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Speaker 1: Music Saved Me.

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Speaker 2: The only way I can describe is that when I

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Speaker 2: walked up to the microphone, it literally felt as though

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Speaker 2: like I don't know I was there and I was

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Speaker 2: completely naked, and everybody was like, oh my god, this guy.

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Speaker 3: You know, it was so like, it's so shut Lily nervin,

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Speaker 3: you know.

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Speaker 4: I'm Lynn Hoffman and welcome to another inspiring episode of

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Speaker 4: the Music Save Me Podcast, where we explore it the

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Speaker 4: transformative power of music and its ability to heal, uplift

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Speaker 4: and connect us all. Now, if you like this podcast,

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Speaker 4: please share it with your friends and make sure you

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Speaker 4: follow us and subscribe so you never miss an episode.

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Speaker 4: And boy are you lucky. Today we are thrilled to

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Speaker 4: have with us the incredibly talented and dare I say

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Speaker 4: absolutely adorable Dylan Cartilage, a rising story in the music

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Speaker 4: world on Glass Note Records, whose unique sound and powerful

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Speaker 4: storytelling and the biggest smile you can hear it when

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Speaker 4: he sings, are making waves in the music industry. Hailing

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Speaker 4: from redcar which is a small town in the northeast

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Speaker 4: of England, Dylan's story is one of hope above adversity

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Speaker 4: for Sure, which is the title of his debut album

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Speaker 4: from twenty twenty one and his newest single, which is

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Speaker 4: so catchy. I dare you not to listen once and

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Speaker 4: you will never forget the song. It's called New Day,

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Speaker 4: a wonderful song of hope and redemption. Welcome Dylan cartlitche

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Speaker 4: to Music Save Me. It's so great to have you here.

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Speaker 2: Oh my god, I don't think I've ever had a

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Speaker 2: better introiler. Thank you so so much. I really appreciate that.

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Speaker 4: Well, You're welcome, and thank you for being here. Can

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Speaker 4: you start by telling our listeners about your early experiences

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Speaker 4: with music and how how it originally became a source

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Speaker 4: of healing for you growing up in Red Car one percent.

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Speaker 2: So you know, I guess you know, my musical kind

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Speaker 2: of journeys, you know, is impacted very much by my

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Speaker 2: life experience. You know, it kind of like goes hand

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Speaker 2: in hand. So I've first started out like rapping when

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Speaker 2: I was like, you know, thirteen fourteen, But it really

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Speaker 2: came from like I had a very very electric matic upbringing.

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Speaker 2: I was in and out of foster care. You know,

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Speaker 2: I had lots of things going on at home, you know,

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Speaker 2: and I was really faced with a decision. You know,

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Speaker 2: it's probably the hardest decision I've ever had to make,

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Speaker 2: which was kind of moving away from my town, my hometown,

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Speaker 2: everything that I've ever known at the age of you know,

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Speaker 2: fourteen fifteen and starting a brand new life with a

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Speaker 2: foster family, or you know, staying in everything that I

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Speaker 2: knew at the time, which was trauma, you know, addiction, struggle,

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Speaker 2: these kind of things. And although it was a really

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Speaker 2: really difficult decision, I made the decision to move away

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Speaker 2: and to really begin, yeah, I begin again and to

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Speaker 2: start again.

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Speaker 3: And it was really really difficult.

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Speaker 2: When I first came to Red Car it was it

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Speaker 2: was like it was almost it was beautiful but terrifying

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Speaker 2: at the same time, because it was sort of like, yeah,

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Speaker 2: just a totally clean slate, but there was lots of

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Speaker 2: people that I cared deally about that had to kind

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Speaker 2: of leave behind in a way or not be as

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Speaker 2: you know, locationally close to. And yeah, a lot of

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Speaker 2: healing to be done. And so that really was a

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Speaker 2: process of going from living in a kind of inter

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Speaker 2: city circumstance where you know, my school percentage was like

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Speaker 2: thirteen percent, to like living in a very rural coastal

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Speaker 2: area where I was the only black kid in a

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Speaker 2: school full of three hundred kids, and I went to

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Speaker 2: school ninety nine percent of the time and began this

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Speaker 2: musical journey. I started, you know, kind of burning CDs

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Speaker 2: at that time. I was writing albums, you know. I'll

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Speaker 2: go in between the lessons with a you know, a

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Speaker 2: piece of paper on like the break, you know, in

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Speaker 2: between the classes and be.

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Speaker 3: Like, hey, guys, I've written these lyrics. Can you read

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Speaker 3: these and get back to me?

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Speaker 2: You know. And I was doing the school talent shows

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Speaker 2: and stuff like that. But yeah, that's really where where

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Speaker 2: it kind of began for me. Is really that transition

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Speaker 2: which is the biggest point in my life, you know

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Speaker 2: at that time, which was to kind of you know,

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Speaker 2: to start that process of healing and really begin to yeah,

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Speaker 2: begin my life really now.

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Speaker 4: You you had mentioned you grew up in the foster

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Speaker 4: care system and then you were adopted by a family.

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Speaker 4: You said somewhere I think I saw on this beautiful

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Speaker 4: documentary piece that you wrote songs to speak to your

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Speaker 4: brothers because you couldn't do it verbally, so it was

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Speaker 4: easier for you to explain or express your feelings. Can

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Speaker 4: you talk a little bit about that.

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Speaker 3: Yeah, one hundred percent.

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Speaker 2: So the hardest thing about moving away is that, you know,

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Speaker 2: I had I have a younger brother. But at the

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Speaker 2: time when I moved away, my younger brother was eight

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Speaker 2: years old, and you know, to kind of paint a

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Speaker 2: picture for the listeners, it was kind of like, you know,

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Speaker 2: I was really struggling, and there was times where it

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Speaker 2: was me and you know, in a house with no electricity,

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Speaker 2: with a new born baby in my arms, you know,

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Speaker 2: trying to find a way through, you know, and no

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Speaker 2: matter how bad things have gotten on, regardless of what

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Speaker 2: I've been through, like when my brother was born, like

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Speaker 2: that was a ray of hope that was like, this

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Speaker 2: is something pure and innocent that needs to be protected,

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Speaker 2: and I can't allow what's happened to me so far

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Speaker 2: to happen to my brother, you know. And so I

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Speaker 2: took this real responsibility, this real sort of like you know,

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Speaker 2: I guess parental type of role or that was you know,

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Speaker 2: a kid myself. You know, it's like it'd been eight

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Speaker 2: years old to kind of make sure that that didn't

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Speaker 2: happen to my brother. And I did everything that I can.

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Speaker 2: But the biggest factor of moving away was to have

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Speaker 2: to leave my brother, you know, with an uncertain life himself,

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Speaker 2: because it was only myself that was able to move

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Speaker 2: away into this adoption and that was the most gut wrenching,

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Speaker 2: heartbreaking experience. But I really told myself that if I

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Speaker 2: could move away and make something better myself, that ultimately

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Speaker 2: being a role model for my brother and showing them

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Speaker 2: that we can escape the circumstances and you know and

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Speaker 2: kind of like make something better of our lives would

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Speaker 2: be a better thing than to sacrifice any opportunity I

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Speaker 2: might be given just to stay, you know, in the

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Speaker 2: same situation as my brother. So a big part of

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Speaker 2: my early songwriting was kind of making sense to that

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Speaker 2: and trying to, yeah, make songs really to speak to

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Speaker 2: my brother, to speak to family members of a children

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Speaker 2: like us, you know, other children that would face you know,

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Speaker 2: crazy adversity, trauma, addiction, and kids you don't hear from.

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Speaker 2: It was really to you know, to give a voice

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Speaker 2: to the voiceless.

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Speaker 4: And lead by example as a big brother, which is

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Speaker 4: is very powerful too, but you're doing it with music

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Speaker 4: is just it's like an extra level of example, which

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Speaker 4: is pretty amazing. You've described your sound besides creating new

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Speaker 4: musical genres, which I don't even know if you understood

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Speaker 4: that you were doing at the time, but your described

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Speaker 4: sounds hope above adversity. What does hope above aversity mean

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Speaker 4: to you? And how does it reflect in your music?

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Speaker 2: I think, you know, I think hope of adversity and

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Speaker 2: kind of like the style of music that I make

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Speaker 2: and the vibe that I hope to get across with

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Speaker 2: my songs. I really I'm a big believer in kind

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Speaker 2: of music encapsulating more than.

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Speaker 3: Just what's on in MP three.

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Speaker 2: Like I absolutely love whenever I work people at big people,

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Speaker 2: small people, whatever it is. You know, I might just

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Speaker 2: collaborate with somebody I just met the other day, Like,

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Speaker 2: you know, there was a t where I got a

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Speaker 2: cab one time and that I ended up working with

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Speaker 2: a cab driver and he was taking photos and whatever

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Speaker 2: it is, and You're like, it's genuinely like a I

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Speaker 2: am that guy, Like I will talk to anybody anytime

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Speaker 2: and they're like, let's try something.

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Speaker 3: I'm game, man.

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Speaker 2: I'm just like, I'm a very people person, and I

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Speaker 2: really see those moments as being like snapshots. So it

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Speaker 2: don't matter whether you're working in you know, Electric Lady

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Speaker 2: or I've we road with the biggest studos and real

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Speaker 2: smallert studies in your bedroom.

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Speaker 3: It doesn't matter.

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Speaker 2: Like I always see U, you know, collaboration and also

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Speaker 2: just making music as like a time stamp, a little cap,

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Speaker 2: you know, a frozen piece of time and where that

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Speaker 2: person might be or where those people might be at

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Speaker 2: that time. Yeah, and I and I really get a

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Speaker 2: real cavarsitism from making music, and I've very much blend

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Speaker 2: that in so I try my best to think about,

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Speaker 2: you know, I guess the landscape at the time and

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Speaker 2: how I'm feeling in myself emotionally, but also in a

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Speaker 2: broader context of all the music that's come before me,

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Speaker 2: you know, soul artists, you know Rufa Franklin and Nina Simone,

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Speaker 2: as Fronk calld Is, like Stevie Wonder, you know, just

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Speaker 2: people who have laid the foundations for great musicians.

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Speaker 3: And it's given us.

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Speaker 2: Such a rich variety of history to delve into, like

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Speaker 2: to be able to draw on that but also put

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Speaker 2: it in the context of like, you know, I guess

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Speaker 2: the way that you know Quentin Tarantino, Like I'm a

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Speaker 2: big movie buff, and I feel like the way in

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Speaker 2: which he talks about movies and talks about his influences

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Speaker 2: in the old La cinemas and how he wanted to

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Speaker 2: kind of do his own thing with that and kind

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Speaker 2: of like, you know, take what had gone before him,

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Speaker 2: but kind of spin it in new way. Like I love,

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Speaker 2: like I feel to do that in the context of

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Speaker 2: the musicians that have come before me, but with my

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Speaker 2: own story and my own kind of emotional kind of regulation.

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Speaker 2: But yeah, in the context of like how I feel

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Speaker 2: today in the world I live in.

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Speaker 4: You know, well, you know you mentioned a few names.

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Speaker 4: They're pretty big names. Nina Simon, Stevie Wonder. I'm just

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Speaker 4: curious when you would have a moment maybe that you

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Speaker 4: weren't quite as happy or you were feeling down, what

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Speaker 4: music did you listen to to help you to get

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Speaker 4: out of that mood.

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Speaker 2: Yeah, I think definitely, I think that I think that

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Speaker 2: would be that vibe. I think definitely Kick Cuddy was

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Speaker 2: a massive artist for me. Like there, Nina Simon too,

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Speaker 2: like artists like that, even like you know, Louis Armstrong.

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Speaker 2: And what I would find is that, like, you know,

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Speaker 2: when I was feeling when I was not feeling great,

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Speaker 2: So everybody knows that when you're.

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Speaker 3: Not feeling so good.

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Speaker 2: I actually try my best to sort of like sit

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Speaker 2: with that feeling and embrace that and trying to learn

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Speaker 2: something from it. And I feel like, even like, you know,

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Speaker 2: there's been times throughout history or you know, with artists

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Speaker 2: where there's been, you know, horrific challenges that they've been facing,

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Speaker 2: Nina Simone being a you know, quintessential.

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Speaker 3: Kind of point in case there and just the way

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Speaker 3: in which way she.

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Speaker 2: Would encaptulate, you know, not not necessarily look away from

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Speaker 2: those feelings or you know, the hardship that she was

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Speaker 2: facing at the time, but actually would you know, express

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Speaker 2: it in a way that felt kind of timeless, you know,

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Speaker 2: and and and it almost gave a blueprint for people

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Speaker 2: to listen to and and to kind of take take

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Speaker 2: some solace in.

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Speaker 1: You know, you are an old soul.

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Speaker 4: And so when were you first introduced to some of

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Speaker 4: these amazing artists that came long before you.

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Speaker 2: I kind of think it was, you know, very much

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Speaker 2: like in a mad way. My introduction was to music

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Speaker 2: was a bit of a strange one because I grew

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Speaker 2: up in a household that was very chaotic, and I

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Speaker 2: would just find like random, like I don't know, there

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Speaker 2: was a point in time where you know me, you know,

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Speaker 2: my biological mum were living in like a kind of

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Speaker 2: a rave house, like it was a state you know,

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Speaker 2: it's kind of a state house type thing, and there

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Speaker 2: was just like a house DJ and there's just tapes

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Speaker 2: of like random trance stuff and weird eighties and nineties

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Speaker 2: sort of you know, British pop bands like you know,

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Speaker 2: just lying around and I would just listen to this

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Speaker 2: stuff and you know, figure out. But I think I've

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Speaker 2: always been drawing to that stuff. I think the second

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Speaker 2: that I would you know, listen to you know, particular

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Speaker 2: radio station or you know, somebody would play. I always

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Speaker 2: remember one of the funniest things ever I ever to

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Speaker 2: remember is I remember going to my one of my

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Speaker 2: older brothers from my you know, adoptive family. I went

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Speaker 2: to one of his wedding and I never forget the

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Speaker 2: first time that I heard it's Tricky by run DMC.

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Speaker 3: I must have.

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Speaker 2: I must have been about six years old, right, and

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Speaker 2: I was I was allowed to go to the party

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Speaker 2: my brother, you know, it was his wedding, and so

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Speaker 2: one of my over brothers like, okay, we're gonna look

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Speaker 2: after you and you can stay till late. So I

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Speaker 2: like get in No Bedtime today and then that song

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Speaker 2: I just requested over and over again and was dancing

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Speaker 2: and dancing and dancing. So just anything that I've always

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Speaker 2: been drawn to that kind of stuff, you know where

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Speaker 2: it's people just playing it on you.

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Speaker 3: Have you heard this.

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Speaker 2: I've always been drawn to that kind of old soul stuff,

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Speaker 2: you know, a lot of the northern soul stuff.

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Speaker 3: A big Frankie Valley fan too.

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Speaker 4: Wow, fron DMC to Frankie Valley, that's amazing that that

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Speaker 4: truly is amazing you you really you know your stuff

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Speaker 4: and all just sup such uplifting stuff. Run DMC was

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Speaker 4: a huge band for me too, so I totally I

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Speaker 4: can hear that song right now.

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Speaker 1: It's okay and then just that yes, that's d MC,

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Speaker 1: actually believe it or not. Between us.

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Speaker 4: On a side note, I'm dear old friends with with

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Speaker 4: Darryl Darryl Mack and I bet it would just make

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Speaker 4: him so thrilled to note that he influenced you and

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Speaker 4: and you're coming up through the ranks. Can you share

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Speaker 4: a specific moment or an experience where music saved or

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Speaker 4: helped you through a difficult time.

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Speaker 2: I definitely think I would say at the time when

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Speaker 2: you know, I did have to kind of you know

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Speaker 2: leave you know, kind of leave my hometown and really

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Speaker 2: kind of you know, leave everything behind. I would say

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Speaker 2: that for me, that's a you know, a big part

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Speaker 2: of you know, my kind of life. And I would

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Speaker 2: say that would definitely be one of the moments where

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Speaker 2: you know, it was sort of like there was so

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Speaker 2: much going on. I would say, you know, such hardship.

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Speaker 2: It's such such a young age, and I just really remember,

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Speaker 2: you know, listening to Kick Cuddie, who was an artist

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Speaker 2: like you know who I been into rap heavily as

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Speaker 2: you know, starting out as a rapper myself, and listen

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Speaker 2: to even like people like Common or Lupe Fiasco or

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Speaker 2: rappers that were maybe off the beaten track and kind

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Speaker 2: of did some kind of like more conscious hip hop.

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Speaker 2: But Kik Kuddy was the first rapper I heard that

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Speaker 2: kind of was like wrapping about depression or mental illness

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Speaker 2: or you know, all these types of things. And I

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Speaker 2: was the first time where it felt to me like,

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Speaker 2: you know, it was kind of safe to just like, oh,

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Speaker 2: you know, it isn't just jay Z that I'm looking

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Speaker 2: at or can you wess and these people who were

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Speaker 2: kind of like, you know, they are having a great time,

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Speaker 2: they're in the club, you know that you know, whatever

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Speaker 2: it might be, which is great and there's something to

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Speaker 2: aspire to. But then there's also this guy that has

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Speaker 2: all of that seemingly, but it's also you know, talking

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Speaker 2: about how low he is and and you know, and

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Speaker 2: how he's feeling and in you know, in some dark topics,

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Speaker 2: you know. And I think that that really for me

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Speaker 2: is when I felt really music touched me, like really

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Speaker 2: really touched me and really made me feel in those

303
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Speaker 2: moments that I wasn't just observing somebody having a great

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Speaker 2: time or observing an artist living the best life, but

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Speaker 2: I was actually getting an insight into who that artist

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Speaker 2: was as a person.

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Speaker 3: It maybe really discover myself too.

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Speaker 4: You know, how important is it to you to reach

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Speaker 4: people with your music?

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Speaker 2: I think as much as I hope to. Obviously that's

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Speaker 2: something that's outside of my control, but I definitely would love,

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Speaker 2: like my wish, you know, for my music is, you know,

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Speaker 2: if I have any sort of bearing on that is

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Speaker 2: to be able to offer something that is kind of

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Speaker 2: musically a stude hopefully that you can listen to, you

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Speaker 2: can group to, you can dance to without you know,

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Speaker 2: or get something from without necessarily having to be a

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Speaker 2: music buff or like, you know, something like that, you

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Speaker 2: could just anybody could listen to it, you know, and

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Speaker 2: get something from it and be like, Yo, that's really cool.

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Speaker 2: But also if you have you know, something else going on,

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Speaker 2: or you're really going for a tough time, or you're

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Speaker 2: just not in a great place, that you can also

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Speaker 2: get something from it too, you know, but it's not

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Speaker 2: necessarily exclusive to that. So I hope would be to

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Speaker 2: offer something that, like I say, sort of stands up

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Speaker 2: in its own kind of musicality and has something interesting

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Speaker 2: to offer to music. I mean, as crazy grandiose as

329
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Speaker 2: that sounds like in whatever capacity, but also you know,

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Speaker 2: has something to offer the soul, you know, if you

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Speaker 2: need that.

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Speaker 4: If you need that, well, how does it make you

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Speaker 4: feel when you witness someone who has experience into that

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Speaker 4: joy from your music.

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Speaker 2: I think it's a really humbling experience For me. I

336
00:14:06,559 --> 00:14:09,319
Speaker 2: think that is more important than anything else. Like if

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Speaker 2: somebody just, oh my god, dil you know, this song

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Speaker 2: just did this many streams, Oh my god, look at

339
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Speaker 2: the analytics on this or this just did this, Like

340
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Speaker 2: that stuff is great or you know, if oh, he's

341
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Speaker 2: an award for this like whatever, that stuff is great.

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Speaker 2: But I really feel like the one message or the

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Speaker 2: one DM I get from people like, oh my god, listen,

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Speaker 2: I've just been going for a really a tough time

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Speaker 2: and I heard this song and I can't even like

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Speaker 2: begin to tell you how that's connected with me or

347
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Speaker 2: how it's made me feel, because I feel like I

348
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Speaker 2: can relate to that. I've been been in that dark place,

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Speaker 2: you know, and I've been yeah, and really that has

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Speaker 2: been my whole kind of mission with my music, and

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Speaker 2: what I'm doing is to be able to give back

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Speaker 2: what music has given me, you know.

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Speaker 3: So that's how I respond to that.

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Speaker 1: That's such a beautiful sentiment.

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Speaker 4: And you're just you're just so uplifting in person, let

356
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Speaker 4: alone all of your music. What role does live performance

357
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Speaker 4: play in your musical journey and how does it differ

358
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Speaker 4: from the studio experience, you know, in terms of healing

359
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Speaker 4: and connection with your fans and and with people.

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Speaker 2: You know what, This is a really interesting, interesting question

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Speaker 2: because I think as much as I can kind of like,

362
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Speaker 2: you know, philosophize about you know, the kind of inner

363
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Speaker 2: workings of my you know sort of you know ethical

364
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Speaker 2: or like moral dilemmas with my music or you know,

365
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Speaker 2: my artistic vision or you know whatever it might be,

366
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Speaker 2: the cafarts of making music or you know, releasing music.

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Speaker 2: Actually it's quite quite funny because when I actually began,

368
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Speaker 2: you know, doing a live show for the first time,

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Speaker 2: you know, just before my first album, and I actually

370
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Speaker 2: found that I was like terribly terribly, like like absolutely

371
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Speaker 2: nerve shatteringly terrified of being on stage, like so so

372
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Speaker 2: bad because not so not so much even performing, but

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Speaker 2: actually like I feel like almost like you know, putting

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Speaker 2: this in my music and putting that out there and

375
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Speaker 2: sort of you know, putting up on on a you know,

376
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Speaker 2: on a DSP or kind of you know, putting up

377
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Speaker 2: for people to listen to our streaming services or whatever.

378
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Speaker 2: It is like there's something safe about that, but you

379
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Speaker 2: don't have that same safety when you're in a crowd

380
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Speaker 2: of people, you know what I mean. Even now, you know,

381
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Speaker 2: talking talking to you here through the screen and being

382
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Speaker 2: able to you know, say that is one thing, but

383
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Speaker 2: you know, to be able to connect with people in

384
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Speaker 2: the room and do that is something that I didn't

385
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Speaker 2: even realize that I was. I was so I was

386
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Speaker 2: so so terribly scared of it. Actually felt like the

387
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Speaker 2: only way I could describe it is that when I

388
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Speaker 2: walked into the microphone, it literally felt as though like

389
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Speaker 2: I don't know, I was I was there and I

390
00:16:20,320 --> 00:16:22,800
Speaker 2: was completely naked, and everybody was like, oh my god,

391
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Speaker 2: this guy. You know, it was so like it's so

392
00:16:24,720 --> 00:16:28,200
Speaker 2: shatter literally nerving, you know, but I kind of but yeah,

393
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Speaker 2: I really began to kind of lean into that I

394
00:16:30,080 --> 00:16:31,640
Speaker 2: had a you know, it took me a little while

395
00:16:31,640 --> 00:16:32,880
Speaker 2: to get there, and it took me a while to

396
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Speaker 2: really feel like I could have a live show that

397
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Speaker 2: not only brought something to like the live scene offered something,

398
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Speaker 2: you know, unique experience for somebody who's coming down and

399
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Speaker 2: getting tickets, but also I feel comfortable really me as

400
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Speaker 2: a person, like sharing my experience as people on stage,

401
00:16:45,920 --> 00:16:47,360
Speaker 2: you know. And I think a part of that began

402
00:16:47,520 --> 00:16:49,600
Speaker 2: sort of like being less scripted and like oh.

403
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Speaker 3: You know the song one and welcome people, you know.

404
00:16:52,160 --> 00:16:54,720
Speaker 2: But actually just being me, pealing jokes, being stupid, like

405
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Speaker 2: just connecting with people and being myself.

406
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Speaker 3: You know.

407
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Speaker 4: Yes, definitely I didn't really think about it, but yeah,

408
00:17:00,000 --> 00:17:02,480
Speaker 4: I mean, you're so intensive in the studio, working with

409
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Speaker 4: other artists or yourself, and then you hit this stage

410
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Speaker 4: and there's thousands of people in front of you. It

411
00:17:09,440 --> 00:17:14,280
Speaker 4: must be such a juxtaposition, I guess for someone like

412
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Speaker 4: you to do that for the first time, But now,

413
00:17:16,680 --> 00:17:18,159
Speaker 4: how are you feeling about it when you get on

414
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Speaker 4: stage in front of people?

415
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Speaker 2: Definitely, I'm open with this second album, I can definitely

416
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Speaker 2: get to the to.

417
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Speaker 3: The thousand stage.

418
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Speaker 2: Thousand stage not quite there yet, but I'm really excited

419
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Speaker 2: to get there. And I do feel as though, like, yeah,

420
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Speaker 2: it's something that I think now that I've done a

421
00:17:32,560 --> 00:17:34,520
Speaker 2: little bit of, and I think particularly with this, you know,

422
00:17:34,560 --> 00:17:37,240
Speaker 2: this next record and in this this new music, I

423
00:17:37,240 --> 00:17:39,119
Speaker 2: think that it's been a learning experience for me as

424
00:17:39,160 --> 00:17:41,639
Speaker 2: opposed to just kind of saying like, hey guys, you

425
00:17:41,640 --> 00:17:43,520
Speaker 2: can do this. Hey, you know, there's there's you know,

426
00:17:43,560 --> 00:17:45,480
Speaker 2: there's the grass is green, of things can be brighter,

427
00:17:45,520 --> 00:17:48,600
Speaker 2: you can get through these moments. But actually, now that

428
00:17:48,640 --> 00:17:50,640
Speaker 2: I'm sort of somewhat there or of you know, kind

429
00:17:50,640 --> 00:17:52,679
Speaker 2: of come from the circumstances that have come from that,

430
00:17:52,720 --> 00:17:54,159
Speaker 2: I'm here, like what do I do now, you know?

431
00:17:54,240 --> 00:17:56,840
Speaker 3: And what does life look like today? Who am I today?

432
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Speaker 2: In the context of, like, you know, running away from

433
00:18:00,080 --> 00:18:05,240
Speaker 2: my experiences building this new life. Essentially when the spotlight

434
00:18:05,359 --> 00:18:06,800
Speaker 2: is on, like, you know, what do I have to say?

435
00:18:06,840 --> 00:18:08,040
Speaker 3: What do I have to offer?

436
00:18:08,400 --> 00:18:10,480
Speaker 2: And I really think that, you know, that's something that

437
00:18:10,520 --> 00:18:14,720
Speaker 2: I've really become comfortable with and found a way to express.

438
00:18:15,359 --> 00:18:20,359
Speaker 4: You certainly have the single the newest is called New Day,

439
00:18:20,880 --> 00:18:23,639
Speaker 4: and the first thing I thought of when I heard

440
00:18:23,680 --> 00:18:25,520
Speaker 4: the song. I had to listen to it like five

441
00:18:25,560 --> 00:18:27,320
Speaker 4: times because it was so cool. And my husband came

442
00:18:27,359 --> 00:18:27,760
Speaker 4: and I said, you.

443
00:18:27,800 --> 00:18:28,359
Speaker 1: Got to hear this.

444
00:18:28,440 --> 00:18:31,439
Speaker 4: It's so good. And you know that doesn't happen all

445
00:18:31,480 --> 00:18:34,639
Speaker 4: the time, just for real. You have to know that

446
00:18:34,640 --> 00:18:38,199
Speaker 4: that's just a very special thing. But to have that

447
00:18:38,280 --> 00:18:41,720
Speaker 4: ability and to do that is amazing, And I hope

448
00:18:41,760 --> 00:18:46,360
Speaker 4: that you have many many more years of continued success

449
00:18:46,400 --> 00:18:48,879
Speaker 4: with everything you're doing in your life. And you have

450
00:18:48,920 --> 00:18:50,560
Speaker 4: to call one of the big morning shows and tell

451
00:18:50,600 --> 00:18:52,520
Speaker 4: them they need to use this song New Day as

452
00:18:52,520 --> 00:18:55,399
Speaker 4: the opener to their morning shows because it's just the

453
00:18:55,440 --> 00:18:57,400
Speaker 4: happiest song I think I've ever heard in my life,

454
00:18:57,400 --> 00:19:01,920
Speaker 4: and I've heard a lot of music, because I'm all, I.

455
00:19:01,880 --> 00:19:04,080
Speaker 2: Don't believe that for one second, and early as old

456
00:19:04,080 --> 00:19:06,400
Speaker 2: as you feel, girl, and how much energy you putting

457
00:19:06,440 --> 00:19:08,560
Speaker 2: into this, I'm not buying that for a second.

458
00:19:08,280 --> 00:19:10,359
Speaker 1: But thank you.

459
00:19:09,440 --> 00:19:11,080
Speaker 3: But maybe we can.

460
00:19:11,359 --> 00:19:14,879
Speaker 2: Yeah, maybe this is something that's going to increase global,

461
00:19:16,040 --> 00:19:16,840
Speaker 2: global production.

462
00:19:17,359 --> 00:19:19,399
Speaker 3: Every morning show is going to be made mandatory.

463
00:19:19,440 --> 00:19:21,200
Speaker 2: You have to listen to New Day with you getting

464
00:19:21,280 --> 00:19:23,760
Speaker 2: up to work a construction job at four am. You

465
00:19:23,760 --> 00:19:25,480
Speaker 2: can listen to this song and everybody's gonna feel a

466
00:19:25,480 --> 00:19:26,000
Speaker 2: little bit better.

467
00:19:26,200 --> 00:19:28,600
Speaker 4: And the smile on your face I can hear it,

468
00:19:28,720 --> 00:19:30,760
Speaker 4: and I can hear it now, and if you're listening,

469
00:19:31,359 --> 00:19:33,280
Speaker 4: and if you want to know, he's got the biggest

470
00:19:33,320 --> 00:19:35,440
Speaker 4: smile and you don't even have to see his face

471
00:19:35,480 --> 00:19:36,960
Speaker 4: to hear it in his music.

472
00:19:37,400 --> 00:19:39,240
Speaker 1: Dylan, thank you so much for sharing.

473
00:19:38,960 --> 00:19:41,919
Speaker 4: Your story and best wishes to you in the future,

474
00:19:41,960 --> 00:19:44,080
Speaker 4: and I really do hope you come back and share

475
00:19:44,119 --> 00:19:47,800
Speaker 4: more amazing success stories with us. For yourself and for

476
00:19:47,920 --> 00:19:50,800
Speaker 4: all of your fans who get to hear your wonderful music.

477
00:19:51,240 --> 00:19:52,960
Speaker 2: Thank you, Thank you so much, lind to you and

478
00:19:53,040 --> 00:19:55,000
Speaker 2: your listen it's been absolute pleasure and not only to

479
00:19:55,280 --> 00:19:57,040
Speaker 2: be a part of this, but also to be a fellow.

480
00:19:57,080 --> 00:19:58,200
Speaker 3: Will DMC not to take it?

481
00:19:58,680 --> 00:20:01,080
Speaker 4: Oh my gosh you we have to talk after this

482
00:20:01,240 --> 00:20:02,720
Speaker 4: because I have to introduce you.

483
00:20:03,400 --> 00:20:03,760
Speaker 3: Please.

484
00:20:03,880 --> 00:20:08,320
Speaker 4: Yeah, he has to know you, if he doesn't already

485
00:20:08,320 --> 00:20:11,080
Speaker 4: by now. Thanks so much for coming on. Music saved me.