WEBVTT - Call-In Ep w/ George and Sam

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<v Speaker 1>What's up, everybody. It's Sam here with a quick little

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<v Speaker 1>show announcement, and that is that we have a Street

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<v Speaker 1>Lab live show in New York City at our homeway

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<v Speaker 1>from home, the Bellhouse, on March thirteenth. That is, I'm

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<v Speaker 1>being told close to selling out, so get those tickets quick.

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<v Speaker 1>We're going to have Joe Firestone and Patti Harrison and

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<v Speaker 1>potentially on another person there as special guests. And then

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<v Speaker 1>I'm doing an hour at Union Hall in New York

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<v Speaker 1>City on March eighteenth, and I also hear tickets are

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<v Speaker 1>low for that, so move quick. And then I'm doing

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<v Speaker 1>my hour two more times in Los Angeles, California, on

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<v Speaker 1>March twenty fourth and April first, And there's actually quite

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<v Speaker 1>a few tickets available for those other intimate little shows.

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<v Speaker 1>So I would love if you guys got tickets of those.

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<v Speaker 1>That would make my life much less humiliating. So see

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<v Speaker 1>you there. Enjoy the episode. Bye. Podcast starts now. What

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<v Speaker 1>is up everyone around the globe? We are at the

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<v Speaker 1>final George in La recording. We did it.

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<v Speaker 2>We did it, folks, We did it, Joe, We did

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<v Speaker 2>it Joe. Remember that, y'all, remember that, Remember we did it.

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<v Speaker 1>Joe simpler times.

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<v Speaker 2>Take me back, me back what a day, Take me

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<v Speaker 2>back to just having like a knot in my stomach

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<v Speaker 2>that told me that it wasn't going to be okay.

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<v Speaker 2>But then at the surface, being like.

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<v Speaker 1>Well what if it is where it's now, it's its

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<v Speaker 1>surface all the way down to the knot. Yeah, now

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<v Speaker 1>it sucks to be like damn, So we're just going

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<v Speaker 1>to be sort of in a nightmare for the foreseeable future.

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<v Speaker 2>It's sort of interesting how the Charlie Brat era reflects

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<v Speaker 2>our political optimism then and also now what's happening with

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<v Speaker 2>the Charlie movie explain, So Charlie Brat Summer coincided with

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<v Speaker 2>like this like forced optimism about Kamala Harris. Yes, now

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<v Speaker 2>Charlie is doing her movie which is like Brad Summer,

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<v Speaker 2>but through a lens of even more sarcasm and irony,

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<v Speaker 2>while we are all in the most cynical, scared, angry

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<v Speaker 2>place we've ever been. Yeah, and it's I don't think

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<v Speaker 2>it's intentional, And I also think people are people don't

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<v Speaker 2>want to think back to the optimism of Brad Summer,

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<v Speaker 2>so they're sort of like rejecting the film.

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<v Speaker 1>So she's like getting ahead of it and being like

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<v Speaker 1>that was weird. I hope she's getting ahead of it,

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<v Speaker 1>but I worry about that. I'm film yet, Yeah, I'm either,

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<v Speaker 1>but I hope that she can pull it off. If

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<v Speaker 1>she can pull it off, it would be a generational accomplishment.

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<v Speaker 1>I gotta say, I believe there's something about I mean, obviously,

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<v Speaker 1>when she said Kamala is Brad, that was like the

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<v Speaker 1>furthest she's gone into, like quote unquote cringe. But it

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<v Speaker 1>was like but then she like immediately was like, what

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<v Speaker 1>am I doing? I'm not going to maintain that.

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<v Speaker 2>That was like a funny, stupid thing to say. And

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<v Speaker 2>I really reject people, really reject people that like somehow

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<v Speaker 2>believe that that was her being like pussy hat limits March.

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<v Speaker 2>But yeah, like come on, everything she says is like

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<v Speaker 2>through fifteen layers of irony then seven of which she

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<v Speaker 2>doesn't even she's not even fully aware.

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<v Speaker 1>I think she's gonna pull it off. But of course,

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<v Speaker 1>this is amazing to batch episodes in a time when

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<v Speaker 1>you know the news changes so quickly. I mean, at

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<v Speaker 1>this rate, Charlie could be assassinated by the time this

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<v Speaker 1>episode comes out.

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<v Speaker 2>So let's hope not let's hope not, but of course

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<v Speaker 2>we will prepare a separate intro for if she's assassinated,

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<v Speaker 2>and it's going to be saved as intro Charlie Assassination

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<v Speaker 2>Version MP.

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<v Speaker 3>Four.

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<v Speaker 1>We record over one hundred versions of our intro for

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<v Speaker 1>if any public figure that we discussed is assassinated within

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<v Speaker 1>the next month, just because we can't know because we're

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<v Speaker 1>releasing this a month from or two, like a month

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<v Speaker 1>and a half from.

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<v Speaker 2>I just want to say if any of our last

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<v Speaker 2>eight to ten episodes none of them coincide with the

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<v Speaker 2>time period in which we're listening to them, so everyone

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<v Speaker 2>just has to sort of be chill about it. If

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<v Speaker 2>you think we're not commenting on any political events, that's

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<v Speaker 2>why we don't know. They don't know about them.

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<v Speaker 1>And I just want to say that it's actually sad

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<v Speaker 1>that you guys won't hear the version of this intro

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<v Speaker 1>in which Amanda Seafreed got assassinated, because yeah, we both cry.

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<v Speaker 1>It's very emotional. I really felt it. I felt it

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<v Speaker 1>so hard. I mean, obviously we were it was an

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<v Speaker 1>acting extracise because we don't know what the future holds,

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<v Speaker 1>but we both got to a place that was pretty

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<v Speaker 1>real and grounded.

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<v Speaker 2>Well, I think we accessed our feelings about her being

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<v Speaker 2>snubbed for the OSCAR and said, okay, like that's how

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<v Speaker 2>you're feeling now already on the verge of tears. Of course,

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<v Speaker 2>of course, I mean after learning the teachers of teachings

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<v Speaker 2>of Anne Lee, after I.

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<v Speaker 1>Learned the teachings teachings, the teaches of an Lee, straight Shooter,

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<v Speaker 1>teaches of Peaches, or a testament of Van Lee, I'm

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<v Speaker 1>gonna have to go a testament of Anlein, go a

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<v Speaker 1>testament of Anile. No, I'm so inspired by the Shaker movement.

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<v Speaker 1>I have not had sex since I've seen a movie,

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<v Speaker 1>and I plan on continuing that run or else God

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<v Speaker 1>will not come through me.

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<v Speaker 2>Something interesting about me is that I actually, no joke,

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<v Speaker 2>have not had sex and seeing seeing that movie, and so,

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<v Speaker 2>I mean a big part of it is that I

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<v Speaker 2>am I have been away from my husband in a

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<v Speaker 2>different city.

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<v Speaker 1>But you know, I'm allowed to if I want to.

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<v Speaker 1>Oh honey, I have it. I chose it not to,

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<v Speaker 1>and it's because of Annley. A gay guy saying he's

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<v Speaker 1>away from his husband in a different city is not

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<v Speaker 1>an excuse for not having you know what, it is.

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<v Speaker 2>It's I wanted to say that just so people think

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<v Speaker 2>I'm not in a sexist marriage, but not as a

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<v Speaker 2>justification for not having sex. To be clear, it's my

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<v Speaker 2>choice that I'm not having sex.

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<v Speaker 1>Yeah.

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<v Speaker 2>So anyway, I think we had a really big realization.

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<v Speaker 2>Did I forward you this?

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<v Speaker 4>Oh?

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<v Speaker 2>No, we talked about it how Ann Lee herself was

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<v Speaker 2>actually fugly as hell.

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<v Speaker 1>Everyone, if you're near a phone or a computer or

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<v Speaker 1>a home tablet, google Ann Lee.

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<v Speaker 2>What to Wikipedia Wikipedia for Annlee and look at the

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<v Speaker 2>gorgeous illustration.

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<v Speaker 1>The amazing sketch.

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<v Speaker 2>Absolutely this like it's made by like the most cruel

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<v Speaker 2>Coney Island sketch artist, caricature artist.

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<v Speaker 1>You've heard of a five head when your forehead is

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<v Speaker 1>too big, Well, honey, this is like a ten head.

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<v Speaker 1>This is like, this is so gigantic. I've never seen

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<v Speaker 1>anything like it. And it's you know, it's pretty easy

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<v Speaker 1>to understand why she could forego sex in the film.

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<v Speaker 1>It was like, oh, but she's married to the hot

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<v Speaker 1>guy from Girls, Why wouldn't she want to blow him

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<v Speaker 1>as he so insists he wants. And then now you

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<v Speaker 1>see the the Wikipedia drawing and you say, oh, I

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<v Speaker 1>get it. Yeah, you're saying, I don't think she would

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<v Speaker 1>have dated Charlie from Girls. I don't think. I don't

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<v Speaker 1>necessarily think. I don't even think she would have dated

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<v Speaker 1>Ray from Girls. To be honest, honey, she wishes no.

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<v Speaker 1>But of course the forehead.

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<v Speaker 2>You know why it's so big so you can project

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<v Speaker 2>the testament of Anily on it and do a big

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<v Speaker 2>movie night with the gang after everyone is tired from

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<v Speaker 2>a day of blue ballsing themselves for the Lord, for

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<v Speaker 2>the Lord everyone. So what we're doing today is a

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<v Speaker 2>good old fashioned call in episode we This is like

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<v Speaker 2>one of my favorite batch of calls we've gotten.

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<v Speaker 1>I think, Wow, I don't rank them. I love all

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<v Speaker 1>batches of calls equally.

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<v Speaker 2>Well, something happens without us planning it, which is that

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<v Speaker 2>there's a certain identity that shines through with each batch,

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<v Speaker 2>and I think this batch was much more queer woman oriented.

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<v Speaker 2>There was a batch recently that was like gay guy,

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<v Speaker 2>gay guy, gey guy, gay guy. This batch was much

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<v Speaker 2>more like, we just got back from a big potlck dinner.

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<v Speaker 2>We made an amazing white bean stew and my girlfriend,

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<v Speaker 2>who I'm ethically non monogamous with, has a question for

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<v Speaker 2>you guys, and we love the pod.

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<v Speaker 1>Well, there was a lot of like representation and not

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<v Speaker 1>in the like identity way, like in the way that

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<v Speaker 1>like someone is speaking for someone else. Yes, someone represents

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<v Speaker 1>someone else. I love that was my friend loves you,

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<v Speaker 1>and he wonders, and it was sort of like, one,

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<v Speaker 1>then why can't he pick up the damn phone and

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<v Speaker 1>call himself?

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<v Speaker 2>Well, I sort of like, I like kind of taking

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<v Speaker 2>the culture of legal representation into the social into your

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<v Speaker 2>social life and just be like, you know, we should

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<v Speaker 2>be able to be like I have a dinner with

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<v Speaker 2>an acquaintance I don't really want to see. I'm going

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<v Speaker 2>to send my friend and then she can kind of

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<v Speaker 2>be like yeah, So this is like mostly what George

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<v Speaker 2>wanted to say, and I'll relay back anything you have.

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<v Speaker 1>Georgie's loving The Testament of Anilee. He has has been

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<v Speaker 1>ever since watching, and he still love diet Coke.

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<v Speaker 2>It's something that The Testament of anilely didn't quite hit,

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<v Speaker 2>was like, why the connection between celibacy and social justice

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<v Speaker 2>because her dupe her two big views were social justice

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<v Speaker 2>and celibacy. Yeah, who could forget she was the only

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<v Speaker 2>white person in America against slavery.

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<v Speaker 1>She really saw slaves happening, and she was like, I

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<v Speaker 1>don't like this. I do not like this. She was

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<v Speaker 1>so she was like what. She was like, hold on,

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<v Speaker 1>I'm going to call somebody. But then she didn't really

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<v Speaker 1>call it. No, she was like, I'm actually gonna go

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<v Speaker 1>to the She sort of just like protested very briefly

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<v Speaker 1>on the streets and then was like, it is time

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<v Speaker 1>for us to set up camp.

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<v Speaker 5>No.

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<v Speaker 1>And she was nice in the Native Americans. That's true.

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<v Speaker 1>She she she was awoke diva, but it is it

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<v Speaker 1>is very she's very I think I said after we

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<v Speaker 1>saw the movie, she's very tender queer where it's like

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<v Speaker 1>very sex negative but very social justice forward.

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<v Speaker 2>Oh that's a really interesting point. Yes, she's sex negative.

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<v Speaker 1>She's like, no kink, get pride. Actually no kink at.

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<v Speaker 2>All, no kink at all, and no sex at all,

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<v Speaker 2>no sex at all. But everyone gets. But but this

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<v Speaker 2>is I'm running my business like a co op, like

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<v Speaker 2>I'm running everyone's a co owner. Yes, everyone is a

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<v Speaker 2>co owner of the Social Justice Coffee Shop. And we

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<v Speaker 2>do we have like a prayer a non denominational prayer room.

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<v Speaker 2>As long as no one hooks up in there, you're fine.

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<v Speaker 1>Yeah. Yeah. I also just it was so funny how

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<v Speaker 1>much it's like as a gay guy to hear a

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<v Speaker 1>movie where they say the word mother that much. It

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<v Speaker 1>was like, it's like sometimes it feels like they're baiting

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<v Speaker 1>you into making a meme.

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<v Speaker 2>I know, I and I well, this goes back to

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<v Speaker 2>the to the Searchlight Pictures conversation. So much of the

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<v Speaker 2>movie is begging to be memed, and only now are

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<v Speaker 2>people catching up to that. We're recording January twenty eighth.

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<v Speaker 2>I just want to you know, she's been snubbed for

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<v Speaker 2>the Oscar. No one has seen this film yet. I

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<v Speaker 2>think now it's getting some traction. But the fact that

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<v Speaker 2>there was no meme about Mother, no meme about the

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<v Speaker 2>dance that they do, no meme about you know, Charlie

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<v Speaker 2>from Girls, no meme about the fact that she's like

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<v Speaker 2>serving the entire time but playing someone who has you know,

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<v Speaker 2>a horrible forehead.

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<v Speaker 1>No, it's weird. It's weird.

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<v Speaker 2>We've made memes about much less memorable things as all.

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<v Speaker 1>I'm so maybe they were just too heavy handed with

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<v Speaker 1>the memeability. Yeah, let you have a sense of discovery.

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<v Speaker 1>That's right, that's true. They should, they could, They were

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<v Speaker 1>too heated rivalry with it. They want a bit heated rivalry.

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<v Speaker 1>That's what I'm saying about, ann Lee. Should we get

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<v Speaker 1>into our call. Let's get we haven't a million amazing calls.

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<v Speaker 1>I can kick us off.

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<v Speaker 5>Hey, Sam and George? Do you who note here that

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<v Speaker 5>I did have to pause Lady Gaga's guy.

0:10:57.640 --> 0:10:58.800
<v Speaker 6>To leave this message?

0:11:00.120 --> 0:11:02.960
<v Speaker 5>Guy question here, I'm going through my photos on my

0:11:03.080 --> 0:11:06.000
<v Speaker 5>phone in an I cloud. I've got all these pictures

0:11:06.000 --> 0:11:08.760
<v Speaker 5>of hot men I don't know, jig pics that I

0:11:08.800 --> 0:11:12.040
<v Speaker 5>don't know for sure who they belonged to, and even

0:11:12.160 --> 0:11:15.760
<v Speaker 5>friends and lovers that I'm no longer close with. What

0:11:15.800 --> 0:11:19.080
<v Speaker 5>would you, glamorous gay guys do? Would you keep these

0:11:19.080 --> 0:11:23.679
<v Speaker 5>photos or would you delete them? What should I do?

0:11:24.000 --> 0:11:28.600
<v Speaker 5>I'm just curious. Also, I want to thank and give

0:11:28.640 --> 0:11:33.560
<v Speaker 5>a big shout out to George for his stand up special.

0:11:33.720 --> 0:11:36.520
<v Speaker 5>I watched it while I was sick with the flu,

0:11:37.200 --> 0:11:40.199
<v Speaker 5>So thank you so much.

0:11:41.080 --> 0:11:41.600
<v Speaker 6>Bye.

0:11:42.920 --> 0:11:44.360
<v Speaker 2>You're saying you watched it when you were sick with

0:11:44.400 --> 0:11:46.280
<v Speaker 2>the flu, not saying whether you enjoyed it or not,

0:11:46.559 --> 0:11:48.800
<v Speaker 2>just saying thank you for providing something for me to

0:11:48.840 --> 0:11:49.240
<v Speaker 2>look at.

0:11:49.679 --> 0:11:50.840
<v Speaker 1>That is so classic.

0:11:51.160 --> 0:11:53.559
<v Speaker 2>But you know, often something you can do is rent

0:11:53.600 --> 0:11:55.960
<v Speaker 2>my special sense of urgency on Amazon or Apple if

0:11:55.960 --> 0:11:57.640
<v Speaker 2>you have the fluor even if you're healthy.

0:11:58.080 --> 0:11:59.720
<v Speaker 1>No matter what state of mind you're in, Rent, George,

0:12:00.280 --> 0:12:00.720
<v Speaker 1>that's right.

0:12:00.800 --> 0:12:05.360
<v Speaker 2>Okay, So this is an interesting question, and I'm going

0:12:05.400 --> 0:12:08.120
<v Speaker 2>to actually take a step back. What is your stance

0:12:08.160 --> 0:12:11.240
<v Speaker 2>on saving other people's news?

0:12:11.480 --> 0:12:14.559
<v Speaker 1>So this is interesting. The context was a bit unclear

0:12:14.600 --> 0:12:18.079
<v Speaker 1>to me. Is he saying he's saving them from like Twitter,

0:12:18.240 --> 0:12:19.720
<v Speaker 1>like they're not sent to him directly?

0:12:19.800 --> 0:12:19.959
<v Speaker 7>Oh?

0:12:19.960 --> 0:12:21.520
<v Speaker 2>No, I'm pretty sure they're sent to him directly. And

0:12:21.559 --> 0:12:23.960
<v Speaker 2>I think he has a spank bank folder where he

0:12:24.000 --> 0:12:29.560
<v Speaker 2>puts them. He's he's acquired them consensually. I guess I say,

0:12:29.600 --> 0:12:32.959
<v Speaker 2>go off. You say just keep them, keep I mean,

0:12:33.000 --> 0:12:35.280
<v Speaker 2>as long as you're not like sharing them abroad, like

0:12:35.480 --> 0:12:37.240
<v Speaker 2>I think, if you never know when you might need them.

0:12:37.520 --> 0:12:39.600
<v Speaker 1>I think it's like sometimes it's fun when you're like

0:12:39.720 --> 0:12:42.360
<v Speaker 1>thinking back on your life. Imagine it's the notebook and

0:12:42.360 --> 0:12:44.040
<v Speaker 1>you're like, what's my life been? And then you can

0:12:44.080 --> 0:12:46.720
<v Speaker 1>be like, actually, remember that guy's dick. That's very true.

0:12:46.720 --> 0:12:48.439
<v Speaker 2>And actually I would even go to fars to say

0:12:48.440 --> 0:12:51.319
<v Speaker 2>you should go through them and maybe even journal about them,

0:12:51.320 --> 0:12:53.440
<v Speaker 2>like write notes about each one, see how you feel,

0:12:53.679 --> 0:12:56.240
<v Speaker 2>and then do that again once a year and sort

0:12:56.280 --> 0:13:01.680
<v Speaker 2>of track your own evolving tastes in Dicks and maybe

0:13:01.880 --> 0:13:05.320
<v Speaker 2>something will bring up a memory and you'll remember who a.

0:13:05.320 --> 0:13:07.880
<v Speaker 1>Specific person was. That would be nice. I mean, I

0:13:07.920 --> 0:13:10.440
<v Speaker 1>have Dick pics that I treasure, Dick pics from like

0:13:10.720 --> 0:13:13.400
<v Speaker 1>ten years ago, where I'm like, isn't it so weird

0:13:13.440 --> 0:13:15.480
<v Speaker 1>that I can just look at this whenever I want. Yeah,

0:13:15.480 --> 0:13:18.079
<v Speaker 1>and I like that. I'm not sharing it, but I'm

0:13:18.120 --> 0:13:20.200
<v Speaker 1>saying that's nice to be able to access that. It

0:13:20.200 --> 0:13:21.840
<v Speaker 1>makes me feel like in the same way when you

0:13:21.880 --> 0:13:24.719
<v Speaker 1>hear a song from elementary school and you're like, no, whoa,

0:13:24.760 --> 0:13:27.480
<v Speaker 1>I'm taken back. I'm back in the backseat of the car.

0:13:28.120 --> 0:13:29.720
<v Speaker 2>Or even like looking at an old photo of yourself

0:13:29.720 --> 0:13:32.040
<v Speaker 2>and seeing something you were wearing that is so of

0:13:32.080 --> 0:13:36.319
<v Speaker 2>the times in terms of the style and styling. Even

0:13:36.600 --> 0:13:38.480
<v Speaker 2>you know you can look back and say, oh, that's

0:13:38.480 --> 0:13:40.920
<v Speaker 2>what I like. Then this was like my favorite one.

0:13:41.280 --> 0:13:44.439
<v Speaker 2>This Dick was my favorite one. Now not doing much

0:13:44.440 --> 0:13:44.640
<v Speaker 2>for me.

0:13:44.640 --> 0:13:46.680
<v Speaker 1>It doesn't do anything for me, but it's nice to

0:13:46.720 --> 0:13:50.400
<v Speaker 1>know that I can look at it. Next question, Okay,

0:13:51.040 --> 0:13:52.600
<v Speaker 1>I think I have.

0:13:52.480 --> 0:13:57.360
<v Speaker 3>This one Okay, Hey, Sam and George. I called before

0:13:58.480 --> 0:14:02.000
<v Speaker 3>from going to Chicago to see George's first show. But

0:14:02.200 --> 0:14:05.000
<v Speaker 3>I had something happen that is so stradio lab or

0:14:05.040 --> 0:14:07.440
<v Speaker 3>it happened to my son that I had to call and.

0:14:07.360 --> 0:14:08.080
<v Speaker 1>Ask this question.

0:14:09.080 --> 0:14:11.560
<v Speaker 3>My son is twenty five, or one of my sons

0:14:11.600 --> 0:14:13.840
<v Speaker 3>is twenty five, and he went to New York City

0:14:13.880 --> 0:14:18.080
<v Speaker 3>to visit a former college roommate who lives in Manhattan

0:14:18.920 --> 0:14:22.800
<v Speaker 3>a week after Christmas, and to thank him for hosting him.

0:14:22.880 --> 0:14:29.920
<v Speaker 3>He set up a sushi restaurant, Almacasse Meal. So while

0:14:29.920 --> 0:14:33.920
<v Speaker 3>they were there, an older man in his forties sent

0:14:33.960 --> 0:14:36.920
<v Speaker 3>them some sake, and they thought that was really nice.

0:14:37.080 --> 0:14:40.640
<v Speaker 3>And then my son's friend went to the bathroom towards

0:14:40.640 --> 0:14:42.680
<v Speaker 3>the end of the meal, and the man came over

0:14:42.680 --> 0:14:45.360
<v Speaker 3>to my son and was like, you know, introducing himself

0:14:45.360 --> 0:14:47.560
<v Speaker 3>and saying hey. And then the man said to my

0:14:47.600 --> 0:14:50.600
<v Speaker 3>son like, fuck it, let's go after this and do

0:14:50.720 --> 0:14:54.120
<v Speaker 3>a bunch of cocaine or a bunch of coke and

0:14:54.840 --> 0:14:57.680
<v Speaker 3>co oh okay, I no, thank you, but thank you

0:14:57.720 --> 0:15:00.440
<v Speaker 3>for the sake. So when my son told me this,

0:15:00.520 --> 0:15:02.520
<v Speaker 3>he was just kind of like, oh, New York wild

0:15:02.600 --> 0:15:05.000
<v Speaker 3>and crazy, and I was like I'm pretty sure like

0:15:05.080 --> 0:15:05.880
<v Speaker 3>I was hitting on you.

0:15:05.840 --> 0:15:09.920
<v Speaker 8>Guys, so you two would be the experts in New

0:15:10.000 --> 0:15:11.160
<v Speaker 8>York and gay guys.

0:15:11.600 --> 0:15:13.720
<v Speaker 3>Was my son and his friend getting hit on?

0:15:14.200 --> 0:15:14.880
<v Speaker 8>Thanks so much?

0:15:15.040 --> 0:15:15.440
<v Speaker 9>Bye?

0:15:16.080 --> 0:15:17.840
<v Speaker 2>Okay, so off the bat, I want to say a couple.

0:15:18.000 --> 0:15:21.680
<v Speaker 2>First of all, I really enjoyed the scene setting in

0:15:21.720 --> 0:15:24.520
<v Speaker 2>this call. Yeah, like I think there was it was

0:15:24.560 --> 0:15:26.440
<v Speaker 2>not necessary to know that it was the week after

0:15:26.680 --> 0:15:28.600
<v Speaker 2>Christmas that he was staying with a friend. In this

0:15:28.760 --> 0:15:31.880
<v Speaker 2>was like a thank you dinner. But I really appreciated

0:15:31.880 --> 0:15:34.120
<v Speaker 2>that we did know that because it actually painted a picture.

0:15:34.400 --> 0:15:37.080
<v Speaker 2>And the thing that I most appreciated was that it

0:15:37.120 --> 0:15:40.680
<v Speaker 2>was a two straight guy Omakase dinner, because there's actually

0:15:40.720 --> 0:15:43.320
<v Speaker 2>nothing straighter in New York right now than Omakase. I

0:15:43.320 --> 0:15:45.440
<v Speaker 2>think this even happened after you left. If you go

0:15:45.520 --> 0:15:47.720
<v Speaker 2>on Rezi in New York right now, all you get

0:15:47.800 --> 0:15:52.000
<v Speaker 2>is Omakazi in Union Square. They are multiplying like like

0:15:52.040 --> 0:15:55.080
<v Speaker 2>an STD and it is crazy. There is just our

0:15:55.160 --> 0:15:58.200
<v Speaker 2>Omakazi places opening left and right, and all of them

0:15:58.200 --> 0:16:02.120
<v Speaker 2>inside are sort of like solitari foody types and or

0:16:02.520 --> 0:16:07.160
<v Speaker 2>like office like coworkers. Interesting, and so it's a very

0:16:07.440 --> 0:16:10.960
<v Speaker 2>it's very like twenty five year old in the city,

0:16:11.120 --> 0:16:13.000
<v Speaker 2>straight guy in the city who wants to have a

0:16:13.080 --> 0:16:13.680
<v Speaker 2>nice dinner.

0:16:13.760 --> 0:16:15.400
<v Speaker 1>And don't get me wrong, I love it. To my cousin,

0:16:15.480 --> 0:16:15.960
<v Speaker 1>I love it.

0:16:16.400 --> 0:16:20.480
<v Speaker 2>But I like that that's the environment we are navigating here.

0:16:21.680 --> 0:16:24.480
<v Speaker 1>So this could go either way. But what I think

0:16:24.560 --> 0:16:27.160
<v Speaker 1>is very telling is that the time of day it was,

0:16:27.200 --> 0:16:29.840
<v Speaker 1>which is dinner time. Yes, And I think your Solan

0:16:29.960 --> 0:16:32.080
<v Speaker 1>was being hit on hard. I think so as well

0:16:32.440 --> 0:16:35.080
<v Speaker 1>by a Kim Queen. No less, yes by Kim Queen.

0:16:36.320 --> 0:16:40.160
<v Speaker 1>I like because in New York, like I have had

0:16:40.200 --> 0:16:43.960
<v Speaker 1>an experience where like I've been at say a bar

0:16:44.040 --> 0:16:46.560
<v Speaker 1>in Bushwick and it's like two am, and I'm waiting

0:16:46.560 --> 0:16:48.480
<v Speaker 1>in line for the bathroom. Like this guy started talking

0:16:48.480 --> 0:16:50.800
<v Speaker 1>to me once and he was like, you know, it

0:16:50.920 --> 0:16:53.640
<v Speaker 1>was his birthday and he was like, just it's tough.

0:16:53.680 --> 0:16:56.360
<v Speaker 1>You know, I'm really stressed out. I've got like a

0:16:56.440 --> 0:16:58.080
<v Speaker 1>kid at home and I never even thought I'd be

0:16:58.120 --> 0:17:00.720
<v Speaker 1>a dad, and like this is so like life is

0:17:00.760 --> 0:17:03.280
<v Speaker 1>so hard, and like you know, marriage is already hard,

0:17:03.320 --> 0:17:05.679
<v Speaker 1>and so much harder with a kid, and like this

0:17:05.800 --> 0:17:08.200
<v Speaker 1>is so common. We're like waiting for finally it's our

0:17:08.240 --> 0:17:09.960
<v Speaker 1>turn to go in and then he's like, by the way,

0:17:09.960 --> 0:17:11.480
<v Speaker 1>do you want to go in with me and do cocaine?

0:17:11.680 --> 0:17:13.959
<v Speaker 1>And I was like no, no, no, no. See, he

0:17:14.040 --> 0:17:16.720
<v Speaker 1>was not hitting on me. He wanted a front. And this,

0:17:17.040 --> 0:17:19.680
<v Speaker 1>on the other hand, because the guy is so sober

0:17:19.760 --> 0:17:23.119
<v Speaker 1>and so with it and it's dinner time, he was

0:17:23.680 --> 0:17:25.560
<v Speaker 1>trying to hit on him, I think so too.

0:17:25.640 --> 0:17:28.520
<v Speaker 2>And I also just think, you know, listen, part of

0:17:28.560 --> 0:17:31.600
<v Speaker 2>this curse of being a straight guy having amakazi with

0:17:31.640 --> 0:17:34.760
<v Speaker 2>your boy is that you are two men having a date.

0:17:35.320 --> 0:17:40.359
<v Speaker 2>And so it's gonna maybe if someone doesn't know about

0:17:40.359 --> 0:17:42.920
<v Speaker 2>the cultural significance of a makazi that I just described,

0:17:43.000 --> 0:17:45.800
<v Speaker 2>if someone is not familiar with the kind of semiotics

0:17:45.800 --> 0:17:48.240
<v Speaker 2>of Union Square omakazi in New York City in twenty

0:17:48.280 --> 0:17:51.680
<v Speaker 2>twenty five, because this was after Christmas, then they might

0:17:51.960 --> 0:17:54.760
<v Speaker 2>misread it. And yeah, I think that is a really

0:17:54.800 --> 0:17:56.880
<v Speaker 2>great learning experience for a young straight man to have.

0:17:57.080 --> 0:18:00.360
<v Speaker 2>Is like, how do I act when someone thinks I'm gay?

0:18:00.560 --> 0:18:03.719
<v Speaker 2>Because I think it's a sign of maturity to not

0:18:04.200 --> 0:18:06.720
<v Speaker 2>resort to, oh no, dude, I would never I would

0:18:06.720 --> 0:18:09.000
<v Speaker 2>never do that, I'm not gay, and to just sort

0:18:09.040 --> 0:18:11.560
<v Speaker 2>of be like, oh, that's sweet, but I'm straight.

0:18:12.080 --> 0:18:17.520
<v Speaker 1>Yeah, yeah, yeah. I also like, God, I remember being

0:18:17.600 --> 0:18:23.040
<v Speaker 1>like so excited when like random old guys would hit

0:18:23.080 --> 0:18:25.000
<v Speaker 1>on me, even if I was never going to sleep

0:18:25.000 --> 0:18:26.760
<v Speaker 1>with them in a million years. Of course, I was like,

0:18:26.800 --> 0:18:31.280
<v Speaker 1>this is so fun, Like this is such a natural relationship.

0:18:31.480 --> 0:18:34.320
<v Speaker 1>Like old guy hits on me. I'm so much younger.

0:18:34.560 --> 0:18:37.360
<v Speaker 1>I'm thirty years younger than him, forty years younger than him.

0:18:37.480 --> 0:18:39.399
<v Speaker 2>And no, it's amazing. It's one of the best feelings

0:18:39.440 --> 0:18:43.719
<v Speaker 2>in the world. And if you can if the you know,

0:18:43.880 --> 0:18:47.720
<v Speaker 2>age gap, flirtation can be one of the most beautiful things,

0:18:48.119 --> 0:18:50.960
<v Speaker 2>I mean in the entire universe. Yes, absolutely, as long

0:18:51.000 --> 0:18:53.480
<v Speaker 2>as there is an unspoken agreement that no one that

0:18:53.600 --> 0:18:59.240
<v Speaker 2>everyone is actually like in touch with the signs being sent. Yes,

0:18:59.440 --> 0:19:02.679
<v Speaker 2>because even enjoy a flirtation with no desire to do

0:19:02.680 --> 0:19:03.200
<v Speaker 2>anything after.

0:19:03.280 --> 0:19:05.560
<v Speaker 1>Of course, even if you are literally attracted with the person.

0:19:05.320 --> 0:19:06.639
<v Speaker 2>Like it has nothing to do with that. It just

0:19:06.680 --> 0:19:08.920
<v Speaker 2>has to do with what's appropriate at any given time.

0:19:09.560 --> 0:19:12.520
<v Speaker 2>And I think knowing that is one of the biggest

0:19:12.520 --> 0:19:14.159
<v Speaker 2>parts of being.

0:19:15.880 --> 0:19:18.840
<v Speaker 1>Okay, and you know what, while we're at it, bosses

0:19:18.840 --> 0:19:21.120
<v Speaker 1>should be able to hit on assistance. Okay, next question,

0:19:21.200 --> 0:19:23.880
<v Speaker 1>Next question, you know before we go to the next question,

0:19:23.920 --> 0:19:26.479
<v Speaker 1>something I realized, and we can keep this in. It's

0:19:26.520 --> 0:19:27.920
<v Speaker 1>going to be really funny to have the video of

0:19:27.920 --> 0:19:29.639
<v Speaker 1>this where we're both holding up our laptops to the

0:19:29.680 --> 0:19:39.760
<v Speaker 1>microphone at every call. I think it'll be funny.

0:19:44.320 --> 0:19:49.960
<v Speaker 4>Hi there, this is for George listening to that app

0:19:50.119 --> 0:19:57.080
<v Speaker 4>with Coolio. I wanted to know has your life been

0:19:57.520 --> 0:20:04.719
<v Speaker 4>affected outside of the A podcast, of course, but when Julio

0:20:05.080 --> 0:20:09.399
<v Speaker 4>asked you or I don't even know if he asked

0:20:09.480 --> 0:20:13.120
<v Speaker 4>or told you better without glasses or like why don't

0:20:13.160 --> 0:20:16.480
<v Speaker 4>you not wear glasses? I just wanted to know if

0:20:16.480 --> 0:20:22.639
<v Speaker 4>that's like completely I know your podcast personas you know,

0:20:22.880 --> 0:20:26.320
<v Speaker 4>I appreciate that you are separate from who you.

0:20:26.320 --> 0:20:31.080
<v Speaker 10>Are on this podcast, but did that like rattle you

0:20:31.560 --> 0:20:34.840
<v Speaker 10>or impact your day to day being?

0:20:35.200 --> 0:20:41.879
<v Speaker 4>I felt like stripped about myself and I've been constantly thinking, like,

0:20:42.520 --> 0:20:46.280
<v Speaker 4>do what I need to get contacts? But I absolutely

0:20:46.880 --> 0:20:50.639
<v Speaker 4>love my glasses, but I am like, I mean, they

0:20:50.720 --> 0:20:55.280
<v Speaker 4>are just naturally an obstruction of my face. And not

0:20:55.400 --> 0:20:57.520
<v Speaker 4>to make it all about me, I just but I

0:20:57.640 --> 0:20:58.600
<v Speaker 4>did want to know.

0:20:58.560 --> 0:21:02.080
<v Speaker 10>Like that felt so so and I wanted to know

0:21:02.359 --> 0:21:05.119
<v Speaker 10>if you, like in your day to day kind of

0:21:05.160 --> 0:21:08.119
<v Speaker 10>think of God, now, are you seeing yourself.

0:21:07.760 --> 0:21:12.240
<v Speaker 4>Wear glasses last? Or do you just not give a fuck? Okay, anyways,

0:21:12.680 --> 0:21:13.360
<v Speaker 4>let me too.

0:21:13.240 --> 0:21:17.040
<v Speaker 8>Sam, and maybe just give me your thoughts as well.

0:21:17.359 --> 0:21:17.840
<v Speaker 11>Bye.

0:21:18.320 --> 0:21:20.680
<v Speaker 2>First of all, I just want to say I appreciate

0:21:20.800 --> 0:21:23.280
<v Speaker 2>that this color recognizes that we play characters on the

0:21:23.280 --> 0:21:26.600
<v Speaker 2>podcast much like Lady Gaga and Joe Calderon or Beyond

0:21:26.600 --> 0:21:31.120
<v Speaker 2>San Sasha Fears, and it is all fully scripted. We

0:21:31.280 --> 0:21:33.879
<v Speaker 2>have a lot of script meetings with the execs beforehand,

0:21:34.000 --> 0:21:35.600
<v Speaker 2>and I think we've been doing a really good job

0:21:35.600 --> 0:21:36.200
<v Speaker 2>of the storylines.

0:21:36.280 --> 0:21:39.320
<v Speaker 1>We've never dropped character. It's been so amazing to see

0:21:39.359 --> 0:21:42.159
<v Speaker 1>our characters grow and change. I also love.

0:21:42.080 --> 0:21:47.400
<v Speaker 2>That Julio's criticism is so powerful that this listener who

0:21:47.400 --> 0:21:50.160
<v Speaker 2>has never met Julio, I assume, is having a full

0:21:50.200 --> 0:21:53.879
<v Speaker 2>on identity crisis about whether or not you should keep

0:21:53.920 --> 0:21:54.760
<v Speaker 2>wearing glasses.

0:21:55.000 --> 0:21:57.560
<v Speaker 1>Sometimes, I actually think it's more powerful to overhear a

0:21:57.600 --> 0:22:00.360
<v Speaker 1>conversation that like somewhat pertains to you than how someone

0:22:00.400 --> 0:22:01.120
<v Speaker 1>directly tell you.

0:22:01.280 --> 0:22:04.280
<v Speaker 2>Well, undoubtedly, because it is completely unfiltered, like yeah, you

0:22:04.359 --> 0:22:07.560
<v Speaker 2>hear someone, It's like something simple as some hearing someone

0:22:07.600 --> 0:22:11.080
<v Speaker 2>being like I mean one of the most tragic things

0:22:11.119 --> 0:22:13.760
<v Speaker 2>you can do is wear a green polo, which, for

0:22:13.920 --> 0:22:15.840
<v Speaker 2>others not watching, is what I'm wearing now, and they're like,

0:22:15.880 --> 0:22:17.480
<v Speaker 2>oh my god, what. No one would ever say that

0:22:17.520 --> 0:22:19.639
<v Speaker 2>to my face. But that is just like suddenly you're like, oh,

0:22:19.680 --> 0:22:21.399
<v Speaker 2>I'm naked. Yeah, suddenly it's like, oh, I have to

0:22:21.480 --> 0:22:24.160
<v Speaker 2>change fast before anyone notices, you know, Whereas if you're

0:22:24.200 --> 0:22:27.080
<v Speaker 2>already being seen wearing the green polo, you're sort of like, Oh,

0:22:27.080 --> 0:22:29.320
<v Speaker 2>it's no big deal, the worst has happened, I'm wearing it.

0:22:29.840 --> 0:22:30.760
<v Speaker 1>That is really tough.

0:22:30.920 --> 0:22:33.800
<v Speaker 2>So to answer this question, you are correct to point

0:22:33.840 --> 0:22:36.280
<v Speaker 2>out that it felt like a pretty real moment at

0:22:36.280 --> 0:22:39.400
<v Speaker 2>the time. And I must say, in the spirit of earnestness,

0:22:39.400 --> 0:22:42.080
<v Speaker 2>which is what these call in shows were originally designed

0:22:42.640 --> 0:22:46.080
<v Speaker 2>to be, I was very taken aback by that interaction,

0:22:46.520 --> 0:22:49.600
<v Speaker 2>and I felt like I when I was trying to

0:22:49.600 --> 0:22:51.480
<v Speaker 2>sort of like lobby it back to Julu and be like,

0:22:51.520 --> 0:22:53.400
<v Speaker 2>have you ever considered not dyeing your hair? He wasn't

0:22:53.400 --> 0:22:55.760
<v Speaker 2>exactly engaging in the same way that I was engaging

0:22:55.760 --> 0:22:58.640
<v Speaker 2>in a sort of comedic commentary about my persona.

0:22:59.560 --> 0:23:04.119
<v Speaker 1>Would well, it's so complex that interaction is obviously so

0:23:04.400 --> 0:23:11.920
<v Speaker 1>complex because yes, like Julio is being so direct, yeah,

0:23:11.960 --> 0:23:15.440
<v Speaker 1>and somewhat toxically direct, but at the same time he

0:23:15.480 --> 0:23:18.479
<v Speaker 1>thinks he's giving you like a compliment almost, and and

0:23:18.720 --> 0:23:20.960
<v Speaker 1>he's like thrown off that you think it's not a

0:23:21.000 --> 0:23:23.760
<v Speaker 1>good it's an insult. Yeah, and so he like doesn't

0:23:23.760 --> 0:23:26.560
<v Speaker 1>even know how to like process what you're saying. It

0:23:26.600 --> 0:23:30.040
<v Speaker 1>was like watching it, I was like, I'm watching like

0:23:30.320 --> 0:23:34.560
<v Speaker 1>a fundamental disagreement that is, like the disagreement of worldview

0:23:34.680 --> 0:23:38.840
<v Speaker 1>rather than like opinions. Yes, and so I was like, huh,

0:23:39.040 --> 0:23:40.399
<v Speaker 1>this is so interesting.

0:23:40.640 --> 0:23:42.840
<v Speaker 2>I know, it really felt like a rip in reality

0:23:42.880 --> 0:23:44.399
<v Speaker 2>where I was like, oh, no, we are we have

0:23:44.440 --> 0:23:46.960
<v Speaker 2>fundamentally different ways of viewing the world.

0:23:47.400 --> 0:23:51.880
<v Speaker 1>I always think, like I somewhat wrongly am like we're

0:23:51.920 --> 0:23:55.080
<v Speaker 1>all relatively the same, yeah, no matter our backgrounds, like,

0:23:55.119 --> 0:23:57.280
<v Speaker 1>no matter, Like I'm sort of like, I'm like, well,

0:23:57.280 --> 0:24:01.120
<v Speaker 1>we're all brought together through comedy and this especially comedy

0:24:01.160 --> 0:24:04.800
<v Speaker 1>in New York City. We all know a similar worldview whatever.

0:24:05.240 --> 0:24:07.639
<v Speaker 1>And then it's like, nope, not even close.

0:24:07.920 --> 0:24:10.240
<v Speaker 2>I mean this is now not even about Julio, but

0:24:10.359 --> 0:24:13.359
<v Speaker 2>to your point about comedy, there's something about comedy, stand

0:24:13.440 --> 0:24:15.840
<v Speaker 2>up comedy, where you can come at it from completely

0:24:15.960 --> 0:24:20.200
<v Speaker 2>different entry points. So you can come at it through

0:24:20.960 --> 0:24:23.639
<v Speaker 2>wanting to be an actor and taking acting class and

0:24:23.680 --> 0:24:26.480
<v Speaker 2>discovering this different route of performance. You can come at

0:24:26.480 --> 0:24:28.399
<v Speaker 2>it because you want to be a writer and you

0:24:28.440 --> 0:24:30.159
<v Speaker 2>feel like this is a way to get your writing

0:24:30.160 --> 0:24:33.879
<v Speaker 2>out there. You can now, especially in this town, people

0:24:33.880 --> 0:24:37.080
<v Speaker 2>come at it through clowning. Through clowning and sort of

0:24:37.160 --> 0:24:39.719
<v Speaker 2>like you can come at it through like the art

0:24:39.760 --> 0:24:43.320
<v Speaker 2>world and like being like essentially like doing performance art.

0:24:43.720 --> 0:24:46.520
<v Speaker 2>So and I think that's not true of many, Like

0:24:46.560 --> 0:24:53.400
<v Speaker 2>that's not true of painters or sculptors or honestly even playwrights.

0:24:53.440 --> 0:24:56.800
<v Speaker 2>Like there is something specific it's it brings such a

0:24:56.840 --> 0:25:03.360
<v Speaker 2>diverse group of people together. There anyway, has my interaction

0:25:03.400 --> 0:25:06.040
<v Speaker 2>with Julio changed my view of my glasses.

0:25:07.720 --> 0:25:11.240
<v Speaker 1>I'm certainly more open to not wearing glasses after that interaction,

0:25:11.320 --> 0:25:14.440
<v Speaker 1>I will say, interesting. Yeah.

0:25:14.520 --> 0:25:16.879
<v Speaker 2>And the other reason I got so defensive about that

0:25:17.040 --> 0:25:19.840
<v Speaker 2>is because specifically with these glasses, I've been wanting to

0:25:19.840 --> 0:25:22.199
<v Speaker 2>replace them for a while and have like you know,

0:25:22.359 --> 0:25:24.399
<v Speaker 2>when you are overwhelmed with choices and you don't know

0:25:24.440 --> 0:25:26.920
<v Speaker 2>which one to pick and it's now been fully like

0:25:27.080 --> 0:25:29.560
<v Speaker 2>years of being like, okay, it's time to change, time

0:25:29.600 --> 0:25:31.520
<v Speaker 2>to change them, so to be for them to be

0:25:31.560 --> 0:25:34.359
<v Speaker 2>pointed out as a flaw, I was like, oh, so

0:25:34.400 --> 0:25:35.680
<v Speaker 2>everyone else sees this as well.

0:25:35.880 --> 0:25:37.840
<v Speaker 1>That makes sense that that was a big part of

0:25:37.840 --> 0:25:41.600
<v Speaker 1>that interaction. That makes sense. I will say glasses because

0:25:41.640 --> 0:25:44.240
<v Speaker 1>they do become part of one's identity. It's a very

0:25:44.240 --> 0:25:47.240
<v Speaker 1>difficult thing to switch up. I know. I even find

0:25:47.280 --> 0:25:51.840
<v Speaker 1>with sunglasses, I'm like, I get like, I don't want

0:25:51.880 --> 0:25:53.480
<v Speaker 1>to switch it up too much because I'm like, well,

0:25:53.520 --> 0:25:56.040
<v Speaker 1>people won't know who I am because those are my sunglasses.

0:25:56.560 --> 0:25:59.680
<v Speaker 1>But it's tough. It's tough. I'll play the next one.

0:25:59.520 --> 0:26:04.119
<v Speaker 8>Okay, I Sam and George, I love a pod. The

0:26:04.320 --> 0:26:06.000
<v Speaker 8>first one I want to say was a girl who

0:26:06.080 --> 0:26:09.520
<v Speaker 8>dragged my whole family around the Las Vegas strip to

0:26:09.560 --> 0:26:12.159
<v Speaker 8>see the meat dress and it was so worth it.

0:26:12.160 --> 0:26:13.240
<v Speaker 8>Thanks for putting me on.

0:26:14.680 --> 0:26:18.119
<v Speaker 12>So my question is as a lesbian.

0:26:18.280 --> 0:26:20.399
<v Speaker 13>When I realized I was a lesbian.

0:26:20.520 --> 0:26:22.879
<v Speaker 8>I figured I had no more use for men in

0:26:22.920 --> 0:26:24.560
<v Speaker 8>my life in any.

0:26:24.320 --> 0:26:24.920
<v Speaker 9>Sort of way.

0:26:25.200 --> 0:26:27.280
<v Speaker 8>But I'm kind of in the market for a gay guy.

0:26:27.359 --> 0:26:30.480
<v Speaker 8>BSF one do I really need one?

0:26:31.240 --> 0:26:32.040
<v Speaker 14>And two?

0:26:32.200 --> 0:26:33.040
<v Speaker 7>How do I get one?

0:26:33.200 --> 0:26:39.760
<v Speaker 1>Thanks by Wow, what a powerful call. We talked sort

0:26:39.800 --> 0:26:43.920
<v Speaker 1>of about the lesbian who goes to the gay guy

0:26:43.960 --> 0:26:47.320
<v Speaker 1>trips and like sort of is like I need gay

0:26:47.320 --> 0:26:50.240
<v Speaker 1>guys to like actually fucking lose my mind with. It's

0:26:50.240 --> 0:26:50.840
<v Speaker 1>the lesbian.

0:26:51.119 --> 0:26:53.440
<v Speaker 2>It's a specific kind of lesbian archetype, and I feel

0:26:53.520 --> 0:26:56.240
<v Speaker 2>comfortable theorizing about it because I know multiple of these

0:26:56.359 --> 0:26:58.879
<v Speaker 2>lesbians and it is it's sort of the equivalent of

0:26:58.920 --> 0:27:00.640
<v Speaker 2>a lesbian being like I was on the wrong body,

0:27:00.720 --> 0:27:04.879
<v Speaker 2>but only party wise, Like she's like I love women.

0:27:05.160 --> 0:27:08.320
<v Speaker 2>I'm like, I'm not like a self hating lesbian, but

0:27:08.400 --> 0:27:11.840
<v Speaker 2>I just simply have the stamina of a gay guy

0:27:11.880 --> 0:27:14.680
<v Speaker 2>when it comes to drugs and alcohol and staying out late.

0:27:15.040 --> 0:27:18.280
<v Speaker 1>It's so I've become friends with a lesbian of this

0:27:18.400 --> 0:27:20.560
<v Speaker 1>ill Oh yes, I've met her, and she is so

0:27:20.640 --> 0:27:24.800
<v Speaker 1>to die for. And it's such a nice respite because

0:27:24.840 --> 0:27:27.760
<v Speaker 1>you get the like hard party, I'm being crazy, I'm

0:27:27.800 --> 0:27:32.119
<v Speaker 1>being fun, and you get like lesbian like groundedness completely

0:27:32.160 --> 0:27:33.919
<v Speaker 1>and I'm like, it's like every time I see her

0:27:33.920 --> 0:27:35.679
<v Speaker 1>at a party, I'm like, thank God, I can like

0:27:35.720 --> 0:27:36.480
<v Speaker 1>take a breath.

0:27:36.680 --> 0:27:39.960
<v Speaker 2>It's incredible to see her at a party after having

0:27:40.040 --> 0:27:42.520
<v Speaker 2>like fifteen interactions in a row that have felt like

0:27:42.880 --> 0:27:44.920
<v Speaker 2>everyone is like looking you up and down and trying

0:27:44.920 --> 0:27:46.639
<v Speaker 2>to like decide what they want from you. And then

0:27:46.680 --> 0:27:49.840
<v Speaker 2>suddenly you're having a genuine interaction with someone that's like

0:27:49.920 --> 0:27:52.040
<v Speaker 2>asking about your day. You're like, Oh, I didn't know

0:27:52.080 --> 0:27:52.720
<v Speaker 2>that was an option.

0:27:52.840 --> 0:27:56.040
<v Speaker 1>It's so nice. So I think you should get a

0:27:56.040 --> 0:27:58.760
<v Speaker 1>gay guy BFF or even just find sort of a

0:27:58.800 --> 0:28:01.520
<v Speaker 1>gay guy friend squad and hop into.

0:28:01.760 --> 0:28:05.080
<v Speaker 2>Yeah, I hop into the friends squad and then hang

0:28:05.119 --> 0:28:07.119
<v Speaker 2>out with them, and then find the one you like most,

0:28:07.280 --> 0:28:11.800
<v Speaker 2>ask him to like a solo omakase even or you know,

0:28:11.960 --> 0:28:13.520
<v Speaker 2>just like a solo drink at a gay bar.

0:28:13.840 --> 0:28:16.600
<v Speaker 1>Yes, and I think it could be really huge.

0:28:16.600 --> 0:28:19.920
<v Speaker 2>And I also I really think friendships between lesbians and

0:28:19.960 --> 0:28:23.359
<v Speaker 2>gay guys are so important. Of course, some of my

0:28:23.760 --> 0:28:28.840
<v Speaker 2>most foundational and valuable friendships are with lesbians. And I

0:28:28.880 --> 0:28:32.200
<v Speaker 2>think that there needs to be more reaching across the aisle,

0:28:32.320 --> 0:28:34.800
<v Speaker 2>especially in an era where gay guys are getting more

0:28:34.800 --> 0:28:37.880
<v Speaker 2>and more isolated in their own groups because it's easier

0:28:37.880 --> 0:28:38.840
<v Speaker 2>than ever for them to meet.

0:28:38.960 --> 0:28:41.920
<v Speaker 1>Yeah, very very insular. Yeah, it's nice to see you

0:28:41.960 --> 0:28:45.040
<v Speaker 1>know what fundamental differences are true? Yeah, and which ones

0:28:45.040 --> 0:28:46.120
<v Speaker 1>are not true and the.

0:28:46.080 --> 0:28:52.240
<v Speaker 2>Give and take of like having an alternative perspective on relationships,

0:28:52.280 --> 0:28:55.840
<v Speaker 2>on sex, on culture, on politics.

0:28:55.920 --> 0:28:59.960
<v Speaker 1>You know, it makes a difference. Folks, reach across the aisle.

0:29:01.040 --> 0:29:05.600
<v Speaker 9>Hey, gay guys, Lisaray from Seattle, I want to get

0:29:05.760 --> 0:29:10.800
<v Speaker 9>George's official on the record comment on Athena Dion and

0:29:10.960 --> 0:29:16.040
<v Speaker 9>her Greek representation this season on the group Pulse Rock Rites. Okay,

0:29:16.160 --> 0:29:19.240
<v Speaker 9>love you guys, by So.

0:29:19.960 --> 0:29:24.320
<v Speaker 1>My thoughts on Athena deon broadly speaking, because again this

0:29:24.360 --> 0:29:25.880
<v Speaker 1>will come out in a month or longer.

0:29:26.000 --> 0:29:27.280
<v Speaker 2>Yeah, So I just don't. I have no idea if

0:29:27.280 --> 0:29:29.040
<v Speaker 2>she's already been eliminated. I have no idea if she's

0:29:29.080 --> 0:29:31.840
<v Speaker 2>already won the whole season. And I got to say,

0:29:32.280 --> 0:29:34.680
<v Speaker 2>I'm imagining an answer to the second one is no.

0:29:35.080 --> 0:29:38.640
<v Speaker 1>But my thoughts on her are that I think.

0:29:40.000 --> 0:29:40.640
<v Speaker 8>She is.

0:29:42.480 --> 0:29:46.840
<v Speaker 2>Literally, in like a pageant type way, amazing representation of

0:29:46.840 --> 0:29:51.000
<v Speaker 2>Greek people because she is clearly, you know, very sweet

0:29:51.080 --> 0:29:54.400
<v Speaker 2>and professional and you know, wears her heart on her

0:29:54.440 --> 0:29:57.440
<v Speaker 2>sleeve and is not evil, and so I'm like, wow,

0:29:57.520 --> 0:30:02.239
<v Speaker 2>like she is this is in the most literal way

0:30:02.320 --> 0:30:05.160
<v Speaker 2>good representation where you're like, wow, great people are nice,

0:30:05.280 --> 0:30:08.720
<v Speaker 2>that's good. But I think my issue with her is

0:30:08.800 --> 0:30:10.640
<v Speaker 2>if you're gonna be Athena Deon, if you're gonna be

0:30:10.800 --> 0:30:13.280
<v Speaker 2>you know, Athena is the goddess of wisdom. There's so

0:30:13.400 --> 0:30:16.000
<v Speaker 2>much imagery that has you know, there's a you know,

0:30:16.560 --> 0:30:20.840
<v Speaker 2>there's the owl, there's the armor, there's a you know,

0:30:20.840 --> 0:30:23.040
<v Speaker 2>a sort of a toga thing you could do. I'm like,

0:30:23.080 --> 0:30:26.120
<v Speaker 2>if your thing is Greek goddess, really commit to Greek goddess,

0:30:26.200 --> 0:30:29.280
<v Speaker 2>like have it be in the same way that if

0:30:29.280 --> 0:30:35.400
<v Speaker 2>you were I don't know, let's say, if you were

0:30:36.120 --> 0:30:41.120
<v Speaker 2>oh god, oh God, what's like another trope tied to

0:30:41.120 --> 0:30:44.080
<v Speaker 2>an ethnicity that I am allowed to talk about, Like

0:30:44.760 --> 0:30:47.080
<v Speaker 2>you know what I mean. Yeah, Like if you were

0:30:47.160 --> 0:30:49.720
<v Speaker 2>French and you were Joan of Arc, sure go Joan

0:30:49.760 --> 0:30:55.920
<v Speaker 2>of Arc. If you were you know, Mexican, and you

0:30:55.920 --> 0:30:57.800
<v Speaker 2>are free to call it and that's your thing, do

0:30:57.960 --> 0:31:00.480
<v Speaker 2>the eyebrow, go free to call it. Like you're clearly

0:31:00.560 --> 0:31:04.360
<v Speaker 2>playing with your own ethnic background and doing this kind

0:31:04.400 --> 0:31:07.760
<v Speaker 2>of like this this kind of Greek thing. So like,

0:31:08.240 --> 0:31:12.120
<v Speaker 2>really go full toga, really go like big costume me

0:31:12.320 --> 0:31:14.000
<v Speaker 2>Like that's sort of what I'm or if you want

0:31:14.040 --> 0:31:19.120
<v Speaker 2>to go the opposite direction goes super elegant and draping toga.

0:31:19.200 --> 0:31:19.760
<v Speaker 1>That'd be nice.

0:31:20.440 --> 0:31:22.920
<v Speaker 2>And I'm sort of I'm like, you are halfway between

0:31:23.080 --> 0:31:29.920
<v Speaker 2>Greek goddess and super professional host of the Big Drag Brunch. Yeah, yeah, yeah,

0:31:29.960 --> 0:31:34.520
<v Speaker 2>which I know she's known for hosting, so that's maybe

0:31:34.600 --> 0:31:36.680
<v Speaker 2>exactly where she wants to be. I think she needs

0:31:36.720 --> 0:31:39.080
<v Speaker 2>to she needs to split. She's always splitting the difference

0:31:39.080 --> 0:31:40.200
<v Speaker 2>between host and goddess.

0:31:40.680 --> 0:31:42.840
<v Speaker 1>Yeah, that's a tough and it's a tough but I mean,

0:31:42.920 --> 0:31:45.360
<v Speaker 1>talk about a Demi god. Is that where you're a

0:31:45.360 --> 0:31:47.400
<v Speaker 1>half human? Oh my god, she's very Demi goddess.

0:31:47.440 --> 0:31:49.000
<v Speaker 2>She's a Demi goddess. I think that's the issue with her.

0:31:49.000 --> 0:31:51.440
<v Speaker 2>She's a Demi goddess because she's half host, half goddess.

0:31:51.840 --> 0:31:56.240
<v Speaker 2>And I think I know, yeah, I'm sorry to say,

0:31:56.280 --> 0:31:58.880
<v Speaker 2>but I think she has to get more in touch

0:31:58.920 --> 0:32:02.920
<v Speaker 2>with her goddess and leave the host identity behind because

0:32:02.960 --> 0:32:04.800
<v Speaker 2>a host is not a winner of drag race.

0:32:04.920 --> 0:32:07.240
<v Speaker 1>That is one of the toughest things. Is like, when

0:32:07.240 --> 0:32:09.720
<v Speaker 1>you're in a career and you're like, well, to start,

0:32:09.760 --> 0:32:11.400
<v Speaker 1>I need to be a host, I know, and then

0:32:11.480 --> 0:32:14.560
<v Speaker 1>she's like, now she's ascending to literally the TV heavens. Yeah,

0:32:14.640 --> 0:32:16.360
<v Speaker 1>and it's like, oh, you have to leave that part

0:32:16.400 --> 0:32:18.520
<v Speaker 1>of you behind, but it's so hard because it's so trained.

0:32:19.160 --> 0:32:19.400
<v Speaker 11>Yeah.

0:32:20.240 --> 0:32:24.040
<v Speaker 2>But I think that she seems really lovely. I love

0:32:24.120 --> 0:32:26.520
<v Speaker 2>that her thing is being a Mikonos. I think the

0:32:26.560 --> 0:32:31.280
<v Speaker 2>Mikonos girls have such a difficult task because they are

0:32:31.320 --> 0:32:34.440
<v Speaker 2>dealing with the most annoying and rancid gay guys twenty

0:32:34.440 --> 0:32:37.160
<v Speaker 2>four to seven. Like, I know where she I know

0:32:37.240 --> 0:32:40.960
<v Speaker 2>the club where she hosts and Mikonos. It is so

0:32:41.040 --> 0:32:45.240
<v Speaker 2>expensive and overpriced. It is like it is evil gay

0:32:45.280 --> 0:32:48.320
<v Speaker 2>guys on vacation. Like to deal with those and maintain

0:32:48.360 --> 0:32:50.840
<v Speaker 2>your cool and host a show, Like, my heart goes

0:32:50.840 --> 0:32:51.360
<v Speaker 2>out to her.

0:32:51.680 --> 0:32:51.840
<v Speaker 7>Well.

0:32:51.880 --> 0:32:54.520
<v Speaker 1>I also wonder if when you are a Greek queen,

0:32:55.200 --> 0:32:58.640
<v Speaker 1>is it like in Greece hacked to be like I'm

0:32:58.680 --> 0:33:02.280
<v Speaker 1>doing Athena, I'm doinging the Goddesses, I'm doing well.

0:33:02.480 --> 0:33:09.080
<v Speaker 2>The thing is she's not performing for Greek people. She's

0:33:09.240 --> 0:33:12.400
<v Speaker 2>doing she's basically the equivalent of like going to you know,

0:33:14.000 --> 0:33:17.880
<v Speaker 2>like a revolutionary war re enactment and having people dress

0:33:17.920 --> 0:33:21.320
<v Speaker 2>this revolutionary war soldiers.

0:33:20.880 --> 0:33:23.880
<v Speaker 1>Like she is. She's performing Greek for non Greek it's

0:33:23.960 --> 0:33:25.200
<v Speaker 1>cruise ship.

0:33:24.680 --> 0:33:28.480
<v Speaker 2>It's cruise ship like it's like going to a Broadway

0:33:28.520 --> 0:33:32.320
<v Speaker 2>themed drag show and someone whos dresses Alpha ba and so.

0:33:32.960 --> 0:33:35.840
<v Speaker 2>Because otherwise she's based in La Florida, I think she's

0:33:35.880 --> 0:33:39.680
<v Speaker 2>not like he's not like from Greece. But I but

0:33:39.800 --> 0:33:42.640
<v Speaker 2>I really want to say that I support her and

0:33:42.680 --> 0:33:45.840
<v Speaker 2>I it's a joy to have her on my television.

0:33:47.680 --> 0:33:53.160
<v Speaker 1>And I'm excited to see what she does at All Stars. Okay,

0:33:53.440 --> 0:33:56.520
<v Speaker 1>next question, who do you who?

0:33:57.800 --> 0:34:02.000
<v Speaker 8>I'm a longtime listener, first time caller. My name is

0:34:02.000 --> 0:34:05.960
<v Speaker 8>Mollie and I'm calling because my childhood bestie Ray. Shout

0:34:05.960 --> 0:34:09.160
<v Speaker 8>out Ray, who is a huge fan, longtime Glimmer girl.

0:34:09.360 --> 0:34:09.520
<v Speaker 7>I have.

0:34:09.640 --> 0:34:13.000
<v Speaker 8>Actually we went to see Guys Live Together in Summerville.

0:34:13.200 --> 0:34:18.359
<v Speaker 8>Loved it. She's getting lesbian married soon and we're having

0:34:18.440 --> 0:34:19.799
<v Speaker 8>her bachelorette party.

0:34:19.680 --> 0:34:21.640
<v Speaker 14>Coming up in like a week or so.

0:34:21.719 --> 0:34:24.000
<v Speaker 8>I scoured all your episodes and I didn't see like

0:34:24.040 --> 0:34:27.160
<v Speaker 8>bachelorette bachelor party as a straight topic. So if I

0:34:27.160 --> 0:34:31.200
<v Speaker 8>missed it, I'm sorry, but to me, it feels so straight. However,

0:34:31.280 --> 0:34:33.880
<v Speaker 8>at this batch, both brides will be going together and

0:34:33.920 --> 0:34:38.319
<v Speaker 8>everyone there is basically a lesbian beside me and we're

0:34:38.320 --> 0:34:41.760
<v Speaker 8>even but like we're also doing one of the straightest

0:34:41.800 --> 0:34:45.480
<v Speaker 8>things one can even do, aka a PowerPoint party. And

0:34:45.520 --> 0:34:50.040
<v Speaker 8>I say this as a consultant, but like our bachelorette

0:34:50.040 --> 0:34:53.000
<v Speaker 8>parties still the straightest thing one can do. Have we

0:34:53.080 --> 0:34:56.840
<v Speaker 8>gone full circle? Are they so straight in the past

0:34:56.880 --> 0:34:58.520
<v Speaker 8>and now they're kind of camp and it's fun?

0:34:58.560 --> 0:34:58.799
<v Speaker 1>Again?

0:34:59.360 --> 0:35:03.680
<v Speaker 8>What's the verse? It's here? I'm just curious for your guys' thoughts.

0:35:03.680 --> 0:35:05.360
<v Speaker 8>Are if this was a topic that's come up and

0:35:05.400 --> 0:35:08.360
<v Speaker 8>I missed them, I'm so sorry, But yes, going to

0:35:08.719 --> 0:35:12.879
<v Speaker 8>a lesbian bachelora party in Miami. By the way, I'm

0:35:12.880 --> 0:35:17.080
<v Speaker 8>doing a bunch of really traditional hetero in my opinion,

0:35:17.680 --> 0:35:20.040
<v Speaker 8>gotch things. So just thinking about it.

0:35:20.120 --> 0:35:21.000
<v Speaker 15>Okay, I love you all.

0:35:21.280 --> 0:35:22.359
<v Speaker 8>Hope everything's going well.

0:35:22.520 --> 0:35:22.759
<v Speaker 6>Bye.

0:35:23.239 --> 0:35:26.120
<v Speaker 2>By the way, I just want to say, like, when

0:35:26.160 --> 0:35:28.359
<v Speaker 2>I think of the STRAIGHTI Lab listener, it is a

0:35:28.400 --> 0:35:31.000
<v Speaker 2>straight woman who works in consulting, who's friends with all

0:35:31.080 --> 0:35:33.440
<v Speaker 2>lesbians and going to a lesbian bacherette party and then

0:35:33.520 --> 0:35:36.080
<v Speaker 2>is over analyzing despite the fact that she's the only

0:35:36.120 --> 0:35:37.640
<v Speaker 2>non lesbian, she's the one over analyzing.

0:35:37.680 --> 0:35:40.320
<v Speaker 1>How heteronormative. That's amazing.

0:35:40.320 --> 0:35:42.799
<v Speaker 2>I'm like, I could cry thinking about the fact that, like,

0:35:43.160 --> 0:35:46.480
<v Speaker 2>she can get entertainment from us talking, like, can you

0:35:46.480 --> 0:35:48.600
<v Speaker 2>imagine how difficult it is to find something she likes

0:35:48.640 --> 0:35:50.320
<v Speaker 2>in the pop culture landscape?

0:35:51.680 --> 0:35:53.840
<v Speaker 1>Yeah, those interests insane.

0:35:53.880 --> 0:35:56.160
<v Speaker 2>It makes me so happy that, like, we have found

0:35:56.440 --> 0:35:58.040
<v Speaker 2>the people that we are meant to be talking to,

0:35:58.120 --> 0:35:58.560
<v Speaker 2>and it's.

0:35:58.440 --> 0:36:02.800
<v Speaker 1>Her doing an amazing job. So we have never discussed

0:36:02.800 --> 0:36:04.840
<v Speaker 1>bachelor or bachelorette parties, is that true?

0:36:04.880 --> 0:36:07.400
<v Speaker 2>We have had an episode with Natalie Ryder Lateman about

0:36:07.400 --> 0:36:08.160
<v Speaker 2>Penis Straws.

0:36:08.280 --> 0:36:09.680
<v Speaker 1>Her topic was Penis Straws.

0:36:10.120 --> 0:36:12.120
<v Speaker 2>I must admit it was years ago, and I don't

0:36:12.120 --> 0:36:14.200
<v Speaker 2>remember how much we really got into the meat of

0:36:14.239 --> 0:36:16.719
<v Speaker 2>the topic, but I imagine that since the topic was

0:36:16.719 --> 0:36:19.520
<v Speaker 2>Penis Straws, bacherette parties were mentioned, of course, But no,

0:36:19.600 --> 0:36:23.480
<v Speaker 2>we've never done an episode about bachelrette parties. Which it's funny.

0:36:23.520 --> 0:36:27.400
<v Speaker 2>It's one of those things, much like I don't know

0:36:28.280 --> 0:36:31.160
<v Speaker 2>various sports, like sports we haven't discussed that is so

0:36:31.280 --> 0:36:33.600
<v Speaker 2>obviously straight that it seems a bit on the nose.

0:36:33.640 --> 0:36:35.959
<v Speaker 2>But I would be down to have like a real

0:36:36.480 --> 0:36:39.320
<v Speaker 2>town hall about the state of bachelorette parties.

0:36:39.760 --> 0:36:45.240
<v Speaker 1>I find it so complicated because you know, sometimes I'm worried.

0:36:45.320 --> 0:36:47.879
<v Speaker 1>I'm literally ann Lee where I'm like.

0:36:49.280 --> 0:36:52.120
<v Speaker 2>You have a syndrome and you syndrome where the patient

0:36:52.160 --> 0:36:53.480
<v Speaker 2>thinks that he's ann Lee.

0:36:53.840 --> 0:36:57.040
<v Speaker 1>Where I'm literally like, well, don't celebrate that. Like I'm

0:36:57.080 --> 0:37:01.480
<v Speaker 1>sort of like like I get like weirdly like superfluous

0:37:01.520 --> 0:37:05.200
<v Speaker 1>celebrations and I'm like, well that is not like it's

0:37:05.239 --> 0:37:07.080
<v Speaker 1>sort of my like want to suffer or I'm like

0:37:07.480 --> 0:37:09.759
<v Speaker 1>that is nothing to celebrate until you've earned it.

0:37:10.320 --> 0:37:12.279
<v Speaker 2>Well, we both have this in common. It's like how

0:37:12.280 --> 0:37:14.920
<v Speaker 2>we it's like how we're uncomfortable with birthdays because we're

0:37:14.960 --> 0:37:15.799
<v Speaker 2>like I haven't earned this.

0:37:15.920 --> 0:37:21.439
<v Speaker 1>Yeah, And so I'm like, uh, I'm really surprised when

0:37:21.760 --> 0:37:25.839
<v Speaker 1>LGBTQ plus people do a bachelor or a bachelorette party. Yeah,

0:37:25.880 --> 0:37:29.759
<v Speaker 1>because I'm like, like, in the straight narrative, it makes

0:37:29.800 --> 0:37:32.839
<v Speaker 1>sense to me because you are like in theory, by

0:37:32.880 --> 0:37:36.759
<v Speaker 1>default we're monogamous. This is like our last wild night

0:37:36.800 --> 0:37:39.879
<v Speaker 1>as single people, and then we are like locked up

0:37:40.120 --> 0:37:43.719
<v Speaker 1>my pathetic cock because in a cage. And this is

0:37:44.480 --> 0:37:49.719
<v Speaker 1>not like for gay people. It's so like everything is

0:37:49.719 --> 0:37:53.160
<v Speaker 1>a conversation, like we can be having new partners, you know,

0:37:53.640 --> 0:37:56.000
<v Speaker 1>two years from now or ten years from now, we're

0:37:56.000 --> 0:37:58.799
<v Speaker 1>just sort of like building our own relationship structure at

0:37:58.840 --> 0:38:01.919
<v Speaker 1>all points. And I'm sort of like, so why keep

0:38:01.960 --> 0:38:05.800
<v Speaker 1>this one traditional thing? I know, and I get partying

0:38:06.160 --> 0:38:08.000
<v Speaker 1>that's fun, but I'm like, but I don't need a

0:38:08.040 --> 0:38:09.000
<v Speaker 1>reason necessarily.

0:38:09.840 --> 0:38:10.160
<v Speaker 7>I know.

0:38:10.360 --> 0:38:13.160
<v Speaker 2>It makes me think if there's a way to rebrand

0:38:13.200 --> 0:38:17.880
<v Speaker 2>bachelor rett parties as like, I don't know, in the

0:38:17.920 --> 0:38:22.759
<v Speaker 2>same way that you would rebrand like a funeral as

0:38:22.800 --> 0:38:25.319
<v Speaker 2>a celebration of life or something like, if there's a

0:38:25.320 --> 0:38:27.680
<v Speaker 2>way to rebrand it where it's not about chastity and

0:38:27.719 --> 0:38:31.920
<v Speaker 2>it's not about your last chance to see boobs or

0:38:31.920 --> 0:38:34.239
<v Speaker 2>your last chance to see a cock, like if it's

0:38:34.400 --> 0:38:37.000
<v Speaker 2>just like friendship. Yes, And I think people do that

0:38:37.080 --> 0:38:39.879
<v Speaker 2>with when people have joint bachelor parties, like a couple

0:38:39.920 --> 0:38:42.560
<v Speaker 2>has joint bachelor party or or joint bachel rett party.

0:38:42.560 --> 0:38:44.879
<v Speaker 2>I think that is a step towards that where it's

0:38:44.920 --> 0:38:47.160
<v Speaker 2>like more of a celebration of community than a celebration

0:38:47.320 --> 0:38:49.600
<v Speaker 2>of uh, you know, chastity.

0:38:50.800 --> 0:38:53.440
<v Speaker 1>But that to me is the wedding. I know it's tough.

0:38:53.600 --> 0:38:55.640
<v Speaker 2>I think that what happens is because of the wedding

0:38:55.640 --> 0:38:59.640
<v Speaker 2>industrial complex, people try to fit in as much around

0:38:59.640 --> 0:39:01.920
<v Speaker 2>the wedding as possible, whereas I actually think what we

0:39:02.040 --> 0:39:05.359
<v Speaker 2>need more of is anniversary traditions. Yes, like it would

0:39:05.400 --> 0:39:07.560
<v Speaker 2>be so fun if there was a specific five year

0:39:07.600 --> 0:39:12.040
<v Speaker 2>anniversary party or a specific ten year anniversary thing, or

0:39:12.719 --> 0:39:17.200
<v Speaker 2>even like one year after a thing where you get

0:39:17.239 --> 0:39:21.960
<v Speaker 2>a bunch of friends together and get dinner. I'm trying

0:39:22.000 --> 0:39:25.600
<v Speaker 2>to think, like, I just think there's a way to

0:39:25.640 --> 0:39:28.000
<v Speaker 2>decouple all the wedding events, and that way you're also

0:39:28.160 --> 0:39:30.759
<v Speaker 2>not spending so much money all in the span of

0:39:30.800 --> 0:39:32.799
<v Speaker 2>like a couple of months. You're not asking everyone to

0:39:32.800 --> 0:39:33.360
<v Speaker 2>do all these.

0:39:33.200 --> 0:39:35.520
<v Speaker 1>Favors for you, because then by the time it's the wedding,

0:39:35.520 --> 0:39:36.799
<v Speaker 1>everyone's like sick of your shit.

0:39:36.960 --> 0:39:39.520
<v Speaker 2>No, well, this is my big thing with bachelor and

0:39:39.520 --> 0:39:44.240
<v Speaker 2>bacherette parties, And of course this is not about anyone

0:39:44.320 --> 0:39:45.800
<v Speaker 2>I know that has had them. And it's been a

0:39:45.880 --> 0:39:49.440
<v Speaker 2>joy to attend everyone that I have attended, But I

0:39:49.480 --> 0:39:54.239
<v Speaker 2>would feel so guilty asking people to do something for me.

0:39:54.520 --> 0:39:59.319
<v Speaker 1>Yeah, Like they also come from a time like like

0:39:59.360 --> 0:40:01.799
<v Speaker 1>when people would like get married earlier, so it was

0:40:01.840 --> 0:40:03.759
<v Speaker 1>like in theory, I think you're like even if they're

0:40:03.800 --> 0:40:05.960
<v Speaker 1>like college, like you met your partner in college. Yeah,

0:40:06.000 --> 0:40:07.560
<v Speaker 1>and it's like two years out of college. So then

0:40:07.600 --> 0:40:09.960
<v Speaker 1>all your friends get together again and it's like you

0:40:10.000 --> 0:40:12.200
<v Speaker 1>all kind of live in the same place still. I

0:40:12.239 --> 0:40:15.000
<v Speaker 1>think there's like but when everyone's like fully spread out

0:40:15.040 --> 0:40:17.360
<v Speaker 1>across the country, no one's in the same place. To

0:40:17.440 --> 0:40:21.719
<v Speaker 1>travel twice in one year for a friend, I'm like,

0:40:21.840 --> 0:40:22.840
<v Speaker 1>this is crazy to me.

0:40:23.040 --> 0:40:25.200
<v Speaker 2>You know what's funny? Actually, am I a grum? No,

0:40:25.239 --> 0:40:27.759
<v Speaker 2>You're not a grump. And this is what I'll say

0:40:27.800 --> 0:40:30.960
<v Speaker 2>about it. I and I mean this. I mean this genuinely.

0:40:31.120 --> 0:40:32.080
<v Speaker 1>I have never.

0:40:33.440 --> 0:40:38.360
<v Speaker 2>Not I have never begrudgingly attended a bachel rep party,

0:40:38.360 --> 0:40:41.280
<v Speaker 2>and personally speaking as a guest, I'm always like excited

0:40:41.280 --> 0:40:44.920
<v Speaker 2>that I get to take a trip. However, if I

0:40:44.960 --> 0:40:48.960
<v Speaker 2>were to do one, my guilt that someone is begrudgingly

0:40:49.000 --> 0:40:52.200
<v Speaker 2>attending would be so great that I could not enjoy myself.

0:40:52.320 --> 0:40:55.520
<v Speaker 2>It is much more self inflicted than like speaking from

0:40:55.560 --> 0:40:58.000
<v Speaker 2>my own experience as an attendee, you know what I mean, Like,

0:40:58.320 --> 0:41:01.480
<v Speaker 2>I don't I can't think or a bachelor party I've

0:41:01.480 --> 0:41:02.960
<v Speaker 2>been to where I've been Like, I can't believe this

0:41:03.000 --> 0:41:04.520
<v Speaker 2>bitch is making me do this, Like I have to

0:41:04.560 --> 0:41:08.200
<v Speaker 2>take off of work usually it's actually like a nice break.

0:41:09.000 --> 0:41:11.080
<v Speaker 2>But again, if I did it, I would be I

0:41:11.120 --> 0:41:13.960
<v Speaker 2>would be legitimately constantly apologizing in a way that would

0:41:13.960 --> 0:41:15.960
<v Speaker 2>annoy everyone. I'd be like and thank you. I know

0:41:16.000 --> 0:41:17.120
<v Speaker 2>that everyone has a lot to do and think you

0:41:17.120 --> 0:41:18.399
<v Speaker 2>so much for being here, and oh no, of course

0:41:18.440 --> 0:41:20.200
<v Speaker 2>I'll just like put this bill like no need to pay,

0:41:20.280 --> 0:41:21.960
<v Speaker 2>and then I would just make things awkward for everyone.

0:41:22.120 --> 0:41:25.560
<v Speaker 1>Yeah. Yeah, I'm very like I'm just gonna go by myself,

0:41:25.680 --> 0:41:27.719
<v Speaker 1>Like I'm going to go to the beach and like

0:41:27.960 --> 0:41:30.480
<v Speaker 1>read a book and you guys have fun. Or combine it.

0:41:31.120 --> 0:41:34.319
<v Speaker 2>For example, let's say you're already going to a gate

0:41:34.400 --> 0:41:37.239
<v Speaker 2>like a Peetown trip and you have it every year.

0:41:38.640 --> 0:41:42.400
<v Speaker 2>Let's say it's the year that you're getting married, do

0:41:42.480 --> 0:41:44.120
<v Speaker 2>a big dinner and that's the bachelor dinner.

0:41:44.360 --> 0:41:44.560
<v Speaker 7>Yeah.

0:41:44.680 --> 0:41:48.880
<v Speaker 2>Or let's say you know you are going to a

0:41:48.960 --> 0:41:51.759
<v Speaker 2>music festival, make that the bachelor party. Like take something

0:41:51.800 --> 0:41:54.319
<v Speaker 2>that's already celebratory and just like put a little sash on,

0:41:54.640 --> 0:41:56.480
<v Speaker 2>have a nice time, because.

0:41:56.280 --> 0:41:59.480
<v Speaker 1>That does make a difference. Yeah, with this col in particular,

0:41:59.640 --> 0:42:04.360
<v Speaker 1>I do hope. I don't know how much lesbians like

0:42:04.560 --> 0:42:08.440
<v Speaker 1>fetishi is straight culture. Yeah, because I do know how

0:42:08.520 --> 0:42:10.440
<v Speaker 1>much gay guys do, and I like could think it's

0:42:10.440 --> 0:42:14.880
<v Speaker 1>funny for gay guys to like, uh, you know, go

0:42:14.880 --> 0:42:19.239
<v Speaker 1>golfing or something like something like really straight guy. I

0:42:19.280 --> 0:42:21.240
<v Speaker 1>could see how that would be sort of erotically charged

0:42:21.280 --> 0:42:22.960
<v Speaker 1>even yeah, fun But I don't know if that's what

0:42:23.000 --> 0:42:24.759
<v Speaker 1>this lesbian is getting over. I don't know if that's

0:42:24.760 --> 0:42:25.919
<v Speaker 1>what this lesbian is doing.

0:42:26.560 --> 0:42:29.319
<v Speaker 2>But I do think lesbians fetishi is straight culture, not

0:42:29.400 --> 0:42:30.680
<v Speaker 2>in fetishi is the wrong word.

0:42:30.719 --> 0:42:31.839
<v Speaker 1>I don't think it's erotic for them.

0:42:31.920 --> 0:42:33.759
<v Speaker 2>I think it is like funny in camp, like I

0:42:33.800 --> 0:42:37.480
<v Speaker 2>could imagine I can imagine lesbians, I know, being like

0:42:37.719 --> 0:42:40.160
<v Speaker 2>how funny would it be to literally have a penis

0:42:40.160 --> 0:42:42.360
<v Speaker 2>straw at my bachelor red party? Sure, and to like

0:42:43.719 --> 0:42:46.600
<v Speaker 2>have a sash that says bride and like pinterest font.

0:42:47.960 --> 0:42:48.920
<v Speaker 1>And to answer the question.

0:42:48.800 --> 0:42:50.680
<v Speaker 2>About whether bachel of red parties are still straight or

0:42:50.719 --> 0:42:51.640
<v Speaker 2>if they're camp.

0:42:51.760 --> 0:42:52.520
<v Speaker 1>They're still straight.

0:42:52.719 --> 0:42:55.680
<v Speaker 2>Yeah, they're still like they're obviously camp viewed from a distance.

0:42:55.719 --> 0:42:58.880
<v Speaker 2>But like I hate to say this, like when you

0:42:58.920 --> 0:43:01.880
<v Speaker 2>see a group of you know, blonde women that are

0:43:01.920 --> 0:43:04.839
<v Speaker 2>at a batch red party, they are evil, Like there's

0:43:04.840 --> 0:43:07.520
<v Speaker 2>something in their eyes. They are out for blood.

0:43:07.800 --> 0:43:08.400
<v Speaker 1>It's scary.

0:43:08.480 --> 0:43:11.360
<v Speaker 2>It's scary, and it's honestly scarier than men at a

0:43:11.400 --> 0:43:12.040
<v Speaker 2>bachelor party.

0:43:12.480 --> 0:43:13.120
<v Speaker 1>I agree.

0:43:13.239 --> 0:43:16.560
<v Speaker 2>Like a group of lightly drunk women in a limo

0:43:16.680 --> 0:43:18.920
<v Speaker 2>that are going from one event to another in Nashville,

0:43:19.280 --> 0:43:23.319
<v Speaker 2>they will murder you. And it's very rare that women

0:43:23.360 --> 0:43:24.239
<v Speaker 2>are more evil than men.

0:43:24.280 --> 0:43:27.799
<v Speaker 1>They're never find your They are organized, by the way,

0:43:27.840 --> 0:43:29.680
<v Speaker 1>because one of them, it's like Rebecca and she's the

0:43:29.680 --> 0:43:31.319
<v Speaker 1>one with a spreadshoot and she's like, okay, so we

0:43:31.320 --> 0:43:33.960
<v Speaker 1>did murder someone. Here's step one and she is like,

0:43:34.239 --> 0:43:36.799
<v Speaker 1>just cut up the arms and legs. The ravine is

0:43:36.840 --> 0:43:38.360
<v Speaker 1>on the way to the club, so we can just

0:43:38.400 --> 0:43:40.000
<v Speaker 1>drop it in the water, just drop it off.

0:43:40.160 --> 0:43:42.160
<v Speaker 2>Meanwhile, the limo drivers right there, but all of them

0:43:42.160 --> 0:43:46.759
<v Speaker 2>are like, he's not gonna say anything, right, No. I

0:43:47.160 --> 0:43:50.920
<v Speaker 2>think that it's really scary what happens. It's really scary

0:43:50.960 --> 0:43:55.640
<v Speaker 2>what happens psychically, and it's also it makes you think

0:43:55.800 --> 0:43:59.640
<v Speaker 2>what if women were able to channel that into like

0:44:00.120 --> 0:44:01.920
<v Speaker 2>maybe assassinating a political figure.

0:44:02.239 --> 0:44:05.279
<v Speaker 1>Well, we need more female assassins. I've always said it's true,

0:44:05.560 --> 0:44:08.080
<v Speaker 1>Just don't assassinate Amanda Seafree.

0:44:08.160 --> 0:44:11.759
<v Speaker 2>No stick to like evil guys. I don't kill Bill mode,

0:44:11.760 --> 0:44:13.839
<v Speaker 2>although I have to say she was not a girl's girl.

0:44:13.880 --> 0:44:16.000
<v Speaker 2>She assassinated all her female friends as well.

0:44:16.680 --> 0:44:20.520
<v Speaker 1>Do you know she's an equal opportunity offender. That's right,

0:44:22.600 --> 0:44:27.920
<v Speaker 1>kill Bill. Beatrice Kiddo was the first equal opportunity of bender.

0:44:41.280 --> 0:44:45.279
<v Speaker 6>So what's going on with George's hair? Did he hair

0:44:45.400 --> 0:44:48.799
<v Speaker 6>transplant or has he just been doing ball? Guys still

0:44:48.920 --> 0:44:52.239
<v Speaker 6>in Valor for like all this time? We need to

0:44:52.280 --> 0:44:53.320
<v Speaker 6>know nobody.

0:44:54.040 --> 0:44:55.319
<v Speaker 1>Okay, I love this.

0:44:55.640 --> 0:44:57.480
<v Speaker 2>I just want to say I did not get a

0:44:57.520 --> 0:45:00.879
<v Speaker 2>hair transplant, but I have absolute no judgment to those

0:45:00.880 --> 0:45:04.000
<v Speaker 2>who do. Some of my best friends legitimately have gotten

0:45:04.040 --> 0:45:05.040
<v Speaker 2>them in the recent past.

0:45:05.080 --> 0:45:06.440
<v Speaker 1>And actually someone I know and I won't.

0:45:06.239 --> 0:45:09.279
<v Speaker 2>Say who went to Greece to get one recently, which

0:45:09.320 --> 0:45:10.920
<v Speaker 2>I didn't even know it was discounted in Greece.

0:45:10.960 --> 0:45:12.319
<v Speaker 1>I had heard of Turkey, but I never heard, of

0:45:12.320 --> 0:45:14.800
<v Speaker 1>course a new Turkey. And I've even heard South Korea.

0:45:15.239 --> 0:45:19.680
<v Speaker 2>Oh that's interesting. What about North Korea? I've also now

0:45:19.800 --> 0:45:23.239
<v Speaker 2>heard through no, through someone else who I'm not gonna mention,

0:45:23.440 --> 0:45:26.040
<v Speaker 2>there is a person in La that three people you

0:45:26.080 --> 0:45:28.839
<v Speaker 2>know have gone to really yes, wow, two of them

0:45:28.880 --> 0:45:31.680
<v Speaker 2>have been on this podcast. What yeah, I love that.

0:45:32.400 --> 0:45:35.960
<v Speaker 2>I first of all, I love you being accused of this.

0:45:36.320 --> 0:45:39.279
<v Speaker 2>I also think it does speak to the like normalizing

0:45:39.320 --> 0:45:39.600
<v Speaker 2>of it.

0:45:39.800 --> 0:45:41.879
<v Speaker 1>I think it used to be such a weird, crazy thing,

0:45:41.920 --> 0:45:44.279
<v Speaker 1>and now it's like people, everyone I know is a

0:45:44.280 --> 0:45:47.440
<v Speaker 1>hair transplant influencer. I love that it's normalized. Yeah, me too,

0:45:47.480 --> 0:45:47.919
<v Speaker 1>It's cool.

0:45:48.120 --> 0:45:51.960
<v Speaker 2>I think I worry sometimes about some of the results

0:45:51.960 --> 0:45:55.680
<v Speaker 2>that I'm seeing. Really, there are some hairlines. I think

0:45:55.680 --> 0:45:58.239
<v Speaker 2>people are getting a little too confident and being like,

0:45:58.239 --> 0:45:59.920
<v Speaker 2>what if the hairline is like an inch from my eyebrow,

0:46:01.560 --> 0:46:02.880
<v Speaker 2>it has to still look normal.

0:46:03.160 --> 0:46:05.160
<v Speaker 1>Stick to the rivers and the lakes that you're used to.

0:46:05.320 --> 0:46:06.120
<v Speaker 1>That's correct.

0:46:07.080 --> 0:46:10.720
<v Speaker 2>So I did not get a hair transplant, and I would,

0:46:11.840 --> 0:46:15.479
<v Speaker 2>you know, I would assume that would be obvious based

0:46:15.520 --> 0:46:19.759
<v Speaker 2>on the fact that it has happened gradually. It's sort

0:46:19.800 --> 0:46:23.440
<v Speaker 2>of not all at once. But yeah, I just sort of.

0:46:23.760 --> 0:46:26.920
<v Speaker 2>And by the way, I was never stealing bald valor

0:46:27.000 --> 0:46:28.040
<v Speaker 2>because I was never bald.

0:46:28.080 --> 0:46:29.959
<v Speaker 1>It was I had a busk. I was a buzz

0:46:30.000 --> 0:46:32.600
<v Speaker 1>cut and you could see the hair on top. It

0:46:32.640 --> 0:46:37.360
<v Speaker 1>was just buzzed. It is interesting. I think maybe you're underestimating,

0:46:37.520 --> 0:46:39.960
<v Speaker 1>like the way it was short like the way it

0:46:40.000 --> 0:46:42.640
<v Speaker 1>was buzzed. It did look like maybe it's like a

0:46:42.680 --> 0:46:44.719
<v Speaker 1>balding thing, and you're just like getting ahead of it.

0:46:45.360 --> 0:46:49.880
<v Speaker 2>I must say one thing, which is that already I

0:46:49.920 --> 0:46:52.600
<v Speaker 2>look at photos of myself from the last eight years

0:46:52.640 --> 0:46:54.839
<v Speaker 2>and I'm like, I can't believe I looked like that

0:46:54.880 --> 0:46:55.520
<v Speaker 2>for eight years.

0:46:55.840 --> 0:46:56.680
<v Speaker 1>I feel so much.

0:46:57.160 --> 0:46:59.239
<v Speaker 2>I actually think I look so much better with long hair,

0:46:59.560 --> 0:47:02.360
<v Speaker 2>and it it's crazy that, for whatever reason I decided

0:47:02.400 --> 0:47:04.319
<v Speaker 2>for eight year it was it was like inertia. It

0:47:04.360 --> 0:47:05.560
<v Speaker 2>was just kind of like, Okay, well, this is what

0:47:05.600 --> 0:47:06.799
<v Speaker 2>I do. This is what I asked for. When I

0:47:06.800 --> 0:47:08.759
<v Speaker 2>get a haircut. It seems like such a more deal

0:47:08.840 --> 0:47:10.799
<v Speaker 2>to grow it out, and I'm like, why the fuck

0:47:10.960 --> 0:47:13.400
<v Speaker 2>was I doing that? I mean, it looked good for

0:47:13.440 --> 0:47:15.680
<v Speaker 2>the records, well, I think day to day I felt

0:47:15.719 --> 0:47:19.520
<v Speaker 2>like I looked fine. But even now, I mean, I'm

0:47:19.640 --> 0:47:22.440
<v Speaker 2>forced to constantly watch clips of myself because I'm promoting

0:47:22.440 --> 0:47:24.960
<v Speaker 2>the special, and I'm like, that looks bad, Like I

0:47:24.960 --> 0:47:25.640
<v Speaker 2>should have hair.

0:47:27.520 --> 0:47:30.759
<v Speaker 1>I mean, it wasn't seeing your hair now. It was

0:47:30.800 --> 0:47:33.640
<v Speaker 1>an interesting choice. I knew you had hair, but I

0:47:33.760 --> 0:47:35.880
<v Speaker 1>was like, but maybe, like I was like, because you

0:47:35.880 --> 0:47:37.560
<v Speaker 1>would describe it like Oh, you know it's so difficult

0:47:37.600 --> 0:47:39.920
<v Speaker 1>because it's thick. Yeah, and now I'm seeing it, I'm like,

0:47:39.960 --> 0:47:42.319
<v Speaker 1>it's not that difficult. It's literally like it's normal hair.

0:47:42.880 --> 0:47:43.080
<v Speaker 4>I know.

0:47:43.239 --> 0:47:43.520
<v Speaker 1>I think.

0:47:43.600 --> 0:47:45.400
<v Speaker 2>I think what it was is the last time I

0:47:45.440 --> 0:47:49.040
<v Speaker 2>really had longer hair, I was younger and more insecure

0:47:49.080 --> 0:47:51.920
<v Speaker 2>in general, and every little thing that was imperfect, I

0:47:51.960 --> 0:47:54.200
<v Speaker 2>was like, oh, well I look bad, Like this looks bad.

0:47:54.239 --> 0:47:56.160
<v Speaker 1>I need to fixure out the right haircut.

0:47:56.440 --> 0:47:58.439
<v Speaker 2>And now I'm kind of like, I'm aware that it's

0:47:58.920 --> 0:48:00.960
<v Speaker 2>sort of uneven and I I don't have product in it,

0:48:01.000 --> 0:48:02.359
<v Speaker 2>and I don't I don't care.

0:48:02.719 --> 0:48:04.720
<v Speaker 1>Yeah, and no one is no one.

0:48:04.640 --> 0:48:08.879
<v Speaker 2>Notices, I mean, and it's more affordable. By the way,

0:48:08.920 --> 0:48:10.400
<v Speaker 2>I was getting haircuts every two weeks.

0:48:10.440 --> 0:48:15.359
<v Speaker 1>Oh, and I know you weren't going cheap. I've had

0:48:15.360 --> 0:48:18.880
<v Speaker 1>this happen before, where someone who like is ball presenting

0:48:19.000 --> 0:48:21.160
<v Speaker 1>like suddenly just grows their hair out, and it does

0:48:21.160 --> 0:48:23.160
<v Speaker 1>freak me out, Like I get why people are like, wait.

0:48:23.000 --> 0:48:28.120
<v Speaker 2>What it's also I have to say, uh, it is,

0:48:29.120 --> 0:48:32.960
<v Speaker 2>hair in general is something that like makes people excited,

0:48:33.480 --> 0:48:38.240
<v Speaker 2>like I've never gotten Every single time I post anything,

0:48:38.719 --> 0:48:41.080
<v Speaker 2>I get fifteen dms that are like okay.

0:48:40.920 --> 0:48:43.399
<v Speaker 1>Hair, hair, Okay, hair, what's going on with your hair?

0:48:44.160 --> 0:48:44.640
<v Speaker 1>Hair looks?

0:48:44.880 --> 0:48:47.000
<v Speaker 2>Hair looks fab hair looks amazing, by the way, And

0:48:47.040 --> 0:48:48.759
<v Speaker 2>I think the same thing would happen if I were

0:48:48.800 --> 0:48:50.359
<v Speaker 2>to go the other way, right, if if you were

0:48:50.400 --> 0:48:52.320
<v Speaker 2>to buzz your head, people be like, Okay, love the buzz.

0:48:52.600 --> 0:48:53.080
<v Speaker 1>Interesting.

0:48:53.120 --> 0:48:55.279
<v Speaker 2>It's like, because you know what it is, I'm having

0:48:55.280 --> 0:48:59.200
<v Speaker 2>this realization. It's one of the few appearance based things

0:48:59.440 --> 0:49:00.560
<v Speaker 2>that is more neutral.

0:49:00.719 --> 0:49:01.799
<v Speaker 1>We're still allowed to comment on.

0:49:02.000 --> 0:49:05.479
<v Speaker 2>Literally, you can't talk about someone losing or gaining weight.

0:49:06.040 --> 0:49:13.880
<v Speaker 2>You can't talk about someone getting plastic surgery, you can't

0:49:13.920 --> 0:49:16.080
<v Speaker 2>talk about like. It really is one of the very

0:49:16.160 --> 0:49:18.040
<v Speaker 2>very few things that is safe.

0:49:18.440 --> 0:49:20.600
<v Speaker 1>Yeah, if only we could get taller and shorter, then

0:49:20.600 --> 0:49:21.000
<v Speaker 1>we could.

0:49:20.880 --> 0:49:26.480
<v Speaker 2>Talk about now well scream materialists.

0:49:27.440 --> 0:49:32.239
<v Speaker 12>Wow, Okay, Okay, So I already sent another one, but

0:49:32.320 --> 0:49:33.520
<v Speaker 12>I stuttered.

0:49:33.239 --> 0:49:33.920
<v Speaker 15>And I hung up.

0:49:33.920 --> 0:49:35.759
<v Speaker 8>But I don't know if you actually got it. And

0:49:35.800 --> 0:49:38.120
<v Speaker 8>I'm scared, but I'm gonna ask the same question.

0:49:38.800 --> 0:49:40.160
<v Speaker 12>So today, it's going to be in a lot of

0:49:40.239 --> 0:49:42.960
<v Speaker 12>movies this year, and a lot of people are already

0:49:42.960 --> 0:49:46.399
<v Speaker 12>predicting that there's going to be discourse asking why she's

0:49:46.520 --> 0:49:51.160
<v Speaker 12>in every movie. Is there any conversation that's already happened

0:49:51.160 --> 0:49:53.839
<v Speaker 12>in the past that you see making a comeback this year.

0:49:54.800 --> 0:49:58.120
<v Speaker 1>Sorry, a lot of people, a lot of people are

0:49:58.160 --> 0:50:01.400
<v Speaker 1>predicting there is gonna be this of course about Zenda

0:50:01.640 --> 0:50:03.520
<v Speaker 1>being in too many movies is one of the most

0:50:03.560 --> 0:50:06.600
<v Speaker 1>amazing gig Guy sentences I've heard in my life. It's

0:50:06.640 --> 0:50:09.720
<v Speaker 1>like I'm monitoring the situation and the markets are saying

0:50:09.800 --> 0:50:12.319
<v Speaker 1>that there is going to be discourse. I repeat, there's

0:50:12.360 --> 0:50:15.000
<v Speaker 1>gonna be discourse about Zendia being in too many movies.

0:50:15.080 --> 0:50:17.600
<v Speaker 1>It's also Trump, It's gig Guy Trump. It's a lot

0:50:17.680 --> 0:50:19.279
<v Speaker 1>of people are saying there's gonna be a lot of

0:50:19.280 --> 0:50:23.160
<v Speaker 1>particularly so amazing to confidently be like a lot of people.

0:50:23.360 --> 0:50:25.520
<v Speaker 1>Just I want everyone to be prepared. A lot of

0:50:25.560 --> 0:50:27.360
<v Speaker 1>people are saying.

0:50:26.680 --> 0:50:29.520
<v Speaker 2>There's gonna be discourse about Zendia being into many movies.

0:50:30.760 --> 0:50:32.960
<v Speaker 2>That aside, what discourse do you think is gonna make

0:50:32.960 --> 0:50:33.480
<v Speaker 2>a comeback?

0:50:35.960 --> 0:50:43.240
<v Speaker 1>I mean it's all dark sure, Like discourse is never fun. Yeah,

0:50:43.280 --> 0:50:45.360
<v Speaker 1>I'm trying to give a playful discourse.

0:50:45.120 --> 0:50:46.640
<v Speaker 2>Right well, I mean one of the big ones that's

0:50:46.680 --> 0:50:49.440
<v Speaker 2>making a comeback is like, is racism good or bad?

0:50:49.800 --> 0:50:51.680
<v Speaker 1>One of the big ones that's coming back is like

0:50:52.040 --> 0:50:54.799
<v Speaker 1>not seeing enough people posting about this, oh church in

0:50:54.800 --> 0:50:57.520
<v Speaker 1>a way where I'm like, I cannot believe we're doing

0:50:57.840 --> 0:51:01.359
<v Speaker 1>that again. I know, like evening like like I saw

0:51:01.360 --> 0:51:02.920
<v Speaker 1>a tweet. This is kind of informed by a tweet.

0:51:03.239 --> 0:51:06.560
<v Speaker 1>But somebody was like shared like a Billie Eilish thing

0:51:06.560 --> 0:51:09.600
<v Speaker 1>where she's like looking to my other celebrities, why aren't

0:51:09.600 --> 0:51:12.880
<v Speaker 1>people posting? And somebody was like, it's such an American

0:51:12.920 --> 0:51:17.600
<v Speaker 1>concept for people wanting celebrities specifically to like post, yeah,

0:51:17.640 --> 0:51:20.279
<v Speaker 1>because it's like it obviously, this is like a very

0:51:20.480 --> 0:51:23.360
<v Speaker 1>important time and we need to be making our voices heard.

0:51:23.640 --> 0:51:25.839
<v Speaker 1>But there's more ways to make your voice heard than

0:51:25.920 --> 0:51:31.040
<v Speaker 1>just posting to stories and and so it's like such

0:51:31.080 --> 0:51:34.799
<v Speaker 1>a funny like they didn't post the stories, they don't care. Yeah,

0:51:34.840 --> 0:51:37.000
<v Speaker 1>And it's like we went through this already and it

0:51:37.080 --> 0:51:40.400
<v Speaker 1>was so clearly the wrong way of thinking completely, and

0:51:40.440 --> 0:51:43.200
<v Speaker 1>I think we learned that I thought we did. And

0:51:43.239 --> 0:51:45.000
<v Speaker 1>it's so back. It's so back.

0:51:45.360 --> 0:51:45.560
<v Speaker 4>You know.

0:51:45.640 --> 0:51:50.120
<v Speaker 2>What's related to that is critiquing wearing a pin to

0:51:50.120 --> 0:51:54.319
<v Speaker 2>an award show. Yeah, and I think being like, well

0:51:54.360 --> 0:51:58.719
<v Speaker 2>a pin means nothing, or posting a you know, a

0:51:58.760 --> 0:52:02.120
<v Speaker 2>block of tech or something means nothing. It's like, yes,

0:52:02.320 --> 0:52:06.680
<v Speaker 2>it is a show of solidarity. It's like having a

0:52:06.719 --> 0:52:10.359
<v Speaker 2>bumper sticker. Like, no one is arguing that a pin

0:52:10.680 --> 0:52:15.680
<v Speaker 2>is going to make material change. Yeah, in fact, you're

0:52:15.760 --> 0:52:18.400
<v Speaker 2>the dumb one for assuming that's what they thought they

0:52:18.400 --> 0:52:19.160
<v Speaker 2>were doing.

0:52:19.200 --> 0:52:20.759
<v Speaker 1>Like if a celebrity.

0:52:20.480 --> 0:52:23.640
<v Speaker 2>Is wearing a ice outpin at sun Dance, that is

0:52:23.760 --> 0:52:27.319
<v Speaker 2>just a small gesture they are doing to show that

0:52:27.360 --> 0:52:33.560
<v Speaker 2>they care, and that's it. It is not worthy of critique. Well,

0:52:33.560 --> 0:52:34.120
<v Speaker 2>it's sort of.

0:52:34.080 --> 0:52:37.840
<v Speaker 1>Like both of the It's like the conversation around like

0:52:37.920 --> 0:52:40.680
<v Speaker 1>corporate pride, which I do think has like very much

0:52:40.719 --> 0:52:44.400
<v Speaker 1>died down. And part of that is obviously because corporations

0:52:44.400 --> 0:52:46.680
<v Speaker 1>were like, Okay, we're gonna stop like fashion stems back,

0:52:46.719 --> 0:52:50.400
<v Speaker 1>We're not doing pride anymore. And so now it's like

0:52:50.480 --> 0:52:52.680
<v Speaker 1>this whole thing of like now I wonder if the

0:52:52.719 --> 0:52:54.560
<v Speaker 1>discourse that will come back as being like we need

0:52:54.560 --> 0:52:58.759
<v Speaker 1>corporations to support pride again, which is like it is

0:52:58.760 --> 0:53:00.640
<v Speaker 1>one of those things where it's like both sides of

0:53:00.680 --> 0:53:04.480
<v Speaker 1>that critique are stupid and I don't know what is right.

0:53:05.840 --> 0:53:08.719
<v Speaker 2>Yeah, I in terms of discord is coming back. I

0:53:08.760 --> 0:53:11.520
<v Speaker 2>also want to say I have done something really shocking recently,

0:53:11.520 --> 0:53:16.680
<v Speaker 2>which is that I join Threads. I'm not posting on

0:53:16.760 --> 0:53:19.719
<v Speaker 2>it or using it really, but what happens is, when

0:53:19.760 --> 0:53:21.920
<v Speaker 2>you're scrolling on Instagram, you'll get a suggested one and

0:53:22.360 --> 0:53:24.239
<v Speaker 2>curiosity will get me, and then I'll click on it,

0:53:24.239 --> 0:53:26.200
<v Speaker 2>and then it'll take me to the threads homepage.

0:53:26.200 --> 0:53:27.839
<v Speaker 1>Curiosity has almost gotten me, and.

0:53:27.760 --> 0:53:30.799
<v Speaker 2>Then I'll scroll for maybe two minutes, and the things

0:53:30.800 --> 0:53:34.399
<v Speaker 2>that are happening in threads are shocking. I don't know

0:53:34.520 --> 0:53:37.400
<v Speaker 2>how to even express what I'm seeing. It is like

0:53:37.600 --> 0:53:44.960
<v Speaker 2>a bacchanall of sort of it's like cancel culture drag.

0:53:45.360 --> 0:53:47.360
<v Speaker 2>It's like no one's heart is in it, but every

0:53:47.440 --> 0:53:49.480
<v Speaker 2>single hour they are canceling a new person.

0:53:49.719 --> 0:53:51.280
<v Speaker 1>It is so weird.

0:53:51.800 --> 0:53:54.160
<v Speaker 2>And of course, you know, it's kind of like fifty

0:53:54.160 --> 0:53:56.120
<v Speaker 2>to fifty, like fifty percent of the time. I'm like, oh, sure,

0:53:56.160 --> 0:53:57.840
<v Speaker 2>this person sucks fifty percent of the time. It's like

0:53:57.880 --> 0:54:01.560
<v Speaker 2>completely random, but the tone is the same, and it's

0:54:01.640 --> 0:54:05.440
<v Speaker 2>almost like people are ravenous for that kind of like

0:54:05.480 --> 0:54:06.840
<v Speaker 2>gladiator like environment.

0:54:07.040 --> 0:54:09.960
<v Speaker 1>Again, Yeah, it was like a brain exercise, like it

0:54:10.000 --> 0:54:12.399
<v Speaker 1>was like fun to sort of examine why or why

0:54:12.400 --> 0:54:15.719
<v Speaker 1>not someone should be canceled. It's like freelance lawyering completely.

0:54:15.840 --> 0:54:17.560
<v Speaker 1>You're like, oh, I can like look at this thing

0:54:17.560 --> 0:54:19.200
<v Speaker 1>they posted in twenty seventeen, but then look at what

0:54:19.280 --> 0:54:22.000
<v Speaker 1>they didn't say this. Yeah, and it's like so confirmed

0:54:22.120 --> 0:54:23.160
<v Speaker 1>case they are bad.

0:54:23.320 --> 0:54:26.239
<v Speaker 2>There's also I don't know how people don't get that

0:54:26.239 --> 0:54:30.120
<v Speaker 2>they're coming across even if they are in the right morally,

0:54:30.160 --> 0:54:33.319
<v Speaker 2>the act of like making a three minute video explaining

0:54:33.320 --> 0:54:37.040
<v Speaker 2>why someone is bad, you are engaging in the logics

0:54:37.080 --> 0:54:40.319
<v Speaker 2>of social media that are ruining the world. Like you are.

0:54:40.520 --> 0:54:43.759
<v Speaker 2>You are like occupying this like real housewife in a

0:54:43.800 --> 0:54:48.600
<v Speaker 2>confessional tone that is quite simply not how anything will

0:54:48.640 --> 0:54:53.880
<v Speaker 2>be solved. It's definitionally it's not how anything will be solved.

0:54:54.000 --> 0:54:58.040
<v Speaker 2>Like you are succumbing to the kind of behavior that

0:54:58.080 --> 0:55:00.359
<v Speaker 2>the algorithm wants you just to come to. You think

0:55:00.400 --> 0:55:02.840
<v Speaker 2>you're being the good one. Yeah, and it like is

0:55:03.000 --> 0:55:08.240
<v Speaker 2>enough to make me like there was people were coming

0:55:08.280 --> 0:55:11.959
<v Speaker 2>for Whitney Cummings because she said something about miss Rachel.

0:55:12.000 --> 0:55:13.839
<v Speaker 1>That sort of goes to show you where we are

0:55:14.239 --> 0:55:17.200
<v Speaker 1>time wise right now. And to be fair, Whitney Comings

0:55:17.280 --> 0:55:18.360
<v Speaker 1>is kind off the deep end.

0:55:18.640 --> 0:55:23.600
<v Speaker 2>No, no, completely, but that's the thing is like, we know

0:55:23.719 --> 0:55:25.680
<v Speaker 2>she's off the deep end. Okay, she has been off

0:55:25.680 --> 0:55:29.600
<v Speaker 2>the deep end for years. It is concerning. Yeah, However,

0:55:29.800 --> 0:55:33.040
<v Speaker 2>what happens is she'll say something and then people are like, oh, perfect,

0:55:33.040 --> 0:55:35.480
<v Speaker 2>this is an amazing entryway for me to actually do

0:55:35.520 --> 0:55:37.840
<v Speaker 2>my big monologue about how Whitney Comings is off the

0:55:37.880 --> 0:55:40.839
<v Speaker 2>deep end. But then then you're doing your three minute

0:55:40.880 --> 0:55:43.959
<v Speaker 2>monologue and you sound like a crazy person, yeah, because

0:55:44.000 --> 0:55:46.360
<v Speaker 2>you sound like you're hearing voices.

0:55:46.840 --> 0:55:49.040
<v Speaker 1>And then she shares it and is like, actually, that's

0:55:49.040 --> 0:55:52.160
<v Speaker 1>not what I meant, and you're like, she's like bolstering

0:55:52.160 --> 0:55:54.720
<v Speaker 1>her fan base. It's just all like you're all playing

0:55:54.719 --> 0:55:56.160
<v Speaker 1>into the game completely.

0:55:56.960 --> 0:55:59.279
<v Speaker 2>You can be the good one, but you have to

0:55:59.280 --> 0:56:01.879
<v Speaker 2>recognize yours all the good one within a reality show

0:56:01.880 --> 0:56:03.160
<v Speaker 2>that is produced by Lucifer.

0:56:05.800 --> 0:56:10.600
<v Speaker 1>His name is Mark Zuckerberg. So that was amazing. But

0:56:10.920 --> 0:56:14.680
<v Speaker 1>for the record, post post post everybody, For the record,

0:56:14.800 --> 0:56:19.720
<v Speaker 1>post post posts. Please share our reels. Never stop posting.

0:56:19.880 --> 0:56:25.160
<v Speaker 1>Repost our tour dates, yes, yes, comment, Oh my.

0:56:25.120 --> 0:56:28.759
<v Speaker 2>God, please like in comment engagement Yeah, let's wait. We

0:56:28.800 --> 0:56:30.800
<v Speaker 2>need to get her engagement. Seriously, you guys.

0:56:30.880 --> 0:56:32.719
<v Speaker 1>Comment. That's why George is going out his hair to

0:56:32.719 --> 0:56:33.480
<v Speaker 1>get engagement up.

0:56:37.719 --> 0:56:44.120
<v Speaker 11>George Patrick in Deluth, Minnesota, got a wedding related question.

0:56:43.840 --> 0:56:46.719
<v Speaker 14>If you feel like you haven't that too much. My

0:56:46.760 --> 0:56:47.480
<v Speaker 14>boyfriend and I.

0:56:47.440 --> 0:56:50.279
<v Speaker 1>Have his voice, I have a.

0:56:50.280 --> 0:56:56.120
<v Speaker 11>Boner recently and buy a house together. So most people assume,

0:56:56.360 --> 0:56:59.640
<v Speaker 11>or a lot of people assume that wedding is next,

0:57:00.120 --> 0:57:03.800
<v Speaker 11>or even a lot of people. We are already married

0:57:04.600 --> 0:57:06.719
<v Speaker 11>and we're not in a huge hurry. But honestly, when

0:57:06.760 --> 0:57:11.080
<v Speaker 11>I think about the idea of marriage, getting married, being married,

0:57:11.560 --> 0:57:15.319
<v Speaker 11>one of the more exciting ideas is the possibility of,

0:57:16.000 --> 0:57:19.560
<v Speaker 11>you know, incorporating some fasteful jewelry into our respective looks

0:57:19.560 --> 0:57:23.479
<v Speaker 11>ie wedding band. So I was wondering how you two

0:57:23.520 --> 0:57:28.880
<v Speaker 11>have navigated that in your respective mary lives, because obviously

0:57:29.520 --> 0:57:35.440
<v Speaker 11>a wedding band traditionally a symbol of a woman being married,

0:57:35.760 --> 0:57:37.000
<v Speaker 11>and it.

0:57:37.120 --> 0:57:37.720
<v Speaker 14>Seems like.

0:57:39.280 --> 0:57:42.120
<v Speaker 11>Traditional wedding bands are different for men and women, but

0:57:42.280 --> 0:57:44.120
<v Speaker 11>for gay guys.

0:57:44.480 --> 0:57:47.880
<v Speaker 1>Or is that the end of the call? Oh, I

0:57:47.880 --> 0:57:50.840
<v Speaker 1>think that's the end of the call. Huh, Well, maybe

0:57:50.840 --> 0:57:51.560
<v Speaker 1>he got cut off.

0:57:51.600 --> 0:57:54.560
<v Speaker 2>But first of all, shout out to Duluth, Minnesota, and

0:57:54.560 --> 0:57:55.960
<v Speaker 2>shout out to Minnesota in general.

0:57:57.640 --> 0:58:03.080
<v Speaker 1>That's all same. Yeah, yeah, shout out to Minneapolis.

0:58:03.120 --> 0:58:09.680
<v Speaker 2>Of course maybe yeah, what about that? Okay, So basically,

0:58:09.720 --> 0:58:15.960
<v Speaker 2>what is our relationship to our wedding bands? So I

0:58:16.400 --> 0:58:18.840
<v Speaker 2>agree that it is like one of the more appealing

0:58:18.880 --> 0:58:19.640
<v Speaker 2>parts of marriage.

0:58:19.720 --> 0:58:23.080
<v Speaker 1>I love it. It's like one of the It's like,

0:58:23.280 --> 0:58:26.600
<v Speaker 1>first of all, inherently hot. It implies that you're married.

0:58:27.320 --> 0:58:29.600
<v Speaker 2>It implies that you're married. That's something people don't tell

0:58:29.600 --> 0:58:30.720
<v Speaker 2>you about wedding bands.

0:58:31.000 --> 0:58:33.160
<v Speaker 1>And when you are a man wearing one, it sort

0:58:33.160 --> 0:58:36.280
<v Speaker 1>of implies you're straight. Yeah, so it's sort of like,

0:58:36.320 --> 0:58:38.959
<v Speaker 1>who's the straight guy touching me? It's so.

0:58:40.440 --> 0:58:43.480
<v Speaker 2>Like, I can't describe how much I love wearing a

0:58:43.480 --> 0:58:48.240
<v Speaker 2>wedding band. It has like changed my entire swagger, especially

0:58:48.240 --> 0:58:50.440
<v Speaker 2>like at the gym, taking it on and off and

0:58:50.480 --> 0:58:52.360
<v Speaker 2>putting it in my locker. I know you're someone who lifts,

0:58:54.000 --> 0:58:56.960
<v Speaker 2>but like I, I worry about scratching it.

0:58:57.000 --> 0:58:57.960
<v Speaker 1>So I'll take it off.

0:58:57.760 --> 0:59:00.600
<v Speaker 2>And then I'll put it back on in the locker room,

0:59:00.640 --> 0:59:03.320
<v Speaker 2>and I'll see people being like, oh, what's going on there?

0:59:03.400 --> 0:59:07.120
<v Speaker 2>I thought he was pretty queenie in the in the

0:59:07.120 --> 0:59:07.600
<v Speaker 2>weight room.

0:59:07.920 --> 0:59:09.160
<v Speaker 1>This whole time he's married to a woman.

0:59:09.200 --> 0:59:10.480
<v Speaker 2>This whole time, he's ready to a woman. Her name

0:59:10.560 --> 0:59:12.840
<v Speaker 2>is Amber and they live in Duluth, Minnesota.

0:59:13.680 --> 0:59:15.840
<v Speaker 1>I love this. I just to have to go back.

0:59:15.840 --> 0:59:17.160
<v Speaker 1>I love the gay guys live in Duluth.

0:59:17.400 --> 0:59:22.520
<v Speaker 2>Oh my god, It's It's the biggest dream I can imagine.

0:59:22.600 --> 0:59:24.880
<v Speaker 1>I have, Like my cousins and aunt and uncle live

0:59:24.920 --> 0:59:27.520
<v Speaker 1>in a suburb of Minneapolis, and one of them went

0:59:27.520 --> 0:59:29.320
<v Speaker 1>to college in Duluth. And I was always like Duluth

0:59:29.440 --> 0:59:31.960
<v Speaker 1>and what's going on there? And I've of course never been,

0:59:32.000 --> 0:59:34.880
<v Speaker 1>but I'm like to hear the gay guys live there. Yeah,

0:59:34.880 --> 0:59:37.160
<v Speaker 1>I'm like, I need to go on a vacation there.

0:59:37.240 --> 0:59:38.920
<v Speaker 2>We should go to Duluth. We need to do a

0:59:39.000 --> 0:59:41.120
<v Speaker 2>mini tour of just different venues in Duluth.

0:59:42.680 --> 0:59:46.600
<v Speaker 1>I absolutely need that. And the way that I want

0:59:46.640 --> 0:59:49.240
<v Speaker 1>to draw this man, send us a photo of what

0:59:49.280 --> 0:59:49.720
<v Speaker 1>you look like.

0:59:50.240 --> 0:59:54.440
<v Speaker 2>Okay, I want to address I went thin with my

0:59:54.480 --> 0:59:56.280
<v Speaker 2>wedding band. You went thick, and I think each of

0:59:56.320 --> 0:59:59.440
<v Speaker 2>them suits us, and there's no neither is better. I

0:59:59.520 --> 1:00:01.160
<v Speaker 2>just think like you were meant to go thick and

1:00:01.200 --> 1:00:02.040
<v Speaker 2>I was meant to go thin.

1:00:02.200 --> 1:00:04.640
<v Speaker 1>Well, and to be fair, I mean you probably put

1:00:04.640 --> 1:00:06.880
<v Speaker 1>more thought into it. I sort of like try it

1:00:06.920 --> 1:00:09.600
<v Speaker 1>on like two and like, sure me too. Yeah, And

1:00:09.720 --> 1:00:13.360
<v Speaker 1>I was like, I I almost, I mean, I don't

1:00:13.400 --> 1:00:14.760
<v Speaker 1>think I would make a different decision if I thought

1:00:14.760 --> 1:00:16.040
<v Speaker 1>about it more, But I wish I had thought about

1:00:16.040 --> 1:00:17.400
<v Speaker 1>it more so I could say like I thought for

1:00:17.480 --> 1:00:20.160
<v Speaker 1>weeks about what the right size is. No, I thought.

1:00:20.720 --> 1:00:22.720
<v Speaker 2>To be honest, I almost I would say I regret

1:00:22.880 --> 1:00:25.680
<v Speaker 2>my decision, but I'm the more time past, the more

1:00:25.680 --> 1:00:28.720
<v Speaker 2>I'm like, maybe I should have gone thicker. My thing

1:00:28.880 --> 1:00:32.320
<v Speaker 2>was like this is so gig guy insecurity. I was

1:00:32.360 --> 1:00:35.440
<v Speaker 2>sort of like, if I go too thick, it'll be

1:00:35.560 --> 1:00:37.360
<v Speaker 2>like I'm being no homo, It'll be like I meaning

1:00:37.440 --> 1:00:40.880
<v Speaker 2>like I'm getting married, but I'm masculine. Yeah, and so

1:00:40.920 --> 1:00:45.320
<v Speaker 2>I have to embrace my femininity and just like be

1:00:45.480 --> 1:00:51.680
<v Speaker 2>comfortable going like almost like women's thickness. Yeah, but I

1:00:51.720 --> 1:00:53.920
<v Speaker 2>do think there's some there is more gravitazed with a

1:00:53.960 --> 1:00:59.919
<v Speaker 2>thicker band. I will say say it, I don't love

1:01:00.600 --> 1:01:01.920
<v Speaker 2>non traditional wedding bands.

1:01:02.120 --> 1:01:05.080
<v Speaker 1>If you're gonna do it, get a traditional tradition, you're

1:01:05.080 --> 1:01:08.400
<v Speaker 1>gonna regret it. If you get a funky one, don't

1:01:08.440 --> 1:01:11.040
<v Speaker 1>get a steampunk one. Don't get us, don't get like,

1:01:11.560 --> 1:01:14.840
<v Speaker 1>don't I'm sorry. The thing that's tough about talking about this. Yeah,

1:01:14.880 --> 1:01:17.080
<v Speaker 1>it's sort of the glasses conversation all over again. There's

1:01:17.120 --> 1:01:19.000
<v Speaker 1>so many people that just do have these of course,

1:01:19.040 --> 1:01:20.400
<v Speaker 1>and they're listening and they're like, what the fuck, and

1:01:20.400 --> 1:01:23.360
<v Speaker 1>they're like, I'm committed to this for essentially my life, cletely.

1:01:23.120 --> 1:01:25.480
<v Speaker 2>And also they're we're doing the thing where they're overhearing

1:01:25.480 --> 1:01:28.240
<v Speaker 2>a conversation. Yeah, and they're like, oh, that means even

1:01:28.280 --> 1:01:29.760
<v Speaker 2>more than someone telling me to my face.

1:01:29.760 --> 1:01:31.440
<v Speaker 1>So I'm actually trying to be respectful. But at the

1:01:31.440 --> 1:01:34.040
<v Speaker 1>same time, if you're starting new, first of all, whatever

1:01:34.080 --> 1:01:36.720
<v Speaker 1>decision you made is right for you in your family exactly.

1:01:36.720 --> 1:01:39.440
<v Speaker 1>But if you're starting new, I would say go traditional.

1:01:39.560 --> 1:01:43.360
<v Speaker 1>I think you will not regret it up there in Duluth. Yeah,

1:01:43.440 --> 1:01:44.000
<v Speaker 1>I agree.

1:01:44.160 --> 1:01:46.920
<v Speaker 2>That would be my That would be my suggestion if

1:01:46.920 --> 1:01:49.240
<v Speaker 2>you are a gay guy with a really hot voice

1:01:49.240 --> 1:01:50.000
<v Speaker 2>that lives in Duluth.

1:01:52.160 --> 1:02:18.600
<v Speaker 1>Okay, put us on the close friends.

1:02:07.120 --> 1:02:08.120
<v Speaker 11>Since I'm in George.

1:02:08.240 --> 1:02:11.760
<v Speaker 7>I'm wondering what you think stand up can teach other

1:02:11.960 --> 1:02:15.960
<v Speaker 7>art mediums and what can other art mediums teach stand up?

1:02:16.480 --> 1:02:21.080
<v Speaker 2>Thanks by Okay, I actually have an answrop the top

1:02:21.080 --> 1:02:23.760
<v Speaker 2>of my head for this. Something I really like about

1:02:23.800 --> 1:02:29.320
<v Speaker 2>stand up is that there's no such thing as legitimate

1:02:29.440 --> 1:02:33.320
<v Speaker 2>stand up and outsider art. Stand up, like any any

1:02:33.360 --> 1:02:37.520
<v Speaker 2>stand up you see counts as stand up basically just

1:02:37.560 --> 1:02:43.280
<v Speaker 2>as much. Yeah, Whereas if you are a painter, you

1:02:43.360 --> 1:02:45.320
<v Speaker 2>sort of have to be like represented by a gallery

1:02:45.560 --> 1:02:49.800
<v Speaker 2>and showing at at shows that are covered by the

1:02:49.880 --> 1:02:51.800
<v Speaker 2>art press to be like, Okay, well that's the art world.

1:02:51.840 --> 1:02:53.760
<v Speaker 2>And then there's outsider art, which is a different thing,

1:02:53.800 --> 1:02:56.479
<v Speaker 2>and it's like maybe like more punk rock and more

1:02:56.560 --> 1:02:59.000
<v Speaker 2>you know, you have to like really look to find it,

1:02:59.080 --> 1:03:01.480
<v Speaker 2>and there's like a difference. And I think kind of

1:03:01.520 --> 1:03:04.040
<v Speaker 2>same with theater, where there's like there's theater that's in

1:03:04.200 --> 1:03:08.280
<v Speaker 2>major theaters, and then there's like, you know, someone doing

1:03:08.360 --> 1:03:12.480
<v Speaker 2>like an underground thing at like an events space and

1:03:12.680 --> 1:03:15.600
<v Speaker 2>their you know cousin does the lighting or whatever. There's

1:03:15.600 --> 1:03:18.840
<v Speaker 2>something about stand up where even if you're at an

1:03:18.880 --> 1:03:24.240
<v Speaker 2>open mic in a bar in Queens, that legitimately just

1:03:24.360 --> 1:03:25.040
<v Speaker 2>is stand up.

1:03:25.640 --> 1:03:29.360
<v Speaker 1>Yeah, So that there's like egalitarian ethos.

1:03:29.440 --> 1:03:31.800
<v Speaker 2>And I'm not saying that the people that are successful

1:03:31.880 --> 1:03:34.000
<v Speaker 2>don't suddenly make like a shit ton of money and

1:03:34.040 --> 1:03:37.280
<v Speaker 2>there's like inequality and stuff, but like there is something

1:03:37.360 --> 1:03:39.400
<v Speaker 2>I think also the lack of training goes into this,

1:03:39.480 --> 1:03:40.640
<v Speaker 2>like there's no such thing as like.

1:03:40.600 --> 1:03:42.840
<v Speaker 1>An MFA and stand up, Yeah that's cool.

1:03:43.160 --> 1:03:47.520
<v Speaker 2>And so I think the kind of anything goes ethos

1:03:47.600 --> 1:03:49.520
<v Speaker 2>I think could be useful in.

1:03:49.480 --> 1:03:52.280
<v Speaker 1>Other art forms. I like that anything goes ethos. I

1:03:52.520 --> 1:03:55.800
<v Speaker 1>like the but I think other mediums could learn is

1:03:55.840 --> 1:03:59.600
<v Speaker 1>the sort of like work in progressness of stand up,

1:04:00.120 --> 1:04:02.400
<v Speaker 1>where it's like any night you can be like and

1:04:02.440 --> 1:04:04.720
<v Speaker 1>I'm going to try like these two things and see

1:04:04.720 --> 1:04:08.200
<v Speaker 1>if there's anything there, like trying things in front of people.

1:04:08.280 --> 1:04:10.840
<v Speaker 1>And I know you can't like paint in front of people,

1:04:10.880 --> 1:04:14.200
<v Speaker 1>but I do think there's something so freeing about the

1:04:14.240 --> 1:04:18.640
<v Speaker 1>immediate knowing if it's like expressing the way you thought

1:04:18.680 --> 1:04:23.080
<v Speaker 1>it would in your mind. And that's my favorite part.

1:04:23.120 --> 1:04:25.800
<v Speaker 1>And I wish that other mediums could experience that.

1:04:26.040 --> 1:04:28.800
<v Speaker 2>Yeah, I mean, I also think engaging with your audience

1:04:28.800 --> 1:04:32.520
<v Speaker 2>in a more direct way is an exciting part of

1:04:32.600 --> 1:04:35.240
<v Speaker 2>stand up that I don't know necessarily if I want

1:04:35.280 --> 1:04:37.320
<v Speaker 2>every art forum to adopt, because I think it's kind

1:04:37.360 --> 1:04:40.240
<v Speaker 2>of nice to have more timeless art that isn't like

1:04:40.320 --> 1:04:45.000
<v Speaker 2>directly engaging with only the points of view of people

1:04:45.040 --> 1:04:47.960
<v Speaker 2>present in one room. Yeah, in terms of things stand

1:04:48.000 --> 1:04:50.080
<v Speaker 2>up can learn from other art forms.

1:04:50.040 --> 1:04:52.120
<v Speaker 1>Well, it's kind of the opposite for me, where it's

1:04:52.160 --> 1:04:58.000
<v Speaker 1>like edit, edit, and even like presenting like a finished product.

1:04:58.480 --> 1:05:02.440
<v Speaker 1>I really do with that myself, because it's always so

1:05:02.680 --> 1:05:05.160
<v Speaker 1>working for everything is like, well I could switch this,

1:05:05.240 --> 1:05:07.000
<v Speaker 1>and I could switch this and that. Who knows, in

1:05:07.040 --> 1:05:09.920
<v Speaker 1>two years maybe I'll have something for that. And I

1:05:10.000 --> 1:05:14.440
<v Speaker 1>really respect that other art forms go away. They're like

1:05:14.480 --> 1:05:16.960
<v Speaker 1>I'm working on this idea for two years and then

1:05:16.960 --> 1:05:17.920
<v Speaker 1>I'm putting it out.

1:05:17.880 --> 1:05:20.240
<v Speaker 2>Yes, and now it's the big launch we're having, like

1:05:20.280 --> 1:05:23.760
<v Speaker 2>the opening there's like little glasses of champagne. This is

1:05:24.240 --> 1:05:26.280
<v Speaker 2>the body of work that I have been working on

1:05:26.360 --> 1:05:28.080
<v Speaker 2>for the last like nine to eighteen months.

1:05:28.320 --> 1:05:32.320
<v Speaker 1>And the other thing is like sort of ignoring almost

1:05:32.360 --> 1:05:35.720
<v Speaker 1>audience reactions sometimes and being like it's more important that

1:05:35.840 --> 1:05:39.120
<v Speaker 1>I'm expressing myself than that I'm getting a bigger audience,

1:05:39.120 --> 1:05:42.520
<v Speaker 1>whereas like stand up, it's so not that. Yeah, no,

1:05:42.600 --> 1:05:45.480
<v Speaker 1>I think that's true, and you can see it when

1:05:45.520 --> 1:05:49.080
<v Speaker 1>people get addicted only to audience reactions, they like forget

1:05:49.080 --> 1:05:49.560
<v Speaker 1>who they are.

1:05:50.400 --> 1:05:52.520
<v Speaker 2>Anyway, I want to say something about stand up that

1:05:52.600 --> 1:05:57.240
<v Speaker 2>I like is unless you're like, you know, taping a

1:05:57.280 --> 1:06:00.440
<v Speaker 2>special or something. Usually you're not the only person on

1:06:00.440 --> 1:06:02.440
<v Speaker 2>a lineup. Even if you are touring by yourself, you'll

1:06:02.480 --> 1:06:04.600
<v Speaker 2>have an opener or or there'll be like in a

1:06:04.600 --> 1:06:06.400
<v Speaker 2>comedy club, there'll be like a host and then an

1:06:06.400 --> 1:06:08.640
<v Speaker 2>opener and then you and then of course in most

1:06:08.680 --> 1:06:10.440
<v Speaker 2>stand up shows, if you're not like a big celeb,

1:06:10.480 --> 1:06:12.560
<v Speaker 2>it's like a lineup that's anywhere between like four to

1:06:12.600 --> 1:06:15.760
<v Speaker 2>seven people. And there is a communal element that I think,

1:06:17.320 --> 1:06:21.960
<v Speaker 2>especially other writers don't have. Yeah, Like, it's so many

1:06:22.040 --> 1:06:24.360
<v Speaker 2>other forms of art are very isolating because you're like

1:06:24.560 --> 1:06:28.120
<v Speaker 2>by yourself creating. You have no feedback, you have no

1:06:28.160 --> 1:06:30.120
<v Speaker 2>one backstage being like that bit was really good? What

1:06:30.200 --> 1:06:33.600
<v Speaker 2>if you added that at the end. Yeah, so that's

1:06:33.640 --> 1:06:34.280
<v Speaker 2>kind of nice.

1:06:34.480 --> 1:06:35.280
<v Speaker 1>No, that is nice.

1:06:40.360 --> 1:06:44.960
<v Speaker 16>Hey boys, it's Kevin from San Diego. First, I just

1:06:45.000 --> 1:06:52.440
<v Speaker 16>want to say that you guys are looking especially hot recently. Congratulations.

1:06:52.520 --> 1:06:53.960
<v Speaker 17>I was hoping that you would weigh in on a

1:06:54.000 --> 1:06:59.520
<v Speaker 17>prompt I was disgusting with my boyfriend, which is how

1:06:59.840 --> 1:07:04.120
<v Speaker 17>do we order forms of protest on the spectrum of

1:07:04.720 --> 1:07:05.560
<v Speaker 17>straight to gay.

1:07:06.040 --> 1:07:10.400
<v Speaker 7>We decided that signs on a highway overpass are straight

1:07:11.160 --> 1:07:15.440
<v Speaker 7>donations to the ACL. You are a gay guy and

1:07:16.600 --> 1:07:20.840
<v Speaker 7>rest as an act of resistance? Is NB demisexual?

1:07:21.200 --> 1:07:21.520
<v Speaker 3>What was.

1:07:23.040 --> 1:07:25.640
<v Speaker 1>Damn ist of their ass? Shout out?

1:07:25.920 --> 1:07:28.760
<v Speaker 2>Interestingly, I actually think this hot voice is more George

1:07:28.760 --> 1:07:31.200
<v Speaker 2>coded and the dluthe hot voice is more Stam coded.

1:07:31.280 --> 1:07:34.360
<v Speaker 1>Well, of course this hot voice is funny because it's

1:07:34.560 --> 1:07:36.240
<v Speaker 1>one of my favorite types of gay guy, which is

1:07:36.280 --> 1:07:40.640
<v Speaker 1>like exasperated already and like I'm so tired of what

1:07:40.640 --> 1:07:41.120
<v Speaker 1>I'm saying.

1:07:41.160 --> 1:07:43.600
<v Speaker 2>No, it's also just like sorry, my brain is going

1:07:43.640 --> 1:07:45.560
<v Speaker 2>on my limited because I'm so smart, and like I

1:07:45.920 --> 1:07:47.880
<v Speaker 2>could explain further, but you probably wouldn't get it. But

1:07:47.920 --> 1:07:49.520
<v Speaker 2>this is like kind of the basic level of what

1:07:49.560 --> 1:07:52.360
<v Speaker 2>I'm saying, and like you know, obviously there's like a

1:07:52.360 --> 1:07:52.880
<v Speaker 2>lot more.

1:07:52.760 --> 1:07:53.480
<v Speaker 1>Going on up there.

1:07:53.520 --> 1:07:56.040
<v Speaker 2>And the reason why I wasn't able to finish grad

1:07:56.040 --> 1:07:59.760
<v Speaker 2>school because I thought too much. Okay, so I have this.

1:08:00.040 --> 1:08:01.600
<v Speaker 2>I made a little list on my uber on the

1:08:01.600 --> 1:08:04.240
<v Speaker 2>way here of different forms of protests and I want

1:08:04.280 --> 1:08:05.440
<v Speaker 2>to read it and we can.

1:08:06.520 --> 1:08:09.200
<v Speaker 1>Okay, So this is what I have. This is in

1:08:09.280 --> 1:08:10.120
<v Speaker 1>no particular order.

1:08:10.520 --> 1:08:16.439
<v Speaker 2>Attending a rally or march, Community organizing domestic terrorism, radical

1:08:16.520 --> 1:08:22.000
<v Speaker 2>self care, posting an infographic, donating to a nonprofit, donating

1:08:22.000 --> 1:08:26.439
<v Speaker 2>to a GoFundMe, canvassing for a political candidate, reading a book,

1:08:27.439 --> 1:08:31.839
<v Speaker 2>sharing a reading list, participating in a boycott, and finally

1:08:31.920 --> 1:08:35.200
<v Speaker 2>presenting an academic paper at a conference called Subaltern Body

1:08:35.240 --> 1:08:39.559
<v Speaker 2>of Subterranean Spaces. And so maybe we could Well that's

1:08:39.600 --> 1:08:41.920
<v Speaker 2>a giant list. I know we can't really, I don't

1:08:41.920 --> 1:08:43.960
<v Speaker 2>want to rank them, but maybe we go one by

1:08:44.000 --> 1:08:47.360
<v Speaker 2>one and just do like straight gay, or by.

1:08:47.479 --> 1:08:49.479
<v Speaker 1>One that jumped out to okay, yeah, let's go through.

1:08:49.360 --> 1:08:53.160
<v Speaker 2>The attending a rally or march to me that's straight

1:08:53.200 --> 1:08:55.160
<v Speaker 2>but not in a bad way, just like in a

1:08:55.240 --> 1:08:59.200
<v Speaker 2>like sixties, you know, like we're protesting the Vietnam War.

1:08:59.360 --> 1:09:01.360
<v Speaker 1>Yeah, and you're like your kid and it's like this

1:09:01.479 --> 1:09:03.200
<v Speaker 1>is fun and the kid is like dressed up as

1:09:03.280 --> 1:09:05.840
<v Speaker 1>I don't know, and it's very it's like family friendly.

1:09:05.880 --> 1:09:06.519
<v Speaker 1>It's wholesome.

1:09:07.000 --> 1:09:09.800
<v Speaker 2>It is it's also very much like it is our

1:09:09.920 --> 1:09:12.960
<v Speaker 2>right as Americans to protest. It's like it's a patriotic

1:09:13.080 --> 1:09:15.040
<v Speaker 2>duty to protest. It's a little it's a mini Fourth

1:09:15.080 --> 1:09:20.240
<v Speaker 2>of July. Yes, okay, community organizing gay gay it's communal.

1:09:20.560 --> 1:09:27.720
<v Speaker 1>It is like uh un non hierarchical. It's also like

1:09:28.040 --> 1:09:30.479
<v Speaker 1>first we're gonna all get together and like serve soup,

1:09:30.600 --> 1:09:31.719
<v Speaker 1>then we go to the party.

1:09:31.880 --> 1:09:36.360
<v Speaker 2>Yeah, exactly. Yeah, Okay, it's also so inclusive. Yes, okay,

1:09:36.360 --> 1:09:38.880
<v Speaker 2>domestic terrorism. This is a tough one because I think

1:09:38.880 --> 1:09:42.120
<v Speaker 2>on the one hand, you have like one battle after another,

1:09:43.520 --> 1:09:47.000
<v Speaker 2>Leo being so kind of like toxic guy.

1:09:48.360 --> 1:09:51.280
<v Speaker 1>But then I think domestic terrorism is straight. Yeah. I

1:09:51.280 --> 1:09:54.240
<v Speaker 1>think so too, because gay people like it's they're like

1:09:54.320 --> 1:09:56.960
<v Speaker 1>all talk. Gay people are like, I'm gonna blow that

1:09:57.000 --> 1:09:59.760
<v Speaker 1>building up, and then it's like, okay, like when do

1:09:59.760 --> 1:10:01.600
<v Speaker 1>you want want to do it? And they're like they're like,

1:10:01.640 --> 1:10:04.640
<v Speaker 1>I have dinner. Yeah, They're like my my gym membership

1:10:04.680 --> 1:10:07.200
<v Speaker 1>actually is like goes until the end of the year,

1:10:07.240 --> 1:10:08.800
<v Speaker 1>So I don't want to do it until that's over.

1:10:09.160 --> 1:10:11.120
<v Speaker 1>I get my money's work before I blow up the

1:10:11.120 --> 1:10:16.040
<v Speaker 1>big data center. I actually, yeah, I think I are

1:10:16.080 --> 1:10:17.240
<v Speaker 1>kind of willing to throw it all away in a

1:10:17.240 --> 1:10:17.760
<v Speaker 1>different way.

1:10:17.840 --> 1:10:20.519
<v Speaker 2>Yes, And I also think what we're saying is like

1:10:20.560 --> 1:10:24.400
<v Speaker 2>morally neutral. But I also just simply think thinking about

1:10:24.479 --> 1:10:27.200
<v Speaker 2>things in a warlike way is straight.

1:10:27.720 --> 1:10:27.960
<v Speaker 14>Yeah.

1:10:28.760 --> 1:10:33.400
<v Speaker 2>Okay, radical self care Okay, obviously that's gay.

1:10:33.640 --> 1:10:37.000
<v Speaker 1>Well, because gave me love this thing, which I love

1:10:37.000 --> 1:10:38.799
<v Speaker 1>where they're like, well, I already came out of the closet,

1:10:38.840 --> 1:10:39.840
<v Speaker 1>Like do you know how hard it was for me

1:10:39.880 --> 1:10:42.360
<v Speaker 1>in high school? Completely? So now like when things are

1:10:42.400 --> 1:10:44.280
<v Speaker 1>really hard, like the most radical thing you can do

1:10:44.360 --> 1:10:45.719
<v Speaker 1>is like wash my face. Yes.

1:10:45.760 --> 1:10:48.479
<v Speaker 2>And also on the other side of things, of course,

1:10:48.960 --> 1:10:51.640
<v Speaker 2>there's also the stereotype of like I'm sorry, but a

1:10:51.680 --> 1:10:54.200
<v Speaker 2>liberal white woman reading Audrey Lord and getting all the

1:10:54.280 --> 1:10:57.280
<v Speaker 2>wrong drawing all the wrong conclusions from it and being

1:10:57.320 --> 1:11:00.560
<v Speaker 2>like going to get a massage and then a pedicure

1:11:00.880 --> 1:11:04.120
<v Speaker 2>and then a facial is basically like blowing up a

1:11:04.200 --> 1:11:04.719
<v Speaker 2>data center.

1:11:05.240 --> 1:11:08.519
<v Speaker 1>Yeah, so it can you know, it can be straight

1:11:08.560 --> 1:11:09.240
<v Speaker 1>in that way. That's true.

1:11:09.360 --> 1:11:13.519
<v Speaker 2>Posting an infographic this is tough. This is tough because

1:11:13.520 --> 1:11:17.200
<v Speaker 2>it's everyone. This is I'm trying to think who I

1:11:17.240 --> 1:11:20.800
<v Speaker 2>see do this more? I know in like the negative way,

1:11:20.880 --> 1:11:21.759
<v Speaker 2>like who does it wrong?

1:11:24.080 --> 1:11:26.639
<v Speaker 1>I'll tell you who's not posting an infographic. Straight men.

1:11:27.240 --> 1:11:32.080
<v Speaker 2>Yeah, it's mostly straight women and the LGBTQ plus straight

1:11:32.080 --> 1:11:34.920
<v Speaker 2>men are posting infographics, but they're about like basketball stats.

1:11:34.960 --> 1:11:36.559
<v Speaker 2>They're like, can you believe this is the first guy

1:11:36.600 --> 1:11:38.320
<v Speaker 2>to ever have this many blah blah blah in the

1:11:38.479 --> 1:11:40.160
<v Speaker 2>in the off season.

1:11:40.439 --> 1:11:43.960
<v Speaker 1>Yeah, you're right, I think the infographic doesn't like fit

1:11:44.040 --> 1:11:46.400
<v Speaker 1>with their eyes in the same way.

1:11:46.479 --> 1:11:49.719
<v Speaker 2>There's something even though you would think an infographic, because

1:11:49.720 --> 1:11:53.200
<v Speaker 2>it's data based and numbers based, is more masculine, because

1:11:53.240 --> 1:11:55.439
<v Speaker 2>you know, of course men can only understand things when

1:11:55.439 --> 1:11:58.840
<v Speaker 2>they're they're numbers. But I think what it is is

1:11:58.880 --> 1:12:01.200
<v Speaker 2>that infographics are always a little misleading.

1:12:02.200 --> 1:12:03.360
<v Speaker 1>They tell they tell a story.

1:12:03.400 --> 1:12:06.599
<v Speaker 2>They tell a story, so it's much more storytelling than

1:12:06.720 --> 1:12:11.120
<v Speaker 2>just bar chart. Yeah, so maybe it's straight woman.

1:12:11.320 --> 1:12:13.880
<v Speaker 1>Maybe it's straight woman, all.

1:12:13.840 --> 1:12:17.320
<v Speaker 2>Right, donating to a nonprofit versus I mean this is easy.

1:12:17.360 --> 1:12:19.880
<v Speaker 2>Donating to a nonprofit is straight? Go fund me is gay?

1:12:20.000 --> 1:12:26.559
<v Speaker 1>Yes? Yes. Canvassing for a political candidate that is straighter, yea.

1:12:26.680 --> 1:12:28.280
<v Speaker 2>I think that's straight in the way that attending a

1:12:28.360 --> 1:12:30.439
<v Speaker 2>rally or march is straight. I think it's still like

1:12:30.439 --> 1:12:33.360
<v Speaker 2>believes in the system, he believes this, which again good,

1:12:33.400 --> 1:12:36.040
<v Speaker 2>you should canvas for a progressive candidate you believe in,

1:12:36.120 --> 1:12:40.160
<v Speaker 2>but it is it is a respectable way to get involved. Yeah,

1:12:41.560 --> 1:12:48.320
<v Speaker 2>reading a book and and versus sharing a reading list, those.

1:12:48.200 --> 1:12:49.800
<v Speaker 1>Are sort of the two that were sharing a reading

1:12:49.840 --> 1:12:51.800
<v Speaker 1>list to me, is actually straighter. I agree, it's du

1:12:51.840 --> 1:12:58.240
<v Speaker 1>alipa completely and reading a book is exactly reading a

1:12:58.240 --> 1:13:03.080
<v Speaker 1>book without posting about it. That's like, that's like tender queer. Yeah,

1:13:03.160 --> 1:13:06.720
<v Speaker 1>you know, it's like I'm actually, I really it's not performative,

1:13:06.760 --> 1:13:09.120
<v Speaker 1>and I really believe in this and I want to learn.

1:13:09.200 --> 1:13:10.519
<v Speaker 1>I just want to be better. I just want to

1:13:10.520 --> 1:13:11.759
<v Speaker 1>be better. I'm in grad school.

1:13:12.160 --> 1:13:16.120
<v Speaker 2>I'm like doing my book club, and I've also the

1:13:16.160 --> 1:13:18.599
<v Speaker 2>scary thing of I actually stilluzling on social media. Took

1:13:18.600 --> 1:13:23.240
<v Speaker 2>it to heart, and I'm now going to do the homework. Yeah, okay,

1:13:23.360 --> 1:13:28.439
<v Speaker 2>I'm almost done. Participating in a boycott.

1:13:27.439 --> 1:13:29.679
<v Speaker 1>This is interesting. Yeah, it's tough. So at the time

1:13:29.720 --> 1:13:33.360
<v Speaker 1>we're recording, there's uh, the boycott is supposed to be

1:13:33.360 --> 1:13:37.400
<v Speaker 1>on Friday, Oh the general strike general strike, yes, yes, yes,

1:13:37.800 --> 1:13:38.439
<v Speaker 1>which is different.

1:13:39.280 --> 1:13:44.160
<v Speaker 2>Yeah, I guess maybe we could add, like, yeah, maybe

1:13:44.160 --> 1:13:46.800
<v Speaker 2>we could add participating in a strike. Boycott is interesting

1:13:46.800 --> 1:13:49.080
<v Speaker 2>because it's like the implication is like put your money

1:13:49.120 --> 1:13:52.960
<v Speaker 2>where your mouth is. Boycott to me reminds me of like,

1:13:53.720 --> 1:13:57.639
<v Speaker 2>for example, gay guys canceling their Equinox subscriptions because the

1:13:57.680 --> 1:14:01.519
<v Speaker 2>CEO is right wing. Also so it's you know, in

1:14:01.560 --> 1:14:06.200
<v Speaker 2>a more meaningful way, it's people participating in bds. It

1:14:06.280 --> 1:14:10.280
<v Speaker 2>is saying, like, I am making a choice that materially

1:14:10.640 --> 1:14:15.240
<v Speaker 2>impacts a company that is on the wrong side of.

1:14:15.200 --> 1:14:20.000
<v Speaker 1>Things boycotting at this point. The way that I mean

1:14:20.080 --> 1:14:22.240
<v Speaker 1>part of the issue with our world is the way

1:14:22.280 --> 1:14:25.120
<v Speaker 1>that it works is that like, all the corporations are

1:14:25.160 --> 1:14:29.759
<v Speaker 1>so gigantic that literally getting like let's say, five thousand

1:14:29.760 --> 1:14:33.160
<v Speaker 1>people to cancel their subscription does not affect them at all.

1:14:33.240 --> 1:14:36.920
<v Speaker 1>They literally won't notice. And so it is confusing because before, like,

1:14:36.920 --> 1:14:39.439
<v Speaker 1>a boycott is an amazing way. If you're like, this

1:14:39.560 --> 1:14:41.840
<v Speaker 1>factory in town produces a thing that's bad, we're all

1:14:41.920 --> 1:14:44.760
<v Speaker 1>gonna boycott it. Now, I'm like, so wait, we'd have

1:14:44.800 --> 1:14:46.960
<v Speaker 1>to get like a million people to cancel this for

1:14:47.000 --> 1:14:49.519
<v Speaker 1>them to notice at all. I know.

1:14:49.840 --> 1:14:54.840
<v Speaker 2>It's funny. One of the elements of the concentration of

1:14:54.880 --> 1:14:58.000
<v Speaker 2>wealth is that a boycott of a small business works

1:14:58.120 --> 1:15:00.439
<v Speaker 2>much better than the boycott of like, oh, large proporation.

1:15:00.600 --> 1:15:01.839
<v Speaker 1>So, like, let's say there's.

1:15:01.640 --> 1:15:04.599
<v Speaker 2>A small coffee shop that is being accused of having

1:15:04.640 --> 1:15:07.800
<v Speaker 2>bad labor practices, but it's owned by three people, and

1:15:08.080 --> 1:15:10.680
<v Speaker 2>maybe one of them is evil, but like, ultimately they

1:15:10.720 --> 1:15:13.000
<v Speaker 2>are doing their best that will be shut down by

1:15:13.000 --> 1:15:15.439
<v Speaker 2>a boycott. Oh yeah, but then like Amazon will never

1:15:15.479 --> 1:15:16.679
<v Speaker 2>be shut down by a boycott.

1:15:16.720 --> 1:15:19.559
<v Speaker 1>It's obviously And I'm sorry to be like cynical, but

1:15:19.680 --> 1:15:22.320
<v Speaker 1>it's like this is it's such a it's why things

1:15:22.320 --> 1:15:25.080
<v Speaker 1>are so bad, Like it's so hard to make an impact.

1:15:25.160 --> 1:15:27.479
<v Speaker 1>And I think it's good that people are trying, of course,

1:15:27.600 --> 1:15:30.839
<v Speaker 1>but I'm sort of like, I don't do anything.

1:15:30.880 --> 1:15:31.040
<v Speaker 7>Well.

1:15:31.080 --> 1:15:33.719
<v Speaker 1>The other thing is when people are like, I'm sorry

1:15:33.800 --> 1:15:36.519
<v Speaker 1>when people are like we're boycotting on Friday if not

1:15:36.560 --> 1:15:38.120
<v Speaker 1>the strike. If people when there was like we're doing

1:15:38.200 --> 1:15:41.120
<v Speaker 1>a boycott, yeah day, I'm like, well, who's buying that much?

1:15:41.160 --> 1:15:44.200
<v Speaker 1>Every day? Like I personally like every day is a boycott,

1:15:44.200 --> 1:15:47.720
<v Speaker 1>Like I shop so little. I'm sort of like, I'm

1:15:47.760 --> 1:15:52.680
<v Speaker 1>not like it's it's literally no material sacrifice for me

1:15:52.800 --> 1:15:55.680
<v Speaker 1>to boycott on a given day. Yeah. I did have

1:15:55.720 --> 1:15:56.320
<v Speaker 1>a moment.

1:15:56.680 --> 1:16:02.080
<v Speaker 2>I was like during the Starbucks strike when people were like,

1:16:02.280 --> 1:16:06.720
<v Speaker 2>boycott Starbucks during the during the strike, I was I

1:16:06.800 --> 1:16:08.519
<v Speaker 2>was like, well, that's a simple enough thing, and I

1:16:08.600 --> 1:16:10.439
<v Speaker 2>was like really taking it to heart. And then I

1:16:10.479 --> 1:16:12.320
<v Speaker 2>was at the airport and there was like a giant

1:16:12.360 --> 1:16:14.760
<v Speaker 2>line at Starbucks. I was like, did these people not

1:16:14.800 --> 1:16:19.600
<v Speaker 2>read the news? But it also it was like I

1:16:19.800 --> 1:16:21.320
<v Speaker 2>was just like right there in black and white. I

1:16:21.360 --> 1:16:24.000
<v Speaker 2>was like nothing, I'm doing mad, Like this is yeah,

1:16:25.120 --> 1:16:27.479
<v Speaker 2>there was another shop right next to Starbucks, Like you

1:16:27.479 --> 1:16:28.639
<v Speaker 2>could have just gone to that one.

1:16:28.720 --> 1:16:31.160
<v Speaker 1>We live in a damn bubble. It also is like

1:16:31.439 --> 1:16:33.439
<v Speaker 1>I thought it was so funny. I mean, this was

1:16:33.479 --> 1:16:35.479
<v Speaker 1>like what two months ago when this was yeah, yeah,

1:16:35.520 --> 1:16:37.080
<v Speaker 1>and we were I think we were on tour.

1:16:37.320 --> 1:16:40.000
<v Speaker 2>I was on like I was traveling for work, and

1:16:40.040 --> 1:16:42.519
<v Speaker 2>I was like it was always a struggle, not to

1:16:42.760 --> 1:16:45.080
<v Speaker 2>you know martyr myself, but it was always a struggle

1:16:45.080 --> 1:16:46.920
<v Speaker 2>at every airport is the only thing they have a

1:16:46.960 --> 1:16:51.759
<v Speaker 2>Starbucks to find like a non traditional coffee place.

1:16:51.960 --> 1:16:54.120
<v Speaker 1>I thought it was so funny people that like live

1:16:54.200 --> 1:16:58.719
<v Speaker 1>in La Yeah, like we're posting like their non Starbucks coffee.

1:16:58.760 --> 1:17:01.920
<v Speaker 1>I mean, like that all it's not that easy, y'all.

1:17:01.960 --> 1:17:04.160
<v Speaker 1>Like we got to get out there and not buy Starbucks.

1:17:04.240 --> 1:17:06.040
<v Speaker 1>And I was like, you're living in a city and

1:17:06.040 --> 1:17:09.200
<v Speaker 1>you're buying Starbucks, Like, I'm sorry, but Starbucks is for airport.

1:17:09.560 --> 1:17:12.160
<v Speaker 1>Why did you buy that? Ever, I was like this

1:17:12.240 --> 1:17:15.799
<v Speaker 1>is like, you're actually revealing something deeper and more insidious,

1:17:15.800 --> 1:17:17.720
<v Speaker 1>which is you go to Starbucks when you live in

1:17:17.800 --> 1:17:21.439
<v Speaker 1>your Starbucks drinking, reveal something evil and more sinister. What

1:17:21.560 --> 1:17:27.000
<v Speaker 1>is the quote from nataman fall? Yeah, reveal something selfish? Selfish? Oh,

1:17:27.040 --> 1:17:31.439
<v Speaker 1>I forget Oh exactly, we'll put the clip in here. No,

1:17:31.640 --> 1:17:32.000
<v Speaker 1>I was.

1:17:33.760 --> 1:17:36.120
<v Speaker 2>I had to really laugh at myself because as this

1:17:36.240 --> 1:17:37.840
<v Speaker 2>was happening, I was like, well, this is impacting me

1:17:37.920 --> 1:17:40.800
<v Speaker 2>more than anyone because I'm at airports. Like if I

1:17:40.840 --> 1:17:43.320
<v Speaker 2>was at home, I would never be forced to make

1:17:43.360 --> 1:17:44.040
<v Speaker 2>the choice.

1:17:43.760 --> 1:17:46.720
<v Speaker 1>About George should have gotten extra points for boycotting harder.

1:17:46.520 --> 1:17:49.960
<v Speaker 2>Extra Starbucks points. I'll send you my my user I

1:17:50.040 --> 1:17:54.519
<v Speaker 2>d okay. And then last one sorry, last one is,

1:17:54.560 --> 1:17:57.160
<v Speaker 2>of course, presenting an academic paper at a conference called

1:17:57.200 --> 1:17:59.040
<v Speaker 2>Subaltern Body of Subterranean.

1:17:58.560 --> 1:18:04.960
<v Speaker 1>Spaces, Hell's LGBTQ plus you guys, I'm pro the strike,

1:18:05.000 --> 1:18:08.360
<v Speaker 1>by the way, I'm pro like all of it. Yeah.

1:18:08.439 --> 1:18:11.680
<v Speaker 2>I sometimes worry that because we like to make fun

1:18:11.720 --> 1:18:14.880
<v Speaker 2>of people similar to us, we come across as bubble. Yeah,

1:18:14.880 --> 1:18:19.599
<v Speaker 2>we come across as somehow like rejecting that the consensu

1:18:19.600 --> 1:18:22.599
<v Speaker 2>of the bubble. You will not find two gay guys

1:18:23.040 --> 1:18:26.759
<v Speaker 2>more pro boycotting and striking than us. We are literally

1:18:26.840 --> 1:18:29.360
<v Speaker 2>ready to start the revolution at any second. Just let

1:18:29.439 --> 1:18:31.559
<v Speaker 2>us know, send the signal and we will be there.

1:18:31.600 --> 1:18:33.559
<v Speaker 1>And I just let me know soon because I have

1:18:33.640 --> 1:18:36.040
<v Speaker 1>to cancel my gym membership before the fifteenth.

1:18:36.520 --> 1:18:38.120
<v Speaker 2>Yes, And I didn't want to cance the mine because

1:18:38.120 --> 1:18:40.880
<v Speaker 2>it would have been performative. And so I actually am

1:18:40.920 --> 1:18:44.280
<v Speaker 2>sort of stuck into I'm stuck in my current plan

1:18:44.360 --> 1:18:45.200
<v Speaker 2>until the end of the year.

1:18:45.560 --> 1:18:47.640
<v Speaker 1>Maybe you cut this too, but I'm like, but like

1:18:47.680 --> 1:18:49.600
<v Speaker 1>with the strike, yes, I have to I have to

1:18:49.640 --> 1:18:52.120
<v Speaker 1>confess something that I said that was completely insane. Please.

1:18:53.080 --> 1:18:55.040
<v Speaker 1>But I was like, so we don't. So we're like

1:18:55.120 --> 1:18:57.240
<v Speaker 1>it's like, don't buy anything and don't go to work.

1:18:57.760 --> 1:19:05.400
<v Speaker 1>And I'm like, so a restaurants open, Like they're not

1:19:05.400 --> 1:19:06.360
<v Speaker 1>doing anything wrong, right.

1:19:06.800 --> 1:19:10.519
<v Speaker 2>It's well, you would hope that they would be closed

1:19:10.560 --> 1:19:13.360
<v Speaker 2>because all the workers would be striking, Like if enough people.

1:19:13.360 --> 1:19:16.080
<v Speaker 2>It's not that you're thinking about it as a consumer,

1:19:16.680 --> 1:19:18.679
<v Speaker 2>you know what I mean. You're thinking like, well, that's because.

1:19:18.520 --> 1:19:20.240
<v Speaker 1>I can't not go to work. I don't have a

1:19:20.320 --> 1:19:22.720
<v Speaker 1>job to go to. And that's an interesting point that

1:19:22.800 --> 1:19:24.519
<v Speaker 1>I have considered. But yeah.

1:19:24.520 --> 1:19:27.080
<v Speaker 2>I think it's like it's less like our restaurants open

1:19:27.120 --> 1:19:29.680
<v Speaker 2>and more like if it succeeds, no one will go

1:19:29.720 --> 1:19:32.000
<v Speaker 2>to work. Therefore the economy will be shut down. M

1:19:34.720 --> 1:19:37.120
<v Speaker 2>So maybe get a little get a little ceramic pour

1:19:37.160 --> 1:19:38.760
<v Speaker 2>over thing for your coffee.

1:19:38.360 --> 1:19:41.760
<v Speaker 1>Because oh look, I make my own coffee. Now it's

1:19:41.760 --> 1:19:43.320
<v Speaker 1>the food I'm worried about. I'm gonna start to.

1:19:47.560 --> 1:19:53.440
<v Speaker 18>III. I was just thinking if you had ever considered

1:19:53.479 --> 1:19:58.719
<v Speaker 18>what Lizzo's pass is for actresses, and I'm specifically thinking

1:19:58.960 --> 1:20:05.160
<v Speaker 18>about Sydney Swing me versus Mikey Monroe kind of obvious there,

1:20:05.320 --> 1:20:07.400
<v Speaker 18>and like what that would be? What is what is

1:20:07.840 --> 1:20:10.000
<v Speaker 18>past for actresses?

1:20:10.520 --> 1:20:14.840
<v Speaker 1>Okay, well, well, Diva, we have some bad news.

1:20:15.560 --> 1:20:18.320
<v Speaker 2>It's Mikey Madison not mikeel Monroe. So I think answer

1:20:18.400 --> 1:20:19.400
<v Speaker 2>your own question there.

1:20:21.160 --> 1:20:23.760
<v Speaker 1>I want to say this podcast, you know, on one hand,

1:20:23.800 --> 1:20:26.679
<v Speaker 1>it's about straight culture. On the other hand, it's about

1:20:26.720 --> 1:20:29.280
<v Speaker 1>New York West LA. On a third hand, even it's

1:20:29.280 --> 1:20:32.840
<v Speaker 1>about not knowing actors and actress name. Yes, the fourth

1:20:32.920 --> 1:20:34.400
<v Speaker 1>level is just about Lizzo's past.

1:20:37.240 --> 1:20:39.960
<v Speaker 2>So we did every time we get a lot of

1:20:39.960 --> 1:20:42.479
<v Speaker 2>Lizzo's Pass calls, we did get one about whether Kat's

1:20:42.560 --> 1:20:47.439
<v Speaker 2>I uh is the fastest act ever to choose target

1:20:47.479 --> 1:20:49.439
<v Speaker 2>and whether they were ever at Loso's Pass. We don't

1:20:49.439 --> 1:20:51.040
<v Speaker 2>know enough about Catsie to comment on that, but we

1:20:51.080 --> 1:20:54.400
<v Speaker 2>can comment on whether actresses have Lozo's pass. What is

1:20:54.439 --> 1:20:57.200
<v Speaker 2>your take as the inventor of Lizzo's Past. I think

1:20:57.439 --> 1:21:03.360
<v Speaker 2>I think they definitely do. But the thing with them

1:21:03.600 --> 1:21:07.760
<v Speaker 2>is it's confusing because Sidney Sweeney, for example, like, I

1:21:07.800 --> 1:21:09.559
<v Speaker 2>think it's so easy to be like she's target.

1:21:09.600 --> 1:21:13.320
<v Speaker 1>She's targeted. She target because she's doing like every ad possible,

1:21:14.000 --> 1:21:16.000
<v Speaker 1>Like she is doing ads for products I didn't even

1:21:16.040 --> 1:21:19.120
<v Speaker 1>know existed. But then she'll also be in like the

1:21:19.120 --> 1:21:21.839
<v Speaker 1>Weirdest Movie where it's like, yep, she plays a lesbian

1:21:21.840 --> 1:21:25.080
<v Speaker 1>wrestlers and boxer. I think, if that's it boxer, I

1:21:25.120 --> 1:21:29.320
<v Speaker 1>forget they're different and that no one on earth sees.

1:21:29.400 --> 1:21:32.000
<v Speaker 1>And she was the Reality winner and Jamie Reality Winner,

1:21:32.320 --> 1:21:38.040
<v Speaker 1>Like I'm sort of like Lizzer's pass is more complicated

1:21:38.120 --> 1:21:38.599
<v Speaker 1>for them.

1:21:39.200 --> 1:21:45.679
<v Speaker 2>Here's the complicated thing with actresses. It is actually much

1:21:45.760 --> 1:21:50.479
<v Speaker 2>easier for your artistic output to be completely different than

1:21:50.520 --> 1:21:53.800
<v Speaker 2>your pop culture celebrity output output as an actor than

1:21:53.840 --> 1:21:56.200
<v Speaker 2>it is as a musician if you're a musician, if

1:21:56.200 --> 1:21:58.639
<v Speaker 2>you're a Chapel Roone and you do a target ad,

1:21:58.680 --> 1:22:00.960
<v Speaker 2>that really is going to affect your brand and how

1:22:00.960 --> 1:22:05.680
<v Speaker 2>people perceive your music. Every prestige actress that has won

1:22:05.720 --> 1:22:10.480
<v Speaker 2>an oscar also does a perfume. You know, a Landcombe

1:22:10.479 --> 1:22:14.040
<v Speaker 2>campaign also does a Super Bowl commercial where she like

1:22:14.080 --> 1:22:16.360
<v Speaker 2>reunites with some when she was in a teen movie

1:22:16.439 --> 1:22:18.200
<v Speaker 2>with I just saw I didn't even know this, but

1:22:18.240 --> 1:22:20.360
<v Speaker 2>I just saw that Kirson Dunston and Gabriel Union did

1:22:20.400 --> 1:22:22.680
<v Speaker 2>an ad where they like reunited for bring It On. Oh,

1:22:22.920 --> 1:22:24.840
<v Speaker 2>and it was like for Google or something like that

1:22:24.880 --> 1:22:27.680
<v Speaker 2>does not affect either of their brands in any way. No,

1:22:27.840 --> 1:22:30.439
<v Speaker 2>So I think Sidney Sweeney is someone who flew too

1:22:30.479 --> 1:22:34.959
<v Speaker 2>close to the sun because she counted on that precedent.

1:22:35.040 --> 1:22:36.960
<v Speaker 2>She was like, well, I can be a reality winner

1:22:37.000 --> 1:22:40.919
<v Speaker 2>and be a lesbian boxer and also do nail polish

1:22:41.040 --> 1:22:44.400
<v Speaker 2>and bath soap. But she like did one too many

1:22:44.880 --> 1:22:46.880
<v Speaker 2>and it like fucked her up. I mean, she did

1:22:46.920 --> 1:22:49.760
<v Speaker 2>so many it even affected her other brand endorsements. Yeah,

1:22:49.800 --> 1:22:51.240
<v Speaker 2>but I was like, well, you can't love jeans that

1:22:51.320 --> 1:22:55.280
<v Speaker 2>much because you also love shoes that much. Like, at

1:22:55.320 --> 1:22:57.400
<v Speaker 2>some point you're like loving too many things, and I

1:22:57.560 --> 1:23:02.800
<v Speaker 2>don't believe you. Yeah, it's actually very rare that someone's

1:23:03.400 --> 1:23:05.200
<v Speaker 2>brand life is.

1:23:06.760 --> 1:23:08.680
<v Speaker 1>Coordinated super well with their art.

1:23:08.800 --> 1:23:10.720
<v Speaker 2>I think Gwyneth Paltrow is a really good example of

1:23:10.760 --> 1:23:13.479
<v Speaker 2>someone who somehow has managed to have a coherent brand

1:23:14.080 --> 1:23:17.880
<v Speaker 2>and maintain like like as an actor and as a

1:23:17.880 --> 1:23:20.640
<v Speaker 2>public figure. But then, of course, the other thing with

1:23:21.000 --> 1:23:23.680
<v Speaker 2>actors versus musicians is that you don't create your own

1:23:23.720 --> 1:23:24.960
<v Speaker 2>material as an actor.

1:23:25.160 --> 1:23:27.400
<v Speaker 1>Right, and you almost are lauded for being like I

1:23:27.400 --> 1:23:29.719
<v Speaker 1>can't believe they were able to look like this exactly.

1:23:29.760 --> 1:23:31.600
<v Speaker 1>Like if you actually look shitty in an ad and

1:23:31.640 --> 1:23:35.160
<v Speaker 1>you're doing an ad for like Plato or something, and

1:23:35.200 --> 1:23:37.280
<v Speaker 1>you look like a loser, then you're in like a

1:23:37.320 --> 1:23:39.760
<v Speaker 1>prestige movie. People are almost more impressed because they're like,

1:23:39.840 --> 1:23:42.320
<v Speaker 1>oh I thought they were a loser. Yeah, they actually

1:23:42.400 --> 1:23:47.720
<v Speaker 1>are a lesbian boxer. There is just way more There

1:23:47.800 --> 1:23:50.960
<v Speaker 1>was just much more flexibility. However, that said, that's why

1:23:50.960 --> 1:23:55.479
<v Speaker 1>it's more shocking when someone manages to fuck it up

1:23:55.520 --> 1:23:58.280
<v Speaker 1>so much that they choose target. I'm trying to think

1:23:58.320 --> 1:24:04.000
<v Speaker 1>of a good example, like I have a kind of one. Okay,

1:24:04.120 --> 1:24:08.680
<v Speaker 1>you know whose target is Kristin Bell and you know,

1:24:08.960 --> 1:24:11.200
<v Speaker 1>I but it works for her. It works for her.

1:24:11.240 --> 1:24:13.519
<v Speaker 2>I wouldn't say that's unintented. I don't think Kristin Bell

1:24:13.680 --> 1:24:14.880
<v Speaker 2>wants to be a lesbian boxer.

1:24:14.960 --> 1:24:18.120
<v Speaker 1>It's definitely the goal. But it's confusing because at first,

1:24:18.160 --> 1:24:21.160
<v Speaker 1>like being Veronica Mars, yes, it was like, wow, this

1:24:21.240 --> 1:24:25.800
<v Speaker 1>is like an interesting character, an interesting show. It's kind

1:24:25.800 --> 1:24:29.520
<v Speaker 1>of niche, but it's also mainstream and it's like wow,

1:24:29.240 --> 1:24:33.280
<v Speaker 1>how is this happening? And then so quickly it was like, oh,

1:24:33.400 --> 1:24:37.000
<v Speaker 1>you want to literally be a target commercial at all times.

1:24:37.240 --> 1:24:39.920
<v Speaker 2>You know who's like that is Mark Wahlberg, Like he

1:24:40.040 --> 1:24:42.800
<v Speaker 2>started in Boogie Knights, like yeah, if he had gone

1:24:42.800 --> 1:24:46.400
<v Speaker 2>a different direction, he could have been like I guess

1:24:46.920 --> 1:24:49.000
<v Speaker 2>the comparison would be like a Leo because he wouldn't

1:24:49.000 --> 1:24:50.439
<v Speaker 2>have been an indie darling. He would have still been

1:24:50.479 --> 1:24:54.200
<v Speaker 2>like mainstream star but in Prestigio movies. And he decided,

1:24:54.439 --> 1:24:57.759
<v Speaker 2>you know, because he's so crazy like that, he's gonna

1:24:57.960 --> 1:24:59.800
<v Speaker 2>commit to being target and.

1:25:00.000 --> 1:25:02.800
<v Speaker 1>And a pitchfork person who could have gone target and

1:25:02.880 --> 1:25:05.920
<v Speaker 1>was like almost going to Target. Yeah, Nick Cage.

1:25:05.920 --> 1:25:08.639
<v Speaker 2>Yes, he easily could have been Like I would even

1:25:08.680 --> 1:25:10.799
<v Speaker 2>say he chose target and then went back to Lizo's

1:25:10.800 --> 1:25:12.400
<v Speaker 2>past he now on Pitchfork.

1:25:13.080 --> 1:25:13.559
<v Speaker 1>Yeah.

1:25:13.800 --> 1:25:15.719
<v Speaker 2>I think also Emma Stone did that. I think mimic

1:25:15.800 --> 1:25:19.000
<v Speaker 2>Stone went full target with easy a and like all

1:25:19.040 --> 1:25:21.439
<v Speaker 2>her early and crazy stupid lover you kidding me. Imagine

1:25:21.479 --> 1:25:24.040
<v Speaker 2>her doing that now and then just walk right back

1:25:24.080 --> 1:25:27.080
<v Speaker 2>and said never mind, I actually wanted to go this way.

1:25:27.479 --> 1:25:30.559
<v Speaker 2>If he did a quick U turn. Yeah, Amanda sy

1:25:30.640 --> 1:25:33.000
<v Speaker 2>freed from Ama Mia to a testament of Endily, I.

1:25:33.040 --> 1:25:36.479
<v Speaker 1>Mean an amazing point. Yeah. I think it's just the

1:25:36.280 --> 1:25:39.960
<v Speaker 1>the path Lizzo's pass for actors is not nearly as

1:25:40.120 --> 1:25:42.040
<v Speaker 1>icy or treacherous, and you can actually just sort of

1:25:42.040 --> 1:25:42.920
<v Speaker 1>walk back and forth.

1:25:43.280 --> 1:25:47.400
<v Speaker 2>It's a different like part of the game. Yeah, Like

1:25:47.439 --> 1:25:51.040
<v Speaker 2>it's a it's a different video game in in with musicians,

1:25:51.200 --> 1:25:54.840
<v Speaker 2>it's like it really is Chapelone in full armor, like

1:25:54.960 --> 1:25:58.040
<v Speaker 2>going hard to get through, and it's hard to get through,

1:25:58.160 --> 1:26:02.120
<v Speaker 2>and there are like snakes, and there are there's trickster

1:26:02.280 --> 1:26:04.840
<v Speaker 2>figures that can accidentally like give you a stink ball

1:26:04.880 --> 1:26:06.360
<v Speaker 2>and then it blows up and suddenly you find yourself

1:26:06.320 --> 1:26:09.880
<v Speaker 2>at target. Whereas you know, with actors, it's much more

1:26:09.880 --> 1:26:13.679
<v Speaker 2>of like a seamless. It's very like paved streets. You're

1:26:13.720 --> 1:26:16.960
<v Speaker 2>in like gentrified Williamsburg and you're kind of like holding your.

1:26:16.880 --> 1:26:18.880
<v Speaker 1>Coffee and on your phone. You took her on and

1:26:18.920 --> 1:26:21.120
<v Speaker 1>you're like, wait, fuck, this is not where I was going. Yeah,

1:26:21.120 --> 1:26:22.559
<v Speaker 1>You're like I had to backtrack? Is gonna take me

1:26:22.560 --> 1:26:23.040
<v Speaker 1>ten minutes?

1:26:23.360 --> 1:26:26.120
<v Speaker 2>Okay, well all right whatever, Like it's fine, I'll just

1:26:26.120 --> 1:26:28.360
<v Speaker 2>be And then you're texting, you're ghosting, like, sorry, I'm

1:26:28.400 --> 1:26:29.280
<v Speaker 2>running fifteen minutes late.

1:26:29.280 --> 1:26:32.760
<v Speaker 1>It's a long story. I'll like, you know, I get away. Sorry,

1:26:32.800 --> 1:26:34.880
<v Speaker 1>I went the wrong wayanded, crazy, stupid love. Isn't that

1:26:34.920 --> 1:26:37.320
<v Speaker 1>so random? I'm gonna tell you all about it. My

1:26:37.320 --> 1:26:38.880
<v Speaker 1>feet are gonna hurt when I get there, So have

1:26:38.920 --> 1:26:39.560
<v Speaker 1>a stool for me.

1:26:52.400 --> 1:26:55.000
<v Speaker 19>Hi, George and Sam, hope you both are doing well

1:26:55.560 --> 1:26:59.360
<v Speaker 19>the pod. George I was the tiff guy had to

1:26:59.400 --> 1:27:02.960
<v Speaker 19>sketch feesh last week. If you remember me, the one

1:27:03.000 --> 1:27:05.840
<v Speaker 19>person who had seen Testa Vanlei in the crowd, just

1:27:05.880 --> 1:27:09.320
<v Speaker 19>want to echo that Testina Vanili was deep robbed. My

1:27:09.479 --> 1:27:12.520
<v Speaker 19>question for you guys is, of all the film festivals,

1:27:12.840 --> 1:27:15.320
<v Speaker 19>which are the gayest and which are the straightest? In

1:27:15.360 --> 1:27:17.719
<v Speaker 19>your opinions, Okay, thank you, love you both.

1:27:17.840 --> 1:27:18.160
<v Speaker 7>Bye.

1:27:19.240 --> 1:27:24.480
<v Speaker 2>I think for simplicity's sake, let's do tiff Can Venice Sundown.

1:27:24.160 --> 1:27:29.719
<v Speaker 1>Because obviously there's countless film festivals, all of which are beautiful, stunning, perfect.

1:27:30.040 --> 1:27:31.599
<v Speaker 1>We would love to speak at them.

1:27:31.720 --> 1:27:34.599
<v Speaker 2>I would adore to do a panel, to moderate a panel,

1:27:35.040 --> 1:27:36.080
<v Speaker 2>and it's about Lizzo's past.

1:27:36.200 --> 1:27:37.479
<v Speaker 1>Maybe maybe about comedy.

1:27:37.640 --> 1:27:40.600
<v Speaker 2>Ooh yeah, maybe I can do one about comedy. You

1:27:40.600 --> 1:27:43.000
<v Speaker 2>can do one about Lozzo's past where it's Amanda seyfrid

1:27:43.040 --> 1:27:47.439
<v Speaker 2>Emma Stone, Sydney Sweeney, Yah and Zendia and then they

1:27:47.479 --> 1:27:48.920
<v Speaker 2>each talk about their journey.

1:27:48.680 --> 1:27:50.680
<v Speaker 1>With Lozzo's past. God, that would be so amazing.

1:27:51.840 --> 1:27:56.200
<v Speaker 2>So I would say, hey, what were you for you Sundance?

1:27:56.320 --> 1:28:02.439
<v Speaker 2>Tiff Can Venice. Venice is gayest. Venice is gayest because

1:28:02.479 --> 1:28:02.880
<v Speaker 2>of the boat.

1:28:03.800 --> 1:28:06.479
<v Speaker 1>Because of the boat, and because it's like a place

1:28:06.560 --> 1:28:09.599
<v Speaker 1>for like literally actresses to like wear a fun outfit,

1:28:10.600 --> 1:28:12.760
<v Speaker 1>arrive on a boat and get photographed.

1:28:13.240 --> 1:28:15.880
<v Speaker 2>And it's also can is you know, Can is the

1:28:15.920 --> 1:28:18.880
<v Speaker 2>Beyonce and Venice is the slange like can. Yes, you

1:28:19.000 --> 1:28:21.479
<v Speaker 2>take people do take fashion risks and look crazy and

1:28:21.640 --> 1:28:24.760
<v Speaker 2>like it means it is a big thing to win

1:28:24.760 --> 1:28:28.559
<v Speaker 2>the pump door and all this stuff, but Venice can

1:28:28.600 --> 1:28:30.480
<v Speaker 2>be a little more unexpected.

1:28:30.800 --> 1:28:33.479
<v Speaker 1>Well the way it's less prestigious. You know, it's still

1:28:33.560 --> 1:28:36.360
<v Speaker 1>very prestigious, but it's like less than Can. It like

1:28:36.439 --> 1:28:40.080
<v Speaker 1>is like Brooklyn. It's Brooklyn, Whereas I almost want to

1:28:40.080 --> 1:28:45.120
<v Speaker 1>put Can straighter, like because it's the default. It's the default,

1:28:45.160 --> 1:28:47.759
<v Speaker 1>and it's so like that got an eight minute standing ovation,

1:28:47.800 --> 1:28:49.559
<v Speaker 1>which means it's eight minutes worth of good back out

1:28:49.560 --> 1:28:52.360
<v Speaker 1>twelve minutes standing oovation. Like it's like statistically like what's

1:28:52.360 --> 1:28:57.519
<v Speaker 1>coming out about it? Yeah, let's say Can is the straightest. Now.

1:28:57.560 --> 1:29:01.400
<v Speaker 2>Tiff and Sentance are interesting. Both of them are the

1:29:01.560 --> 1:29:06.720
<v Speaker 2>indie darlings. Both of them are like Zoeydachannel.

1:29:07.200 --> 1:29:12.400
<v Speaker 1>Yeah, this is tough, this is Tiff, This is Tiff.

1:29:13.960 --> 1:29:17.320
<v Speaker 1>I think so Sundance has an element which I know

1:29:17.400 --> 1:29:20.240
<v Speaker 1>it's no longer going to be in Park City, yeah,

1:29:20.280 --> 1:29:24.439
<v Speaker 1>but I think the fact that it was was pretty

1:29:24.520 --> 1:29:28.240
<v Speaker 1>gay of it. Yeah, to take over like you're essentially

1:29:28.360 --> 1:29:30.519
<v Speaker 1>going on a vacation and writing it off completely like

1:29:30.560 --> 1:29:33.000
<v Speaker 1>you're being like, well, I it's actually not a vacation

1:29:33.120 --> 1:29:35.680
<v Speaker 1>because the festival's here, but like you go there and

1:29:35.720 --> 1:29:40.160
<v Speaker 1>like seeing your outfits like ski even though you're not skiing. Yeah,

1:29:40.200 --> 1:29:42.960
<v Speaker 1>it's like it's all very like campy and tongue in cheek.

1:29:43.040 --> 1:29:43.439
<v Speaker 1>It is.

1:29:43.680 --> 1:29:47.320
<v Speaker 2>It's also very like Sundance is the film festival equivalent

1:29:47.560 --> 1:29:52.479
<v Speaker 2>of a business that is made to look independent but

1:29:52.560 --> 1:29:56.000
<v Speaker 2>is actually owned by Amazon, like it is. It's like

1:29:56.360 --> 1:30:01.040
<v Speaker 2>Blank Street Coffee or something like it is it Everyone

1:30:01.160 --> 1:30:05.240
<v Speaker 2>is like self consciously dressed a little more casual and

1:30:05.280 --> 1:30:07.800
<v Speaker 2>pretending that they're like they just like stumbled into there

1:30:07.880 --> 1:30:12.599
<v Speaker 2>with their hot tea. And then every background, every step

1:30:12.600 --> 1:30:16.639
<v Speaker 2>and repeat has like Dropbox on it. Yeah, yeah, and

1:30:16.760 --> 1:30:21.320
<v Speaker 2>so and I think there's something about Tiff that's a

1:30:21.320 --> 1:30:23.160
<v Speaker 2>little more down to earth.

1:30:25.479 --> 1:30:27.760
<v Speaker 1>Now Yeah, no, I think that's true. Sundance has like

1:30:27.800 --> 1:30:31.639
<v Speaker 1>a it's neoliberal, Yeah, you know what I mean.

1:30:33.520 --> 1:30:37.880
<v Speaker 2>Okay, so does that mean Tiff is Gayer? I so

1:30:37.920 --> 1:30:43.759
<v Speaker 2>it goes from straight to gate. Can Sundance Tiff Venice?

1:30:44.320 --> 1:30:48.040
<v Speaker 1>I'm comfortable with that. I'm comfortable with that. Okay, Okay,

1:30:48.120 --> 1:30:52.880
<v Speaker 1>this one, I must say that George wanted to play

1:30:52.920 --> 1:30:57.200
<v Speaker 1>without comment, and I said, no, it requires a comment.

1:30:57.960 --> 1:31:00.360
<v Speaker 14>And Sam aim in here and I call in as

1:31:00.360 --> 1:31:03.679
<v Speaker 14>a literal subject of the discourse. I need to start

1:31:03.720 --> 1:31:06.679
<v Speaker 14>with a confession. Sam. I believe I am the Takia

1:31:06.760 --> 1:31:11.840
<v Speaker 14>solid bear from the episode Survivor. I was the guy

1:31:11.840 --> 1:31:13.559
<v Speaker 14>standing right next to you at the good room who

1:31:13.640 --> 1:31:18.240
<v Speaker 14>ordered that's the new beverage, and this is that bare backlash. However, George,

1:31:18.280 --> 1:31:20.799
<v Speaker 14>I'm really calling because of a massive lapse in alignment

1:31:20.880 --> 1:31:23.479
<v Speaker 14>I witnessed back in June. I was listening to the

1:31:23.479 --> 1:31:24.760
<v Speaker 14>weightlifting episode of g M.

1:31:24.840 --> 1:31:25.160
<v Speaker 8>Marco.

1:31:25.400 --> 1:31:27.679
<v Speaker 14>On my way to a certain high end, you lift

1:31:27.680 --> 1:31:31.160
<v Speaker 14>a scented Jim in Brooklyn. I had literally just reached

1:31:31.160 --> 1:31:33.320
<v Speaker 14>the part when he explained that changing in the locker

1:31:33.400 --> 1:31:36.799
<v Speaker 14>room with a towel around your waist is inherently straight behavior.

1:31:37.760 --> 1:31:40.400
<v Speaker 14>As I proceeded into the locker room, go to my corner,

1:31:40.680 --> 1:31:43.720
<v Speaker 14>and whom do I find at the very next locker George?

1:31:44.240 --> 1:31:47.320
<v Speaker 14>And what is he doing? He is standing there, completely

1:31:47.360 --> 1:31:50.679
<v Speaker 14>shrouded in a towel, actively engaged in the exact straight

1:31:50.720 --> 1:31:55.400
<v Speaker 14>behavior he had just finished pathologizing in my ear. George,

1:31:55.560 --> 1:31:57.760
<v Speaker 14>I was a listener trying to live my values and

1:31:57.800 --> 1:32:01.720
<v Speaker 14>more move toward a more enlightened, power free existence. And

1:32:01.760 --> 1:32:05.280
<v Speaker 14>there you were the architect of the discourse, clinging to

1:32:05.320 --> 1:32:09.000
<v Speaker 14>your modesty like a suburban dat at a YMCA. My

1:32:09.120 --> 1:32:11.960
<v Speaker 14>question is was this a one time performance of straightness

1:32:12.439 --> 1:32:14.280
<v Speaker 14>or do we need to have a serious conversation about

1:32:14.320 --> 1:32:17.320
<v Speaker 14>the integrity of our values. How can we as a

1:32:17.360 --> 1:32:20.759
<v Speaker 14>community move forward when the call is coming from inside

1:32:20.760 --> 1:32:21.320
<v Speaker 14>the locker room?

1:32:21.800 --> 1:32:25.080
<v Speaker 1>You know this is George, Thank you.

1:32:25.760 --> 1:32:29.519
<v Speaker 2>This is so interesting because you think that you are

1:32:30.200 --> 1:32:33.599
<v Speaker 2>gotcha in me, but what you're actually doing is making

1:32:33.640 --> 1:32:36.759
<v Speaker 2>these definitions so rigid, which goes against the entire ethos

1:32:36.760 --> 1:32:39.080
<v Speaker 2>of the podcast, and saying like you said this, but

1:32:39.120 --> 1:32:39.559
<v Speaker 2>you did this.

1:32:39.640 --> 1:32:40.520
<v Speaker 1>That's hypocritical.

1:32:40.560 --> 1:32:43.719
<v Speaker 2>I'll have you know that, depending on my mood, how

1:32:44.040 --> 1:32:48.160
<v Speaker 2>like good I feel, you know, how horny I am, whatever,

1:32:48.680 --> 1:32:51.120
<v Speaker 2>I am doing various different kinds of performances in the

1:32:51.160 --> 1:32:53.720
<v Speaker 2>locker room. Sometimes I'm talel on, sometimes I'm tele off.

1:32:53.760 --> 1:32:57.320
<v Speaker 2>Sometimes I even will walk towel off from a locker

1:32:57.400 --> 1:32:59.760
<v Speaker 2>room from locker to shower. Sometimes I'll put my toil

1:32:59.800 --> 1:33:02.440
<v Speaker 2>on for the walk. Sometimes I'll have two towels.

1:33:03.560 --> 1:33:06.600
<v Speaker 1>George, just face it. You have been exposed as a hypocrite,

1:33:07.200 --> 1:33:10.760
<v Speaker 1>and in these trying times it is so important that

1:33:10.800 --> 1:33:14.040
<v Speaker 1>we live our values. I think this bear is very

1:33:14.080 --> 1:33:21.280
<v Speaker 1>correctly coming for you. And I cannot believe you wrap

1:33:21.320 --> 1:33:24.400
<v Speaker 1>a towel around you and then slide the underwear up

1:33:24.439 --> 1:33:28.480
<v Speaker 1>the towel. I do not do that always. I sometimes

1:33:28.600 --> 1:33:31.360
<v Speaker 1>do that depending on how crowded my little corner is,

1:33:31.479 --> 1:33:34.120
<v Speaker 1>and if I don't want to like risk touching someone

1:33:34.120 --> 1:33:34.879
<v Speaker 1>with my ass.

1:33:35.320 --> 1:33:39.479
<v Speaker 2>I cannot believe it. This is just saying. And I

1:33:39.520 --> 1:33:43.480
<v Speaker 2>actually think this is part a general a more general

1:33:43.680 --> 1:33:48.720
<v Speaker 2>like it's more generally mamblematic of me being not one

1:33:48.800 --> 1:33:51.400
<v Speaker 2>hundred percent at home in a gym setting is that

1:33:51.439 --> 1:33:54.920
<v Speaker 2>I don't have specific habits, like I really go back

1:33:54.920 --> 1:33:58.639
<v Speaker 2>and forth between being like completely free and being completely covered,

1:33:59.080 --> 1:34:02.320
<v Speaker 2>and it's almost to tell. It's like he doesn't belong

1:34:02.360 --> 1:34:05.080
<v Speaker 2>here because he doesn't know exactly what his like. It's

1:34:05.120 --> 1:34:06.880
<v Speaker 2>the same way I would never shave in a gym

1:34:06.920 --> 1:34:08.400
<v Speaker 2>because I'm like, what if I do it wrong? What

1:34:08.479 --> 1:34:10.799
<v Speaker 2>if I suddenly it's not allowed.

1:34:10.920 --> 1:34:13.120
<v Speaker 1>I love shaving at the gym, Oh my god.

1:34:14.200 --> 1:34:17.280
<v Speaker 2>Anyway, but you know what, I am taking your feedback,

1:34:17.400 --> 1:34:21.160
<v Speaker 2>and I vow from now on to just sort of

1:34:21.160 --> 1:34:24.080
<v Speaker 2>be cock out constantly at the gym, maybe even on

1:34:24.120 --> 1:34:25.519
<v Speaker 2>the way lifting floor.

1:34:26.240 --> 1:34:28.720
<v Speaker 1>Well that's what happened to Nicole byer.

1:34:29.439 --> 1:34:35.360
<v Speaker 2>I, and I want to say I appreciate the poetic

1:34:35.880 --> 1:34:36.639
<v Speaker 2>nature of this call.

1:34:36.720 --> 1:34:38.439
<v Speaker 1>I mean, if it is attacking me, that was an

1:34:38.439 --> 1:34:41.000
<v Speaker 1>amazing call. But I will say this, I think a

1:34:41.080 --> 1:34:44.519
<v Speaker 1>big theme of this call list is George.

1:34:45.120 --> 1:34:46.840
<v Speaker 2>Well, I didn't want to say anything, but a lot

1:34:46.840 --> 1:34:49.200
<v Speaker 2>of them are addressing me, and you.

1:34:49.760 --> 1:34:52.600
<v Speaker 1>Are addressing you this time around. It's actually very interesting.

1:34:53.560 --> 1:34:56.479
<v Speaker 1>The big challenge for next time is ask address Sam

1:34:56.520 --> 1:35:02.080
<v Speaker 1>and I'm I'm just feeling so invisible in a way

1:35:02.120 --> 1:35:04.080
<v Speaker 1>that is interesting.

1:35:04.160 --> 1:35:05.600
<v Speaker 2>Well, you know, I'm sorry to tell you this, but

1:35:05.640 --> 1:35:07.320
<v Speaker 2>we have more listeners in New York than LA and

1:35:07.360 --> 1:35:09.519
<v Speaker 2>so they're more likely at this point to see me

1:35:09.640 --> 1:35:10.360
<v Speaker 2>and think about me.

1:35:10.600 --> 1:35:10.760
<v Speaker 7>Well.

1:35:10.800 --> 1:35:13.800
<v Speaker 1>Also, of course your hair is going out. It's like

1:35:14.120 --> 1:35:16.519
<v Speaker 1>maybe it's time for me to do a big uh. Yeah,

1:35:16.520 --> 1:35:17.960
<v Speaker 1>how are you gonna keep up? I think I have

1:35:18.000 --> 1:35:20.599
<v Speaker 1>to die my hair. You have to dye your hair

1:35:20.920 --> 1:35:22.640
<v Speaker 1>and then put your towel all the way up to

1:35:22.680 --> 1:35:25.840
<v Speaker 1>your booby. Yeah. Yeah, that's that's what I have to do.

1:35:27.840 --> 1:35:33.719
<v Speaker 15>I this is a very periant question, but I feel

1:35:33.760 --> 1:35:36.720
<v Speaker 15>like you two can speak to it intelligently.

1:35:38.720 --> 1:35:39.720
<v Speaker 8>Do you think that.

1:35:41.920 --> 1:35:45.439
<v Speaker 15>In a conversation with friends, women were saying that they

1:35:45.479 --> 1:35:48.080
<v Speaker 15>pretty much tell each other when they're dating some dating

1:35:48.280 --> 1:35:49.080
<v Speaker 15>a man.

1:35:49.520 --> 1:35:51.680
<v Speaker 13>They tell the other person everything.

1:35:51.320 --> 1:35:54.040
<v Speaker 15>About that gentleman.

1:35:55.280 --> 1:35:55.479
<v Speaker 11>Cock.

1:35:57.320 --> 1:36:01.600
<v Speaker 13>Is that I feel like there's a level of privacy

1:36:01.680 --> 1:36:08.240
<v Speaker 13>among gay men Or am I wrong? Is like disclose

1:36:08.320 --> 1:36:08.719
<v Speaker 13>up all.

1:36:08.560 --> 1:36:14.400
<v Speaker 15>The details about your partner's dick purely straight?

1:36:16.800 --> 1:36:17.240
<v Speaker 8>Or does it.

1:36:19.000 --> 1:36:21.080
<v Speaker 13>Learn a line?

1:36:22.240 --> 1:36:22.360
<v Speaker 7>All?

1:36:22.439 --> 1:36:23.479
<v Speaker 13>Right, have a good one.

1:36:25.040 --> 1:36:28.439
<v Speaker 2>Well, we were talking about this with them jeans, Oh,

1:36:28.479 --> 1:36:32.680
<v Speaker 2>remind me what we said. He was saying, how we

1:36:32.680 --> 1:36:35.160
<v Speaker 2>were talking about straight women versus straight men, and how

1:36:35.240 --> 1:36:38.839
<v Speaker 2>straight women, ironically, even though straight men have the reputation

1:36:38.880 --> 1:36:41.800
<v Speaker 2>of objectifying women, straight women ironically are more likely to

1:36:41.840 --> 1:36:44.880
<v Speaker 2>talk about like specifics of their husband's dick, whereas a

1:36:44.880 --> 1:36:46.920
<v Speaker 2>straight man would never be like, this is what my

1:36:47.040 --> 1:36:49.160
<v Speaker 2>wife's private parts are like?

1:36:49.560 --> 1:36:50.639
<v Speaker 1>Right right, right, right right.

1:36:50.680 --> 1:36:52.439
<v Speaker 2>So that's sort of men versus women. But this one

1:36:52.520 --> 1:36:54.840
<v Speaker 2>is interesting because it's straight the gay.

1:36:55.720 --> 1:37:00.840
<v Speaker 1>I think I think there's something about gay men talking

1:37:00.880 --> 1:37:04.639
<v Speaker 1>about other men's dicks where there almost is a little

1:37:04.680 --> 1:37:08.920
<v Speaker 1>bit more empathy in every direction. And like, I think

1:37:08.960 --> 1:37:11.960
<v Speaker 1>they will talk about it, but the stats they're sharing

1:37:12.040 --> 1:37:15.120
<v Speaker 1>are different, Like it's more like how was sex? Like,

1:37:15.160 --> 1:37:17.920
<v Speaker 1>I think it's very like sex was good sex, This

1:37:18.080 --> 1:37:20.880
<v Speaker 1>was fun, this was the energy this yeah, this was weird,

1:37:20.960 --> 1:37:25.520
<v Speaker 1>this blah blah blah. But like I think, like literally

1:37:25.600 --> 1:37:29.320
<v Speaker 1>just being like dick was this long, this wide is

1:37:29.360 --> 1:37:31.439
<v Speaker 1>like very not the culture.

1:37:32.280 --> 1:37:35.720
<v Speaker 2>Yeah, well men versus women is much more warlike. It's

1:37:35.760 --> 1:37:41.200
<v Speaker 2>like give me, It's like it's comparison based. It is

1:37:41.240 --> 1:37:44.080
<v Speaker 2>like it's very like, Okay, this is the biggest dick

1:37:44.120 --> 1:37:45.960
<v Speaker 2>I've ever seen and the spotlest dick I've ever seen.

1:37:46.520 --> 1:37:51.400
<v Speaker 2>And I also think the specific question was about partners,

1:37:51.439 --> 1:37:54.559
<v Speaker 2>and I do think what happens with gay men is

1:37:55.280 --> 1:37:59.920
<v Speaker 2>I think I will much more freely discuss non partin

1:38:00.520 --> 1:38:02.920
<v Speaker 2>men I hook up the same thing, and I would

1:38:03.000 --> 1:38:06.000
<v Speaker 2>never I don't think i've I would never go into

1:38:06.080 --> 1:38:11.080
<v Speaker 2>like super lurid details about like me and my partner.

1:38:11.600 --> 1:38:13.320
<v Speaker 2>I mean maybe with like a close friend, but but

1:38:14.160 --> 1:38:20.400
<v Speaker 2>it is that does seem weirdly way more private or sacred,

1:38:20.800 --> 1:38:22.719
<v Speaker 2>Whereas I'm like, if.

1:38:22.640 --> 1:38:24.960
<v Speaker 1>It's a hook cup, I'm like, well as cock was there,

1:38:26.000 --> 1:38:29.280
<v Speaker 1>If it's like Misha, I'm like, only my most trusted

1:38:29.280 --> 1:38:30.760
<v Speaker 1>friends who I really get into it with.

1:38:31.040 --> 1:38:34.840
<v Speaker 2>So I think maybe that's the difference, is that if

1:38:34.880 --> 1:38:37.920
<v Speaker 2>a straight couple is monogamous. That's the one dick she

1:38:37.960 --> 1:38:40.479
<v Speaker 2>has to talk about, so she's gonna bring it up.

1:38:42.640 --> 1:38:44.759
<v Speaker 1>The only time I really bring up size of someone's

1:38:44.800 --> 1:38:47.040
<v Speaker 1>deck is if it's like notably large, whor it's just

1:38:47.120 --> 1:38:50.240
<v Speaker 1>like I actually haven't seen one that big very often.

1:38:50.520 --> 1:38:53.120
<v Speaker 1>Like then I'm sort of like, wow, that was, like,

1:38:54.040 --> 1:38:55.320
<v Speaker 1>that's like seeing the Grand Canyon.

1:38:56.840 --> 1:39:01.080
<v Speaker 20>Hi, Simon George. I'm Martin gla mcgirl from the Netherlands.

1:39:01.720 --> 1:39:04.360
<v Speaker 20>I've always wondered that if your listeners are glamour girls,

1:39:04.400 --> 1:39:07.800
<v Speaker 20>then your title should be Glamour Divas or something more

1:39:07.840 --> 1:39:12.080
<v Speaker 20>stupid sounding anywhere. I don't know if you know this,

1:39:12.160 --> 1:39:16.479
<v Speaker 20>but your podcast has a high listenability quality. I don't

1:39:16.479 --> 1:39:19.840
<v Speaker 20>know if that's a word. And I often revisit old episodes.

1:39:21.000 --> 1:39:23.839
<v Speaker 20>Which do you prefer episodes where the topic is discussed

1:39:23.880 --> 1:39:27.280
<v Speaker 20>in length and you go along theorizing tangents and are

1:39:27.320 --> 1:39:31.559
<v Speaker 20>often creating binaries, or the episodes where the topic brings

1:39:31.640 --> 1:39:34.479
<v Speaker 20>up a different conversation and barely even touch.

1:39:34.360 --> 1:39:37.840
<v Speaker 1>The question the guests topic. Love them both and love

1:39:37.880 --> 1:39:43.800
<v Speaker 1>you too, XO, so love you another hot voice. I

1:39:43.840 --> 1:39:46.640
<v Speaker 1>know something is going on, something's up. Maybe you're just

1:39:46.880 --> 1:39:51.960
<v Speaker 1>rock hard yeah, maybe, Okay, this is an interesting question.

1:39:52.960 --> 1:39:55.200
<v Speaker 1>Do we care. Do we prefer to talk about the

1:39:55.200 --> 1:39:57.839
<v Speaker 1>topic a lot, or to just go fully off topic

1:39:58.000 --> 1:40:04.080
<v Speaker 1>and be crazy. I think it really depends on if

1:40:04.080 --> 1:40:07.240
<v Speaker 1>the guest actually cares about their topic, because there's something

1:40:07.280 --> 1:40:10.680
<v Speaker 1>that's happening where our guests, if they like have never

1:40:10.720 --> 1:40:13.200
<v Speaker 1>listened to the pod before we'll come on, they won't

1:40:13.200 --> 1:40:15.320
<v Speaker 1>know what we're talking about. They're like, oh, I have

1:40:15.360 --> 1:40:16.840
<v Speaker 1>to have a straight topic. What do you guys want

1:40:16.840 --> 1:40:18.840
<v Speaker 1>to Oh, you know, I've always done it, And we're

1:40:18.840 --> 1:40:22.200
<v Speaker 1>like either intimidated or or we just don't feel like

1:40:22.280 --> 1:40:23.840
<v Speaker 1>arguing with them and they don't seem to care about

1:40:23.840 --> 1:40:25.840
<v Speaker 1>the topics or just like sure that works, and then

1:40:25.880 --> 1:40:28.200
<v Speaker 1>we like don't talk about it much because they don't care.

1:40:28.240 --> 1:40:30.880
<v Speaker 1>And if they don't care, we don't care. Yeah uh,

1:40:31.320 --> 1:40:33.240
<v Speaker 1>and we just don't want to like argue with them

1:40:33.280 --> 1:40:37.559
<v Speaker 1>basically beforehand. And I like those episodes to an extent.

1:40:38.120 --> 1:40:40.240
<v Speaker 1>But when a guest does care about the topic, I

1:40:40.320 --> 1:40:44.920
<v Speaker 1>really do prefer it because their enthusiasm I think leads

1:40:45.000 --> 1:40:47.640
<v Speaker 1>us and we get to then like really dive in

1:40:47.680 --> 1:40:50.200
<v Speaker 1>and get deeper and deeper. Whereas it's so clear when

1:40:50.200 --> 1:40:51.720
<v Speaker 1>the guest doesn't care about the topic, we try to

1:40:51.760 --> 1:40:54.120
<v Speaker 1>go deeper. They're like, okay, moving on, yeah, and we're

1:40:54.160 --> 1:40:56.240
<v Speaker 1>like no, the point is we like kind of dig

1:40:56.280 --> 1:40:58.240
<v Speaker 1>in yeah.

1:40:57.760 --> 1:41:00.280
<v Speaker 2>And you know, to bring ourselves in to it a

1:41:00.280 --> 1:41:03.000
<v Speaker 2>little bit, and not to only blame the guests, not

1:41:03.040 --> 1:41:04.800
<v Speaker 2>that that's what you were doing, but guest blaming, you're

1:41:04.800 --> 1:41:07.000
<v Speaker 2>guest blaming. I would say, well, I would say, first

1:41:07.000 --> 1:41:10.240
<v Speaker 2>of all, definitively, I do prefer episodes where we go

1:41:10.280 --> 1:41:13.160
<v Speaker 2>into theorizing like that is in my dream world, every

1:41:13.200 --> 1:41:16.120
<v Speaker 2>episode would be mostly theorizing about a topic, and we

1:41:16.120 --> 1:41:19.040
<v Speaker 2>would get to a point where, like when we have

1:41:19.360 --> 1:41:22.160
<v Speaker 2>someone like theta On who's really smart, where we're like,

1:41:22.439 --> 1:41:26.800
<v Speaker 2>we're really like to taking a topic like photography and

1:41:27.600 --> 1:41:30.800
<v Speaker 2>theorizing about when when is photography gay? When photography straight?

1:41:30.840 --> 1:41:32.639
<v Speaker 2>What is the evolution of it? We're doing this kind

1:41:32.640 --> 1:41:37.200
<v Speaker 2>of comedic, idiotic philosophizing that I just think it's when

1:41:37.200 --> 1:41:39.120
<v Speaker 2>we get in that role, I'm it really feels like

1:41:39.160 --> 1:41:40.840
<v Speaker 2>we're in a flow state and it feels like so

1:41:41.040 --> 1:41:44.240
<v Speaker 2>fun and it feels like improv and all this stuff.

1:41:44.800 --> 1:41:47.000
<v Speaker 2>So yes, in an ideal world, that is what every

1:41:47.000 --> 1:41:49.240
<v Speaker 2>episode would be like. But I think both of us

1:41:49.280 --> 1:41:52.559
<v Speaker 2>are worried about forcing it. So if it's not going

1:41:52.600 --> 1:41:59.400
<v Speaker 2>there organically, oftentimes we won't push it. And maybe if

1:41:59.840 --> 1:42:03.280
<v Speaker 2>we're like twenty percent more pushy, we could get it there.

1:42:03.680 --> 1:42:06.840
<v Speaker 1>Yeah. Well, this is the big internal debate to get

1:42:06.840 --> 1:42:09.400
<v Speaker 1>a peek behind the curtain. Is we're wondering how pushy

1:42:09.439 --> 1:42:11.559
<v Speaker 1>to be and that's how almost rude to be.

1:42:11.760 --> 1:42:14.920
<v Speaker 2>Yes, this is like a legitimate, not even debate, because

1:42:14.920 --> 1:42:16.960
<v Speaker 2>I think neither of us is. It's not like we're

1:42:16.960 --> 1:42:19.679
<v Speaker 2>each one side and we're arguing, right, we are both

1:42:19.760 --> 1:42:24.920
<v Speaker 2>undecided about how much we want to go combative interviewer

1:42:25.000 --> 1:42:29.640
<v Speaker 2>mode as a bit and like alienate the guests for

1:42:29.680 --> 1:42:31.840
<v Speaker 2>the sake of the audience having a better time, like

1:42:31.920 --> 1:42:34.040
<v Speaker 2>perform for the audience rather than perform for the guests.

1:42:34.560 --> 1:42:36.479
<v Speaker 1>And it's tough because we have done that in the past,

1:42:36.520 --> 1:42:39.720
<v Speaker 1>but only with like close friends. Yeah, and so when

1:42:39.720 --> 1:42:42.240
<v Speaker 1>it's not someone we know very well, it's always like, well,

1:42:42.280 --> 1:42:44.559
<v Speaker 1>I'm not going to be mean to a random person

1:42:44.600 --> 1:42:48.080
<v Speaker 1>I don't know. But then it's like should we like, uh,

1:42:49.040 --> 1:42:52.280
<v Speaker 1>like it's an interesting thing. And also it's just like

1:42:53.360 --> 1:42:55.280
<v Speaker 1>it's so easy for us to be mean to our friends.

1:42:55.280 --> 1:42:57.639
<v Speaker 1>But both of us are like polite people, and it's

1:42:57.840 --> 1:43:00.120
<v Speaker 1>very hard for us to be rude to someone one

1:43:00.160 --> 1:43:00.880
<v Speaker 1>who we barely know.

1:43:00.960 --> 1:43:02.759
<v Speaker 2>I know it makes me feel like a fraud sometimes

1:43:02.800 --> 1:43:06.479
<v Speaker 2>because I'm just like, if if I was listening to

1:43:06.520 --> 1:43:11.439
<v Speaker 2>someone else, be so different differential, sure is that the

1:43:11.479 --> 1:43:16.559
<v Speaker 2>right word? I think, so deferential to a big guess

1:43:16.600 --> 1:43:20.040
<v Speaker 2>that they're intimidated by, I'd be like, I'm turning.

1:43:19.840 --> 1:43:21.280
<v Speaker 1>This off right, I'd be like, grow up.

1:43:22.240 --> 1:43:25.360
<v Speaker 2>But it is difficult in the moment to like humiliate

1:43:25.400 --> 1:43:30.479
<v Speaker 2>yourself and or take a risk, and you also do

1:43:30.680 --> 1:43:33.200
<v Speaker 2>genuinely risk because the other person if that if a

1:43:33.240 --> 1:43:37.679
<v Speaker 2>person is going on the Adam Friedlin Show, they sort

1:43:37.680 --> 1:43:39.760
<v Speaker 2>of know that that's what they're in for because they've

1:43:39.760 --> 1:43:42.599
<v Speaker 2>like maybe seen past clips. They know that he plays

1:43:42.600 --> 1:43:45.719
<v Speaker 2>this character. Where I think for us, because we don't

1:43:45.720 --> 1:43:48.040
<v Speaker 2>necessarily play that character, it would be like really jarring

1:43:48.160 --> 1:43:53.360
<v Speaker 2>to have to have like, you know, uh, Jennifer Lopez

1:43:53.439 --> 1:43:55.599
<v Speaker 2>on and suddenly be like screaming at her.

1:43:56.640 --> 1:43:58.639
<v Speaker 1>I also, this is something I don't know if this

1:43:58.680 --> 1:44:02.040
<v Speaker 1>is true, but tell me what you think. Where I

1:44:02.040 --> 1:44:05.360
<v Speaker 1>think as gay guys were expected to stand I know

1:44:05.680 --> 1:44:08.160
<v Speaker 1>in a different way, and I think it's a little

1:44:08.200 --> 1:44:10.640
<v Speaker 1>bit unfair. And I think like our guests come on

1:44:10.680 --> 1:44:12.960
<v Speaker 1>and being like, oh, two gay guys, they're going to

1:44:13.000 --> 1:44:15.240
<v Speaker 1>love me, and it's like, oh, we kind of want

1:44:15.240 --> 1:44:17.400
<v Speaker 1>to like be able to pretend to be mean to you,

1:44:17.439 --> 1:44:19.559
<v Speaker 1>and you're okay with it, but they're just so used

1:44:19.600 --> 1:44:22.719
<v Speaker 1>to like like everyone's just like, well it's gay guys

1:44:22.720 --> 1:44:25.559
<v Speaker 1>on a microphone. They're going to be actually too nice

1:44:25.600 --> 1:44:28.559
<v Speaker 1>to me. And we're like and we're like what we

1:44:28.640 --> 1:44:30.680
<v Speaker 1>do is like worse where we're like we don't want

1:44:30.680 --> 1:44:32.599
<v Speaker 1>to be too nice, nor do we want to be rude,

1:44:32.640 --> 1:44:34.400
<v Speaker 1>so we're just like normal down the middle. Yeah.

1:44:34.479 --> 1:44:39.880
<v Speaker 2>No, that's that's exactly it. It's like I think being

1:44:39.920 --> 1:44:41.280
<v Speaker 2>down the middle is the worst thing you can do.

1:44:41.400 --> 1:44:43.680
<v Speaker 2>I would rather just be like, okay, I'm going to

1:44:43.720 --> 1:44:47.439
<v Speaker 2>bunk my head and just be stand mode. Yeah, and

1:44:47.479 --> 1:44:49.400
<v Speaker 2>then it can be like fun in a sort of

1:44:49.479 --> 1:44:53.080
<v Speaker 2>like you know Evan ross Katz interviewing the heated rivalry

1:44:53.080 --> 1:44:57.240
<v Speaker 2>guy's way, yeah totally, or you know, or you go

1:44:57.280 --> 1:45:00.960
<v Speaker 2>Adam Friedlin mode, but like yeah, and so I think

1:45:01.000 --> 1:45:06.559
<v Speaker 2>that's why oftentimes we will not want to have bigger

1:45:06.960 --> 1:45:10.280
<v Speaker 2>slubs on Yeah.

1:45:10.479 --> 1:45:14.320
<v Speaker 1>But don't worry. We're gonna have Amanda syfreed on and

1:45:14.360 --> 1:45:16.280
<v Speaker 1>we are going to tell her that her forehead is

1:45:16.320 --> 1:45:18.479
<v Speaker 1>too fucking small to play that character and that she

1:45:18.600 --> 1:45:21.920
<v Speaker 1>was stealing roles from four Hedges women.

1:45:25.560 --> 1:45:29.960
<v Speaker 2>Yeah, I gotta say not to bring up my experience

1:45:30.000 --> 1:45:32.920
<v Speaker 2>at the Golden Globes yet again, but this was something

1:45:32.960 --> 1:45:37.720
<v Speaker 2>that was very apparent there where it's like we would

1:45:37.760 --> 1:45:40.800
<v Speaker 2>write questions that are clearly meant in jest and then

1:45:40.840 --> 1:45:43.320
<v Speaker 2>celebrities like wouldn't know how to deal with them, so

1:45:43.360 --> 1:45:45.840
<v Speaker 2>then you just get like an awkward interaction. I mean

1:45:45.920 --> 1:45:49.479
<v Speaker 2>where like we asked Claire Danes, like, you know, you're

1:45:49.560 --> 1:45:51.320
<v Speaker 2>really smart? Is it hard for you to be the

1:45:51.320 --> 1:45:53.479
<v Speaker 2>smartest person in the room at these events, which is

1:45:53.520 --> 1:45:56.720
<v Speaker 2>like such a layup, and she's just like, very sweetly like, Oh,

1:45:56.840 --> 1:45:58.519
<v Speaker 2>I wouldn't say that's what makes it hard. I think

1:45:58.520 --> 1:46:01.000
<v Speaker 2>it's just more it's just stressful for there's.

1:46:00.840 --> 1:46:03.559
<v Speaker 1>So many smart creative people in the field, and no,

1:46:03.760 --> 1:46:08.240
<v Speaker 1>I think I really underestimate pr training. Yeah, because like

1:46:08.280 --> 1:46:09.760
<v Speaker 1>there have been some interviews where I'm like, oh, we're

1:46:09.800 --> 1:46:12.880
<v Speaker 1>gonna ask them like a somewhat biting question and they're

1:46:12.880 --> 1:46:16.240
<v Speaker 1>gonna like get it and run with us, and it's like, no,

1:46:16.479 --> 1:46:19.760
<v Speaker 1>the pr training is like in the bones sometimes, you

1:46:19.800 --> 1:46:19.960
<v Speaker 1>know what.

1:46:20.040 --> 1:46:23.360
<v Speaker 2>Else to be more empathetic to those celebrities, they are

1:46:23.360 --> 1:46:25.519
<v Speaker 2>forced to do so much stupid bullshit now as part

1:46:25.560 --> 1:46:27.519
<v Speaker 2>of their press tours, of course, like they have to

1:46:27.520 --> 1:46:31.120
<v Speaker 2>eat hot wings, they have to like, you know, go

1:46:31.200 --> 1:46:34.280
<v Speaker 2>on some like random TikTok show where someone like forces

1:46:34.360 --> 1:46:38.519
<v Speaker 2>them to you know, walk on one leg while like

1:46:39.040 --> 1:46:41.120
<v Speaker 2>you know, touching their head or something like they have

1:46:41.160 --> 1:46:42.800
<v Speaker 2>to do a lie detector test. They have to be

1:46:42.920 --> 1:46:45.400
<v Speaker 2>constantly reminded of their movies they made when they were seventeen,

1:46:45.800 --> 1:46:49.720
<v Speaker 2>and it's like, unless we're doing something super different, all

1:46:49.760 --> 1:46:51.480
<v Speaker 2>we're doing is adding to that cacophony.

1:46:51.560 --> 1:46:54.120
<v Speaker 1>Don't say that we're not doing that. We're not adding

1:46:54.120 --> 1:46:56.320
<v Speaker 1>to that. I want to say that. It's like, this

1:46:56.479 --> 1:47:00.200
<v Speaker 1>is why, like Jennifer Lawrence gets to be such a

1:47:00.800 --> 1:47:02.920
<v Speaker 1>because it's like when you find someone who is both

1:47:02.960 --> 1:47:05.360
<v Speaker 1>good at acting, which is a lot of actors, but

1:47:05.400 --> 1:47:07.760
<v Speaker 1>then also has like a fun personality and can do

1:47:08.000 --> 1:47:10.240
<v Speaker 1>hot wings and actually be charming, can do a podcast

1:47:10.280 --> 1:47:12.559
<v Speaker 1>where people are weird and actually kind of get the bit.

1:47:12.880 --> 1:47:15.240
<v Speaker 1>You're like, oh, well, you are God now literally, and

1:47:15.280 --> 1:47:19.520
<v Speaker 1>we haven't really found one since then. We literally haven't.

1:47:19.680 --> 1:47:22.800
<v Speaker 1>I mean, I think Ivy Woke is obviously going to

1:47:22.880 --> 1:47:24.720
<v Speaker 1>be that, but she's doing it the opposite way, where

1:47:24.720 --> 1:47:28.160
<v Speaker 1>she's crushing the comedy podcast circuit and then we'll win

1:47:28.200 --> 1:47:30.320
<v Speaker 1>an oscar by the time she is twenty seven.

1:47:31.000 --> 1:47:37.000
<v Speaker 2>Which is in fifteen years. In fifteen years. Yeah, it's complicated,

1:47:37.439 --> 1:47:39.519
<v Speaker 2>but I sort of like that. The show is always

1:47:39.520 --> 1:47:40.320
<v Speaker 2>a work in progress.

1:47:40.360 --> 1:47:42.360
<v Speaker 1>Oh honey, we're growing, we're changing.

1:47:42.280 --> 1:47:47.040
<v Speaker 2>And I'm much more into the idea of being looser

1:47:47.200 --> 1:47:49.360
<v Speaker 2>and sort of like playing it fast and loose with

1:47:49.400 --> 1:47:51.679
<v Speaker 2>segments and with topics and.

1:47:53.160 --> 1:47:57.599
<v Speaker 1>Doing special episodes and things like that. Yeah, I like that.

1:47:57.680 --> 1:48:06.599
<v Speaker 1>This is our ending call. Actually me too, it's reflective. Yeah, well,

1:48:06.960 --> 1:48:09.160
<v Speaker 1>you know, we no longer call these shows earnestness bonanzas,

1:48:09.200 --> 1:48:13.840
<v Speaker 1>buta this ending was, Well, it's because we've we're just

1:48:13.960 --> 1:48:17.360
<v Speaker 1>more real. We're more real, I know than we once more.

1:48:17.520 --> 1:48:19.960
<v Speaker 1>I know it's true, we've dropped the act. We should

1:48:19.960 --> 1:48:22.320
<v Speaker 1>have a year when we're bad. I know I'm ready

1:48:22.360 --> 1:48:24.040
<v Speaker 1>to be bad. To be honest, I'm ready to be bad.

1:48:24.400 --> 1:48:25.160
<v Speaker 1>We need to be bad.

1:48:26.040 --> 1:48:28.840
<v Speaker 2>You know what's funny even with our friends now, we

1:48:28.920 --> 1:48:30.680
<v Speaker 2>used to be more mean to them. I think the

1:48:30.720 --> 1:48:32.880
<v Speaker 2>older we get, the more I'm like, well, it seems

1:48:32.880 --> 1:48:34.560
<v Speaker 2>cool to ask someone to come on a podcast and

1:48:34.560 --> 1:48:35.439
<v Speaker 2>then be mean to them.

1:48:35.760 --> 1:48:38.280
<v Speaker 1>I mean we were mina Jewelers. Oh yeah, that was

1:48:38.320 --> 1:48:41.280
<v Speaker 1>really good. Yeah.

1:48:41.280 --> 1:48:43.680
<v Speaker 2>Maybe we should just have Joe Firestone on once a

1:48:43.720 --> 1:48:45.240
<v Speaker 2>month and just verbally abuse her.

1:48:45.920 --> 1:48:50.519
<v Speaker 1>Yeah, and then maybe we need to have Yeah, get ready,

1:48:50.520 --> 1:48:53.040
<v Speaker 1>we're going back to our roots. It's time to you mean. Okay.

1:48:54.200 --> 1:48:56.679
<v Speaker 2>I love that and earnestly thank you everyone for calling

1:48:56.720 --> 1:48:59.320
<v Speaker 2>these work, and we did. We got to a small

1:48:59.360 --> 1:49:02.000
<v Speaker 2>fraction of the not to rag, but there are a

1:49:02.000 --> 1:49:04.120
<v Speaker 2>lot of other ones that I thought were really great,

1:49:04.680 --> 1:49:07.080
<v Speaker 2>some very thoughtful calls. This time around, I think our

1:49:07.080 --> 1:49:09.120
<v Speaker 2>audience is growing with us in a very sweet way.

1:49:09.320 --> 1:49:11.600
<v Speaker 1>Yeah, and you know, next time, if you want to

1:49:11.640 --> 1:49:13.400
<v Speaker 1>be asked me about anything that's going on in my life,

1:49:13.479 --> 1:49:15.400
<v Speaker 1>you know I wouldn't be opposed. I do have a

1:49:15.479 --> 1:49:18.320
<v Speaker 1>rich in her life. If you care about those sorts

1:49:18.320 --> 1:49:22.599
<v Speaker 1>of topics. Would you like questions about you know, hair,

1:49:22.760 --> 1:49:29.479
<v Speaker 1>body face, you know, dreams, wants, wishes, et cetera. Yeah,

1:49:29.560 --> 1:49:34.240
<v Speaker 1>favorite color, favorite food, vacation, destinations in the coming year

1:49:35.200 --> 1:49:39.840
<v Speaker 1>top bottom verse, just questions such as that.

1:49:40.000 --> 1:49:41.519
<v Speaker 2>Yeah, so if you guys could just write in and

1:49:41.560 --> 1:49:44.360
<v Speaker 2>maybe ask Sam if he's top bottom or verse, he

1:49:44.400 --> 1:49:47.920
<v Speaker 2>would really appreciate that. It's something he's always wanted to

1:49:47.960 --> 1:49:48.839
<v Speaker 2>answer on air.

1:49:48.840 --> 1:49:52.639
<v Speaker 1>Because I, you know, I'm currently giving sidekick and that's

1:49:52.680 --> 1:49:53.120
<v Speaker 1>a bit tough.

1:49:53.200 --> 1:49:55.800
<v Speaker 2>I do not think you're currently giving side giving. Oh

1:49:55.880 --> 1:49:59.040
<v Speaker 2>my god, Andy Richter asked, I cannot believe this.

1:50:01.760 --> 1:50:06.719
<v Speaker 1>No JK. I don't actually feel that way. Just trying

1:50:06.840 --> 1:50:07.760
<v Speaker 1>practicing being bad.

1:50:08.960 --> 1:50:11.840
<v Speaker 2>Well that's all we have to say. And I just

1:50:11.840 --> 1:50:18.759
<v Speaker 2>want to say that it's time to change things politically now.

1:50:19.360 --> 1:50:23.080
<v Speaker 1>Literally, you guys strike and boycott wherever you can. I

1:50:23.160 --> 1:50:25.160
<v Speaker 1>will not be going to a restaurant on Friday, even

1:50:25.200 --> 1:50:27.280
<v Speaker 1>though I don't know if it's allowed. I'm never eating again.

1:50:28.320 --> 1:50:31.599
<v Speaker 2>That's called a hunger literally hunger strike until the entire

1:50:31.680 --> 1:50:33.960
<v Speaker 2>system is dismantled.

1:50:34.080 --> 1:50:35.880
<v Speaker 1>I have been on a hunger strike recently, but only

1:50:35.880 --> 1:50:39.080
<v Speaker 1>because all my meals have been so small. I keep

1:50:39.120 --> 1:50:42.400
<v Speaker 1>being like, whatever happened to portions calling dieting a hunger strike.

1:50:43.360 --> 1:50:45.280
<v Speaker 2>I'm actually you're just dieting because you're like going to

1:50:45.280 --> 1:50:47.400
<v Speaker 2>the Oscars, and you're like, I'm on a hunger strike.

1:50:47.520 --> 1:50:49.600
<v Speaker 1>I feel like every every meal I have, I'm like,

1:50:49.600 --> 1:50:51.120
<v Speaker 1>this is gonna be the big one? Is this big?

1:50:51.200 --> 1:50:51.439
<v Speaker 3>Yeah?

1:50:51.520 --> 1:50:52.200
<v Speaker 1>I'm starving.

1:50:52.800 --> 1:50:56.720
<v Speaker 2>I want to say, it is so stressful when you

1:50:56.720 --> 1:50:58.519
<v Speaker 2>go out to dinner with a friend and you know

1:50:58.560 --> 1:51:02.200
<v Speaker 2>they're not a big eater and they refuse to order

1:51:02.320 --> 1:51:05.799
<v Speaker 2>enough food. I went out to dinner with a friend recently.

1:51:06.360 --> 1:51:08.600
<v Speaker 2>Actually I'm gonna I want not to say dinner with

1:51:08.600 --> 1:51:12.000
<v Speaker 2>my friend in April. She initially suggested getting one appetizer and

1:51:12.040 --> 1:51:14.559
<v Speaker 2>one entree to share. I had to step in. I

1:51:14.600 --> 1:51:18.360
<v Speaker 2>had to say, April, I know you are a skin

1:51:18.479 --> 1:51:21.840
<v Speaker 2>delicious diva who of course has a healthy relationship with food,

1:51:21.880 --> 1:51:24.200
<v Speaker 2>but just like doesn't need more.

1:51:24.000 --> 1:51:27.559
<v Speaker 1>Than that I do. And I actually put my foot

1:51:27.560 --> 1:51:29.519
<v Speaker 1>down and I said, ordering another entree and then we

1:51:29.560 --> 1:51:33.439
<v Speaker 1>got dessert. Well, Misha and I went out for birthday

1:51:33.439 --> 1:51:37.240
<v Speaker 1>dinner with my brother and his girlfriend, and you better

1:51:37.240 --> 1:51:40.760
<v Speaker 1>believe we ordered over one hundred things. Turns out they're

1:51:40.800 --> 1:51:41.759
<v Speaker 1>all this big.

1:51:41.840 --> 1:51:45.760
<v Speaker 2>Oh well yeah, I mean the top us, the topacification

1:51:45.800 --> 1:51:46.680
<v Speaker 2>of everything needs to end.

1:51:46.720 --> 1:51:48.479
<v Speaker 1>We order a steak, they say, how big it's going

1:51:48.560 --> 1:51:50.400
<v Speaker 1>to be? An ounces, and then I get the thing

1:51:50.400 --> 1:51:52.479
<v Speaker 1>and I say, bring out the scale. Yeah, because this

1:51:52.680 --> 1:51:54.120
<v Speaker 1>is not that big.

1:51:53.880 --> 1:51:56.800
<v Speaker 2>When they do ounces, but it's bone in you're saying, oh, so,

1:51:56.840 --> 1:51:58.240
<v Speaker 2>I'm sorry, two thirds of this was bone.

1:51:58.240 --> 1:52:01.120
<v Speaker 1>I'm paying for the bone. So I'm paying for the bone.

1:52:01.200 --> 1:52:04.439
<v Speaker 1>Just just to be clear, I'm paying for the bone. Unbelievable, tip,

1:52:04.479 --> 1:52:07.360
<v Speaker 1>but not for the bone. You can bone fee do

1:52:07.479 --> 1:52:09.360
<v Speaker 1>the math, and you tip only for the barth that

1:52:09.479 --> 1:52:13.120
<v Speaker 1>isn't bone, I mean the bone that was insane. Tip

1:52:13.160 --> 1:52:16.559
<v Speaker 1>your servers. I'm gonna domestic terrorist thou restaurant. Oh my god,

1:52:16.600 --> 1:52:17.960
<v Speaker 1>you should, and I will.

1:52:18.080 --> 1:52:20.439
<v Speaker 2>As we said, it's easier to take down small businesses

1:52:20.439 --> 1:52:22.400
<v Speaker 2>than big ones, and so let's start there and then

1:52:22.400 --> 1:52:23.600
<v Speaker 2>you know, maybe in a few years we'll get to

1:52:23.600 --> 1:52:25.599
<v Speaker 2>Amazon after there are no small business is left.

1:52:26.840 --> 1:52:29.920
<v Speaker 1>Okay, Well, I could talk forever, but we unfortunately, I

1:52:29.960 --> 1:52:31.200
<v Speaker 1>have to pee so bad.

1:52:31.200 --> 1:52:33.240
<v Speaker 2>And I have to go to the gym fully naked.

1:52:33.600 --> 1:52:36.920
<v Speaker 2>Goodbyebye podcast and now.

1:52:36.840 --> 1:52:39.840
<v Speaker 1>For our visual learners. You can watch full video episodes

1:52:39.880 --> 1:52:42.720
<v Speaker 1>on our YouTube channel and subscribe to our Patreon for

1:52:42.800 --> 1:52:46.200
<v Speaker 1>two extra episodes a month at patreon dot com. Slash

1:52:46.240 --> 1:52:49.320
<v Speaker 1>Stradio Lab Stradio Lab is a production by Will Ferrell's

1:52:49.320 --> 1:52:51.480
<v Speaker 1>Big Money Players Network and iHeart Podcasts.

1:52:51.560 --> 1:52:54.640
<v Speaker 2>Created and hosted by me George Severis and Sam Taggart.

1:52:54.800 --> 1:52:57.879
<v Speaker 1>Executive produced by Jennet Cagel, co produced by Becca Ramos,

1:52:58.200 --> 1:53:00.920
<v Speaker 1>edited by Laurence Thump, and mixed and mastured by Doug Bain.

1:53:01.400 --> 1:53:04.040
<v Speaker 1>Artwork by Michael Philes and Matt Grubb. Theme music by

1:53:04.040 --> 1:53:04.519
<v Speaker 1>Ben Kling