1 00:00:04,080 --> 00:00:07,520 Speaker 1: Welcomed Aaron Mankey's Cabinet of Curiosities, a production of I 2 00:00:07,600 --> 00:00:14,240 Speaker 1: Heart Radio and Grim and Mild. Our world is full 3 00:00:14,320 --> 00:00:17,960 Speaker 1: of the unexplainable, and if history is an open book, 4 00:00:18,239 --> 00:00:21,600 Speaker 1: all of these amazing tales are right there on display, 5 00:00:22,000 --> 00:00:27,560 Speaker 1: just waiting for us to explore. Welcome to the Cabinet 6 00:00:27,840 --> 00:00:38,800 Speaker 1: of Curiosities. The job of a research scientist can be 7 00:00:38,840 --> 00:00:42,159 Speaker 1: pretty thankless. For every major breakthrough and miracle cure, there 8 00:00:42,200 --> 00:00:46,320 Speaker 1: are countless studies conducted that go nowhere, yield middling results, 9 00:00:46,680 --> 00:00:49,239 Speaker 1: or fly under the radar. But those studies and the 10 00:00:49,320 --> 00:00:52,640 Speaker 1: documentation of them are necessary if we ever hope to 11 00:00:52,720 --> 00:00:58,120 Speaker 1: move science forward. Yet, in one scientist and his assistant 12 00:00:58,200 --> 00:01:01,400 Speaker 1: authored a paper that didn't just influence the field of physics, 13 00:01:01,800 --> 00:01:04,080 Speaker 1: it made one of them famous for years to come. 14 00:01:05,200 --> 00:01:09,160 Speaker 1: Jack H. Heatherington taught physics at Michigan State University back 15 00:01:09,160 --> 00:01:12,680 Speaker 1: in the nineteen seventies. He'd been studying how helium behaved 16 00:01:12,720 --> 00:01:16,040 Speaker 1: when subjected to different temperatures and wrote a paper on 17 00:01:16,080 --> 00:01:18,720 Speaker 1: his findings. He'd done all the work himself, but when 18 00:01:18,720 --> 00:01:20,840 Speaker 1: he gave the paper to a colleague for their opinion, 19 00:01:21,160 --> 00:01:24,200 Speaker 1: they noted something odd about how it was written, Heatherington 20 00:01:24,319 --> 00:01:27,200 Speaker 1: kept referring to we instead of I throughout the paper. 21 00:01:27,600 --> 00:01:30,880 Speaker 1: He had his reasons, of course, For one, egos were 22 00:01:30,959 --> 00:01:34,959 Speaker 1: high in the scientific community. If a paper shared multiple authors, 23 00:01:35,280 --> 00:01:38,320 Speaker 1: one author couldn't stand above the others and gain attention 24 00:01:38,400 --> 00:01:41,679 Speaker 1: in their field. To The pay structure for a paper 25 00:01:41,800 --> 00:01:47,040 Speaker 1: was different when multiple authors were involved. Unfortunately, Heatherington couldn't 26 00:01:47,080 --> 00:01:49,920 Speaker 1: write it on a computer. He'd done it on a typewriter, 27 00:01:50,040 --> 00:01:53,040 Speaker 1: and fixing the mistake would have required him to manually 28 00:01:53,080 --> 00:01:56,480 Speaker 1: retype the entire thing. But he also didn't want to 29 00:01:56,520 --> 00:01:59,680 Speaker 1: share credit with anyone else, so he held out on 30 00:01:59,760 --> 00:02:02,360 Speaker 1: ad in another name to the title page. But after 31 00:02:02,400 --> 00:02:05,040 Speaker 1: thinking it over one night, Heatherington's gutt told him that 32 00:02:05,120 --> 00:02:07,880 Speaker 1: he had to get it published sooner or rather than later. 33 00:02:08,760 --> 00:02:11,720 Speaker 1: He was left without any other option and gave in, 34 00:02:12,080 --> 00:02:14,840 Speaker 1: writing down the first name he could think of, his 35 00:02:14,960 --> 00:02:20,440 Speaker 1: assistant Professor Willard. The scientific paper, titled two three and 36 00:02:20,600 --> 00:02:24,519 Speaker 1: four ADAM Exchange Effects in B C C three h E, 37 00:02:25,040 --> 00:02:28,919 Speaker 1: was submitted to Physical Review Letters, a major physics journal. 38 00:02:29,240 --> 00:02:31,799 Speaker 1: He was listed as having men co authored by J. H. 39 00:02:31,800 --> 00:02:35,120 Speaker 1: Heatherington's and F. D. C. Willard, and it was finally 40 00:02:35,160 --> 00:02:39,560 Speaker 1: published in November of nine. At first, no one batted 41 00:02:39,560 --> 00:02:42,640 Speaker 1: an eye at the additional name. The assistant didn't mind either. 42 00:02:43,200 --> 00:02:46,320 Speaker 1: Then someone came knocking. A visitor asked to speak with 43 00:02:46,400 --> 00:02:49,079 Speaker 1: Heatherington about his paper, but the author couldn't do it 44 00:02:49,120 --> 00:02:51,280 Speaker 1: at the time, so the visitor asked to speak to 45 00:02:51,320 --> 00:02:56,800 Speaker 1: Willard instead, That too, was impossible. Even more suspicious was 46 00:02:56,840 --> 00:02:59,440 Speaker 1: the time when Heatherington and Willard had to sign copies 47 00:02:59,480 --> 00:03:02,560 Speaker 1: of their paper. One such copy made its way to France, 48 00:03:02,840 --> 00:03:06,079 Speaker 1: where a physics conference was being held in ninety eight. 49 00:03:06,520 --> 00:03:09,560 Speaker 1: Conference organizers had wanted to invite Willard to speak at 50 00:03:09,560 --> 00:03:12,200 Speaker 1: the event, but after taking one look at his signature, 51 00:03:12,520 --> 00:03:16,560 Speaker 1: they rescinded the invitation. They also barred Heatherington's from speaking 52 00:03:16,560 --> 00:03:19,680 Speaker 1: as well, and, as if things couldn't get any worse, 53 00:03:20,000 --> 00:03:23,919 Speaker 1: rumors started to spread about Professor Willard. According to the gossip, 54 00:03:24,240 --> 00:03:27,880 Speaker 1: Heatherington's wife was allowing Willard to sleep in their bed 55 00:03:27,919 --> 00:03:32,840 Speaker 1: at night, starting a scandal within the scientific community. In reality, though, 56 00:03:33,160 --> 00:03:36,240 Speaker 1: there was nothing to worry about. Heatherington's had no problem 57 00:03:36,280 --> 00:03:38,840 Speaker 1: sharing the bed with both his wife and his assistant, 58 00:03:39,360 --> 00:03:43,720 Speaker 1: not when that assistant was so soft and cuddly. F DC. 59 00:03:43,920 --> 00:03:48,520 Speaker 1: Willard's name was actually Feliss Domesticus Chester Willard, the term 60 00:03:48,520 --> 00:03:52,360 Speaker 1: felis domesticus meaning common house cats. The cats whose real 61 00:03:52,440 --> 00:03:55,600 Speaker 1: name was Chester had been sired by his father, Willard, 62 00:03:55,840 --> 00:03:59,760 Speaker 1: and so the nomina plume was born. Heatherington's never regretted 63 00:03:59,800 --> 00:04:02,000 Speaker 1: his decision, In fact, it made him kind of a 64 00:04:02,040 --> 00:04:06,480 Speaker 1: celebrity around the university and among his fellow physicists and 65 00:04:06,560 --> 00:04:10,240 Speaker 1: Professor Willard went on to author another paper in nineteen eighty, 66 00:04:10,280 --> 00:04:14,200 Speaker 1: this one written in French. The real authors, Heatherington being 67 00:04:14,240 --> 00:04:16,760 Speaker 1: one of them, couldn't agree on the veracity of the 68 00:04:16,839 --> 00:04:20,599 Speaker 1: content within, so Heatherington's offered F. DC Willard as a 69 00:04:20,760 --> 00:04:23,560 Speaker 1: stand in for all of them. This way, if anything 70 00:04:23,640 --> 00:04:26,040 Speaker 1: was found to be incorrect, it wouldn't come back to 71 00:04:26,120 --> 00:04:29,680 Speaker 1: haunt them or their reputations, and his poor cat could 72 00:04:29,720 --> 00:04:33,479 Speaker 1: take all the blame. Willard lived to the rifled age 73 00:04:33,480 --> 00:04:36,839 Speaker 1: of fourteen, passing away in nineteen eighty two. He left 74 00:04:36,880 --> 00:04:39,520 Speaker 1: a lasting impact on the field of physics, and his 75 00:04:39,600 --> 00:04:42,680 Speaker 1: papers are still quoted today. And if you want to 76 00:04:42,680 --> 00:04:45,400 Speaker 1: know if the paper you're reading was actually co written 77 00:04:45,440 --> 00:04:48,440 Speaker 1: by one Professor F. D. C. Willard, all you have 78 00:04:48,520 --> 00:04:51,680 Speaker 1: to do is look for his unique signature, an inky 79 00:04:51,760 --> 00:05:09,240 Speaker 1: pop print in the middle of the page. They say, 80 00:05:09,240 --> 00:05:12,320 Speaker 1: never go grocery shopping while you're hungry. You're liable to 81 00:05:12,360 --> 00:05:15,440 Speaker 1: buy more than you need to satisfy your cravings. It 82 00:05:15,520 --> 00:05:18,360 Speaker 1: might be better to channel that hunger into something more productive. 83 00:05:18,760 --> 00:05:21,919 Speaker 1: And that's what one resourceful man did in nineteen sixty four. 84 00:05:22,240 --> 00:05:25,200 Speaker 1: But our story actually begins before then, back in the 85 00:05:25,320 --> 00:05:28,039 Speaker 1: nineteenth century. You see. You might not realize it, but 86 00:05:28,080 --> 00:05:30,440 Speaker 1: a lot of the candy that we enjoy today got 87 00:05:30,440 --> 00:05:33,720 Speaker 1: its start over a hundred years ago. For example, Good 88 00:05:33,720 --> 00:05:36,719 Speaker 1: and Plenty licorice was created in Philadelphia way back in 89 00:05:36,800 --> 00:05:41,480 Speaker 1: eight and annual visitors to the Jersey Shore might buy 90 00:05:41,520 --> 00:05:44,320 Speaker 1: a bag of saltwater taffy for their return trip home, 91 00:05:44,600 --> 00:05:47,440 Speaker 1: unaware that the chewy treats was first made in Atlantic 92 00:05:47,480 --> 00:05:51,040 Speaker 1: City in the eighteen eighties. Much of the candy sold 93 00:05:51,120 --> 00:05:54,200 Speaker 1: during this time was also known as penny candy, sold 94 00:05:54,200 --> 00:05:57,200 Speaker 1: for a penny apiece in drug stores and five and dimes. 95 00:05:57,520 --> 00:06:00,680 Speaker 1: Clerks would scoop out various treats from glass containers and 96 00:06:00,680 --> 00:06:03,720 Speaker 1: then dumped them into bags, meaning the candy was often 97 00:06:03,760 --> 00:06:07,640 Speaker 1: sold in bulk rather than individually. For one cent per units, 98 00:06:08,080 --> 00:06:10,320 Speaker 1: and at least one of those candies is still produced 99 00:06:10,320 --> 00:06:15,320 Speaker 1: to this day. It's a squishy, orange colored combination of sugar, corn, syrup, 100 00:06:15,400 --> 00:06:18,479 Speaker 1: pectin and other ingredients that have been formed into the 101 00:06:18,480 --> 00:06:21,800 Speaker 1: shape of a common peanut. Bite into one, and your 102 00:06:21,839 --> 00:06:25,000 Speaker 1: taste buds are immediately flooded with a flavor that has 103 00:06:25,040 --> 00:06:29,760 Speaker 1: been described by some as dishonorable banana. Now. Over the years, 104 00:06:29,880 --> 00:06:33,400 Speaker 1: Circus peanuts took on different flavors like orange and we're 105 00:06:33,480 --> 00:06:36,239 Speaker 1: only sold during certain times of the year since keeping 106 00:06:36,240 --> 00:06:39,560 Speaker 1: them fresh was difficult, But as cellophane packaging took off 107 00:06:39,560 --> 00:06:42,520 Speaker 1: in the nineteen forties, they became more widely available and 108 00:06:42,640 --> 00:06:46,320 Speaker 1: in different colors too, such as yellow and white. Though 109 00:06:46,440 --> 00:06:50,160 Speaker 1: Circus peanuts are still sold today, their popularity has dwindled 110 00:06:50,200 --> 00:06:54,520 Speaker 1: when compared to such modern confections like Skittles, Eminem's Nerds, 111 00:06:54,560 --> 00:06:57,520 Speaker 1: and even the True and Tried candy bar. But John 112 00:06:57,560 --> 00:07:00,920 Speaker 1: Hallohan saw the value in Circus peanuts over fifty years 113 00:07:00,960 --> 00:07:03,839 Speaker 1: ago while he was serving as the vice president of 114 00:07:03,920 --> 00:07:07,440 Speaker 1: General Mills. The company was looking to bolster its roster 115 00:07:07,560 --> 00:07:11,960 Speaker 1: of breakfast cereals. A new cereal, especially something unlike anything else. 116 00:07:11,960 --> 00:07:14,520 Speaker 1: They were making at the time would have been expensive 117 00:07:14,560 --> 00:07:17,800 Speaker 1: to produce. It would have required research and testing and 118 00:07:17,880 --> 00:07:21,120 Speaker 1: new machines, all things that General Mills didn't want to 119 00:07:21,160 --> 00:07:24,640 Speaker 1: spend money on, so instead, they framed their new initiative 120 00:07:24,720 --> 00:07:29,400 Speaker 1: as a challenge, using the company's existing manufacturing capabilities for 121 00:07:29,480 --> 00:07:33,040 Speaker 1: things like cheerios and wheaties. Employees were encouraged to create 122 00:07:33,080 --> 00:07:37,320 Speaker 1: something brand new, and they were given six months. Hallahan 123 00:07:37,440 --> 00:07:41,000 Speaker 1: started researching, beginning with a box of cheerios. Along the way, 124 00:07:41,000 --> 00:07:43,760 Speaker 1: he came across a pack of circus peanuts, and that's 125 00:07:43,800 --> 00:07:46,640 Speaker 1: when he saw the whole picture. He took the cheerios 126 00:07:46,680 --> 00:07:50,240 Speaker 1: and the banana candy and got to work. Little by little, 127 00:07:50,480 --> 00:07:54,000 Speaker 1: Hallohan cut up the circus peanuts into tiny pieces, which 128 00:07:54,040 --> 00:07:57,640 Speaker 1: he sprinkled over a bowl full of cereal. His idea 129 00:07:57,880 --> 00:08:01,160 Speaker 1: was a hit, and General Mills put the concept into production. 130 00:08:01,560 --> 00:08:05,040 Speaker 1: The marshmallow pieces were referred to as marbits, while the 131 00:08:05,040 --> 00:08:09,239 Speaker 1: oat pieces came in shapes like bells and arrowheads. General 132 00:08:09,280 --> 00:08:12,240 Speaker 1: Mills even brought on an advertising company to help sell 133 00:08:12,280 --> 00:08:14,960 Speaker 1: the new cereal to the masses, and they decided to 134 00:08:15,000 --> 00:08:17,640 Speaker 1: market it around a popular fashion trend at the time, 135 00:08:18,240 --> 00:08:22,200 Speaker 1: charm bracelets over time, the cereal changed to adapt to 136 00:08:22,240 --> 00:08:25,760 Speaker 1: the changing tastes of the people who ate it, namely children. 137 00:08:26,120 --> 00:08:29,200 Speaker 1: The plain oat cereal was eventually coated in sugar, and 138 00:08:29,200 --> 00:08:32,800 Speaker 1: the marshmallow shapes were changed as well. But walk through 139 00:08:32,840 --> 00:08:35,680 Speaker 1: any grocery store today and you're certain to spot a 140 00:08:35,720 --> 00:08:40,880 Speaker 1: familiar red box. Those hearts, stars, horseshoes, Clover's blue moons, 141 00:08:40,960 --> 00:08:44,120 Speaker 1: golden rainbows, and red balloons that all got their start 142 00:08:44,240 --> 00:08:47,840 Speaker 1: as circus peanuts in nineteen sixty four have stuck around 143 00:08:47,880 --> 00:08:50,840 Speaker 1: as one of the most famous breakfast cereals around and 144 00:08:50,920 --> 00:08:59,520 Speaker 1: possibly the most famous leprechaun as well, Lucky Charms. I 145 00:08:59,559 --> 00:09:03,080 Speaker 1: hope you've enjoyed today's guided tour of the Cabinet of Curiosities. 146 00:09:03,400 --> 00:09:06,520 Speaker 1: Subscribe for free on Apple Podcasts, or learn more about 147 00:09:06,520 --> 00:09:11,079 Speaker 1: the show by visiting Curiosities podcast dot com. The show 148 00:09:11,280 --> 00:09:14,600 Speaker 1: was created by me Aaron Mankey in partnership with how 149 00:09:14,640 --> 00:09:18,240 Speaker 1: Stuff Works. I make another award winning show called Lore, 150 00:09:18,480 --> 00:09:22,120 Speaker 1: which is a podcast, book series, and television show, and 151 00:09:22,160 --> 00:09:24,319 Speaker 1: you can learn all about it over at the World 152 00:09:24,400 --> 00:09:29,839 Speaker 1: of Lore dot com. And until next time, stay curious. Yeah,