1 00:00:05,320 --> 00:00:09,440 Speaker 1: Welcome to Monita, a deep dive into the Latin X experience. 2 00:00:09,680 --> 00:00:12,280 Speaker 1: With Monita, we want to create a community and a 3 00:00:12,400 --> 00:00:16,000 Speaker 1: shared space with you while sharing knowledge and inspiration. This 4 00:00:16,120 --> 00:00:19,840 Speaker 1: show is about celebrating our culture with guests who exemplify 5 00:00:20,000 --> 00:00:30,120 Speaker 1: the best of us. I'm Darylene Gastillo, Ethane Vietle. Oh 6 00:00:30,200 --> 00:00:32,320 Speaker 1: yeah me, hand said. Before we get to the episode, 7 00:00:32,400 --> 00:00:34,200 Speaker 1: I want to take a moment to address the June 8 00:00:34,760 --> 00:00:38,519 Speaker 1: Supreme Court decision to overturn Roe versus Wade. This decision 9 00:00:38,560 --> 00:00:40,720 Speaker 1: stripped away the legal right to have a safe and 10 00:00:40,840 --> 00:00:45,560 Speaker 1: legal abortion. Restricting access to comprehensive reproductive care, including abortion, 11 00:00:45,680 --> 00:00:49,879 Speaker 1: threatens the health and independence of all Americans. This decision 12 00:00:49,880 --> 00:00:52,040 Speaker 1: could also lead to the loss of other rights. To 13 00:00:52,159 --> 00:00:54,040 Speaker 1: learn more about what you can do to help, go 14 00:00:54,120 --> 00:00:57,120 Speaker 1: to pod voices Dot Help. We encourage you to speak up, 15 00:00:57,240 --> 00:01:06,319 Speaker 1: take care, and spread the word. Oh yeah me hinted. 16 00:01:06,400 --> 00:01:10,480 Speaker 1: Today we have a very very special episode for you. 17 00:01:10,920 --> 00:01:15,240 Speaker 1: That's right, very special because this time I'm the one 18 00:01:15,400 --> 00:01:18,479 Speaker 1: in the hot seat. That's right, your favorite host here 19 00:01:18,520 --> 00:01:23,680 Speaker 1: on Moranita, Darlin Castillo is getting interviewed. Our producer here 20 00:01:23,720 --> 00:01:26,720 Speaker 1: at Son, Carlos are Nado, will be leading this one 21 00:01:26,720 --> 00:01:30,320 Speaker 1: today to ask me all of the questions. And when 22 00:01:30,360 --> 00:01:33,800 Speaker 1: I say all of the questions, I mean all the questions. 23 00:01:34,319 --> 00:01:36,880 Speaker 1: I'm so excited to share this with you guys because 24 00:01:36,880 --> 00:01:39,440 Speaker 1: you can now have a little bit more of a 25 00:01:39,560 --> 00:01:43,840 Speaker 1: glimpse about where I come from, what I'm passionate about, 26 00:01:44,200 --> 00:01:48,360 Speaker 1: and learn about what my favorite things are. As I mentioned, 27 00:01:48,440 --> 00:01:52,680 Speaker 1: Carlos Arenado leads this conversation beautifully, and trust me, you 28 00:01:52,720 --> 00:01:56,600 Speaker 1: are in good hands. Carlos mentioned he was a bit nervous, 29 00:01:56,760 --> 00:02:01,200 Speaker 1: so be kind, but I also felt this youing very strongly, 30 00:02:01,280 --> 00:02:04,400 Speaker 1: because I still get a bit nervous to this day 31 00:02:04,440 --> 00:02:08,359 Speaker 1: about interviewing some folks. We are more than thirty episodes 32 00:02:08,440 --> 00:02:12,240 Speaker 1: in on Monita Pat on the back, and those butterflies 33 00:02:12,480 --> 00:02:16,000 Speaker 1: still get me. But once the conversations begin to flow, 34 00:02:16,480 --> 00:02:19,680 Speaker 1: all of those nerves they just melt away, and I 35 00:02:19,760 --> 00:02:24,240 Speaker 1: find myself really feeling inspired and better than when I 36 00:02:24,280 --> 00:02:28,119 Speaker 1: walked into the interview. That's how I felt after this one. 37 00:02:28,600 --> 00:02:31,120 Speaker 1: Not only was it just so nice to share myself 38 00:02:31,160 --> 00:02:33,960 Speaker 1: with you all, it was a beautiful reminder of why 39 00:02:34,080 --> 00:02:37,800 Speaker 1: I'm doing this podcast. Mon Anita is intended to be 40 00:02:37,880 --> 00:02:42,480 Speaker 1: a safe space for us Latina people to share opinions, 41 00:02:42,919 --> 00:02:46,680 Speaker 1: share our stories, and share our differences and our likes. 42 00:02:47,120 --> 00:02:51,000 Speaker 1: Mon Anita is a space for learning and understanding. So 43 00:02:51,120 --> 00:02:54,680 Speaker 1: every time you click on a story, you get something different. 44 00:02:55,240 --> 00:02:59,000 Speaker 1: There's something to take away in each episode. Today, I 45 00:02:59,080 --> 00:03:02,239 Speaker 1: hope that you take away something special with my story. 46 00:03:03,160 --> 00:03:07,200 Speaker 1: For me, words like perseverance, growth, and hope came to 47 00:03:07,280 --> 00:03:10,520 Speaker 1: mind for me. During this interview, they invite the to 48 00:03:10,600 --> 00:03:21,359 Speaker 1: listen to this one and see what pops up for you. Okay, 49 00:03:21,720 --> 00:03:25,160 Speaker 1: welcome to Anita. My name is Carlos. I'm one of 50 00:03:25,200 --> 00:03:28,120 Speaker 1: the producers. He at Mardonita and Happy fourth of July. 51 00:03:28,880 --> 00:03:31,240 Speaker 1: This week, we thought we'd do something a little bit different, 52 00:03:31,360 --> 00:03:34,880 Speaker 1: and we're gonna put Darylyn, your favorite morn the host, 53 00:03:35,040 --> 00:03:37,640 Speaker 1: on the hot seat, and I'm going to ask her questions. 54 00:03:37,720 --> 00:03:41,840 Speaker 1: So if I may it for the first time, Drylyn, welcome. 55 00:03:42,800 --> 00:03:46,120 Speaker 1: I'm really happy that this is happening right now. You're natural, 56 00:03:46,680 --> 00:03:48,520 Speaker 1: you know, this is this is what the people have 57 00:03:48,520 --> 00:03:51,080 Speaker 1: been clamoring for, This is what all of America wants. 58 00:03:51,320 --> 00:03:53,480 Speaker 1: I told you, I told you. No, I'm really happy 59 00:03:53,480 --> 00:03:56,040 Speaker 1: to be here. I'm happy that we're doing it on 60 00:03:56,160 --> 00:04:00,560 Speaker 1: this July fourth weekend. Moment. There's so much, so much 61 00:04:00,600 --> 00:04:03,600 Speaker 1: to talk about, so much, and so much of it 62 00:04:03,680 --> 00:04:07,080 Speaker 1: is uh makes me wanna get into a ball and crying. 63 00:04:07,120 --> 00:04:08,280 Speaker 1: So but we're not gonna talk about any of that 64 00:04:08,280 --> 00:04:11,600 Speaker 1: stuff today. We're just going to have some fun. Yes, yes, 65 00:04:12,080 --> 00:04:15,240 Speaker 1: um any do you do anything for the fourth I'm 66 00:04:15,280 --> 00:04:21,000 Speaker 1: remodeling my house. I'm I'm literally like in this adult 67 00:04:21,120 --> 00:04:24,440 Speaker 1: ing go mode right now where it's like we're trying 68 00:04:24,480 --> 00:04:27,320 Speaker 1: to get this backyard done. We have a house in Florida, 69 00:04:27,480 --> 00:04:30,080 Speaker 1: so my fiance and this is going down there. So 70 00:04:30,120 --> 00:04:33,080 Speaker 1: I'm going to be home by myself, so I'll probably 71 00:04:33,120 --> 00:04:36,839 Speaker 1: like make a fire in the firepit, like doing yardwork, 72 00:04:37,600 --> 00:04:39,480 Speaker 1: drink something I see then this you know what I'm 73 00:04:39,520 --> 00:04:43,760 Speaker 1: saying in fireworks, I mean that's that's the Dominican way. 74 00:04:44,000 --> 00:04:47,640 Speaker 1: It sounds pretty American for me. What is are you 75 00:04:47,680 --> 00:04:51,800 Speaker 1: big fireworks? Man? I love fireworks? Actually I cry every 76 00:04:51,800 --> 00:04:57,039 Speaker 1: time every time. Yeah, it's a thing makes me very emotional. Wow. 77 00:04:57,120 --> 00:05:00,359 Speaker 1: So I grew up in Florida and I went to 78 00:05:00,360 --> 00:05:02,200 Speaker 1: Disney World all the time. They had fireworks every night, 79 00:05:02,560 --> 00:05:05,440 Speaker 1: and just like I saw so many fireworks that like 80 00:05:05,640 --> 00:05:07,560 Speaker 1: I can't get moved by them, Like I just I 81 00:05:07,600 --> 00:05:10,880 Speaker 1: see them. I'm like, cool, that's great. Wow, that's interesting. 82 00:05:11,000 --> 00:05:14,400 Speaker 1: Disney's Like that's where I cry the most. Yeah, there's 83 00:05:14,400 --> 00:05:18,000 Speaker 1: a part of me that's dead inside. So yeah, what 84 00:05:18,160 --> 00:05:20,599 Speaker 1: what scares me is that part keeps growing every year, 85 00:05:21,160 --> 00:05:23,440 Speaker 1: does it. It's just like more and more dies inside 86 00:05:23,480 --> 00:05:25,360 Speaker 1: of me every year. So yes, I'm just gonna be 87 00:05:25,440 --> 00:05:29,360 Speaker 1: a hollow shell soon. Gosh. Yeah. Fireworks are they make 88 00:05:29,400 --> 00:05:31,600 Speaker 1: me so. They make me so happy and like, I mean, 89 00:05:31,640 --> 00:05:35,520 Speaker 1: they freak my dogs out. My dogs are like terrified 90 00:05:35,520 --> 00:05:38,400 Speaker 1: a fryworks fireworks, But I love them. I cry. They're 91 00:05:38,440 --> 00:05:40,919 Speaker 1: just so beautiful. I'm like, how it's just I don't know. 92 00:05:41,240 --> 00:05:43,280 Speaker 1: I don't know. That's the correct emotion. That's what you 93 00:05:43,279 --> 00:05:45,719 Speaker 1: should feel when you see what I should feel. Everyone 94 00:05:45,760 --> 00:05:48,159 Speaker 1: should feel. That's what human beings should feel. But I don't. 95 00:05:48,320 --> 00:05:50,840 Speaker 1: We got to bring some happiness in your life, you know. Yeah, 96 00:05:50,839 --> 00:05:54,599 Speaker 1: it keeps it keeps my therapist employed, so hey, we'll 97 00:05:54,640 --> 00:05:59,360 Speaker 1: keep going with it. So you've been busy lately. I'm exhausted. 98 00:06:01,560 --> 00:06:05,240 Speaker 1: I'm exhausted, but good exhausted. Like you know, there's times 99 00:06:05,279 --> 00:06:07,200 Speaker 1: where it's like where I also don't know how to 100 00:06:07,200 --> 00:06:10,479 Speaker 1: be still, so that's something that I talked to my 101 00:06:10,520 --> 00:06:13,760 Speaker 1: therapist about. Um, yeah, I don't know how to be still, 102 00:06:13,800 --> 00:06:15,800 Speaker 1: Like I just feel like it's never enough and then 103 00:06:15,800 --> 00:06:18,680 Speaker 1: like when my plates like overflowing or too full, then 104 00:06:18,760 --> 00:06:22,719 Speaker 1: like then I start, like then I start, you know, shedding, 105 00:06:22,800 --> 00:06:25,960 Speaker 1: shedding the fat. Were you always that way? Like as 106 00:06:25,960 --> 00:06:28,359 Speaker 1: a kid? Could you just never said still? Did you 107 00:06:28,360 --> 00:06:31,400 Speaker 1: always have to be doing something like let's let's unravel this? 108 00:06:32,000 --> 00:06:35,440 Speaker 1: How this become you? Your personality? Yeah, I think it's 109 00:06:35,480 --> 00:06:38,520 Speaker 1: my mom because my mom is is like that, She's 110 00:06:38,600 --> 00:06:42,680 Speaker 1: always doing something like it's never enough, gotta keep going, 111 00:06:42,720 --> 00:06:44,440 Speaker 1: gotta keep going. And I think my mom raised me 112 00:06:44,480 --> 00:06:46,440 Speaker 1: in that way, so like you know, I was always 113 00:06:46,480 --> 00:06:51,000 Speaker 1: doing singing, dancing, acting, gymnastics like you know, and it 114 00:06:51,160 --> 00:06:54,279 Speaker 1: just and I also think that the route of the 115 00:06:54,320 --> 00:06:57,880 Speaker 1: industry that I'm in, like you always feel like you 116 00:06:57,960 --> 00:07:00,560 Speaker 1: have to be doing something and if you're not doing anything, 117 00:07:00,560 --> 00:07:03,760 Speaker 1: are you really doing anything at all? And COVID helped 118 00:07:03,800 --> 00:07:07,400 Speaker 1: me sit down because it forced us to. But let's 119 00:07:07,480 --> 00:07:09,560 Speaker 1: talk about the work. And this is gonna be a 120 00:07:09,600 --> 00:07:14,240 Speaker 1: really long winded question. So prepare yourself. Okay, take a nap, 121 00:07:14,320 --> 00:07:16,920 Speaker 1: grab some tea. But this is gonna be a long one, 122 00:07:17,000 --> 00:07:21,440 Speaker 1: all right. So originated the role of Julia in dream House, 123 00:07:21,680 --> 00:07:24,200 Speaker 1: which was written by Atliana Pipes, and she was on 124 00:07:24,240 --> 00:07:26,520 Speaker 1: the show. If you're listening to this, go ahead listen 125 00:07:26,520 --> 00:07:30,720 Speaker 1: to that episode two. It was great. And then but 126 00:07:30,760 --> 00:07:34,960 Speaker 1: you were also famously in Hamilton's right, and of your 127 00:07:35,000 --> 00:07:38,960 Speaker 1: Hamilton performance, it was said, the real unexpected thrill for 128 00:07:39,040 --> 00:07:42,440 Speaker 1: me was Darren Castillo who takes the somewhat thankless track 129 00:07:42,520 --> 00:07:46,320 Speaker 1: of Peggy and Maria Reynolds and somehow makes it a meal. 130 00:07:46,880 --> 00:07:52,280 Speaker 1: That's a great quote. That it's good. It's a great quote. 131 00:07:52,760 --> 00:07:55,520 Speaker 1: All of that to say, how do you prepare a 132 00:07:55,640 --> 00:08:00,960 Speaker 1: character when you're originating a role versus you? First of all, 133 00:08:01,040 --> 00:08:06,080 Speaker 1: it's on stage versus a musical where you it's already 134 00:08:06,120 --> 00:08:08,480 Speaker 1: been played and you have to inhabit the role, And 135 00:08:08,520 --> 00:08:10,680 Speaker 1: how do you make that your own? How is the two? 136 00:08:10,760 --> 00:08:14,360 Speaker 1: How's the preparation for the two different? Yeah? I think 137 00:08:15,160 --> 00:08:19,680 Speaker 1: it's so funny because coming into Hamilton's I was really 138 00:08:19,800 --> 00:08:22,920 Speaker 1: lucky because we got to originate that company. So when 139 00:08:22,920 --> 00:08:25,920 Speaker 1: you're able to originate a company, the m Peggy Company 140 00:08:26,000 --> 00:08:28,160 Speaker 1: was able to originate the role in that there's a 141 00:08:28,240 --> 00:08:31,320 Speaker 1: freedom that they give you, UM to bring yourself to 142 00:08:31,360 --> 00:08:35,960 Speaker 1: that role because now that role is set, how how 143 00:08:36,120 --> 00:08:38,760 Speaker 1: I've done it, which is that's the honor of that, 144 00:08:38,840 --> 00:08:42,800 Speaker 1: and then you know whoever steps into it is feeling that. 145 00:08:42,960 --> 00:08:45,520 Speaker 1: But Hamilton's does a great job at allowing the actor 146 00:08:45,559 --> 00:08:49,160 Speaker 1: the person shine through that role. So it's it's a 147 00:08:49,200 --> 00:08:52,200 Speaker 1: different it's a different experience than it was for Lion King. 148 00:08:52,280 --> 00:08:56,280 Speaker 1: Like for Lion King that's been around for fifteen twenty years, 149 00:08:56,280 --> 00:09:00,520 Speaker 1: probably got what now, um, that's been around for so long, 150 00:09:00,880 --> 00:09:03,240 Speaker 1: they're on repeat, on repeat, on repeat, So there's a 151 00:09:03,280 --> 00:09:06,680 Speaker 1: certain box that you have to fill. And Lion King, 152 00:09:06,720 --> 00:09:11,040 Speaker 1: there's only two productions, tour and the Broadway Company. UM. 153 00:09:11,080 --> 00:09:16,280 Speaker 1: So just for my mom at home, so she knows company. UM, 154 00:09:16,320 --> 00:09:19,400 Speaker 1: when you say company, that's the company is the ones 155 00:09:19,440 --> 00:09:22,040 Speaker 1: that originated and then they go on tour. So you'll 156 00:09:22,040 --> 00:09:28,360 Speaker 1: have the um, the original Broadway right show, and then 157 00:09:28,600 --> 00:09:30,880 Speaker 1: the company will be the different touring that could be 158 00:09:30,880 --> 00:09:33,640 Speaker 1: in San Francisco, they could be a Milwaukee, and you 159 00:09:33,640 --> 00:09:37,200 Speaker 1: could have different companies at once exactly exactly. Okay, So 160 00:09:37,320 --> 00:09:41,679 Speaker 1: you're saying for each company, you basically get to reinvent 161 00:09:41,720 --> 00:09:44,439 Speaker 1: the role I mean, obviously within the context of the character, 162 00:09:44,480 --> 00:09:46,960 Speaker 1: but you get to reinvent the role with the shadings 163 00:09:46,960 --> 00:10:01,480 Speaker 1: that you want to see. Yes, my first rehearsal for 164 00:10:01,520 --> 00:10:03,800 Speaker 1: Hamilton's I remember we got called, you know, separately in 165 00:10:03,840 --> 00:10:05,800 Speaker 1: the rooms to sing your parts and sing your versions. 166 00:10:06,320 --> 00:10:09,440 Speaker 1: And I was singing the Mariah Reynolds song with our 167 00:10:09,960 --> 00:10:12,400 Speaker 1: m d at, the musical director at the time, and 168 00:10:13,160 --> 00:10:16,160 Speaker 1: he like stopped me midway and he was like, Okay, 169 00:10:16,320 --> 00:10:18,560 Speaker 1: now I want you to do it again, and I 170 00:10:18,600 --> 00:10:21,400 Speaker 1: want you to do it as yourself. We didn't hire 171 00:10:21,440 --> 00:10:25,240 Speaker 1: you to like sound like Jasmine Stefa Jones. We didn't 172 00:10:25,280 --> 00:10:28,000 Speaker 1: hire you to sound like Aubin. We didn't hire you 173 00:10:28,040 --> 00:10:29,600 Speaker 1: to sound like you know, the other peggies that have 174 00:10:29,679 --> 00:10:32,760 Speaker 1: been around. We hired you because we want you to 175 00:10:32,880 --> 00:10:35,440 Speaker 1: come through in this moment. And I kind of started crying. 176 00:10:35,480 --> 00:10:37,560 Speaker 1: I don't know why. Actually I do know why, because 177 00:10:37,559 --> 00:10:40,640 Speaker 1: I've I've had experiences in the industry where I've never 178 00:10:40,679 --> 00:10:43,360 Speaker 1: been able to bring myself to the table, bring myself 179 00:10:43,440 --> 00:10:46,840 Speaker 1: to the plate. It's always about fitting in to the 180 00:10:46,880 --> 00:10:49,920 Speaker 1: box of what the character is because it's done so well, 181 00:10:49,960 --> 00:10:52,120 Speaker 1: because they made so much money off of it that 182 00:10:52,160 --> 00:10:56,240 Speaker 1: they just it's a repeat. So that was a very 183 00:10:56,360 --> 00:10:58,760 Speaker 1: like a moment of freedom in the room where I 184 00:10:58,800 --> 00:11:01,240 Speaker 1: was like, oh, I get to be myself. Obviously with 185 00:11:01,280 --> 00:11:03,920 Speaker 1: limitations still, like you know, you can't riff in certain 186 00:11:03,960 --> 00:11:06,719 Speaker 1: areas or like add flares and things like that. I 187 00:11:06,840 --> 00:11:09,760 Speaker 1: just want to rewrite the show. But um, it was 188 00:11:09,800 --> 00:11:13,120 Speaker 1: a really good feeling. Now we're talking about dream House, 189 00:11:13,160 --> 00:11:15,800 Speaker 1: which is like also like just completely different because it's 190 00:11:15,840 --> 00:11:19,760 Speaker 1: a play. Um. I mean the playwright was there throughout 191 00:11:19,800 --> 00:11:24,520 Speaker 1: the entire process of each theater that we reopened in um, 192 00:11:24,559 --> 00:11:27,360 Speaker 1: and I was able to build this character with the 193 00:11:27,360 --> 00:11:29,199 Speaker 1: play right. I remember the first time when I went 194 00:11:29,200 --> 00:11:32,160 Speaker 1: in for Dreamhouse, I read the script and it was 195 00:11:32,200 --> 00:11:34,319 Speaker 1: so phenomenal and I was like so obsessed with it. 196 00:11:34,760 --> 00:11:37,320 Speaker 1: And then I get into rehearsal for the first day, 197 00:11:37,400 --> 00:11:40,120 Speaker 1: I realized that some things are changed in the script, 198 00:11:40,559 --> 00:11:43,640 Speaker 1: so like our last name was all of a sudden 199 00:11:43,760 --> 00:11:47,240 Speaker 1: Castillo my last name. There was some nice moments that 200 00:11:47,559 --> 00:11:51,520 Speaker 1: the playwright was able to bring Darylyn into the play 201 00:11:51,679 --> 00:11:56,280 Speaker 1: and Jack and Mariana the other two fellow actresses, And 202 00:11:56,440 --> 00:11:59,000 Speaker 1: it was just so cool to like to have the 203 00:11:59,000 --> 00:12:01,240 Speaker 1: play right there and like say the words and maybe 204 00:12:01,320 --> 00:12:04,319 Speaker 1: something didn't feel natural for darrellly so then she was like, 205 00:12:04,360 --> 00:12:05,760 Speaker 1: how do you want to say it? Elian is like 206 00:12:05,760 --> 00:12:07,520 Speaker 1: how do you want to say it? And it's like, oh, well, 207 00:12:07,559 --> 00:12:09,840 Speaker 1: I will say it this way, and then she's like okay, 208 00:12:09,880 --> 00:12:13,880 Speaker 1: great and rewrites it and that becomes the show. Um. 209 00:12:13,960 --> 00:12:18,520 Speaker 1: So it's a much more intimate process and more inclusive 210 00:12:19,000 --> 00:12:21,760 Speaker 1: just because the show is so fresh and you're originating 211 00:12:21,760 --> 00:12:27,080 Speaker 1: the role completely. Um, I love plays, though, I love plays. Okay, 212 00:12:27,080 --> 00:12:29,920 Speaker 1: So when you're preparing, preparing that role and the role 213 00:12:30,040 --> 00:12:33,120 Speaker 1: is of a pregnant woman who's selling a house, I'm sorry, 214 00:12:33,120 --> 00:12:36,040 Speaker 1: there's a not selling a house. She's in that they 215 00:12:36,040 --> 00:12:38,480 Speaker 1: are selling an house her and her sister. Yes, we're 216 00:12:38,480 --> 00:12:40,120 Speaker 1: selling the house. We decided to put it on an 217 00:12:40,200 --> 00:12:45,240 Speaker 1: h G TV show. That's the other third female character, Mariana. Yeah. 218 00:12:45,400 --> 00:12:51,600 Speaker 1: So do you you've do you go and read books 219 00:12:51,600 --> 00:12:55,760 Speaker 1: about pregnancy? Do you? Um? Are you reading books? Like 220 00:12:55,760 --> 00:12:57,640 Speaker 1: I had had an actor friend who had a role, 221 00:12:58,040 --> 00:13:01,079 Speaker 1: and so he just started reading books that seemed similar 222 00:13:01,080 --> 00:13:03,280 Speaker 1: to that, just to like get into the character. Is 223 00:13:03,320 --> 00:13:06,360 Speaker 1: that part of your process with with Peggy since she 224 00:13:06,400 --> 00:13:08,839 Speaker 1: was a real person? Did you read the Hamilton's book, 225 00:13:08,920 --> 00:13:11,480 Speaker 1: like what's your process to get in the skin of 226 00:13:11,520 --> 00:13:14,600 Speaker 1: these people? So it depends on the role. I used 227 00:13:14,640 --> 00:13:17,000 Speaker 1: to be that way. I used to be very like, oh, 228 00:13:17,040 --> 00:13:19,760 Speaker 1: like I'm singing this opera song, what's the history of 229 00:13:19,800 --> 00:13:23,400 Speaker 1: the song? Or like and that, And I realized that 230 00:13:24,760 --> 00:13:29,840 Speaker 1: for me sometimes that's overload and I and I sometimes 231 00:13:29,840 --> 00:13:33,440 Speaker 1: would prefer to come at it from a different perspective. 232 00:13:33,440 --> 00:13:35,920 Speaker 1: Now with Hamilton's there was no shying away from Hamilton's. 233 00:13:35,960 --> 00:13:38,240 Speaker 1: It was everywhere in all of our faces. Everyone's what 234 00:13:38,360 --> 00:13:40,360 Speaker 1: theater person knew it. I had gone in for the 235 00:13:40,400 --> 00:13:44,040 Speaker 1: show prior to booking the Puerto Rico cast. I had 236 00:13:44,080 --> 00:13:47,880 Speaker 1: gone in for it multiple times, so I was very 237 00:13:47,920 --> 00:13:49,640 Speaker 1: well versed. And I did read the book when it 238 00:13:49,679 --> 00:13:53,760 Speaker 1: first came out, So, um, yeah, that was a different 239 00:13:53,760 --> 00:13:56,440 Speaker 1: experience for for Julia. I've played a lot of pregnant women. 240 00:13:56,440 --> 00:14:03,240 Speaker 1: I don't know why, um, and so I I was 241 00:14:03,320 --> 00:14:07,199 Speaker 1: very familiar with, like the I've played multiple pregnant women 242 00:14:07,240 --> 00:14:10,280 Speaker 1: in multiple actually new shows, and I've played them in 243 00:14:10,360 --> 00:14:13,200 Speaker 1: different stages. So I even got I gave birth on 244 00:14:13,280 --> 00:14:17,880 Speaker 1: stage for one of my roles in college. That was 245 00:14:17,880 --> 00:14:20,440 Speaker 1: a Sunday morning in the South. Um, it was a 246 00:14:20,520 --> 00:14:24,240 Speaker 1: one act play, probably like one of my top three 247 00:14:24,320 --> 00:14:28,600 Speaker 1: favorite performances when I was a baby. Um, it was 248 00:14:28,640 --> 00:14:32,720 Speaker 1: an incredible play. Are incredible one act um. And it's 249 00:14:32,840 --> 00:14:37,640 Speaker 1: very deep and very deeply rooted in slavery. And um, 250 00:14:37,680 --> 00:14:40,800 Speaker 1: my character gives birth on stage but finds out that 251 00:14:40,880 --> 00:14:47,520 Speaker 1: I'm giving birth to a boy. And back then that 252 00:14:47,640 --> 00:14:52,080 Speaker 1: was like a very traumatic thing because a lot of 253 00:14:53,400 --> 00:14:57,760 Speaker 1: black young boys were being killed. Um. And I actually 254 00:14:57,840 --> 00:15:00,720 Speaker 1: my character kills her own baby on stage. Like it 255 00:15:00,800 --> 00:15:04,840 Speaker 1: was a very like dark, very intense and I was like, 256 00:15:04,880 --> 00:15:07,720 Speaker 1: I was like nineteen, and I was helping you possibly 257 00:15:07,720 --> 00:15:09,880 Speaker 1: prepare for that in nineteen. How do you get into that? 258 00:15:11,520 --> 00:15:14,480 Speaker 1: It's such a dark place to go to. I love 259 00:15:14,560 --> 00:15:17,760 Speaker 1: dark stuff and I'll be and and even like my 260 00:15:17,840 --> 00:15:22,520 Speaker 1: role Julia, like she goes into some dark places too, 261 00:15:22,760 --> 00:15:27,080 Speaker 1: not that far, not that deep into the end, but um, 262 00:15:27,120 --> 00:15:31,680 Speaker 1: you know, just Julia loses her mother and then her 263 00:15:31,720 --> 00:15:34,800 Speaker 1: mother's passes away and she didn't even go to say goodbye. 264 00:15:34,960 --> 00:15:38,400 Speaker 1: So there's this like really like deep emotional I just 265 00:15:38,480 --> 00:15:42,720 Speaker 1: love like emotional, Like I like to cry, I have 266 00:15:42,760 --> 00:15:45,920 Speaker 1: a cry baby. I just I like I'm not scared 267 00:15:45,960 --> 00:15:48,800 Speaker 1: of like tapping into like vulnerability. I'm not scared to 268 00:15:48,920 --> 00:15:51,880 Speaker 1: like dive into that. I'm not scared to like go 269 00:15:51,960 --> 00:15:54,240 Speaker 1: into the realness of those raw emotions. It's like one 270 00:15:54,280 --> 00:15:58,040 Speaker 1: of my favorites. Um, It's a very interesting thing in theater. 271 00:15:58,160 --> 00:16:01,040 Speaker 1: It's hard to take musical people, like seriously musical theater 272 00:16:01,080 --> 00:16:04,200 Speaker 1: people seriously to the play world, which is just so 273 00:16:04,280 --> 00:16:07,840 Speaker 1: like it's just so to me because it's like most 274 00:16:07,880 --> 00:16:10,800 Speaker 1: of us start off acting, you know, that's our base, 275 00:16:10,840 --> 00:16:12,640 Speaker 1: that's our core. I think when you're singing a song, 276 00:16:12,840 --> 00:16:15,320 Speaker 1: it always starts off with acting, never starts off with 277 00:16:15,440 --> 00:16:20,520 Speaker 1: just the notes, you know. So, yeah, preparing for for Julia, like, 278 00:16:21,200 --> 00:16:25,120 Speaker 1: I had an experience with women dealing with pregnancy, and 279 00:16:25,160 --> 00:16:28,760 Speaker 1: now I'm older and considering one day having children and 280 00:16:29,120 --> 00:16:31,320 Speaker 1: all of that. So I've been a very different place, 281 00:16:31,360 --> 00:16:33,440 Speaker 1: and I just felt like it was a perfect role. 282 00:16:33,680 --> 00:16:37,640 Speaker 1: I will say this something that I've never experienced before. 283 00:16:37,680 --> 00:16:39,960 Speaker 1: So I played a pregnant woman, a six months pregnant 284 00:16:39,960 --> 00:16:43,160 Speaker 1: women for like six months. Wow, I don't know, six wow, 285 00:16:43,240 --> 00:16:50,120 Speaker 1: six six six dark dark stuff and Darylyn and Rosemary's 286 00:16:50,160 --> 00:16:57,040 Speaker 1: baby this November. Honestly call my people. Um, but yeah, 287 00:16:57,080 --> 00:17:00,120 Speaker 1: and I caught myself acting like a pregnant woman in 288 00:17:00,200 --> 00:17:02,440 Speaker 1: the entire six months. When I say acting like a 289 00:17:02,440 --> 00:17:06,159 Speaker 1: pregnant woman, I mean like moody for sure, but also 290 00:17:06,359 --> 00:17:12,240 Speaker 1: like I was like eating a lot and like just chilling, 291 00:17:12,440 --> 00:17:16,120 Speaker 1: like my whole body was Like like I went into 292 00:17:16,160 --> 00:17:19,320 Speaker 1: this and I realized, like I wasn't It wasn't not 293 00:17:19,359 --> 00:17:22,359 Speaker 1: to say that every part every woman is different in 294 00:17:22,600 --> 00:17:26,000 Speaker 1: their process, but I went into this like mindset of 295 00:17:26,040 --> 00:17:30,119 Speaker 1: like I don't know, like I was more exhausted. I 296 00:17:30,200 --> 00:17:33,080 Speaker 1: was like tired more I felt and maybe because I 297 00:17:33,119 --> 00:17:35,800 Speaker 1: was carrying the actual weight around so my belly that 298 00:17:35,840 --> 00:17:39,080 Speaker 1: I had was actually seven to ten pounds. They changed 299 00:17:39,119 --> 00:17:42,360 Speaker 1: it depending on the weights that they had available, which 300 00:17:42,359 --> 00:17:46,879 Speaker 1: also gave me back injury, thank you, um um. And 301 00:17:47,240 --> 00:17:50,000 Speaker 1: it just feeling that weight on my body for six 302 00:17:50,040 --> 00:17:52,760 Speaker 1: months and like eight times a week and two times 303 00:17:52,760 --> 00:17:55,520 Speaker 1: in a day like and sometimes all day in rehearsal 304 00:17:55,560 --> 00:17:59,440 Speaker 1: for ten hours. Um. I just like it was very 305 00:17:59,520 --> 00:18:03,760 Speaker 1: in this fog like and then I would just come 306 00:18:03,800 --> 00:18:06,320 Speaker 1: home and I wouldn't Like I've always been a very active, 307 00:18:07,080 --> 00:18:08,960 Speaker 1: you know, very active going person, and I kind of 308 00:18:09,040 --> 00:18:11,640 Speaker 1: was a little more laid back than usual. I don't 309 00:18:11,640 --> 00:18:13,159 Speaker 1: know if that was a friend of mine was like, Oh, 310 00:18:13,160 --> 00:18:14,960 Speaker 1: it's because you were a pregnant woman for six months, 311 00:18:14,960 --> 00:18:18,320 Speaker 1: and I was like, that's true, that could be true. 312 00:18:18,600 --> 00:18:21,000 Speaker 1: It's kind of just takes over your life a little bit. 313 00:18:21,359 --> 00:18:25,520 Speaker 1: You performed in my whole island of Puerto Rico shortly 314 00:18:25,600 --> 00:18:30,960 Speaker 1: after Hurricane Maria, and Lynn took the show back there. 315 00:18:31,520 --> 00:18:34,399 Speaker 1: He's got they decide this right. He performed a bed 316 00:18:34,440 --> 00:18:36,520 Speaker 1: deside this because well he also performed in the Heights. 317 00:18:36,520 --> 00:18:38,040 Speaker 1: It's it's a big thing for him, but he really 318 00:18:38,080 --> 00:18:41,720 Speaker 1: wanted to raise money for the While you were there, 319 00:18:42,240 --> 00:18:46,240 Speaker 1: the island was still amidst its recovery. M hm. How 320 00:18:46,280 --> 00:18:50,879 Speaker 1: did it feel aside from obviously the show which is 321 00:18:50,880 --> 00:18:55,000 Speaker 1: great right and performing it and the love and adoration 322 00:18:55,040 --> 00:18:56,879 Speaker 1: that the island has for Lynn and for the show, 323 00:18:57,400 --> 00:19:00,840 Speaker 1: but just in general, like the feeling of being there 324 00:19:00,920 --> 00:19:04,800 Speaker 1: for the recovery to seeing the tarps on the houses, 325 00:19:04,960 --> 00:19:08,000 Speaker 1: Like just in general, what was your feeling post Hurricane 326 00:19:08,040 --> 00:19:10,760 Speaker 1: Maria being on the island. I have to say, because 327 00:19:10,800 --> 00:19:14,840 Speaker 1: we were in Gonbado, like it was very touristy, like 328 00:19:15,480 --> 00:19:21,119 Speaker 1: the recovery. I didn't really that area didn't seem like 329 00:19:21,160 --> 00:19:24,240 Speaker 1: there was a hurricane. I'll just be like flat honest 330 00:19:24,280 --> 00:19:27,640 Speaker 1: with that. Um, there's obviously money there, and like it's 331 00:19:27,720 --> 00:19:31,480 Speaker 1: obviously one of the biggest tourists attraction in San Juan. 332 00:19:31,920 --> 00:19:33,640 Speaker 1: In San Juan, I saw a little bit, but like 333 00:19:34,720 --> 00:19:38,080 Speaker 1: still also it just and it was really busy because 334 00:19:38,080 --> 00:19:41,720 Speaker 1: I think Hamilton's, because Hamilton's was there. Of course it 335 00:19:41,760 --> 00:19:44,399 Speaker 1: was so interesting, like you would see the even the 336 00:19:44,680 --> 00:19:47,800 Speaker 1: locals were like, oh there these this is all like 337 00:19:47,840 --> 00:19:50,119 Speaker 1: this is all happening because of you guys. That was 338 00:19:50,200 --> 00:19:55,160 Speaker 1: really cool to experience and I love that the show 339 00:19:55,320 --> 00:20:01,159 Speaker 1: did something great. However, like it was a little heartbreaking 340 00:20:01,359 --> 00:20:03,360 Speaker 1: to see like some of the locals having a hard 341 00:20:03,359 --> 00:20:06,399 Speaker 1: time coming to see the show. And that's just something 342 00:20:06,440 --> 00:20:08,560 Speaker 1: that for me, like I made that like a mission 343 00:20:08,840 --> 00:20:12,600 Speaker 1: of mine. So like I gathered as many tickets as 344 00:20:12,600 --> 00:20:16,439 Speaker 1: I could from from cast members, use all my preview 345 00:20:16,440 --> 00:20:18,760 Speaker 1: tickets because my family came to opening they weren't coming 346 00:20:18,800 --> 00:20:20,960 Speaker 1: to the previews, and a lot of us there in 347 00:20:21,000 --> 00:20:24,399 Speaker 1: the show, we didn't have people in Puerto Rico. And 348 00:20:24,440 --> 00:20:27,159 Speaker 1: also like I was the only Latino female, Like you know, 349 00:20:27,240 --> 00:20:29,640 Speaker 1: like there wasn't there wasn't that huge of a presence 350 00:20:29,640 --> 00:20:33,280 Speaker 1: besides me, I believe me, Lynn the King, and um 351 00:20:33,720 --> 00:20:35,480 Speaker 1: my good friend Huban that we had on the show 352 00:20:35,520 --> 00:20:39,240 Speaker 1: as well. Um, there's only a handful of us. So 353 00:20:39,720 --> 00:20:41,600 Speaker 1: I made it my mission to invite as many people 354 00:20:41,600 --> 00:20:44,159 Speaker 1: as I could on the island, Like I invited like 355 00:20:44,320 --> 00:20:48,400 Speaker 1: the Ptagua guy, like literally I went to like get 356 00:20:48,440 --> 00:20:50,639 Speaker 1: Hog and Dogs, and I invited the girl behind the counter, 357 00:20:50,880 --> 00:20:54,720 Speaker 1: like I was just like trying to Like people were like, 358 00:20:54,720 --> 00:20:56,520 Speaker 1: I can't get a ticket. I can't get a ticket. 359 00:20:56,880 --> 00:21:01,119 Speaker 1: They cost a thousand dollars, like it's and then you 360 00:21:01,119 --> 00:21:03,160 Speaker 1: know the days that the locals were coming in, which 361 00:21:03,160 --> 00:21:05,520 Speaker 1: is the students that got the tickets for I believe 362 00:21:05,560 --> 00:21:22,000 Speaker 1: ten dollars. The line was insane that these people are 363 00:21:22,000 --> 00:21:25,679 Speaker 1: sleeping outside to come and see this show. And the 364 00:21:25,720 --> 00:21:27,640 Speaker 1: other crazy thing for me was like some of them 365 00:21:27,640 --> 00:21:31,040 Speaker 1: didn't even speak English and we're doing the show in English. 366 00:21:31,240 --> 00:21:33,000 Speaker 1: They just want to be in the room where it happens. 367 00:21:33,000 --> 00:21:35,760 Speaker 1: And that was just like two wishes of mine was 368 00:21:35,800 --> 00:21:38,920 Speaker 1: like I wish, I wish we did the show in Spanish. 369 00:21:38,920 --> 00:21:41,840 Speaker 1: That would have been so freaking dope. Um, And maybe 370 00:21:41,840 --> 00:21:43,399 Speaker 1: that's something that's in the works. I don't know. I 371 00:21:43,400 --> 00:21:48,360 Speaker 1: mean they're doing German, you know that's happening now. So um, 372 00:21:48,400 --> 00:21:52,359 Speaker 1: maybe eventually that'll be a thing. And I and I 373 00:21:52,400 --> 00:21:54,640 Speaker 1: wish that some more locals were abould have come out, 374 00:21:54,680 --> 00:21:56,640 Speaker 1: and I and I know that, and I'm sure Lynn 375 00:21:56,680 --> 00:22:01,239 Speaker 1: feels equal to some of that. Um. But also like 376 00:22:01,440 --> 00:22:03,560 Speaker 1: the mission was to raise as much money as we 377 00:22:03,600 --> 00:22:06,360 Speaker 1: could for the island. And I will tell you right now, 378 00:22:06,440 --> 00:22:10,960 Speaker 1: like people came and people spent money. People spent a 379 00:22:10,960 --> 00:22:12,879 Speaker 1: lot of money to come and see that show. So 380 00:22:12,960 --> 00:22:16,120 Speaker 1: I'm grateful that it did it had it reached its 381 00:22:16,160 --> 00:22:19,920 Speaker 1: goal and surpassed it. Um. And just to be there 382 00:22:20,000 --> 00:22:21,240 Speaker 1: was an honor. Just to be a part of it 383 00:22:21,280 --> 00:22:24,439 Speaker 1: was an honor to like to watch Lynn like working 384 00:22:24,440 --> 00:22:27,280 Speaker 1: in that capat, like working on that level, like understanding 385 00:22:27,320 --> 00:22:30,080 Speaker 1: what it like takes to be on that kind of 386 00:22:30,520 --> 00:22:33,080 Speaker 1: level to do something like this for the island. That 387 00:22:33,240 --> 00:22:38,240 Speaker 1: was like, Yeah, it's like watching Oprah work. You're like, wow, 388 00:22:38,480 --> 00:22:41,040 Speaker 1: that's cool. Yeah, that's that's fantastic. You know. I know 389 00:22:41,080 --> 00:22:43,040 Speaker 1: that my family they didn't get to see the show, 390 00:22:43,800 --> 00:22:48,320 Speaker 1: but they the pride that they took in the show 391 00:22:48,400 --> 00:22:52,280 Speaker 1: being there. Um, and my family, most of them were 392 00:22:52,359 --> 00:22:55,320 Speaker 1: very fortunate with Hurricane Maria. The ones that were affected 393 00:22:55,320 --> 00:22:57,600 Speaker 1: by Hurricane Maria, luckily we had other family members that 394 00:22:57,640 --> 00:23:00,760 Speaker 1: can help them and we can assist them. But aside 395 00:23:00,800 --> 00:23:03,639 Speaker 1: from that, it just helped with the national pride, just 396 00:23:03,680 --> 00:23:08,400 Speaker 1: because there was just you know, with um, the orange 397 00:23:08,400 --> 00:23:13,480 Speaker 1: man throwing the paper towels, um, and just the constant 398 00:23:13,560 --> 00:23:16,040 Speaker 1: kind of like, you know, we already feel like second 399 00:23:16,040 --> 00:23:20,399 Speaker 1: class citizens. So to take this like cultural wonder that 400 00:23:20,520 --> 00:23:22,800 Speaker 1: is touring America and like setting American fire and to 401 00:23:22,840 --> 00:23:25,040 Speaker 1: bring it to the island, it just it really does 402 00:23:25,240 --> 00:23:27,919 Speaker 1: make such a difference to the people living on the island, 403 00:23:28,119 --> 00:23:31,160 Speaker 1: you know, who so often feel like the distant step 404 00:23:31,200 --> 00:23:34,760 Speaker 1: cousin that nobody pays attention to. And so that was 405 00:23:34,880 --> 00:23:37,600 Speaker 1: so on behalf of the Puerourrican people, because I speak 406 00:23:37,600 --> 00:23:41,399 Speaker 1: for the Puertogrican people. Thank you for performing there. Yeah, no, 407 00:23:41,480 --> 00:23:45,440 Speaker 1: it's it's it's a really lovely thing. Um. All right, 408 00:23:46,320 --> 00:23:52,080 Speaker 1: let's talk about the Tonys again again. I want to. So, 409 00:23:52,480 --> 00:23:54,199 Speaker 1: I mean, there's there's so many ways we could go 410 00:23:54,240 --> 00:23:56,920 Speaker 1: with this, but for me, what's the energy like at 411 00:23:56,920 --> 00:24:02,840 Speaker 1: the Tony. Okay, So the first so last year was 412 00:24:02,880 --> 00:24:05,919 Speaker 1: our first year back from the Tony's after COVID the craziness, 413 00:24:06,040 --> 00:24:10,879 Speaker 1: so we didn't have that, and last year it was downsized. 414 00:24:10,920 --> 00:24:13,640 Speaker 1: They had it at the Winter Garden, which is now 415 00:24:13,680 --> 00:24:16,800 Speaker 1: where music Man is at and then they usually have 416 00:24:16,920 --> 00:24:20,960 Speaker 1: a Radio City Music Hall. Yeah, so downsized a lot 417 00:24:21,000 --> 00:24:24,320 Speaker 1: smaller because you can't invite as many people COVID. It's 418 00:24:24,320 --> 00:24:30,439 Speaker 1: still crazy. My first Tony experience was insane. Like I 419 00:24:30,480 --> 00:24:33,480 Speaker 1: remember being like so nervous. My left arm like went 420 00:24:33,520 --> 00:24:37,280 Speaker 1: completely numb like an hour before, and the person during 421 00:24:37,359 --> 00:24:40,080 Speaker 1: my hair was like, oh, that happens to some people 422 00:24:40,119 --> 00:24:41,760 Speaker 1: that I've done hair and make it like you're probably 423 00:24:41,800 --> 00:24:45,000 Speaker 1: just have you drink water, like probably a little anxiety 424 00:24:45,080 --> 00:24:47,040 Speaker 1: like you're gonna be great. And I was like, okay, 425 00:24:48,080 --> 00:24:49,880 Speaker 1: you mention that. Because my left arm went on before 426 00:24:49,880 --> 00:24:52,720 Speaker 1: I got this did this interview, I felt I felt 427 00:24:52,760 --> 00:24:57,080 Speaker 1: similar nerves. So anyway, continuing, I'll show you some warm 428 00:24:57,160 --> 00:25:01,200 Speaker 1: up and massages for that next time. So yeah, so 429 00:25:01,640 --> 00:25:03,800 Speaker 1: I was just I was nervous. It was like a 430 00:25:03,840 --> 00:25:05,320 Speaker 1: nerve wracking. I was like, oh my god, I don't 431 00:25:05,320 --> 00:25:07,160 Speaker 1: want to follow my face. What if I become a meme? 432 00:25:07,200 --> 00:25:09,920 Speaker 1: What if I become you know obviously like any publicity 433 00:25:10,000 --> 00:25:12,639 Speaker 1: is good for publicity, So I was like, Darylyn, You're 434 00:25:12,680 --> 00:25:16,840 Speaker 1: gonna be great. Um. And also I was masked, which 435 00:25:16,960 --> 00:25:20,480 Speaker 1: was made me. It made me a little less nervous. 436 00:25:20,520 --> 00:25:22,080 Speaker 1: I mean at first I was a little annoyed. I'm like, oh, 437 00:25:22,080 --> 00:25:23,879 Speaker 1: nobody's gonna see me. But then it made me a 438 00:25:23,920 --> 00:25:25,959 Speaker 1: little less nervous because I was like, oh, I can 439 00:25:26,040 --> 00:25:28,119 Speaker 1: hide behind my mask a little bit and kind of 440 00:25:28,160 --> 00:25:30,080 Speaker 1: like I don't have to smile as much. I don't 441 00:25:30,119 --> 00:25:32,160 Speaker 1: have to be on. I can just with the eyes. 442 00:25:33,040 --> 00:25:37,879 Speaker 1: But learning experience backstage and those awards ceremonies are absolutely 443 00:25:38,040 --> 00:25:43,160 Speaker 1: insane because those stage managers are they haven't If they 444 00:25:43,440 --> 00:25:46,200 Speaker 1: do something wrong, and you do something wrong then makes 445 00:25:46,240 --> 00:25:51,440 Speaker 1: them look bad, it is over for you. So I 446 00:25:51,520 --> 00:25:55,719 Speaker 1: learned very quickly not to give into that energy and 447 00:25:55,800 --> 00:25:57,960 Speaker 1: to just literally like I felt like it was my 448 00:25:58,080 --> 00:26:01,680 Speaker 1: job to like calm the stage man like that year 449 00:26:01,760 --> 00:26:04,960 Speaker 1: was somebody different this year the last year, like he 450 00:26:05,119 --> 00:26:09,400 Speaker 1: was stressed. Like when I say like tomato, his face 451 00:26:09,480 --> 00:26:12,159 Speaker 1: was like a red tomato. And he has done like 452 00:26:12,200 --> 00:26:15,840 Speaker 1: the Oscars, He's done like the Grammys, So I'm thinking 453 00:26:15,880 --> 00:26:20,080 Speaker 1: he's cool. No, he was like military vibe, like where 454 00:26:20,119 --> 00:26:21,600 Speaker 1: are you? Where are you? What are you doing? What's 455 00:26:21,640 --> 00:26:24,520 Speaker 1: going on? And I literally at one point was like 456 00:26:24,920 --> 00:26:26,840 Speaker 1: I'm not gonna say his name, let's just call him. 457 00:26:27,040 --> 00:26:29,879 Speaker 1: Let's just call him SM. I was like, SM, I 458 00:26:29,920 --> 00:26:33,920 Speaker 1: got this and walk out. So that the first year 459 00:26:34,080 --> 00:26:37,000 Speaker 1: was kind of like a crazy roller coaster. My second year, 460 00:26:37,119 --> 00:26:42,359 Speaker 1: coming back this time was phenomenal. I had the absolute 461 00:26:42,400 --> 00:26:44,600 Speaker 1: best time. And I think it was because I did 462 00:26:44,640 --> 00:26:47,600 Speaker 1: it last year. I knew what to expect, I knew 463 00:26:47,640 --> 00:26:52,400 Speaker 1: how to like handle myself in that environment. Um, and 464 00:26:52,600 --> 00:26:55,720 Speaker 1: I had the best I actually saved a couple of moments, 465 00:26:56,400 --> 00:26:59,399 Speaker 1: UM because the the other SM was like freaking out 466 00:26:59,400 --> 00:27:01,680 Speaker 1: about something and they were like, do you want Darylynn 467 00:27:01,680 --> 00:27:04,160 Speaker 1: to come over there? She's coming You'll you'll feel better, 468 00:27:04,240 --> 00:27:06,679 Speaker 1: You'll feel better. And I went over there and like 469 00:27:07,119 --> 00:27:09,840 Speaker 1: I just felt very like at ease, and people were 470 00:27:09,880 --> 00:27:11,520 Speaker 1: like remembered me from last year. They were like, what's 471 00:27:11,560 --> 00:27:14,119 Speaker 1: her name again? I remember you? Um. I was like 472 00:27:14,200 --> 00:27:16,439 Speaker 1: kicking it back there with Samuel Jackson and his wife, 473 00:27:16,520 --> 00:27:18,760 Speaker 1: like we were just leaning out. So I got to 474 00:27:18,760 --> 00:27:21,639 Speaker 1: see Lynn again and ari Ariana Debos was like a 475 00:27:21,640 --> 00:27:23,080 Speaker 1: good friend of mine and we were just like kicking 476 00:27:23,080 --> 00:27:25,199 Speaker 1: it too, and like it was just cool to be 477 00:27:25,320 --> 00:27:28,880 Speaker 1: back there and feel like I'm a part of the gang. 478 00:27:29,240 --> 00:27:31,800 Speaker 1: I'm here, and also just to provide a little bit 479 00:27:31,840 --> 00:27:38,840 Speaker 1: of like calm vibes because necessary necessary, for sure. I 480 00:27:38,840 --> 00:27:41,480 Speaker 1: think what people don't realize about those shows is that 481 00:27:41,640 --> 00:27:44,360 Speaker 1: it's ten decisions being made every second and everybody supposed 482 00:27:44,359 --> 00:27:45,800 Speaker 1: to what they're doing, but nobody knows what they're doing. 483 00:27:46,400 --> 00:27:50,840 Speaker 1: So you're constantly like wrangling cats. But if something goes wrong, 484 00:27:51,200 --> 00:27:55,639 Speaker 1: everybody notices it, right, and so it's just like, uh, 485 00:27:55,720 --> 00:28:00,199 Speaker 1: it's a giant Jenga. One person is holding up and 486 00:28:00,240 --> 00:28:03,119 Speaker 1: telling people which parts to pick, you know, and without 487 00:28:03,119 --> 00:28:06,240 Speaker 1: making a collapse. Okay, we're gonna get some random questions here, 488 00:28:06,400 --> 00:28:08,240 Speaker 1: o favorite part of the show. We're gonna just ask 489 00:28:08,240 --> 00:28:12,280 Speaker 1: some random questions. Are you ready? I'm ready? All right, 490 00:28:12,920 --> 00:28:20,399 Speaker 1: f Mary kill Nio, nick on long, oh come on, 491 00:28:21,760 --> 00:28:26,520 Speaker 1: oh come on. I can't answer this, Come on, okay, 492 00:28:26,760 --> 00:28:31,160 Speaker 1: Son Culture, I would ask, Okay, you got to marry 493 00:28:31,200 --> 00:28:38,080 Speaker 1: the Dominican flag. That's fine, that's good. I'm going to 494 00:28:38,160 --> 00:28:41,360 Speaker 1: stick to that. That's my answer. Finally answer yeah, Cult, 495 00:28:41,520 --> 00:28:46,920 Speaker 1: you just want that, like, yeah, let's stop there that's 496 00:28:46,920 --> 00:28:51,080 Speaker 1: a treat. That's a treat. What's the favorite city you've 497 00:28:51,120 --> 00:28:56,400 Speaker 1: ever been on touring A hard, hard question. Of course 498 00:28:56,400 --> 00:28:59,160 Speaker 1: I'm not including San Juan, which we're gonna say is 499 00:28:59,240 --> 00:29:02,160 Speaker 1: number one. And then well I was, of course, I 500 00:29:02,160 --> 00:29:05,400 Speaker 1: mean that's like that takes over everything. Because also we 501 00:29:05,480 --> 00:29:09,200 Speaker 1: got to spend like a few weeks they're kind of 502 00:29:09,240 --> 00:29:14,440 Speaker 1: on vacation slash rehearsal wasn't rehearsal, um, but yeah, I 503 00:29:14,480 --> 00:29:16,120 Speaker 1: got to really explore the island and get to know 504 00:29:16,160 --> 00:29:19,280 Speaker 1: the island, and it was I was pleasantly surprised, especially 505 00:29:19,320 --> 00:29:21,520 Speaker 1: being Dominican. I never I mean I never want to 506 00:29:21,560 --> 00:29:24,240 Speaker 1: Puto Rico, which is crazy because there's that the boat 507 00:29:24,280 --> 00:29:26,360 Speaker 1: that brings us both to Puerto Rican diller, you know, 508 00:29:26,360 --> 00:29:30,040 Speaker 1: the card of the crew of the ship. My grandmother's 509 00:29:30,040 --> 00:29:32,120 Speaker 1: done a bunch of times. I hadn't done it. So 510 00:29:32,280 --> 00:29:34,200 Speaker 1: to finally go to Puerto Rico and then like also 511 00:29:34,240 --> 00:29:36,880 Speaker 1: feel the love, like I don't know who made up 512 00:29:36,880 --> 00:29:39,720 Speaker 1: this Dominican Puerto Rico versus thing. I don't know what 513 00:29:40,000 --> 00:29:45,000 Speaker 1: who did that. Get out go somewhere because I felt 514 00:29:45,000 --> 00:29:48,680 Speaker 1: like I was home and like they I got. I 515 00:29:49,160 --> 00:29:55,320 Speaker 1: felt loved and cared for. Um okay, second favorite city, though. 516 00:29:56,800 --> 00:29:59,960 Speaker 1: Something always brings me back to Detroit. I know that's 517 00:30:00,000 --> 00:30:05,880 Speaker 1: it's a weird Detroit. Detroit. I really do love to 518 00:30:06,440 --> 00:30:10,000 Speaker 1: do a Detroit. I don't know what it is. I've 519 00:30:10,040 --> 00:30:14,440 Speaker 1: been there like four times now and I've always just 520 00:30:15,200 --> 00:30:21,040 Speaker 1: had a great time. People, the vibes go to you know, 521 00:30:21,160 --> 00:30:26,840 Speaker 1: hit up a casino. I love Detroit. I did not 522 00:30:26,880 --> 00:30:30,640 Speaker 1: see Detroit making the top five. Wow, how about that? Okay? Yeah, 523 00:30:30,800 --> 00:30:33,840 Speaker 1: I love Detroit. Check out to Detroit. Love working there, 524 00:30:33,920 --> 00:30:35,880 Speaker 1: I love the vibes, I love the people. You know 525 00:30:35,920 --> 00:30:38,120 Speaker 1: what it is. I guess it just reminds me a 526 00:30:38,120 --> 00:30:41,320 Speaker 1: little bit of New York, like it has grit, has 527 00:30:41,360 --> 00:30:47,520 Speaker 1: like real authentic like grit in history. Just I'm even 528 00:30:47,520 --> 00:30:52,680 Speaker 1: gonna say Detroit pizza. I know. Do you enjoy the squares? 529 00:30:53,640 --> 00:30:58,120 Speaker 1: I do enjoy it. I know love Detroit. Alright, Little Caesars, 530 00:30:58,120 --> 00:31:06,160 Speaker 1: if you're listening, we'll take a sponsorship. Um okay. As always, 531 00:31:06,480 --> 00:31:09,959 Speaker 1: we always closed with the same question, what is it 532 00:31:09,960 --> 00:31:12,360 Speaker 1: that reminds you at home? However it is that you 533 00:31:12,440 --> 00:31:14,920 Speaker 1: define home? All right? If you know me, you know 534 00:31:15,000 --> 00:31:20,920 Speaker 1: this answer. It has to go on. It has I 535 00:31:21,000 --> 00:31:26,080 Speaker 1: mean it's like it's the it's the national plate of 536 00:31:26,120 --> 00:31:29,920 Speaker 1: Dominican like it's it is the plate of Dominican Republic. 537 00:31:30,040 --> 00:31:34,600 Speaker 1: Like I love food. I I could be anywhere in 538 00:31:34,720 --> 00:31:38,880 Speaker 1: anywhere in the world if there's I'm home. I'm like, yes, 539 00:31:39,480 --> 00:31:41,960 Speaker 1: thank you very much. I even have a mug. I 540 00:31:42,000 --> 00:31:44,200 Speaker 1: got two of them actually for Christmas. I want to 541 00:31:44,200 --> 00:31:46,760 Speaker 1: shout out my friends that know me. They got me 542 00:31:46,960 --> 00:31:50,400 Speaker 1: two mugs, the same exact gift that has it like 543 00:31:50,440 --> 00:31:53,600 Speaker 1: it's in clay, like it's clayed, it's made into it's amazing. 544 00:31:54,000 --> 00:31:55,760 Speaker 1: And two of my really close friends got me the 545 00:31:55,840 --> 00:31:59,400 Speaker 1: same exact mug for Christmas, and it just was like 546 00:31:59,600 --> 00:32:03,800 Speaker 1: I have to I use them both every day today. 547 00:32:04,240 --> 00:32:13,040 Speaker 1: Man Satia, I said, well, yeah, like that's just everything fantastic. 548 00:32:13,120 --> 00:32:16,000 Speaker 1: That's a good answer. All right. Well that is um 549 00:32:16,640 --> 00:32:19,560 Speaker 1: the end of our time together today. I hope you've 550 00:32:19,600 --> 00:32:24,480 Speaker 1: enjoyed this, uh, this little glimpse into our host life. Carlos, 551 00:32:24,560 --> 00:32:27,520 Speaker 1: you did. You did such a great job. I'm trying. 552 00:32:27,560 --> 00:32:29,200 Speaker 1: I'm trying. I can feel my left arm now, I 553 00:32:29,200 --> 00:32:32,920 Speaker 1: can feel it. It's coming back. Um, Darylyn. For the 554 00:32:32,960 --> 00:32:35,960 Speaker 1: listeners at home wherek and may follow you, Yes, you 555 00:32:35,960 --> 00:32:38,160 Speaker 1: guys can follow. Well, first off, what I nat that 556 00:32:38,200 --> 00:32:40,280 Speaker 1: you guys can follow, um, What I Eat? That podcast 557 00:32:40,280 --> 00:32:45,400 Speaker 1: on Instagram and my personal Instagram is Darylyn Melody. That's 558 00:32:45,520 --> 00:32:47,600 Speaker 1: d A r I l Y n N E l 559 00:32:47,680 --> 00:32:51,200 Speaker 1: O d y excellent. And if you want to follow me, 560 00:32:51,280 --> 00:32:54,160 Speaker 1: you can follow me at Planned Parenthood dot org or 561 00:32:54,720 --> 00:32:59,800 Speaker 1: shout your Abortion dot com. If you give either of 562 00:32:59,800 --> 00:33:02,880 Speaker 1: those causes, I will be sure to call you. Thank 563 00:33:02,920 --> 00:33:07,600 Speaker 1: you so much. This is the last have a wonderful 564 00:33:07,720 --> 00:33:10,120 Speaker 1: for the July week, however it is you're celebrating, and 565 00:33:10,160 --> 00:33:17,560 Speaker 1: we will see you next week here on Mona Mona 566 00:33:17,600 --> 00:33:20,280 Speaker 1: Nita is a production of Sonato in partnership with I 567 00:33:20,400 --> 00:33:24,320 Speaker 1: Heart Radios Michael podcast Network. For more podcasts from I 568 00:33:24,440 --> 00:33:27,920 Speaker 1: Heart Radio, visit the I Heart Radio app, Apple podcast, 569 00:33:28,120 --> 00:33:30,080 Speaker 1: or wherever you listen to your favorite shows,