WEBVTT - In Case You Missed It: #36 - Walker Hayes

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<v Speaker 1>All right, welcome to episode thirty six The Bobby Cast.

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<v Speaker 1>Here this episode with Walker Hayes. Hey boy, hey buddy. So, uh,

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<v Speaker 1>I guess now we spent a lot of time together

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<v Speaker 1>because we're on the road right now together and so

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<v Speaker 1>now I get to ask the questions that I don't

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<v Speaker 1>get to ask, like when we're just sitting down, because

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<v Speaker 1>the people want to know, like the real stuff, and

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<v Speaker 1>so they'll be stuff like some of the stuff I

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<v Speaker 1>wouldn't ask you, like we're just hanging out before show,

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<v Speaker 1>will like tell me your deepest fear a stuff like yeah,

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<v Speaker 1>I don't know. Yeah, we just talked. Yeah, we're just talked.

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<v Speaker 1>But we're always like getting ready for stuff too, because

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<v Speaker 1>you always got go want to play. Um. So here's

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<v Speaker 1>the the whole. What we'll do is we're kind of

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<v Speaker 1>encapsulate you and then we'll just work back. So right now,

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<v Speaker 1>you just signed a record deal to monu My Records.

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<v Speaker 1>What does that mean? Uh? My goodness. Uh. I mean

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<v Speaker 1>it means I have another chance and having a career,

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<v Speaker 1>you know, as an artist, and and that being my

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<v Speaker 1>full time job. I mean, that's what it means to me.

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<v Speaker 1>It might sound simple, but that's exactly what it means.

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<v Speaker 1>It means I have a career, a chance at a career,

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<v Speaker 1>a long lasting career. Again, yes again, another shot for sure.

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<v Speaker 1>So you talk about other shots and and just quickly

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<v Speaker 1>here because then I want to go all the way

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<v Speaker 1>back through it. But you've been on labels before. Yeah,

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<v Speaker 1>this is my third record deal. I've been in Nashville

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<v Speaker 1>twelve years and I Will signed a Mercury got dropped.

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<v Speaker 1>I'll signed a Capital got dropped, and uh, you know,

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<v Speaker 1>I didn't think I was going to get another chance

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<v Speaker 1>because you don't really get that many um here. Most

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<v Speaker 1>people don't get too and so this is my third.

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<v Speaker 1>The thing about Walker too is that I we didn't

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<v Speaker 1>know each other and I we first moved here. It

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<v Speaker 1>was when my co host, Amy's mom was sick and

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<v Speaker 1>I got the song and say, hey, this's got any Walker.

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<v Speaker 1>He's what the song called joy like Judy and so

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<v Speaker 1>because and I heard the songs, so we'd be choosing

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<v Speaker 1>to use it to make up as the name's mom

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<v Speaker 1>was fighting cancer and we were doing a fundraiser and

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<v Speaker 1>it wasn't for her mom. It was just we were,

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<v Speaker 1>you know, doing a pimp and joy thing. That's how

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<v Speaker 1>we met, and so he came and the song actually

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<v Speaker 1>was downloaded a bunch of times, you know that kind

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<v Speaker 1>of thing happened, and then I didn't see it for

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<v Speaker 1>a bit, and see, I don't see anybody first of all,

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<v Speaker 1>if i didn't see it for a bit. And then

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<v Speaker 1>I'm on YouTube and I do the thing on YouTube,

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<v Speaker 1>I find an artist and it'll go also recommended, also recommended,

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<v Speaker 1>also recommended. And so until I find music and artists

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<v Speaker 1>and I'll go to SoundCloud, I'll do whatever, and I'm

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<v Speaker 1>going through and I see this song right here, and

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<v Speaker 1>I was like that. I was like, you know, that's

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<v Speaker 1>a joy, like dude together shaking, and I was like,

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<v Speaker 1>I don't know what this is, but it sounds like

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<v Speaker 1>nothing else. I remember taking that was like, I sounds

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<v Speaker 1>like nothing else even stay. So I played it on

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<v Speaker 1>the radulo the next morning and I was like, I

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<v Speaker 1>was like this, you just hear something that it strikes

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<v Speaker 1>you oddly. And then from there I just started to

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<v Speaker 1>play all your stuff on the air because I sit

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<v Speaker 1>there and I'll be like, oh, you think that's good.

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<v Speaker 1>You got to hear this one star. I was like,

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<v Speaker 1>my favorite song is a comedian is too bad? Being fun.

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<v Speaker 1>So all these songs as I would hear them, I

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<v Speaker 1>would be like, this is not like anything I'm hearing

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<v Speaker 1>right now. I'm period. And I would talk to my

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<v Speaker 1>friends like Dan Smarts from Dan and Shay, Him and

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<v Speaker 1>I talked about music a lot, and I was like this, Walker, hey,

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<v Speaker 1>stuff is like next level, like cerebral type stuff. And

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<v Speaker 1>I don't even think Aboudy even notices it right now,

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<v Speaker 1>and he's like, well, you know, we talked about it.

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<v Speaker 1>Then you end up going on tour with them. Now

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<v Speaker 1>you're on tour with me, and it's like, that's where

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<v Speaker 1>we are right now. So that's where, That's where you are.

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<v Speaker 1>What's where we're gonna come back to. But now I

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<v Speaker 1>whant to go back to the very beginning. So you

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<v Speaker 1>talk about you came to Nashville. You came to Nashville.

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<v Speaker 1>How old were you when you came to Nashville twenty

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<v Speaker 1>let's see seven four? You go to school and study music.

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<v Speaker 1>I went to college and I did eventually change my

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<v Speaker 1>major to piano. I graduated with a degree in music

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<v Speaker 1>with an emphasis on piano. You're a good piano player,

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<v Speaker 1>are you? Are you a piano player? Ye? Sit down

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<v Speaker 1>at the piano and people be like, oh, that guy

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<v Speaker 1>could play piano. I could, Um, you know, I could.

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<v Speaker 1>I could play with the songs, my songs, you know,

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<v Speaker 1>I could play for myself. I had to do a

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<v Speaker 1>lot of classical stuff, you know, obviously to graduate. But

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<v Speaker 1>when I moved to Nashville, are you saying backing a

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<v Speaker 1>little bit like like a golfer would be like, I'm

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<v Speaker 1>not that good and he no, No, I mean honestly,

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<v Speaker 1>I didn't. I didn't. I didn't really play piano until

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<v Speaker 1>college and I met you know, a met a professor

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<v Speaker 1>and I said, can I finish this on time? So

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<v Speaker 1>I got pretty proficient, you know, while I was in college.

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<v Speaker 1>It's a lot of muscle memory and a lot of

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<v Speaker 1>cool stuff I learned. But now I could just cord

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<v Speaker 1>around kind of like I'm as good at piano as

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<v Speaker 1>I am a guitar. Songs. You knew the guitar then too,

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<v Speaker 1>the right, Yeah, well you musical through like elementary school,

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<v Speaker 1>high school. You're growing up. My wife and I we

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<v Speaker 1>actually met in a in a school play, you know,

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<v Speaker 1>So I did that kind of stuff school theater and

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<v Speaker 1>sang in choirs and things like that. Music really, um,

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<v Speaker 1>my dad was a music minister before he started selling

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<v Speaker 1>real estate in Alabama. Yeah, in Alabama, and so uh yeah,

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<v Speaker 1>I mean he kind of gave me that music bug.

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<v Speaker 1>I didn't really chase it as like a dream, you know,

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<v Speaker 1>a job or anything like that. Then definitely didn't even

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<v Speaker 1>do that. Out of college. I went to kind of

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<v Speaker 1>go work for him. So when you finished, well you

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<v Speaker 1>went to work for your dad? Was yeah. So I

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<v Speaker 1>finished school, got my real estate license, and I got

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<v Speaker 1>engaged to Laney. You know, we've been dating on and

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<v Speaker 1>off for a bazillion years. And uh, that was my plan.

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<v Speaker 1>That was my answer to her her dad, you know,

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<v Speaker 1>what are you gonna do? And it was worked for

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<v Speaker 1>my dad, and uh, my dad encouraged me to go

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<v Speaker 1>play at a bar. It's called Mobile Yacht Club off

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<v Speaker 1>a Dolphin Island Parkway in Mobile, and he kept encouraging

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<v Speaker 1>me to do that. He thought it was funny kind

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<v Speaker 1>of how I would mimic people. I knew like a

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<v Speaker 1>couple of songs on the guitar and would play around

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<v Speaker 1>at the house. And he wanted me to do it,

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<v Speaker 1>and I didn't want to do because I had stage

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<v Speaker 1>fright that scared me to death, you know, getting up

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<v Speaker 1>in front of people and singing, and uh, finally I said, Dad,

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<v Speaker 1>I'll do this if you'll leave me alone you know

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<v Speaker 1>about it, and stop asking me to do it. And

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<v Speaker 1>I went up there on a Friday night, sang some

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<v Speaker 1>songs and pretty much changed changed my mind about life.

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<v Speaker 1>So you went and you performed. You were like, all right,

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<v Speaker 1>that's what I want to do it. I mean, crazy

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<v Speaker 1>whim called Laney, So we're moving. Then I had to

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<v Speaker 1>tell her parents really, and um, they weren't. You weren't

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<v Speaker 1>too excited. I wouldn't be either. Yeah, alright, two things. One,

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<v Speaker 1>I'm gonna I'm gonna do a commercial real quick there

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<v Speaker 1>because it's a sponsor to people are gonna get really

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<v Speaker 1>irritated with you if you keep going and as it goes,

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<v Speaker 1>they're they're gonna go walk or not stop going. Good

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<v Speaker 1>in the interview because I don't even notice I do stuff,

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<v Speaker 1>all right, So let me talk about this. First of all,

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<v Speaker 1>blue Apron. If you don't when you cut to my

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<v Speaker 1>house you see a box blue Apron, what it is

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<v Speaker 1>you listen? Not all ingredients are created equal. Fresh, high

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<v Speaker 1>quality ingredients make a real difference. So it's important to

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<v Speaker 1>know where your food comes from you eat clean, dude

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<v Speaker 1>on my health not we just use did it again?

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<v Speaker 1>It's tough to realize you do it. There you go,

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<v Speaker 1>You got it like walking through they clean it for me.

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<v Speaker 1>It's about that too. There you go. Always it's always noises,

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<v Speaker 1>good to cook, so it helps me make things and

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<v Speaker 1>I hate clean And you can check the menu out

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<v Speaker 1>see it all yourself. So yeah, this week's menu and

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<v Speaker 1>thank you, Blue Apron slash Bobby cast blue Apron dot com.

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<v Speaker 1>And so okay, uh, but by do you cook? By

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<v Speaker 1>the way, can you have six kids? Not? Because six

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<v Speaker 1>kids and one kids, three boys, three girls and a

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<v Speaker 1>wife and you don't cook. I don't cook. No, I cook.

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<v Speaker 1>I mean I cook an egg? Yeah, cook an egg?

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<v Speaker 1>All right? So you you decided we're moving to Nashville's

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<v Speaker 1>just from one night of playing in front of people. Yeah,

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<v Speaker 1>it was pretty wild. I mean I played, had such

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<v Speaker 1>a great time. I'm called Laney. So I don't want

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<v Speaker 1>to move to Nashville to sing? That was it? So

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<v Speaker 1>I want to go he uh, you know, I think

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<v Speaker 1>she was pretty adventurous. You know at the time we

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<v Speaker 1>were kids excited about you know, getting out of town. Um,

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<v Speaker 1>she was with it. I mean, oddly enough, she there

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<v Speaker 1>was no second guessing on her part. She was ready

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<v Speaker 1>to go. And so what what was your style back then?

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<v Speaker 1>So my style back then? I remember two songs that

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<v Speaker 1>I played. One was h sitting on the dock of

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<v Speaker 1>the bay, and then Uh, didn't doubIe Gray drift Away? Yeah,

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<v Speaker 1>drift I guess drift Away, And uh I only played

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<v Speaker 1>like five songs. I just played him over and over

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<v Speaker 1>and um so yeah, I mean I was just gonna

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<v Speaker 1>home up and singing. You know, moved to Nashville, try

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<v Speaker 1>to be a rock star. Do you think you're gonna

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<v Speaker 1>make it? Yeah? I did. I was dumb enough to

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<v Speaker 1>to be like, yeah, I'm gonna go, you know, and

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<v Speaker 1>figure this out, be famous. I mean I knew nobody.

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<v Speaker 1>We had a great time picking out our apartment, um

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<v Speaker 1>and stuff like that. Honestly, meeting with their parents, they

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<v Speaker 1>were really frightened and just thought I was nuts. You know,

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<v Speaker 1>this was not This was on such a whim and

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<v Speaker 1>the security that I had, you know, in Mobile made

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<v Speaker 1>a lot more sense to them, and um so yeah,

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<v Speaker 1>I mean, man, we just found an apartment, got married,

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<v Speaker 1>and drove up here. So you move here. And what

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<v Speaker 1>does one do when you don't know anybody in a

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<v Speaker 1>town like Nashville and you want to make music, Like,

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<v Speaker 1>what's the first step? You go outside? And man, I mean,

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<v Speaker 1>as cliche as it sounds, the absolute first thing I

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<v Speaker 1>did was go sign up for an open mic night

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<v Speaker 1>at the Bluebird. I was I don't remember exactly what

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<v Speaker 1>number I chose, you know, to get selected that night.

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<v Speaker 1>But so you played the first night you went. I

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<v Speaker 1>came on a Monday night. It stood in line, got selected.

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<v Speaker 1>Uh they they were about to call my name, but

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<v Speaker 1>I realized that everybody in there was playing songs that

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<v Speaker 1>they had written, and I showed up to play cover.

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<v Speaker 1>So we left and then I came back the next

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<v Speaker 1>Monday with a couple of songs that I wrote that

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<v Speaker 1>week and then performed. And it was the same rush.

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<v Speaker 1>You know. So the first time you went, you end

0:11:24.120 --> 0:11:26.960
<v Speaker 1>up not playing. Well, I check it out. I wasn't

0:11:26.960 --> 0:11:29.280
<v Speaker 1>about to get up and play that. I was gonna

0:11:29.320 --> 0:11:32.600
<v Speaker 1>play drift away. Everybody give me the bet boy free

0:11:32.800 --> 0:11:38.360
<v Speaker 1>enough if you write that something I wrote. So the

0:11:38.480 --> 0:11:40.560
<v Speaker 1>first time you don't do it, the second time you're going,

0:11:40.600 --> 0:11:42.040
<v Speaker 1>you do? What did you play? What song? You remember?

0:11:42.480 --> 0:11:45.600
<v Speaker 1>I do? I remember? I played a song about as

0:11:46.120 --> 0:11:48.080
<v Speaker 1>short of a time period as we have been married.

0:11:48.120 --> 0:11:50.559
<v Speaker 1>I learned very quickly that when you bring up the

0:11:50.640 --> 0:11:54.280
<v Speaker 1>in laws that your significant other gets really pissed, and

0:11:54.440 --> 0:11:56.079
<v Speaker 1>so I wrote a song about that, and it was

0:11:56.160 --> 0:11:58.679
<v Speaker 1>kind of a joke. You know, a funny song and

0:11:59.040 --> 0:12:01.880
<v Speaker 1>uh on remember the title of it. And I played too,

0:12:02.640 --> 0:12:06.000
<v Speaker 1>and I just remember the crowd reacting. You know, they laughed,

0:12:06.040 --> 0:12:07.600
<v Speaker 1>they had a great time. I mean, they went nuts.

0:12:07.720 --> 0:12:10.040
<v Speaker 1>It's a real supportive crowd at the blue Bergs. They're

0:12:10.080 --> 0:12:13.600
<v Speaker 1>there to hear the writer performing their songs, so they

0:12:13.679 --> 0:12:15.839
<v Speaker 1>went nuts. I mean, it wasn't I didn't like get

0:12:15.880 --> 0:12:18.280
<v Speaker 1>a deal or anything quick. You know, did you feel

0:12:18.360 --> 0:12:20.599
<v Speaker 1>like after that night though, that you had submitted a

0:12:20.600 --> 0:12:23.760
<v Speaker 1>little more in your head, like I can do this. Uh?

0:12:24.960 --> 0:12:27.400
<v Speaker 1>I didn't really think about whether I could or not.

0:12:27.559 --> 0:12:29.719
<v Speaker 1>I just did, you know what I'm saying. And I

0:12:29.880 --> 0:12:33.680
<v Speaker 1>also it was like a drug. I mean I honestly,

0:12:35.320 --> 0:12:39.000
<v Speaker 1>But since then, I haven't stopped writing songs. It's just

0:12:39.640 --> 0:12:42.720
<v Speaker 1>I fell in love with that, that conceiving the idea,

0:12:43.200 --> 0:12:47.000
<v Speaker 1>putting it together, playing it for somebody, getting their reaction,

0:12:47.200 --> 0:12:49.480
<v Speaker 1>moving on to the next one. You know, my favorite

0:12:49.520 --> 0:12:52.240
<v Speaker 1>song is always the one I'm working on right now,

0:12:52.920 --> 0:12:55.079
<v Speaker 1>And that's kind of how I've been since then. It

0:12:55.240 --> 0:12:59.160
<v Speaker 1>just it pretty much consumes my life and has since then.

0:12:59.400 --> 0:13:01.600
<v Speaker 1>So how long until you get and I'm assuming you're

0:13:01.600 --> 0:13:03.520
<v Speaker 1>getting a publishing deal first, which is what happened to

0:13:03.559 --> 0:13:05.320
<v Speaker 1>get there? They pay you to write songs? How long

0:13:05.400 --> 0:13:07.439
<v Speaker 1>did it take from you playing that bluebird til you

0:13:07.480 --> 0:13:09.120
<v Speaker 1>getting a publish and deal? So I had a I

0:13:09.200 --> 0:13:13.000
<v Speaker 1>had a day job. I booked motivational speakers at Premier

0:13:13.080 --> 0:13:17.160
<v Speaker 1>Speakers Bureau, Uh in Franklin, Like what motivational speakers ran

0:13:17.200 --> 0:13:20.720
<v Speaker 1>through in Franklin. A lot of right wing conservatives, old

0:13:20.800 --> 0:13:24.960
<v Speaker 1>Steelers player Rocky Blyer, a couple of authors, um, Oliver

0:13:25.120 --> 0:13:29.199
<v Speaker 1>North there, Sean Hannity. We booked them. Uh some of

0:13:29.280 --> 0:13:34.640
<v Speaker 1>those were exclusive. Um sorry again, trying to get rid

0:13:34.679 --> 0:13:38.959
<v Speaker 1>of that tick. But yeah, just I booked them and

0:13:39.240 --> 0:13:42.760
<v Speaker 1>uh lost, actually lost my job in a year. And

0:13:42.880 --> 0:13:45.040
<v Speaker 1>then I got a pub deal. So it took me

0:13:45.120 --> 0:13:47.480
<v Speaker 1>a year and a couple of months to secure a

0:13:47.600 --> 0:13:49.839
<v Speaker 1>pub deal. So in that year, you're just writing and

0:13:50.000 --> 0:13:51.800
<v Speaker 1>singing songs to people are going, hey, check it out.

0:13:52.400 --> 0:13:54.559
<v Speaker 1>I know in that year I was working, you know

0:13:54.720 --> 0:13:58.200
<v Speaker 1>that was none, none to five. My clientele was West

0:13:58.280 --> 0:14:01.480
<v Speaker 1>Coast event planners. So I got to show up a

0:14:01.520 --> 0:14:03.240
<v Speaker 1>little bit later and stay a little longer. But I

0:14:03.320 --> 0:14:05.719
<v Speaker 1>was writing songs while I was working, you know, on

0:14:05.840 --> 0:14:08.960
<v Speaker 1>my computer, just loading it up, and yeah, I mean

0:14:09.040 --> 0:14:11.839
<v Speaker 1>playing open mic nights anybody could I could ever get

0:14:11.880 --> 0:14:14.520
<v Speaker 1>my songs in front of Obviously I was trying to

0:14:14.640 --> 0:14:18.319
<v Speaker 1>do that, playing all the local um you know songwriter

0:14:18.520 --> 0:14:21.960
<v Speaker 1>nights that I could and um yeah, I wasn't really

0:14:22.000 --> 0:14:24.840
<v Speaker 1>comparing myself to other people. I just loved, Like I said,

0:14:24.840 --> 0:14:29.440
<v Speaker 1>I loved, loved, loved writing, I mean obsessed with writing.

0:14:29.680 --> 0:14:32.080
<v Speaker 1>So you're right, and you start to get paid to write,

0:14:32.880 --> 0:14:37.160
<v Speaker 1>and what did you What were your first cut? Shoot? Man,

0:14:37.320 --> 0:14:40.840
<v Speaker 1>I mean my my first pub deal actually got me

0:14:40.920 --> 0:14:43.520
<v Speaker 1>a record deal first. I mean I didn't get a cut.

0:14:44.640 --> 0:14:46.880
<v Speaker 1>So your pub deal got your record deal first? Is

0:14:46.960 --> 0:14:50.240
<v Speaker 1>this the key Thurban demo story? No, that's that's capital.

0:14:50.400 --> 0:14:52.520
<v Speaker 1>That's the second deal. The first pub deal I ever

0:14:52.640 --> 0:14:56.080
<v Speaker 1>got was from a neighbor heard me messing around on

0:14:56.120 --> 0:14:58.440
<v Speaker 1>the porch. He said, man, I really like what you do.

0:14:59.000 --> 0:15:00.800
<v Speaker 1>I'm gonna take you into douce you to two or

0:15:00.840 --> 0:15:03.520
<v Speaker 1>three people. He brought me into town. I met two

0:15:03.640 --> 0:15:07.400
<v Speaker 1>big time producers neighbor where Franklin and Franklin. Here's your

0:15:07.440 --> 0:15:09.560
<v Speaker 1>playing on your porch. Here's me on the porch. Yeah,

0:15:09.720 --> 0:15:11.680
<v Speaker 1>He's like, dude, I really love your voice. Did you

0:15:11.920 --> 0:15:13.640
<v Speaker 1>did you write that? I'm like, yeah, you want to

0:15:13.680 --> 0:15:15.880
<v Speaker 1>hear some more. You know, I wrote a song about

0:15:15.920 --> 0:15:18.520
<v Speaker 1>his kid and whose name is Hogan, which that was

0:15:18.600 --> 0:15:20.600
<v Speaker 1>a business move right there. I was like, dude, if

0:15:20.600 --> 0:15:23.680
<v Speaker 1>I write song by his kid, really, you know, hoo

0:15:23.800 --> 0:15:26.560
<v Speaker 1>me up. So he takes me into town, introduced me

0:15:26.840 --> 0:15:30.720
<v Speaker 1>to to introduced me to Scott Hendricks, David Malloy and

0:15:30.840 --> 0:15:34.320
<v Speaker 1>a guy named Christie de Napoli. And uh, Christie wanted

0:15:34.360 --> 0:15:36.600
<v Speaker 1>to sign me to a pub deal. The other two

0:15:36.760 --> 0:15:39.920
<v Speaker 1>wanted to maybe cut some sides and do the shoppy

0:15:40.040 --> 0:15:42.280
<v Speaker 1>thingy and I wasn't really ready for that. I just

0:15:42.360 --> 0:15:44.680
<v Speaker 1>wanted to write, you know, really bad. I wanted to

0:15:44.720 --> 0:15:48.040
<v Speaker 1>get paid to write songs. Uh. And at that time

0:15:48.040 --> 0:15:49.640
<v Speaker 1>I only had one kid, so I didn't have to

0:15:49.680 --> 0:15:53.680
<v Speaker 1>make that much money. Um. And so anyway, Christie sign

0:15:53.760 --> 0:15:57.000
<v Speaker 1>me under a guy named Buddy Killing who's gone now

0:15:57.160 --> 0:15:59.960
<v Speaker 1>but great first publisher to have learned a lot from

0:16:00.120 --> 0:16:03.360
<v Speaker 1>that guy. And Alison Jones. I know this is the industry,

0:16:03.440 --> 0:16:07.520
<v Speaker 1>but signed me at Mercury and so you get a

0:16:07.560 --> 0:16:10.600
<v Speaker 1>publishing deal and a record deal basically at the same time. Well,

0:16:10.680 --> 0:16:12.840
<v Speaker 1>I got a pub deal and then we we worked

0:16:12.920 --> 0:16:15.200
<v Speaker 1>on it, you know, and he had cut some sides

0:16:15.280 --> 0:16:17.280
<v Speaker 1>there and then they shot me and then got me,

0:16:17.600 --> 0:16:20.400
<v Speaker 1>got me my first record development deal. So when you

0:16:20.480 --> 0:16:22.440
<v Speaker 1>get signed to a development deal, what do they start

0:16:22.480 --> 0:16:25.359
<v Speaker 1>doing with you? What do they develop? So the development

0:16:25.440 --> 0:16:30.240
<v Speaker 1>deal basically got me James Stroud, great producer. He cut

0:16:30.360 --> 0:16:32.200
<v Speaker 1>some sides on me. So what we did is just

0:16:32.280 --> 0:16:35.840
<v Speaker 1>accumulate songs, kept writing for a little while, Uh, chose

0:16:35.920 --> 0:16:38.840
<v Speaker 1>the best ones, went in the studio, caught him with

0:16:38.880 --> 0:16:41.800
<v Speaker 1>an excellent band. So that was my first experience with that,

0:16:42.120 --> 0:16:44.920
<v Speaker 1>you know, And of course we came home with five songs.

0:16:44.960 --> 0:16:48.560
<v Speaker 1>I thought I was gonna be Garth Brooks. I sounded

0:16:48.640 --> 0:16:51.280
<v Speaker 1>like him. That sounded better than Now I was not

0:16:51.440 --> 0:16:54.080
<v Speaker 1>Garth Brooks. I I had some great stuff, you know,

0:16:54.200 --> 0:16:56.640
<v Speaker 1>looking back, I think some of those sides were good.

0:16:56.800 --> 0:17:00.280
<v Speaker 1>But uh, there was a falling out within the company

0:17:00.320 --> 0:17:03.480
<v Speaker 1>and it wasn't long until I was off that that

0:17:03.640 --> 0:17:07.159
<v Speaker 1>labeled mean that that deal expired pretty quick. So you're on,

0:17:08.160 --> 0:17:10.120
<v Speaker 1>did you put a record on? I didn't. I cut

0:17:10.200 --> 0:17:15.840
<v Speaker 1>five sides, literally celebrated the cutting my first five songs.

0:17:15.880 --> 0:17:18.439
<v Speaker 1>You cut five songs, I'm going I were beside myself

0:17:18.520 --> 0:17:21.920
<v Speaker 1>and stuff sounds so great. Uh, we finished those in

0:17:22.000 --> 0:17:25.600
<v Speaker 1>a December. I got a call in January saying that, uh,

0:17:26.080 --> 0:17:28.880
<v Speaker 1>James Stroud was gone from the label and that they

0:17:29.040 --> 0:17:32.720
<v Speaker 1>he had parted with co you know, head People and

0:17:33.080 --> 0:17:36.560
<v Speaker 1>Alison Jones was leaving and I wasn't. I wasn't on

0:17:36.680 --> 0:17:40.080
<v Speaker 1>the label anymore. But the label stayed, label stayed. Yeah,

0:17:40.640 --> 0:17:42.879
<v Speaker 1>you remever put out a single? I never put out

0:17:42.920 --> 0:17:46.320
<v Speaker 1>a single. Did you tell the publishing deal? You still writing,

0:17:46.440 --> 0:17:50.119
<v Speaker 1>still writing, and I still still still trying to get

0:17:50.160 --> 0:17:54.000
<v Speaker 1>outside cuts, but did not get outside cuts? So you

0:17:54.119 --> 0:17:56.280
<v Speaker 1>have to go to another try to get how long

0:17:56.359 --> 0:17:58.480
<v Speaker 1>until you get signed to a different label. So after

0:17:58.600 --> 0:18:02.720
<v Speaker 1>that it took me to two years to get another label.

0:18:03.440 --> 0:18:06.320
<v Speaker 1>This when Urban, here's your This is when Autumn House,

0:18:06.840 --> 0:18:09.359
<v Speaker 1>a friend of mine, pitched the song for Keith Urban.

0:18:10.080 --> 0:18:13.960
<v Speaker 1>Keith Urban did not take the song, but the A

0:18:14.160 --> 0:18:17.720
<v Speaker 1>and R rep at Capital Autumn House said, I like

0:18:17.920 --> 0:18:21.240
<v Speaker 1>this guy singing, I like this writing style. You know

0:18:21.920 --> 0:18:25.320
<v Speaker 1>who is this kid? And uh, they said it's Walker Hayes,

0:18:25.400 --> 0:18:28.239
<v Speaker 1>you know. And within a couple of months I had

0:18:28.280 --> 0:18:30.440
<v Speaker 1>a deal in Capital. A lot of my deals came

0:18:30.480 --> 0:18:33.359
<v Speaker 1>pretty quick. You know, deals are hard to get. But

0:18:33.520 --> 0:18:36.520
<v Speaker 1>my first two just kind of fell into my lap.

0:18:36.640 --> 0:18:39.080
<v Speaker 1>I mean if they just kind of came out of

0:18:39.160 --> 0:18:42.760
<v Speaker 1>nowhere for me. So you get a deal, he sort

0:18:42.800 --> 0:18:44.960
<v Speaker 1>of cut songs again, or to use your old songs. Oh? Man,

0:18:45.119 --> 0:18:48.359
<v Speaker 1>when I got deal at Capital, I was writing you

0:18:48.480 --> 0:18:51.000
<v Speaker 1>go through the producer search. You know. I was on

0:18:51.160 --> 0:18:55.399
<v Speaker 1>Capitol two years probably before we even decided, you know,

0:18:55.520 --> 0:18:57.800
<v Speaker 1>to try a single. You've been slacking for two years

0:18:57.880 --> 0:19:00.399
<v Speaker 1>before you put a song out. Yeah, yeah, I've been

0:19:00.400 --> 0:19:04.880
<v Speaker 1>a Capital around that time. The frustrating Yeah it was, yeah,

0:19:04.920 --> 0:19:07.000
<v Speaker 1>it was. I mean we were looking for the right producer.

0:19:07.280 --> 0:19:10.840
<v Speaker 1>We tried some, we cut some. They just didn't didn't

0:19:10.840 --> 0:19:14.639
<v Speaker 1>blow our minds, you know. So then you have your

0:19:14.640 --> 0:19:16.840
<v Speaker 1>first song. What's your first single? My first single was

0:19:16.960 --> 0:19:22.320
<v Speaker 1>pants all right, she can but she came round the shoes.

0:19:23.200 --> 0:19:30.480
<v Speaker 1>She can crack a wheel like Indie Yana John, she can't.

0:19:35.720 --> 0:19:40.800
<v Speaker 1>I can't take off. I like that. I like that.

0:19:40.960 --> 0:19:44.040
<v Speaker 1>Look you're giving the body? Do you write that? I did?

0:19:44.119 --> 0:19:47.680
<v Speaker 1>I wrote it for my wife. Gives the colders, makes

0:19:47.720 --> 0:19:51.600
<v Speaker 1>of plans had woman's with When you hear the song, now,

0:19:51.680 --> 0:19:55.440
<v Speaker 1>what do you think why? I don't know, man, you know,

0:19:55.560 --> 0:20:00.760
<v Speaker 1>I just hear it and Uh, it's just doesn't sound

0:20:00.880 --> 0:20:03.480
<v Speaker 1>you know, it doesn't sound that great. I just don't

0:20:03.520 --> 0:20:05.640
<v Speaker 1>I don't hear it like I did then. And when

0:20:05.720 --> 0:20:08.280
<v Speaker 1>when I heard it then, I just yeah, I just

0:20:08.359 --> 0:20:13.520
<v Speaker 1>thought this is gonna be amazing, And um, I don't know,

0:20:13.600 --> 0:20:16.680
<v Speaker 1>I just hear it now and it just the maybe

0:20:16.720 --> 0:20:18.600
<v Speaker 1>I've gotten better at writing, you know, and I can

0:20:18.680 --> 0:20:22.600
<v Speaker 1>just see the holes in there. But yeah, I career

0:20:22.800 --> 0:20:31.800
<v Speaker 1>just like hearing myself on a answering machine. Thanks, So,

0:20:32.160 --> 0:20:35.440
<v Speaker 1>how the sing will do? I have no idea. The

0:20:35.600 --> 0:20:39.040
<v Speaker 1>song was added heavily, you know, right off the bat,

0:20:39.480 --> 0:20:41.960
<v Speaker 1>and uh, you know, I saw success coming my way

0:20:42.160 --> 0:20:45.720
<v Speaker 1>quick and uh then it just hit a wall and

0:20:46.040 --> 0:20:49.320
<v Speaker 1>uh some people were slow to pick it up, and

0:20:49.359 --> 0:20:54.440
<v Speaker 1>it went to thirty eight and uh eventually, um, you know,

0:20:54.520 --> 0:20:58.639
<v Speaker 1>Mike Dungan and Capital pulled it and they decided to

0:20:58.720 --> 0:21:01.840
<v Speaker 1>go with another one shortly after that. What song was?

0:21:01.920 --> 0:21:03.840
<v Speaker 1>After that one? They went with a song called wild

0:21:03.880 --> 0:21:06.920
<v Speaker 1>Wait for Summer and it did not do um as

0:21:06.960 --> 0:21:10.080
<v Speaker 1>well those pants. If you have two singles that didn't work,

0:21:10.359 --> 0:21:12.239
<v Speaker 1>did they drop you or they go, We're gonna work

0:21:12.280 --> 0:21:14.520
<v Speaker 1>on some other stuff. So we we chilled out for

0:21:14.600 --> 0:21:16.600
<v Speaker 1>a long time. You know, I got put on the

0:21:16.680 --> 0:21:21.080
<v Speaker 1>back burner, and uh I sat for a long long time.

0:21:21.320 --> 0:21:25.119
<v Speaker 1>And man, honestly, just to give Capital some credit, I

0:21:25.240 --> 0:21:29.240
<v Speaker 1>mean they believed, I mean, they believed hardcore and and

0:21:29.320 --> 0:21:32.879
<v Speaker 1>they stuck their neck out for me. Um, I didn't

0:21:32.960 --> 0:21:36.440
<v Speaker 1>fully understand, you know, the need for the machine. I

0:21:36.480 --> 0:21:38.760
<v Speaker 1>didn't know how the bids really worked, you know at

0:21:38.800 --> 0:21:42.880
<v Speaker 1>that time, you know, there was a little bit of arrogance.

0:21:43.080 --> 0:21:46.439
<v Speaker 1>I'm not the most coachable human being on the planet,

0:21:46.960 --> 0:21:49.800
<v Speaker 1>and that kind of you know, shot me in the

0:21:49.920 --> 0:21:53.680
<v Speaker 1>foot back then. But yeah, we sat for a long time.

0:21:53.840 --> 0:21:57.080
<v Speaker 1>I continue to just right and write and try to

0:21:57.200 --> 0:22:01.840
<v Speaker 1>give them that one. You know that they felt confident,

0:22:01.920 --> 0:22:04.480
<v Speaker 1>you know, if you're gonna go three deep, a third one,

0:22:04.880 --> 0:22:07.200
<v Speaker 1>I mean that's your hail Mary right there, you know,

0:22:07.359 --> 0:22:11.040
<v Speaker 1>especially at the first two have flopped. Um So I

0:22:11.200 --> 0:22:13.600
<v Speaker 1>fought and fought, you know, to write and and to

0:22:13.760 --> 0:22:18.399
<v Speaker 1>get that that song, the one, and man just couldn't

0:22:18.440 --> 0:22:24.880
<v Speaker 1>find it, and you know, eventually got dropped. And uh yeah,

0:22:25.040 --> 0:22:26.920
<v Speaker 1>I mean that was that was the beginning of some

0:22:27.160 --> 0:22:31.000
<v Speaker 1>dark some dark times right there. So you get dropped. Ever,

0:22:31.000 --> 0:22:34.040
<v Speaker 1>your second label, what year was that, you know, let's

0:22:34.040 --> 0:22:38.520
<v Speaker 1>see it's two thimes, seventies six, probably fourteen, getting fourteen,

0:22:38.760 --> 0:22:41.000
<v Speaker 1>So you get dropped in two thousand and fourteen, So

0:22:41.119 --> 0:22:45.680
<v Speaker 1>what do you do well at that period? I think

0:22:45.760 --> 0:22:49.160
<v Speaker 1>I have four kids, so I'm still not I'm still

0:22:49.280 --> 0:22:53.920
<v Speaker 1>not a truly buried in final financial woes. But I

0:22:54.040 --> 0:22:56.600
<v Speaker 1>had a pub deal, you know, and still my my publishers.

0:22:56.920 --> 0:23:00.600
<v Speaker 1>That's one thing that's that I've always had a pub deal,

0:23:01.119 --> 0:23:04.520
<v Speaker 1>publishers that believe that I can get outside cuts, you know.

0:23:04.640 --> 0:23:08.359
<v Speaker 1>So at that time I didn't. I wouldn't say I

0:23:08.520 --> 0:23:11.600
<v Speaker 1>just shut the artist thing down, but I wrote, man,

0:23:11.680 --> 0:23:14.560
<v Speaker 1>I aimed and aimed to get outside cuts. You know.

0:23:14.600 --> 0:23:17.959
<v Speaker 1>I wanted outside country cuts. I wanted these mainstream artists,

0:23:18.720 --> 0:23:21.879
<v Speaker 1>uh to to you know, I just knew somebody was

0:23:21.880 --> 0:23:23.880
<v Speaker 1>gonna cut one of my songs are gonna be huge.

0:23:24.359 --> 0:23:28.800
<v Speaker 1>Kind of solidified me a spot in that writer community.

0:23:29.119 --> 0:23:33.200
<v Speaker 1>And uh, I eventually did get a cut um from

0:23:33.720 --> 0:23:37.160
<v Speaker 1>Rodney Atkins. Uh he cut one of my songs called

0:23:37.200 --> 0:23:40.840
<v Speaker 1>Touching Feet, and uh it was you know, it was

0:23:40.880 --> 0:23:45.159
<v Speaker 1>a great motivation, you know, to keep on writing and

0:23:45.560 --> 0:23:48.879
<v Speaker 1>didn't end up being a single. But okay, what about

0:23:48.920 --> 0:23:58.000
<v Speaker 1>this one? I kind of forgot about love you repeat.

0:24:00.640 --> 0:24:03.840
<v Speaker 1>That's right, Gus too, right, Yeah, that was the So

0:24:03.960 --> 0:24:06.040
<v Speaker 1>that was when he cut on the next album, and

0:24:06.119 --> 0:24:09.000
<v Speaker 1>that was ended up being his single. Yeah, I think

0:24:09.040 --> 0:24:14.720
<v Speaker 1>I killed his career. No, you didn't, Squeez didn't know.

0:24:14.960 --> 0:24:18.479
<v Speaker 1>He uh. Man, Roddy's a great guy and he believed

0:24:18.520 --> 0:24:20.879
<v Speaker 1>in some of my songs. And man, even though you know,

0:24:20.920 --> 0:24:23.560
<v Speaker 1>I had several of those types of songs that that

0:24:23.600 --> 0:24:25.920
<v Speaker 1>would get cut and maybe they weren't the single the

0:24:26.000 --> 0:24:28.720
<v Speaker 1>big the Big Dog on the record, But when you

0:24:28.800 --> 0:24:32.040
<v Speaker 1>get those, man, it just kind of tells you. It's

0:24:32.080 --> 0:24:35.560
<v Speaker 1>like it's like a whisper saying, hey, stick around, It's

0:24:35.560 --> 0:24:37.840
<v Speaker 1>all right, you're here for a reason. What about this

0:24:37.920 --> 0:24:41.080
<v Speaker 1>here cole Forth song Dirty Side Dude, I love this song.

0:24:41.280 --> 0:24:44.680
<v Speaker 1>This is my jams. You're right it Yeah, Yeah, he

0:24:44.840 --> 0:24:54.320
<v Speaker 1>featured me dirty time, but if he side I love

0:24:54.560 --> 0:25:07.360
<v Speaker 1>good Dirty side side? You're looking for sad I loved.

0:25:07.520 --> 0:25:09.440
<v Speaker 1>I didn't know you can dance like I got it?

0:25:19.080 --> 0:25:24.080
<v Speaker 1>So you together. Yeah, I'm super appreciate it. They featured me.

0:25:24.640 --> 0:25:26.600
<v Speaker 1>I'm talking about a perfect girl. Man, I'm gonna tell

0:25:26.600 --> 0:25:29.560
<v Speaker 1>you that everyway stopped looking at Magazine's head on out.

0:25:30.040 --> 0:25:31.960
<v Speaker 1>So you're writing. You're out, you don't have artists, y'll

0:25:32.320 --> 0:25:35.680
<v Speaker 1>what you probably still want, even though you still want

0:25:35.720 --> 0:25:38.360
<v Speaker 1>to be the artist, but you do have you want

0:25:38.400 --> 0:25:40.080
<v Speaker 1>to be the writer. You're talking about having dark times

0:25:40.359 --> 0:25:43.720
<v Speaker 1>like your mind just like where did I tell you what?

0:25:44.000 --> 0:25:49.320
<v Speaker 1>The darkest period I ever experienced here in Nashville was

0:25:49.560 --> 0:25:51.879
<v Speaker 1>past these cuts. You know, you get a couple of cuts,

0:25:52.640 --> 0:25:55.240
<v Speaker 1>and I'm still I'm not able to I mean, I'm

0:25:55.280 --> 0:25:57.840
<v Speaker 1>barely supporting us, you know what I'm saying. No, no,

0:25:57.960 --> 0:26:00.520
<v Speaker 1>the money is not just rolling in from from these

0:26:00.600 --> 0:26:03.159
<v Speaker 1>types of cuts. I'm not having hit singles, which is

0:26:03.240 --> 0:26:05.840
<v Speaker 1>kind of what you gotta have, you know, nowadays to

0:26:06.119 --> 0:26:08.560
<v Speaker 1>to to thrive as a writer. You gonna have one

0:26:08.640 --> 0:26:11.440
<v Speaker 1>every now and then. Um, I'm loving what I'm doing.

0:26:11.640 --> 0:26:14.120
<v Speaker 1>I mean, I feel like I'm getting better and better

0:26:14.240 --> 0:26:17.480
<v Speaker 1>and so much closer to dial in it in, you know,

0:26:17.680 --> 0:26:21.240
<v Speaker 1>with with what artists need and what they want and

0:26:21.600 --> 0:26:24.800
<v Speaker 1>getting those outside cuts. But I'm playing at Puckets boat

0:26:24.840 --> 0:26:29.520
<v Speaker 1>House and money gets real tight. I'm talking seriously tight,

0:26:29.760 --> 0:26:32.520
<v Speaker 1>and uh, I don't really like to ask for help.

0:26:33.000 --> 0:26:36.200
<v Speaker 1>And I had toyed with, you know, getting kind of

0:26:36.240 --> 0:26:40.119
<v Speaker 1>a second gig, and I remember this this night, I

0:26:40.200 --> 0:26:44.560
<v Speaker 1>will never forget. I'm playing Puckets boat House, which, by

0:26:44.560 --> 0:26:48.160
<v Speaker 1>the way, it's like a restaurant and a stage for people.

0:26:48.200 --> 0:26:51.000
<v Speaker 1>I um just so that it's like a very famous

0:26:51.080 --> 0:26:55.280
<v Speaker 1>Nashville Southern food restaurant and there's a stage, right, And

0:26:55.400 --> 0:26:57.359
<v Speaker 1>so what I what I was doing is, you know,

0:26:57.400 --> 0:26:59.120
<v Speaker 1>I didn't have artists deal, but I want to keep

0:26:59.200 --> 0:27:03.439
<v Speaker 1>performing so that that the Andy Marshall Puckets so always

0:27:03.480 --> 0:27:05.960
<v Speaker 1>so gracious to me giving me a gig, and I'm

0:27:06.000 --> 0:27:08.320
<v Speaker 1>playing for tips, and what I would do is play

0:27:08.359 --> 0:27:11.200
<v Speaker 1>an hour and then host an open mic night just

0:27:11.680 --> 0:27:13.840
<v Speaker 1>for the community. I wanted to meet new writers and

0:27:13.920 --> 0:27:16.720
<v Speaker 1>stuff and kind of do what people did for me

0:27:17.280 --> 0:27:20.120
<v Speaker 1>in my first couple of years here. So one night,

0:27:20.920 --> 0:27:25.159
<v Speaker 1>this guy comes and his name is Nick Candre, and uh,

0:27:25.960 --> 0:27:29.560
<v Speaker 1>sweet sweet guy comes up, wants to play at the

0:27:29.680 --> 0:27:32.360
<v Speaker 1>open mic night. And he just thinks, you know, he's

0:27:32.520 --> 0:27:36.119
<v Speaker 1>he's heard my songs on Rodney, my stuff on Colt.

0:27:36.400 --> 0:27:39.280
<v Speaker 1>He thinks I'm like Elvis, you know, and he's just

0:27:39.440 --> 0:27:42.320
<v Speaker 1>treating me like it too, and he and he mentions

0:27:43.040 --> 0:27:45.119
<v Speaker 1>at one point in the night that he worked at

0:27:45.160 --> 0:27:48.040
<v Speaker 1>the tire center at Costco, and I was looking for

0:27:48.240 --> 0:27:51.800
<v Speaker 1>a job at night so I could continue writing during

0:27:51.880 --> 0:27:55.680
<v Speaker 1>the day, and so it was just a humbling moment

0:27:56.640 --> 0:28:00.520
<v Speaker 1>to kind of be like, Hey, while you're getting my autograph,

0:28:01.240 --> 0:28:04.280
<v Speaker 1>do you know any you know, is there any openings

0:28:04.320 --> 0:28:06.720
<v Speaker 1>at Costco? You know, are they looking for people that

0:28:06.880 --> 0:28:09.920
<v Speaker 1>stock stuff overnight and stuff? And he hooked me up

0:28:10.320 --> 0:28:12.760
<v Speaker 1>and that's how I got a job at Costco. But

0:28:12.840 --> 0:28:15.560
<v Speaker 1>it was just I mean, I don't know if embarrassing

0:28:15.720 --> 0:28:18.240
<v Speaker 1>is the word, but you know, it was just it

0:28:18.359 --> 0:28:21.520
<v Speaker 1>was an interesting moment that he saw me as kind

0:28:21.560 --> 0:28:24.480
<v Speaker 1>of like an influence on him musically, and I was

0:28:24.600 --> 0:28:28.080
<v Speaker 1>so happy, you know, to meet me. And I was like, hey,

0:28:29.040 --> 0:28:31.200
<v Speaker 1>uh I kind of need a job, you know, I

0:28:31.280 --> 0:28:34.000
<v Speaker 1>need some help. Can you can you hook me up?

0:28:34.320 --> 0:28:37.840
<v Speaker 1>And uh so that was that that was a low

0:28:39.280 --> 0:28:41.960
<v Speaker 1>a low point for me. Um, kind of having to

0:28:42.040 --> 0:28:45.080
<v Speaker 1>ask for help from that guy. Do you feel like

0:28:45.160 --> 0:28:48.240
<v Speaker 1>he learned from it and appreciate it even more afterward?

0:28:49.600 --> 0:28:54.600
<v Speaker 1>Just through that experience with cost experience, everything everything that

0:28:54.840 --> 0:28:57.400
<v Speaker 1>is connecting with people now is pretty much about that

0:28:57.560 --> 0:29:03.320
<v Speaker 1>experience in my life. So yes, um, it's been truly beneficial. Um,

0:29:04.680 --> 0:29:08.360
<v Speaker 1>I got a great perspective. Uh you know and what matters,

0:29:09.480 --> 0:29:11.960
<v Speaker 1>you know, what matter in life. That's kind of what

0:29:12.120 --> 0:29:14.120
<v Speaker 1>Leela Stars is about. You know, I did a lot

0:29:14.240 --> 0:29:18.400
<v Speaker 1>of I did a lot of I don't know what

0:29:18.560 --> 0:29:22.120
<v Speaker 1>you say, like not soul searching, but you know, we

0:29:22.400 --> 0:29:36.560
<v Speaker 1>uh interesting songs and it's just a roof from about daughter. Yeah. Yeah,

0:29:36.640 --> 0:29:39.960
<v Speaker 1>that song is about the thumb tacks that she gave

0:29:40.040 --> 0:29:42.760
<v Speaker 1>me to hold up the roof of my Honda that

0:29:42.840 --> 0:29:45.040
<v Speaker 1>I had at the time, and when my roof was

0:29:45.120 --> 0:29:47.960
<v Speaker 1>coming down, I lost it and I was just crazy

0:29:48.720 --> 0:29:51.520
<v Speaker 1>at that point in my life. I was drinking a

0:29:51.680 --> 0:29:55.920
<v Speaker 1>time just to kind of cut the edge off the heaviness,

0:29:56.640 --> 0:29:59.080
<v Speaker 1>um and the burdens and stuff that I that was

0:29:59.200 --> 0:30:02.960
<v Speaker 1>kind of up against with wanting to still chase my dream,

0:30:03.080 --> 0:30:06.040
<v Speaker 1>kind of thinking I was nuts um. Pretty much to

0:30:06.240 --> 0:30:08.680
<v Speaker 1>let everybody looking at us from the outside, I probably

0:30:08.720 --> 0:30:11.920
<v Speaker 1>thought I was nuts too. Um. You know, I had

0:30:11.960 --> 0:30:14.320
<v Speaker 1>all the kids and I was still trying to do

0:30:14.520 --> 0:30:16.560
<v Speaker 1>that to take care of them when I could have

0:30:17.360 --> 0:30:19.200
<v Speaker 1>you know, done a lot of other things and made

0:30:19.240 --> 0:30:21.640
<v Speaker 1>a whole lot of sense, you know, to take care

0:30:21.640 --> 0:30:24.680
<v Speaker 1>of them. But yeah, Little the Stars is about those

0:30:24.720 --> 0:30:27.200
<v Speaker 1>thumb tacks that she she let me borrow, and I

0:30:27.360 --> 0:30:32.200
<v Speaker 1>was really bummed and frustrated at the time the roof

0:30:32.360 --> 0:30:33.840
<v Speaker 1>coming out in my car. I was one of those

0:30:33.880 --> 0:30:36.480
<v Speaker 1>moments in your life where you're looking up and you're like,

0:30:36.600 --> 0:30:38.960
<v Speaker 1>you gotta be kidding me, you know, like I need

0:30:39.080 --> 0:30:44.360
<v Speaker 1>one freaking more thing unit to carry right now. And uh,

0:30:45.000 --> 0:30:47.200
<v Speaker 1>one morning, when I was about to clock in at Costco,

0:30:47.320 --> 0:30:50.480
<v Speaker 1>I looked up and I saw those thumb tacks and

0:30:50.560 --> 0:30:54.959
<v Speaker 1>it just reminded me. Well, first I thought of her

0:30:55.120 --> 0:30:58.640
<v Speaker 1>face and just her smile and how much fun she

0:30:58.800 --> 0:31:03.120
<v Speaker 1>had putting those up, and uh, she just thought they're awesome.

0:31:03.320 --> 0:31:06.240
<v Speaker 1>You know, they made the car look incredible, And it

0:31:06.360 --> 0:31:09.160
<v Speaker 1>was just an interesting perspective at that time to remember, Hey,

0:31:09.160 --> 0:31:12.120
<v Speaker 1>I got healthy kids, I do have a job. I

0:31:12.200 --> 0:31:15.080
<v Speaker 1>have to you know what I mean. And I'm still

0:31:15.760 --> 0:31:20.280
<v Speaker 1>able to write. My wife never was unhappy, you know.

0:31:20.560 --> 0:31:24.880
<v Speaker 1>I was really the only one, uh that was unhappy. Um.

0:31:24.960 --> 0:31:27.000
<v Speaker 1>And so that was a that was a great moment

0:31:27.440 --> 0:31:30.120
<v Speaker 1>um and and got a cool song out of it.

0:31:30.720 --> 0:31:32.440
<v Speaker 1>So you were drinking a lot. You don't drink it

0:31:32.480 --> 0:31:35.240
<v Speaker 1>all now, so so you must be drinking a lot.

0:31:37.480 --> 0:31:40.600
<v Speaker 1>I have to stop, man, I was, I mean, we want,

0:31:40.640 --> 0:31:42.800
<v Speaker 1>we want to talk about numbers. I mean I was like,

0:31:43.880 --> 0:31:47.600
<v Speaker 1>I mean, I was drinking from I was drunk at Costco. Um.

0:31:47.920 --> 0:31:51.000
<v Speaker 1>You know, obviously I was doing my work, um, working hard,

0:31:51.080 --> 0:31:54.480
<v Speaker 1>but I mean I was, I was drinking on on

0:31:54.680 --> 0:31:57.160
<v Speaker 1>breaks at Costco. You know, I go to the parking lot,

0:31:58.200 --> 0:32:01.320
<v Speaker 1>you know, and do that leave, go do a show

0:32:01.360 --> 0:32:04.400
<v Speaker 1>with the Bluebird. You know, they were hiring me for shows.

0:32:04.440 --> 0:32:07.040
<v Speaker 1>I was still able to get some work out of them. Um.

0:32:07.200 --> 0:32:10.320
<v Speaker 1>I drink before him, drinking after him, drink while I wrote,

0:32:10.720 --> 0:32:17.760
<v Speaker 1>drive home, drink because you're sad man. Uh yeah, I

0:32:17.840 --> 0:32:21.280
<v Speaker 1>think you know, I think I was just uh, I

0:32:21.400 --> 0:32:25.560
<v Speaker 1>just didn't want to face not making it, you know,

0:32:25.760 --> 0:32:29.320
<v Speaker 1>not not being able to to take care of everybody.

0:32:29.480 --> 0:32:32.400
<v Speaker 1>You know. It's it's almost like when you're drunk. Uh,

0:32:33.520 --> 0:32:35.720
<v Speaker 1>those things aren't as heavy, you know, they don't matter,

0:32:36.160 --> 0:32:39.800
<v Speaker 1>I guess, and um, drinking a little bit out of

0:32:40.680 --> 0:32:45.600
<v Speaker 1>just insecurity and fear, you know, I guess, uh, you know,

0:32:45.840 --> 0:32:48.520
<v Speaker 1>just scared. What was the point where you were like, Okay,

0:32:48.520 --> 0:32:51.040
<v Speaker 1>I gotta I gotta chill, dude. Me Quitting is the

0:32:51.120 --> 0:32:54.200
<v Speaker 1>weirdest story, I don't, you know. Hopefully at some point

0:32:54.240 --> 0:32:55.920
<v Speaker 1>it will make sense where I could kind of help

0:32:56.000 --> 0:33:00.920
<v Speaker 1>other people and and and and and explain it, but honestly,

0:33:01.760 --> 0:33:04.320
<v Speaker 1>I mean I think I was. I think my body

0:33:04.480 --> 0:33:07.600
<v Speaker 1>just said to my brain, you have to you have

0:33:07.720 --> 0:33:10.760
<v Speaker 1>to quit. You know, we're working and drinking that much.

0:33:11.360 --> 0:33:14.240
<v Speaker 1>I woke up on a Saturday. I remember that as

0:33:14.280 --> 0:33:18.640
<v Speaker 1>in October football game day, me and football. Not drinking

0:33:18.760 --> 0:33:21.080
<v Speaker 1>just didn't ever happen. That hadn't happened since I was

0:33:21.160 --> 0:33:24.760
<v Speaker 1>probably like fifteen, I don't know, something crazy like that.

0:33:25.440 --> 0:33:28.000
<v Speaker 1>And I just didn't drink one Saturday. And I don't

0:33:28.000 --> 0:33:30.880
<v Speaker 1>even know why. I didn't like wake up and say, man,

0:33:30.920 --> 0:33:35.800
<v Speaker 1>I gotta stop. I just woke up, didn't drink that day. Um,

0:33:36.480 --> 0:33:38.920
<v Speaker 1>didn't drink on Sunday. A couple of days turned into

0:33:38.960 --> 0:33:42.960
<v Speaker 1>a week, you know, and then it became this like

0:33:43.320 --> 0:33:47.120
<v Speaker 1>challenge where it was like I've gone this far, I

0:33:47.200 --> 0:33:50.720
<v Speaker 1>want to go backwards, you know. And I also kind

0:33:50.760 --> 0:33:53.640
<v Speaker 1>of had a little sobriety high. You know, when you

0:33:53.760 --> 0:33:57.680
<v Speaker 1>quit drinking you've been drinking that much, your body feels

0:33:57.760 --> 0:34:02.160
<v Speaker 1>really really good once it gets over, um, you know,

0:34:02.320 --> 0:34:05.920
<v Speaker 1>not craving just to drink with with all your might.

0:34:06.560 --> 0:34:11.120
<v Speaker 1>But so yeah, now I'm like that was two octobers ago,

0:34:11.239 --> 0:34:14.320
<v Speaker 1>so I'm a year and almost a half. The funny

0:34:14.360 --> 0:34:17.560
<v Speaker 1>thing is I don't drink. Guy there, Walker doesn't drink.

0:34:17.880 --> 0:34:20.560
<v Speaker 1>And when we go on tour, beer like the writers

0:34:20.600 --> 0:34:24.239
<v Speaker 1>like full of beer and around it just sits there.

0:34:24.920 --> 0:34:27.680
<v Speaker 1>It's like, Walker, I know you don't drink, but if

0:34:27.680 --> 0:34:29.840
<v Speaker 1>you know anybody that wants beer, they can have it.

0:34:30.280 --> 0:34:33.120
<v Speaker 1>Send Nikita end up drinking some of it. Show a

0:34:33.200 --> 0:34:35.520
<v Speaker 1>little Nikita. So okay, tell me about this song here,

0:34:35.960 --> 0:34:41.680
<v Speaker 1>all right, this one, let's play. Let's see, man, I

0:34:41.719 --> 0:34:43.600
<v Speaker 1>got all of them. It's like asking me which kid

0:34:43.640 --> 0:34:46.440
<v Speaker 1>I'd like to do here? Talk about this one beer

0:34:46.800 --> 0:34:51.200
<v Speaker 1>in the fridge. I quit drinking. The reason I want

0:34:51.239 --> 0:34:54.520
<v Speaker 1>to get drunk because I played on the radio. I

0:34:54.600 --> 0:34:56.759
<v Speaker 1>was like, I was moved by the song. Yeah, I

0:34:56.840 --> 0:35:01.440
<v Speaker 1>still account for the cups when I'm driving around town

0:35:03.120 --> 0:35:05.840
<v Speaker 1>and I'm still not quite sure what to do with

0:35:06.000 --> 0:35:09.440
<v Speaker 1>my hands. It's in a crowd. There's a lot I

0:35:09.640 --> 0:35:15.040
<v Speaker 1>can't remember, and a lot I can't get one silver

0:35:15.200 --> 0:35:18.480
<v Speaker 1>bulling in the chamber. And I don't play rush rule

0:35:18.560 --> 0:35:26.759
<v Speaker 1>it without being the friend. Last of twelves, soul surviving,

0:35:26.920 --> 0:35:29.720
<v Speaker 1>but my last all not the back of the bottom

0:35:30.120 --> 0:35:33.440
<v Speaker 1>how ruled that all It's gonna be so real man. Uh,

0:35:34.680 --> 0:35:38.080
<v Speaker 1>it just touches on a lot of you know, fears,

0:35:39.120 --> 0:35:42.160
<v Speaker 1>insecurities that I deal with. And like you know, you're asking,

0:35:42.920 --> 0:35:45.800
<v Speaker 1>you know, why were you drinking that much? Uh? You

0:35:45.840 --> 0:35:49.520
<v Speaker 1>know my wife has never never threatened to leave me,

0:35:49.719 --> 0:35:55.640
<v Speaker 1>but she probably should have several times you know in

0:35:55.760 --> 0:35:58.640
<v Speaker 1>those in those in that time period, you know, when

0:35:58.719 --> 0:36:03.880
<v Speaker 1>I was drinking that much and uh there you know

0:36:04.000 --> 0:36:07.719
<v Speaker 1>there was there's so many lines in that song the front.

0:36:07.800 --> 0:36:11.560
<v Speaker 1>My one song line, one lyric in that song that

0:36:11.600 --> 0:36:15.239
<v Speaker 1>I feel like describes me and something that I that

0:36:15.239 --> 0:36:17.360
<v Speaker 1>I deal with is the first one about ranting to

0:36:17.440 --> 0:36:21.560
<v Speaker 1>your mama, church, Mama, praying for you is now well,

0:36:21.640 --> 0:36:25.040
<v Speaker 1>like I'm just I just care what people think, you know,

0:36:25.200 --> 0:36:27.800
<v Speaker 1>and I and I and I in my own worst

0:36:27.840 --> 0:36:32.520
<v Speaker 1>critic as well. And drinking, uh made me care less.

0:36:33.040 --> 0:36:36.520
<v Speaker 1>You know that was one positive about drinking. You know

0:36:36.600 --> 0:36:38.480
<v Speaker 1>obviously don't you don't need to drink to do that.

0:36:38.680 --> 0:36:44.719
<v Speaker 1>But you know, I I feel pressure, you know, to

0:36:45.320 --> 0:36:49.840
<v Speaker 1>to be a certain just I don't know, to succeed,

0:36:50.280 --> 0:36:53.600
<v Speaker 1>you know, and uh, prem yourself for myself. But but

0:36:53.800 --> 0:36:55.799
<v Speaker 1>you know, like I said, when I told Lady's parents

0:36:55.880 --> 0:36:58.440
<v Speaker 1>we were coming here. I feel the eyes, you know,

0:36:58.520 --> 0:37:01.759
<v Speaker 1>I feel the fill, people saying, are you crazy, You're

0:37:01.760 --> 0:37:03.680
<v Speaker 1>not gonna make it, You're not good enough. You know

0:37:03.840 --> 0:37:06.239
<v Speaker 1>you're not this, And I don't want to believe them,

0:37:06.440 --> 0:37:08.440
<v Speaker 1>but I kind of do. And when I'm drinking, I

0:37:08.520 --> 0:37:11.279
<v Speaker 1>definitely don't. I don't care what they think. Um, but

0:37:12.320 --> 0:37:14.200
<v Speaker 1>that song is so true, you know the line about

0:37:14.280 --> 0:37:17.759
<v Speaker 1>the hands. I mean, dude, the first show that I

0:37:17.920 --> 0:37:23.640
<v Speaker 1>played without a beer, I just felt completely naked. I mean,

0:37:23.640 --> 0:37:28.080
<v Speaker 1>I've never felt stupider in my life because, you know,

0:37:28.280 --> 0:37:31.680
<v Speaker 1>so many years of strumming that last chord and reaching

0:37:31.800 --> 0:37:34.840
<v Speaker 1>for that beer. I was to a point where just

0:37:35.680 --> 0:37:38.560
<v Speaker 1>holding a beer before I even opened the thing it

0:37:38.840 --> 0:37:42.680
<v Speaker 1>gave it made me feel a sense of security. You know.

0:37:42.800 --> 0:37:45.480
<v Speaker 1>That's kind of where I was with drinking. But yeah,

0:37:45.520 --> 0:37:49.239
<v Speaker 1>it's true. I mean, um, but again I will say,

0:37:49.280 --> 0:37:52.680
<v Speaker 1>I mean, Lenny, it's not true. I didn't lose you know,

0:37:53.080 --> 0:37:56.720
<v Speaker 1>my wife, but uh, you know, she saved many tears,

0:37:57.719 --> 0:37:59.560
<v Speaker 1>you know, talking to me about it, and I was

0:37:59.640 --> 0:38:03.040
<v Speaker 1>at a went where I admitted, you know, she would

0:38:03.080 --> 0:38:06.560
<v Speaker 1>say things like she didn't say things anymore like do

0:38:06.680 --> 0:38:09.920
<v Speaker 1>you have a problem. I would admit I wasn't in denial.

0:38:10.239 --> 0:38:11.800
<v Speaker 1>At the point when I quit, I said, I do

0:38:11.960 --> 0:38:14.800
<v Speaker 1>have a problem, and I can't. I'm not gonna go

0:38:14.960 --> 0:38:18.920
<v Speaker 1>without it. You know, I need this right now for me,

0:38:19.120 --> 0:38:22.040
<v Speaker 1>you know, I want to move over to the comedian. Yeah,

0:38:23.840 --> 0:38:29.080
<v Speaker 1>your dark songs like resonate with me, like hardcore, like

0:38:29.560 --> 0:38:31.600
<v Speaker 1>being in the fridge. You know, I come from a

0:38:31.680 --> 0:38:34.279
<v Speaker 1>family of addicts and alcoholics. And I was like, damn,

0:38:34.320 --> 0:38:36.279
<v Speaker 1>ma I just I just I feel the honesty in

0:38:36.320 --> 0:38:39.160
<v Speaker 1>these songs um with the comedian, which I'm gonna play

0:38:39.280 --> 0:38:44.320
<v Speaker 1>right here. It's too bad. Being funny and being happy.

0:38:44.520 --> 0:38:49.239
<v Speaker 1>He ain't the same thing. It ain't the same thing.

0:38:51.200 --> 0:38:54.719
<v Speaker 1>It's so sad some of the onliest hearts in the

0:38:54.840 --> 0:39:01.000
<v Speaker 1>crowd of the most enter thing. Such a strange he

0:39:01.200 --> 0:39:04.640
<v Speaker 1>is to the ones who make and laugh to keep

0:39:04.719 --> 0:39:08.000
<v Speaker 1>themselves from crying, gears to the ones who make is

0:39:08.200 --> 0:39:13.400
<v Speaker 1>laugh to keep themselves from cry. Like I heard this

0:39:13.440 --> 0:39:19.239
<v Speaker 1>song and it's tell you it's like it can and

0:39:19.400 --> 0:39:24.880
<v Speaker 1>I have issues like that, like where it's you know,

0:39:25.680 --> 0:39:28.359
<v Speaker 1>I want to make people laugh so they can't see

0:39:28.560 --> 0:39:30.960
<v Speaker 1>how sad. And it's the process that I've been dealing

0:39:31.000 --> 0:39:34.400
<v Speaker 1>with for a long time, and it's that's the front

0:39:34.960 --> 0:39:37.839
<v Speaker 1>you try to people laugh, That's where you find love.

0:39:38.680 --> 0:39:40.600
<v Speaker 1>That's where I always was able to find love. Like

0:39:40.719 --> 0:39:42.640
<v Speaker 1>let maybe the guy that make people laugh, because that's

0:39:42.719 --> 0:39:45.719
<v Speaker 1>I'll find the love from that. I have trouble accepting love,

0:39:45.760 --> 0:39:47.880
<v Speaker 1>of trouble giving love just from the environment. You know,

0:39:47.960 --> 0:39:49.960
<v Speaker 1>you and I talking about a nature or nurture, like

0:39:50.040 --> 0:39:52.759
<v Speaker 1>we have that conversation like away from stuff, and you know,

0:39:52.840 --> 0:39:55.680
<v Speaker 1>for me, I think it was definitely nurture the love thing.

0:39:55.719 --> 0:39:57.600
<v Speaker 1>And I heard that song, I was like, dear God,

0:39:57.640 --> 0:39:59.719
<v Speaker 1>are you writing songs from my brain? Like every song

0:40:00.000 --> 0:40:02.640
<v Speaker 1>he would sing, I'll be like God. So the comedian

0:40:02.719 --> 0:40:05.279
<v Speaker 1>is that about a front of your specifically? So with

0:40:05.400 --> 0:40:07.759
<v Speaker 1>high school with them? Yeah, it's about a friend I

0:40:07.880 --> 0:40:12.200
<v Speaker 1>grew up with and he did not, uh commit suicide. Hey,

0:40:12.239 --> 0:40:15.120
<v Speaker 1>but he died at an early age. And um he

0:40:15.320 --> 0:40:19.680
<v Speaker 1>was that guy, uh you know, just hilarious. Um, but

0:40:19.800 --> 0:40:22.560
<v Speaker 1>did have issues, you know, and as we all do.

0:40:22.840 --> 0:40:26.600
<v Speaker 1>You know, I think so many people can can relate

0:40:26.680 --> 0:40:29.359
<v Speaker 1>with that song. You know. It's that we all try

0:40:29.400 --> 0:40:32.440
<v Speaker 1>to find that affirmation. That's never really enough, but it

0:40:32.600 --> 0:40:37.919
<v Speaker 1>sure helps, you know, it doesn't sustain any any long

0:40:38.200 --> 0:40:42.400
<v Speaker 1>term healing or fix us. You know, it's like drinking

0:40:42.440 --> 0:40:44.799
<v Speaker 1>a beer. And it does make me feel good immediately,

0:40:45.400 --> 0:40:48.080
<v Speaker 1>you know, and as does me performing on stage and

0:40:48.160 --> 0:40:50.480
<v Speaker 1>getting that laughing. It makes me feel like I just

0:40:50.600 --> 0:40:53.480
<v Speaker 1>jumped out of a plane. You know. But when you

0:40:53.560 --> 0:40:55.720
<v Speaker 1>get back in your green room and you all by yourself,

0:40:56.600 --> 0:40:58.800
<v Speaker 1>all the real stuff comes back, you know, when you

0:40:58.880 --> 0:41:02.160
<v Speaker 1>gotta do it again. But yeah, that that song. I'm

0:41:02.320 --> 0:41:06.600
<v Speaker 1>so glad a guy named Matt Jenkins and Josh Jenkins

0:41:06.800 --> 0:41:09.759
<v Speaker 1>they wrote it with me, and they were insistent that

0:41:10.000 --> 0:41:13.879
<v Speaker 1>that we that we do that song together, and I'm

0:41:13.920 --> 0:41:17.000
<v Speaker 1>glad you appreciate it. I'm glad people. Yeah, that's like

0:41:17.120 --> 0:41:18.480
<v Speaker 1>and and we'll get to the more of beat stuff

0:41:18.480 --> 0:41:21.120
<v Speaker 1>because you have a sound that is not like anyone else.

0:41:21.160 --> 0:41:23.319
<v Speaker 1>But I just you know, it's my podcast. I told

0:41:23.320 --> 0:41:25.600
<v Speaker 1>about whatever I want. So those are like, those are

0:41:25.600 --> 0:41:28.640
<v Speaker 1>the songs that hit me hard. And I was just like, okay,

0:41:28.680 --> 0:41:31.239
<v Speaker 1>he's like speed songs a lot of times don't speak

0:41:31.239 --> 0:41:35.040
<v Speaker 1>in real human words anymore. And when you do feel

0:41:35.080 --> 0:41:37.160
<v Speaker 1>something out then in regardless of sonically what it sounds like,

0:41:37.960 --> 0:41:41.239
<v Speaker 1>it being authentic still cuts through no matter what's behind it?

0:41:41.800 --> 0:41:44.720
<v Speaker 1>Something for real still cuts through regardless of the format

0:41:44.800 --> 0:41:48.320
<v Speaker 1>the instruments, like realness cuts through. And so that's what

0:41:48.400 --> 0:41:53.439
<v Speaker 1>I felt from like stars and the Comedian and beer

0:41:53.480 --> 0:41:56.680
<v Speaker 1>in the fridge, and but then you know, you got

0:41:56.719 --> 0:42:02.439
<v Speaker 1>stuff like break the inner back, a little bit of shake,

0:42:02.560 --> 0:42:06.040
<v Speaker 1>shake a little bit, how did your dog? You make?

0:42:06.080 --> 0:42:09.120
<v Speaker 1>All the stuff in your shack? And then beat on tables,

0:42:09.160 --> 0:42:12.120
<v Speaker 1>beat on the wall, slammed the door, all these sounds.

0:42:12.840 --> 0:42:15.040
<v Speaker 1>It's see you in that microphone and you're beaten cups

0:42:15.080 --> 0:42:22.080
<v Speaker 1>and it sounds. Listen, I got a keyboard, break back

0:42:22.239 --> 0:42:29.239
<v Speaker 1>the internet. You're doing all these bats B G B maniacs.

0:42:29.360 --> 0:42:33.880
<v Speaker 1>But I got the record. As you're cutting this and

0:42:33.920 --> 0:42:35.839
<v Speaker 1>you're playing it for people, what are they saying to you, Like, man,

0:42:35.840 --> 0:42:37.640
<v Speaker 1>itsn't gonna work? Or is its great? Or what they

0:42:37.760 --> 0:42:41.120
<v Speaker 1>are they saying? Well, uh, you know, my the people

0:42:41.200 --> 0:42:45.880
<v Speaker 1>at my publishing company, they saw me obviously, uh you know,

0:42:45.960 --> 0:42:48.440
<v Speaker 1>to write songs, but wanted me to. They saw me

0:42:48.520 --> 0:42:51.400
<v Speaker 1>with the intention of me being an artist. And you know,

0:42:51.480 --> 0:42:55.000
<v Speaker 1>I think at first they thought, hey, he's gonna write

0:42:55.040 --> 0:42:58.239
<v Speaker 1>that one, you know, dangerous one on the country Ready,

0:42:58.280 --> 0:43:02.640
<v Speaker 1>you know that country radio slap Slam first release, bah Boom,

0:43:03.480 --> 0:43:06.759
<v Speaker 1>And what happened was I kind of got off therapeutic

0:43:07.120 --> 0:43:09.400
<v Speaker 1>you know, on them, like you talk about Comedian and

0:43:09.480 --> 0:43:13.080
<v Speaker 1>stuff like that. Those feel so good for me to write,

0:43:13.200 --> 0:43:15.680
<v Speaker 1>you know, sometimes it's just great to get that stuff

0:43:15.800 --> 0:43:18.360
<v Speaker 1>off of your chest and tell everybody that makes me

0:43:18.480 --> 0:43:20.120
<v Speaker 1>feel better. And so that's what I was doing with

0:43:20.200 --> 0:43:24.000
<v Speaker 1>those those dark ones and then the happy ones. That's

0:43:24.040 --> 0:43:26.440
<v Speaker 1>just kind of how that's how I want a party,

0:43:26.600 --> 0:43:28.399
<v Speaker 1>you know, that's the stuff I want to play live.

0:43:28.800 --> 0:43:33.200
<v Speaker 1>And they definitely were. What what happened once I started

0:43:33.200 --> 0:43:36.680
<v Speaker 1>turning and turning them in and my team didn't see

0:43:36.880 --> 0:43:40.560
<v Speaker 1>really a fast track. Hey this is going to country radio,

0:43:41.120 --> 0:43:44.600
<v Speaker 1>you know obviously from the sound. But they just love them,

0:43:44.760 --> 0:43:46.879
<v Speaker 1>you know, they liked they loved the song. They found

0:43:46.920 --> 0:43:50.200
<v Speaker 1>themselves listening to them, um and cheat And I know

0:43:50.320 --> 0:43:53.080
<v Speaker 1>it's cheesy, but I even found myself I would listen

0:43:53.120 --> 0:43:54.920
<v Speaker 1>to them like they're not me. I'd be like, I

0:43:55.040 --> 0:43:58.960
<v Speaker 1>just liked this song the Comedian you know too. Yeah,

0:44:00.880 --> 0:44:06.320
<v Speaker 1>my money wi shock sucking based on my money on

0:44:06.440 --> 0:44:09.440
<v Speaker 1>a honey you make me want to shake time cruise

0:44:09.520 --> 0:44:11.359
<v Speaker 1>in my mind, he said to be, I say that's

0:44:11.360 --> 0:44:13.279
<v Speaker 1>something me. I scrubb in the front seat telling me

0:44:13.480 --> 0:44:18.320
<v Speaker 1>hanging out like Mike my Dina funk of all this

0:44:18.400 --> 0:44:21.280
<v Speaker 1>project was the first song you wrote. So the first

0:44:21.400 --> 0:44:29.319
<v Speaker 1>song on this project that was written was either say

0:44:29.400 --> 0:44:31.399
<v Speaker 1>sober you broke up with me? I don't know which

0:44:31.520 --> 0:44:35.600
<v Speaker 1>came first, the chicken or the egg um, but yeah,

0:44:35.640 --> 0:44:39.160
<v Speaker 1>those those those two you broke up with me was

0:44:39.280 --> 0:44:43.080
<v Speaker 1>the one where we all went, Hey, keep doing that,

0:44:43.960 --> 0:44:50.040
<v Speaker 1>because that's something about that. It's unique and digestible. And

0:44:50.160 --> 0:44:55.960
<v Speaker 1>this is a single now he broke up to see me?

0:44:57.960 --> 0:45:01.640
<v Speaker 1>But hey, can you broke up with me? It was

0:45:01.800 --> 0:45:05.840
<v Speaker 1>can I say anything? You broke up me? What's funny

0:45:05.880 --> 0:45:08.959
<v Speaker 1>is I remember texting you because this song came out. Yeah,

0:45:09.320 --> 0:45:11.759
<v Speaker 1>you know you produced it yourself. And I tell us, like, hey,

0:45:12.040 --> 0:45:14.879
<v Speaker 1>or the new version, it's it's produced slightly different parts,

0:45:14.880 --> 0:45:18.000
<v Speaker 1>it's like more radio palatable. And your response was I'm

0:45:18.040 --> 0:45:21.919
<v Speaker 1>listening to it like I never heard of before. God

0:45:22.000 --> 0:45:25.680
<v Speaker 1>and you can't grasp my party with yo. Sorry, sound bodies,

0:45:25.719 --> 0:45:29.520
<v Speaker 1>don't be raining on my money proper rate for a minute.

0:45:30.280 --> 0:45:33.879
<v Speaker 1>I ain't eat my fix. Listen the yoga tripping y'o

0:45:33.960 --> 0:45:36.719
<v Speaker 1>focus and girl you made Yo Man and then on

0:45:36.960 --> 0:45:42.120
<v Speaker 1>me in and whoa simmer down to night and nobody

0:45:42.200 --> 0:45:48.799
<v Speaker 1>making you watch me get my FeAs my That is good.

0:45:48.920 --> 0:45:50.800
<v Speaker 1>So that's a single now and you're working out, you know.

0:45:50.960 --> 0:45:53.560
<v Speaker 1>The interesting thing is is that And I'll just talk

0:45:53.600 --> 0:45:55.960
<v Speaker 1>about my listeners for a second, because I can always

0:45:56.000 --> 0:46:01.080
<v Speaker 1>tell by my listeners if it's a suppose the right way,

0:46:01.600 --> 0:46:04.399
<v Speaker 1>what will work, because all I gotta do is play something.

0:46:04.920 --> 0:46:07.080
<v Speaker 1>My listeners are no bs and they don't like it.

0:46:07.200 --> 0:46:09.920
<v Speaker 1>They just don't. They don't do what I say. I

0:46:10.040 --> 0:46:12.279
<v Speaker 1>just try to give them good options that they probably

0:46:12.320 --> 0:46:15.000
<v Speaker 1>wouldn't be able to hear other places. Like honestly, god,

0:46:15.280 --> 0:46:18.439
<v Speaker 1>I can't make them do anything. But what I try

0:46:18.480 --> 0:46:21.200
<v Speaker 1>to do in my job is go, this is different

0:46:21.960 --> 0:46:24.120
<v Speaker 1>or this is really good, and you're not going to

0:46:24.239 --> 0:46:26.640
<v Speaker 1>hear this anywhere else, and if you like it, then

0:46:26.800 --> 0:46:29.560
<v Speaker 1>consume it. However, and I played that song, and I

0:46:29.640 --> 0:46:31.680
<v Speaker 1>looked at an iTunes before I played it because I

0:46:31.760 --> 0:46:34.000
<v Speaker 1>like to see what happens. And I gave it one

0:46:34.200 --> 0:46:37.120
<v Speaker 1>full spin. It was a three. I played it one

0:46:37.160 --> 0:46:38.879
<v Speaker 1>time with an hour and half went to thirty eight

0:46:39.040 --> 0:46:41.160
<v Speaker 1>or something, and I was in it, and for me,

0:46:41.239 --> 0:46:44.440
<v Speaker 1>it wasn't a like for me. It wasn't like, man, Bobby,

0:46:44.480 --> 0:46:46.520
<v Speaker 1>I told you you knew what was good. It was

0:46:47.280 --> 0:46:50.279
<v Speaker 1>God if people can get out of that box a

0:46:50.360 --> 0:46:54.920
<v Speaker 1>little bit and see this is one spin. People reacted

0:46:54.960 --> 0:46:59.440
<v Speaker 1>to this song. And so you know, I've tinkered with

0:46:59.560 --> 0:47:01.400
<v Speaker 1>it a bit more. But now it's kind of like,

0:47:01.600 --> 0:47:03.360
<v Speaker 1>let's let's let the label see what they can do.

0:47:04.120 --> 0:47:07.360
<v Speaker 1>But it's gotta be cool to see people hear it

0:47:07.600 --> 0:47:09.800
<v Speaker 1>and go, wow, I heard it. Now, I like it.

0:47:09.920 --> 0:47:12.359
<v Speaker 1>Let me buy that. Yeah, it's gonna be some kind

0:47:12.400 --> 0:47:14.560
<v Speaker 1>of it, like like, okay, maybe there's something to this.

0:47:14.640 --> 0:47:18.279
<v Speaker 1>Do you feel that? Oh? Man? Yes? And uh, you

0:47:18.320 --> 0:47:20.320
<v Speaker 1>know you have. The first question you're asking was what

0:47:20.480 --> 0:47:23.520
<v Speaker 1>it what's it mean for you to to be on

0:47:23.600 --> 0:47:29.040
<v Speaker 1>a label? And I just didn't It's all every day

0:47:29.719 --> 0:47:34.719
<v Speaker 1>it's a good day. I'm not kidding though. I mean

0:47:34.880 --> 0:47:39.640
<v Speaker 1>every that that day we celebrated. I celebrate everything right now.

0:47:39.920 --> 0:47:43.480
<v Speaker 1>And that is amazing that that that I woke up

0:47:43.560 --> 0:47:46.759
<v Speaker 1>that day and you know, you play my song one

0:47:46.840 --> 0:47:50.759
<v Speaker 1>time and it does that and and yes, man, I

0:47:50.840 --> 0:47:53.480
<v Speaker 1>mean you know, you work so hard on music and

0:47:53.600 --> 0:47:56.239
<v Speaker 1>you just think it's so good and and you just

0:47:56.440 --> 0:47:59.040
<v Speaker 1>then he produced and it's so awesome and then he

0:47:59.160 --> 0:48:03.640
<v Speaker 1>put out put it out there, and you're like, it's

0:48:03.680 --> 0:48:08.560
<v Speaker 1>time to see. You know, the critics are paying and

0:48:08.840 --> 0:48:12.239
<v Speaker 1>using their criticizing with their money, and when they pay it,

0:48:12.280 --> 0:48:16.960
<v Speaker 1>they're not criticized. And when they don't pay it, they cize, right,

0:48:17.040 --> 0:48:19.960
<v Speaker 1>and so now just to see I mean, we had

0:48:20.000 --> 0:48:22.880
<v Speaker 1>a sick first week when we blew it up and

0:48:23.280 --> 0:48:26.239
<v Speaker 1>it was awesome, and yeah, I mean it is so

0:48:26.840 --> 0:48:30.480
<v Speaker 1>it is so gratifying. Uh, you know that people that

0:48:30.600 --> 0:48:32.839
<v Speaker 1>people liked it like they're liking it. I mean, hey,

0:48:32.880 --> 0:48:35.279
<v Speaker 1>another song too that I saw a track and I

0:48:35.400 --> 0:48:36.920
<v Speaker 1>was like, how can this song even be a song?

0:48:36.960 --> 0:48:39.200
<v Speaker 1>He just by looking at the name of it. I

0:48:39.320 --> 0:48:43.319
<v Speaker 1>was like, yeah, I was like, he wrote a song

0:48:43.440 --> 0:48:46.920
<v Speaker 1>about Halloween. And I remember because I think it was

0:48:47.000 --> 0:48:49.160
<v Speaker 1>on the second the set. But how long is that

0:48:49.200 --> 0:48:53.640
<v Speaker 1>the second age break the Internet? So Halloween? I was like, well,

0:48:53.719 --> 0:48:56.160
<v Speaker 1>let me even see what this song is about Halloween?

0:48:56.719 --> 0:48:58.520
<v Speaker 1>Like what is this about that? Dude? One? Like one

0:48:58.560 --> 0:49:01.880
<v Speaker 1>of the deepest songs and a beautiful way, because that's

0:49:01.960 --> 0:49:04.520
<v Speaker 1>like I get to take out my costume around you're

0:49:04.520 --> 0:49:08.400
<v Speaker 1>talking about your wife. Yeah, and then I knock knock

0:49:08.520 --> 0:49:14.520
<v Speaker 1>on yo though. The mascot Ye shouted like glass on

0:49:14.640 --> 0:49:19.920
<v Speaker 1>the phone and it was like Halloween and all the

0:49:20.040 --> 0:49:27.719
<v Speaker 1>people opportun rest in piece rees, rest in piece, so deep,

0:49:27.800 --> 0:49:37.760
<v Speaker 1>so good, all the people opportunder Simpies a timpies besties.

0:49:39.560 --> 0:49:42.799
<v Speaker 1>What's like playing that for your wife? Oh? Man? Uh

0:49:44.080 --> 0:49:50.120
<v Speaker 1>awesome because she's so numb. You know, love songs in

0:49:50.239 --> 0:49:53.279
<v Speaker 1>twelve years, three or four pub deals, you write a

0:49:53.480 --> 0:49:56.640
<v Speaker 1>ton of love songs and you just you come home

0:49:56.719 --> 0:49:58.680
<v Speaker 1>and you're like, did I get you? Did it? Did

0:49:58.760 --> 0:50:02.160
<v Speaker 1>this one get you? And? Uh? None? None of them?

0:50:02.600 --> 0:50:05.680
<v Speaker 1>You know. God, her like this one because we dated

0:50:05.719 --> 0:50:09.399
<v Speaker 1>in high school and she knew that's what she meant

0:50:09.440 --> 0:50:12.560
<v Speaker 1>to me immediately, you know, right off the bat, I

0:50:12.719 --> 0:50:15.440
<v Speaker 1>was a real insecure kid trying to fit in andmobile,

0:50:15.920 --> 0:50:19.400
<v Speaker 1>and then I met her and she just saw the

0:50:19.560 --> 0:50:21.440
<v Speaker 1>side of me that she really fell in love with.

0:50:21.680 --> 0:50:24.640
<v Speaker 1>And um, that's yeah, one of her favorite songs for sure.

0:50:25.200 --> 0:50:27.640
<v Speaker 1>We talking about this sleep number for a second. Did

0:50:27.680 --> 0:50:30.120
<v Speaker 1>you look at my room we walked by that I

0:50:30.239 --> 0:50:32.720
<v Speaker 1>wanted to, but I want to. I'm glad you didn't.

0:50:33.239 --> 0:50:35.279
<v Speaker 1>I gotta sleep number bed and less some time of year,

0:50:35.360 --> 0:50:37.359
<v Speaker 1>maybe tempted once again to go to the same old

0:50:37.400 --> 0:50:39.120
<v Speaker 1>mattress store and start to the same old bed just

0:50:39.200 --> 0:50:40.840
<v Speaker 1>because it's on sale. But let me tell you right now,

0:50:41.120 --> 0:50:44.160
<v Speaker 1>Sleep Number has the bed that adjusts to whatever it is,

0:50:44.200 --> 0:50:45.919
<v Speaker 1>your back, your neck. You can go in the story.

0:50:45.960 --> 0:50:47.680
<v Speaker 1>You look at the screen and it tells you, like

0:50:47.719 --> 0:50:49.640
<v Speaker 1>what your number is. My number is a thirty. The

0:50:49.680 --> 0:50:52.040
<v Speaker 1>Sleep Number bed lets you choose your ideal comfort on

0:50:52.080 --> 0:50:54.200
<v Speaker 1>each side. It's the perfect bed for couples. You can

0:50:54.239 --> 0:50:56.840
<v Speaker 1>have each side. You can have a different number. Optional

0:50:56.920 --> 0:50:59.840
<v Speaker 1>sleep ikeue technology to attract your sleep. It gives you

0:51:00.080 --> 0:51:02.279
<v Speaker 1>some len sights. You see how life affect your sleep.

0:51:02.280 --> 0:51:04.319
<v Speaker 1>You see how sleep sleep affects your life. The Sleep

0:51:04.400 --> 0:51:07.600
<v Speaker 1>Number was ranked highest customer satisfaction in matches by JD

0:51:07.680 --> 0:51:09.759
<v Speaker 1>Power for two years in a row. My setting is

0:51:09.800 --> 0:51:11.920
<v Speaker 1>a thirty. I think my huge scores in the nineties.

0:51:12.040 --> 0:51:14.000
<v Speaker 1>Last night never been a better time to visit a

0:51:14.040 --> 0:51:16.680
<v Speaker 1>Sleep Number store. You can and say fifty on a

0:51:16.800 --> 0:51:20.640
<v Speaker 1>limited edition bed during the Sleep Number events that are

0:51:20.640 --> 0:51:24.319
<v Speaker 1>having a Queen C two mattress five. You'll only find

0:51:24.400 --> 0:51:26.879
<v Speaker 1>Sleep Number at into the five hundred Sleep Number stores

0:51:27.000 --> 0:51:29.080
<v Speaker 1>nationwide and you can find one nearest you by calling

0:51:29.120 --> 0:51:31.759
<v Speaker 1>eight hundred next to bed and say you heard it

0:51:31.800 --> 0:51:33.800
<v Speaker 1>here on the Bobby Bones Show Bobby Cast and so

0:51:33.960 --> 0:51:36.640
<v Speaker 1>that's there and there, that's good. I like listen. I

0:51:36.760 --> 0:51:38.760
<v Speaker 1>like having sponsors because that's how you people are listening

0:51:38.800 --> 0:51:41.920
<v Speaker 1>to the we we started this thing. I mean think

0:51:41.920 --> 0:51:44.920
<v Speaker 1>aboudy even gonna listen like Mike d and I this

0:51:45.120 --> 0:51:47.960
<v Speaker 1>is no this is our equipment, like, this is just

0:51:48.000 --> 0:51:50.360
<v Speaker 1>stuff that we wrangled up. And we started doing this

0:51:50.520 --> 0:51:53.520
<v Speaker 1>little podcast and we were talking to people like, for example,

0:51:53.600 --> 0:51:55.080
<v Speaker 1>kit Lyn, one of the first ones who's on your

0:51:55.239 --> 0:51:57.000
<v Speaker 1>it's just your Caitlin. Right now. I was like, hey,

0:51:57.080 --> 0:51:58.680
<v Speaker 1>like come over to the house because I'm gonna do

0:51:58.719 --> 0:52:01.400
<v Speaker 1>this thing. I'm gonna talk to artists, talk songwriters. And

0:52:01.480 --> 0:52:03.960
<v Speaker 1>then now we got to sleep number sponsor and this thing.

0:52:04.440 --> 0:52:07.160
<v Speaker 1>But so uh yeah, it's cool. It's cool. It's like,

0:52:07.680 --> 0:52:09.479
<v Speaker 1>let me ask you this. You put all your stuff

0:52:09.480 --> 0:52:13.239
<v Speaker 1>out for free. At first, well, who thought of that?

0:52:13.480 --> 0:52:15.759
<v Speaker 1>Why was that the plan? So that was thought of

0:52:16.040 --> 0:52:20.960
<v Speaker 1>by my manager, Rob Robert Carlton, and he's kind of

0:52:21.000 --> 0:52:24.200
<v Speaker 1>famous now, but he, uh, you know, he heard my

0:52:24.320 --> 0:52:27.040
<v Speaker 1>stuff and like we were talking earlier, he heard those

0:52:27.080 --> 0:52:29.680
<v Speaker 1>songs that I was building in the shack and he said,

0:52:29.719 --> 0:52:33.640
<v Speaker 1>you know, he ain't gonna fit country radio right now,

0:52:33.760 --> 0:52:36.839
<v Speaker 1>but these will build a fan base. People will share these,

0:52:36.920 --> 0:52:39.440
<v Speaker 1>they will love them, they will connect to them. And

0:52:39.600 --> 0:52:42.080
<v Speaker 1>so that's what we did. We just started putting them out,

0:52:42.400 --> 0:52:44.840
<v Speaker 1>started touring a little bit, got a couple of opening

0:52:44.920 --> 0:52:48.640
<v Speaker 1>slots you know last year, and places to go play them,

0:52:49.000 --> 0:52:51.640
<v Speaker 1>got the loop, started learning how to do that because

0:52:51.840 --> 0:52:54.239
<v Speaker 1>just wanted them to sound as close as I could

0:52:54.320 --> 0:52:57.440
<v Speaker 1>do these tracks, and that's why we started putting out

0:52:57.560 --> 0:53:00.239
<v Speaker 1>free music. And it was so exhilarating. It was so

0:53:00.360 --> 0:53:02.959
<v Speaker 1>therapeutic for me. It obviously made me a better writer.

0:53:03.239 --> 0:53:05.200
<v Speaker 1>I feel like they just keep getting better and better.

0:53:05.239 --> 0:53:07.520
<v Speaker 1>I'm already working on number three. I don't know where

0:53:07.560 --> 0:53:11.200
<v Speaker 1>that lives, you know, as far as label stuff goes,

0:53:11.360 --> 0:53:14.520
<v Speaker 1>but they will let me continue the eight tracks and

0:53:14.840 --> 0:53:19.279
<v Speaker 1>so I'm excited about those. They'll just keep coming for me.

0:53:19.520 --> 0:53:22.279
<v Speaker 1>I'm a huge fan of you and the music that

0:53:22.320 --> 0:53:25.960
<v Speaker 1>you write, and yeah, welcome, shut up. I became a

0:53:26.080 --> 0:53:28.200
<v Speaker 1>huge fan way early, like I was obsessed with it

0:53:28.560 --> 0:53:30.120
<v Speaker 1>and I would say on the radio, It's like, what's

0:53:30.120 --> 0:53:32.000
<v Speaker 1>the biggest albums a year? And I'd be like, you

0:53:32.040 --> 0:53:34.239
<v Speaker 1>know I played record from Urban a lot Maren and

0:53:34.360 --> 0:53:36.880
<v Speaker 1>Walker Hays and I was now and I would mean

0:53:36.920 --> 0:53:39.799
<v Speaker 1>it from the bottom of my heart. And it wasn't

0:53:39.800 --> 0:53:41.239
<v Speaker 1>like you and I were talking every day. We were

0:53:41.320 --> 0:53:42.680
<v Speaker 1>I don't even know if we were talking. We were

0:53:43.000 --> 0:53:46.160
<v Speaker 1>maybe exchange the text occasionally. But I was just a fan.

0:53:46.440 --> 0:53:48.960
<v Speaker 1>Like I was just a fan because I love people

0:53:49.000 --> 0:53:51.440
<v Speaker 1>who try things that aren't the same, even if they

0:53:51.480 --> 0:53:53.359
<v Speaker 1>fall in their face, Like I love people that take

0:53:53.440 --> 0:53:59.000
<v Speaker 1>shots falling forward, it's still it's still moving forward. And

0:53:59.160 --> 0:54:01.959
<v Speaker 1>so one I like the music and too, I enjoy

0:54:02.040 --> 0:54:04.640
<v Speaker 1>the fact that you were trying something new, and so

0:54:05.120 --> 0:54:07.080
<v Speaker 1>I would say that stuff like magazine to do interviews

0:54:07.080 --> 0:54:09.240
<v Speaker 1>like what you let's do most. I love Dirk's album,

0:54:09.440 --> 0:54:11.120
<v Speaker 1>I love the Walker Hayes's album like it was just

0:54:11.320 --> 0:54:13.239
<v Speaker 1>that's just because it was a like, what's the most

0:54:13.480 --> 0:54:16.880
<v Speaker 1>thing that you're playing, I'll tell And so something that

0:54:16.880 --> 0:54:19.000
<v Speaker 1>shook me a bit. And I'm jaded and the first

0:54:19.040 --> 0:54:21.800
<v Speaker 1>to admit it because I've been doing this now and

0:54:22.080 --> 0:54:25.120
<v Speaker 1>just in this capacity for four years and I've had

0:54:25.160 --> 0:54:27.680
<v Speaker 1>Garth Brooks sit beside me right and play, and I've

0:54:27.760 --> 0:54:30.759
<v Speaker 1>had you name it's it's it's great, and it never

0:54:30.880 --> 0:54:33.440
<v Speaker 1>loses the fact that it's great. But when when you

0:54:33.520 --> 0:54:37.040
<v Speaker 1>eat Filet mignon every day, it becomes kind of normal.

0:54:38.719 --> 0:54:42.080
<v Speaker 1>So it's like I enjoy it and I still appreciate it,

0:54:43.200 --> 0:54:47.480
<v Speaker 1>but rarely the things shake me. Occasionally, things like really

0:54:47.760 --> 0:54:49.759
<v Speaker 1>and I'm gonna tell you. I get a message from

0:54:50.600 --> 0:54:53.160
<v Speaker 1>one of my friends, she works at my record label,

0:54:53.200 --> 0:54:56.560
<v Speaker 1>and it's Mega boardman and she says, uh, do you

0:54:56.640 --> 0:54:58.920
<v Speaker 1>hear this song called Payne Walker Hay sent on the email.

0:54:59.080 --> 0:55:01.560
<v Speaker 1>I was like, no, I'm not on his email list.

0:55:01.719 --> 0:55:03.440
<v Speaker 1>I'm not anybody's email us. I didn't know he had

0:55:03.480 --> 0:55:05.439
<v Speaker 1>to email us. Like I just listened to the music

0:55:06.080 --> 0:55:08.520
<v Speaker 1>and I was like, no, she goes, you should probably

0:55:08.560 --> 0:55:10.960
<v Speaker 1>hear it, and I was like, we'll send me the email,

0:55:11.719 --> 0:55:14.160
<v Speaker 1>and so like I'm gonna tell you eyeball to eyeball,

0:55:14.960 --> 0:55:17.080
<v Speaker 1>I just sat in my car and I was like,

0:55:17.680 --> 0:55:19.680
<v Speaker 1>to have someone you're such a huge fan of like

0:55:19.880 --> 0:55:23.440
<v Speaker 1>even mention you and that song. I was like, this

0:55:23.760 --> 0:55:27.480
<v Speaker 1>is like crazy in my life. Honestly, it means the

0:55:27.480 --> 0:55:29.480
<v Speaker 1>world for you to say that, because when you put

0:55:29.640 --> 0:55:33.160
<v Speaker 1>somebody in a song, you're like they're gonna hate, Like

0:55:33.360 --> 0:55:36.000
<v Speaker 1>is this gonna suck for them. It it was. It

0:55:36.120 --> 0:55:39.000
<v Speaker 1>was the weirdest thing. It was a great I have

0:55:39.120 --> 0:55:42.000
<v Speaker 1>trouble with emotion, feeling at trouble letting myself feel emotion

0:55:42.040 --> 0:55:43.959
<v Speaker 1>because I feel like any good emotion is gonna be gone,

0:55:44.760 --> 0:55:48.399
<v Speaker 1>and any good emotion has to be met with equal bad.

0:55:48.840 --> 0:55:51.759
<v Speaker 1>So I try not to have good emotion like it's

0:55:51.800 --> 0:55:54.640
<v Speaker 1>a listen, I'm nuts, right. I had great emotion from

0:55:54.680 --> 0:55:58.080
<v Speaker 1>the song good Man, that's awesome and so and you

0:55:58.160 --> 0:56:00.680
<v Speaker 1>can't do this. This is online, but this is pain

0:56:00.800 --> 0:56:04.240
<v Speaker 1>from walking around. Here you go, mate, two thousand sixteen,

0:56:04.360 --> 0:56:06.800
<v Speaker 1>seven something in the morning, I was driving when a

0:56:06.880 --> 0:56:09.520
<v Speaker 1>dream come true came through my high the factory speakers

0:56:09.560 --> 0:56:12.000
<v Speaker 1>and on me. Bobby Bones played a song and I

0:56:12.080 --> 0:56:14.719
<v Speaker 1>wrote about lonely beer and a fresh It's one of

0:56:14.800 --> 0:56:17.239
<v Speaker 1>my doctrines. What you hear is out felt from the

0:56:17.360 --> 0:56:21.040
<v Speaker 1>broken in my heart was about addiction, love, loss and recovery.

0:56:21.120 --> 0:56:23.000
<v Speaker 1>Trust Me only wrote it because I had to get

0:56:23.040 --> 0:56:25.400
<v Speaker 1>it out of me, not for Nashville, not for radio,

0:56:25.520 --> 0:56:28.560
<v Speaker 1>for nobody bought me. And maybe that trouble so pressing rewind,

0:56:28.760 --> 0:56:31.760
<v Speaker 1>wrestling demons like mine looking for company in this design

0:56:32.160 --> 0:56:37.400
<v Speaker 1>that doesn't really feel so grand all the time. I

0:56:37.560 --> 0:56:43.799
<v Speaker 1>didn't feels so good, feel so grand all the time.

0:56:48.520 --> 0:56:53.839
<v Speaker 1>I didn't know because feels so good like I get

0:56:53.880 --> 0:56:57.359
<v Speaker 1>Jo bump now listen to. So I guess I want

0:56:57.400 --> 0:56:58.960
<v Speaker 1>to know about it because well, I never asked you

0:56:58.960 --> 0:57:00.480
<v Speaker 1>about the song because I was kind of embarrassed to

0:57:00.520 --> 0:57:04.960
<v Speaker 1>do it, because it was like, yeah, I love that.

0:57:05.080 --> 0:57:09.439
<v Speaker 1>I was embarrassed. So did you know I was gonna

0:57:09.480 --> 0:57:11.480
<v Speaker 1>play your song that morning? Because I don't think. I

0:57:11.640 --> 0:57:15.000
<v Speaker 1>don't tell anybody I'm gonna play their music. Well, you know,

0:57:15.120 --> 0:57:19.600
<v Speaker 1>when we've we've talked about this, UM, I just feel weird,

0:57:20.040 --> 0:57:24.840
<v Speaker 1>you know, asking you know people to do that. You know,

0:57:25.000 --> 0:57:27.440
<v Speaker 1>I honestly you know that that song is in that

0:57:27.640 --> 0:57:32.640
<v Speaker 1>category of of a comedian uh leadless Starr. You know,

0:57:32.720 --> 0:57:35.680
<v Speaker 1>nobody asked me to write about that. Um, I just

0:57:35.880 --> 0:57:38.800
<v Speaker 1>had to, you know, it was it was a special

0:57:38.960 --> 0:57:42.240
<v Speaker 1>moment for me. I was out in the middle of nowhere,

0:57:42.680 --> 0:57:45.520
<v Speaker 1>um picking up Actually I had my loop worked on

0:57:46.040 --> 0:57:49.440
<v Speaker 1>in close to Murfreysboro, So I was just driving when

0:57:49.480 --> 0:57:52.760
<v Speaker 1>you played beer in the fridge, and man, it just

0:57:53.040 --> 0:57:56.479
<v Speaker 1>was another one of those moments where you gotta pinch

0:57:56.520 --> 0:58:00.240
<v Speaker 1>yourself and and I was like, I can't believe what

0:58:00.480 --> 0:58:03.320
<v Speaker 1>is happening to me at that at this point in

0:58:03.400 --> 0:58:05.840
<v Speaker 1>my life. You know, I got six kids I could

0:58:05.880 --> 0:58:09.720
<v Speaker 1>barely feed, uh, you know a year ago, and now,

0:58:10.840 --> 0:58:14.680
<v Speaker 1>uh my work tapes rocking on the radio, you know,

0:58:14.760 --> 0:58:17.120
<v Speaker 1>and Beer in the Fridge is a naked song. I mean,

0:58:17.200 --> 0:58:21.040
<v Speaker 1>it's the truth. There's like three things on the track. Um,

0:58:21.280 --> 0:58:24.320
<v Speaker 1>you know, so I'm hearing Keith Urban blow it up

0:58:24.400 --> 0:58:27.240
<v Speaker 1>and then all of a sudden, I hear just you

0:58:27.320 --> 0:58:30.120
<v Speaker 1>know always, And it just rocked me. Man. I mean,

0:58:30.320 --> 0:58:32.320
<v Speaker 1>you know, I don't have a lot of I have

0:58:32.400 --> 0:58:34.440
<v Speaker 1>a lot of those moments where I like pull over

0:58:34.520 --> 0:58:36.640
<v Speaker 1>and cry. I mean, I freaking love music and it

0:58:37.200 --> 0:58:40.440
<v Speaker 1>it has so much emotional power over me. But I

0:58:40.520 --> 0:58:44.200
<v Speaker 1>have never felt like I did when I listened to

0:58:44.280 --> 0:58:47.479
<v Speaker 1>that song. Uh. And so I had to write about

0:58:47.560 --> 0:58:50.520
<v Speaker 1>that moment and everything that it made me think of,

0:58:50.960 --> 0:58:55.880
<v Speaker 1>you know, how far my life had changed pretty quick,

0:58:56.640 --> 0:58:59.400
<v Speaker 1>you know, And so I just blurted it all out

0:59:00.040 --> 0:59:02.080
<v Speaker 1>in that song. And you were obviously a part of

0:59:02.160 --> 0:59:07.440
<v Speaker 1>that story. Um. So thanks. It was a great business.

0:59:07.920 --> 0:59:11.720
<v Speaker 1>But honestly, like you said, I mean, I gotta tell you,

0:59:12.200 --> 0:59:14.200
<v Speaker 1>there were moments where I was like, I don't know

0:59:14.240 --> 0:59:17.320
<v Speaker 1>if I want to release it. Like I was also like,

0:59:17.560 --> 0:59:20.080
<v Speaker 1>do I just put like a DJ. I didn't know

0:59:20.160 --> 0:59:23.280
<v Speaker 1>whether whether you would appreciate having your name in it

0:59:23.560 --> 0:59:26.440
<v Speaker 1>or I was like, he's gonna think this is just

0:59:26.680 --> 0:59:29.800
<v Speaker 1>a business move. But honestly, I've rent you know, we're

0:59:29.880 --> 0:59:32.240
<v Speaker 1>running by my team as I was creating the song,

0:59:32.360 --> 0:59:35.200
<v Speaker 1>and they were like, man, you mentioned Mike, that guy

0:59:35.280 --> 0:59:37.440
<v Speaker 1>you worked with a Costco. You mentioned your wife and

0:59:37.520 --> 0:59:39.600
<v Speaker 1>your kid, and you you know the the song is

0:59:39.840 --> 0:59:43.840
<v Speaker 1>honest about every detail. There's not one I've always We've

0:59:43.840 --> 0:59:46.240
<v Speaker 1>always laughed because I'm like, somebody's gonna ask about that

0:59:46.360 --> 0:59:49.200
<v Speaker 1>song and be like can you can you tell me

0:59:49.240 --> 0:59:52.320
<v Speaker 1>about it? And I'm just gonna be like, well, two

0:59:52.360 --> 0:59:55.440
<v Speaker 1>thousand and sixteen, so you know, just I'm gonna recite

0:59:55.480 --> 0:59:58.720
<v Speaker 1>this song because there's really nothing else to say. It's

0:59:58.760 --> 1:00:03.120
<v Speaker 1>just the on truth down to the Costco card in

1:00:03.240 --> 1:00:06.120
<v Speaker 1>the freaking console. I believe you too, because one you

1:00:06.160 --> 1:00:09.000
<v Speaker 1>didn't put it out like out out. Yeah, you sit

1:00:09.040 --> 1:00:11.280
<v Speaker 1>down an email, it's still up there for you can't

1:00:11.280 --> 1:00:14.560
<v Speaker 1>even like stream it. Yeah, you gotta get us nowhere,

1:00:14.680 --> 1:00:16.280
<v Speaker 1>and you know, and I hope you eventually if you

1:00:16.320 --> 1:00:18.360
<v Speaker 1>put it up, it's all good. And I don't believe

1:00:18.400 --> 1:00:21.080
<v Speaker 1>anybody at any time for any reason. I believe you

1:00:21.640 --> 1:00:23.479
<v Speaker 1>because I just I don't believe you. I don't believe

1:00:23.480 --> 1:00:26.520
<v Speaker 1>anybody like you. Know how it is around here. Yeah,

1:00:27.160 --> 1:00:31.720
<v Speaker 1>when times are good, everybody's your friend. And when times

1:00:31.800 --> 1:00:34.200
<v Speaker 1>aren't good, and no I want anything to do with you.

1:00:35.320 --> 1:00:38.920
<v Speaker 1>And I do know that, man, And that's that's that's

1:00:38.960 --> 1:00:41.160
<v Speaker 1>the nature of this beast. And so you got to

1:00:41.200 --> 1:00:43.400
<v Speaker 1>find the people. And this isn't just our business, this

1:00:43.560 --> 1:00:45.640
<v Speaker 1>is like a life thing. You have to find the

1:00:45.720 --> 1:00:49.240
<v Speaker 1>people that when times are on that stock market downtick,

1:00:49.400 --> 1:00:51.520
<v Speaker 1>that are right by your side, and you keep them

1:00:51.560 --> 1:00:53.480
<v Speaker 1>by your side when that stock market goes back up

1:00:53.960 --> 1:00:56.480
<v Speaker 1>because it's gonna go back down again. And so those

1:00:56.520 --> 1:00:58.360
<v Speaker 1>are the people just ride, they just ride, Let them

1:00:58.480 --> 1:01:00.600
<v Speaker 1>ride with you, and you ride with them. And that's

1:01:00.640 --> 1:01:03.080
<v Speaker 1>how you find the people, like the people that are

1:01:03.120 --> 1:01:05.760
<v Speaker 1>with you when it's down, or the people that you

1:01:05.920 --> 1:01:11.800
<v Speaker 1>just keep on surrounding yourself. Right, And there's like a

1:01:11.920 --> 1:01:17.840
<v Speaker 1>few and that's it. I know. We had this whole

1:01:17.840 --> 1:01:21.600
<v Speaker 1>conversation like off Mike days ago. But yeah, yeah, it's weird.

1:01:21.640 --> 1:01:23.040
<v Speaker 1>It's been cool. It's been cool getting to know you

1:01:23.760 --> 1:01:26.200
<v Speaker 1>because again, I'm just a huge fan and that's why

1:01:26.240 --> 1:01:27.720
<v Speaker 1>I went. And I was like, because I was doing

1:01:27.760 --> 1:01:31.080
<v Speaker 1>this whole stand up comedy tour and you know, I

1:01:31.160 --> 1:01:33.080
<v Speaker 1>can ask whoever I want to open. And I was like, man,

1:01:33.120 --> 1:01:35.439
<v Speaker 1>I would love to freaking Walker Hayes come out because

1:01:35.440 --> 1:01:37.000
<v Speaker 1>I just want to watch a blay like no other reason,

1:01:37.120 --> 1:01:40.240
<v Speaker 1>Like I just want Walker to come out. And then

1:01:40.360 --> 1:01:42.840
<v Speaker 1>in the middle of all this to see like you popping,

1:01:43.560 --> 1:01:47.960
<v Speaker 1>like just popping. Is it now where you're starting to

1:01:48.040 --> 1:01:50.560
<v Speaker 1>be cool and people are now coming out going, hey,

1:01:50.600 --> 1:01:53.680
<v Speaker 1>cool guy, you want to work together? Oh yeah, I

1:01:53.760 --> 1:01:57.640
<v Speaker 1>bet that happens. And you know what, that's okay because

1:01:57.720 --> 1:01:59.280
<v Speaker 1>you're gonna trust as far as you can throw them,

1:01:59.320 --> 1:02:01.600
<v Speaker 1>but you can still use each other for for whatever

1:02:01.680 --> 1:02:07.000
<v Speaker 1>advantage you're working together. Yeah, and that's you know, I'm

1:02:07.080 --> 1:02:10.880
<v Speaker 1>ashamed to say this, but I'm sure I've done that

1:02:11.000 --> 1:02:13.160
<v Speaker 1>to some money in this town, you know, And I

1:02:13.280 --> 1:02:15.800
<v Speaker 1>try to remember that that we're all capable of that.

1:02:16.760 --> 1:02:19.160
<v Speaker 1>And um, but yeah, I mean a lot of people

1:02:19.840 --> 1:02:24.280
<v Speaker 1>are definitely coming out of the woodwork. Um, and that's tough.

1:02:24.400 --> 1:02:27.040
<v Speaker 1>You know, sometimes it's tough to accept that you need

1:02:27.160 --> 1:02:28.880
<v Speaker 1>the people coming out of the woodwork, though it is

1:02:28.920 --> 1:02:32.800
<v Speaker 1>the thing exactly you need them. It's just used them

1:02:32.840 --> 1:02:35.280
<v Speaker 1>for what they're there to be used for. Yeah that

1:02:35.800 --> 1:02:39.280
<v Speaker 1>they're not the people that are completely down, but they're

1:02:39.280 --> 1:02:40.560
<v Speaker 1>down for what you need them for, and you're down

1:02:40.600 --> 1:02:43.520
<v Speaker 1>for what you need them for. Just remember I didn't

1:02:43.520 --> 1:02:46.440
<v Speaker 1>come out of the woodwork. Was where I was like,

1:02:46.600 --> 1:02:48.520
<v Speaker 1>I was like hiding in the woods. I was waiting,

1:02:49.640 --> 1:02:51.440
<v Speaker 1>like I was up in a tree looking down. I

1:02:51.520 --> 1:02:54.160
<v Speaker 1>was like, you see Walker, Oh man, it's been good.

1:02:54.200 --> 1:02:57.320
<v Speaker 1>I hope you enjoyed like hanging and talking. No, I did, man,

1:02:57.480 --> 1:02:59.720
<v Speaker 1>Thank thanks for having me for like I've been on

1:03:00.040 --> 1:03:03.560
<v Speaker 1>out like it's therapeutic. Here's a little something. This is

1:03:03.600 --> 1:03:05.560
<v Speaker 1>called Walker singing to the Duggers. Would you like to

1:03:05.720 --> 1:03:08.800
<v Speaker 1>talk to us? Oh my gosh, singing to the Duggers?

1:03:09.720 --> 1:03:12.160
<v Speaker 1>You told me from the show. You tell me what

1:03:12.280 --> 1:03:16.040
<v Speaker 1>this is? Hey, how's it going? You guys like music?

1:03:16.400 --> 1:03:20.520
<v Speaker 1>No way? You got a second? You have the episode? Yeah,

1:03:20.600 --> 1:03:23.440
<v Speaker 1>so go ahead and tell me before I play what exactly? Okay,

1:03:23.560 --> 1:03:27.160
<v Speaker 1>So this is uh s is when Derek and Jill

1:03:27.440 --> 1:03:30.320
<v Speaker 1>I think is her name, got engaged and how did

1:03:30.360 --> 1:03:33.080
<v Speaker 1>you end up on this show? Okay, so there The

1:03:33.280 --> 1:03:36.440
<v Speaker 1>producer of the show lives near me and called me

1:03:36.520 --> 1:03:38.720
<v Speaker 1>one day on the porch. He didn't hear yeah, you

1:03:38.800 --> 1:03:41.320
<v Speaker 1>heard me on the back porch. Now he actually, man,

1:03:41.440 --> 1:03:44.080
<v Speaker 1>He was just like, we're thinking about doing this segment.

1:03:44.200 --> 1:03:47.640
<v Speaker 1>If you can give us a song, I can convince

1:03:47.760 --> 1:03:50.880
<v Speaker 1>the network that they need to do this. And I say, man,

1:03:50.960 --> 1:03:53.120
<v Speaker 1>tell me about their love story. He was like, it's

1:03:53.160 --> 1:03:55.120
<v Speaker 1>really cool. They went all the way to Catman Do,

1:03:55.320 --> 1:03:57.720
<v Speaker 1>but they lived, you know, super close, but went all

1:03:57.800 --> 1:04:00.200
<v Speaker 1>the way to another country and met each other there.

1:04:00.480 --> 1:04:03.960
<v Speaker 1>So I just wrote this song and uh, he was like, boom,

1:04:04.160 --> 1:04:09.439
<v Speaker 1>that's perfect for their uh engagement. Here we go. Hey guys, Hey,

1:04:09.680 --> 1:04:13.880
<v Speaker 1>how's it going. You guys like music? You got a second?

1:04:14.000 --> 1:04:19.120
<v Speaker 1>I got a song that reminded me music. Hey, that'd

1:04:19.160 --> 1:04:27.960
<v Speaker 1>be great. Will you go up about thirty show minutes

1:04:28.080 --> 1:04:32.120
<v Speaker 1>down the street. But we had to go eight thousand

1:04:32.320 --> 1:04:37.200
<v Speaker 1>miles away to meet I'm not sure the Lord was

1:04:37.320 --> 1:04:40.280
<v Speaker 1>thinking taking us all the way to cat Man Do,

1:04:41.120 --> 1:04:43.960
<v Speaker 1>but I know he was thinking of me when he

1:04:44.120 --> 1:04:47.240
<v Speaker 1>made you so and as beautiful as that is, the

1:04:47.320 --> 1:04:51.760
<v Speaker 1>acting is, first of all, has anyone ever in the

1:04:51.920 --> 1:04:56.040
<v Speaker 1>history of questions answered the word no till you do? Like, Hey,

1:04:56.120 --> 1:04:59.240
<v Speaker 1>do you like music? It's a safe question. Nah, not really?

1:04:59.720 --> 1:05:05.040
<v Speaker 1>All right, man, Hey do you like food? No? And

1:05:05.120 --> 1:05:08.560
<v Speaker 1>they just listen to the acting here, Uh yeah, what's up?

1:05:10.080 --> 1:05:12.960
<v Speaker 1>Even the Hey guys, it's pretty bad. You're just like

1:05:13.080 --> 1:05:19.360
<v Speaker 1>sitting in Hey guys. Hey, how's it going? God? This

1:05:19.440 --> 1:05:24.440
<v Speaker 1>is awful. They acted, nobody wrote a script. I remember

1:05:24.560 --> 1:05:27.040
<v Speaker 1>meeting with him and I talked to him because he

1:05:27.160 --> 1:05:31.560
<v Speaker 1>knew he was in on it. I would hope. Yeah, man,

1:05:31.640 --> 1:05:34.200
<v Speaker 1>we botched it big tim But she was still, Hey,

1:05:34.360 --> 1:05:38.720
<v Speaker 1>how's it going. You guys like music? She's like, yeah,

1:05:38.960 --> 1:05:42.320
<v Speaker 1>I do, Yeah, I do. How lucky because of all

1:05:42.360 --> 1:05:44.600
<v Speaker 1>the people in the world, they both liked music, and

1:05:44.720 --> 1:05:49.200
<v Speaker 1>you're lucky that they both did. Man, it was a dude.

1:05:49.240 --> 1:05:54.520
<v Speaker 1>I'm no, I'm no actor. Come on, hey man, it's uh.

1:05:55.640 --> 1:05:58.000
<v Speaker 1>And I haven't been written a song about your whole life? Yeah,

1:05:58.120 --> 1:05:59.480
<v Speaker 1>do you have a second to stop for me? While

1:05:59.480 --> 1:06:00.840
<v Speaker 1>I played this? Who long I read about your life?

1:06:00.920 --> 1:06:02.600
<v Speaker 1>This is totally random. By the way, do you like music?

1:06:04.680 --> 1:06:09.120
<v Speaker 1>I've I'm actually auditioned for some stuff and failed big time.

1:06:09.120 --> 1:06:13.400
<v Speaker 1>I mean, acting is talk about putting your guard down.

1:06:13.440 --> 1:06:15.480
<v Speaker 1>I mean that's a scary thing, kind of like your

1:06:15.520 --> 1:06:18.760
<v Speaker 1>comedy thing. We were talking about before we went out.

1:06:18.840 --> 1:06:21.280
<v Speaker 1>I was asking you if you're a friend. It's all vulnerable.

1:06:21.520 --> 1:06:24.520
<v Speaker 1>It's all vulnerable. Music, vulnerable, comedy, vulnerable acting, it's all.

1:06:24.720 --> 1:06:29.760
<v Speaker 1>If you're creative, you are vulnerable because people are choosing

1:06:30.080 --> 1:06:32.720
<v Speaker 1>if they like or don't like what you're doing, and

1:06:32.840 --> 1:06:36.640
<v Speaker 1>you need them to do that. That's vulnerable. You need

1:06:36.800 --> 1:06:39.760
<v Speaker 1>someone to like or not like you. Hopefully they like you.

1:06:40.560 --> 1:06:43.880
<v Speaker 1>But you don't create, so people don't care. You create

1:06:43.960 --> 1:06:46.640
<v Speaker 1>so hopefully people care, and then when they don't, you

1:06:46.680 --> 1:06:49.400
<v Speaker 1>realize I didn't create good enough or or at the time,

1:06:49.760 --> 1:06:53.040
<v Speaker 1>I didn't create good enough. So just as you get

1:06:53.120 --> 1:06:56.680
<v Speaker 1>up and you sing songs about your life, they are

1:06:56.720 --> 1:06:58.360
<v Speaker 1>very vulnerable. I get up and I tell stories, and

1:06:58.800 --> 1:07:01.320
<v Speaker 1>the entire light, the entire him is focused on my mouth. Hoole,

1:07:01.360 --> 1:07:04.040
<v Speaker 1>And that's it. But I mean, really that's it. But

1:07:04.560 --> 1:07:06.200
<v Speaker 1>I thrive off that the same way that you've been

1:07:06.240 --> 1:07:09.920
<v Speaker 1>writing music. I thrive off of just and again it

1:07:09.960 --> 1:07:12.400
<v Speaker 1>comes back to just being like needing that love too,

1:07:13.000 --> 1:07:16.200
<v Speaker 1>like that that's that's finding love for me, I go out.

1:07:16.280 --> 1:07:19.120
<v Speaker 1>I need that. I need that love, so I fight

1:07:19.200 --> 1:07:24.280
<v Speaker 1>for it. Have terrible relationships, God terrible. I want to

1:07:24.320 --> 1:07:28.440
<v Speaker 1>talk about it. No, I don't think so it's not

1:07:29.120 --> 1:07:31.920
<v Speaker 1>it's not in the moment, not right now. This is

1:07:32.400 --> 1:07:33.800
<v Speaker 1>this is not a Bob. This is not a Bobby.

1:07:33.840 --> 1:07:38.000
<v Speaker 1>Bobby casts a Walker podcast. All right, So download you

1:07:38.080 --> 1:07:39.320
<v Speaker 1>broke up with me? That's the only saw him that

1:07:39.320 --> 1:07:47.000
<v Speaker 1>you can download. Right, Yeah, we need to do nobody

1:07:47.080 --> 1:07:56.320
<v Speaker 1>making you watch. It's good. I know it's difficult to

1:07:56.480 --> 1:08:02.320
<v Speaker 1>see me, but hey, you broke up with me. It

1:08:02.480 --> 1:08:07.920
<v Speaker 1>was you broke up. So Walker, depending on when you

1:08:07.960 --> 1:08:09.120
<v Speaker 1>hear this, will be out on the road with me

1:08:09.200 --> 1:08:14.720
<v Speaker 1>until May. Walker Hayes dot com website to um whenever.

1:08:14.920 --> 1:08:17.560
<v Speaker 1>What's Fun is on on tour Nikita Car when it

1:08:17.560 --> 1:08:20.479
<v Speaker 1>comes out and sings Halloween with you? Is it? Like

1:08:20.680 --> 1:08:23.200
<v Speaker 1>she's so good, right, and like nobody even knows about

1:08:23.200 --> 1:08:27.000
<v Speaker 1>her really yet that's weird to me. She's so because

1:08:27.040 --> 1:08:31.000
<v Speaker 1>she's so good. But they're going to you know, and

1:08:31.040 --> 1:08:33.320
<v Speaker 1>I'm gonna pull her once and you know she I

1:08:33.400 --> 1:08:35.120
<v Speaker 1>just met her on Skype and was like, you gotta

1:08:35.160 --> 1:08:37.599
<v Speaker 1>move to the States. Oh really? Oh yeah, I didn't

1:08:37.600 --> 1:08:39.479
<v Speaker 1>know that. I didn't know your story and I don't

1:08:39.479 --> 1:08:42.160
<v Speaker 1>know oh yeah, yeah. We were just looking for someone,

1:08:42.240 --> 1:08:43.760
<v Speaker 1>like I needed a girl in the band so I

1:08:43.800 --> 1:08:46.519
<v Speaker 1>could like write funny stuff from a girl perspective, raise

1:08:46.560 --> 1:08:50.360
<v Speaker 1>ball women. And so I went through and I didn't

1:08:50.360 --> 1:08:52.800
<v Speaker 1>You couldn't find anybody. So I gave up and friend

1:08:52.880 --> 1:08:54.520
<v Speaker 1>was like, hey you should. There's just go in Australia.

1:08:54.600 --> 1:08:56.400
<v Speaker 1>She's not trying to get to the States and be

1:08:56.520 --> 1:08:58.240
<v Speaker 1>a singer song right over here, but she plays some

1:08:58.320 --> 1:09:01.160
<v Speaker 1>pubs and I was like okay. So I skyped with

1:09:01.280 --> 1:09:03.960
<v Speaker 1>her and things like ten am. I was like, hey,

1:09:04.000 --> 1:09:05.360
<v Speaker 1>can you hear your guitar in the office, and she

1:09:05.400 --> 1:09:07.800
<v Speaker 1>wouldn't got her guitar. Skyped with like an hour later

1:09:07.840 --> 1:09:10.080
<v Speaker 1>and she played on skype. That's the only time I

1:09:10.120 --> 1:09:13.360
<v Speaker 1>ever said, ever seen and I was like, oh my god, yeah,

1:09:13.720 --> 1:09:16.519
<v Speaker 1>you're you're so good. She's like, oh, I didn't known

1:09:16.560 --> 1:09:18.960
<v Speaker 1>about that. And I was like, can you get on

1:09:19.040 --> 1:09:21.720
<v Speaker 1>a plane in the year in three days? And she

1:09:21.800 --> 1:09:24.040
<v Speaker 1>got on a plane quarter job, moved here. I didn't

1:09:24.040 --> 1:09:25.240
<v Speaker 1>have any murder live. She lived with me for like

1:09:25.320 --> 1:09:27.680
<v Speaker 1>two and a half months or so and so, and

1:09:27.760 --> 1:09:30.240
<v Speaker 1>I was just like you just just right right. She's

1:09:30.280 --> 1:09:32.519
<v Speaker 1>just writing. She got a publishing deal. She you know,

1:09:32.760 --> 1:09:38.360
<v Speaker 1>you know, but she's so good. Yeah, and people will

1:09:38.400 --> 1:09:43.080
<v Speaker 1>find her. I wonder if I every day let me

1:09:45.560 --> 1:09:51.240
<v Speaker 1>talking dude with me. She's sick. She uh yeah, she's

1:09:51.280 --> 1:09:53.960
<v Speaker 1>like two ft tall. Here we go, Nikita Karmen. This

1:09:54.080 --> 1:10:04.439
<v Speaker 1>is the first a place with this m m M.

1:10:07.760 --> 1:10:10.479
<v Speaker 1>I didn't cry when he said I'm not the one

1:10:10.680 --> 1:10:14.519
<v Speaker 1>because I ain't want to come undone. I hear my

1:10:14.720 --> 1:10:18.280
<v Speaker 1>head up high and bit my tongue. Let the goodbye

1:10:18.360 --> 1:10:22.040
<v Speaker 1>setting like us couldn't stop thinking about two of us,

1:10:22.800 --> 1:10:29.200
<v Speaker 1>and heartbreaks hard to rise above. I'll take the high

1:10:29.320 --> 1:10:32.519
<v Speaker 1>road and I'll keep my cool. Pretty soon won't be

1:10:32.840 --> 1:10:35.800
<v Speaker 1>thinking about you. First, I me tell my friend, she's

1:10:35.840 --> 1:10:38.599
<v Speaker 1>not that pretty. You don't look how for s happy

1:10:38.680 --> 1:10:41.400
<v Speaker 1>as you do with me. She's wearing that trendy Tom

1:10:41.479 --> 1:10:45.200
<v Speaker 1>Petty t shirt. Stop being petty by your American girl.

1:10:45.520 --> 1:10:48.360
<v Speaker 1>The first time he was my week's wage one Guila

1:10:48.600 --> 1:10:52.280
<v Speaker 1>cursening a lipstick on the bathroom mirror, and damn gonna

1:10:52.360 --> 1:10:55.320
<v Speaker 1>wake up, gonna feel just fine. I just gotta go

1:10:55.479 --> 1:11:00.160
<v Speaker 1>a little out of my mind. First. I guys say

1:11:00.640 --> 1:11:03.479
<v Speaker 1>like I know you you talk about she like calls

1:11:03.520 --> 1:11:06.600
<v Speaker 1>that a EP or she's just like those are all

1:11:06.720 --> 1:11:09.200
<v Speaker 1>worked tape. I'm gonna tell you something. I believe if

1:11:09.240 --> 1:11:12.479
<v Speaker 1>you were to do that whole play a thing, that

1:11:12.640 --> 1:11:16.439
<v Speaker 1>joker would jump off the charge. I mean that song

1:11:16.520 --> 1:11:21.280
<v Speaker 1>reminds me of like something Lord the royal personal person.

1:11:21.400 --> 1:11:25.160
<v Speaker 1>You know what I'm saying. No, she's legitimately like fantastic.

1:11:26.400 --> 1:11:28.519
<v Speaker 1>I'm looking over here. It's like other artists you may

1:11:28.600 --> 1:11:32.479
<v Speaker 1>know if it's her, Ready for the list, Walk ahead,

1:11:34.080 --> 1:11:38.479
<v Speaker 1>Lindsay l my my girlfriend, Slash, our roommate now Brandon Ray,

1:11:39.040 --> 1:11:41.560
<v Speaker 1>who is like they're one of the greatest, and like

1:11:41.920 --> 1:11:44.360
<v Speaker 1>that's another you can sing his brains off. The raging idiots,

1:11:45.240 --> 1:11:51.719
<v Speaker 1>Caitlyn Smith, Natalie Himby, that's her people you may know. Yeah, Walker,

1:11:51.800 --> 1:11:54.200
<v Speaker 1>good luck, man, dude, thank you. I need it. I'm

1:11:54.320 --> 1:11:56.600
<v Speaker 1>enjoying this. I appreciate you have. I mean, man, this

1:11:56.760 --> 1:11:59.040
<v Speaker 1>is awesome. Relaxing the chair, it is I don't want

1:11:59.040 --> 1:12:00.800
<v Speaker 1>to get up. He walked in the house and like

1:12:01.040 --> 1:12:03.240
<v Speaker 1>this is where you live. You know what, though, seriously,

1:12:03.520 --> 1:12:06.320
<v Speaker 1>you need to let somebody do a Bobby cast on you.

1:12:06.680 --> 1:12:08.360
<v Speaker 1>I do every morning. It told the Boby Bunt show.

1:12:08.680 --> 1:12:11.760
<v Speaker 1>But you need some I wrote a book. You need

1:12:11.840 --> 1:12:16.840
<v Speaker 1>someone asked no questions about uh personal stuff like Amy

1:12:16.960 --> 1:12:19.040
<v Speaker 1>kind of did a bit, right, A mean, yeah, we

1:12:19.080 --> 1:12:20.880
<v Speaker 1>don't with Amy and she did a bit. But I

1:12:20.920 --> 1:12:25.160
<v Speaker 1>wrote a book. Good. I'm good on yeah, second one.

1:12:25.200 --> 1:12:27.479
<v Speaker 1>I've talked about that maybe yeah, but yeah, it's good.

1:12:27.520 --> 1:12:28.960
<v Speaker 1>If life's good for me. I'm the thing about me.

1:12:29.040 --> 1:12:31.559
<v Speaker 1>It's about Walker. I'm a huge fan, like die hard fan,

1:12:31.720 --> 1:12:34.639
<v Speaker 1>like as legitimately as possible. And I kept you from

1:12:34.680 --> 1:12:36.600
<v Speaker 1>this for a while because it was like everybody was like,

1:12:36.640 --> 1:12:38.679
<v Speaker 1>all right enough for Walker ahead talking about Walker Hayes,

1:12:38.840 --> 1:12:40.560
<v Speaker 1>like you just wait. I have a tweet that I

1:12:40.640 --> 1:12:42.680
<v Speaker 1>say from like seven months ago that was like in

1:12:42.760 --> 1:12:44.439
<v Speaker 1>a year. But it's gonna be like, why did I

1:12:44.680 --> 1:12:47.840
<v Speaker 1>sleep on Walker Hays. I save that tweet. I'm gonna

1:12:47.840 --> 1:12:51.040
<v Speaker 1>show everybody one day and be like I told you

1:12:51.920 --> 1:12:54.000
<v Speaker 1>good to see you man. Thanks. All right, Walker Hays

1:12:54.040 --> 1:12:58.400
<v Speaker 1>download anything he puts out, I demand it. Alright, good, alright, Mike,

1:12:58.479 --> 1:13:00.920
<v Speaker 1>we're out. What episode was that thirty six? All right,

1:13:00.960 --> 1:13:05.000
<v Speaker 1>Walker Hayes at Walker Hayes right dot com. H A

1:13:05.240 --> 1:13:07.599
<v Speaker 1>y E s walk from me on the Instagram. Yeah.

1:13:07.680 --> 1:13:10.280
<v Speaker 1>At Walker Hayes on Instagram and Twitter at walkers dot com.

1:13:11.080 --> 1:13:13.680
<v Speaker 1>He's out with me doing all the music and I

1:13:13.760 --> 1:13:15.960
<v Speaker 1>do with the jokes until may have you announced the

1:13:16.000 --> 1:13:18.200
<v Speaker 1>other thing? Ye don't know, okay, So then in mind

1:13:18.600 --> 1:13:21.680
<v Speaker 1>other stuff coming down, other stuff coming for us. All right,

1:13:21.800 --> 1:13:26.679
<v Speaker 1>we'll see you, uh siting, Bye, buddy. You can hearly

1:13:26.760 --> 1:13:28.280
<v Speaker 1>keep a still sing in the back up forgot to

1:13:28.280 --> 1:13:29.479
<v Speaker 1>turn her part down anyway, by it