WEBVTT - Hey JP Saxe!

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<v Speaker 1>Well, hello, guys. Here we are. What a week it's been, Kev.

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<v Speaker 1>It's been something. People really... Delete the thread! People have

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<v Speaker 1>been talking. Yes, they have. Oh, man. It's our first

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<v Speaker 1>kind of major viral moment on the podcast. We've had moments.

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<v Speaker 1>But that's something, huh? It's just unfortunate that the New

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<v Speaker 1>York Giants have banned us from ever coming to any

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<v Speaker 1>more games.

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<v Speaker 2>Just kidding. How do you feel being a celebrity now?

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<v Speaker 1>It's so different. My life is so different. Guys, it's

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<v Speaker 1>Halloween in days. What are you going to be doing

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<v Speaker 1>for Halloween?

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<v Speaker 2>I am going to be with my kiddos. So I'm

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<v Speaker 2>going to be in London, fly back. This is kind

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<v Speaker 2>of a crazy travel day, but I'm going to do it.

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<v Speaker 2>I'm going to be with my kiddos, and then I'm

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<v Speaker 2>going to get on a plane. I'm going to fly

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<v Speaker 2>to New York, and then I'm going to take my

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<v Speaker 2>godson and goddaughter trick-or-treating.

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<v Speaker 1>Fantastic. Fantastic. And then I'm going to get on a

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<v Speaker 1>plane the next day, and we're going to fly to Milwaukee? Yes. Milwaukee.

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<v Speaker 1>I'm going home to L.A.

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<v Speaker 3>Nice.

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<v Speaker 1>Trick-or-treating. Big trick-or-treating day. I'm doing a Diwali party. Oh,

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<v Speaker 1>that's going to be— dude, the guest list is stacked. Stacked.

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<v Speaker 1>Nick's got— Coming with a new girlfriend. And he's got

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<v Speaker 1>a big celeb guest list. Wow, a lot of bigs.

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<v Speaker 1>Big guest list. I'm going back for that. Bring your

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<v Speaker 1>autograph books. And then I'm going to take Malte Marie

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<v Speaker 1>trick-or-treating on the 30th because she and Priyanka are flying

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<v Speaker 1>to Australia because Priyanka's starting a new movie.

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<v Speaker 4>Wow.

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<v Speaker 1>So she's going to fly on the 31st or 1st?

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<v Speaker 1>She flies on the 31st. Fun. It's going to be

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<v Speaker 1>a spooky flight. I bet she said that, didn't she?

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<v Speaker 1>She's doing a movie called blue fly with russell crowe

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<v Speaker 1>oh oh this is god it's gonna be sick can't

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<v Speaker 1>wait for that she's been studying her script because she

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<v Speaker 1>plays a uh an international translator cool so she's got

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<v Speaker 1>to speak like seven or eight different languages casual she's

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<v Speaker 1>incredible she blows me away that's great um anyway i'm

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<v Speaker 1>gonna miss them but i get to see them for

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<v Speaker 1>two days before they go and then we Come back

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<v Speaker 1>on tour and.

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<v Speaker 3>Lovely.

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<v Speaker 4>It's great.

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<v Speaker 1>Kevin, what about you? Very exciting. You know, big day.

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<v Speaker 1>Halloween trick-or-treating. We actually... It's your daughter's birthday! It's daughter's birthday!

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<v Speaker 3>That's right.

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<v Speaker 5>It was just her birthday. But we're going to go

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<v Speaker 5>kart racing, which is great. Then we're going trick-or-treating. But

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<v Speaker 5>last night, we got, like, mischief night by our oldest daughter.

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<v Speaker 5>She was at a sleepover.

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<v Speaker 1>Oh, I saw you doing that. It looked like a

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<v Speaker 1>lot of stuff to clean up.

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<v Speaker 5>Yeah. It's all biodegradable. So, yes, our house got toilet

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<v Speaker 5>papered by our daughter, who lives at the house.

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<v Speaker 4>Is she.

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<v Speaker 1>Cleaning this up? I did, in fact, say if you're

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<v Speaker 1>going to do it, you're going to have to clean

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<v Speaker 1>it up. But it was fun.

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<v Speaker 5>We had a really good time. We shot off some

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<v Speaker 5>confetti cannons and stuff.

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<v Speaker 1>That's fun.

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<v Speaker 5>Yeah, and then on the 31st, we're doing a virtual

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<v Speaker 5>concert with a game on Roblox, which is cool. You've

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<v Speaker 5>never been more excited about anything we've ever done.

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<v Speaker 1>Can I put it this way? I always get on

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<v Speaker 1>one tangent. And this is my one tangent.

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<v Speaker 5>And I get really anxious and really nervous that I'm

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<v Speaker 5>going to push this thing forward and it becomes a

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<v Speaker 5>thing because I'm trying to make sure it goes well.

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<v Speaker 5>And it becomes like my thing to own. And I

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<v Speaker 5>feel pressure for it to go well. And so I

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<v Speaker 5>don't mean for it to be a thing I talk

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<v Speaker 5>about a lot. But I've taken ownership of it and

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<v Speaker 5>I want it to be good. And sometimes that requires

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<v Speaker 5>like making sure.

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<v Speaker 1>I think you would like us to also be.

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<v Speaker 5>No, I just don't want to make you guys be

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<v Speaker 5>annoyed by it. The requests that are coming in, knowing

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<v Speaker 5>it came more through me.

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<v Speaker 1>Well, I think it's going to be amazing, just for

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<v Speaker 1>the record. It's going to be great. Roblox, big fans.

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<v Speaker 1>Steal the egg. Steal the egg. Steal an egg. Kevin

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<v Speaker 1>should be an executive at your company. I'm just going

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<v Speaker 1>to make my own games. We got Halloween. We got

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<v Speaker 1>a very special guest on the pod today. One of

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<v Speaker 1>our best friends. One of our very best friends. He's

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<v Speaker 1>like a brother to us at this point. On the

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<v Speaker 1>Halloween episode. Please welcome J.P. Sachs. J.P. Sachs! J.P. Sachs

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<v Speaker 1>on the pod! He's our best.

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<v Speaker 4>Friend, J.P. Sachs!

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<v Speaker 1>Hi, fam! New album.

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<v Speaker 4>Piano guy.

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<v Speaker 1>Okay, piano guy. Out now.

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<v Speaker 4>That was so well edited.

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<v Speaker 1>Yeah, look at that. He's got the soundboard ready to go.

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<v Speaker 1>This is impressive. You're on the Halloween episode.

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<v Speaker 2>This is an official Halloween episode because technically Halloween's Saturday.

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<v Speaker 4>I can't wait.

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<v Speaker 1>Do you have any plans?

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<v Speaker 4>Yes, I'm doing some shows in Toronto. We're going to

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<v Speaker 4>do a theme. We're all going to dress up as

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<v Speaker 4>our favorite characters from songs. I will be Piano Man.

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<v Speaker 1>Fantastic. Wearing a piano?

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<v Speaker 4>Just the Billy Joel suit.

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<v Speaker 1>We went to your album release party last night. I

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<v Speaker 1>should say, Joe and I did. Kevin went back to

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<v Speaker 1>be with his family, which is the right thing to do.

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<v Speaker 1>Lots of fun. Great spot. Is that where you're doing

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<v Speaker 1>the shows?

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<v Speaker 4>That is where I'm doing the shows. Dina's Tavern here

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<v Speaker 4>in Toronto.

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<v Speaker 1>Fantastic. It was a good vibe at the release party.

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<v Speaker 1>And so thrilled for you. This is a huge moment. You're...

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<v Speaker 1>New album is out. Go check it out if you

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<v Speaker 1>haven't already. Our history goes back basically a year-ish. A

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<v Speaker 1>year and a half.

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<v Speaker 4>A year and a bit. A year and a half.

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<v Speaker 1>You become like family to us, and we're glad to

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<v Speaker 1>have you on the pod. It's long overdue. First time

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<v Speaker 1>we ever hung out. We also hung out with your father.

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<v Speaker 4>Yeah, he'll be here tonight.

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<v Speaker 1>Fantastic. Your dad is so cool. So, life update. You've

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<v Speaker 1>moved back to Toronto. Or you got a place here. Yes.

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<v Speaker 4>I have some roots. I've not had a home in

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<v Speaker 4>Toronto since I was 17 years old, 18 years old,

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<v Speaker 4>when I moved to Los Angeles.

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<v Speaker 2>Wow.

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<v Speaker 4>And every time I'd come back to Toronto, I would

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<v Speaker 4>stay in hotel rooms because both of my parents had

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<v Speaker 4>places that were too small for me to sleep in.

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<v Speaker 4>So this is the first time in my life where

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<v Speaker 4>I get to come back to Toronto as an adult

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<v Speaker 4>and stay in a spot with my dad. And it's

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<v Speaker 4>been very sentimental and beautiful, and I'm very grateful for it.

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<v Speaker 1>It's a great city. Well-deserved.

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<v Speaker 4>Lots of family moments.

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<v Speaker 1>Welcome home.

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<v Speaker 4>And I mean, y'all feel like family to me, too,

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<v Speaker 4>in so many different ways. Even this album that I

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<v Speaker 4>just put out. would not have been made in the

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<v Speaker 4>way I made it if it had not been meeting

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<v Speaker 4>the three of you and making music with you because

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<v Speaker 4>I really tried to emulate the way we made music

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<v Speaker 4>at our first camp in New York in the making

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<v Speaker 4>of this album.

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<v Speaker 1>The September camp. The September camp.

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<v Speaker 4>Oh, yeah.

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<v Speaker 1>What a great camp. Which a lot of music that

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<v Speaker 1>we're putting on our new album came out of.

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<v Speaker 5>First, for people that are listening or watching a writing camp,

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<v Speaker 5>if they don't know, is when we would go to

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<v Speaker 5>a special spot and have a studio and multiple writers

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<v Speaker 5>all at one time, all writing, working towards a project.

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<v Speaker 5>A lot of songs came out of it for your project.

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<v Speaker 1>For, yeah, Sunday Best.

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<v Speaker 5>Sunday Best, a lot of Jonas Brothers songs, a lot

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<v Speaker 5>of Joe Jonas songs, D &amp; C songs.

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<v Speaker 1>I love the writing camp style because I feel like

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<v Speaker 1>the momentum and the volume at which everyone's creating is

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<v Speaker 1>really accelerating. It is efficient. And there's nothing else that

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<v Speaker 1>you're supposed to be doing or that you should be doing.

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<v Speaker 1>In other words, like, if you're just going for a

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<v Speaker 1>sort of 9 to 5 style session, you're like, I

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<v Speaker 1>want to go home and go to dinner. When we

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<v Speaker 1>were doing that camp, which I thought was super fun,

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<v Speaker 1>it just went till 10 p.m. or 11 p.m. every night,

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<v Speaker 1>and then it just became a listening session party. It

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<v Speaker 1>was so fun. That studio was like magic. We were

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<v Speaker 1>talking about it today, because there is.

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<v Speaker 2>A song on your album that we wrote together, which

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<v Speaker 2>very kindly you asked, hey, can I put this song

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<v Speaker 2>on my album?

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<v Speaker 1>And obviously, yeah.

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<v Speaker 4>It's been an early fan favorite, too. I think I've

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<v Speaker 4>gotten the most DMs about Happy For You.

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<v Speaker 1>Yeah. That's cool.

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<v Speaker 4>The one.

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<v Speaker 3>Yeah.

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<v Speaker 1>I love that song. I'm so happy.

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<v Speaker 2>And we wrote it during that New York writing camp,

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<v Speaker 2>but that's about the studio special. It's the Lower East Side,

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<v Speaker 2>but there's, we can, we'll show pictures here. Like we

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<v Speaker 2>were saying today, studios usually are like windowless and you

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<v Speaker 2>can kind of depressing. But that studio had windows everywhere.

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<v Speaker 1>So nice. It was gorgeous.

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<v Speaker 4>I felt deeply alive and so inspired. And there were

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<v Speaker 4>so many songs happening every day and it was just.

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<v Speaker 5>The rooftop access, too, which was great to have that

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<v Speaker 5>rooftop that we all got to hang in. But I

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<v Speaker 5>remember the last night we were all there, it was

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<v Speaker 5>kind of magical. Everyone just sat around in the main

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<v Speaker 5>Studio A, I guess, and just listened to everything that

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<v Speaker 5>was created in that week.

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<v Speaker 1>Song, show, and tell. Song, show, and tell.

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<v Speaker 5>And it was, it felt like 1970. You know, like

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<v Speaker 5>it felt different.

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<v Speaker 1>I've been to a few writing camps, and there's a

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<v Speaker 1>version of that that has happened at each one of

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<v Speaker 1>those camps.

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<v Speaker 3>Mm-hmm.

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<v Speaker 1>I will say in the past, though, at previous camps,

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<v Speaker 1>and I'm not going to name names, there was definitely

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<v Speaker 1>a competitive vibe. People would listen to a song and

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<v Speaker 1>it's going like, this song's better. Exactly. I didn't feel that.

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<v Speaker 1>Got him. I didn't feel that with our camp because

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<v Speaker 1>everyone was just so pumped for everyone writing and creating.

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<v Speaker 1>I think we were just inspired to be like, oh, okay,

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<v Speaker 1>let's go do another one.

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<v Speaker 4>Let's go create.

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<v Speaker 2>It's like 40-some songs by the time four days were done.

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<v Speaker 4>It was wild and we play a team sport and

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<v Speaker 4>i think you guys facilitate an environment that really makes

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<v Speaker 4>it feel like a team sport i remember on night

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<v Speaker 4>one uh we had just written princesses and you had

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<v Speaker 4>gone to an event to go grab dinner and you

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<v Speaker 4>were to come back and i went into the other

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<v Speaker 4>room uh where duane and tommy were working and i

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<v Speaker 4>was like trying to be very discerned just like tactful

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<v Speaker 4>but like not trying to step on anyone's toes like

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<v Speaker 4>hey can i hear what you're doing like I don't

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<v Speaker 4>want to Only if welcome I will totally leave And

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<v Speaker 4>they're like No no What do you think What do

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<v Speaker 4>you think And then that energy I feel like Went

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<v Speaker 4>into the rest Of the week for me Because we

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<v Speaker 4>were all Just trying to make Each other's songs better

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<v Speaker 4>And it was so communal And I mean I don't

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<v Speaker 4>like this Feeling like something We're doing by ourselves You

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<v Speaker 4>guys have that It's.

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<v Speaker 5>Really beautiful My favorite song I've ever been a part

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<v Speaker 5>of Writing During that week Unrealistic Oh I love that one.

0:09:23.120 --> 0:09:25.300
<v Speaker 1>It's on the It's on the new album Which is

0:09:25.340 --> 0:09:27.620
<v Speaker 1>coming Yeah. It's my favorite song I've ever been a

0:09:27.620 --> 0:09:28.000
<v Speaker 1>part of writing.

0:09:28.120 --> 0:09:28.280
<v Speaker 4>Wow.

0:09:28.320 --> 0:09:30.460
<v Speaker 1>Hell yeah. My favorite song I've ever written was also

0:09:30.480 --> 0:09:32.760
<v Speaker 1>with JP. Which song? It's not out yet, so I'm

0:09:32.780 --> 0:09:34.000
<v Speaker 1>not going to say the name.

0:09:34.020 --> 0:09:34.160
<v Speaker 4>Okay.

0:09:34.520 --> 0:09:37.099
<v Speaker 2>And it's going to be in a movie, which is

0:09:37.120 --> 0:09:39.319
<v Speaker 2>also something I can't say the name of the movie,

0:09:39.360 --> 0:09:43.900
<v Speaker 2>but we had to re-record the song today, the vocals today.

0:09:43.920 --> 0:09:46.840
<v Speaker 1>So that's what we were doing today in Toronto. That's

0:09:46.880 --> 0:09:49.089
<v Speaker 1>where you went. And then we wrote a song, because...

0:09:50.210 --> 0:09:50.890
<v Speaker 1>We had 30 minutes.

0:09:50.910 --> 0:09:51.730
<v Speaker 4>Because why would we not?

0:09:51.730 --> 0:09:54.020
<v Speaker 1>30 minutes left. Write a song with JP. That makes sense.

0:09:54.080 --> 0:09:55.780
<v Speaker 1>And we did it. We're like, well, that's $ 4. 59. We

0:09:55.800 --> 0:09:57.750
<v Speaker 1>got to go. You guys missed a ton of really

0:09:57.790 --> 0:09:59.309
<v Speaker 1>exciting stuff on our end.

0:09:59.330 --> 0:09:59.870
<v Speaker 4>What happened? Yeah.

0:10:00.410 --> 0:10:02.010
<v Speaker 1>I got a facial. Ooh.

0:10:02.480 --> 0:10:03.120
<v Speaker 4>Oh, you know what?

0:10:03.140 --> 0:10:05.720
<v Speaker 1>I can tell. I walked in and she was like,

0:10:06.040 --> 0:10:08.219
<v Speaker 1>have you ever had an electro something facial? Oh, I

0:10:08.220 --> 0:10:08.439
<v Speaker 1>love it.

0:10:08.440 --> 0:10:08.740
<v Speaker 4>I was like.

0:10:09.000 --> 0:10:09.520
<v Speaker 1>What the hell?

0:10:10.360 --> 0:10:10.760
<v Speaker 4>I don't know.

0:10:11.320 --> 0:10:13.100
<v Speaker 1>She goes, I think maybe you might want to just

0:10:13.120 --> 0:10:16.040
<v Speaker 1>switch to the men's signature facial. And I was like,

0:10:16.100 --> 0:10:19.730
<v Speaker 1>I think you're right. I did it, and it felt fantastic.

0:10:20.650 --> 0:10:23.820
<v Speaker 1>It's got all the stuff moving in my sinuses. How

0:10:23.890 --> 0:10:28.020
<v Speaker 1>are you feeling? I'm still kind of battling. Got it.

0:10:28.100 --> 0:10:29.340
<v Speaker 1>Fighting a good fight. You look good.

0:10:29.980 --> 0:10:30.190
<v Speaker 2>Thank you.

0:10:30.200 --> 0:10:33.880
<v Speaker 1>Not a lot. Your skin is... Is it glowing? It

0:10:34.380 --> 0:10:38.730
<v Speaker 1>is pretty nice right now. I appreciate that. Also, this week,

0:10:39.530 --> 0:10:45.270
<v Speaker 1>Kevin's kind of gone viral. Delete the thread! I love

0:10:45.290 --> 0:10:47.060
<v Speaker 1>the buttons. Well, we'll just quickly catch you up.

0:10:47.120 --> 0:10:51.100
<v Speaker 2>Kevin accidentally sent a picture of him exposing himself on

0:10:51.800 --> 0:10:53.380
<v Speaker 2>our football giants group thread.

0:10:53.800 --> 0:10:55.459
<v Speaker 1>I sent my peen in a picture.

0:10:55.940 --> 0:10:57.420
<v Speaker 4>To the football giants group chat?

0:10:57.460 --> 0:10:58.180
<v Speaker 1>Yeah.

0:10:58.960 --> 0:10:59.880
<v Speaker 4>To your wife, I assume?

0:11:00.040 --> 0:11:01.890
<v Speaker 1>No, no. To the boys. No, no. That was the

0:11:01.929 --> 0:11:03.229
<v Speaker 1>intended recipient. No, no.

0:11:03.510 --> 0:11:05.210
<v Speaker 4>I don't understand. Help.

0:11:05.410 --> 0:11:08.569
<v Speaker 5>I was sending a photo of a TV that had

0:11:08.730 --> 0:11:12.530
<v Speaker 5>a news announcement about the giants. It's in my bathroom

0:11:12.590 --> 0:11:13.770
<v Speaker 5>and the TV's in our bathroom.

0:11:13.820 --> 0:11:15.700
<v Speaker 1>The backsplash. is a mirror.

0:11:15.960 --> 0:11:17.640
<v Speaker 4>Oh my gosh, that's so good.

0:11:17.660 --> 0:11:19.220
<v Speaker 1>Oh my gosh!

0:11:20.000 --> 0:11:24.800
<v Speaker 4>You're so quick. It's amazing. Who responded first?

0:11:24.820 --> 0:11:27.020
<v Speaker 1>It wasn't a lot, but it was a lot. The

0:11:27.040 --> 0:11:29.550
<v Speaker 1>thing that made it funny was his follow-up text once

0:11:29.590 --> 0:11:33.550
<v Speaker 1>he realized. It was, guys, I'm so sorry, was the

0:11:33.570 --> 0:11:38.010
<v Speaker 1>first one. Please delete the photo. And then eventually, cuck

0:11:38.190 --> 0:11:42.840
<v Speaker 1>my life. Auto-corrected. Which made it worse. And then the

0:11:42.860 --> 0:11:45.360
<v Speaker 1>final one was delete the thread, which is the funniest

0:11:45.380 --> 0:11:48.800
<v Speaker 1>shit I've ever heard. Delete the thread! It's like stop

0:11:48.820 --> 0:11:49.199
<v Speaker 1>the count.

0:11:49.540 --> 0:11:54.540
<v Speaker 5>So it's been an interesting few days.

0:11:54.760 --> 0:11:55.140
<v Speaker 1>I see.

0:11:55.860 --> 0:11:57.710
<v Speaker 4>But you've made it something that is working in your favor.

0:11:57.950 --> 0:12:00.170
<v Speaker 4>And in that sense, you did something that could.

0:12:00.130 --> 0:12:02.630
<v Speaker 1>Have been embarrassing. Keeping the giants in the news. I've

0:12:02.650 --> 0:12:05.090
<v Speaker 1>got a question. Keeping the faith. Is that what you're

0:12:05.110 --> 0:12:10.080
<v Speaker 1>calling the dick pic? It's called giants in the news.

0:12:10.250 --> 0:12:12.620
<v Speaker 1>Thank you. I appreciate that.

0:12:13.260 --> 0:12:16.000
<v Speaker 2>You know, JP, I think you're like a mastermind when

0:12:16.020 --> 0:12:19.800
<v Speaker 2>it comes to like listening to someone and you'll be like,

0:12:20.300 --> 0:12:22.660
<v Speaker 2>you said about three hours ago, this thing, and I'm

0:12:22.679 --> 0:12:24.990
<v Speaker 2>going to put it in a song. Now, have you

0:12:25.070 --> 0:12:30.469
<v Speaker 2>ever had kind of even an accidental text or thing

0:12:30.490 --> 0:12:33.209
<v Speaker 2>that might've been a mishap turn into a great song

0:12:33.230 --> 0:12:33.790
<v Speaker 2>lyric for yourself?

0:12:34.580 --> 0:12:40.360
<v Speaker 4>A mishap text. I have my communicative mind so locked down.

0:12:40.880 --> 0:12:43.939
<v Speaker 4>I overthink everything I'm going to say to someone I

0:12:44.000 --> 0:12:47.120
<v Speaker 4>love like eight to 17 times. So it very rarely

0:12:47.160 --> 0:12:50.150
<v Speaker 4>goes awry unless there's like a little bit of alcohol involved.

0:12:51.770 --> 0:12:55.910
<v Speaker 4>And that happens when we're writing songs. I find that

0:12:56.370 --> 0:12:58.450
<v Speaker 4>you all have this habit of just saying like really

0:12:58.470 --> 0:13:01.530
<v Speaker 4>fascinating things. Like sometimes, you know, you're doing it and

0:13:01.570 --> 0:13:04.040
<v Speaker 4>sometimes you don't. So it's just kind of fun to

0:13:04.080 --> 0:13:05.880
<v Speaker 4>be in my position trying to listen real carefully and

0:13:05.900 --> 0:13:07.840
<v Speaker 4>think like that's like the thing you said about the

0:13:07.860 --> 0:13:08.500
<v Speaker 4>bakery earlier.

0:13:08.520 --> 0:13:10.740
<v Speaker 1>Yeah. It was notable to me. What did you say

0:13:10.760 --> 0:13:13.320
<v Speaker 1>about the bakery? I want to know. I said, what

0:13:13.559 --> 0:13:13.800
<v Speaker 1>did I say?

0:13:13.820 --> 0:13:15.920
<v Speaker 4>You said, I ain't going to sugarcoat it. This ain't

0:13:15.960 --> 0:13:19.020
<v Speaker 4>a bakery. I kind of love that. You said, this

0:13:19.080 --> 0:13:20.660
<v Speaker 4>ain't a bakery. I ain't going to sugarcoat it. And

0:13:20.679 --> 0:13:23.370
<v Speaker 4>I was like, it's excellent. That should be kept.

0:13:23.380 --> 0:13:25.610
<v Speaker 1>So we're putting it in a song. Did you mean

0:13:25.630 --> 0:13:26.650
<v Speaker 1>to say that it was like a line in a

0:13:26.650 --> 0:13:28.210
<v Speaker 1>song or you just said that in conversation? We were

0:13:28.290 --> 0:13:29.030
<v Speaker 1>having a conversation.

0:13:29.190 --> 0:13:30.090
<v Speaker 4>Yeah, it was just telling stories.

0:13:30.110 --> 0:13:31.270
<v Speaker 1>It's kind of hard. It's hard.

0:13:31.309 --> 0:13:31.550
<v Speaker 5>Right?

0:13:31.710 --> 0:13:35.320
<v Speaker 1>It's a hard line. You should write for Drake. Speaking

0:13:35.340 --> 0:13:35.840
<v Speaker 1>of alcohol.

0:13:37.059 --> 0:13:39.140
<v Speaker 4>The chartreuse has led to me saying things I shouldn't

0:13:39.160 --> 0:13:39.439
<v Speaker 4>have said.

0:13:39.620 --> 0:13:42.160
<v Speaker 1>Or maybe should have. Maybe should have but was afraid to.

0:13:42.760 --> 0:13:46.280
<v Speaker 1>We decided to provide some chartreuse for the podcast today.

0:13:46.300 --> 0:13:48.000
<v Speaker 1>Thank you. Because we know you love it. Tell us

0:13:48.780 --> 0:13:51.709
<v Speaker 1>why you love chartreuse so much and the history behind

0:13:51.770 --> 0:13:54.189
<v Speaker 1>this beverage that is kind of a, it's sort of

0:13:54.210 --> 0:13:54.670
<v Speaker 1>an anomaly.

0:13:54.730 --> 0:13:57.460
<v Speaker 4>It's quite mystical. I will tell you the story of chartreuse.

0:13:57.480 --> 0:13:59.200
<v Speaker 4>I have to just like get off of my chest

0:13:59.220 --> 0:14:01.540
<v Speaker 4>that I feel like minorly guilty for any bad feelings

0:14:01.570 --> 0:14:03.650
<v Speaker 4>that any of you are feeling the day after my

0:14:03.690 --> 0:14:05.470
<v Speaker 4>release party. But it was so deeply sweet of you

0:14:05.490 --> 0:14:06.180
<v Speaker 4>to celebrate with me.

0:14:06.190 --> 0:14:07.989
<v Speaker 1>Also a line we spoke about. I said, be tired

0:14:08.010 --> 0:14:09.069
<v Speaker 1>for the right people. And what did you say?

0:14:09.230 --> 0:14:10.290
<v Speaker 4>Gotta be sleepy for the right reasons.

0:14:10.510 --> 0:14:11.890
<v Speaker 1>Amen. I love this.

0:14:12.110 --> 0:14:12.390
<v Speaker 3>Guys.

0:14:12.510 --> 0:14:14.740
<v Speaker 1>Guys. Bars. In 30 minutes. We should wrap up this

0:14:14.770 --> 0:14:15.760
<v Speaker 1>pod and go write some music.

0:14:15.820 --> 0:14:16.080
<v Speaker 4>Yeah.

0:14:16.320 --> 0:14:16.660
<v Speaker 1>We were.

0:14:17.630 --> 0:14:21.500
<v Speaker 4>I mean, admittedly, the first few minutes of us having

0:14:21.520 --> 0:14:23.020
<v Speaker 4>this conversation, I was still trying to find a rhyme

0:14:23.040 --> 0:14:23.460
<v Speaker 4>for answer.

0:14:23.700 --> 0:14:27.840
<v Speaker 1>I could see that. We clock you now. We got

0:14:27.860 --> 0:14:28.050
<v Speaker 1>you now.

0:14:28.080 --> 0:14:28.660
<v Speaker 4>I got it, though.

0:14:28.700 --> 0:14:31.950
<v Speaker 1>We see you when you're in it. Also good. I

0:14:32.020 --> 0:14:34.290
<v Speaker 1>love that part of the process. Before we have our

0:14:34.310 --> 0:14:36.930
<v Speaker 1>sips of structures, for the non-songwriters out there and for

0:14:36.950 --> 0:14:40.370
<v Speaker 1>the songwriters, one of the things that is most, I think,

0:14:40.630 --> 0:14:44.230
<v Speaker 1>fulfilling or gratifying about the songwriting process is when you

0:14:44.310 --> 0:14:47.170
<v Speaker 1>know you can beat something and you're that close and

0:14:47.190 --> 0:14:50.050
<v Speaker 1>you get to solve the math problem. When you finally

0:14:50.100 --> 0:14:53.280
<v Speaker 1>break it open, and it's happened with you and I

0:14:53.340 --> 0:14:55.560
<v Speaker 1>and the four of us a few times, where you're like,

0:14:55.720 --> 0:14:56.820
<v Speaker 1>it's not right, it's not right, and all of a

0:14:56.820 --> 0:14:59.660
<v Speaker 1>sudden it just becomes the right thing. Oh, it was

0:14:59.700 --> 0:15:02.640
<v Speaker 1>always in front of us. Yeah. I mean, the most

0:15:02.700 --> 0:15:04.840
<v Speaker 1>recent one, I will say, happened on Listen When Sad.

0:15:05.480 --> 0:15:06.500
<v Speaker 1>When we got to the end of the chorus, it

0:15:06.540 --> 0:15:09.930
<v Speaker 1>was Listen When Sad and then Call Me. on the

0:15:09.970 --> 0:15:11.350
<v Speaker 1>writing of the CD, that's the note. I was like,

0:15:11.390 --> 0:15:14.330
<v Speaker 1>that's such an interesting, fun way to say that thing.

0:15:14.450 --> 0:15:15.430
<v Speaker 4>I love that song.

0:15:15.450 --> 0:15:16.950
<v Speaker 1>Cheers, guys. Thanks, man. Love you. I don't know if

0:15:16.970 --> 0:15:19.410
<v Speaker 1>I've ever actually had char-juice. Love you, love you.

0:15:19.470 --> 0:15:19.850
<v Speaker 4>You're welcome.

0:15:20.190 --> 0:15:22.470
<v Speaker 1>It's quite good. Very warm.

0:15:23.570 --> 0:15:25.290
<v Speaker 4>Have you never had the char-juice bottles I've been putting

0:15:25.330 --> 0:15:26.190
<v Speaker 4>on the table at the studios?

0:15:26.430 --> 0:15:30.790
<v Speaker 1>I've never had it. Only when tequila ran out. I

0:15:30.830 --> 0:15:34.150
<v Speaker 1>can say this would be great after, like, dinner drink. Like,

0:15:34.190 --> 0:15:35.230
<v Speaker 1>I get it. It's good for your belly.

0:15:35.250 --> 0:15:38.390
<v Speaker 4>I think often used in aperitif vibes. Okay, my disclaimer,

0:15:38.490 --> 0:15:39.800
<v Speaker 4>I don't, I'm not.

0:15:39.820 --> 0:15:41.320
<v Speaker 1>Sponsored by Chartreuse.

0:15:41.680 --> 0:15:44.310
<v Speaker 4>Sponsored by Chartreuse. I'm not sure the monks are sponsoring anyone.

0:15:44.430 --> 0:15:46.790
<v Speaker 4>Nor am I from France, nor am I a monk.

0:15:47.510 --> 0:15:48.910
<v Speaker 4>But there are some French monks.

0:15:48.930 --> 0:15:50.250
<v Speaker 1>The last one, you know, maybe.

0:15:50.890 --> 0:15:53.070
<v Speaker 4>I'm so far from being a monk. Nah, you're pretty

0:15:53.090 --> 0:15:54.770
<v Speaker 4>damn close. No, I'm so chaotic, Kevin.

0:15:54.790 --> 0:16:00.520
<v Speaker 1>You're deeply connected to your spiritual source. Thank you. I

0:16:00.680 --> 0:16:01.500
<v Speaker 1>appreciate that.

0:16:01.960 --> 0:16:04.700
<v Speaker 4>I do think as songwriters, sometimes people misunderstand our ability

0:16:04.720 --> 0:16:07.320
<v Speaker 4>to navigate our emotions for our ability to articulate how

0:16:07.380 --> 0:16:08.780
<v Speaker 4>badly we navigate our emotions.

0:16:08.980 --> 0:16:11.520
<v Speaker 1>That's true. Damn, say that again twice? What?

0:16:11.800 --> 0:16:15.070
<v Speaker 4>Sorry, I took one sip and I started talking speedy, speedy.

0:16:15.490 --> 0:16:18.430
<v Speaker 4>I think that our job is not necessarily to have

0:16:18.490 --> 0:16:21.830
<v Speaker 4>the right answers to go about our lives emotionally. It

0:16:21.890 --> 0:16:25.290
<v Speaker 4>is just to represent authentically and honestly how we have

0:16:25.330 --> 0:16:29.300
<v Speaker 4>not necessarily always gotten our emotional lives right sometimes. Not

0:16:29.340 --> 0:16:30.979
<v Speaker 4>that there is a right or wrong to these things.

0:16:31.560 --> 0:16:33.140
<v Speaker 4>There is a messy and an honest.

0:16:33.180 --> 0:16:34.000
<v Speaker 1>So real.

0:16:34.020 --> 0:16:35.230
<v Speaker 4>Which is what we're trying to be in these songs.

0:16:35.260 --> 0:16:39.310
<v Speaker 4>Messy and honest and transparent in the chartreuse. Yeah.

0:16:39.350 --> 0:16:41.430
<v Speaker 1>It's kind of messy and honest. Made by monks is what.

0:16:41.350 --> 0:16:41.870
<v Speaker 4>We're getting at.

0:16:41.930 --> 0:16:42.310
<v Speaker 1>Yes.

0:16:42.330 --> 0:16:42.870
<v Speaker 4>So the monks.

0:16:43.630 --> 0:16:45.370
<v Speaker 1>They don't share the recipe, right? That's the whole deal.

0:16:45.390 --> 0:16:47.450
<v Speaker 1>It's a secret. There's like two people that know it?

0:16:47.460 --> 0:16:48.020
<v Speaker 1>Three people?

0:16:48.180 --> 0:16:49.770
<v Speaker 4>I think there's two of them that know about it.

0:16:50.000 --> 0:16:52.640
<v Speaker 4>This is the lore. It's from 1600s. I think it

0:16:52.660 --> 0:16:53.780
<v Speaker 4>says on the bottle. I'm not going to read it.

0:16:53.800 --> 0:16:55.550
<v Speaker 4>I'm going to do my own version of this. Uh,

0:16:56.510 --> 0:16:58.840
<v Speaker 4>Hundreds of years, secret recipe. They made it for their prayers.

0:16:58.880 --> 0:17:01.300
<v Speaker 4>They started sharing. They started selling. And now we get

0:17:01.320 --> 0:17:01.700
<v Speaker 4>to write.

0:17:01.600 --> 0:17:03.080
<v Speaker 1>Songs with it.

0:17:03.180 --> 0:17:03.359
<v Speaker 4>Yeah.

0:17:03.660 --> 0:17:09.480
<v Speaker 1>And it's how much alcohol content? Oh, 50, 55%. That's

0:17:09.500 --> 0:17:11.379
<v Speaker 1>not too crazy. It's not anything small. It's sort of

0:17:11.400 --> 0:17:14.100
<v Speaker 1>like a strong, strong, strong wine.

0:17:14.480 --> 0:17:17.040
<v Speaker 4>If it can bring the monks closer to God, it

0:17:17.060 --> 0:17:18.920
<v Speaker 4>can bring us closer to each other.

0:17:18.940 --> 0:17:22.889
<v Speaker 1>Well, cheers. Cheers, guys. Let's transition this conversation from the

0:17:22.910 --> 0:17:23.770
<v Speaker 1>monks for a moment.

0:17:23.810 --> 0:17:23.929
<v Speaker 4>Yeah.

0:17:24.190 --> 0:17:25.550
<v Speaker 1>I read this, and I just got to understand.

0:17:26.660 --> 0:17:28.530
<v Speaker 5>It says it on my little she hears, but it

0:17:28.550 --> 0:17:31.310
<v Speaker 5>says that you got really good at Jeopardy during COVID.

0:17:32.330 --> 0:17:34.750
<v Speaker 4>Wow. I wonder where that was found. I think I'm

0:17:34.890 --> 0:17:36.750
<v Speaker 4>probably worse.

0:17:37.810 --> 0:17:40.310
<v Speaker 1>This one brought to you by perplexity.

0:17:40.330 --> 0:17:42.169
<v Speaker 4>I do like watching Jeopardy. I mean, I feel like

0:17:42.369 --> 0:17:43.850
<v Speaker 4>even if you get one out of 10 answers right,

0:17:43.910 --> 0:17:47.020
<v Speaker 4>if you get an answer watching Jeopardy before the contestants do,

0:17:47.119 --> 0:17:48.280
<v Speaker 4>there are a few feelings better.

0:17:48.720 --> 0:17:49.020
<v Speaker 1>For sure.

0:17:49.740 --> 0:17:50.260
<v Speaker 4>There are some.

0:17:50.480 --> 0:17:50.700
<v Speaker 1>Yeah.

0:17:51.320 --> 0:17:54.080
<v Speaker 5>I've tried that with Wheel of Fortune, but my spelling

0:17:54.140 --> 0:17:56.189
<v Speaker 5>is horrific. I get angry at them when they don't

0:17:56.230 --> 0:17:58.050
<v Speaker 5>get it right on Wheel of Fortune. I just yell

0:17:58.090 --> 0:18:00.760
<v Speaker 5>at them. Jeopardy, it's fun. It resets every few seconds.

0:18:01.000 --> 0:18:02.080
<v Speaker 1>Yeah. I love a dork.

0:18:02.520 --> 0:18:04.840
<v Speaker 4>Just a big fan of someone who knows a lot

0:18:04.859 --> 0:18:06.040
<v Speaker 4>about an innocuous thing.

0:18:06.740 --> 0:18:11.179
<v Speaker 1>I get it. Likes Jeopardy. Doesn't love. So we've learned that.

0:18:11.200 --> 0:18:12.080
<v Speaker 1>We've established that now.

0:18:12.160 --> 0:18:12.380
<v Speaker 2>Sorry.

0:18:12.460 --> 0:18:13.660
<v Speaker 4>I wouldn't make it like an identity thing.

0:18:13.680 --> 0:18:15.500
<v Speaker 1>That doesn't seem like the thing I know about you.

0:18:15.520 --> 0:18:16.369
<v Speaker 1>That's why I had to ask it.

0:18:16.540 --> 0:18:18.270
<v Speaker 4>It's a taste thing more than like a sense of

0:18:18.290 --> 0:18:18.660
<v Speaker 4>stuff thing.

0:18:19.290 --> 0:18:22.050
<v Speaker 1>Joe, do you have any other unimportant questions to ask?

0:18:22.230 --> 0:18:22.770
<v Speaker 1>This is so fun.

0:18:22.790 --> 0:18:25.050
<v Speaker 4>Cause usually like in our professional settings, I am asking

0:18:25.070 --> 0:18:26.990
<v Speaker 4>the three of you questions. This is a fun little

0:18:27.020 --> 0:18:27.270
<v Speaker 4>switch up.

0:18:27.780 --> 0:18:29.520
<v Speaker 2>I mean, I have a lot of questions for JP.

0:18:30.340 --> 0:18:33.119
<v Speaker 2>I think, you know, it's fun to have friends on

0:18:33.140 --> 0:18:35.439
<v Speaker 2>the podcast. I think that's one thing for us, for

0:18:35.460 --> 0:18:37.780
<v Speaker 2>the listener out there, you know, we have, we have guests,

0:18:37.820 --> 0:18:40.879
<v Speaker 2>but I think when we know somebody so well and personally,

0:18:40.920 --> 0:18:44.360
<v Speaker 2>and then we really read something on our wonderful cards

0:18:44.380 --> 0:18:46.609
<v Speaker 2>that our producers help us with, then we're like, I didn't.

0:18:46.490 --> 0:18:47.010
<v Speaker 1>Know about this.

0:18:48.490 --> 0:18:50.449
<v Speaker 2>I want to turn it back to what you were

0:18:50.470 --> 0:18:52.840
<v Speaker 2>saying about you have a place with your dad now.

0:18:52.990 --> 0:18:54.959
<v Speaker 2>What has been the biggest thing you've learned about yourself

0:18:55.040 --> 0:18:56.020
<v Speaker 2>living with your father?

0:18:56.619 --> 0:18:56.859
<v Speaker 1>Again.

0:18:57.380 --> 0:18:59.180
<v Speaker 4>Would you like a fun, cute answer to that or

0:18:59.220 --> 0:19:01.500
<v Speaker 4>a more involved, emotional answer to that?

0:19:01.840 --> 0:19:02.480
<v Speaker 1>I want both.

0:19:03.180 --> 0:19:06.830
<v Speaker 4>We'll go with emotionally involved first. I think for a

0:19:06.850 --> 0:19:10.210
<v Speaker 4>long time I associated when it came to taking care

0:19:10.250 --> 0:19:13.090
<v Speaker 4>of your parents, getting your mom a place, taking care

0:19:13.109 --> 0:19:17.270
<v Speaker 4>of your mom, point of pride, point of success. Like this, like,

0:19:17.310 --> 0:19:19.160
<v Speaker 4>oh my gosh, I got my mom a place. For

0:19:19.200 --> 0:19:21.260
<v Speaker 4>whatever reason, I never applied it to my dad. I

0:19:21.300 --> 0:19:24.400
<v Speaker 4>think the reason is sort of an internalized misogyny, like

0:19:25.080 --> 0:19:27.740
<v Speaker 4>problematic concept of masculinity. That's like no men should be

0:19:27.760 --> 0:19:30.040
<v Speaker 4>able to take care of themselves. Like it's almost like

0:19:30.240 --> 0:19:34.350
<v Speaker 4>a weird aversion to it being him I was taking

0:19:34.369 --> 0:19:35.910
<v Speaker 4>care of. But the truth is like my dad was

0:19:35.970 --> 0:19:39.190
<v Speaker 4>the much more present parent. He was the one who

0:19:39.210 --> 0:19:40.669
<v Speaker 4>took me to all the practices and drove me to

0:19:40.710 --> 0:19:44.260
<v Speaker 4>school and was like an unbelievably loving father and present parent.

0:19:45.200 --> 0:19:49.050
<v Speaker 4>And I had to unlearn whatever, the therapy, the books,

0:19:49.070 --> 0:19:51.600
<v Speaker 4>the reading, the like. self-exploration of what it was that

0:19:52.700 --> 0:19:54.639
<v Speaker 4>came with some sort of judgment to take care of

0:19:54.800 --> 0:19:57.000
<v Speaker 4>my dad the way I would never have judged taking

0:19:57.020 --> 0:20:00.380
<v Speaker 4>care of my mom. So long-winded answer to your question,

0:20:00.400 --> 0:20:03.239
<v Speaker 4>how is it feeling now? It's feeling just wonderful. Like

0:20:03.280 --> 0:20:04.580
<v Speaker 4>I get to kick it with someone who would be

0:20:04.619 --> 0:20:06.480
<v Speaker 4>my friend if he wasn't my dad because he's just

0:20:06.619 --> 0:20:10.580
<v Speaker 4>so strange, imperfect, and I I love getting his perspective

0:20:10.700 --> 0:20:12.160
<v Speaker 4>on the life that we are both living.

0:20:12.180 --> 0:20:14.780
<v Speaker 1>It's beautiful. And the fun whimsical thing.

0:20:15.060 --> 0:20:18.280
<v Speaker 4>I get to like see sort of his lens on

0:20:18.300 --> 0:20:21.119
<v Speaker 4>the world is so dramatically different than mine. So he

0:20:21.160 --> 0:20:24.159
<v Speaker 4>has like, he has funny takes. Like he, he's a

0:20:24.180 --> 0:20:26.880
<v Speaker 4>man of the stoop as lately he sits on the

0:20:26.900 --> 0:20:28.739
<v Speaker 4>stoop and he watches the world go by. And he,

0:20:29.070 --> 0:20:31.530
<v Speaker 4>he has little conversations with people who he gets very

0:20:31.550 --> 0:20:33.910
<v Speaker 4>excited about the conversations he has with people on the stoop.

0:20:34.210 --> 0:20:35.990
<v Speaker 4>Love that. I made a video about him on his stoop.

0:20:36.010 --> 0:20:37.890
<v Speaker 4>So people have, have sought him out on the stoop,

0:20:37.910 --> 0:20:38.610
<v Speaker 4>which he quite likes.

0:20:39.170 --> 0:20:42.690
<v Speaker 1>That's fantastic. I love that. A stoop dweller. Stoop dweller.

0:20:42.710 --> 0:20:44.950
<v Speaker 1>So cool. Let me ask you, the takes are about

0:20:45.350 --> 0:20:47.350
<v Speaker 1>what he's seeing or about the world in general?

0:20:47.810 --> 0:20:50.389
<v Speaker 4>It's a little bit of both. He's quite fascinated by

0:20:50.430 --> 0:20:52.290
<v Speaker 4>all of the things going on in Trinity Bellwoods Park.

0:20:52.650 --> 0:20:54.990
<v Speaker 1>And kind of just like watching it. Yeah. As an observer.

0:20:55.090 --> 0:20:55.630
<v Speaker 4>He observes.

0:20:55.730 --> 0:20:56.790
<v Speaker 1>Yeah. He considers.

0:20:56.810 --> 0:20:57.310
<v Speaker 4>He ponders.

0:20:57.710 --> 0:20:58.090
<v Speaker 1>I love that.

0:20:58.570 --> 0:20:59.909
<v Speaker 4>And he doesn't do it. I have a bit of

0:20:59.950 --> 0:21:03.730
<v Speaker 4>a productivity obsession, which has led to wonderful things in

0:21:03.750 --> 0:21:06.530
<v Speaker 4>my life and occasionally seeps the joy out of things

0:21:06.590 --> 0:21:10.600
<v Speaker 4>as well. that I would like things to have some

0:21:10.660 --> 0:21:14.400
<v Speaker 4>sort of forward momentum function in order to lean into them.

0:21:14.900 --> 0:21:17.000
<v Speaker 4>And he doesn't have that. He just, he's good at

0:21:17.020 --> 0:21:17.980
<v Speaker 4>joy for the sake of joy.

0:21:18.000 --> 0:21:20.020
<v Speaker 1>That's beautiful. Do you people watch?

0:21:20.920 --> 0:21:22.000
<v Speaker 4>I think, I think I do people watch.

0:21:22.340 --> 0:21:22.480
<v Speaker 2>Yeah.

0:21:22.880 --> 0:21:24.120
<v Speaker 1>Love people watching. Same.

0:21:24.140 --> 0:21:27.760
<v Speaker 5>Especially airport people watching. I forget they can see you back.

0:21:28.000 --> 0:21:30.459
<v Speaker 1>Yeah. That's, that's problematic. Yeah. Can be, maybe not.

0:21:31.230 --> 0:21:31.470
<v Speaker 5>Yeah.

0:21:31.810 --> 0:21:34.670
<v Speaker 2>Nick and I found ourselves like I was giving Nick

0:21:34.690 --> 0:21:38.050
<v Speaker 2>a play by play. We were at a, a spot

0:21:38.070 --> 0:21:40.450
<v Speaker 2>having some beers in New York. And I was like, dude,

0:21:40.470 --> 0:21:41.100
<v Speaker 2>I've never done that.

0:21:41.359 --> 0:21:41.600
<v Speaker 5>Never.

0:21:41.980 --> 0:21:43.179
<v Speaker 2>And I looked at Nick and I was like the

0:21:43.300 --> 0:21:45.960
<v Speaker 2>couple or the date that's going on behind, but you

0:21:46.000 --> 0:21:47.780
<v Speaker 2>were really fascinated by that. I was like, I was like,

0:21:47.820 --> 0:21:51.700
<v Speaker 2>this is like total rom-com. Like he, it was bringing

0:21:51.720 --> 0:21:53.020
<v Speaker 2>you a lot of joy. It was. I was like

0:21:53.040 --> 0:21:55.159
<v Speaker 2>to this point about the joy in her eyes on

0:21:55.180 --> 0:21:56.770
<v Speaker 2>this date. And when he got up to use the bathroom,

0:21:56.790 --> 0:21:58.550
<v Speaker 2>she was just like, I was like, I think she

0:21:58.570 --> 0:22:01.730
<v Speaker 2>just met her husband. we were like seeing people fall

0:22:01.770 --> 0:22:03.869
<v Speaker 2>in love falling in love and it was really beautiful

0:22:03.910 --> 0:22:05.270
<v Speaker 2>like he went to go and he came back with

0:22:05.290 --> 0:22:07.070
<v Speaker 2>another run of drinks for them so I couldn't see

0:22:07.090 --> 0:22:08.209
<v Speaker 2>it so I was getting the play by play from

0:22:08.250 --> 0:22:10.390
<v Speaker 2>Joe the whole time I was just like oh wow

0:22:10.520 --> 0:22:12.720
<v Speaker 2>imagine they're surprised they're like Joe Jonas is narrating our

0:22:12.760 --> 0:22:14.700
<v Speaker 2>entire love story to his brother to his brother I

0:22:14.740 --> 0:22:17.260
<v Speaker 2>was like Nick I was like oh man she's like

0:22:17.560 --> 0:22:19.399
<v Speaker 2>he's opening up to her right now about something like

0:22:19.420 --> 0:22:21.300
<v Speaker 2>really deep in his life I was like I was

0:22:21.340 --> 0:22:22.879
<v Speaker 2>there you were in it I couldn't hear her at

0:22:22.940 --> 0:22:25.280
<v Speaker 2>them but I'm like I know that conversation he was

0:22:25.300 --> 0:22:27.340
<v Speaker 2>getting very vulnerable and I was like just like proud

0:22:27.359 --> 0:22:28.919
<v Speaker 2>of him I was like, I don't know this guy,

0:22:28.940 --> 0:22:30.540
<v Speaker 2>but I'm proud of him. And she was just like,

0:22:30.980 --> 0:22:32.700
<v Speaker 2>her hand was on her chin.

0:22:32.760 --> 0:22:35.090
<v Speaker 1>And she just was like, this guy is like, it was.

0:22:35.570 --> 0:22:36.290
<v Speaker 4>He's so open.

0:22:36.350 --> 0:22:43.129
<v Speaker 1>I'm going to say this statement and hope that it's

0:22:43.150 --> 0:22:44.850
<v Speaker 1>the proper usage. Because I want to start using this.

0:22:45.770 --> 0:22:50.470
<v Speaker 1>Hope begets hope. Isn't that good? Really good. Begets. We

0:22:50.510 --> 0:22:53.189
<v Speaker 1>don't say it enough. Begets is a good word. Begets.

0:22:53.740 --> 0:22:57.390
<v Speaker 2>Baguettes like baguettes not french baguettes yeah not baguettes.

0:22:56.950 --> 0:22:59.030
<v Speaker 1>But it's a really good word think about it this

0:22:59.090 --> 0:23:01.929
<v Speaker 1>is my hot baguettes it's like the more you do

0:23:01.950 --> 0:23:05.070
<v Speaker 1>a thing the more it's it's a really beautiful.

0:23:04.880 --> 0:23:07.460
<v Speaker 5>Yeah i hope it gets bad it's good hope it

0:23:07.480 --> 0:23:09.979
<v Speaker 5>gets hope fear but gets fear fear yeah.

0:23:10.300 --> 0:23:12.500
<v Speaker 4>One shard of chart oh my gosh it's gone the

0:23:12.540 --> 0:23:15.379
<v Speaker 4>words are gone that's it so okay we have a

0:23:15.420 --> 0:23:16.340
<v Speaker 4>bowl of questions.

0:23:16.040 --> 0:23:18.889
<v Speaker 1>Here it's the perfect time to answer some questions it

0:23:18.950 --> 0:23:21.859
<v Speaker 1>is It's right here. It's got nothing to do with

0:23:21.900 --> 0:23:22.600
<v Speaker 1>your life or career.

0:23:22.680 --> 0:23:24.600
<v Speaker 4>It's just thoughts and concerns.

0:23:24.859 --> 0:23:27.640
<v Speaker 1>Sometimes they are, and it relates, but it's weird.

0:23:28.500 --> 0:23:30.699
<v Speaker 4>Last thing you said out loud to yourself when you

0:23:30.740 --> 0:23:31.300
<v Speaker 4>were alone.

0:23:32.040 --> 0:23:40.100
<v Speaker 1>Oh, no. It was oh, no. Cock my life. Oh, no. Perfect.

0:23:40.200 --> 0:23:41.560
<v Speaker 1>Cock my life.

0:23:41.619 --> 0:23:43.500
<v Speaker 4>What item would you take with you to the moon?

0:23:43.520 --> 0:23:45.400
<v Speaker 1>A friend. A friend. That's great.

0:23:45.480 --> 0:23:46.490
<v Speaker 4>How many do you want me to do? This is fun.

0:23:46.690 --> 0:23:48.130
<v Speaker 1>I think keep going. You're nailing this.

0:23:48.230 --> 0:23:52.510
<v Speaker 4>Okay. You have to spend 24 hours handcuffed to one celebrity.

0:23:52.630 --> 0:23:54.310
<v Speaker 4>Who would make the day the least unbearable? Can I

0:23:54.330 --> 0:23:55.710
<v Speaker 4>have three hands and three handcuffs?

0:23:56.260 --> 0:23:56.440
<v Speaker 2>Mm-hmm.

0:23:56.980 --> 0:23:58.300
<v Speaker 1>I think he's talking about us.

0:23:58.980 --> 0:23:59.300
<v Speaker 2>Hey.

0:23:59.420 --> 0:24:00.740
<v Speaker 4>Perfect. Lovely.

0:24:00.760 --> 0:24:01.280
<v Speaker 1>Let's do one more.

0:24:01.680 --> 0:24:03.679
<v Speaker 4>Someone offers you $ 100, 000 to give up your phone for

0:24:03.700 --> 0:24:04.900
<v Speaker 4>a year. Could you do it? Obviously.

0:24:04.920 --> 0:24:05.300
<v Speaker 2>I would.

0:24:05.869 --> 0:24:08.010
<v Speaker 4>If I could exist fully, if I would be supported,

0:24:08.030 --> 0:24:10.109
<v Speaker 4>I would give up my phone for a year for free.

0:24:10.290 --> 0:24:11.210
<v Speaker 4>But thank you for the $ 100, 000. Wow.

0:24:11.270 --> 0:24:14.639
<v Speaker 2>Okay, well, we have a voicemail. Speaking of phones. Yeah,

0:24:14.660 --> 0:24:16.960
<v Speaker 2>we have a voicemail next. People call in and ask

0:24:17.000 --> 0:24:19.980
<v Speaker 2>us advice, things that we are not professionals on. But

0:24:20.600 --> 0:24:22.020
<v Speaker 2>sometimes it's advice, sometimes it's just thoughts.

0:24:24.220 --> 0:24:24.720
<v Speaker 4>All right, guys.

0:24:24.840 --> 0:24:27.159
<v Speaker 1>It's our favorite part of the podcast. What's that? The

0:24:27.200 --> 0:24:30.740
<v Speaker 1>hotline has been absolutely blowing up. It's on fire. People

0:24:31.300 --> 0:24:33.440
<v Speaker 1>asking lots of exciting questions and reading advice on things.

0:24:34.369 --> 0:24:37.030
<v Speaker 1>And this one in particular is presented by our friends

0:24:37.070 --> 0:24:41.330
<v Speaker 1>at Hyundai. Make everyday epic in the Hyundai Palisade Hybrid.

0:24:41.690 --> 0:24:44.280
<v Speaker 2>And FYI, guys, every time you leave a voicemail, you're

0:24:44.359 --> 0:24:46.659
<v Speaker 2>automatically entered to a chance to win a trip to

0:24:46.700 --> 0:24:48.600
<v Speaker 2>Los Angeles to see our show at the Hollywood Bowl.

0:24:48.740 --> 0:24:49.160
<v Speaker 4>That's right.

0:24:49.520 --> 0:24:51.719
<v Speaker 5>Thanks to Hyundai, we will fly you in, put you

0:24:51.740 --> 0:24:53.899
<v Speaker 5>up in a hotel, box seats at our show at

0:24:53.920 --> 0:24:54.400
<v Speaker 5>the Hollywood Bowl.

0:24:54.700 --> 0:24:56.180
<v Speaker 1>It's the Burn It Up Tour all over again.

0:24:58.460 --> 0:24:59.150
<v Speaker 4>Hi, guys.

0:24:59.570 --> 0:25:02.850
<v Speaker 3>I need a little bit of advice. I'm navigating a

0:25:02.890 --> 0:25:07.570
<v Speaker 3>difficult conversation with my childhood best friend. She's been seeing

0:25:07.609 --> 0:25:11.370
<v Speaker 3>this guy who's 18 years older than her. They've been

0:25:11.410 --> 0:25:14.730
<v Speaker 3>together almost three years now. She's been very vocal with

0:25:14.840 --> 0:25:18.119
<v Speaker 3>him about wanting to settle down, maybe get a place together,

0:25:18.140 --> 0:25:23.020
<v Speaker 3>have a family, but because he's already been divorced and

0:25:23.160 --> 0:25:26.480
<v Speaker 3>has two teenagers, he's very hot and cold on the

0:25:26.520 --> 0:25:31.580
<v Speaker 3>subject altogether. Lately, she's been venting about it. She's obviously

0:25:31.619 --> 0:25:34.660
<v Speaker 3>frustrated and doesn't want to be the one making all

0:25:34.700 --> 0:25:38.619
<v Speaker 3>the sacrifices. But she stays, I think, because of a

0:25:38.640 --> 0:25:42.320
<v Speaker 3>long string of bad past relationships. So I've kind of

0:25:42.340 --> 0:25:44.480
<v Speaker 3>hit a wall. I don't really know what else to

0:25:44.500 --> 0:25:46.720
<v Speaker 3>tell her besides, you know, don't settle if it doesn't

0:25:46.770 --> 0:25:50.389
<v Speaker 3>feel good. I think it's totally fine for people to

0:25:50.430 --> 0:25:53.770
<v Speaker 3>admit they're just in a different stage of life. But

0:25:54.050 --> 0:25:56.990
<v Speaker 3>how would you navigate this conversation and give her better

0:25:57.050 --> 0:26:03.140
<v Speaker 3>support without overstepping or hurting her feelings um anyways thanks love.

0:26:03.960 --> 0:26:07.119
<v Speaker 1>You guys okay complicated issue kp sax thoughts.

0:26:07.320 --> 0:26:09.720
<v Speaker 4>Right to me on this right to you uh people

0:26:09.760 --> 0:26:13.800
<v Speaker 4>can be wonderful humans and they can also not love

0:26:13.840 --> 0:26:16.119
<v Speaker 4>you in the way that you deserve and those are

0:26:16.200 --> 0:26:21.609
<v Speaker 4>two separate things to consider so this man in this

0:26:21.650 --> 0:26:23.410
<v Speaker 4>woman's life might be wonderful. And all of those things

0:26:23.470 --> 0:26:25.229
<v Speaker 4>are true. And I'm sure all of the reasons that

0:26:25.250 --> 0:26:28.490
<v Speaker 4>she cares about him are valid and important and worth considering.

0:26:28.950 --> 0:26:30.930
<v Speaker 4>Now that does not mean he's loving her in a

0:26:30.950 --> 0:26:34.800
<v Speaker 4>way that she deserves or that is right. And she

0:26:34.840 --> 0:26:37.580
<v Speaker 4>deserves both of those things. She deserves someone that she

0:26:37.619 --> 0:26:39.800
<v Speaker 4>loves and someone who loves her in a way that

0:26:39.859 --> 0:26:44.300
<v Speaker 4>she loves. Wow. And it's very, it's very hard to

0:26:44.440 --> 0:26:46.800
<v Speaker 4>choose something that isn't actively choosing you. And it doesn't

0:26:46.820 --> 0:26:48.719
<v Speaker 4>sound like he's actively choosing her in the way that

0:26:48.740 --> 0:26:51.359
<v Speaker 4>she wants. And that's, really hard. So I'm not sure

0:26:51.380 --> 0:26:52.600
<v Speaker 4>that she can tell her friend what to do, but

0:26:52.640 --> 0:26:54.550
<v Speaker 4>she can certainly support her friend through a difficult thing.

0:26:54.570 --> 0:26:56.550
<v Speaker 4>And hopefully she'll arrive at a decision that is showing

0:26:56.570 --> 0:26:57.070
<v Speaker 4>herself love.

0:26:57.090 --> 0:27:01.590
<v Speaker 1>I think it's phenomenal advice. Sometimes as a friend of

0:27:01.609 --> 0:27:04.949
<v Speaker 1>a person that you're seeing go through a situation, the

0:27:04.990 --> 0:27:10.420
<v Speaker 1>best advice sometimes is to say nothing, let them live

0:27:10.480 --> 0:27:13.080
<v Speaker 1>their life and experience the thing, the good, the bad,

0:27:13.119 --> 0:27:18.000
<v Speaker 1>the ugly, and be there to support them after they've

0:27:18.020 --> 0:27:19.700
<v Speaker 1>gone through the journey that they have to go on.

0:27:20.570 --> 0:27:22.109
<v Speaker 1>In this case, I think the friend is committed. She

0:27:22.130 --> 0:27:24.119
<v Speaker 1>wants to be with this guy. She's going to. It

0:27:24.130 --> 0:27:27.600
<v Speaker 1>doesn't matter. All the things you just said are true.

0:27:28.560 --> 0:27:30.920
<v Speaker 1>But as a friend, you're not going to be able

0:27:30.960 --> 0:27:33.419
<v Speaker 1>to tell her that. She just has to live it

0:27:33.600 --> 0:27:41.159
<v Speaker 1>and figure out afterwards where she's going to receive her

0:27:41.280 --> 0:27:43.119
<v Speaker 1>healing from. And that's probably going to be from her

0:27:43.140 --> 0:27:46.010
<v Speaker 1>best friend. And I think also getting advice from too

0:27:46.050 --> 0:27:50.070
<v Speaker 1>many people can be... It gets wacky. It gets weird.

0:27:50.310 --> 0:27:52.850
<v Speaker 1>Everybody will be like, well. But also the thing happens,

0:27:53.109 --> 0:27:55.850
<v Speaker 1>which is always tough when friends start to chime in

0:27:55.869 --> 0:27:58.520
<v Speaker 1>and say like, oh yeah, I really never liked that

0:27:58.540 --> 0:28:00.740
<v Speaker 1>thing about this guy. Then you stay with the person.

0:28:01.500 --> 0:28:02.919
<v Speaker 1>That always lasts. That never lasts well.

0:28:02.940 --> 0:28:04.580
<v Speaker 2>I think you're doing a good job, but you just

0:28:04.600 --> 0:28:07.320
<v Speaker 2>got to let her do her thing and I think

0:28:07.960 --> 0:28:08.439
<v Speaker 2>be supportive.

0:28:08.840 --> 0:28:11.120
<v Speaker 5>The hard part is, as the friend, that you're sitting

0:28:11.140 --> 0:28:14.110
<v Speaker 5>there through the venting. You're just like, you seem unhappy,

0:28:14.750 --> 0:28:17.920
<v Speaker 5>but you're, you know, like it's that weird, like middle ground.

0:28:18.060 --> 0:28:21.300
<v Speaker 4>But to Nick's point, like listen and without fixing.

0:28:21.940 --> 0:28:23.100
<v Speaker 1>Listen when it's happening. Yeah.

0:28:23.119 --> 0:28:24.900
<v Speaker 4>Hard to just, hard to just listen and be there

0:28:24.960 --> 0:28:27.920
<v Speaker 4>and not try and fix anything. Cause sometimes your point,

0:28:27.960 --> 0:28:31.970
<v Speaker 4>it like, it, it usually doesn't work and sometimes makes

0:28:32.030 --> 0:28:34.650
<v Speaker 4>it worse. Even if you have the right idea, you're

0:28:34.670 --> 0:28:36.149
<v Speaker 4>good at that. You've, you've shown up for me in

0:28:36.190 --> 0:28:36.550
<v Speaker 4>that way.

0:28:36.990 --> 0:28:37.210
<v Speaker 1>Yeah.

0:28:37.250 --> 0:28:38.650
<v Speaker 4>In similar circumstances.

0:28:39.790 --> 0:28:44.190
<v Speaker 1>Well, I wish your friend the best to our, our lovely, uh,

0:28:44.880 --> 0:28:53.840
<v Speaker 1>voicemail caller. Thanks, Hyundai. Thank you, Hyundai. Thanks, Hyundai. And

0:28:54.140 --> 0:28:55.100
<v Speaker 1>we have a show to play, I guess.

0:28:55.280 --> 0:28:55.700
<v Speaker 3>Oh, yeah, we do.

0:28:55.720 --> 0:28:57.130
<v Speaker 2>We have to go write a song first. Well, if

0:28:57.150 --> 0:28:58.770
<v Speaker 2>you don't mind signing the wall behind you, JP, but

0:28:58.790 --> 0:29:00.730
<v Speaker 2>thank you for being on the pod with us. Congratulations

0:29:00.770 --> 0:29:01.190
<v Speaker 2>on the album.

0:29:01.350 --> 0:29:01.870
<v Speaker 1>Congrats on the album.

0:29:01.890 --> 0:29:02.170
<v Speaker 4>Thanks.

0:29:02.250 --> 0:29:04.730
<v Speaker 1>It's so good. Guys, go stream, listen to it, buy it,

0:29:05.130 --> 0:29:07.150
<v Speaker 1>wherever you can. And go see him live. Okay, piano gang.

0:29:07.170 --> 0:29:08.360
<v Speaker 1>Love you a lot.

0:29:08.780 --> 0:29:08.980
<v Speaker 2>Love you.

0:29:08.990 --> 0:29:09.200
<v Speaker 1>JP Sachs.