WEBVTT - #163 Paul Wall & Termanology

0:00:01.680 --> 0:00:06.240
<v Speaker 1>Yo, what's up, you fucks? We own a motherfuck a

0:00:06.280 --> 0:00:09.960
<v Speaker 1>bootleg care podcasts. Yeah, we owned a motherfuckert bootleg care

0:00:10.080 --> 0:00:13.120
<v Speaker 1>podcast We are on the Bootleg het podcast show. Welcome

0:00:13.280 --> 0:00:15.440
<v Speaker 1>and it's not nice to call you people fucks. I'm

0:00:15.480 --> 0:00:19.640
<v Speaker 1>sorry for that. Appreciate everyone listening. Uh, hey, we got

0:00:19.640 --> 0:00:23.120
<v Speaker 1>a dope show today. We talked with Paul Wall and Terminology.

0:00:23.680 --> 0:00:27.640
<v Speaker 1>We put out a joint album. Uh, actually, listen to

0:00:27.720 --> 0:00:30.000
<v Speaker 1>the album. It's really fucking dope. Everyone should go check

0:00:30.000 --> 0:00:33.600
<v Speaker 1>that out. Banging. But we talked with Paul Wall Terminology.

0:00:34.200 --> 0:00:35.839
<v Speaker 1>But first we got to tell you about our our

0:00:35.920 --> 0:00:38.839
<v Speaker 1>lovely sponsors. Go to odd Socks get you the most

0:00:38.880 --> 0:00:42.720
<v Speaker 1>comfortable socks in the fucking world. B odd sosofficial dot com.

0:00:42.920 --> 0:00:45.680
<v Speaker 1>Use the promo code bootleg keV at checkout, save twenty

0:00:45.680 --> 0:00:48.800
<v Speaker 1>percent off. They got Hey Arnold socks. Do they have

0:00:48.800 --> 0:00:51.239
<v Speaker 1>Hey Arnold sox? I might be wrong about that. Well,

0:00:51.280 --> 0:00:53.920
<v Speaker 1>they got fucking Arnold. They got some sort of Nickelodeon socks.

0:00:53.920 --> 0:00:58.720
<v Speaker 1>They got SpongeBob, they got fucking cheese. It's they got

0:00:59.120 --> 0:01:01.160
<v Speaker 1>I think I just said, Oh, they got at Cheetos.

0:01:01.360 --> 0:01:04.959
<v Speaker 1>I think that's new. That's a big, big one. You

0:01:05.000 --> 0:01:10.320
<v Speaker 1>know my WiFi wear that shit top Ramen underwear, scarface

0:01:11.240 --> 0:01:13.920
<v Speaker 1>and the odd socks basics. Go get loaded up. Bootleg

0:01:13.959 --> 0:01:17.080
<v Speaker 1>keV is the promo code at odd socksofficial dot com

0:01:17.120 --> 0:01:19.880
<v Speaker 1>to save twenty percent off a checkout. Also got to

0:01:19.880 --> 0:01:22.759
<v Speaker 1>give a big shout out to Blue Chee Yo Man

0:01:22.800 --> 0:01:26.959
<v Speaker 1>blue Choo dot com. Same active ingredient as Cialis and Viagra,

0:01:27.440 --> 0:01:30.320
<v Speaker 1>minus the embarrassing doctor's office visit, and it's in a

0:01:30.400 --> 0:01:33.560
<v Speaker 1>chewable form. All right, this thing I love Blue Cheo.

0:01:34.480 --> 0:01:37.440
<v Speaker 1>You know, some people don't realize that like ed is

0:01:37.480 --> 0:01:40.440
<v Speaker 1>a very common thing amongst everyone. No matter how old

0:01:40.480 --> 0:01:42.920
<v Speaker 1>you are. You might be stressed out at work. Maybe

0:01:42.920 --> 0:01:45.680
<v Speaker 1>you're just have an anxiety man. Sometimes that, you know,

0:01:46.440 --> 0:01:52.000
<v Speaker 1>results in you having issues performing taking a bitch to Poundtown,

0:01:52.480 --> 0:01:54.920
<v Speaker 1>you know. But if you want to go to Poundtown

0:01:55.320 --> 0:01:58.680
<v Speaker 1>and make sure the car don't break down, that blue Choe,

0:01:59.000 --> 0:02:00.920
<v Speaker 1>go on to blue Chee dot com. Use the promo

0:02:00.960 --> 0:02:05.680
<v Speaker 1>code bootleg and you're gonna get your first month for free.

0:02:06.000 --> 0:02:09.280
<v Speaker 1>Yeah and that's for free free ninety nine. Use the

0:02:09.280 --> 0:02:12.480
<v Speaker 1>promo code bootleg. You'll get your first month a Blue

0:02:12.560 --> 0:02:17.360
<v Speaker 1>Choo for free. Discreete packaging. It's just it's just a look.

0:02:17.600 --> 0:02:19.600
<v Speaker 1>Go to blue choo dot com. Think me later. Your

0:02:19.639 --> 0:02:21.480
<v Speaker 1>wife will thank me, your girlfriend will thank me, your

0:02:21.520 --> 0:02:23.919
<v Speaker 1>left hand I might thank me. All right, yo, let's

0:02:23.960 --> 0:02:25.959
<v Speaker 1>get into this interview though, Paul Wall Terminology Man, the

0:02:25.960 --> 0:02:29.480
<v Speaker 1>butleg Cat Podcast. All right, Man Boulet Cad Show special

0:02:29.480 --> 0:02:34.760
<v Speaker 1>guests in here, my guys, Paul Wall Terminology, Man, you

0:02:34.760 --> 0:02:37.800
<v Speaker 1>guys have come together for a project. What is the

0:02:37.840 --> 0:02:40.040
<v Speaker 1>name of the album? Start to finish? Oh, by the way,

0:02:40.080 --> 0:02:42.240
<v Speaker 1>it's right here. Yeah, yeah, by the way, I love

0:02:42.280 --> 0:02:46.359
<v Speaker 1>the artwork. Start to finish now, Paul, you've obviously you're

0:02:46.440 --> 0:02:49.760
<v Speaker 1>no stranger. Neither of you are strangers to collapse projects, right,

0:02:49.840 --> 0:02:52.400
<v Speaker 1>nineteen eighty two is a brand. It's crazy you've done

0:02:52.480 --> 0:02:54.120
<v Speaker 1>joint albums. It kind of came into the game with

0:02:54.120 --> 0:02:58.680
<v Speaker 1>Acha Millionaire doing color color change and click. What made

0:02:58.800 --> 0:03:03.919
<v Speaker 1>this just such an easy thing to happen? Man? Static, Yeah, static, static, Yeah,

0:03:03.960 --> 0:03:06.600
<v Speaker 1>for sure. Do both of us with just you know,

0:03:07.080 --> 0:03:09.400
<v Speaker 1>dope mcs of course. You know. So it's something that

0:03:09.440 --> 0:03:12.680
<v Speaker 1>maybe might be abstract us coming together in some people's

0:03:12.680 --> 0:03:15.040
<v Speaker 1>minds because our styles are so different, right, but the

0:03:15.560 --> 0:03:19.480
<v Speaker 1>core elements of our styles are similar with Dope. We

0:03:19.560 --> 0:03:21.799
<v Speaker 1>care about the craft, We care about the art of it.

0:03:21.880 --> 0:03:24.720
<v Speaker 1>You know, we care about how it sounds. Not We're

0:03:24.720 --> 0:03:26.680
<v Speaker 1>not trying to do nothing gimmicky or nothing like that.

0:03:26.680 --> 0:03:28.919
<v Speaker 1>We're trying to be true to who we are, true

0:03:28.960 --> 0:03:32.119
<v Speaker 1>to hip hop, true to whatever we represent. And that's

0:03:32.120 --> 0:03:34.000
<v Speaker 1>the same thing with both of us. So it was

0:03:34.040 --> 0:03:37.440
<v Speaker 1>an easy natural fit me and Static. You know, we

0:03:37.640 --> 0:03:39.160
<v Speaker 1>kind of kicked it off when we did a project

0:03:39.160 --> 0:03:41.839
<v Speaker 1>together called Gift Thanks Yep, and we did a song

0:03:41.920 --> 0:03:44.040
<v Speaker 1>on there, and after that song, you know, we we

0:03:44.120 --> 0:03:46.360
<v Speaker 1>really just messed good. We vibe real good. We got

0:03:46.360 --> 0:03:48.560
<v Speaker 1>to be great friends, you know what I'm saying. And

0:03:48.560 --> 0:03:50.080
<v Speaker 1>the next thing, you know, we did a song with

0:03:50.120 --> 0:03:52.440
<v Speaker 1>Pete Rock and then from there it's like, you know what,

0:03:52.800 --> 0:03:58.200
<v Speaker 1>maybe project together and it's done. It's crazy part because

0:03:58.200 --> 0:04:00.600
<v Speaker 1>like I feel like people who might be just like

0:04:01.160 --> 0:04:04.040
<v Speaker 1>surface level fans of what you do and haven't really

0:04:04.080 --> 0:04:05.520
<v Speaker 1>been paying attention to what you've been up to the

0:04:05.600 --> 0:04:07.680
<v Speaker 1>last like ten years, will be like yo, Paul Wall

0:04:07.880 --> 0:04:10.800
<v Speaker 1>or Pete Rock, Static selector like man. I talked to

0:04:10.840 --> 0:04:12.880
<v Speaker 1>him about that all the time, and I thank him

0:04:12.880 --> 0:04:16.479
<v Speaker 1>and Static for that opportunity because normally if like you said,

0:04:16.560 --> 0:04:20.000
<v Speaker 1>just the casual Paul Wall fans, there's a box that

0:04:20.080 --> 0:04:22.760
<v Speaker 1>I'm in, and if I do anything outside of that box,

0:04:22.839 --> 0:04:24.640
<v Speaker 1>it's like what is he doing? They don't you know,

0:04:24.680 --> 0:04:26.640
<v Speaker 1>you don't even get a chance to do it. But

0:04:26.960 --> 0:04:29.400
<v Speaker 1>to be able to spin on static selector beats or

0:04:29.440 --> 0:04:32.880
<v Speaker 1>Pete Rock beats or Terminology beat, man, it was you know,

0:04:33.160 --> 0:04:36.040
<v Speaker 1>definitely it brought someth out of me that I fell

0:04:36.040 --> 0:04:37.680
<v Speaker 1>in love with, you know, like I said, with the

0:04:37.720 --> 0:04:40.800
<v Speaker 1>gift Thanks, it was like, man, this is the greatest

0:04:41.000 --> 0:04:43.000
<v Speaker 1>thing I ever did in terms of hip hop in

0:04:43.040 --> 0:04:44.400
<v Speaker 1>my mind, and then a lot of people in mind,

0:04:44.480 --> 0:04:46.480
<v Speaker 1>people who hear it. Because a lot of people haven't

0:04:46.480 --> 0:04:48.720
<v Speaker 1>heard it. It's kind of under the radar. But uh,

0:04:48.760 --> 0:04:51.120
<v Speaker 1>you know the people who have heard it, they like, man,

0:04:51.160 --> 0:04:53.000
<v Speaker 1>where is this? Man? We need some more of this.

0:04:53.560 --> 0:04:56.320
<v Speaker 1>So of course, you know, doing the the it won't

0:04:56.440 --> 0:04:58.400
<v Speaker 1>start to finish. This is like a part two for

0:04:58.520 --> 0:05:01.320
<v Speaker 1>me to get thinks, yeah, to be able to to

0:05:02.160 --> 0:05:05.159
<v Speaker 1>express myself on these type of beats in a different

0:05:05.160 --> 0:05:07.240
<v Speaker 1>way because it brings something out of you different than

0:05:07.320 --> 0:05:09.640
<v Speaker 1>if I'm rapping on you know, one of my Texas

0:05:09.640 --> 0:05:11.600
<v Speaker 1>slab type of beats. So it just brings something out

0:05:11.640 --> 0:05:13.520
<v Speaker 1>of me and I think them all the time. Man,

0:05:13.520 --> 0:05:15.719
<v Speaker 1>thank you for this opportunity to showcase this type of

0:05:15.720 --> 0:05:18.800
<v Speaker 1>talent to an audience that will be open to it.

0:05:18.920 --> 0:05:21.160
<v Speaker 1>You know, some people they might not want to hear.

0:05:21.160 --> 0:05:23.240
<v Speaker 1>They might want to only meet talking about grills of

0:05:23.279 --> 0:05:24.880
<v Speaker 1>me right right right right, you know, doing like I said,

0:05:24.920 --> 0:05:27.240
<v Speaker 1>some slab music or something. Do you get the free

0:05:27.279 --> 0:05:29.160
<v Speaker 1>grill off the rip? Because you got the album? We

0:05:30.040 --> 0:05:32.640
<v Speaker 1>go get we go get my grill fitted last time

0:05:32.720 --> 0:05:34.800
<v Speaker 1>I went to Uston to shoot the videos and we

0:05:34.800 --> 0:05:37.000
<v Speaker 1>were just running and gunning, like we did three videos,

0:05:37.040 --> 0:05:40.120
<v Speaker 1>four videos in like forty eight hours. So you know,

0:05:40.160 --> 0:05:41.640
<v Speaker 1>I can get to and get my ship yet, but

0:05:41.680 --> 0:05:43.760
<v Speaker 1>I'm definitely gonna get them. How is the real business?

0:05:43.800 --> 0:05:47.320
<v Speaker 1>Because I feel like it's made I feel like there

0:05:47.400 --> 0:05:49.640
<v Speaker 1>was like a small little timer trying to died out.

0:05:49.640 --> 0:05:52.280
<v Speaker 1>But it's back man. This is a you know, it's

0:05:52.360 --> 0:05:55.559
<v Speaker 1>as a businessman in any type of business, there's always

0:05:55.600 --> 0:05:58.040
<v Speaker 1>gonna be cycles. Of course, things are gonna come and go,

0:05:58.080 --> 0:06:00.160
<v Speaker 1>and you gotta adjust to the cycle. You gotta just

0:06:00.279 --> 0:06:01.919
<v Speaker 1>to the consumer. You got to try to find a

0:06:01.920 --> 0:06:06.120
<v Speaker 1>way to you know, reconnected with the consumers, and you know,

0:06:06.200 --> 0:06:08.440
<v Speaker 1>the cultures would dictate the grills, you know, so we

0:06:08.480 --> 0:06:09.960
<v Speaker 1>can sit there and sell them all day, we can

0:06:10.000 --> 0:06:11.400
<v Speaker 1>do whatever we will come up. We come up with

0:06:11.440 --> 0:06:13.640
<v Speaker 1>all the new styles all day. But if the culture

0:06:13.680 --> 0:06:16.680
<v Speaker 1>don't want it, then it's dead. So it was a

0:06:16.760 --> 0:06:19.279
<v Speaker 1>time when you know, it's like grills came from being

0:06:19.279 --> 0:06:23.799
<v Speaker 1>an underground thing to being mainstream to being everybody's got grills,

0:06:23.800 --> 0:06:27.960
<v Speaker 1>and it's no longer something cultural is now everyday mainstream

0:06:28.040 --> 0:06:30.520
<v Speaker 1>fad or trend. With all fads and trends, they come

0:06:30.560 --> 0:06:34.080
<v Speaker 1>and go. So when it became the national trend, you know,

0:06:34.120 --> 0:06:36.159
<v Speaker 1>it's like the underground and the culture of the streets

0:06:36.200 --> 0:06:38.920
<v Speaker 1>was like, man, fuck we wear Once Nelly dropped grills,

0:06:38.920 --> 0:06:41.440
<v Speaker 1>did it was like, well, it's kind of like that.

0:06:41.440 --> 0:06:43.560
<v Speaker 1>That brought the peak and then it took it to

0:06:43.600 --> 0:06:45.800
<v Speaker 1>the next level. And then it was like, oh my god,

0:06:45.800 --> 0:06:47.600
<v Speaker 1>where do we go and grills? But then they came

0:06:47.600 --> 0:06:50.400
<v Speaker 1>back when the youth came with them. The new generation

0:06:50.560 --> 0:06:52.039
<v Speaker 1>was like, man, I want some grills, and they coming

0:06:52.040 --> 0:06:54.320
<v Speaker 1>to get grills. They brought it back to where now

0:06:54.360 --> 0:06:59.200
<v Speaker 1>I feel like it's a mainstay of jewelry. Where change

0:07:00.080 --> 0:07:04.040
<v Speaker 1>real earing grill help me eat with the hygiene perspective

0:07:04.040 --> 0:07:06.359
<v Speaker 1>of grills, because a lot of grown ass men I

0:07:06.440 --> 0:07:09.159
<v Speaker 1>know have metal in their mouth have the worst fucking

0:07:09.200 --> 0:07:11.840
<v Speaker 1>breath on the planet. This is this is a known thing.

0:07:12.200 --> 0:07:14.040
<v Speaker 1>I'm like, bro, get the fuck out of here with

0:07:14.080 --> 0:07:18.160
<v Speaker 1>that fucking backward grill breath. Brouh. Yeah, man, how do

0:07:18.200 --> 0:07:20.800
<v Speaker 1>you prevent the breath from smelling like shit? If you

0:07:20.840 --> 0:07:25.080
<v Speaker 1>have a grill, proper hygiene whatever. Normal hygiene is recommended,

0:07:25.160 --> 0:07:27.360
<v Speaker 1>which is brushing your teeth two times a day, two

0:07:27.360 --> 0:07:29.040
<v Speaker 1>to three times a day. But who brush their teeth

0:07:29.040 --> 0:07:31.240
<v Speaker 1>three times a day two times a day and clean

0:07:31.280 --> 0:07:33.560
<v Speaker 1>your grills out? You know some people eat with them,

0:07:33.640 --> 0:07:35.800
<v Speaker 1>or they smoke with them, or they drink coffee or

0:07:35.840 --> 0:07:38.520
<v Speaker 1>whatever with them. Well, think about it. You're doing that

0:07:38.600 --> 0:07:40.760
<v Speaker 1>and you're not cleaning them and stuff staying in there.

0:07:40.760 --> 0:07:43.360
<v Speaker 1>It's creating bacteria. It's going to stink, and your breath

0:07:43.480 --> 0:07:45.480
<v Speaker 1>is gonna stink. And a lot of people they'll put

0:07:45.520 --> 0:07:47.440
<v Speaker 1>on the grills and to them it's a or I

0:07:47.440 --> 0:07:49.240
<v Speaker 1>don't need to burst my teeth because I got grills.

0:07:49.120 --> 0:07:51.320
<v Speaker 1>It's a mental thing. It's a mental thing where you

0:07:51.320 --> 0:07:53.800
<v Speaker 1>feel like you don't have to. But it's also to me,

0:07:54.360 --> 0:07:56.239
<v Speaker 1>you just got to get on the schedule. No matter

0:07:56.280 --> 0:07:58.280
<v Speaker 1>what I brust my teeth in the morning when I

0:07:58.320 --> 0:08:01.240
<v Speaker 1>wake up, whether I feel like it's well well, whether

0:08:01.280 --> 0:08:03.200
<v Speaker 1>I ate something that morning or ate something the night before,

0:08:03.320 --> 0:08:06.800
<v Speaker 1>anything right, Always brush your teeth in the morning, Always

0:08:06.800 --> 0:08:09.200
<v Speaker 1>brush your teeth at night. But them thing grills, Man,

0:08:09.240 --> 0:08:10.800
<v Speaker 1>there's something sire. But let me tell you, man, let

0:08:10.840 --> 0:08:13.440
<v Speaker 1>me tell you this, Corey Blunt shout out to Corey

0:08:13.440 --> 0:08:18.240
<v Speaker 1>Blunt OG's triple O g slab originator. Man. Okay, he

0:08:18.440 --> 0:08:21.440
<v Speaker 1>had permanent gold teeth. He went to the fest for

0:08:21.720 --> 0:08:25.080
<v Speaker 1>thirty years, came out, got new gold teeth, so he

0:08:25.120 --> 0:08:29.240
<v Speaker 1>got the old ones, removed his teeth underneath parently white.

0:08:29.440 --> 0:08:33.720
<v Speaker 1>Nothing wrong with them. So you can have permanent grills

0:08:33.760 --> 0:08:38.120
<v Speaker 1>for thirty plus years and nothing go wrong with your teeth. Now,

0:08:38.160 --> 0:08:41.599
<v Speaker 1>most people will get permanent grills. They not flossing or

0:08:41.600 --> 0:08:44.240
<v Speaker 1>brushing the teeth every day. So of course, if you

0:08:44.320 --> 0:08:46.280
<v Speaker 1>don't floss, you don't brush your teeth, you don't take

0:08:46.320 --> 0:08:48.880
<v Speaker 1>care of yourself, it's gonna get rotten. And you can

0:08:48.920 --> 0:08:51.360
<v Speaker 1>see them horror stories and people with permanent gold teeth

0:08:51.360 --> 0:08:54.000
<v Speaker 1>they take them out. Man, it ain't it's not good.

0:08:54.080 --> 0:08:56.880
<v Speaker 1>And this is just normal grown up shit. That's regular shit. Though.

0:08:56.880 --> 0:08:59.319
<v Speaker 1>He's supposed to brush your teeth right right, That's why

0:08:59.360 --> 0:09:02.000
<v Speaker 1>he tries see a lot of kids before we bring

0:09:02.000 --> 0:09:04.360
<v Speaker 1>it to school. You bunch your teeth, Like, come on,

0:09:04.400 --> 0:09:06.319
<v Speaker 1>that's the first show you love. Have you ever had

0:09:06.360 --> 0:09:10.080
<v Speaker 1>someone like? You know, we hear about people who get

0:09:10.080 --> 0:09:12.480
<v Speaker 1>like they'll go to like rent attire and rent their wheels.

0:09:12.880 --> 0:09:16.240
<v Speaker 1>Is there is there a grill bill a rental grill? Yeah?

0:09:16.360 --> 0:09:18.600
<v Speaker 1>Can someone? Can someone get a note on a grill

0:09:18.679 --> 0:09:22.319
<v Speaker 1>from you? We definitely do payment plans and things like that,

0:09:22.440 --> 0:09:24.800
<v Speaker 1>but in terms of renting the grills, you know, they're

0:09:24.840 --> 0:09:27.040
<v Speaker 1>all custom made. No, not running. I just mean in

0:09:27.080 --> 0:09:28.679
<v Speaker 1>terms of like if I want to come in and

0:09:28.720 --> 0:09:30.640
<v Speaker 1>like I got I only got ten percent? Can I

0:09:30.640 --> 0:09:32.240
<v Speaker 1>get oh yeah, like buy it on lay away kind

0:09:32.240 --> 0:09:34.880
<v Speaker 1>of yeah, for sure. Now we don't make payments, like

0:09:35.160 --> 0:09:36.680
<v Speaker 1>we'll take it in and you can pay us later,

0:09:36.720 --> 0:09:38.600
<v Speaker 1>but we'll take it like a lay away plan. And

0:09:38.640 --> 0:09:40.760
<v Speaker 1>then when you get to a certain point, okay, but

0:09:40.960 --> 0:09:42.560
<v Speaker 1>now you can take the you pull them off to

0:09:42.600 --> 0:09:47.160
<v Speaker 1>the side and say, hey, buddy, U priorities. Just tell

0:09:47.280 --> 0:09:50.079
<v Speaker 1>Sometimes when you see people who they hit their first liquor,

0:09:50.120 --> 0:09:52.040
<v Speaker 1>they're just coming up, they just made some money, and

0:09:52.120 --> 0:09:54.040
<v Speaker 1>now they want to blow it all on some jury.

0:09:54.120 --> 0:09:57.320
<v Speaker 1>I definitely have just been some times. But I'm like, look, listen,

0:09:57.400 --> 0:10:01.120
<v Speaker 1>your businessman, different jewelry. Yeah. Yeah, But but just the

0:10:01.400 --> 0:10:05.560
<v Speaker 1>human in me is like, man, I'm gonna see this

0:10:05.559 --> 0:10:07.640
<v Speaker 1>person in a couple of years, and they're gonna, you know,

0:10:08.040 --> 0:10:09.679
<v Speaker 1>I'm in my mind, they're gonna feel a certain way.

0:10:09.760 --> 0:10:11.120
<v Speaker 1>Or they blew all their money on Drew and they

0:10:11.160 --> 0:10:13.120
<v Speaker 1>lost it all and have noneing and so forth. But

0:10:13.160 --> 0:10:15.559
<v Speaker 1>the fact is a lot of those people don't care

0:10:15.600 --> 0:10:17.240
<v Speaker 1>when they blow it all on Drewry and I see

0:10:17.280 --> 0:10:21.240
<v Speaker 1>him five years later and they're they're like proud, Yeah, man,

0:10:21.280 --> 0:10:23.200
<v Speaker 1>remember when I came in here and blue fifty grand

0:10:24.080 --> 0:10:26.800
<v Speaker 1>mentality thing. You're proud of that? Like they ain't, Man,

0:10:26.960 --> 0:10:28.520
<v Speaker 1>where the jeury at? I don't know where it's at.

0:10:28.520 --> 0:10:30.360
<v Speaker 1>I lost it. Anyway, I'm gonna go put some gas

0:10:30.360 --> 0:10:34.280
<v Speaker 1>in my ultimate. Yeah, I pun it crazy. Did you

0:10:34.400 --> 0:10:38.640
<v Speaker 1>I saw that bun put together the Houston rodeo thing?

0:10:38.640 --> 0:10:40.600
<v Speaker 1>Were you part of that? Yeah? Man? Thank they thank

0:10:40.640 --> 0:10:43.440
<v Speaker 1>you bum beef for putting that man. It was some sirre. Now,

0:10:43.480 --> 0:10:45.520
<v Speaker 1>the Houston Rodeo for me just came on. I know

0:10:45.520 --> 0:10:48.160
<v Speaker 1>it's the biggest rodeo, right, but me and my wife

0:10:48.160 --> 0:10:52.920
<v Speaker 1>been watching Yellowstone If y'all seen that shit, Yeah that man. Yeah,

0:10:53.000 --> 0:10:58.080
<v Speaker 1>Kevin Costa bron dudn't dunn't wrench man put me up

0:10:58.120 --> 0:11:00.920
<v Speaker 1>in that bunk house anyway. So I was like, my

0:11:00.960 --> 0:11:02.480
<v Speaker 1>wife says, you want me to dress like rip, You

0:11:02.520 --> 0:11:06.920
<v Speaker 1>need to dress like rib that's funny. But I was

0:11:06.960 --> 0:11:08.280
<v Speaker 1>like be and my wife friend like, I was like, yeah,

0:11:08.280 --> 0:11:09.600
<v Speaker 1>we should go to the rodeo. I want to go.

0:11:09.679 --> 0:11:12.000
<v Speaker 1>You know, let's just go. Yeah, let's just go. Fucking

0:11:12.160 --> 0:11:16.360
<v Speaker 1>it's a crazy atmosphere. And it's explaining it to somebody

0:11:16.360 --> 0:11:19.160
<v Speaker 1>who's not like from Texas or from Houston or who's

0:11:19.200 --> 0:11:21.880
<v Speaker 1>a part of that. Then it's like it's trying to

0:11:21.960 --> 0:11:24.880
<v Speaker 1>you know, it's like foreign. But okay, it's a rodeo,

0:11:24.960 --> 0:11:29.360
<v Speaker 1>livestock shong rodeo in Houston where they actually do livestock contest.

0:11:29.440 --> 0:11:32.160
<v Speaker 1>You know this cow won this prize, this whatever one.

0:11:32.320 --> 0:11:35.240
<v Speaker 1>Then there's actual rodeo where there's cowboys out there, you know.

0:11:36.120 --> 0:11:39.079
<v Speaker 1>Last on some you know, bulls or whatever. They got

0:11:39.120 --> 0:11:41.480
<v Speaker 1>the whatever rodeo stuff they got with you on the horse,

0:11:41.520 --> 0:11:43.560
<v Speaker 1>so yeah, they bucking you off all of that type.

0:11:43.559 --> 0:11:45.840
<v Speaker 1>They got a little kid one where they got kids

0:11:46.040 --> 0:11:48.560
<v Speaker 1>riding on sheep trying to hang on. There's some Texas

0:11:48.559 --> 0:11:51.439
<v Speaker 1>ship for real. It definitely, it definitely is. Then there's

0:11:50.800 --> 0:11:53.840
<v Speaker 1>the fair part of it with all the food, you know,

0:11:53.920 --> 0:11:56.640
<v Speaker 1>the because it's it's not like the stadium, right, yeah,

0:11:56.679 --> 0:11:59.960
<v Speaker 1>it's where where the Texans play. Yes, oh yes, people,

0:12:00.040 --> 0:12:03.040
<v Speaker 1>it's huge. The parking lot is huge. So it's definitely.

0:12:03.120 --> 0:12:05.360
<v Speaker 1>It's like a couple of weeks long. And they you know,

0:12:05.480 --> 0:12:08.920
<v Speaker 1>usually it is mostly country artists, but there will have

0:12:08.960 --> 0:12:12.040
<v Speaker 1>some Tehano artists. Uh. You know Selena was when she

0:12:12.080 --> 0:12:14.040
<v Speaker 1>did the Rodeo, that's like one of the most historic

0:12:14.160 --> 0:12:17.400
<v Speaker 1>concerts ever, like just it's like when she did the Rodeo,

0:12:17.520 --> 0:12:20.800
<v Speaker 1>that's like the original Woodstock concert, like the type of

0:12:21.160 --> 0:12:23.640
<v Speaker 1>history that goes with it. And then you know Cardi

0:12:23.720 --> 0:12:26.079
<v Speaker 1>B did They traditionally don't have hip hop. Cardi B

0:12:26.160 --> 0:12:27.800
<v Speaker 1>do it. Cardi B did it, and I think Chance

0:12:27.840 --> 0:12:30.200
<v Speaker 1>the Rapper did it, and I think those are the

0:12:30.240 --> 0:12:32.720
<v Speaker 1>only rappers. Bum Bee came out as a special guest

0:12:32.840 --> 0:12:36.199
<v Speaker 1>for Leon Bridges, and I think maybe for Beyonce when

0:12:36.200 --> 0:12:38.720
<v Speaker 1>Beyonce was there. But in terms of the rappers headline

0:12:38.720 --> 0:12:40.680
<v Speaker 1>and it was only Cardi B and Chance the rappers.

0:12:40.679 --> 0:12:43.839
<v Speaker 1>So for Houston hip hop, it was who all didn

0:12:44.080 --> 0:12:47.040
<v Speaker 1>have a part of the show. He had a it

0:12:47.120 --> 0:12:49.560
<v Speaker 1>was like a medley of artists, you know. He had

0:12:49.679 --> 0:12:53.640
<v Speaker 1>Lele shout out to Leile, she's on I think Disney Nickelodeon.

0:12:53.760 --> 0:12:57.120
<v Speaker 1>She's also a rapper from Houston. Uh uh. Then he

0:12:57.240 --> 0:13:03.559
<v Speaker 1>had h Town, somebody rocking Boots, Yeah, LaToya Luckett, myself,

0:13:03.840 --> 0:13:10.440
<v Speaker 1>Slim Thug Zero, Devin the Dude, Ronnie Spencer, Willie d

0:13:10.640 --> 0:13:15.400
<v Speaker 1>came out, esg Little Kiky Communionaire came out. Toby in

0:13:15.440 --> 0:13:19.920
<v Speaker 1>the big way, Toby so Fire. Yeah. Yeah, Well I

0:13:19.960 --> 0:13:22.440
<v Speaker 1>watched it on YouTube because I was there like a

0:13:22.440 --> 0:13:25.280
<v Speaker 1>couple of weeks before in Houston with Paul and and

0:13:25.360 --> 0:13:27.160
<v Speaker 1>Bud and Bo was telling me, like, yo, to him,

0:13:27.240 --> 0:13:30.040
<v Speaker 1>this is the biggest shit I've ever done in my life. Man.

0:13:30.080 --> 0:13:33.000
<v Speaker 1>He's like, you don't understand like ninety thousand people and

0:13:33.040 --> 0:13:35.480
<v Speaker 1>this is our hood. So he's explained, you know, I

0:13:35.480 --> 0:13:37.640
<v Speaker 1>had never even heard of that shit. So he's explaining

0:13:37.640 --> 0:13:39.559
<v Speaker 1>it to me. So after they did it, I'm like, yo,

0:13:39.600 --> 0:13:41.080
<v Speaker 1>let me go on YouTube and watch it. It's like

0:13:41.080 --> 0:13:43.360
<v Speaker 1>an hour long to Medley. So I watched it, and

0:13:43.400 --> 0:13:45.280
<v Speaker 1>one of my favorite things was not only did he

0:13:45.360 --> 0:13:48.199
<v Speaker 1>put on every single artist from his hood, like every

0:13:48.280 --> 0:13:50.320
<v Speaker 1>artist ever, He didn't miss nobody he brought out like

0:13:50.360 --> 0:13:53.800
<v Speaker 1>everybody that he kept changing his fits. The fits was

0:13:53.840 --> 0:13:56.800
<v Speaker 1>so fly. He got the Cowboys shit, then like j

0:13:56.960 --> 0:13:59.720
<v Speaker 1>Prince come out with the with the Cowboys shit. It

0:13:59.760 --> 0:14:02.360
<v Speaker 1>was just so like ill, like he kept going in

0:14:02.400 --> 0:14:04.440
<v Speaker 1>the back, come out with a different fur coat, like

0:14:04.640 --> 0:14:06.640
<v Speaker 1>all this different fla ship that was That's what I

0:14:06.640 --> 0:14:09.560
<v Speaker 1>thought was fly, like put on your people's And so

0:14:09.880 --> 0:14:11.640
<v Speaker 1>the only person who could really probably pull that off

0:14:11.720 --> 0:14:14.560
<v Speaker 1>was Bun Yeah, man for sure. Man. And like I

0:14:14.600 --> 0:14:17.000
<v Speaker 1>was saying about the Selena thing, when she performed, she

0:14:17.120 --> 0:14:20.240
<v Speaker 1>had this iconic dress that she wore. It was like

0:14:20.240 --> 0:14:22.200
<v Speaker 1>a purple dress, you know. You know when j Lo

0:14:22.360 --> 0:14:27.080
<v Speaker 1>wore that green dress to the Grammars. Everybody the same way.

0:14:27.160 --> 0:14:29.080
<v Speaker 1>So that's how you know some of the people that

0:14:29.320 --> 0:14:31.520
<v Speaker 1>you know came to perform, it was just you know,

0:14:31.560 --> 0:14:33.960
<v Speaker 1>they they I don't think they grasped the magnitude until

0:14:33.960 --> 0:14:37.120
<v Speaker 1>they were there, kind of because but definitely the people

0:14:37.120 --> 0:14:40.200
<v Speaker 1>who were into it were like, man, we should one

0:14:40.240 --> 0:14:42.120
<v Speaker 1>for so man, J Prince, you know you want to

0:14:42.120 --> 0:14:44.720
<v Speaker 1>wear something that's gonna be iconic, that people gonna remember

0:14:44.840 --> 0:14:47.400
<v Speaker 1>for years. Man, that's you know he such war that

0:14:47.520 --> 0:14:49.840
<v Speaker 1>at the rodeo. You know what the record did you do?

0:14:50.080 --> 0:14:53.400
<v Speaker 1>I did Still Tipping with Slim Thug, and then I

0:14:53.440 --> 0:14:56.680
<v Speaker 1>did Sitting Sideways with Big Poky. Big Poky was there

0:14:56.680 --> 0:14:58.800
<v Speaker 1>also a little I'm remembering all the people that little

0:14:58.840 --> 0:15:02.200
<v Speaker 1>flip was there? No flip was there? Shots and flip

0:15:02.320 --> 0:15:05.440
<v Speaker 1>a couple of records, think it. But you know once

0:15:05.480 --> 0:15:08.160
<v Speaker 1>again with the closed I think buns changes about four times.

0:15:08.240 --> 0:15:11.160
<v Speaker 1>Yeah yeah, but watch that on YouTube when you get

0:15:11.200 --> 0:15:14.120
<v Speaker 1>a minute. Like the fits he had was crazy. He

0:15:14.160 --> 0:15:17.400
<v Speaker 1>went from like urban hip hop to straight cowboy shit

0:15:17.600 --> 0:15:19.920
<v Speaker 1>to like, yo, it's crazy, man, check the fits. The

0:15:19.920 --> 0:15:22.560
<v Speaker 1>fits is crazy. Yo. We got to stop the interview

0:15:22.600 --> 0:15:24.800
<v Speaker 1>real quick. Tell us about I'm gonna tell you about

0:15:24.880 --> 0:15:26.560
<v Speaker 1>our partners at my bookie. Man, make sure you go

0:15:26.640 --> 0:15:30.200
<v Speaker 1>to my bookie dot ag. Right now, it's gambling season.

0:15:30.480 --> 0:15:32.760
<v Speaker 1>NBA playoffs are about the start. What are we doing.

0:15:33.120 --> 0:15:35.480
<v Speaker 1>You can still get your futures in on the MVP

0:15:35.640 --> 0:15:38.560
<v Speaker 1>vote as well. You can bet on everything at my Bookie, man,

0:15:38.600 --> 0:15:39.800
<v Speaker 1>So look what you gotta do is go to my

0:15:39.880 --> 0:15:42.680
<v Speaker 1>bookie dot com right now. Just go to my Bookie.

0:15:42.760 --> 0:15:45.320
<v Speaker 1>Use the promo code Bootleg when you sign up for

0:15:45.360 --> 0:15:47.720
<v Speaker 1>a new account. This is important. When you sign up

0:15:47.720 --> 0:15:49.880
<v Speaker 1>for a new account, use that promo code bootleg, and

0:15:49.920 --> 0:15:54.200
<v Speaker 1>they will give you a deposit match free money up

0:15:54.200 --> 0:15:55.920
<v Speaker 1>two thousand dollars. So if you sign up and you

0:15:55.960 --> 0:15:57.520
<v Speaker 1>put two hundred bucks in, they're gonna give you another

0:15:57.520 --> 0:16:00.560
<v Speaker 1>two hundred to bet with, thousand to give you another

0:16:00.600 --> 0:16:03.040
<v Speaker 1>thousand to bet with. Let's go for the Suns all

0:16:03.080 --> 0:16:06.600
<v Speaker 1>the way. Just throw all your money on the Phoenix Suns,

0:16:06.920 --> 0:16:09.520
<v Speaker 1>all right, and then bet that the Warriors won't make

0:16:09.520 --> 0:16:11.680
<v Speaker 1>it out of the first fucking round because Yoki is

0:16:11.720 --> 0:16:14.720
<v Speaker 1>gonna fucking pound them in their ass. Probably great odds

0:16:14.720 --> 0:16:19.120
<v Speaker 1>on that one, anyway, My Bookie dot ag my bookie

0:16:19.160 --> 0:16:22.080
<v Speaker 1>just fucking googled the shit. My bookie used the promo

0:16:22.080 --> 0:16:25.520
<v Speaker 1>code bootleg, and they will match your deposit free money,

0:16:25.600 --> 0:16:27.920
<v Speaker 1>free money up to one thousand dollars. Let's get back

0:16:27.920 --> 0:16:30.960
<v Speaker 1>to the interview. You know, it's crazy because like and

0:16:31.000 --> 0:16:32.760
<v Speaker 1>when I was in high school and you guys have

0:16:33.120 --> 0:16:36.160
<v Speaker 1>kind of had that. The first Houston run I want

0:16:36.160 --> 0:16:42.040
<v Speaker 1>to say that was like four h five oh three. Yeah,

0:16:42.080 --> 0:16:46.440
<v Speaker 1>and uh it felt very I remember there was like

0:16:46.480 --> 0:16:49.440
<v Speaker 1>the Double XL cover or the Source cover with Don't

0:16:49.480 --> 0:16:52.000
<v Speaker 1>Mess with Texas. Everybody was on the cover. Slim Thug

0:16:52.080 --> 0:16:54.800
<v Speaker 1>signed the Star Trek like you you were doing your thing.

0:16:54.840 --> 0:16:58.920
<v Speaker 1>I mean, Switched House was a movement. There are so

0:16:59.000 --> 0:17:01.320
<v Speaker 1>many artists now from Houston. Like when we think of

0:17:01.360 --> 0:17:03.760
<v Speaker 1>Travis Scott, like Travis Scott's one of the biggest arists

0:17:03.760 --> 0:17:06.639
<v Speaker 1>in the world, right and he obviously bangs Houston heavy,

0:17:06.800 --> 0:17:10.560
<v Speaker 1>astra world all that. But like, I feel like, I

0:17:10.560 --> 0:17:12.640
<v Speaker 1>don't know if it feels like there's like a unison

0:17:12.720 --> 0:17:14.920
<v Speaker 1>movement out of the city with the newer artists. Do

0:17:14.960 --> 0:17:16.840
<v Speaker 1>you feel because back then it felt like there was

0:17:16.920 --> 0:17:21.640
<v Speaker 1>a real movement cohesive mo. Yeah, well yeah, I don't

0:17:21.680 --> 0:17:25.439
<v Speaker 1>think it's necessarily is now. When we came out, the

0:17:25.560 --> 0:17:27.760
<v Speaker 1>movement was a little different because there was a Screwed

0:17:27.840 --> 0:17:30.399
<v Speaker 1>Up Click artist and the Switch House artist, and it

0:17:30.520 --> 0:17:34.040
<v Speaker 1>was a similar style of rap where you know, we

0:17:34.400 --> 0:17:37.360
<v Speaker 1>had similar subject matter, similar type of slow down type

0:17:37.400 --> 0:17:40.040
<v Speaker 1>of beats. Of course, you know, we switch House. We

0:17:40.480 --> 0:17:43.159
<v Speaker 1>got the style from Screw But being that there was

0:17:43.440 --> 0:17:45.800
<v Speaker 1>the Screw all the artists that were around at the time,

0:17:45.800 --> 0:17:47.920
<v Speaker 1>at our time, you know, the switch House and Screw

0:17:48.000 --> 0:17:50.679
<v Speaker 1>Up Click artists, we had a you know, the movement

0:17:50.760 --> 0:17:52.919
<v Speaker 1>was there because we had a similar style, we had

0:17:52.920 --> 0:17:55.359
<v Speaker 1>a similar fan base all of that. Whereas now you

0:17:55.480 --> 0:18:01.480
<v Speaker 1>got Lizzo, uh, Normani making the style and Maxo Cream,

0:18:01.800 --> 0:18:06.879
<v Speaker 1>Toby newig Way, Sauce Walker, Travis Scott, Don Tolliver, where

0:18:07.040 --> 0:18:12.200
<v Speaker 1>everyone's got their own vibe, Don Tolliver, Travis Yeah, Don Toliver,

0:18:12.280 --> 0:18:16.000
<v Speaker 1>Travis Scott got similar style, but it's way different than Toby,

0:18:16.520 --> 0:18:19.760
<v Speaker 1>and that's completely different than Saucewalker. And that's so different

0:18:19.800 --> 0:18:22.919
<v Speaker 1>than Normani or Izzo, you know. So it's you know,

0:18:22.960 --> 0:18:25.399
<v Speaker 1>it's it's and there's not to mention all of the

0:18:25.480 --> 0:18:28.320
<v Speaker 1>other Houston artists that are like blowing up right now

0:18:28.760 --> 0:18:32.040
<v Speaker 1>on TikTok or the non traditional methods that we came

0:18:32.119 --> 0:18:34.000
<v Speaker 1>up that I don't even know about yet, but they

0:18:34.080 --> 0:18:36.440
<v Speaker 1>popping and you know, getting fifty thousand the show and

0:18:36.480 --> 0:18:38.320
<v Speaker 1>I don't even know them. You know, that those artists

0:18:38.320 --> 0:18:40.840
<v Speaker 1>out there too, where they building their fan bases up,

0:18:41.320 --> 0:18:45.320
<v Speaker 1>you know, outside of the Houston, you know market. And

0:18:45.600 --> 0:18:48.119
<v Speaker 1>I think that's a little bit why too where you know,

0:18:48.160 --> 0:18:51.679
<v Speaker 1>when we came, we repped Texas to the full of

0:18:51.720 --> 0:18:54.960
<v Speaker 1>well they also do. But when people played our music,

0:18:55.160 --> 0:18:57.399
<v Speaker 1>they played it as a pride thing too. They're repping

0:18:57.480 --> 0:19:00.760
<v Speaker 1>Texas by playing on music where and you guys had

0:19:00.800 --> 0:19:04.560
<v Speaker 1>a very unison like sonic movement. I feel like where

0:19:04.560 --> 0:19:06.679
<v Speaker 1>it'd be like even if you listen to like already

0:19:06.720 --> 0:19:09.840
<v Speaker 1>Platinum from Slim Thug, even with for real production, you'd

0:19:09.840 --> 0:19:12.960
<v Speaker 1>be like, nah, this is some texts shit exactly exactly.

0:19:13.520 --> 0:19:15.920
<v Speaker 1>But all the artists there, they still rep Htown, Like

0:19:15.920 --> 0:19:19.480
<v Speaker 1>you said, sure, they're not kind of known as being htown. Well,

0:19:19.480 --> 0:19:21.680
<v Speaker 1>when you think of us, he's like, oh htown Texas.

0:19:21.680 --> 0:19:25.080
<v Speaker 1>You know, what, is there any plan to get you

0:19:25.160 --> 0:19:27.960
<v Speaker 1>in a chamillionaire ship up on the DSPs anywhere. I'll

0:19:27.960 --> 0:19:30.680
<v Speaker 1>be trying to talk, man, he making too much money.

0:19:30.720 --> 0:19:32.679
<v Speaker 1>He gotta go broke before we do something. I'm like,

0:19:32.680 --> 0:19:34.760
<v Speaker 1>bro I kind of getting too much. Keep pulling up

0:19:34.800 --> 0:19:37.440
<v Speaker 1>all these shitty quality links on YouTube, and that PIF

0:19:37.480 --> 0:19:39.640
<v Speaker 1>when I seen him on at the rodeo, and that's

0:19:39.640 --> 0:19:41.439
<v Speaker 1>the first thing I said, All right, well we were

0:19:41.440 --> 0:19:44.199
<v Speaker 1>gonna get get you my correct part too. I told him, Man,

0:19:44.200 --> 0:19:46.280
<v Speaker 1>we need to drop them as an nf T. Man,

0:19:46.320 --> 0:19:48.200
<v Speaker 1>we can drop it as a pre sale. Well we

0:19:48.240 --> 0:19:50.680
<v Speaker 1>ain't dropping until we pre sale one hundred thousand, bro,

0:19:50.760 --> 0:19:53.520
<v Speaker 1>I'm telling you got too much money. Man. Your guys

0:19:53.960 --> 0:19:57.120
<v Speaker 1>ship was like to me, like I used to sell

0:19:57.440 --> 0:20:00.280
<v Speaker 1>a lot of mixtapes to swap me during that era,

0:20:00.800 --> 0:20:04.679
<v Speaker 1>and that was kind of to me, like the very underrated,

0:20:05.000 --> 0:20:07.720
<v Speaker 1>Like when I that's my favorite shit from y'all to

0:20:07.760 --> 0:20:10.560
<v Speaker 1>go back and listen to. I've been trying though. I've

0:20:10.600 --> 0:20:13.680
<v Speaker 1>been trying, man. Yo. It's so crazy too, because even

0:20:13.760 --> 0:20:16.240
<v Speaker 1>like you said, like the screwed up shit was so

0:20:16.480 --> 0:20:19.639
<v Speaker 1>wild in that time, like I would have everyone hit me.

0:20:20.440 --> 0:20:23.200
<v Speaker 1>All my homies from A Z would be like, Yo,

0:20:23.840 --> 0:20:28.119
<v Speaker 1>could you screw and chop the fifty cent album for me? Yeah? Yeah?

0:20:28.240 --> 0:20:30.919
<v Speaker 1>Or like everybody like really there was like a like

0:20:31.440 --> 0:20:33.920
<v Speaker 1>in Phoenix, you know, everybody wanted every album to be

0:20:34.000 --> 0:20:36.480
<v Speaker 1>chopped and screwed. And my cousin was one of those guys.

0:20:36.520 --> 0:20:39.080
<v Speaker 1>I didn't fucking I was like bron I mean yeah, yeah,

0:20:39.359 --> 0:20:41.000
<v Speaker 1>like I don't get that. Maybe I'm not on lean.

0:20:41.080 --> 0:20:44.399
<v Speaker 1>I don't know what it is, but no, it's crazy.

0:20:44.400 --> 0:20:46.600
<v Speaker 1>But it's good to see you guys coming together in

0:20:47.160 --> 0:20:50.600
<v Speaker 1>twenty twenty two. Man. Term of course you're always active, Yeah,

0:20:50.760 --> 0:20:54.800
<v Speaker 1>of course, I feel like you're always dropping. How many

0:20:54.800 --> 0:20:58.120
<v Speaker 1>albums are you in? So far? I got forty four projects? Hell,

0:20:59.400 --> 0:21:03.240
<v Speaker 1>but you got I don't know, get to work. I

0:21:03.280 --> 0:21:05.440
<v Speaker 1>had about forty two. I don't think he gotta save

0:21:05.520 --> 0:21:08.280
<v Speaker 1>them out. I just think it. You know, maybe he

0:21:08.359 --> 0:21:10.640
<v Speaker 1>just didn't count him, you know what I'm saying. But yeah,

0:21:10.680 --> 0:21:12.760
<v Speaker 1>we yeah, man, we wrapped, that's what we do. I mean,

0:21:12.840 --> 0:21:14.560
<v Speaker 1>you gotta be north at twenty at least with all

0:21:14.560 --> 0:21:18.240
<v Speaker 1>the joint product. I think he got forty yeah, because

0:21:18.280 --> 0:21:19.720
<v Speaker 1>you know, a lot of them don't come up on

0:21:19.760 --> 0:21:22.439
<v Speaker 1>a DSPs, you know what I mean. So I'm counting

0:21:22.480 --> 0:21:24.880
<v Speaker 1>all of them like from not like demos, I'm kind

0:21:24.880 --> 0:21:27.359
<v Speaker 1>of like the real ones with the barcodes and actually

0:21:27.720 --> 0:21:31.120
<v Speaker 1>forty four forty four yeah, wow, it's about five done too,

0:21:31.240 --> 0:21:33.600
<v Speaker 1>just sitting there. So that are coming soon? Yeah, because

0:21:33.640 --> 0:21:35.080
<v Speaker 1>you know, one at a time, you know what I'm saying.

0:21:35.800 --> 0:21:38.480
<v Speaker 1>That's got to be some nice just residual catalog income

0:21:38.520 --> 0:21:41.000
<v Speaker 1>coming there. It's pretty cool. I have a joke on

0:21:41.040 --> 0:21:43.040
<v Speaker 1>my daughter, right. She used to wake up and go

0:21:43.080 --> 0:21:45.080
<v Speaker 1>to school in the morning, and she'd be mad as

0:21:45.119 --> 0:21:47.080
<v Speaker 1>hell at me. She'd be like, why do you get

0:21:47.080 --> 0:21:49.280
<v Speaker 1>to sleep all day? Like she'd be mad because she

0:21:49.359 --> 0:21:52.359
<v Speaker 1>waking up at six teeth but looking at me in

0:21:52.400 --> 0:21:54.600
<v Speaker 1>the bed like bye. So I had to sit it

0:21:54.680 --> 0:21:57.000
<v Speaker 1>down with them, like I make money when I sleep

0:21:57.520 --> 0:21:59.840
<v Speaker 1>every day. I don't have to go to work. I

0:22:00.240 --> 0:22:01.880
<v Speaker 1>have to go to school. I already put in my work.

0:22:02.440 --> 0:22:04.640
<v Speaker 1>So what you gotta do is figure out how you're

0:22:04.640 --> 0:22:06.199
<v Speaker 1>gonna do a bunch of things that will make you

0:22:06.200 --> 0:22:09.200
<v Speaker 1>money while you're sleeping. And like I broke that down

0:22:09.240 --> 0:22:11.520
<v Speaker 1>to her. She she you know, she's only ten. She

0:22:11.560 --> 0:22:13.840
<v Speaker 1>already gets it. So I get it data. I'm gonna

0:22:13.840 --> 0:22:16.720
<v Speaker 1>write books, I'm gonna sell art, I'm gonna make jewry

0:22:17.080 --> 0:22:18.919
<v Speaker 1>so that way people can go on my website and

0:22:18.960 --> 0:22:21.160
<v Speaker 1>buy it while I'm at school and I'm making money.

0:22:21.200 --> 0:22:24.320
<v Speaker 1>And I'm like, exactly, you know, that's that's what it is.

0:22:24.560 --> 0:22:26.960
<v Speaker 1>You know. I feel like if you're an independent artist

0:22:26.960 --> 0:22:30.240
<v Speaker 1>and you're not always dropping, you're you're slipping, cause it's like,

0:22:30.240 --> 0:22:32.760
<v Speaker 1>like you said, you're just adding to like it's free

0:22:32.800 --> 0:22:36.080
<v Speaker 1>money your I mean yeah, and it's and the overhead

0:22:36.200 --> 0:22:39.040
<v Speaker 1>of making music nowadays is not what it used to be, right,

0:22:39.320 --> 0:22:40.760
<v Speaker 1>Like you used to have to go to the studio

0:22:40.960 --> 0:22:42.800
<v Speaker 1>and having it like now if like if you really

0:22:43.920 --> 0:22:46.080
<v Speaker 1>you could record at your house. Yeah, in fact, you're

0:22:46.080 --> 0:22:47.440
<v Speaker 1>doing it on your I phone if you if you

0:22:47.480 --> 0:22:50.560
<v Speaker 1>don't really want to, I mean, to make that album

0:22:50.560 --> 0:22:53.480
<v Speaker 1>would have cost us, you know, ten times more ten

0:22:53.560 --> 0:22:56.639
<v Speaker 1>years ago, twenty years ago. So basically everybody on there

0:22:56.720 --> 0:22:58.840
<v Speaker 1>is our friend. Yeah, I know, I'm seeing of course

0:22:58.880 --> 0:23:01.000
<v Speaker 1>bunn Is on the album out to White's pea Shot,

0:23:01.119 --> 0:23:06.159
<v Speaker 1>Crooked Eyes on there, Yepnams grilling ems been around a

0:23:06.160 --> 0:23:09.720
<v Speaker 1>long time, Shine, That's what we love though we you know,

0:23:09.880 --> 0:23:12.240
<v Speaker 1>me and Paul we kind of like some we're underdogs,

0:23:12.280 --> 0:23:13.920
<v Speaker 1>Like you know what I'm saying. People know my name

0:23:14.040 --> 0:23:16.200
<v Speaker 1>all through the industry. I got a lot of die

0:23:16.240 --> 0:23:20.479
<v Speaker 1>hard fans. Obviously Paul has had commercial success, but still

0:23:20.520 --> 0:23:22.520
<v Speaker 1>we you know, we still feel like we still want

0:23:22.520 --> 0:23:25.000
<v Speaker 1>people to hear what we got to say. So he's

0:23:25.040 --> 0:23:27.320
<v Speaker 1>still kind of like an underdog. How do you feel

0:23:27.359 --> 0:23:30.320
<v Speaker 1>about it because your areas. Finally, I feel like there's

0:23:30.320 --> 0:23:33.439
<v Speaker 1>some bias nationally, right, and she's been doing her thing

0:23:33.480 --> 0:23:34.800
<v Speaker 1>for a very long time. But it was good to

0:23:34.800 --> 0:23:38.040
<v Speaker 1>see her finally breakthrough. Exactly. It's had to be a

0:23:38.119 --> 0:23:41.280
<v Speaker 1>Milli's is going crazy killing it. Uh, there's always I

0:23:41.320 --> 0:23:44.159
<v Speaker 1>just feel like Boston's always kind of been a u

0:23:45.200 --> 0:23:48.920
<v Speaker 1>underappreciated or maybe just there hasn't been a big of enough.

0:23:49.080 --> 0:23:51.159
<v Speaker 1>I mean it's really been you and Static, really be

0:23:51.240 --> 0:23:53.480
<v Speaker 1>Static and slave for a long time. Yeah, you know

0:23:53.520 --> 0:23:56.560
<v Speaker 1>what I mean. Uh, the first generation was like ed

0:23:56.600 --> 0:24:01.240
<v Speaker 1>O g Uh, you know, Almighty Hour Sou, you know,

0:24:01.440 --> 0:24:05.520
<v Speaker 1>Big Sugar Guru started Gangstar. So you know, the eighties

0:24:05.520 --> 0:24:08.720
<v Speaker 1>to the early nineties. You know, being at Boston is

0:24:08.760 --> 0:24:11.680
<v Speaker 1>so close to New York. There is a golden era

0:24:11.800 --> 0:24:14.679
<v Speaker 1>of Boston hip hop. And then that next wave was

0:24:14.760 --> 0:24:17.920
<v Speaker 1>like you know, Esoteric, who does our face now? Missed

0:24:17.960 --> 0:24:22.680
<v Speaker 1>the Lift? The Underground that right then that next right

0:24:22.880 --> 0:24:27.320
<v Speaker 1>crumb Snatcher, that scientific recipece from Lawrence. So like that

0:24:27.480 --> 0:24:30.359
<v Speaker 1>was the original eighties and nineties wave and then me

0:24:30.800 --> 0:24:34.560
<v Speaker 1>Static Slain Rex we came after and we held it

0:24:34.640 --> 0:24:36.960
<v Speaker 1>down for like ten whole years. It was just us

0:24:37.200 --> 0:24:39.640
<v Speaker 1>like it wasn't it wasn't nothing for sure. For sure.

0:24:39.680 --> 0:24:43.359
<v Speaker 1>Then now this era we got like via Millie's uh,

0:24:43.760 --> 0:24:47.080
<v Speaker 1>what's the name joining Lucas cousin stairs this how far

0:24:47.160 --> 0:24:49.639
<v Speaker 1>is joining from Boston. He like forty five minutes. You know,

0:24:50.480 --> 0:24:52.919
<v Speaker 1>Lucas is going crazy. He fired too. So it's just

0:24:52.960 --> 0:24:55.560
<v Speaker 1>like now it's starting to get you know, the artists

0:24:55.560 --> 0:24:58.520
<v Speaker 1>are starting to get national recognition, which feels good for

0:24:58.560 --> 0:25:00.399
<v Speaker 1>the city because for a long time, like I said,

0:25:00.520 --> 0:25:02.439
<v Speaker 1>it was just me and Static and slain. You know,

0:25:02.680 --> 0:25:05.520
<v Speaker 1>was it hard to get over the stereotype of being

0:25:05.560 --> 0:25:07.680
<v Speaker 1>from Boston because I feel like when people think of Boston,

0:25:07.720 --> 0:25:10.679
<v Speaker 1>they think of racist white people. They do. But you know,

0:25:11.040 --> 0:25:13.480
<v Speaker 1>like you said, I'm from Lawrence, which is way different.

0:25:13.480 --> 0:25:15.800
<v Speaker 1>Everybody's Puerto Rican and Dominican and Lawrence. So not's a

0:25:15.800 --> 0:25:17.760
<v Speaker 1>beautiful woman in Lauren. Yeah, you know the vibes. So

0:25:17.800 --> 0:25:20.600
<v Speaker 1>it's like in my city, it's it's more like the Bronx.

0:25:20.880 --> 0:25:23.720
<v Speaker 1>It's the little Bronx. So that's that's kind of been

0:25:24.200 --> 0:25:26.320
<v Speaker 1>my mission was to put the nine seven eight, put

0:25:26.400 --> 0:25:28.560
<v Speaker 1>Lawrence on the map since I came in the game

0:25:28.600 --> 0:25:30.560
<v Speaker 1>when I had the Kate Swiss deal. I was in

0:25:30.600 --> 0:25:33.280
<v Speaker 1>all the Double Excels for nine months, Kate Swiss, all

0:25:33.280 --> 0:25:37.240
<v Speaker 1>this Lawrence Mass, Lawrence Mass. You know, uh, Double Excel Show,

0:25:37.280 --> 0:25:42.080
<v Speaker 1>Improved Lawrence Mass, Source Unsigned Hype, Lawrence Mass, BT ciphered

0:25:42.080 --> 0:25:45.240
<v Speaker 1>with Fresh Montana Lawrence Mass. So that was my thing,

0:25:45.359 --> 0:25:47.960
<v Speaker 1>was like put Lawrence on the map and differentiate us

0:25:48.000 --> 0:25:51.040
<v Speaker 1>from Boston, but still rep Boston because Boston is the capitol.

0:25:51.280 --> 0:25:55.000
<v Speaker 1>Of course, you know, with this album, who like you

0:25:55.080 --> 0:25:58.960
<v Speaker 1>say you started this project? Did he started? We kind

0:25:58.960 --> 0:26:01.160
<v Speaker 1>of started it together. But the thing is he had

0:26:01.200 --> 0:26:03.439
<v Speaker 1>a few sessions with Static on his own, and then

0:26:03.480 --> 0:26:05.800
<v Speaker 1>I had a few sessions with Static, and then we

0:26:05.880 --> 0:26:09.240
<v Speaker 1>just started kind of messing everything together fire. I think

0:26:09.280 --> 0:26:13.480
<v Speaker 1>I think, uh, maybe the Pete Rock song we did,

0:26:13.520 --> 0:26:16.200
<v Speaker 1>which was one of the earlier ones we did where

0:26:16.240 --> 0:26:18.640
<v Speaker 1>it was like, you know, the first one we did

0:26:18.720 --> 0:26:22.240
<v Speaker 1>was probably want to Give Thanks. It was us together,

0:26:22.320 --> 0:26:24.080
<v Speaker 1>but then I think the Pete Rock might have been

0:26:24.119 --> 0:26:27.320
<v Speaker 1>like second or third after that. And when we you know,

0:26:27.359 --> 0:26:29.560
<v Speaker 1>we're on a pete rock beat, that's huge for me,

0:26:29.760 --> 0:26:33.880
<v Speaker 1>Oh my god, huge for anybody anybody. So both of us,

0:26:34.080 --> 0:26:36.480
<v Speaker 1>you know, we're just talking about that, like, man, we

0:26:36.480 --> 0:26:38.480
<v Speaker 1>can't believe we're on a peat rock beat together, Like

0:26:38.560 --> 0:26:41.119
<v Speaker 1>that's dope, and that that really kind of brought us

0:26:41.200 --> 0:26:43.280
<v Speaker 1>and the way we kind of came on there to

0:26:43.359 --> 0:26:45.840
<v Speaker 1>bring both of our styles together, you know what I'm saying.

0:26:45.840 --> 0:26:47.879
<v Speaker 1>It was like that was kind of like one of

0:26:47.880 --> 0:26:50.000
<v Speaker 1>the main dominoes that knocked the race down. And then

0:26:50.040 --> 0:26:52.399
<v Speaker 1>Thailand was next. Yea, Thailand was next where it was like,

0:26:53.280 --> 0:26:55.000
<v Speaker 1>made that beat. I made that, and that's that's the

0:26:55.000 --> 0:26:57.960
<v Speaker 1>one we're butler it. After that, that's when he was like, yo,

0:26:58.000 --> 0:27:00.040
<v Speaker 1>you got something else, you got something. That's when it

0:26:59.920 --> 0:27:02.240
<v Speaker 1>was like we had three and it's like, bro, you

0:27:02.320 --> 0:27:04.040
<v Speaker 1>got three, you might as well do a project at

0:27:04.040 --> 0:27:06.439
<v Speaker 1>that point, why not. It's like you know how some

0:27:06.600 --> 0:27:08.919
<v Speaker 1>actors will be like, Okay, I want to go do

0:27:09.000 --> 0:27:11.080
<v Speaker 1>a movie with Quentin Tarantino. I'll do it for free.

0:27:11.760 --> 0:27:13.119
<v Speaker 1>I just want to do it for free. That's how

0:27:13.160 --> 0:27:16.400
<v Speaker 1>it was doing this type of facts with the where

0:27:16.400 --> 0:27:19.639
<v Speaker 1>I don't mean money wise, because that's never an issue

0:27:19.720 --> 0:27:23.720
<v Speaker 1>or topic, but it's just the opportunity to do this

0:27:23.800 --> 0:27:28.159
<v Speaker 1>type of music with people that you admire, respect, inspire you,

0:27:28.240 --> 0:27:31.320
<v Speaker 1>people that are iconic and legendary. It was like man,

0:27:31.320 --> 0:27:34.000
<v Speaker 1>we couldn't wait to get in the studio on any beat,

0:27:34.440 --> 0:27:38.040
<v Speaker 1>any the static or the Center, so Pete Rock or yeah, man,

0:27:38.080 --> 0:27:41.119
<v Speaker 1>we could not wait. And every every time we do

0:27:41.240 --> 0:27:43.760
<v Speaker 1>something it was exactly that. It was like working with

0:27:43.800 --> 0:27:46.280
<v Speaker 1>Denzel or working with whoever. You know what I'm saying,

0:27:46.480 --> 0:27:49.280
<v Speaker 1>This is one of the easiest projects I've done, Like Pause,

0:27:49.320 --> 0:27:51.920
<v Speaker 1>the easiest guy to work with, Like so easy. I've

0:27:52.160 --> 0:27:55.320
<v Speaker 1>had people who are not even close to his status

0:27:55.320 --> 0:27:57.639
<v Speaker 1>of an artist act like a diva with me, And

0:27:57.680 --> 0:27:59.280
<v Speaker 1>I mean that should happen to a lot. It happens.

0:27:59.600 --> 0:28:01.560
<v Speaker 1>And that's just you get the D list artists that

0:28:01.560 --> 0:28:03.800
<v Speaker 1>that act crazy with you. People are just if they

0:28:03.800 --> 0:28:05.320
<v Speaker 1>act like that when they get a little bit of cloud.

0:28:05.320 --> 0:28:08.840
<v Speaker 1>They've always been weenies. Right, Yeah, that's a funny word.

0:28:08.840 --> 0:28:14.480
<v Speaker 1>I heard that word fucking weenies. Man. For you, like,

0:28:14.800 --> 0:28:17.040
<v Speaker 1>you've had so many different errors of your career. I

0:28:17.080 --> 0:28:20.879
<v Speaker 1>feel like, you know, obviously the way things kicked off

0:28:20.960 --> 0:28:23.359
<v Speaker 1>and then you started to uh kind of hang with

0:28:23.400 --> 0:28:27.600
<v Speaker 1>Travis a lot and the Expensive Taste, and you know

0:28:27.840 --> 0:28:31.679
<v Speaker 1>you collab You collaborate with so many artists over your career, man, Like,

0:28:31.760 --> 0:28:34.200
<v Speaker 1>what has kind of been like outside of this project

0:28:34.320 --> 0:28:38.560
<v Speaker 1>like your other favorite collab project you've been a part of. Oh,

0:28:38.680 --> 0:28:41.240
<v Speaker 1>definitely the ones with my heroes. You know. I got

0:28:41.240 --> 0:28:43.480
<v Speaker 1>one with Slim Thug that I love. It's, you know,

0:28:43.640 --> 0:28:46.480
<v Speaker 1>very under the radar. I got one with Little Kiki that,

0:28:47.080 --> 0:28:49.160
<v Speaker 1>oh my god, you can put that in my grave,

0:28:50.280 --> 0:28:52.120
<v Speaker 1>you know, put that in my cast and when I die.

0:28:52.160 --> 0:28:55.280
<v Speaker 1>I got one with Richter Factor that we haven't released yet.

0:28:55.320 --> 0:28:57.360
<v Speaker 1>I got one with the Jack Arrest in Peace did

0:28:57.400 --> 0:28:59.440
<v Speaker 1>all right, Yeah we haven't. We did that and like

0:29:00.000 --> 0:29:02.360
<v Speaker 1>I was an eight or something, I was and nine

0:29:02.360 --> 0:29:05.480
<v Speaker 1>and we just never released it and one day it'll

0:29:05.480 --> 0:29:09.840
<v Speaker 1>come out. But that one's amazing too. A few collad

0:29:09.880 --> 0:29:12.800
<v Speaker 1>projects I got with you know, different producers. I got

0:29:12.800 --> 0:29:16.880
<v Speaker 1>a collad project with Day One we haven't released yet.

0:29:17.160 --> 0:29:19.600
<v Speaker 1>So I got a lot of the unreleased. But you know,

0:29:19.720 --> 0:29:22.720
<v Speaker 1>I think that in terms of most favorite, it is

0:29:22.720 --> 0:29:25.960
<v Speaker 1>probably definitely a little Kiky and the risk of Factor

0:29:25.960 --> 0:29:28.560
<v Speaker 1>one that that hasn't come out yet, but I'm looking

0:29:28.600 --> 0:29:30.680
<v Speaker 1>forward to it. Man me and DJ Fresh thinking about

0:29:30.680 --> 0:29:33.160
<v Speaker 1>doing one together. We're talking about it. So it's a

0:29:33.240 --> 0:29:35.440
<v Speaker 1>It's a few I like doing. Even when I was

0:29:35.560 --> 0:29:39.000
<v Speaker 1>making albums, I would like to have like a vibe

0:29:39.080 --> 0:29:41.040
<v Speaker 1>or feel to it to where Okay, I got a

0:29:41.400 --> 0:29:44.480
<v Speaker 1>main producer. We got a main producer who produced you know,

0:29:44.600 --> 0:29:47.320
<v Speaker 1>eight or how many tracks, right, and then a few

0:29:47.320 --> 0:29:50.040
<v Speaker 1>other producers I fuck with to do the rest. But

0:29:50.120 --> 0:29:52.880
<v Speaker 1>at least there's gonna be a core sound, you know

0:29:52.880 --> 0:29:55.640
<v Speaker 1>what I'm saying, where it's one main producer doing so

0:29:55.720 --> 0:29:58.880
<v Speaker 1>even now I've been doing that like a little further,

0:29:58.920 --> 0:30:01.280
<v Speaker 1>like boring that a little bit more. Where I do

0:30:01.320 --> 0:30:04.840
<v Speaker 1>the whole project is one producer, where it's a whole vibe.

0:30:04.840 --> 0:30:07.000
<v Speaker 1>And you know, it take a little while to get

0:30:07.040 --> 0:30:09.160
<v Speaker 1>to where you want to go as you work together

0:30:09.200 --> 0:30:11.200
<v Speaker 1>with the producer raking, you know, because they might have

0:30:11.240 --> 0:30:13.280
<v Speaker 1>their ideas. You got their ideas, your ideas, and you

0:30:13.400 --> 0:30:15.840
<v Speaker 1>just you know, mesh them together. But you know when

0:30:16.080 --> 0:30:17.680
<v Speaker 1>when you get to go in with just to me,

0:30:17.800 --> 0:30:20.920
<v Speaker 1>that brings back the you know, the when I fell

0:30:20.960 --> 0:30:22.640
<v Speaker 1>in love with hip hop. That's how it was. It

0:30:22.680 --> 0:30:27.640
<v Speaker 1>was artists with one or two producers doing the whole album. Now, yeah,

0:30:29.080 --> 0:30:33.160
<v Speaker 1>not just a gumbo of a bunch of different random singles. Right,

0:30:33.440 --> 0:30:35.320
<v Speaker 1>We got to stop the interview real quick man. Shout

0:30:35.320 --> 0:30:38.400
<v Speaker 1>out to our sponsors at Blue chew. The good thing

0:30:38.440 --> 0:30:40.680
<v Speaker 1>about blue Chee not only does it make that dick

0:30:40.800 --> 0:30:44.800
<v Speaker 1>fucking you know what I mean, get that thing swinging

0:30:44.880 --> 0:30:48.760
<v Speaker 1>like it never swang before. But what I love about

0:30:48.760 --> 0:30:51.960
<v Speaker 1>Blue Cheo is it's all online. Man. You know, usually

0:30:51.960 --> 0:30:53.120
<v Speaker 1>when you want to go and get some of that,

0:30:53.600 --> 0:30:55.120
<v Speaker 1>you know, some of that good good some of that

0:30:55.200 --> 0:30:57.560
<v Speaker 1>blue choose, maybe some viagra. First of all, it's got

0:30:57.560 --> 0:31:01.239
<v Speaker 1>the same exact active ingredients as viagra and scialis. But

0:31:01.280 --> 0:31:02.800
<v Speaker 1>you don't have to go into the doctor's office to

0:31:02.800 --> 0:31:04.360
<v Speaker 1>get it. All right, all you gotta do is go

0:31:04.360 --> 0:31:06.880
<v Speaker 1>to blue choo dot com. You have an online consultation

0:31:07.480 --> 0:31:10.960
<v Speaker 1>and then they discreetly send it to you. And it's

0:31:10.960 --> 0:31:14.240
<v Speaker 1>also discreete villain. You know what I'm saying, it's crazy.

0:31:14.320 --> 0:31:16.080
<v Speaker 1>Let me tell you something. Maybe you got a first

0:31:16.200 --> 0:31:18.520
<v Speaker 1>date you want to make sure you blow them back

0:31:18.520 --> 0:31:22.400
<v Speaker 1>out that day. You know what I'm saying, Woo pop

0:31:22.440 --> 0:31:26.040
<v Speaker 1>that blue Choo. It's chewable form. Some people don't like

0:31:26.040 --> 0:31:29.080
<v Speaker 1>swallowing pills. Ladies are gonna love to swallow you though.

0:31:29.080 --> 0:31:30.880
<v Speaker 1>Once you're on that blue Choo. I'll tell you that much,

0:31:30.920 --> 0:31:33.400
<v Speaker 1>Bud for sure. So what you gotta do is go

0:31:33.400 --> 0:31:36.440
<v Speaker 1>to blue Choo dot com, use the promo code Bootleg,

0:31:36.520 --> 0:31:39.480
<v Speaker 1>and you're gonna get a month supply of blue Choo

0:31:39.840 --> 0:31:43.640
<v Speaker 1>for free. All right, you're gonna thank me later for this, Yo.

0:31:43.680 --> 0:31:47.480
<v Speaker 1>Can you give me the story about Drive Slow Man,

0:31:47.640 --> 0:31:50.280
<v Speaker 1>Drive Slow. That's one of my favorite Kanye songs ever.

0:31:50.360 --> 0:31:54.840
<v Speaker 1>Lay Registration is my favorite album. Yeah Man, playing Pat

0:31:55.640 --> 0:31:59.120
<v Speaker 1>shout out to Playing Past playing Pat? What up? Yeah? Uh?

0:31:59.480 --> 0:32:02.880
<v Speaker 1>He hit me up, was like, hey, I know you

0:32:02.880 --> 0:32:04.760
<v Speaker 1>You met Kanye. You said y'all were cool. I had.

0:32:05.040 --> 0:32:07.200
<v Speaker 1>I had met him at a at an interview. We

0:32:07.200 --> 0:32:09.120
<v Speaker 1>were all doing like a big interview one time, and

0:32:09.360 --> 0:32:12.239
<v Speaker 1>I talked to him about making him some grills. And

0:32:12.280 --> 0:32:14.760
<v Speaker 1>then from there that's what kind of led to you know,

0:32:14.880 --> 0:32:17.520
<v Speaker 1>Playing Past saying, hey, I know you met Kanye. You

0:32:17.520 --> 0:32:19.960
<v Speaker 1>know who, why don't we try to do a song together.

0:32:19.960 --> 0:32:22.520
<v Speaker 1>Of course I'm like, yeah, of course, And he said,

0:32:22.720 --> 0:32:24.840
<v Speaker 1>I asked Kanye. He said he down with it. But

0:32:25.000 --> 0:32:27.120
<v Speaker 1>you know, he might not use your verse. You know,

0:32:27.200 --> 0:32:29.280
<v Speaker 1>he might not use the song at all. He might

0:32:29.320 --> 0:32:31.320
<v Speaker 1>take you off, Dona. You know what I'm saying. That's

0:32:31.360 --> 0:32:33.080
<v Speaker 1>basically what he was telling me. That shit, you might

0:32:33.080 --> 0:32:34.680
<v Speaker 1>get on there. He might not like it, so if

0:32:34.720 --> 0:32:37.160
<v Speaker 1>you do, don't be mad. But it's an opportunity. And

0:32:37.160 --> 0:32:38.960
<v Speaker 1>I'm like, shit, you ain't gotta tell me. I know what,

0:32:39.400 --> 0:32:42.200
<v Speaker 1>even back then, before he was just Kanye the producer,

0:32:42.440 --> 0:32:44.800
<v Speaker 1>you know, people didn't really respect his bars, but at

0:32:44.840 --> 0:32:47.800
<v Speaker 1>that time I did. I loved his bars. I didn't

0:32:47.840 --> 0:32:51.320
<v Speaker 1>like his beats. I thought his bars was way doper

0:32:51.360 --> 0:32:53.680
<v Speaker 1>than his beats at the time, because that particular style

0:32:53.720 --> 0:32:55.680
<v Speaker 1>when he was sampling a lot of the soul samples

0:32:55.680 --> 0:32:57.920
<v Speaker 1>I was into because a lot of them sou samples

0:32:57.920 --> 0:33:00.520
<v Speaker 1>didn't have to beat the bass or they would have it,

0:33:00.560 --> 0:33:02.080
<v Speaker 1>but it would come in and out so that they

0:33:02.120 --> 0:33:04.240
<v Speaker 1>could highlight the samples. And you know, it just is

0:33:04.240 --> 0:33:05.960
<v Speaker 1>what it is. I have my particular style I like,

0:33:06.040 --> 0:33:08.840
<v Speaker 1>but it's bars I love. And I hear him talking

0:33:08.880 --> 0:33:11.000
<v Speaker 1>about that, how people didn't want him to rap, they

0:33:11.040 --> 0:33:12.880
<v Speaker 1>only want him to make beats, and I'm like, what now,

0:33:12.960 --> 0:33:15.840
<v Speaker 1>y'all crazy? This man was spinning. But you know, when

0:33:16.000 --> 0:33:18.680
<v Speaker 1>I had even from then, I knew the opportunity was

0:33:18.720 --> 0:33:22.440
<v Speaker 1>their amazing opportunity to get on a song with Kanye West,

0:33:22.680 --> 0:33:24.120
<v Speaker 1>and I didn't think he was going to use it.

0:33:24.760 --> 0:33:27.480
<v Speaker 1>I went in there actually, the verse I I did

0:33:27.520 --> 0:33:30.280
<v Speaker 1>for actually was the original verse I had wrote for

0:33:30.360 --> 0:33:33.840
<v Speaker 1>Sitting Sideways. When I did Sitting Sideways. At first, it

0:33:34.040 --> 0:33:36.720
<v Speaker 1>was the first time I had ever did a song

0:33:36.760 --> 0:33:39.320
<v Speaker 1>with Big Pokey, and Little Kikey was on it too,

0:33:39.440 --> 0:33:41.000
<v Speaker 1>and it was the first time I had ever did

0:33:41.000 --> 0:33:45.200
<v Speaker 1>a song with Lok Kiki. But the record label Atlantic said, hey,

0:33:45.440 --> 0:33:48.560
<v Speaker 1>big Pokey is not signed to anybody, He's an independent artist.

0:33:48.600 --> 0:33:51.000
<v Speaker 1>Litk Kiky's not signed to anybody. He's an independent artist.

0:33:52.120 --> 0:33:54.760
<v Speaker 1>You be and me pow Wow the artists who signed

0:33:54.800 --> 0:33:57.440
<v Speaker 1>the Atlantic Pow Wow. The artists were trying to push

0:33:57.720 --> 0:34:00.160
<v Speaker 1>Pow Wow album's ones were trying to sell I know,

0:34:00.200 --> 0:34:02.520
<v Speaker 1>these your homeboys, but you can't put them both on it.

0:34:02.560 --> 0:34:04.160
<v Speaker 1>You can put one of them on there. And I'm

0:34:04.160 --> 0:34:06.560
<v Speaker 1>trying to explain, like, man, look, they're not just my homeboys.

0:34:06.560 --> 0:34:10.280
<v Speaker 1>These are the originators of the sound, you know, these

0:34:10.320 --> 0:34:13.480
<v Speaker 1>are the originators of the Houston culture. Like it's bigger

0:34:13.520 --> 0:34:15.960
<v Speaker 1>than just somebody I like and listen to. But they

0:34:15.960 --> 0:34:17.560
<v Speaker 1>didn't really see it or get it. And I don't know,

0:34:17.560 --> 0:34:19.840
<v Speaker 1>maybe they were right. They you know, we ended up

0:34:19.880 --> 0:34:21.479
<v Speaker 1>having to take somebody out. We took a little Kiky

0:34:21.520 --> 0:34:23.960
<v Speaker 1>Off Big Pokey was on the sample, so I felt like, well,

0:34:23.960 --> 0:34:26.279
<v Speaker 1>if he was on the hook, so I felt like, well,

0:34:26.280 --> 0:34:27.960
<v Speaker 1>if we're gonna sample him for the hook, we should

0:34:27.960 --> 0:34:29.920
<v Speaker 1>give him a verse on there as well, you know.

0:34:30.040 --> 0:34:31.600
<v Speaker 1>And at the end of the day, even though it

0:34:31.640 --> 0:34:33.719
<v Speaker 1>was my song, I felt like, it's a really big

0:34:33.760 --> 0:34:37.560
<v Speaker 1>Pokey song because it's his sample for the hook, you know.

0:34:38.480 --> 0:34:42.239
<v Speaker 1>But I originally had a verse that I wrote because

0:34:42.280 --> 0:34:43.400
<v Speaker 1>this is how I used to write. I used to

0:34:43.440 --> 0:34:47.040
<v Speaker 1>get like brain fog. So if I'm anywhere and I

0:34:47.080 --> 0:34:49.440
<v Speaker 1>hear music going, I can't think because the music is

0:34:49.520 --> 0:34:53.040
<v Speaker 1>just is just distracting me, or you know, I'm talking

0:34:53.040 --> 0:34:54.640
<v Speaker 1>to you, or I'm looking at the plaques on the walls,

0:34:55.120 --> 0:34:57.439
<v Speaker 1>focusing on my verse. So I would get a beat,

0:34:57.760 --> 0:35:00.279
<v Speaker 1>get the tempo, maybe come up with an opening bar,

0:35:00.880 --> 0:35:03.440
<v Speaker 1>and then go into the bathroom where it's quiet, going

0:35:03.480 --> 0:35:06.560
<v Speaker 1>to my car outside where it's completely silent and just

0:35:06.640 --> 0:35:09.480
<v Speaker 1>right and silence, so all I can focus on is

0:35:09.560 --> 0:35:12.279
<v Speaker 1>just my verse. So sometimes I do that, come back

0:35:12.320 --> 0:35:14.360
<v Speaker 1>and lay it, and the tempo will be a little

0:35:14.360 --> 0:35:18.719
<v Speaker 1>off because I'm right not to the beat. Yeah, I

0:35:18.800 --> 0:35:20.239
<v Speaker 1>go back in there and it's a little so that's

0:35:20.320 --> 0:35:22.520
<v Speaker 1>kind of how it was. I went in there, I

0:35:22.600 --> 0:35:25.120
<v Speaker 1>spit the verse, my original verse, which ended up being

0:35:25.160 --> 0:35:27.799
<v Speaker 1>the drive Slow verse, and my boy Tif Ferris was like,

0:35:27.840 --> 0:35:30.480
<v Speaker 1>it was me little Kiky and big Pokey and why

0:35:30.520 --> 0:35:33.520
<v Speaker 1>at the very beginning of the song say it's big Pokey,

0:35:34.080 --> 0:35:36.600
<v Speaker 1>little Kiky and power wild Baby. But they had to

0:35:36.640 --> 0:35:39.560
<v Speaker 1>mute out the little keky. So it's big Pokey and

0:35:40.040 --> 0:35:42.480
<v Speaker 1>wild baby. See what you hear? You be like, okay,

0:35:42.600 --> 0:35:46.680
<v Speaker 1>damn they did mute it out. Well anyway, Tie Ferris say, look, man,

0:35:47.160 --> 0:35:50.359
<v Speaker 1>the verse hard Naw, I ain't saying as whack, but

0:35:50.400 --> 0:35:52.880
<v Speaker 1>it don't go with the beat. It just don't flow

0:35:52.960 --> 0:35:56.200
<v Speaker 1>with the beat. I really think you should write a

0:35:56.280 --> 0:35:58.120
<v Speaker 1>new verse because you already got to write a new

0:35:58.160 --> 0:36:01.840
<v Speaker 1>one anyway to replace little Keys verse. So I really

0:36:01.840 --> 0:36:04.600
<v Speaker 1>think you should write two new verses that go to

0:36:04.640 --> 0:36:06.040
<v Speaker 1>this song. Just try it. And I was like, man,

0:36:06.040 --> 0:36:08.719
<v Speaker 1>you're crazy. This verse hard? You crazy? Tie Ferris was

0:36:08.760 --> 0:36:10.800
<v Speaker 1>like my coach. He was like the main person that

0:36:10.880 --> 0:36:12.960
<v Speaker 1>believed in me. He saw the vision for it when

0:36:12.960 --> 0:36:15.080
<v Speaker 1>I couldn't see it. When I thought I was over

0:36:15.160 --> 0:36:17.560
<v Speaker 1>and done, you know, in two thousand and two, when

0:36:17.560 --> 0:36:19.080
<v Speaker 1>I thought I was over and done. That was the

0:36:19.120 --> 0:36:21.640
<v Speaker 1>end of my That's what everybody in Houston was telling

0:36:21.640 --> 0:36:23.239
<v Speaker 1>me to. By the way, I wouldn't ship with I.

0:36:23.320 --> 0:36:26.040
<v Speaker 1>Come in there, tie fair, come and say, man, look,

0:36:26.040 --> 0:36:27.840
<v Speaker 1>I believe in your best days in front of you,

0:36:27.920 --> 0:36:32.200
<v Speaker 1>not behind you. Man, I don't think you better would

0:36:32.200 --> 0:36:33.960
<v Speaker 1>come here. Of course y'all dope together, but I think

0:36:34.000 --> 0:36:36.440
<v Speaker 1>you dope being yourself. He really kind of gave me

0:36:36.440 --> 0:36:38.279
<v Speaker 1>that encourage me and bleed in me. And when I didn't,

0:36:38.360 --> 0:36:41.400
<v Speaker 1>when I thought it was over, so okay, he's telling me, Man, okay,

0:36:41.440 --> 0:36:43.680
<v Speaker 1>this is verse hard, but redo it. I'm like, man,

0:36:43.680 --> 0:36:45.279
<v Speaker 1>he crazy and any kind of snapping my mind. I

0:36:45.280 --> 0:36:47.120
<v Speaker 1>could see the disappointment in his face. And he's like,

0:36:47.160 --> 0:36:48.800
<v Speaker 1>all right, if you don't, if you don't want, you

0:36:48.800 --> 0:36:50.440
<v Speaker 1>don't even want to try. It's cool. You're the artist.

0:36:50.719 --> 0:36:53.160
<v Speaker 1>It's your word. Whatever you say, I'm gonna go with it.

0:36:53.360 --> 0:36:55.279
<v Speaker 1>But I just think he's try it's cool. And I said, man,

0:36:55.280 --> 0:36:57.600
<v Speaker 1>you know what I'm letting my I'm letting my coach down, man,

0:36:58.160 --> 0:37:00.800
<v Speaker 1>Phil Jackson, call up a play. I'm not gonna be

0:37:00.880 --> 0:37:02.839
<v Speaker 1>scotted pipping on the bench now. I ain't going in again,

0:37:02.920 --> 0:37:04.200
<v Speaker 1>right you ain't give me the ball. I ain't going

0:37:04.200 --> 0:37:06.880
<v Speaker 1>again now. Man, I'm my coach calling to play. He

0:37:07.040 --> 0:37:09.560
<v Speaker 1>knows something or he sees something, or he's playing something

0:37:09.840 --> 0:37:13.440
<v Speaker 1>that I don't comprehend yet don't matter. I'm not the coach,

0:37:13.520 --> 0:37:15.440
<v Speaker 1>he's the coach. I gotta let him do his job

0:37:15.480 --> 0:37:18.239
<v Speaker 1>of coach. And at the very least I could try it,

0:37:18.280 --> 0:37:19.759
<v Speaker 1>and if it's whack, we ain't got to use it.

0:37:19.760 --> 0:37:22.200
<v Speaker 1>So I said, okay, I'm gonna try the two new verses.

0:37:22.600 --> 0:37:25.279
<v Speaker 1>Boom that's sitting sideways. But I had that original verse

0:37:25.280 --> 0:37:27.600
<v Speaker 1>in my pocket, like okay, I'm I know I'm saying

0:37:27.640 --> 0:37:31.359
<v Speaker 1>some shit on here. I'm gonna save this for if

0:37:31.440 --> 0:37:33.600
<v Speaker 1>you know, jay Z want me on the verse or

0:37:33.760 --> 0:37:35.600
<v Speaker 1>you know what I'm saying, or somebody want me on something.

0:37:35.640 --> 0:37:37.839
<v Speaker 1>And I've been out all night and I ain't got time,

0:37:37.840 --> 0:37:39.480
<v Speaker 1>and we in the studio like man, and it's a

0:37:39.520 --> 0:37:41.600
<v Speaker 1>big major opportunity. Oh, come and use it for that.

0:37:41.680 --> 0:37:44.439
<v Speaker 1>So when plain Pat hit me and say I got something,

0:37:44.480 --> 0:37:46.680
<v Speaker 1>I think and I say, man, first thing I thought

0:37:46.760 --> 0:37:51.319
<v Speaker 1>was man in verse said when found it? Right found?

0:37:51.400 --> 0:37:52.960
<v Speaker 1>And I used to say, because we'll write out, we'll

0:37:53.000 --> 0:37:56.160
<v Speaker 1>write out versus and sometimes you know, the hard driver

0:37:56.320 --> 0:37:59.280
<v Speaker 1>crash or something. So if you don't have it saved somewhere,

0:37:59.560 --> 0:38:02.520
<v Speaker 1>well rest in peace to your verse. Ye. So I

0:38:02.680 --> 0:38:05.560
<v Speaker 1>learned a lesson, man. I got to save the written verses.

0:38:05.560 --> 0:38:09.040
<v Speaker 1>So somewhere I got the actual written verse somewhere. You know,

0:38:10.160 --> 0:38:16.279
<v Speaker 1>yeah is coming, man, It's coming for sure. When it

0:38:16.360 --> 0:38:19.160
<v Speaker 1>worked it, I laid it playing past, say man, look,

0:38:19.520 --> 0:38:21.319
<v Speaker 1>I did it at my studio senter to him playing past,

0:38:21.360 --> 0:38:23.080
<v Speaker 1>say look, I don't like it, but he wants you

0:38:23.120 --> 0:38:25.600
<v Speaker 1>to come out here to La and lay it because

0:38:25.640 --> 0:38:27.040
<v Speaker 1>he got a few things he wants you to do.

0:38:27.080 --> 0:38:28.759
<v Speaker 1>Maybe something for the hook, maybe this. He's got a

0:38:28.760 --> 0:38:32.040
<v Speaker 1>lot of ideas, man, bet. But at the whole time,

0:38:32.080 --> 0:38:34.719
<v Speaker 1>I'm thinking, at the end of the day, my verse

0:38:34.760 --> 0:38:37.080
<v Speaker 1>is not gonna be on that something is gonna happen

0:38:37.400 --> 0:38:39.640
<v Speaker 1>to prevent my verse from being either he not gonna

0:38:39.719 --> 0:38:42.239
<v Speaker 1>like it, I'm gonna be whack or don't match or

0:38:42.320 --> 0:38:44.600
<v Speaker 1>something somebody the label not gonna like it, somebody you

0:38:44.600 --> 0:38:46.440
<v Speaker 1>know something. I just had it him set in my mind.

0:38:46.600 --> 0:38:48.920
<v Speaker 1>I'm gonna do whatever I gotta do. Ain't no way

0:38:48.960 --> 0:38:50.799
<v Speaker 1>this verse going on there, man. They taking me off

0:38:50.840 --> 0:38:53.680
<v Speaker 1>of Donda. Man, I knew that, man. But even when

0:38:53.680 --> 0:38:55.520
<v Speaker 1>we landed out there. Man, I remember we landed in

0:38:55.719 --> 0:38:59.200
<v Speaker 1>LA We're coming down the escalator LA X going to

0:38:59.239 --> 0:39:00.960
<v Speaker 1>the backs claim. As soon as we get to the

0:39:01.000 --> 0:39:03.479
<v Speaker 1>bottom of escalator, two detectives one come to my boy

0:39:03.520 --> 0:39:06.080
<v Speaker 1>good one come to me say yeah, man, they started

0:39:06.080 --> 0:39:07.879
<v Speaker 1>talking to us. I'm like, man, we're getting punked because

0:39:07.880 --> 0:39:10.760
<v Speaker 1>Mike Joneson just got pumped. So when you get punked,

0:39:10.800 --> 0:39:13.640
<v Speaker 1>you punk somebody else. So I was like, man, they coming.

0:39:13.960 --> 0:39:15.800
<v Speaker 1>They tied he to try to pump. I think Travis

0:39:15.840 --> 0:39:17.960
<v Speaker 1>Barker got punked too, So I'm like, man, I got

0:39:18.000 --> 0:39:20.359
<v Speaker 1>it from multiple angles. I'm like, man, I hope, I'm

0:39:20.400 --> 0:39:22.759
<v Speaker 1>they about to try to punk me. Man, I ain't

0:39:22.800 --> 0:39:24.640
<v Speaker 1>from punk me, so I was ready. Man, I come

0:39:24.680 --> 0:39:27.560
<v Speaker 1>down there. Detectives. You know, they hey, way, I come

0:39:27.640 --> 0:39:29.960
<v Speaker 1>from this and that I'm talking crazy to them because

0:39:30.000 --> 0:39:31.759
<v Speaker 1>I'm thinking they're actors. You know. You're like, I'm about

0:39:31.760 --> 0:39:34.040
<v Speaker 1>thinking I don't talk crazy to police because I know

0:39:34.080 --> 0:39:37.120
<v Speaker 1>what they came full of shit and it's an LA

0:39:37.320 --> 0:39:40.240
<v Speaker 1>Sheriff's pot whatever that man, Come on, man, they easily

0:39:40.280 --> 0:39:42.080
<v Speaker 1>could have ate come with us and then ship it

0:39:42.120 --> 0:39:44.520
<v Speaker 1>would have been a long night for me. But I

0:39:44.640 --> 0:39:46.200
<v Speaker 1>looked at my boy good and he just looking at

0:39:46.200 --> 0:39:48.440
<v Speaker 1>me like crazy, Like, man, what you doing talking crazy?

0:39:48.480 --> 0:39:51.640
<v Speaker 1>I'm just talking disrespectful clo, you know, just going off

0:39:51.680 --> 0:39:54.160
<v Speaker 1>on them. And then the officer that was on me

0:39:54.360 --> 0:39:56.120
<v Speaker 1>the other he was getting upset and the other officer

0:39:56.200 --> 0:39:58.640
<v Speaker 1>was like, what was going on? May come on, let's

0:39:58.680 --> 0:40:00.000
<v Speaker 1>just go. And then they just went to somebody else.

0:40:00.040 --> 0:40:01.759
<v Speaker 1>They just wanted to check out bads. I don't know.

0:40:01.800 --> 0:40:05.239
<v Speaker 1>I'm just like, y'all, I ain't got shit going on

0:40:05.320 --> 0:40:08.080
<v Speaker 1>with you know, ship got into a Kanye session. Yeah,

0:40:08.120 --> 0:40:10.520
<v Speaker 1>so I'm thinking, okay, I knew he was getting pumped.

0:40:10.800 --> 0:40:13.440
<v Speaker 1>Ain't no Kanye session, you know whatever. Then they leave

0:40:13.440 --> 0:40:15.040
<v Speaker 1>and I'm like, wait, we're asking to cut you at

0:40:15.320 --> 0:40:17.960
<v Speaker 1>we ain't getting pumped, and Google like now, dummy, we

0:40:18.000 --> 0:40:19.480
<v Speaker 1>ain't getting pumped with you. He was about to get

0:40:19.480 --> 0:40:21.680
<v Speaker 1>his arrested him. Could you really have people out here

0:40:21.680 --> 0:40:24.720
<v Speaker 1>fucking almost getting sucked up in these streets? Hey, hey,

0:40:24.880 --> 0:40:27.880
<v Speaker 1>that ain't it. Then we went to the hotel. Okay,

0:40:28.239 --> 0:40:30.400
<v Speaker 1>I dropped goof goose stay at the hotel and I

0:40:30.440 --> 0:40:32.560
<v Speaker 1>went to the studio session. I'm in a car service

0:40:32.560 --> 0:40:34.279
<v Speaker 1>going to the studio session. We pull up to the

0:40:34.280 --> 0:40:37.160
<v Speaker 1>whole to the studio. The driver don't exactly know where

0:40:37.200 --> 0:40:39.399
<v Speaker 1>the studio's at because it's not you know, a big

0:40:39.440 --> 0:40:42.239
<v Speaker 1>giant sign outside and say studio here right, So he

0:40:42.320 --> 0:40:45.000
<v Speaker 1>pulls up. We're in a left hand lane, the far

0:40:45.120 --> 0:40:48.120
<v Speaker 1>left hand lane. The studio was on the right. We're

0:40:48.160 --> 0:40:51.600
<v Speaker 1>at a stoplight. It's red. He said, I don't know.

0:40:51.719 --> 0:40:53.479
<v Speaker 1>Oh there it is right there, and he just break

0:40:53.560 --> 0:40:55.480
<v Speaker 1>everybody off. It's a red light. He just turned. He

0:40:55.560 --> 0:40:58.480
<v Speaker 1>went a far left hand lane. He turned right over

0:40:58.560 --> 0:41:01.160
<v Speaker 1>three or four lanes of traffic and turned right onto

0:41:01.160 --> 0:41:02.600
<v Speaker 1>the street. It just so happened it was a cop

0:41:02.680 --> 0:41:04.360
<v Speaker 1>right there that he couldn't see it was getting blocked.

0:41:04.360 --> 0:41:06.719
<v Speaker 1>So woo woo. We get pulled over and I'm like, fuck,

0:41:06.920 --> 0:41:09.240
<v Speaker 1>they couldn't get me in part one at the airport,

0:41:09.320 --> 0:41:11.719
<v Speaker 1>so now they punking me. I'm like, I knew it's

0:41:11.760 --> 0:41:14.400
<v Speaker 1>too good to be true doing song Kanye Man, you know,

0:41:14.440 --> 0:41:16.520
<v Speaker 1>he getting he getting the ticket, all this kind of stuff.

0:41:16.800 --> 0:41:18.600
<v Speaker 1>I'm asking the cop man, can I can I leave?

0:41:18.640 --> 0:41:20.120
<v Speaker 1>Can I go? And they're like, yeah, I ain't giving

0:41:20.120 --> 0:41:22.840
<v Speaker 1>you no ticket. I'm like, ship, I'm out I go

0:41:22.960 --> 0:41:25.359
<v Speaker 1>do my verse. I'm like, shit, well asked the cutcher ship.

0:41:25.440 --> 0:41:28.160
<v Speaker 1>It ain't so even even up until it came out.

0:41:28.200 --> 0:41:30.520
<v Speaker 1>It wouldn't til Dj Drama called me and he said, hey,

0:41:30.560 --> 0:41:32.799
<v Speaker 1>you want comeye album. I was like, I don't know,

0:41:32.840 --> 0:41:34.560
<v Speaker 1>it ain't come out here. They might have took me

0:41:34.600 --> 0:41:38.359
<v Speaker 1>off done look so so shit like now you own here,

0:41:38.800 --> 0:41:41.360
<v Speaker 1>I'm at the listening party. Now come out tomorrow or

0:41:41.400 --> 0:41:44.160
<v Speaker 1>next week. Whenever He's like, nah, it's only you on here.

0:41:44.520 --> 0:41:48.400
<v Speaker 1>I'm like, damn no ship like man and man shout

0:41:48.400 --> 0:41:50.400
<v Speaker 1>out the plane path. How much of the song was

0:41:50.600 --> 0:41:52.239
<v Speaker 1>like did they just send you the beat or was

0:41:52.280 --> 0:41:54.560
<v Speaker 1>the song pretty much done? When he said when I

0:41:54.600 --> 0:41:56.480
<v Speaker 1>first originally did it was just the beat. It was

0:41:56.520 --> 0:41:58.800
<v Speaker 1>no hook, no nothing, It was just the beat. And

0:41:58.920 --> 0:42:01.040
<v Speaker 1>he was like it was a concept. The concept is

0:42:01.120 --> 0:42:03.520
<v Speaker 1>just drive slow. But I didn't know like where he

0:42:03.560 --> 0:42:05.440
<v Speaker 1>went with his verse, it was like, you know, be

0:42:05.520 --> 0:42:07.919
<v Speaker 1>caut you know, be cautious when you live in your life.

0:42:07.960 --> 0:42:10.200
<v Speaker 1>Don't live a fast life, drive slow in your life.

0:42:10.200 --> 0:42:13.680
<v Speaker 1>You know. It was more you know, conceptually, like a

0:42:13.719 --> 0:42:16.239
<v Speaker 1>different type of where I went slab with it, you

0:42:16.239 --> 0:42:18.239
<v Speaker 1>know what I'm saying, Where I was talking about really

0:42:18.360 --> 0:42:19.960
<v Speaker 1>driving slow in a car. It was a little bit,

0:42:19.960 --> 0:42:22.040
<v Speaker 1>a little bit different. And GLC came at the end.

0:42:22.920 --> 0:42:25.440
<v Speaker 1>You know, I killed it too. Yeah, shout out GLC. Man,

0:42:25.480 --> 0:42:28.960
<v Speaker 1>the whole the whole thing put together. Man, was it

0:42:29.000 --> 0:42:31.759
<v Speaker 1>was definitely you know when I heard it, when it

0:42:31.800 --> 0:42:33.640
<v Speaker 1>was finished, you know what I'm saying. It was definitely

0:42:33.719 --> 0:42:36.120
<v Speaker 1>definitely very different than when I first laid my verse

0:42:36.160 --> 0:42:38.480
<v Speaker 1>to it. But you know that's that just goes to

0:42:38.520 --> 0:42:40.400
<v Speaker 1>the vision of Kanye Man when he got a vision

0:42:40.400 --> 0:42:42.600
<v Speaker 1>for some man and he put it together. Man, he's

0:42:42.640 --> 0:42:46.160
<v Speaker 1>a genius. That's a big deal. Man, that's a big deal. Hey,

0:42:46.280 --> 0:42:49.080
<v Speaker 1>that's why I still ain't Hey, I know, just hey,

0:42:49.400 --> 0:42:52.080
<v Speaker 1>he can re release that bitch right now without my verse,

0:42:52.239 --> 0:42:55.279
<v Speaker 1>and what am I gonna it? Ain't taking me off

0:42:55.280 --> 0:42:57.279
<v Speaker 1>down the Wasn't there two versions of that record? It

0:42:57.440 --> 0:42:59.640
<v Speaker 1>was like a live version, right, well, it was that version,

0:42:59.680 --> 0:43:02.480
<v Speaker 1>and then it was another version with t I with

0:43:02.480 --> 0:43:04.080
<v Speaker 1>t I like it was like a kind of like

0:43:04.080 --> 0:43:06.319
<v Speaker 1>a remix. Was the same thing. It was the same song,

0:43:06.680 --> 0:43:08.920
<v Speaker 1>just was with TI I's versus added and n t

0:43:09.040 --> 0:43:10.879
<v Speaker 1>I put it on his album. So that was ship.

0:43:11.440 --> 0:43:13.080
<v Speaker 1>Even then when we did the song. We did it

0:43:13.120 --> 0:43:17.560
<v Speaker 1>on Kanye's album with Craig Calvin, who was CEO, I

0:43:17.600 --> 0:43:20.719
<v Speaker 1>don't know what his title, president something whatever. He now Atlantic. Yeah,

0:43:20.760 --> 0:43:23.360
<v Speaker 1>he was like, hey, what you think, why don't we

0:43:23.400 --> 0:43:25.960
<v Speaker 1>put that on your album too? And people don't do that,

0:43:26.040 --> 0:43:28.319
<v Speaker 1>and you know we do that on the Underground of course,

0:43:28.320 --> 0:43:30.719
<v Speaker 1>but when it's a Kanye West song, Man, ain't no

0:43:30.760 --> 0:43:33.720
<v Speaker 1>way Kanye letting you put his song on your album.

0:43:34.160 --> 0:43:38.440
<v Speaker 1>So I'm like, man, gonna do that, yes, man, the

0:43:38.480 --> 0:43:40.880
<v Speaker 1>label ain't no way. The label gonna clear. But jay

0:43:41.000 --> 0:43:45.640
<v Speaker 1>Z was the president of the Depth Jam and then

0:43:45.640 --> 0:43:48.160
<v Speaker 1>I seen Hole the mtvars and he said, hey, you

0:43:48.160 --> 0:43:57.080
<v Speaker 1>know you owe me right what you need a ship? Oh?

0:43:57.239 --> 0:44:00.120
<v Speaker 1>You for life? What you mean ship? That is? That

0:44:00.440 --> 0:44:03.200
<v Speaker 1>is legit? Man? Yeah, that's so crazy. So that was

0:44:03.320 --> 0:44:06.640
<v Speaker 1>originally going to be on the original Sitting Sideways the verse, yeah,

0:44:06.680 --> 0:44:09.640
<v Speaker 1>the versus because the original, since Sidewest I only had

0:44:09.680 --> 0:44:12.399
<v Speaker 1>one verse and that was that was it. So when

0:44:12.680 --> 0:44:14.319
<v Speaker 1>when you go back to I don't know, maybe we

0:44:14.360 --> 0:44:16.000
<v Speaker 1>need to do you need to do a blend of

0:44:16.080 --> 0:44:18.520
<v Speaker 1>that verse with the sin Sideways beat to see how

0:44:18.560 --> 0:44:20.480
<v Speaker 1>it sounds. Shout out to t Ferris, who's doing this

0:44:20.560 --> 0:44:22.560
<v Speaker 1>thing right now with Megan? Yeah? Man shot t Ferris

0:44:22.600 --> 0:44:25.640
<v Speaker 1>who saw the vision? Who because legend man for real?

0:44:25.760 --> 0:44:27.759
<v Speaker 1>If he if he wouldn't have told me, hey man,

0:44:27.840 --> 0:44:30.879
<v Speaker 1>do something else, then you know, the Domino wouldn't fail

0:44:30.880 --> 0:44:33.359
<v Speaker 1>that way. They did a big shoutout to Fairs. Yeah.

0:44:33.360 --> 0:44:36.280
<v Speaker 1>It's funny because I remember when I interviewed Megan and

0:44:36.400 --> 0:44:41.880
<v Speaker 1>he introduced himself. I was like, Poe, yeah yeah, so

0:44:41.920 --> 0:44:47.560
<v Speaker 1>many times heaving who he is? What's going on with

0:44:47.600 --> 0:44:49.200
<v Speaker 1>Good Dad Gang Man? We got the we got the

0:44:49.239 --> 0:44:52.560
<v Speaker 1>shoe coming. Yeah, really excited about the sneaker. Uh so

0:44:52.960 --> 0:44:56.239
<v Speaker 1>you shot Patrick Ewing Man? Yeah? Man, So basically, you know,

0:44:56.320 --> 0:44:58.920
<v Speaker 1>every Father's Day we've been doing like different drops. Last

0:44:59.000 --> 0:45:01.439
<v Speaker 1>year we did a gag Star Good Dad Gang Star

0:45:01.480 --> 0:45:04.040
<v Speaker 1>with the er where we put the Gang Star logo

0:45:04.120 --> 0:45:07.240
<v Speaker 1>together with the Good Dad Gang. We did the Diamond

0:45:07.320 --> 0:45:10.080
<v Speaker 1>collab the year before. Uh So this year, you know,

0:45:10.120 --> 0:45:12.600
<v Speaker 1>we decided to step it up. We did six hundred

0:45:12.600 --> 0:45:17.960
<v Speaker 1>pairs exclusive Patrick Ewing Good Dad Gang Collab. Man, So

0:45:18.000 --> 0:45:20.920
<v Speaker 1>I'm really excited for that. Drops in May. Does Patrick

0:45:21.239 --> 0:45:24.480
<v Speaker 1>still own you and he owns part of it, but

0:45:24.520 --> 0:45:27.680
<v Speaker 1>he coaches for the Hoyas. Yeah, so you know, he

0:45:28.000 --> 0:45:30.040
<v Speaker 1>I believe he has a deal with Nike, So I

0:45:30.040 --> 0:45:31.680
<v Speaker 1>think that's why you probably don't see him wearing the

0:45:31.719 --> 0:45:34.360
<v Speaker 1>shoes as much. But he definitely, like you know, is

0:45:34.400 --> 0:45:37.439
<v Speaker 1>involved with it, and his family is and and they're

0:45:37.480 --> 0:45:41.040
<v Speaker 1>a fan of the sneaker working. Everyone support just because

0:45:41.040 --> 0:45:42.920
<v Speaker 1>for people know the hears fly, the hats to fly

0:45:43.320 --> 0:45:46.160
<v Speaker 1>where words good Dak gang dot com. You can follow

0:45:46.239 --> 0:45:49.000
<v Speaker 1>us on Instagram at good that Gang. We've been rocking

0:45:49.040 --> 0:45:52.560
<v Speaker 1>for seven years now. Started out as a hashtag real

0:45:52.600 --> 0:45:57.880
<v Speaker 1>Grass Grassrooots movement and just has so much support. You

0:45:57.920 --> 0:45:59.719
<v Speaker 1>know what I'm saying. I've had Jamie Fox call my

0:45:59.760 --> 0:46:01.960
<v Speaker 1>phone and be like, yo, I love the brand, how

0:46:02.000 --> 0:46:04.960
<v Speaker 1>can I help? He put it on his Instagram. You know,

0:46:05.000 --> 0:46:08.840
<v Speaker 1>people like Ludacris, Charlomagne to God Bun Bead the locks.

0:46:09.440 --> 0:46:12.000
<v Speaker 1>We had a commercial last year with Iced Tea and

0:46:12.480 --> 0:46:16.440
<v Speaker 1>Logic and ll cool J two chains. You know, so

0:46:16.520 --> 0:46:19.319
<v Speaker 1>a lot of people have coach signed the brand and yeah,

0:46:19.360 --> 0:46:21.879
<v Speaker 1>it's only up from here man, because what we're doing

0:46:21.960 --> 0:46:23.799
<v Speaker 1>is just promoted being a good parent. I mean, you

0:46:23.800 --> 0:46:26.560
<v Speaker 1>can't really hate on that. Nobody can hate on that, man. Yeah,

0:46:26.600 --> 0:46:30.440
<v Speaker 1>So the sneaker drops up and may hopefully everybody will

0:46:30.440 --> 0:46:32.160
<v Speaker 1>get it in time so you could wear it on

0:46:32.239 --> 0:46:35.400
<v Speaker 1>Father's Day, which is juwe Larnteeth June nineteen, Big day

0:46:35.440 --> 0:46:38.080
<v Speaker 1>for you guys. Yeah, every year, every year just for

0:46:38.160 --> 0:46:39.919
<v Speaker 1>me as a dad, you know, because I didn't start

0:46:39.960 --> 0:46:42.480
<v Speaker 1>Good Dad Gang to make money. I started it just

0:46:42.520 --> 0:46:45.000
<v Speaker 1>because I love my kids. I just think it's a dope,

0:46:45.080 --> 0:46:47.440
<v Speaker 1>dope thing to like push man. Yeah, but it's fire.

0:46:47.520 --> 0:46:50.080
<v Speaker 1>People love it. It's funny, like every time I see

0:46:50.160 --> 0:46:53.080
<v Speaker 1>Jada kiss, he's like, good Dad Gang, y'all, Good Dad Gang.

0:46:53.120 --> 0:46:55.560
<v Speaker 1>It's like it's became like a staple, you know, and

0:46:55.640 --> 0:46:59.040
<v Speaker 1>people tag it everywhere when they when they chill with

0:46:59.080 --> 0:47:01.400
<v Speaker 1>their kids, and they got we got a hundred tattoos,

0:47:01.680 --> 0:47:05.160
<v Speaker 1>people tattooed all over the world, different countries. Yeah, yeah,

0:47:05.160 --> 0:47:08.120
<v Speaker 1>we got a hundred tattoos now, So it's cool. Man.

0:47:08.160 --> 0:47:10.200
<v Speaker 1>I also wrote a book, got a book dropping later

0:47:10.280 --> 0:47:13.640
<v Speaker 1>this year too with that game Father. So it's called

0:47:13.640 --> 0:47:15.719
<v Speaker 1>A Hundred Ways to Be a Better Dad. And so

0:47:15.800 --> 0:47:17.520
<v Speaker 1>basically what I did was, you know, I went through

0:47:17.520 --> 0:47:20.320
<v Speaker 1>a bunch of stuff, Like I went to the self

0:47:20.360 --> 0:47:24.279
<v Speaker 1>help section and borders, and I noticed that there was

0:47:24.320 --> 0:47:26.839
<v Speaker 1>only five books about fatherhood, and there was like two

0:47:26.920 --> 0:47:29.880
<v Speaker 1>hundred about motherhood of course, right, so the five books

0:47:29.960 --> 0:47:32.640
<v Speaker 1>was like, uh, what to expect when you're going to

0:47:32.719 --> 0:47:34.799
<v Speaker 1>be a dad? That was one book. Another book was

0:47:35.080 --> 0:47:38.080
<v Speaker 1>how to help your wife you know what you're expecting

0:47:38.080 --> 0:47:40.480
<v Speaker 1>a baby? Right, But there was nothing that said, how

0:47:40.480 --> 0:47:42.000
<v Speaker 1>do we help a man? How do we help a

0:47:42.040 --> 0:47:45.000
<v Speaker 1>single father? How do we help a husband? How do

0:47:45.040 --> 0:47:47.799
<v Speaker 1>we help somebody who's coming out of prison but wants

0:47:47.840 --> 0:47:50.120
<v Speaker 1>to be in their kid's life. How do you get

0:47:50.160 --> 0:47:53.080
<v Speaker 1>back into your kid's life? How do you help somebody

0:47:53.160 --> 0:47:56.520
<v Speaker 1>be a parent? Where you were? You grew up in

0:47:56.560 --> 0:47:59.480
<v Speaker 1>an abusive hot told and you don't want to be

0:47:59.600 --> 0:48:01.799
<v Speaker 1>like that your kids moving forward. So I touched on

0:48:01.880 --> 0:48:05.080
<v Speaker 1>all those different topics and this book is like a

0:48:05.080 --> 0:48:07.040
<v Speaker 1>one of a kind book. There's never been a book

0:48:07.320 --> 0:48:11.319
<v Speaker 1>for single dads, nonetheless urban dyes, Right, So I'm really

0:48:11.320 --> 0:48:13.759
<v Speaker 1>excited about the book. And yeah, that's color lated this

0:48:13.840 --> 0:48:16.560
<v Speaker 1>year too. Hey man, Damn, y'all was busy as hell. Man. Yeah,

0:48:16.600 --> 0:48:18.880
<v Speaker 1>we work, man, We been working on this side. Yo.

0:48:19.040 --> 0:48:20.640
<v Speaker 1>We got to stop the interview real quick to tell

0:48:20.640 --> 0:48:23.279
<v Speaker 1>you about our partners at Odds Socks watch this. I've

0:48:23.320 --> 0:48:25.600
<v Speaker 1>bet you I got odd socks on right fucking now.

0:48:26.400 --> 0:48:28.840
<v Speaker 1>Oh yeah, see them bad boys. These are what we

0:48:28.920 --> 0:48:32.880
<v Speaker 1>call the odd socks basics, the ankles, the ankle socks.

0:48:33.239 --> 0:48:35.560
<v Speaker 1>All right, go to odd socksofficial dot com right now,

0:48:36.160 --> 0:48:38.960
<v Speaker 1>put the website up. Promo codes bootleg CAB. You're gonna

0:48:39.000 --> 0:48:41.399
<v Speaker 1>save twenty percent off at checkout. They got so many

0:48:41.400 --> 0:48:46.080
<v Speaker 1>crazy ass socks. We got twizzlers fucking Halloween. Uh, I

0:48:46.080 --> 0:48:48.520
<v Speaker 1>mean these are kind of satanic. It just says demon.

0:48:49.600 --> 0:48:53.399
<v Speaker 1>They were like, let's just do a generic demon sock. Hmm.

0:48:54.600 --> 0:48:58.200
<v Speaker 1>I mean this is kind of like, uh, I guess

0:48:58.239 --> 0:49:00.279
<v Speaker 1>like if you were in the eighties in Miami doing

0:49:00.280 --> 0:49:03.799
<v Speaker 1>cocaine off of a strippers asshole jaws PEPSI I mean,

0:49:03.960 --> 0:49:06.640
<v Speaker 1>lesten breaking bad Nickelodeon and keep going. But what's most

0:49:06.640 --> 0:49:10.600
<v Speaker 1>important is odd socks is our family. Look, if you

0:49:10.600 --> 0:49:13.279
<v Speaker 1>support odd socks, you support the Bootleg Cab podcast. So

0:49:13.320 --> 0:49:15.560
<v Speaker 1>go to Bootleg keV. Well, you can go to bootleg

0:49:15.560 --> 0:49:17.040
<v Speaker 1>cav dot com and just check it out, but you

0:49:17.040 --> 0:49:19.680
<v Speaker 1>could also go to odd socksoficial dot com, use the

0:49:19.680 --> 0:49:22.840
<v Speaker 1>promo code bootleg keV and save twenty percent off at checkout.

0:49:23.200 --> 0:49:25.160
<v Speaker 1>Do that ship right now? All right, let's get into

0:49:25.200 --> 0:49:27.680
<v Speaker 1>the interview that we've already been inside up. But we're

0:49:27.680 --> 0:49:29.480
<v Speaker 1>gonna get back to it right now. Are you still

0:49:29.480 --> 0:49:34.640
<v Speaker 1>doing acting stuff, Paul? I'm waiting to be discovered though, Yeah,

0:49:34.680 --> 0:49:38.960
<v Speaker 1>but I ain't even discovered. Yeah, I'm trying to be discovered, man,

0:49:39.040 --> 0:49:42.680
<v Speaker 1>So hey, what's up? I feel like you've made like cameos.

0:49:42.719 --> 0:49:44.640
<v Speaker 1>It's like, yeah, a couple of cameos in there, a

0:49:44.640 --> 0:49:46.719
<v Speaker 1>couple of little small roles. I forget what I saw.

0:49:46.760 --> 0:49:48.239
<v Speaker 1>I was watching something and I was like, oh, the

0:49:48.239 --> 0:49:51.239
<v Speaker 1>fucking Paul Wall was in this. Yeah, and you kinda

0:49:51.280 --> 0:49:53.000
<v Speaker 1>kind of put yourself out there, you know. That's one

0:49:53.000 --> 0:49:55.160
<v Speaker 1>thing I never really did. I never really like went

0:49:55.200 --> 0:49:57.200
<v Speaker 1>on a whole lot of auditions or this or that.

0:49:57.200 --> 0:49:59.680
<v Speaker 1>That just kind of you know, dibbling dabb or whatever.

0:50:00.040 --> 0:50:03.399
<v Speaker 1>Alas for sure, Yeah, for sure, for sure. Yeah. That's why.

0:50:03.400 --> 0:50:05.480
<v Speaker 1>I just kind of just whatever come my way every now.

0:50:05.520 --> 0:50:06.960
<v Speaker 1>And I got a friend doing a movie or this

0:50:07.000 --> 0:50:08.919
<v Speaker 1>and that, and they throw me in there. My boy

0:50:09.000 --> 0:50:12.040
<v Speaker 1>mo Amer, he got a he's a comedian from Houston.

0:50:12.120 --> 0:50:15.160
<v Speaker 1>He got a TV show on I think Hulu or Netflix.

0:50:15.160 --> 0:50:17.480
<v Speaker 1>I think Netflix, matter of fact, about to come out.

0:50:17.520 --> 0:50:22.520
<v Speaker 1>He's an immigrant from Kuwait and Palestine. His family came

0:50:22.560 --> 0:50:24.360
<v Speaker 1>here and he's got a hell of a story he

0:50:24.400 --> 0:50:26.920
<v Speaker 1>tells it in the stand ups or just of his

0:50:27.040 --> 0:50:29.520
<v Speaker 1>mom being such a huge hero for their family and

0:50:29.600 --> 0:50:31.080
<v Speaker 1>just what it was like for him as a child

0:50:31.160 --> 0:50:34.800
<v Speaker 1>growing up coming from there, coming to Houston Southwest side,

0:50:35.360 --> 0:50:39.319
<v Speaker 1>in the southwest Side is a very cultural man. This

0:50:39.440 --> 0:50:42.719
<v Speaker 1>is southwest side of Houston is where there's a lot

0:50:42.760 --> 0:50:45.160
<v Speaker 1>of immigrants in that area. So that's where there's like

0:50:45.480 --> 0:50:48.239
<v Speaker 1>a Chinatown Korean town, you know kind of thing. That's

0:50:48.239 --> 0:50:51.920
<v Speaker 1>where there's a huge Nigerian population. Is where there's a

0:50:51.960 --> 0:50:55.920
<v Speaker 1>big Palestine Palestinian population, all of that. So in that section,

0:50:56.000 --> 0:50:58.040
<v Speaker 1>you know, is where he grew up. He talks about

0:50:58.080 --> 0:51:01.439
<v Speaker 1>how you know, you people uh mistook him for being

0:51:01.560 --> 0:51:04.200
<v Speaker 1>a Mexican, so like all the gang bangers will be

0:51:04.200 --> 0:51:06.239
<v Speaker 1>trying to bang on him. They think he's in a

0:51:06.320 --> 0:51:07.920
<v Speaker 1>gang and you know, this and that, and then when

0:51:07.920 --> 0:51:10.560
<v Speaker 1>they find out he's Muslim, and you know, people love you. Look,

0:51:10.640 --> 0:51:13.600
<v Speaker 1>you know whatever, I'm liking my brother. Like it's just

0:51:13.640 --> 0:51:15.560
<v Speaker 1>he talks about all that. So the show is based

0:51:15.600 --> 0:51:17.399
<v Speaker 1>on his life. I got like a little small role

0:51:17.440 --> 0:51:21.759
<v Speaker 1>in that. That's fire fire just as you're a sports guy.

0:51:23.080 --> 0:51:24.960
<v Speaker 1>How do you feel about the Seawan leaving? Do you

0:51:25.080 --> 0:51:29.399
<v Speaker 1>like the hall you got? I mean, you know, let's

0:51:29.400 --> 0:51:34.960
<v Speaker 1>talk about astros. How no man talking about if y'all

0:51:34.960 --> 0:51:37.359
<v Speaker 1>want to, we can talk about the Suns if y'all

0:51:37.400 --> 0:51:40.560
<v Speaker 1>really want to. Charles Barkley is behind you on the wall.

0:51:42.440 --> 0:51:44.640
<v Speaker 1>We we definitely we uh, we don't know how. I

0:51:44.680 --> 0:51:46.200
<v Speaker 1>don't know how to feel, you know, do you know

0:51:46.200 --> 0:51:49.399
<v Speaker 1>any of the massage therapists. I don't, actually, at least

0:51:49.440 --> 0:51:51.919
<v Speaker 1>as far as I know, but I do know something

0:51:51.960 --> 0:51:54.319
<v Speaker 1>that he might have hit up that he never went

0:51:54.360 --> 0:51:57.879
<v Speaker 1>to see, you know, but just getting some massage is like, well,

0:51:58.280 --> 0:51:59.920
<v Speaker 1>I don't know, because this part I don't. I want

0:52:00.239 --> 0:52:02.840
<v Speaker 1>this is the good person in me. I hope he didn't,

0:52:02.960 --> 0:52:04.680
<v Speaker 1>of course, none of this, So I want him to.

0:52:04.800 --> 0:52:07.160
<v Speaker 1>I want to believe him. But I also, you know,

0:52:07.200 --> 0:52:09.680
<v Speaker 1>I know the reality that you know, most women who

0:52:09.719 --> 0:52:12.200
<v Speaker 1>get assaulted or any of that, they don't get their

0:52:12.200 --> 0:52:14.759
<v Speaker 1>stories not believed. So it's like, damn, how do you

0:52:14.760 --> 0:52:17.040
<v Speaker 1>feel I've been falsely accused of something? Though? So I

0:52:17.120 --> 0:52:20.719
<v Speaker 1>know that feeling of somebody falsely accusing you just because

0:52:20.880 --> 0:52:23.759
<v Speaker 1>of Spikee you know, and it's like shit, you know,

0:52:23.840 --> 0:52:26.279
<v Speaker 1>how do you how do you juggle that? So as

0:52:26.320 --> 0:52:30.160
<v Speaker 1>a Texans fan, now you got Lovely Smith and Davis Mills.

0:52:30.239 --> 0:52:32.000
<v Speaker 1>Yeah yeah, And by the way, I want to thank

0:52:32.040 --> 0:52:36.560
<v Speaker 1>you guys for trading us DeAndre Hopkins. That's what I

0:52:36.600 --> 0:52:39.000
<v Speaker 1>hope David Johnson's working out for you, man, man bro

0:52:39.360 --> 0:52:43.000
<v Speaker 1>as Texans. Okay, it start off with when the Texans

0:52:43.080 --> 0:52:47.319
<v Speaker 1>passing the draft on Vince Young and Reggie Bush's and

0:52:47.400 --> 0:52:50.279
<v Speaker 1>got David car instead. Now, even though they say, you know,

0:52:50.560 --> 0:52:52.359
<v Speaker 1>I mean sor I ain't got Maria Williams and said,

0:52:52.400 --> 0:52:55.200
<v Speaker 1>even though they say Mario Williams had the better career

0:52:55.760 --> 0:52:59.080
<v Speaker 1>of the three Texans fans, we wanted Vince Young, Vince

0:52:59.120 --> 0:53:01.120
<v Speaker 1>Young one Rookie of the year. Yeah, and we wanted

0:53:01.120 --> 0:53:03.480
<v Speaker 1>it if we couldn't give each Young. Reggie Bush for

0:53:03.520 --> 0:53:06.600
<v Speaker 1>the ship show, Jeff Jeff Fisher ruined Vince young Man

0:53:06.719 --> 0:53:08.600
<v Speaker 1>yeah oh yeah. And after that they didn't give him

0:53:08.600 --> 0:53:10.759
<v Speaker 1>a chance after that, after they black bottom. But even

0:53:10.760 --> 0:53:13.200
<v Speaker 1>then when they traded DeAndre Hawkins, man, we like, first

0:53:13.200 --> 0:53:16.080
<v Speaker 1>of no, even before that, when they let Andre Johnson

0:53:16.960 --> 0:53:20.000
<v Speaker 1>you know, future Hall of Famer go to the Indianapolis Colts.

0:53:20.200 --> 0:53:22.440
<v Speaker 1>The fans are like, what are you doing? This is

0:53:22.480 --> 0:53:26.160
<v Speaker 1>the only bright spot we have as the Texans ever

0:53:26.360 --> 0:53:28.600
<v Speaker 1>ever here, and he's potential Hall of Famer. Y'all gonna

0:53:28.640 --> 0:53:31.719
<v Speaker 1>let him go to a rival, the Arizona Texans. We

0:53:31.800 --> 0:53:35.280
<v Speaker 1>got jj Wabbe, we got then y'all got DeAndre Hawkins.

0:53:35.320 --> 0:53:37.720
<v Speaker 1>Were like, what are y'all doing? We got Deshaun Watson

0:53:37.719 --> 0:53:40.080
<v Speaker 1>and DeAndre Hopkins and y'all gonna trade away down there,

0:53:40.880 --> 0:53:45.160
<v Speaker 1>Davis Mills and who's catching over there? There's still the

0:53:45.200 --> 0:53:48.120
<v Speaker 1>one dude, what's the collar? Yeah, the guy who's always

0:53:48.120 --> 0:53:52.840
<v Speaker 1>fucking injured in Fantasy well fuller. Yeah. Then the Rockets,

0:53:52.880 --> 0:53:56.600
<v Speaker 1>you know, you got green Christian Woods. Rockets were looking

0:53:56.640 --> 0:54:00.279
<v Speaker 1>good man, although we lose, they're young. Yeah, we can

0:54:00.280 --> 0:54:02.680
<v Speaker 1>get that cohesive this going. We're gonna be all right, man,

0:54:02.680 --> 0:54:06.040
<v Speaker 1>because Celtics are killing it. They're killing it right now,

0:54:06.239 --> 0:54:08.080
<v Speaker 1>from the eleven seed to the one seed. Yeah, man,

0:54:08.120 --> 0:54:10.640
<v Speaker 1>Celtics is on fire. I went to recently, I went

0:54:10.680 --> 0:54:13.840
<v Speaker 1>to KG, got his jersey up in the rafters. He

0:54:13.880 --> 0:54:15.239
<v Speaker 1>did not give a fuck. He was letting all the

0:54:15.239 --> 0:54:17.359
<v Speaker 1>curse works. Yo. The funniest shit is he comes out.

0:54:17.400 --> 0:54:19.800
<v Speaker 1>It's a bunch of little kids all around. Right, he

0:54:19.880 --> 0:54:22.359
<v Speaker 1>comes out, He's like, boss it I do y'all fuck

0:54:22.440 --> 0:54:24.080
<v Speaker 1>with me? I know you fuck will be like this

0:54:24.480 --> 0:54:27.879
<v Speaker 1>looking around like little kids. And it was fired though,

0:54:27.880 --> 0:54:30.840
<v Speaker 1>man shout out to KG. Definitely a legend. And uh

0:54:31.280 --> 0:54:33.400
<v Speaker 1>you know when that when that helped win that that

0:54:33.520 --> 0:54:35.920
<v Speaker 1>chip for us in eight So you know, chat to

0:54:35.920 --> 0:54:39.239
<v Speaker 1>the Patriots. Oh man, yeah, listen man, Tom left. But

0:54:39.280 --> 0:54:41.160
<v Speaker 1>you know we're still in the game, man, are you. Yeah?

0:54:41.480 --> 0:54:43.320
<v Speaker 1>We did that last year, We're in the playoff. You

0:54:43.360 --> 0:54:44.840
<v Speaker 1>did all right last year, right, but what are you

0:54:44.880 --> 0:54:47.920
<v Speaker 1>gonna do this year? You know what? To be honest, man,

0:54:48.000 --> 0:54:51.520
<v Speaker 1>because the Dolphins got fucking Tyreek Hill and right, I'm

0:54:51.600 --> 0:54:54.399
<v Speaker 1>die hard Patriots fit. I get it. Even even nice

0:54:54.400 --> 0:54:55.719
<v Speaker 1>you got, you got a lot of rings to sleep

0:54:55.719 --> 0:54:57.239
<v Speaker 1>on that night. Even even if you guys suck for

0:54:57.280 --> 0:54:58.960
<v Speaker 1>the next twenty years, who gives a fuck? Even the

0:54:59.040 --> 0:55:01.360
<v Speaker 1>years when we was bad, I go to the games

0:55:01.360 --> 0:55:03.560
<v Speaker 1>like I'm a die hard. Like even even even the

0:55:03.560 --> 0:55:06.360
<v Speaker 1>Celtics when it was like the Antoine Walker and Swan

0:55:06.719 --> 0:55:09.120
<v Speaker 1>those those years, bro, we were horrible to tickets to

0:55:09.160 --> 0:55:11.799
<v Speaker 1>two dollars. I was still all up in the in

0:55:11.840 --> 0:55:14.439
<v Speaker 1>the stands, all of the nosebleed. I'm a die hard,

0:55:14.480 --> 0:55:15.880
<v Speaker 1>you know what I'm saying. I rock with my teams.

0:55:15.880 --> 0:55:18.439
<v Speaker 1>I don't run away. But I am a Tom Brady fan,

0:55:18.600 --> 0:55:22.120
<v Speaker 1>so to go. You know, he's coming back one more year, allegedly,

0:55:22.200 --> 0:55:24.560
<v Speaker 1>so we'll see. Oh no, not allegedly coming back. So

0:55:24.840 --> 0:55:26.880
<v Speaker 1>you know I'm rooting for Tom as well. Patriots. Are

0:55:26.920 --> 0:55:29.080
<v Speaker 1>you more of a Brady fan than a Patriots fan

0:55:29.200 --> 0:55:31.160
<v Speaker 1>this point? No, I'm more of a Patriot fan. But

0:55:31.200 --> 0:55:32.879
<v Speaker 1>the thing is, if we don't make it, I'm going

0:55:32.920 --> 0:55:35.439
<v Speaker 1>for Tom. Like my dad got a jersey that's had

0:55:35.520 --> 0:55:40.200
<v Speaker 1>so Patriots have Patriots Patriots bucks in the Super Bowl, Patriots,

0:55:40.200 --> 0:55:43.120
<v Speaker 1>you're rooting for the Patriots. Yeah, even though even though

0:55:43.320 --> 0:55:45.600
<v Speaker 1>Tom brought the rings. Yeah, but it's my hood. You

0:55:45.600 --> 0:55:48.120
<v Speaker 1>can't go against your hood. But it's like fifty one

0:55:48.200 --> 0:55:50.440
<v Speaker 1>forty nine, you know when I respect that, that's an

0:55:50.440 --> 0:55:53.600
<v Speaker 1>honestandswer be Because I'm a Tom Brady fan. You have

0:55:53.680 --> 0:55:55.200
<v Speaker 1>to be here, But I'm not going to go against

0:55:55.200 --> 0:55:57.560
<v Speaker 1>my squad. Yeah. I saw it like was it Ted

0:55:57.600 --> 0:56:00.120
<v Speaker 1>too or the where Ted breaks into Tom Brady his

0:56:00.120 --> 0:56:02.520
<v Speaker 1>house to try to steal the sperm. I like that that.

0:56:03.040 --> 0:56:05.959
<v Speaker 1>That was the most Boston as ship I've ever seen. Yeah, yeah,

0:56:06.040 --> 0:56:09.120
<v Speaker 1>shout out. Is it frustrating to watch TV and like

0:56:09.160 --> 0:56:12.160
<v Speaker 1>people try to do the Boston accent? Well, I think

0:56:12.200 --> 0:56:15.480
<v Speaker 1>it offends people. Like actually from the city of Boston,

0:56:15.560 --> 0:56:17.600
<v Speaker 1>right me being from Lawrence, we don't really have that.

0:56:17.640 --> 0:56:20.080
<v Speaker 1>You guys don't have the cap. In fact, the cat

0:56:20.800 --> 0:56:23.360
<v Speaker 1>slain he talked like that for sure, Like you know

0:56:23.520 --> 0:56:26.839
<v Speaker 1>me static Rex, like the long time, we kind of

0:56:26.880 --> 0:56:28.560
<v Speaker 1>really we kind of sound like we're from New York

0:56:28.600 --> 0:56:32.400
<v Speaker 1>for some trade. Yeah, I don't know why, but the

0:56:32.440 --> 0:56:35.200
<v Speaker 1>Boston they have a real thick accent in like mad Appen,

0:56:35.360 --> 0:56:38.040
<v Speaker 1>Dorchester Rocks Beery, you know what I'm saying, the wild,

0:56:38.080 --> 0:56:40.160
<v Speaker 1>real being. I feel like a girl could be a

0:56:40.239 --> 0:56:42.279
<v Speaker 1>tend And I hear a talk from Boston and I'm like,

0:56:42.320 --> 0:56:45.360
<v Speaker 1>get the funk out of here. You sound terrible. That

0:56:45.360 --> 0:56:48.200
<v Speaker 1>that that has turned me off from women before, Like sweetheart,

0:56:48.239 --> 0:56:51.799
<v Speaker 1>you sound like fucking I don't know, like Ford dressing. Yeah,

0:56:51.920 --> 0:56:54.839
<v Speaker 1>something I appreciate your pulling up. The album is out, Yeah,

0:56:55.120 --> 0:56:57.560
<v Speaker 1>and you guys have physical copies of the album. Yeah.

0:56:57.560 --> 0:56:59.680
<v Speaker 1>We sold out of the vinyl already, man, So you

0:56:59.680 --> 0:57:01.360
<v Speaker 1>know the vinyl sold out. We got a couple of

0:57:01.360 --> 0:57:04.879
<v Speaker 1>CDs left. Uh. You know. The CD was inspired by

0:57:04.920 --> 0:57:07.080
<v Speaker 1>one of Paul's other albums. It was a little bit

0:57:07.080 --> 0:57:09.520
<v Speaker 1>of a mind never Matter, was it. So yeah, we

0:57:09.600 --> 0:57:11.920
<v Speaker 1>just freaked that cover. It's still a lot of paper.

0:57:11.960 --> 0:57:14.560
<v Speaker 1>Shout out to Mike Frost. You guys got bitcoin on here.

0:57:14.600 --> 0:57:16.960
<v Speaker 1>You guys got the bitcoin. Yeah, yeah, you know, he

0:57:17.080 --> 0:57:19.520
<v Speaker 1>just kind of took a little bit everything paused to it.

0:57:19.600 --> 0:57:22.080
<v Speaker 1>There's a big pin and little crypto, A little bit, man,

0:57:22.120 --> 0:57:24.280
<v Speaker 1>a little bit. I don't know nothing about it, but hey,

0:57:24.800 --> 0:57:28.320
<v Speaker 1>I learned to trust the experts. That's what I'm doing. Okay,

0:57:28.560 --> 0:57:30.360
<v Speaker 1>Just don't get that rug pulled up from it under

0:57:30.360 --> 0:57:33.760
<v Speaker 1>you like everybody else. Yeah, that rug pull shit is serious. Yeah,

0:57:33.880 --> 0:57:36.320
<v Speaker 1>you gotta be aware they're coming after a NBA player.

0:57:37.520 --> 0:57:40.560
<v Speaker 1>Dearn Fox from the Kings said, you want to quit? Yeah,

0:57:40.640 --> 0:57:42.600
<v Speaker 1>I don't want to do any more focus on basketball

0:57:42.640 --> 0:57:44.520
<v Speaker 1>and no ship. Yeah, just said one hundred and eighty

0:57:44.520 --> 0:57:48.000
<v Speaker 1>million dollars deal, you're rich already, relaxed. I appreciate you

0:57:48.000 --> 0:57:49.560
<v Speaker 1>all pulling up and go support the album working they

0:57:49.600 --> 0:57:52.080
<v Speaker 1>buy the actual vinyl and all that. Uh so the

0:57:52.160 --> 0:57:54.280
<v Speaker 1>vinal sold album working there by the CD. Yeah, the CD.

0:57:54.720 --> 0:57:57.040
<v Speaker 1>You know, the link is in my bio on Instagram

0:57:57.160 --> 0:58:00.440
<v Speaker 1>at terminologyst and at Paul Wall Babies. So yeah, just

0:58:00.480 --> 0:58:02.200
<v Speaker 1>hit it, hit the link up and you got Dag

0:58:02.240 --> 0:58:04.680
<v Speaker 1>Grease on here. Yeah, shout out to Dave Grease. That's

0:58:04.720 --> 0:58:07.600
<v Speaker 1>my dog. Dang man. Listen, go get this fucking album right.

0:58:07.760 --> 0:58:08.840
<v Speaker 1>Appreciate your pulling up