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Speaker 1: Ting Lisca.

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Speaker 2: Welcome to Friday Show. We got a big one morning

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Speaker 2: studio morning. Yes, we're gonna do what we call a

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Speaker 2: selfish segment. I have a wheel with everybody's name on it.

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Speaker 2: I'll spin it. Whomever it lands on gets to do

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Speaker 2: whatever segment they want for two minutes. We're not gonna interrupt.

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Speaker 2: You can ask a question in the middle of it

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Speaker 2: if you want. We can talk after, but you have

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Speaker 2: two minutes. It can be something that you've maybe mentioned. Hey,

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Speaker 2: I'd like to do this, it didn't get picked. It's

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Speaker 2: totally whatever you want. A selfish segment. Ready, everybody ready,

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Speaker 2: everybody's name is on the wheel. Let's spin that wheel. Okay, Morgan,

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Speaker 2: you get it.

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Speaker 3: You go on twice before they were horrible, so we

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Speaker 3: don't interrupt.

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Speaker 2: Now, Morgan, you can handle this however you want. You'll

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Speaker 2: have two minutes, and if you do decide to ask

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Speaker 2: a question in the middle of it, that's fine, but

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Speaker 2: we will mostly comment after, unless you want commentary during.

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Speaker 2: I would love commentary during. I think this will be great.

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Speaker 2: This is whatever she wants. I don't know. This is

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Speaker 2: Morgan's selfish segment. Two minutes on the clock and begin.

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Speaker 3: I am curious about anybody who wants to do a job,

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Speaker 3: like not a job full time, but a job that

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Speaker 3: they just want to shadow for a day and then

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Speaker 3: try out and.

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Speaker 4: See how good they'd be at.

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Speaker 3: Because I was thinking about this, I know all the

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Speaker 3: Disney characters, and I feel like I'd make such a

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Speaker 3: good Marvel superhero at Disney.

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Speaker 2: I dressed as one, yeah, or be.

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Speaker 3: A Cinderella, and I could be a good princess. I

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Speaker 3: just feel like I could fit the mold for being

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Speaker 3: at Disney and dressing up for a day. Not that

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Speaker 3: I'd want to do this for a full time job,

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Speaker 3: because I don't think I have that in me, But

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Speaker 3: I think it'd be fun to do like a one

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Speaker 3: off and go and do this and I can make

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Speaker 3: kids happy, and then I'd get to like kind of

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Speaker 3: live out my dream of being a superhero or a princess.

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Speaker 2: It's like a ride along you do with the police officer. Yes,

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Speaker 2: like a mega wish. No, but it would be like, Yeah,

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Speaker 2: I wonder if I bet Disney doesn't do that because

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Speaker 2: they probably don't have normal humans walking along, do they.

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Speaker 2: Maybe they do to guide Like the Disney.

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Speaker 3: They typically have an employee with them, who's like helping

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Speaker 3: it Because people get really attached to these characters and

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Speaker 3: they kind of attack them.

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Speaker 2: So I think that people kind of also act.

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Speaker 5: As a security guard for them.

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Speaker 2: Yeah, so I do.

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Speaker 3: Feel like I could be part of this watch for

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Speaker 3: a day and then the next day I'm either Cinderella

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Speaker 3: or Black Widow.

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Speaker 2: I just feel like that'd be such a cool experience.

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Speaker 2: So Disney character performers at parks make twenty four to

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Speaker 2: fifteen an hour, with additional four points at four dollars

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Speaker 2: they have since per hour per on stage performance. That's

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Speaker 2: not so do you want us to reach out to

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Speaker 2: Disney and just see if you can do some version

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Speaker 2: of this?

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Speaker 1: Yes?

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Speaker 2: You training they have to go through, guys, it's just

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Speaker 2: one shadow. It's just it's easy to be it for

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Speaker 2: one day. Yeah, but that's the point. It's easy to

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Speaker 2: do it. Ride along. You don't have to go and

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Speaker 2: learn law enforcement.

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Speaker 6: What they just like get in a parade and like, wait, sure,

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Speaker 6: I'm sure there's a lot of us, you know.

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Speaker 2: How are you an expert on this? There's probably he

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Speaker 2: wants dream.

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Speaker 7: I don't want your dream. I don't want to dress

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Speaker 7: up as Black Widow. And she also.

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Speaker 2: Lunchbox can't pee people's cheerios during their segment. That's exactly

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Speaker 2: what happened. Morgan had her ball of cheerios of their

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Speaker 2: yurnate right in the middle of it. You are she

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Speaker 2: didn't ask you a question, and then you're being negative

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Speaker 2: about her segment, so cheerios afterward you want to say something. Fine,

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Speaker 2: now that's over. No, yeah, man, can you just see

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Speaker 2: if that's a thing.

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Speaker 8: Yes, she could definitely be And they call it friends

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Speaker 8: of you're not actually that person because you can't ruin

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Speaker 8: the magic for kids, so you're friends of whatever. But

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Speaker 8: what does that mean She's well, in reality, she plays

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Speaker 8: the character, but they say friends of whoever you're playing.

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Speaker 2: But she could play the character.

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Speaker 8: She could be friends of Cinderella friends a black widow.

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Speaker 4: Got it because the real Cinderella she's in the movie.

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Speaker 2: Yeah, yea, yeah, yeah, got it.

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Speaker 1: Yeah.

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Speaker 2: What if she just did it like here on Broadway

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Speaker 2: on like Saturday night, like yeah, yeah, yeah, I've seeing

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Speaker 2: those guys.

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Speaker 1: That'd be better. Actually, let's see way better.

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Speaker 2: Like Gumby in New York. I like that idea. Okay, yeah,

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Speaker 2: would you reach out to Disney see they would let

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Speaker 2: us do it?

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Speaker 1: Right along.

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Speaker 2: Yeah, okay, so much fun. Thank you, Morgan. We're going

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Speaker 2: to spend the will one more time, whatever it lands

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Speaker 2: on selfish segment.

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Speaker 3: I would also like to be apologized from lunchbox please.

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Speaker 2: Yeah for running it? Yes, yeah, for trying to run it.

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Speaker 4: Yeah, he really did.

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Speaker 2: You're good. I'm good. Okay, chooses not to Okay, let's spend.

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Speaker 1: That whe.

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Speaker 2: Oh yeah, okay. As you can tell, that's Eddie who's

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Speaker 2: yelling Eddie. You'll have two minutes on the clock for

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Speaker 2: a selfish segment. Whatever you want to talk about.

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Speaker 6: Ngo, guys, I want to talk to you about a

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Speaker 6: big important decision I'm having to make. I didn't want

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Speaker 6: to have to do this, but I think I'm gonna

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Speaker 6: have to buy a gun. I mean it's kind of

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Speaker 6: last resort here, you know, I'm feeling.

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Speaker 2: And I mean, I have guns.

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Speaker 6: No, but then I'm gonna have to make a purchase.

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Speaker 6: I have guns too, but I'm gona have to make

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Speaker 6: a different purchase.

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Speaker 2: Oh, react, like you had never bought a gun.

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Speaker 6: No, but I mean it's a big deal to go

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Speaker 6: to the store and buy a gun.

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Speaker 2: Okay, there's a squirrel. Okay, I thought it was a crime.

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Speaker 6: There's a squirrel in my backyard that I need to

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Speaker 6: not get rid of. I'm not whoa if you're getting

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Speaker 6: a gun, you don't in my chair.

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Speaker 2: Let Elmer Fudd go into a thing.

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Speaker 3: Uh.

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Speaker 6: I just uh, I want the squirrel to get the

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Speaker 6: message that I don't want him eating my bird seed, Like,

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Speaker 6: just get off my bird feeder. I've done everything. Amy

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Speaker 6: came on here and said, oh, put some cayenne pepper

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Speaker 6: on the branch. I bought a gallon of cayenne pepper,

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Speaker 6: put it all over the tree, and the squirrel just

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Speaker 6: acts like it's not even there. So I'm gonna buy

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Speaker 6: a bb gun. Oh yeah, And I'm gonna stand all

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Speaker 6: my right by my window and I'm gonna pop that

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Speaker 6: sucker in the butt every time he goes to the

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Speaker 6: bird feeder, and I'm gonna send a message I don't

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Speaker 6: want to kill it. Uh So, I like, I was like,

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Speaker 6: do I get a PILA gun? Do I get a

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Speaker 6: BB gun. I'm gonna get a BB gun, one of

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Speaker 6: those little just like pump action, nothing to powerful, just

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Speaker 6: to send the message and hopefully that squirrel goes away.

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Speaker 2: You can watch what you like to make fun of them.

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Speaker 2: There's still forty seconds there to make I allow you.

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Speaker 7: Dude, it's bird seed, like you put it out there,

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Speaker 7: Animals eat it.

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Speaker 2: That's what happened.

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Speaker 1: Do you know how much bird seed is?

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Speaker 2: Yeah, I know how much it is. Got a body

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Speaker 2: is over her and I got her.

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Speaker 4: Nice bird andre you use it fancy.

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Speaker 9: Yeah.

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Speaker 4: I have squirrels. I like them though, yes, and it's

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Speaker 4: attracting squirrels, but that's okay. I feed the squirrels.

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Speaker 6: You know what, squirrel took one of my little bird

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Speaker 6: feeders and dragged it into the woods covers.

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Speaker 1: That squirrel needs.

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Speaker 2: To be taught.

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Speaker 4: God, can we talk now?

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Speaker 2: You have eight seconds?

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Speaker 4: Bb gun can kill a squirrel, not to shooting in

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Speaker 4: the butt because you're a marksmen and everything that.

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Speaker 2: I don't even care to follow it, Disney, see if anything,

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Speaker 2: just go away? Okay, Well, that's self a segment that

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Speaker 2: you get what you wanted. Uh. You know sometimes segment

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Speaker 2: is in a bang and it's like real funny. And

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Speaker 2: that was a gun. You know that's interesting. It may

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Speaker 2: seem like you needed to buy your first ever actual.

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Speaker 6: Well, I have guns guns, but I don't want to

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Speaker 6: use that on the squirrel. There won't be a scare.

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Speaker 2: Your kids can't just running yell at the squirrel. I

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Speaker 2: do it all the time. Open the door. I'm like, squirrel,

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Speaker 2: get away one more round cause that sucked already. And

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Speaker 2: the selfish segment and it's me again.

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Speaker 7: Yeah, guys, I don't know if you know this, but

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Speaker 7: we had the Real World and road Rules cast from

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Speaker 7: Challenge Media in here and maybe you guys didn't go

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Speaker 7: listen to the special edition podcast. Maybe you missed the

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Speaker 7: gold that is, so I brought some clips for you

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Speaker 7: guys to hear.

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Speaker 2: That is gonna peak your interest.

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Speaker 7: To hear from Mark Long, from Polly, from Adam, from Avery,

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Speaker 7: from Scott.

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Speaker 2: So what do you want to hear first, Bobby, I'm

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Speaker 2: gonna ask you know, whichever one. Let's go number one.

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Speaker 7: I have this Challenge shirt sweatshirt that a listener bought

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Speaker 7: me with lunchbox on it, and I always thinking do

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Speaker 7: I look like.

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Speaker 2: A poser wearing this sweatshirt? So I busted it out

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Speaker 2: for the crew and wanted to know what they thought.

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Speaker 7: You guys earned gear when you're on the show, right,

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Speaker 7: So someone sent this to me, and I want to

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Speaker 7: know if I'm a poser if I wear this crap.

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Speaker 2: No, of course, Oh my god, I'm jealous. You have that.

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Speaker 1: They do not, they don't.

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Speaker 2: They don't let us keep it anymore. Here's what never before.

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Speaker 8: So when we leave, you've got to take back your uniform,

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Speaker 8: your socks, your shoes.

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Speaker 1: They take back everything, never to be seen again.

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Speaker 2: Everything who knows, because.

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Speaker 7: They don't want us to put together really cool home

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Speaker 7: offices for.

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Speaker 2: Pretty much interest.

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Speaker 1: No, you're actually in the elite.

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Speaker 2: Man.

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Speaker 7: We're gonna go to clip for you want to talk

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Speaker 7: about celebrity celebrities that watch this show.

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Speaker 2: Listen to the celebrity that watches the show and freaked

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Speaker 2: out about it.

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Speaker 10: Giannis Anti Tookompo from the Bucks huge Challenge fan, and

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Speaker 10: this is years ago. I went when I found out

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Speaker 10: he was a Challenge fan. I went down to when

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Speaker 10: they were playing the Wizards. I brought him this like

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Speaker 10: care package of our swag and I was explaining to

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Speaker 10: him who I am, and he.

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Speaker 1: Goes, you know Johnny Bananas. You know it is like

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Speaker 1: thenasiskim me, these guys will Johnny.

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Speaker 10: Bananas And I'm like, I'm like, you just want the

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Speaker 10: MVP and you care that I know Johnny Bananaz.

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Speaker 7: Boom so big, huge celebrities watched this show, Challenge Mania.

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Speaker 7: We have the pod special up. You've got to go

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Speaker 7: watch it and listen to it. It's amazing, Morgan. We

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Speaker 7: got clips on YouTube. Yep, what's up?

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Speaker 6: It's yeah, yeah, yeah, yeah. You want to spin the

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Speaker 6: wheel again?

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Speaker 2: No, I'm done. He's got worse and worse. All right, there,

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Speaker 2: you got worse and worse, sib.

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Speaker 11: The question to be.

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Speaker 2: Man. Hello, Bobby Belhones. I'm a single mom. I'm doing

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Speaker 2: everything I can to support my kids, but my ex

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Speaker 2: husband's not hold up his end of the deal. We

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Speaker 2: have a court order for child's or, but he refuses

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Speaker 2: to pay. We even went to contempt court. Nothing happened.

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Speaker 2: What's really getting to me is that he's spending money

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Speaker 2: on himself. He picked the kids up and his brand

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Speaker 2: new Puma's on Friday, and when he dropped him off,

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Speaker 2: he had a new pair of Nikes. Meanwhile, I'm buying

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Speaker 2: a kid's shoes from Walmart, wearing the same pair of

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Speaker 2: shoes the past two years, so they can have new ones.

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Speaker 2: How do I approach him again without it feeling like

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Speaker 2: I'm begging? How do I get him to take responsibility

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Speaker 2: for his kids? When he's clearly more focused on himself.

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Speaker 2: Any advice would be greatly appreciated signed a mom doing

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Speaker 2: it solely on her own, solely with the shoes, so solely.

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Speaker 2: If you've gone to court already, that's kind of your

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Speaker 2: last avenue of getting someone else to step in, like

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Speaker 2: I legally, so, if you've gone to court, he refuses

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Speaker 2: it to pay, went to contempt, nothing happened. I don't

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Speaker 2: think there's going to be anything that you can do

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Speaker 2: to make him pay through conversation or through the legal

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Speaker 2: allowed steps. Now I'm not saying to do something that's

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Speaker 2: not allowed, but that would be the only way because

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Speaker 2: my answer here is going to be you have to

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Speaker 2: stop relying on him or counting on him. And that

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Speaker 2: is a hard pill to swallow because you need him,

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Speaker 2: but you're going to have to develop a system of

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Speaker 2: not relying or needing him because he is not coming

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Speaker 2: through and you are constantly disappointed. I would also try

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Speaker 2: to because he is not helping, not look at what

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Speaker 2: he has because you're not going to get anything from him.

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Speaker 2: It doesn't matter if he tries up in a Lamborghini

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Speaker 2: and he's still not paying, even after court, and even

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Speaker 2: after going to contempt. He tries up a Lamborghini. They

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Speaker 2: still nothing you can do unless you want to be

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Speaker 2: mean and go and you know, run your keys, run

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Speaker 2: down the side, and if you do, that's on you

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Speaker 2: and you could get in trouble. My advice here again

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Speaker 2: not the most fun. It's you have to find a

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Speaker 2: way to not have to rely on him because you

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Speaker 2: relying on him as making it even worse because not

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Speaker 2: only is there a struggle, there's also disappointment with the

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Speaker 2: struggle from him because he's not going to come through

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Speaker 2: at this point. Anything he does, if he does it,

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Speaker 2: it is its bonus and it makes it really hard

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Speaker 2: on you, and I'm really sorry to hear this. You

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Speaker 2: can try to have a conversation with him again, but

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Speaker 2: conversations or courts aren't working, so at this point he

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Speaker 2: is no longer part of the formula to how you're providing,

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Speaker 2: and that sucks. So then it's now you have to

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Speaker 2: discover new ways to provide, and that's a whole different

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Speaker 2: lane to drive down. But he can't exist to you

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Speaker 2: anymore in the realm of I need him. He is

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Speaker 2: not there. When someone's not there for you, and if

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Speaker 2: you continue to need them, and be disappointed. Eventually that's

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Speaker 2: on you. So that sucks, and I'm very sorry to

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Speaker 2: hear this. This is not somebody you can depend on,

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Speaker 2: so you have to stop depending on him.

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Speaker 5: Yeah, it's unfortunate for sure.

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Speaker 4: I hate this, but you've shown you can do it

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Speaker 4: and it is taking sacrifice on your part for sure,

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Speaker 4: but that's going to pay off for you in the end.

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Speaker 4: Your priority is your kids and A yeah, you like

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Speaker 4: Bobby saying, I fully support that. You have to seek

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Speaker 4: out ways that you can support and don't have any expectations.

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Speaker 5: So that's going to.

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Speaker 4: Build more and more resentment and you don't want to

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Speaker 4: have that negative energy.

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Speaker 2: Well, it's also adding to your emotional stress. Yeah, I mean,

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Speaker 2: just if we're practically talking, it's gonna suck regardless, and

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Speaker 2: then you're gonna add this emotional stress on top of

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Speaker 2: it from him not being a part of it. Just

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Speaker 2: eliminate that and just figure out how to make it

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Speaker 2: suck less because he ain't gonna be there. My real

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Speaker 2: dad was never there for my mom or or my

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Speaker 2: grandma when she was raising me. So and I now

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Speaker 2: as I get older, go, dang, I don't know how

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Speaker 2: they did that. How they manage that. So the advice

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Speaker 2: that I'm giving you here isn't going to make your

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Speaker 2: life better, but hopefully it makes it a bit easier

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Speaker 2: in the long term. I can't believe they still not

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Speaker 2: paying out.

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Speaker 5: Yeah, Like, how is that possible?

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Speaker 2: I don't know. It sounds like a loser. Yeah, planning

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Speaker 2: this clip, I mean you can always I don't do

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Speaker 2: the hitman dot com site, No, because that's a fake

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Speaker 2: that's a fake side. That's a fake side, right, that's

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Speaker 2: got a real one, you know. Uh yeah, yeah, good

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Speaker 2: luck and you will figure this out. Much weaker people

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Speaker 2: have gone through much worse things than come out just wonderfully.

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Speaker 2: So hang in there. Your kids are lucky to have

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Speaker 2: a mom that cares and loves them. And we appreciate

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Speaker 2: you emailing us. How much do we care Celebrity couple

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Speaker 2: edition Taylor and Travis one through ten? How much do

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Speaker 2: we care? Now?

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Speaker 4: Amy now kind of forget about them, So I guess

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Speaker 4: seven because if they pop up in my feet, I

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Speaker 4: still pay attention.

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Speaker 2: Do we still think it's real?

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Speaker 5: Yes, it's definitely real.

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Speaker 2: Does time make you think it's more real?

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Speaker 5: Yeah? For sure, because like, what what are they doing

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Speaker 5: it for? Now? That is quite the commitment. Yeah, they're

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Speaker 5: definitely real.

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Speaker 4: So you say seven, yeah, and it'll go back up

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Speaker 4: to ten when they get married or have a baby.

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Speaker 2: Got it, I'm gonna go six. Okay, So it'still on

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Speaker 2: the positive side, care a bit lunchbox. Oh two.

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Speaker 7: I'm so oversaturated with them, and it's so fake and

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Speaker 7: just not believable.

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Speaker 2: That it's annoying.

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Speaker 7: So you think it's fake. It's still fake, and they're

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Speaker 7: doing it just to prove that it's real. Sort of

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Speaker 7: like Tom Cruise Katie Holmes that wasn't real. Like they

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Speaker 7: did a point like they did for a long time.

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Speaker 7: They had a baby to prove it was real.

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Speaker 4: It was like psychological religious things happening there.

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Speaker 2: Still there wasn't real. I don't feel Eddie. How about you?

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Speaker 2: Care ten Tan?

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Speaker 6: I love it, pops up, I read all about it.

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Speaker 6: I believed in it from the beginning.

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Speaker 2: I love the Taylor Swift, Travis Kelsey deal, Kylie Jenner

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Speaker 2: and Timothy Challa.

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Speaker 4: May oh yeah, let me think one.

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Speaker 2: I don't almost none. It's interesting to me because just

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Speaker 2: the couple looks kind of weird. Timothy Shalloman like he's awesome.

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Speaker 2: He's awesome, one. He's so like little and puny, and

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Speaker 2: he's like doing superhero stuff. He's doing Dune. He's a

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Speaker 2: big sports guy, and he's like still the artsy guy. Yeah,

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Speaker 2: Like he's just the total package. And for like that

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Speaker 2: little guy to get it Jenner, I would put that

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Speaker 2: out at like a seven. I'm into it because I'm

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Speaker 2: looting for him. I don't that's the kind of guy

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Speaker 2: that guy should be jealous of, but I like him,

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Speaker 2: like even to many do you like crushes sports, I'm like, dude,

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Speaker 2: this dude's got at all lunchbox seven.

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Speaker 7: I like seeing pictures of her, so when there's a

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Speaker 7: picture of her, I do get interested. And I do

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Speaker 7: find it funny that she went to like this hard

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Speaker 7: from hardcore like Travis Scott to this like.

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Speaker 2: Artsy black guy to like long haired, artsy, skinny white guy.

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Speaker 2: That is very interesting. Let's ghost shallon they.

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Speaker 7: But she is so hot. So I do like that

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Speaker 7: relationship because I like seeing picks Eddie.

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Speaker 2: Yeah, I'm like Amy, I didn't even know they're together,

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Speaker 2: so I go away.

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Speaker 4: I guess we did like we did, but I don't

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Speaker 4: think about it, so I forget. Like if you were

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Speaker 4: to say, who is Kylie Jenner dating, I wouldn't be

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Speaker 4: able to say.

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Speaker 2: I want to say Kanye No, that's husband Blake and

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Speaker 2: Gwyn Oh.

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Speaker 5: I adore them. I think they're precious.

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Speaker 2: So yeah, i'd say six to It doesn't mean we

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00:17:05,240 --> 00:17:07,679
Speaker 2: don't like them. They've been together a long time and

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00:17:07,720 --> 00:17:09,479
Speaker 2: we're rooting for them and it's real. Yeah, but if

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00:17:09,480 --> 00:17:12,040
Speaker 2: it's like you know, sometimes i'd even go lower because

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Speaker 2: I don't even care to see stories about it because

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Speaker 2: sometimes I know they're just looking for stories and I'm like,

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00:17:15,640 --> 00:17:16,240
Speaker 2: is this even real?

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Speaker 5: Yeah?

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00:17:18,119 --> 00:17:19,800
Speaker 2: Yeah, so I still I'll go six with you.

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Speaker 7: Though they're married. Yeah, okay, they are married. Yeah, I three.

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Speaker 7: Like I said, I mean, they're a fine couple. They're

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Speaker 7: funny together or whatever. But they're not in the press

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Speaker 7: that much and it's not really a big deal to me.

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Speaker 2: I like it. I go eight. I two more. Sidney

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Speaker 2: Sweeney and her ex fiance Jonathan Divino. So they're still together,

399
00:17:38,960 --> 00:17:41,200
Speaker 2: ex fiance, they just broke up. How much do we

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Speaker 2: care about that? Because that that's what's in the news now.

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00:17:43,160 --> 00:17:45,000
Speaker 2: And she was like with Glenn Pallatt a wedding, but

402
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Speaker 2: it turns out it was like his sister so they

403
00:17:47,040 --> 00:17:51,800
Speaker 2: weren't really together or were they? I don't care none. No,

404
00:17:52,000 --> 00:17:55,000
Speaker 2: actually you heard me go to the whole thing, so obviously.

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Speaker 4: Yeah, I guess when you said ex fiance and there,

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Speaker 4: it made me think like maybe they just broke off

407
00:18:00,200 --> 00:18:01,560
Speaker 4: their engagement, but they're still together.

408
00:18:02,040 --> 00:18:04,080
Speaker 2: They did just break off their engagement as of right now,

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00:18:04,080 --> 00:18:07,640
Speaker 2: they are not together. So one with some one, yeah.

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00:18:07,520 --> 00:18:10,080
Speaker 7: Lunchbox ten because she's the hottest thing on the market

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Speaker 7: right now.

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00:18:10,720 --> 00:18:12,159
Speaker 2: And I am all into this.

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00:18:12,240 --> 00:18:14,600
Speaker 7: I am interested how they got so close to a

414
00:18:14,640 --> 00:18:17,639
Speaker 7: wedding and it ends. And now there are reports that

415
00:18:17,720 --> 00:18:19,840
Speaker 7: she's been hanging out with Noah Gray, tight end of

416
00:18:19,880 --> 00:18:21,359
Speaker 7: the Kansas City chiefs.

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00:18:21,040 --> 00:18:23,640
Speaker 2: Now, is that true? Because people do jokes where it's

418
00:18:23,680 --> 00:18:26,199
Speaker 2: like everybody's with a different celebrity. Is that true? I

419
00:18:26,240 --> 00:18:28,199
Speaker 2: saw that too. Yes, I clicked on it. I mean so,

420
00:18:28,720 --> 00:18:31,320
Speaker 2: I yes, it's true. He clicked on it, right, So

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00:18:31,400 --> 00:18:33,600
Speaker 2: I don't know how. I thought it was like a joke,

422
00:18:33,680 --> 00:18:36,760
Speaker 2: like because Travis Kelsey's backup is Noah Gray. Oh, that

423
00:18:36,880 --> 00:18:40,159
Speaker 2: is crazy, and it may be true. I thought it

424
00:18:40,200 --> 00:18:42,920
Speaker 2: was a joke because at times they'll be like random ballplayers.

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Speaker 2: They linked to Sidney Sweeney to be funny, Mike, will

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00:18:45,240 --> 00:18:47,359
Speaker 2: you see if it's true? Okay, so but you're going

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Speaker 2: ten anyway? Yeah, absolutely, Eddie.

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Speaker 6: I wouldn't think i'd care, But every time I see

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Speaker 6: Sidney Sweney, I click on it.

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Speaker 2: And why is that? She's kind of pretty? Kind of

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00:18:55,160 --> 00:18:58,120
Speaker 2: that's high, So I click on it. I'd say eight.

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Speaker 2: I go five because I did read about the Glenn

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00:19:01,480 --> 00:19:03,720
Speaker 2: Palell stuff. Yeah at the wedding, Mike, what's the deal?

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00:19:03,800 --> 00:19:06,560
Speaker 2: I believe this is parody? Yeah, it's parody. Lunchbocks fell

435
00:19:06,600 --> 00:19:08,879
Speaker 2: for the Noah grade, the Travis Kelcey backup tight end,

436
00:19:08,920 --> 00:19:13,000
Speaker 2: because no, I didn't. That's why I was like, I

437
00:19:13,000 --> 00:19:15,879
Speaker 2: don't know if that's real. Okay. Last one, G and

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00:19:15,880 --> 00:19:17,400
Speaker 2: Bradley Cooper. Oh.

439
00:19:17,600 --> 00:19:19,200
Speaker 4: Interesting, I did not know they were together.

440
00:19:19,280 --> 00:19:20,160
Speaker 2: They've been together a long time.

441
00:19:20,200 --> 00:19:20,920
Speaker 5: Oh, I'm intrigued.

442
00:19:21,920 --> 00:19:22,760
Speaker 2: He's a lot older.

443
00:19:23,040 --> 00:19:26,000
Speaker 5: Yeah, I like Bradley Cooper. I'm like Lunchbocks on this one.

444
00:19:26,080 --> 00:19:37,120
Speaker 2: Oh, gged and Bradley Cooper. Amy you go, yeah, I'm

445
00:19:37,119 --> 00:19:38,159
Speaker 2: going to go read all about this.

446
00:19:38,200 --> 00:19:39,320
Speaker 5: So I guess I'm a ten.

447
00:19:40,640 --> 00:19:42,639
Speaker 2: Now, Okay, lunchbox.

448
00:19:42,280 --> 00:19:45,760
Speaker 7: Zero Bradley Cooper has no I mean, I don't know

449
00:19:45,760 --> 00:19:46,880
Speaker 7: if he's relevant anymore.

450
00:19:47,240 --> 00:19:50,439
Speaker 2: Yeah, oh yeah, Verry is age age difference.

451
00:19:51,400 --> 00:19:51,800
Speaker 6: Wow.

452
00:19:52,040 --> 00:19:54,359
Speaker 7: And I mean I just don't where does she I

453
00:19:54,400 --> 00:19:56,240
Speaker 7: don't know if she's in like, I don't. I think

454
00:19:56,280 --> 00:20:00,320
Speaker 7: she's good looking, but she doesn't pop on the radar very.

455
00:20:00,280 --> 00:20:00,600
Speaker 2: Much for me.

456
00:20:00,760 --> 00:20:03,520
Speaker 6: Eddie Bradley Cooper. I'm not a big fan of that guy,

457
00:20:03,600 --> 00:20:04,880
Speaker 6: So I say, I say one.

458
00:20:04,720 --> 00:20:08,159
Speaker 2: Well, you guys are haters. Hater haters. I'd say like

459
00:20:08,160 --> 00:20:09,879
Speaker 2: a six because I keep her in the stories that

460
00:20:09,920 --> 00:20:14,399
Speaker 2: it's a fake romance. Oh, trying to keep him young? No,

461
00:20:15,119 --> 00:20:16,800
Speaker 2: not what I read, trying to keep him something else.

462
00:20:17,240 --> 00:20:22,560
Speaker 2: But I'm but it's just speculation. Whoa just it's pure speculation.

463
00:20:22,760 --> 00:20:29,679
Speaker 2: Whoa that speculation? Wow? Yeah, that's crazy. Bump mine up

464
00:20:29,720 --> 00:20:34,200
Speaker 2: to because that's the speculation, not that we' to keep young.

465
00:20:34,280 --> 00:20:36,440
Speaker 2: But let me goog. I want to read more about that.

466
00:20:36,640 --> 00:20:38,520
Speaker 2: And again, do we feel to know a great Things parody?

467
00:20:38,880 --> 00:20:41,760
Speaker 2: Oh yeah, yeah, I found a TikTok account. That's how

468
00:20:41,840 --> 00:20:45,400
Speaker 2: quickly we all fall offered. It's satire. Okay, that's sad.

469
00:20:45,480 --> 00:20:48,439
Speaker 2: Do we care? Seleb couple addition, Uh, I'm big Timothy

470
00:20:48,480 --> 00:20:51,840
Speaker 2: Chalamey guy and the Bradley Cooper went was very interesting

471
00:20:51,880 --> 00:20:53,800
Speaker 2: to me because I wonder what's up? Yeah, you know

472
00:20:53,840 --> 00:20:54,199
Speaker 2: what I mean.

473
00:20:55,000 --> 00:20:58,240
Speaker 4: I'm also surprised Lunchboxs isn't into gg she's a supermodel.

474
00:20:58,480 --> 00:21:00,320
Speaker 2: No, no, she's hot, but she just does come on

475
00:21:00,400 --> 00:21:03,240
Speaker 2: our radar very often. So it's just like by Sydney'swaeney, Yeah,

476
00:21:03,359 --> 00:21:06,640
Speaker 2: on the radar, on the rails, the Live Planet planted

477
00:21:06,800 --> 00:21:11,280
Speaker 2: okay roots Randy Free. Yeah, it's time for the good news.

478
00:21:16,400 --> 00:21:16,960
Speaker 5: So picture it.

479
00:21:17,480 --> 00:21:20,120
Speaker 4: You're taking some wedding photos on a lake and your

480
00:21:20,160 --> 00:21:22,760
Speaker 4: photographer drops his camera in the lake.

481
00:21:23,359 --> 00:21:24,520
Speaker 5: All the photos now gone?

482
00:21:24,600 --> 00:21:26,160
Speaker 2: Whyn't here? Yeah?

483
00:21:26,320 --> 00:21:26,439
Speaker 9: Right?

484
00:21:26,600 --> 00:21:27,199
Speaker 2: That seems like.

485
00:21:28,080 --> 00:21:30,520
Speaker 4: Trying to get a certain shot man. You can't be

486
00:21:30,640 --> 00:21:36,560
Speaker 4: restricted by the not sure, but they reached out to

487
00:21:36,840 --> 00:21:39,320
Speaker 4: a local dive team to see like, hey, can you

488
00:21:39,920 --> 00:21:43,480
Speaker 4: help get our camera. They're like, we do rescue missions,

489
00:21:43,520 --> 00:21:46,800
Speaker 4: like for people or animals or things. But they were

490
00:21:46,840 --> 00:21:49,720
Speaker 4: doing a training exercise, so they decided to work this

491
00:21:49,840 --> 00:21:51,600
Speaker 4: into their training exercise and guess what.

492
00:21:51,720 --> 00:21:53,200
Speaker 5: It took a few days, but they found the camera.

493
00:21:53,400 --> 00:21:56,320
Speaker 2: Wow, like the deepest part of the lake. I would

494
00:21:56,359 --> 00:21:57,800
Speaker 2: think like if you're by the side, it's not that.

495
00:21:57,920 --> 00:22:01,280
Speaker 4: Deep and they recovered their sodos, the IT team was

496
00:22:01,320 --> 00:22:04,200
Speaker 4: able to figure something out, and the photographer's insurance replaced

497
00:22:04,240 --> 00:22:05,560
Speaker 4: his five thousand dollars camera.

498
00:22:05,840 --> 00:22:07,640
Speaker 2: You know, that should have been a life lesson charge

499
00:22:07,680 --> 00:22:10,080
Speaker 2: on where's strap? You gotta buy your own new camera?

500
00:22:10,160 --> 00:22:11,840
Speaker 2: But where a strap so your camera doesn't fall in

501
00:22:11,880 --> 00:22:13,760
Speaker 2: the lake. But I'm glad they got their picture. It's

502
00:22:13,800 --> 00:22:16,920
Speaker 2: good story, That's what it's all about. That was telling

503
00:22:16,960 --> 00:22:23,960
Speaker 2: me something good. Then I'll go first. There have been

504
00:22:24,040 --> 00:22:26,800
Speaker 2: times when real news breaks on April First, which is

505
00:22:26,840 --> 00:22:30,080
Speaker 2: April Foll's date, and everybody dismisses it as an April

506
00:22:30,119 --> 00:22:33,639
Speaker 2: Fols prank. For example, nineteen eighty four, April First, the

507
00:22:33,760 --> 00:22:36,440
Speaker 2: murder of Marvin Gay, Marvin Gay, let's get it on

508
00:22:37,160 --> 00:22:40,000
Speaker 2: so he the murder of Selena in nineteen ninety five,

509
00:22:40,280 --> 00:22:44,159
Speaker 2: whoa April firsty, the death of comedian Mitch Hedberg in

510
00:22:44,200 --> 00:22:46,119
Speaker 2: two thousand and five, and the cancelation of Guiding Light

511
00:22:46,119 --> 00:22:48,080
Speaker 2: in two thousand and nine. That's a little but anyway,

512
00:22:48,119 --> 00:22:50,359
Speaker 2: whenever news breaks, they try to make it not break

513
00:22:50,520 --> 00:22:53,919
Speaker 2: on April Fools. But there have been murders and deaths

514
00:22:54,640 --> 00:22:56,560
Speaker 2: and they do have to share. And then everybody's like, yeah,

515
00:22:56,600 --> 00:23:03,639
Speaker 2: no chance, that's that. That's my luck on April first again.

516
00:23:04,160 --> 00:23:06,760
Speaker 4: Ay Otters have a pocket in their skin to keep

517
00:23:06,760 --> 00:23:10,359
Speaker 4: their favorite rock tucked inside. They keep their favorite rocks

518
00:23:10,400 --> 00:23:13,240
Speaker 4: for years, tucking them under their arms, rolling them across

519
00:23:13,280 --> 00:23:14,960
Speaker 4: their palls, and even sleeping with them.

520
00:23:15,720 --> 00:23:21,840
Speaker 2: Otters are so dad, so cute, cute lunchbox. Beavers don't

521
00:23:21,920 --> 00:23:22,720
Speaker 2: live in a damn.

522
00:23:22,880 --> 00:23:26,160
Speaker 12: You have a beaver right after her oter, Okay, go ahead, yeah,

523
00:23:26,400 --> 00:23:28,840
Speaker 12: you know you always hear, oh beaver's live in a damn. Oh,

524
00:23:28,880 --> 00:23:31,880
Speaker 12: I thought they build they lived in dams. I thought

525
00:23:31,960 --> 00:23:34,040
Speaker 12: they lived in the dam. No, they build it and

526
00:23:34,080 --> 00:23:34,880
Speaker 12: then they live in the water.

527
00:23:34,960 --> 00:23:38,399
Speaker 2: But behind it, we knew it. Maybe not everybody did.

528
00:23:38,480 --> 00:23:39,520
Speaker 2: I never thought, no idea.

529
00:23:39,560 --> 00:23:41,040
Speaker 7: I thought they lived They built the dam, and that's

530
00:23:41,040 --> 00:23:41,640
Speaker 7: where they lived.

531
00:23:41,840 --> 00:23:43,159
Speaker 2: You know why I probably think about that. We had

532
00:23:43,200 --> 00:23:45,560
Speaker 2: a lot of beavers, and I mean a lot of

533
00:23:45,640 --> 00:23:47,240
Speaker 2: quote dams, and you just couldn't live in them. You

534
00:23:47,280 --> 00:23:50,720
Speaker 2: would see them, you would do nothing lived in those things, just.

535
00:23:50,760 --> 00:23:51,400
Speaker 1: Dam up the water.

536
00:23:51,520 --> 00:23:53,560
Speaker 2: And then yeah, well they live they built the dam,

537
00:23:53,760 --> 00:23:54,800
Speaker 2: the yard up front.

538
00:23:54,840 --> 00:23:57,680
Speaker 7: They live within a deep pool of water behind the dam.

539
00:23:58,000 --> 00:24:01,160
Speaker 2: Yeah, which is why they damned it that I literally

540
00:24:01,200 --> 00:24:03,000
Speaker 2: thought you. I know, I can't understand why you would

541
00:24:03,000 --> 00:24:03,919
Speaker 2: think that. Literally.

542
00:24:03,960 --> 00:24:05,000
Speaker 1: I was like, how did I know that?

543
00:24:05,080 --> 00:24:07,359
Speaker 2: It's because I grew up in Arkansas and we had

544
00:24:07,400 --> 00:24:08,399
Speaker 2: a lot of beavers around where we were.

545
00:24:08,440 --> 00:24:10,639
Speaker 7: I mean, obviously this is not a wide known factor role,

546
00:24:10,680 --> 00:24:11,880
Speaker 7: so it wouldn't be a fun fact.

547
00:24:12,280 --> 00:24:16,000
Speaker 2: A single person's arguing with you, Eddie was I just

548
00:24:16,080 --> 00:24:18,320
Speaker 2: thought you two do your thing. You know, you thought

549
00:24:18,359 --> 00:24:22,879
Speaker 2: that ever one knew that we call actors parts rolls,

550
00:24:23,200 --> 00:24:25,159
Speaker 2: like you got a role in this because in the

551
00:24:25,200 --> 00:24:27,679
Speaker 2: seventeenth century in France had get their scripts on rolls

552
00:24:27,720 --> 00:24:30,679
Speaker 2: of paper. Oh, here's your role, and they hand them

553
00:24:30,720 --> 00:24:33,920
Speaker 2: a roll of paper. That's interesting beavers.

554
00:24:33,960 --> 00:24:39,880
Speaker 13: I'm kidding, Morgan, speaking of actors, A villain can't use

555
00:24:39,960 --> 00:24:42,840
Speaker 13: an iPhone in a movie, so Apple has it in

556
00:24:42,960 --> 00:24:45,840
Speaker 13: their policy with movie directors if a person in a

557
00:24:45,920 --> 00:24:48,000
Speaker 13: movie uses an iPhone, they either have to be the

558
00:24:48,040 --> 00:24:49,760
Speaker 13: protagonist or a neutral cast.

559
00:24:50,359 --> 00:24:52,240
Speaker 2: I've heard that before, and I've watched to see if true,

560
00:24:52,240 --> 00:24:54,480
Speaker 2: and I've I've not seen a bad guy use the iPhone.

561
00:24:54,920 --> 00:24:57,760
Speaker 2: How can iPhone tell you how you can use your phone?

562
00:24:58,080 --> 00:24:59,560
Speaker 2: It's their product, it's their product.

563
00:24:59,560 --> 00:25:01,600
Speaker 5: They don't want to I walk in there.

564
00:25:01,640 --> 00:25:03,800
Speaker 2: They can't say you cannot do this with this phone.

565
00:25:03,840 --> 00:25:06,879
Speaker 5: You're not an actor. You are also the lawyer, and

566
00:25:06,960 --> 00:25:08,080
Speaker 5: you're not producing a movie.

567
00:25:08,320 --> 00:25:10,359
Speaker 4: Yeah, but what I'm saying is, if you were producing

568
00:25:10,400 --> 00:25:12,800
Speaker 4: a movie, if I pay my money, I.

569
00:25:12,840 --> 00:25:15,600
Speaker 2: Can use it any way I want. That's obviously not true.

570
00:25:15,840 --> 00:25:18,200
Speaker 2: That's obviously not true. It's obviously not true. You can't

571
00:25:18,240 --> 00:25:21,439
Speaker 2: use any product any way you want. How can they

572
00:25:21,560 --> 00:25:25,000
Speaker 2: control that? Like if they if if James Cameron, that's

573
00:25:25,000 --> 00:25:27,040
Speaker 2: a guy, right, he's a that's a guy. Yeah, he

574
00:25:27,200 --> 00:25:30,000
Speaker 2: walks into an iPhone store, buys an iPhone and then

575
00:25:30,160 --> 00:25:32,760
Speaker 2: uses it on a movie set. I think they're in

576
00:25:32,880 --> 00:25:36,360
Speaker 2: There's probably intellectual property involved in parts of the texting

577
00:25:36,520 --> 00:25:39,920
Speaker 2: that they own, and that is why maybe they could suit.

578
00:25:39,960 --> 00:25:41,880
Speaker 2: You could probably use the actual phone in the shape

579
00:25:41,880 --> 00:25:43,320
Speaker 2: of the phone, but you really couldn't show anything that

580
00:25:43,400 --> 00:25:46,600
Speaker 2: was specific to what they own their IP. That is

581
00:25:46,880 --> 00:25:51,800
Speaker 2: so stupid, so stupid. Thanks man, got any more beaver

582
00:25:51,840 --> 00:25:52,439
Speaker 2: stories over there?

583
00:25:53,680 --> 00:25:53,720
Speaker 5: No?

584
00:25:53,840 --> 00:25:57,919
Speaker 2: I can't talk about those, Okay, Eddie, Oh my gosh, okay. Lions.

585
00:25:58,040 --> 00:26:02,000
Speaker 2: Lions are so freaking cool. Lions can made up to

586
00:26:02,200 --> 00:26:07,080
Speaker 2: fifty five times a day. That's pretty good. That's pretty good.

587
00:26:07,160 --> 00:26:10,400
Speaker 2: That's why lions are the king of the jungle. I'm

588
00:26:10,440 --> 00:26:12,920
Speaker 2: tired of thinking about that. That's amazing, isn't it. Yeah,

589
00:26:13,040 --> 00:26:15,760
Speaker 2: maybe I'm a lion. No, you're not. Yeah. The one

590
00:26:15,760 --> 00:26:18,200
Speaker 2: who invented the chocolate chip cookie was Ruth Wakefield. She

591
00:26:18,280 --> 00:26:21,720
Speaker 2: sold the recipe to Nastle in nineteen thirty in exchange

592
00:26:21,760 --> 00:26:27,080
Speaker 2: for a lifetimes ply chocolate, no money, lifetimes ply chocolate. Lawyer,

593
00:26:27,840 --> 00:26:30,240
Speaker 2: same lawyer, the iPhone lawyer. All right, there you go.

594
00:26:30,320 --> 00:26:35,800
Speaker 2: That's fun. Fike Friday fun Fact got a DM from

595
00:26:35,840 --> 00:26:37,920
Speaker 2: a listener asking what was the last fight we got

596
00:26:37,960 --> 00:26:39,920
Speaker 2: into with our spouse? So it could be partner, it

597
00:26:39,960 --> 00:26:44,320
Speaker 2: could be Amy's boyfriend, and so ours isn't so much

598
00:26:44,359 --> 00:26:46,520
Speaker 2: a fight, but it is a debate that has to

599
00:26:46,600 --> 00:26:50,000
Speaker 2: be settled either today or tomorrow. As in, like we

600
00:26:50,160 --> 00:26:52,159
Speaker 2: are on it because I swear to you I can

601
00:26:52,240 --> 00:26:54,840
Speaker 2: fit through the dog door. And she's like, you're out,

602
00:26:54,880 --> 00:26:56,560
Speaker 2: you're out of your mind and you're gonna get trapped.

603
00:26:56,600 --> 00:26:58,920
Speaker 2: I'm not going to save you. And so here's what's

604
00:26:58,960 --> 00:27:00,399
Speaker 2: what's been going on. So we have a door the

605
00:27:00,440 --> 00:27:02,560
Speaker 2: dogs and go outside even at night when they're sleeping

606
00:27:03,040 --> 00:27:07,600
Speaker 2: and me, I'm like, I don't somebody's gonna come in

607
00:27:07,640 --> 00:27:09,960
Speaker 2: through that door an animal, And she's like no, I

608
00:27:09,960 --> 00:27:11,800
Speaker 2: said I can get through the door, so there's no chance,

609
00:27:12,440 --> 00:27:15,200
Speaker 2: and so I have to get down and crawl through

610
00:27:15,240 --> 00:27:17,480
Speaker 2: the door. But she's like, I promise you, I'm not

611
00:27:17,560 --> 00:27:18,879
Speaker 2: going to pull you out if you get stuck in

612
00:27:18,920 --> 00:27:21,200
Speaker 2: that thing. And I know she won't. I'll be there

613
00:27:22,040 --> 00:27:24,560
Speaker 2: and I'll be in a skeleton of corpse because she

614
00:27:24,560 --> 00:27:30,520
Speaker 2: will not say that that's a good point at Yeah,

615
00:27:30,600 --> 00:27:33,359
Speaker 2: So that's been kind of our thing as far as

616
00:27:33,440 --> 00:27:37,240
Speaker 2: like because we haven't had any big, really any disagreement.

617
00:27:38,440 --> 00:27:40,760
Speaker 2: Once she ordered a burger and didn't take the cheese

618
00:27:40,800 --> 00:27:43,359
Speaker 2: off two weeks ago, and I can't even and I

619
00:27:43,480 --> 00:27:47,560
Speaker 2: was like, oh, you didn't like it was melted.

620
00:27:47,680 --> 00:27:49,800
Speaker 4: When do you look in the burke Jesus still, guys,

621
00:27:49,840 --> 00:27:52,520
Speaker 4: you're acting like when it's melted, it disintegrates her.

622
00:27:52,600 --> 00:27:54,200
Speaker 2: Yeah, but it was almost when I wasn't an scrape

623
00:27:54,200 --> 00:27:55,440
Speaker 2: it is, so I just ate it and I was

624
00:27:55,440 --> 00:27:59,280
Speaker 2: sick in my stomach and I was like, see, oh my.

625
00:27:59,359 --> 00:28:01,080
Speaker 1: God, that was a dumb one.

626
00:28:01,320 --> 00:28:04,520
Speaker 2: I'll be honest. So cheese was okay. That's like one

627
00:28:04,520 --> 00:28:06,760
Speaker 2: where I was like, come on, wow. Well then she

628
00:28:06,800 --> 00:28:08,199
Speaker 2: really well, you could have ordered it yourself. And then

629
00:28:08,200 --> 00:28:09,840
Speaker 2: also they didn't give me an option or you could

630
00:28:09,880 --> 00:28:11,560
Speaker 2: have just like taken a fork and scraped it off.

631
00:28:11,560 --> 00:28:13,399
Speaker 2: And I was like no, and now look at me.

632
00:28:13,480 --> 00:28:16,719
Speaker 2: My stomach hurts. And then I got to fight through

633
00:28:16,760 --> 00:28:18,280
Speaker 2: the dog door today. I'm with you on that one.

634
00:28:19,080 --> 00:28:20,960
Speaker 2: I think you get through it, no problem. I think

635
00:28:21,040 --> 00:28:22,760
Speaker 2: so too. Yeah, she's like, you're out of your mind.

636
00:28:23,680 --> 00:28:28,080
Speaker 4: I don't know that your bone structure like you're I

637
00:28:28,160 --> 00:28:29,680
Speaker 4: just think once you get to your hips, it's gonna

638
00:28:29,680 --> 00:28:30,280
Speaker 4: be problematic.

639
00:28:30,400 --> 00:28:33,720
Speaker 2: We'll see. I do have child bearing hips. Let's go

640
00:28:33,840 --> 00:28:35,639
Speaker 2: to Amy, Amy, you have a new boyfriend. Have you

641
00:28:35,640 --> 00:28:36,400
Speaker 2: guys fought at all?

642
00:28:37,160 --> 00:28:41,600
Speaker 4: We had a little situation recently where I went over

643
00:28:41,640 --> 00:28:43,760
Speaker 4: there thinking that we were all going to have dinner.

644
00:28:43,760 --> 00:28:46,240
Speaker 4: He was there with his kids, and I didn't have

645
00:28:46,400 --> 00:28:48,360
Speaker 4: mine and I all my work done, and it was

646
00:28:48,400 --> 00:28:50,760
Speaker 4: a Sunday night, and I kind of thought most Sundays,

647
00:28:50,840 --> 00:28:52,760
Speaker 4: if I am here, we chill and hang out most

648
00:28:52,800 --> 00:28:55,080
Speaker 4: of the evening and watch something after we eat, and

649
00:28:55,240 --> 00:28:57,440
Speaker 4: then at one point we're like sitting there and he's like,

650
00:28:57,520 --> 00:28:59,320
Speaker 4: so what do you what are you doing for dinner?

651
00:29:00,000 --> 00:29:01,840
Speaker 2: I was like, oh, guess not eating here?

652
00:29:02,960 --> 00:29:05,840
Speaker 4: Yeah, And I was totally thrown off because he had

653
00:29:05,920 --> 00:29:08,560
Speaker 4: information he hadn't shared with me about, like a talk

654
00:29:08,600 --> 00:29:09,600
Speaker 4: he wanted to have with his kids.

655
00:29:09,640 --> 00:29:12,320
Speaker 5: And I was like, I sort of just got up.

656
00:29:12,360 --> 00:29:14,560
Speaker 5: I was like I'm going to go, and I left.

657
00:29:14,600 --> 00:29:16,520
Speaker 4: And then later we had to address it because I

658
00:29:16,640 --> 00:29:18,720
Speaker 4: just felt like that was kind of a r a

659
00:29:18,880 --> 00:29:20,840
Speaker 4: rude way to approach it.

660
00:29:20,920 --> 00:29:22,000
Speaker 5: But he said he was nervous.

661
00:29:22,520 --> 00:29:25,000
Speaker 2: Yeah, and it feels like early stages of not understanding

662
00:29:25,000 --> 00:29:26,680
Speaker 2: how to communicate fully yet. Yeah.

663
00:29:26,720 --> 00:29:28,320
Speaker 4: He said he didn't want to hurt my feelings and

664
00:29:28,360 --> 00:29:32,760
Speaker 4: I was like, whool, still hurt my feelings.

665
00:29:33,880 --> 00:29:34,840
Speaker 5: So what we work through it?

666
00:29:34,960 --> 00:29:37,960
Speaker 2: Growth? Growth, lunchbox.

667
00:29:38,240 --> 00:29:41,400
Speaker 7: Oh, my wife, let me tell you. She wants to

668
00:29:41,480 --> 00:29:44,840
Speaker 7: do my wife please, no, no, no, the laundry room.

669
00:29:45,400 --> 00:29:47,960
Speaker 7: She thinks we need to rip out the cabinets and

670
00:29:48,080 --> 00:29:51,280
Speaker 7: build a nice shelf that goes over the washer and

671
00:29:51,360 --> 00:29:54,680
Speaker 7: dryer where you can fold the clothes. And we have

672
00:29:54,760 --> 00:29:56,720
Speaker 7: a table in there already that you can turn and

673
00:29:56,800 --> 00:29:58,920
Speaker 7: fold the closer she goes, it's just more convenient because

674
00:29:59,200 --> 00:30:01,239
Speaker 7: you get him out of dryer and you set them

675
00:30:01,240 --> 00:30:02,880
Speaker 7: on tap with the table, you have to turn to

676
00:30:02,880 --> 00:30:04,800
Speaker 7: your left and put them there. And I said, so

677
00:30:04,880 --> 00:30:07,960
Speaker 7: you want to spend ten thousand dollars to rip out

678
00:30:08,040 --> 00:30:10,480
Speaker 7: cabinets and build the shelf so you don't have to

679
00:30:10,520 --> 00:30:13,880
Speaker 7: turn left three inches? Like it makes no sense to me,

680
00:30:14,280 --> 00:30:16,800
Speaker 7: Like you've gone your whole life without a shelf above

681
00:30:16,880 --> 00:30:18,760
Speaker 7: your washer and dryer. I've never seen one in my life.

682
00:30:19,000 --> 00:30:20,760
Speaker 7: She saw it on Instagram, so we got to have it.

683
00:30:20,880 --> 00:30:23,240
Speaker 5: Oh yeah, I think it sounds it sounds practical today.

684
00:30:23,320 --> 00:30:25,040
Speaker 2: So to me, though, it's not about just turning left.

685
00:30:25,120 --> 00:30:26,880
Speaker 2: She just probably likes how it looks and in the house,

686
00:30:27,000 --> 00:30:29,400
Speaker 2: she wants that room to look and feel better to her.

687
00:30:29,560 --> 00:30:31,320
Speaker 2: That has a lot of money. Oh, I agree, I agree.

688
00:30:31,360 --> 00:30:33,600
Speaker 2: Who's gonna win this one? Oh I'm gonna win it.

689
00:30:33,680 --> 00:30:35,720
Speaker 2: So you're not. You will not do the single shelf?

690
00:30:35,880 --> 00:30:38,880
Speaker 2: Oh like, I'm like, it's we've gone our whole lives.

691
00:30:39,080 --> 00:30:40,960
Speaker 2: I've never seen a shelf above a washer and dryer

692
00:30:41,160 --> 00:30:41,600
Speaker 2: in life.

693
00:30:42,800 --> 00:30:45,800
Speaker 4: Without seeing something doesn't mean it can't be practical in

694
00:30:45,880 --> 00:30:46,360
Speaker 4: your own home.

695
00:30:46,520 --> 00:30:49,520
Speaker 7: Or but literally three inches to the left is the

696
00:30:49,560 --> 00:30:50,320
Speaker 7: table we have in there.

697
00:30:50,320 --> 00:30:50,680
Speaker 2: Already.

698
00:30:50,720 --> 00:30:51,600
Speaker 1: What is wrong with that table?

699
00:30:51,640 --> 00:30:53,920
Speaker 2: You could just understand your point, understand your point, especially

700
00:30:53,920 --> 00:30:54,600
Speaker 2: the money part.

701
00:30:55,120 --> 00:30:55,920
Speaker 5: Build it yourself.

702
00:30:56,480 --> 00:30:58,200
Speaker 2: But he doesn't even want it. No, I don't even

703
00:30:58,200 --> 00:30:59,640
Speaker 2: want it. So I'm not gonna build it, and I'm.

704
00:30:59,480 --> 00:31:01,720
Speaker 7: Not gonna rip cabinets out to it put a shelf

705
00:31:01,840 --> 00:31:03,880
Speaker 7: up there to How long has this been a thing?

706
00:31:05,120 --> 00:31:07,080
Speaker 7: She keeps saying, I've been nervous to bring it up

707
00:31:07,080 --> 00:31:09,400
Speaker 7: because you always, you know, poop poo on my ideas.

708
00:31:09,920 --> 00:31:13,000
Speaker 2: Oh you do, Yeah, I could not always poopoo on

709
00:31:13,040 --> 00:31:15,120
Speaker 2: her ideas. I try to be proud. That's kind of

710
00:31:15,160 --> 00:31:16,880
Speaker 2: your thing, though, and it's gone my thing.

711
00:31:17,000 --> 00:31:19,440
Speaker 4: But sent lunchwock's his dad a carpenter, Like, couldn't he

712
00:31:19,480 --> 00:31:20,440
Speaker 4: have his dad come do it?

713
00:31:20,480 --> 00:31:20,640
Speaker 2: As?

714
00:31:20,720 --> 00:31:20,760
Speaker 14: Like?

715
00:31:20,840 --> 00:31:22,480
Speaker 5: I don't.

716
00:31:25,040 --> 00:31:27,280
Speaker 2: Why does she get everything she wants? Does she get

717
00:31:27,280 --> 00:31:31,320
Speaker 2: everything she wants? That's what I'm saying. It sounds like, Eddie,

718
00:31:31,640 --> 00:31:32,800
Speaker 2: this is gonna sound stupid.

719
00:31:32,920 --> 00:31:36,320
Speaker 6: But my wife bought her wreath right, And about two

720
00:31:36,400 --> 00:31:38,880
Speaker 6: weeks ago I noticed that some birds were building a

721
00:31:38,880 --> 00:31:41,720
Speaker 6: little nest on there. I said, this is so perfect.

722
00:31:41,840 --> 00:31:42,640
Speaker 6: I love birds.

723
00:31:42,720 --> 00:31:44,040
Speaker 1: Let him be well.

724
00:31:44,040 --> 00:31:46,480
Speaker 6: I came home the day and guess what my wife

725
00:31:46,640 --> 00:31:49,120
Speaker 6: grabbed the nest, took it out of the wreath and

726
00:31:49,280 --> 00:31:51,120
Speaker 6: threw it in the trash. And she knew she was

727
00:31:51,160 --> 00:31:54,200
Speaker 6: doing wrong because she said, you're gonna hate me for this. Oh,

728
00:31:54,480 --> 00:31:56,200
Speaker 6: when you start with you're gonna hate me for this.

729
00:31:56,560 --> 00:31:57,560
Speaker 6: You did something wrong.

730
00:31:57,680 --> 00:31:59,440
Speaker 2: But what was the reason she did it to begin with?

731
00:31:59,560 --> 00:32:02,080
Speaker 2: I had to she said, reathes are expensive, and they're

732
00:32:02,120 --> 00:32:02,880
Speaker 2: ruining my wreath.

733
00:32:04,520 --> 00:32:06,080
Speaker 5: She just ruined their little house that.

734
00:32:08,760 --> 00:32:10,280
Speaker 2: You know what you call someone who just moves into

735
00:32:10,320 --> 00:32:12,440
Speaker 2: a place with that, that's called squatter. You have squatters.

736
00:32:12,440 --> 00:32:16,160
Speaker 5: And yeah, but she's I mean, wow, that's cool.

737
00:32:16,240 --> 00:32:18,920
Speaker 2: It's so cool. That was so upset, man. So I'm

738
00:32:18,920 --> 00:32:22,360
Speaker 2: gonna side. I'm gonna decide with Amy's boyfriend. I'm gonna

739
00:32:22,360 --> 00:32:26,040
Speaker 2: side with what. I'm gonna side with Lunchbox's wife, and

740
00:32:26,480 --> 00:32:28,600
Speaker 2: I'm gonna side with Eddie's wife. No, what are you

741
00:32:28,680 --> 00:32:31,320
Speaker 2: talking about? And I'm gonna side with me. And so

742
00:32:32,880 --> 00:32:39,720
Speaker 2: it's time for the good news, Bobby. It rained a

743
00:32:39,760 --> 00:32:42,240
Speaker 2: lot here like it flooded here, and flooded really about

744
00:32:42,280 --> 00:32:45,600
Speaker 2: in Clifton, Kentucky, and so flood waters were getting very

745
00:32:45,640 --> 00:32:48,840
Speaker 2: dangerous levels where they were reaching the middle of houses

746
00:32:49,040 --> 00:32:52,320
Speaker 2: and even rooftops to some places. So Cody Smith, who

747
00:32:52,640 --> 00:32:55,640
Speaker 2: lives in Clifton, was like, Hey, I'm gonna go and

748
00:32:55,760 --> 00:32:57,640
Speaker 2: use my flat bottom. So he got his boat and

749
00:32:57,680 --> 00:32:59,920
Speaker 2: he went around and just rescued animals. We're stranded in house.

750
00:33:00,760 --> 00:33:02,600
Speaker 2: That's awesome, just straight up like you could hear either

751
00:33:02,680 --> 00:33:05,800
Speaker 2: dogs barking or go and like yeah, and that's what

752
00:33:05,920 --> 00:33:10,840
Speaker 2: he did basically, well almost noah, yeah no something to

753
00:33:10,920 --> 00:33:12,920
Speaker 2: Kentucky didn't have too had the way they had many

754
00:33:12,960 --> 00:33:15,360
Speaker 2: more but with a flat bottom boat, no, no, no,

755
00:33:15,480 --> 00:33:18,360
Speaker 2: no troll the motive no no, no no. It was awesome.

756
00:33:18,560 --> 00:33:21,360
Speaker 2: So big shout out to Cody Smith. That's from Sunny

757
00:33:21,400 --> 00:33:24,160
Speaker 2: Skies and that's what it's all about. That was telling

758
00:33:24,160 --> 00:33:32,040
Speaker 2: me something new. And now the morning Corny, the mourning

759
00:33:32,200 --> 00:33:33,000
Speaker 2: Corny what do.

760
00:33:33,040 --> 00:33:35,880
Speaker 4: You call it when your ex text you, Hey, stranger,

761
00:33:36,240 --> 00:33:37,920
Speaker 4: what God testing you?

762
00:33:39,640 --> 00:33:44,760
Speaker 2: No? No, I get yeah, We're good. All right, there

763
00:33:44,800 --> 00:33:44,960
Speaker 2: you go.

764
00:33:48,840 --> 00:33:51,720
Speaker 5: That was the morning Corny tried something different.

765
00:33:51,760 --> 00:33:55,400
Speaker 2: Note to self, Yeah, gotta try stuff. Lunchbox went out

766
00:33:55,480 --> 00:33:57,280
Speaker 2: and tried to recruit people to subscribe to you our

767
00:33:57,320 --> 00:33:59,680
Speaker 2: YouTube channel, the Bobby Show page, because by the end

768
00:33:59,680 --> 00:34:02,960
Speaker 2: of the show today, if we have three hundred thousand subscribers.

769
00:34:03,400 --> 00:34:06,680
Speaker 2: I'm gonna give him cash and you cash, so you

770
00:34:06,800 --> 00:34:08,120
Speaker 2: go out with you. Just talk to people.

771
00:34:08,280 --> 00:34:10,319
Speaker 7: Just talk to people, I mean random people just approach him,

772
00:34:10,480 --> 00:34:12,680
Speaker 7: have no way reason to approach him except for YouTube.

773
00:34:12,760 --> 00:34:17,600
Speaker 2: Okay, the club one. Oh ladies, beautiful night. Huh who

774
00:34:17,640 --> 00:34:17,800
Speaker 2: are you?

775
00:34:19,000 --> 00:34:22,080
Speaker 7: Yeah, just saying beautiful night and it's a beautiful time.

776
00:34:22,680 --> 00:34:25,320
Speaker 7: My work. We're looking for subscribers to our YouTube page.

777
00:34:25,880 --> 00:34:27,759
Speaker 7: It's the Bobby Bone Show. I got to get a

778
00:34:27,800 --> 00:34:30,640
Speaker 7: certain amount by Friday, so I would really appreciate it.

779
00:34:30,719 --> 00:34:32,319
Speaker 7: If you guys, like, while you're on your walk, pull

780
00:34:32,360 --> 00:34:35,280
Speaker 7: out your phones, subscribe to the Bodybone Show on YouTube,

781
00:34:35,280 --> 00:34:36,120
Speaker 7: I'd really appreciate it.

782
00:34:36,239 --> 00:34:36,920
Speaker 6: Are you still.

783
00:34:36,760 --> 00:34:40,560
Speaker 2: Bobby v obb Y? And then bones like bones in

784
00:34:40,640 --> 00:34:44,160
Speaker 2: your body? I guess I can do that. She was

785
00:34:44,239 --> 00:34:45,480
Speaker 2: creeped out. I would have been creeped out.

786
00:34:45,600 --> 00:34:45,759
Speaker 9: Yeah.

787
00:34:45,840 --> 00:34:47,560
Speaker 2: I didn't know THO was at night. Yeah it was

788
00:34:47,600 --> 00:34:49,920
Speaker 2: at night. It was night. Yeah, I'll start one more.

789
00:34:49,960 --> 00:34:51,600
Speaker 2: He cornered to man in the toilet paper aisle of

790
00:34:51,640 --> 00:34:54,439
Speaker 2: a store. Oh my good, go ahead, Oh angel soft

791
00:34:54,520 --> 00:34:56,759
Speaker 2: that's good stuff. Yeah, yeah, we always use it.

792
00:34:56,920 --> 00:34:59,239
Speaker 7: You know what goes good with angel Soft is if

793
00:34:59,280 --> 00:35:01,640
Speaker 7: you will subscribe to the Bobby Bone Show on Instagram,

794
00:35:01,760 --> 00:35:04,520
Speaker 7: I mean on YouTube with the Bobby Bone Show, ye

795
00:35:04,680 --> 00:35:04,880
Speaker 7: can do?

796
00:35:06,040 --> 00:35:07,960
Speaker 2: Yeah, that's my channel man. So it goes great with

797
00:35:08,040 --> 00:35:08,520
Speaker 2: angel Shop.

798
00:35:08,560 --> 00:35:10,440
Speaker 7: When you're wiping your butt with angel Soft, be thinking

799
00:35:10,440 --> 00:35:12,160
Speaker 7: of the Bobby Bone Show YouTube.

800
00:35:12,320 --> 00:35:17,040
Speaker 2: And it's great man b O B B Y and

801
00:35:17,120 --> 00:35:19,520
Speaker 2: then Bones b O n E S. What is it about?

802
00:35:20,040 --> 00:35:24,120
Speaker 2: It's just about life and crazy stuff. And when you're

803
00:35:24,120 --> 00:35:26,040
Speaker 2: wiping your butt with that, Troy Bearer think about us,

804
00:35:26,960 --> 00:35:31,320
Speaker 2: all right, one wrong thing Instagram. Yeah, we're looking for

805
00:35:31,400 --> 00:35:35,480
Speaker 2: YouTube two. When it's like, what's it about? Life and

806
00:35:35,560 --> 00:35:38,680
Speaker 2: crazy stuff? Yeah? Well, say, like, how am I going

807
00:35:38,719 --> 00:35:41,799
Speaker 2: to describe it? Like it? We're a show that does

808
00:35:42,080 --> 00:35:44,440
Speaker 2: current events. We talk about our lives and think you'd

809
00:35:44,480 --> 00:35:48,040
Speaker 2: find it funny and relatable. Oh, I mean anything anything,

810
00:35:48,360 --> 00:35:49,399
Speaker 2: or you could be like I'm on the show.

811
00:35:49,440 --> 00:35:49,719
Speaker 4: I do it.

812
00:35:50,280 --> 00:35:52,400
Speaker 2: It's all good. Well, funny and crazy stuff works too,

813
00:35:52,440 --> 00:35:53,120
Speaker 2: doesn't it. Also?

814
00:35:53,200 --> 00:35:55,880
Speaker 4: I don't like being associated with any bathroom or wiping

815
00:35:55,920 --> 00:35:56,760
Speaker 4: your butt anyway.

816
00:35:57,000 --> 00:35:58,120
Speaker 2: We have to the end of the show today. If

817
00:35:58,120 --> 00:36:00,520
Speaker 2: we have three hundred thousand followers, I'll pay you. Lunchbox

818
00:36:00,640 --> 00:36:03,080
Speaker 2: and Morgan and Eddie. I think that hurt us more

819
00:36:03,120 --> 00:36:03,839
Speaker 2: than anything. You think.

820
00:36:04,120 --> 00:36:06,640
Speaker 7: Yeah, they pulled out their phones and subscribed, so it

821
00:36:06,680 --> 00:36:07,560
Speaker 7: didn't hurt you at all.

822
00:36:08,000 --> 00:36:11,600
Speaker 2: The help the phone.

823
00:36:12,600 --> 00:36:16,719
Speaker 5: Okay, they're like booooo, wake up.

824
00:36:17,120 --> 00:36:27,000
Speaker 15: Wake up in the mall and the radio and the Dodgers. Ready,

825
00:36:27,480 --> 00:36:31,040
Speaker 15: lunchbox More game two. Steve bred have trying to put

826
00:36:31,120 --> 00:36:31,560
Speaker 15: you through.

827
00:36:32,080 --> 00:36:32,360
Speaker 2: Fuck.

828
00:36:32,560 --> 00:36:34,439
Speaker 1: He's running this week's next bit.

829
00:36:34,760 --> 00:36:36,880
Speaker 6: The Bobby is on the box, so you know what this.

830
00:36:42,200 --> 00:36:46,360
Speaker 2: Is the Bobby Ball Easy Trivia. It's the easiest trivia

831
00:36:46,440 --> 00:36:49,200
Speaker 2: game ever. Amy is the champion. She's also the only

832
00:36:49,280 --> 00:36:52,839
Speaker 2: person to score this round. Amy the category's Country Music

833
00:36:52,920 --> 00:36:55,479
Speaker 2: who's known as the King of country music. George Strait

834
00:36:55,719 --> 00:37:00,520
Speaker 2: correct Abby. Chris Gaines is the rock alter ego of

835
00:37:00,600 --> 00:37:06,680
Speaker 2: What Country icon Brooks correct Lunchbox? What country duo released Neon.

836
00:37:06,520 --> 00:37:12,200
Speaker 7: Moon, So that's easy Brooks and done correct Correct Morgan,

837
00:37:12,239 --> 00:37:15,280
Speaker 7: who wrote and sings nine to five Delly Parton Correct.

838
00:37:16,040 --> 00:37:18,800
Speaker 2: Eddie's out. Amy has chosen to eliminate Eddie. If you

839
00:37:19,000 --> 00:37:23,040
Speaker 2: miss you hear this sound you bingo so you can

840
00:37:23,160 --> 00:37:27,080
Speaker 2: last the longest. Amy Europe first Easy Trivia two thousand's

841
00:37:27,239 --> 00:37:32,560
Speaker 2: TV number one What Iconic two thousands. Show followed high

842
00:37:32,560 --> 00:37:39,759
Speaker 2: school students at a fictional town in North Carolina. Mm hm,

843
00:37:42,239 --> 00:37:47,319
Speaker 2: Dawson's Creek incorrect. I'd have been torn between that one

844
00:37:47,400 --> 00:37:53,000
Speaker 2: and one Tree Hill, Tree Hill Boom.

845
00:37:54,200 --> 00:37:56,279
Speaker 7: You just like that.

846
00:37:56,840 --> 00:38:00,840
Speaker 2: Virginia goes down to sixteen CE. That's a quick one. Abby,

847
00:38:01,800 --> 00:38:05,759
Speaker 2: what character was the regional manager of dunder Mifflin in

848
00:38:05,800 --> 00:38:11,280
Speaker 2: the office Michael Scott? Correct? Lunchbox who played Walter White

849
00:38:11,360 --> 00:38:17,200
Speaker 2: and Breaking Bad Brian Cranston. Good job, Morgan. After putting

850
00:38:17,239 --> 00:38:19,960
Speaker 2: out your torch, the host of Survivor says, what catchphrase?

851
00:38:20,480 --> 00:38:26,280
Speaker 2: I don't know? You've been eliminated. You're off the island.

852
00:38:27,440 --> 00:38:27,919
Speaker 5: Go home.

853
00:38:28,200 --> 00:38:37,239
Speaker 14: Oh I watched Survivor in over a decade. You're off

854
00:38:37,320 --> 00:38:41,560
Speaker 14: the island. You've been eliminated. It's a competition show. So

855
00:38:41,680 --> 00:38:44,000
Speaker 14: he has to say something that makes them leave.

856
00:38:44,280 --> 00:38:46,440
Speaker 2: After putting out your torch, the host of Survivor will

857
00:38:46,480 --> 00:38:55,200
Speaker 2: tell you what catchphrase I didn't answer? Please, you've been eliminated? Incorrect? Lunchbox,

858
00:38:55,520 --> 00:38:58,920
Speaker 2: your tribe is spoken. Oh yeah, I wasn't there. I

859
00:39:02,239 --> 00:39:05,040
Speaker 2: we had to go down in the first round. Next

860
00:39:05,200 --> 00:39:10,920
Speaker 2: up between Abby and Lunchbox laugh about because it's the

861
00:39:10,960 --> 00:39:14,239
Speaker 2: few of the century. Great, I love it. There's only

862
00:39:14,280 --> 00:39:20,279
Speaker 2: a few science in space or the categories. Oh, what

863
00:39:20,600 --> 00:39:29,080
Speaker 2: planet is closest to the Sun? Time? My very energetic mother,

864
00:39:32,800 --> 00:39:38,240
Speaker 2: What planet is closest to the sun? My very energetically

865
00:39:38,280 --> 00:39:40,440
Speaker 2: Why would you say, my very and then go to earth.

866
00:39:41,880 --> 00:39:42,360
Speaker 5: Mercury?

867
00:39:42,960 --> 00:39:49,920
Speaker 2: Yeah, boner, Why did I say that? That's wild? That

868
00:39:50,080 --> 00:39:52,440
Speaker 2: might be the worst. That might be if we look

869
00:39:52,520 --> 00:39:54,279
Speaker 2: back at the worst answers ever in this game. That

870
00:39:54,400 --> 00:39:58,120
Speaker 2: might be it if we did like a special, if

871
00:39:58,160 --> 00:40:01,319
Speaker 2: we did a special worst answers, I think that might

872
00:40:01,640 --> 00:40:01,880
Speaker 2: be it.

873
00:40:03,000 --> 00:40:05,000
Speaker 4: Well, she didn't know where the Sun was in that

874
00:40:05,400 --> 00:40:08,040
Speaker 4: Welcome to Earth, third Rock from the Sun.

875
00:40:08,120 --> 00:40:12,880
Speaker 2: And then what play would welcome be? Oh you're doing this?

876
00:40:13,360 --> 00:40:16,000
Speaker 2: I thought I thought she was doing like my very Internet.

877
00:40:16,120 --> 00:40:18,160
Speaker 5: You know, I'm saying like you're in the songs. You know,

878
00:40:18,719 --> 00:40:19,680
Speaker 5: we're the third rock for.

879
00:40:21,480 --> 00:40:25,440
Speaker 2: Weenus. Oh my gosh, lunchbox for the wind. Yeah, give

880
00:40:25,480 --> 00:40:27,800
Speaker 2: me that science or whatever you're gonna give me crap

881
00:40:28,080 --> 00:40:31,319
Speaker 2: science and space. Yeah, my face talked about this many times.

882
00:40:31,680 --> 00:40:34,279
Speaker 2: I hate this subject. What year did humans first land

883
00:40:34,320 --> 00:40:36,560
Speaker 2: on the Moon? Oh? I know that, get it?

884
00:40:36,719 --> 00:40:40,000
Speaker 7: I know that same year UTSA was created? Man where

885
00:40:40,040 --> 00:40:42,080
Speaker 7: I went to college nineteen sixty.

886
00:40:43,320 --> 00:40:48,120
Speaker 2: Correction winner there Is Amy's was hard, Morgan's was tough.

887
00:40:48,160 --> 00:40:52,359
Speaker 2: If you don't watch Survivor for sure that I might

888
00:40:52,440 --> 00:40:55,320
Speaker 2: just retire the chance. It was either Mars or Mercury.

889
00:40:55,360 --> 00:40:58,360
Speaker 2: When she said in the m I it was no Earth, Abby,

890
00:40:58,400 --> 00:41:00,200
Speaker 2: you want me to play for you next time? I'm

891
00:41:00,320 --> 00:41:01,839
Speaker 2: very energetic? Which one is it? Earth?

892
00:41:02,680 --> 00:41:02,839
Speaker 4: Hey?

893
00:41:02,880 --> 00:41:07,239
Speaker 2: That's off. I did a DM about the Planet song.

894
00:41:07,320 --> 00:41:08,799
Speaker 2: It's a song that Eddie and I did our band,

895
00:41:08,840 --> 00:41:10,880
Speaker 2: The Raging Idiots. We did a kid's album called The

896
00:41:10,960 --> 00:41:13,839
Speaker 2: Raging Idiots, and the DM said planet Song. I made

897
00:41:13,880 --> 00:41:15,880
Speaker 2: the terrible mistake of playing the Planet Song, and my

898
00:41:15,920 --> 00:41:17,640
Speaker 2: seven year old son we have listened to it on

899
00:41:17,760 --> 00:41:21,040
Speaker 2: repeat ever since. I will never forget the order of

900
00:41:21,120 --> 00:41:24,319
Speaker 2: the planets again. So Raymond, do you have the song?

901
00:41:24,400 --> 00:41:26,000
Speaker 2: We'll play like thirty seconds. If you kids want to

902
00:41:26,080 --> 00:41:28,040
Speaker 2: learn the planets or Abby, you should listen to this.

903
00:41:28,800 --> 00:41:31,000
Speaker 2: Here is The Raging Idiots, the Planet Song.

904
00:41:31,400 --> 00:41:33,200
Speaker 5: My very er jetting mother.

905
00:41:33,160 --> 00:41:36,279
Speaker 16: Just served us nine pizzas. My very energetting mother just

906
00:41:36,360 --> 00:41:39,680
Speaker 16: served us nine pizzas. My very enern getting mother deserved

907
00:41:39,719 --> 00:41:40,440
Speaker 16: us none pizzas.

908
00:41:40,680 --> 00:41:45,279
Speaker 2: My very energetic mother start up from the start at

909
00:41:45,360 --> 00:41:48,840
Speaker 2: planet number one, Me, my good friend Mercy Read's closest

910
00:41:48,880 --> 00:41:51,319
Speaker 2: to the sun, a little fast and though so hot

911
00:41:51,360 --> 00:41:54,600
Speaker 2: and slightly colored gray and rub behind it is beans

912
00:41:54,640 --> 00:41:57,719
Speaker 2: planet to you, say the Roman goddess. The beauty is

913
00:41:57,760 --> 00:41:58,759
Speaker 2: where it got its name.

914
00:41:59,040 --> 00:41:59,880
Speaker 9: The whole planet is.

915
00:42:00,560 --> 00:42:03,360
Speaker 2: It's basically a flame. And then we go from planet

916
00:42:03,480 --> 00:42:04,839
Speaker 2: too to planet number three.

917
00:42:05,000 --> 00:42:07,440
Speaker 1: Put your hands in the air, Yo, Earth, can.

918
00:42:07,360 --> 00:42:07,800
Speaker 4: You hear me?

919
00:42:08,280 --> 00:42:10,560
Speaker 2: My name is planet to Earth, and I am where

920
00:42:10,640 --> 00:42:13,000
Speaker 2: you live, trees and lakes and berth and beat some

921
00:42:13,080 --> 00:42:15,759
Speaker 2: mo folks and some kids. The Solar system we live

922
00:42:15,840 --> 00:42:18,400
Speaker 2: in with the only lafe around nursed the three forts

923
00:42:18,480 --> 00:42:20,200
Speaker 2: water or it's too old now.

924
00:42:20,600 --> 00:42:23,600
Speaker 16: My Mary inern Jetting mother just served us nine pizzas.

925
00:42:23,719 --> 00:42:25,520
Speaker 16: My maryer Jetting mother just.

926
00:42:25,560 --> 00:42:28,719
Speaker 2: Served us nine pizzas thereby, I like it. Listen to that.

927
00:42:28,880 --> 00:42:29,600
Speaker 1: You've never heard it.

928
00:42:30,480 --> 00:42:33,839
Speaker 2: That's a jam. Yeah, in Denmark went sixty three. We're

929
00:42:33,960 --> 00:42:38,080
Speaker 2: huge over there, man, we are huge. Okay, Abby, I

930
00:42:38,160 --> 00:42:41,080
Speaker 2: mean I knew it. And this is lunch lunchboxes day

931
00:42:42,040 --> 00:42:44,560
Speaker 2: because you won. Yeah, I let him have it. Abby,

932
00:42:45,560 --> 00:42:47,560
Speaker 2: You know I want don't don't worry about how she lost.

933
00:42:47,640 --> 00:42:49,640
Speaker 2: I want I took that with chress web call the

934
00:42:49,640 --> 00:42:53,200
Speaker 2: time out type stuff. All right, thank you, Bobby Bone

935
00:42:53,280 --> 00:42:55,360
Speaker 2: show sorry up today.

936
00:42:56,080 --> 00:42:59,640
Speaker 7: This story comes us from Tampa, Florida, and man went

937
00:42:59,680 --> 00:43:02,000
Speaker 7: into it Tesla dealership, gave him his ID, said hey,

938
00:43:02,040 --> 00:43:04,000
Speaker 7: I want to try one of those new cyber trucks.

939
00:43:04,440 --> 00:43:06,440
Speaker 7: Signs in agreement. You will only test drive it for

940
00:43:06,560 --> 00:43:09,480
Speaker 7: thirty minutes and bring it back. Well, the guy took it,

941
00:43:10,040 --> 00:43:12,600
Speaker 7: never came back, drove it for a few days, and

942
00:43:12,719 --> 00:43:15,439
Speaker 7: they used the geolocation to go take the truck back.

943
00:43:15,800 --> 00:43:17,960
Speaker 7: But he had a bunch of stuff in there, his belongings,

944
00:43:18,440 --> 00:43:20,600
Speaker 7: so he went back to the Tesla dealership said hey, man,

945
00:43:20,640 --> 00:43:23,160
Speaker 7: you guys stole my stuff. That's when police recalled and

946
00:43:23,200 --> 00:43:24,479
Speaker 7: he was arrested for stealing the truck.

947
00:43:24,640 --> 00:43:26,840
Speaker 2: Yeah, that's the worst truck to try to steal. So

948
00:43:26,960 --> 00:43:28,799
Speaker 2: the first thing that comes to mind anytime I've test

949
00:43:28,840 --> 00:43:31,799
Speaker 2: driven anything in the past three or four years, they're

950
00:43:31,840 --> 00:43:33,320
Speaker 2: with you. It's not like the old days when you

951
00:43:33,440 --> 00:43:35,560
Speaker 2: just got to show them your license and then have it.

952
00:43:36,120 --> 00:43:39,239
Speaker 2: Oh really, Oh I got to go, oh, no, I

953
00:43:39,280 --> 00:43:40,160
Speaker 2: guess I'm not trustworthy.

954
00:43:40,200 --> 00:43:43,640
Speaker 4: Then yeah, actually, me and your wife, we test your cards, just.

955
00:43:43,760 --> 00:43:45,959
Speaker 2: Us Okay, Well that's because they maybe you guys were.

956
00:43:45,840 --> 00:43:48,120
Speaker 4: Pretty they maybe trust us. That was the day that

957
00:43:48,520 --> 00:43:50,600
Speaker 4: some guy thought I was Caitlin's mom.

958
00:43:51,080 --> 00:43:52,600
Speaker 2: I remember that day. I don't bring that day out

959
00:43:56,520 --> 00:43:57,640
Speaker 2: giving each other a hard time.

960
00:43:57,680 --> 00:43:59,480
Speaker 1: But that's even like, that's the line. I don't know.

961
00:43:59,600 --> 00:44:00,160
Speaker 2: I don't know.

962
00:44:00,880 --> 00:44:02,200
Speaker 1: That guy was a bone That was.

963
00:44:02,200 --> 00:44:04,880
Speaker 2: A tough one. Yes, okay, I munch box. That's your

964
00:44:04,920 --> 00:44:08,080
Speaker 2: bonehead story of the day. A lot of hype to

965
00:44:08,120 --> 00:44:10,400
Speaker 2: the story. Morgan says she has her best Nashville story,

966
00:44:11,040 --> 00:44:14,160
Speaker 2: Is it ever? Yeah, honestly ever celebrity.

967
00:44:14,320 --> 00:44:18,000
Speaker 1: Yeah, all right, everybody get comfortable, gather around the radio.

968
00:44:18,480 --> 00:44:20,399
Speaker 2: All right, Morgan, go for it now.

969
00:44:20,920 --> 00:44:23,640
Speaker 4: I was at a spa, right, I'm enjoying my day.

970
00:44:23,760 --> 00:44:24,640
Speaker 2: It's really peaceful.

971
00:44:24,680 --> 00:44:26,880
Speaker 1: I went to get it Indian head massage.

972
00:44:26,480 --> 00:44:29,920
Speaker 2: So I was feeling very zin in racist mighty chance. No,

973
00:44:30,000 --> 00:44:31,279
Speaker 2: that's what it's called. Was making sure. I wanted to

974
00:44:31,280 --> 00:44:31,520
Speaker 2: make sure.

975
00:44:31,640 --> 00:44:35,000
Speaker 4: You can't go ahead, they massage your head for forty minutes.

976
00:44:35,080 --> 00:44:36,960
Speaker 2: Yeah, because people be like, can't slit Indian style anymore.

977
00:44:36,960 --> 00:44:37,480
Speaker 2: I don't know, I don't know.

978
00:44:39,440 --> 00:44:40,800
Speaker 4: Yeah, called Indian head massages.

979
00:44:42,200 --> 00:44:44,279
Speaker 2: Sure, it's great. I'm moving on you don't want to

980
00:44:44,280 --> 00:44:45,239
Speaker 2: get can't go ahead? Got it?

981
00:44:45,480 --> 00:44:47,520
Speaker 4: So I'm feeling zin in this spa.

982
00:44:47,680 --> 00:44:48,600
Speaker 5: They have a steam room.

983
00:44:48,680 --> 00:44:50,879
Speaker 3: I'm like, oh, gotta get my steam on, but I'm

984
00:44:50,920 --> 00:44:52,560
Speaker 3: in a robe, and I was like, Okay, I have

985
00:44:52,640 --> 00:44:54,800
Speaker 3: to change into a towel, so I put on this

986
00:44:54,960 --> 00:44:56,120
Speaker 3: towel so I can.

987
00:44:56,080 --> 00:44:57,360
Speaker 1: Sit in the steam room because I don't want to

988
00:44:57,400 --> 00:44:58,359
Speaker 1: sit naked in the steam room.

989
00:44:58,400 --> 00:45:01,880
Speaker 2: It's co ed. Got it. Okay, that's been awesome.

990
00:45:02,040 --> 00:45:04,839
Speaker 3: So I'm walking with my towel into the steam room

991
00:45:05,640 --> 00:45:08,000
Speaker 3: and I make eye contact with the guy and I

992
00:45:08,120 --> 00:45:10,040
Speaker 3: was like kind of like hi, Like oh, this is

993
00:45:10,120 --> 00:45:11,200
Speaker 3: kind of awkward because you're a dude.

994
00:45:11,239 --> 00:45:11,560
Speaker 6: I'm a girl.

995
00:45:11,600 --> 00:45:12,399
Speaker 4: We're both in our towels.

996
00:45:12,640 --> 00:45:14,440
Speaker 2: Was he going to the steam room? He was leaving

997
00:45:14,480 --> 00:45:15,360
Speaker 2: the steam room? Got it?

998
00:45:16,480 --> 00:45:18,600
Speaker 4: And then we both did a double take or like

999
00:45:18,880 --> 00:45:20,200
Speaker 4: oh we know each other.

1000
00:45:21,000 --> 00:45:21,880
Speaker 2: This is really weird.

1001
00:45:22,760 --> 00:45:24,880
Speaker 4: And it was a celebrity and we were both standing

1002
00:45:24,880 --> 00:45:25,920
Speaker 4: there in our towels.

1003
00:45:25,640 --> 00:45:28,960
Speaker 2: And it was really uncomfortable. So you you were in

1004
00:45:29,040 --> 00:45:31,560
Speaker 2: a towel and he was in a towel. Is he

1005
00:45:31,640 --> 00:45:33,960
Speaker 2: a singer? Yeah? Has he been in the studio, yes,

1006
00:45:34,400 --> 00:45:39,279
Speaker 2: Dustin Lyunch, No, No, are.

1007
00:45:39,239 --> 00:45:40,560
Speaker 4: You trying to think of like people that would be

1008
00:45:40,560 --> 00:45:41,960
Speaker 4: getting an Indian head massage.

1009
00:45:42,280 --> 00:45:44,120
Speaker 2: No, I'm trying to think of like people that were

1010
00:45:44,200 --> 00:45:46,080
Speaker 2: kind of probably ripped up, and it would like be

1011
00:45:46,320 --> 00:45:48,960
Speaker 2: like like looking good in a towel and I take

1012
00:45:48,960 --> 00:45:53,640
Speaker 2: it and we're gonna be like, dang, that dude's hot. Married. Yeah, okay, okay,

1013
00:45:54,080 --> 00:45:54,480
Speaker 2: who was it?

1014
00:45:54,920 --> 00:45:56,680
Speaker 4: It was David Wood from La Da.

1015
00:45:56,880 --> 00:45:59,440
Speaker 2: Okay, Oh, there's like the nicest guy ever and married.

1016
00:45:59,640 --> 00:46:02,720
Speaker 2: So I there wasn't like we'll go in and seely

1017
00:46:02,760 --> 00:46:04,520
Speaker 2: take our towels off. No, okay, got it.

1018
00:46:04,719 --> 00:46:06,360
Speaker 3: But it was like, oh, we know each other and

1019
00:46:06,440 --> 00:46:14,279
Speaker 3: we're both standing here in our towels and yeah.

1020
00:46:14,360 --> 00:46:17,360
Speaker 1: You were telling yeaeah you were lacking a luft was

1021
00:46:17,440 --> 00:46:18,000
Speaker 1: on my mind.

1022
00:46:18,280 --> 00:46:19,359
Speaker 2: You look at each other.

1023
00:46:19,320 --> 00:46:22,280
Speaker 1: In our felt it felt a little awkward.

1024
00:46:22,840 --> 00:46:26,960
Speaker 2: So you go in and I guess I've never been

1025
00:46:27,000 --> 00:46:28,399
Speaker 2: in the co ed. I guess I don't go into

1026
00:46:28,400 --> 00:46:30,640
Speaker 2: steaming rooms. There is there anybody else in there?

1027
00:46:30,800 --> 00:46:32,520
Speaker 4: Yeah, there's all kinds of people in there.

1028
00:46:33,400 --> 00:46:35,440
Speaker 2: Do do people talk in those things? Some people do.

1029
00:46:35,560 --> 00:46:37,120
Speaker 5: If you're with your friends, you talk to your friends.

1030
00:46:37,200 --> 00:46:39,360
Speaker 4: They're strangers, you might just sit in silence. It just

1031
00:46:39,440 --> 00:46:40,399
Speaker 4: kind of depends on the vibe.

1032
00:46:40,440 --> 00:46:42,680
Speaker 2: Do you get hit on in those things? I suppose

1033
00:46:42,760 --> 00:46:45,040
Speaker 2: you could. Do you get hit on in those things?

1034
00:46:45,120 --> 00:46:46,319
Speaker 1: I've only been in it one time.

1035
00:46:46,440 --> 00:46:48,520
Speaker 4: This was the one time, so I was learning a

1036
00:46:48,560 --> 00:46:49,760
Speaker 4: lot of things in this moment.

1037
00:46:50,200 --> 00:46:53,360
Speaker 2: Got it anybody else in there that you would? You

1038
00:46:53,440 --> 00:46:56,120
Speaker 2: talk to a guy in there? Yeah, I'm surprised it's

1039
00:46:56,160 --> 00:46:57,759
Speaker 2: co ed. I'm surprised people are in towels and co

1040
00:46:57,960 --> 00:46:59,360
Speaker 2: There's just a lot of room for things to be

1041
00:46:59,600 --> 00:47:01,399
Speaker 2: accident shown or seen.

1042
00:47:01,760 --> 00:47:01,960
Speaker 15: Yeah.

1043
00:47:02,440 --> 00:47:03,200
Speaker 5: Do they have a camera?

1044
00:47:04,160 --> 00:47:04,200
Speaker 9: No?

1045
00:47:04,360 --> 00:47:07,040
Speaker 2: No? No, no, how big is this room?

1046
00:47:07,239 --> 00:47:09,960
Speaker 4: It's not very big, you know. Just for protection, like

1047
00:47:10,120 --> 00:47:12,560
Speaker 4: you know, like Cooper, I can.

1048
00:47:12,800 --> 00:47:14,720
Speaker 1: End the steam rooms. You can watch people on their towels.

1049
00:47:14,840 --> 00:47:18,080
Speaker 4: That sounds not to watch people, but just for safety.

1050
00:47:18,120 --> 00:47:19,839
Speaker 4: If something were to happen. If I were to walk

1051
00:47:19,880 --> 00:47:21,400
Speaker 4: in there and some man would just be the only

1052
00:47:21,480 --> 00:47:23,440
Speaker 4: person there, I would be like, I'm out. I'm not

1053
00:47:23,560 --> 00:47:26,280
Speaker 4: putting myself in a room with steam.

1054
00:47:27,440 --> 00:47:31,360
Speaker 8: It's hard to see ya, you know.

1055
00:47:31,440 --> 00:47:33,560
Speaker 4: You just it's a vulnerable situation.

1056
00:47:33,760 --> 00:47:36,400
Speaker 2: It feels vulnerable, Yeah, especially for a woman to walk in.

1057
00:47:36,680 --> 00:47:38,000
Speaker 2: Did you like it? Yeah?

1058
00:47:38,040 --> 00:47:38,480
Speaker 3: I loved it.

1059
00:47:39,040 --> 00:47:41,560
Speaker 2: I don't know what's to me on the surface weirder

1060
00:47:41,960 --> 00:47:43,960
Speaker 2: A co ed steam room where people are just in

1061
00:47:44,040 --> 00:47:47,240
Speaker 2: towels that you don't know because of possibly seeing stuff

1062
00:47:47,440 --> 00:47:49,160
Speaker 2: or I don't know, and I know it's not weird.

1063
00:47:49,160 --> 00:47:50,719
Speaker 2: People have also told me this is not weird. But

1064
00:47:50,719 --> 00:47:52,920
Speaker 2: when Lunchbox gets the massage, he goes but naked. Immediately

1065
00:47:53,080 --> 00:47:53,880
Speaker 2: one I.

1066
00:47:53,880 --> 00:47:56,200
Speaker 7: Can say say, get down to your comfort level, and

1067
00:47:56,280 --> 00:47:58,759
Speaker 7: I'm like, naked it is And people like like, that's

1068
00:47:58,760 --> 00:47:59,880
Speaker 7: not a big deal, and I feel you.

1069
00:48:00,200 --> 00:48:06,040
Speaker 1: But for me, no, you've never done that. I don't think,

1070
00:48:06,120 --> 00:48:07,520
Speaker 1: so why have you ready?

1071
00:48:07,640 --> 00:48:09,480
Speaker 6: I did it one time and because that's because they

1072
00:48:09,520 --> 00:48:11,440
Speaker 6: said do it, and so I just followed the direction.

1073
00:48:11,680 --> 00:48:13,680
Speaker 6: And then once I knew it was an option, I'm like, well,

1074
00:48:13,680 --> 00:48:14,479
Speaker 6: I'm not doing that again.

1075
00:48:14,560 --> 00:48:15,279
Speaker 2: Our geens, what.

1076
00:48:15,320 --> 00:48:15,680
Speaker 5: Do you mean?

1077
00:48:15,760 --> 00:48:15,960
Speaker 2: Guys?

1078
00:48:16,080 --> 00:48:18,080
Speaker 1: That way they can get in there, I get it,

1079
00:48:18,120 --> 00:48:19,600
Speaker 1: and I don't want them in whatever there is.

1080
00:48:19,640 --> 00:48:20,440
Speaker 2: I don't want them in there.

1081
00:48:21,800 --> 00:48:24,680
Speaker 1: They can flip over, they can get in anywhere they.

1082
00:48:24,680 --> 00:48:27,120
Speaker 2: Need to get in that I want them in my underwear.

1083
00:48:27,320 --> 00:48:29,600
Speaker 7: Yeah, when they flip over it, I mean, I mean

1084
00:48:29,640 --> 00:48:35,000
Speaker 7: you just roll over, just thinking like, but we're in there,

1085
00:48:35,040 --> 00:48:36,200
Speaker 7: are you thinking about.

1086
00:48:37,800 --> 00:48:41,239
Speaker 2: And the butt. Yeah, yeah, I'm good fingers not going

1087
00:48:41,280 --> 00:48:41,520
Speaker 2: in my.

1088
00:48:41,520 --> 00:48:44,920
Speaker 4: Butt with the underwear on like boxes in then, and

1089
00:48:44,960 --> 00:48:49,600
Speaker 4: that's what he likes. No where it is appropriate to touch.

1090
00:48:50,480 --> 00:48:52,640
Speaker 4: When you're paying for a massage, you can leave your

1091
00:48:52,719 --> 00:48:53,120
Speaker 4: underwear on.

1092
00:48:53,360 --> 00:48:54,279
Speaker 2: Do you leave your underwear on?

1093
00:48:54,520 --> 00:48:54,719
Speaker 5: Yes?

1094
00:48:55,120 --> 00:48:56,160
Speaker 2: You are so weird?

1095
00:48:56,400 --> 00:48:57,480
Speaker 1: Why am I so weird?

1096
00:48:58,280 --> 00:49:00,239
Speaker 2: I've had a lot of massage therapists reach out and say, hey,

1097
00:49:00,880 --> 00:49:02,759
Speaker 2: I like people do naked, and I get it. I'm

1098
00:49:02,800 --> 00:49:06,960
Speaker 2: just saying for me, I've never even considered being naked.

1099
00:49:07,040 --> 00:49:09,600
Speaker 2: Maybe it's because I'm humiliated by what they'd see and

1100
00:49:09,680 --> 00:49:12,720
Speaker 2: I don't embarrass her. Yeah, I think that's what it is. Okay,

1101
00:49:13,000 --> 00:49:14,520
Speaker 2: well good. I thought it's gonna be a love story.

1102
00:49:14,560 --> 00:49:15,000
Speaker 2: I'm be honest with you.

1103
00:49:15,040 --> 00:49:18,560
Speaker 7: When Morgan started off, question yeah did we get clickbaited?

1104
00:49:18,719 --> 00:49:21,040
Speaker 7: Was that the best celebrity story she's ever had?

1105
00:49:21,160 --> 00:49:22,520
Speaker 4: It's my best national story.

1106
00:49:22,560 --> 00:49:26,080
Speaker 3: The fact that Lady Hayes Dave Haywood saw each other

1107
00:49:26,160 --> 00:49:26,880
Speaker 3: in towns.

1108
00:49:26,600 --> 00:49:29,440
Speaker 2: In the steam room. If it's only a professional setting,

1109
00:49:29,440 --> 00:49:31,399
Speaker 2: ever and you see somebody in towel, that'd be weird.

1110
00:49:31,760 --> 00:49:34,000
Speaker 2: I'm gonna say. Morgan does not have a history of clickbaiting.

1111
00:49:34,800 --> 00:49:37,400
Speaker 2: Was that hype a little more than the substance, Probably,

1112
00:49:37,600 --> 00:49:40,239
Speaker 2: But I don't think she clickbaits. You do, rad I

1113
00:49:40,239 --> 00:49:43,000
Speaker 2: don't click bait. You clickbait like any click. The worst

1114
00:49:43,080 --> 00:49:45,960
Speaker 2: crime ever I'm a victim of a violent crime was

1115
00:49:46,520 --> 00:49:47,439
Speaker 2: eleven months in jail.

1116
00:49:47,520 --> 00:49:49,520
Speaker 1: Yeah, yeah, I hear you, Morgan. Thank you for that

1117
00:49:49,600 --> 00:49:50,120
Speaker 1: by everybody.

1118
00:49:50,640 --> 00:49:58,600
Speaker 2: Bobby Bones on the Bobby Bones Show Now brings energy.

1119
00:50:01,040 --> 00:50:04,160
Speaker 2: Good to see you, buddy. I was watching your Instagram

1120
00:50:04,200 --> 00:50:05,680
Speaker 2: shore with my wife, which we do every night. We

1121
00:50:05,719 --> 00:50:07,240
Speaker 2: set a time where we're like pull up the party's

1122
00:50:07,280 --> 00:50:09,279
Speaker 2: Instagram story. Oh yeah, it's like in the twenties you

1123
00:50:09,320 --> 00:50:11,000
Speaker 2: gather around the radio. That's what we do with your

1124
00:50:11,040 --> 00:50:13,960
Speaker 2: Instagram story. We're like pull up Summer in John's Instagram stories.

1125
00:50:14,000 --> 00:50:16,239
Speaker 2: We set there, we have a meal, we watch. Your

1126
00:50:16,360 --> 00:50:20,360
Speaker 2: kids are turning into actual humans. It's crazy. Yeah, like

1127
00:50:20,360 --> 00:50:22,640
Speaker 2: they're getting old. They look like you guys.

1128
00:50:22,760 --> 00:50:23,600
Speaker 1: It's like slow down.

1129
00:50:23,920 --> 00:50:27,040
Speaker 17: Like this morning, Presley was like I want to put

1130
00:50:27,080 --> 00:50:29,879
Speaker 17: on my shoes and went and put her a little

1131
00:50:30,400 --> 00:50:34,360
Speaker 17: rubber sandals on on on what they are and both on.

1132
00:50:34,440 --> 00:50:36,799
Speaker 2: The right feet, and she's too like it you mean

1133
00:50:36,840 --> 00:50:37,520
Speaker 2: on the correct feet?

1134
00:50:37,719 --> 00:50:37,959
Speaker 1: Correct?

1135
00:50:38,320 --> 00:50:38,480
Speaker 2: Yeah?

1136
00:50:38,520 --> 00:50:40,040
Speaker 1: Yeah, yeah, yeah, I guess that doesn't make sense.

1137
00:50:40,120 --> 00:50:41,520
Speaker 2: Well, no, I could have I just want to. I

1138
00:50:41,560 --> 00:50:42,560
Speaker 2: don't know that I got it.

1139
00:50:42,680 --> 00:50:45,080
Speaker 1: Yes, yeah, but she correctly put her shoes on them.

1140
00:50:45,120 --> 00:50:47,480
Speaker 1: I was like, whoa, Yeah, what.

1141
00:50:47,760 --> 00:50:53,200
Speaker 2: Is surprising to you about being a girl? Dad? Because

1142
00:50:53,200 --> 00:50:56,279
Speaker 2: I think as a as a man, and we don't

1143
00:50:56,320 --> 00:50:58,360
Speaker 2: have kids yet, I have to always say this, my

1144
00:50:58,440 --> 00:51:00,239
Speaker 2: wife's not pregnant right now. People always think if I'm

1145
00:51:00,239 --> 00:51:03,000
Speaker 2: mentioning it, but eventually that's going to happen where we're

1146
00:51:03,040 --> 00:51:06,399
Speaker 2: going to have children. I am scared spitless of having

1147
00:51:06,480 --> 00:51:08,120
Speaker 2: girls because I know nothing about girls.

1148
00:51:08,360 --> 00:51:13,400
Speaker 17: Yeah you have to what's what have you learned? You

1149
00:51:13,480 --> 00:51:16,040
Speaker 17: don't learn anything. You learn how to be a parent,

1150
00:51:16,640 --> 00:51:19,879
Speaker 17: and you learn your girls like you learn what your

1151
00:51:20,440 --> 00:51:23,960
Speaker 17: individual like Presley likes, what Ciana likes, and and I

1152
00:51:24,040 --> 00:51:26,960
Speaker 17: feel like when you're saying you're scared like a boy

1153
00:51:27,120 --> 00:51:31,440
Speaker 17: or a girl, like, it's a you just learn Like

1154
00:51:31,520 --> 00:51:32,560
Speaker 17: I wouldn't know what to do with.

1155
00:51:32,640 --> 00:51:34,960
Speaker 2: The boy, but I'm saying though later with a boy,

1156
00:51:35,320 --> 00:51:37,799
Speaker 2: I would know, like what shows, let's play ball, let's

1157
00:51:37,880 --> 00:51:40,120
Speaker 2: do I don't. I don't what do I know about

1158
00:51:40,160 --> 00:51:40,840
Speaker 2: what girls do?

1159
00:51:41,120 --> 00:51:44,520
Speaker 1: And yeah, well that's that's that's why you just.

1160
00:51:44,600 --> 00:51:47,200
Speaker 2: Go make a note. I'm asking this question in ten years.

1161
00:51:47,520 --> 00:51:50,680
Speaker 17: Presley loves the tractor and she loves the canyem so

1162
00:51:51,040 --> 00:51:53,560
Speaker 17: like I get you know, we get our canyon rise

1163
00:51:53,680 --> 00:51:56,800
Speaker 17: and it's kind of good to do the boy world.

1164
00:51:56,960 --> 00:51:59,320
Speaker 17: But like there's a lot of there's a lot of like,

1165
00:52:00,280 --> 00:52:03,480
Speaker 17: you know, we watch Beauty and the Beasts together, great story.

1166
00:52:03,760 --> 00:52:08,080
Speaker 1: It's a great story, fabulous story. And it was you know,

1167
00:52:08,200 --> 00:52:10,000
Speaker 1: I haven't seen Beauty and the Beasts slow.

1168
00:52:10,080 --> 00:52:10,720
Speaker 2: But it's different.

1169
00:52:11,280 --> 00:52:13,440
Speaker 17: It's different when you watch it with your baby girls.

1170
00:52:13,560 --> 00:52:15,959
Speaker 17: It's like, oh, you know, like you get a little

1171
00:52:16,040 --> 00:52:18,920
Speaker 17: more like your heart rooms, your heart opens up a

1172
00:52:19,000 --> 00:52:21,839
Speaker 17: little bit instead of like where his boys like they're

1173
00:52:21,880 --> 00:52:25,040
Speaker 17: always into something and climbing trees and like you've talked

1174
00:52:25,080 --> 00:52:25,880
Speaker 17: to boy dads.

1175
00:52:25,680 --> 00:52:27,800
Speaker 1: Are like, oh, I'm just chasing my kids everywhere, you

1176
00:52:27,840 --> 00:52:32,480
Speaker 1: know where the Presley's like coloring. So I don't know.

1177
00:52:33,160 --> 00:52:35,440
Speaker 2: I saw you're riding a horse at the Houston Rodeo.

1178
00:52:36,560 --> 00:52:39,040
Speaker 2: How does your body do now that you're not twenty

1179
00:52:39,080 --> 00:52:40,120
Speaker 2: two riding horses?

1180
00:52:40,800 --> 00:52:41,040
Speaker 1: Good?

1181
00:52:41,480 --> 00:52:42,040
Speaker 2: You still got it?

1182
00:52:42,239 --> 00:52:44,000
Speaker 17: Oh yeah, I brought my own saddle for that one.

1183
00:52:44,040 --> 00:52:48,200
Speaker 17: I just they we're done Houston enough to where like

1184
00:52:48,520 --> 00:52:52,400
Speaker 17: big guys that you know, not the most popular saddle,

1185
00:52:52,560 --> 00:52:54,839
Speaker 17: and the stirrups are real high and you can't ride

1186
00:52:55,040 --> 00:52:57,800
Speaker 17: well with high Stewart. So I threw in my saddle

1187
00:52:58,280 --> 00:53:01,319
Speaker 17: and that horse, I'm was my third ride with him link.

1188
00:53:01,800 --> 00:53:03,560
Speaker 17: He's a great horse, and we got the you know,

1189
00:53:03,680 --> 00:53:05,319
Speaker 17: I got to get on him and the guys are

1190
00:53:05,360 --> 00:53:05,840
Speaker 17: letting in some.

1191
00:53:05,920 --> 00:53:08,200
Speaker 1: Steers and some it was cool.

1192
00:53:08,200 --> 00:53:10,880
Speaker 17: I let some broncs out and like we were just

1193
00:53:10,960 --> 00:53:13,200
Speaker 17: kind of riding arena with him, and I you know,

1194
00:53:13,480 --> 00:53:16,239
Speaker 17: it was just like riding a bike if you're good.

1195
00:53:16,800 --> 00:53:18,279
Speaker 2: Yeah, but I only pick my bike seat.

1196
00:53:18,640 --> 00:53:18,800
Speaker 5: You know.

1197
00:53:18,880 --> 00:53:21,920
Speaker 4: I think because of his sot you're saying your size,

1198
00:53:22,120 --> 00:53:23,160
Speaker 4: like you need your own.

1199
00:53:24,440 --> 00:53:25,160
Speaker 2: It's a big old boys.

1200
00:53:25,200 --> 00:53:27,000
Speaker 4: Like if you didn't have your own saddle, you would

1201
00:53:27,040 --> 00:53:27,759
Speaker 4: have been in a little pain.

1202
00:53:27,920 --> 00:53:28,359
Speaker 2: It's tough.

1203
00:53:28,960 --> 00:53:32,399
Speaker 17: Yeah, it's tough because I've done it and you're it's

1204
00:53:32,480 --> 00:53:36,359
Speaker 17: just really hard. It's like be I don't know it'd

1205
00:53:36,400 --> 00:53:36,680
Speaker 17: be hard.

1206
00:53:36,840 --> 00:53:38,560
Speaker 2: Our uncle wreak out a bunch of horses growing up,

1207
00:53:38,600 --> 00:53:40,920
Speaker 2: and so but we just rode them all bear back

1208
00:53:40,960 --> 00:53:42,319
Speaker 2: all the time. Right, you just get on and ride.

1209
00:53:42,360 --> 00:53:45,560
Speaker 2: And we were idiots, but I got clothesline hard. I

1210
00:53:45,560 --> 00:53:48,160
Speaker 2: didn't see the clothes literal clothes line. Yeah, yeah, and

1211
00:53:48,280 --> 00:53:51,440
Speaker 2: so you know, boom, that's not fun vivid, most vivid

1212
00:53:51,520 --> 00:53:56,439
Speaker 2: memory's probably like eight or so. Hardest you better fallen

1213
00:53:56,480 --> 00:53:57,239
Speaker 2: off a horse.

1214
00:53:57,960 --> 00:54:00,480
Speaker 1: Bare back falling just medicine around what.

1215
00:54:01,239 --> 00:54:02,759
Speaker 2: It doesn't matter. I don't know what's the hardest fall

1216
00:54:02,800 --> 00:54:03,239
Speaker 2: you ever had.

1217
00:54:03,719 --> 00:54:05,600
Speaker 17: I just you just riding in and all of a

1218
00:54:05,600 --> 00:54:09,239
Speaker 17: sudden the horse turns real quick and you slide off,

1219
00:54:09,320 --> 00:54:12,040
Speaker 17: thenk at the jeans. These are like slipping slides for

1220
00:54:12,160 --> 00:54:15,480
Speaker 17: bare back, you know, And it just fell right off.

1221
00:54:15,560 --> 00:54:15,719
Speaker 5: You know.

1222
00:54:15,800 --> 00:54:18,279
Speaker 17: I tried not to fall, but it you feel like

1223
00:54:18,360 --> 00:54:20,600
Speaker 17: in an arena you'd be like, oh, it's gonna be soft.

1224
00:54:20,680 --> 00:54:21,600
Speaker 1: It's dirt. No, it's not.

1225
00:54:22,120 --> 00:54:25,239
Speaker 17: It hurts, but like getting clotheslined, a good thing. You

1226
00:54:25,239 --> 00:54:28,000
Speaker 17: didn't have stirrups. You'll be pulling, be pulling on it.

1227
00:54:28,120 --> 00:54:30,920
Speaker 1: So I don't know, Yeah, good thing I have strips

1228
00:54:30,960 --> 00:54:32,839
Speaker 1: for sure. Didn't didn't.

1229
00:54:32,840 --> 00:54:34,080
Speaker 2: I didn't know. I didn't good thing I didn't have.

1230
00:54:34,520 --> 00:54:35,440
Speaker 1: Yeah, I caught up in there.

1231
00:54:35,560 --> 00:54:38,600
Speaker 2: I'm gonna play Friday Night Heartbreaker. Here, walk me into it,

1232
00:54:39,320 --> 00:54:40,200
Speaker 2: tell me something about it.

1233
00:54:41,680 --> 00:54:46,600
Speaker 17: Well, I mean this is a fun When I first

1234
00:54:46,640 --> 00:54:49,719
Speaker 17: heard Friday Heartbreaker, it just gave a different vibe to

1235
00:54:49,800 --> 00:54:51,480
Speaker 17: me when I when I heard it, was just kind

1236
00:54:51,520 --> 00:54:55,160
Speaker 17: of had a kind of spooky, sexy vibe to it.

1237
00:54:55,360 --> 00:54:58,880
Speaker 17: And I really, I don't know, I just felt connected

1238
00:54:58,920 --> 00:55:00,320
Speaker 17: to it. And I you know, I think all the

1239
00:55:00,360 --> 00:55:01,520
Speaker 17: girls getting ready out there and.

1240
00:55:01,560 --> 00:55:02,920
Speaker 1: Be like I'm gonna break heart tonight.

1241
00:55:03,120 --> 00:55:04,160
Speaker 2: That's how I feel. And I get ready for the

1242
00:55:04,200 --> 00:55:06,560
Speaker 2: show every morning. Every morning you're coming down like I brought,

1243
00:55:06,600 --> 00:55:09,040
Speaker 2: break some marts and wake up, break some hearts to day.

1244
00:55:09,160 --> 00:55:11,520
Speaker 2: Listen to this weekday heartbreaker. That's what I need right

1245
00:55:11,560 --> 00:55:15,680
Speaker 2: there on the Bobby Bones Show. Now, John Party, got

1246
00:55:15,719 --> 00:55:18,480
Speaker 2: your land all cleared? Or no, no, never is that

1247
00:55:18,640 --> 00:55:21,640
Speaker 2: ever that's never gonna be a thing that's done, always

1248
00:55:21,680 --> 00:55:22,880
Speaker 2: gonna be up to the project.

1249
00:55:23,360 --> 00:55:26,879
Speaker 17: It's just some it's it's I like, Tennessee is great

1250
00:55:27,200 --> 00:55:28,920
Speaker 17: and there's just a lot of trees, but there's a

1251
00:55:29,000 --> 00:55:31,719
Speaker 17: lot of there's a lot of great parts about.

1252
00:55:31,560 --> 00:55:33,839
Speaker 1: Land that you can uncover when you just gotta knock

1253
00:55:33,880 --> 00:55:34,319
Speaker 1: trees down.

1254
00:55:34,400 --> 00:55:37,880
Speaker 17: And so I don't know, firewood, I'll be splitting firewood

1255
00:55:38,880 --> 00:55:42,360
Speaker 17: and John bring it over and for free and unloaded

1256
00:55:42,640 --> 00:55:43,680
Speaker 17: and they be like, you don't have to help, and

1257
00:55:43,719 --> 00:55:45,480
Speaker 17: I'm like, dude, you brought all this for free, and

1258
00:55:45,560 --> 00:55:46,560
Speaker 17: then you're telling me I don't.

1259
00:55:46,360 --> 00:55:47,360
Speaker 2: Have to help, so I just go inside.

1260
00:55:47,800 --> 00:55:50,640
Speaker 1: Okay, now I would help a little bit, but uh yeah,

1261
00:55:50,760 --> 00:55:53,600
Speaker 1: like that's that's fun to you. Well, I mean it's

1262
00:55:53,600 --> 00:55:54,120
Speaker 1: just something to do.

1263
00:55:54,320 --> 00:55:57,239
Speaker 17: I mean it's it's it's more of like feeling like

1264
00:55:57,360 --> 00:56:01,600
Speaker 17: it did something like, you know, playing concerts, traveling. It's fun,

1265
00:56:01,719 --> 00:56:05,520
Speaker 17: but it's still like you want to get out, get dirty.

1266
00:56:05,560 --> 00:56:09,000
Speaker 17: I don't know, I mean flitting splitting wood is fun

1267
00:56:09,080 --> 00:56:09,640
Speaker 17: for a little bit.

1268
00:56:09,719 --> 00:56:10,520
Speaker 1: I just like to get it.

1269
00:56:10,800 --> 00:56:13,360
Speaker 17: I like to get it collected and dried out. So

1270
00:56:13,800 --> 00:56:16,520
Speaker 17: because summer loves bonfire. Who doesn't like a good bonfire,

1271
00:56:16,880 --> 00:56:17,040
Speaker 17: you know?

1272
00:56:17,520 --> 00:56:23,799
Speaker 2: And we got fireplaces overrated, s'mores overrated, overrated. Sure individually

1273
00:56:23,880 --> 00:56:26,160
Speaker 2: all good, but just like all together to too much

1274
00:56:26,200 --> 00:56:29,920
Speaker 2: time to touch, messy. It's just not im You want

1275
00:56:29,920 --> 00:56:30,520
Speaker 2: to argue that you can.

1276
00:56:31,719 --> 00:56:33,600
Speaker 4: I love a good smort like it's an experience, it's

1277
00:56:33,600 --> 00:56:36,200
Speaker 4: an activity, it's something to do there. It's nostalgic. It

1278
00:56:36,360 --> 00:56:40,040
Speaker 4: just feels good, it's warm, it's nostalgic. Okay, you can

1279
00:56:40,160 --> 00:56:44,799
Speaker 4: also elevate it and instead of just playing hershe's chocolate bar.

1280
00:56:45,000 --> 00:56:46,359
Speaker 4: Throw a Reese's cup in there.

1281
00:56:47,680 --> 00:56:49,359
Speaker 1: Now you're making it different. You're like, you can also

1282
00:56:49,400 --> 00:56:50,200
Speaker 1: wear a golden robe.

1283
00:56:51,680 --> 00:56:53,600
Speaker 4: Hey, I'm just saying, if you haven't had a smore

1284
00:56:53,680 --> 00:56:54,600
Speaker 4: that way, you're missing out.

1285
00:56:55,360 --> 00:57:03,200
Speaker 2: What I regret isn't I'm gonna. I'm gonna get into pistols. Now, pistols, Okay.

1286
00:57:03,320 --> 00:57:06,879
Speaker 17: You yourself, because I had well not collect a lot

1287
00:57:06,960 --> 00:57:08,400
Speaker 17: different than bonfires.

1288
00:57:08,640 --> 00:57:11,000
Speaker 2: Correct. Well, I'll tell you what I'm getting too. I

1289
00:57:11,120 --> 00:57:14,560
Speaker 2: have multiple shotguns. All I grew up with with shotguns. Yeah,

1290
00:57:14,920 --> 00:57:18,160
Speaker 2: different tides of shotguns. I've I think I have two

1291
00:57:18,200 --> 00:57:20,400
Speaker 2: twelve gages now, but I you know, started the four

1292
00:57:20,480 --> 00:57:24,000
Speaker 2: ten classic starter shotguns eight twenty gauge, went to the

1293
00:57:24,040 --> 00:57:25,160
Speaker 2: twenty twelve gauge.

1294
00:57:25,400 --> 00:57:25,480
Speaker 4: La.

1295
00:57:25,600 --> 00:57:25,720
Speaker 5: La.

1296
00:57:26,280 --> 00:57:28,720
Speaker 2: The last time we were up on your property, my

1297
00:57:28,920 --> 00:57:32,480
Speaker 2: wife and your wife, they were they were practicing shooting pistol.

1298
00:57:32,480 --> 00:57:33,800
Speaker 2: I didn't because I was like what I used to

1299
00:57:33,840 --> 00:57:36,160
Speaker 2: have for a pistol, yea, but now I'm starting to

1300
00:57:36,240 --> 00:57:40,960
Speaker 2: feel like I need just for protection a pistol. Do

1301
00:57:41,080 --> 00:57:42,680
Speaker 2: you do you roll?

1302
00:57:43,920 --> 00:57:47,160
Speaker 1: It's not riding dirty, that's happens. Do you roll with

1303
00:57:47,200 --> 00:57:49,120
Speaker 1: a pistol, I'll carry.

1304
00:57:48,920 --> 00:57:53,440
Speaker 17: Yeah, or you know not like, oh you can conceal Carrie,

1305
00:57:54,800 --> 00:57:56,320
Speaker 17: but there's a lot of rules you won't fire, you

1306
00:57:56,320 --> 00:57:58,200
Speaker 17: don't want to go by legally.

1307
00:57:59,040 --> 00:58:01,680
Speaker 1: And yeah, it's it's what do you.

1308
00:58:01,720 --> 00:58:04,720
Speaker 2: Prefer if someone's if something's happening around the property. What

1309
00:58:04,880 --> 00:58:07,600
Speaker 2: are you grabbing? I guess is my point the pistol

1310
00:58:07,920 --> 00:58:08,959
Speaker 2: or are you grabbing a rifle?

1311
00:58:09,120 --> 00:58:11,360
Speaker 17: You gotta feel if you're if you're really talking about

1312
00:58:11,400 --> 00:58:13,240
Speaker 17: self defense, you want to feel whatever you want to use,

1313
00:58:13,320 --> 00:58:14,640
Speaker 17: whatever you're comfortable or animal.

1314
00:58:14,760 --> 00:58:16,400
Speaker 2: So it could be either one right, so self defense

1315
00:58:16,480 --> 00:58:18,520
Speaker 2: or it could be like there's a bear or something

1316
00:58:18,560 --> 00:58:21,440
Speaker 2: that you know, but yeah, self defense. I'm grabbing a

1317
00:58:21,440 --> 00:58:24,400
Speaker 2: shotgun because I feel like I can load and unload

1318
00:58:24,480 --> 00:58:26,560
Speaker 2: that thing. And also I got the chick chick, I

1319
00:58:26,600 --> 00:58:28,600
Speaker 2: got the pumps just so that's a sound they can hear.

1320
00:58:29,040 --> 00:58:29,600
Speaker 1: Yeah, what are you?

1321
00:58:29,680 --> 00:58:30,640
Speaker 2: What are you most comfortable with?

1322
00:58:32,400 --> 00:58:32,800
Speaker 1: Anything?

1323
00:58:33,120 --> 00:58:34,880
Speaker 2: Really? Yeah? I need to come back up.

1324
00:58:35,040 --> 00:58:36,560
Speaker 1: I feel like though, like you.

1325
00:58:36,640 --> 00:58:38,760
Speaker 17: Talking about se defense, like you have to be prepared

1326
00:58:38,960 --> 00:58:42,800
Speaker 17: like that. That's what we we love to talk about. Oh,

1327
00:58:42,960 --> 00:58:45,960
Speaker 17: if this guy came up, I'd pull out my grenade.

1328
00:58:46,080 --> 00:58:51,880
Speaker 17: Launcher boom, but like yeah, but it's like do you

1329
00:58:52,120 --> 00:58:56,400
Speaker 17: are you ready for that? Like can you physically answer

1330
00:58:56,440 --> 00:58:56,840
Speaker 17: real quick?

1331
00:58:56,880 --> 00:58:59,840
Speaker 2: Like okay, let me ask you that question first. Could

1332
00:58:59,880 --> 00:59:01,760
Speaker 2: you shoot somebody if they were on your property and

1333
00:59:01,760 --> 00:59:03,960
Speaker 2: they were making making a mess. Let's just say, making

1334
00:59:04,000 --> 00:59:07,200
Speaker 2: a mess that seemed trouble. Could you shoot somebody? I mean.

1335
00:59:08,560 --> 00:59:11,720
Speaker 1: It'd be a very it'd be you have to instinctly

1336
00:59:11,880 --> 00:59:13,680
Speaker 1: know that that was what you had to do.

1337
00:59:14,040 --> 00:59:16,800
Speaker 2: Now ask me. There'd be some questions, Ask me, sir,

1338
00:59:17,560 --> 00:59:19,560
Speaker 2: what are you doing out here? No, ask me if

1339
00:59:19,720 --> 00:59:22,280
Speaker 2: what I would if I could do. I'm not breaking

1340
00:59:22,320 --> 00:59:24,360
Speaker 2: into your house. No, you don't ask me why I'm here.

1341
00:59:24,480 --> 00:59:25,600
Speaker 6: Guys are scene for me?

1342
00:59:25,680 --> 00:59:27,400
Speaker 2: I'm like, no, John, it's Bobby, it's me.

1343
00:59:28,680 --> 00:59:30,760
Speaker 1: It's me. No, we know each other, been here, I

1344
00:59:30,840 --> 00:59:31,800
Speaker 1: knew how to get to your house.

1345
00:59:32,960 --> 00:59:34,040
Speaker 2: Well, ask me that question.

1346
00:59:34,440 --> 00:59:36,880
Speaker 1: Ask you what are you ready?

1347
00:59:37,520 --> 00:59:41,160
Speaker 2: You freaking heartbeat? She's ready, been jumped, have my house

1348
00:59:41,240 --> 00:59:43,480
Speaker 2: broken into, had so many things where it's like I'm

1349
00:59:43,520 --> 00:59:44,280
Speaker 2: probably too ready.

1350
00:59:44,800 --> 00:59:47,640
Speaker 1: Oh, then all you needed to get the shotgun, get

1351
00:59:47,640 --> 00:59:48,680
Speaker 1: the twenty gage, ready to go.

1352
00:59:48,840 --> 00:59:51,600
Speaker 2: But I feel like it's just so, it's it's cumbersome.

1353
00:59:51,680 --> 00:59:53,240
Speaker 2: Almost like I want to be able to do like

1354
00:59:57,240 --> 00:59:59,160
Speaker 2: should anybody go get a two you get a gun?

1355
00:59:59,200 --> 01:00:00,840
Speaker 2: I know like that though I don't know I'm asking

1356
01:00:00,880 --> 01:00:03,520
Speaker 2: for advice. I'm I'm asking for gun advice here.

1357
01:00:03,680 --> 01:00:07,520
Speaker 17: I feel like you gotta go and just get yourself prepared.

1358
01:00:08,120 --> 01:00:11,840
Speaker 17: That's the It's the idea is an idea, and it'll

1359
01:00:11,840 --> 01:00:13,600
Speaker 17: always be an idea if you don't work on it.

1360
01:00:14,440 --> 01:00:15,560
Speaker 1: It's it's not a thing.

1361
01:00:15,840 --> 01:00:19,440
Speaker 4: It's you should practice, yeah, or be more prepared.

1362
01:00:19,760 --> 01:00:22,520
Speaker 2: And my wife was they were calem was up with

1363
01:00:22,720 --> 01:00:25,800
Speaker 2: John and they were practicing. They were getting comfortable learning

1364
01:00:25,960 --> 01:00:31,920
Speaker 2: handguns on John's property, shooting with people, law enforcement, like

1365
01:00:32,040 --> 01:00:33,720
Speaker 2: it was a whole thing. And I was like, I'll pass.

1366
01:00:33,760 --> 01:00:35,160
Speaker 2: I got a twelve game. I'm just starting to feel

1367
01:00:35,160 --> 01:00:36,560
Speaker 2: that I didn't take advantage of it.

1368
01:00:36,560 --> 01:00:38,440
Speaker 17: Well see now we got kids. I got a like

1369
01:00:38,560 --> 01:00:41,920
Speaker 17: fingerprint vault on the night stand with a pistol in it.

1370
01:00:42,000 --> 01:00:42,160
Speaker 4: Ah.

1371
01:00:42,240 --> 01:00:46,040
Speaker 17: Yeah, Like, well that's what I mean by prepared, Like,

1372
01:00:46,840 --> 01:00:49,040
Speaker 17: and you can't just sleep with a shot like I

1373
01:00:49,080 --> 01:00:55,720
Speaker 17: can just picture Bobby like sleeping it's just a dog

1374
01:00:55,840 --> 01:00:56,280
Speaker 17: in the door.

1375
01:00:57,000 --> 01:00:59,120
Speaker 2: Yes, yes, but.

1376
01:00:59,160 --> 01:01:02,440
Speaker 1: Yeah, so I mean that just practice and get yourself prepared.

1377
01:01:02,520 --> 01:01:03,760
Speaker 2: You ever consider law enforcement?

1378
01:01:04,480 --> 01:01:05,960
Speaker 1: No, I'd rather be a firefighter.

1379
01:01:06,760 --> 01:01:07,600
Speaker 2: Was that a consideration?

1380
01:01:08,240 --> 01:01:10,320
Speaker 17: At one point I had a lot of friends that

1381
01:01:10,440 --> 01:01:15,600
Speaker 17: were joining in the fire academy in Chico, California, and uh,

1382
01:01:16,120 --> 01:01:17,960
Speaker 17: it sounded like a GRADEA that you know, got a

1383
01:01:17,960 --> 01:01:20,520
Speaker 17: lot of wildfires out in California. There's always like there's

1384
01:01:20,520 --> 01:01:24,160
Speaker 17: always work for firefighters. But the big thing was it

1385
01:01:24,400 --> 01:01:26,280
Speaker 17: back then and it still is, is that you had to,

1386
01:01:26,520 --> 01:01:30,000
Speaker 17: you know, guaranteed to get a firefighter job. You became

1387
01:01:30,040 --> 01:01:33,760
Speaker 17: a paramedic, and I was more like, I'd rather be

1388
01:01:33,960 --> 01:01:36,520
Speaker 17: like working on the engine, you know, riding around instead

1389
01:01:36,560 --> 01:01:39,280
Speaker 17: of like I'm cutting this guy open, Like I.

1390
01:01:39,280 --> 01:01:41,200
Speaker 2: Don't you know, there's because you had to learn that

1391
01:01:41,320 --> 01:01:44,760
Speaker 2: in order to be I don't consider myself.

1392
01:01:44,560 --> 01:01:49,880
Speaker 17: Like a great paramedic like the record, if I saw

1393
01:01:50,040 --> 01:01:52,600
Speaker 17: myself showing up to save my life, I'd be like, well,

1394
01:01:56,160 --> 01:01:58,840
Speaker 17: but if I saw myself been off to like.

1395
01:01:58,880 --> 01:02:01,000
Speaker 2: With a hose and like we're gonna.

1396
01:02:02,600 --> 01:02:03,880
Speaker 1: The guy's gonna take the thorough out.

1397
01:02:03,920 --> 01:02:07,200
Speaker 6: So John's got enough like three times from his chair, No, he's.

1398
01:02:07,520 --> 01:02:10,280
Speaker 1: How did energy drink and feeling good? Got some sleep

1399
01:02:10,400 --> 01:02:10,840
Speaker 1: last night?

1400
01:02:12,040 --> 01:02:15,920
Speaker 2: Okay? How about Alan? Jackson, give me a story.

1401
01:02:17,760 --> 01:02:21,800
Speaker 17: Just played with Alan Jackson this farewell tour, and he go,

1402
01:02:21,920 --> 01:02:25,400
Speaker 17: what I got to tell him that I consider him

1403
01:02:25,440 --> 01:02:28,640
Speaker 17: the Merle Haggard of my generation of listening, you know,

1404
01:02:28,800 --> 01:02:31,440
Speaker 17: like because when he was growing up, he was listened

1405
01:02:31,480 --> 01:02:35,040
Speaker 17: to the Merle Haggard and Merle was the guy that

1406
01:02:35,200 --> 01:02:38,240
Speaker 17: wrote the songs he sang them. And Alan's that guy,

1407
01:02:38,360 --> 01:02:42,880
Speaker 17: like he's you know, he wrote so many songs like

1408
01:02:43,040 --> 01:02:45,320
Speaker 17: remember when I think he wrote that by himself, it's

1409
01:02:45,320 --> 01:02:48,760
Speaker 17: a beautiful song. Uh, you know, dayly the world stopped turning.

1410
01:02:48,840 --> 01:02:50,680
Speaker 17: He like wrote, He's in the Hall of Fame, New

1411
01:02:50,760 --> 01:02:54,360
Speaker 17: York City next to McCartney. Like he's he's the artist

1412
01:02:54,480 --> 01:02:59,480
Speaker 17: songwriter that had some of the biggest songs like Merle Haggard.

1413
01:02:59,680 --> 01:03:01,520
Speaker 17: And I had to tell him that and like, I

1414
01:03:01,560 --> 01:03:04,240
Speaker 17: think he really met seven to them and uh, he's

1415
01:03:04,320 --> 01:03:06,360
Speaker 17: been a hero mine. And I feel like that's Uh.

1416
01:03:07,080 --> 01:03:09,080
Speaker 17: That was my latest story with Al, and I got

1417
01:03:09,120 --> 01:03:11,240
Speaker 17: to kind of say, you know, hey, I think you're

1418
01:03:11,560 --> 01:03:13,720
Speaker 17: you're right up there with Merle like artist songwriter.

1419
01:03:14,360 --> 01:03:16,440
Speaker 2: Why did you feel like it was time for another album.

1420
01:03:17,840 --> 01:03:19,880
Speaker 1: It's always time for another album. That was like a

1421
01:03:19,920 --> 01:03:22,760
Speaker 1: beer you know so I never had one single beer.

1422
01:03:22,880 --> 01:03:26,880
Speaker 1: Oh yeah, sounds like the beer. Yeah, man, yeah, it's

1423
01:03:27,120 --> 01:03:27,600
Speaker 1: shoot out.

1424
01:03:27,680 --> 01:03:29,880
Speaker 17: I'd like to put you know, eighteen months is what

1425
01:03:29,960 --> 01:03:33,520
Speaker 17: I'd like to put out every you know, put some

1426
01:03:33,600 --> 01:03:34,200
Speaker 17: new music out.

1427
01:03:34,240 --> 01:03:34,720
Speaker 1: But it's hard.

1428
01:03:34,960 --> 01:03:37,640
Speaker 17: We tour in and it's not like you could just

1429
01:03:37,800 --> 01:03:41,560
Speaker 17: come up with all these great songs in a short

1430
01:03:41,600 --> 01:03:43,720
Speaker 17: amount of time. Sometimes it takes time. So this has

1431
01:03:43,720 --> 01:03:47,480
Speaker 17: been three years, which is crazy, but it goes by

1432
01:03:47,560 --> 01:03:48,040
Speaker 17: so fast.

1433
01:03:49,600 --> 01:03:54,440
Speaker 2: Remember when I know it's kind of you know im.

1434
01:03:54,280 --> 01:03:57,560
Speaker 1: When last album twenty twenty two, three years ago, I.

1435
01:03:57,640 --> 01:04:02,320
Speaker 2: Did a record. H live shows.

1436
01:04:03,000 --> 01:04:06,040
Speaker 17: Live show is great, Yeah, feel good, feeling great. Keep

1437
01:04:06,040 --> 01:04:08,040
Speaker 17: yourself in shape all the time. You got a lot

1438
01:04:08,040 --> 01:04:10,240
Speaker 17: of energy you can. Don't want to get up there

1439
01:04:10,240 --> 01:04:12,880
Speaker 17: and get winded. No, I mean all my all my songs,

1440
01:04:12,920 --> 01:04:15,560
Speaker 17: my live stuff still how it's all high energy, and

1441
01:04:15,960 --> 01:04:17,840
Speaker 17: it's it's only gonna get hotter.

1442
01:04:18,200 --> 01:04:19,840
Speaker 1: All right, it's been nice right now.

1443
01:04:20,400 --> 01:04:22,600
Speaker 2: You mean weather? We thought what you meant like the energy? Yeah?

1444
01:04:22,640 --> 01:04:27,080
Speaker 17: Yeah you oh he is so yeah yeah yeah yeah

1445
01:04:27,200 --> 01:04:29,920
Speaker 17: but yeah and temperature wise, I was talking about myself.

1446
01:04:29,920 --> 01:04:33,240
Speaker 2: You don't get on seventeen tracks and I have the

1447
01:04:33,320 --> 01:04:36,480
Speaker 2: whole thing and I could do the thing where we

1448
01:04:36,600 --> 01:04:40,200
Speaker 2: go which song do you like the best? But what's

1449
01:04:40,280 --> 01:04:43,959
Speaker 2: the last song that you recorded, because that usually means

1450
01:04:44,040 --> 01:04:45,800
Speaker 2: it's one you fell in love with at the end

1451
01:04:45,960 --> 01:04:47,840
Speaker 2: usually and you're like, we got to get this on

1452
01:04:47,880 --> 01:04:49,840
Speaker 2: the record, and is that true here?

1453
01:04:51,000 --> 01:04:52,600
Speaker 1: I think the last one we did was Rush.

1454
01:04:53,440 --> 01:04:54,120
Speaker 2: You cut it last?

1455
01:04:54,200 --> 01:04:54,400
Speaker 10: Why?

1456
01:04:54,960 --> 01:04:59,760
Speaker 17: Cause we needed something with tempo and something that grooved.

1457
01:04:59,800 --> 01:05:02,720
Speaker 17: And that was something I wrote in twenty nineteen that

1458
01:05:03,080 --> 01:05:04,200
Speaker 17: we've been listening for.

1459
01:05:04,520 --> 01:05:08,280
Speaker 2: Six years, that you had it for six years.

1460
01:05:08,440 --> 01:05:11,080
Speaker 17: Yeah, And it was just something that means summer, we

1461
01:05:11,200 --> 01:05:14,240
Speaker 17: put we We've it passed all the tests, boat tests,

1462
01:05:14,360 --> 01:05:19,160
Speaker 17: car tests, moonlawn test, all the tests, airplane tests, windows

1463
01:05:19,240 --> 01:05:24,080
Speaker 17: down test, night test, dancing tests. Had a long time

1464
01:05:24,160 --> 01:05:26,800
Speaker 17: to test it, so I was like, we gotta let's

1465
01:05:26,840 --> 01:05:29,520
Speaker 17: try this. And Jay loved it and he's it's still

1466
01:05:29,560 --> 01:05:31,000
Speaker 17: one of his favorite tracks off the record.

1467
01:05:31,600 --> 01:05:34,720
Speaker 2: Is it crazy to call because you wrote that with

1468
01:05:35,080 --> 01:05:39,160
Speaker 2: Ross Kopperman and Bryce Long to call them and be like,

1469
01:05:39,200 --> 01:05:40,560
Speaker 2: remember that song I wrote six years ago?

1470
01:05:40,560 --> 01:05:42,160
Speaker 1: And they're like, Nope, sure don't. Well, we're gonna cut it.

1471
01:05:42,200 --> 01:05:43,440
Speaker 1: And that's a weird thing, huh.

1472
01:05:44,400 --> 01:05:47,320
Speaker 17: They remember that song really Yeah, No, that's just because

1473
01:05:47,320 --> 01:05:51,480
Speaker 17: it was different and it sounded it just they remember

1474
01:05:51,560 --> 01:05:53,000
Speaker 17: the song because it spoke.

1475
01:05:53,480 --> 01:05:55,200
Speaker 1: It says like, listen to me.

1476
01:05:55,680 --> 01:05:58,640
Speaker 2: Do you think Ross who would remember if I said, Hey,

1477
01:05:58,680 --> 01:06:00,960
Speaker 2: do you know that song Rush? He'd remember it? If

1478
01:06:01,000 --> 01:06:01,640
Speaker 2: I called him right.

1479
01:06:01,560 --> 01:06:03,760
Speaker 1: Now, maybe he remembered that.

1480
01:06:04,520 --> 01:06:07,320
Speaker 2: Let's just see how they say johnsrus Let's see if

1481
01:06:07,320 --> 01:06:09,040
Speaker 2: he's doing a good interview or night. Because you give

1482
01:06:09,120 --> 01:06:10,200
Speaker 2: him good answer, Let's do what he says.

1483
01:06:10,240 --> 01:06:14,960
Speaker 1: Oh you're caught this. Hey you're saying yes, I bet

1484
01:06:15,000 --> 01:06:18,480
Speaker 1: you wherever he's probably not gonna answer.

1485
01:06:19,000 --> 01:06:21,400
Speaker 2: He'll call back. A man.

1486
01:06:23,480 --> 01:06:25,320
Speaker 17: You remember that day because we were at his used

1487
01:06:25,360 --> 01:06:28,080
Speaker 17: to have this house that was like by a park,

1488
01:06:28,240 --> 01:06:29,800
Speaker 17: and it was like a nice day like that, and

1489
01:06:29,960 --> 01:06:30,760
Speaker 17: everybody was out.

1490
01:06:31,000 --> 01:06:33,840
Speaker 2: Dang, he's not gonna hit me back. Dang. You ever

1491
01:06:33,840 --> 01:06:36,320
Speaker 2: get nervous to text anybody that's kind of famous? I

1492
01:06:37,480 --> 01:06:39,560
Speaker 2: was a Texa Kenny Chesney, and I was nervous about it.

1493
01:06:39,920 --> 01:06:41,080
Speaker 2: You ever have that where you're I don't know if

1494
01:06:41,080 --> 01:06:42,360
Speaker 2: I should text him because the're kind of cool.

1495
01:06:43,040 --> 01:06:46,160
Speaker 17: A lot of times I don't get their numbers just

1496
01:06:46,280 --> 01:06:48,600
Speaker 17: because of like you know what, can't can't drunk?

1497
01:06:48,680 --> 01:06:51,560
Speaker 1: Dial that guy. Look at that. Hey, can I tell

1498
01:06:51,640 --> 01:06:53,520
Speaker 1: him what I did? So, I'm so glad you said that.

1499
01:06:53,720 --> 01:06:56,120
Speaker 4: Okay, Bobby doesn't drink, so I don't know what his

1500
01:06:56,360 --> 01:06:59,400
Speaker 4: excuse behind, like reaching out to someone randomly movie. But

1501
01:06:59,600 --> 01:07:02,520
Speaker 4: he was trying to find Kenny's number in his phone

1502
01:07:02,760 --> 01:07:04,920
Speaker 4: because he's texted with them before. But he didn't save it.

1503
01:07:05,360 --> 01:07:08,120
Speaker 4: It's not saved as Kenny or anything, because he didn't

1504
01:07:08,120 --> 01:07:11,040
Speaker 4: want to be tempted at any point to just text

1505
01:07:11,160 --> 01:07:12,960
Speaker 4: Kenny because then that would be awkward.

1506
01:07:13,000 --> 01:07:14,120
Speaker 2: I don't want to have his name in him for

1507
01:07:14,160 --> 01:07:16,400
Speaker 2: it be like a Thursday night and they play like

1508
01:07:16,480 --> 01:07:18,600
Speaker 2: a clip of a saw on Netflix. I'm like, oh,

1509
01:07:18,640 --> 01:07:20,720
Speaker 2: I should reach out to Kenny. I don't. I don't

1510
01:07:20,720 --> 01:07:20,920
Speaker 2: want to.

1511
01:07:20,920 --> 01:07:22,640
Speaker 1: I don't want to give him that option. But sometimes

1512
01:07:22,680 --> 01:07:24,680
Speaker 1: you don't even need alcohol. You just have caffeine and

1513
01:07:24,760 --> 01:07:28,440
Speaker 1: an idea. You're like, I'm calling everybody, right, so.

1514
01:07:28,960 --> 01:07:31,560
Speaker 2: That's yeah, So you do that, so you won't even

1515
01:07:31,600 --> 01:07:33,520
Speaker 2: save it because you don't want to call them.

1516
01:07:33,800 --> 01:07:35,280
Speaker 17: You know, it's not like we're going to be going

1517
01:07:35,360 --> 01:07:37,800
Speaker 17: to the park together or anything, like, you know, sharing

1518
01:07:37,920 --> 01:07:41,760
Speaker 17: ideas unless unless you like, I feel like if life

1519
01:07:42,240 --> 01:07:46,080
Speaker 17: keeps giving you this person and they keep coming around

1520
01:07:46,480 --> 01:07:49,080
Speaker 17: another time another time where I'll be hanging out a guy.

1521
01:07:49,280 --> 01:07:51,920
Speaker 17: Let's get numbers, you know, like it'll kind of give

1522
01:07:51,960 --> 01:07:54,360
Speaker 17: you your friends. But if you just like meet Kenny

1523
01:07:54,440 --> 01:07:56,959
Speaker 17: Chesney going down the hallway and somehow get his number.

1524
01:07:58,720 --> 01:08:03,240
Speaker 1: Hey, but you get caffeine, good idea, Kenny, you know

1525
01:08:03,320 --> 01:08:04,080
Speaker 1: who we need to call?

1526
01:08:05,840 --> 01:08:08,520
Speaker 2: Kenny? Yeah, yeah, yeah, I was looking at your tour

1527
01:08:08,760 --> 01:08:12,720
Speaker 2: and by the way, John's all over I will well

1528
01:08:12,800 --> 01:08:14,800
Speaker 2: link and you go John party dot com. But we

1529
01:08:14,880 --> 01:08:19,120
Speaker 2: got Corey Kent and Cassie Ashton too, folks. I think

1530
01:08:19,160 --> 01:08:22,160
Speaker 2: are just awesome, great both in different ways. I think

1531
01:08:22,240 --> 01:08:27,720
Speaker 2: Cassie is like one of the greatest not fully understood

1532
01:08:27,880 --> 01:08:32,519
Speaker 2: yet pure artists and country music. Yeah, whenever it's yes.

1533
01:08:33,080 --> 01:08:34,040
Speaker 2: How do you pick your openers?

1534
01:08:35,080 --> 01:08:38,920
Speaker 17: Well, I mean they they kind of you get your

1535
01:08:39,080 --> 01:08:41,800
Speaker 17: lists and you can kind of see what you know.

1536
01:08:41,880 --> 01:08:43,800
Speaker 17: And I really try to, you know, we can you

1537
01:08:43,840 --> 01:08:46,120
Speaker 17: can always like try to throw darboards and see who

1538
01:08:46,200 --> 01:08:48,519
Speaker 17: you can get, but I truly try to when you

1539
01:08:48,600 --> 01:08:50,439
Speaker 17: come in the book and it's like, you know, really

1540
01:08:50,520 --> 01:08:56,439
Speaker 17: give me the realistic of who's available. And Corey, but

1541
01:08:56,760 --> 01:08:59,360
Speaker 17: this one was very natural, like reaching out. Corey was

1542
01:08:59,400 --> 01:09:01,439
Speaker 17: reaching out. His man's reaching out to get a right

1543
01:09:01,760 --> 01:09:07,599
Speaker 17: and then uh, Luke Glaird text me Kathy's new album

1544
01:09:08,160 --> 01:09:11,679
Speaker 17: and so she's always working on songs and just always

1545
01:09:12,080 --> 01:09:14,840
Speaker 17: you know, putting rec putting music out. I got to

1546
01:09:14,920 --> 01:09:17,439
Speaker 17: listen to that. And she's a friend. Like I said

1547
01:09:17,479 --> 01:09:21,200
Speaker 17: about life bringing people in. You know, Katsie and her

1548
01:09:21,640 --> 01:09:23,800
Speaker 17: husband or I think her husband. They came to the

1549
01:09:23,880 --> 01:09:26,320
Speaker 17: house and we had a dinner and we were just

1550
01:09:26,439 --> 01:09:30,120
Speaker 17: singing songs together and like, you know, just like little

1551
01:09:30,160 --> 01:09:31,960
Speaker 17: things I remember. So it's like these little you know

1552
01:09:32,040 --> 01:09:34,960
Speaker 17: friends that I was like, yeah, well she she needs

1553
01:09:35,040 --> 01:09:37,679
Speaker 17: to be heard. And I've I've had a good track

1554
01:09:37,720 --> 01:09:41,040
Speaker 17: record of like bringing these girls out. And then they're

1555
01:09:41,080 --> 01:09:44,160
Speaker 17: like get the rocket ship. I mean we had Laney

1556
01:09:44,160 --> 01:09:47,880
Speaker 17: and Haley I don't can't now We're like, Lanney, want

1557
01:09:47,880 --> 01:09:49,479
Speaker 17: to call you back? Well, so you were just saying like,

1558
01:09:49,479 --> 01:09:50,439
Speaker 17: okay to call me back.

1559
01:09:50,479 --> 01:09:50,679
Speaker 2: Check.

1560
01:09:50,920 --> 01:09:53,960
Speaker 17: It's so funny, like sometimes you got d M on

1561
01:09:54,160 --> 01:09:57,720
Speaker 17: Instagram and then they'll respond back, Yetta try that. Because

1562
01:09:57,800 --> 01:09:59,840
Speaker 17: Lane I was like, because she was on the cover

1563
01:10:00,200 --> 01:10:03,360
Speaker 17: Stones like UK and I just said badass and then

1564
01:10:03,400 --> 01:10:05,720
Speaker 17: she was like, we gotta get together soon, and I

1565
01:10:05,800 --> 01:10:08,160
Speaker 17: was like, I just saw Haley and then we brought

1566
01:10:08,240 --> 01:10:10,519
Speaker 17: Ella out, and then Elle is all over the place.

1567
01:10:10,600 --> 01:10:13,800
Speaker 17: So so I'm like, well, obviously, look up, you're the

1568
01:10:13,880 --> 01:10:16,840
Speaker 17: key good Luck Chuck or whatever we're dude.

1569
01:10:16,880 --> 01:10:20,040
Speaker 2: That reference, that's the funniest reference anyone's made in the

1570
01:10:20,080 --> 01:10:25,840
Speaker 2: studio in five years. Random. Good Luck Chuck was the movie, right?

1571
01:10:26,000 --> 01:10:28,280
Speaker 17: Is that something happened and they just got so successful

1572
01:10:28,320 --> 01:10:31,280
Speaker 17: and never talked to him again. I went about Kassie

1573
01:10:31,360 --> 01:10:31,639
Speaker 17: up there.

1574
01:10:32,360 --> 01:10:38,160
Speaker 2: Good Luck Chuck was Dane Cook. Yeah, you're the best.

1575
01:10:38,800 --> 01:10:40,479
Speaker 2: Let's do one another song on the new record, because

1576
01:10:40,640 --> 01:10:43,000
Speaker 2: we were playing with it before you came in, so

1577
01:10:43,160 --> 01:10:46,640
Speaker 2: we did rush. What's your best? I love ballads? My

1578
01:10:46,720 --> 01:10:49,160
Speaker 2: favorite I love slow songs. What's the best ballad on

1579
01:10:49,200 --> 01:10:49,439
Speaker 2: the round?

1580
01:10:49,439 --> 01:10:50,040
Speaker 1: Don't you want to know?

1581
01:10:50,600 --> 01:10:53,720
Speaker 2: I do want to know what we're doing. We're doing

1582
01:10:53,760 --> 01:10:56,800
Speaker 2: who's on first? Who's on? Well?

1583
01:10:56,840 --> 01:10:57,479
Speaker 1: Don't you want to know?

1584
01:10:57,600 --> 01:11:01,560
Speaker 2: Bobby give me number fourteen? Please? Don't you want to know?

1585
01:11:01,920 --> 01:11:03,479
Speaker 2: I want to ask you one kind of in the

1586
01:11:03,520 --> 01:11:07,559
Speaker 2: weed structural questions, as a yes, thank you. As a songwriter,

1587
01:11:07,960 --> 01:11:09,800
Speaker 2: do you ever have a song that you write and

1588
01:11:09,920 --> 01:11:14,200
Speaker 2: you like and it works but it's not there. It's

1589
01:11:14,280 --> 01:11:15,920
Speaker 2: like eight out of ten as far as like working.

1590
01:11:16,320 --> 01:11:18,360
Speaker 2: So you tempo change it where it's a slow song

1591
01:11:18,400 --> 01:11:19,960
Speaker 2: and you what we speed it up? Or if it's

1592
01:11:19,960 --> 01:11:21,680
Speaker 2: a song that's got heavy tempo and you go, what

1593
01:11:21,760 --> 01:11:28,639
Speaker 2: if we slow it down? Ross is calling? Hold on, Hey, Ross, Hey,

1594
01:11:28,680 --> 01:11:30,559
Speaker 2: I'm with I'm with John party right now.

1595
01:11:32,680 --> 01:11:33,320
Speaker 1: Trying to get back.

1596
01:11:33,840 --> 01:11:36,120
Speaker 2: Don't say anything. Don't say anything. We're a little test here.

1597
01:11:38,040 --> 01:11:41,439
Speaker 2: Do you remember writing any songs with John that you liked? Ever?

1598
01:11:43,080 --> 01:11:45,720
Speaker 18: Every song I writer John I like because he's the

1599
01:11:45,840 --> 01:11:47,280
Speaker 18: most talented dude in the world.

1600
01:11:47,400 --> 01:11:49,800
Speaker 2: Man, Okay, yeah, yeah, I need a real answer here.

1601
01:11:49,920 --> 01:11:51,880
Speaker 2: So we were talking about a song that he wrote.

1602
01:11:52,280 --> 01:11:54,040
Speaker 2: Uh you you wrote with him six years ago?

1603
01:11:55,080 --> 01:11:58,439
Speaker 1: Don't You're gonna get so, don't even bring up Heaven.

1604
01:11:58,600 --> 01:12:00,360
Speaker 1: You're gonna spoil. You wrote a song with him like

1605
01:12:00,760 --> 01:12:02,479
Speaker 1: six years or so ago and.

1606
01:12:03,040 --> 01:12:06,360
Speaker 2: Over COVID and probably over zoom. Do you remember what

1607
01:12:06,479 --> 01:12:08,920
Speaker 2: that song was called? And you just you couldn't get

1608
01:12:09,200 --> 01:12:11,160
Speaker 2: pass all the tests. That passed the underwear test, it

1609
01:12:11,200 --> 01:12:13,519
Speaker 2: passed the driving test, that's what he said. But he

1610
01:12:13,560 --> 01:12:15,320
Speaker 2: said he wrote it like six years ago and he

1611
01:12:15,400 --> 01:12:16,920
Speaker 2: put it on the record. Do you remember the name

1612
01:12:16,960 --> 01:12:17,320
Speaker 2: of the song?

1613
01:12:18,320 --> 01:12:24,200
Speaker 4: I remember the song I wrote exactly, okay, but actually

1614
01:12:24,400 --> 01:12:25,439
Speaker 4: it was before COVID.

1615
01:12:25,520 --> 01:12:28,800
Speaker 2: Okay, but John held up for six years. It probably

1616
01:12:28,800 --> 01:12:29,439
Speaker 2: doesn't help, does it.

1617
01:12:30,080 --> 01:12:31,240
Speaker 5: John held for six years.

1618
01:12:31,720 --> 01:12:33,040
Speaker 1: I played the bass, He.

1619
01:12:33,080 --> 01:12:38,400
Speaker 2: Played the bass. Oh oh, at my at my studio. Okay,

1620
01:12:38,520 --> 01:12:40,920
Speaker 2: what was the name of it? Was that at my

1621
01:12:41,000 --> 01:12:43,120
Speaker 2: studio John, when you were now.

1622
01:12:43,280 --> 01:12:45,960
Speaker 18: Was that my old studio? When you were cutting the

1623
01:12:46,040 --> 01:12:47,000
Speaker 18: guitars on the bassis?

1624
01:12:47,080 --> 01:12:47,640
Speaker 5: I remember that?

1625
01:12:47,960 --> 01:12:49,600
Speaker 2: Yeah, well, okay, do you know what's called? This is

1626
01:12:49,680 --> 01:12:51,320
Speaker 2: coming back? I can see the moment.

1627
01:12:51,600 --> 01:12:52,599
Speaker 18: I can see the moment.

1628
01:12:53,120 --> 01:12:55,680
Speaker 1: It was a long time ago though, like it was.

1629
01:12:55,960 --> 01:12:59,519
Speaker 18: I remember John sitting on the stool cutting the cutting

1630
01:12:59,560 --> 01:13:00,880
Speaker 18: the guitar naked.

1631
01:13:01,760 --> 01:13:02,600
Speaker 2: I can see it.

1632
01:13:02,800 --> 01:13:05,120
Speaker 1: Yeah, it was me, Me and Bryce.

1633
01:13:05,320 --> 01:13:07,960
Speaker 2: Yeah, there you go. Okay, it was doing Bryce, I know, yeah,

1634
01:13:08,040 --> 01:13:09,840
Speaker 2: something about about Heaven.

1635
01:13:10,320 --> 01:13:15,800
Speaker 1: No, no, all this song is really good. And John's like,

1636
01:13:15,920 --> 01:13:18,519
Speaker 1: we loved it. He loved it for so long. Does

1637
01:13:18,600 --> 01:13:20,439
Speaker 1: he even know that I put it on the new record.

1638
01:13:20,680 --> 01:13:22,200
Speaker 2: That's a great point. You ever heard this guy is

1639
01:13:22,200 --> 01:13:22,920
Speaker 2: in P A d R.

1640
01:13:23,000 --> 01:13:26,080
Speaker 1: What Like he gets a.

1641
01:13:26,120 --> 01:13:27,840
Speaker 17: Cut every week, So it's like, I don't know, let

1642
01:13:27,880 --> 01:13:31,280
Speaker 17: me go back through my cut ROLLERDX. Do you remember

1643
01:13:31,320 --> 01:13:33,240
Speaker 17: a song called Rush?

1644
01:13:34,520 --> 01:13:35,800
Speaker 2: Oh yeah, I love that song.

1645
01:13:36,160 --> 01:13:38,679
Speaker 1: Okay, you're lying your your your tone change?

1646
01:13:39,600 --> 01:13:42,639
Speaker 2: I remember, yeah, I remember? Can you sing us a little?

1647
01:13:45,120 --> 01:13:45,320
Speaker 5: Oh?

1648
01:13:45,760 --> 01:13:45,960
Speaker 10: Man?

1649
01:13:48,280 --> 01:13:49,519
Speaker 1: I can't wait.

1650
01:13:49,760 --> 01:13:53,080
Speaker 4: Just this might help, I think for listeners and context

1651
01:13:53,200 --> 01:13:53,880
Speaker 4: of rock.

1652
01:13:53,920 --> 01:13:57,880
Speaker 2: I mean, guys, it's not me because I have two

1653
01:13:57,960 --> 01:14:01,040
Speaker 2: friends here with me. One that is a massive performing

1654
01:14:01,120 --> 01:14:03,439
Speaker 2: superstar that will not sit down for some reason, he

1655
01:14:03,520 --> 01:14:07,120
Speaker 2: keeps the room. And two I have another really great

1656
01:14:07,200 --> 01:14:10,160
Speaker 2: friend of mine that has forty fifty sixty number one

1657
01:14:10,200 --> 01:14:12,320
Speaker 2: songs he's written or produce, and it was just a

1658
01:14:12,400 --> 01:14:13,960
Speaker 2: numbers game, and I was like, there's no way that

1659
01:14:14,040 --> 01:14:15,920
Speaker 2: both of you guys can remember the same.

1660
01:14:16,880 --> 01:14:19,719
Speaker 1: We written a handful of songs together, though it's.

1661
01:14:19,600 --> 01:14:22,280
Speaker 2: There's we read a bunch, written a bunch, yeah.

1662
01:14:22,120 --> 01:14:24,960
Speaker 1: And we need to get back together. Wait about that.

1663
01:14:25,400 --> 01:14:27,200
Speaker 18: When I saw your album come out the other day, man,

1664
01:14:27,520 --> 01:14:29,800
Speaker 18: and I saw that song on there, and I was like, golly,

1665
01:14:29,920 --> 01:14:30,960
Speaker 18: I totally forgot about that.

1666
01:14:31,439 --> 01:14:31,760
Speaker 2: Yeah, no.

1667
01:14:33,880 --> 01:14:35,040
Speaker 6: Exactly, it's definitely.

1668
01:14:35,200 --> 01:14:38,479
Speaker 1: It's definitely one that you forget about, but like, it's

1669
01:14:38,520 --> 01:14:39,000
Speaker 1: not for me.

1670
01:14:39,240 --> 01:14:41,960
Speaker 17: I don't forget about you write you see all kinds

1671
01:14:42,000 --> 01:14:45,360
Speaker 17: of artists and songwriters. So you're always writing where I

1672
01:14:45,439 --> 01:14:48,120
Speaker 17: gotta get on a plane and get on the bus.

1673
01:14:48,479 --> 01:14:50,479
Speaker 2: So but that one really stood a test time. Let

1674
01:14:50,520 --> 01:14:52,360
Speaker 2: me ask you a real question. Thank you, John, Thank

1675
01:14:52,400 --> 01:14:55,519
Speaker 2: you John. That is that was a great defense fas

1676
01:14:56,240 --> 01:14:58,599
Speaker 2: none needed. I just it's a numbers game more than

1677
01:14:58,840 --> 01:15:01,320
Speaker 2: a quality thing. I real question because on the phone

1678
01:15:01,400 --> 01:15:08,240
Speaker 2: right God Ross Kopperman. By the way, do you know

1679
01:15:08,280 --> 01:15:10,799
Speaker 2: how many number ones you have in general, like produce

1680
01:15:10,840 --> 01:15:14,720
Speaker 2: a written? It's forty one right now, forty one. So

1681
01:15:15,160 --> 01:15:17,720
Speaker 2: I'm asking you to do and He's worked with a

1682
01:15:17,760 --> 01:15:19,160
Speaker 2: lot of great people. But what I want to ask

1683
01:15:19,240 --> 01:15:22,560
Speaker 2: about John is if you're writing with John, like, what

1684
01:15:22,760 --> 01:15:26,400
Speaker 2: is he like as a creative a contributor?

1685
01:15:27,760 --> 01:15:31,280
Speaker 18: John is? I was talking about John the other days.

1686
01:15:31,439 --> 01:15:34,280
Speaker 2: He has such a sense of who he is. And

1687
01:15:34,640 --> 01:15:35,320
Speaker 2: it's so funny.

1688
01:15:35,360 --> 01:15:37,680
Speaker 18: Me and my wife are literally talking about you in

1689
01:15:37,800 --> 01:15:40,160
Speaker 18: the cars of the day, dude, because when your songs

1690
01:15:40,240 --> 01:15:42,360
Speaker 18: came on the radio and we just look at each

1691
01:15:42,360 --> 01:15:43,360
Speaker 18: other like, dude, John has.

1692
01:15:43,360 --> 01:15:45,400
Speaker 5: Always stayed true and authentic to who he is.

1693
01:15:45,920 --> 01:15:49,439
Speaker 18: You've always just done your thing, and I feel like

1694
01:15:49,520 --> 01:15:50,960
Speaker 18: that is so commendable.

1695
01:15:51,040 --> 01:15:51,200
Speaker 2: Man.

1696
01:15:51,439 --> 01:15:52,640
Speaker 18: You've you've always just.

1697
01:15:54,320 --> 01:15:55,639
Speaker 2: Stay true and so many.

1698
01:15:55,600 --> 01:15:58,080
Speaker 18: Artists say things, you just do you man, and it's

1699
01:15:58,080 --> 01:16:00,840
Speaker 18: authentic to you, and it's it's John part country dude.

1700
01:16:01,000 --> 01:16:03,479
Speaker 1: Yeah, we had to reboot his whole system for a shuffle.

1701
01:16:04,479 --> 01:16:08,920
Speaker 2: Like we did a shuffle, and you know.

1702
01:16:08,960 --> 01:16:12,000
Speaker 18: That's not a very common like if you're looking for loops,

1703
01:16:12,200 --> 01:16:14,439
Speaker 18: there's not a lot of shuffles like in a lot

1704
01:16:14,479 --> 01:16:18,479
Speaker 18: of loop banks and stuff. It throws the whole system

1705
01:16:18,520 --> 01:16:19,639
Speaker 18: off to do a shuffle.

1706
01:16:22,240 --> 01:16:24,519
Speaker 1: Joke, this is smart, will get So a shuffle is

1707
01:16:24,560 --> 01:16:28,439
Speaker 1: authentic to John shuffles head over boots the one he's

1708
01:16:28,439 --> 01:16:28,880
Speaker 1: talking about.

1709
01:16:30,080 --> 01:16:31,000
Speaker 18: He's not joking.

1710
01:16:31,400 --> 01:16:32,160
Speaker 2: He's not joking.

1711
01:16:32,240 --> 01:16:33,479
Speaker 18: When you shuffle is just.

1712
01:16:33,560 --> 01:16:36,080
Speaker 1: Not a common feel, you know.

1713
01:16:38,560 --> 01:16:40,640
Speaker 2: Okay, Well, so.

1714
01:16:40,840 --> 01:16:44,439
Speaker 18: Honestly that becomes the reason why John is playing bass

1715
01:16:44,479 --> 01:16:47,200
Speaker 18: and guitar on these songs, because he ends up having

1716
01:16:47,240 --> 01:16:48,120
Speaker 18: to play the field.

1717
01:16:49,560 --> 01:16:53,519
Speaker 2: Oh because he is him and he Yeah, that's a

1718
01:16:53,560 --> 01:16:56,120
Speaker 2: good point. Like if he's true to himself and the

1719
01:16:56,200 --> 01:16:59,320
Speaker 2: songs feel like him, why not have him feel within

1720
01:16:59,400 --> 01:16:59,760
Speaker 2: the song?

1721
01:17:00,040 --> 01:17:02,920
Speaker 1: Hey, I A getting this guy and he can't and

1722
01:17:03,040 --> 01:17:04,320
Speaker 1: he is he can do it.

1723
01:17:04,760 --> 01:17:06,840
Speaker 6: And you know, most artists can't sit down.

1724
01:17:06,840 --> 01:17:09,280
Speaker 18: And and throw a bass on the track or throw

1725
01:17:09,360 --> 01:17:10,240
Speaker 18: guitar down or.

1726
01:17:10,720 --> 01:17:12,559
Speaker 2: You know, he does it all.

1727
01:17:12,720 --> 01:17:14,400
Speaker 1: We say that with love to all the artists out there.

1728
01:17:14,439 --> 01:17:15,200
Speaker 1: They can't play bass.

1729
01:17:15,439 --> 01:17:16,800
Speaker 2: What else have you guys written together? Do you know

1730
01:17:18,439 --> 01:17:19,320
Speaker 2: what we did? Know?

1731
01:17:19,520 --> 01:17:21,880
Speaker 1: We don't have any hits, but we got good songs.

1732
01:17:21,960 --> 01:17:24,439
Speaker 2: Go song.

1733
01:17:24,680 --> 01:17:25,600
Speaker 1: Why you know why I.

1734
01:17:25,600 --> 01:17:27,719
Speaker 18: Feel like we have good songs together because I always

1735
01:17:27,720 --> 01:17:30,160
Speaker 18: feel like with John, he's so talented.

1736
01:17:30,200 --> 01:17:32,240
Speaker 2: I feel like I just like to just let him

1737
01:17:32,320 --> 01:17:33,080
Speaker 2: do his thing.

1738
01:17:33,479 --> 01:17:35,640
Speaker 18: And let and I kind of just hang on for

1739
01:17:35,800 --> 01:17:38,880
Speaker 18: the ride and let John do John. And I feel

1740
01:17:38,880 --> 01:17:41,920
Speaker 18: like that's when John, that's when our great artists make

1741
01:17:42,000 --> 01:17:44,680
Speaker 18: the best music to me, to me is not when

1742
01:17:44,720 --> 01:17:46,640
Speaker 18: somebody else is telling them, hey, this is.

1743
01:17:46,680 --> 01:17:47,400
Speaker 1: The you know what I mean?

1744
01:17:47,880 --> 01:17:49,080
Speaker 2: Well, I would say that if you jumped in a

1745
01:17:49,120 --> 01:17:50,400
Speaker 2: little more, maybe you have hits with him.

1746
01:17:52,760 --> 01:17:55,600
Speaker 17: What there's a song, there's a song called Heaven that

1747
01:17:55,680 --> 01:17:59,800
Speaker 17: we wrote with Shane and it's no no, it's it's

1748
01:17:59,840 --> 01:18:03,000
Speaker 17: one Summer's favorites. But like it was like at the time,

1749
01:18:03,840 --> 01:18:06,360
Speaker 17: at the time, everybody had a title called Heaven or

1750
01:18:06,400 --> 01:18:08,160
Speaker 17: something with Heaven in it, and so it really got

1751
01:18:08,720 --> 01:18:09,799
Speaker 17: put into the catalog.

1752
01:18:10,000 --> 01:18:11,519
Speaker 2: So it's Still it's not out yet. Still, it's not

1753
01:18:11,600 --> 01:18:12,599
Speaker 2: only I can't wait.

1754
01:18:12,439 --> 01:18:14,800
Speaker 1: And Summer is going to see this, this conversation, and

1755
01:18:15,120 --> 01:18:16,080
Speaker 1: I'm gonna hear all about it.

1756
01:18:16,360 --> 01:18:17,519
Speaker 2: Are you all of a right? Ross?

1757
01:18:18,240 --> 01:18:21,040
Speaker 1: No Ford, he's on the beach. He's at the beach.

1758
01:18:21,080 --> 01:18:22,439
Speaker 1: You got forty one number number one?

1759
01:18:22,520 --> 01:18:22,960
Speaker 5: You had to beat.

1760
01:18:23,960 --> 01:18:27,559
Speaker 2: Hey, the funniest thing. Ross and I play pickle ball together,

1761
01:18:27,680 --> 01:18:29,560
Speaker 2: and we'll just put a playlist on a play and

1762
01:18:29,640 --> 01:18:32,200
Speaker 2: I'll just go to Ross Kafferman like you can just

1763
01:18:32,280 --> 01:18:34,000
Speaker 2: go to like all songs written by Ross Cofferan, and

1764
01:18:34,080 --> 01:18:35,760
Speaker 2: I make him listen to all his own songs he's

1765
01:18:35,800 --> 01:18:38,000
Speaker 2: written as we play. Distracts the crap out of him.

1766
01:18:38,120 --> 01:18:41,640
Speaker 18: Beat him every time, Bobby, Bobby destroys me at pickleball,

1767
01:18:41,840 --> 01:18:44,080
Speaker 18: like shamefully every time.

1768
01:18:44,320 --> 01:18:47,719
Speaker 17: I just while he's playing your music, just like playing

1769
01:18:47,800 --> 01:18:50,519
Speaker 17: my music, I'm like, I'm embarrassed already and.

1770
01:18:50,600 --> 01:18:52,120
Speaker 1: I was just get kicked every time.

1771
01:18:52,200 --> 01:18:54,479
Speaker 2: Well, thank you for answering the song. Rush. You should

1772
01:18:54,479 --> 01:18:56,880
Speaker 2: hear it's really great on It's on John's record the

1773
01:18:56,920 --> 01:19:02,880
Speaker 2: other day Grass. Thanks. Ross. All right, we'll get back

1774
01:19:02,920 --> 01:19:06,120
Speaker 2: into books, see you, buddy, love you man. There he is,

1775
01:19:06,560 --> 01:19:08,599
Speaker 2: there is Ross Copperen Hockey Tonk Hollywood.

1776
01:19:08,960 --> 01:19:09,800
Speaker 1: Heck you, heck you.

1777
01:19:11,840 --> 01:19:13,840
Speaker 2: You guys are both good dudes. I love Roth.

1778
01:19:13,880 --> 01:19:16,040
Speaker 1: We have a great time. It's been I mean, I

1779
01:19:16,080 --> 01:19:18,080
Speaker 1: have a rote. Are we trying to get back? It

1780
01:19:18,200 --> 01:19:19,559
Speaker 1: just gets harder. You throw kids.

1781
01:19:20,000 --> 01:19:22,040
Speaker 2: Don't throw your kids, dude, they're not big enough. Like

1782
01:19:22,080 --> 01:19:24,000
Speaker 2: you throw kids in the mix of doing in the mix.

1783
01:19:24,080 --> 01:19:25,439
Speaker 2: I like you just throwing kids. I was like, dude,

1784
01:19:25,439 --> 01:19:26,479
Speaker 2: I know what you went the farm man.

1785
01:19:26,640 --> 01:19:30,439
Speaker 1: You throw kids in the schedule. Yeah, it's like schedule

1786
01:19:30,520 --> 01:19:31,200
Speaker 1: gets real tight.

1787
01:19:32,080 --> 01:19:36,839
Speaker 2: Tour kicks off April twenty fifth Hockey Tonk Hollywood, seventeen tracks.

1788
01:19:37,320 --> 01:19:41,040
Speaker 2: My I'll say it now, my favorite Rush tell.

1789
01:19:40,960 --> 01:19:43,400
Speaker 1: Us the best. That was the song you heard.

1790
01:19:44,280 --> 01:19:46,080
Speaker 2: I liked it. I felt it me too, loved it.

1791
01:19:46,280 --> 01:19:47,960
Speaker 1: It's a sexy song. There's a lot, there's a lot

1792
01:19:48,000 --> 01:19:49,080
Speaker 1: of there's a lot of vibes on it.

1793
01:19:49,120 --> 01:19:50,559
Speaker 2: You don't realize this, but I've taken all my clothes

1794
01:19:50,600 --> 01:19:52,240
Speaker 2: the whole time we're doing an interview. Is so sexy.

1795
01:19:52,400 --> 01:19:53,760
Speaker 1: This a boat that's a good I'm.

1796
01:19:53,680 --> 01:19:54,880
Speaker 2: Wa need to do it right now. Only got a

1797
01:19:54,920 --> 01:19:59,440
Speaker 2: short on a rush boat on the ocean, but we've tested.

1798
01:19:59,160 --> 01:20:01,479
Speaker 4: It everywhere though it it's good everywhere, It's good everywhere.

1799
01:20:02,160 --> 01:20:05,160
Speaker 2: Before you leave, you want to take the challenge.

1800
01:20:06,080 --> 01:20:08,760
Speaker 1: I was ready, I'm prepared for bop it.

1801
01:20:09,120 --> 01:20:12,040
Speaker 2: Yeah, okayqu eat the scoreboard up behind him? Can we

1802
01:20:12,080 --> 01:20:13,160
Speaker 2: set it up? Sco with a mike.

1803
01:20:13,560 --> 01:20:15,559
Speaker 1: I don't know how I'm gonna do, but well.

1804
01:20:16,360 --> 01:20:19,920
Speaker 2: And many artists have come in and performed on bop It.

1805
01:20:20,080 --> 01:20:24,400
Speaker 2: Some have done wonderfully, some have failed miserably because it's

1806
01:20:24,479 --> 01:20:27,400
Speaker 2: easy to get off. Oh and bob it is a

1807
01:20:27,479 --> 01:20:30,200
Speaker 2: classic game where there's the thing you twist, there's a

1808
01:20:30,240 --> 01:20:31,880
Speaker 2: thing you pop, and there's a thing you pull, and

1809
01:20:32,000 --> 01:20:34,000
Speaker 2: it tells you what to do. On the leaderboard, right

1810
01:20:34,040 --> 01:20:37,040
Speaker 2: now we have Dirk Spentley leading with eighteen. We have

1811
01:20:37,160 --> 01:20:39,679
Speaker 2: Matt Carney with sixteen. We have Kept More with nine,

1812
01:20:40,720 --> 01:20:43,439
Speaker 2: and next up will be John Party. You can you

1813
01:20:43,479 --> 01:20:44,400
Speaker 2: can beat eighteen? John?

1814
01:20:44,880 --> 01:20:48,280
Speaker 1: I mean it seems easy, but it's uh. It just

1815
01:20:48,360 --> 01:20:50,519
Speaker 1: takes one time, amen, brothers.

1816
01:20:51,479 --> 01:20:55,120
Speaker 2: For a lot of things, Amen, one time. So let's uh,

1817
01:20:55,520 --> 01:20:59,519
Speaker 2: let's get it. Let's make sure it works, get it straight. Okay,

1818
01:20:59,680 --> 01:21:05,040
Speaker 2: then and then you're ready to go, you guys, ready, safety, ladies.

1819
01:21:05,040 --> 01:21:09,280
Speaker 2: And it takes one time ladies and gentlemen plan by,

1820
01:21:09,320 --> 01:21:11,400
Speaker 2: and we gotta be quiet when it's over. Oh and

1821
01:21:11,479 --> 01:21:13,160
Speaker 2: I want to sleep, Okay, I gotta argue, okay, and

1822
01:21:13,320 --> 01:21:16,559
Speaker 2: go pull it again. Here we go a little higher.

1823
01:21:19,080 --> 01:21:32,839
Speaker 9: Bobby twisted, Pully Pully Boppy twisted, twisted, twisted, Bobby twisted,

1824
01:21:33,920 --> 01:21:48,960
Speaker 9: Pully boppy, Pully Pully twisted, boppy boppy Boppy Pully twisted, twisted,

1825
01:21:49,920 --> 01:21:55,839
Speaker 9: Pully twist it Pully Boppy twisted.

1826
01:21:57,479 --> 01:22:09,000
Speaker 11: Remember no record, Wow twenty five for John Party.

1827
01:22:09,120 --> 01:22:09,759
Speaker 6: It's amazing.

1828
01:22:09,880 --> 01:22:11,000
Speaker 1: I didn't know it was that high.

1829
01:22:11,240 --> 01:22:14,880
Speaker 2: Wow job dude. So now everybody check out his album.

1830
01:22:14,920 --> 01:22:17,000
Speaker 2: Otherwise if he did, we were gonna say, don't listen

1831
01:22:17,040 --> 01:22:19,840
Speaker 2: to it. Top of the leader Board, Yes twenty five.

1832
01:22:20,200 --> 01:22:22,640
Speaker 2: The album is out at is honky Tonk Hollywood. Go

1833
01:22:22,800 --> 01:22:26,120
Speaker 2: Johnparty dot com P A R D I and uh,

1834
01:22:26,160 --> 01:22:27,760
Speaker 2: he's got a great opening acts, He's got a ton

1835
01:22:27,800 --> 01:22:30,559
Speaker 2: of hits. I love him and good to see you again, buddy.

1836
01:22:30,760 --> 01:22:33,200
Speaker 2: Tell everybody I said hello, and good luck with the

1837
01:22:33,240 --> 01:22:33,680
Speaker 2: record man.

1838
01:22:33,920 --> 01:22:35,720
Speaker 1: Thank you, love you to love you guys, thank you

1839
01:22:35,800 --> 01:22:37,080
Speaker 1: so much for you have to leave.

1840
01:22:36,920 --> 01:22:38,599
Speaker 2: The bop it though I was gonna read this, supress,

1841
01:22:38,680 --> 01:22:39,640
Speaker 2: I know I can tell I can tell.

1842
01:22:44,439 --> 01:22:44,680
Speaker 4: Thank you.

1843
01:22:45,000 --> 01:22:47,280
Speaker 2: Did you crush the BOPA you destroyed, Derek?

1844
01:22:47,360 --> 01:22:48,200
Speaker 1: That's awesome man.

1845
01:22:49,760 --> 01:22:53,519
Speaker 2: The Bobby Bone Show theme song written, produced and sang

1846
01:22:53,600 --> 01:22:58,920
Speaker 2: by read Yarberry. You can find his instagram at read Yarberry,

1847
01:22:59,240 --> 01:23:03,559
Speaker 2: Scuba Steve, executive producer, Raymond no, Head of Production. I'm

1848
01:23:03,640 --> 01:23:06,920
Speaker 2: Bobby Bones. My instagram is mister Bobby Bones. Thank you

1849
01:23:07,120 --> 01:23:08,200
Speaker 2: for listening to the podcast.