34:56,000
Speaker 3: Used to go to Harlem because we're gonna go to

789
00:34:56,080 --> 00:34:59,000
Speaker 3: the mixtape eraror because the mixtape error is as important

790
00:34:59,440 --> 00:35:01,279
Speaker 3: as you. He was talking about battle rap. I love

791
00:35:01,360 --> 00:35:04,880
Speaker 3: battle rap, but the mixtape eerror is important. You know,

792
00:35:05,040 --> 00:35:09,080
Speaker 3: Kick Capri, ron G shout the kick hold on, Kick Apri,

793
00:35:10,280 --> 00:35:16,680
Speaker 3: ron G, Grand Master, Vic dog Time, my man, DJ Roughheads,

794
00:35:17,600 --> 00:35:22,440
Speaker 3: the Rockaway Twins, you know, I mean DJ gold Figgas,

795
00:35:22,920 --> 00:35:27,839
Speaker 3: tape Master, when Niggas was going to the club, J Delarello,

796
00:35:28,200 --> 00:35:31,760
Speaker 3: when Niggas was going to the club bringing motherfucking fifteen

797
00:35:31,920 --> 00:35:32,800
Speaker 3: or twenty creats.

798
00:35:33,200 --> 00:35:35,799
Speaker 1: Kick Capri is in that rate, all of them.

799
00:35:36,040 --> 00:35:38,920
Speaker 3: And I heard because ron G number ten, You and

800
00:35:39,040 --> 00:35:41,360
Speaker 3: ron G, it's like two of my favorite shout to

801
00:35:41,440 --> 00:35:41,680
Speaker 3: ron G.

802
00:35:42,480 --> 00:35:44,000
Speaker 1: Ron G number ten was a classic.

803
00:35:44,120 --> 00:35:44,800
Speaker 5: You know what I'm saying.

804
00:35:45,200 --> 00:35:47,279
Speaker 3: That's when Tim Dogg went against the West Coast. He

805
00:35:47,320 --> 00:35:50,200
Speaker 3: had Fuck Compton versus Bronx Nigga. You know, Bronx Niggas

806
00:35:50,200 --> 00:35:53,840
Speaker 3: was always crazy Shelter BX. I love Compton. I'm not

807
00:35:53,960 --> 00:35:56,200
Speaker 3: this in Compton. But he was the first nigga to

808
00:35:56,520 --> 00:35:58,320
Speaker 3: like go at Compton in the eighties. I don't remember

809
00:35:58,320 --> 00:36:01,040
Speaker 3: you remember that record, but I heard you used to

810
00:36:01,120 --> 00:36:04,080
Speaker 3: sell tapes to like all the biggest drug dealers, rich

811
00:36:04,520 --> 00:36:08,200
Speaker 3: Al Pole, Fritz god Fisher. Is this true, like out

812
00:36:08,280 --> 00:36:11,360
Speaker 3: the Trunk oft the Benz or the Being Wagon or

813
00:36:11,680 --> 00:36:13,960
Speaker 3: just explain that, because I said what.

814
00:36:14,080 --> 00:36:17,160
Speaker 1: Happened was start.

815
00:36:17,680 --> 00:36:23,759
Speaker 5: Let's start here, Hollywood Lovebuck, Starsky Chief Rocking, star Child

816
00:36:23,880 --> 00:36:28,040
Speaker 5: and Blucy b Legend. They were to mixtape gods in

817
00:36:28,120 --> 00:36:28,520
Speaker 5: New York.

818
00:36:28,640 --> 00:36:29,440
Speaker 1: Legends legends.

819
00:36:29,640 --> 00:36:33,200
Speaker 5: Right. So star Child was playing in the s S Club.

820
00:36:33,400 --> 00:36:35,759
Speaker 5: Sn S Club was a club that not anybody was

821
00:36:35,840 --> 00:36:37,520
Speaker 5: just allowed to be in because of the people that

822
00:36:37,680 --> 00:36:40,000
Speaker 5: was in there. Right, So when I got in there,

823
00:36:40,040 --> 00:36:42,680
Speaker 5: I'm like, oh shit, I'm looking at I'm seeing who's

824
00:36:42,719 --> 00:36:45,000
Speaker 5: who I know, Who's who? I know? What's what? You

825
00:36:45,040 --> 00:36:47,520
Speaker 5: know what I'm saying. And me and Start started playing

826
00:36:47,560 --> 00:36:50,080
Speaker 5: star Wars, making the mixtapes and them, me and him

827
00:36:50,080 --> 00:36:53,160
Speaker 5: started making the mixtape together. When I stopped playing with

828
00:36:53,239 --> 00:36:57,160
Speaker 5: Star I kept making the mixtapes. But I've seen something

829
00:36:57,200 --> 00:36:59,800
Speaker 5: bigger than New York. You know what I'm saying. I

830
00:37:00,000 --> 00:37:04,600
Speaker 5: seen it bigger. I've seen it going out, and I decided,

831
00:37:04,600 --> 00:37:06,200
Speaker 5: I'm gonna sit on the street corner in front of

832
00:37:06,280 --> 00:37:09,120
Speaker 5: Rucker or the street corner one hundred and forty fifth

833
00:37:09,120 --> 00:37:11,520
Speaker 5: Street next to Willie Berger's and sell the mixtapes for

834
00:37:11,600 --> 00:37:14,080
Speaker 5: twenty dollars. So I would go to Trader Home, buy

835
00:37:14,480 --> 00:37:16,960
Speaker 5: a case of tapes, a dollar a tape, and come

836
00:37:17,000 --> 00:37:19,400
Speaker 5: out selling them twenty hours a tape, make two thousand

837
00:37:19,440 --> 00:37:21,719
Speaker 5: dollars in an hour. I was doing this shit every day.

838
00:37:22,200 --> 00:37:23,759
Speaker 5: You know what I'm saying. These niggas were selling twenty

839
00:37:23,800 --> 00:37:27,160
Speaker 5: dollars cracks. I'm selling twenty doll of mixtapes, right, So

840
00:37:28,080 --> 00:37:31,480
Speaker 5: what got me? And said? It gave men awareness?

841
00:37:31,880 --> 00:37:34,520
Speaker 1: Right for our pole Richard, them niggas buy your tape.

842
00:37:34,600 --> 00:37:36,440
Speaker 5: Our Phoe would come to my joint and buy the

843
00:37:36,520 --> 00:37:40,520
Speaker 5: tape for me for five hundred seem because he wanted

844
00:37:40,560 --> 00:37:43,480
Speaker 5: to own. He wanted the tape that nobody had while

845
00:37:43,520 --> 00:37:46,080
Speaker 5: I was recorded. So he'll say, he'll your kid, I'll

846
00:37:46,120 --> 00:37:48,319
Speaker 5: get you a hundred. Now two hundred, kid, your three

847
00:37:49,160 --> 00:37:51,600
Speaker 5: finday they'd take the tape out, so.

848
00:37:51,640 --> 00:37:53,400
Speaker 1: I'll give you tape. You know what I'm saying. But

849
00:37:53,560 --> 00:37:54,160
Speaker 1: That's how it went.

850
00:37:54,239 --> 00:37:56,440
Speaker 5: It was them things was it was like the soundtrack

851
00:37:57,640 --> 00:37:59,919
Speaker 5: to the drug dealers because when they heard their shot

852
00:38:00,080 --> 00:38:01,719
Speaker 5: out on their name, on the shot on the mix

853
00:38:01,760 --> 00:38:03,320
Speaker 5: tape and they going down the street playing on that

854
00:38:03,400 --> 00:38:05,960
Speaker 5: crazy system, they made them feel like a star. You

855
00:38:06,040 --> 00:38:08,440
Speaker 5: know what I'm saying. So I ain't one dude telling

856
00:38:08,440 --> 00:38:10,040
Speaker 5: me he was like yo, when I when I dressed.

857
00:38:10,320 --> 00:38:12,640
Speaker 5: If I ain't have a mixtape, a kicking pre mixtape

858
00:38:12,680 --> 00:38:14,439
Speaker 5: on me, I ain't feel fly like it was part

859
00:38:14,480 --> 00:38:16,919
Speaker 5: of the addressing. You know what I'm saying, that your chain.

860
00:38:17,560 --> 00:38:19,400
Speaker 1: So it wasn't like niggas paid you for the shoutout.

861
00:38:19,440 --> 00:38:23,160
Speaker 1: They were just paying extra. No, but yeah, right exactly,

862
00:38:23,400 --> 00:38:26,319
Speaker 1: my tape extra. But that paying extra was like paying

863
00:38:26,400 --> 00:38:29,720
Speaker 1: for the shoutow. No, No, my tape was twenty dollars.

864
00:38:29,920 --> 00:38:31,520
Speaker 5: But there was people that would come and just give

865
00:38:31,560 --> 00:38:34,520
Speaker 5: me a thousand dollars, give me five hundred just because

866
00:38:34,560 --> 00:38:36,600
Speaker 5: of what I was doing. There would be dudes that

867
00:38:37,080 --> 00:38:39,319
Speaker 5: want this tape. There was only one left he want.

868
00:38:39,520 --> 00:38:41,600
Speaker 5: He wanted to give me three hundred. This dude won't

869
00:38:41,640 --> 00:38:43,160
Speaker 5: give me six hundred for it because he don't want

870
00:38:43,200 --> 00:38:43,560
Speaker 5: him to have it.

871
00:38:44,160 --> 00:38:45,400
Speaker 1: Was coming through to it was crazy.

872
00:38:47,760 --> 00:38:51,120
Speaker 5: Well rich would come through. Every now and then a

873
00:38:51,280 --> 00:38:51,960
Speaker 5: Z would come through.

874
00:38:52,280 --> 00:38:54,399
Speaker 1: A would come through, because you know, that was classic times.

875
00:38:54,800 --> 00:38:57,759
Speaker 5: I see a after all that shit, all those years after,

876
00:38:57,800 --> 00:38:59,000
Speaker 5: I see a still.

877
00:38:59,160 --> 00:39:02,440
Speaker 1: She was driving to be in. He was looking like

878
00:39:02,480 --> 00:39:03,320
Speaker 1: a drug dealer.

879
00:39:03,160 --> 00:39:05,040
Speaker 5: You know I was doing. I'm gonna tell what I did.

880
00:39:05,840 --> 00:39:08,280
Speaker 5: I pulled up right one hundred and forty fifth Street.

881
00:39:08,840 --> 00:39:10,440
Speaker 5: Everybody out here with all their cars.

882
00:39:11,239 --> 00:39:11,840
Speaker 1: I bought my.

883
00:39:11,920 --> 00:39:19,080
Speaker 5: Man's arrange camera or was that shit Camaro? I bought

884
00:39:19,120 --> 00:39:21,240
Speaker 5: that ship. Pulled up right up before the Willie Burgers

885
00:39:21,760 --> 00:39:24,320
Speaker 5: jumped up on the put sat right there. I was like,

886
00:39:24,360 --> 00:39:27,200
Speaker 5: you crazy kid, everybody there with fly shit. I had

887
00:39:27,200 --> 00:39:30,759
Speaker 5: an orange Camaro out there, some ugly shit. I didn't

888
00:39:30,800 --> 00:39:32,279
Speaker 5: care about nothing of that. I still care about that.

889
00:39:32,400 --> 00:39:34,160
Speaker 5: Today I drive a Wrangler. I can drive what I

890
00:39:34,239 --> 00:39:36,800
Speaker 5: want to drive, a Wrangler, bro. I don't care. Remember

891
00:39:36,840 --> 00:39:40,240
Speaker 5: I own the two tour buses. I never cared about cars.

892
00:39:41,040 --> 00:39:43,840
Speaker 5: I've had cars that stayed factory, never putting no rims

893
00:39:43,880 --> 00:39:46,560
Speaker 5: on him. Then I put system in it. But I

894
00:39:46,600 --> 00:39:50,040
Speaker 5: don't care about that stuff. I care about other things.

895
00:39:50,680 --> 00:39:53,439
Speaker 1: You know, legacy making shit happen. How was it coming

896
00:39:53,520 --> 00:39:55,319
Speaker 1: up in the Bronx, because you know he came up

897
00:39:55,360 --> 00:39:55,880
Speaker 1: in the Bronx.

898
00:39:56,280 --> 00:39:58,320
Speaker 5: I mean, coming up in the Bronx is the Bronx.

899
00:39:58,600 --> 00:40:00,680
Speaker 5: I lived in a good part of the bron Kingsbridge,

900
00:40:00,800 --> 00:40:02,960
Speaker 5: you know what I'm saying, right next to Riverdale, which

901
00:40:03,000 --> 00:40:06,359
Speaker 5: I moved to Riverdale later. It wasn't, you know, rough

902
00:40:06,520 --> 00:40:08,919
Speaker 5: like the South Bronx. But we ain't take no shit,

903
00:40:08,960 --> 00:40:11,160
Speaker 5: couldn't come to that block with no dumb shit, and

904
00:40:11,440 --> 00:40:15,000
Speaker 5: ones that did left their bad. So it was definitely

905
00:40:15,040 --> 00:40:18,880
Speaker 5: an area where everybody took each other, everybody looked out

906
00:40:18,920 --> 00:40:21,480
Speaker 5: for each other. Everybody was straight, you know. And then

907
00:40:21,520 --> 00:40:24,680
Speaker 5: I opened up a hairshop over there called evanech Unisex

908
00:40:24,719 --> 00:40:28,320
Speaker 5: for ten years, me and me and Curtis Smith. Curtis

909
00:40:28,320 --> 00:40:31,520
Speaker 5: Smith was a celebrity hairstyle and see, you know what

910
00:40:31,760 --> 00:40:34,520
Speaker 5: was going back just making sure everything's good out there.

911
00:40:34,560 --> 00:40:37,359
Speaker 5: But yeah, but we always had a good time. Never

912
00:40:37,400 --> 00:40:38,600
Speaker 5: been no real problems in the Bronx.

913
00:40:38,680 --> 00:40:41,760
Speaker 1: Man, Fast forward, right, how did you connect with Kendrick Lamar?

914
00:40:41,960 --> 00:40:42,359
Speaker 1: My guy?

915
00:40:43,400 --> 00:40:46,880
Speaker 5: He reached out when he was doing a damn album.

916
00:40:47,840 --> 00:40:50,319
Speaker 5: So when he came out to New York, I met

917
00:40:50,400 --> 00:40:52,880
Speaker 5: him in the studio, and he gave me an idea

918
00:40:52,920 --> 00:40:54,560
Speaker 5: what you wanted to do. I gave him some ideas

919
00:40:54,600 --> 00:40:58,320
Speaker 5: what he should do. And what surprised me about Kendrick

920
00:40:58,440 --> 00:41:01,439
Speaker 5: is how smart he was and how much history he knew.

921
00:41:02,360 --> 00:41:05,920
Speaker 5: Because I said, it's another interview. When when I asked him,

922
00:41:05,920 --> 00:41:08,640
Speaker 5: I said, Yo, you could have had you know, DJ

923
00:41:08,840 --> 00:41:11,080
Speaker 5: Pool or battle Cat or one of them legends out

924
00:41:11,080 --> 00:41:13,520
Speaker 5: there in the West Coast to come and do this.

925
00:41:13,640 --> 00:41:16,400
Speaker 5: Why he did and call them? His response was, you know,

926
00:41:16,480 --> 00:41:18,160
Speaker 5: I know what you did for the music business. I

927
00:41:18,239 --> 00:41:19,800
Speaker 5: know what you did for DJs, I know what you

928
00:41:19,880 --> 00:41:22,040
Speaker 5: did as a whole. A lot of people wouldn't be

929
00:41:22,120 --> 00:41:24,520
Speaker 5: eaten if you didn't do what you did. So I

930
00:41:24,600 --> 00:41:29,319
Speaker 5: wanted that authenticity on the album. I was like, Wow,

931
00:41:29,520 --> 00:41:31,920
Speaker 5: look what I'm saying. It was dope for you know,

932
00:41:32,080 --> 00:41:33,759
Speaker 5: he really did his homework, you know what I'm saying.

933
00:41:33,800 --> 00:41:36,160
Speaker 5: So that's where it pressed me the most real, smart,

934
00:41:36,239 --> 00:41:38,239
Speaker 5: laid back, calm dude, you know what I'm saying, and

935
00:41:38,400 --> 00:41:41,160
Speaker 5: really focused, you know what I'm saying. He Yeah, I'm

936
00:41:41,200 --> 00:41:42,680
Speaker 5: older than him and I look up to him, you

937
00:41:42,680 --> 00:41:43,160
Speaker 5: know what I'm saying.

938
00:41:43,320 --> 00:41:46,000
Speaker 1: But what he does I don't even know. He was

939
00:41:46,040 --> 00:41:50,520
Speaker 1: in the studio with him. That's crazy. On the project, man, project,

940
00:41:51,360 --> 00:41:52,239
Speaker 1: you produced.

941
00:41:51,880 --> 00:41:54,640
Speaker 5: It or you just just that I narrated the album.

942
00:41:54,680 --> 00:41:57,279
Speaker 5: I did about five joints. Yep.

943
00:41:57,920 --> 00:42:00,120
Speaker 1: Got to do your homework. And see, man, I know

944
00:42:00,760 --> 00:42:03,759
Speaker 1: I know all this.

945
00:42:03,920 --> 00:42:05,680
Speaker 6: I know Kick appreciate, but you ain't know he was

946
00:42:05,719 --> 00:42:08,480
Speaker 6: on Kendrick Lamar album, all these new records I got

947
00:42:08,520 --> 00:42:09,120
Speaker 6: coming out.

948
00:42:09,000 --> 00:42:19,000
Speaker 1: To cam We Brothers. That's what I'm said.

949
00:42:22,560 --> 00:42:27,200
Speaker 6: Camera in this music business right and you've been doing

950
00:42:27,239 --> 00:42:29,919
Speaker 6: business for so long? Has anybody ever owed you money?

951
00:42:30,000 --> 00:42:32,480
Speaker 6: Kid that you finally hard your mothers owe me.

952
00:42:32,520 --> 00:42:36,720
Speaker 1: Money to nobody?

953
00:42:36,840 --> 00:42:42,279
Speaker 5: Shippp Because what happens is I'm not gonna ask you

954
00:42:42,400 --> 00:42:42,600
Speaker 5: for it.

955
00:42:43,640 --> 00:42:45,480
Speaker 1: I'm just gonna remember I gave it to you. Got

956
00:42:45,600 --> 00:42:46,440
Speaker 1: you got you?

957
00:42:46,520 --> 00:42:48,920
Speaker 5: You know what I'm saying. And that's the problem.

958
00:42:49,280 --> 00:42:49,440
Speaker 1: You know.

959
00:42:50,120 --> 00:42:53,680
Speaker 5: You know Now, depending on what it really is, how

960
00:42:53,760 --> 00:42:55,800
Speaker 5: much it is, I may come and be like, what's

961
00:42:55,840 --> 00:42:57,400
Speaker 5: that path that we got to do something? But if

962
00:42:57,400 --> 00:43:01,040
Speaker 5: it's something I could do without, Hey, for whatever it was,

963
00:43:01,120 --> 00:43:03,319
Speaker 5: it got you away from me, I ain't got worry

964
00:43:03,320 --> 00:43:03,920
Speaker 5: about you no more.

965
00:43:04,000 --> 00:43:06,040
Speaker 1: Got you got you got you yo?

966
00:43:06,239 --> 00:43:10,160
Speaker 3: Talk about you know shouting my man Dre. Shout the

967
00:43:10,239 --> 00:43:13,400
Speaker 3: kid Capri. He's not only a producer, he's a rapper,

968
00:43:13,880 --> 00:43:16,920
Speaker 3: you know, shout to the New York Knicks. Because he's

969
00:43:16,960 --> 00:43:18,000
Speaker 3: on his New York ship.

970
00:43:18,120 --> 00:43:20,200
Speaker 5: This dude right here, let me tell you what happened.

971
00:43:20,280 --> 00:43:22,359
Speaker 5: Let me just talk to Ship because Jayo didn't want

972
00:43:22,360 --> 00:43:24,200
Speaker 5: me to tell you. He didn't want me to say nothing.

973
00:43:24,920 --> 00:43:26,520
Speaker 1: He didn't want you to You definitely got to say.

974
00:43:26,680 --> 00:43:29,160
Speaker 5: He didn't want me to say ship. All right. This

975
00:43:29,320 --> 00:43:31,239
Speaker 5: is when I dropped live from New York. I ain't

976
00:43:31,239 --> 00:43:34,279
Speaker 5: even dropped live from New York yet. He heard shout

977
00:43:34,360 --> 00:43:36,920
Speaker 5: to Robbie Rob. Robbie Rob had hit me on the FaceTime.

978
00:43:37,400 --> 00:43:39,359
Speaker 5: He was with Robbie Rob and I was playing live

979
00:43:39,400 --> 00:43:42,520
Speaker 5: for New York in the FaceTime. Yeah, y'all heard that ship.

980
00:43:42,600 --> 00:43:45,720
Speaker 5: It was like, Yo, play that ship again. Played it again.

981
00:43:46,440 --> 00:43:49,480
Speaker 5: He got right on the phone and called Dre. Yo, Dre,

982
00:43:50,000 --> 00:43:52,360
Speaker 5: I need you to make sure this ship is rocking

983
00:43:52,920 --> 00:43:57,520
Speaker 5: in the in the States and the Garden Masal Square Guard.

984
00:43:57,600 --> 00:44:00,359
Speaker 6: Now listen, the record was about to get this nigga

985
00:44:00,400 --> 00:44:01,040
Speaker 6: some props right now.

986
00:44:01,120 --> 00:44:07,719
Speaker 5: Yeah, I'm giving it to him crazy. The record wasn't

987
00:44:07,760 --> 00:44:10,320
Speaker 5: even out yet. It was two weeks before the record

988
00:44:10,400 --> 00:44:12,120
Speaker 5: was even coming out. This ship was rocking in the

989
00:44:12,160 --> 00:44:13,799
Speaker 5: Guard and the ship was all and they were playing

990
00:44:13,960 --> 00:44:14,880
Speaker 5: playing it by playing the.

991
00:44:14,880 --> 00:44:16,719
Speaker 1: Game playoffs, and they called me down.

992
00:44:16,760 --> 00:44:18,439
Speaker 5: They'd come do a bunch of shit for the Guard

993
00:44:18,480 --> 00:44:20,160
Speaker 5: and all that. This ship wasn't even out yet. So

994
00:44:20,600 --> 00:44:23,800
Speaker 5: his ball, he really set it off for me for

995
00:44:23,920 --> 00:44:25,680
Speaker 5: that record before I got a chance. And now that

996
00:44:25,800 --> 00:44:28,040
Speaker 5: the smart thing was I didn't want people to think

997
00:44:28,440 --> 00:44:30,239
Speaker 5: it was a New York Knicks record in case they

998
00:44:30,360 --> 00:44:32,960
Speaker 5: lost God, so I waited for them to see if

999
00:44:32,960 --> 00:44:35,000
Speaker 5: they were going to lose a win before I dropped

1000
00:44:35,040 --> 00:44:35,960
Speaker 5: the real video.

1001
00:44:35,800 --> 00:44:36,879
Speaker 1: Out you Murder.

1002
00:44:36,920 --> 00:44:38,279
Speaker 3: At the end of the day, I had to sound

1003
00:44:38,360 --> 00:44:42,560
Speaker 3: the ear. This guy is a dope producer. He's a rapper,

1004
00:44:43,160 --> 00:44:45,080
Speaker 3: you know what I'm saying, and he's the number one DJ.

1005
00:44:45,719 --> 00:44:47,239
Speaker 5: So that was a dope look he did that.

1006
00:44:47,400 --> 00:44:49,160
Speaker 3: So when you go back to battle rappers, I think

1007
00:44:49,200 --> 00:44:52,000
Speaker 3: when battle rappers the most challenge for them is when

1008
00:44:52,000 --> 00:44:54,400
Speaker 3: they make records, people look at them as one in

1009
00:44:54,480 --> 00:44:57,360
Speaker 3: one pocket. But when you look at kick Apre, you

1010
00:44:57,480 --> 00:45:00,120
Speaker 3: look at him as more as top tier DJ in

1011
00:45:00,239 --> 00:45:03,080
Speaker 3: the world, instead of looking at him as a rapper

1012
00:45:03,320 --> 00:45:04,080
Speaker 3: or a producer.

1013
00:45:04,600 --> 00:45:07,360
Speaker 1: You understand what I'm saying. You pass my letter? Oh definitely,

1014
00:45:07,880 --> 00:45:09,600
Speaker 1: I was about to steal it, you know what i mean.

1015
00:45:09,880 --> 00:45:11,359
Speaker 3: But you know what I mean, like they look at

1016
00:45:11,440 --> 00:45:13,600
Speaker 3: him as you know he's number one producers because when

1017
00:45:13,640 --> 00:45:16,480
Speaker 3: you get on them turned tables and you hit kid Capri,

1018
00:45:17,160 --> 00:45:17,440
Speaker 3: you know.

1019
00:45:17,640 --> 00:45:22,360
Speaker 5: The party DJing. You know just what I do is

1020
00:45:22,440 --> 00:45:24,440
Speaker 5: the party dj It's all kind of DJing. You know

1021
00:45:24,480 --> 00:45:26,719
Speaker 5: what I'm saying. I'm not the best. I'm the best

1022
00:45:26,760 --> 00:45:28,759
Speaker 5: at what I do. You know what I'm saying. What

1023
00:45:28,920 --> 00:45:32,000
Speaker 5: I do set the tone for what you see everybody doing.

1024
00:45:33,320 --> 00:45:34,359
Speaker 5: Just kick Capri and them.

1025
00:45:35,239 --> 00:45:35,879
Speaker 1: You know what I'm saying.

1026
00:45:35,920 --> 00:45:39,440
Speaker 5: They got some kind of blueprint or something from my

1027
00:45:39,760 --> 00:45:41,879
Speaker 5: chemistry at what I've done, So I mean, I ain't

1028
00:45:41,880 --> 00:45:43,879
Speaker 5: got to sell that to nobody. Everybody knows that. It's

1029
00:45:44,080 --> 00:45:46,400
Speaker 5: you know, people that probably did my style got it

1030
00:45:46,480 --> 00:45:48,200
Speaker 5: from somebody else that don't know they got it from me.

1031
00:45:48,640 --> 00:45:50,479
Speaker 5: It is what it is. I'm glad to be able

1032
00:45:50,520 --> 00:45:52,840
Speaker 5: to have that influence on people to do that. You

1033
00:45:52,920 --> 00:45:54,400
Speaker 5: know what I'm saying. That's a that's a gift, you

1034
00:45:54,440 --> 00:45:55,759
Speaker 5: know what I'm saying. But at one time I ain't

1035
00:45:55,840 --> 00:45:58,080
Speaker 5: like that shit. One time, I was like, why everybody

1036
00:45:58,120 --> 00:46:01,120
Speaker 5: doing my shit? Fuck anybody doing my ship for a

1037
00:46:01,160 --> 00:46:03,400
Speaker 5: find your own ship saying I ain't coming sound like Boosie,

1038
00:46:03,400 --> 00:46:05,359
Speaker 5: I ain't coming, sound like Starring. I came. I found

1039
00:46:05,400 --> 00:46:07,040
Speaker 5: my own ship and I moved. It did and it worked.

1040
00:46:07,520 --> 00:46:10,240
Speaker 5: Find your ship, be influenced, but don't be gonna copy.

1041
00:46:10,480 --> 00:46:13,960
Speaker 5: We don't come from that. But what are you gonna do?

1042
00:46:14,080 --> 00:46:16,680
Speaker 5: You know what I'm saying. So once I got over

1043
00:46:16,760 --> 00:46:18,680
Speaker 5: that and really looked at it for what it was,

1044
00:46:18,760 --> 00:46:21,319
Speaker 5: it was like your kid, you influenced the world. Really

1045
00:46:21,400 --> 00:46:21,959
Speaker 5: did that ship?

1046
00:46:22,200 --> 00:46:23,399
Speaker 1: Like you really did that shit.

1047
00:46:23,680 --> 00:46:26,160
Speaker 5: So once I got into that, it was like, yeah,

1048
00:46:26,920 --> 00:46:28,160
Speaker 5: that's dope. You know what I'm saying.

1049
00:46:29,719 --> 00:46:31,680
Speaker 6: Now, you entertained radio for a little bit, but you

1050
00:46:31,840 --> 00:46:35,480
Speaker 6: was never like the big radio DJ guy like that.

1051
00:46:36,080 --> 00:46:38,680
Speaker 1: Why you didn't choose that path? Why you didn't pursue that?

1052
00:46:38,960 --> 00:46:42,800
Speaker 5: Because everything for me is a stepping stone. The mixtape

1053
00:46:42,880 --> 00:46:46,000
Speaker 5: was a steppingstone. It wasn't a career move. Deaf Comedy

1054
00:46:46,080 --> 00:46:48,160
Speaker 5: Jam was a stepping stone. It wasn't a career move.

1055
00:46:48,200 --> 00:46:50,239
Speaker 5: Even though we had a dope career doing it was on.

1056
00:46:50,719 --> 00:46:52,520
Speaker 5: We was off for nine different seasons. I would have

1057
00:46:52,600 --> 00:46:55,200
Speaker 5: kept going for nine more, but it was a stepping stone.

1058
00:46:55,239 --> 00:46:57,560
Speaker 5: It was the next thing. It's always album and then

1059
00:46:57,680 --> 00:46:58,879
Speaker 5: you know the next thing.

1060
00:46:59,480 --> 00:46:59,600
Speaker 1: You know.

1061
00:46:59,640 --> 00:47:00,880
Speaker 5: I would try to innovate.

1062
00:47:00,920 --> 00:47:03,920
Speaker 1: This is why I ain't. I don't try not to follow.

1063
00:47:04,239 --> 00:47:07,560
Speaker 5: I try to give something that people might want that

1064
00:47:07,719 --> 00:47:11,120
Speaker 5: they never seen before. Because we, especially in right now,

1065
00:47:11,600 --> 00:47:14,280
Speaker 5: we have an abundance of everybody doing anybody everything. Everybody's

1066
00:47:14,320 --> 00:47:18,920
Speaker 5: a rapper, everybody's a stripper, everybody's everybody's everything. Everybody got

1067
00:47:19,000 --> 00:47:26,080
Speaker 5: something to say, everybody name somebody, anybody got everybody, but

1068
00:47:27,239 --> 00:47:31,000
Speaker 5: no they with the podcast, it's who's doing it.

1069
00:47:31,280 --> 00:47:38,080
Speaker 1: That's what it is. Ain't kicking everybody can't do everything.

1070
00:47:38,280 --> 00:47:40,279
Speaker 1: You know what I'm saying. You know, like that the

1071
00:47:40,360 --> 00:47:42,360
Speaker 1: album thing. Now, everybody's want to be making albums.

1072
00:47:42,480 --> 00:47:45,520
Speaker 5: That's why the album narrative went down, because motherfucker make

1073
00:47:45,560 --> 00:47:48,279
Speaker 5: an album and have twelve garbage records on there and

1074
00:47:48,360 --> 00:47:49,000
Speaker 5: one good song.

1075
00:47:49,120 --> 00:47:49,600
Speaker 1: So now.

1076
00:47:51,400 --> 00:47:54,080
Speaker 3: That's what Listen, who do we blame do we bring radio?

1077
00:47:54,200 --> 00:47:56,760
Speaker 3: Do we blame the DJs? Because that's what they changed

1078
00:47:56,800 --> 00:47:59,479
Speaker 3: the game into. I look at it like this, Listen,

1079
00:47:59,560 --> 00:48:01,239
Speaker 3: hold on, let me say my point. I ain't even

1080
00:48:01,280 --> 00:48:05,520
Speaker 3: saying nothing yet no, because I'm on k see well,

1081
00:48:05,520 --> 00:48:08,600
Speaker 3: I think the eighties was the classic eraror for hip hop.

1082
00:48:08,680 --> 00:48:13,319
Speaker 1: For me, it's because it was all about New York City. Right.

1083
00:48:14,760 --> 00:48:18,239
Speaker 1: You had Ka ris One, you had fucking Eric b

1084
00:48:18,680 --> 00:48:21,320
Speaker 1: Rock Kim, Big Daddy King, Slick.

1085
00:48:21,160 --> 00:48:25,719
Speaker 3: Rick coom O d fucking you have records self, you

1086
00:48:25,800 --> 00:48:28,919
Speaker 3: have self destruction, you have steptastonic.

1087
00:48:29,800 --> 00:48:34,759
Speaker 1: Saying it wrong. You had a couple of dricks let's

1088
00:48:34,800 --> 00:48:40,439
Speaker 1: stay more. You had DJ red Alert, you had What's

1089
00:48:40,520 --> 00:48:41,480
Speaker 1: my Man? This goes on?

1090
00:48:41,600 --> 00:48:45,440
Speaker 3: And it's so many DJs. For me, the eighties was

1091
00:48:45,520 --> 00:48:49,360
Speaker 3: like and then you always gotta say Ralph McDaniels because

1092
00:48:49,360 --> 00:48:52,120
Speaker 3: I'm the nigga that absolutely was in the crib when

1093
00:48:52,160 --> 00:48:54,120
Speaker 3: I hear that, no, no, no, you don't get the

1094
00:48:54,200 --> 00:48:54,960
Speaker 3: credit he deserves.

1095
00:48:56,280 --> 00:48:58,279
Speaker 1: He's me for b et all the ship.

1096
00:48:58,360 --> 00:49:00,759
Speaker 5: He don't get the credit. South Damn you don't get

1097
00:49:00,840 --> 00:49:02,239
Speaker 5: credit when you used to hear.

1098
00:49:02,200 --> 00:49:06,600
Speaker 3: That dinner didn't It was like at that point was

1099
00:49:07,680 --> 00:49:10,520
Speaker 3: yeah as a word as a kid, and that.

1100
00:49:12,000 --> 00:49:12,720
Speaker 4: Was on Saturday.

1101
00:49:13,000 --> 00:49:15,960
Speaker 1: You know, you want to throw on that ship for

1102
00:49:16,000 --> 00:49:16,359
Speaker 1: the ticks.

1103
00:49:16,400 --> 00:49:18,520
Speaker 3: That's when you see girls and outfits as a kid,

1104
00:49:18,600 --> 00:49:23,200
Speaker 3: you know, But like when I heard that Dinner Dinner

1105
00:49:23,960 --> 00:49:26,439
Speaker 3: and Big Daddy Kane is on there with the big

1106
00:49:26,600 --> 00:49:27,400
Speaker 3: chain right.

1107
00:49:28,920 --> 00:49:33,480
Speaker 1: Click rick like for me, like even run DMC.

1108
00:49:33,800 --> 00:49:36,520
Speaker 3: Classic ship for me was It's Christmas Tom and Haller's

1109
00:49:36,560 --> 00:49:40,520
Speaker 3: Queens moms could get chickens because that was a Christmas song,

1110
00:49:41,040 --> 00:49:44,359
Speaker 3: like a Christmas album that was just for me. Those

1111
00:49:44,360 --> 00:49:46,440
Speaker 3: are like the best times in my life. Man, the

1112
00:49:46,520 --> 00:49:52,680
Speaker 3: eighties man block parties, DJ's scratching, you know there was

1113
00:49:52,800 --> 00:49:55,400
Speaker 3: actually turn like like for me, I don't know how

1114
00:49:55,400 --> 00:49:57,399
Speaker 3: to mess with c DJ's and noting my man rough

1115
00:49:57,480 --> 00:49:59,720
Speaker 3: hands and like I went to Grand Mass, the big parties,

1116
00:50:00,200 --> 00:50:03,120
Speaker 3: like I went to Jamaica Avenue to buy mixtapes Dog Time,

1117
00:50:03,520 --> 00:50:04,359
Speaker 3: grim Master Vic.

1118
00:50:04,640 --> 00:50:06,680
Speaker 1: Then he can clue you changed the game. We fuck

1119
00:50:06,719 --> 00:50:09,800
Speaker 1: with your clue changed the game. I like blends. You

1120
00:50:09,840 --> 00:50:11,919
Speaker 1: know what I'm saying. I like, we had our shit.

1121
00:50:12,239 --> 00:50:14,560
Speaker 1: That's the Queen's anthem. Oh travels.

1122
00:50:14,680 --> 00:50:18,040
Speaker 3: I was in the parties Grand Master, so for me,

1123
00:50:18,160 --> 00:50:23,439
Speaker 3: I was like, yo, it's just classic hip hop. Rest

1124
00:50:23,480 --> 00:50:25,520
Speaker 3: in peace of Freaky Todd, the Little Boys. Remember when

1125
00:50:25,520 --> 00:50:27,800
Speaker 3: they came. I was around, like I was in the streets,

1126
00:50:27,880 --> 00:50:30,200
Speaker 3: like listen to that. But as a kid, Ralph McDaniels

1127
00:50:30,239 --> 00:50:33,719
Speaker 3: brother talk about that man like Ralph McDaniel's that Tom

1128
00:50:33,800 --> 00:50:34,319
Speaker 3: and hip hop.

1129
00:50:34,400 --> 00:50:36,759
Speaker 1: To me, the eighties was just all about New York.

1130
00:50:37,400 --> 00:50:39,440
Speaker 5: Yeah, he deserve it, man, He deserved to get more

1131
00:50:39,520 --> 00:50:40,520
Speaker 5: recognition than he got.

1132
00:50:40,640 --> 00:50:40,799
Speaker 4: Man.

1133
00:50:40,880 --> 00:50:42,320
Speaker 5: You know what I'm saying, he really put it in.

1134
00:50:42,480 --> 00:50:44,200
Speaker 5: You know what I'm saying, really put like he really

1135
00:50:44,320 --> 00:50:46,000
Speaker 5: cared about it, you know what I'm saying. And that'd

1136
00:50:46,000 --> 00:50:47,520
Speaker 5: be the problem to be the ones that really care

1137
00:50:47,560 --> 00:50:49,520
Speaker 5: about it, that don't get the recognition that it's supposed

1138
00:50:49,520 --> 00:50:51,560
Speaker 5: to and the ones that really don't give a shit.

1139
00:50:52,360 --> 00:50:55,600
Speaker 5: You know, they coming to show late. You know, they

1140
00:50:55,680 --> 00:50:59,719
Speaker 5: think they get on stage with a thousand people, They come,

1141
00:50:59,800 --> 00:51:04,359
Speaker 5: do two songs, they romming over, they record, They don't

1142
00:51:04,400 --> 00:51:07,000
Speaker 5: really care. You know what I'm saying. They care about

1143
00:51:07,040 --> 00:51:10,239
Speaker 5: the wild factor. Look at me. I'm here, look at me.

1144
00:51:10,719 --> 00:51:14,320
Speaker 5: It becomes that, you know what I'm saying, when you

1145
00:51:14,400 --> 00:51:18,680
Speaker 5: could tell when somebody that is on stage and they

1146
00:51:19,120 --> 00:51:21,200
Speaker 5: like I don't like to put myself in it, but

1147
00:51:21,280 --> 00:51:24,200
Speaker 5: I have to use it. When I'm on stage. I

1148
00:51:24,280 --> 00:51:26,480
Speaker 5: look at myself as if I'm in the crowd watching me,

1149
00:51:26,600 --> 00:51:28,319
Speaker 5: and what would make me like me? What would make

1150
00:51:28,360 --> 00:51:30,040
Speaker 5: me want to come back and watch me again? What

1151
00:51:30,080 --> 00:51:32,880
Speaker 5: would make a promoter pay to have me come back again?

1152
00:51:33,120 --> 00:51:35,200
Speaker 5: What would make these people pay again to come see

1153
00:51:35,280 --> 00:51:37,839
Speaker 5: me again? You know what I'm saying, So I become them.

1154
00:51:37,960 --> 00:51:40,600
Speaker 5: It's never about me, and a lot of times, a

1155
00:51:40,680 --> 00:51:45,239
Speaker 5: lot of different artists and people, it becomes about them,

1156
00:51:45,760 --> 00:51:48,920
Speaker 5: and that's where the fall off comes at. They might

1157
00:51:49,000 --> 00:51:51,920
Speaker 5: be popping for that minute, but as soon as they

1158
00:51:52,040 --> 00:51:54,879
Speaker 5: think it's about them, that's when you see the fall

1159
00:51:54,960 --> 00:51:59,000
Speaker 5: off come. It's never about you because these are the

1160
00:51:59,080 --> 00:52:01,520
Speaker 5: people that put the money in your pocket to pay

1161
00:52:01,560 --> 00:52:03,360
Speaker 5: your life. So how do you not give them the

1162
00:52:03,440 --> 00:52:05,440
Speaker 5: best you can give them? How do you not be

1163
00:52:05,920 --> 00:52:08,560
Speaker 5: humble enough to show that they're part of you and

1164
00:52:08,640 --> 00:52:11,000
Speaker 5: there inclusive? You know what I'm saying. We're not fucking

1165
00:52:11,040 --> 00:52:13,279
Speaker 5: better than nobody. We just got better job. We might

1166
00:52:13,280 --> 00:52:17,080
Speaker 5: have a better job, but we ship and tickle and.

1167
00:52:19,200 --> 00:52:21,240
Speaker 1: Just the real ship. Though better than everybody.

1168
00:52:25,080 --> 00:52:25,840
Speaker 4: I appreciate that.

1169
00:52:25,880 --> 00:52:34,200
Speaker 3: I appreciate that hockey backing one of the greatest ever

1170
00:52:34,400 --> 00:52:38,759
Speaker 3: all time? Right, what the fuck is the mindset of like?

1171
00:52:39,040 --> 00:52:41,520
Speaker 3: Because being a DJ is the toughest job. People say

1172
00:52:41,600 --> 00:52:43,840
Speaker 3: being a rapper is the toughest job. But then the

1173
00:52:43,960 --> 00:52:45,239
Speaker 3: DJ is the toughest job.

1174
00:52:45,320 --> 00:52:48,160
Speaker 1: You might get shot at less, of course, right, but

1175
00:52:48,440 --> 00:52:51,040
Speaker 1: definitely yeah, y'all get shot at less a little bit

1176
00:52:51,080 --> 00:52:51,719
Speaker 1: better than the rapp.

1177
00:52:52,120 --> 00:52:57,280
Speaker 3: But think about this, what's the mindset I'm kicking pre right, Okay,

1178
00:52:58,000 --> 00:53:00,520
Speaker 3: how do I work this crowd? Am I going reggae?

1179
00:53:01,920 --> 00:53:05,400
Speaker 3: Am I going hip hop? Am I going R and B?

1180
00:53:06,080 --> 00:53:08,000
Speaker 3: Am I going Spanish music?

1181
00:53:08,520 --> 00:53:08,560
Speaker 4: Like?

1182
00:53:09,040 --> 00:53:11,080
Speaker 1: How does the DJ? Because you know what I'm saying,

1183
00:53:11,200 --> 00:53:13,760
Speaker 1: how do you know how to move the crawd?

1184
00:53:13,840 --> 00:53:13,880
Speaker 4: Like?

1185
00:53:14,160 --> 00:53:15,600
Speaker 1: What would be your advice to a DJ?

1186
00:53:15,719 --> 00:53:15,759
Speaker 4: Like?

1187
00:53:15,800 --> 00:53:19,560
Speaker 1: If I was DJing and I'm in fucking London, what

1188
00:53:19,640 --> 00:53:20,279
Speaker 1: are you gonna tell me?

1189
00:53:20,400 --> 00:53:23,440
Speaker 3: Play afro B? So if I'm in New York in Harlem, like,

1190
00:53:23,880 --> 00:53:25,560
Speaker 3: what is tell me? What's the mindset?

1191
00:53:26,000 --> 00:53:28,719
Speaker 5: That's what I want to For years and years I've

1192
00:53:28,760 --> 00:53:31,719
Speaker 5: been doing this shit. I've been traveling all over back

1193
00:53:32,960 --> 00:53:36,440
Speaker 5: It's your job to know what's going on in that city.

1194
00:53:36,960 --> 00:53:39,800
Speaker 5: So I will call the top DJ out in the

1195
00:53:39,880 --> 00:53:42,480
Speaker 5: city or the promote out in the city and say, Yo,

1196
00:53:42,520 --> 00:53:45,040
Speaker 5: what's popping? What's the top ten things popping in that city?

1197
00:53:46,080 --> 00:53:48,399
Speaker 5: And by the time I get to that city, I'm

1198
00:53:48,480 --> 00:53:52,600
Speaker 5: doing that, and those people are surprised because these records,

1199
00:53:52,800 --> 00:53:56,520
Speaker 5: if I'm playing let's say this music, those records are

1200
00:53:56,600 --> 00:53:58,959
Speaker 5: never heard nowhere else. They just popping in that one city,

1201
00:53:59,000 --> 00:54:01,520
Speaker 5: and it's an underground thing, you know, right, So when

1202
00:54:01,600 --> 00:54:03,160
Speaker 5: I come and play that ship, they're like, how the

1203
00:54:03,239 --> 00:54:03,920
Speaker 5: fuck he knows that?

1204
00:54:04,600 --> 00:54:07,400
Speaker 1: Oh, you do your homework. It been like that for

1205
00:54:07,800 --> 00:54:09,160
Speaker 1: you to play that record first.

1206
00:54:09,719 --> 00:54:12,759
Speaker 5: Yeah, so when I played, the crowd is losing you.

1207
00:54:14,239 --> 00:54:15,200
Speaker 1: And this is all over.

1208
00:54:15,239 --> 00:54:17,719
Speaker 5: If I'm in Alaska, I know what's popping in the

1209
00:54:17,840 --> 00:54:18,360
Speaker 5: last Thank you.

1210
00:54:18,400 --> 00:54:20,960
Speaker 1: For the secret. I just gave y'all. I just gave

1211
00:54:21,040 --> 00:54:25,360
Speaker 1: y'all one on one just now, that's crazy.

1212
00:54:25,600 --> 00:54:27,640
Speaker 6: Now I do, kid can pre make the transition of

1213
00:54:27,760 --> 00:54:30,799
Speaker 6: rapping now because now you you you you wrap up.

1214
00:54:30,920 --> 00:54:34,279
Speaker 6: I even get a lot of what like d ms

1215
00:54:34,360 --> 00:54:37,160
Speaker 6: on Instagram or a lot of ads, and I be thinking,

1216
00:54:37,200 --> 00:54:39,200
Speaker 6: I'm getting like a personal message like that, what's up

1217
00:54:39,280 --> 00:54:41,560
Speaker 6: my nigga, But it be like nine, nigga, check out

1218
00:54:41,600 --> 00:54:42,080
Speaker 6: this new ship.

1219
00:54:42,120 --> 00:54:45,400
Speaker 1: I'm spitting like it was good. So how the transition

1220
00:54:45,520 --> 00:54:46,399
Speaker 1: happened with that kid?

1221
00:54:46,680 --> 00:54:49,120
Speaker 5: It never was a transition my first before, there was

1222
00:54:49,160 --> 00:54:51,920
Speaker 5: a before, there was a rough riders, a cash money,

1223
00:54:52,520 --> 00:54:54,960
Speaker 5: no limit, a bad boy kicking pri a wrap out

1224
00:54:55,120 --> 00:54:55,959
Speaker 5: kicking pre to tape.

1225
00:54:56,280 --> 00:54:58,880
Speaker 1: Oh okay, right, so through your homework.

1226
00:54:59,080 --> 00:55:01,279
Speaker 5: Wrap records now been my bread and butter. I make

1227
00:55:01,360 --> 00:55:04,000
Speaker 5: rap records because I want to DJ. Should always been

1228
00:55:04,040 --> 00:55:06,800
Speaker 5: my bread and butter. Right, So I didn't make records

1229
00:55:06,840 --> 00:55:08,600
Speaker 5: every year. You know what I'm saying?

1230
00:55:08,840 --> 00:55:09,680
Speaker 4: You know like that?

1231
00:55:09,960 --> 00:55:11,840
Speaker 5: So, like I said, when I did, the first album

1232
00:55:11,960 --> 00:55:13,880
Speaker 5: was a rap album. The second album was a production

1233
00:55:14,000 --> 00:55:17,000
Speaker 5: album only rhyming album twice. My next album after that

1234
00:55:17,120 --> 00:55:19,359
Speaker 5: was twenty four years ago, which was twenty four years later,

1235
00:55:19,400 --> 00:55:20,800
Speaker 5: which is the Love Album, which I put out in

1236
00:55:20,800 --> 00:55:23,160
Speaker 5: twenty twenty two. Since then, I've been putting records out

1237
00:55:23,280 --> 00:55:27,200
Speaker 5: up until last week. But I only have three four

1238
00:55:27,280 --> 00:55:30,560
Speaker 5: albums the Hoodies album. Three four albums throughout all these years.

1239
00:55:30,840 --> 00:55:32,879
Speaker 5: Because it never been my bread and butter. I didn't

1240
00:55:32,880 --> 00:55:35,920
Speaker 5: want to deal with all the everything that comes with it.

1241
00:55:36,000 --> 00:55:38,520
Speaker 5: It comes with especially make my type of album Clarence

1242
00:55:38,719 --> 00:55:40,040
Speaker 5: is and all that shot. Just say you know what,

1243
00:55:40,280 --> 00:55:41,719
Speaker 5: and we just do it when I want to do it.

1244
00:55:42,280 --> 00:55:44,160
Speaker 5: And now that we in the ever where, you ain't

1245
00:55:44,160 --> 00:55:47,320
Speaker 5: gotta have no no handcuffs on you. You know what

1246
00:55:47,360 --> 00:55:49,600
Speaker 5: I'm saying, you could do things and social media just

1247
00:55:49,680 --> 00:55:51,040
Speaker 5: get to have. So if I want to put this

1248
00:55:51,160 --> 00:55:52,680
Speaker 5: half fun to do it, you just do it?

1249
00:55:52,800 --> 00:55:53,120
Speaker 4: Got it?

1250
00:55:53,200 --> 00:55:53,719
Speaker 5: You know what I'm saying.

1251
00:55:53,840 --> 00:55:57,000
Speaker 3: You don't think there's a point in time where like

1252
00:55:57,600 --> 00:55:59,520
Speaker 3: if y'all agree with this, because this is how I

1253
00:55:59,560 --> 00:56:05,000
Speaker 3: feel that people try to like devalue the DJ because

1254
00:56:05,040 --> 00:56:07,480
Speaker 3: like I said, Okay, let's let's go. No, let me

1255
00:56:07,560 --> 00:56:11,200
Speaker 3: tell you just we go from the eighties terminated, look,

1256
00:56:11,360 --> 00:56:12,360
Speaker 3: terminated this eighties?

1257
00:56:12,400 --> 00:56:16,800
Speaker 1: He you go ahead ahead? Let people. I always let you,

1258
00:56:17,040 --> 00:56:20,240
Speaker 1: let me, let me, let me explain my synopsis nigga

1259
00:56:20,800 --> 00:56:28,320
Speaker 1: right right, you've been drinking a lot to let me

1260
00:56:28,400 --> 00:56:32,359
Speaker 1: do my yea, go ahead, right.

1261
00:56:33,880 --> 00:56:36,440
Speaker 3: So what I'm saying like in the eighties, right, we

1262
00:56:36,520 --> 00:56:39,840
Speaker 3: knew who terminated was terminated X right, terminated as he

1263
00:56:39,880 --> 00:56:43,160
Speaker 3: had the big glasses. Yeah, we knew jam Master J.

1264
00:56:44,160 --> 00:56:46,920
Speaker 1: Right. Let me let me think who was slick? We

1265
00:56:46,960 --> 00:56:51,200
Speaker 1: knew Eric bat in rocking? Right, who's slick Rick DJ? Again?

1266
00:56:51,560 --> 00:56:53,080
Speaker 1: You know, man, it's white?

1267
00:56:53,800 --> 00:56:54,520
Speaker 5: What's this DJ?

1268
00:56:55,239 --> 00:56:57,080
Speaker 1: But at that point you know him? I like how

1269
00:56:57,120 --> 00:56:59,879
Speaker 1: you just stopped that question because I forgot slip because

1270
00:56:59,880 --> 00:57:01,600
Speaker 1: I know we always had the King going ship. Let

1271
00:57:01,640 --> 00:57:03,799
Speaker 1: me say, I don't know he was. Now.

1272
00:57:03,920 --> 00:57:06,719
Speaker 3: Look, that was a point in time of the DJ.

1273
00:57:07,360 --> 00:57:11,240
Speaker 3: Then you fast forward to, like what you say, the nineties,

1274
00:57:11,719 --> 00:57:14,600
Speaker 3: where you had Ca Capri was still he was in

1275
00:57:14,680 --> 00:57:17,800
Speaker 3: the eighties, but the nineties you had Kick Capri. The

1276
00:57:17,880 --> 00:57:20,320
Speaker 3: eighties we would say what the eighties red alert? We

1277
00:57:20,320 --> 00:57:21,560
Speaker 3: would say, what is red alert?

1278
00:57:21,880 --> 00:57:27,040
Speaker 1: Red al? Yeah? Yeah, wherever?

1279
00:57:27,440 --> 00:57:28,240
Speaker 5: Where you going with it?

1280
00:57:28,320 --> 00:57:30,240
Speaker 3: Though what I'm going with it, I'm not trying to

1281
00:57:30,280 --> 00:57:33,920
Speaker 3: confuse you. I'm going me kid y'all not Let me finished.

1282
00:57:33,960 --> 00:57:43,000
Speaker 3: By the eighties, the DJ was relevant, like to up

1283
00:57:44,080 --> 00:57:47,160
Speaker 3: an extent where you was watching Eric Be as much

1284
00:57:47,200 --> 00:57:47,840
Speaker 3: as rock Kim.

1285
00:57:48,200 --> 00:57:49,640
Speaker 1: Let me keep going, let me finish.

1286
00:57:50,440 --> 00:57:50,840
Speaker 4: Let me say.

1287
00:57:51,520 --> 00:57:54,919
Speaker 3: The nineties even like what I'm saying is like even

1288
00:57:55,000 --> 00:57:59,880
Speaker 3: in the nineties you had Kick Capri, you had Flex anything.

1289
00:58:00,200 --> 00:58:03,600
Speaker 3: They had albums at that point, like Kick Apri had

1290
00:58:03,640 --> 00:58:07,440
Speaker 3: an album, Flex had the album, Clue had an album.

1291
00:58:08,120 --> 00:58:12,080
Speaker 3: Before DJ Khalid, it was more like now now you

1292
00:58:12,240 --> 00:58:15,600
Speaker 3: only see DJ Khaled with an album. No disrespect to him,

1293
00:58:15,680 --> 00:58:18,800
Speaker 3: but it was just more shit like like a Flex

1294
00:58:18,880 --> 00:58:20,439
Speaker 3: album would come out and you'd be like, oh shit,

1295
00:58:20,680 --> 00:58:22,880
Speaker 3: we got this free style kick Apri. Oh shit, he

1296
00:58:22,960 --> 00:58:24,960
Speaker 3: might have this freestyle from nigga from hallam on. He

1297
00:58:25,040 --> 00:58:26,160
Speaker 3: might have some big l shit.

1298
00:58:26,520 --> 00:58:27,600
Speaker 1: Clue, oh clue.

1299
00:58:27,840 --> 00:58:29,760
Speaker 3: Oh he got a knaves free style. You know what

1300
00:58:29,760 --> 00:58:32,440
Speaker 3: I'm saying. That's all I'm saying. It just seemed like

1301
00:58:32,560 --> 00:58:36,080
Speaker 3: it was just just more to DJs. It was just

1302
00:58:36,200 --> 00:58:38,800
Speaker 3: more bad. It was just more value to it. I'm

1303
00:58:38,840 --> 00:58:40,920
Speaker 3: not and I love all the DJ's till this point. Now,

1304
00:58:41,160 --> 00:58:42,480
Speaker 3: that's why we got him on the show. But I

1305
00:58:42,560 --> 00:58:45,560
Speaker 3: feel like niggas don't give just due to certain DJs

1306
00:58:46,040 --> 00:58:48,680
Speaker 3: that or DJ's in the game period, like how they

1307
00:58:48,800 --> 00:58:50,840
Speaker 3: used to in them rags that was sny.

1308
00:58:53,800 --> 00:58:56,600
Speaker 1: Do y'all agree? Oh no, take on this.

1309
00:58:56,680 --> 00:58:58,040
Speaker 5: I want to know what the question is.

1310
00:58:58,440 --> 00:59:01,280
Speaker 3: No, do you feel like likeas like sometimes like a

1311
00:59:01,360 --> 00:59:03,320
Speaker 3: nigga like you we got on the show, like it's

1312
00:59:03,360 --> 00:59:05,440
Speaker 3: important to have you on the show to show how

1313
00:59:05,480 --> 00:59:08,960
Speaker 3: important you are to hip hop, Like sometimes.

1314
00:59:08,560 --> 00:59:12,880
Speaker 1: I feel like the DJ position got paused, Like it's

1315
00:59:12,960 --> 00:59:19,680
Speaker 1: not like in the eighties nineties to now something gets all.

1316
00:59:19,640 --> 00:59:27,360
Speaker 5: Right, let me back up, back up before records, right,

1317
00:59:28,360 --> 00:59:31,640
Speaker 5: it was Grand Master Flash and the Phibious five. It

1318
00:59:31,920 --> 00:59:35,520
Speaker 5: was bad, was the theater and the Fantastic It was

1319
00:59:35,920 --> 00:59:37,600
Speaker 5: Charlie chasing the Cold Cours brothers.

1320
00:59:37,800 --> 00:59:39,000
Speaker 4: What was the DJ name?

1321
00:59:39,160 --> 00:59:39,440
Speaker 1: First?

1322
00:59:39,760 --> 00:59:43,360
Speaker 5: Right, records came in and then DJ's was scratching on

1323
00:59:43,440 --> 00:59:46,840
Speaker 5: the records a little bit, right, But then they didn't

1324
00:59:46,880 --> 00:59:51,440
Speaker 5: need DJ scratching on the records. They started making records.

1325
00:59:51,520 --> 00:59:54,560
Speaker 5: They were making records with bands, right, So when they

1326
00:59:54,800 --> 00:59:57,040
Speaker 5: need the DJ to be scratching on the record, no more,

1327
00:59:57,680 --> 01:00:01,040
Speaker 5: the name wasn't there no more standing in the front.

1328
01:00:01,640 --> 01:00:04,640
Speaker 5: Now when the nineties come, you got people like Premiere

1329
01:00:04,720 --> 01:00:06,960
Speaker 5: that's scratching on the record. But it's a different type

1330
01:00:07,000 --> 01:00:10,800
Speaker 5: of hip hop now. It's more advanced now. Right now,

1331
01:00:10,840 --> 01:00:14,120
Speaker 5: when you get to the mixtape ever with me, right now,

1332
01:00:14,160 --> 01:00:16,920
Speaker 5: it becomes a one man's, a one man's show. I

1333
01:00:16,960 --> 01:00:19,840
Speaker 5: don't need a rapper, I don't need none of this shit.

1334
01:00:19,880 --> 01:00:24,440
Speaker 5: I'm I could do everything right. That transformed into the

1335
01:00:24,880 --> 01:00:28,320
Speaker 5: tape now, the tape that's so popular that we start

1336
01:00:28,360 --> 01:00:31,680
Speaker 5: getting album deals now to make it, to make to

1337
01:00:31,800 --> 01:00:34,880
Speaker 5: take artists, and I was the first one take artists

1338
01:00:35,240 --> 01:00:41,680
Speaker 5: putting together. Right right now, when something gets hot and

1339
01:00:42,040 --> 01:00:47,760
Speaker 5: everybody does it, eventually it's going to get warm. It's

1340
01:00:47,800 --> 01:00:49,800
Speaker 5: going to get warm. It's not going to stay around

1341
01:00:49,840 --> 01:00:53,640
Speaker 5: because everybody's doing it that probably ain't supposed to be

1342
01:00:53,760 --> 01:00:56,960
Speaker 5: doing it. You see what I'm saying. That goes for anything.

1343
01:00:57,440 --> 01:01:00,280
Speaker 5: So that's what Listen. One day somebod I said, I

1344
01:01:00,480 --> 01:01:03,760
Speaker 5: get a tattoo, and everybody got fucking tattoos. One day

1345
01:01:03,840 --> 01:01:05,320
Speaker 5: somebody said, I'm a smoke a hookah.

1346
01:01:05,640 --> 01:01:06,640
Speaker 1: Nobody know what hooker.

1347
01:01:06,760 --> 01:01:09,320
Speaker 5: Everybody starts smoking. Who gonna sound cool? You know that

1348
01:01:09,360 --> 01:01:12,920
Speaker 5: ship is that overseas. This is what I'm saying. When

1349
01:01:12,960 --> 01:01:16,360
Speaker 5: something gets hot, we overdo it until it ain't hot.

1350
01:01:16,520 --> 01:01:19,280
Speaker 1: How many DJs albums it was only me.

1351
01:01:19,800 --> 01:01:25,280
Speaker 5: Tony Touch Flex Clue, there's a lot of them, Like

1352
01:01:25,400 --> 01:01:27,800
Speaker 5: it's no, it wasn't that many though, I mean, it

1353
01:01:27,880 --> 01:01:28,840
Speaker 5: wasn't that many, of course not.

1354
01:01:29,360 --> 01:01:33,960
Speaker 1: You said you flex used to be putting.

1355
01:01:37,840 --> 01:01:40,280
Speaker 5: I mean that's a good handful for where we came from,

1356
01:01:40,360 --> 01:01:42,840
Speaker 5: where DJs wasn't looked at to do that, you know

1357
01:01:42,880 --> 01:01:45,000
Speaker 5: what I'm saying. So keep that in mind, Like you know,

1358
01:01:45,240 --> 01:01:47,080
Speaker 5: I set the trail of soundtrack to the streets and

1359
01:01:47,160 --> 01:01:48,960
Speaker 5: that opened the door, you know what I'm saying, But

1360
01:01:49,040 --> 01:01:51,680
Speaker 5: it still didn't bring us to where we're on the

1361
01:01:51,720 --> 01:01:54,880
Speaker 5: front page. Of magazines. They you know we were on

1362
01:01:55,000 --> 01:01:58,280
Speaker 5: the you know, we being highlighted the way we're supposed

1363
01:01:58,280 --> 01:02:00,959
Speaker 5: to be highlighted at award shows, and you know shit

1364
01:02:01,120 --> 01:02:03,320
Speaker 5: like that. It's still a long way. Like I fought

1365
01:02:03,400 --> 01:02:05,520
Speaker 5: for the fact of I'm not gonna be treated like

1366
01:02:05,600 --> 01:02:07,600
Speaker 5: some nigga playing music, you know what I'm saying, like

1367
01:02:07,720 --> 01:02:09,720
Speaker 5: just playing records. You're gonna put me center stage like

1368
01:02:09,760 --> 01:02:11,840
Speaker 5: you put the hit artists. You ain't put me on

1369
01:02:11,920 --> 01:02:14,280
Speaker 5: no bottom of no flyer. You're gonna you ain't treating

1370
01:02:14,320 --> 01:02:16,080
Speaker 5: me like that. You're gonna treat me like an artist.

1371
01:02:16,120 --> 01:02:18,360
Speaker 5: I'm gonna get paid the same way. Because here's the

1372
01:02:18,480 --> 01:02:21,080
Speaker 5: science of it. If I'm taking a room that and

1373
01:02:21,160 --> 01:02:23,280
Speaker 5: I'm feeling this. Say, if you get an artist and

1374
01:02:23,360 --> 01:02:26,080
Speaker 5: he fills this room, sells it out, and you put

1375
01:02:26,160 --> 01:02:27,680
Speaker 5: me in that same room and I sell it out.

1376
01:02:28,400 --> 01:02:30,840
Speaker 5: This man's on stage for two hours doing two songs.

1377
01:02:31,680 --> 01:02:33,919
Speaker 5: His hit record is the first trick and maybe another record.

1378
01:02:33,960 --> 01:02:35,440
Speaker 5: He's out of the door. Hen't really give you no

1379
01:02:35,520 --> 01:02:38,000
Speaker 5: real show. I'm there for two hours shaking this shiit.

1380
01:02:38,480 --> 01:02:41,760
Speaker 5: Same amount of people, same amount of brand. You're gonna

1381
01:02:41,800 --> 01:02:43,720
Speaker 5: pay me the same way you're paying him where you're

1382
01:02:43,720 --> 01:02:45,919
Speaker 5: gonna look at it because I'm playing other people's music,

1383
01:02:45,960 --> 01:02:48,840
Speaker 5: and DJ is any different. It's a performance. At the

1384
01:02:48,920 --> 01:02:50,800
Speaker 5: end of the day, if I'm doing my job better

1385
01:02:50,840 --> 01:02:53,240
Speaker 5: than him, it ain't worth more than what he's supposed to.

1386
01:02:53,240 --> 01:02:55,280
Speaker 1: Get or the same. Nah.

1387
01:02:55,560 --> 01:02:58,800
Speaker 5: So me standing on that made me become who I became.

1388
01:02:59,240 --> 01:03:01,800
Speaker 5: I knew how to say know the people very early.

1389
01:03:02,320 --> 01:03:02,960
Speaker 1: Nah, I'm good.

1390
01:03:03,120 --> 01:03:04,040
Speaker 5: Give it to the next one.

1391
01:03:04,560 --> 01:03:05,720
Speaker 1: Give it and I know the work.

1392
01:03:05,800 --> 01:03:07,040
Speaker 5: You know what I'm saying. I know what I bring

1393
01:03:07,120 --> 01:03:08,840
Speaker 5: to the table. I know what kind of One time

1394
01:03:08,920 --> 01:03:10,960
Speaker 5: a dude walked up to me. I did a show.

1395
01:03:11,960 --> 01:03:14,800
Speaker 1: I filled up four floors, sold it out. He got

1396
01:03:14,920 --> 01:03:16,400
Speaker 1: so excited he said some.

1397
01:03:16,440 --> 01:03:17,760
Speaker 5: Shit to me he wasn't supposed to say.

1398
01:03:18,480 --> 01:03:20,320
Speaker 1: He read up with me, your kid, yo, your chith

1399
01:03:20,360 --> 01:03:22,080
Speaker 1: this shit and shit was crazy. Yo, I made two

1400
01:03:22,160 --> 01:03:24,880
Speaker 1: hundred and fifty ten thousand dollars on you, just on

1401
01:03:24,960 --> 01:03:25,440
Speaker 1: the ball. Lo.

1402
01:03:27,360 --> 01:03:31,080
Speaker 5: I was like, well, all right, And from that day on,

1403
01:03:31,680 --> 01:03:32,600
Speaker 5: I got what I wanted.

1404
01:03:33,000 --> 01:03:38,400
Speaker 1: Gotcha made exactly because look at it this way, look

1405
01:03:38,400 --> 01:03:40,840
Speaker 1: at it this way right. For years so it was

1406
01:03:40,960 --> 01:03:42,960
Speaker 1: just your name on that fly, just my name on

1407
01:03:43,040 --> 01:03:43,240
Speaker 1: the fly.

1408
01:03:43,480 --> 01:03:46,520
Speaker 5: This is this is all over the country. This is

1409
01:03:46,760 --> 01:03:50,640
Speaker 5: everywhere I go out of the country, this is islands everywhere.

1410
01:03:50,800 --> 01:03:52,800
Speaker 5: I feel that shit of by myself. I don't need

1411
01:03:52,880 --> 01:03:54,880
Speaker 5: no artists. I don't need none of that ship. I

1412
01:03:55,000 --> 01:03:57,080
Speaker 5: sell out where we go, you know what I'm saying,

1413
01:03:57,200 --> 01:04:00,479
Speaker 5: because that's what we built up. But you making money

1414
01:04:00,520 --> 01:04:03,320
Speaker 5: from the bar, you're making money from the food, you're

1415
01:04:03,360 --> 01:04:06,600
Speaker 5: making money from the parking, and you ain't paying this

1416
01:04:06,800 --> 01:04:10,560
Speaker 5: to the artists. So how do you bitch about what

1417
01:04:10,680 --> 01:04:12,680
Speaker 5: I want from that door? You pay me what I

1418
01:04:12,760 --> 01:04:15,600
Speaker 5: want and that's why not. But but with that, you

1419
01:04:15,720 --> 01:04:18,040
Speaker 5: got to bring a certain amount of artistry to that

1420
01:04:18,200 --> 01:04:19,360
Speaker 5: stage to demand that.

1421
01:04:19,680 --> 01:04:20,880
Speaker 1: Everybody can't demand that.

1422
01:04:21,160 --> 01:04:23,600
Speaker 5: Everybody can't demand that. And if you're going to demand that,

1423
01:04:23,760 --> 01:04:26,120
Speaker 5: you have to you have to bring with backs that up,

1424
01:04:26,480 --> 01:04:28,240
Speaker 5: you know what I'm saying. And that's where we get

1425
01:04:28,320 --> 01:04:30,640
Speaker 5: a little bit entitled where we did. We got a

1426
01:04:30,680 --> 01:04:33,320
Speaker 5: little hit record out and we pop because we got

1427
01:04:33,360 --> 01:04:36,640
Speaker 5: to hit record out. Okay, records going. What are you

1428
01:04:36,680 --> 01:04:39,080
Speaker 5: gonna do for me to hear your next record or

1429
01:04:39,120 --> 01:04:41,560
Speaker 5: coming to your show with enjoy you and buy your

1430
01:04:41,640 --> 01:04:45,040
Speaker 5: merch Are you're gonna That's what I'm saying that's a

1431
01:04:45,240 --> 01:04:48,320
Speaker 5: whole big picture. Before you getting this minuit. You gotta

1432
01:04:48,400 --> 01:04:50,439
Speaker 5: know that because you be here to day going tomorrow.

1433
01:04:50,480 --> 01:04:54,040
Speaker 5: Don't watch motherfuckers come today, be here it be here today.

1434
01:04:54,080 --> 01:04:54,880
Speaker 5: They can't get a show.

1435
01:04:55,280 --> 01:04:58,200
Speaker 1: DJing is like rappers. It's competition. And you know that.

1436
01:04:58,440 --> 01:05:00,800
Speaker 1: I know he ain't gonna not not admit to that.

1437
01:05:00,840 --> 01:05:03,960
Speaker 3: And I'm gonna tell you why should be different, Like

1438
01:05:04,120 --> 01:05:06,080
Speaker 3: when you're a big dog and I know flex and

1439
01:05:06,160 --> 01:05:08,760
Speaker 3: Kickapri and all these niggas do that, like you know

1440
01:05:08,840 --> 01:05:12,120
Speaker 3: how like the first DJ be there he opened it,

1441
01:05:13,600 --> 01:05:15,320
Speaker 3: Kick Capri would be like, YO, tell that a nigga

1442
01:05:15,360 --> 01:05:17,280
Speaker 3: don't play certain records until I get there.

1443
01:05:17,680 --> 01:05:20,720
Speaker 1: No, sir, No, I'm just saying not maybe not hell

1444
01:05:21,320 --> 01:05:25,440
Speaker 1: maybe not you look you you big dog. You I

1445
01:05:25,520 --> 01:05:27,800
Speaker 1: thought you was allowed to do that to tell if

1446
01:05:27,840 --> 01:05:31,760
Speaker 1: you are open listen, if you break it down, yay,

1447
01:05:32,600 --> 01:05:33,560
Speaker 1: our guest talk.

1448
01:05:33,800 --> 01:05:37,640
Speaker 5: That's not how it how it goes is because I

1449
01:05:37,760 --> 01:05:41,840
Speaker 5: want people to get their money's worth, right. I'm not

1450
01:05:41,960 --> 01:05:45,000
Speaker 5: the dude that's happy to do your fucking event. I'm

1451
01:05:45,040 --> 01:05:48,000
Speaker 5: happy to do your event if everything is treated the

1452
01:05:48,040 --> 01:05:50,400
Speaker 5: way it's supposed to treat for the people that pay

1453
01:05:50,440 --> 01:05:53,280
Speaker 5: they getting to come see me. They're the number one thing,

1454
01:05:53,600 --> 01:05:56,040
Speaker 5: not me, not the promoter. They are the number one thing.

1455
01:05:56,640 --> 01:05:58,920
Speaker 5: So I don't want to come in the show. And

1456
01:05:59,600 --> 01:06:01,720
Speaker 5: the d J that's trying to sound like Kicking pre

1457
01:06:03,520 --> 01:06:06,320
Speaker 5: plays the ship that Kicking pri plays before Kicking pre

1458
01:06:06,400 --> 01:06:10,560
Speaker 5: get a chance to play it at the wrong time. Right,

1459
01:06:11,520 --> 01:06:15,800
Speaker 5: So what I've done was paid for opening DJ for years,

1460
01:06:15,920 --> 01:06:18,320
Speaker 5: all the way up to now to come in. He

1461
01:06:18,480 --> 01:06:20,640
Speaker 5: plays a certain amount of ship that's supposed to be

1462
01:06:20,640 --> 01:06:23,360
Speaker 5: played for opening, and then I do whatever needs to

1463
01:06:23,360 --> 01:06:28,040
Speaker 5: be done, and DJ never for you. There's times there's

1464
01:06:28,160 --> 01:06:32,120
Speaker 5: times we have DJs opening up. But here's the problem.

1465
01:06:32,560 --> 01:06:34,120
Speaker 5: I will go in there and tell them what we

1466
01:06:34,280 --> 01:06:36,560
Speaker 5: need to do to make this ship work in a

1467
01:06:36,640 --> 01:06:39,720
Speaker 5: good way. Right, he would yes me to death.

1468
01:06:40,480 --> 01:06:41,360
Speaker 1: I walk in there.

1469
01:06:41,680 --> 01:06:44,360
Speaker 5: He's doing something totally different. I won't say nothing. To

1470
01:06:44,480 --> 01:06:46,480
Speaker 5: do what you want to do, but you won't work

1471
01:06:46,480 --> 01:06:48,560
Speaker 5: with me no more. You'e what I'm saying. But the

1472
01:06:48,640 --> 01:06:51,480
Speaker 5: dude that did listen to me, which is like my

1473
01:06:51,600 --> 01:06:54,840
Speaker 5: man Jesse, Right, Jesse James, he would working with us.

1474
01:06:54,920 --> 01:06:57,280
Speaker 5: He worked, He's from Indiana. He would work with us

1475
01:06:57,320 --> 01:07:00,480
Speaker 5: for years. I told him to do a certain amount

1476
01:07:00,520 --> 01:07:02,360
Speaker 5: of the things he did it. This dude goes around

1477
01:07:02,360 --> 01:07:04,640
Speaker 5: the country with me for now. You know what I'm saying, Technician,

1478
01:07:04,720 --> 01:07:06,800
Speaker 5: the DJ you know technicians to DJ play for lot

1479
01:07:07,040 --> 01:07:09,400
Speaker 5: keeping with me for twenty five years. Technician, you know

1480
01:07:09,400 --> 01:07:11,040
Speaker 5: what I'm saying. You've been opening with me for a

1481
01:07:11,160 --> 01:07:15,600
Speaker 5: long time. So these are dudes that really understand and

1482
01:07:15,720 --> 01:07:17,960
Speaker 5: care about what's going on, and they know it's not

1483
01:07:18,080 --> 01:07:20,880
Speaker 5: about them. It's about what the event is. But you

1484
01:07:21,080 --> 01:07:23,800
Speaker 5: have dudes that don't think that way. I'm thinking about

1485
01:07:23,840 --> 01:07:25,320
Speaker 5: the people. I'm not thinking about me.

1486
01:07:25,560 --> 01:07:25,600
Speaker 4: No.

1487
01:07:25,720 --> 01:07:28,480
Speaker 1: I thought it was like DJ golden rule, no disrespect, but.

1488
01:07:29,280 --> 01:07:29,720
Speaker 4: It should be.

1489
01:07:30,000 --> 01:07:31,160
Speaker 1: It should be a golden rule.

1490
01:07:32,080 --> 01:07:34,960
Speaker 5: It's the same thing as if you was opening for fifty,

1491
01:07:35,600 --> 01:07:38,000
Speaker 5: right you Tony Yayo. You ain't gonna be doing fifty

1492
01:07:38,040 --> 01:07:39,720
Speaker 5: records before Ricky and fifty come out.

1493
01:07:39,640 --> 01:07:40,720
Speaker 1: There, That's what I'm saying.

1494
01:07:40,800 --> 01:07:42,600
Speaker 5: Right So, if you hire me to no it's these

1495
01:07:42,640 --> 01:07:45,320
Speaker 5: are not my records I'm playing, But you hired me

1496
01:07:45,440 --> 01:07:46,480
Speaker 5: to play these records.

1497
01:07:46,680 --> 01:07:50,040
Speaker 1: You want the chicken free shit. You want that ship.

1498
01:07:50,280 --> 01:07:52,920
Speaker 5: So if you want that impact, how you expect me

1499
01:07:52,960 --> 01:07:54,840
Speaker 5: to play around somebody that's playing the ship? That I

1500
01:07:54,920 --> 01:07:56,840
Speaker 5: need to play to make that impact go. Even though

1501
01:07:56,840 --> 01:07:59,160
Speaker 5: there's a million records to play. I don't know what

1502
01:07:59,280 --> 01:08:01,320
Speaker 5: this man's plans. So I come in playing where he playing,

1503
01:08:01,360 --> 01:08:04,120
Speaker 5: I'm not gonna get the impact that. That's the problem

1504
01:08:04,600 --> 01:08:06,560
Speaker 5: that it's not about what you play, it's about what

1505
01:08:06,760 --> 01:08:08,640
Speaker 5: I know you're playing when you play.

1506
01:08:08,640 --> 01:08:10,520
Speaker 1: And when you play, you know they have to play that.

1507
01:08:11,800 --> 01:08:13,760
Speaker 1: That's what I'm saying. But you want to get it

1508
01:08:13,840 --> 01:08:15,480
Speaker 1: in because you want to get it in the show.

1509
01:08:15,520 --> 01:08:17,439
Speaker 5: You can get it in, you know what I'm saying.

1510
01:08:17,520 --> 01:08:21,240
Speaker 1: Like, that's not that's just like like Golden Rule.

1511
01:08:21,320 --> 01:08:24,880
Speaker 3: I learned like see about being DJ Ruffians twins in

1512
01:08:24,920 --> 01:08:27,360
Speaker 3: them and like tape mastering them like they were like

1513
01:08:27,479 --> 01:08:29,519
Speaker 3: if my man if harcore, you know hardcore. He was

1514
01:08:29,600 --> 01:08:33,160
Speaker 3: like the opening that for Roughians in hardcore, you tell hardcore, no, nigga,

1515
01:08:33,200 --> 01:08:34,200
Speaker 3: don't play this.

1516
01:08:34,360 --> 01:08:36,519
Speaker 1: It was like Golden Rule, like, nah, you you don't.

1517
01:08:40,080 --> 01:08:43,120
Speaker 1: My thing is listen. It doesn't matter what you play.

1518
01:08:43,120 --> 01:08:44,800
Speaker 5: I don't care. I can play the same cheft you'n

1519
01:08:44,880 --> 01:08:46,680
Speaker 5: still do what I do. It doesn't really matter. At

1520
01:08:46,680 --> 01:08:49,080
Speaker 5: the end of the day, there is you should know

1521
01:08:50,360 --> 01:08:54,000
Speaker 5: if you call yourself a good djil, a good performer,

1522
01:08:54,160 --> 01:08:55,840
Speaker 5: good anything. You should be able to do. Ship with

1523
01:08:55,960 --> 01:08:59,439
Speaker 5: C and D seeing D joints coming there, shake that ship.

1524
01:09:00,080 --> 01:09:03,800
Speaker 5: And then when you do your own events and you

1525
01:09:04,080 --> 01:09:07,400
Speaker 5: have an opener or you want your event to move

1526
01:09:07,479 --> 01:09:09,760
Speaker 5: a certain kind of way because you have a vision

1527
01:09:09,800 --> 01:09:11,439
Speaker 5: of how you want it to be done, the same

1528
01:09:11,479 --> 01:09:13,439
Speaker 5: way a promoter has a vision of how you want

1529
01:09:13,680 --> 01:09:16,040
Speaker 5: his event to go. It's the same ship as a strategy,

1530
01:09:16,040 --> 01:09:19,000
Speaker 5: as a science. Don't be mad because somebody has a

1531
01:09:19,120 --> 01:09:22,240
Speaker 5: science and you don't. You just free falling. You glad

1532
01:09:22,280 --> 01:09:24,400
Speaker 5: to be attached to the ship, so you let to

1533
01:09:24,439 --> 01:09:26,760
Speaker 5: put you anywhere, talk to you any kind of way,

1534
01:09:27,080 --> 01:09:29,280
Speaker 5: do whatever to you, and you just dead because you

1535
01:09:29,360 --> 01:09:31,040
Speaker 5: want to be attached to the event where I'll tell

1536
01:09:31,040 --> 01:09:32,639
Speaker 5: you go take your event, shove it up your ass.

1537
01:09:32,640 --> 01:09:34,360
Speaker 5: If you ain't gonna respect what I need to be done,

1538
01:09:34,720 --> 01:09:37,000
Speaker 5: you ain't gonna come and tell Jay how to rhyme

1539
01:09:37,080 --> 01:09:38,840
Speaker 5: on a mic. You ain't gonna tell him to stand

1540
01:09:38,880 --> 01:09:41,200
Speaker 5: in o' corner. You're gonna tell Uncle Murder he can't

1541
01:09:41,240 --> 01:09:42,800
Speaker 5: do his wrap up at his show.

1542
01:09:44,120 --> 01:09:44,519
Speaker 1: You can't.

1543
01:09:45,240 --> 01:09:46,680
Speaker 5: So you're gonna tell me how to do what I

1544
01:09:46,840 --> 01:09:48,600
Speaker 5: do and how it should be done. You see what

1545
01:09:48,600 --> 01:09:51,240
Speaker 5: I'm saying, Murder, This is what I'm saying, And so

1546
01:09:51,720 --> 01:09:54,000
Speaker 5: we got to eat that. And like I said, for

1547
01:09:54,160 --> 01:09:56,639
Speaker 5: years it been the DJ was looked at us he's

1548
01:09:56,680 --> 01:09:59,640
Speaker 5: the bottom, like he's the bottom one, like you know

1549
01:09:59,640 --> 01:10:01,800
Speaker 5: what I'm saying, and like dog. But at the end

1550
01:10:01,840 --> 01:10:04,200
Speaker 5: of the day, everybody fucking relies on the DJ for

1551
01:10:04,280 --> 01:10:07,439
Speaker 5: your concerts, for your radio we played your record, be

1552
01:10:07,479 --> 01:10:10,080
Speaker 5: played on radio for your mixtape. Ship. You know what

1553
01:10:10,080 --> 01:10:13,120
Speaker 5: I'm saying. The better, the better producers, the DJs, like

1554
01:10:13,720 --> 01:10:15,640
Speaker 5: you've allowed on the DJ for every day. But you

1555
01:10:15,720 --> 01:10:17,160
Speaker 5: want to look at him as he's the bottom. You

1556
01:10:17,240 --> 01:10:18,599
Speaker 5: want to put him over here on the states, put

1557
01:10:18,680 --> 01:10:20,360
Speaker 5: him on the bottom of the fly. Talk them any

1558
01:10:20,439 --> 01:10:22,320
Speaker 5: kind of way with you're an artist walking in talking

1559
01:10:22,320 --> 01:10:24,960
Speaker 5: to the DJ crazy like you see that they.

1560
01:10:25,360 --> 01:10:28,280
Speaker 1: The DJs, man, stop playing. This is what I'm saying.

1561
01:10:28,360 --> 01:10:30,080
Speaker 1: So this is why I started that.

1562
01:10:30,680 --> 01:10:33,800
Speaker 5: This is why I started rapping again and get going

1563
01:10:33,880 --> 01:10:36,200
Speaker 5: back in the beats and doing my ship again because

1564
01:10:36,439 --> 01:10:38,799
Speaker 5: when I put Live from New York out, real rappers

1565
01:10:38,800 --> 01:10:40,519
Speaker 5: will look at it like, oh, us kids just putting

1566
01:10:40,520 --> 01:10:41,320
Speaker 5: out a party record.

1567
01:10:41,400 --> 01:10:43,160
Speaker 1: He he, that's cute.

1568
01:10:43,720 --> 01:10:46,160
Speaker 5: And then I put talk heavy on their ass. And

1569
01:10:46,200 --> 01:10:48,000
Speaker 5: when I dropped talk heavy on the ass, that let

1570
01:10:48,080 --> 01:10:49,840
Speaker 5: them know you got to push your pen. You know

1571
01:10:49,880 --> 01:10:52,360
Speaker 5: what I'm saying. And it's DJK canpreciow you that. So

1572
01:10:52,439 --> 01:10:54,559
Speaker 5: don't look at us like we just won you doing

1573
01:10:54,640 --> 01:10:58,680
Speaker 5: one thing. Nah, we could do it all right, right,

1574
01:10:58,880 --> 01:11:01,439
Speaker 5: So that's what that's why I stand tall and stand

1575
01:11:01,479 --> 01:11:05,200
Speaker 5: on it like that. And you know that's how a

1576
01:11:05,240 --> 01:11:06,840
Speaker 5: lot of people should think of me. That it doesn't

1577
01:11:06,880 --> 01:11:08,920
Speaker 5: have to do with the DJ because anything standing on

1578
01:11:08,960 --> 01:11:11,120
Speaker 5: your ship, don't let nobody tell you how you see

1579
01:11:11,200 --> 01:11:13,400
Speaker 5: your vision and how your vision is supposed to go

1580
01:11:13,560 --> 01:11:16,200
Speaker 5: because they don't see it that way, they don't see

1581
01:11:16,240 --> 01:11:17,639
Speaker 5: the word in it, or they don't see that it's

1582
01:11:17,640 --> 01:11:19,640
Speaker 5: supposed to be that way, or he's a deck You

1583
01:11:19,720 --> 01:11:21,599
Speaker 5: call me a diva because I don't want my ship

1584
01:11:21,760 --> 01:11:26,240
Speaker 5: situated that way. Definitely, you're gonna tell your boss he's

1585
01:11:26,240 --> 01:11:28,000
Speaker 5: a deep because he wants you to work a certain way.

1586
01:11:28,080 --> 01:11:31,920
Speaker 1: Mother, like, no, this is me man pree Man. I

1587
01:11:31,960 --> 01:11:35,720
Speaker 1: got a question for you, right if you had an

1588
01:11:35,760 --> 01:11:37,240
Speaker 1: old Caucasian crowd.

1589
01:11:37,880 --> 01:11:40,679
Speaker 3: What's the first what's the first place records you play

1590
01:11:41,400 --> 01:11:42,519
Speaker 3: old Caucasian crowd.

1591
01:11:43,040 --> 01:11:46,280
Speaker 5: Probably start with I love rock and roll.

1592
01:11:47,840 --> 01:11:51,880
Speaker 1: Love rocking bro, something like that. You know, that's all.

1593
01:11:52,280 --> 01:11:54,680
Speaker 1: I didn't know that song. You never heard that song,

1594
01:11:55,439 --> 01:11:59,320
Speaker 1: love rocking Bro. That's a good I did look at that. Okay,

1595
01:11:59,479 --> 01:12:05,360
Speaker 1: so I something so say we in Washington Heights, what's

1596
01:12:05,400 --> 01:12:09,200
Speaker 1: the first record? Hall ofm We? Thankment? In the Spanish

1597
01:12:09,640 --> 01:12:11,160
Speaker 1: Spanish Harlem, what's the.

1598
01:12:11,200 --> 01:12:14,120
Speaker 5: First Spanish harm I'm probably gonna play something by Daddy Yankee,

1599
01:12:16,439 --> 01:12:19,679
Speaker 5: like what's that? Uh Gasolina and that's old.

1600
01:12:19,560 --> 01:12:23,720
Speaker 1: But Jos gonna work. It's gonna work that one, with

1601
01:12:23,840 --> 01:12:27,799
Speaker 1: that one and now you know bad Bunny out.

1602
01:12:28,400 --> 01:12:32,160
Speaker 3: Definitely gonna go with that. Okay, let's go say we

1603
01:12:32,320 --> 01:12:34,720
Speaker 3: got a whole African crowd. Shout out to all my Africans,

1604
01:12:35,360 --> 01:12:36,559
Speaker 3: say we got an African crowd.

1605
01:12:36,560 --> 01:12:39,200
Speaker 5: What you're gonna with, Probably gonna go with them. Probably

1606
01:12:39,200 --> 01:12:47,360
Speaker 5: gonna go with the Soka jump boopy. Yeah, she's gonna shake.

1607
01:12:48,640 --> 01:12:52,680
Speaker 5: What about Jamaican Jamaican? Just about anything Jamaican.

1608
01:12:58,120 --> 01:12:59,080
Speaker 1: Because that's the funt.

1609
01:12:59,200 --> 01:13:02,760
Speaker 3: I'm just saying, that's hey, did you make That's just

1610
01:13:03,960 --> 01:13:05,960
Speaker 3: that's just that's you know, I'm just saying just the

1611
01:13:06,160 --> 01:13:09,160
Speaker 3: mindset of a DJ. That's why I think your job

1612
01:13:09,280 --> 01:13:10,599
Speaker 3: is kind of harder than the rapper.

1613
01:13:11,120 --> 01:13:13,760
Speaker 1: Of course it is. That's how you get up there.

1614
01:13:14,240 --> 01:13:15,080
Speaker 5: Well, I'm not gonna say you.

1615
01:13:18,600 --> 01:13:24,160
Speaker 1: Let hard it's the singers. No, No, I'm gonna give

1616
01:13:24,160 --> 01:13:27,240
Speaker 1: you an example. If murder if like, if you was

1617
01:13:27,280 --> 01:13:30,560
Speaker 1: to say, yo, yo yo, we got a d J

1618
01:13:30,760 --> 01:13:33,880
Speaker 1: in Boston, right, let me talk now, don't come in

1619
01:13:34,560 --> 01:13:37,000
Speaker 1: you all, let me talk yo. He loved your hood

1620
01:13:37,000 --> 01:13:41,360
Speaker 1: for the record, for me, for Melogan, I'm a rapper. Look,

1621
01:13:41,439 --> 01:13:43,519
Speaker 1: I used to DJ. I'm a rapper and I used

1622
01:13:43,560 --> 01:13:43,880
Speaker 1: to DJ.

1623
01:13:44,080 --> 01:13:46,680
Speaker 3: So if you tell me, if they say yo, it's

1624
01:13:46,720 --> 01:13:50,160
Speaker 3: an all white crowd, Caucasian and we go to Boston,

1625
01:13:50,479 --> 01:13:51,840
Speaker 3: don't say nothing to murder kick Capri.

1626
01:13:52,200 --> 01:13:56,599
Speaker 1: What record would you play in Boston? The all white record?

1627
01:13:57,320 --> 01:13:59,439
Speaker 1: I might throw some posts Malone on something like that.

1628
01:13:59,760 --> 01:14:02,560
Speaker 1: Wrong on man and I shout the post Malone. You

1629
01:14:02,640 --> 01:14:05,720
Speaker 1: know what I mean? You know what killer crowd. But

1630
01:14:07,479 --> 01:14:16,439
Speaker 1: damn and sweet Carolne, I'm starting. I'm starting with that.

1631
01:14:16,479 --> 01:14:20,360
Speaker 6: Because that's because you're not so good. Why that's why

1632
01:14:20,439 --> 01:14:22,880
Speaker 6: your name is not I'm not you. I'm not you,

1633
01:14:23,080 --> 01:14:24,160
Speaker 6: But that's what I'm starting.

1634
01:14:26,600 --> 01:14:27,240
Speaker 5: I wouldn't start.

1635
01:14:27,479 --> 01:14:29,920
Speaker 1: You never heard that ship? I never heard. But again

1636
01:14:30,120 --> 01:14:33,240
Speaker 1: there's a science, of course I heard, yeah, but.

1637
01:14:35,120 --> 01:14:36,880
Speaker 5: Science to everything you don't know.

1638
01:14:37,080 --> 01:14:39,320
Speaker 1: I'm starting with that. I bet you I moved the crowd.

1639
01:14:40,960 --> 01:14:41,880
Speaker 1: Bet you money.

1640
01:14:42,520 --> 01:14:45,760
Speaker 3: The crowd they walking out. I'm talking about all Caucasian

1641
01:14:45,800 --> 01:14:49,200
Speaker 3: crowd walk in. Man, that's my first record. Now when

1642
01:14:49,800 --> 01:14:51,960
Speaker 3: that's what I play some E d M, I'm gonna

1643
01:14:51,960 --> 01:14:52,360
Speaker 3: start DJ.

1644
01:14:52,920 --> 01:14:55,920
Speaker 1: That might not work either, mm hmm night. So what

1645
01:14:56,080 --> 01:14:58,120
Speaker 1: was depending on the crowd got you? Because there's a

1646
01:14:58,120 --> 01:15:00,720
Speaker 1: different white crowds exactly? Then you you know what I'm saying,

1647
01:15:00,800 --> 01:15:02,880
Speaker 1: you got a different So say with us, like you

1648
01:15:02,920 --> 01:15:05,080
Speaker 1: got to what would you play? What would I play?

1649
01:15:05,120 --> 01:15:05,759
Speaker 1: In the white curtain?

1650
01:15:07,040 --> 01:15:09,840
Speaker 5: It depends depends on you know who's in front of me.

1651
01:15:10,280 --> 01:15:12,920
Speaker 1: That's the thing I look at the I walk it out,

1652
01:15:12,960 --> 01:15:14,479
Speaker 1: look and see what's going on right down and what

1653
01:15:14,520 --> 01:15:14,680
Speaker 1: to do.

1654
01:15:15,080 --> 01:15:16,840
Speaker 5: Jim Watsher will do it all the time. I just

1655
01:15:16,920 --> 01:15:19,519
Speaker 5: look to see done. It doesn't matter if it's an arena.

1656
01:15:20,880 --> 01:15:22,680
Speaker 1: Just got I know what he means. He got that.

1657
01:15:22,800 --> 01:15:24,679
Speaker 5: I've been so used to doing it all my life.

1658
01:15:25,439 --> 01:15:26,639
Speaker 5: That ship is a second nature.

1659
01:15:27,200 --> 01:15:28,599
Speaker 1: Like when he go to d C he know he's

1660
01:15:28,600 --> 01:15:29,720
Speaker 1: gonna play some go Go ship.

1661
01:15:30,439 --> 01:15:32,840
Speaker 5: It's the way you play it, though, I know it's

1662
01:15:32,920 --> 01:15:34,000
Speaker 5: the way you play that.

1663
01:15:34,120 --> 01:15:36,320
Speaker 6: Sweet Caroline, you don't even know about go Go and DC,

1664
01:15:36,439 --> 01:15:39,960
Speaker 6: you know, Sweet Carol in Boston, Shout.

1665
01:15:39,760 --> 01:15:43,360
Speaker 1: To Boston, sweet cat. I'm not using the COPT.

1666
01:15:45,720 --> 01:15:48,320
Speaker 6: Want to know this, hies you and funk flex relationship

1667
01:15:48,360 --> 01:15:50,120
Speaker 6: these days, y'all, y'all in the good space, because I

1668
01:15:50,200 --> 01:15:53,200
Speaker 6: remember a couple of years ago with some back and

1669
01:15:53,320 --> 01:15:54,880
Speaker 6: forth on line, and don't sit the pants say it

1670
01:15:55,000 --> 01:15:57,800
Speaker 6: was never nothing because there was some drama. I say

1671
01:15:57,840 --> 01:16:01,160
Speaker 6: that it was drama personally, Yeah, I never know, okay,

1672
01:16:01,200 --> 01:16:06,880
Speaker 6: all right, it was more internet radio competition, competition, Okay, okay.

1673
01:16:07,520 --> 01:16:08,920
Speaker 1: I just wanted to know because I never spoke to

1674
01:16:08,960 --> 01:16:09,360
Speaker 1: you about it.

1675
01:16:09,680 --> 01:16:11,479
Speaker 5: Flex cool today is okay?

1676
01:16:11,560 --> 01:16:14,080
Speaker 1: God? After the time, Flex was.

1677
01:16:16,240 --> 01:16:19,080
Speaker 5: He needed a little tap on his hand for a

1678
01:16:19,160 --> 01:16:22,680
Speaker 5: minute because he was he was he's flexed like he

1679
01:16:22,760 --> 01:16:25,120
Speaker 5: says what he says, he does what he does. You

1680
01:16:25,200 --> 01:16:28,680
Speaker 5: know where you know, you step in my arena, it

1681
01:16:28,840 --> 01:16:30,880
Speaker 5: you know, it goes away, it goes and it was

1682
01:16:30,920 --> 01:16:32,559
Speaker 5: all dope though, but you.

1683
01:16:34,240 --> 01:16:37,880
Speaker 1: Step in my arena. That's how anybody post to feel

1684
01:16:38,040 --> 01:16:40,360
Speaker 1: like you know what I mean? He said it, that's

1685
01:16:40,400 --> 01:16:41,120
Speaker 1: like cocky ship.

1686
01:16:41,160 --> 01:16:41,519
Speaker 5: I liked it.

1687
01:16:45,880 --> 01:16:49,040
Speaker 1: I would love to see DJ battles the game got

1688
01:16:49,160 --> 01:16:53,519
Speaker 1: so how would a DJ bad? I love to see

1689
01:16:53,600 --> 01:16:56,120
Speaker 1: DJ DJ badd always right.

1690
01:16:56,200 --> 01:16:58,880
Speaker 6: Like you in the Flex having y'all little y'all going

1691
01:16:58,960 --> 01:17:01,160
Speaker 6: back and forth for a minute right now, How would

1692
01:17:01,680 --> 01:17:03,320
Speaker 6: how would you settle something like that?

1693
01:17:03,520 --> 01:17:07,280
Speaker 1: Like mother? How would a DJ battle? And how would

1694
01:17:07,320 --> 01:17:12,200
Speaker 1: you come up with a winner? Whoever? Whoever shook the

1695
01:17:12,280 --> 01:17:14,320
Speaker 1: crowd the best? There you go? What do you mean?

1696
01:17:14,479 --> 01:17:16,280
Speaker 1: Has that been done before? With the with the DJ

1697
01:17:16,439 --> 01:17:17,599
Speaker 1: is like that DJ battle?

1698
01:17:20,560 --> 01:17:21,040
Speaker 4: Let me murder?

1699
01:17:21,080 --> 01:17:23,200
Speaker 1: Let me this is real? Talking about it being done recently?

1700
01:17:23,280 --> 01:17:30,920
Speaker 1: Like you know, yeah, scenes every year you got the battle?

1701
01:17:31,720 --> 01:17:33,720
Speaker 1: Talking about knowing he telling me what happened? You talking

1702
01:17:33,720 --> 01:17:34,439
Speaker 1: about party?

1703
01:17:34,600 --> 01:17:36,720
Speaker 5: You talking about a battle that me and Flex would

1704
01:17:36,760 --> 01:17:39,240
Speaker 5: have dead man flex if it's me a Flex, anybody

1705
01:17:39,400 --> 01:17:39,840
Speaker 5: do what I do?

1706
01:17:40,120 --> 01:17:40,519
Speaker 1: How would that?

1707
01:17:40,600 --> 01:17:41,360
Speaker 4: How that he.

1708
01:17:44,000 --> 01:17:45,000
Speaker 5: And how would have been in battle?

1709
01:17:45,200 --> 01:17:45,519
Speaker 1: Oh? Right?

1710
01:17:45,600 --> 01:17:47,600
Speaker 5: God, you know what I'm saying. Whatever time, I know

1711
01:17:48,000 --> 01:17:49,040
Speaker 5: what you get in that hour?

1712
01:17:49,200 --> 01:17:50,760
Speaker 1: You know what I'm saying? Is this right?

1713
01:17:51,600 --> 01:17:54,160
Speaker 3: That's like how niggas don't got the slim dune contest,

1714
01:17:54,240 --> 01:17:56,920
Speaker 3: no stars do it. If you had DJ battles like

1715
01:17:57,560 --> 01:17:59,200
Speaker 3: a Flex versus Kid Capri.

1716
01:17:59,200 --> 01:18:01,040
Speaker 1: Nigga not, that would be crazy.

1717
01:18:01,120 --> 01:18:03,360
Speaker 3: Look not on the verses though, but like back in

1718
01:18:03,439 --> 01:18:06,320
Speaker 3: the days, like in the club, like the tunnels, Like

1719
01:18:06,439 --> 01:18:09,400
Speaker 3: in the tunnel, if you caught had to set and.

1720
01:18:10,720 --> 01:18:14,080
Speaker 1: Flex had to set, that's classic ship. But see, that's

1721
01:18:14,080 --> 01:18:18,680
Speaker 1: what I'm saying. I'd rather that. I don't. That's what

1722
01:18:18,800 --> 01:18:22,120
Speaker 1: it was about. I didn't That's what listen. I didn't

1723
01:18:22,160 --> 01:18:22,519
Speaker 1: want that.

1724
01:18:22,840 --> 01:18:25,880
Speaker 5: I didn't want that with me in Flex. Let's get

1725
01:18:25,920 --> 01:18:28,040
Speaker 5: that straight. You know what I'm saying, I don't get

1726
01:18:29,560 --> 01:18:32,240
Speaker 5: I don't look for the wild factor by knocking another

1727
01:18:32,360 --> 01:18:33,679
Speaker 5: man down, you know what I'm saying.

1728
01:18:33,840 --> 01:18:37,080
Speaker 1: So I don't pause like yeah, knock.

1729
01:18:37,560 --> 01:18:39,240
Speaker 5: That was a right, that was a little crazy.

1730
01:18:39,640 --> 01:18:42,800
Speaker 1: But but what I'm saying is, you know, I don't.

1731
01:18:42,840 --> 01:18:45,439
Speaker 5: I don't get nothing from that, so I and you know,

1732
01:18:46,320 --> 01:18:50,519
Speaker 5: but it was necessary because of what was going on.

1733
01:18:50,720 --> 01:18:52,280
Speaker 5: And the ship was funny too, because I was putting

1734
01:18:52,280 --> 01:18:55,360
Speaker 5: a lot of funny ship. You know, you know, it

1735
01:18:55,479 --> 01:18:59,360
Speaker 5: became what it became. But he has said things to

1736
01:18:59,439 --> 01:19:02,400
Speaker 5: a lot of people and never say anything back. You

1737
01:19:02,479 --> 01:19:05,200
Speaker 5: know what I'm saying, and this time something was set

1738
01:19:05,320 --> 01:19:08,200
Speaker 5: back in a way that it was a little stronger,

1739
01:19:08,200 --> 01:19:10,160
Speaker 5: and you probably thought it was gonna be but it

1740
01:19:10,200 --> 01:19:11,840
Speaker 5: didn't need to go no further than that. And like

1741
01:19:11,920 --> 01:19:15,400
Speaker 5: I said, it was impersonal. If you would have called

1742
01:19:15,439 --> 01:19:16,840
Speaker 5: me right in the middle of all that ship going

1743
01:19:16,880 --> 01:19:18,120
Speaker 5: on and said can I need you for something? I

1744
01:19:18,120 --> 01:19:19,160
Speaker 5: would have been right there, got you.

1745
01:19:19,800 --> 01:19:24,120
Speaker 1: It's probably Yeah, this is how I look at it.

1746
01:19:24,280 --> 01:19:27,160
Speaker 3: It's all about like like I said, you would love

1747
01:19:27,240 --> 01:19:31,360
Speaker 3: to see kick a pre and not not beef for nothing,

1748
01:19:31,439 --> 01:19:36,160
Speaker 3: but flex in a club together and whoever had the

1749
01:19:36,240 --> 01:19:38,519
Speaker 3: best set. To me, it's always been about the best set,

1750
01:19:38,800 --> 01:19:39,759
Speaker 3: like you being a party.

1751
01:19:39,800 --> 01:19:43,120
Speaker 1: And I don't like that though, hold on, but why

1752
01:19:43,800 --> 01:19:44,479
Speaker 1: why you don't like that?

1753
01:19:45,040 --> 01:19:48,439
Speaker 5: Because that's that's the same ship as the Kendrick and

1754
01:19:48,560 --> 01:19:52,840
Speaker 5: the Drake beef. It doesn't become about skill. It becomes

1755
01:19:52,880 --> 01:19:57,000
Speaker 5: about knocking the one that lost down. It becomes about

1756
01:19:57,120 --> 01:20:01,240
Speaker 5: shooting at the one that lost down. Like it becomes that.

1757
01:20:01,520 --> 01:20:04,240
Speaker 5: It don't become about he was dope, he won done.

1758
01:20:04,479 --> 01:20:07,200
Speaker 5: It becomes some other ship. And then with this Internet ship,

1759
01:20:07,560 --> 01:20:10,439
Speaker 5: it magnifies it to a whole other level. So that's

1760
01:20:10,479 --> 01:20:12,240
Speaker 5: why when You heard Ja the other day say that

1761
01:20:12,360 --> 01:20:14,879
Speaker 5: he didn't think battling it should be involved with anything,

1762
01:20:15,720 --> 01:20:18,640
Speaker 5: and nowadays that's what he meant. Not that this is

1763
01:20:18,720 --> 01:20:23,639
Speaker 5: based off batter but when it comes to knocking down

1764
01:20:23,800 --> 01:20:27,320
Speaker 5: careers and knocking down and making another narrative, motherfuckers getting

1765
01:20:27,320 --> 01:20:30,040
Speaker 5: shot at and all that, now it becomes something different.

1766
01:20:30,040 --> 01:20:39,439
Speaker 1: I mean, people been getting shot at. You got to

1767
01:20:39,520 --> 01:20:40,120
Speaker 1: have tough skin.

1768
01:20:40,680 --> 01:20:51,400
Speaker 6: Listen, you wrest one. Listen, everybody that's king rest one, everybody.

1769
01:20:51,680 --> 01:20:57,080
Speaker 3: Sharing be We know hip hop was always about competition, bro, Like,

1770
01:20:57,280 --> 01:20:59,760
Speaker 3: it ain't nothing negative. I know sometimes it might go

1771
01:21:00,200 --> 01:21:03,760
Speaker 3: to some let me talk that look, but like like

1772
01:21:04,040 --> 01:21:08,120
Speaker 3: like even fifty said, we from Queens, Come on, y'all.

1773
01:21:08,160 --> 01:21:10,439
Speaker 3: Motherfuckers got shout out on and on all that ship

1774
01:21:10,680 --> 01:21:13,519
Speaker 3: that nigga care resting and Queen's keep on faking it.

1775
01:21:14,160 --> 01:21:17,519
Speaker 1: Nigga, we were still listening to that ship, Like, but

1776
01:21:17,720 --> 01:21:22,240
Speaker 1: you know what Bro created, you can keep on taking

1777
01:21:22,320 --> 01:21:26,599
Speaker 1: it and Queens people faking it like what Listen, But look,

1778
01:21:26,640 --> 01:21:29,040
Speaker 1: the beat was so hard and what he was saying

1779
01:21:29,160 --> 01:21:33,400
Speaker 1: was so crazy. Niggas had the respected MC ship and beef.

1780
01:21:33,720 --> 01:21:34,320
Speaker 4: We liked it.

1781
01:21:35,000 --> 01:21:38,120
Speaker 1: Nah, say fucking Jay, don't act like you didn't like that, Shi.

1782
01:21:38,120 --> 01:21:39,000
Speaker 1: It was incredible.

1783
01:21:39,600 --> 01:21:46,960
Speaker 5: Sadly, I'm talking no, no, no, non doing what I said.

1784
01:21:47,240 --> 01:21:51,400
Speaker 1: What y'all said was, I'm not talking about that as fuck.

1785
01:21:51,520 --> 01:21:56,800
Speaker 7: Okay, y'all for battles being for the battle being too dope, motherfuckers,

1786
01:21:57,240 --> 01:21:59,720
Speaker 7: to people getting shot at because one don't like the

1787
01:21:59,800 --> 01:22:02,640
Speaker 7: other one because the crowd the same thing.

1788
01:22:02,720 --> 01:22:06,320
Speaker 5: They're shooting that drake at his fucking crib because and

1789
01:22:06,439 --> 01:22:09,479
Speaker 5: there kindred fans, because they're kindred fans.

1790
01:22:09,560 --> 01:22:12,559
Speaker 1: When it becomes that goes something different.

1791
01:22:14,160 --> 01:22:17,760
Speaker 8: That that's what I'm talking about. So, yeah, of course

1792
01:22:17,800 --> 01:22:19,840
Speaker 8: you want batter. It keeps your shot, it keeps your

1793
01:22:19,880 --> 01:22:26,839
Speaker 8: ads sharp, like yeah, And it's exactly, it's exciting, it's exactly.

1794
01:22:26,880 --> 01:22:30,559
Speaker 5: It's beautiful if it stays where it's supposed to stay

1795
01:22:31,000 --> 01:22:32,639
Speaker 5: like Jay and Nas did.

1796
01:22:32,880 --> 01:22:35,000
Speaker 1: They did a battle. Next thing though they're doing business

1797
01:22:35,040 --> 01:22:40,160
Speaker 1: with bullshit, bullshit bull how's that bullshit? That's the talk

1798
01:22:40,240 --> 01:22:44,200
Speaker 1: about the baby seat, not the baby seat ship with

1799
01:22:44,600 --> 01:22:46,840
Speaker 1: Nod's daughter, Nigga. What are you talking about talking about?

1800
01:22:47,320 --> 01:22:50,120
Speaker 3: Jay said in the battle, nothing should ever go too far, right,

1801
01:22:50,640 --> 01:22:52,880
Speaker 3: that's what he said. And the ship right when we

1802
01:22:53,000 --> 01:22:55,479
Speaker 3: look at the well in his song, what did he say?

1803
01:22:55,960 --> 01:22:58,280
Speaker 3: It's not about what he said on the baby seat.

1804
01:22:58,439 --> 01:23:00,719
Speaker 1: It's not about paying attention.

1805
01:23:01,040 --> 01:23:04,160
Speaker 4: You can't say this. You show this.

1806
01:23:05,439 --> 01:23:09,559
Speaker 1: It's not paying it say. It's not about what he's say,

1807
01:23:09,760 --> 01:23:11,280
Speaker 1: It's about the end result.

1808
01:23:12,400 --> 01:23:13,160
Speaker 4: It was a battle.

1809
01:23:13,479 --> 01:23:16,760
Speaker 5: Regardless what he said, they end up doing business afterwards,

1810
01:23:17,160 --> 01:23:19,120
Speaker 5: not nobody shooting at each other.

1811
01:23:19,400 --> 01:23:25,559
Speaker 1: Okay, hold on, hold on, I'm going to say something.

1812
01:23:25,600 --> 01:23:30,160
Speaker 4: No hold on, no no no no no no, no, no,

1813
01:23:30,520 --> 01:23:35,960
Speaker 4: no no no fuck you no, no you you listen.

1814
01:23:37,680 --> 01:23:43,080
Speaker 1: On that whole hold hold up, pause, paused, super paws.

1815
01:23:43,560 --> 01:23:46,240
Speaker 1: I don't know again, but get your point pause. It

1816
01:23:46,320 --> 01:23:49,920
Speaker 1: was too right there what I'm saying to you. Listen,

1817
01:23:50,680 --> 01:23:51,920
Speaker 1: Jane said. Listen.

1818
01:23:52,880 --> 01:23:54,720
Speaker 3: Jane said no, because I hate you with my I'm

1819
01:23:54,880 --> 01:23:58,400
Speaker 3: keeping REALM said in the interview, right your point across by.

1820
01:23:58,600 --> 01:23:59,280
Speaker 1: Jane said in the.

1821
01:23:59,320 --> 01:24:03,840
Speaker 3: Interview that battle rap goes too far right in him

1822
01:24:03,920 --> 01:24:07,120
Speaker 3: and knas battle. Did he refer to being in his

1823
01:24:07,280 --> 01:24:11,920
Speaker 3: baby mom's haul and coming on the excuse me YouTube?

1824
01:24:12,080 --> 01:24:14,639
Speaker 3: Ute that something on the car seat? Didn't he say

1825
01:24:14,680 --> 01:24:19,360
Speaker 3: that in that battle? Okay, now listen, now let me

1826
01:24:19,400 --> 01:24:20,080
Speaker 3: say something.

1827
01:24:24,800 --> 01:24:27,960
Speaker 1: Crazy. What I gotta say is yo, your brother, he's drunk.

1828
01:24:28,000 --> 01:24:30,240
Speaker 1: No he helos. But I got to my brother. I

1829
01:24:30,280 --> 01:24:31,800
Speaker 1: gotta give my brother, I got it, I got I

1830
01:24:31,840 --> 01:24:33,000
Speaker 1: gotta give him his props on that.

1831
01:24:33,439 --> 01:24:33,680
Speaker 4: You know what.

1832
01:24:33,920 --> 01:24:36,280
Speaker 6: I gotta give miss props in that, because because when

1833
01:24:36,280 --> 01:24:38,720
Speaker 6: you do say, when you do say battle line, some

1834
01:24:38,880 --> 01:24:41,439
Speaker 6: things go too far. Right between him and NOAs that

1835
01:24:41,720 --> 01:24:43,640
Speaker 6: was a limit too for me. I can expect that

1836
01:24:43,800 --> 01:24:45,920
Speaker 6: that was too far for ja. I'm not gonna front.

1837
01:24:46,040 --> 01:24:48,320
Speaker 6: When you think about it, it was it could have went.

1838
01:24:48,760 --> 01:24:49,920
Speaker 6: It could have went to the next level.

1839
01:24:49,960 --> 01:24:50,600
Speaker 4: We live it.

1840
01:24:50,960 --> 01:24:54,040
Speaker 6: It didn't, right, it didn't, But behind saying something like

1841
01:24:54,120 --> 01:24:56,200
Speaker 6: that it could have went to the next level, Dude,

1842
01:24:56,280 --> 01:24:56,840
Speaker 6: you know.

1843
01:24:57,560 --> 01:25:02,000
Speaker 1: How much personal ship real battle rappers say to each other.

1844
01:25:02,400 --> 01:25:03,840
Speaker 1: We're not talking about them battle.

1845
01:25:05,520 --> 01:25:06,519
Speaker 4: You know about.

1846
01:25:09,880 --> 01:25:11,920
Speaker 6: Because battle rappers is did in front of each other.

1847
01:25:11,960 --> 01:25:14,120
Speaker 6: They saying certain things they prepare for that, right, like

1848
01:25:14,240 --> 01:25:19,519
Speaker 6: they were talking about that, we're talking about battle we

1849
01:25:19,600 --> 01:25:22,760
Speaker 6: talking about like talking about you want to see certain ship,

1850
01:25:22,880 --> 01:25:23,960
Speaker 6: like you want to see.

1851
01:25:23,840 --> 01:25:26,519
Speaker 1: You surprising weapons, you want to see Drake. You want

1852
01:25:26,560 --> 01:25:27,799
Speaker 1: to see Drake versus Kendrick.

1853
01:25:27,880 --> 01:25:30,160
Speaker 6: Right, But people did feel like when like the little

1854
01:25:30,200 --> 01:25:33,000
Speaker 6: pedophile things like right, that was going too far. When

1855
01:25:33,080 --> 01:25:36,000
Speaker 6: when when Drake started talking about the nigga BM and

1856
01:25:36,479 --> 01:25:39,559
Speaker 6: and his girl and the kids and like that baby

1857
01:25:39,640 --> 01:25:41,479
Speaker 6: might not be in his people feel like, all right

1858
01:25:41,560 --> 01:25:44,160
Speaker 6: now the battery was getting a little like they're going

1859
01:25:44,200 --> 01:25:47,960
Speaker 6: a little left with it, right, But to criticize that,

1860
01:25:48,439 --> 01:25:50,200
Speaker 6: to say that, all I'm saying from what he was saying,

1861
01:25:50,280 --> 01:25:52,080
Speaker 6: right for Jay to say when certain thing is going

1862
01:25:52,120 --> 01:25:54,240
Speaker 6: too far, and then you mentioned something like kids and

1863
01:25:54,720 --> 01:25:57,439
Speaker 6: coming on baby seat, that was far and things could

1864
01:25:57,439 --> 01:25:59,720
Speaker 6: have went left. And we had social media back then,

1865
01:26:00,080 --> 01:26:03,200
Speaker 6: right back then, when Jay said that if social media

1866
01:26:03,640 --> 01:26:05,760
Speaker 6: was alive back then, that shit could have went crazy.

1867
01:26:06,400 --> 01:26:08,839
Speaker 6: It could have went crazy. But of course j mature

1868
01:26:08,960 --> 01:26:11,120
Speaker 6: now and he get it, and he realized, now, damn,

1869
01:26:11,200 --> 01:26:13,720
Speaker 6: certain things you say, all right, it could fuck up.

1870
01:26:13,760 --> 01:26:15,479
Speaker 6: You know what I'm saying, because a nigga mature now

1871
01:26:15,479 --> 01:26:17,120
Speaker 6: when you get it. Damn, certain things shouldn't have been

1872
01:26:17,200 --> 01:26:19,479
Speaker 6: said back then, you know what I'm saying. But when

1873
01:26:19,520 --> 01:26:21,240
Speaker 6: you're young, wane to come up, you don't understand that,

1874
01:26:21,360 --> 01:26:22,760
Speaker 6: or when you're in the heat of a battle, you

1875
01:26:22,880 --> 01:26:24,840
Speaker 6: don't really give a fuck what you're about to say. Well,

1876
01:26:24,920 --> 01:26:27,000
Speaker 6: you know what I'm about to destroy this nigga. I

1877
01:26:27,040 --> 01:26:29,080
Speaker 6: don't give a fuck HOWD destroy him. I'm a destroying

1878
01:26:29,320 --> 01:26:31,960
Speaker 6: its battle is beef. I'm a destroy this nigga. But

1879
01:26:32,080 --> 01:26:35,000
Speaker 6: social media make it feel like nowadays, because everybody gonna

1880
01:26:35,000 --> 01:26:37,559
Speaker 6: have an opinion, everybody gonna call me on something. Now

1881
01:26:37,720 --> 01:26:39,360
Speaker 6: people feel like they got a whole their tongue or

1882
01:26:39,360 --> 01:26:41,120
Speaker 6: bite their tongue or you can't say something now.

1883
01:26:41,439 --> 01:26:42,120
Speaker 1: But now that said, this.

1884
01:26:42,080 --> 01:26:44,559
Speaker 9: Ship was built off that, like really hip hop, hip

1885
01:26:44,600 --> 01:26:50,240
Speaker 9: hop was built on this. Still you're gonna disrespect him,

1886
01:26:50,560 --> 01:26:53,439
Speaker 9: murder he is he The DJ's are the arms dealers

1887
01:26:53,479 --> 01:26:53,960
Speaker 9: in the wall.

1888
01:26:54,600 --> 01:26:57,120
Speaker 1: Because once that Marca Velly should come up, come with

1889
01:26:57,280 --> 01:26:58,280
Speaker 1: all that marcha Velly.

1890
01:26:58,520 --> 01:27:00,960
Speaker 3: Y'all gonna play that ship. Who's shot you? You you're

1891
01:27:00,960 --> 01:27:04,000
Speaker 3: gonna play that. You're gonna play that ship. Drake ship

1892
01:27:04,080 --> 01:27:09,360
Speaker 3: come out, You're gonna play that ship. Y'all don't give

1893
01:27:09,360 --> 01:27:11,840
Speaker 3: a about that. I'm talking about nobody yet.

1894
01:27:11,800 --> 01:27:13,519
Speaker 1: You keep talking about battle rap. That's why I can

1895
01:27:13,640 --> 01:27:17,400
Speaker 1: confused shout about I know what was trying to say.

1896
01:27:18,080 --> 01:27:19,160
Speaker 1: I know trying to say.

1897
01:27:19,479 --> 01:27:21,200
Speaker 6: He was trying to say, battle rappers say the most

1898
01:27:21,240 --> 01:27:22,680
Speaker 6: disrespectful ship to each other.

1899
01:27:23,080 --> 01:27:23,960
Speaker 1: But I don't know.

1900
01:27:24,200 --> 01:27:26,800
Speaker 6: It's different with the Battle Rappers and the Rappers. You know,

1901
01:27:28,160 --> 01:27:32,639
Speaker 6: it is a difference. It's a difference because it's a whole.

1902
01:27:33,160 --> 01:27:34,880
Speaker 1: I don't know. I feel like it's just two different words.

1903
01:27:35,000 --> 01:27:37,160
Speaker 5: Talking about my mom's I'm gonna punch you in your ship.

1904
01:27:37,240 --> 01:27:38,960
Speaker 5: You talk about my mom's in the battle, I'm gonna

1905
01:27:39,120 --> 01:27:39,760
Speaker 5: punching your ship.

1906
01:27:39,760 --> 01:27:40,720
Speaker 1: You talking about my mom's on.

1907
01:27:40,760 --> 01:27:42,000
Speaker 5: The record, I'm gonna punch your ship.

1908
01:27:42,720 --> 01:27:43,200
Speaker 1: No different.

1909
01:27:43,280 --> 01:27:46,439
Speaker 6: But the Battle Rappers is built different for that because

1910
01:27:46,479 --> 01:27:48,080
Speaker 6: they I guess they used to that. They used to

1911
01:27:48,120 --> 01:27:50,960
Speaker 6: standing up in front of each other and disrespecting each other,

1912
01:27:51,240 --> 01:27:52,160
Speaker 6: saying the most dates.

1913
01:27:52,200 --> 01:27:53,120
Speaker 1: But this they used to.

1914
01:27:54,400 --> 01:27:56,400
Speaker 3: But let's but let's let's keep it. Let me ask

1915
01:27:56,479 --> 01:27:57,960
Speaker 3: both of you all the questions, and I'm gonna ask

1916
01:27:57,960 --> 01:28:01,560
Speaker 3: you all a question too, right, we'll say right like

1917
01:28:01,680 --> 01:28:03,360
Speaker 3: we'll watch the BIGGI and Tupac beef.

1918
01:28:03,439 --> 01:28:05,320
Speaker 1: Right. They was on Vibe.

1919
01:28:05,080 --> 01:28:10,400
Speaker 3: Magazine, Billboard magazine. Some of the biggest publications you've seen

1920
01:28:10,439 --> 01:28:13,080
Speaker 3: in your life was East Coast, West Coast, and you

1921
01:28:13,160 --> 01:28:15,360
Speaker 3: probably met Biggie n poc am. I correct, of course,

1922
01:28:15,560 --> 01:28:17,960
Speaker 3: there you go, right, that was the biggest shit you've seen.

1923
01:28:18,040 --> 01:28:21,080
Speaker 3: East Coast, West Coast. You know Sugar Night at Death Bro.

1924
01:28:21,280 --> 01:28:23,080
Speaker 3: We don't do the dancing and we don't do the singing.

1925
01:28:23,160 --> 01:28:23,479
Speaker 4: None of that.

1926
01:28:24,240 --> 01:28:26,680
Speaker 3: Niggas fed into now, let me talk to you about it.

1927
01:28:27,280 --> 01:28:30,120
Speaker 3: Every The industry feeds into all of that since way

1928
01:28:30,200 --> 01:28:32,760
Speaker 3: back then, East Coast, West Coast it just wasn't on

1929
01:28:32,800 --> 01:28:35,439
Speaker 3: the Internet. It was more the magazines and all that shit,

1930
01:28:35,840 --> 01:28:38,280
Speaker 3: and East Coast, West Coast it was. We knew it

1931
01:28:38,400 --> 01:28:41,640
Speaker 3: was a beef. Right when Biggie came with who Shot You?

1932
01:28:42,080 --> 01:28:45,400
Speaker 3: And fifty km, I mean, and Tupac came with Machavelli.

1933
01:28:45,880 --> 01:28:46,840
Speaker 3: We love that shit.

1934
01:28:47,120 --> 01:28:50,759
Speaker 1: The industry feed into it. The DJ's playing, y'all, scratching

1935
01:28:50,800 --> 01:28:53,439
Speaker 1: the shit out of a disrecord, come with whang stuff,

1936
01:28:53,479 --> 01:28:55,559
Speaker 1: whang stuff. Y'all was just playing Jia rude. But now

1937
01:28:55,600 --> 01:29:01,360
Speaker 1: you're playing fifty just playing Tupac. Now you're playing Biggie like, y'all.

1938
01:29:01,400 --> 01:29:04,360
Speaker 3: Niggas are the arms dealers, and then when somebody gets shot,

1939
01:29:04,479 --> 01:29:07,280
Speaker 3: niggas is like your peace man, yo, y'all. Niggas are

1940
01:29:07,320 --> 01:29:08,879
Speaker 3: the niggas that was spending the ship.

1941
01:29:11,120 --> 01:29:19,000
Speaker 1: Bill board, look bill board about that nigga Niggas playing, Yeah,

1942
01:29:19,040 --> 01:29:24,320
Speaker 1: niggas want to. I know, y'all, but y'all all the beef.

1943
01:29:24,400 --> 01:29:27,599
Speaker 1: Y'all loved the East Coach, West Coast. Everybody made money,

1944
01:29:27,720 --> 01:29:33,800
Speaker 1: DZ radio stations, magazines, everybody made money. Cool gas he

1945
01:29:33,960 --> 01:29:37,040
Speaker 1: made money. Everybody made money off the Biggie Tupac beef,

1946
01:29:37,320 --> 01:29:38,760
Speaker 1: and y'all niggas love that ship.

1947
01:29:38,880 --> 01:29:42,880
Speaker 3: Nigga shut out of here. Brot build that ship up

1948
01:29:43,280 --> 01:29:46,479
Speaker 3: to destroy it. Just oh my gosh, somebody got shot.

1949
01:29:46,560 --> 01:29:49,839
Speaker 3: Y'all amped it up. Y'all played the ship out of Kenswick.

1950
01:29:49,880 --> 01:29:55,360
Speaker 3: Record that don't just respect to him on one nigga

1951
01:29:55,439 --> 01:29:57,200
Speaker 3: starts shooting and we gotta keep it.

1952
01:30:00,160 --> 01:30:03,840
Speaker 1: That's why with the industry, listen, I'm.

1953
01:30:05,520 --> 01:30:07,760
Speaker 4: You can't cancel somebody that ship.

1954
01:30:08,160 --> 01:30:11,320
Speaker 1: I couldn't want the battle. That's fifty they being me

1955
01:30:11,439 --> 01:30:14,200
Speaker 1: from Ray Coffee, So I've been canceled. I don't care.

1956
01:30:14,240 --> 01:30:16,639
Speaker 1: You can't cancel me. But the industry is full of ship.

1957
01:30:16,720 --> 01:30:24,759
Speaker 1: Y'allamp ship up, DJ scratching the ship. Damn damn flex

1958
01:30:24,840 --> 01:30:29,240
Speaker 1: o yall niggas. Once bullets off flying you, we gotta

1959
01:30:29,320 --> 01:30:33,519
Speaker 1: keep the peace man words. The industry fun out it man.

1960
01:30:35,920 --> 01:30:37,800
Speaker 4: You kill your.

1961
01:30:39,680 --> 01:30:44,360
Speaker 1: Kicking man.

1962
01:30:45,000 --> 01:30:47,400
Speaker 3: Battle rappers are the only ones that could disrespect niggas.

1963
01:30:47,439 --> 01:30:51,479
Speaker 3: Get out of here, man, kid, I didn't say that.

1964
01:30:51,720 --> 01:30:52,040
Speaker 4: You said.

1965
01:30:52,040 --> 01:30:57,160
Speaker 1: They're the most disrespectful, the most disrespecful, but they know

1966
01:30:57,280 --> 01:31:00,120
Speaker 1: how to They the best at that. And nobody it

1967
01:31:00,200 --> 01:31:03,040
Speaker 1: gets killed, Nobody gets shot. What niggas be getting beat up?

1968
01:31:03,080 --> 01:31:05,720
Speaker 1: Shot pistol whip over your bugget and get beat up

1969
01:31:05,760 --> 01:31:06,760
Speaker 1: that don't know what they doing?

1970
01:31:06,960 --> 01:31:09,519
Speaker 5: You better why talk out the real battle rappers, the

1971
01:31:09,640 --> 01:31:12,400
Speaker 5: real ones, the real that' be tight here is they

1972
01:31:12,479 --> 01:31:15,040
Speaker 5: say some of the most craziest ship and after the

1973
01:31:15,080 --> 01:31:16,479
Speaker 5: battle was already going to drink.

1974
01:31:16,960 --> 01:31:18,840
Speaker 3: Now niggas got shot. You you bugging you can we

1975
01:31:18,920 --> 01:31:20,880
Speaker 3: got shot, man, niggas got shot. We could look at

1976
01:31:20,880 --> 01:31:27,240
Speaker 3: it up with Roy shot ye shouting battle racks shot

1977
01:31:27,400 --> 01:31:29,040
Speaker 3: a man out for a punch of niggas. Back in

1978
01:31:29,080 --> 01:31:32,400
Speaker 3: the days, nigga talking mind it was mass ship maganie

1979
01:31:32,479 --> 01:31:34,840
Speaker 3: slapped with guns or kind of ship. They be saying

1980
01:31:34,880 --> 01:31:37,640
Speaker 3: it in the raps. Later on, you gotta check it out,

1981
01:31:37,720 --> 01:31:39,600
Speaker 3: kicking for you gotta do your homework saying it in

1982
01:31:39,640 --> 01:31:41,519
Speaker 3: the raps later on your yeah, yo, your world.

1983
01:31:41,840 --> 01:31:47,920
Speaker 1: You got pistol whipping rob niggas be saying that really happened.

1984
01:31:48,640 --> 01:31:50,720
Speaker 1: You think gates and ship don't happen to battle rap

1985
01:31:51,120 --> 01:31:58,280
Speaker 1: Shut to the battle rappers. You don't show you see

1986
01:31:58,320 --> 01:32:01,640
Speaker 1: the more gates over there. What's my man that just

1987
01:32:01,680 --> 01:32:02,439
Speaker 1: got from Jersey?

1988
01:32:04,080 --> 01:32:11,200
Speaker 3: You know, Oh sir sh surfing surfn't just get out

1989
01:32:11,240 --> 01:32:14,160
Speaker 3: the fence. That nigga was in the fence. Nigga walk

1990
01:32:14,200 --> 01:32:17,240
Speaker 3: in the yard. You know his paperwork was correct. Nigga,

1991
01:32:17,400 --> 01:32:20,360
Speaker 3: he was a battle rapper. He got shot and all

1992
01:32:20,439 --> 01:32:24,040
Speaker 3: that like fifty and walk in the yard uptown polock nigga,

1993
01:32:24,640 --> 01:32:27,080
Speaker 3: except you talking about like it's coom by y'all over there.

1994
01:32:27,400 --> 01:32:35,479
Speaker 1: He's catching. I'm just saying, battle rappers, I don't nobody

1995
01:32:35,640 --> 01:32:37,520
Speaker 1: get killed your stay all, nigga.

1996
01:32:38,320 --> 01:32:43,479
Speaker 4: I'll kill you. I can't, y'all.

1997
01:32:43,600 --> 01:32:48,280
Speaker 3: Nigga, you flex everybody when he was this is y'all

1998
01:32:48,360 --> 01:32:53,040
Speaker 3: root Flex was dropping bombs. Nigga boom boom, yeah, Flex, Yeah,

1999
01:32:54,920 --> 01:32:55,599
Speaker 3: I love that ship.

2000
01:32:55,680 --> 01:32:58,559
Speaker 1: Shut up with that. You know you love that ship.

2001
01:32:58,640 --> 01:33:01,400
Speaker 1: You moved the crowd. Nigga came up with all that

2002
01:33:01,479 --> 01:33:03,320
Speaker 1: ship he was.

2003
01:33:03,720 --> 01:33:05,439
Speaker 3: He was in the ship in the eighties when niggas

2004
01:33:05,800 --> 01:33:08,120
Speaker 3: was getting shot and taking the bullets out theyself.

2005
01:33:08,200 --> 01:33:10,720
Speaker 1: Back then, niggas clap in the bronx. You know what,

2006
01:33:10,800 --> 01:33:16,360
Speaker 1: I'm niggas eighties Nigga. Kid was not around nobody shot

2007
01:33:16,400 --> 01:33:17,200
Speaker 1: taking the bullet out.

2008
01:33:17,200 --> 01:33:18,120
Speaker 4: He was in a nigga.

2009
01:33:18,200 --> 01:33:20,240
Speaker 1: He was in the castle and the fever real niggas

2010
01:33:20,280 --> 01:33:20,960
Speaker 1: and that ship.

2011
01:33:22,640 --> 01:33:25,400
Speaker 4: Was but the castle.

2012
01:33:25,439 --> 01:33:29,599
Speaker 1: I thought the fever to somebody never did the tunnel,

2013
01:33:29,600 --> 01:33:31,760
Speaker 1: he said, Kid was there, niggas getting shot and he

2014
01:33:31,880 --> 01:33:34,240
Speaker 1: takes a bullet out. Theyselves niggas in the bronx and

2015
01:33:34,280 --> 01:33:41,400
Speaker 1: the Castleigga was kidnapping niggas back then, niggah, you know

2016
01:33:41,479 --> 01:33:42,240
Speaker 1: you have to be a DJ.

2017
01:33:42,439 --> 01:33:42,800
Speaker 4: Back then.

2018
01:33:42,880 --> 01:33:45,800
Speaker 1: A whole lot has the arrow, yea, a whole lot.

2019
01:33:45,920 --> 01:33:47,840
Speaker 1: Man doing the whole life?

2020
01:33:47,880 --> 01:33:51,000
Speaker 6: Started a record label or type of ship, Man, college ship.

2021
01:33:51,160 --> 01:33:52,599
Speaker 6: How did that record label come about?

2022
01:33:52,680 --> 01:33:52,840
Speaker 1: Kid?

2023
01:33:52,920 --> 01:33:56,320
Speaker 6: How did the new record label come about? Man baking records? Man,

2024
01:33:56,320 --> 01:33:58,200
Speaker 6: I want my own ship. My own ship.

2025
01:33:58,960 --> 01:34:01,599
Speaker 5: Ain't got to answer body. That's right, I do, Man,

2026
01:34:01,720 --> 01:34:07,679
Speaker 5: that's right, that's right. Like twenty twenty three, I caught cancers.

2027
01:34:08,800 --> 01:34:10,640
Speaker 5: Yeah I knew about that, man did How was that

2028
01:34:10,720 --> 01:34:11,400
Speaker 5: whole experience?

2029
01:34:11,520 --> 01:34:14,200
Speaker 1: Man? God is definitely good man, you're here with.

2030
01:34:14,280 --> 01:34:20,560
Speaker 5: Us, Jesus dieway, Cancer and take out and so in

2031
01:34:20,640 --> 01:34:23,160
Speaker 5: twenty twenty, ain't nobody knew I had to do all

2032
01:34:23,240 --> 01:34:27,200
Speaker 5: this stuff. I brought de w g out Yankee Stadium,

2033
01:34:27,439 --> 01:34:31,160
Speaker 5: I hosted the BT Awards. I did, did a lot

2034
01:34:31,200 --> 01:34:33,080
Speaker 5: of ship and then when I got rid of it,

2035
01:34:33,200 --> 01:34:37,200
Speaker 5: that's when I told everybody about it. Since then, I

2036
01:34:37,320 --> 01:34:41,120
Speaker 5: started a business herban Reset Plus. I sell natural herbs

2037
01:34:41,880 --> 01:34:44,320
Speaker 5: from South South to hospital. Me and my man Rob,

2038
01:34:44,400 --> 01:34:46,800
Speaker 5: we got together and started a business and we sell

2039
01:34:46,800 --> 01:34:49,160
Speaker 5: everything from Cheney Route to Macca.

2040
01:34:49,000 --> 01:34:50,360
Speaker 1: Rule where we can find it somewhere.

2041
01:34:50,840 --> 01:34:56,000
Speaker 5: Herbureset plus dot com got it all there. Your bodies, man,

2042
01:34:56,120 --> 01:34:58,040
Speaker 5: because they're not gonna tell you what's right for you.

2043
01:34:58,120 --> 01:35:01,000
Speaker 5: They're gonna make you keep paying that money. As long

2044
01:35:01,040 --> 01:35:03,200
Speaker 5: as they keep making you pay that money. But if

2045
01:35:03,200 --> 01:35:05,560
Speaker 5: you going, you take initiative and go see what's going on,

2046
01:35:06,520 --> 01:35:08,519
Speaker 5: start using to doing the right thing. Keep in mind,

2047
01:35:09,080 --> 01:35:11,280
Speaker 5: a few months ago, maybe seven months ago, I was

2048
01:35:11,360 --> 01:35:13,960
Speaker 5: twenty sixty seven pounds. I lost sixty seven pounds six

2049
01:35:14,320 --> 01:35:15,519
Speaker 5: pounds last month.

2050
01:35:16,080 --> 01:35:17,920
Speaker 1: Congratulations and health gradulations.

2051
01:35:17,920 --> 01:35:20,679
Speaker 5: So I've been on my health shit since that incident.

2052
01:35:20,880 --> 01:35:22,840
Speaker 1: You know what I'm saying, How did you deal with that?

2053
01:35:22,920 --> 01:35:22,960
Speaker 4: Like?

2054
01:35:23,080 --> 01:35:25,760
Speaker 5: Mentally is That's what I'm saying. Like, dealing with that,

2055
01:35:27,000 --> 01:35:28,439
Speaker 5: you gotta put that in the back of your head

2056
01:35:28,520 --> 01:35:32,559
Speaker 5: murder because doing all the work I was doing, if

2057
01:35:32,600 --> 01:35:34,760
Speaker 5: you're worried about that, you won't be able to work,

2058
01:35:35,240 --> 01:35:37,080
Speaker 5: you know what I'm saying. And then the worrying part

2059
01:35:37,760 --> 01:35:41,000
Speaker 5: is what makes you sick of right. So I put

2060
01:35:41,000 --> 01:35:42,519
Speaker 5: it in the back of my head. The main thing

2061
01:35:42,720 --> 01:35:44,479
Speaker 5: was go to all the appointments, do everything I was

2062
01:35:44,520 --> 01:35:47,439
Speaker 5: supposed to do on time. And when I got rid

2063
01:35:47,479 --> 01:35:50,080
Speaker 5: of it, the doctor said to me, you know, kid,

2064
01:35:50,200 --> 01:35:51,680
Speaker 5: like I'm glad that you. He was like, I want

2065
01:35:51,680 --> 01:35:53,439
Speaker 5: to congratulate you. Was like, you know, you'd be surprised

2066
01:35:53,439 --> 01:35:56,960
Speaker 5: how many people will cancel and come back three months later,

2067
01:35:57,240 --> 01:35:59,559
Speaker 5: four months later they got much further. Now we got

2068
01:35:59,640 --> 01:36:01,800
Speaker 5: to work there much harder to get him get him right.

2069
01:36:02,000 --> 01:36:04,080
Speaker 5: Some people we can't even get right because they stayed

2070
01:36:04,120 --> 01:36:07,320
Speaker 5: too long. So you did all your appointments, You made everything.

2071
01:36:07,400 --> 01:36:10,840
Speaker 5: So me doing that and getting right, and God blessed

2072
01:36:10,880 --> 01:36:11,479
Speaker 5: me to be good.

2073
01:36:11,720 --> 01:36:13,080
Speaker 1: That is good, man. That's what I say.

2074
01:36:13,120 --> 01:36:14,519
Speaker 5: You know, I'm gonna just do it different, so I

2075
01:36:14,640 --> 01:36:18,200
Speaker 5: eat different. I got a whole different lifestyle, and how

2076
01:36:18,240 --> 01:36:21,040
Speaker 5: I do ship. So that's what kind of inspired the

2077
01:36:21,160 --> 01:36:24,240
Speaker 5: herb business and Mantel Jordan as a matter of fact,

2078
01:36:24,240 --> 01:36:26,439
Speaker 5: you know you can't. You just got to hit rid

2079
01:36:26,479 --> 01:36:28,080
Speaker 5: of his cancer. He was buying my herbs from us.

2080
01:36:28,280 --> 01:36:30,400
Speaker 5: Look at that, right, So it's kind of helped him

2081
01:36:30,760 --> 01:36:31,360
Speaker 5: along the way.

2082
01:36:31,560 --> 01:36:33,800
Speaker 1: Careful with that, you know. Doctor.

2083
01:36:33,960 --> 01:36:36,479
Speaker 3: Once you start doing that ship, niggas come and man

2084
01:36:36,560 --> 01:36:40,320
Speaker 3: co operations come hit you with the come and see.

2085
01:36:40,320 --> 01:36:43,920
Speaker 1: Me doctor sebby all that ship. I'm doing something with,

2086
01:36:44,000 --> 01:36:47,639
Speaker 1: doctor Sebbe. Do anything. Man shout to that and in Houston,

2087
01:36:48,880 --> 01:36:50,400
Speaker 1: and you just gotta be careful with.

2088
01:36:54,640 --> 01:36:54,920
Speaker 4: Yo. Bro.

2089
01:36:55,120 --> 01:36:56,920
Speaker 1: You don't see what's going on. You ain't see all

2090
01:36:56,960 --> 01:36:58,000
Speaker 1: of them mighty everything.

2091
01:36:58,680 --> 01:37:01,800
Speaker 3: So look you ain't see how like all these like

2092
01:37:02,040 --> 01:37:05,400
Speaker 3: nuclear scientists got smoked, like all these niggas, that astronaut

2093
01:37:05,479 --> 01:37:08,120
Speaker 3: niggas putting this out there. I don't give a fuck.

2094
01:37:08,200 --> 01:37:13,120
Speaker 3: Niggas can smoke me, nigga, damn. But like all these

2095
01:37:13,240 --> 01:37:15,200
Speaker 3: like nuclear scientists or you don't want to talk. You

2096
01:37:15,360 --> 01:37:17,160
Speaker 3: was talking about healing niggas, Nigga.

2097
01:37:19,320 --> 01:37:21,760
Speaker 1: I'm trying to heal you trying to kill them. Don't

2098
01:37:22,120 --> 01:37:22,599
Speaker 1: talk them about.

2099
01:37:22,640 --> 01:37:24,559
Speaker 3: Look, there was a whole bunch of scientists that got

2100
01:37:24,680 --> 01:37:27,760
Speaker 3: hit like mysteriously, like dying and missing like so once.

2101
01:37:27,840 --> 01:37:29,360
Speaker 3: Niggas don't talk about healing niggas.

2102
01:37:29,400 --> 01:37:31,759
Speaker 1: I got the herbs. Don't go to these companies, Manu

2103
01:37:31,960 --> 01:37:35,880
Speaker 1: that herbal plus dot com man.

2104
01:37:38,600 --> 01:37:44,280
Speaker 6: That's right, you know, sollo crazy sour sop, that's right,

2105
01:37:46,960 --> 01:37:47,759
Speaker 6: healthy good.

2106
01:37:47,640 --> 01:37:49,080
Speaker 1: Stuff, that good stuff.

2107
01:37:49,920 --> 01:37:50,040
Speaker 2: You know.

2108
01:37:50,120 --> 01:37:53,000
Speaker 3: We got the world's greatest DJ here. Make sure y'all

2109
01:37:53,120 --> 01:37:55,360
Speaker 3: like sharing, subscribe. I know this is one of the

2110
01:37:55,439 --> 01:37:58,960
Speaker 3: fucking crazy episodes. We talked about, the most legendary ship

2111
01:37:59,040 --> 01:38:00,759
Speaker 3: in the hip hop. It's the real report.

2112
01:38:01,080 --> 01:38:06,640
Speaker 1: Signing out with my nigga turbulence, turbulentce turbulence, drinking you

2113
01:38:06,920 --> 01:38:07,519
Speaker 1: drinking too much?

2114
01:38:08,960 --> 01:38:09,240
Speaker 4: Boys?

2115
01:38:10,520 --> 01:38:11,120
Speaker 1: Signed out.

2116
01:38:12,840 --> 01:38:16,840
Speaker 5: Lily, We got kicking Pree in the bill legend Yo,

2117
01:38:17,080 --> 01:38:19,880
Speaker 5: take your answer to that YouTube and watch those videos

2118
01:38:19,920 --> 01:38:21,960
Speaker 5: I got there. Don't play yourself kicking pre one on

2119
01:38:22,000 --> 01:38:23,360
Speaker 5: one of the Instagram Twitter.

2120
01:38:24,439 --> 01:38:26,959
Speaker 1: Hold on, we forgot about his daughter music to talk about.

2121
01:38:27,040 --> 01:38:29,920
Speaker 5: Love being a love, shaking being a love is doing

2122
01:38:30,000 --> 01:38:31,680
Speaker 5: that thing. Make sure you go to a page and

2123
01:38:31,720 --> 01:38:35,479
Speaker 5: look at all that ship. She is rocking crazy so fat.

2124
01:38:35,760 --> 01:38:38,320
Speaker 1: That's how all this of the week we signed fucking out.

2125
01:38:38,520 --> 01:38:40,680
Speaker 1: Hold up, and my boy also got inducted to the

2126
01:38:40,760 --> 01:38:42,400
Speaker 1: Bronx Walk of Fame.

2127
01:38:43,960 --> 01:38:48,400
Speaker 10: To the Bronx Walk of Fame, my bro creator, the

2128
01:38:48,520 --> 01:38:52,639
Speaker 10: Bronx Game Walk of Fame, Bronx great in the Game Fame.

2129
01:38:58,520 --> 01:39:02,759
Speaker 1: Good luck surviving the off sea and football fans. At first,

2130
01:39:02,880 --> 01:39:06,960
Speaker 1: I was afraid. I was petrified Football's over.

2131
01:39:07,080 --> 01:39:10,479
Speaker 4: It's like a part of me just died inside two.

2132
01:39:10,439 --> 01:39:12,160
Speaker 3: Hundred these two foot bowls back.

2133
01:39:12,479 --> 01:39:14,840
Speaker 6: But tonight I won't just cry because I've.

2134
01:39:14,720 --> 01:39:17,880
Speaker 1: Got always to play. And that's the placement hard rock

2135
01:39:17,960 --> 01:39:21,880
Speaker 1: bed I survived, offered by the Seminal Try Be Florida.

2136
01:39:21,960 --> 01:39:23,719
Speaker 5: Must be twenty one plus in physically president in Florida,

2137
01:39:23,720 --> 01:39:24,960
Speaker 5: but wage your terms of conditions apply.

2138
01:39:25,040 --> 01:39:26,479
Speaker 1: If you are someone you know as a family problem,

2139
01:39:26,520 --> 01:39:28,160
Speaker 1: please call one eight three three play Wise