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Speaker 1: It's your time to get it off your chests, whether

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Speaker 1: you're man or blast so, so you better have the

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Speaker 1: same energy we want to hear from you on the

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Speaker 1: breakfast club. Hello, who's this? To only get it off

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Speaker 1: your chest? I ask you? Man? Ain't you tags mag

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Speaker 1: want to take some posing? Man. I appreciate y'all everything

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Speaker 1: because I've been in the army fourteen years man, so

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Speaker 1: only wanting to go to work every more of that

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Speaker 1: filing clock. But listening to y'all that's six o'clock, man,

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Speaker 1: keep you motivated. Man. That energy y'all have every day,

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Speaker 1: so I appreciate that. All right, thank you brother, have

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Speaker 1: a good day, man, But thank y'all. All right, Hello,

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Speaker 1: who's this? And it's Nasty Buck the nawsl Virginia. No

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Speaker 1: nasty Buck from the seven five seven? What's up? Bro? None?

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Speaker 1: The good one to you? EJ Energy Andrew there, Charlomagney,

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Speaker 1: what up? King Peace? Yeah, I just want to hide

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Speaker 1: shout out people that lost their vision. I lost my

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Speaker 1: vision last year, duds happy, So I'm just trying to

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Speaker 1: keep your positive, keep you moving, man. I had a

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Speaker 1: homeboy tell me yesterday he losing vision and one of

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Speaker 1: his eye I don't know if it's kind of diabetes,

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Speaker 1: but yeah, I lost mine to the dipted dippetings. You

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Speaker 1: know that's to lead the call of people losing avision.

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Speaker 1: So I'm just trying to show some positivity and all that. Yes, sir,

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Speaker 1: i'm all didn't hear that, but I'm glad you're keeping

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Speaker 1: it positive. Yeah, I got to appreciate you'all for everything, y'all.

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Speaker 1: Do I listen toe y'all a morning. I was unconstrated

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Speaker 1: last year, so I'll just listen to y'all air time.

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Speaker 1: Give me to my struggle. All right, brother? All right,

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Speaker 1: you too? Hello? Who's this? Yo? D editing custodial? You

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Speaker 1: can't call the vacup game? And y'all doing RG Yeah

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Speaker 1: we're doing pretty good, man? What's up making it up

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Speaker 1: your chance? Sir? I'm awesome. How are you doing there?

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Speaker 1: I'm blessed, black and holly favored, sir. Hey man, I said,

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Speaker 1: I just wanted to let y'all know that we are

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Speaker 1: being there. The more to you can't understand nothing you're saying, sir. All.

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Speaker 1: I know he said you will be here tomorrow, but

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Speaker 1: I don't know him, so you ain't come here, but

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Speaker 1: thank you. Hello, who's this andy? We're going on? Y'all?

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Speaker 1: Good morning? Hold, what's up? It was getting off your chests.

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Speaker 1: Let's go, y'all. Want to honest you to say thank

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Speaker 1: you guys, because y'all the bomb like I like y'all

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Speaker 1: vibe a lot, you know, like every morning I jumped in.

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Speaker 1: I jumped in and I put you on in the

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Speaker 1: radio every morning. All right, Hello, who's that? How you

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Speaker 1: doing that? You will man? Good morning answer, Good morning

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Speaker 1: y'all the main, Good morning king brother. I just had

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Speaker 1: one thing to say. Well, I got a couple of things. First,

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Speaker 1: all the main, Yes, sir, I heard advertising for him

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Speaker 1: her growths, Yes, sir, doesn't make sense for a ball here,

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Speaker 1: man doesn't make it. It's not just hair growth though,

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Speaker 1: great question. It's uh labito. You know what I'm saying.

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Speaker 1: It's just you know, being being. It's wellness in general,

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Speaker 1: physical wellness in general. The check Claire bro. Yeah, I heard.

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Speaker 1: I'm you you heard more than just a ballhead on

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Speaker 1: the commercial door and I said it on the commercial

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Speaker 1: I got a ballhead? You did? You did? You did?

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Speaker 1: And I'm like, what's they're commercial ballhead? Okay? Brother, thank

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Speaker 1: you for calling. I have a good week in man. Hello,

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Speaker 1: who's this? Hey? What's up with John? What's up John?

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Speaker 1: Get it off your chest? How you guys doing this morning? Hey?

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Speaker 1: How are you good? Good? Good? Brad? I'm great? What's

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Speaker 1: up Charlotta? Maagne? What's up? King? I got a bone

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Speaker 1: to pick with you, sir, But talk to me, Talk

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Speaker 1: to me. But it's a compromise too. So people always

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Speaker 1: call you about being late, all right, uh huh, And

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Speaker 1: you said your contract said you're supposed to be that

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Speaker 1: way six after something like that, six o five, So

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Speaker 1: six oh five. Okay. My punctuality is pampee. But I'm

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Speaker 1: gonna let you live with yo six o' five as

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Speaker 1: long as you come in the door saying yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo. If

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Speaker 1: you do that every morning, I don't care what time

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Speaker 1: you get there, as long as we know, Oh my god, yes,

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Speaker 1: I got your thank you. That's a great compromise. I'm

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Speaker 1: with that. Oh my goodness. Get it off your chests.

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Speaker 1: Eight hundred five eight five one on five one. If

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Speaker 1: you need to vent, hit us up right now. It's

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Speaker 1: the Breakfast Club. Good morning, wake up, wake up ware

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Speaker 1: time to get it off your chest, your man or blessed.

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Speaker 1: We want to hear from you on the breakfast block. Hello.

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Speaker 1: Who's this? Oh? This is like from Brooklyn. Hey, you

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Speaker 1: should get off your chest. I actually I've never had,

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Speaker 1: you know, my whole life. They funk that classic classic

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Speaker 1: another bad creation. And I'm trying to say it, but

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Speaker 1: I'm starting up trying to me respond because here a

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Speaker 1: little crazy, but I'm a lot of crazy anyway. Hey, right, so, um,

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Speaker 1: I've been married for four years. I'm thirty years old. Um,

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Speaker 1: and my husband is incarcerated in the face right now.

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Speaker 1: So long story shot, he'd be like tracking me on

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Speaker 1: Facebook for every type of social media. I don't know

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Speaker 1: if he got people screen recording whatever, but we don't

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Speaker 1: go to record, go home. And he just got caught

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Speaker 1: with a cell phone and they gave him a ticket.

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Speaker 1: And then so they took his just a whole year,

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Speaker 1: a whole freaking year. They took his visiness over the

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Speaker 1: cell phone. He goes and get about the cellphone tranking

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Speaker 1: me talk about some guy I don't even know on Instagram.

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Speaker 1: It's all this stoop and stuff, and I'm just like like,

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Speaker 1: what more do you want? I'm there for you, your family,

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Speaker 1: ain't say I'm the only one doing. Every day, I

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Speaker 1: work and go home. That's all I do. I don't

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Speaker 1: even go out. It's man is on my back twenty

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Speaker 1: four or seven. I don't know what to do. Yeah, yeah,

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Speaker 1: but you gotta understand that's just all that's jail related stress,

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Speaker 1: that's all. And man, it's miserable little and I try

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Speaker 1: to I know he miserable, and I try to be

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Speaker 1: there one hundred and thousand percent. I'm there for him

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Speaker 1: more than than I'm here for myself. But I'm emotionally dreamed.

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Speaker 1: I keep just be going to much of what he's

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Speaker 1: accusing me and making stuff up and just going crazy.

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Speaker 1: Like so I just don't go out. I can stay home,

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Speaker 1: but I wouldn't do that. But you do have to

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Speaker 1: know where all that is coming from. That's literally only

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Speaker 1: him projecting all his insecurities and fears on you because

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Speaker 1: he's in jail. That's it. It's not fair to you.

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Speaker 1: It's definitely not. Yeah, So that's what I'm saying, Like,

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Speaker 1: how do I go about it? Like? You know, because

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Speaker 1: I do want to go sometimes go enjoy your life

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Speaker 1: what do you do to get locked up? Somebody's pitching

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Speaker 1: on her. It's all okay, he was doing something right,

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Speaker 1: he's doing it. Let me say, I don't know where.

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Speaker 1: I don't know. I wrote wrote the paperwork doing him

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Speaker 1: and I saw he got wrapped up. People got wrong?

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Speaker 1: Do you ride it? Die? Right here? Hello? Who's this? Hey? April?

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Speaker 1: Get it off your chest. I want to spare some

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Speaker 1: positivity this morning. I want to thank the Purcas Clubs

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Speaker 1: for getting me through my character for years. Um, I

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Speaker 1: was working art trump printres. Not a lot of people

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Speaker 1: look like me. So just want to thank you guys

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Speaker 1: for getting me through the past three years. So basically

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Speaker 1: you're saying, we the only black people you get to

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Speaker 1: hear from every day. Basically that's the reason why we

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Speaker 1: can Basically. Yeah. So, like I decided that I needed

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Speaker 1: to make a move to get about it there, and

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Speaker 1: I solely found a way out. It's a very topic

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Speaker 1: work of resident. So I'm still working on my business

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Speaker 1: until I can afford to move on. Okay, Mama, We'll

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Speaker 1: keep working all right, all right, So you guys are

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Speaker 1: visiting my Instagram at s E M, PAXPAQ dot com.

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Speaker 1: Um and sow Louie. I would love to send you

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Speaker 1: some phispoles um. I created a feminine emergency kit for

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Speaker 1: mansure you. People you know sometimes have happened. Yes, girl,

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Speaker 1: I've had plenty of emergencies, so I was love, love, love, love,

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Speaker 1: love to send you some sandpole um. Check out my

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Speaker 1: Instagram at fintac or my website at www dot simpac

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Speaker 1: s e mpaq dot com. Thank you, mama. Hello, who's

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Speaker 1: this snack Man? Oh my gosh, snack Man our resident comedian.

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Speaker 1: What's up? He must be doing it at y'r house.

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Speaker 1: I thought you were locked up, snack Man, where you've been?

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Speaker 1: Good morning? As I wrote a new joke for you.

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Speaker 1: Heybody else up here, y'all be trying to make fun

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Speaker 1: of him. We're ready, snack Man? All right? Um, how

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Speaker 1: can you tell when you're in a relationship with a

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Speaker 1: black woman? Oh boy, oh my god, Okay, snack Man

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Speaker 1: is not black. I just want to point that out.

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Speaker 1: Good you see her with her wig off? And then

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Speaker 1: black women are the only women that wear wigs. Yeah,

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Speaker 1: you know what. Every all races wear wags. Shuts your

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Speaker 1: dumb ass up. I want to come to your shows

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Speaker 1: when they just to boot the hell out of you.

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Speaker 1: Where your next show at? He hung up on his own.

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Speaker 1: I don't have to hang up on him. I want

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Speaker 1: to come to this show and just heckle the hell

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Speaker 1: out one. Boot off better be funny one to five one.

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Speaker 1: If you need to ven hit us up now. It's

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Speaker 1: the Breakfast Club. Good morning, the Breakfast Club Morning. Everybody's

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Speaker 1: DJ mvy angela ye, Charlemagne the guy. We are the

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Speaker 1: Breakfast Club. We got a special guest in the building,

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Speaker 1: Tiera Marie. She was a little yes you do, I'm sorry,

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Speaker 1: got it? I ain't got it? Yeah, get it later?

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Speaker 1: Payment plan? Did you really not have it? You know?

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Speaker 1: I mean it's cool if you don't. I ain't got it.

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Speaker 1: But she would never say she did have it because

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Speaker 1: a thirty grand, Yeah, thirty grand and um, you know

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Speaker 1: he wanted I think seventy five K, but the judge

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Speaker 1: granted thirty Let's back up, why do you fifty dollars?

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Speaker 1: Well he was friends with my ex who released the

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Speaker 1: sex tape on my page and fifty reposted it and

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Speaker 1: it was just very coincidental that he was the only

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Speaker 1: celebrity that posted it. And he's friends with the guys show.

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Speaker 1: I think they were just associates at the time. I

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Speaker 1: think they came together and um my ex asked him

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Speaker 1: to post the video or post the picture, whatever the

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Speaker 1: hell he posted, and I think that, um he's fifty

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Speaker 1: eventually thought that me and my ex were in cahoots

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Speaker 1: when when that's not true because I don't think they're

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Speaker 1: friends or associates anymore. Right, Um, I haven't spoken to

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Speaker 1: him after the sex tape. We did speak to each

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Speaker 1: other because I wanted to believe he didn't do it,

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Speaker 1: you know, Like he was saying that he got hacked.

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Speaker 1: He was saying that his other girl or girlfriends, whom

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Speaker 1: I had just found out about the day before, well

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Speaker 1: I found out he was cheating on them, right, Okay,

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Speaker 1: So um he was making up all these different excuses,

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Speaker 1: and I'm just like, so, if Curtis, it's your friend,

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Speaker 1: why would he repost a sex tape of your girlfriend

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Speaker 1: if y'all supposed to be friends, right, It just didn't

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Speaker 1: make sense. That's a lot to happen at once too,

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Speaker 1: to be traumatized him like, not oh yeah, sex tape out,

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Speaker 1: but then you also find out that your boyfriend was

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Speaker 1: cheating on you, and that's how it happened. We shot

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Speaker 1: a scene where I ended up finding out about the girls,

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Speaker 1: and so I told him like, I don't want anything

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Speaker 1: to do with you. I'm done, like dropped my house

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Speaker 1: key off, like because we were kind of serious, I thought, um,

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Speaker 1: and uh, he text me back like, oh my god, Tiera,

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Speaker 1: I mean instantly text me back, oh my god, Tiera,

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Speaker 1: or as somebody stole my phone with all her sex

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Speaker 1: tapes in them, and so I'm like, yeah, I'm like, oh,

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Speaker 1: I know what you're up too. So I got mad.

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Speaker 1: I was pissed. I just was like in a rage.

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Speaker 1: And then the next day that was released, and so

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Speaker 1: I just went over his house and just started busting

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Speaker 1: out his windows and just like going crazy. I was like,

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Speaker 1: I just blacked out. Talk about this because you did

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Speaker 1: have an up in lawsuit against Akbar, but you still

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Speaker 1: were talking to him at that time because you did

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Speaker 1: still think that perhaps he was telling the truth. Right.

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Speaker 1: But yeah, because every time he will reel me in

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Speaker 1: and I was just like so vulnerable and like just

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Speaker 1: lost and confused at the time. He would reel me

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Speaker 1: in like oh, I know who did it. I know

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Speaker 1: who did it. I know who did it. I got

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Speaker 1: the proof right here. So one time he like, I

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Speaker 1: got the proof right here, and I'm like, well, I'm

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Speaker 1: on my way to Vegas. And so he's like, we'll

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Speaker 1: meet me in this parking lot or whatever, and so

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Speaker 1: I'm like, all right, cool. So he's like, I got

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Speaker 1: the proof. And so my plan was to meet him

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Speaker 1: in the parking lot and call Lisa to come and

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Speaker 1: serve him, because they couldn't find him to serve him.

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Speaker 1: So I was like, Okay, I'm gonna get to the

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Speaker 1: parking lot, then I'm gonna call him up and serve him.

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Speaker 1: As soon as I got to the parking lot, he

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Speaker 1: ambushes met him and this other guy, a guy that

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Speaker 1: I thought was a friend, ambushed me and had me

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Speaker 1: on camera and it was a test, and I felt

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Speaker 1: miserable because I reacted and I started going crazy, like

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Speaker 1: like I was ready to fight, you know what I'm saying,

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Speaker 1: when I should have just been like, you know what,

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Speaker 1: you got it, buddy. What was the point of him

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Speaker 1: taping you? Because he was fifty cents, little friend and

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Speaker 1: trying to save him at the time, like you know,

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Speaker 1: he was trying to say fifty and then get to

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Speaker 1: get the case dropped. The lawsuit door he didn't win

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Speaker 1: the lawsuit since I didn't. Since that that situation happened,

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Speaker 1: Lisa dropped the case because she was like, I can't

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Speaker 1: represent you no more because it just looks crazy and

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Speaker 1: was back together. That's what he was taking. It looked

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Speaker 1: like you guys geking around hanging out with each other. Yeah,

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Speaker 1: right right, right right? How are you made this same?

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Speaker 1: So why would she drop the case with fifty She

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Speaker 1: just said it looked crazy and she just dropped the

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Speaker 1: whole thing. That's I just got an email and I

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Speaker 1: had to come up to her office and I signed

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Speaker 1: up off, Okay, you dropped the case. You no longer

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Speaker 1: represent me. But on top of that, I couldn't get

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Speaker 1: anybody else to pick the case back up. So basically

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Speaker 1: the case was just going on. So the judgment was like, okay,

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Speaker 1: you hey, you lost. You got to pay him his

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Speaker 1: legal fees. That's why I have to pay fifty have

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Speaker 1: nothing at all? Um, I paid him fifty cent the

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Speaker 1: other day. How do you check? No I Washington Union. Yeah,

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Speaker 1: it was a joke, all right. We got more with

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Speaker 1: Tierra Marie. When we come back, don't move. It's the

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Speaker 1: breakfast club to Breakfast Club. I think everybody is cej Envy,

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Speaker 1: Angela Yee, Charlomagne, the guy we all the Breakfast Club.

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Speaker 1: We're still kicking it with Tierra Marie Charlomagne. Have you

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Speaker 1: ever tried to reach out to fifty just to say,

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Speaker 1: let me get fifty on the phone? No? For what?

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Speaker 1: Have you? Forever? You at all? No? He doesn't. He

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Speaker 1: makes me laugh, he tickles me. He's very hilarious. Yeah,

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Speaker 1: he's very hilarious. He's actually actually been bringing it and

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Speaker 1: bringing out some of mine, you know, a funny side.

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Speaker 1: Did you feel like you would get more support though,

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Speaker 1: based off of the whole situation, that people would be

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Speaker 1: more sympathetic towards you, because it is difficult when you

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Speaker 1: have something so personal leak out that you didn't want

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Speaker 1: to obviously anybody to see. So did you feel like

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Speaker 1: people were not supportive in general? Um, I think people

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Speaker 1: were supportive. It was like half and half, to be honest.

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Speaker 1: You know a lot of women were supportive and a

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Speaker 1: lot of men were just like y'all know that smut

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Speaker 1: did at herself, you know what I'm saying. And I

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Speaker 1: don't even post, or I don't post regularly, but it

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Speaker 1: seemed like you did, because it seemed like after it

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Speaker 1: came out, we've seen you an oc ball together. Was like,

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Speaker 1: if you're that mad that my boyfriend released his tape,

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Speaker 1: there's nothing to talk about, like we not to get

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Speaker 1: no more. And then the fact that y'all were together

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Speaker 1: just seemed like it was another love and hip hop. Yeah, well,

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Speaker 1: we weren't together. We just had met up in a

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Speaker 1: couple of places because I wanted to hear him out.

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Speaker 1: He was saying he didn't release it. He was saying

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Speaker 1: he half. He was still sticking to that to this day.

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Speaker 1: That's why I had a criminal investigation open to a

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Speaker 1: criminal investigation come up with um. Well, once they dropped

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Speaker 1: the civil they dropped everything. Yeah, but the criminal investigation

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Speaker 1: was out where it came from when fifty first posted

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Speaker 1: the video, did you ever think to yourself and did

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Speaker 1: somebody in your team said, oh, you can get a

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Speaker 1: bag if you sue Fifth for posting that. Somebody put

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Speaker 1: that in the turn to reach out to you. It

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Speaker 1: was that the one. I reached out to one of

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Speaker 1: my attorneys and he put me with Lisa. Why because

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Speaker 1: somebody told you, like, you can get it back from Fifth.

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Speaker 1: It was just saying like you need to civilly sue

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Speaker 1: and criminally sue. So that's what it was. Yeah, Tera,

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Speaker 1: are you going to therapy or something? You really need

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Speaker 1: to shut the hell up. You look visibly frazzled, like

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Speaker 1: I am not shaking you are I give a hug man, No, no, no, no, no,

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Speaker 1: no no, because if he feels that kind of energy,

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Speaker 1: I don't want to give that to him. There's just

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Speaker 1: some things that are funny and somethings and that. But

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Speaker 1: you look like you need a hug and look like

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Speaker 1: I've been crying or something. Yes, sometimes I think that

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Speaker 1: things happen and people don't look as people as human

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Speaker 1: beings either in situations like this, like people joke around,

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Speaker 1: they do stuff that Sierra's definitely to be. I'm a woman,

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Speaker 1: I'm human, yes, and I mean one of my most

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Speaker 1: intimate moments was exposed to the world, so healthy. Yeah,

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Speaker 1: it affects me. So he had to where he had

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Speaker 1: your password, he had my password, so you know what,

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Speaker 1: you know what I know, and then there's no question

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Speaker 1: who it was. Yeah. Yeah, but he's claiming that one

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Speaker 1: of his girls did it, okay from his phone, right, yeah? Yeah,

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Speaker 1: because this is the day after I found out about

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Speaker 1: his chicks start um for about nine months and you

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Speaker 1: let him take you? Yeah? Yeah, way is he gonna

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Speaker 1: get onto my You know what? Now, let I think

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Speaker 1: about it. I would love to talk to I'm talking

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Speaker 1: about just dial his number. Taping and I made his

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Speaker 1: person with him walk over to him. I don't know what.

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Speaker 1: I didn't ask him, oh you ass and he said

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Speaker 1: he's taping. I hit him first. He didn't hit reply,

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Speaker 1: So I hit his man and they said he's taping.

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Speaker 1: So if I if I counet him on the phone,

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Speaker 1: what's the first thing you would say? The fifty I

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Speaker 1: don't know. I don't know either. That's why it's gonna

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00:18:12,440 --> 00:18:16,440
Speaker 1: be amazing that what could you just call him and

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Speaker 1: just see if I just called him he didn't answer,

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Speaker 1: that's what called. I don't know. I would have loved

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Speaker 1: being on the line, man. That would be great. You

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00:18:23,440 --> 00:18:25,360
Speaker 1: could definitely see it was me, because I really think

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Speaker 1: that one conversation you and fifth would put this behind you.

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Speaker 1: I really believe that, y'all. I'm sorry to I'm sorry

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Speaker 1: couldn't get him on the line. I'd love to try

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Speaker 1: to squash it. But yeah, now that's fine, honey, God's good.

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00:18:36,359 --> 00:18:40,040
Speaker 1: You know we tried. It's Tierra Marie. It's the Breakfast Club.

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00:18:40,119 --> 00:18:45,399
Speaker 1: Go more. It's topic time. I think that's the phone

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Speaker 1: called eight hundred five eight five, one oh five. Want

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Speaker 1: to join it to the discussion with the Breakfast Club.

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Speaker 1: Talk about it morning. Everybody's DJ MV and Ngela Yee,

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Speaker 1: Charlomagne the guy we are the breakfast Club. Now if

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Speaker 1: he just joined us, we're talking about being high at work. Now,

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Speaker 1: this comes from a Miami Heats basketball player. What's his name,

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Speaker 1: dion Waiters. Now, what happened with him? Well, he got

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Speaker 1: suspended without pay. He reportedly overdosed on edibles ahead of

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Speaker 1: a game against the Lakers. That happened last week. Now,

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Speaker 1: they made an announcement on Sunday. They said, heat statement

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Speaker 1: on dione what is being very disappointed and Dionne's actions

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Speaker 1: this season that include a very scary situation on Thursday

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Speaker 1: night and grateful the outcome wasn't worse. And they said

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Speaker 1: there's been a number of instances this season in which

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Speaker 1: Dionne has engaged in conduct detrimental to the team. So

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Speaker 1: now he's suspended without pay for ten games. And that's

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Speaker 1: because of the edibles that he had, well, he didn't,

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Speaker 1: oh d he just took a large amount that he

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Speaker 1: wasn't used to. He had some gummies and he passed

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Speaker 1: out and he had a seizure and then yeah, so

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Speaker 1: maybe he took too many. Then all right, well he

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Speaker 1: should have overdosing. You should have went to the house

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Speaker 1: of Mary Jane out in Detroit and they would have

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Speaker 1: gave him his right dosage. But anyway, so we're asking

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Speaker 1: eight hundred five five one oh five one. We're talking

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Speaker 1: about high stories. You high at work? All right? Now,

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00:20:01,400 --> 00:20:02,959
Speaker 1: we had one from Emma, and we actually have an

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Speaker 1: audio from when Mby was at work high. Oh no, no,

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00:20:06,000 --> 00:20:11,000
Speaker 1: remember I'm doing so in my defense, I was always

382
00:20:11,000 --> 00:20:13,399
Speaker 1: talking like that. I was hot. I was hot. I

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00:20:13,640 --> 00:20:16,200
Speaker 1: was like, um. And the bad thing about it is

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Speaker 1: is whoever gave me that? I don't even remember. I

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Speaker 1: went home and gave it to my wife and then

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Speaker 1: she was high and she why would you do that

387
00:20:22,560 --> 00:20:24,160
Speaker 1: to her? After that happened to you? And I tricked

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Speaker 1: into I was like just I was like trying to

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Speaker 1: chocolate babe, and she rugged your wife? Yes, um, but

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00:20:29,960 --> 00:20:31,840
Speaker 1: it was we don't recommend that. By the way, now,

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00:20:31,880 --> 00:20:34,119
Speaker 1: we don't recommend that, but I told her what it

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Speaker 1: was after and she just thought it was a little

393
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Speaker 1: piece of chocolate. So she took a little bite and

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00:20:37,560 --> 00:20:41,720
Speaker 1: it had high dosage of TCHC in it. And when

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Speaker 1: I say she was high, she was. We talked about

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Speaker 1: it all the time. She was swimming on the actual carpet,

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Speaker 1: like she thought she was in the ocean and she

398
00:20:48,760 --> 00:20:50,560
Speaker 1: was swimming. Why did you do that to her? I

399
00:20:50,600 --> 00:20:52,080
Speaker 1: don't know, but she didn't talk to me for weeks

400
00:20:52,160 --> 00:20:54,399
Speaker 1: because of that. Um. That was the first time that

401
00:20:54,520 --> 00:20:59,000
Speaker 1: she's ever tried any type of drugs. So, and I said,

402
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Speaker 1: a terrible story. By the way, please don't anyone ever

403
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Speaker 1: do that to anybody that you care about for anyone period.

404
00:21:03,920 --> 00:21:05,800
Speaker 1: Please don't. But anyway, now, what about you, Ye, you

405
00:21:05,800 --> 00:21:08,280
Speaker 1: ever got high with the work? Um? High at work

406
00:21:08,320 --> 00:21:10,200
Speaker 1: a couple of times? Yeah? One time we were doing

407
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Speaker 1: lip service with Whiz Khalifa and I smoked some of

408
00:21:13,040 --> 00:21:15,239
Speaker 1: that Khalifa cush. As a matter of fact, that two

409
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Speaker 1: times I was high at work was because of Whiz Khalifa.

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Speaker 1: Nice whiz, now that I think about it. One time

411
00:21:20,280 --> 00:21:23,000
Speaker 1: was a powerhouse at the concert and I smoked a

412
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Speaker 1: little bit. And the thing about his weed is that

413
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Speaker 1: after like two pulls, is over for you. And I'm

414
00:21:27,640 --> 00:21:29,960
Speaker 1: not like a heavy smoker at all. I couldn't feel

415
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Speaker 1: my legs when I was doing lip service and he

416
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Speaker 1: was there. I was so nervous. I was like, I'm

417
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Speaker 1: glad I didn't drive anywhere. And I was in the

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Speaker 1: car going home just trying to be quiet. Goodness, gracious,

419
00:21:38,520 --> 00:21:40,879
Speaker 1: let's go to the phone. One. Hello, who's this shame

420
00:21:40,960 --> 00:21:45,360
Speaker 1: man California. Oh hey, Shay, we're talking about your high

421
00:21:45,480 --> 00:21:48,320
Speaker 1: stories high at work. Look, I'm flying from San Diego

422
00:21:48,359 --> 00:21:53,320
Speaker 1: the Las Vegas off pop like piles whet a plane. Falseleep,

423
00:21:53,400 --> 00:21:55,480
Speaker 1: wake up. I get up to leave from the plane,

424
00:21:55,560 --> 00:22:01,320
Speaker 1: my laptop. He's just left and I, you know, shout

425
00:22:01,320 --> 00:22:03,320
Speaker 1: out the frontier or they say myself back. But yeah,

426
00:22:03,320 --> 00:22:05,440
Speaker 1: the edibles, man, they put you in a cone. It

427
00:22:05,920 --> 00:22:08,639
Speaker 1: got up the plane and left everything. You know what

428
00:22:08,720 --> 00:22:10,840
Speaker 1: I'm thinking about it. There was another time, right, this

429
00:22:11,000 --> 00:22:13,240
Speaker 1: is bad. I was on a plane and I was

430
00:22:13,320 --> 00:22:16,360
Speaker 1: in Miami. Somebody gave me an edible and I took

431
00:22:16,359 --> 00:22:18,440
Speaker 1: the edible. This was a long time ago, and I

432
00:22:18,600 --> 00:22:21,760
Speaker 1: ran on the wrong plane. I got on the roll.

433
00:22:21,840 --> 00:22:23,840
Speaker 1: If they tackle you. They didn't tackle me. I got

434
00:22:23,880 --> 00:22:25,760
Speaker 1: on the roll plane. Somebody was sitting in my seat

435
00:22:26,000 --> 00:22:27,480
Speaker 1: and I was like, yo, you're in my seat. They

436
00:22:27,600 --> 00:22:30,200
Speaker 1: weren't in your seat. So I showed him, pulled my

437
00:22:30,240 --> 00:22:32,040
Speaker 1: ticket out and I'm like, look, this is my seat.

438
00:22:32,080 --> 00:22:34,920
Speaker 1: There was like, no, this plane goes to north You're

439
00:22:34,920 --> 00:22:37,680
Speaker 1: going to LaGuardia. You're on the wrong plane. And I

440
00:22:37,800 --> 00:22:40,439
Speaker 1: had to I had to turn around, take my bags out,

441
00:22:40,480 --> 00:22:41,760
Speaker 1: the thing and everything will walk off. And you know

442
00:22:41,760 --> 00:22:45,119
Speaker 1: who was on that plane? Who Maxwell was on that plane? Oh,

443
00:22:45,200 --> 00:22:47,080
Speaker 1: and you already have a thing for Maxwell. I do

444
00:22:47,240 --> 00:22:49,960
Speaker 1: not have a thing for Maxwell. This is you have

445
00:22:50,080 --> 00:22:53,080
Speaker 1: this whole thing like where Giah? That's her past Maxwell?

446
00:22:53,680 --> 00:22:55,760
Speaker 1: And you know who else was on that plane. Don't

447
00:22:55,760 --> 00:22:58,080
Speaker 1: ignore me. I'm like, I'm ignoring you. What's her name?

448
00:22:58,480 --> 00:23:00,119
Speaker 1: It used to be Kanye's artists. I can't think of

449
00:23:00,200 --> 00:23:03,560
Speaker 1: her name. Oh my gosh, I love the death Stell.

450
00:23:03,680 --> 00:23:06,399
Speaker 1: Sorry Stelle was on that plane too, and Estelle they

451
00:23:06,440 --> 00:23:08,000
Speaker 1: were laughing at me as I walked off. I felt

452
00:23:08,000 --> 00:23:11,080
Speaker 1: so bad. She well. I did have an experience too

453
00:23:11,119 --> 00:23:12,600
Speaker 1: when I was in San Francisco and I had to

454
00:23:12,600 --> 00:23:14,840
Speaker 1: a couple of edibles they tasted delicious too. They were

455
00:23:14,840 --> 00:23:17,280
Speaker 1: like these little watermelon gummies. And I went to the

456
00:23:17,400 --> 00:23:19,879
Speaker 1: hotel room and my key didn't work, and I was

457
00:23:19,920 --> 00:23:22,560
Speaker 1: with Paris and I just sat on the floor outside

458
00:23:22,560 --> 00:23:25,320
Speaker 1: the room and went to sleep outside the room. I

459
00:23:25,480 --> 00:23:27,359
Speaker 1: just was too tired to walk back down and get

460
00:23:27,400 --> 00:23:29,600
Speaker 1: the key. She actually had to have them come bring

461
00:23:29,720 --> 00:23:33,679
Speaker 1: the key up. Hello, who's this? Oh Hi, my name

462
00:23:33,680 --> 00:23:36,960
Speaker 1: is Natasha. Natasha. Now we're talking about being high at work?

463
00:23:37,080 --> 00:23:40,000
Speaker 1: You got a story for us? Yes, okay. So it

464
00:23:40,160 --> 00:23:42,119
Speaker 1: was a long time ago, and it was me and

465
00:23:42,200 --> 00:23:44,760
Speaker 1: my best friend at work to work at this like

466
00:23:44,920 --> 00:23:47,480
Speaker 1: nitrogen ice cream place, you know where, like they have

467
00:23:47,560 --> 00:23:51,200
Speaker 1: the liquid ice cream and you freeze it to order. Yea.

468
00:23:51,400 --> 00:23:54,200
Speaker 1: So my friend came behind she was like, oh, I

469
00:23:54,280 --> 00:23:56,440
Speaker 1: have these brommies. So we're like all right, cool, So

470
00:23:56,640 --> 00:23:59,280
Speaker 1: we take it and we're like, this isn't really doing anything.

471
00:23:59,720 --> 00:24:02,560
Speaker 1: So as we're doing it. As we're taking it, we're like,

472
00:24:02,600 --> 00:24:04,000
Speaker 1: all right, you know what, let's just smoke a little

473
00:24:04,000 --> 00:24:06,840
Speaker 1: bit more, and we're like, you know what, this Ronnie sucks.

474
00:24:06,920 --> 00:24:08,959
Speaker 1: Was like, we haven't felt it at all. And then

475
00:24:09,000 --> 00:24:10,840
Speaker 1: all of a sudden, we're like making these ice seams

476
00:24:10,840 --> 00:24:14,280
Speaker 1: for these people, and this huge gallon of liquid I

477
00:24:14,359 --> 00:24:16,239
Speaker 1: seem falls on the floor and it like hits us,

478
00:24:17,040 --> 00:24:19,200
Speaker 1: and we just start cracking up in front of all

479
00:24:19,240 --> 00:24:21,119
Speaker 1: these people and they're all just looking at us, and

480
00:24:21,240 --> 00:24:23,960
Speaker 1: we're just laughing and laughing and laughing. And then from

481
00:24:24,000 --> 00:24:26,479
Speaker 1: then on it was just like NonStop, like we couldn't

482
00:24:26,480 --> 00:24:30,360
Speaker 1: even work. It was just way too intense. My goodness.

483
00:24:32,440 --> 00:24:34,359
Speaker 1: I know, you just never know how it's gonna hit

484
00:24:34,400 --> 00:24:36,879
Speaker 1: either or how long it's gonna last. Oh No, all

485
00:24:36,920 --> 00:24:38,639
Speaker 1: of a sudden you're like, this doesn't work, and then

486
00:24:38,640 --> 00:24:40,160
Speaker 1: all of a sudden hit you and it's like ten

487
00:24:40,280 --> 00:24:42,520
Speaker 1: times more than you thought it would be. That's the trick.

488
00:24:42,560 --> 00:24:44,080
Speaker 1: I think people take it and be like, then this

489
00:24:44,240 --> 00:24:46,199
Speaker 1: is whack. I'm gonna take more, And then when they

490
00:24:46,280 --> 00:24:49,000
Speaker 1: take that ball, it's a rat. I had a situation

491
00:24:49,080 --> 00:24:51,879
Speaker 1: with Mayno where I actually gave him some edibles that

492
00:24:52,520 --> 00:24:55,440
Speaker 1: someone close to me made for him, and he said

493
00:24:55,440 --> 00:24:57,440
Speaker 1: he couldn't leave the house for two days because he

494
00:24:57,560 --> 00:24:59,600
Speaker 1: kept taking them even though he was told only to

495
00:24:59,680 --> 00:25:03,240
Speaker 1: take one. Yeah, your brother's edibles is dumb strong aby,

496
00:25:03,320 --> 00:25:04,800
Speaker 1: I just said someone close to me because I didn't

497
00:25:04,840 --> 00:25:08,040
Speaker 1: want to say who it was? Oh, sorry, God, all right, Well,

498
00:25:08,359 --> 00:25:10,159
Speaker 1: what's the moral of the story. Don't get higher work?

499
00:25:10,280 --> 00:25:12,480
Speaker 1: Is that the moral of the story. The moral of

500
00:25:12,560 --> 00:25:16,000
Speaker 1: the story is to control your high. Make sure you're

501
00:25:16,000 --> 00:25:19,359
Speaker 1: in a good environment, you're amongst people. Don't do that

502
00:25:19,560 --> 00:25:22,400
Speaker 1: ish at work. Okay, keep it locked. We have more

503
00:25:22,480 --> 00:25:25,720
Speaker 1: coming up next. It's the Breakfast Club. The Breakfast Club,

504
00:25:29,200 --> 00:25:31,040
Speaker 1: all the Breakfast Club. We got a special guest in

505
00:25:31,040 --> 00:25:33,399
Speaker 1: the building. Yeah, man, happy to be into a second

506
00:25:34,160 --> 00:25:37,600
Speaker 1: The legendary fifty cent Man was waiting for you to

507
00:25:37,680 --> 00:25:40,119
Speaker 1: come because Piers back on, I know you directed an

508
00:25:40,160 --> 00:25:42,359
Speaker 1: episode and we got to see that, which was great.

509
00:25:42,440 --> 00:25:44,720
Speaker 1: And I tell you everywhere else. They bossed me around

510
00:25:44,720 --> 00:25:47,520
Speaker 1: a little bit on the on the remix, right, I did, Yeah,

511
00:25:47,640 --> 00:25:49,680
Speaker 1: because it was six years I thought it's time to

512
00:25:49,800 --> 00:25:52,439
Speaker 1: kind of freshen it up. And it was like, na, na,

513
00:25:53,480 --> 00:25:55,520
Speaker 1: you know what, I realized the remix ain't really bad.

514
00:25:55,720 --> 00:25:58,320
Speaker 1: It just it just shocked us. It was too much

515
00:25:58,359 --> 00:26:01,680
Speaker 1: of a surprise. I was making it now, trade songs

516
00:26:02,359 --> 00:26:05,400
Speaker 1: a bookie, you know what I'm saying. And then they

517
00:26:05,480 --> 00:26:07,560
Speaker 1: want the old version back because it felt like it

518
00:26:07,600 --> 00:26:09,600
Speaker 1: was a little more very matter. It was classic though

519
00:26:09,680 --> 00:26:14,000
Speaker 1: you give it a classic fields that in the beginning trade,

520
00:26:14,040 --> 00:26:15,720
Speaker 1: how did you call it? Trader? Like tra you're not

521
00:26:15,880 --> 00:26:17,840
Speaker 1: using that one. I just came in the studio look

522
00:26:18,240 --> 00:26:20,320
Speaker 1: to get him to do it. Came in the studio.

523
00:26:20,359 --> 00:26:22,679
Speaker 1: I was like, yo, I had to do a remix,

524
00:26:22,760 --> 00:26:26,200
Speaker 1: like I'm like to redo the song. He was like what.

525
00:26:27,119 --> 00:26:28,560
Speaker 1: He really was like what, why do you want to

526
00:26:28,560 --> 00:26:30,159
Speaker 1: do that? And I was like, nah, but listen to

527
00:26:30,280 --> 00:26:32,560
Speaker 1: the joint. When I played it for him, I already

528
00:26:32,800 --> 00:26:35,720
Speaker 1: a bookie, already did his part. I had already laid

529
00:26:35,800 --> 00:26:38,280
Speaker 1: the you know the it's just like a feller. The

530
00:26:38,400 --> 00:26:41,080
Speaker 1: old chorus was playing in the Phillis spot and he

531
00:26:41,280 --> 00:26:43,960
Speaker 1: was like, oh okay, yeah, because it just felt good,

532
00:26:44,600 --> 00:26:46,199
Speaker 1: you know what I mean? And then but I got

533
00:26:46,320 --> 00:26:47,879
Speaker 1: him to do it. And then when he's like, I

534
00:26:48,000 --> 00:26:49,880
Speaker 1: told you, I got a text right away. I told

535
00:26:49,960 --> 00:26:52,720
Speaker 1: your ass, I told you that to do that, And

536
00:26:52,880 --> 00:26:55,119
Speaker 1: I was like, yo, right, that's why I kept saying that,

537
00:26:55,280 --> 00:26:56,960
Speaker 1: like every time. Oh, so he told you he didn't

538
00:26:56,960 --> 00:26:58,320
Speaker 1: want to do it. He was like, why do you

539
00:26:58,359 --> 00:26:59,919
Speaker 1: want to do that? Like why you want? And then

540
00:27:00,040 --> 00:27:01,600
Speaker 1: when I played it, he was like, oh, Cass, what

541
00:27:01,720 --> 00:27:05,560
Speaker 1: you're saying, but he didn't want. His first instinct that

542
00:27:06,680 --> 00:27:08,480
Speaker 1: it's hard to switch a theme song that we're used

543
00:27:08,480 --> 00:27:10,400
Speaker 1: to from the very people wanted they're getting the mix,

544
00:27:10,720 --> 00:27:13,600
Speaker 1: all of the social networking stuff, because it was like

545
00:27:13,680 --> 00:27:17,960
Speaker 1: everybody wants me, you know, for Joe, Like everybody saying

546
00:27:18,040 --> 00:27:25,120
Speaker 1: me me, yeah, put minds back. We did the song.

547
00:27:26,480 --> 00:27:28,320
Speaker 1: We had a whole discussion about songs that were like

548
00:27:28,440 --> 00:27:30,879
Speaker 1: classics from TV shows that we love growing up, and

549
00:27:30,960 --> 00:27:32,960
Speaker 1: how would you feel if they switched the song. It's

550
00:27:32,960 --> 00:27:34,600
Speaker 1: not too many people have done that, except like the

551
00:27:34,680 --> 00:27:37,680
Speaker 1: Cars the Same and the Sun type of thing, like

552
00:27:37,800 --> 00:27:40,080
Speaker 1: you need that record. If it doesn't play like that,

553
00:27:40,400 --> 00:27:43,280
Speaker 1: then you don't even know the show's coming on. But

554
00:27:43,840 --> 00:27:47,120
Speaker 1: I was looking at it like, because it's gonna continue

555
00:27:48,080 --> 00:27:50,240
Speaker 1: to continue. It's like Power Power. We would saying that

556
00:27:50,320 --> 00:27:54,280
Speaker 1: this is the finale. When it ends, it starts forty

557
00:27:54,320 --> 00:27:57,600
Speaker 1: eight hours later. So it's not like a new introduction

558
00:27:57,640 --> 00:27:59,639
Speaker 1: of a whole new show. Power book too. There's new

559
00:27:59,720 --> 00:28:04,640
Speaker 1: car because Mary is starting it, but there's this. It's

560
00:28:04,680 --> 00:28:07,040
Speaker 1: just a continuation. It's the aftermath of everything that you

561
00:28:07,160 --> 00:28:09,760
Speaker 1: see in the finale, you know, So it's a prequel

562
00:28:09,880 --> 00:28:13,040
Speaker 1: or I used to aftermath. Yeah, it's coming right after.

563
00:28:13,160 --> 00:28:15,679
Speaker 1: Like it's not gonna because whenever you like when everybody

564
00:28:15,680 --> 00:28:17,760
Speaker 1: when they're talking about ending that you shouldn't it you shouldn't,

565
00:28:17,760 --> 00:28:19,560
Speaker 1: then you should in the show, I'm like, yeah, well

566
00:28:19,600 --> 00:28:21,080
Speaker 1: I got it in the show. I see what you're

567
00:28:21,119 --> 00:28:23,680
Speaker 1: doing because you're setting Ark and his little white friend

568
00:28:23,800 --> 00:28:26,000
Speaker 1: up and the girl to be the new Timmy Ghost

569
00:28:26,080 --> 00:28:28,600
Speaker 1: and Tasha. It's starting to evolved. I see what you're doing.

570
00:28:28,880 --> 00:28:31,520
Speaker 1: Are you team Tommy or team Ghost right now? I've

571
00:28:31,560 --> 00:28:34,200
Speaker 1: always been team Timmy. He's only wanted to been really solid.

572
00:28:37,280 --> 00:28:41,280
Speaker 1: Now I'm not gonna. I'm like sucker. He's the sucker.

573
00:28:41,360 --> 00:28:43,480
Speaker 1: I can't rock a ghost. A whole lot of sucker

574
00:28:43,600 --> 00:28:45,800
Speaker 1: vibe going on there, Like it's just it's just I

575
00:28:45,920 --> 00:28:48,520
Speaker 1: know that the audience is watching is bigger than just

576
00:28:48,760 --> 00:28:52,240
Speaker 1: the inner cities and the people. They committed to that lifestyle,

577
00:28:52,960 --> 00:28:56,320
Speaker 1: so they they part in things that that the neighborhood

578
00:28:56,400 --> 00:28:58,240
Speaker 1: won't part And like he's calling the cops when he

579
00:28:58,320 --> 00:28:59,800
Speaker 1: feels like if he has to do it that way,

580
00:28:59,840 --> 00:29:02,760
Speaker 1: he's done buy any means. And then then I understand

581
00:29:03,080 --> 00:29:06,320
Speaker 1: why Tasha was like more angry than he was because

582
00:29:06,360 --> 00:29:10,400
Speaker 1: She wanted him to be who beyond yeah, to be rich,

583
00:29:10,480 --> 00:29:12,400
Speaker 1: so she she like moved him into that. It was

584
00:29:12,560 --> 00:29:14,680
Speaker 1: even the the idea said it came in the jail

585
00:29:14,760 --> 00:29:18,000
Speaker 1: was Tasha's idea. This is why when we actually get

586
00:29:18,040 --> 00:29:20,280
Speaker 1: back on the street and we started talking, we can

587
00:29:20,520 --> 00:29:23,720
Speaker 1: end up working together again. But she's still angry. Now,

588
00:29:23,760 --> 00:29:26,240
Speaker 1: what about First of all, I want to say ty

589
00:29:26,320 --> 00:29:29,920
Speaker 1: Coon Weekend to explain what ty Coo weekend and what

590
00:29:30,000 --> 00:29:31,280
Speaker 1: it is, because I don't even know what it is.

591
00:29:31,360 --> 00:29:36,200
Speaker 1: But it's just like I can't get into it. Why

592
00:29:36,280 --> 00:29:38,240
Speaker 1: can't get She gotta we gotta talk first. You can't

593
00:29:38,280 --> 00:29:41,360
Speaker 1: just come to my party, man, I can't just show

594
00:29:41,440 --> 00:29:46,240
Speaker 1: up at the party that time? Who was something Aunt

595
00:29:46,320 --> 00:29:48,840
Speaker 1: started and the ladies? Man? He we did it in Atlanta,

596
00:29:48,920 --> 00:29:52,520
Speaker 1: Atlanta like a concert piece, and then we went afterwards.

597
00:29:52,800 --> 00:29:54,880
Speaker 1: What was all the compound in the following day? It

598
00:29:55,040 --> 00:29:57,440
Speaker 1: was a pool party to shut up? And then I said, yo,

599
00:29:57,680 --> 00:29:59,560
Speaker 1: we need to move that to New York. We took

600
00:29:59,600 --> 00:30:01,800
Speaker 1: it out there. So it's cool for to get three

601
00:30:01,880 --> 00:30:05,479
Speaker 1: thousand people into an event, have a party, and then

602
00:30:05,560 --> 00:30:08,640
Speaker 1: have everybody go home without problems situations. But there are

603
00:30:08,640 --> 00:30:10,440
Speaker 1: a lot of people who couldn't get in there, like Windy.

604
00:30:10,720 --> 00:30:12,840
Speaker 1: How does security know not to let Windy in? And

605
00:30:13,040 --> 00:30:15,040
Speaker 1: you have a list like okay, this president is president.

606
00:30:15,480 --> 00:30:17,080
Speaker 1: You know you can even see the camera. There was like,

607
00:30:17,120 --> 00:30:21,800
Speaker 1: look at Wendy Williams can't get in. There was taping

608
00:30:21,880 --> 00:30:24,800
Speaker 1: that and doing the like. But she did eventually getting Yeah, yeah,

609
00:30:24,840 --> 00:30:27,400
Speaker 1: she got into the doors. So she get snobby to

610
00:30:27,480 --> 00:30:30,000
Speaker 1: see snoop and stuff like that. And then fund like,

611
00:30:30,160 --> 00:30:33,080
Speaker 1: look like I told you, this was the first time

612
00:30:33,120 --> 00:30:34,960
Speaker 1: when I called fifth and I was like, I ain't

613
00:30:35,000 --> 00:30:38,320
Speaker 1: never see a party with so many artists, so many celebrities,

614
00:30:38,360 --> 00:30:40,480
Speaker 1: and the celebrities were running around. It wasn't like they

615
00:30:40,520 --> 00:30:46,400
Speaker 1: were stuck in the Seneca and you look and you

616
00:30:46,480 --> 00:30:49,160
Speaker 1: go such and such as here that you gotta the DJ.

617
00:30:49,320 --> 00:30:51,520
Speaker 1: Don't tell you you don't see them? Right, yeah, you know.

618
00:30:52,960 --> 00:30:55,160
Speaker 1: Now we was running around, running around, spraying people in

619
00:30:55,200 --> 00:30:57,040
Speaker 1: the face with water guards like it was like people

620
00:30:57,240 --> 00:30:59,280
Speaker 1: have fun. And then everybody left. I was like, this

621
00:30:59,320 --> 00:31:00,840
Speaker 1: is the first time I seen this in at least

622
00:31:00,920 --> 00:31:04,240
Speaker 1: fifteen years. Did you get sprayed in the face? Trade songs?

623
00:31:04,520 --> 00:31:08,680
Speaker 1: Everybody songs and casting over. Definitely they got me with

624
00:31:08,720 --> 00:31:13,480
Speaker 1: the water like that. Yeah, we had a ball, like

625
00:31:13,880 --> 00:31:17,120
Speaker 1: and that came from what happened in Atlanta because when

626
00:31:17,160 --> 00:31:18,680
Speaker 1: he was out there was just running around and then

627
00:31:18,960 --> 00:31:21,280
Speaker 1: like they haven't seen a little videos he was making

628
00:31:21,280 --> 00:31:23,720
Speaker 1: in a hotel. He was playing with, trading and different

629
00:31:23,720 --> 00:31:26,960
Speaker 1: people around. So like it's just the energy was just different.

630
00:31:27,760 --> 00:31:29,880
Speaker 1: Really not invited, Yeah, he was not invited this time.

631
00:31:30,000 --> 00:31:32,200
Speaker 1: So we went to we went to the strip club

632
00:31:32,280 --> 00:31:34,840
Speaker 1: out there. Look, we went to stroke club out there,

633
00:31:35,160 --> 00:31:37,400
Speaker 1: and we brought so so much money to throw that

634
00:31:37,520 --> 00:31:38,960
Speaker 1: it was not an issue for you to go in

635
00:31:39,040 --> 00:31:41,680
Speaker 1: your pocket. So everybody just have a good time. That

636
00:31:41,840 --> 00:31:43,720
Speaker 1: works out as long as you throw the money to

637
00:31:43,840 --> 00:31:46,520
Speaker 1: this for what we intended it for. This is the

638
00:31:46,960 --> 00:31:50,400
Speaker 1: entertainment budget. We brought this to entertain the room, and

639
00:31:50,480 --> 00:31:52,760
Speaker 1: everybody has a good time because it's one of those

640
00:31:52,800 --> 00:31:55,640
Speaker 1: things where the girls don't feel pressured. This This is

641
00:31:55,720 --> 00:31:59,680
Speaker 1: not desperation to work, right, This is we're working because

642
00:31:59,720 --> 00:32:02,880
Speaker 1: we're having a great time. You know, he's just trying

643
00:32:02,880 --> 00:32:05,280
Speaker 1: to change that vibe. And then when you see him

644
00:32:05,360 --> 00:32:07,360
Speaker 1: go home and on the snaplig or somebody better come

645
00:32:07,440 --> 00:32:11,120
Speaker 1: get this, somebody get this to pocketed. The money went

646
00:32:11,200 --> 00:32:13,480
Speaker 1: home with the money. Yeah, hold on, I just want

647
00:32:13,520 --> 00:32:16,160
Speaker 1: to be clear. We had a discussion about something completely

648
00:32:16,200 --> 00:32:18,600
Speaker 1: unrelated to this, and Shalotmaan and Envy both with pocket

649
00:32:18,680 --> 00:32:22,200
Speaker 1: the money too. What ay, I've been with you? That

650
00:32:22,320 --> 00:32:24,600
Speaker 1: was my money. Though I could leave with my money.

651
00:32:26,280 --> 00:32:33,520
Speaker 1: They gave you some money containing enough enough. I feel

652
00:32:33,560 --> 00:32:36,000
Speaker 1: like I've already entertained myself. But if there's a corporate

653
00:32:36,080 --> 00:32:38,600
Speaker 1: budget or entertainment budget already for the women, yeah, pocket

654
00:32:38,680 --> 00:32:41,040
Speaker 1: that No, Sharlomagne, I don't even believe that you would

655
00:32:41,440 --> 00:32:44,080
Speaker 1: do that. It's a little thirsty. It's like it's like

656
00:32:44,240 --> 00:32:46,760
Speaker 1: you bring somebody you know out to dinner and they

657
00:32:47,160 --> 00:32:49,320
Speaker 1: want to take a box, like a donkey box, like

658
00:32:49,400 --> 00:32:51,600
Speaker 1: and you know, this is like a this is like

659
00:32:52,560 --> 00:32:55,280
Speaker 1: a buffet, but you want a donkey box at the buffet.

660
00:32:55,400 --> 00:32:58,280
Speaker 1: Yeah yeah yeah, certain places you're not supposed to do that, right.

661
00:32:59,120 --> 00:33:01,960
Speaker 1: So that's it for him now, Well, he was on approbation.

662
00:33:02,040 --> 00:33:04,080
Speaker 1: He can come to the next one when we announced

663
00:33:04,080 --> 00:33:06,120
Speaker 1: the next location, but he definitely couldn't come to New York.

664
00:33:06,320 --> 00:33:08,200
Speaker 1: All right, we got more with fifty when we come back,

665
00:33:08,240 --> 00:33:11,120
Speaker 1: don't move. It's to breakfast club. Good morning morning. Everybody

666
00:33:11,280 --> 00:33:15,200
Speaker 1: is DJ Envy, Angela Yee, Charlemagne, the guy we are

667
00:33:15,240 --> 00:33:17,320
Speaker 1: the breakfast club. We're kicking with fifty cent. A lot

668
00:33:17,360 --> 00:33:19,200
Speaker 1: of people don't know. And I was talking to Renee

669
00:33:19,200 --> 00:33:22,000
Speaker 1: about this that you always looked at as the villain.

670
00:33:22,200 --> 00:33:24,480
Speaker 1: I don't understand the guy. You're the bad guy. You

671
00:33:24,600 --> 00:33:28,000
Speaker 1: claimed that years ago. But number one bad guy. Help

672
00:33:28,080 --> 00:33:31,680
Speaker 1: a lot of time. They gave it to me. You

673
00:33:31,880 --> 00:33:33,680
Speaker 1: help a lot of people out. You letting a lot

674
00:33:33,760 --> 00:33:38,200
Speaker 1: of people money, you support a lot of people. Do

675
00:33:38,320 --> 00:33:39,720
Speaker 1: not gonna make him hot on the ground. No, he

676
00:33:40,360 --> 00:33:42,680
Speaker 1: like you left out a lot of money to regular people,

677
00:33:42,760 --> 00:33:48,640
Speaker 1: to artists, to athletes, to DJ's, to lend or giving. Well,

678
00:33:48,680 --> 00:33:51,720
Speaker 1: it's Linda. If it's like with business stuff around it,

679
00:33:52,240 --> 00:33:53,960
Speaker 1: you know what I'm saying, then you expect returns on

680
00:33:54,120 --> 00:33:56,480
Speaker 1: whatever you're putting in. But like a lot of times,

681
00:33:56,560 --> 00:33:59,280
Speaker 1: if they my instincts are the door, Like I think,

682
00:33:59,680 --> 00:34:01,600
Speaker 1: to be honest with you, I'll view money is freedom.

683
00:34:02,440 --> 00:34:05,600
Speaker 1: It's the freedom to invest myself or whatever my idea

684
00:34:05,720 --> 00:34:07,760
Speaker 1: is at the time. And they'll come, we'll have a

685
00:34:07,800 --> 00:34:11,600
Speaker 1: conversation and it just feels like something to do, you

686
00:34:11,640 --> 00:34:13,000
Speaker 1: know what I'm saying, Like you see even when we

687
00:34:13,120 --> 00:34:16,080
Speaker 1: talk about like like television or different things, I'm like, Yo,

688
00:34:16,120 --> 00:34:18,719
Speaker 1: we need to do this because it's just I see

689
00:34:18,840 --> 00:34:21,840
Speaker 1: the qualities that people have that don't have. At points

690
00:34:21,840 --> 00:34:24,120
Speaker 1: it stands out to me. I watch them and then

691
00:34:24,160 --> 00:34:26,479
Speaker 1: I'm like, y'all want to work with that this because

692
00:34:26,520 --> 00:34:29,279
Speaker 1: it's different. It's it's what I don't have at points,

693
00:34:29,360 --> 00:34:31,839
Speaker 1: you know what I'm saying. Other people they look at

694
00:34:31,880 --> 00:34:34,680
Speaker 1: it and if they see if they haven't felt it

695
00:34:34,840 --> 00:34:37,120
Speaker 1: enough for themselves, they can't help other people be what

696
00:34:37,239 --> 00:34:39,000
Speaker 1: they need to be, you know what I'm saying. So

697
00:34:39,120 --> 00:34:42,239
Speaker 1: they like it's like a selfish nature of people if

698
00:34:42,320 --> 00:34:45,960
Speaker 1: they haven't felt that had confirmation or felt those feelings

699
00:34:46,000 --> 00:34:49,120
Speaker 1: for themselves, you know. And I'm plus, I think is

700
00:34:49,120 --> 00:34:51,200
Speaker 1: the cancer in you too though? Yeah, Like it's just

701
00:34:51,400 --> 00:34:54,520
Speaker 1: it's it's another win. It's a wind we couldn't make

702
00:34:54,800 --> 00:34:57,919
Speaker 1: through what I have and maybe be the other person

703
00:34:58,040 --> 00:34:59,960
Speaker 1: has it. And I'm like, Yo, it's different. Like when

704
00:35:00,000 --> 00:35:02,760
Speaker 1: your book come out. I'm I got the book looking

705
00:35:02,760 --> 00:35:05,320
Speaker 1: at it, reading, you know what I'm saying, Because I'm like,

706
00:35:05,719 --> 00:35:08,080
Speaker 1: why would I if you don't have a book on

707
00:35:08,239 --> 00:35:10,200
Speaker 1: sale at the same time, why would you not like

708
00:35:10,320 --> 00:35:13,120
Speaker 1: to see his book be successful. Right, I don't understand,

709
00:35:13,160 --> 00:35:15,759
Speaker 1: like if you I understand the competitive nature of people

710
00:35:15,760 --> 00:35:18,640
Speaker 1: when they're competing for something. That's like when you see

711
00:35:18,760 --> 00:35:21,320
Speaker 1: me say no Puffy juice. It's when I'm selling f

712
00:35:21,480 --> 00:35:25,120
Speaker 1: and vodka. Immediately after I'm not selling and vodka. I

713
00:35:25,160 --> 00:35:27,440
Speaker 1: don't know what Puffy's doing today. I was watching his

714
00:35:27,560 --> 00:35:29,560
Speaker 1: ask why what he was doing it because I'm a

715
00:35:29,680 --> 00:35:32,400
Speaker 1: direct competitor tool at that point, you know, And then

716
00:35:33,280 --> 00:35:34,920
Speaker 1: it's just just the way I do that. If you

717
00:35:34,960 --> 00:35:37,840
Speaker 1: don't have people to compete with, you have to create that.

718
00:35:38,239 --> 00:35:39,920
Speaker 1: You do it all the time. It's what you're competing with.

719
00:35:40,000 --> 00:35:43,799
Speaker 1: Michael Jackson, No, Mike, look, I just like what they

720
00:35:43,880 --> 00:35:45,880
Speaker 1: just like. They don't even let you have an opinion.

721
00:35:46,880 --> 00:35:51,040
Speaker 1: Your personal opinion is going to chime in. So I

722
00:35:51,080 --> 00:35:52,840
Speaker 1: didn't know that this door to chime then't do I

723
00:35:52,920 --> 00:35:59,520
Speaker 1: sorted the article because Chris Brown is better than the

724
00:35:59,600 --> 00:36:01,880
Speaker 1: statement I made was I think Chris is better than

725
00:36:02,040 --> 00:36:05,879
Speaker 1: MJA right now. But that's what I'm saying now, look

726
00:36:06,400 --> 00:36:09,839
Speaker 1: after you, this artist rap better than Tupac right now

727
00:36:10,920 --> 00:36:14,440
Speaker 1: because they got better over time, we got better. You

728
00:36:14,440 --> 00:36:16,080
Speaker 1: see what I'm saying. And I'm like, look, I'm going

729
00:36:16,520 --> 00:36:20,080
Speaker 1: now the showmanship like on stage, what he's doing, it's

730
00:36:20,120 --> 00:36:23,160
Speaker 1: another level to what the showmanship was then. Like you

731
00:36:23,280 --> 00:36:26,640
Speaker 1: think I wasn't like like excited about the moonwalk like

732
00:36:26,800 --> 00:36:28,360
Speaker 1: I was. I had to build a jan post on

733
00:36:28,520 --> 00:36:32,799
Speaker 1: my house. I was selling crack, but I had at

734
00:36:32,880 --> 00:36:35,000
Speaker 1: my house. You know what I'm saying. Just the circumstances

735
00:36:35,080 --> 00:36:37,440
Speaker 1: made me sell crack and nobody care about this. I

736
00:36:37,480 --> 00:36:39,600
Speaker 1: don't think nobody cared about the opinion. It's just that

737
00:36:39,719 --> 00:36:41,719
Speaker 1: when you when you say, but who cared about the

738
00:36:41,719 --> 00:36:44,040
Speaker 1: little boys butts? That's out about the little port. Now, look,

739
00:36:44,880 --> 00:36:47,680
Speaker 1: these are things that you can't escape people. Right, the

740
00:36:47,840 --> 00:36:51,320
Speaker 1: man built Neverland by a coop place for kids to

741
00:36:51,400 --> 00:36:54,520
Speaker 1: hang out, right, had the little boys sleepover? Right, We're

742
00:36:54,560 --> 00:36:56,560
Speaker 1: not saying whether he touched the boys butts or not,

743
00:36:56,719 --> 00:37:00,400
Speaker 1: because that's not right. I said that because people attacked

744
00:37:00,480 --> 00:37:03,520
Speaker 1: me for my my my comment. When you see the

745
00:37:03,600 --> 00:37:07,440
Speaker 1: Michael Jackson looking at my page and there's specific Michael Jackson, oh,

746
00:37:07,520 --> 00:37:10,160
Speaker 1: they go scream Michael Jackson lovers. And I'm saying, you

747
00:37:10,400 --> 00:37:13,200
Speaker 1: love Michael Jackson so much that you would look past

748
00:37:13,560 --> 00:37:16,719
Speaker 1: the little boys butts? It wouldn't even matter that they

749
00:37:16,840 --> 00:37:19,280
Speaker 1: touched the little boys butts, because you would be supportive

750
00:37:19,320 --> 00:37:22,200
Speaker 1: of him regardlessly, like and it's like and he has

751
00:37:22,239 --> 00:37:25,640
Speaker 1: a body of work. There's that magnetic that some people

752
00:37:25,680 --> 00:37:27,919
Speaker 1: would just not see the if you put the facts

753
00:37:28,000 --> 00:37:29,200
Speaker 1: right in front of him, they would be like, they

754
00:37:29,200 --> 00:37:31,520
Speaker 1: don't want to give um off the wall. Yeah I'm not.

755
00:37:31,840 --> 00:37:34,719
Speaker 1: I'm just not coming off of that. It's too much

756
00:37:34,800 --> 00:37:36,080
Speaker 1: for him, you know what I said, Like, you're gonna

757
00:37:36,320 --> 00:37:39,560
Speaker 1: any other case. Look and r Kelly Kelly being his case.

758
00:37:39,640 --> 00:37:42,439
Speaker 1: The first time, they still had him guilty the whole time.

759
00:37:42,680 --> 00:37:45,840
Speaker 1: So when he could when he showed up the next time, well,

760
00:37:45,960 --> 00:37:49,839
Speaker 1: Kelly had a video too. He said that I thought

761
00:37:50,640 --> 00:37:58,040
Speaker 1: he did. Said that was now what made you wake

762
00:37:58,120 --> 00:37:59,359
Speaker 1: up and say, you know what I started? I need

763
00:37:59,400 --> 00:38:01,000
Speaker 1: my money back from these guys are letting money from

764
00:38:01,280 --> 00:38:03,520
Speaker 1: But you know what happens that people do this thing.

765
00:38:03,600 --> 00:38:06,560
Speaker 1: There's no sympathy for winners. Everybody in his room as

766
00:38:06,560 --> 00:38:07,960
Speaker 1: a winning So you know what I mean, When you

767
00:38:08,080 --> 00:38:11,359
Speaker 1: have success, you can't have it without jealousy, without MV

768
00:38:11,520 --> 00:38:15,440
Speaker 1: or entitlement. Entitlement being the scariest part because it's growing

769
00:38:15,480 --> 00:38:18,319
Speaker 1: in someone you love delly, you know what I'm saying,

770
00:38:18,400 --> 00:38:21,400
Speaker 1: And that that is what makes people look at you

771
00:38:21,520 --> 00:38:23,880
Speaker 1: and go, oh, he got it, So it's cool, like

772
00:38:23,920 --> 00:38:26,040
Speaker 1: you should excuse it. Like when they when they say

773
00:38:26,040 --> 00:38:28,880
Speaker 1: they're awarding you something in the courts, it's usually something

774
00:38:28,920 --> 00:38:32,240
Speaker 1: that you already paid, so they're just returning it, awarding

775
00:38:32,280 --> 00:38:34,600
Speaker 1: you legal fees, you know what I mean. So like

776
00:38:34,719 --> 00:38:37,480
Speaker 1: with with Tara Marie and stuff like that, like when

777
00:38:37,520 --> 00:38:39,640
Speaker 1: the girls trying to she trying to get the bank.

778
00:38:39,719 --> 00:38:41,480
Speaker 1: She said it on tape, I'm trying to get the bank.

779
00:38:42,000 --> 00:38:44,360
Speaker 1: And then you go when it doesn't work out and

780
00:38:44,400 --> 00:38:47,080
Speaker 1: they tell you to pay the thirty thousand. People on

781
00:38:47,160 --> 00:38:49,640
Speaker 1: the outskirts can identify with not having thirty thousand dollars

782
00:38:49,680 --> 00:38:51,120
Speaker 1: to give and they go, oh, you got it fift

783
00:38:51,160 --> 00:38:54,200
Speaker 1: So just let you know and you go, let her

784
00:38:54,239 --> 00:38:55,920
Speaker 1: live what you're talking about. That's the thirty dollars dollars

785
00:38:55,960 --> 00:38:58,640
Speaker 1: that I spent in the process already on legal fees.

786
00:39:00,080 --> 00:39:02,680
Speaker 1: Did she pay anything back? No, she got a payment plan.

787
00:39:03,560 --> 00:39:07,320
Speaker 1: Was okay, look to college. I don't care if you

788
00:39:07,400 --> 00:39:09,840
Speaker 1: feel like you went to college you didn't attend any classes,

789
00:39:09,880 --> 00:39:12,239
Speaker 1: but you got those to pay it's cool. It's fine

790
00:39:12,280 --> 00:39:14,920
Speaker 1: with me. Just when you make a mistake, you have

791
00:39:15,120 --> 00:39:18,239
Speaker 1: to identify with the mistake. We tried to call you

792
00:39:18,360 --> 00:39:21,799
Speaker 1: up here. I know, I'm glad to miss that part.

793
00:39:23,120 --> 00:39:25,000
Speaker 1: Do you feel bad? Like, did you feel you feel

794
00:39:25,000 --> 00:39:27,640
Speaker 1: a little bad? Sometimes? Like, man, okay, she's going through

795
00:39:27,680 --> 00:39:30,759
Speaker 1: a lot. No, I didn't know, you know, I do.

796
00:39:30,880 --> 00:39:33,439
Speaker 1: I do watch you. I saw you backtrack with money

797
00:39:33,480 --> 00:39:35,600
Speaker 1: Bag Yo and Meg the Stallion. Yeah that was look

798
00:39:35,840 --> 00:39:38,080
Speaker 1: because I didn't really I didn't know who that was.

799
00:39:38,680 --> 00:39:40,440
Speaker 1: I didn't know that Megan that was making at the

800
00:39:40,480 --> 00:39:42,080
Speaker 1: point because she had this whole new blue hair and

801
00:39:42,120 --> 00:39:44,399
Speaker 1: all this stuff. I hadn't even seen her with that look.

802
00:39:45,040 --> 00:39:47,279
Speaker 1: So it was a picture. He said. She wanted to

803
00:39:47,320 --> 00:39:49,239
Speaker 1: do what I want to do. And then I'm thinking, oh,

804
00:39:49,520 --> 00:39:51,520
Speaker 1: look the content, the things that we're saying in the

805
00:39:51,640 --> 00:39:54,439
Speaker 1: music and anything else. I'm going, that's right. It's pretty

806
00:39:54,480 --> 00:39:57,799
Speaker 1: holds everywhere and the pressure will break them. I'm told

807
00:39:57,960 --> 00:40:00,920
Speaker 1: about his girlfriend. I was like, I don't know, let's up.

808
00:40:01,480 --> 00:40:03,800
Speaker 1: Let me just say sorry, let me apologize because I

809
00:40:03,880 --> 00:40:07,160
Speaker 1: didn't know. And but no I realized who she was

810
00:40:07,320 --> 00:40:11,239
Speaker 1: or what the picture was was fifty attacks money Bags Yo,

811
00:40:11,440 --> 00:40:14,960
Speaker 1: and it's making the stallion, And I go, when did

812
00:40:15,040 --> 00:40:17,439
Speaker 1: I do look at that girl? What if it wasn't

813
00:40:17,480 --> 00:40:20,040
Speaker 1: make the stallion? Would you have apologize? Yeah? Okay, yeah,

814
00:40:20,040 --> 00:40:23,120
Speaker 1: because I didn't know, I asked, what was Khalifa? I said,

815
00:40:23,239 --> 00:40:26,840
Speaker 1: um U. I ran into him in a gas station

816
00:40:27,440 --> 00:40:30,600
Speaker 1: and apologized about the amber Rose thing. Not because I

817
00:40:30,760 --> 00:40:33,000
Speaker 1: thought I was wrong with what I was saying, but

818
00:40:33,200 --> 00:40:35,800
Speaker 1: because he was marrying. You see what I'm saying that

819
00:40:35,960 --> 00:40:39,880
Speaker 1: I already the level it means. It's not as things

820
00:40:40,040 --> 00:40:43,359
Speaker 1: that I missed, the amber Rows things thing. I think

821
00:40:43,360 --> 00:40:45,319
Speaker 1: a line on the record. I said, shi for a night,

822
00:40:45,400 --> 00:40:48,200
Speaker 1: but don't keep up. And he's like, well, we're getting married. Yeah,

823
00:40:48,320 --> 00:40:51,280
Speaker 1: you really getting married. And I'm like, oh, so you serious? Serious?

824
00:40:51,360 --> 00:40:54,680
Speaker 1: But it's different then if you just y'all just hanging

825
00:40:54,680 --> 00:40:56,960
Speaker 1: out with you and it changes, that's gonna you know,

826
00:40:57,120 --> 00:40:59,280
Speaker 1: like he loved the girl. We got more with fifty

827
00:40:59,280 --> 00:41:00,920
Speaker 1: when we come back, let's get into a fifty cent

828
00:41:01,000 --> 00:41:03,399
Speaker 1: mini mixes to Breakfast Club. That was a fifty cent

829
00:41:03,520 --> 00:41:07,920
Speaker 1: mini mix Morning everybody is DJ mv Angela, Yee Sholomagne,

830
00:41:07,920 --> 00:41:10,279
Speaker 1: the guy we are the Breakfast Club fifty cent is here.

831
00:41:11,040 --> 00:41:12,480
Speaker 1: If you got a lot of TV deals. You got

832
00:41:12,560 --> 00:41:18,080
Speaker 1: Stars ABC. What am I missing? Yeah? I got but

833
00:41:18,280 --> 00:41:20,239
Speaker 1: nine TV shows? How in the hell are you able

834
00:41:20,280 --> 00:41:23,000
Speaker 1: to keep all those deals? Talking all that on social media?

835
00:41:23,080 --> 00:41:25,960
Speaker 1: I'm a different me, the secret. No, my brand is

836
00:41:26,000 --> 00:41:29,920
Speaker 1: built different. See I come to look, they're trying to

837
00:41:29,920 --> 00:41:33,520
Speaker 1: put you in the mogul section. I like to stay rapper.

838
00:41:37,520 --> 00:41:40,319
Speaker 1: Want you to say when you go, you're mogul? Now

839
00:41:41,200 --> 00:41:44,120
Speaker 1: you can't say that fifty right, you can't say what

840
00:41:44,239 --> 00:41:45,520
Speaker 1: do you want? And they want to do that. I'm like,

841
00:41:45,560 --> 00:41:49,839
Speaker 1: wait a minute, I'm a rapper. I'm a rapper. I'm

842
00:41:49,920 --> 00:41:52,200
Speaker 1: still here so I can still say what I feel,

843
00:41:52,560 --> 00:41:55,600
Speaker 1: like like my honest opinion about things at points, and

844
00:41:55,640 --> 00:41:58,680
Speaker 1: then you go that that saves me. See, that allows

845
00:41:58,719 --> 00:42:00,520
Speaker 1: me to say things. I know you look and you

846
00:42:00,640 --> 00:42:03,160
Speaker 1: go in this climate, why would you say something like that?

847
00:42:03,760 --> 00:42:05,279
Speaker 1: Like some of the stuff I say, and then it

848
00:42:05,520 --> 00:42:08,879
Speaker 1: because I can still say it because of the way

849
00:42:09,000 --> 00:42:11,560
Speaker 1: I made my way into this position. Have you ever

850
00:42:11,640 --> 00:42:13,719
Speaker 1: lost the opportunity because of anything that you've said on

851
00:42:13,760 --> 00:42:19,840
Speaker 1: social media? No? Not because of I said, like you know,

852
00:42:20,080 --> 00:42:23,200
Speaker 1: like even like the reference to like the Emmits and

853
00:42:23,239 --> 00:42:25,880
Speaker 1: stuff like that, Like I really don't care about that.

854
00:42:26,400 --> 00:42:29,239
Speaker 1: Like the numbers say that power is number one, you

855
00:42:29,320 --> 00:42:31,200
Speaker 1: know what I'm saying. And then if they want to

856
00:42:31,239 --> 00:42:33,239
Speaker 1: be in a blind like like it really gives me

857
00:42:33,520 --> 00:42:38,600
Speaker 1: a control, a new position at Stars because they it's

858
00:42:39,200 --> 00:42:42,040
Speaker 1: the idea, my idea, and the show is driving the

859
00:42:42,160 --> 00:42:44,359
Speaker 1: success of the entire network at that point. And when

860
00:42:44,360 --> 00:42:46,160
Speaker 1: you start seeing the spinoffs and the other shows like

861
00:42:46,520 --> 00:42:50,960
Speaker 1: the BMS series as well, anticipated different things that I developed.

862
00:42:51,000 --> 00:42:53,200
Speaker 1: So no executives at ABC I would say anything to you,

863
00:42:53,320 --> 00:42:56,200
Speaker 1: that's Disney. But that's why I could be at Disney

864
00:42:56,320 --> 00:43:05,279
Speaker 1: nifty because I'm hot as a motherfucker. You started doing well,

865
00:43:05,320 --> 00:43:08,080
Speaker 1: you start making a whole networks work. They got old.

866
00:43:08,960 --> 00:43:11,399
Speaker 1: Let me see what happens. Define it's a little method

867
00:43:11,480 --> 00:43:13,520
Speaker 1: to us madness. Just watch, let's see what happens. And

868
00:43:13,600 --> 00:43:16,319
Speaker 1: then it's an audience that didn't even exist to them.

869
00:43:16,480 --> 00:43:19,960
Speaker 1: Yeah right, It seems that African American Latino audience, that

870
00:43:20,719 --> 00:43:23,799
Speaker 1: is it has power to see themselves in the show.

871
00:43:23,960 --> 00:43:27,880
Speaker 1: They see people easily relatable. Then they see it trending,

872
00:43:27,960 --> 00:43:30,600
Speaker 1: and that probably doesn't happen too often, not to regular

873
00:43:31,000 --> 00:43:33,920
Speaker 1: traditional television shows, because it's all it's been in the

874
00:43:34,000 --> 00:43:37,480
Speaker 1: same cookie cutter, you know, concept of how they develop it,

875
00:43:37,600 --> 00:43:39,480
Speaker 1: so it doesn't have the same if they ever after

876
00:43:39,560 --> 00:43:41,360
Speaker 1: the apologize or something, would you we saw your pody

877
00:43:41,520 --> 00:43:43,480
Speaker 1: me back? Girls who would if the exact say hey man,

878
00:43:43,520 --> 00:43:45,759
Speaker 1: we need you to apologize to the LGBT community or women.

879
00:43:46,040 --> 00:43:48,239
Speaker 1: I don't understand why what doing that because I don't

880
00:43:48,280 --> 00:43:50,520
Speaker 1: say anything wrong. You know, honestly, if I was saying

881
00:43:50,560 --> 00:43:52,720
Speaker 1: something that I felt like was I'm out of pocket

882
00:43:52,800 --> 00:43:55,560
Speaker 1: or wrong about it, I would apologize. But I just

883
00:43:55,680 --> 00:43:59,120
Speaker 1: don't think that they should force me or limit how

884
00:43:59,680 --> 00:44:01,920
Speaker 1: my use on things. You know what I'm saying, Like

885
00:44:01,960 --> 00:44:04,239
Speaker 1: if you're going people are afraid of those communities, you

886
00:44:04,360 --> 00:44:08,680
Speaker 1: just both both of them, right, And it's because like, look, women,

887
00:44:08,840 --> 00:44:11,399
Speaker 1: the only thing personal the attack is a heterosexual male

888
00:44:11,440 --> 00:44:14,160
Speaker 1: because anything that you say with the tradition and business,

889
00:44:14,239 --> 00:44:17,000
Speaker 1: of course, it was more of a male driven situation.

890
00:44:17,239 --> 00:44:20,759
Speaker 1: But now they're looking at it and they're going, the

891
00:44:20,880 --> 00:44:24,880
Speaker 1: whole women's movement is an attack on tradition, you know,

892
00:44:25,080 --> 00:44:31,839
Speaker 1: and look the whole lgb that that option non traditional thought?

893
00:44:32,000 --> 00:44:35,320
Speaker 1: Is it against tradition? You know what I'm saying. So

894
00:44:35,719 --> 00:44:38,600
Speaker 1: it's but tradition isn't always right. Sometimes you do have

895
00:44:38,719 --> 00:44:41,320
Speaker 1: to be against what's traditional. Right. I wasn't saw the

896
00:44:41,400 --> 00:44:46,120
Speaker 1: Arabia and they have some interesting lifestyle choices. You can

897
00:44:46,200 --> 00:44:49,200
Speaker 1: have four wives, that's amazing, but you gotta afford them,

898
00:44:49,280 --> 00:44:54,400
Speaker 1: so you'll slow down real and if you if you

899
00:44:54,560 --> 00:44:58,440
Speaker 1: got in a car with someone who isn't your wife,

900
00:44:58,800 --> 00:45:01,480
Speaker 1: you publicly shamed the find one hundred thousand dollars. And

901
00:45:01,560 --> 00:45:04,399
Speaker 1: if you actually stupid with someone who isn't your wife,

902
00:45:04,880 --> 00:45:08,120
Speaker 1: it puts you the pit and stone you to down. Yeah,

903
00:45:08,200 --> 00:45:10,359
Speaker 1: so you kind of no one would be in this room.

904
00:45:10,640 --> 00:45:14,760
Speaker 1: You have really extreme focus out there. There's no problem

905
00:45:15,200 --> 00:45:17,760
Speaker 1: that thing with your wife for you, when you walked

906
00:45:17,800 --> 00:45:20,200
Speaker 1: the straight line, and you walked the straight line, so

907
00:45:20,320 --> 00:45:28,200
Speaker 1: you have a lady now yeah, yeah, very beautiful. Yeah,

908
00:45:28,239 --> 00:45:35,239
Speaker 1: it's really really good. Hey, you know me, it's new

909
00:45:35,320 --> 00:45:38,200
Speaker 1: for me. People. That's nice. That what made you say

910
00:45:38,320 --> 00:45:40,880
Speaker 1: this is the one I'm settling down. She told me that.

911
00:45:42,480 --> 00:45:44,560
Speaker 1: She told me I'm the one we set down. Huh,

912
00:45:44,680 --> 00:45:46,239
Speaker 1: that is what you need though, you needed somebody to

913
00:45:46,280 --> 00:45:48,399
Speaker 1: tell you like that's happening. Kind of kind of bust

914
00:45:48,440 --> 00:45:50,960
Speaker 1: me around a little bit. Now he's six nine reached

915
00:45:50,960 --> 00:45:53,000
Speaker 1: out to you from jail. No, I haven't spoken to him,

916
00:45:53,120 --> 00:45:58,800
Speaker 1: really no, And I know you don't need to be

917
00:45:58,880 --> 00:46:01,840
Speaker 1: car I would fifth. Yeah, I know, but that's his

918
00:46:02,080 --> 00:46:07,239
Speaker 1: mother's child. Now that your mama's shop. Don't call me,

919
00:46:08,200 --> 00:46:10,719
Speaker 1: don't call me good. What do you think about jay

920
00:46:10,760 --> 00:46:12,160
Speaker 1: Z's deal with the NFL? What did you think about

921
00:46:12,160 --> 00:46:14,600
Speaker 1: that when you heard about I think that was the

922
00:46:14,760 --> 00:46:17,239
Speaker 1: timing was a little it was a little wild. But

923
00:46:17,400 --> 00:46:20,600
Speaker 1: I mean that's that's about nation deal. You know, Jay

924
00:46:21,040 --> 00:46:23,440
Speaker 1: He's gonna take the heat for it. But if you

925
00:46:23,560 --> 00:46:26,200
Speaker 1: if you're saying, how, how you would build the right

926
00:46:26,440 --> 00:46:30,920
Speaker 1: musical act for the mid the halftime show, I mean

927
00:46:31,120 --> 00:46:35,800
Speaker 1: it's it's a decent play. After they passed on the

928
00:46:35,840 --> 00:46:38,480
Speaker 1: halftime shop, I think Beyonce, he'll be at the halftime

929
00:46:38,520 --> 00:46:43,560
Speaker 1: this ship no the next available because she did like

930
00:46:43,640 --> 00:46:46,239
Speaker 1: the last two already, right, the last two out of three.

931
00:46:46,920 --> 00:46:51,160
Speaker 1: But they did Yeah, definitely that would you do? What

932
00:46:51,239 --> 00:46:53,480
Speaker 1: that's about? Huh? Would you do it? White America loves

933
00:46:53,520 --> 00:46:58,520
Speaker 1: you what to do? Does halftime? I'm probably would have

934
00:46:58,600 --> 00:47:01,160
Speaker 1: did it. They called me without me, you know, knowing

935
00:47:01,239 --> 00:47:02,960
Speaker 1: what was going on. You know how much they pay

936
00:47:02,960 --> 00:47:05,600
Speaker 1: you for that, not a lot. I think you get

937
00:47:05,640 --> 00:47:07,880
Speaker 1: a lot of boosts and sales and everything. I think

938
00:47:07,920 --> 00:47:10,759
Speaker 1: it's more about it because I got other stuff to do.

939
00:47:11,360 --> 00:47:13,759
Speaker 1: If that was the benefit of it, then it makes

940
00:47:13,800 --> 00:47:16,520
Speaker 1: it a little different. But the exposure when you actually

941
00:47:16,600 --> 00:47:18,759
Speaker 1: have something on sale, I think it would be great

942
00:47:18,840 --> 00:47:21,640
Speaker 1: for you know, new artists to do it, like I

943
00:47:21,680 --> 00:47:24,239
Speaker 1: saw What's name with Travis Scott did it? Did it?

944
00:47:24,520 --> 00:47:26,719
Speaker 1: I mean but he I wouldn't. He would have did

945
00:47:26,760 --> 00:47:28,640
Speaker 1: that like anybody would have did it in that position

946
00:47:28,719 --> 00:47:31,440
Speaker 1: at that point. But we appreciate you for joining us,

947
00:47:31,680 --> 00:47:33,719
Speaker 1: and thank you again for supporting me and my car show.

948
00:47:33,840 --> 00:47:35,719
Speaker 1: How much did he tell you? No, he own me.

949
00:47:36,000 --> 00:47:41,359
Speaker 1: That's my point with Queen Queens thing money I didn't

950
00:47:41,640 --> 00:47:43,440
Speaker 1: take for the clue. He owed me mad money now,

951
00:47:43,520 --> 00:47:45,680
Speaker 1: But I appreciate it because you know, with Fifth it's

952
00:47:45,719 --> 00:47:47,600
Speaker 1: like and and this is how I think we all

953
00:47:47,640 --> 00:47:49,880
Speaker 1: should be like. Fifth acts like and treats it like

954
00:47:49,960 --> 00:47:52,680
Speaker 1: his own car show. So he's like into it, he's involved,

955
00:47:52,760 --> 00:47:55,360
Speaker 1: he customizes the cause, he makes sure they did. I

956
00:47:55,400 --> 00:47:56,799
Speaker 1: just want to say thank you because a lot of people,

957
00:47:57,200 --> 00:47:59,719
Speaker 1: you know, follow your lead, and whatever I need from you,

958
00:47:59,800 --> 00:48:01,239
Speaker 1: I need a car. I need this, I need that.

959
00:48:01,640 --> 00:48:03,600
Speaker 1: Get there. That's what they think. I got three new

960
00:48:03,680 --> 00:48:06,560
Speaker 1: joints for the next shown. We're gonna go crazy. Okay,

961
00:48:06,880 --> 00:48:12,200
Speaker 1: he's crazy. We're not running out of money. It's the

962
00:48:12,239 --> 00:48:22,000
Speaker 1: breakfast club. Good morning. Don't try to get you are.

963
00:48:26,880 --> 00:48:29,400
Speaker 1: I'm gonna fatten all that around your eye. Want this

964
00:48:29,520 --> 00:48:33,200
Speaker 1: man to don blowers? Many wait for Charlomagne to blows.

965
00:48:33,280 --> 00:48:35,200
Speaker 1: Let's go. I have to make a judgment. Who was

966
00:48:35,239 --> 00:48:37,000
Speaker 1: going to be on the donkey of the day. They

967
00:48:37,160 --> 00:48:40,799
Speaker 1: chose you the breakfast club bitch. Who's donkey the day

968
00:48:40,880 --> 00:48:43,319
Speaker 1: to day? Yes, don't get the day goes to my guy,

969
00:48:43,360 --> 00:48:47,520
Speaker 1: Amori Hardwick, ghost from Power. That's our guy. But don't

970
00:48:47,600 --> 00:48:49,600
Speaker 1: here the day. That's not discriminating. This is a very

971
00:48:49,680 --> 00:48:52,080
Speaker 1: teachable moment. What we need to teach the day is

972
00:48:52,120 --> 00:48:54,680
Speaker 1: the proper procedure for greeting another man's woman. Now, I

973
00:48:54,719 --> 00:48:56,640
Speaker 1: don't care if that woman is your friend. Are a

974
00:48:56,760 --> 00:48:59,120
Speaker 1: complete stranger. I don't care if that woman's man is

975
00:48:59,160 --> 00:49:01,640
Speaker 1: your friend, Arkham, please scranger. It's just certain things you

976
00:49:01,719 --> 00:49:04,640
Speaker 1: don't do when you greet somebody else that's significant other

977
00:49:04,880 --> 00:49:06,960
Speaker 1: r you know, women in general. Now, I have to

978
00:49:07,040 --> 00:49:09,400
Speaker 1: explain this to you because unless you are watching us

979
00:49:09,440 --> 00:49:11,759
Speaker 1: on revote, you can't see the visual. I'm sure you

980
00:49:11,800 --> 00:49:15,640
Speaker 1: saw this online. But the twenty nineteen NAACP Image Award

981
00:49:15,760 --> 00:49:18,320
Speaker 1: was this past Saturday, and Sir Carter from Brooklyn and

982
00:49:18,400 --> 00:49:20,800
Speaker 1: Your Highness from Houston commonly known as jay Z and

983
00:49:20,840 --> 00:49:23,440
Speaker 1: Beyonce were in attendance and everyone came to pay their

984
00:49:23,520 --> 00:49:25,759
Speaker 1: royal respects. Now, I've had the pleasure and privilege of

985
00:49:25,800 --> 00:49:27,719
Speaker 1: meeting Beyonce a couple of times in my life, and

986
00:49:29,000 --> 00:49:31,359
Speaker 1: both times I greeted her, I looked during their eyes,

987
00:49:31,680 --> 00:49:34,440
Speaker 1: shook her hand. I said, hello, peace, queen. How are

988
00:49:34,520 --> 00:49:36,279
Speaker 1: you You know if you do sit to my wife,

989
00:49:36,440 --> 00:49:39,239
Speaker 1: she shakes my wife's hand, you keep it moving? Why? Well, one,

990
00:49:39,320 --> 00:49:41,960
Speaker 1: because to me, that's the respectful thing to do. I

991
00:49:42,080 --> 00:49:45,160
Speaker 1: used to be an extreme hugger still, but nowadays. If

992
00:49:45,160 --> 00:49:47,200
Speaker 1: I don't know you like that, nope, okay. I don't

993
00:49:47,200 --> 00:49:48,920
Speaker 1: want to violate anyone to make them feel like they

994
00:49:49,000 --> 00:49:50,800
Speaker 1: have to hug you because you went for it. I

995
00:49:50,840 --> 00:49:53,560
Speaker 1: don't know Beyonce like that, so I would never all right,

996
00:49:53,800 --> 00:49:55,839
Speaker 1: I don't know what her greeting is. She's from the South,

997
00:49:55,880 --> 00:49:57,239
Speaker 1: so she could be one of those women. When you

998
00:49:57,320 --> 00:49:59,080
Speaker 1: reach for her hand, she says, no, I'm a hugger.

999
00:49:59,239 --> 00:50:01,279
Speaker 1: If that's the case, cool, you give her a hug

1000
00:50:01,360 --> 00:50:03,960
Speaker 1: because she told you to light little squeeze, keep it moving. Now,

1001
00:50:04,120 --> 00:50:07,440
Speaker 1: I highly doubt Beyonce moves like that with nine No,

1002
00:50:07,680 --> 00:50:10,320
Speaker 1: I'm gonna say ninety seven percent of the people she encounters.

1003
00:50:10,440 --> 00:50:12,480
Speaker 1: You can't just hug. Beyond say you shouldn't just hug.

1004
00:50:12,560 --> 00:50:14,680
Speaker 1: Beyond saying you shouldn't just hug any woman you don't

1005
00:50:14,719 --> 00:50:17,759
Speaker 1: know like that, especially when she with her man. Show

1006
00:50:17,880 --> 00:50:20,040
Speaker 1: some respect. Okay, I don't. I don't do that to

1007
00:50:20,080 --> 00:50:21,520
Speaker 1: any of my home girls. I don't do that to

1008
00:50:21,600 --> 00:50:23,279
Speaker 1: anybody's girl. The most I would do is give my

1009
00:50:23,360 --> 00:50:24,680
Speaker 1: home girl a hug if she's with her man, and

1010
00:50:24,719 --> 00:50:27,400
Speaker 1: there won't be no long, tight embrace, something quicken to

1011
00:50:27,480 --> 00:50:30,040
Speaker 1: the point. But Amari Hardwood doesn't abide by those rules.

1012
00:50:30,040 --> 00:50:32,200
Speaker 1: Because you, as you can see if you're watching Revolting,

1013
00:50:33,320 --> 00:50:37,359
Speaker 1: Amari hug Beyonce and he kissed her on the cheek.

1014
00:50:38,200 --> 00:50:42,880
Speaker 1: Them seconds later he kissed her on the cheek again. Now,

1015
00:50:42,960 --> 00:50:44,840
Speaker 1: this could just be me, but I felt like I

1016
00:50:44,880 --> 00:50:47,360
Speaker 1: saw Beyonce looking like Homie you're doing too much. But

1017
00:50:47,480 --> 00:50:50,279
Speaker 1: even if Beyonce was perfectly okay with it, my brother's no,

1018
00:50:50,840 --> 00:50:52,799
Speaker 1: all right, that is not properly etiquette when greeting someone

1019
00:50:52,880 --> 00:50:55,120
Speaker 1: else's woman doesn't have anything to do with her man

1020
00:50:55,239 --> 00:50:59,840
Speaker 1: being insecure. It's now twisted definition of toxic masculine and

1021
00:51:00,239 --> 00:51:02,840
Speaker 1: you shouldn't do that simply out of respect, respect for

1022
00:51:02,920 --> 00:51:05,480
Speaker 1: that woman's boundaries and respect for her man. Amara got

1023
00:51:05,560 --> 00:51:07,760
Speaker 1: a wife. I would love for someone to show Amara

1024
00:51:07,880 --> 00:51:10,120
Speaker 1: that video and ask him how he would feel if

1025
00:51:10,200 --> 00:51:12,799
Speaker 1: someone did that to his wife or envy. What if

1026
00:51:12,840 --> 00:51:16,560
Speaker 1: a man did that to your wife? Um, if I

1027
00:51:16,719 --> 00:51:20,120
Speaker 1: was in like that, Yes, I mean we have some problem.

1028
00:51:20,160 --> 00:51:21,879
Speaker 1: We have some furniture moving. He did. I ain't gona

1029
00:51:21,880 --> 00:51:23,560
Speaker 1: say all that man be some furniture. He did a

1030
00:51:23,600 --> 00:51:26,600
Speaker 1: little too much, too much. Yeah, I mean a guys

1031
00:51:26,640 --> 00:51:28,040
Speaker 1: grabbed your ass in front of your wife. So that

1032
00:51:28,080 --> 00:51:29,279
Speaker 1: was a little bit too much too. So I just

1033
00:51:29,320 --> 00:51:30,600
Speaker 1: wanted to I just want to put that out there.

1034
00:51:30,640 --> 00:51:33,759
Speaker 1: He didn't. He didn't grab my ass. He smacked masks

1035
00:51:33,760 --> 00:51:35,880
Speaker 1: and said good job. This difference. Oh, it's like you

1036
00:51:35,920 --> 00:51:39,960
Speaker 1: know when you play basketball. But I think Amara got

1037
00:51:40,000 --> 00:51:42,080
Speaker 1: caught up, all right. I think Amara got so excited

1038
00:51:42,120 --> 00:51:44,239
Speaker 1: to be beyond say like a lot of people do,

1039
00:51:44,600 --> 00:51:46,560
Speaker 1: that he lost his cool. But the reason this is

1040
00:51:46,600 --> 00:51:48,480
Speaker 1: a teachable moment is because we as men have to

1041
00:51:48,560 --> 00:51:51,120
Speaker 1: learn all boundaries. You should not feel entitled the kids

1042
00:51:51,160 --> 00:51:54,160
Speaker 1: any woman once or twice, you know, without her permission.

1043
00:51:54,160 --> 00:51:56,080
Speaker 1: I was reading an article in New York magazine by

1044
00:51:56,160 --> 00:51:59,040
Speaker 1: a woman named Lucy Flores. I think you pronounced that

1045
00:51:59,080 --> 00:52:01,120
Speaker 1: she was a nominee for lou Senant governor and Nevada

1046
00:52:01,160 --> 00:52:03,759
Speaker 1: back in twenty fourteen. And she told a story about

1047
00:52:03,840 --> 00:52:06,959
Speaker 1: former Vice President Joe Biden coming up behind her, putting

1048
00:52:07,000 --> 00:52:10,000
Speaker 1: two hands on her shoulders, leaning into her, and kissing

1049
00:52:10,040 --> 00:52:12,080
Speaker 1: her on the back back of her head. Now, Joe

1050
00:52:12,120 --> 00:52:16,680
Speaker 1: Biden says never did he believe he acted inappropriately. If

1051
00:52:16,719 --> 00:52:19,560
Speaker 1: it is suggested he did so, he will listen respectfully.

1052
00:52:19,640 --> 00:52:22,000
Speaker 1: He also said that America has arrived at an important

1053
00:52:22,040 --> 00:52:25,040
Speaker 1: time when women feel they can and should relate their experience,

1054
00:52:25,080 --> 00:52:27,440
Speaker 1: should be able to explain their experiences, and men should

1055
00:52:27,440 --> 00:52:30,040
Speaker 1: pay attention, And Joe Biden says he will. He is

1056
00:52:30,040 --> 00:52:32,839
Speaker 1: absolutely right. And I hope Omar is not watching all

1057
00:52:32,920 --> 00:52:36,320
Speaker 1: his backlash and feeling defensive, because I'm sure his intentions

1058
00:52:36,360 --> 00:52:40,480
Speaker 1: weren't disrespectful, but that doesn't mean it wasn't disrespectful. Intention

1059
00:52:40,640 --> 00:52:43,120
Speaker 1: is one thing, but impact is another. And Omari, when

1060
00:52:43,160 --> 00:52:46,840
Speaker 1: women are telling you that you did something inappropriate, like

1061
00:52:47,000 --> 00:52:49,319
Speaker 1: so many of them are telling you online right now,

1062
00:52:49,880 --> 00:52:52,800
Speaker 1: we need to just shut the hell up and listen,

1063
00:52:53,160 --> 00:52:56,000
Speaker 1: and fellas, we need to learn from the mistakes of others.

1064
00:52:56,480 --> 00:52:58,880
Speaker 1: Please give Amar hard with the sweet sides of the Hamletones.

1065
00:52:59,080 --> 00:53:11,399
Speaker 1: Oh no gee, oh the da gee, oh the day.

1066
00:53:16,400 --> 00:53:19,480
Speaker 1: I feel free to tell me if I'm reaching a

1067
00:53:19,560 --> 00:53:21,680
Speaker 1: little bit of people online are reaching a little bit

1068
00:53:21,719 --> 00:53:24,719
Speaker 1: because I just feel like that was improper etiquette to do.

1069
00:53:24,960 --> 00:53:27,200
Speaker 1: It wasn't proper etiquette. I don't think he I don't

1070
00:53:27,239 --> 00:53:28,880
Speaker 1: think he meant to kids up. I don't think he

1071
00:53:28,920 --> 00:53:31,120
Speaker 1: meant to kiss for that close to her lips um.

1072
00:53:31,200 --> 00:53:32,520
Speaker 1: But I do think he was doing too much. But

1073
00:53:32,560 --> 00:53:34,000
Speaker 1: it could have been a lot of anything. It could

1074
00:53:34,040 --> 00:53:36,000
Speaker 1: have been. You know, they were at the Double ACP Awards.

1075
00:53:36,040 --> 00:53:38,480
Speaker 1: Maybe he had a little too much to drink. Jesus cract.

1076
00:53:38,480 --> 00:53:39,800
Speaker 1: He's just gonna say the man was drunk all of this.

1077
00:53:40,440 --> 00:53:42,279
Speaker 1: Maybe he was, because yeah, that's not like, that's not

1078
00:53:42,360 --> 00:53:44,200
Speaker 1: something you do maybe he was nervous. He was kind

1079
00:53:44,239 --> 00:53:47,479
Speaker 1: of I think, because it's beyond excited. He was a little,

1080
00:53:47,719 --> 00:53:49,800
Speaker 1: you know, star struck. It was could have been that,

1081
00:53:49,920 --> 00:53:51,319
Speaker 1: That's what I think it was. It could have been

1082
00:53:51,360 --> 00:53:52,600
Speaker 1: it could have been a bunch of that because held

1083
00:53:52,600 --> 00:53:54,600
Speaker 1: a little too tight, like that was a little too safe.

1084
00:53:56,120 --> 00:53:58,520
Speaker 1: Just maybe it was a little too tipsy. You have

1085
00:53:58,600 --> 00:54:00,320
Speaker 1: a normal person, you just ain't now you just go

1086
00:54:00,480 --> 00:54:02,879
Speaker 1: hold you were like? All right? And once again, where

1087
00:54:03,040 --> 00:54:08,919
Speaker 1: is Julius? Whenever we see beyond getting the attack, you guys,

1088
00:54:08,960 --> 00:54:12,360
Speaker 1: not attacks by a fan. And I'm talking about the

1089
00:54:12,360 --> 00:54:16,640
Speaker 1: actuality the fan. Remember the fan is Julius in these situations?

1090
00:54:17,239 --> 00:54:18,640
Speaker 1: I don't know, but he didn't get attacked there. But

1091
00:54:18,719 --> 00:54:21,280
Speaker 1: let's open up the phone ups, all right? Eight hundred

1092
00:54:21,400 --> 00:54:24,120
Speaker 1: five eighty five, one oh five one. What's proper etiquette

1093
00:54:24,360 --> 00:54:26,839
Speaker 1: when talking to someone's girl a wife? That's right? Think

1094
00:54:26,880 --> 00:54:29,280
Speaker 1: about it. You killed Silver for the same type of stuff. Ghost,

1095
00:54:29,920 --> 00:54:32,960
Speaker 1: I'm with you. I like a good handshake. I look

1096
00:54:33,000 --> 00:54:34,799
Speaker 1: you in your eyes and shake. And then every once

1097
00:54:34,840 --> 00:54:36,640
Speaker 1: in a while somebody else say, hey, you know, we

1098
00:54:36,680 --> 00:54:38,400
Speaker 1: don't do handshakes, we do hugs. And then you just

1099
00:54:38,440 --> 00:54:40,359
Speaker 1: get him a little quick, no hug, keep a moving

1100
00:54:40,360 --> 00:54:44,080
Speaker 1: and count how long this hug was played? One more time?

1101
00:54:44,440 --> 00:54:46,759
Speaker 1: Let me come, let me see all right, there goes

1102
00:54:46,800 --> 00:54:48,600
Speaker 1: you know, he takes a picture of hold no, let

1103
00:54:48,680 --> 00:54:52,759
Speaker 1: me come all right. Then he goes kiss one, two, three.

1104
00:54:53,160 --> 00:54:56,200
Speaker 1: That's too many. That's too many. He didn't go that fall,

1105
00:54:56,480 --> 00:54:58,040
Speaker 1: he didn't go. That phone is about four dollars and

1106
00:54:58,120 --> 00:55:01,000
Speaker 1: six second hug and two kisses. See, wow, that's too far.

1107
00:55:01,200 --> 00:55:03,080
Speaker 1: All right, we got more coming up next. We're a

1108
00:55:03,120 --> 00:55:11,160
Speaker 1: breakfast club, the breakfast club. Come on the relationship advice,

1109
00:55:11,719 --> 00:55:15,160
Speaker 1: need personal advice, just need real advice. Call up now

1110
00:55:15,280 --> 00:55:21,560
Speaker 1: for ask ye morning? Everybody is dj Envy Angela yee scharl.

1111
00:55:21,600 --> 00:55:23,719
Speaker 1: I mean the guy we all the breakfast club with

1112
00:55:23,840 --> 00:55:27,279
Speaker 1: in the middle of ask ye Hello, who's this? It's

1113
00:55:27,320 --> 00:55:30,520
Speaker 1: travel travel something you want that call every morning? Yeah?

1114
00:55:32,320 --> 00:55:35,440
Speaker 1: What's your question for you? Bro? Hey man, Hey, y'all

1115
00:55:35,440 --> 00:55:37,680
Speaker 1: been trying to embox you for a while on Instagram,

1116
00:55:37,760 --> 00:55:39,480
Speaker 1: and I know you got a lot of things to do,

1117
00:55:39,680 --> 00:55:41,320
Speaker 1: but hey, I've been in the friends zone with this

1118
00:55:41,600 --> 00:55:44,759
Speaker 1: female for a while now, right, and it's like he

1119
00:55:44,920 --> 00:55:48,400
Speaker 1: got an ex boyfriend and it's like I'm playing number

1120
00:55:48,480 --> 00:55:51,520
Speaker 1: two is like if he isn't around and I'm around,

1121
00:55:51,640 --> 00:55:54,480
Speaker 1: and if I'm not around, he's around, and it's like

1122
00:55:54,760 --> 00:55:56,560
Speaker 1: I don't want to say I want to be stuck

1123
00:55:56,640 --> 00:55:59,560
Speaker 1: in the friends zone because it's like I lost a

1124
00:55:59,600 --> 00:56:02,239
Speaker 1: lot of respect for her in the last few years.

1125
00:56:02,360 --> 00:56:04,520
Speaker 1: Was being in the friends Well you've been doing this

1126
00:56:04,640 --> 00:56:07,880
Speaker 1: for years. Yeah, I understand that, but it's like, you know,

1127
00:56:08,000 --> 00:56:10,480
Speaker 1: I try to try to get out of that, and

1128
00:56:10,600 --> 00:56:13,319
Speaker 1: it's like, you know, I got myself in the jam

1129
00:56:13,760 --> 00:56:17,480
Speaker 1: with you know, like her birthday was around the corner,

1130
00:56:17,840 --> 00:56:19,400
Speaker 1: and you know, I don't want to be like, hey,

1131
00:56:19,480 --> 00:56:21,399
Speaker 1: I'm not beating you nothing because of how you did

1132
00:56:21,560 --> 00:56:23,719
Speaker 1: this and how you did that, or I don't want

1133
00:56:23,760 --> 00:56:25,840
Speaker 1: to be this this year. Okay, so you're in the

1134
00:56:25,920 --> 00:56:28,120
Speaker 1: friend zone. You consider this woman to be your friend,

1135
00:56:29,160 --> 00:56:32,719
Speaker 1: but you have some benefits. No, so you're just her friends.

1136
00:56:32,760 --> 00:56:35,360
Speaker 1: So what's the problem? She said it though with standard

1137
00:56:35,440 --> 00:56:37,400
Speaker 1: like I can't do such a thing that she would do,

1138
00:56:37,480 --> 00:56:39,320
Speaker 1: but she feels like she can do it. You know,

1139
00:56:39,840 --> 00:56:42,400
Speaker 1: you let her. I mean, I understand that, but I

1140
00:56:42,440 --> 00:56:44,640
Speaker 1: don't want to be the person that I don't want

1141
00:56:44,680 --> 00:56:46,680
Speaker 1: to be. Jeff, you can do whatever you want to do.

1142
00:56:47,000 --> 00:56:48,600
Speaker 1: Who can tell you what you can and can't do.

1143
00:56:49,160 --> 00:56:51,520
Speaker 1: I understand that I do this. There's the decisions that

1144
00:56:51,600 --> 00:56:54,239
Speaker 1: you're making based off of what she wants. Yes, it

1145
00:56:54,280 --> 00:56:57,239
Speaker 1: sounds like she's lost respect for you. I mean, I

1146
00:56:57,400 --> 00:56:59,720
Speaker 1: understand that, but I don't think it's lost the respect

1147
00:57:00,000 --> 00:57:02,320
Speaker 1: because I feel like I just don't want to, you know,

1148
00:57:02,600 --> 00:57:05,600
Speaker 1: be that person that just, you know, want to be

1149
00:57:05,760 --> 00:57:07,960
Speaker 1: there for somebody that don't feel like they're there for me,

1150
00:57:08,239 --> 00:57:10,520
Speaker 1: you know. Okay, So do you like her as more

1151
00:57:10,560 --> 00:57:12,480
Speaker 1: than a friend? I'm confused because you said y'all are

1152
00:57:12,480 --> 00:57:15,280
Speaker 1: just friend. Yeah. Yeah, I like her more than a friend.

1153
00:57:15,360 --> 00:57:17,360
Speaker 1: But it's like it's nothing I can do. You know

1154
00:57:17,400 --> 00:57:19,439
Speaker 1: what's so crazy? This is my first child calling you guys,

1155
00:57:19,480 --> 00:57:23,120
Speaker 1: and I could got pulled over on the radio. Well,

1156
00:57:23,200 --> 00:57:25,240
Speaker 1: so she doesn't like you, So that's what it is. Like.

1157
00:57:25,400 --> 00:57:27,880
Speaker 1: She considers you a friend. She knows you like her.

1158
00:57:27,920 --> 00:57:31,040
Speaker 1: It's great for her ego. You're for years. I've been

1159
00:57:31,080 --> 00:57:33,320
Speaker 1: willing to accept that, even though you've been pining away

1160
00:57:33,360 --> 00:57:37,280
Speaker 1: for her. But she's not interested in you. You can

1161
00:57:37,320 --> 00:57:43,280
Speaker 1: be adopted at This guy's having a terrible Let me

1162
00:57:43,360 --> 00:57:47,240
Speaker 1: talk to him. Let me talk to the officer, I'm

1163
00:57:47,240 --> 00:57:49,440
Speaker 1: gonna truck driver. I stopped at the Camerican Bank and

1164
00:57:49,480 --> 00:57:51,760
Speaker 1: I pulled off because that's fine, that's fine. That's got

1165
00:57:51,840 --> 00:57:54,200
Speaker 1: to get at the house right next door where you

1166
00:57:54,320 --> 00:57:57,640
Speaker 1: pulled out. We got a burglary from early in the morning,

1167
00:57:57,760 --> 00:57:59,840
Speaker 1: off room from donuts. I just wanted to stop talking.

1168
00:58:01,480 --> 00:58:03,880
Speaker 1: It's a Charlotte Maign from the breakfast club. He offered

1169
00:58:03,920 --> 00:58:05,680
Speaker 1: me to tell you he needs some going, but I

1170
00:58:05,840 --> 00:58:15,960
Speaker 1: got in you whoa, Yeah, I'm sorry, but drive truck

1171
00:58:16,040 --> 00:58:20,760
Speaker 1: to off his de plub yeah, off his depot equipment. Okay.

1172
00:58:20,800 --> 00:58:22,280
Speaker 1: I don't know if I'm more offended that he didn't

1173
00:58:22,280 --> 00:58:23,520
Speaker 1: want to donus and he don't know who I am.

1174
00:58:25,600 --> 00:58:29,240
Speaker 1: You definitely don't know who you are. I'm sorry, it's

1175
00:58:29,240 --> 00:58:31,240
Speaker 1: just right. I'm asking on the phone with the radio

1176
00:58:31,360 --> 00:58:33,200
Speaker 1: right now, No, not the radio, say the breakfast club.

1177
00:58:33,240 --> 00:58:35,120
Speaker 1: Ask me if you listen to the breast. Definitely doesn't.

1178
00:58:35,440 --> 00:58:38,680
Speaker 1: And he said, if you guys listen to the breath. Okay, okay,

1179
00:58:39,160 --> 00:58:41,400
Speaker 1: I'm asking the whole line for a second. Okay, okay,

1180
00:58:41,600 --> 00:58:43,000
Speaker 1: before you open that, you know what I mean, weapons

1181
00:58:43,080 --> 00:58:46,680
Speaker 1: or anything, I know, stay on the phone. Yeah, don't

1182
00:58:46,680 --> 00:58:53,640
Speaker 1: get arrested. Trap, don't get shot. Okay, So I take

1183
00:58:53,680 --> 00:58:55,560
Speaker 1: it he doesn't listen to the breakfast club. No, Chad,

1184
00:58:55,680 --> 00:59:01,040
Speaker 1: this girl, this girl is ruining your life together. There

1185
00:59:01,120 --> 00:59:04,440
Speaker 1: you go, were ain't dangerous, and then we'll open it off.

1186
00:59:04,480 --> 00:59:06,360
Speaker 1: Make sure you got your that office equipment like you said,

1187
00:59:06,400 --> 00:59:08,640
Speaker 1: and then we'll we'll voting narrow. Guys. I have to

1188
00:59:08,720 --> 00:59:10,560
Speaker 1: got to deliver to the police stafe and not delivered

1189
00:59:10,560 --> 00:59:13,920
Speaker 1: to you guys. Every day I bring y'all y'all donuts

1190
00:59:14,000 --> 00:59:16,600
Speaker 1: every morning. I pray the guy that he only has

1191
00:59:16,680 --> 00:59:18,680
Speaker 1: office equipment in the back of the hand check. I

1192
00:59:18,760 --> 00:59:20,720
Speaker 1: just don't want you to open out the back here before.

1193
00:59:21,080 --> 00:59:23,960
Speaker 1: Yeah you do, traps, I like they're illegally searching you.

1194
00:59:24,000 --> 00:59:26,080
Speaker 1: I wouldn't have gave you permission. You shouldn't have gave

1195
00:59:26,120 --> 00:59:29,919
Speaker 1: it a permission. Tip. Yes, that's it's it's a weird week.

1196
00:59:30,080 --> 00:59:34,960
Speaker 1: Man's really weird. Thank Traff. Trap, don't listen to have

1197
00:59:35,040 --> 00:59:37,560
Speaker 1: you see Yeah you want to talk to on MorphOS.

1198
00:59:37,680 --> 00:59:39,960
Speaker 1: I'm really literally it does not want to talk to us.

1199
00:59:44,240 --> 00:59:48,000
Speaker 1: An out you sound suspicious. Hub on the ground. Traff,

1200
00:59:48,120 --> 00:59:52,800
Speaker 1: you don't have to open up your car, okay, Okay,

1201
00:59:52,880 --> 00:59:54,560
Speaker 1: he do. He's trying to let me go. I'm so

1202
00:59:54,720 --> 00:59:58,360
Speaker 1: sorry about that. You guys, I'm so sorry. I'm sorry.

1203
00:59:59,080 --> 01:00:00,640
Speaker 1: I just want to say you, if you're a very

1204
01:00:00,760 --> 01:00:02,880
Speaker 1: nice guy, you need to find you a woman that

1205
01:00:02,960 --> 01:00:05,360
Speaker 1: wants to be with you. When you're calling me and

1206
01:00:05,400 --> 01:00:07,920
Speaker 1: I don't calling from Detroit and Charlomagne, I want to

1207
01:00:07,960 --> 01:00:10,960
Speaker 1: ask that, ye, and Envy is always in Detroit, but

1208
01:00:11,120 --> 01:00:13,640
Speaker 1: you never come. I'd be home. Listen, we need better

1209
01:00:13,680 --> 01:00:18,120
Speaker 1: promo and marketing Detroit. R. You worried about Charloigne not

1210
01:00:18,160 --> 01:00:20,000
Speaker 1: coming to Detroit. You're about to get locked up traveling

1211
01:00:20,760 --> 01:00:22,800
Speaker 1: Chairman's I'll be in Detroit in a couple of weeks.

1212
01:00:23,920 --> 01:00:26,920
Speaker 1: We're gonna find you a nice woman, because there's no

1213
01:00:27,040 --> 01:00:30,080
Speaker 1: reason that you should be somebody's uh not even choice.

1214
01:00:30,120 --> 01:00:33,000
Speaker 1: She doesn't. She just considers you a friend. She's using you. Yeah,

1215
01:00:33,040 --> 01:00:36,840
Speaker 1: I understand that. I understand that. Okay, Yeah, but she

1216
01:00:36,920 --> 01:00:39,600
Speaker 1: had bailed you out if you got arrested or yeah,

1217
01:00:39,720 --> 01:00:41,520
Speaker 1: but she more like the type of person she wants

1218
01:00:41,560 --> 01:00:43,720
Speaker 1: to know what you did and what happened. Well, of

1219
01:00:43,800 --> 01:00:46,280
Speaker 1: course you obviously, I mean, yeah, but she wanted to

1220
01:00:46,320 --> 01:00:48,080
Speaker 1: act like you know, it was my fart. I got

1221
01:00:48,120 --> 01:00:50,880
Speaker 1: poured over like I'm from the city and she from

1222
01:00:50,920 --> 01:00:52,720
Speaker 1: the suburbs. Let's stay it like that. She's not used

1223
01:00:52,760 --> 01:00:55,400
Speaker 1: to dealing with gods. She thinks I'm a regular. Who

1224
01:00:55,560 --> 01:00:58,600
Speaker 1: who it? Dude? But you know, I, well, you from

1225
01:00:58,640 --> 01:01:02,680
Speaker 1: the west. You're from the west side. Southwood River route

1226
01:01:03,960 --> 01:01:06,160
Speaker 1: out the course to Southwood. Trap. I don't want to

1227
01:01:06,160 --> 01:01:09,040
Speaker 1: give the phone with you, brocause operation I get said

1228
01:01:09,720 --> 01:01:12,080
Speaker 1: that corner out there, that's to the bank. We had

1229
01:01:12,080 --> 01:01:13,840
Speaker 1: a breakley alarm. Now that I was on the way through,

1230
01:01:14,840 --> 01:01:16,560
Speaker 1: I got the corn trap. Tell them listen to the

1231
01:01:16,600 --> 01:01:21,200
Speaker 1: breakfast club every morning on w j LB. Tell them

1232
01:01:21,200 --> 01:01:24,240
Speaker 1: listen to w JLB every morning. Traf, w j Ob

1233
01:01:24,560 --> 01:01:28,200
Speaker 1: tell me to the breakfast Club ninety seven nine, Charlotte Nye,

1234
01:01:28,240 --> 01:01:30,920
Speaker 1: say you listen to w JLB ninety seven point nine

1235
01:01:30,960 --> 01:01:34,640
Speaker 1: to Detroit right now the breakfast club tell us back none, okay,

1236
01:01:35,160 --> 01:01:37,920
Speaker 1: all right, you gotta take care enough, take care that traf.

1237
01:01:38,440 --> 01:01:42,560
Speaker 1: Oh my god, Travi is crazy. He wants to know

1238
01:01:42,640 --> 01:01:44,720
Speaker 1: if you want to donut tram crazy. I don't live

1239
01:01:44,720 --> 01:01:46,600
Speaker 1: in the trach. I'm fine dropping the clues bombs with

1240
01:01:47,000 --> 01:01:50,560
Speaker 1: breakfast club listeners. Damn it. The best the best. Nobody

1241
01:01:50,600 --> 01:01:56,560
Speaker 1: got better listening to nobody. There's no radio show in

1242
01:01:56,640 --> 01:01:59,280
Speaker 1: the country who got better listeners than us. You're right,

1243
01:01:59,480 --> 01:02:01,680
Speaker 1: we don't have listeners. We have other members of the club.

1244
01:02:01,920 --> 01:02:05,840
Speaker 1: That's right, the club. Stupid questions, officer, would you like

1245
01:02:05,920 --> 01:02:08,640
Speaker 1: a donut? Charlomagne wants to know what? All right? We

1246
01:02:08,760 --> 01:02:14,120
Speaker 1: got more coming up next. We're the breakfast club. Did

1247
01:02:14,200 --> 01:02:18,400
Speaker 1: some real advice with Angela Ye's ask ye morning. Everybody

1248
01:02:18,520 --> 01:02:22,040
Speaker 1: is DJ envy Angela Yee, Charlomagne the guy we are

1249
01:02:22,120 --> 01:02:24,480
Speaker 1: the breakfast Club. But in the middle of asking yee, hello,

1250
01:02:24,560 --> 01:02:28,800
Speaker 1: who's ask Dan? Hey? Good morning this man. That's what

1251
01:02:28,880 --> 01:02:32,920
Speaker 1: she said, feb ain't what's going on? Good morning? Good morning?

1252
01:02:34,880 --> 01:02:37,520
Speaker 1: You gain every good morning? Good morning Dan? What's your question?

1253
01:02:37,960 --> 01:02:41,280
Speaker 1: All right? I got a question for you? Huh? What

1254
01:02:41,400 --> 01:02:43,400
Speaker 1: could I do to make you smile? Do to make

1255
01:02:43,440 --> 01:02:45,600
Speaker 1: you cloud? If you say the bar high I go

1256
01:02:45,720 --> 01:02:48,479
Speaker 1: to instruth You're mate. I was kind of slamming because

1257
01:02:48,480 --> 01:02:50,520
Speaker 1: you're Asian red and black dress. I talked to for

1258
01:02:50,600 --> 01:02:52,760
Speaker 1: this occasion to look at the scene in your friends,

1259
01:02:52,840 --> 01:02:54,920
Speaker 1: sup Bil, But you will wear a rap gilt your

1260
01:02:54,960 --> 01:02:56,920
Speaker 1: PREDI himself. They don't like him when it comes to

1261
01:02:57,000 --> 01:02:59,040
Speaker 1: your heart. Only the bit. They don't slacking me with

1262
01:02:59,240 --> 01:03:01,120
Speaker 1: your partner for list I'm just trying to get you

1263
01:03:01,240 --> 01:03:03,240
Speaker 1: home a load and off the phone like a shot

1264
01:03:03,360 --> 01:03:05,520
Speaker 1: versus on y Come on you front and come and

1265
01:03:05,600 --> 01:03:07,400
Speaker 1: let me drip on your thighs within your eyes. We

1266
01:03:07,480 --> 01:03:10,439
Speaker 1: can listen to some como ye bib rose to those

1267
01:03:10,440 --> 01:03:12,439
Speaker 1: cover of the bed erom the floor. That's the bad

1268
01:03:12,520 --> 01:03:15,160
Speaker 1: quarter one profume character. The more I damn me food

1269
01:03:15,160 --> 01:03:17,600
Speaker 1: warding bed alone night, I'm just staring. I'm just trying

1270
01:03:17,600 --> 01:03:19,640
Speaker 1: to get you home to night. So what's your course

1271
01:03:19,680 --> 01:03:28,520
Speaker 1: of vie? What just happened? What's what's your course vi? Bro? No? No,

1272
01:03:30,320 --> 01:03:34,040
Speaker 1: I love our listeners. Boy, I heard something about something

1273
01:03:34,160 --> 01:03:36,280
Speaker 1: dripping on me. I don't know what that was. So

1274
01:03:36,400 --> 01:03:38,840
Speaker 1: you didn't hear the ball, Nope, no, but I hear

1275
01:03:38,880 --> 01:03:43,880
Speaker 1: you giggling right now to your boss. You didn't get

1276
01:03:43,960 --> 01:03:46,200
Speaker 1: down one of them, all right, No, we're gonna play

1277
01:03:46,200 --> 01:03:52,000
Speaker 1: it back though, trust me. Uh. Okay, let's do a

1278
01:03:52,040 --> 01:03:57,560
Speaker 1: real question. Now, let's do line three. Hello, who's this hey? Listen, Jamie?

1279
01:03:58,000 --> 01:04:02,000
Speaker 1: Who's be anonymous? But hey, my name? Okay, okay anonymous.

1280
01:04:02,040 --> 01:04:06,720
Speaker 1: You have a question for you. I do. Hi, Hi guys, Hey,

1281
01:04:07,440 --> 01:04:09,080
Speaker 1: I can't believe I'm want the form with you because

1282
01:04:09,200 --> 01:04:11,560
Speaker 1: I listen every morning. Thank you guys so much for

1283
01:04:11,680 --> 01:04:13,960
Speaker 1: just bringing smiles and laughter and joy into this like

1284
01:04:14,080 --> 01:04:17,400
Speaker 1: crazy world. Um, I'm a Brooklyn girl. I got two

1285
01:04:17,440 --> 01:04:20,280
Speaker 1: boyfriends and I want boyfriend number two to be boyfriend

1286
01:04:20,400 --> 01:04:25,080
Speaker 1: number one. Okay, you got two boyfriends, I do, charlol.

1287
01:04:25,840 --> 01:04:28,280
Speaker 1: You know, really you want to quote people over thirty

1288
01:04:28,320 --> 01:04:30,960
Speaker 1: four of golden girls. A couple of my friends texting

1289
01:04:31,000 --> 01:04:33,000
Speaker 1: me like, I'm definitely not a golden girl, but you

1290
01:04:33,080 --> 01:04:35,800
Speaker 1: know I just dom thirty eight years going two weeks

1291
01:04:35,840 --> 01:04:38,240
Speaker 1: A girls shout out to me and I can live

1292
01:04:38,280 --> 01:04:39,840
Speaker 1: in my best life, so whatever, and that would make

1293
01:04:39,920 --> 01:04:44,520
Speaker 1: him a golden girl as well as a girl Charlotte.

1294
01:04:45,200 --> 01:04:49,680
Speaker 1: All right, so what's your question? Anonymous? All right? Um?

1295
01:04:49,920 --> 01:04:53,960
Speaker 1: Another one lives in Florida. He's older. I love him good,

1296
01:04:54,000 --> 01:04:56,360
Speaker 1: he is amazing, he's great. But he's in Florida. But

1297
01:04:56,400 --> 01:04:58,920
Speaker 1: I met number two and he's gray. He lives here

1298
01:04:58,960 --> 01:05:01,720
Speaker 1: in the city with me, but he knows I'm moving

1299
01:05:01,760 --> 01:05:04,280
Speaker 1: actually to Charlotte. Wait wait, wait, so your boyfriend lives

1300
01:05:04,280 --> 01:05:07,240
Speaker 1: in Florida, but you have another boyfriend that lives with you. Well,

1301
01:05:07,280 --> 01:05:11,440
Speaker 1: he lives in the New York area okay where I am? Okay,

1302
01:05:11,720 --> 01:05:14,960
Speaker 1: oh yeah, and he knows about number one, but number

1303
01:05:14,960 --> 01:05:16,640
Speaker 1: one don't know about number two. I always do it

1304
01:05:16,680 --> 01:05:20,560
Speaker 1: that way. Okay, but good for you, thank you. But

1305
01:05:21,680 --> 01:05:23,680
Speaker 1: I'm just like he knows that I'm saying, and I

1306
01:05:23,800 --> 01:05:26,040
Speaker 1: think that he's pushing away from me because he knows

1307
01:05:26,120 --> 01:05:28,480
Speaker 1: I'm going. But it's just Charlotte, and I'm going out

1308
01:05:28,480 --> 01:05:31,360
Speaker 1: there to make some more bread. So I'm gonna tell

1309
01:05:31,360 --> 01:05:34,280
Speaker 1: you this. Your second boyfriend who lives here, probably also

1310
01:05:34,640 --> 01:05:37,360
Speaker 1: because he knows you have a main boyfriend, thinks, well,

1311
01:05:37,640 --> 01:05:40,320
Speaker 1: she ain't really ish anyway, I'm having a good time

1312
01:05:40,360 --> 01:05:43,640
Speaker 1: with her. And he probably doesn't trust you because he's

1313
01:05:43,640 --> 01:05:46,720
Speaker 1: already the side piece, and so he probably thinks if

1314
01:05:46,760 --> 01:05:48,200
Speaker 1: she'll do it to him, she'll do it to me,

1315
01:05:48,880 --> 01:05:52,720
Speaker 1: especially if you move away. So I think, um, he

1316
01:05:52,840 --> 01:05:55,320
Speaker 1: might even I really didn't even think about that. You

1317
01:05:55,320 --> 01:05:57,880
Speaker 1: don't get tired. You don't get tired running back and forth,

1318
01:05:58,760 --> 01:06:04,320
Speaker 1: not fun um the Florida you know? She yeah, I

1319
01:06:05,240 --> 01:06:11,280
Speaker 1: na son, no, I work. Look, Look I'm a golden girl, Charlotte.

1320
01:06:11,320 --> 01:06:12,960
Speaker 1: If we get out we ket the poppet are you?

1321
01:06:13,320 --> 01:06:15,560
Speaker 1: Are you like a sugar mama? Are you paying for something?

1322
01:06:15,640 --> 01:06:19,800
Speaker 1: Or though? Hell nothing? Your boyfriend and Florida is older.

1323
01:06:20,280 --> 01:06:22,440
Speaker 1: But yeah, so I would I would guess that your

1324
01:06:22,480 --> 01:06:24,720
Speaker 1: boyfriend here sees how you move and how you operate

1325
01:06:24,760 --> 01:06:26,400
Speaker 1: and how you lie to your main man and probably

1326
01:06:26,440 --> 01:06:28,760
Speaker 1: doesn't feel comfortable. But see, the thing is at a

1327
01:06:28,800 --> 01:06:30,800
Speaker 1: lie to me, man me man of the one is like, yo,

1328
01:06:30,880 --> 01:06:32,600
Speaker 1: I know who you're young out here and there like

1329
01:06:32,640 --> 01:06:35,480
Speaker 1: go have fun, But I'm like, no, baby, if you

1330
01:06:36,080 --> 01:06:38,960
Speaker 1: so that is lying? Are you lying? You just lie

1331
01:06:39,000 --> 01:06:41,520
Speaker 1: to me and then told on yourself. You're a good

1332
01:06:41,600 --> 01:06:45,320
Speaker 1: life right listen baby, it doesn't even sound like you

1333
01:06:45,400 --> 01:06:49,360
Speaker 1: need to have a boyfriend. Oh maybe that's so why

1334
01:06:49,440 --> 01:06:51,400
Speaker 1: not figure out what happens when you move? You don't

1335
01:06:51,400 --> 01:06:53,880
Speaker 1: gotta make a decision or a choice right now. You

1336
01:06:54,040 --> 01:06:56,160
Speaker 1: moved to Charlotte as a single woman and being free

1337
01:06:56,200 --> 01:06:58,040
Speaker 1: to do whatever you want. If you feel like staying

1338
01:06:58,080 --> 01:06:59,880
Speaker 1: with your boyfriend and Florida, you will. If you feel

1339
01:06:59,880 --> 01:07:03,720
Speaker 1: like keeping the boyfriend Harlem, you will. But I think

1340
01:07:03,760 --> 01:07:05,600
Speaker 1: you need to break up with your boyfriend because you're

1341
01:07:05,600 --> 01:07:07,840
Speaker 1: already cheating on him. He's already not your first choice.

1342
01:07:07,880 --> 01:07:09,479
Speaker 1: The first thing you said was you want your second

1343
01:07:09,560 --> 01:07:11,960
Speaker 1: choice to be your first choice, So maybe first choice

1344
01:07:12,000 --> 01:07:17,280
Speaker 1: doesn't deserve that spot. Thanks guys. All right, single girl.

1345
01:07:20,120 --> 01:07:22,000
Speaker 1: Last thing I knew you was gonna say that, finish

1346
01:07:22,080 --> 01:07:25,920
Speaker 1: out that summer girl, by y'all, Ask ye eight hundred

1347
01:07:25,960 --> 01:07:27,520
Speaker 1: five eight five one oh five one. If you need

1348
01:07:27,560 --> 01:07:29,840
Speaker 1: relationship advice, he now is the breakfast Club. Good morning,

1349
01:07:30,440 --> 01:07:38,640
Speaker 1: the Breakfast Club. Come on, relationship advice, need personal advice?

1350
01:07:39,160 --> 01:07:43,840
Speaker 1: Just need real advice? Call up now for ask ye morning.

1351
01:07:43,880 --> 01:07:47,840
Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We

1352
01:07:47,920 --> 01:07:50,320
Speaker 1: are the breakfast Club. We're in the middle of asking ye. Hello.

1353
01:07:50,400 --> 01:07:54,800
Speaker 1: Who's this are you doing today? Man? My name is Chris, Chris.

1354
01:07:54,880 --> 01:07:58,440
Speaker 1: What's your course the for you? What's going on? Yeah? Um,

1355
01:07:58,560 --> 01:08:02,360
Speaker 1: I got a question and this is a kind of

1356
01:08:02,480 --> 01:08:04,919
Speaker 1: personal Well, I figured you was the best person to act.

1357
01:08:05,280 --> 01:08:08,440
Speaker 1: I've been with my girlfriend now for about thirteen years

1358
01:08:08,880 --> 01:08:12,880
Speaker 1: and I never made her orgasm. And I'm just wondering

1359
01:08:13,960 --> 01:08:16,479
Speaker 1: what that make a woman wanted cheat on the man?

1360
01:08:16,680 --> 01:08:19,040
Speaker 1: Or has she already cheated on the man? I had

1361
01:08:19,160 --> 01:08:21,519
Speaker 1: better game than me? Well, yeah, I don't know that

1362
01:08:21,600 --> 01:08:23,880
Speaker 1: that's your Now, can she orgasm? Has she ever had one?

1363
01:08:24,640 --> 01:08:27,479
Speaker 1: I don't think so, because to my knowledge, I took

1364
01:08:27,520 --> 01:08:30,599
Speaker 1: her Virginie. Okay, if I'm the only man she ever

1365
01:08:30,720 --> 01:08:34,519
Speaker 1: been with, then um no, she has not. Has she

1366
01:08:34,600 --> 01:08:39,000
Speaker 1: ever had an orgasm for masturbation by herself? But um no,

1367
01:08:39,640 --> 01:08:41,080
Speaker 1: I'm sorry, I didn't mean to be cut you off.

1368
01:08:41,200 --> 01:08:44,920
Speaker 1: Probably going to say um two times out of the

1369
01:08:45,000 --> 01:08:49,840
Speaker 1: thirteen years, as I was a performance oral on her,

1370
01:08:50,400 --> 01:08:56,280
Speaker 1: she did reach it ever with my Johnson, And that's fine.

1371
01:08:56,360 --> 01:08:59,400
Speaker 1: You know, there's some women who really can orgasm that

1372
01:08:59,479 --> 01:09:03,320
Speaker 1: way much easier. And so I think for me personally,

1373
01:09:03,760 --> 01:09:05,200
Speaker 1: as long as I get when, I don't care if

1374
01:09:05,240 --> 01:09:07,760
Speaker 1: it's from oral or from when we have intercourse, I'm

1375
01:09:07,800 --> 01:09:11,599
Speaker 1: fine either way. Okay, Okay, So I guess my question

1376
01:09:11,880 --> 01:09:16,439
Speaker 1: is over a thirteen years span, if your man was

1377
01:09:16,520 --> 01:09:19,200
Speaker 1: only able to make the word gas from two times

1378
01:09:19,720 --> 01:09:23,320
Speaker 1: and never from this Johnson, only from his only from

1379
01:09:23,439 --> 01:09:27,320
Speaker 1: his time, would that make a woman wonder of or

1380
01:09:27,840 --> 01:09:30,000
Speaker 1: I'm gonna tell you what I think. Number one. Has

1381
01:09:30,040 --> 01:09:32,360
Speaker 1: she brought this up as an issue to you? No,

1382
01:09:32,600 --> 01:09:35,040
Speaker 1: it's an issue to me, okay, And that's good because

1383
01:09:35,080 --> 01:09:36,920
Speaker 1: you care. I'm gonna tell you this. You know, we

1384
01:09:37,000 --> 01:09:39,599
Speaker 1: can have great sex as women without necessarily having an

1385
01:09:39,760 --> 01:09:42,639
Speaker 1: orgasm and still feel fulfilled. Now, having an orgasm is great,

1386
01:09:42,920 --> 01:09:44,880
Speaker 1: but I think it's different like we always feel like

1387
01:09:44,960 --> 01:09:47,360
Speaker 1: when a man. When a man has an orgasm, we're done.

1388
01:09:48,000 --> 01:09:50,600
Speaker 1: But for a woman, sometimes it doesn't happen and it

1389
01:09:50,640 --> 01:09:52,680
Speaker 1: still can be a great experience. Now, why don't you

1390
01:09:53,160 --> 01:09:55,519
Speaker 1: do oral more and make her an orgasm that way more?

1391
01:09:56,439 --> 01:10:00,320
Speaker 1: I do do oral a lot. I absolutely like doing or.

1392
01:10:01,400 --> 01:10:05,600
Speaker 1: The problem is she doesn't finish. Every time I do

1393
01:10:05,760 --> 01:10:08,360
Speaker 1: the oorl. It just happens, you know, just them two times,

1394
01:10:08,400 --> 01:10:10,360
Speaker 1: and I try to do it to that same way,

1395
01:10:10,800 --> 01:10:13,640
Speaker 1: you know, keep everything in the same and it just

1396
01:10:13,840 --> 01:10:17,000
Speaker 1: doesn't seem to play out. I mean, now she seems

1397
01:10:17,040 --> 01:10:21,120
Speaker 1: to be enjoying it, um, but it just never gets

1398
01:10:21,360 --> 01:10:26,240
Speaker 1: to finish. Did you ask her? Yeah? Um, And she

1399
01:10:26,360 --> 01:10:29,040
Speaker 1: always say that she doesn't know. She always say most

1400
01:10:29,120 --> 01:10:31,880
Speaker 1: women don't And I just I just find that hard

1401
01:10:31,920 --> 01:10:35,040
Speaker 1: to believe. Now, there's definitely women who have never had this,

1402
01:10:35,200 --> 01:10:37,479
Speaker 1: women who have never had orgasms. And I understand that

1403
01:10:37,600 --> 01:10:40,479
Speaker 1: you feel like frustrated about it. Does she masturbate? No,

1404
01:10:40,680 --> 01:10:43,439
Speaker 1: she doesn't That might be helpful. If she knows what

1405
01:10:43,600 --> 01:10:45,360
Speaker 1: make can make her have an orgasm, she can help

1406
01:10:45,400 --> 01:10:48,519
Speaker 1: you figure that out. You know what. That makes sense.

1407
01:10:48,600 --> 01:10:50,720
Speaker 1: That makes a lot of sense. Maybe y'all could really

1408
01:10:50,800 --> 01:10:53,160
Speaker 1: like do it together. You could watch her masturbate. That

1409
01:10:53,200 --> 01:10:55,320
Speaker 1: could be really fun for you. Maybe she'll get into it.

1410
01:10:55,439 --> 01:10:58,000
Speaker 1: You guys can get a little freaky. Okay, Now I

1411
01:10:58,120 --> 01:11:00,760
Speaker 1: have one more question. If I've been with her these

1412
01:11:00,920 --> 01:11:04,439
Speaker 1: thirteen years and I don't know what her jez body is,

1413
01:11:04,840 --> 01:11:07,360
Speaker 1: isn't that a problem as well? You can find out

1414
01:11:07,520 --> 01:11:10,280
Speaker 1: right she's about to show you. Oh yeah, yeah, you

1415
01:11:10,360 --> 01:11:12,360
Speaker 1: guys gotta have fun with it. First of all, sometimes

1416
01:11:12,400 --> 01:11:14,720
Speaker 1: I think we also as women, you know, when we're

1417
01:11:14,720 --> 01:11:16,680
Speaker 1: having sex, we can be self conscious about things. We

1418
01:11:16,760 --> 01:11:19,080
Speaker 1: can be thinking too hard. There might be things that

1419
01:11:19,680 --> 01:11:22,880
Speaker 1: we're holding back and we don't feel completely comfortable. And

1420
01:11:23,000 --> 01:11:27,479
Speaker 1: she comfortable with her body. Um, I think she's comfortable

1421
01:11:27,520 --> 01:11:30,679
Speaker 1: with her body. But as far as doing certain things

1422
01:11:30,840 --> 01:11:35,560
Speaker 1: like being flamboyant, showing her body off, wearing um promister's

1423
01:11:35,640 --> 01:11:38,240
Speaker 1: type closing, she's not that type. I'm just talking about

1424
01:11:38,280 --> 01:11:40,080
Speaker 1: in the house. And she comfortable like when you guys

1425
01:11:40,120 --> 01:11:43,320
Speaker 1: are having sex, and she's very comfortable with her body. Yeah,

1426
01:11:43,560 --> 01:11:45,880
Speaker 1: for the most part, I would think so okay, Yeah,

1427
01:11:45,920 --> 01:11:49,479
Speaker 1: I would think that you guys should figure out just

1428
01:11:49,680 --> 01:11:52,600
Speaker 1: explore her body. Let her explore her body herself. I

1429
01:11:52,680 --> 01:11:54,680
Speaker 1: think that could be really fun for you both, for

1430
01:11:54,800 --> 01:11:57,160
Speaker 1: her to figure out what she needs. That might help

1431
01:11:57,200 --> 01:11:59,479
Speaker 1: her teach you what it is that she needs, and

1432
01:11:59,520 --> 01:12:01,960
Speaker 1: it might make her more relaxed. I think it's interesting

1433
01:12:02,000 --> 01:12:05,400
Speaker 1: that she doesn't masturbate at all, she doesn't masur. Better

1434
01:12:05,400 --> 01:12:08,679
Speaker 1: of all, unless you do it without telling me, without

1435
01:12:08,840 --> 01:12:11,800
Speaker 1: me knowing. Well, y'all should have that conversation because I

1436
01:12:11,880 --> 01:12:14,840
Speaker 1: think that could be really helpful. Okay, thank you so much.

1437
01:12:15,120 --> 01:12:17,080
Speaker 1: Help you'll appreciate that, all right, and believe her. If

1438
01:12:17,120 --> 01:12:18,679
Speaker 1: she's having a good time, you can tell a woman

1439
01:12:18,760 --> 01:12:20,720
Speaker 1: is enjoying sex. I really felt like I've had great

1440
01:12:20,760 --> 01:12:23,400
Speaker 1: sex sometimes and not had an orgasm from it. So

1441
01:12:23,520 --> 01:12:26,599
Speaker 1: that's okay, now what I like to orgasm every time? Yeah,

1442
01:12:26,720 --> 01:12:28,599
Speaker 1: but does it always happen? That doesn't mean it's bad

1443
01:12:28,720 --> 01:12:32,720
Speaker 1: if it doesn't. Yeah, Okay, thank you, But that was

1444
01:12:32,800 --> 01:12:34,800
Speaker 1: very sweet and thoughtful that you called though. Good luck,

1445
01:12:34,880 --> 01:12:37,080
Speaker 1: good luck brother. All right, we got more coming up

1446
01:12:37,120 --> 01:12:40,840
Speaker 1: next with a breakfast club wanting everybody is DJ Envy,

1447
01:12:41,160 --> 01:12:45,839
Speaker 1: Angela Yee, Charlomagne the guy. We are the breakfast club. Now, Charlomagne,

1448
01:12:45,840 --> 01:12:48,040
Speaker 1: you got a positive note? Yes, indeed, I want to

1449
01:12:48,040 --> 01:12:51,400
Speaker 1: tell everybody out there, man, embrace uncertainty. All right. Some

1450
01:12:51,520 --> 01:12:53,680
Speaker 1: of the most beautiful chapters in our lives won't have

1451
01:12:53,840 --> 01:12:56,840
Speaker 1: titles until much later. The Breakfast Club