WEBVTT - Andor Season 2 (Episodes 1-3)

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<v Speaker 1>Worrying.

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<v Speaker 2>Today's episode contains spoilers for and Or season two episodes

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<v Speaker 2>one through three, the first tranch of and Or season

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<v Speaker 2>two episodes.

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<v Speaker 3>Hello, my name is Jason Exceptio and on Merday Night.

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<v Speaker 2>And welcome back to ex Servision, the podcast where we've

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<v Speaker 2>done deep into your favorite shows, movies, comics and pop culture.

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<v Speaker 2>Coming to you from IRA podcast, where we're bringing you

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<v Speaker 2>three episodes a week every Tuesday, Wednesday, Thursday plus news.

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<v Speaker 3>In today's episode, we've been waiting for it, guys. It's

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<v Speaker 3>the most expensive Star Wars project of all time. It's

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<v Speaker 3>and Or season two and thanks beautiful. The money is

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<v Speaker 3>on the screen, guys. That's one thing nobody could say

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<v Speaker 3>is that this show looks cheap. If you feel like

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<v Speaker 3>the Star Wars have not been up to a cinematic

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<v Speaker 3>visual experience, will change. Chink chi ching, kuchink chink. They're

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<v Speaker 3>spending those credits, baby, and thanks to Emmy contention. As

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<v Speaker 3>far as we know, we are recapping the first three episodes. Yes,

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<v Speaker 3>this season will drop in four three episode chunks and

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<v Speaker 3>we will be recapping them thus. Plus, this is just

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<v Speaker 3>a recap episode. As and Or such a big release

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<v Speaker 3>for us, we will be back for a deeper dive

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<v Speaker 3>on our thoughts Easter Eggs Jedi Council Opinions on Friday.

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<v Speaker 1>Okay.

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<v Speaker 2>The first episode of and Or season two opens four

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<v Speaker 2>years before Battle of Yavin.

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<v Speaker 1>We are at a.

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<v Speaker 2>Imperial test facility, a weapons test facility called sign Ar Cassie,

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<v Speaker 2>and and Or is there undercover. He is there to

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<v Speaker 2>apparently feel a experimental tie fighter with the help of

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<v Speaker 2>his spy network. There on the ground a woman named Nia,

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<v Speaker 2>and it goes. It goes very rockily. Yeah, and Or

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<v Speaker 2>crashing the ship into the side of the hangar. He

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<v Speaker 2>has to blast his way out. It's not a clean getaway,

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<v Speaker 2>but he does get away.

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<v Speaker 3>The money is money. It's like this secret corgious, unbelievable.

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<v Speaker 3>It's also really fun because so often in Star Wars

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<v Speaker 3>we see somebody get into a ship they've never flown

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<v Speaker 3>before and they can magically fly it because they're hand

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<v Speaker 3>solo and they're connected to the force or whatever you believe.

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<v Speaker 3>So it was great to see and Or crash this ship,

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<v Speaker 3>trash this ship, and every single moment of the ship

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<v Speaker 3>getting trashed is beautiful. I also think they did a

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<v Speaker 3>great job here. You notice that he is wearing imperial

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<v Speaker 3>uniform if you are so inclined to do so. But

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<v Speaker 3>when you see a walking with the stormtrooper helmet that

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<v Speaker 3>it is very shocking, and I think they did a

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<v Speaker 3>good job. I also think there's a great moment here

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<v Speaker 3>where Nia says, is it bad that I've had fun here?

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<v Speaker 3>And you realize that there are like human beings who

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<v Speaker 3>are all in this terrible world? I love?

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<v Speaker 1>Yeah, my time with the Empire has been so fun.

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<v Speaker 3>Yeah, she was like, fucking bad, Jason said, is bad? Bro?

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<v Speaker 3>That's how they get you.

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<v Speaker 2>Like they're saying you didn't have fun, but yeah, come on,

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<v Speaker 2>it's the Empire. Is it bad that I love the

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<v Speaker 2>uniforms and it's fun to fighters?

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<v Speaker 3>She's like, how's it going.

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<v Speaker 1>Elsewhere?

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<v Speaker 2>Bix wakes up from Nightmare B two, continuing to be

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<v Speaker 2>the very emotional Droid that we know him to be.

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<v Speaker 2>Emotional and loyal Droid from season one, is very concerned.

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<v Speaker 2>He wants to make sure that Cassian knows that she's

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<v Speaker 2>still having the bad dreams, and he's also very excited

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<v Speaker 2>because Cassie apparently will return to whatever this hideout of

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<v Speaker 2>the Spy Network is tomorrow. We go to Chandrilla, where

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<v Speaker 2>Mon Mathma is getting ready for the wedding of her

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<v Speaker 2>daughter lighta arranged marriage, the arranged marriage in the chandriline

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<v Speaker 2>fashion to Stecken, who is of course the son of

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<v Speaker 2>the warlord and oligarch Davoskolden, who helped them launder money

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<v Speaker 2>last season, because if you recall, Mon had an outstanding

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<v Speaker 2>like four hundred thousand credits that she needed to move

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<v Speaker 2>and then all of a sudden she couldn't move them

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<v Speaker 2>very easily, and so they needed to call in Davo

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<v Speaker 2>who has all these kind of underworld contacts, and he

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<v Speaker 2>was able to absorb that. But the cost of the

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<v Speaker 2>deal was you got to marry your daughter to my

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<v Speaker 2>son because you're from this like high class aristocratic family,

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<v Speaker 2>and it's it would be great for you, know, my.

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<v Speaker 1>Juice, if we were attacked, if we were attached to you.

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<v Speaker 3>I will say as well. This is a sequence that

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<v Speaker 3>blew my mind last season. The mod Moth miss stuff

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<v Speaker 3>I was here or there on I thought it was,

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<v Speaker 3>but this visually and costuming and production wise, I felt

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<v Speaker 3>like I was in the Prequels. Complimentary wedding dress looks

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<v Speaker 3>pure Amidala. The floating wedding dress, the color grading the

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<v Speaker 3>clothes that are worn here to showcase who is involved

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<v Speaker 3>in the religion and who is not, and then you

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<v Speaker 3>start to see some unexpected faces. Is unbelievable.

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<v Speaker 2>Like, I don't know how much natural light is used

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<v Speaker 2>in some of these shots on Chandrilla and all the

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<v Speaker 2>Monmotha stuff, but it looks so good.

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<v Speaker 3>It looks so good, just beautiful, just looks gorgeous.

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<v Speaker 2>You know what else is looking good? I found like

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<v Speaker 2>I was like, might citle up to mom at the

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<v Speaker 2>bar and be like, Yo.

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<v Speaker 1>What's up.

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<v Speaker 3>I'm saying, she's looking fantastic.

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<v Speaker 1>You look great.

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<v Speaker 2>I just want to tell you that thank you for

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<v Speaker 2>all that you've done. She's looks understanding.

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<v Speaker 3>That she's got the collar bones out, the little shoulders

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<v Speaker 3>are shouldering, and also as well, I gotta say, I

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<v Speaker 3>think the movie I think I think the creatives behind

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<v Speaker 3>this season realize, oh, we have to make her an

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<v Speaker 3>attractive prospect because that's going to play into where her

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<v Speaker 3>storyline is going, especially with her shithead husband who I hate.

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<v Speaker 1>Mathma is Mathma.

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<v Speaker 2>Ing so anyway, But the whole there's various members of

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<v Speaker 2>the of the Resistance Network is here Vella is there undercover.

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<v Speaker 1>Luthen is there.

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<v Speaker 2>He he's basically the wedding planner.

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<v Speaker 3>Wedding showed up like looking so put together. I was thinking, bro,

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<v Speaker 3>I remember your speech. How are you doing this? This

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<v Speaker 3>is creeping me out and I love it.

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<v Speaker 4>So Luthen is there.

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<v Speaker 2>He has provided a lot of the specialty art, it seems,

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<v Speaker 2>for this event. And of and it seems like Davo,

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<v Speaker 2>s Goolden and Luthen have something cooking. They're constantly like

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<v Speaker 2>you know, conspiring and talking and stuff. And then Luthen

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<v Speaker 2>learns that the sign our mission has gone as planned,

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<v Speaker 2>and then and Or has gotten away with the ship.

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<v Speaker 4>Okay, great.

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<v Speaker 2>We got to mina Raw, which is I'm calling Big Wheat.

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<v Speaker 2>This is where Bis and the team is handing out,

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<v Speaker 2>hiding out on Big Wheat planet.

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<v Speaker 1>And it's an agricultural planet.

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<v Speaker 2>A lot of the workers there are illegal beings from

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<v Speaker 2>other places in the galaxy who are there seasonally to work.

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<v Speaker 2>We see an imperial ship go across the sky and

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<v Speaker 2>Bix and the crew start freaking out. They're like, fuck,

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<v Speaker 2>what are the imperials doing here? Meanwhile, and Or lands

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<v Speaker 2>whatever planet that he's supposed to hand off this ship

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<v Speaker 2>to you know whatever team whatever resistance network team is waiting, uh,

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<v Speaker 2>and he calls for his contact, Porko, but he's ambushed

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<v Speaker 2>by basically you know when when the Empire said rebel

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<v Speaker 2>scum and the original Star Wars trilogies, Yeah, I didn't

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<v Speaker 2>understand it until now. We're about to meet the true

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<v Speaker 2>rebel like proto rebel ye rebels. The rebels have not

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<v Speaker 2>gotten their shit together yet, and this is like what

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<v Speaker 2>we have. The people who are ambushing and or are

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<v Speaker 2>like they have all the fire, they have all the zeal,

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<v Speaker 2>they have none of the discipline, and they don't know

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<v Speaker 2>what it.

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<v Speaker 1>Talks us to truly do it.

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<v Speaker 2>We go to the Mauthene Divide where Krenik is presiding

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<v Speaker 2>over a meeting of a new project team, and he

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<v Speaker 2>gives them this whole speech about like this is listen,

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<v Speaker 2>whatever you're doing, whoever your bosses, they can't know about

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<v Speaker 2>what we're doing in here.

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<v Speaker 1>Everybody in here. That's it.

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<v Speaker 2>It's closed off. We're just that's it. We're working on

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<v Speaker 2>this thing and you're gonna find out what it is. Also,

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<v Speaker 2>in this room, our deirdre are our friendly intelligence office,

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<v Speaker 2>not friendly our intelligence officer from last year.

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<v Speaker 3>Drum. I'm still trying to walk it out. She's she's

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<v Speaker 3>being as enigmatic as ever.

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<v Speaker 2>She has a hard or not, I don't know, and

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<v Speaker 2>also a major part of gas is there hilarious not

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<v Speaker 2>even a master. After the warnings, we get a presentation

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<v Speaker 2>about the Gorman Valley, which is this galactically renowned producer

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<v Speaker 2>of high quality textiles made from spider silk. And the

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<v Speaker 2>Empire is really, really really interested in the Gorman, the

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<v Speaker 2>Gorman Valley. They want this area, and we're about to

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<v Speaker 2>find out why. Yeah, Kranik tells them that in addition

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<v Speaker 2>to the uh spidery silk created there, there's also huge

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<v Speaker 2>deposits of calkite under the valley that is necessary for

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<v Speaker 2>the lens coating of the Death Star. That they have

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<v Speaker 2>heard of it, and and if the Empire can't find

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<v Speaker 2>some other synthetic or natural source somewhere else in the galaxy,

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<v Speaker 2>well Gorman's got to be taken in by hand, and

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<v Speaker 2>very very quickly and very very quietly, with a good reason.

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<v Speaker 2>We go back to Cassian, the proto scum or like

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<v Speaker 2>they're arguing it's like, is he an imperial?

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<v Speaker 4>Is he not an Imperial the tie fighter there.

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<v Speaker 2>They haven't eaten in two days, we discover and this

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<v Speaker 2>goes on and on, like.

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<v Speaker 3>How did they not bring snacks? Like, guys, come on,

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<v Speaker 3>and they've also they've already had a split in the

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<v Speaker 3>group because somebody is missing. Now. I will say what

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<v Speaker 3>I love about these sequences is despite the fact that

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<v Speaker 3>they clearly are just kind of to keep and Or

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<v Speaker 3>on the side for a little bit. I will say

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<v Speaker 3>I thought that the way that you see and Or

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<v Speaker 3>immediately start scheming, and Cassian is suddenly like, yeah, I

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<v Speaker 3>know Maya the person she was my contact, Like I'm

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<v Speaker 3>he's so good at playing the game. He has learnt

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<v Speaker 3>his lessons from Lutheran and he is not afraid to lie,

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<v Speaker 3>to survive, to do whatever he has to to get

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<v Speaker 3>the mission done.

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<v Speaker 2>That part when he talks about Maya, I actually found

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<v Speaker 2>him to be sincere in that moment. I thought he

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<v Speaker 2>was like, hey, wait a second, I know your group.

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<v Speaker 2>I'm supplyed, like I'm part of another resistance cell that's

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<v Speaker 2>been supplying your group, Like what do you guys, we're

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<v Speaker 2>on the same side, Like what's going on?

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<v Speaker 3>I couldn't tell. I don't know because I'm like she's

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<v Speaker 3>obviously not Porko, who, by the way, is that Porkins, Like,

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<v Speaker 3>I don't know as a rebel, but like, yeah, I

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<v Speaker 3>also by the end of it was like, oh, this

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<v Speaker 3>does make sense. Maybe this is the truth. But I

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<v Speaker 3>think with Cassie and you can never know. And and

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<v Speaker 3>I think that that Diego is doing such a good

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<v Speaker 3>job of bringing that to life.

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<v Speaker 1>Here Diego and his tasteful new cheek fillers.

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<v Speaker 2>I'll say, let's just talk about it. I think his

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<v Speaker 2>cheeks look really smooth and different now.

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<v Speaker 3>They look very beautiful, like he's in the most expensive

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<v Speaker 3>Star Wars show of all time.

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<v Speaker 1>Truly.

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<v Speaker 2>I'll also say that this sequence of scenes with Cassian

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<v Speaker 2>and these kind of proto rebels, the rebels come. I

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<v Speaker 2>found it to be a really trenchet commentary on.

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<v Speaker 1>Left wing infighting.

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<v Speaker 2>The hist like a thing that seems to be deevil

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<v Speaker 2>progressive and left wing politics always as they tempt to

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<v Speaker 2>struggle against uh, you know, capitalists and or fascist forces.

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<v Speaker 2>There's a reason why uh you know, uh left wing

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<v Speaker 2>movers and shakers can never seem to get it together

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<v Speaker 2>to fight against fascism. It's because they're always fighting themselves

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<v Speaker 2>and that's like a sadly true thing that's happening right now.

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<v Speaker 3>Even Yeah, it's a great microcosm to here where also

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<v Speaker 3>like this, they're fighting this battle within themselves that is

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<v Speaker 3>not leading them anywhere and is just going to lead

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<v Speaker 3>to them literally like eating each other and starving, while

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<v Speaker 3>Krenick is planning essentially like galactic fracking and how to

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<v Speaker 3>destroy an entire indigenous population. So it's like, guys, there's

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<v Speaker 3>bigger things, just like team up and go in assassinate credits.

0:13:52.720 --> 0:13:53.280
<v Speaker 1>That is what.

0:13:54.960 --> 0:13:57.320
<v Speaker 2>Well, first we got to figure out who is more rebel,

0:13:57.400 --> 0:13:59.800
<v Speaker 2>like who's the most people, who's the most You're exactly

0:14:00.000 --> 0:14:03.600
<v Speaker 2>all Rightkrenick basically tells the group, Okay, here's what we're

0:14:03.640 --> 0:14:07.360
<v Speaker 2>looking at. If we have to mine this shit in

0:14:07.400 --> 0:14:12.559
<v Speaker 2>the Gorman Valley, it will cause the massive ecological collapse

0:14:13.120 --> 0:14:19.240
<v Speaker 2>and like geological collapse of this entire region, including the

0:14:19.280 --> 0:14:25.680
<v Speaker 2>destruction of nine notable cities in the region. And if

0:14:25.680 --> 0:14:28.240
<v Speaker 2>we're gonna do that, we have to be careful because

0:14:28.280 --> 0:14:30.280
<v Speaker 2>the Gormans have juice in the Senate and the rest

0:14:30.280 --> 0:14:32.880
<v Speaker 2>of the planets are gonna get scared that the Empire

0:14:33.080 --> 0:14:35.920
<v Speaker 2>is like out to get everybody and so we have

0:14:36.040 --> 0:14:38.160
<v Speaker 2>to just find a good reason to go in there

0:14:38.160 --> 0:14:40.600
<v Speaker 2>and do this to make it make sense. So he

0:14:40.720 --> 0:14:45.280
<v Speaker 2>introduces d Shamba and NICUs Osar from the Ministry of Enlightenment.

0:14:45.280 --> 0:14:47.760
<v Speaker 2>These are the propaganda guys, and they start throwing around.

0:14:47.480 --> 0:14:52.680
<v Speaker 3>These opra or how like effectively off all this immediately becomes.

0:14:52.400 --> 0:14:56.840
<v Speaker 2>Yeah, and so then they start throwing around ideas about how,

0:14:57.280 --> 0:14:59.080
<v Speaker 2>you know, we can make a case, how the Empire

0:14:59.080 --> 0:15:02.360
<v Speaker 2>can make a case for annex in Greenland I mean,

0:15:02.440 --> 0:15:06.360
<v Speaker 2>sorry Gorman Gorman Valley. And the idea is like, you know,

0:15:06.480 --> 0:15:08.560
<v Speaker 2>we can basically we can turn public.

0:15:08.280 --> 0:15:10.160
<v Speaker 4>Opinion against the Gormans.

0:15:10.200 --> 0:15:13.320
<v Speaker 2>They're annoying and they're always like they're not helping out

0:15:13.320 --> 0:15:13.520
<v Speaker 2>with the.

0:15:13.920 --> 0:15:17.840
<v Speaker 3>Fire close they're too close to the spiders that are

0:15:17.840 --> 0:15:21.480
<v Speaker 3>really scary. So it doesn't make that that make them monsters.

0:15:22.920 --> 0:15:27.480
<v Speaker 2>And then we also learn that in you know, looking

0:15:27.480 --> 0:15:30.360
<v Speaker 2>ahead to this eventuality, that they're going to try to

0:15:30.400 --> 0:15:36.680
<v Speaker 2>annex Gore, annex the Gores, they've already started pre positioning

0:15:36.920 --> 0:15:43.120
<v Speaker 2>like weapons in Palmo, the Gore capital. Krenick is like, Deirdre,

0:15:43.440 --> 0:15:45.280
<v Speaker 2>you've been quiet this entire meeting.

0:15:45.320 --> 0:15:47.520
<v Speaker 3>What do you got. This is a great idea. I

0:15:47.840 --> 0:15:49.080
<v Speaker 3>love this idea, and.

0:15:49.040 --> 0:15:52.480
<v Speaker 2>She's like, I don't know, really really yeah, she's very

0:15:52.560 --> 0:15:55.400
<v Speaker 2>cagey and here's where to your point. I can't tell

0:15:55.480 --> 0:15:57.920
<v Speaker 2>if she's like, I don't like this mission, I think

0:15:57.920 --> 0:16:01.760
<v Speaker 2>it's terrible ethically, morally, egues, or if she's just like

0:16:02.520 --> 0:16:04.240
<v Speaker 2>I want to be back up my old job, like

0:16:04.320 --> 0:16:07.400
<v Speaker 2>I think this job sucks. I think it's more. I

0:16:07.440 --> 0:16:09.160
<v Speaker 2>honestly think it's more that, like I want.

0:16:09.040 --> 0:16:12.800
<v Speaker 3>To go on best with the access with finding these.

0:16:12.680 --> 0:16:14.240
<v Speaker 4>She still wants to find access.

0:16:14.440 --> 0:16:18.720
<v Speaker 2>Yes, so she's you know, critic eventually pushes her and

0:16:18.720 --> 0:16:22.280
<v Speaker 2>she's like, well, what you need is a false flag operation,

0:16:22.520 --> 0:16:24.000
<v Speaker 2>you need fake rebels.

0:16:25.040 --> 0:16:27.720
<v Speaker 1>She doesn't go into it, but I think what she's.

0:16:27.520 --> 0:16:30.240
<v Speaker 2>Suggesting, yes, is like a fake terrorist attack. And then

0:16:30.280 --> 0:16:34.480
<v Speaker 2>we go in back on Mina. Raw B is still

0:16:34.560 --> 0:16:37.800
<v Speaker 2>like Cassie and Cassie and when Cassie's coming back, where

0:16:37.880 --> 0:16:40.480
<v Speaker 2>is he's coming back? And we discover also that the

0:16:40.520 --> 0:16:44.680
<v Speaker 2>Imperials are on planet because they're doing an audit whatever

0:16:44.720 --> 0:16:48.000
<v Speaker 2>that means. It's how much how much wheat is big

0:16:48.040 --> 0:16:50.680
<v Speaker 2>we giving us, Like really they just.

0:16:50.600 --> 0:16:53.640
<v Speaker 3>Want to go and act up and harass people on.

0:16:54.040 --> 0:16:57.920
<v Speaker 2>Absolutely true we go back to the wedding. It's like

0:16:57.960 --> 0:16:59.880
<v Speaker 2>the night before the wedding, it seems like folks are

0:16:59.880 --> 0:17:05.159
<v Speaker 2>so socializing. Vel questions. Cleia, who you know, remembers the

0:17:05.200 --> 0:17:10.240
<v Speaker 2>clerk at Luthen's shop who is also in the network,

0:17:10.280 --> 0:17:14.280
<v Speaker 2>important person in the network, and she's like, what the

0:17:14.280 --> 0:17:16.239
<v Speaker 2>fuck are you doing here? Like and I get it.

0:17:16.320 --> 0:17:18.119
<v Speaker 2>Vella is worried, like why are all these spies in

0:17:18.119 --> 0:17:20.399
<v Speaker 2>one place? There's way too many of us here, like

0:17:20.480 --> 0:17:24.679
<v Speaker 2>that is weird. But she's like, well, our shop provided

0:17:24.840 --> 0:17:27.520
<v Speaker 2>the art, and Luthen is basically the wedding planner, Like

0:17:27.560 --> 0:17:29.200
<v Speaker 2>I gotta be here, Like what are you talking about?

0:17:29.280 --> 0:17:30.120
<v Speaker 1>She's like, I'm handam.

0:17:30.840 --> 0:17:33.560
<v Speaker 2>Meanwhile, Mon goes to smooth things over the light of

0:17:33.720 --> 0:17:38.040
<v Speaker 2>after a fight with the groom to be and YadA, YadA, YadA,

0:17:38.320 --> 0:17:39.120
<v Speaker 2>and we go back.

0:17:39.160 --> 0:17:41.520
<v Speaker 4>We we end with like a final.

0:17:42.680 --> 0:17:45.200
<v Speaker 2>Visit with our rebels who are having a They're now

0:17:45.240 --> 0:17:49.119
<v Speaker 2>shooting each other because they're a fucking unseerious group of

0:17:49.600 --> 0:17:52.479
<v Speaker 2>hot heads who legitimately can't get it together and are

0:17:52.520 --> 0:17:54.880
<v Speaker 2>more interested in shooting each other than shooting at the Empire.

0:17:55.000 --> 0:17:57.880
<v Speaker 3>Yeah, and I think like aboo, super producer Boo made

0:17:57.880 --> 0:18:01.240
<v Speaker 3>a great point where it's like this also to within

0:18:01.320 --> 0:18:05.119
<v Speaker 3>the world of Star Wars, the disper ultra secret of

0:18:05.400 --> 0:18:09.560
<v Speaker 3>nature of the rebellion and how it is actively working

0:18:09.600 --> 0:18:15.000
<v Speaker 3>against itself by their not being chains of communication like they.

0:18:14.960 --> 0:18:17.400
<v Speaker 4>Just isn't thought like.

0:18:17.359 --> 0:18:21.280
<v Speaker 3>A secret handshake, but it's something to prove that they

0:18:21.320 --> 0:18:23.280
<v Speaker 3>are involved together.

0:18:23.560 --> 0:18:28.360
<v Speaker 2>Like I think it's a good point aboo. But let

0:18:28.359 --> 0:18:32.399
<v Speaker 2>me say this first of all, what one thing I

0:18:32.400 --> 0:18:34.399
<v Speaker 2>love about and Or is that there are no It

0:18:34.480 --> 0:18:37.960
<v Speaker 2>does not reflect the real world. It's completely just totally effecially.

0:18:41.880 --> 0:18:44.280
<v Speaker 2>The one thing I've been thinking about is listen, you've

0:18:44.280 --> 0:18:49.040
<v Speaker 2>got the Empire is extremely powerful. They control every space

0:18:49.200 --> 0:18:55.680
<v Speaker 2>of communication, society, culture, and economics. There is no way

0:18:55.800 --> 0:18:58.520
<v Speaker 2>to communicate openly about resisting them, period.

0:18:58.560 --> 0:18:59.000
<v Speaker 1>You can't.

0:18:59.800 --> 0:19:04.359
<v Speaker 2>It's not safe. You can't actually do it in that reality.

0:19:05.600 --> 0:19:11.479
<v Speaker 2>How do you organize? Can't You can be selective in

0:19:11.560 --> 0:19:16.159
<v Speaker 2>terms of the people who matriculate up into the higher

0:19:16.280 --> 0:19:20.240
<v Speaker 2>levels of the resistance, where and Or and Luthen and

0:19:20.280 --> 0:19:25.000
<v Speaker 2>the rest circulate because you're but in terms of who

0:19:25.119 --> 0:19:29.239
<v Speaker 2>you are recruiting to take on this impossible goal of

0:19:29.280 --> 0:19:34.840
<v Speaker 2>fighting the Empire, I think it makes rational sense. It

0:19:34.880 --> 0:19:37.840
<v Speaker 2>doesn't make any it's not effective, but it would make

0:19:37.920 --> 0:19:41.280
<v Speaker 2>sense that the people that you're going to get coming

0:19:41.280 --> 0:19:43.800
<v Speaker 2>to your group are going to have a lot more

0:19:43.920 --> 0:19:49.600
<v Speaker 2>zeal than ability. And they're also not the people that

0:19:49.680 --> 0:19:53.320
<v Speaker 2>you know you can trust at this particular stage. They're

0:19:53.359 --> 0:19:55.560
<v Speaker 2>the people who want to shoot. You need those people.

0:19:55.960 --> 0:19:58.000
<v Speaker 2>Are they the smart enough people who have the nerve

0:19:58.119 --> 0:20:00.159
<v Speaker 2>to like go undercover and do all the things that

0:20:00.240 --> 0:20:04.639
<v Speaker 2>Luthen and and Or and the rest do. Clearly not

0:20:05.160 --> 0:20:08.480
<v Speaker 2>they haven't. They don't have that kind of experience. So

0:20:09.280 --> 0:20:11.840
<v Speaker 2>I take the point that, like, couldn't you communicate with them,

0:20:11.880 --> 0:20:15.520
<v Speaker 2>but like, if you tell them what's going on at

0:20:15.560 --> 0:20:18.320
<v Speaker 2>the top, your whole fucking operation is blown as soon

0:20:18.359 --> 0:20:20.520
<v Speaker 2>as one of these fuckers gets captured.

0:20:20.880 --> 0:20:23.560
<v Speaker 3>I will say this is even proven in this episode

0:20:23.600 --> 0:20:28.720
<v Speaker 3>and Andal points out where he explains, like the guy

0:20:28.800 --> 0:20:31.719
<v Speaker 3>explains who they are and that Maya is missing and everything,

0:20:31.760 --> 0:20:34.040
<v Speaker 3>and then they're like, well, tell us what you're working on,

0:20:34.080 --> 0:20:38.080
<v Speaker 3>and Ando's like no, and he's like he's like, well,

0:20:38.119 --> 0:20:39.000
<v Speaker 3>you shouldn't.

0:20:38.640 --> 0:20:41.359
<v Speaker 2>Have done that, Like sorry, you guys are shooting at

0:20:41.400 --> 0:20:43.480
<v Speaker 2>each other and you were like tell me your entire operator.

0:20:43.480 --> 0:20:46.159
<v Speaker 2>Get the fuck out of let's take a break and

0:20:46.160 --> 0:20:47.000
<v Speaker 2>go to episode two.

0:20:47.400 --> 0:21:06.119
<v Speaker 1>Yeah, and we're back after the shootout.

0:21:06.680 --> 0:21:10.439
<v Speaker 2>One fact, now the factions have completely split, and so

0:21:10.520 --> 0:21:13.840
<v Speaker 2>you have the faction that is over by the Advanced

0:21:13.880 --> 0:21:16.399
<v Speaker 2>Tie Fighter, the ship faction, and you have the shot

0:21:16.560 --> 0:21:20.720
<v Speaker 2>the faction that has Cassian prisoner, the Cassian faction. Neither

0:21:20.760 --> 0:21:23.040
<v Speaker 2>of them have food or water and they are all

0:21:23.240 --> 0:21:27.200
<v Speaker 2>a fucking joke. On the way to work back on Coursot,

0:21:27.240 --> 0:21:29.960
<v Speaker 2>Deirdre stops part Gaz to tell him, listen, I hate

0:21:29.960 --> 0:21:31.280
<v Speaker 2>this Gorman Valley project.

0:21:31.320 --> 0:21:34.200
<v Speaker 1>And it's not the genocide. It's not that.

0:21:34.640 --> 0:21:37.600
<v Speaker 2>It's that I want to be back on Axis hunt duty.

0:21:38.359 --> 0:21:39.760
<v Speaker 2>Get me back on Axis.

0:21:40.160 --> 0:21:43.000
<v Speaker 3>Pod guys is like, good luck. Crenick told you this

0:21:43.040 --> 0:21:45.080
<v Speaker 3>is your job, So this is your fucking job. Like

0:21:45.119 --> 0:21:47.640
<v Speaker 3>you know, it's the empire, babe, it's not a democracy.

0:21:48.160 --> 0:21:51.240
<v Speaker 2>Like he makes the careers point, He's like, listen, Credit

0:21:51.359 --> 0:21:55.960
<v Speaker 2>tapped you to be in this. You can put your

0:21:56.040 --> 0:22:00.640
<v Speaker 2>fucking mark on this. The Emperor has his eye on

0:22:00.680 --> 0:22:01.600
<v Speaker 2>this project.

0:22:02.440 --> 0:22:04.240
<v Speaker 1>This is great for your career.

0:22:05.680 --> 0:22:07.840
<v Speaker 4>So what are you doing. Don't rock the boat.

0:22:08.200 --> 0:22:11.080
<v Speaker 2>Back with the wedding party, Claya is increasingly concerned that,

0:22:11.240 --> 0:22:13.359
<v Speaker 2>like we're not getting any news out of Mina Raw, like,

0:22:13.359 --> 0:22:15.840
<v Speaker 2>what's going on? No word from the team. I don't

0:22:15.840 --> 0:22:19.440
<v Speaker 2>know if Cassiean's back. And now it seems as if

0:22:19.440 --> 0:22:23.080
<v Speaker 2>we're getting whispers that the Empire is in the area

0:22:23.119 --> 0:22:24.160
<v Speaker 2>carrying out an inspection.

0:22:24.640 --> 0:22:26.160
<v Speaker 1>What are we gonna do? She goes to Luthen.

0:22:26.240 --> 0:22:29.280
<v Speaker 2>Luthen's like, well, I can't fucking do anything because I'm running.

0:22:29.080 --> 0:22:33.440
<v Speaker 3>Up wedding, this wedding over there. I look at my hat,

0:22:34.320 --> 0:22:36.439
<v Speaker 3>it's looking so great. It doesn't it's not quick.

0:22:37.040 --> 0:22:44.600
<v Speaker 2>Meanwhile, Ominously, your favorite chanderline Parennia's husband, wis I wish

0:22:45.000 --> 0:22:48.000
<v Speaker 2>everybody listening to this foe right now could have seen

0:22:48.200 --> 0:22:49.040
<v Speaker 2>Rosie's face.

0:22:50.520 --> 0:22:51.280
<v Speaker 1>I hate a parent?

0:22:52.040 --> 0:22:54.480
<v Speaker 3>Am he am my lost.

0:22:54.359 --> 0:23:02.680
<v Speaker 2>Paren ominously watching from the sidelines, And is this a

0:23:02.760 --> 0:23:06.360
<v Speaker 2>hint of some something larger or not? Because parent does

0:23:06.400 --> 0:23:09.240
<v Speaker 2>have an issue. He goes to mom, is like, your boyfriend,

0:23:09.560 --> 0:23:13.399
<v Speaker 2>your little fucking boyfriend, take Homa, tell him to fucking

0:23:14.160 --> 0:23:17.760
<v Speaker 2>stop knocking back the drinks because this guy's a mess.

0:23:17.880 --> 0:23:18.640
<v Speaker 4>He's talking shit.

0:23:18.760 --> 0:23:21.920
<v Speaker 2>Apparently he sees him and his wife got divorced. He's

0:23:22.160 --> 0:23:25.080
<v Speaker 2>on his ass, no money made, some bad investments. This

0:23:25.200 --> 0:23:28.040
<v Speaker 2>is what I'm here, he's like gossip, full gossip, and

0:23:28.080 --> 0:23:31.320
<v Speaker 2>he's also like, I know, he's like, isn't he your lover?

0:23:32.359 --> 0:23:32.880
<v Speaker 1>Your lover?

0:23:33.560 --> 0:23:36.080
<v Speaker 3>And she's wearing the glam outfit, so you're feeling like

0:23:36.240 --> 0:23:38.520
<v Speaker 3>he's like jealous. But you know what if she if

0:23:38.600 --> 0:23:41.040
<v Speaker 3>he she has saw out a lover, it's probably because

0:23:41.040 --> 0:23:42.359
<v Speaker 3>you are not performing parents.

0:23:45.840 --> 0:23:47.760
<v Speaker 2>And then he and then he like leaves with like

0:23:47.920 --> 0:23:49.760
<v Speaker 2>by the way, Tay is weak and he just like

0:23:50.160 --> 0:23:51.640
<v Speaker 2>swishes off in his kimono.

0:23:52.160 --> 0:23:57.000
<v Speaker 1>Yes, back on me and a rale Bix.

0:23:58.040 --> 0:24:03.320
<v Speaker 2>Her group gets some news from a contact who comes

0:24:03.440 --> 0:24:07.760
<v Speaker 2>from a nearby like sector. The Imperials are coming soon.

0:24:08.280 --> 0:24:11.680
<v Speaker 2>There's about forty of them on planet air support unknown.

0:24:12.280 --> 0:24:15.560
<v Speaker 2>They want grain, and they're looking for refugees and insurgents

0:24:15.600 --> 0:24:17.360
<v Speaker 2>and basically anybody that shouldn't be there.

0:24:18.080 --> 0:24:20.040
<v Speaker 1>And they're very worried because.

0:24:19.800 --> 0:24:24.080
<v Speaker 3>You know, Cassian hasn't is set to arrive and he's.

0:24:23.920 --> 0:24:26.600
<v Speaker 2>Got to get there before the Imperials get there. Our

0:24:26.680 --> 0:24:30.359
<v Speaker 2>good friend Cyril shows back in up story. He's still

0:24:30.440 --> 0:24:34.200
<v Speaker 2>working bureau, still working at the bureau.

0:24:33.960 --> 0:24:35.359
<v Speaker 3>Now giving up.

0:24:35.840 --> 0:24:39.480
<v Speaker 2>He's like a middle manager around and he's giving this

0:24:39.960 --> 0:24:42.520
<v Speaker 2>like raw ross speech to this new worker, and he's

0:24:42.560 --> 0:24:45.960
<v Speaker 2>basically saying, like you might. It's actually a great monologue

0:24:45.960 --> 0:24:48.520
<v Speaker 2>where he's like, listen, you look at this and you

0:24:48.640 --> 0:24:51.400
<v Speaker 2>think how boring, how boring, how boring. But I want

0:24:51.440 --> 0:24:57.040
<v Speaker 2>you to know I was this fucking clothes to catching

0:24:57.080 --> 0:24:59.240
<v Speaker 2>a rebel spy last year, and.

0:24:59.320 --> 0:25:02.080
<v Speaker 3>You get it. Do something. If you do something, what

0:25:02.480 --> 0:25:05.400
<v Speaker 3>you could be out there too. Yeah, that's right, standing

0:25:05.480 --> 0:25:08.159
<v Speaker 3>head telling someone else they could catch and rebels.

0:25:11.720 --> 0:25:17.560
<v Speaker 2>We meet some other members of Bix's cell. We meet Will,

0:25:18.320 --> 0:25:22.000
<v Speaker 2>who has been in a little bit of a romance

0:25:22.200 --> 0:25:27.880
<v Speaker 2>with a local farms farmer named Beila. They are out

0:25:28.000 --> 0:25:33.560
<v Speaker 2>in the wheat of big wheat canoodling when the Imperials

0:25:33.640 --> 0:25:38.840
<v Speaker 2>roll up to like a shop, a farmstead shop. Brosso

0:25:39.080 --> 0:25:42.159
<v Speaker 2>bicks they are there as well. They start shitting bricks.

0:25:42.560 --> 0:25:46.679
<v Speaker 2>They're the lieutenant. The Imperial lieutenant comes over to Bix

0:25:46.720 --> 0:25:51.280
<v Speaker 2>and he's doing the whole Colonel Hans Landa in Ingloria's

0:25:51.359 --> 0:25:55.399
<v Speaker 2>Bastard's thing, where he's very clearly like, oh, Bix, you're attractive.

0:25:55.560 --> 0:25:57.040
<v Speaker 1>I'm gonna throw my weight around.

0:25:57.720 --> 0:26:00.200
<v Speaker 2>Brosso comes up and keeps it from getting weird, but

0:26:00.280 --> 0:26:02.159
<v Speaker 2>it's very very clear this guy is going to be

0:26:02.200 --> 0:26:03.080
<v Speaker 2>a big fucking problem.

0:26:03.160 --> 0:26:06.920
<v Speaker 3>Yea. He's like, oh, like, let's go to this little

0:26:06.960 --> 0:26:08.879
<v Speaker 3>space that I know. And she's like, I'm married and

0:26:08.960 --> 0:26:13.119
<v Speaker 3>he's like, okay, where is he? And he's a very

0:26:13.200 --> 0:26:18.120
<v Speaker 3>convenient planet mechanic I know. So what he really means is, well,

0:26:18.160 --> 0:26:21.080
<v Speaker 3>he's not here so I can do He showed off.

0:26:21.119 --> 0:26:25.400
<v Speaker 2>At the wedding, Ta tells Mon that, hey, I'm glad

0:26:25.440 --> 0:26:28.679
<v Speaker 2>that everything with the money laundering worked out.

0:26:28.680 --> 0:26:29.400
<v Speaker 1>Last year.

0:26:30.720 --> 0:26:33.240
<v Speaker 2>Because Tay was across that he was helping out. He

0:26:33.440 --> 0:26:38.280
<v Speaker 2>was he was the unwitting cutout who was setting up

0:26:38.400 --> 0:26:42.639
<v Speaker 2>this foundation, charitable foundation that was supposed to be the

0:26:43.320 --> 0:26:47.480
<v Speaker 2>you know, basically the money laundering engine for the funds

0:26:47.520 --> 0:26:50.080
<v Speaker 2>that we're going to be going to resistance fighters.

0:26:52.400 --> 0:26:53.600
<v Speaker 1>It didn't quite work and they had to.

0:26:53.600 --> 0:26:58.600
<v Speaker 2>Paul and Davo, and now Tay is like, well that

0:26:58.760 --> 0:27:02.200
<v Speaker 2>foundation is up and running and the money is accounted for.

0:27:02.640 --> 0:27:05.200
<v Speaker 2>But now I'm in charge of this weird foundation and

0:27:05.320 --> 0:27:12.040
<v Speaker 2>I feel very vulnerable and uh, you know, I just

0:27:12.119 --> 0:27:17.840
<v Speaker 2>feel like scared. And so Mon is getting anxious at

0:27:17.880 --> 0:27:20.719
<v Speaker 2>this because the last thing she needs is someone who

0:27:20.760 --> 0:27:25.360
<v Speaker 2>doesn't really know what she's up to but has sensitive

0:27:25.400 --> 0:27:30.360
<v Speaker 2>information about her starting to freak out. What he does

0:27:30.560 --> 0:27:37.640
<v Speaker 2>drop in this conversation the word rebellion and suggesting kind

0:27:37.720 --> 0:27:40.600
<v Speaker 2>of I know what you're up to, and also says,

0:27:41.000 --> 0:27:42.080
<v Speaker 2>by the way, I also.

0:27:41.920 --> 0:27:44.240
<v Speaker 1>Need money, Like I'm hard on concern.

0:27:44.640 --> 0:27:47.240
<v Speaker 3>We have established my hatred for parent, but I have

0:27:47.320 --> 0:27:49.960
<v Speaker 3>to say, look, I'm not going to give him. I

0:27:50.080 --> 0:27:52.080
<v Speaker 3>hate to give a man credit, but in this case,

0:27:52.320 --> 0:27:57.040
<v Speaker 3>he was correct. This is exactly the worst kind of

0:27:57.160 --> 0:28:01.440
<v Speaker 3>situation to be And you trusted an old boyfriend because

0:28:01.480 --> 0:28:03.760
<v Speaker 3>you had a little crush and you know too much,

0:28:04.160 --> 0:28:06.960
<v Speaker 3>and now in a situation where he's showing up and

0:28:07.000 --> 0:28:09.240
<v Speaker 3>he's like, hey, so I'm broke and you're running the

0:28:09.320 --> 0:28:11.560
<v Speaker 3>rebellion wink wink? Is this yeah?

0:28:11.680 --> 0:28:12.080
<v Speaker 1>I hate?

0:28:12.400 --> 0:28:14.600
<v Speaker 4>I hate if anybody ever found out about that, like

0:28:14.680 --> 0:28:15.200
<v Speaker 4>that would.

0:28:15.040 --> 0:28:15.680
<v Speaker 1>Be really terrible.

0:28:15.680 --> 0:28:18.040
<v Speaker 3>I feel like Mama was like, I'm like, show probably

0:28:18.119 --> 0:28:18.800
<v Speaker 3>just poisoned you.

0:28:18.960 --> 0:28:20.200
<v Speaker 1>She's a hard core she.

0:28:20.520 --> 0:28:24.920
<v Speaker 2>We're getting there and it's a good let's okay back

0:28:25.040 --> 0:28:28.480
<v Speaker 2>on big Wheat. Bix, Brasso and the rest are like, Okay,

0:28:28.520 --> 0:28:30.840
<v Speaker 2>we gotta get out of here, Like, let's figure out

0:28:30.880 --> 0:28:32.920
<v Speaker 2>how we get out of him. That before the imperials

0:28:33.000 --> 0:28:36.000
<v Speaker 2>come and they decide, Okay, we're gonna move to somewhere

0:28:36.040 --> 0:28:37.639
<v Speaker 2>where the heat is not quite on.

0:28:38.000 --> 0:28:38.960
<v Speaker 1>But where will that be.

0:28:40.040 --> 0:28:42.600
<v Speaker 2>Clay is back at the shot at Luthen's shop to

0:28:42.760 --> 0:28:47.240
<v Speaker 2>check the secret messages with the secret Message machine. Meanwhile,

0:28:47.480 --> 0:28:50.600
<v Speaker 2>Mon tells Luthen back at the wedding that hey, I

0:28:50.600 --> 0:28:53.200
<v Speaker 2>think we got a problem with Tay. He's freaking out.

0:28:53.320 --> 0:28:57.680
<v Speaker 2>He's talking crazy shit. He said rebellion. He seems to

0:28:57.840 --> 0:28:59.960
<v Speaker 2>know what we're up to, and he's saying we need money,

0:29:00.640 --> 0:29:03.320
<v Speaker 2>and Luthen is like, well, looks like we're gonna.

0:29:03.040 --> 0:29:03.760
<v Speaker 4>Have to handle him.

0:29:03.840 --> 0:29:08.160
<v Speaker 2>Wink wink Winkna's like this is a great exchange because

0:29:08.200 --> 0:29:11.719
<v Speaker 2>Mon says, I don't know what you mean, and then

0:29:12.000 --> 0:29:14.880
<v Speaker 2>Luthen is like, hey, I forget exactly what he says,

0:29:14.960 --> 0:29:17.240
<v Speaker 2>but he's like how he says, like, oh, how nice

0:29:17.320 --> 0:29:17.480
<v Speaker 2>for you.

0:29:18.000 --> 0:29:19.760
<v Speaker 1>In other words, like you.

0:29:19.880 --> 0:29:24.120
<v Speaker 2>Know exactly what I mean, but you're pretending that it's

0:29:24.280 --> 0:29:26.600
<v Speaker 2>my job to take care of this fucking guy. No,

0:29:27.080 --> 0:29:29.800
<v Speaker 2>that's your ex boyfriend that we may have to kill

0:29:29.920 --> 0:29:30.720
<v Speaker 2>and you would have to.

0:29:30.760 --> 0:29:31.480
<v Speaker 1>Do it, dude.

0:29:31.600 --> 0:29:34.840
<v Speaker 3>Mona is also this is a recurring issue with her

0:29:35.040 --> 0:29:39.040
<v Speaker 3>thematically throughout the first season, and this season where she

0:29:39.240 --> 0:29:42.400
<v Speaker 3>wants to get her hands dirty, but she doesn't. She

0:29:42.560 --> 0:29:45.280
<v Speaker 3>refuses to do the work that actually has to be done,

0:29:45.680 --> 0:29:48.840
<v Speaker 3>and that she there is a balance to be played

0:29:48.880 --> 0:29:51.960
<v Speaker 3>here as her role in the society and everything. But

0:29:52.120 --> 0:29:54.000
<v Speaker 3>this I think is a great interaction and I am

0:29:54.120 --> 0:29:57.040
<v Speaker 3>on Luke, I love it well. I think until this

0:29:57.320 --> 0:29:59.080
<v Speaker 3>man and you know.

0:29:59.120 --> 0:30:03.640
<v Speaker 2>It speaks to the it humanizes this situation.

0:30:04.360 --> 0:30:04.480
<v Speaker 1>You know.

0:30:04.600 --> 0:30:06.760
<v Speaker 2>One of the things I thought while watching this show

0:30:06.880 --> 0:30:10.280
<v Speaker 2>season two is I think that this is the best

0:30:11.440 --> 0:30:15.120
<v Speaker 2>from a technical standpoint, I think this is the best

0:30:15.280 --> 0:30:18.240
<v Speaker 2>world building we've seen in Star Wars. Oh in terms

0:30:18.280 --> 0:30:23.320
<v Speaker 2>of the societies, the cultures, the day to day living

0:30:23.960 --> 0:30:27.400
<v Speaker 2>in this world, Like we really get it. And with

0:30:27.760 --> 0:30:31.160
<v Speaker 2>mon Mon is an aristocrat, she hates what's going on.

0:30:31.880 --> 0:30:36.160
<v Speaker 2>She's taken a huge, huge step, made a big decision,

0:30:36.240 --> 0:30:39.440
<v Speaker 2>put herself on the line to try and help the

0:30:39.520 --> 0:30:42.720
<v Speaker 2>rebellion in any way that she can with the levers

0:30:42.800 --> 0:30:47.360
<v Speaker 2>that she has available to her. But it has not

0:30:48.040 --> 0:30:50.320
<v Speaker 2>she'sn't gotten to that point yet.

0:30:50.240 --> 0:30:53.080
<v Speaker 1>Where they're like, you have to kill someone, Like that's

0:30:53.400 --> 0:30:54.000
<v Speaker 1>very different.

0:30:54.120 --> 0:30:57.400
<v Speaker 2>If I'm a bureaucrat working in the empire and I'm

0:30:57.480 --> 0:31:00.120
<v Speaker 2>leaking you know, Oh my god, this is terrible. I

0:31:00.240 --> 0:31:02.040
<v Speaker 2>just found out about Gore. I'm gonna leak this to

0:31:02.120 --> 0:31:05.560
<v Speaker 2>the resistance self. Okay, that's one thing. But if they're

0:31:05.640 --> 0:31:06.560
<v Speaker 2>then like, hey.

0:31:08.440 --> 0:31:10.720
<v Speaker 3>The wrong past, that's you kill that guy now, and you.

0:31:10.800 --> 0:31:14.400
<v Speaker 2>Kill that's a huge I don't even think that's like

0:31:14.680 --> 0:31:18.360
<v Speaker 2>I mean Abu saying idealistic versus pragmatism. I think that's

0:31:18.760 --> 0:31:21.520
<v Speaker 2>true in a material sense, but I don't. But I

0:31:21.640 --> 0:31:25.720
<v Speaker 2>think it ignores like the reality of how difficult what

0:31:25.840 --> 0:31:27.280
<v Speaker 2>they're doing is and what they're asking me.

0:31:27.440 --> 0:31:28.680
<v Speaker 4>Yeah, she's not a killer.

0:31:28.960 --> 0:31:31.960
<v Speaker 3>I would also say that is one of the biggest

0:31:32.040 --> 0:31:35.240
<v Speaker 3>achievements of and Or season one and season two, which

0:31:35.360 --> 0:31:41.880
<v Speaker 3>is it's to really have a rebellion. It is not. Oh,

0:31:42.040 --> 0:31:45.640
<v Speaker 3>I'm Luke Skywalker and I'm picked as the chosen one,

0:31:45.960 --> 0:31:48.920
<v Speaker 3>and I have to fight and I can immediately do it,

0:31:48.960 --> 0:31:51.880
<v Speaker 3>and I get trained in one day and I kill

0:31:52.000 --> 0:31:53.840
<v Speaker 3>the bad guys and I blow up the Death Star.

0:31:54.400 --> 0:31:58.600
<v Speaker 3>That's not the reality. And ever since Roguron, Tony Gilroy

0:31:58.640 --> 0:32:01.360
<v Speaker 3>has been saying, no, there're so many millions of people,

0:32:01.760 --> 0:32:05.160
<v Speaker 3>thousands of people who are affected every single day by

0:32:05.200 --> 0:32:07.560
<v Speaker 3>these choices we're making, and who have had to die.

0:32:08.480 --> 0:32:11.840
<v Speaker 3>You know, many Bothans had to die to get this information. Yeah,

0:32:11.920 --> 0:32:14.880
<v Speaker 3>not just the bothains guys Like and I love that

0:32:14.960 --> 0:32:16.760
<v Speaker 3>that's what Andor is doing. And the truth is, like,

0:32:17.000 --> 0:32:19.600
<v Speaker 3>this is a fucking hard watch right now, but it's

0:32:19.760 --> 0:32:21.560
<v Speaker 3>also a very important watch.

0:32:22.560 --> 0:32:26.120
<v Speaker 2>It is a shocking ask forro Mon from Luthen, but

0:32:26.280 --> 0:32:31.240
<v Speaker 2>it's also uh and I really empathize with her position

0:32:31.320 --> 0:32:34.920
<v Speaker 2>because I think to get to that point, she's already

0:32:35.080 --> 0:32:37.400
<v Speaker 2>had to make such a huge decision and now to

0:32:37.560 --> 0:32:39.960
<v Speaker 2>be told, listen, we may have to kill someone.

0:32:40.400 --> 0:32:43.600
<v Speaker 1>And it's not just like anyone. It is her childhood friend, Like.

0:32:43.880 --> 0:32:45.720
<v Speaker 3>Yeah, you know what I mean, like this boyfriend who

0:32:45.800 --> 0:32:49.160
<v Speaker 3>she trusted in season with this information. Also, I will

0:32:49.240 --> 0:32:52.760
<v Speaker 3>say I think something that really struck me an episode

0:32:52.840 --> 0:32:56.920
<v Speaker 3>one that plays a part in this ongoing conversation about

0:32:56.960 --> 0:32:59.600
<v Speaker 3>Mon's role is there is a moment when she's talking

0:32:59.640 --> 0:33:02.600
<v Speaker 3>to Late and I love how the cinematography goes from

0:33:02.640 --> 0:33:05.600
<v Speaker 3>this bright, beautiful wedding ceremony to this kind of darkened

0:33:05.720 --> 0:33:08.360
<v Speaker 3>chamber where they're talking and she looks at her and

0:33:08.440 --> 0:33:11.640
<v Speaker 3>she says, I'm so sorry, and Leada looks at her

0:33:11.720 --> 0:33:14.520
<v Speaker 3>and understands that what she's actually sorry for is that

0:33:15.120 --> 0:33:17.720
<v Speaker 3>she sold her child into an arranged marriage.

0:33:18.160 --> 0:33:20.200
<v Speaker 1>Yeah, and she had to do it for.

0:33:20.280 --> 0:33:22.960
<v Speaker 3>This reason that Leda doesn't know. And while Leada was

0:33:23.080 --> 0:33:26.000
<v Speaker 3>interested in this marriage, she's now kind of realizing like, well,

0:33:26.040 --> 0:33:28.560
<v Speaker 3>this guy doesn't actually love me or know how to

0:33:28.600 --> 0:33:31.960
<v Speaker 3>be a boyfriend, let alone a partner. He's just a kid,

0:33:32.160 --> 0:33:35.080
<v Speaker 3>you know. And I think that that is what Mon's

0:33:35.120 --> 0:33:37.719
<v Speaker 3>true sacrifice has been, is kind of like how far

0:33:37.880 --> 0:33:40.880
<v Speaker 3>will she go and what parts of her life will

0:33:40.960 --> 0:33:43.600
<v Speaker 3>she sacrifice? And I guess they're probably gonna have us

0:33:43.680 --> 0:33:49.280
<v Speaker 3>ask is this a line that she would cross? I

0:33:49.400 --> 0:33:52.440
<v Speaker 3>think she would. If it was a non horrific death

0:33:52.560 --> 0:33:55.720
<v Speaker 3>where somebody was like, here is a poison, you can

0:33:55.880 --> 0:33:58.040
<v Speaker 3>kill him, I think she would probably do it and

0:33:58.320 --> 0:34:00.640
<v Speaker 3>shed a tear. I don't think she's gonna shoot him

0:34:00.640 --> 0:34:04.000
<v Speaker 3>in the head. I don't think that's a way of being.

0:34:04.120 --> 0:34:05.400
<v Speaker 3>But I think this is going to be a big

0:34:05.800 --> 0:34:07.840
<v Speaker 3>moral conundrum going into episode three.

0:34:09.280 --> 0:34:12.680
<v Speaker 2>Back at the Scum, the rebels all decide to have

0:34:12.760 --> 0:34:14.840
<v Speaker 2>a truce. They drop their guns, and they basically do

0:34:15.080 --> 0:34:18.560
<v Speaker 2>row Schambeau to see who will run the group from

0:34:18.600 --> 0:34:18.920
<v Speaker 2>now on.

0:34:19.800 --> 0:34:21.480
<v Speaker 1>That's how this is going to do with this. This

0:34:21.680 --> 0:34:24.000
<v Speaker 1>is what a joke? These they're a joke.

0:34:24.560 --> 0:34:27.680
<v Speaker 2>Meanwhile, and Or, who has been giving them big tips

0:34:28.239 --> 0:34:32.480
<v Speaker 2>throughout this struggle, has been like, hey, somebody set up

0:34:32.520 --> 0:34:36.640
<v Speaker 2>a perimeter. It's raining, somebody collect rain water. You guys

0:34:36.680 --> 0:34:39.040
<v Speaker 2>haven't eaten or drink for two days, and now you're

0:34:39.480 --> 0:34:42.239
<v Speaker 2>nobody's collecting, Like, what are we doing? He takes the

0:34:42.320 --> 0:34:47.479
<v Speaker 2>opportunity to sneak away. A very scary monster comes out

0:34:47.920 --> 0:34:50.440
<v Speaker 2>and causes chaos, and in the chaos he shoots one

0:34:50.480 --> 0:34:53.279
<v Speaker 2>of the rebels, gets on the advanced tie fighter and

0:34:53.680 --> 0:34:57.480
<v Speaker 2>he flies away and we see in the in the

0:34:58.160 --> 0:35:01.840
<v Speaker 2>in the wide as he screams up into space that

0:35:02.000 --> 0:35:02.960
<v Speaker 2>he was on Yavin.

0:35:03.760 --> 0:35:04.960
<v Speaker 1>Just hilarious.

0:35:07.080 --> 0:35:09.960
<v Speaker 3>He was having his own mini Battle of Yavon, many

0:35:10.080 --> 0:35:11.400
<v Speaker 3>years before it would happen.

0:35:12.080 --> 0:35:29.800
<v Speaker 2>Yeah, let's take a quick break. Wee right back, and

0:35:29.920 --> 0:35:33.680
<v Speaker 2>we're back episode three. So and Or is up in space.

0:35:33.960 --> 0:35:36.279
<v Speaker 2>The tie fighter has like crapped out. He has the

0:35:36.360 --> 0:35:39.640
<v Speaker 2>hot wire and he can barely fly this thing. And

0:35:40.920 --> 0:35:44.120
<v Speaker 2>it's a it's a problem. Back on mina big wheat,

0:35:44.800 --> 0:35:48.200
<v Speaker 2>the farmers are at like a big stardoo valley farm banquet.

0:35:48.360 --> 0:35:51.880
<v Speaker 3>It does look like that doing the stard Valley challenge

0:35:51.920 --> 0:35:52.600
<v Speaker 3>where you have to.

0:35:55.520 --> 0:35:58.439
<v Speaker 1>Yeah, he's got the most com Yeah.

0:36:01.239 --> 0:36:06.600
<v Speaker 2>Brasso's contact arrives with news that the Imperials are getting

0:36:06.640 --> 0:36:10.000
<v Speaker 2>really really close. Cassian has not been heard from, and

0:36:10.239 --> 0:36:16.400
<v Speaker 2>he gives them like passes to go to another region

0:36:16.520 --> 0:36:20.160
<v Speaker 2>of big wheat. But if they're gonna use them, they

0:36:20.160 --> 0:36:22.160
<v Speaker 2>have to use him tonight. It's only good for today.

0:36:22.680 --> 0:36:25.120
<v Speaker 2>And you can tell that this guy is fucking desperate.

0:36:25.800 --> 0:36:30.719
<v Speaker 2>We go to the Weddinglida looks beautiful. Mathma tells her listen, like,

0:36:30.800 --> 0:36:32.160
<v Speaker 2>if you don't want to do this, you don't to

0:36:32.160 --> 0:36:34.480
<v Speaker 2>marry this guy, we can like delay it, we can

0:36:34.560 --> 0:36:36.320
<v Speaker 2>make it, we can make an excuse.

0:36:36.400 --> 0:36:39.439
<v Speaker 3>And she's trying, she's trying to be fine.

0:36:39.160 --> 0:36:44.080
<v Speaker 2>And yeah, and and it's an active bravery. It's not

0:36:44.160 --> 0:36:46.799
<v Speaker 2>an active cowardice to do that. And Lida is like, mom,

0:36:46.880 --> 0:36:47.800
<v Speaker 2>are you freaking drunk?

0:36:47.920 --> 0:36:49.520
<v Speaker 3>Like what is up with She's like, have you seen

0:36:49.600 --> 0:36:53.359
<v Speaker 3>this fucking dress, Princess Abadala, and like this is looking

0:36:53.400 --> 0:36:54.640
<v Speaker 3>good for me. I'm loving this.

0:36:55.880 --> 0:36:58.239
<v Speaker 1>Uh. Cleya. It gets in.

0:37:00.080 --> 0:37:03.560
<v Speaker 2>Contact with and Or and he tells her that the

0:37:03.640 --> 0:37:06.439
<v Speaker 2>whole operation is upside down. He's in the wrong ship.

0:37:06.560 --> 0:37:08.880
<v Speaker 2>The pilot of the ship is that he was supposed

0:37:08.880 --> 0:37:10.879
<v Speaker 2>to give the ship to his dead He can't fly

0:37:11.120 --> 0:37:15.439
<v Speaker 2>the ship, and I want to go back to Big

0:37:15.480 --> 0:37:19.200
<v Speaker 2>Wheat to be with my team to figure out what's next. Well,

0:37:19.239 --> 0:37:21.239
<v Speaker 2>Clay's like, well, there's a problem with Big Wheat. We

0:37:21.320 --> 0:37:23.600
<v Speaker 2>don't have contact with Big Wheat right now. There is

0:37:23.680 --> 0:37:28.360
<v Speaker 2>a communication blockade there and just seems like there's a

0:37:28.440 --> 0:37:30.560
<v Speaker 2>lot of extra company, if you know what I mean,

0:37:30.800 --> 0:37:33.759
<v Speaker 2>over there in Big Wheat. And then immediately and Or

0:37:34.160 --> 0:37:37.080
<v Speaker 2>hangs up and he just fucking goes. He's like, uh,

0:37:37.440 --> 0:37:40.040
<v Speaker 2>bags is that I'm not going find a Joel is

0:37:40.120 --> 0:37:42.680
<v Speaker 2>pointing out that Mon is fucked if Leeda takes that

0:37:42.920 --> 0:37:46.360
<v Speaker 2>offer because the financial deal hinges on that. Well, the

0:37:46.480 --> 0:37:49.839
<v Speaker 2>financial deal is done, the money has already been smoothed over.

0:37:50.000 --> 0:37:54.680
<v Speaker 2>So yes, I think Mon is fucked. But in terms

0:37:54.719 --> 0:37:57.400
<v Speaker 2>of the money, the money laundering is finished. And I

0:37:57.480 --> 0:37:59.920
<v Speaker 2>think what she would then have to do some damage control.

0:38:00.480 --> 0:38:03.840
<v Speaker 2>But she could always spin it as like my daughter

0:38:03.960 --> 0:38:04.600
<v Speaker 2>is freaking.

0:38:05.400 --> 0:38:08.839
<v Speaker 3>She could delay it like she could spin it. They

0:38:09.000 --> 0:38:12.319
<v Speaker 3>had an argument, but I think as well, I think

0:38:12.480 --> 0:38:15.040
<v Speaker 3>that is a great point that Joel brings up because

0:38:15.080 --> 0:38:17.440
<v Speaker 3>I do think that is a moment of mode putting

0:38:17.880 --> 0:38:21.440
<v Speaker 3>being a mom and her daughter before being a rebel.

0:38:21.760 --> 0:38:25.239
<v Speaker 3>Now where would that leave the rebellion? Like, does that

0:38:25.400 --> 0:38:28.160
<v Speaker 3>show that her she has not fully taken that step.

0:38:28.239 --> 0:38:30.880
<v Speaker 3>I think it's very interesting, but I was wishing that

0:38:30.960 --> 0:38:33.879
<v Speaker 3>Lida would not take the weird arranged religious call.

0:38:34.239 --> 0:38:37.799
<v Speaker 2>Into it, which she does, but she's also a yeah,

0:38:37.960 --> 0:38:46.480
<v Speaker 2>that's true. Differently there on Chindrilla anyway, Deirdre is having

0:38:47.760 --> 0:38:51.360
<v Speaker 2>is with Cyril and they're getting ready for dinner with mom.

0:38:52.320 --> 0:38:54.960
<v Speaker 1>Oh oh h.

0:38:55.320 --> 0:39:00.560
<v Speaker 2>It goes as you would expect, knowing Edie from last season,

0:39:01.360 --> 0:39:05.720
<v Speaker 2>and Deirdre says that she grew up in an orphanage.

0:39:05.800 --> 0:39:10.600
<v Speaker 2>My family are criminals, and oh, by the way, stop

0:39:11.000 --> 0:39:12.160
<v Speaker 2>giving your son shit.

0:39:12.719 --> 0:39:15.400
<v Speaker 1>Stay out of our business. I promise you.

0:39:15.560 --> 0:39:18.399
<v Speaker 2>He will call you once a week. But you need

0:39:18.480 --> 0:39:22.520
<v Speaker 2>to stop with the all the fucking nagging and all

0:39:22.560 --> 0:39:25.000
<v Speaker 2>the mom stuff that you do, because it's like suffocating.

0:39:25.080 --> 0:39:28.960
<v Speaker 1>It's not good for him. Okay, Wild was.

0:39:29.000 --> 0:39:35.200
<v Speaker 3>Not expecting that, but Deirdra I think that the born

0:39:35.280 --> 0:39:37.719
<v Speaker 3>in and raised in an orphanage where her family because

0:39:37.760 --> 0:39:40.880
<v Speaker 3>her family was criminals. It's still saying she could be

0:39:40.960 --> 0:39:43.800
<v Speaker 3>deep undercover for the Rebellion. I'm just saying like, I

0:39:43.840 --> 0:39:45.959
<v Speaker 3>don't know what she's got going on, but she's still

0:39:46.120 --> 0:39:49.960
<v Speaker 3>enigmatic to me. And yeah, the mom dinner sequence did

0:39:50.040 --> 0:39:52.640
<v Speaker 3>not expect it. I feel like Tony's pulling out some

0:39:52.840 --> 0:39:57.640
<v Speaker 3>unexpected intimate moments in this season that I did not

0:39:58.000 --> 0:40:01.399
<v Speaker 3>think we'd get to see. Edie the draw a back

0:40:01.480 --> 0:40:02.400
<v Speaker 3>door for the Ages.

0:40:03.040 --> 0:40:05.680
<v Speaker 2>I think one of the things that again makes this

0:40:05.840 --> 0:40:11.160
<v Speaker 2>show so good is that it kind of subverts the

0:40:11.320 --> 0:40:15.680
<v Speaker 2>traditional like bad guy a good guy duality that we've

0:40:15.760 --> 0:40:18.399
<v Speaker 2>seen in Star Wars, where you have the good guy

0:40:18.560 --> 0:40:20.080
<v Speaker 2>and then you have the bad guy, but the bad

0:40:20.160 --> 0:40:23.440
<v Speaker 2>guy will be redeemed and become the good guy. It

0:40:23.560 --> 0:40:25.800
<v Speaker 2>feels like you want to think that with Deirdre. But

0:40:25.920 --> 0:40:28.719
<v Speaker 2>I truly think that any objection she has to the

0:40:28.840 --> 0:40:34.560
<v Speaker 2>Gore Conspiracy is truly just because she's doesn't like the job.

0:40:34.719 --> 0:40:37.279
<v Speaker 2>She wants to be back doing her other job that she.

0:40:37.600 --> 0:40:41.680
<v Speaker 4>Was good, that she was good at, and she feels

0:40:41.800 --> 0:40:42.280
<v Speaker 4>like she's.

0:40:42.160 --> 0:40:45.239
<v Speaker 2>Being set up to fail with this Gore Conspiracy. She

0:40:45.520 --> 0:40:50.080
<v Speaker 2>loves being an imperial stooge. She's good at it, but

0:40:50.200 --> 0:40:52.240
<v Speaker 2>she wants to be good at it in her terms,

0:40:52.719 --> 0:40:55.400
<v Speaker 2>and it's interesting to look.

0:40:55.320 --> 0:40:57.719
<v Speaker 1>At that and be like, God, is she you know,

0:40:57.880 --> 0:41:01.160
<v Speaker 1>is she good? Or even if there's any way for

0:41:01.280 --> 0:41:03.640
<v Speaker 1>the Resistance to have leverage with her. It's interesting.

0:41:03.760 --> 0:41:06.120
<v Speaker 3>I also think that you make a great point because

0:41:06.160 --> 0:41:10.440
<v Speaker 3>it's not only subverting the redemption of villainous characters, but

0:41:10.600 --> 0:41:14.440
<v Speaker 3>also subverting the idea that the good characters win, because

0:41:14.440 --> 0:41:16.920
<v Speaker 3>we know what the end of Rogue one is and

0:41:17.040 --> 0:41:20.000
<v Speaker 3>while they do win, and Or doesn't get to survive

0:41:20.120 --> 0:41:24.120
<v Speaker 3>to see it, much like Lutheran told him. And I

0:41:24.360 --> 0:41:28.000
<v Speaker 3>think there is just something really heartbreaking about the fact

0:41:28.080 --> 0:41:30.480
<v Speaker 3>that no matter where this journey goes, we know that

0:41:30.560 --> 0:41:33.480
<v Speaker 3>the characters we are following are going to have to

0:41:33.560 --> 0:41:39.520
<v Speaker 3>do terrible things to allow the Death Star to be destroyed,

0:41:39.640 --> 0:41:45.000
<v Speaker 3>to allow the short time that the rebels defeat you know,

0:41:45.120 --> 0:41:48.839
<v Speaker 3>the Empire before they get replaced by by Kylo Wren

0:41:48.960 --> 0:41:51.799
<v Speaker 3>and his and his goons. But yeah, it's I think

0:41:51.800 --> 0:41:55.120
<v Speaker 3>it's a really interesting subversion and I think Tony gilrey

0:41:55.239 --> 0:41:57.280
<v Speaker 3>Is is the man to do it, and he delivers

0:41:57.320 --> 0:41:58.320
<v Speaker 3>with these three eft.

0:42:00.120 --> 0:42:06.120
<v Speaker 2>Zone in the tone zone. The the episode then kind

0:42:06.160 --> 0:42:09.640
<v Speaker 2>of screams towards a climax, a dual climax, both on

0:42:09.800 --> 0:42:17.440
<v Speaker 2>Mina Raw and at the Chandrulin wedding. At the wedding, Davo, uh,

0:42:17.640 --> 0:42:21.279
<v Speaker 2>you know, makes like a speech about the bride and

0:42:21.360 --> 0:42:25.480
<v Speaker 2>groom in front of this important and historic Chandy Merle

0:42:25.600 --> 0:42:27.880
<v Speaker 2>statue that Luthen got for the wedding.

0:42:28.040 --> 0:42:31.520
<v Speaker 1>He gives a benediction. Later, Luthen is making.

0:42:31.320 --> 0:42:35.720
<v Speaker 2>The rounds as a talking to, you know, like making contact,

0:42:35.800 --> 0:42:38.239
<v Speaker 2>seeing who's you know. He seems like he's socializing, but

0:42:38.320 --> 0:42:40.759
<v Speaker 2>it's clear that he's also like who can I who

0:42:40.800 --> 0:42:43.239
<v Speaker 2>can I meet? Who can I use? What contacts can

0:42:43.320 --> 0:42:45.320
<v Speaker 2>I make? He keeps a close eye on Tay the

0:42:45.360 --> 0:42:48.759
<v Speaker 2>whole time, and Tay is continuing to make these very

0:42:50.080 --> 0:42:56.640
<v Speaker 2>increasingly not vague threats at Mond, saying well, I've also

0:42:56.680 --> 0:42:59.799
<v Speaker 2>been talking to Davo, you know something on occasion, which

0:43:00.800 --> 0:43:07.040
<v Speaker 2>Man and Luthan are are very keen to keep those

0:43:07.160 --> 0:43:10.680
<v Speaker 2>two from ever talking, specifically ever talking.

0:43:10.480 --> 0:43:12.080
<v Speaker 1>When they're not around. They don't want that.

0:43:12.960 --> 0:43:15.640
<v Speaker 2>Then he's like, I gotta run, uh yeah, I got

0:43:15.719 --> 0:43:19.600
<v Speaker 2>some stuff I gotta do, And then really concerningly.

0:43:19.400 --> 0:43:21.160
<v Speaker 4>He almost says something else.

0:43:21.239 --> 0:43:24.160
<v Speaker 2>He looks like he's really about to divulge something and

0:43:24.239 --> 0:43:26.680
<v Speaker 2>then he's like, never mind, I gotta go.

0:43:27.000 --> 0:43:29.640
<v Speaker 3>An is now in a full panic.

0:43:30.320 --> 0:43:33.120
<v Speaker 4>She's panicking, and Luthen clocks this.

0:43:33.239 --> 0:43:33.719
<v Speaker 1>He sees this.

0:43:33.920 --> 0:43:37.160
<v Speaker 2>While that's happening. Back on Big Wheat, Bee finds out

0:43:37.200 --> 0:43:40.600
<v Speaker 2>there leaving for another hideout, and he's fucking like, well,

0:43:40.640 --> 0:43:41.880
<v Speaker 2>how is Cassie and gonna.

0:43:41.719 --> 0:43:42.480
<v Speaker 1>Know where we moved?

0:43:42.640 --> 0:43:43.560
<v Speaker 3>Like, that's my boy?

0:43:43.760 --> 0:43:44.360
<v Speaker 1>What the fuck?

0:43:44.960 --> 0:43:50.680
<v Speaker 2>Meanwhile, the Imperials are like, are about to enter this zone,

0:43:50.840 --> 0:43:54.920
<v Speaker 2>about to enter this area. They're looking to move, but

0:43:55.520 --> 0:43:58.080
<v Speaker 2>one of their group, Will is like, where the fuck

0:43:58.160 --> 0:43:59.520
<v Speaker 2>is he? He's with that farm girl?

0:43:59.640 --> 0:44:00.759
<v Speaker 3>Oh my god, he is not a.

0:44:03.880 --> 0:44:06.320
<v Speaker 2>The We should send him down to the minor leagues

0:44:06.360 --> 0:44:08.839
<v Speaker 2>with the fucking factions shooting at each other.

0:44:12.600 --> 0:44:13.279
<v Speaker 1>Get out here.

0:44:13.840 --> 0:44:19.359
<v Speaker 2>So he's with his girlfriend Beila, and basically one thing

0:44:19.480 --> 0:44:25.520
<v Speaker 2>leads to another and Brasso gets arrested by the Imperials

0:44:25.600 --> 0:44:29.640
<v Speaker 2>trying to help Will. Meanwhile, Luthen and Mon talk about Tay.

0:44:30.280 --> 0:44:33.920
<v Speaker 2>Why is he pestering, scolding so much? This is trouble.

0:44:34.400 --> 0:44:39.200
<v Speaker 2>We're gonna have to do something. We can't have this

0:44:39.400 --> 0:44:42.520
<v Speaker 2>guy like hanging around. Man is shocked at what Luthen

0:44:42.600 --> 0:44:45.600
<v Speaker 2>is suggesting, and Luthen is shocked that she's shocked. She's like,

0:44:45.640 --> 0:44:47.520
<v Speaker 2>why are you He's like, why are you shocked? What

0:44:47.600 --> 0:44:48.640
<v Speaker 2>do you think that we're doing here?

0:44:48.680 --> 0:44:50.399
<v Speaker 3>What do you think happens every single day?

0:44:50.920 --> 0:44:53.560
<v Speaker 2>Like, yeah, you think we're gonna we're gonna do stuff,

0:44:53.640 --> 0:44:56.080
<v Speaker 2>and just like it's a game of tag and we're

0:44:56.120 --> 0:44:59.360
<v Speaker 2>never gonna get our nose you know, dirty or anything.

0:44:59.440 --> 0:45:00.279
<v Speaker 1>You think that's go.

0:45:00.680 --> 0:45:03.320
<v Speaker 2>She's really grappling this because, as we mentioned, this is

0:45:03.400 --> 0:45:06.160
<v Speaker 2>like her, she was in a relationship with this guy.

0:45:06.239 --> 0:45:11.400
<v Speaker 2>It's not just a stranger. And or makes radio contact

0:45:11.440 --> 0:45:13.640
<v Speaker 2>with Bicks as he arrives in orbit with the with

0:45:13.760 --> 0:45:19.640
<v Speaker 2>the tie fighter, and just at that moment when he

0:45:19.719 --> 0:45:22.000
<v Speaker 2>gets he it's not a clear signal, but they speak

0:45:22.000 --> 0:45:23.680
<v Speaker 2>a little bit. She knows he's in the area. But

0:45:23.760 --> 0:45:29.600
<v Speaker 2>then the Imperial lieutenant Landa, the weirdo, shows up and

0:45:29.920 --> 0:45:34.440
<v Speaker 2>it turns into an attempted assault. They end up fighting

0:45:35.120 --> 0:45:38.240
<v Speaker 2>Bicks really fucks, like beats his ass with a hammer

0:45:38.880 --> 0:45:43.520
<v Speaker 2>and correct. The rest of the Imperials who are over

0:45:43.640 --> 0:45:47.239
<v Speaker 2>arresting Brasso, get the call to come over there and

0:45:47.440 --> 0:45:50.640
<v Speaker 2>back up this lieutenant who is like, they don't know

0:45:50.680 --> 0:45:53.440
<v Speaker 2>what's going on, but there's an attack there's a shootout.

0:45:54.600 --> 0:45:57.560
<v Speaker 2>Cassian sees what's going on in the tie Fighter. He

0:45:57.840 --> 0:46:02.400
<v Speaker 2>like takes everybody out with his The tie Fighter guns lands.

0:46:03.600 --> 0:46:07.880
<v Speaker 2>Sadly Brasso is dead, and what are they gonna do now?

0:46:07.960 --> 0:46:11.000
<v Speaker 2>They can't stay on this planet. It's unclear what's happened

0:46:11.520 --> 0:46:12.160
<v Speaker 2>back at the wedding.

0:46:12.320 --> 0:46:16.560
<v Speaker 3>Definitely like the organizer of like where they would go

0:46:16.800 --> 0:46:19.560
<v Speaker 3>and getting them out safely. So it's a it's a

0:46:19.600 --> 0:46:23.520
<v Speaker 3>pretty shocking ending, our first loss. We're probably gonna lose

0:46:23.920 --> 0:46:27.920
<v Speaker 3>a lot more as the series goes on.

0:46:28.760 --> 0:46:32.200
<v Speaker 2>Yes, and then we go to the wedding. It's intercut

0:46:32.320 --> 0:46:41.000
<v Speaker 2>with this really incredible like a sequence of Mond dancing

0:46:41.120 --> 0:46:43.960
<v Speaker 2>away all her stress to this kind of like dance

0:46:44.560 --> 0:46:45.840
<v Speaker 2>the dance portion of.

0:46:45.960 --> 0:46:47.040
<v Speaker 1>The wedding ceremony.

0:46:47.840 --> 0:46:52.000
<v Speaker 2>And we also see as Tate is leaving the wedding

0:46:52.960 --> 0:46:57.120
<v Speaker 2>that Vell kind of follows him out just to see

0:46:57.120 --> 0:47:00.200
<v Speaker 2>where he's going, and she makes eye contact with our.

0:47:00.160 --> 0:47:05.320
<v Speaker 1>Good friend Sinta. Of course Vlla and Cinta. There's a

0:47:05.440 --> 0:47:06.000
<v Speaker 1>thing going on.

0:47:06.840 --> 0:47:10.320
<v Speaker 2>She is tase driver and he clearly has no idea

0:47:10.440 --> 0:47:13.560
<v Speaker 2>that she's a resistance anything.

0:47:13.680 --> 0:47:16.799
<v Speaker 3>He's probably not surviving that drive. Let's be real, because

0:47:17.040 --> 0:47:20.680
<v Speaker 3>that is what. I think she can kill someone when

0:47:20.760 --> 0:47:21.320
<v Speaker 3>she needs to.

0:47:21.680 --> 0:47:25.600
<v Speaker 2>Yes, So she's driving him away and it's clear that

0:47:26.160 --> 0:47:29.839
<v Speaker 2>it might be the end for him. And we also

0:47:29.960 --> 0:47:33.600
<v Speaker 2>get lots of shots of Mond in that flowy dress

0:47:33.719 --> 0:47:34.719
<v Speaker 2>just really cutting up.

0:47:34.920 --> 0:47:35.600
<v Speaker 1>It's wonderful.

0:47:35.840 --> 0:47:38.080
<v Speaker 3>It's very Florence in the machine if they could have.

0:47:38.080 --> 0:47:39.360
<v Speaker 1>Been very, very Florence.

0:47:41.120 --> 0:47:44.200
<v Speaker 2>And that is the end of episode three. An amazing

0:47:45.400 --> 0:47:49.680
<v Speaker 2>first three episode drop of the and Or television program.

0:47:51.320 --> 0:47:54.560
<v Speaker 2>A television program that is very, very expensive, that looks

0:47:54.600 --> 0:47:56.560
<v Speaker 2>like a million zillion bucks, that has a lot to

0:47:56.640 --> 0:48:03.200
<v Speaker 2>say about to assist resist empire in a completely fictional

0:48:03.280 --> 0:48:09.319
<v Speaker 2>world with antic connection at all thing and a lot

0:48:09.400 --> 0:48:13.760
<v Speaker 2>to think about. Your thoughts, Rosy on these first three episodes.

0:48:13.560 --> 0:48:17.120
<v Speaker 3>I agree, a lot to think about. Great three episodes.

0:48:17.360 --> 0:48:20.320
<v Speaker 3>I think it's exactly what people who loved and Or wanted.

0:48:20.480 --> 0:48:24.640
<v Speaker 3>Will it make the viewing public connect with and Or?

0:48:24.960 --> 0:48:27.480
<v Speaker 3>I will say I think that the opening sequence is

0:48:27.560 --> 0:48:30.120
<v Speaker 3>a great hook to get people in, to get new

0:48:30.200 --> 0:48:33.440
<v Speaker 3>viewers in, because A there's the shocking twist of him

0:48:33.560 --> 0:48:36.239
<v Speaker 3>seeming like he's a stormtrooper, and then b you get

0:48:36.320 --> 0:48:40.520
<v Speaker 3>that huge, really brilliantly put together kind of escape sequence

0:48:40.560 --> 0:48:43.040
<v Speaker 3>that's so unlike anything we've seen in Star Wars before,

0:48:43.080 --> 0:48:46.600
<v Speaker 3>but that feels completely Star Wars in its own way.

0:48:46.800 --> 0:48:51.480
<v Speaker 3>It's so beautifully done, it's so chaotic, it's Tony Gilway

0:48:51.600 --> 0:48:53.840
<v Speaker 3>is not having any issues making us feel like this

0:48:54.040 --> 0:48:56.880
<v Speaker 3>is a top tier Star Wars story. So I'm very

0:48:56.880 --> 0:48:59.200
<v Speaker 3>excited and I'm excited to chop it up with the

0:48:59.239 --> 0:49:01.400
<v Speaker 3>producer's next episode.

0:49:01.480 --> 0:49:01.640
<v Speaker 1>Two.

0:49:01.840 --> 0:49:06.000
<v Speaker 2>Yeah, our producers Joel and we were both taking us

0:49:06.080 --> 0:49:09.880
<v Speaker 2>to task for our criticism of Will for you know,

0:49:10.000 --> 0:49:13.239
<v Speaker 2>you promised you wouldn't say goodbye to be he would

0:49:13.239 --> 0:49:15.920
<v Speaker 2>say goodbye, that he would say Gooby, he wouldn't just leave.

0:49:16.080 --> 0:49:18.960
<v Speaker 2>But then she also like found his blaster. Here's my

0:49:19.120 --> 0:49:20.200
<v Speaker 2>issue with that he left.

0:49:22.719 --> 0:49:25.680
<v Speaker 3>Look, I love I think we all need to love

0:49:25.800 --> 0:49:27.000
<v Speaker 3>and joy undefined.

0:49:27.120 --> 0:49:27.799
<v Speaker 4>We need more love.

0:49:28.360 --> 0:49:28.840
<v Speaker 1>I love it.

0:49:29.040 --> 0:49:31.920
<v Speaker 3>It's important, but also bro, like just be barter at

0:49:32.040 --> 0:49:35.560
<v Speaker 3>hiding your stuff, like, don't take the blaster, don't take

0:49:35.640 --> 0:49:38.279
<v Speaker 3>the speed, don't leave the speed away. The Empire is

0:49:38.280 --> 0:49:40.520
<v Speaker 3>gonna find it. Yeah.

0:49:40.560 --> 0:49:43.520
<v Speaker 2>I think that there's actually like a really important idea here,

0:49:43.600 --> 0:49:48.359
<v Speaker 2>which is like, can you fight something terrible without effectively

0:49:48.520 --> 0:49:52.080
<v Speaker 2>becoming terrible terrible thing while fighting it?

0:49:52.440 --> 0:49:54.360
<v Speaker 1>And I think like the idea that like.

0:49:56.280 --> 0:50:01.120
<v Speaker 2>You shouldn't honor love and take those moments to really

0:50:01.200 --> 0:50:04.160
<v Speaker 2>be alive, like mon in this moment of dancing and

0:50:04.239 --> 0:50:08.040
<v Speaker 2>being trying to be free in this moment of extreme danger.

0:50:09.239 --> 0:50:15.320
<v Speaker 2>At the same time, if b is killed, it's because

0:50:15.360 --> 0:50:22.400
<v Speaker 2>of Will doing this. Yeah, he being sloppy, getting involved

0:50:22.719 --> 0:50:26.440
<v Speaker 2>with a person who shouldn't know about any of this stuff.

0:50:27.320 --> 0:50:31.560
<v Speaker 2>And that's how you have to balance this stuff. I

0:50:31.719 --> 0:50:34.960
<v Speaker 2>just come on, Will, like you're gonna get everybody killed?

0:50:35.000 --> 0:50:35.440
<v Speaker 1>What are we doing?

0:50:36.000 --> 0:50:38.680
<v Speaker 3>I'm excited to talk about this with the crew. Yeah.

0:50:39.520 --> 0:50:40.240
<v Speaker 3>On Friday.

0:50:42.800 --> 0:50:46.120
<v Speaker 2>Friday on Extra Vision, we are convening the Jedi Council

0:50:46.239 --> 0:50:48.239
<v Speaker 2>to talk about the first three episodes of Andword season

0:50:48.320 --> 0:50:52.560
<v Speaker 2>two News on Saturday. On Tuesday, we asked the question

0:50:52.719 --> 0:50:54.239
<v Speaker 2>many are asking, who are the Thunderbolts.

0:50:54.280 --> 0:50:55.320
<v Speaker 4>That's it for this episode.

0:50:55.360 --> 0:50:56.040
<v Speaker 1>Thanks for listening.

0:50:56.360 --> 0:50:56.640
<v Speaker 3>Thank you.

0:51:02.160 --> 0:51:04.799
<v Speaker 2>X ray Vision is hosted by Jason Sepcion.

0:51:04.320 --> 0:51:06.960
<v Speaker 3>And Rosie Knight and is a production of iHeart Podcasts.

0:51:07.239 --> 0:51:10.840
<v Speaker 3>Our executive producers are Joel Monique and Aaron Kaufman.

0:51:11.080 --> 0:51:13.120
<v Speaker 4>Our supervising producer is Abu Zafar.

0:51:13.520 --> 0:51:17.479
<v Speaker 3>Our producers are Common Laurent Dean, Jonathan and Bay wag.

0:51:17.560 --> 0:51:20.319
<v Speaker 2>Our theme song is by Brian Vasquez, with alternate theme

0:51:20.440 --> 0:51:21.680
<v Speaker 2>songs by Aaron Kaufman.

0:51:21.840 --> 0:51:25.160
<v Speaker 3>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

0:51:25.320 --> 0:51:27.080
<v Speaker 3>Heidi our discord moderator,