Speaker 1: Music Saved Me.
Speaker 2: The only way I can describe is that when I
Speaker 2: walked up to the microphone, it literally felt as though
Speaker 2: like I don't know I was there and I was
Speaker 2: completely naked, and everybody was like, oh my god, this guy.
Speaker 3: You know, it was so like, it's so shut Lily nervin,
Speaker 3: you know.
Speaker 4: I'm Lynn Hoffman and welcome to another inspiring episode of
Speaker 4: the Music Save Me Podcast, where we explore it the
Speaker 4: transformative power of music and its ability to heal, uplift
Speaker 4: and connect us all. Now, if you like this podcast,
Speaker 4: please share it with your friends and make sure you
Speaker 4: follow us and subscribe so you never miss an episode.
Speaker 4: And boy are you lucky. Today we are thrilled to
Speaker 4: have with us the incredibly talented and dare I say
Speaker 4: absolutely adorable Dylan Cartilage, a rising story in the music
Speaker 4: world on Glass Note Records, whose unique sound and powerful
Speaker 4: storytelling and the biggest smile you can hear it when
Speaker 4: he sings, are making waves in the music industry. Hailing
Speaker 4: from redcar which is a small town in the northeast
Speaker 4: of England, Dylan's story is one of hope above adversity
Speaker 4: for Sure, which is the title of his debut album
Speaker 4: from twenty twenty one and his newest single, which is
Speaker 4: so catchy. I dare you not to listen once and
Speaker 4: you will never forget the song. It's called New Day,
Speaker 4: a wonderful song of hope and redemption. Welcome Dylan cartlitche
Speaker 4: to Music Save Me. It's so great to have you here.
Speaker 2: Oh my god, I don't think I've ever had a
Speaker 2: better introiler. Thank you so so much. I really appreciate that.
Speaker 4: Well, You're welcome, and thank you for being here. Can
Speaker 4: you start by telling our listeners about your early experiences
Speaker 4: with music and how how it originally became a source
Speaker 4: of healing for you growing up in Red Car one percent.
Speaker 2: So you know, I guess you know, my musical kind
Speaker 2: of journeys, you know, is impacted very much by my
Speaker 2: life experience. You know, it kind of like goes hand
Speaker 2: in hand. So I've first started out like rapping when
Speaker 2: I was like, you know, thirteen fourteen, But it really
Speaker 2: came from like I had a very very electric matic upbringing.
Speaker 2: I was in and out of foster care. You know,
Speaker 2: I had lots of things going on at home, you know,
Speaker 2: and I was really faced with a decision. You know,
Speaker 2: it's probably the hardest decision I've ever had to make,
Speaker 2: which was kind of moving away from my town, my hometown,
Speaker 2: everything that I've ever known at the age of you know,
Speaker 2: fourteen fifteen and starting a brand new life with a
Speaker 2: foster family, or you know, staying in everything that I
Speaker 2: knew at the time, which was trauma, you know, addiction, struggle,
Speaker 2: these kind of things. And although it was a really
Speaker 2: really difficult decision, I made the decision to move away
Speaker 2: and to really begin, yeah, I begin again and to
Speaker 2: start again.
Speaker 3: And it was really really difficult.
Speaker 2: When I first came to Red Car it was it
Speaker 2: was like it was almost it was beautiful but terrifying
Speaker 2: at the same time, because it was sort of like, yeah,
Speaker 2: just a totally clean slate, but there was lots of
Speaker 2: people that I cared deally about that had to kind
Speaker 2: of leave behind in a way or not be as
Speaker 2: you know, locationally close to. And yeah, a lot of
Speaker 2: healing to be done. And so that really was a
Speaker 2: process of going from living in a kind of inter
Speaker 2: city circumstance where you know, my school percentage was like
Speaker 2: thirteen percent, to like living in a very rural coastal
Speaker 2: area where I was the only black kid in a
Speaker 2: school full of three hundred kids, and I went to
Speaker 2: school ninety nine percent of the time and began this
Speaker 2: musical journey. I started, you know, kind of burning CDs
Speaker 2: at that time. I was writing albums, you know. I'll
Speaker 2: go in between the lessons with a you know, a
Speaker 2: piece of paper on like the break, you know, in
Speaker 2: between the classes and be.
Speaker 3: Like, hey, guys, I've written these lyrics. Can you read
Speaker 3: these and get back to me?
Speaker 2: You know. And I was doing the school talent shows
Speaker 2: and stuff like that. But yeah, that's really where where
Speaker 2: it kind of began for me. Is really that transition
Speaker 2: which is the biggest point in my life, you know
Speaker 2: at that time, which was to kind of you know,
Speaker 2: to start that process of healing and really begin to yeah,
Speaker 2: begin my life really now.
Speaker 4: You you had mentioned you grew up in the foster
Speaker 4: care system and then you were adopted by a family.
Speaker 4: You said somewhere I think I saw on this beautiful
Speaker 4: documentary piece that you wrote songs to speak to your
Speaker 4: brothers because you couldn't do it verbally, so it was
Speaker 4: easier for you to explain or express your feelings. Can
Speaker 4: you talk a little bit about that.
Speaker 3: Yeah, one hundred percent.
Speaker 2: So the hardest thing about moving away is that, you know,
Speaker 2: I had I have a younger brother. But at the
Speaker 2: time when I moved away, my younger brother was eight
Speaker 2: years old, and you know, to kind of paint a
Speaker 2: picture for the listeners, it was kind of like, you know,
Speaker 2: I was really struggling, and there was times where it
Speaker 2: was me and you know, in a house with no electricity,
Speaker 2: with a new born baby in my arms, you know,
Speaker 2: trying to find a way through, you know, and no
Speaker 2: matter how bad things have gotten on, regardless of what
Speaker 2: I've been through, like when my brother was born, like
Speaker 2: that was a ray of hope that was like, this
Speaker 2: is something pure and innocent that needs to be protected,
Speaker 2: and I can't allow what's happened to me so far
Speaker 2: to happen to my brother, you know. And so I
Speaker 2: took this real responsibility, this real sort of like you know,
Speaker 2: I guess parental type of role or that was you know,
Speaker 2: a kid myself. You know, it's like it'd been eight
Speaker 2: years old to kind of make sure that that didn't
Speaker 2: happen to my brother. And I did everything that I can.
Speaker 2: But the biggest factor of moving away was to have
Speaker 2: to leave my brother, you know, with an uncertain life himself,
Speaker 2: because it was only myself that was able to move
Speaker 2: away into this adoption and that was the most gut wrenching,
Speaker 2: heartbreaking experience. But I really told myself that if I
Speaker 2: could move away and make something better myself, that ultimately
Speaker 2: being a role model for my brother and showing them
Speaker 2: that we can escape the circumstances and you know and
Speaker 2: kind of like make something better of our lives would
Speaker 2: be a better thing than to sacrifice any opportunity I
Speaker 2: might be given just to stay, you know, in the
Speaker 2: same situation as my brother. So a big part of
Speaker 2: my early songwriting was kind of making sense to that
Speaker 2: and trying to, yeah, make songs really to speak to
Speaker 2: my brother, to speak to family members of a children
Speaker 2: like us, you know, other children that would face you know,
Speaker 2: crazy adversity, trauma, addiction, and kids you don't hear from.
Speaker 2: It was really to you know, to give a voice
Speaker 2: to the voiceless.
Speaker 4: And lead by example as a big brother, which is
Speaker 4: is very powerful too, but you're doing it with music
Speaker 4: is just it's like an extra level of example, which
Speaker 4: is pretty amazing. You've described your sound besides creating new
Speaker 4: musical genres, which I don't even know if you understood
Speaker 4: that you were doing at the time, but your described
Speaker 4: sounds hope above adversity. What does hope above aversity mean
Speaker 4: to you? And how does it reflect in your music?
Speaker 2: I think, you know, I think hope of adversity and
Speaker 2: kind of like the style of music that I make
Speaker 2: and the vibe that I hope to get across with
Speaker 2: my songs. I really I'm a big believer in kind
Speaker 2: of music encapsulating more than.
Speaker 3: Just what's on in MP three.
Speaker 2: Like I absolutely love whenever I work people at big people,
Speaker 2: small people, whatever it is. You know, I might just
Speaker 2: collaborate with somebody I just met the other day, Like,
Speaker 2: you know, there was a t where I got a
Speaker 2: cab one time and that I ended up working with
Speaker 2: a cab driver and he was taking photos and whatever
Speaker 2: it is, and You're like, it's genuinely like a I
Speaker 2: am that guy, Like I will talk to anybody anytime
Speaker 2: and they're like, let's try something.
Speaker 3: I'm game, man.
Speaker 2: I'm just like, I'm a very people person, and I
Speaker 2: really see those moments as being like snapshots. So it
Speaker 2: don't matter whether you're working in you know, Electric Lady
Speaker 2: or I've we road with the biggest studos and real
Speaker 2: smallert studies in your bedroom.
Speaker 3: It doesn't matter.
Speaker 2: Like I always see U, you know, collaboration and also
Speaker 2: just making music as like a time stamp, a little cap,
Speaker 2: you know, a frozen piece of time and where that
Speaker 2: person might be or where those people might be at
Speaker 2: that time. Yeah, and I and I really get a
Speaker 2: real cavarsitism from making music, and I've very much blend
Speaker 2: that in so I try my best to think about,
Speaker 2: you know, I guess the landscape at the time and
Speaker 2: how I'm feeling in myself emotionally, but also in a
Speaker 2: broader context of all the music that's come before me,
Speaker 2: you know, soul artists, you know Rufa Franklin and Nina Simone,
Speaker 2: as Fronk calld Is, like Stevie Wonder, you know, just
Speaker 2: people who have laid the foundations for great musicians.
Speaker 3: And it's given us.
Speaker 2: Such a rich variety of history to delve into, like
Speaker 2: to be able to draw on that but also put
Speaker 2: it in the context of like, you know, I guess
Speaker 2: the way that you know Quentin Tarantino, Like I'm a
Speaker 2: big movie buff, and I feel like the way in
Speaker 2: which he talks about movies and talks about his influences
Speaker 2: in the old La cinemas and how he wanted to
Speaker 2: kind of do his own thing with that and kind
Speaker 2: of like, you know, take what had gone before him,
Speaker 2: but kind of spin it in new way. Like I love,
Speaker 2: like I feel to do that in the context of
Speaker 2: the musicians that have come before me, but with my
Speaker 2: own story and my own kind of emotional kind of regulation.
Speaker 2: But yeah, in the context of like how I feel
Speaker 2: today in the world I live in.
Speaker 4: You know, well, you know you mentioned a few names.
Speaker 4: They're pretty big names. Nina Simon, Stevie Wonder. I'm just
Speaker 4: curious when you would have a moment maybe that you
Speaker 4: weren't quite as happy or you were feeling down, what
Speaker 4: music did you listen to to help you to get
Speaker 4: out of that mood.
Speaker 2: Yeah, I think definitely, I think that I think that
Speaker 2: would be that vibe. I think definitely Kick Cuddy was
Speaker 2: a massive artist for me. Like there, Nina Simon too,
Speaker 2: like artists like that, even like you know, Louis Armstrong.
Speaker 2: And what I would find is that, like, you know,
Speaker 2: when I was feeling when I was not feeling great,
Speaker 2: So everybody knows that when you're.
Speaker 3: Not feeling so good.
Speaker 2: I actually try my best to sort of like sit
Speaker 2: with that feeling and embrace that and trying to learn
Speaker 2: something from it. And I feel like, even like, you know,
Speaker 2: there's been times throughout history or you know, with artists
Speaker 2: where there's been, you know, horrific challenges that they've been facing,
Speaker 2: Nina Simone being a you know, quintessential.
Speaker 3: Kind of point in case there and just the way
Speaker 3: in which way she.
Speaker 2: Would encaptulate, you know, not not necessarily look away from
Speaker 2: those feelings or you know, the hardship that she was
Speaker 2: facing at the time, but actually would you know, express
Speaker 2: it in a way that felt kind of timeless, you know,
Speaker 2: and and and it almost gave a blueprint for people
Speaker 2: to listen to and and to kind of take take
Speaker 2: some solace in.
Speaker 1: You know, you are an old soul.
Speaker 4: And so when were you first introduced to some of
Speaker 4: these amazing artists that came long before you.
Speaker 2: I kind of think it was, you know, very much
Speaker 2: like in a mad way. My introduction was to music
Speaker 2: was a bit of a strange one because I grew
Speaker 2: up in a household that was very chaotic, and I
Speaker 2: would just find like random, like I don't know, there
Speaker 2: was a point in time where you know me, you know,
Speaker 2: my biological mum were living in like a kind of
Speaker 2: a rave house, like it was a state you know,
Speaker 2: it's kind of a state house type thing, and there
Speaker 2: was just like a house DJ and there's just tapes
Speaker 2: of like random trance stuff and weird eighties and nineties
Speaker 2: sort of you know, British pop bands like you know,
Speaker 2: just lying around and I would just listen to this
Speaker 2: stuff and you know, figure out. But I think I've
Speaker 2: always been drawing to that stuff. I think the second
Speaker 2: that I would you know, listen to you know, particular
Speaker 2: radio station or you know, somebody would play. I always
Speaker 2: remember one of the funniest things ever I ever to
Speaker 2: remember is I remember going to my one of my
Speaker 2: older brothers from my you know, adoptive family. I went
Speaker 2: to one of his wedding and I never forget the
Speaker 2: first time that I heard it's Tricky by run DMC.
Speaker 3: I must have.
Speaker 2: I must have been about six years old, right, and
Speaker 2: I was I was allowed to go to the party
Speaker 2: my brother, you know, it was his wedding, and so
Speaker 2: one of my over brothers like, okay, we're gonna look
Speaker 2: after you and you can stay till late. So I
Speaker 2: like get in No Bedtime today and then that song
Speaker 2: I just requested over and over again and was dancing
Speaker 2: and dancing and dancing. So just anything that I've always
Speaker 2: been drawn to that kind of stuff, you know where
Speaker 2: it's people just playing it on you.
Speaker 3: Have you heard this.
Speaker 2: I've always been drawn to that kind of old soul stuff,
Speaker 2: you know, a lot of the northern soul stuff.
Speaker 3: A big Frankie Valley fan too.
Speaker 4: Wow, fron DMC to Frankie Valley, that's amazing that that
Speaker 4: truly is amazing you you really you know your stuff
Speaker 4: and all just sup such uplifting stuff. Run DMC was
Speaker 4: a huge band for me too, so I totally I
Speaker 4: can hear that song right now.
Speaker 1: It's okay and then just that yes, that's d MC,
Speaker 1: actually believe it or not. Between us.
Speaker 4: On a side note, I'm dear old friends with with
Speaker 4: Darryl Darryl Mack and I bet it would just make
Speaker 4: him so thrilled to note that he influenced you and
Speaker 4: and you're coming up through the ranks. Can you share
Speaker 4: a specific moment or an experience where music saved or
Speaker 4: helped you through a difficult time.
Speaker 2: I definitely think I would say at the time when
Speaker 2: you know, I did have to kind of you know
Speaker 2: leave you know, kind of leave my hometown and really
Speaker 2: kind of you know, leave everything behind. I would say
Speaker 2: that for me, that's a you know, a big part
Speaker 2: of you know, my kind of life. And I would
Speaker 2: say that would definitely be one of the moments where
Speaker 2: you know, it was sort of like there was so
Speaker 2: much going on. I would say, you know, such hardship.
Speaker 2: It's such such a young age, and I just really remember,
Speaker 2: you know, listening to Kick Cuddie, who was an artist
Speaker 2: like you know who I been into rap heavily as
Speaker 2: you know, starting out as a rapper myself, and listen
Speaker 2: to even like people like Common or Lupe Fiasco or
Speaker 2: rappers that were maybe off the beaten track and kind
Speaker 2: of did some kind of like more conscious hip hop.
Speaker 2: But Kik Kuddy was the first rapper I heard that
Speaker 2: kind of was like wrapping about depression or mental illness
Speaker 2: or you know, all these types of things. And I
Speaker 2: was the first time where it felt to me like,
Speaker 2: you know, it was kind of safe to just like, oh,
Speaker 2: you know, it isn't just jay Z that I'm looking
Speaker 2: at or can you wess and these people who were
Speaker 2: kind of like, you know, they are having a great time,
Speaker 2: they're in the club, you know that you know, whatever
Speaker 2: it might be, which is great and there's something to
Speaker 2: aspire to. But then there's also this guy that has
Speaker 2: all of that seemingly, but it's also you know, talking
Speaker 2: about how low he is and and you know, and
Speaker 2: how he's feeling and in you know, in some dark topics,
Speaker 2: you know. And I think that that really for me
Speaker 2: is when I felt really music touched me, like really
Speaker 2: really touched me and really made me feel in those
Speaker 2: moments that I wasn't just observing somebody having a great
Speaker 2: time or observing an artist living the best life, but
Speaker 2: I was actually getting an insight into who that artist
Speaker 2: was as a person.
Speaker 3: It maybe really discover myself too.
Speaker 4: You know, how important is it to you to reach
Speaker 4: people with your music?
Speaker 2: I think as much as I hope to. Obviously that's
Speaker 2: something that's outside of my control, but I definitely would love,
Speaker 2: like my wish, you know, for my music is, you know,
Speaker 2: if I have any sort of bearing on that is
Speaker 2: to be able to offer something that is kind of
Speaker 2: musically a stude hopefully that you can listen to, you
Speaker 2: can group to, you can dance to without you know,
Speaker 2: or get something from without necessarily having to be a
Speaker 2: music buff or like, you know, something like that, you
Speaker 2: could just anybody could listen to it, you know, and
Speaker 2: get something from it and be like, Yo, that's really cool.
Speaker 2: But also if you have you know, something else going on,
Speaker 2: or you're really going for a tough time, or you're
Speaker 2: just not in a great place, that you can also
Speaker 2: get something from it too, you know, but it's not
Speaker 2: necessarily exclusive to that. So I hope would be to
Speaker 2: offer something that, like I say, sort of stands up
Speaker 2: in its own kind of musicality and has something interesting
Speaker 2: to offer to music. I mean, as crazy grandiose as
Speaker 2: that sounds like in whatever capacity, but also you know,
Speaker 2: has something to offer the soul, you know, if you
Speaker 2: need that.
Speaker 4: If you need that, well, how does it make you
Speaker 4: feel when you witness someone who has experience into that
Speaker 4: joy from your music.
Speaker 2: I think it's a really humbling experience For me. I
Speaker 2: think that is more important than anything else. Like if
Speaker 2: somebody just, oh my god, dil you know, this song
Speaker 2: just did this many streams, Oh my god, look at
Speaker 2: the analytics on this or this just did this, Like
Speaker 2: that stuff is great or you know, if oh, he's
Speaker 2: an award for this like whatever, that stuff is great.
Speaker 2: But I really feel like the one message or the
Speaker 2: one DM I get from people like, oh my god, listen,
Speaker 2: I've just been going for a really a tough time
Speaker 2: and I heard this song and I can't even like
Speaker 2: begin to tell you how that's connected with me or
Speaker 2: how it's made me feel, because I feel like I
Speaker 2: can relate to that. I've been been in that dark place,
Speaker 2: you know, and I've been yeah, and really that has
Speaker 2: been my whole kind of mission with my music, and
Speaker 2: what I'm doing is to be able to give back
Speaker 2: what music has given me, you know.
Speaker 3: So that's how I respond to that.
Speaker 1: That's such a beautiful sentiment.
Speaker 4: And you're just you're just so uplifting in person, let
Speaker 4: alone all of your music. What role does live performance
Speaker 4: play in your musical journey and how does it differ
Speaker 4: from the studio experience, you know, in terms of healing
Speaker 4: and connection with your fans and and with people.
Speaker 2: You know what, This is a really interesting, interesting question
Speaker 2: because I think as much as I can kind of like,
Speaker 2: you know, philosophize about you know, the kind of inner
Speaker 2: workings of my you know sort of you know ethical
Speaker 2: or like moral dilemmas with my music or you know,
Speaker 2: my artistic vision or you know whatever it might be,
Speaker 2: the cafarts of making music or you know, releasing music.
Speaker 2: Actually it's quite quite funny because when I actually began,
Speaker 2: you know, doing a live show for the first time,
Speaker 2: you know, just before my first album, and I actually
Speaker 2: found that I was like terribly terribly, like like absolutely
Speaker 2: nerve shatteringly terrified of being on stage, like so so
Speaker 2: bad because not so not so much even performing, but
Speaker 2: actually like I feel like almost like you know, putting
Speaker 2: this in my music and putting that out there and
Speaker 2: sort of you know, putting up on on a you know,
Speaker 2: on a DSP or kind of you know, putting up
Speaker 2: for people to listen to our streaming services or whatever.
Speaker 2: It is like there's something safe about that, but you
Speaker 2: don't have that same safety when you're in a crowd
Speaker 2: of people, you know what I mean. Even now, you know,
Speaker 2: talking talking to you here through the screen and being
Speaker 2: able to you know, say that is one thing, but
Speaker 2: you know, to be able to connect with people in
Speaker 2: the room and do that is something that I didn't
Speaker 2: even realize that I was. I was so I was
Speaker 2: so so terribly scared of it. Actually felt like the
Speaker 2: only way I could describe it is that when I
Speaker 2: walked into the microphone, it literally felt as though like
Speaker 2: I don't know, I was I was there and I
Speaker 2: was completely naked, and everybody was like, oh my god,
Speaker 2: this guy. You know, it was so like it's so
Speaker 2: shatter literally nerving, you know, but I kind of but yeah,
Speaker 2: I really began to kind of lean into that I
Speaker 2: had a you know, it took me a little while
Speaker 2: to get there, and it took me a while to
Speaker 2: really feel like I could have a live show that
Speaker 2: not only brought something to like the live scene offered something,
Speaker 2: you know, unique experience for somebody who's coming down and
Speaker 2: getting tickets, but also I feel comfortable really me as
Speaker 2: a person, like sharing my experience as people on stage,
Speaker 2: you know. And I think a part of that began
Speaker 2: sort of like being less scripted and like oh.
Speaker 3: You know the song one and welcome people, you know.
Speaker 2: But actually just being me, pealing jokes, being stupid, like
Speaker 2: just connecting with people and being myself.
Speaker 3: You know.
Speaker 4: Yes, definitely I didn't really think about it, but yeah,
Speaker 4: I mean, you're so intensive in the studio, working with
Speaker 4: other artists or yourself, and then you hit this stage
Speaker 4: and there's thousands of people in front of you. It
Speaker 4: must be such a juxtaposition, I guess for someone like
Speaker 4: you to do that for the first time, But now,
Speaker 4: how are you feeling about it when you get on
Speaker 4: stage in front of people?
Speaker 2: Definitely, I'm open with this second album, I can definitely
Speaker 2: get to the to.
Speaker 3: The thousand stage.
Speaker 2: Thousand stage not quite there yet, but I'm really excited
Speaker 2: to get there. And I do feel as though, like, yeah,
Speaker 2: it's something that I think now that I've done a
Speaker 2: little bit of, and I think particularly with this, you know,
Speaker 2: this next record and in this this new music, I
Speaker 2: think that it's been a learning experience for me as
Speaker 2: opposed to just kind of saying like, hey guys, you
Speaker 2: can do this. Hey, you know, there's there's you know,
Speaker 2: there's the grass is green, of things can be brighter,
Speaker 2: you can get through these moments. But actually, now that
Speaker 2: I'm sort of somewhat there or of you know, kind
Speaker 2: of come from the circumstances that have come from that,
Speaker 2: I'm here, like what do I do now, you know?
Speaker 3: And what does life look like today? Who am I today?
Speaker 2: In the context of, like, you know, running away from
Speaker 2: my experiences building this new life. Essentially when the spotlight
Speaker 2: is on, like, you know, what do I have to say?
Speaker 3: What do I have to offer?
Speaker 2: And I really think that, you know, that's something that
Speaker 2: I've really become comfortable with and found a way to express.
Speaker 4: You certainly have the single the newest is called New Day,
Speaker 4: and the first thing I thought of when I heard
Speaker 4: the song. I had to listen to it like five
Speaker 4: times because it was so cool. And my husband came
Speaker 4: and I said, you.
Speaker 1: Got to hear this.
Speaker 4: It's so good. And you know that doesn't happen all
Speaker 4: the time, just for real. You have to know that
Speaker 4: that's just a very special thing. But to have that
Speaker 4: ability and to do that is amazing, And I hope
Speaker 4: that you have many many more years of continued success
Speaker 4: with everything you're doing in your life. And you have
Speaker 4: to call one of the big morning shows and tell
Speaker 4: them they need to use this song New Day as
Speaker 4: the opener to their morning shows because it's just the
Speaker 4: happiest song I think I've ever heard in my life,
Speaker 4: and I've heard a lot of music, because I'm all, I.
Speaker 2: Don't believe that for one second, and early as old
Speaker 2: as you feel, girl, and how much energy you putting
Speaker 2: into this, I'm not buying that for a second.
Speaker 1: But thank you.
Speaker 3: But maybe we can.
Speaker 2: Yeah, maybe this is something that's going to increase global,
Speaker 2: global production.
Speaker 3: Every morning show is going to be made mandatory.
Speaker 2: You have to listen to New Day with you getting
Speaker 2: up to work a construction job at four am. You
Speaker 2: can listen to this song and everybody's gonna feel a
Speaker 2: little bit better.
Speaker 4: And the smile on your face I can hear it,
Speaker 4: and I can hear it now, and if you're listening,
Speaker 4: and if you want to know, he's got the biggest
Speaker 4: smile and you don't even have to see his face
Speaker 4: to hear it in his music.
Speaker 1: Dylan, thank you so much for sharing.
Speaker 4: Your story and best wishes to you in the future,
Speaker 4: and I really do hope you come back and share
Speaker 4: more amazing success stories with us. For yourself and for
Speaker 4: all of your fans who get to hear your wonderful music.
Speaker 2: Thank you, Thank you so much, lind to you and
Speaker 2: your listen it's been absolute pleasure and not only to
Speaker 2: be a part of this, but also to be a fellow.
Speaker 3: Will DMC not to take it?
Speaker 4: Oh my gosh you we have to talk after this
Speaker 4: because I have to introduce you.
Speaker 3: Please.
Speaker 4: Yeah, he has to know you, if he doesn't already
Speaker 4: by now. Thanks so much for coming on. Music saved me.