1 00:00:00,200 --> 00:00:10,680 Speaker 1: It's nine Gene with Jenny Garth and Tori Spelling. Hey, everybody, 2 00:00:10,720 --> 00:00:15,160 Speaker 1: welcome to another episode of nine oh to one. O MG, 3 00:00:16,680 --> 00:00:19,320 Speaker 1: this was this was a real OMG, this was a 4 00:00:19,320 --> 00:00:23,439 Speaker 1: good episode. Today. I'm here with Amy Sugarman and Tories out, 5 00:00:23,480 --> 00:00:25,200 Speaker 1: so we're going to fill in and do our best 6 00:00:25,360 --> 00:00:29,080 Speaker 1: to give a good recap. So let's do this. Well, 7 00:00:29,160 --> 00:00:33,760 Speaker 1: luckily it was a big Kelly episode. Yeah, it had 8 00:00:33,840 --> 00:00:35,720 Speaker 1: a lot of everybody. I felt like this was a 9 00:00:35,760 --> 00:00:39,400 Speaker 1: pretty evenly distributed episode. Everybody had stuff to do. It 10 00:00:39,479 --> 00:00:42,960 Speaker 1: was pretty for me, like major Kelly because of the 11 00:00:43,040 --> 00:00:45,400 Speaker 1: Kelly deal and stuff, which I obviously loved and I 12 00:00:45,440 --> 00:00:47,920 Speaker 1: have a lot of comments on. But can we please 13 00:00:47,960 --> 00:00:51,560 Speaker 1: talk about the shower? Like what do you remember? Okay, first, 14 00:00:51,640 --> 00:00:55,160 Speaker 1: let's just do our little opening. Okay, let's do our recap. 15 00:00:56,400 --> 00:01:00,880 Speaker 1: You're so excited. Season three, episode nine, high Wire aired 16 00:01:00,960 --> 00:01:06,880 Speaker 1: September twenty three, nine, and here's a little synopsis. College 17 00:01:06,920 --> 00:01:11,600 Speaker 1: plans are on everyone's mind, especially in Andrea's dreams. The 18 00:01:11,680 --> 00:01:15,600 Speaker 1: Walsh family makes financial decisions about Brenda and Brandon's future. 19 00:01:16,040 --> 00:01:19,920 Speaker 1: Plus Brenda wonders if her relationship with Dylan is destined 20 00:01:19,959 --> 00:01:24,720 Speaker 1: to last with their different interests, David accidentally sees Kelly, 21 00:01:24,880 --> 00:01:27,800 Speaker 1: Donna finds her true calling, and Steve tries to cheat 22 00:01:27,920 --> 00:01:32,520 Speaker 1: his way to usc perfect episode right there. Written by 23 00:01:32,880 --> 00:01:37,840 Speaker 1: Star Frowman and Darren Star, directed by Bethany Rooney, it 24 00:01:37,920 --> 00:01:41,440 Speaker 1: was a ten out of ten. Other than the super 25 00:01:41,560 --> 00:01:44,039 Speaker 1: lame high wire scenes, it was a ten out of 26 00:01:44,040 --> 00:01:46,560 Speaker 1: the Okay, So first of all, I was, let's just 27 00:01:46,600 --> 00:01:49,360 Speaker 1: start for the beginning, because we just can't jump all over. 28 00:01:50,800 --> 00:01:54,160 Speaker 1: Were you like, wait, who's in the shower? When it 29 00:01:54,240 --> 00:01:55,920 Speaker 1: when it started? Where you like, who is that in 30 00:01:55,960 --> 00:01:59,640 Speaker 1: the shower? Because that's what I thought? Yes, And then 31 00:02:00,120 --> 00:02:04,120 Speaker 1: was a real I mean you were really showering? Yes, Okay, 32 00:02:04,160 --> 00:02:08,960 Speaker 1: let's talk about that because I'm where I'm sure I 33 00:02:09,000 --> 00:02:13,120 Speaker 1: was wearing men's underwear like shorts and a bandeau on 34 00:02:13,240 --> 00:02:17,239 Speaker 1: my boobs right like a thing covering them. And they 35 00:02:17,400 --> 00:02:21,000 Speaker 1: built the shower set and they pump in hot water 36 00:02:21,760 --> 00:02:24,760 Speaker 1: and they to make it look like even hotter, they 37 00:02:24,840 --> 00:02:27,880 Speaker 1: used like that dry eye smoke so it looks like 38 00:02:28,000 --> 00:02:31,920 Speaker 1: really steamy. Yeah, but that was it was so uncomfortable 39 00:02:32,000 --> 00:02:34,360 Speaker 1: shooting that. I remember that was probably one of my 40 00:02:34,440 --> 00:02:37,600 Speaker 1: first things that I ever had to do, Like that 41 00:02:37,639 --> 00:02:40,960 Speaker 1: where I was supposed to be naked. Yeah, I mean 42 00:02:41,000 --> 00:02:43,520 Speaker 1: I not only were you supposed to be naked, you're 43 00:02:43,600 --> 00:02:47,400 Speaker 1: literally being drenched. I like it when I spit the 44 00:02:47,400 --> 00:02:50,280 Speaker 1: water out of my mouth like like a fountain. I 45 00:02:50,320 --> 00:02:53,880 Speaker 1: don't know what's happening with that. But do you do 46 00:02:53,919 --> 00:02:55,760 Speaker 1: that in the shower? Where do you like put some 47 00:02:55,840 --> 00:02:57,840 Speaker 1: of the shower water aw in your mouth and then 48 00:02:57,880 --> 00:03:01,800 Speaker 1: like spit it out. No, but I occasionally do brush 49 00:03:01,840 --> 00:03:03,440 Speaker 1: my teeth in the shower, which I think people think 50 00:03:03,560 --> 00:03:07,040 Speaker 1: is really gross. So you're you're saving time. That's called stacking. 51 00:03:08,240 --> 00:03:10,800 Speaker 1: But yeah, I mean that was not only were you 52 00:03:10,840 --> 00:03:14,360 Speaker 1: like acting very well taking a shower, it was like 53 00:03:14,440 --> 00:03:18,120 Speaker 1: you were taking a full shower because you were dripping. 54 00:03:18,240 --> 00:03:21,600 Speaker 1: I think I was actually taking a full shower. I 55 00:03:21,680 --> 00:03:23,640 Speaker 1: am sure they saved that scene for the end of 56 00:03:23,680 --> 00:03:25,880 Speaker 1: the day too, because I was all wet and my 57 00:03:25,880 --> 00:03:29,680 Speaker 1: hair and makeup was gone, so I needed a shower 58 00:03:29,840 --> 00:03:34,040 Speaker 1: and they provided me with fun the whole thing. I actually, 59 00:03:34,880 --> 00:03:38,080 Speaker 1: I thought the whole gist of it was awesome, Like 60 00:03:38,120 --> 00:03:42,560 Speaker 1: it was very real, like realistic that, Okay, this is 61 00:03:42,560 --> 00:03:46,200 Speaker 1: your step brother. He comes into the shower, and it 62 00:03:46,280 --> 00:03:50,480 Speaker 1: was so funny. It's like I've seen this episode times 63 00:03:50,760 --> 00:03:55,960 Speaker 1: because I remembered every single Yeah, I felt like it 64 00:03:56,040 --> 00:03:58,400 Speaker 1: was gonna be like this horror movie, like a slasher 65 00:03:58,480 --> 00:04:00,480 Speaker 1: opening or something. Saince she was gonn get killed in 66 00:04:00,520 --> 00:04:02,600 Speaker 1: the shower, but that didn't happen. All that happened was 67 00:04:02,680 --> 00:04:06,640 Speaker 1: we got to see David walk dancing down the hallway. 68 00:04:06,720 --> 00:04:11,360 Speaker 1: That was genius. Did they were they like just just 69 00:04:11,440 --> 00:04:13,920 Speaker 1: walk down the hallway and then opened the door. And 70 00:04:13,960 --> 00:04:16,040 Speaker 1: he couldn't do it that way. He had add in 71 00:04:16,160 --> 00:04:18,200 Speaker 1: all the dance moves. That's what I was wondering. He 72 00:04:18,520 --> 00:04:24,080 Speaker 1: was dancing so much, so all I think about, somebody 73 00:04:24,160 --> 00:04:25,800 Speaker 1: knew this guy was gonna be on Dancing with the 74 00:04:25,800 --> 00:04:29,000 Speaker 1: Stars one like he was nobody knew about Dancing with 75 00:04:29,000 --> 00:04:32,720 Speaker 1: the Stars then, I know, but it was so fortuitous. 76 00:04:32,760 --> 00:04:36,400 Speaker 1: I was like, wow, this is amazing. So that made 77 00:04:36,400 --> 00:04:38,560 Speaker 1: it even the scene even better because it was so 78 00:04:38,640 --> 00:04:42,160 Speaker 1: like cheesy and nostalgic. He's like bebopp in and and 79 00:04:42,240 --> 00:04:45,680 Speaker 1: obviously we're to get the point like he can't hear anything, 80 00:04:46,040 --> 00:04:49,120 Speaker 1: and they really put that in in our They really 81 00:04:49,200 --> 00:04:53,680 Speaker 1: honed in on that this guy can't hear well that yeah, 82 00:04:53,800 --> 00:04:56,320 Speaker 1: I showed a lot of skin in that scene, and 83 00:04:56,680 --> 00:04:58,880 Speaker 1: I felt like I was like, oh wow, I missed 84 00:04:58,920 --> 00:05:04,200 Speaker 1: those legs. Good legs. You were really cute in this episode. 85 00:05:04,320 --> 00:05:09,680 Speaker 1: What do you can you remember more like Brian coming 86 00:05:09,760 --> 00:05:13,080 Speaker 1: in and the towel and all the direction that must 87 00:05:13,080 --> 00:05:17,160 Speaker 1: have happened. I mean, that's horrifying. Okay, this we're so 88 00:05:17,279 --> 00:05:21,839 Speaker 1: young and I have to be naked in front of him, 89 00:05:22,240 --> 00:05:24,960 Speaker 1: which I wasn't really naked, but I was naked enough 90 00:05:25,000 --> 00:05:29,000 Speaker 1: to be uncomfortable, So I don't know. That was just 91 00:05:29,120 --> 00:05:32,240 Speaker 1: not fun on any level, like the shower scene and 92 00:05:32,279 --> 00:05:36,880 Speaker 1: the being found out scene. But it was good. I 93 00:05:36,960 --> 00:05:40,919 Speaker 1: look good. It was. It was so good, and it 94 00:05:40,960 --> 00:05:43,760 Speaker 1: was such a great open to the episode. I had 95 00:05:43,760 --> 00:05:45,560 Speaker 1: this weird moment where I'm like, is someone going to 96 00:05:45,720 --> 00:05:48,479 Speaker 1: join her in the shower? No, that's not appropriate, And 97 00:05:48,520 --> 00:05:52,080 Speaker 1: then is it a dream? It was a dream, But 98 00:05:52,120 --> 00:05:55,200 Speaker 1: I'll tell you what was a dream? Area on a 99 00:05:55,240 --> 00:06:02,159 Speaker 1: tight rope? Dude? Who thought of that? Literally? I just 100 00:06:02,160 --> 00:06:04,800 Speaker 1: said to Jenny, you guys before we went on, was 101 00:06:04,839 --> 00:06:07,760 Speaker 1: the episode like four minutes too short? Where they just 102 00:06:07,760 --> 00:06:11,080 Speaker 1: had to put in this dumb ass tight ropes? I 103 00:06:11,080 --> 00:06:14,240 Speaker 1: didn't even It's like, well, were they trying to show 104 00:06:14,279 --> 00:06:16,160 Speaker 1: like this is her dream. You know how everybody has 105 00:06:16,200 --> 00:06:17,839 Speaker 1: a dream that they kind of go back to and 106 00:06:17,880 --> 00:06:21,640 Speaker 1: it it's either it's great or it's horrifying. Do you 107 00:06:21,640 --> 00:06:24,760 Speaker 1: have any dreams like that that are sort of they repeat? Yeah, 108 00:06:24,800 --> 00:06:27,599 Speaker 1: I never. I always didn't graduate from college. Like I'm 109 00:06:27,680 --> 00:06:31,039 Speaker 1: always like having this recurring dream that I'm still in 110 00:06:31,080 --> 00:06:33,640 Speaker 1: college and I didn't graduate, and I don't speak Spanish 111 00:06:33,640 --> 00:06:37,080 Speaker 1: and I have a Spanish final and like this whole thing. Yeah, 112 00:06:37,160 --> 00:06:40,880 Speaker 1: maybe this was Andrea's recurring nightmare, like she's always walking 113 00:06:40,920 --> 00:06:43,960 Speaker 1: the high wire. She's always like, you know, teetering on 114 00:06:44,000 --> 00:06:48,120 Speaker 1: the edge of sanity or safety or something. I don't know. 115 00:06:49,720 --> 00:06:52,520 Speaker 1: And that poor outfit they put her in, Oh man, 116 00:06:52,640 --> 00:06:57,560 Speaker 1: that okay. First of all, that outfit was very familiar 117 00:06:57,600 --> 00:07:00,160 Speaker 1: to me because I did a show called Circle Us 118 00:07:00,160 --> 00:07:03,560 Speaker 1: of the Stars when I was young, like a twenty 119 00:07:03,680 --> 00:07:06,880 Speaker 1: year old person, And those are the costumes they made 120 00:07:06,880 --> 00:07:11,640 Speaker 1: you wear. Yeah, Circus of the Stars was incredible, and 121 00:07:11,720 --> 00:07:16,920 Speaker 1: so was Battle of the Network Stars that one. Yes, 122 00:07:17,080 --> 00:07:19,760 Speaker 1: oh god, did you have to do a tight rope? No? 123 00:07:19,880 --> 00:07:26,520 Speaker 1: I did the flying trapeeze. They train you, Yeah, you 124 00:07:26,680 --> 00:07:31,160 Speaker 1: trained for like a couple of months and your hands 125 00:07:31,160 --> 00:07:35,160 Speaker 1: are all bloody from the blisters and bruises everywhere. Yeah, 126 00:07:35,440 --> 00:07:38,240 Speaker 1: it's intense because they literally take you up this you know, 127 00:07:38,400 --> 00:07:42,440 Speaker 1: giant rising thing or to the platform which is like 128 00:07:42,600 --> 00:07:44,960 Speaker 1: up two by four in the middle of the air, 129 00:07:45,040 --> 00:07:47,800 Speaker 1: and you're supposed to stand comfortably on that, and then 130 00:07:47,840 --> 00:07:51,320 Speaker 1: when it's returned to what's your turn to go? You 131 00:07:51,360 --> 00:07:54,880 Speaker 1: shout at least still, which means ready, I'll never forget 132 00:07:54,920 --> 00:07:59,080 Speaker 1: that word. Uh, and then you jump and hopefully someone 133 00:07:59,160 --> 00:08:01,200 Speaker 1: catches you on the other side or you fall to 134 00:08:01,280 --> 00:08:04,560 Speaker 1: your to the net, which really burns when you hit that. Baby. Oh, 135 00:08:04,640 --> 00:08:07,120 Speaker 1: I was wondering that did you do that during the 136 00:08:07,160 --> 00:08:10,240 Speaker 1: height of nine one? Oh? I think I was before. 137 00:08:10,760 --> 00:08:13,920 Speaker 1: I honestly don't know God, but I know it was 138 00:08:14,040 --> 00:08:19,320 Speaker 1: me and Mario Lopez and um and the Cario saved 139 00:08:19,320 --> 00:08:21,800 Speaker 1: by the bell. You this feels like you must have been. 140 00:08:23,160 --> 00:08:26,040 Speaker 1: It must have been. Yeah, I don't think they plucked 141 00:08:26,080 --> 00:08:29,000 Speaker 1: Mario off Kids Incorporated to do that. You remember that 142 00:08:29,040 --> 00:08:36,600 Speaker 1: he was pretty cutie. But yeah, wait, wait, okay, so 143 00:08:37,360 --> 00:08:40,760 Speaker 1: you want to know my reoccurring dream. Of course, my 144 00:08:40,840 --> 00:08:43,959 Speaker 1: reoccurring dream is um, I'd haven't had it in a while. 145 00:08:45,040 --> 00:08:47,480 Speaker 1: But it's like when all my teeth and my mouth 146 00:08:47,520 --> 00:08:51,040 Speaker 1: start to crumble. They're crumbling inside my mouth, and I'm like, 147 00:08:51,160 --> 00:08:53,880 Speaker 1: oh my god, oh my god, my mouth is a 148 00:08:53,960 --> 00:08:56,280 Speaker 1: really common one. And then and then I opened my 149 00:08:56,280 --> 00:08:58,480 Speaker 1: mouth and they all just like trickle out. All my 150 00:08:58,520 --> 00:09:01,920 Speaker 1: teeth just crombs just come out. I've got to google 151 00:09:01,960 --> 00:09:05,920 Speaker 1: what because it hurt. It hurts so bad to have 152 00:09:05,960 --> 00:09:07,520 Speaker 1: that dream. You wake up, you'd be like, oh my god, 153 00:09:07,880 --> 00:09:11,440 Speaker 1: that was terrible. It has a meaning because that's like 154 00:09:11,440 --> 00:09:14,480 Speaker 1: a really literally I just typed in recurring dream and 155 00:09:14,520 --> 00:09:17,800 Speaker 1: it Google came up with teeth falling out? Is it 156 00:09:17,880 --> 00:09:21,160 Speaker 1: like a loss of power or like a frightening like 157 00:09:21,520 --> 00:09:23,920 Speaker 1: I would say it's from your kids going to college? 158 00:09:24,040 --> 00:09:26,760 Speaker 1: It says this dream could indicate that you're dealing with 159 00:09:26,800 --> 00:09:29,000 Speaker 1: some kind of loss, like an abrupt end to a 160 00:09:29,080 --> 00:09:33,040 Speaker 1: relationship or job change. But I'm wondering if you having 161 00:09:33,120 --> 00:09:36,120 Speaker 1: empty nest. No, this is I've had it all my 162 00:09:36,200 --> 00:09:39,920 Speaker 1: life so and I've I've had so much, like you know, 163 00:09:40,360 --> 00:09:44,600 Speaker 1: loss of my family and loss of my dad, and 164 00:09:44,679 --> 00:09:47,880 Speaker 1: so many traumatic things happened to me. So that's what 165 00:09:47,920 --> 00:09:50,360 Speaker 1: it is, and you must have Yeah, you have trauma, 166 00:09:50,400 --> 00:09:53,280 Speaker 1: and then it's just recurring, recurring, recurring. But the good 167 00:09:53,320 --> 00:09:55,000 Speaker 1: news is I haven't had it for a while, so 168 00:09:55,040 --> 00:09:59,079 Speaker 1: maybe I'm past it. That's actually even more fascinating that 169 00:09:59,240 --> 00:10:05,640 Speaker 1: it stopped. Watch I'll have it tonight. But yeah, do 170 00:10:05,679 --> 00:10:08,800 Speaker 1: you wake up a little shook it shook, shook up, Yeah, 171 00:10:09,280 --> 00:10:14,760 Speaker 1: a little sweaty crying. Oh no, it's very scary. I 172 00:10:14,840 --> 00:10:17,360 Speaker 1: was making light of it. And I apologize. This is 173 00:10:17,400 --> 00:10:21,080 Speaker 1: not a last night. I woke up. It's funny. Sorry 174 00:10:21,120 --> 00:10:24,240 Speaker 1: going off last night. I woke up and I was 175 00:10:24,240 --> 00:10:27,640 Speaker 1: supposed to be at the doctor's office at six am, right, 176 00:10:27,720 --> 00:10:31,880 Speaker 1: so I don't know. The day after, I was supposed 177 00:10:31,880 --> 00:10:33,520 Speaker 1: to be at the doctor's office at six am. I 178 00:10:33,559 --> 00:10:35,640 Speaker 1: woke up and I was like, it's six twenty. I'm 179 00:10:35,640 --> 00:10:37,160 Speaker 1: supposed to be there at six am, but I had 180 00:10:37,160 --> 00:10:40,840 Speaker 1: already gone and done everything. Yeah, And also my husband 181 00:10:40,920 --> 00:10:45,000 Speaker 1: was like, and by the way, who's Richard Appairly I 182 00:10:45,040 --> 00:10:51,360 Speaker 1: was calling out for Richard no sleep, Yeah, I don't 183 00:10:51,360 --> 00:10:57,600 Speaker 1: know who. I don't know Richard. M Okay, that's interesting 184 00:10:58,840 --> 00:11:01,440 Speaker 1: because that wouldn't kind of your husband, Like, I don't 185 00:11:01,440 --> 00:11:08,319 Speaker 1: even blame him for being a little like wiggy like sidebar, 186 00:11:08,440 --> 00:11:15,400 Speaker 1: that is an interesting dream, whereas Andrea's so stupid. I 187 00:11:15,400 --> 00:11:19,600 Speaker 1: think she was really into it though, because there's some 188 00:11:19,679 --> 00:11:22,319 Speaker 1: part of me that wants to say that Gab actually 189 00:11:22,400 --> 00:11:26,600 Speaker 1: knew how to walk the high wire. Yeah, and that 190 00:11:26,800 --> 00:11:30,080 Speaker 1: is why it came about. I love Dylan and the 191 00:11:30,160 --> 00:11:32,400 Speaker 1: Yale shirt. On the other side, did you notice that 192 00:11:32,520 --> 00:11:35,760 Speaker 1: he's wearing the Yale T shirt? And what about that? 193 00:11:35,600 --> 00:11:40,280 Speaker 1: They did? So Dylan was there, Brandon was there, and 194 00:11:40,280 --> 00:11:45,280 Speaker 1: and Gil and Mr Creepy was there, Mr crept teacher. 195 00:11:46,040 --> 00:11:48,840 Speaker 1: Let me ask you how you're interpreting him. Is he 196 00:11:49,040 --> 00:11:54,000 Speaker 1: like a great teacher or is it are they students 197 00:11:54,080 --> 00:12:00,600 Speaker 1: way too close with him? I don't know. I didn't 198 00:12:01,920 --> 00:12:03,920 Speaker 1: The only time you ever see him recently is in 199 00:12:04,000 --> 00:12:07,800 Speaker 1: the newspaper office, right, I don't know. I feel like 200 00:12:08,080 --> 00:12:12,080 Speaker 1: I would not want him to be my teacher. I 201 00:12:12,120 --> 00:12:16,120 Speaker 1: can't decide, like if I was just a first time viewer, 202 00:12:16,160 --> 00:12:18,560 Speaker 1: if he's the best teacher ever, or if it's like 203 00:12:18,640 --> 00:12:21,400 Speaker 1: it's weird for a teacher to say call me Gil, like, 204 00:12:21,480 --> 00:12:23,600 Speaker 1: but I don't know if I have my eyes on 205 00:12:23,640 --> 00:12:26,600 Speaker 1: it or or is it creepy When he said I 206 00:12:26,600 --> 00:12:29,319 Speaker 1: didn't know I had that effect on you. Yeah, right, 207 00:12:29,679 --> 00:12:32,840 Speaker 1: it's just like ordering, I'm like, what's going on? But 208 00:12:32,920 --> 00:12:35,839 Speaker 1: then he kind of redeemed himself that he was kind 209 00:12:35,840 --> 00:12:38,520 Speaker 1: of giving her tough love about Yale, and then he 210 00:12:38,559 --> 00:12:41,680 Speaker 1: was so proud when she decided on her own. So 211 00:12:41,720 --> 00:12:43,480 Speaker 1: I was like, oh, Like in the end of the episode, 212 00:12:43,480 --> 00:12:47,280 Speaker 1: I'm like, no, he's a great teacher. M hm. I 213 00:12:47,320 --> 00:12:50,680 Speaker 1: don't know. I think it will will reveal itself soon. 214 00:12:50,960 --> 00:12:54,360 Speaker 1: I'm hoping, can I can I tell you my little tidbits. 215 00:12:54,440 --> 00:12:56,160 Speaker 1: I don't know if it's a tidbit, it's like a 216 00:12:56,200 --> 00:13:01,360 Speaker 1: little thing. I just I have tidbits. In the DJ 217 00:13:01,559 --> 00:13:09,080 Speaker 1: booth and on your lockers are Los Angeles radio stations 218 00:13:09,240 --> 00:13:14,800 Speaker 1: stickers or something? There's a Yep, there's a k Rock sticker, 219 00:13:15,240 --> 00:13:17,839 Speaker 1: either on a locker or in the DJ booth. There's 220 00:13:17,880 --> 00:13:21,000 Speaker 1: like one or two point seven Kiss FM sticker, which 221 00:13:21,040 --> 00:13:23,559 Speaker 1: is I Heart. So that's like we're on iHeart and 222 00:13:23,600 --> 00:13:28,320 Speaker 1: that's Ryan Seacrest. Wasn't it before? Oh yeah, there was 223 00:13:28,360 --> 00:13:30,360 Speaker 1: no I Heart, but there was one or two point 224 00:13:30,440 --> 00:13:32,760 Speaker 1: seven Kiss FM, but it wasn't Ryan Seacrest. It was 225 00:13:32,880 --> 00:13:37,200 Speaker 1: Rick D's Yes. And then there was a Kalos sticker 226 00:13:37,240 --> 00:13:39,840 Speaker 1: which is so and they were the real stickers, so 227 00:13:39,920 --> 00:13:43,679 Speaker 1: that was like very accurate, Like whoever did the set 228 00:13:44,080 --> 00:13:47,200 Speaker 1: got the radio station stickers and the real ones and 229 00:13:47,320 --> 00:13:51,120 Speaker 1: put them on the lockers and in the DJ's so cool. Well, 230 00:13:51,679 --> 00:13:54,160 Speaker 1: they did a great job in the janitor's office as well, 231 00:13:54,240 --> 00:13:58,400 Speaker 1: because I noticed a few nudies on the wall. They see, 232 00:13:58,760 --> 00:14:01,560 Speaker 1: like pin up girls. It's right there in the janitor's 233 00:14:01,640 --> 00:14:04,480 Speaker 1: office for everyone to see. Maybe you need to go 234 00:14:04,520 --> 00:14:06,320 Speaker 1: in there and get like a mop or something, and 235 00:14:08,280 --> 00:14:13,720 Speaker 1: all naked gals on the old janitor's walls and it 236 00:14:13,840 --> 00:14:19,240 Speaker 1: was very subtle. But Brandon says to Gil Myers, oh, 237 00:14:19,320 --> 00:14:23,680 Speaker 1: you have season tickets to the King's, which was accurate. 238 00:14:23,920 --> 00:14:27,160 Speaker 1: The l A Kings are the l A hockey team, 239 00:14:27,200 --> 00:14:30,880 Speaker 1: and obviously Jason Priestley is a such a big hockey 240 00:14:30,920 --> 00:14:33,600 Speaker 1: player that I'm assuming they either wrote that line for 241 00:14:33,680 --> 00:14:36,000 Speaker 1: him or he ad libbed it, because that would what 242 00:14:36,080 --> 00:14:38,360 Speaker 1: would make sense to him, as opposed to being like, 243 00:14:38,400 --> 00:14:41,840 Speaker 1: you got tickets to the Dodgers, you know, the Lakers. 244 00:14:44,360 --> 00:14:48,239 Speaker 1: So I was this was for me an awesome episode 245 00:14:48,520 --> 00:14:53,200 Speaker 1: other than the weird tight rope stuff, because I actually 246 00:14:53,400 --> 00:14:58,320 Speaker 1: like Nikki. Yeah, she's so cute. They're so cute together. 247 00:14:59,400 --> 00:15:03,080 Speaker 1: They're like little dollies. They're perfect for one another. And 248 00:15:03,160 --> 00:15:06,720 Speaker 1: she's got a very cool personality. Yeah, and she sort 249 00:15:06,720 --> 00:15:10,960 Speaker 1: of seems to disarm Brandon, like bring him back down 250 00:15:11,000 --> 00:15:14,680 Speaker 1: to the ground level, you know. Yeah, I love her style, 251 00:15:14,800 --> 00:15:17,160 Speaker 1: so I'm always just like completely into it. I think 252 00:15:17,200 --> 00:15:20,960 Speaker 1: she's so cute, and she's very confident, like she's like, oh, 253 00:15:21,000 --> 00:15:23,680 Speaker 1: because I'm I'm dating a senior, like she hasn't. She's 254 00:15:23,920 --> 00:15:29,320 Speaker 1: very confident and it's it's cool. Yeah, she's cool. That's 255 00:15:29,320 --> 00:15:33,080 Speaker 1: a cool character. Yeah. College counseling is kind of they're 256 00:15:33,240 --> 00:15:36,880 Speaker 1: they're all worried about college. So I guess we're seniors 257 00:15:37,240 --> 00:15:40,000 Speaker 1: going to go with that because we kind of skipped 258 00:15:40,000 --> 00:15:43,720 Speaker 1: a year at some point of college I think. But uh, 259 00:15:43,920 --> 00:15:47,320 Speaker 1: college counseling is a big deal, especially these days, like 260 00:15:47,360 --> 00:15:51,000 Speaker 1: you can't like I have high school student, I've had 261 00:15:51,240 --> 00:15:53,760 Speaker 1: to already go to college and one's about too, and 262 00:15:53,960 --> 00:15:58,840 Speaker 1: there's they there's a big business around college counseling now 263 00:15:58,920 --> 00:16:03,120 Speaker 1: of course, like oh my god, big money. The glaring 264 00:16:03,200 --> 00:16:06,400 Speaker 1: thing in the episode to me was that Steve Sanders 265 00:16:06,520 --> 00:16:10,200 Speaker 1: was possibly going to go to USC he I mean 266 00:16:10,440 --> 00:16:12,600 Speaker 1: Mrs Teasley says he's got a D average. He says 267 00:16:12,600 --> 00:16:15,960 Speaker 1: he's got a C average. Are you kidding me? You'd 268 00:16:16,000 --> 00:16:17,560 Speaker 1: have to have you have to have like a four 269 00:16:17,640 --> 00:16:21,080 Speaker 1: point five to go to USC now, Whereas I will 270 00:16:21,120 --> 00:16:25,440 Speaker 1: admit in back thirty years ago it was he could 271 00:16:25,480 --> 00:16:28,560 Speaker 1: get in there with seeds. But that was really like, 272 00:16:28,800 --> 00:16:34,800 Speaker 1: oh things have changed about that? Yeah, definitely. I mean 273 00:16:35,680 --> 00:16:39,840 Speaker 1: I didn't call that played really realistically to me. All 274 00:16:39,840 --> 00:16:45,080 Speaker 1: the conversations they were having, those are very accurate conversations. 275 00:16:46,520 --> 00:16:50,320 Speaker 1: I only know that from my daughters, but it's true. 276 00:16:50,400 --> 00:16:54,680 Speaker 1: It's true. I did, uh, you know, feel that the 277 00:16:54,760 --> 00:16:59,120 Speaker 1: moment that Nikki and Jason were having in the hallway 278 00:16:59,560 --> 00:17:03,560 Speaker 1: was a little intimate. I totally agree with you. It 279 00:17:03,640 --> 00:17:08,320 Speaker 1: was like, really, that's a lot of making out for school. 280 00:17:09,200 --> 00:17:12,880 Speaker 1: Teacher is definitely gonna tap you and be like, get 281 00:17:12,920 --> 00:17:16,479 Speaker 1: to class, do something. These these hoo lookans in the 282 00:17:16,480 --> 00:17:22,560 Speaker 1: hallway making out, but they are they are cute. And 283 00:17:22,560 --> 00:17:25,399 Speaker 1: then I, I mean, I know, we probably need to 284 00:17:25,400 --> 00:17:27,080 Speaker 1: take a break or something because I really do want 285 00:17:27,080 --> 00:17:33,800 Speaker 1: to get into the Kelly Dylan because that was major. 286 00:17:33,880 --> 00:17:38,480 Speaker 1: But I have a really strange question for you about it. Okay, 287 00:17:38,520 --> 00:17:42,840 Speaker 1: we'll hold your horses, all right. You asked me that 288 00:17:42,920 --> 00:17:57,320 Speaker 1: question after the break, Okay, m hm, Amy, what was 289 00:17:57,560 --> 00:18:06,639 Speaker 1: what's your burning question? Okay? I am totally bufuddled because 290 00:18:07,400 --> 00:18:14,560 Speaker 1: I believe that Dylan obviously has feelings for for you, Kelly. 291 00:18:15,040 --> 00:18:17,640 Speaker 1: I knew it when you came over, the way he talks, 292 00:18:17,680 --> 00:18:20,239 Speaker 1: the way he was flirting with you at the peach bit. 293 00:18:21,119 --> 00:18:28,600 Speaker 1: I'm also convinced he loves Brenda. So I'm completely confused 294 00:18:28,920 --> 00:18:32,520 Speaker 1: because it's like, why did he call her at the 295 00:18:32,680 --> 00:18:34,920 Speaker 1: end to tell her he loves her? I know, it's 296 00:18:34,960 --> 00:18:40,439 Speaker 1: so confusing. It was like, and I don't mean to 297 00:18:40,480 --> 00:18:43,159 Speaker 1: be like a weirdo, but it's like, really, I was like, 298 00:18:43,800 --> 00:18:46,320 Speaker 1: what's going on? Well, I mean just from the beginning, 299 00:18:46,920 --> 00:18:50,480 Speaker 1: I was like, why why is she going to Dylan's 300 00:18:50,480 --> 00:18:55,080 Speaker 1: house to bring him some wrenches? That's the worst excuse 301 00:18:55,160 --> 00:18:59,840 Speaker 1: I've ever heard. But she wanted to go, and I 302 00:19:00,040 --> 00:19:02,399 Speaker 1: get it. I get it. If I were Kelly, I 303 00:19:02,560 --> 00:19:06,080 Speaker 1: too would want to have time, not at school, not 304 00:19:06,240 --> 00:19:08,159 Speaker 1: on the phone, to be face to face with this 305 00:19:08,200 --> 00:19:11,160 Speaker 1: guy and figure out what in the world. But they 306 00:19:11,160 --> 00:19:13,919 Speaker 1: did none of that. They didn't figure anything out. Nope, 307 00:19:14,000 --> 00:19:17,240 Speaker 1: they just had a like I know, a little flirtation, 308 00:19:17,760 --> 00:19:23,040 Speaker 1: a little flirtation. He was working on his motorcycle. I've 309 00:19:23,040 --> 00:19:27,120 Speaker 1: never seen somebody get that greasy when they're fixing a motorcycle. 310 00:19:27,160 --> 00:19:32,919 Speaker 1: But okay, I literally worship you because you notice the 311 00:19:33,080 --> 00:19:37,720 Speaker 1: same thing I noticed. I wrote it looks like his 312 00:19:37,840 --> 00:19:42,760 Speaker 1: shirt was splatter painted. I Relyn has oil spotches on 313 00:19:42,880 --> 00:19:47,679 Speaker 1: his face. Okay, I said, boy, did Dylan get dirty 314 00:19:47,720 --> 00:19:53,760 Speaker 1: fixing his bike? So we're on the same level, I 315 00:19:53,800 --> 00:19:57,560 Speaker 1: feel like, but yeah, why does he say why does 316 00:19:57,560 --> 00:19:59,840 Speaker 1: he call her at the end and say I love you? 317 00:20:00,240 --> 00:20:06,520 Speaker 1: Obviously he's confused and conflicted as well. Yeah, Like, if 318 00:20:06,520 --> 00:20:09,400 Speaker 1: we put our own and put everything aside, put aside 319 00:20:09,400 --> 00:20:15,919 Speaker 1: that you portrayed Kelly, put aside that I actually prefer 320 00:20:16,119 --> 00:20:21,360 Speaker 1: Kelly and Dylan to Brenda and Dylan. What's really happening 321 00:20:21,359 --> 00:20:23,800 Speaker 1: with this character? Like I don't know, you know that 322 00:20:23,880 --> 00:20:25,840 Speaker 1: part where he was on the phone with Brenda and 323 00:20:25,880 --> 00:20:29,000 Speaker 1: he says I love you to Brenda in the phone, 324 00:20:29,040 --> 00:20:33,280 Speaker 1: but he's staring right at Kelly. Also, that is like, 325 00:20:33,480 --> 00:20:38,760 Speaker 1: that's like that emotional warfare right there. That is disrupt 326 00:20:38,960 --> 00:20:43,040 Speaker 1: That scene stressed me out so bad because this was 327 00:20:43,160 --> 00:20:46,800 Speaker 1: not we did not have mute necessarily, so he was 328 00:20:47,040 --> 00:20:52,040 Speaker 1: covering the mouth part of the I know, and I'm like, 329 00:20:52,359 --> 00:20:54,679 Speaker 1: she's gonna hear. She might hear her. I felt the 330 00:20:54,720 --> 00:20:56,639 Speaker 1: same thing all of that. I was like when he 331 00:20:56,680 --> 00:20:58,800 Speaker 1: went to the door, I was like, Okay, so he's 332 00:20:58,800 --> 00:21:01,520 Speaker 1: gonna say, I gotta go. Let me call you right 333 00:21:01,560 --> 00:21:04,119 Speaker 1: back before you open the door. No, he opens the 334 00:21:04,160 --> 00:21:10,280 Speaker 1: door like this, like she can't hear through his hand. Like, 335 00:21:11,280 --> 00:21:15,399 Speaker 1: I was like, I'm uncomfortable. I'm uncomfortable. Oh well, he 336 00:21:15,480 --> 00:21:17,800 Speaker 1: did look good in that tank top. I will say that. 337 00:21:19,640 --> 00:21:25,200 Speaker 1: I so agree. They are both so hot, Like because 338 00:21:25,560 --> 00:21:29,920 Speaker 1: Brandon Jason is wearing what I would deem the ugliest 339 00:21:29,920 --> 00:21:33,720 Speaker 1: blue shirt ever, but yet it looked amazing. Yeah, it 340 00:21:33,720 --> 00:21:35,280 Speaker 1: looks good on him. I don't know how he pulled 341 00:21:35,320 --> 00:21:38,919 Speaker 1: that off. I'm like, that is a Steve Sanders shirt 342 00:21:39,280 --> 00:21:42,920 Speaker 1: and yet you look awesome. Yeah. I just I'm at 343 00:21:42,960 --> 00:21:45,560 Speaker 1: this point in the third season, I just do not 344 00:21:46,480 --> 00:21:49,960 Speaker 1: understand or get the way Dylan is handling this whole 345 00:21:49,960 --> 00:21:55,120 Speaker 1: situation with Brenda and Kelly Like it's making me mad. Uh, 346 00:21:55,160 --> 00:21:57,040 Speaker 1: And it's bringing up a lot of stuff for me, 347 00:21:57,240 --> 00:22:00,879 Speaker 1: like from back to the Yeah, tell me more. I 348 00:22:00,880 --> 00:22:04,280 Speaker 1: want to hear everything. Well, it's kind of hard to articulate, 349 00:22:04,320 --> 00:22:08,399 Speaker 1: but being a young actress, honest set with a bunch 350 00:22:08,400 --> 00:22:12,200 Speaker 1: of other young people, everybody's beautiful, you know, people are 351 00:22:12,240 --> 00:22:15,960 Speaker 1: getting together and falling in love with one another, breaking up, 352 00:22:16,000 --> 00:22:20,480 Speaker 1: like it was a very tight knit circle. And I 353 00:22:20,520 --> 00:22:24,840 Speaker 1: don't know, just any time they would they would triangulate 354 00:22:24,960 --> 00:22:29,879 Speaker 1: these storylines with Kelly and Dylan and Brenda, then Kelly 355 00:22:29,920 --> 00:22:33,159 Speaker 1: and Brendan Brandon and Dylan like it. It was always 356 00:22:33,400 --> 00:22:39,760 Speaker 1: I always just felt so somehow like hurt from it, 357 00:22:39,840 --> 00:22:45,119 Speaker 1: Like it actually hurt me as a person to be 358 00:22:45,320 --> 00:22:49,600 Speaker 1: that girl Kelly who is in Dylan's apartment and then 359 00:22:49,720 --> 00:22:51,960 Speaker 1: leaves and he says I love you to someone else. 360 00:22:52,760 --> 00:22:56,320 Speaker 1: You know, Yeah, it's painful, it's it does. It brings 361 00:22:56,359 --> 00:22:58,479 Speaker 1: up some weird stuff for me. I don't know if 362 00:22:58,480 --> 00:23:02,320 Speaker 1: you've ever had therapy, but I've therapy. Obviously. Everyone listening 363 00:23:02,359 --> 00:23:08,520 Speaker 1: to like no girl, um and triangles are really actually unhealthy. 364 00:23:09,960 --> 00:23:11,880 Speaker 1: I just was telling my husband this the other day. 365 00:23:12,840 --> 00:23:16,680 Speaker 1: It's called triangulation, like when you do when you create 366 00:23:16,720 --> 00:23:19,080 Speaker 1: a triangle and you are the middle, like you're one 367 00:23:19,080 --> 00:23:22,320 Speaker 1: of the middle people getting information to someone else. So 368 00:23:22,359 --> 00:23:25,240 Speaker 1: it's like it's like that, and it just is never 369 00:23:26,560 --> 00:23:29,280 Speaker 1: It's never healthy because there's always going to be one 370 00:23:29,359 --> 00:23:36,359 Speaker 1: person that is serving both people. So it gets nasty. 371 00:23:37,000 --> 00:23:39,000 Speaker 1: And supposedly I'm not a therapist, so I'm just like, 372 00:23:39,440 --> 00:23:42,080 Speaker 1: I'm just repeating what I've been told and I'm sure 373 00:23:42,080 --> 00:23:46,600 Speaker 1: getting it wrong. Is that people are attracted to triangles. 374 00:23:46,640 --> 00:23:50,160 Speaker 1: There's something in the like human condition that maybe certain 375 00:23:50,240 --> 00:23:54,520 Speaker 1: people find appealing or you know whatever. The word is 376 00:23:54,560 --> 00:23:58,400 Speaker 1: a tractative about it, and they're so unhealthy and I'm 377 00:23:58,440 --> 00:24:03,040 Speaker 1: sure like on some double even as an actor, that 378 00:24:03,160 --> 00:24:06,960 Speaker 1: was uncomfortable. Yeah, it was always uncomfortable for me because 379 00:24:07,000 --> 00:24:10,359 Speaker 1: it's no secret I had a very strong feelings for Luke, 380 00:24:11,240 --> 00:24:15,479 Speaker 1: you know, and and even just acting those scenes was 381 00:24:15,560 --> 00:24:20,080 Speaker 1: really damaging for me on a deep psychological level. And 382 00:24:20,119 --> 00:24:25,800 Speaker 1: it's and the damage has has come with me, you know, 383 00:24:25,960 --> 00:24:29,000 Speaker 1: into my adult years, and it's made relationships really challenging 384 00:24:29,080 --> 00:24:34,040 Speaker 1: because I am not a person that trusts people. And 385 00:24:34,160 --> 00:24:36,680 Speaker 1: I and I always wonder, is it because of that 386 00:24:36,960 --> 00:24:43,000 Speaker 1: those formative messages that I was living out as Kelly Wow, 387 00:24:43,040 --> 00:24:46,880 Speaker 1: And I have to believe and you tell me because 388 00:24:46,960 --> 00:24:49,840 Speaker 1: the show was so big and the fans were so 389 00:24:50,040 --> 00:24:52,920 Speaker 1: and still are so passionate that it had to be 390 00:24:53,000 --> 00:25:01,480 Speaker 1: excruciating to experience fans disliking Kelly so much. Yeah. I 391 00:25:01,600 --> 00:25:06,959 Speaker 1: never really I never really felt that um that often 392 00:25:07,200 --> 00:25:09,200 Speaker 1: because there was no social media. There was no way 393 00:25:09,240 --> 00:25:13,760 Speaker 1: for me to really hear those negative remarks, and so 394 00:25:13,800 --> 00:25:17,600 Speaker 1: I didn't really play in that world. But just internally 395 00:25:17,640 --> 00:25:22,000 Speaker 1: it was it was wreckage, you know, because you didn't 396 00:25:22,000 --> 00:25:25,040 Speaker 1: like what she was doing. Yeah, and I didn't like 397 00:25:25,240 --> 00:25:28,000 Speaker 1: the way just that one moment when he was on 398 00:25:28,040 --> 00:25:29,520 Speaker 1: the phone and he said I love you to Brenda 399 00:25:29,560 --> 00:25:31,919 Speaker 1: and he looked at Kelly. I was like, Oh, that's 400 00:25:32,560 --> 00:25:37,080 Speaker 1: that's it. That's that's like, why I don't I don't 401 00:25:37,160 --> 00:25:41,359 Speaker 1: have to I can't trust. Yeah, And even though it 402 00:25:41,400 --> 00:25:45,560 Speaker 1: wasn't real, it wasn't real, but it felt real. My 403 00:25:45,640 --> 00:25:49,639 Speaker 1: feelings for Luke were very similar to Kelly's feelings for Dylan. 404 00:25:50,760 --> 00:25:54,560 Speaker 1: Wo god wow. Yeah, it's just so much to take 405 00:25:54,600 --> 00:26:00,840 Speaker 1: in because you all were so young, too so and 406 00:26:01,040 --> 00:26:05,760 Speaker 1: so intertwined as characters and human beings, so that there 407 00:26:05,840 --> 00:26:08,920 Speaker 1: there must be a moment where you're like, is this 408 00:26:09,960 --> 00:26:14,320 Speaker 1: life or is this the show? Where is the line? Yeah? 409 00:26:14,359 --> 00:26:17,200 Speaker 1: It got, it got blurred to the point where there 410 00:26:17,240 --> 00:26:22,720 Speaker 1: really was no line anymore. And it's taken me years 411 00:26:22,720 --> 00:26:27,200 Speaker 1: of therapy to try to like, like I want to cry. Yeah, 412 00:26:27,200 --> 00:26:29,880 Speaker 1: it's really like I'm getting like it's making tears come 413 00:26:29,880 --> 00:26:31,399 Speaker 1: in my eyes because then I think about it and 414 00:26:31,440 --> 00:26:33,760 Speaker 1: I know this isn't your all his favorite topic, but 415 00:26:33,840 --> 00:26:37,800 Speaker 1: I I can't ignore that there was conflict with certain 416 00:26:38,000 --> 00:26:40,440 Speaker 1: actors on the set and that could have played into 417 00:26:40,480 --> 00:26:46,200 Speaker 1: this too. It's really yeah, painful. Yeah, it was uncomfortable 418 00:26:46,840 --> 00:26:49,600 Speaker 1: a lot of the time. Yeah, And I'm sure you 419 00:26:49,720 --> 00:26:54,199 Speaker 1: take that with you even today because look, look, the 420 00:26:54,240 --> 00:26:56,200 Speaker 1: elephant in the room is that you and Tori are 421 00:26:56,359 --> 00:26:59,000 Speaker 1: very very close, but you're not as close with Shannon 422 00:26:59,080 --> 00:27:02,119 Speaker 1: like I have to It's true, And how do we 423 00:27:02,200 --> 00:27:04,080 Speaker 1: not know that some of this had to do with that, 424 00:27:04,160 --> 00:27:07,560 Speaker 1: because you're all awesome people like Jenny, You're awesome, like 425 00:27:07,600 --> 00:27:09,840 Speaker 1: for people listening with you, guys like and I'm not 426 00:27:09,920 --> 00:27:12,199 Speaker 1: saying it to be like kiss your butt, but to 427 00:27:12,240 --> 00:27:14,440 Speaker 1: say it to be real, Like I was having a 428 00:27:14,480 --> 00:27:16,199 Speaker 1: conversation the other day with somebody, Oh my god, I'm 429 00:27:16,200 --> 00:27:19,080 Speaker 1: gonna cry, and I was talking about you, and I'm like, yeah, no, 430 00:27:19,200 --> 00:27:22,960 Speaker 1: Jenny's like my real friend, like it really, it's really 431 00:27:23,200 --> 00:27:26,400 Speaker 1: so it makes me sad that this still lingers for you. God, 432 00:27:26,440 --> 00:27:29,960 Speaker 1: I don't know why I'm such a weird girl. I 433 00:27:30,080 --> 00:27:32,960 Speaker 1: love you so much, sugar man, because I feel bad 434 00:27:33,040 --> 00:27:35,280 Speaker 1: for you, don't feel bad for me. I'm working it out. 435 00:27:35,920 --> 00:27:39,280 Speaker 1: It's been a rough ride because I have people that 436 00:27:39,359 --> 00:27:41,760 Speaker 1: I work with, but then I'm like, no, Jenny and Tori, 437 00:27:41,920 --> 00:27:46,359 Speaker 1: I'm like friends with them, like we can get it's real. Yeah, yeah, 438 00:27:46,560 --> 00:27:48,240 Speaker 1: I said it to somebody last night. I'm like, no, 439 00:27:48,280 --> 00:27:49,639 Speaker 1: if they were a dinner with us, like I was 440 00:27:49,680 --> 00:27:51,359 Speaker 1: with some girlfriends and like, no, they were here because 441 00:27:51,359 --> 00:27:53,320 Speaker 1: they asked my job, and I'm like no, if they 442 00:27:53,359 --> 00:27:55,320 Speaker 1: were here, like you wouldn't be like, oh I met 443 00:27:55,640 --> 00:27:58,040 Speaker 1: dinner with these two actors to be like, oh, I'm 444 00:27:58,040 --> 00:28:00,640 Speaker 1: just with my girlfriends. Yeah, we were have so much fun. 445 00:28:00,680 --> 00:28:03,920 Speaker 1: We have to do that. But it's like it's hard 446 00:28:03,960 --> 00:28:06,720 Speaker 1: that it's like this many years later and you watch 447 00:28:06,800 --> 00:28:13,400 Speaker 1: that scene and it really takes you back. Yeah, enough 448 00:28:13,400 --> 00:28:15,880 Speaker 1: of that. I hope they just get to already. It's 449 00:28:15,960 --> 00:28:18,440 Speaker 1: so interesting, Like I think for people listening and they 450 00:28:18,560 --> 00:28:23,399 Speaker 1: they'll tell us, I think that's interesting because look, you 451 00:28:23,440 --> 00:28:26,040 Speaker 1: have a wonderful life, you're so successful, but there is 452 00:28:26,040 --> 00:28:28,840 Speaker 1: a part of you that's like a little heartbroken by Yeah. 453 00:28:29,840 --> 00:28:31,520 Speaker 1: I think we might have talked about this a little 454 00:28:31,520 --> 00:28:34,800 Speaker 1: bit before, but it was that that point of impact 455 00:28:35,200 --> 00:28:40,880 Speaker 1: for me, that that did that sort of damage that 456 00:28:41,360 --> 00:28:43,760 Speaker 1: I grew up with, and and those beliefs that I 457 00:28:43,800 --> 00:28:50,040 Speaker 1: grew up believing, you know that weren't actually accurate. And 458 00:28:50,080 --> 00:28:53,720 Speaker 1: I feel like everybody has that moment of in there 459 00:28:54,360 --> 00:28:56,920 Speaker 1: in either in their childhood or their teen years or 460 00:28:56,960 --> 00:29:02,479 Speaker 1: their young adult years where something really has an impact 461 00:29:02,520 --> 00:29:04,840 Speaker 1: on you. Something bad happens, a trauma of some kind 462 00:29:04,960 --> 00:29:07,040 Speaker 1: or an experience of some kind of and it's it's 463 00:29:07,640 --> 00:29:12,320 Speaker 1: it goes so much deeper than anybody really thinks about 464 00:29:12,320 --> 00:29:16,920 Speaker 1: it as and it's all in here, it's all inside me. 465 00:29:17,080 --> 00:29:19,720 Speaker 1: No one else is experiencing this or this pain or 466 00:29:19,720 --> 00:29:24,320 Speaker 1: this confusion, and you know, the other people in the 467 00:29:24,400 --> 00:29:29,440 Speaker 1: triangle aren't experiencing it, and it's a it's really they're 468 00:29:29,480 --> 00:29:32,840 Speaker 1: able to separate themselves or something. But I you know, look, 469 00:29:32,880 --> 00:29:34,600 Speaker 1: I'm not an actor, but from what I know in 470 00:29:34,640 --> 00:29:37,200 Speaker 1: the conversations is that you all have to really draw 471 00:29:37,280 --> 00:29:39,840 Speaker 1: on something, You really have to go to this place, 472 00:29:40,200 --> 00:29:44,760 Speaker 1: so obviously you internalized this. If nothing else, it made 473 00:29:44,760 --> 00:29:47,960 Speaker 1: me a better dramatic actress. Like, yeah, I had a 474 00:29:48,000 --> 00:29:50,640 Speaker 1: lot more to pull from at that point. Do you 475 00:29:50,720 --> 00:29:54,080 Speaker 1: hold yourself to a standard do you think as Jenny 476 00:29:54,560 --> 00:29:58,360 Speaker 1: because of those things, that these things that they made 477 00:29:58,360 --> 00:30:02,200 Speaker 1: an impact that you always pride yourself on being honest 478 00:30:02,520 --> 00:30:09,280 Speaker 1: and you know, um righteous, like because you don't like that. Um. 479 00:30:09,320 --> 00:30:13,600 Speaker 1: I think for many years I was just floundering trying 480 00:30:13,600 --> 00:30:15,440 Speaker 1: to figure it out, and I was making tons of 481 00:30:15,480 --> 00:30:20,200 Speaker 1: mistakes too, um, because I felt like that was okay 482 00:30:20,240 --> 00:30:22,560 Speaker 1: that it was you know, it was okay to make 483 00:30:22,560 --> 00:30:25,480 Speaker 1: those mistakes because I was seeing it all around me. Um. 484 00:30:25,520 --> 00:30:31,000 Speaker 1: But it wasn't until probably in my late thirties early 485 00:30:31,080 --> 00:30:35,720 Speaker 1: forties that I started to get more um at peace 486 00:30:35,760 --> 00:30:40,200 Speaker 1: with everything and appreciate it rather than let it sort 487 00:30:40,240 --> 00:30:43,760 Speaker 1: of take me on a wild ride full of fear. 488 00:30:43,840 --> 00:30:46,920 Speaker 1: You know. Yeah. Yeah, it's like you had to forgive 489 00:30:46,960 --> 00:30:49,680 Speaker 1: yourself for playing Kelly. But it's like, we all love 490 00:30:49,760 --> 00:30:54,120 Speaker 1: Kelly too, but I get it, like that that was rough. 491 00:30:54,400 --> 00:31:00,400 Speaker 1: She's sort of snuck over there, Like wow, you know 492 00:31:00,480 --> 00:31:03,720 Speaker 1: she snuck over there. She is essentially betraying her but 493 00:31:03,840 --> 00:31:07,280 Speaker 1: it does make me uncomfortable every scene with Brenda when 494 00:31:07,320 --> 00:31:11,520 Speaker 1: she says you're my best friend, because I'm like no, 495 00:31:14,200 --> 00:31:17,480 Speaker 1: and it's okay, and Kelly wants to be your best friend, 496 00:31:17,520 --> 00:31:20,480 Speaker 1: but the damage has already been done, Like the door 497 00:31:20,520 --> 00:31:24,400 Speaker 1: has already been opened and you can't really lock it now, 498 00:31:27,040 --> 00:31:28,880 Speaker 1: I have to say. And we'll get to the lighter 499 00:31:28,880 --> 00:31:30,840 Speaker 1: stuff because there's so much more. But it's like, maybe 500 00:31:30,880 --> 00:31:35,560 Speaker 1: this is why this show impacts me. People listening why 501 00:31:35,640 --> 00:31:38,160 Speaker 1: we I mean, I remembered that episode like it was 502 00:31:38,800 --> 00:31:41,920 Speaker 1: yesterday that I saw. Oh, I don't know why with 503 00:31:41,960 --> 00:31:44,280 Speaker 1: this episode everything I was saying the lines, I'm like, 504 00:31:44,560 --> 00:31:47,000 Speaker 1: oh my god, how do I know this so well? 505 00:31:47,280 --> 00:31:48,920 Speaker 1: And I haven't seen it in a while, so it 506 00:31:48,920 --> 00:31:50,800 Speaker 1: wasn't like I just saw it a couple of weeks ago. 507 00:31:51,960 --> 00:31:54,680 Speaker 1: Maybe that's why it meant so much to us and 508 00:31:54,800 --> 00:31:57,600 Speaker 1: impacted you, because like maybe it was the age we 509 00:31:57,600 --> 00:32:00,120 Speaker 1: were at. I don't know, but it's like, yeah, this 510 00:32:00,200 --> 00:32:02,440 Speaker 1: isn't I mean, I watched The Walking Dead and I'm 511 00:32:02,480 --> 00:32:04,600 Speaker 1: not wondering if I'm going to get attacked by zombies, 512 00:32:04,640 --> 00:32:06,440 Speaker 1: and then I watched this and I'm frying on a 513 00:32:06,440 --> 00:32:13,720 Speaker 1: podcast with you what the like, never know, you never know. 514 00:32:13,880 --> 00:32:17,320 Speaker 1: Maybe you're having a hormonal moment. I don't know, but 515 00:32:17,400 --> 00:32:20,480 Speaker 1: I think. I mean I watched like murder shows. I'm like, 516 00:32:20,560 --> 00:32:23,920 Speaker 1: I'm good, and then I'm like this, and I'm like, oh, 517 00:32:24,080 --> 00:32:27,120 Speaker 1: I don't know. Maybe maybe it was our age. Yeah. 518 00:32:27,320 --> 00:32:29,640 Speaker 1: I mean, I love it that you remember it like 519 00:32:29,680 --> 00:32:32,640 Speaker 1: that because I don't. Oh my god, it was so 520 00:32:32,680 --> 00:32:36,920 Speaker 1: weird this one in particular. Um, even with the key 521 00:32:37,160 --> 00:32:40,240 Speaker 1: and Steve going into that, I knew the whole I 522 00:32:40,280 --> 00:32:42,320 Speaker 1: was like, oh my god, I literally know everything that's 523 00:32:42,360 --> 00:32:47,320 Speaker 1: going to happen. Yeah, so weird. At the end of 524 00:32:47,360 --> 00:32:49,640 Speaker 1: the thing, At the end of the I'm blanking right now. 525 00:32:49,680 --> 00:32:51,840 Speaker 1: I swear to god, I watched it from beginning to end. 526 00:32:52,040 --> 00:32:55,200 Speaker 1: Did Steve get the key or was there a key? 527 00:32:55,320 --> 00:33:01,160 Speaker 1: What happened? So he gives the money so that he 528 00:33:01,240 --> 00:33:06,400 Speaker 1: doesn't get in trouble. Yep, we're left knowing that, like, 529 00:33:07,320 --> 00:33:10,320 Speaker 1: if Steve's got more money, the janitor is going to 530 00:33:10,400 --> 00:33:12,959 Speaker 1: give him more access because he alludes to the fact like, 531 00:33:13,640 --> 00:33:16,200 Speaker 1: you're not the first rich kid to pay me off 532 00:33:16,240 --> 00:33:20,320 Speaker 1: to hook him up. Yeah, okay, so he's basically going 533 00:33:20,400 --> 00:33:22,600 Speaker 1: to bribe him for the rest of his time in 534 00:33:22,680 --> 00:33:24,920 Speaker 1: high school. There's definitely gonna be some sort of in 535 00:33:24,960 --> 00:33:39,800 Speaker 1: a tanglement like that. M M. What about this weird 536 00:33:39,880 --> 00:33:46,640 Speaker 1: scene when Andrea asks the boys, have you ever have you? 537 00:33:46,840 --> 00:33:49,440 Speaker 1: Have you guys ever undressed me in your mind? Oh 538 00:33:49,480 --> 00:33:55,360 Speaker 1: my god, it was so uncomfortable forty two levels. Forty 539 00:33:55,360 --> 00:34:00,160 Speaker 1: two levels because it was like, first of all, that 540 00:34:00,560 --> 00:34:03,480 Speaker 1: that was a little what I got. I actually got 541 00:34:03,600 --> 00:34:07,200 Speaker 1: irate inside about this whole thing about because I've heard 542 00:34:07,240 --> 00:34:10,440 Speaker 1: that line from Iron a million times that hey, you 543 00:34:10,440 --> 00:34:12,640 Speaker 1: want to shake to go with those fries or something 544 00:34:12,760 --> 00:34:15,799 Speaker 1: like that. He's talking about your ass shaking obviously, so 545 00:34:15,920 --> 00:34:19,200 Speaker 1: it's so objectifying. And that was such a major like 546 00:34:20,000 --> 00:34:22,520 Speaker 1: and I was gonna be I was going to be 547 00:34:22,640 --> 00:34:24,759 Speaker 1: more horrified. This is so bad, but I'm going to 548 00:34:24,840 --> 00:34:28,640 Speaker 1: say it if they didn't tell her they did, because 549 00:34:28,680 --> 00:34:31,319 Speaker 1: I thought that is going to hurt her feeling so 550 00:34:31,400 --> 00:34:36,400 Speaker 1: bad if they don't flirt back with her, because do 551 00:34:36,400 --> 00:34:38,960 Speaker 1: you know what I'm saying. I was like, oh God, 552 00:34:39,400 --> 00:34:42,160 Speaker 1: this is awful because I don't I don't want them 553 00:34:42,160 --> 00:34:43,960 Speaker 1: to say yes, and I don't want them to say no, 554 00:34:44,360 --> 00:34:47,080 Speaker 1: and I want this to not be happening like that 555 00:34:48,480 --> 00:34:54,719 Speaker 1: It's like, da, I mean Andrea, they dressed her like 556 00:34:55,640 --> 00:35:00,839 Speaker 1: she is I don't know the schoolmarm like, I don't 557 00:35:00,840 --> 00:35:02,839 Speaker 1: know what. I didn't know what a school mom is, 558 00:35:02,920 --> 00:35:08,080 Speaker 1: but that is the look Kenny. That almost that school mom. 559 00:35:08,200 --> 00:35:11,560 Speaker 1: And then I'm like, don't say schoolmarmo knows what a 560 00:35:11,680 --> 00:35:14,799 Speaker 1: mom is? What's a mom? Let be like it's a 561 00:35:15,080 --> 00:35:20,319 Speaker 1: seventeen year old wearing blazers to school with vest and 562 00:35:20,560 --> 00:35:25,600 Speaker 1: it's like, what is happening? Yeah? That was tricky. That's 563 00:35:28,120 --> 00:35:32,360 Speaker 1: broad Andrea and the blazer invest who wears that? You 564 00:35:32,400 --> 00:35:34,279 Speaker 1: know what? I did love though, when when she she 565 00:35:34,400 --> 00:35:38,440 Speaker 1: is having her nightmare on on Nana's couch. Uh, she 566 00:35:38,920 --> 00:35:41,080 Speaker 1: she wakes up from the nightmare and falls right on 567 00:35:41,120 --> 00:35:43,960 Speaker 1: the ground. That made me laugh out loud when she 568 00:35:43,960 --> 00:35:49,000 Speaker 1: she fell off the couch. This episode was so epic 569 00:35:49,160 --> 00:35:52,200 Speaker 1: because it was like it was so classic nine o 570 00:35:52,320 --> 00:35:54,560 Speaker 1: two one though. It's like we've got the drama, We've 571 00:35:54,560 --> 00:35:58,359 Speaker 1: got the weird ass like dream, We've got like just 572 00:35:58,480 --> 00:36:00,200 Speaker 1: all of it. It It was like, God, this show gave 573 00:36:00,239 --> 00:36:06,120 Speaker 1: you everything because he gave you drama and like all comedy. 574 00:36:06,239 --> 00:36:09,960 Speaker 1: Did you see the scene where um Brandon and I 575 00:36:10,000 --> 00:36:14,759 Speaker 1: think Brandon was at his locker and he was either 576 00:36:14,760 --> 00:36:18,160 Speaker 1: talking to Nikki or to Steve, and there were background 577 00:36:18,440 --> 00:36:22,920 Speaker 1: actors behind him at their lockers, but they were fully 578 00:36:23,480 --> 00:36:27,160 Speaker 1: making out, stealing the whole scene. Like all I could 579 00:36:27,160 --> 00:36:29,600 Speaker 1: watch was these two guys in the and the weirdest 580 00:36:29,600 --> 00:36:31,959 Speaker 1: part about it for me was like, I was like, Wow, 581 00:36:32,000 --> 00:36:35,239 Speaker 1: our show was so amazingly ahead of the times to 582 00:36:35,280 --> 00:36:38,280 Speaker 1: have two guys kissing each other. But it wasn't two guys. 583 00:36:38,840 --> 00:36:41,080 Speaker 1: It was a girl and a guy. But for a 584 00:36:41,080 --> 00:36:44,040 Speaker 1: while I thought that was awesome. I didn't think the 585 00:36:44,080 --> 00:36:48,520 Speaker 1: background actors were extremely like noticeable in this episode, and 586 00:36:48,880 --> 00:36:51,200 Speaker 1: I thought it was because so on a different podcast, 587 00:36:51,280 --> 00:36:55,000 Speaker 1: I will admit I'm learning about background acting. So then 588 00:36:55,040 --> 00:36:58,080 Speaker 1: I thought, oh, you're just noticing this because you're like 589 00:36:58,480 --> 00:37:01,080 Speaker 1: so into background acting out And then I was just like, 590 00:37:01,520 --> 00:37:03,719 Speaker 1: I don't know what's happening, but yes, I noticed the 591 00:37:03,760 --> 00:37:09,160 Speaker 1: background actors prominently in this episode. You know, we haven't 592 00:37:09,160 --> 00:37:13,440 Speaker 1: even talked about which I can't even believe it at first. 593 00:37:13,440 --> 00:37:17,719 Speaker 1: Of all, no parents, no parents are going to say 594 00:37:17,760 --> 00:37:25,520 Speaker 1: to their twin children, only which one of you gets 595 00:37:25,560 --> 00:37:28,560 Speaker 1: to go away to college the other one doesn't, And 596 00:37:28,600 --> 00:37:31,400 Speaker 1: we'll let you know on Friday. Who it's gonna be like. 597 00:37:31,440 --> 00:37:35,680 Speaker 1: I was literally like, this happens never. What parents would 598 00:37:35,680 --> 00:37:37,560 Speaker 1: do is say we have this much money, you're each 599 00:37:37,600 --> 00:37:40,279 Speaker 1: getting half and then you'll have to work and pay 600 00:37:40,360 --> 00:37:44,120 Speaker 1: for the other years or get no. No. I just 601 00:37:44,160 --> 00:37:47,240 Speaker 1: I wrote in my notes, how can Jim and Cindy 602 00:37:47,400 --> 00:37:51,600 Speaker 1: pick just one kid? I was literally like, And then 603 00:37:51,680 --> 00:37:55,759 Speaker 1: the fight in the kitchen Jim, Cindy and Brenda and 604 00:37:55,760 --> 00:37:58,000 Speaker 1: Brandon and they're just going at it like no. Two 605 00:37:58,040 --> 00:38:01,040 Speaker 1: parents are gonna be like, well, okay, now kids, Like 606 00:38:01,640 --> 00:38:04,480 Speaker 1: what like you'd say, none of you are going to college? 607 00:38:04,719 --> 00:38:07,080 Speaker 1: Both of you are going to Like no, parents are like, 608 00:38:07,360 --> 00:38:10,840 Speaker 1: we're gonna pick one again. We'll let you know Friday. Well, 609 00:38:11,000 --> 00:38:13,600 Speaker 1: what did you did you see the scene where they're 610 00:38:13,600 --> 00:38:16,160 Speaker 1: both talking to Mrs Teasley and they did that like 611 00:38:16,440 --> 00:38:22,279 Speaker 1: bad swipe editing Stamford, Stamford, Boston, Boston. It was so 612 00:38:22,320 --> 00:38:26,480 Speaker 1: weird because I love a good twin moment. I love 613 00:38:26,520 --> 00:38:28,319 Speaker 1: it when the twins are together, and like when they're 614 00:38:28,880 --> 00:38:30,359 Speaker 1: when I think in this episode of the last one, 615 00:38:30,360 --> 00:38:33,080 Speaker 1: they were riding around in the convertible and he was 616 00:38:33,120 --> 00:38:35,319 Speaker 1: giving advice to her and they were talking. I love 617 00:38:35,360 --> 00:38:39,160 Speaker 1: those scenes. I do too, but I was like, what 618 00:38:39,280 --> 00:38:41,000 Speaker 1: is honey? And then I did think it was kind 619 00:38:41,000 --> 00:38:45,160 Speaker 1: of interesting though how Jim admitted like it's the recession 620 00:38:45,360 --> 00:38:48,600 Speaker 1: and we've had some investments go wrong. Like yeah, we 621 00:38:48,680 --> 00:38:52,759 Speaker 1: definitely were not to interpret like they're rich. Well why 622 00:38:52,760 --> 00:38:54,799 Speaker 1: did why did he go and splurte for the beach 623 00:38:54,840 --> 00:38:58,640 Speaker 1: club membership? Then old Jimbo, do you spend all the 624 00:38:58,640 --> 00:39:01,839 Speaker 1: college kids money? All the kids college money? It's got 625 00:39:01,840 --> 00:39:04,480 Speaker 1: to take out the second mortgage. And I was like, 626 00:39:04,520 --> 00:39:07,880 Speaker 1: oh my god, this is that was amazing and then 627 00:39:07,920 --> 00:39:11,920 Speaker 1: I you know, look the college stuff. Brandon was a 628 00:39:11,960 --> 00:39:17,120 Speaker 1: baby once again, Brandon was being a big fat baby. Yeah. 629 00:39:17,160 --> 00:39:19,879 Speaker 1: He was so like tend to get everything, even though 630 00:39:19,920 --> 00:39:25,160 Speaker 1: like Brenda does get everything, Like fine, Mom, I'll just 631 00:39:25,239 --> 00:39:27,520 Speaker 1: I'll go to u c. L A. And I'll get 632 00:39:27,560 --> 00:39:30,360 Speaker 1: a job and earn my own way. So dramatic. I 633 00:39:30,440 --> 00:39:33,160 Speaker 1: never really thought he was so dramatic. And the Walshes 634 00:39:33,360 --> 00:39:35,480 Speaker 1: are not those kind of parents. That's the other thing 635 00:39:35,600 --> 00:39:39,439 Speaker 1: was like, come on, maybe some I don't know any 636 00:39:39,480 --> 00:39:42,480 Speaker 1: parents that would say picked between two kids, but especially 637 00:39:42,480 --> 00:39:47,040 Speaker 1: not the Walshes. No, it's impossible, it would be impossible. 638 00:39:47,080 --> 00:39:49,799 Speaker 1: If you have twins, just get ready because they're both 639 00:39:49,800 --> 00:39:53,440 Speaker 1: gonna want to go to college, So start start saving now, 640 00:39:54,239 --> 00:39:56,440 Speaker 1: wait or pay for I don't know. That just was like, 641 00:39:57,880 --> 00:40:01,240 Speaker 1: I mean, we had a brief Sue Scanlin mo mint brief. 642 00:40:02,120 --> 00:40:04,320 Speaker 1: Very I think they're just trying to keep her alive. 643 00:40:04,480 --> 00:40:06,920 Speaker 1: Like was it was. She just literally walked by and 644 00:40:06,920 --> 00:40:10,239 Speaker 1: said hi, David and was yeah, yeah, And then I 645 00:40:10,239 --> 00:40:13,040 Speaker 1: think Steve was like, who's this hottie or something like that, 646 00:40:13,080 --> 00:40:16,680 Speaker 1: and then David's like, that's sou Scanlin, like stepping gross 647 00:40:16,760 --> 00:40:21,399 Speaker 1: or whatever. We did have some amazing fashion I am 648 00:40:21,520 --> 00:40:25,400 Speaker 1: so obsessed with the There's a scene with Kelly and Donna, 649 00:40:25,840 --> 00:40:28,719 Speaker 1: and Donna's wearing the black white checker, but Kelly is 650 00:40:28,760 --> 00:40:33,360 Speaker 1: wearing the pants with the suspenders, and I was like, oh, 651 00:40:33,560 --> 00:40:36,600 Speaker 1: five stars. I loved that, like a good suspender moment. 652 00:40:37,960 --> 00:40:39,960 Speaker 1: Loved and it was just so fashion forward and just 653 00:40:40,120 --> 00:40:47,400 Speaker 1: freaking cool. I didn't have. I did not appreciate um 654 00:40:47,520 --> 00:40:51,720 Speaker 1: iron I mean Steve's shirts this episode, they were all 655 00:40:51,840 --> 00:40:56,600 Speaker 1: buttoned right, bad pants too, he just had. He is 656 00:40:56,680 --> 00:41:00,440 Speaker 1: like the victim of some real bad fashion choice. I 657 00:41:00,440 --> 00:41:03,000 Speaker 1: think they're spending a lot more time on the female 658 00:41:03,160 --> 00:41:08,360 Speaker 1: costumes than thank God. Definitely, But I do always love 659 00:41:08,920 --> 00:41:13,719 Speaker 1: the accurate references to Los Angeles, Like when Brenda's like, Hey, 660 00:41:13,880 --> 00:41:15,160 Speaker 1: do you want to go to a movie? Oh? No, 661 00:41:15,520 --> 00:41:17,560 Speaker 1: Kelly said, you want to go to a movie in Westwood, 662 00:41:17,760 --> 00:41:19,640 Speaker 1: and then Brenda's like, I can, I gotta go to Dylan's. 663 00:41:19,640 --> 00:41:21,640 Speaker 1: But's like, that's where we go to movies, Like that 664 00:41:21,719 --> 00:41:24,319 Speaker 1: was totally from Beverly Hills. That's absolutely where you would go. 665 00:41:25,320 --> 00:41:28,440 Speaker 1: I guess I've never gone shopping in Beverly Hills, but 666 00:41:29,760 --> 00:41:33,480 Speaker 1: you've never gone to the movies in Westwood. Oh I've 667 00:41:33,520 --> 00:41:36,880 Speaker 1: been there for premiere once. Yeah. Yeah, Like that's like Westwoods. 668 00:41:36,880 --> 00:41:39,680 Speaker 1: Like I definitely would be, like, I'll go to the 669 00:41:39,680 --> 00:41:45,319 Speaker 1: movies in Westwood? Do you go shopping on I haven't 670 00:41:45,360 --> 00:41:51,040 Speaker 1: been to a movie for years? What are movies? Well? 671 00:41:51,640 --> 00:41:54,600 Speaker 1: Would you go shopping on Rodeo? Drive them in Beverly Hills? Never? 672 00:41:55,800 --> 00:41:57,799 Speaker 1: But I love it the people come here and do that, 673 00:41:57,920 --> 00:42:00,640 Speaker 1: Like that's awesome. They totally didn't Once in a Blue 674 00:42:00,640 --> 00:42:03,120 Speaker 1: Moon because there's like a Ralph Laurence store. It is 675 00:42:03,160 --> 00:42:04,960 Speaker 1: the only one, and I love their betting, so I 676 00:42:05,000 --> 00:42:06,880 Speaker 1: do have to go in there for that but no, 677 00:42:08,120 --> 00:42:10,560 Speaker 1: I only go to Beverly Hills to see my dentist, 678 00:42:10,680 --> 00:42:15,440 Speaker 1: Dr Larry. Yeah, I'll go anywhere for Dr Larry. I'm 679 00:42:15,440 --> 00:42:17,120 Speaker 1: not gonna lie. Haven't been in Beverly Hills in two 680 00:42:17,200 --> 00:42:19,840 Speaker 1: years either, because I like, I'm on I live on 681 00:42:19,880 --> 00:42:22,799 Speaker 1: the west side, so it's like that's I'm not going over. 682 00:42:23,200 --> 00:42:25,719 Speaker 1: I'm not going east of the four oh five. Could 683 00:42:25,719 --> 00:42:29,520 Speaker 1: you imagine driving to my house? Do it? I have 684 00:42:29,560 --> 00:42:36,520 Speaker 1: to pack a suitcase like that's so far from you did? 685 00:42:36,560 --> 00:42:40,279 Speaker 1: Like three tanks a gas probably brown Wood to pass 686 00:42:40,280 --> 00:42:45,360 Speaker 1: Sadena is no joke, no joke. Um wait, okay what 687 00:42:45,480 --> 00:42:49,279 Speaker 1: about this part? This got me? When what's the guy? 688 00:42:49,760 --> 00:42:53,080 Speaker 1: Is his name? B J? No? What? B J Harrison? Yeah, 689 00:42:53,080 --> 00:42:56,360 Speaker 1: oh yeah, he's like the older guy. He says to Steve. 690 00:42:57,360 --> 00:43:00,840 Speaker 1: I wanted I wanted him to stop saying this, every office, 691 00:43:01,360 --> 00:43:08,480 Speaker 1: every filing cabinet, every grade bank, every office, every filing cabinet, 692 00:43:08,920 --> 00:43:14,919 Speaker 1: every grade bank. Again, what is a grade bank? We don't. 693 00:43:16,600 --> 00:43:21,920 Speaker 1: I really wanted him to stop that guy. And then 694 00:43:21,960 --> 00:43:25,680 Speaker 1: he called another favorite thing of mine was he calls 695 00:43:25,760 --> 00:43:31,200 Speaker 1: Steve lame brain. Okay, lame brain. That was a good one, 696 00:43:33,160 --> 00:43:36,520 Speaker 1: so good. Okay, here's my question. And again I'm like, not, 697 00:43:37,080 --> 00:43:39,600 Speaker 1: I don't even make television, Like I literally so I 698 00:43:39,640 --> 00:43:43,919 Speaker 1: have no business saying this. The scene with the motorcycle, 699 00:43:44,120 --> 00:43:46,400 Speaker 1: and I noticed this about Dylan's house a couple of times. 700 00:43:46,440 --> 00:43:50,399 Speaker 1: Now it doesn't look like you're outside, We're not. We're 701 00:43:50,440 --> 00:43:54,520 Speaker 1: not outside. Would they just brought in a few trees 702 00:43:54,600 --> 00:43:59,160 Speaker 1: and it really fixing his motorcycle in his living room 703 00:43:59,200 --> 00:44:04,360 Speaker 1: because this is not outside, Like, yeah, I'm sure that 704 00:44:04,440 --> 00:44:07,000 Speaker 1: was a like a lighting thing. They couldn't. I don't 705 00:44:07,040 --> 00:44:11,279 Speaker 1: know something, But did you notice Okay, this stood out 706 00:44:11,320 --> 00:44:13,759 Speaker 1: to me so much in the scene where Kelly and 707 00:44:13,840 --> 00:44:16,560 Speaker 1: Dylan are at the motorcycle. Did you notice what you 708 00:44:16,600 --> 00:44:24,200 Speaker 1: did with your hand? I touched something, sexy touched the 709 00:44:24,360 --> 00:44:28,960 Speaker 1: motor sexy touched the Yeah, I was like petted. It 710 00:44:29,080 --> 00:44:31,920 Speaker 1: was that instinctual, like did Jenny just do that? It 711 00:44:32,000 --> 00:44:34,440 Speaker 1: was she directed to do that, like because it was 712 00:44:34,520 --> 00:44:37,880 Speaker 1: like you couldn't be overtly flirty or sexy, so everything 713 00:44:37,960 --> 00:44:42,279 Speaker 1: was subtle and it was like I was like, I 714 00:44:42,320 --> 00:44:49,319 Speaker 1: literally wrote hand hand Ham you have some good lines too, 715 00:44:49,360 --> 00:44:52,320 Speaker 1: because uh, In the first of all, the art class 716 00:44:52,480 --> 00:44:55,880 Speaker 1: was so no high school art class is drawing nude women. 717 00:44:56,080 --> 00:45:02,000 Speaker 1: But that's true Kelly's if she starts passing out crystals, 718 00:45:02,080 --> 00:45:06,160 Speaker 1: I'm out of here. To me, I'd be like, give 719 00:45:06,160 --> 00:45:10,040 Speaker 1: me a crystal. I love this. I know whatever it 720 00:45:10,040 --> 00:45:12,680 Speaker 1: takes to like keep keep me saying I will do. 721 00:45:12,880 --> 00:45:16,520 Speaker 1: But that was classic. Along the lines of like favorite 722 00:45:16,520 --> 00:45:19,400 Speaker 1: our favorite lines from the episode, Andrea had one that 723 00:45:19,520 --> 00:45:24,759 Speaker 1: just made me say wow when she's on the high 724 00:45:24,840 --> 00:45:27,880 Speaker 1: wire again for like, I think it might be the 725 00:45:27,960 --> 00:45:32,840 Speaker 1: third time in the show. Yeah, she says when she 726 00:45:32,960 --> 00:45:39,320 Speaker 1: kicks Gil off the thing she says, Austa La Vista baby? 727 00:45:41,200 --> 00:45:45,880 Speaker 1: Was this during the terminator? Like, where is she going 728 00:45:45,920 --> 00:45:51,120 Speaker 1: to get that Austo Visa baby? All right, they stock 729 00:45:51,160 --> 00:45:55,240 Speaker 1: that right from the terminator. I'll be back. Oh my god, 730 00:45:55,880 --> 00:45:58,719 Speaker 1: I love this whole episode. So many fun things to 731 00:45:58,800 --> 00:46:02,040 Speaker 1: talk about. I love when Nikki and Brandon are kissing 732 00:46:02,200 --> 00:46:04,560 Speaker 1: and Dylan just walks by and says, glad to see 733 00:46:04,560 --> 00:46:10,799 Speaker 1: you've gotten over this age thing. It's so good because 734 00:46:11,000 --> 00:46:13,759 Speaker 1: the characters are all like, the people are all like 735 00:46:14,320 --> 00:46:17,120 Speaker 1: forming these relationships and you see it come across on 736 00:46:17,200 --> 00:46:20,440 Speaker 1: screen and it's really fun to watch. God, every single 737 00:46:20,520 --> 00:46:24,080 Speaker 1: thing was so good. Oh, I mean, first of all, 738 00:46:24,360 --> 00:46:26,359 Speaker 1: I'm sorry Tor is not here. Tory, We'll be back. 739 00:46:26,520 --> 00:46:30,880 Speaker 1: She'll tell why she's not here. We miss her. God, 740 00:46:30,920 --> 00:46:37,320 Speaker 1: I love us. We laugh. We laugh a lot. Him 741 00:46:37,440 --> 00:46:43,759 Speaker 1: how did I cry and laugh hysterically? I laughed, I 742 00:46:43,800 --> 00:46:48,920 Speaker 1: have to go take an ad vilis No, You're awesome. 743 00:46:49,320 --> 00:46:52,279 Speaker 1: You're awesome. You are you are, Like, I love you 744 00:46:52,320 --> 00:46:58,520 Speaker 1: so much, festive you because it's real, Like everyone's like, 745 00:46:58,680 --> 00:47:01,520 Speaker 1: it's not like we're just be bop and watching a show, 746 00:47:01,560 --> 00:47:04,880 Speaker 1: and it's like we are really like watching this and 747 00:47:04,920 --> 00:47:06,920 Speaker 1: we care about it, and the best part of it, 748 00:47:07,400 --> 00:47:09,520 Speaker 1: we can care so deeply about it one second and 749 00:47:09,520 --> 00:47:13,160 Speaker 1: then be laughing hysterically at it the second time, like 750 00:47:13,400 --> 00:47:16,600 Speaker 1: we're so all over the place, and it's just you 751 00:47:16,680 --> 00:47:20,080 Speaker 1: were there and I was like this was important to 752 00:47:20,200 --> 00:47:24,560 Speaker 1: me too, you know, like it was like it means 753 00:47:24,600 --> 00:47:26,600 Speaker 1: something watching it back. I don't know, it's like looking 754 00:47:26,600 --> 00:47:31,640 Speaker 1: at my high school yearbook or something, you know, like going, oh, 755 00:47:32,239 --> 00:47:35,680 Speaker 1: reminiscing about like a college boyfriend or I don't know. 756 00:47:35,719 --> 00:47:38,520 Speaker 1: I don't know. I am loving the show though. In 757 00:47:38,560 --> 00:47:44,839 Speaker 1: the third season, totally hooked. Yeah, I got to talk 758 00:47:44,840 --> 00:47:49,320 Speaker 1: to you guys at the right time. I got lucky. 759 00:47:50,480 --> 00:47:53,799 Speaker 1: I think that's it. We've we've really covered the out 760 00:47:53,800 --> 00:47:57,160 Speaker 1: of this episode. We can't do it anymore. People are like, 761 00:47:57,239 --> 00:48:02,120 Speaker 1: stop talking about it, okay, So I love that. Somebody 762 00:48:02,160 --> 00:48:05,680 Speaker 1: might just be like, I've got nothing of that. Probably not. 763 00:48:05,920 --> 00:48:09,319 Speaker 1: I'm sure you check those comments say because they're going 764 00:48:09,360 --> 00:48:11,480 Speaker 1: to get ugly. I read them all. I love them. 765 00:48:11,520 --> 00:48:14,800 Speaker 1: I love them. I also I laughed so hard because 766 00:48:14,880 --> 00:48:17,800 Speaker 1: I really tried hard on my hair for I am sad. 767 00:48:17,840 --> 00:48:21,080 Speaker 1: He wrote the funniest thing, your hair looks your amy, 768 00:48:21,160 --> 00:48:26,879 Speaker 1: Your hair looks exactly the same. I read every single one. 769 00:48:27,080 --> 00:48:33,440 Speaker 1: Now I noticed a beautiful blow out that day, not today, 770 00:48:33,960 --> 00:48:36,560 Speaker 1: not today. Oh my god, I love you so much. 771 00:48:36,600 --> 00:48:39,520 Speaker 1: What are we watching that? Next week is season three, 772 00:48:39,560 --> 00:48:46,360 Speaker 1: episode ten, Home and Away. Oh I can't wait. I 773 00:48:46,400 --> 00:48:48,759 Speaker 1: don't know what it means, but it's going to be good. 774 00:48:50,040 --> 00:48:52,600 Speaker 1: Thank you so much for everybody for listening. I just 775 00:48:52,640 --> 00:48:55,520 Speaker 1: want to give a gratitude moment for all of our 776 00:48:55,840 --> 00:48:59,000 Speaker 1: listeners and all the fans that made the show successful 777 00:48:59,280 --> 00:49:03,080 Speaker 1: and helping us to make this podcast successful. And it's 778 00:49:03,320 --> 00:49:06,839 Speaker 1: it's just so heartwarming to be able to sit down 779 00:49:06,840 --> 00:49:11,080 Speaker 1: and talk about something that that form, you know, formed 780 00:49:11,120 --> 00:49:13,200 Speaker 1: me and you know, and it was so important in 781 00:49:13,280 --> 00:49:16,880 Speaker 1: both Tori and my life. And we're so appreciative of 782 00:49:16,960 --> 00:49:20,359 Speaker 1: everybody's time, and we hope we're entertaining you. Maybe we're 783 00:49:20,360 --> 00:49:23,560 Speaker 1: not giving the best, you know, episode breakdown, but we 784 00:49:23,640 --> 00:49:26,359 Speaker 1: are sure doing our our best. We're doing all we can. 785 00:49:27,520 --> 00:49:33,440 Speaker 1: I love you all right, everybody have a good one.