1 00:00:01,000 --> 00:00:04,800 Speaker 1: Look man, oh, I see you. Why why and look 2 00:00:04,840 --> 00:00:11,400 Speaker 1: over there? How is that culture? Yes, goodness, let's ding dong, 3 00:00:13,840 --> 00:00:17,240 Speaker 1: Big week, Big week. Jester, you have done it again. 4 00:00:17,480 --> 00:00:20,800 Speaker 1: I'm talking to you, Hey, clown, Jester, you've done it again, 5 00:00:21,040 --> 00:00:24,480 Speaker 1: constantly raising the bar for the circus, for the circus. Wait, 6 00:00:24,560 --> 00:00:26,599 Speaker 1: I have to really talk to you, though, because Jester, 7 00:00:26,760 --> 00:00:30,160 Speaker 1: you have done it again. Jester, what are you talking about? Jester? 8 00:00:30,840 --> 00:00:33,840 Speaker 1: When you said the way you said several weeks ago 9 00:00:33,880 --> 00:00:36,600 Speaker 1: that there was always something about Katherine McPhee you couldn't 10 00:00:36,600 --> 00:00:40,360 Speaker 1: put your finger on oh babe, the way you said 11 00:00:40,400 --> 00:00:44,480 Speaker 1: that we should be calling miss Katherine McPhee. Hey, clown, Jess, 12 00:00:44,560 --> 00:00:47,160 Speaker 1: could you've done it again? When we saw her damn 13 00:00:47,200 --> 00:00:50,840 Speaker 1: five hundred dollar donation to the Republican Party as of June, 14 00:00:50,960 --> 00:00:54,320 Speaker 1: I had to stop and really think about that, and 15 00:00:54,360 --> 00:00:56,760 Speaker 1: I had to think, but does it surprise you? Does 16 00:00:56,760 --> 00:00:58,720 Speaker 1: it surprise you? The women? The woman is married to 17 00:00:58,840 --> 00:01:03,120 Speaker 1: David Foster. I heard on the set of Smash she 18 00:01:03,200 --> 00:01:08,520 Speaker 1: would often act conservative wow, and conservative behavior aligns with 19 00:01:08,600 --> 00:01:12,200 Speaker 1: conservative values. Wait, hold on, I have to say that 20 00:01:12,319 --> 00:01:14,840 Speaker 1: showed me when I found out, and so much has 21 00:01:14,840 --> 00:01:17,319 Speaker 1: shaken me over the past several weeks. But why would 22 00:01:17,319 --> 00:01:19,280 Speaker 1: it shake you? Why would it shake you? Matt that 23 00:01:19,400 --> 00:01:24,560 Speaker 1: like this like white woman like is not like politically 24 00:01:24,720 --> 00:01:27,960 Speaker 1: like aligned with you with your interests. Like I don't 25 00:01:28,080 --> 00:01:30,560 Speaker 1: like hearing it. I don't like hearing it about any 26 00:01:30,680 --> 00:01:35,640 Speaker 1: boco Alum. I don't like hearing it ultimately about Boko Alum. 27 00:01:35,680 --> 00:01:38,520 Speaker 1: I don't like hearing that any boco Alum has been 28 00:01:38,560 --> 00:01:41,959 Speaker 1: donating to the Republican Party. Wait. I was really like 29 00:01:42,480 --> 00:01:44,319 Speaker 1: shocked by this because I guess what it is is 30 00:01:44,360 --> 00:01:46,120 Speaker 1: it's like she's an idiot. We should just first of 31 00:01:46,120 --> 00:01:49,200 Speaker 1: all say that she's always been stupid. She's a dumb 32 00:01:49,320 --> 00:01:53,120 Speaker 1: person to now. But now to me, it's like, obviously 33 00:01:53,240 --> 00:01:55,360 Speaker 1: that was something I want to know. Did the gay 34 00:01:55,400 --> 00:01:59,040 Speaker 1: who does her Twitter? Did he quit? Because he's got 35 00:01:59,120 --> 00:02:01,760 Speaker 1: to go, well wait, what what? What? Why does that matter? 36 00:02:02,280 --> 00:02:05,520 Speaker 1: Because he can't be associated whoever this gay is that 37 00:02:05,600 --> 00:02:08,239 Speaker 1: runs her Twitter? And there's a gay who runs her Twitter, 38 00:02:08,320 --> 00:02:11,720 Speaker 1: and it has to be because she sometimes does like 39 00:02:11,840 --> 00:02:13,720 Speaker 1: come through with some tweets that I'm like, all right, 40 00:02:13,840 --> 00:02:16,280 Speaker 1: and whoever she's employing to do that, I hope puts 41 00:02:16,280 --> 00:02:18,560 Speaker 1: in their two weeks. Notice if if that two week's 42 00:02:18,560 --> 00:02:20,480 Speaker 1: notice is not accepted. I hope they walked right out. 43 00:02:20,600 --> 00:02:23,560 Speaker 1: There was just the joke of him a little log 44 00:02:23,600 --> 00:02:27,040 Speaker 1: cabin Republican. I love that, Hi, my gay boys. And 45 00:02:27,080 --> 00:02:29,000 Speaker 1: now that I think that she said, how Hi, my 46 00:02:29,120 --> 00:02:31,799 Speaker 1: gay boys, I'm like, get, don't ever speak to us again. 47 00:02:31,880 --> 00:02:34,160 Speaker 1: Nothing has ever made sense with her, do you know 48 00:02:34,200 --> 00:02:37,800 Speaker 1: what I mean? It's like something's off, something's off. I mean, 49 00:02:38,240 --> 00:02:40,160 Speaker 1: this just means that you gotta be You gotta be 50 00:02:40,200 --> 00:02:43,320 Speaker 1: a Megan Hilty person at this point. From this point on, Oh, 51 00:02:43,400 --> 00:02:46,360 Speaker 1: if you're not Megan Hilty hive then we can't talk. 52 00:02:46,480 --> 00:02:49,480 Speaker 1: We can't talk. If you were still waffling between Team 53 00:02:49,560 --> 00:02:53,880 Speaker 1: Karen and Team Ivey, you gotta take a serious long walk. 54 00:02:54,000 --> 00:02:57,440 Speaker 1: And that's actually real culture number ninety four. If you 55 00:02:57,520 --> 00:03:02,920 Speaker 1: are still waffling between Team Hi and Team Karen, you 56 00:03:02,960 --> 00:03:07,120 Speaker 1: need to take a long walk. It's right there in 57 00:03:07,160 --> 00:03:10,320 Speaker 1: the name Team Karen. Now I really want to sort 58 00:03:10,320 --> 00:03:12,760 Speaker 1: of switch gears and I I am Oh my god, 59 00:03:12,760 --> 00:03:16,000 Speaker 1: her name was Karen. It all makes sense. Jester, you 60 00:03:16,040 --> 00:03:18,880 Speaker 1: have done it again. Jester, you've done it again. I 61 00:03:18,880 --> 00:03:22,800 Speaker 1: want to such gears real fast. Speaking of jesters, I'm 62 00:03:22,840 --> 00:03:26,119 Speaker 1: finally on your side on Team Matt with the whole 63 00:03:26,200 --> 00:03:29,080 Speaker 1: vow discourse, because I can't believe we're still We're on 64 00:03:29,120 --> 00:03:32,840 Speaker 1: episode five. We've we've only crested the hill. There's four 65 00:03:32,919 --> 00:03:35,240 Speaker 1: more episodes left. And I was talking to our friend 66 00:03:35,320 --> 00:03:38,640 Speaker 1: Joe Firestone about this over text. Too many shots of 67 00:03:38,760 --> 00:03:41,880 Speaker 1: people thinking and standing and putting their hands to their mouths, 68 00:03:41,880 --> 00:03:43,880 Speaker 1: too many shots of people thinking, girl, this is not 69 00:03:43,920 --> 00:03:47,160 Speaker 1: a game show. Okay, I don't want to see people 70 00:03:47,160 --> 00:03:50,240 Speaker 1: think it's full of jesters. It's gestures that are making 71 00:03:50,280 --> 00:03:52,680 Speaker 1: the vow. I'm really on my ad jester grind today. 72 00:03:52,920 --> 00:03:55,160 Speaker 1: I feel that I feel the nation as full of 73 00:03:55,280 --> 00:03:58,320 Speaker 1: jesters and I'm not. Yeah, let's just say this. I 74 00:03:58,320 --> 00:04:00,360 Speaker 1: am a hundred percent and agree with you about a vow. 75 00:04:00,520 --> 00:04:02,520 Speaker 1: And I actually haven't even seen the episode this week 76 00:04:02,560 --> 00:04:05,760 Speaker 1: because it got such any reviews that I was just like, 77 00:04:05,960 --> 00:04:07,400 Speaker 1: you know, a girl, I'm actually going to take a 78 00:04:07,400 --> 00:04:09,360 Speaker 1: little bit of a break and maybe binge it later. 79 00:04:09,520 --> 00:04:11,320 Speaker 1: But that actually sounds like a bad plan because it's 80 00:04:11,360 --> 00:04:15,119 Speaker 1: so boring. It just has these like long stretches of tension, 81 00:04:15,320 --> 00:04:17,040 Speaker 1: but the rest of it is just like you're watching 82 00:04:17,080 --> 00:04:20,320 Speaker 1: people like flip through photo albums and like talk about 83 00:04:20,360 --> 00:04:23,560 Speaker 1: how they're rich mothers talking about their daughters being like 84 00:04:23,640 --> 00:04:26,120 Speaker 1: part of this. It's like I cannot sympathize with the 85 00:04:26,160 --> 00:04:29,559 Speaker 1: wealthy at this time in the culture. I'm sorry. I 86 00:04:29,600 --> 00:04:33,760 Speaker 1: totally agree. And right now I feel like we have 87 00:04:33,800 --> 00:04:37,000 Speaker 1: been because we've been topical because of the COVID nineteen pandemic. 88 00:04:37,600 --> 00:04:39,640 Speaker 1: We've been sort of following the VOWE and we've also 89 00:04:39,720 --> 00:04:42,719 Speaker 1: been following The Real Housewives of Potomac, which this week 90 00:04:42,920 --> 00:04:46,800 Speaker 1: was really on fire, really great. It really was on fire, 91 00:04:46,839 --> 00:04:49,400 Speaker 1: and we saw the beginning, we saw the actual beginning 92 00:04:49,400 --> 00:04:51,919 Speaker 1: of the physical altercation that was Candace and Monique. And 93 00:04:51,960 --> 00:04:54,799 Speaker 1: I think we can reveal at this time that Bowen 94 00:04:54,920 --> 00:04:57,920 Speaker 1: Yang will be on watched What Happens Live with Miss 95 00:04:57,960 --> 00:05:02,240 Speaker 1: Monique Samuels, and this is much for me. It's Watching 96 00:05:02,279 --> 00:05:04,880 Speaker 1: Happens Live is my favorite show. It's my favorite show. 97 00:05:05,360 --> 00:05:10,240 Speaker 1: I'm very excited. October four, Oh, Han, it's it's going 98 00:05:10,279 --> 00:05:11,960 Speaker 1: to be with Wait did you say who I was 99 00:05:12,000 --> 00:05:13,719 Speaker 1: going to be with? I said, I said it was 100 00:05:13,760 --> 00:05:17,440 Speaker 1: with Monique. Monique, Monique Samuels, the villain of the season. 101 00:05:17,680 --> 00:05:20,600 Speaker 1: Sympathetic though in a lot of ways, I'm actually still 102 00:05:20,640 --> 00:05:22,720 Speaker 1: team Monique. It's storylines that sort of go back to 103 00:05:22,760 --> 00:05:24,960 Speaker 1: season four. I would say, you know, like the Monique 104 00:05:25,279 --> 00:05:29,520 Speaker 1: the Monique Candice conflict has been sort of brewing. I'm 105 00:05:29,560 --> 00:05:32,920 Speaker 1: still team Monique, I'm still you know, but I can 106 00:05:33,040 --> 00:05:35,080 Speaker 1: I can sort of see where Candice is coming from too. 107 00:05:35,560 --> 00:05:37,800 Speaker 1: So Candice last night on Watch What Happens Lives on 108 00:05:37,880 --> 00:05:40,080 Speaker 1: Watch What Happens Live was paired with Michael Rappaport, which 109 00:05:40,240 --> 00:05:42,359 Speaker 1: that was very funny. But Michael knew the ins and 110 00:05:42,440 --> 00:05:44,680 Speaker 1: out of all of Potomac, all of Beverly Hills. He's 111 00:05:44,680 --> 00:05:47,320 Speaker 1: like he's the number one Bravo fan in all of 112 00:05:47,360 --> 00:05:52,520 Speaker 1: the country. Yes, um, so, you know, And I gotta say, 113 00:05:52,560 --> 00:05:56,120 Speaker 1: like Candice, the reason why Potomac is my favorite franchise 114 00:05:56,200 --> 00:05:59,200 Speaker 1: is because I truly am rooting genuinely for all seventy 115 00:05:59,200 --> 00:06:01,120 Speaker 1: of these women. I love of all seven of these 116 00:06:01,120 --> 00:06:03,520 Speaker 1: women so much. It's not like New York, where I'm 117 00:06:03,560 --> 00:06:05,839 Speaker 1: just like God, I want to push Ramona into a sewer. 118 00:06:05,920 --> 00:06:08,400 Speaker 1: I want to. I want to take away her, her 119 00:06:08,520 --> 00:06:11,000 Speaker 1: her her things. I want to I want to watch 120 00:06:11,000 --> 00:06:13,800 Speaker 1: her suffer. But with Potomac, it's like, oh, I love 121 00:06:13,920 --> 00:06:16,119 Speaker 1: all of these women. I know it's hard to watch 122 00:06:16,160 --> 00:06:18,560 Speaker 1: them fight. And also we haven't even discussed the fact 123 00:06:18,600 --> 00:06:21,640 Speaker 1: that the of the Michael and Ashley of it all, 124 00:06:22,120 --> 00:06:25,240 Speaker 1: that that scene was too much for me to take 125 00:06:25,320 --> 00:06:26,920 Speaker 1: him out. We don't need to see him, we don't 126 00:06:26,920 --> 00:06:29,640 Speaker 1: need to see his blotchy ass face. I'm gonna revisit 127 00:06:29,680 --> 00:06:31,440 Speaker 1: this later and I don't think so, honey, And that's 128 00:06:31,560 --> 00:06:35,560 Speaker 1: that on that right now. But um, we will talk 129 00:06:35,600 --> 00:06:37,599 Speaker 1: more about that when when I don't think so Honey 130 00:06:37,640 --> 00:06:39,960 Speaker 1: rolls the damn around like it always does on an 131 00:06:39,960 --> 00:06:41,920 Speaker 1: episode of Last Culture Access. And you know what also 132 00:06:41,960 --> 00:06:45,600 Speaker 1: always happens on Lost Culture as this what's that? Well, 133 00:06:45,600 --> 00:06:47,640 Speaker 1: it's actually not true. But what I was gonna say 134 00:06:47,720 --> 00:06:50,640 Speaker 1: is we always have a guest and this episode is 135 00:06:50,760 --> 00:06:53,760 Speaker 1: no different. You've done it again, Jester, I have done 136 00:06:53,760 --> 00:06:59,760 Speaker 1: it again. And speaking of Jester. Interesting, Um, this episode 137 00:06:59,760 --> 00:07:02,200 Speaker 1: we have today, this is an episode that's close to 138 00:07:02,240 --> 00:07:08,880 Speaker 1: my heart because very rarely actually become I feel like 139 00:07:09,240 --> 00:07:13,160 Speaker 1: so close with someone so quickly. And I actually haven't 140 00:07:13,160 --> 00:07:16,720 Speaker 1: seen our guests since we wrapped filming the show that 141 00:07:16,800 --> 00:07:19,160 Speaker 1: we have coming out this week, or I should really 142 00:07:19,160 --> 00:07:21,120 Speaker 1: more say that she has coming out this week because 143 00:07:21,440 --> 00:07:24,920 Speaker 1: the show was inspired, well, I'm hosting, I'm presenting the 144 00:07:24,960 --> 00:07:29,720 Speaker 1: program and this show. She's the torres to urtical buyer 145 00:07:30,160 --> 00:07:33,520 Speaker 1: in many ways, in many ways. And then Robin did 146 00:07:33,680 --> 00:07:36,960 Speaker 1: is there being Robin dead and killing it? By the way, 147 00:07:37,080 --> 00:07:40,160 Speaker 1: let's stop everything right now. We have to stop everything 148 00:07:40,240 --> 00:07:43,440 Speaker 1: right now and say, Robin Poe, that was one of 149 00:07:43,480 --> 00:07:50,080 Speaker 1: the best Emmy looks I have ever the best waymon 150 00:07:50,160 --> 00:07:54,000 Speaker 1: and Micah dressed that young woman, and I have to 151 00:07:54,000 --> 00:07:57,040 Speaker 1: say something. They also styled us for our show call 152 00:07:57,160 --> 00:08:01,040 Speaker 1: oh my God, hot dog now dog. Guess I've alluded 153 00:08:01,080 --> 00:08:04,840 Speaker 1: to on the podcast is coming out this week. It's 154 00:08:04,840 --> 00:08:09,160 Speaker 1: coming out on septembery, which is truly tomorrow or actually 155 00:08:09,200 --> 00:08:12,880 Speaker 1: honestly midnight tonight. I can't wait. I cannot wait to 156 00:08:12,920 --> 00:08:16,480 Speaker 1: watch that. Can you even believe I have been I 157 00:08:16,480 --> 00:08:19,880 Speaker 1: would say, just as excited as you for this. Wow, 158 00:08:19,920 --> 00:08:23,360 Speaker 1: that's huge. I've been pretty excited. I've been pretty excited. 159 00:08:23,480 --> 00:08:25,720 Speaker 1: I've brought it up sort of casually in our conversations. 160 00:08:25,720 --> 00:08:27,520 Speaker 1: I'm like, I can't wait to watch the Stamp show. 161 00:08:27,840 --> 00:08:29,720 Speaker 1: I think that you'll really enjoy it. Even if I 162 00:08:29,760 --> 00:08:31,840 Speaker 1: wasn't in it, I think that you would like love it. 163 00:08:31,880 --> 00:08:33,840 Speaker 1: So we actually just and I got to watch the 164 00:08:33,840 --> 00:08:36,600 Speaker 1: first episode today and it is really fun and it's 165 00:08:36,679 --> 00:08:39,160 Speaker 1: really watchable. It's going to be super binge able, and 166 00:08:39,200 --> 00:08:42,079 Speaker 1: you'll be able to binge it when six episodes are 167 00:08:42,080 --> 00:08:46,400 Speaker 1: released at midnight tonight a septemb Um Thursday, for people 168 00:08:46,400 --> 00:08:48,319 Speaker 1: who have decided they were going to sleep tonight and 169 00:08:48,720 --> 00:08:50,560 Speaker 1: wait and wake up in the morning and watch it 170 00:08:50,720 --> 00:08:53,280 Speaker 1: before they, um, you know, get on their zooms for work. 171 00:08:53,320 --> 00:08:55,320 Speaker 1: And it also will be available at night if you'd 172 00:08:55,320 --> 00:08:57,960 Speaker 1: like to do your zoom work first and then start 173 00:08:58,000 --> 00:08:59,520 Speaker 1: to binge the show. So there's so many ways you 174 00:08:59,520 --> 00:09:03,800 Speaker 1: can go about watching Hot Dog on September twenty this week. Um. 175 00:09:03,840 --> 00:09:07,160 Speaker 1: But what it is is it's a dog grooming competition show. 176 00:09:07,720 --> 00:09:11,440 Speaker 1: And that is apt because our guest today is a 177 00:09:11,520 --> 00:09:15,600 Speaker 1: legend in the dog grooming industry. And I actually was 178 00:09:15,880 --> 00:09:19,320 Speaker 1: privy to all the contestants on the show, sort of 179 00:09:19,640 --> 00:09:23,520 Speaker 1: gagging over our guest here today, who is the head judge. 180 00:09:23,559 --> 00:09:27,440 Speaker 1: She's like the the grooming expert, and Robin Deady is 181 00:09:27,440 --> 00:09:30,520 Speaker 1: the hot expert, like she's judging based on trends and 182 00:09:30,559 --> 00:09:34,640 Speaker 1: fashion and all that. But not only is our and 183 00:09:34,679 --> 00:09:36,480 Speaker 1: I'm the host and I'm like sort of like gay 184 00:09:36,480 --> 00:09:41,160 Speaker 1: and squawking and walking around and so this is so 185 00:09:41,240 --> 00:09:42,640 Speaker 1: fun and I can't wait for you guys to watch 186 00:09:42,720 --> 00:09:45,240 Speaker 1: six episodes that come out this week. And in addition 187 00:09:45,280 --> 00:09:47,439 Speaker 1: to all that, our guest is an author you can 188 00:09:47,440 --> 00:09:51,280 Speaker 1: get Jeff Roona's groomed. It will look perfect on your 189 00:09:51,400 --> 00:09:57,120 Speaker 1: coffee table reader, I know, and a powerful Instagram influencer. Okay, 190 00:09:57,320 --> 00:10:01,360 Speaker 1: she actually revolutionized something called giving dogs there Beyonce moment. 191 00:10:01,480 --> 00:10:03,720 Speaker 1: Have you seen the wind machine? The wind machine in 192 00:10:03,760 --> 00:10:09,040 Speaker 1: the music Essential and making the dogs look like true dolls. 193 00:10:09,280 --> 00:10:13,760 Speaker 1: She's an artist, She's a true artist. Phenomenon icon and 194 00:10:14,280 --> 00:10:17,880 Speaker 1: our guests today and I want you all to welcome 195 00:10:18,280 --> 00:10:21,560 Speaker 1: into your ears at this time, my friend, do you wonderful? 196 00:10:22,280 --> 00:10:28,760 Speaker 1: Just Rona, come on in, woman, Wow, are you giving 197 00:10:28,760 --> 00:10:33,559 Speaker 1: yourself your own applause? I've always wanted to do that. Honestly, 198 00:10:33,720 --> 00:10:37,320 Speaker 1: you're actually giving me always wanted to do that. That's 199 00:10:37,320 --> 00:10:38,839 Speaker 1: a really good idea for us. Maybe we should put 200 00:10:38,840 --> 00:10:41,320 Speaker 1: in a little sound effect every time we have a guest. Yes, 201 00:10:41,559 --> 00:10:43,400 Speaker 1: we should. We should have a sounding board. We should 202 00:10:43,400 --> 00:10:46,400 Speaker 1: have a thing we've always wanted, always wanted to do that? 203 00:10:46,520 --> 00:10:50,079 Speaker 1: Am I inspiring? You guys, Yes, look at this fount 204 00:10:50,120 --> 00:10:54,800 Speaker 1: of creativity that you have been already what I was saying, 205 00:10:54,840 --> 00:10:58,600 Speaker 1: I was saying, she's a found, she's found. Wait, I 206 00:10:58,600 --> 00:11:02,600 Speaker 1: have to tell you something. What you guys not ruined, 207 00:11:02,679 --> 00:11:05,760 Speaker 1: but you inspired me to not love the vow either. 208 00:11:07,000 --> 00:11:08,600 Speaker 1: What do you mean? Were you were you like very 209 00:11:08,679 --> 00:11:10,560 Speaker 1: much into it and then you heard us kind of 210 00:11:10,600 --> 00:11:13,400 Speaker 1: like be dour And I wasn't ever very much into it, 211 00:11:13,440 --> 00:11:16,240 Speaker 1: but I felt like maybe there was something missing or 212 00:11:16,320 --> 00:11:19,280 Speaker 1: just it was so slow. I was enjoying it and 213 00:11:19,320 --> 00:11:22,200 Speaker 1: looking forward to each episode. But after the third episode 214 00:11:22,320 --> 00:11:24,760 Speaker 1: I listened to your episode where you guys started talking 215 00:11:24,760 --> 00:11:26,600 Speaker 1: about it, and I was like, holy sh it, they 216 00:11:26,600 --> 00:11:30,400 Speaker 1: are right, Like it's it's like boring and slow and 217 00:11:30,400 --> 00:11:32,520 Speaker 1: and it's like I want I like, but I like 218 00:11:32,640 --> 00:11:35,040 Speaker 1: when Matt was like, I love how it's like the 219 00:11:35,200 --> 00:11:38,559 Speaker 1: voiceover over that visual which was really cool and it's 220 00:11:38,559 --> 00:11:41,480 Speaker 1: not like a percent bad. But yeah, I'm just kind 221 00:11:41,520 --> 00:11:43,920 Speaker 1: of like, I'm disappointed in it because I totally listened 222 00:11:43,920 --> 00:11:47,719 Speaker 1: to the Uncovered Nexum podcast. Did you guys listen to that? 223 00:11:48,360 --> 00:11:50,280 Speaker 1: I didn't. I don't think Matt either, But you so 224 00:11:50,400 --> 00:11:53,719 Speaker 1: you're getting the full like compar already knew the story. 225 00:11:53,760 --> 00:11:56,600 Speaker 1: This is a new spin on the story. But yeah, 226 00:11:56,640 --> 00:11:59,640 Speaker 1: I'm with you, guys. Yeah, I have to say like 227 00:12:00,080 --> 00:12:03,000 Speaker 1: it just it doesn't take a lot for me to 228 00:12:03,080 --> 00:12:06,120 Speaker 1: be like I stand this show about not being an 229 00:12:06,120 --> 00:12:08,760 Speaker 1: a cult. Like I watched a lot of Scientology in 230 00:12:08,760 --> 00:12:11,839 Speaker 1: the aftermath because I but the thing is but that's 231 00:12:11,840 --> 00:12:17,280 Speaker 1: because you and I'm telling you it needs a Leah. 232 00:12:17,880 --> 00:12:23,679 Speaker 1: It needs it does because Leah is so upset and 233 00:12:23,760 --> 00:12:27,840 Speaker 1: she just cares about these people. Did you guys see 234 00:12:27,840 --> 00:12:30,720 Speaker 1: the Paris Hilton doc? No? Oh my god? Wait did 235 00:12:30,760 --> 00:12:33,319 Speaker 1: you watch it? Can you talk about it? Waitoen? Did 236 00:12:33,320 --> 00:12:36,760 Speaker 1: you watch it? I just before this recording watched an 237 00:12:36,800 --> 00:12:39,680 Speaker 1: interview of Paris Hilton on The Drew Barrymore Show, and 238 00:12:39,720 --> 00:12:42,880 Speaker 1: it was just like, show, I have to I want 239 00:12:42,920 --> 00:12:46,480 Speaker 1: to see that. It's it's surreal, it's it's it sort 240 00:12:46,520 --> 00:12:50,599 Speaker 1: of harkens back to like Tyra Banks's daytime sort of intent. 241 00:12:51,000 --> 00:12:54,240 Speaker 1: But so wait, Jess, did you watch it? Yes? Um, 242 00:12:54,280 --> 00:12:58,520 Speaker 1: I watched. Well, I can see where you would think 243 00:12:58,520 --> 00:13:01,040 Speaker 1: it would be like a victim thing, but it's sort 244 00:13:01,080 --> 00:13:04,800 Speaker 1: of something where she's like, I've become a character. This 245 00:13:04,880 --> 00:13:08,000 Speaker 1: isn't me um, and I don't want to be this anymore. 246 00:13:08,559 --> 00:13:10,240 Speaker 1: I think she could have leaned into that a little 247 00:13:10,240 --> 00:13:12,240 Speaker 1: bit more, but it is I just my heart goes 248 00:13:12,280 --> 00:13:17,520 Speaker 1: out to her because, um, she has these horrible, NonStop 249 00:13:17,679 --> 00:13:21,120 Speaker 1: nightmares of being dragged out of her room, um and 250 00:13:21,160 --> 00:13:23,720 Speaker 1: taken to boarding school, and I think I think that 251 00:13:23,800 --> 00:13:26,199 Speaker 1: actually happened, and her parents were just standing there and 252 00:13:26,200 --> 00:13:28,240 Speaker 1: they didn't do anything, and they dragged her out of 253 00:13:28,240 --> 00:13:30,559 Speaker 1: her room. She was like, help me, and they didn't 254 00:13:30,559 --> 00:13:33,920 Speaker 1: do anything. And she went to this boarding school where 255 00:13:33,960 --> 00:13:36,880 Speaker 1: the people who were in this boarding school are now 256 00:13:36,960 --> 00:13:40,800 Speaker 1: calling themselves survivors of it because it was so they 257 00:13:40,800 --> 00:13:46,520 Speaker 1: were abused sexually, physically, emotionally in front of everyone. It's 258 00:13:46,600 --> 00:13:51,679 Speaker 1: they keep using the word traumatized and it sounds horrible. 259 00:13:52,400 --> 00:13:56,600 Speaker 1: And also, you know, she talks about how the sex 260 00:13:56,640 --> 00:13:59,160 Speaker 1: tape came out when she was eighteen. She did not 261 00:13:59,400 --> 00:14:02,760 Speaker 1: consent to it, and she's like, it seems it feels 262 00:14:02,800 --> 00:14:06,760 Speaker 1: like I was raped, like it was like a cyber rape. 263 00:14:07,120 --> 00:14:09,200 Speaker 1: She's like, it seems like I was raped like this, 264 00:14:09,400 --> 00:14:11,679 Speaker 1: and can you imagine? And she's like, I can't trust 265 00:14:11,720 --> 00:14:14,400 Speaker 1: my parents. I can't trust my family. I can't trust 266 00:14:14,400 --> 00:14:18,360 Speaker 1: anybody anymore. And it's like just imagine, yes, of course 267 00:14:18,400 --> 00:14:20,840 Speaker 1: she created her reality and all that, but you know, 268 00:14:20,960 --> 00:14:23,480 Speaker 1: she's just I just feel my heart really goes out 269 00:14:23,520 --> 00:14:25,800 Speaker 1: to her and she seems like such a good person. 270 00:14:26,040 --> 00:14:30,920 Speaker 1: Like I recommend watching this. I have heard that, Um, 271 00:14:31,000 --> 00:14:35,320 Speaker 1: she comes off as someone who is who makes a 272 00:14:35,320 --> 00:14:38,720 Speaker 1: lot more sense after after someone would watch it, because 273 00:14:39,080 --> 00:14:42,080 Speaker 1: exactly what you're saying is true. I mean, that is 274 00:14:42,120 --> 00:14:45,680 Speaker 1: a sexual assault. I mean when someone's when someone's nudes leak, 275 00:14:45,920 --> 00:14:48,040 Speaker 1: and like we're just so desensitized to it, like the 276 00:14:48,040 --> 00:14:50,400 Speaker 1: whole sex tape of it all, and like there's so 277 00:14:50,440 --> 00:14:52,760 Speaker 1: much questioning about how those things get out there and 278 00:14:52,840 --> 00:14:55,480 Speaker 1: like what the intentions are of the person in them 279 00:14:56,000 --> 00:14:58,360 Speaker 1: or did they release them whatever. And I feel like 280 00:14:58,560 --> 00:15:02,320 Speaker 1: because they quote unquote gains so much from those releases 281 00:15:02,400 --> 00:15:05,200 Speaker 1: in the eyes of the public, because we think fame 282 00:15:05,280 --> 00:15:09,200 Speaker 1: is everything. Um, we're not actually thinking about and considering 283 00:15:09,280 --> 00:15:12,640 Speaker 1: like the trauma that that is. And I think that 284 00:15:12,720 --> 00:15:16,800 Speaker 1: you know, it was only when Jennifer Lawrence's nude photos 285 00:15:16,880 --> 00:15:20,800 Speaker 1: leaked that someone that was in that that it was 286 00:15:20,840 --> 00:15:24,320 Speaker 1: happening to use the words sexual assault and that they 287 00:15:24,360 --> 00:15:27,240 Speaker 1: felt like they were being raped and that makes perfect 288 00:15:27,240 --> 00:15:30,320 Speaker 1: sense to me. And I've heard that Kathy Hilton comes 289 00:15:30,360 --> 00:15:37,760 Speaker 1: off really bad. She really does. She just doesn't ever apologize, 290 00:15:38,320 --> 00:15:40,520 Speaker 1: and maybe she did in the interview, but they don't 291 00:15:40,560 --> 00:15:43,440 Speaker 1: put it in the edit, so I don't know. But 292 00:15:43,680 --> 00:15:46,600 Speaker 1: she just wasn't like, listen to me, I love you, 293 00:15:47,080 --> 00:15:49,640 Speaker 1: I'm so sorry this happened to you. I'm in so 294 00:15:49,760 --> 00:15:52,480 Speaker 1: much pain because I know that I caused this and 295 00:15:52,600 --> 00:15:54,840 Speaker 1: she should have. You know, as an audience member, I 296 00:15:54,920 --> 00:15:59,240 Speaker 1: was wishing that she would say something like that, but um, 297 00:15:59,280 --> 00:16:03,280 Speaker 1: you know, and it's yeah, it's just really sad because 298 00:16:03,320 --> 00:16:05,280 Speaker 1: she was an eighteen year old girl and when the 299 00:16:05,360 --> 00:16:08,080 Speaker 1: sex tape came out, it was, oh, look at what 300 00:16:08,160 --> 00:16:11,880 Speaker 1: a slut she is, and never talked about this older 301 00:16:11,920 --> 00:16:15,240 Speaker 1: man who did this to her, and he never really 302 00:16:15,280 --> 00:16:19,160 Speaker 1: was held accountable. Sorry, did this just totally take a turn? 303 00:16:20,080 --> 00:16:24,120 Speaker 1: This is great? This is great. This is great because well, 304 00:16:24,120 --> 00:16:27,280 Speaker 1: because she was saying in this interview Andrew Barrymore that 305 00:16:28,320 --> 00:16:32,480 Speaker 1: the original sort of intention for this dock was just 306 00:16:32,520 --> 00:16:34,640 Speaker 1: to show her as this businesswoman, which which is this 307 00:16:34,680 --> 00:16:36,680 Speaker 1: other thing that she has that she has had to 308 00:16:36,720 --> 00:16:41,480 Speaker 1: sort of like correct for because people have just thought 309 00:16:41,480 --> 00:16:44,720 Speaker 1: of her as this frivolous person um. But that was 310 00:16:44,760 --> 00:16:47,240 Speaker 1: like the original sort of way in. But then she 311 00:16:47,320 --> 00:16:50,160 Speaker 1: and the director got so close that the director was 312 00:16:50,200 --> 00:16:52,320 Speaker 1: able to sort of have pairs O put up to 313 00:16:52,360 --> 00:16:57,640 Speaker 1: her about this really traumatizing experience in a school. Um. 314 00:16:57,840 --> 00:16:59,240 Speaker 1: So yeah, I mean, I just like that it's sort 315 00:16:59,240 --> 00:17:04,240 Speaker 1: of organically came out of this um baseline foundational sort 316 00:17:04,240 --> 00:17:06,639 Speaker 1: of premise that like makes sense and like wouldn't be 317 00:17:06,680 --> 00:17:10,520 Speaker 1: too compelling necessarily, but like, but wow, I mean yeah, 318 00:17:10,560 --> 00:17:13,480 Speaker 1: I mean she she mean Matt and I. Matt and 319 00:17:13,560 --> 00:17:15,720 Speaker 1: I sort of met her. She We didn't sort of 320 00:17:15,760 --> 00:17:20,840 Speaker 1: meet her. We literally met her at a Tribeca Film 321 00:17:20,880 --> 00:17:24,720 Speaker 1: Festival for Vulture. Yeah, we were. We were working for 322 00:17:24,800 --> 00:17:28,080 Speaker 1: Vulture was the Tribeca Film Festival and she was um 323 00:17:28,359 --> 00:17:33,040 Speaker 1: promoting the other documentary it was The American Yes, and 324 00:17:33,520 --> 00:17:35,520 Speaker 1: she was like a big part of that, and she 325 00:17:35,560 --> 00:17:37,240 Speaker 1: really wanted people to see it because I do think 326 00:17:37,280 --> 00:17:40,560 Speaker 1: it's important to her at this stage that people don't 327 00:17:40,560 --> 00:17:43,080 Speaker 1: see her as you know, what she created in the 328 00:17:43,080 --> 00:17:46,199 Speaker 1: wake of her very sudden and intense fame, and I 329 00:17:46,240 --> 00:17:48,720 Speaker 1: think that, you know, we should also say it's a 330 00:17:48,800 --> 00:17:52,320 Speaker 1: very complicated figure, like she she definitely did come out 331 00:17:52,359 --> 00:17:54,600 Speaker 1: and say that she was like, she was definitely a 332 00:17:54,640 --> 00:17:57,960 Speaker 1: Trump apologist, and she may very well be a Trump voter. Um, 333 00:17:58,080 --> 00:18:01,120 Speaker 1: we don't know, but she definitely said some weird ship 334 00:18:01,200 --> 00:18:04,480 Speaker 1: about him. So that's tough. But at the end of 335 00:18:04,520 --> 00:18:07,160 Speaker 1: the day, it's like something that I don't think we 336 00:18:07,440 --> 00:18:11,359 Speaker 1: as a society really ever grapple with. And I think 337 00:18:11,720 --> 00:18:14,760 Speaker 1: now we're all like hashtag free Brittany, come on, please, 338 00:18:15,000 --> 00:18:17,920 Speaker 1: we don't ever take accountability for the way we treated 339 00:18:18,240 --> 00:18:21,080 Speaker 1: those women at that time. And I'm specifically talking about 340 00:18:21,400 --> 00:18:26,800 Speaker 1: Britney Spears, Paris Hilton, Lindsay Lohan, who these women are 341 00:18:26,840 --> 00:18:30,840 Speaker 1: now shells of what they were, and Harris is like 342 00:18:30,920 --> 00:18:34,040 Speaker 1: still standing and still doing her thing. But you see 343 00:18:34,080 --> 00:18:37,960 Speaker 1: now that it was not like this rose colored glasses 344 00:18:38,040 --> 00:18:40,960 Speaker 1: world like it was tough, Like they went through serious stuff. 345 00:18:41,160 --> 00:18:44,640 Speaker 1: And I think the paparazzi moment that was like that 346 00:18:44,680 --> 00:18:47,880 Speaker 1: those years of like two thousand and five, two dozen ten, 347 00:18:48,440 --> 00:18:52,760 Speaker 1: like that was like a really dark period for young Hollywood. 348 00:18:53,119 --> 00:18:56,280 Speaker 1: You know, I totally agree, but that that culture is 349 00:18:56,359 --> 00:19:00,560 Speaker 1: dying now. Yeah, I'm surprised that there are papa razzi 350 00:19:01,000 --> 00:19:04,480 Speaker 1: now anyway, are they do they still exist. Well. Now, 351 00:19:04,560 --> 00:19:08,080 Speaker 1: like the common conception around paparazzi is that like anytime 352 00:19:08,119 --> 00:19:10,600 Speaker 1: your photos go on Us Weekly, it's that you called 353 00:19:10,680 --> 00:19:14,359 Speaker 1: them yourselves, which happens I think. I mean that was 354 00:19:14,359 --> 00:19:16,560 Speaker 1: like a whole plot on Selling Sunset was Christine was 355 00:19:16,640 --> 00:19:19,240 Speaker 1: like like leveraging against the other women, being like, well, 356 00:19:19,280 --> 00:19:24,840 Speaker 1: you know, don't just show up, yeah, which I love. Yeah, 357 00:19:24,920 --> 00:19:26,760 Speaker 1: but I love that. I love that that that can 358 00:19:26,840 --> 00:19:29,840 Speaker 1: be a thing. But I love that Christina is domystifying 359 00:19:30,680 --> 00:19:34,280 Speaker 1: like paparazzi culture to the audience. Anyway, Now we want 360 00:19:34,280 --> 00:19:37,080 Speaker 1: to Now we have to watch this. I really want 361 00:19:37,119 --> 00:19:40,480 Speaker 1: to watch it. You do recommend it. Shocked that I 362 00:19:40,560 --> 00:19:44,159 Speaker 1: know something that I've watched something that you guys haven't. 363 00:19:44,200 --> 00:19:47,639 Speaker 1: I was so scared coming on this podcast because you 364 00:19:47,640 --> 00:19:52,679 Speaker 1: guys are so I mean, you're just tapped into the pulse. 365 00:19:55,040 --> 00:19:57,119 Speaker 1: Are you saying we're literate? Are you calling us literate? 366 00:19:58,400 --> 00:20:05,920 Speaker 1: Are culturally literate? And I am culturally illiterate, media diet illiterate, 367 00:20:06,040 --> 00:20:08,280 Speaker 1: But like, yeah, no, you guys. I was like, they're 368 00:20:08,280 --> 00:20:09,720 Speaker 1: going to talk about so many things I have no 369 00:20:09,800 --> 00:20:13,320 Speaker 1: clue about. No, no, no, no, We've we've been spinning 370 00:20:13,320 --> 00:20:15,439 Speaker 1: our Wheels and talking about the vow in Potomac for 371 00:20:15,480 --> 00:20:18,480 Speaker 1: like four weeks ago. Oh, I started watching Potomac because 372 00:20:18,480 --> 00:20:21,280 Speaker 1: it's yeah, I think I did, didn't I tell you? 373 00:20:21,359 --> 00:20:24,040 Speaker 1: What was the Crown Jewel? Yeah? I started watching it 374 00:20:24,080 --> 00:20:26,920 Speaker 1: and then I got really into Succession. Have you guys 375 00:20:26,960 --> 00:20:30,600 Speaker 1: seen Succession? I'm on season two, so I'm gonna start 376 00:20:30,640 --> 00:20:34,919 Speaker 1: at this. So you're on season two. I was like, 377 00:20:35,280 --> 00:20:40,959 Speaker 1: I'm I'm Cherry Jones. We have Cherry. But honestly, like, 378 00:20:41,040 --> 00:20:43,679 Speaker 1: I was watching the Emmy's. Let's did you watch the Emmys? 379 00:20:43,720 --> 00:20:45,240 Speaker 1: Did you both of you watch the Emmys? No? But 380 00:20:45,320 --> 00:20:47,320 Speaker 1: I saw who won and who did it for them? 381 00:20:47,320 --> 00:20:49,320 Speaker 1: All right? So I have some thoughts about this too, 382 00:20:49,400 --> 00:20:53,680 Speaker 1: because Succession I actually hadn't seen and I have been 383 00:20:53,680 --> 00:20:57,520 Speaker 1: really wanted to see it, and obviously now I really 384 00:20:57,560 --> 00:20:59,399 Speaker 1: really want to see it. Not that I needed it 385 00:20:59,400 --> 00:21:03,639 Speaker 1: to win Emmys to want to, but um, it's like, 386 00:21:05,200 --> 00:21:09,600 Speaker 1: here's my thing with the Emmy's. It feels like Succession 387 00:21:09,720 --> 00:21:12,840 Speaker 1: was like what won the Drama Awards, Watchman is like 388 00:21:13,080 --> 00:21:17,040 Speaker 1: what won the Limited Series Awards, and then obviously is 389 00:21:17,080 --> 00:21:20,760 Speaker 1: the only show that won a Comedy Award. So it's 390 00:21:20,800 --> 00:21:23,800 Speaker 1: just like interesting, to me like whenever the Emmy's come around, 391 00:21:24,040 --> 00:21:27,200 Speaker 1: and I sort of vocalized this on Twitter went during 392 00:21:27,240 --> 00:21:30,600 Speaker 1: the show, and people wanted to kill me because the 393 00:21:30,600 --> 00:21:36,399 Speaker 1: white gays Ships Creek are out for blood and I 394 00:21:36,480 --> 00:21:40,320 Speaker 1: really weren't even being even I'm not coming for Ship's Creek, 395 00:21:40,359 --> 00:21:43,679 Speaker 1: and I actually, if people people want to know, I 396 00:21:43,720 --> 00:21:47,400 Speaker 1: think Katherine O'Hara and Eugene Levy are legends. I think 397 00:21:47,400 --> 00:21:51,040 Speaker 1: Annie Murphy is a star. And I am the utmost 398 00:21:51,040 --> 00:21:55,360 Speaker 1: respect for Dan Levy for creating that and using his 399 00:21:56,040 --> 00:21:59,160 Speaker 1: privilege and the nepotism that he very much has, because 400 00:21:59,320 --> 00:22:02,240 Speaker 1: let's be real, like he has it, and he actually 401 00:22:02,240 --> 00:22:06,359 Speaker 1: created something that people really connect to instead of garbage 402 00:22:06,440 --> 00:22:08,040 Speaker 1: or instead of doing nothing, you know what I mean. 403 00:22:08,080 --> 00:22:11,720 Speaker 1: Like it's not like he used his massive privilege and 404 00:22:11,720 --> 00:22:14,480 Speaker 1: and like the nepotism that he got from being able 405 00:22:14,520 --> 00:22:17,439 Speaker 1: to run a room while never having a single day 406 00:22:17,480 --> 00:22:20,640 Speaker 1: of experience doing that, which is unheard of, and he 407 00:22:20,760 --> 00:22:23,840 Speaker 1: used that to create something that people fucking love. And 408 00:22:23,880 --> 00:22:27,400 Speaker 1: I respect that. My perspective on it is one thing 409 00:22:27,440 --> 00:22:31,840 Speaker 1: shouldn't win everything exactly with so much with the glut 410 00:22:31,880 --> 00:22:34,679 Speaker 1: of good TV that's out there, and this applies to 411 00:22:34,800 --> 00:22:39,080 Speaker 1: succession and Watchmen and UM and should create like one 412 00:22:39,080 --> 00:22:42,720 Speaker 1: thing shouldn't sweep every single category. It's just not possible, 413 00:22:42,800 --> 00:22:45,119 Speaker 1: you know. It's it's that you can't tell me. You 414 00:22:45,160 --> 00:22:49,440 Speaker 1: cannot tell me that one thing in every single aspect 415 00:22:49,640 --> 00:22:52,600 Speaker 1: was the best thing across the board. But the media takeaways, 416 00:22:52,640 --> 00:22:55,240 Speaker 1: but the ways that the Emmys are like promotional arms 417 00:22:55,280 --> 00:22:57,920 Speaker 1: for the TV industry, Like the takeaways for every year 418 00:22:58,000 --> 00:23:06,240 Speaker 1: are Fleabag crush or Ship's Creep or Deep Masal crush year. 419 00:23:06,440 --> 00:23:10,720 Speaker 1: It seems like, you know, so this is just part 420 00:23:10,760 --> 00:23:12,919 Speaker 1: of like the this is part of the narrative of 421 00:23:12,960 --> 00:23:16,720 Speaker 1: the Emmys, which is that show did great. And it's 422 00:23:16,760 --> 00:23:19,560 Speaker 1: not like the Oscars, where it's like, you know, every 423 00:23:19,600 --> 00:23:22,440 Speaker 1: movie that win an Oscar gets like eight sequels. It's 424 00:23:22,480 --> 00:23:26,920 Speaker 1: like it's like there's there's there's it's just incentivizing people 425 00:23:26,920 --> 00:23:31,040 Speaker 1: to watch these shows as they film more episodes. That's 426 00:23:31,080 --> 00:23:34,359 Speaker 1: just like that's kind of built into the Emmys in 427 00:23:34,359 --> 00:23:37,479 Speaker 1: a way that UM is unique to them, as this 428 00:23:37,640 --> 00:23:41,800 Speaker 1: Awards show. Do you watch Ship's Creek, Jess? Yes? Do 429 00:23:41,840 --> 00:23:44,240 Speaker 1: you love it? I love it? I do think it's 430 00:23:44,320 --> 00:23:48,480 Speaker 1: not a perfect shell. Sometimes I get I'm uninterested in 431 00:23:48,560 --> 00:23:55,440 Speaker 1: storylines or uninterested in characters, but like you said, Annie Murphy, 432 00:23:55,760 --> 00:24:01,440 Speaker 1: I mean she is Trusseau fucking amazing. I cannot and 433 00:24:01,520 --> 00:24:06,080 Speaker 1: like the four, the core four are incredible. The ancillary 434 00:24:06,200 --> 00:24:10,280 Speaker 1: characters I don't love as much. Yeah, for me, it 435 00:24:10,400 --> 00:24:12,240 Speaker 1: just started really slow, so it was hard for me 436 00:24:12,280 --> 00:24:14,159 Speaker 1: to get into it, and that's why I haven't. I 437 00:24:14,240 --> 00:24:18,040 Speaker 1: think it obviously hit a stride um at some point 438 00:24:18,119 --> 00:24:20,920 Speaker 1: because people love it so much and I am interested 439 00:24:20,960 --> 00:24:23,480 Speaker 1: to get into it. My thing is just like it 440 00:24:23,600 --> 00:24:26,840 Speaker 1: won all four acting awards and series and writing and directing, 441 00:24:26,880 --> 00:24:29,040 Speaker 1: and that to me is just like wild. And you 442 00:24:29,119 --> 00:24:31,439 Speaker 1: also can't use the excuse to me where it's like, 443 00:24:31,680 --> 00:24:33,680 Speaker 1: well they didn't win anything for the first four or 444 00:24:33,720 --> 00:24:36,320 Speaker 1: five years or whatever, because it's like Keenan is there 445 00:24:36,400 --> 00:24:38,840 Speaker 1: and he hasn't one ship for sixteen years. Okay, Betty 446 00:24:39,200 --> 00:24:42,800 Speaker 1: has not been recognized for Glow and Darcy Cardon literally 447 00:24:42,800 --> 00:24:45,359 Speaker 1: had no nominations until this year. So don't use the 448 00:24:45,400 --> 00:24:48,360 Speaker 1: whole thing of but they've never gotten anything with me 449 00:24:48,520 --> 00:24:51,359 Speaker 1: because that it doesn't hold any water. But Matt, you 450 00:24:51,400 --> 00:24:54,280 Speaker 1: haven't watched any of these like sweepy shows, this, this year. 451 00:24:54,320 --> 00:24:56,560 Speaker 1: You haven't even seen watch when you haven't seen Succession? 452 00:24:56,680 --> 00:24:58,679 Speaker 1: Is that correct? Why are you doing this to me? 453 00:24:59,119 --> 00:25:02,480 Speaker 1: I haven't seen watched either. You're not alone. I'm just 454 00:25:02,560 --> 00:25:04,800 Speaker 1: staying like, does I mean this? No? This probably gives 455 00:25:04,840 --> 00:25:07,080 Speaker 1: you some perspective on this, where you're like, as someone 456 00:25:07,119 --> 00:25:09,880 Speaker 1: who doesn't watch these shows and as someone who consumes 457 00:25:09,920 --> 00:25:12,359 Speaker 1: a lot of TV, I haven't watched these shows, and 458 00:25:12,400 --> 00:25:15,359 Speaker 1: so these awards don't speak to me as a viewer, 459 00:25:15,800 --> 00:25:18,240 Speaker 1: to my viewing habit. Well, you know, I guess it's 460 00:25:18,240 --> 00:25:19,919 Speaker 1: just I'm not I'm not I'm not like, I'm not 461 00:25:19,920 --> 00:25:24,639 Speaker 1: like discrediting you and I are doing this. I just 462 00:25:24,680 --> 00:25:26,200 Speaker 1: want to know why you're doing this to me. First 463 00:25:26,200 --> 00:25:28,439 Speaker 1: of all, my one question my back he was number one. 464 00:25:28,480 --> 00:25:30,119 Speaker 1: Why are you doing this? Why are you doing Second 465 00:25:30,119 --> 00:25:33,800 Speaker 1: of all is literally this, there is so much stuff 466 00:25:33,840 --> 00:25:36,760 Speaker 1: and this, this is the real truth. Over the past 467 00:25:36,880 --> 00:25:40,000 Speaker 1: like months of quarantine, I have not wanted to watch 468 00:25:40,000 --> 00:25:43,399 Speaker 1: anything substantial. I've only wanted to watch the most trash 469 00:25:43,560 --> 00:25:45,719 Speaker 1: thing I can put in front of me, seriously, and 470 00:25:45,760 --> 00:25:48,000 Speaker 1: so stuff that goes down it's not trash, it's just 471 00:25:48,040 --> 00:25:51,080 Speaker 1: stuff that goes down easy. Yes, you're right, it's not trash, 472 00:25:51,119 --> 00:25:53,560 Speaker 1: and it's actually important to say reality TV is not 473 00:25:53,600 --> 00:25:59,199 Speaker 1: trash and it's real culture. Number three TV is not trash. 474 00:25:59,280 --> 00:26:03,120 Speaker 1: What a hot tape? I actually, I'm so hot. I'm 475 00:26:03,160 --> 00:26:06,560 Speaker 1: so hot on this take. But I I here's the thing, 476 00:26:06,640 --> 00:26:09,920 Speaker 1: Like Watchman, everyone, everyone that's obsessed with it is so 477 00:26:10,800 --> 00:26:14,960 Speaker 1: will love it. It's one of it's one of the 478 00:26:15,000 --> 00:26:18,640 Speaker 1: best things I've ever seen. The same thing with Succession 479 00:26:18,880 --> 00:26:21,760 Speaker 1: and Ship's Creek. People are fanatical about it, which means 480 00:26:21,760 --> 00:26:23,800 Speaker 1: it's got to be doing something right. I just feel 481 00:26:23,840 --> 00:26:27,360 Speaker 1: like it's crazy when one thing dominates everything. And I'm 482 00:26:27,400 --> 00:26:29,320 Speaker 1: on the record with this about the Grammys too, because 483 00:26:29,320 --> 00:26:31,679 Speaker 1: the Grammys is really bad with it where it's like 484 00:26:31,720 --> 00:26:35,399 Speaker 1: it feels like one artist comes in and they win everything, 485 00:26:35,480 --> 00:26:38,479 Speaker 1: and it's like, you know, it's it's just weird. And 486 00:26:38,520 --> 00:26:41,320 Speaker 1: I also understand that, you know the nature of the 487 00:26:41,320 --> 00:26:44,480 Speaker 1: way the Television Academy votes. It's not like you get 488 00:26:44,480 --> 00:26:46,480 Speaker 1: a ballot and you fail out everything. You know, actors 489 00:26:46,480 --> 00:26:49,959 Speaker 1: will for actors, writers will for writers, producers vote for 490 00:26:50,560 --> 00:26:55,359 Speaker 1: shows that, um the top line shows or whatever. So 491 00:26:55,400 --> 00:26:57,520 Speaker 1: I get that it's not like that. It's just always 492 00:26:57,880 --> 00:27:00,360 Speaker 1: seems to shake out a certain way, and I'm like, 493 00:27:00,760 --> 00:27:04,240 Speaker 1: you know, this can't possibly be true, but I get 494 00:27:04,359 --> 00:27:06,359 Speaker 1: that people love what they love and I'm not coming 495 00:27:06,359 --> 00:27:10,440 Speaker 1: for ships creak. The way that people reacted to Go Away, 496 00:27:10,600 --> 00:27:17,280 Speaker 1: the white gaze and it is us. They were eating 497 00:27:17,320 --> 00:27:20,600 Speaker 1: their own. Can I say something about Succession? Please? You 498 00:27:20,680 --> 00:27:24,560 Speaker 1: can say whatever you want whatever, this is your episode. Well, 499 00:27:24,560 --> 00:27:26,920 Speaker 1: I just want to let you know, Matt, that it 500 00:27:26,960 --> 00:27:30,719 Speaker 1: took me three episodes to really get into Succession. The 501 00:27:30,760 --> 00:27:33,760 Speaker 1: beginning was kind of slow for me, and I probably 502 00:27:33,760 --> 00:27:36,680 Speaker 1: watched those three episodes within like a two month period, 503 00:27:37,119 --> 00:27:39,480 Speaker 1: Like I just was not looking for it, and I 504 00:27:39,520 --> 00:27:41,879 Speaker 1: was like, and my friend Sammy was just like, you 505 00:27:41,880 --> 00:27:43,920 Speaker 1: gotta watch it. It's so so good. And then finally 506 00:27:43,960 --> 00:27:45,600 Speaker 1: I was like, okay, fine, I'm just gonna sit down 507 00:27:45,640 --> 00:27:48,080 Speaker 1: and really watch this. And then episode four or five, 508 00:27:48,080 --> 00:27:50,919 Speaker 1: and then I was like totally Yeah. By the end 509 00:27:50,960 --> 00:27:54,800 Speaker 1: of season one, you're like, yeah, you're in. And and Matt, 510 00:27:54,880 --> 00:27:57,120 Speaker 1: you will be obsessed with HIV. The character of HIV 511 00:27:57,280 --> 00:28:00,439 Speaker 1: you will love. I just first of all, doesn't she 512 00:28:00,480 --> 00:28:02,199 Speaker 1: look like a pin up character from or a pin 513 00:28:02,280 --> 00:28:05,840 Speaker 1: up girl from the forties. It's just that's what I 514 00:28:05,840 --> 00:28:10,080 Speaker 1: think of and you know she's Australian. Yeah. And um, 515 00:28:10,119 --> 00:28:15,880 Speaker 1: and the the husband wait Tom Tom Tom Tom Tom 516 00:28:15,920 --> 00:28:19,760 Speaker 1: is British. He is. Yeah. Let me just tell you 517 00:28:19,800 --> 00:28:23,520 Speaker 1: the acting. It's the best acted show I've ever seen. Yes, 518 00:28:23,760 --> 00:28:25,800 Speaker 1: very good acting. I mean you're talking to someone whose 519 00:28:25,840 --> 00:28:27,600 Speaker 1: favorite show of all time is mad Men, So I 520 00:28:27,600 --> 00:28:33,080 Speaker 1: don't mind sitting with amazing show. I just think it 521 00:28:33,160 --> 00:28:36,640 Speaker 1: was so welcome. Accession is like mad Men. There's there's 522 00:28:36,640 --> 00:28:38,880 Speaker 1: tons of mad Men, but it's also so funny. It's 523 00:28:38,880 --> 00:28:41,560 Speaker 1: like here and Colkin is so good. He's so good, 524 00:28:42,600 --> 00:28:44,520 Speaker 1: is such a good character. I mean, there's there's so 525 00:28:44,600 --> 00:28:47,520 Speaker 1: much to like about the show. There are really there 526 00:28:47,560 --> 00:28:51,920 Speaker 1: are funny moments where you're not expecting it. Yeah, I'm excited. 527 00:28:52,040 --> 00:28:54,560 Speaker 1: I'm really excited to start watching it because I do 528 00:28:54,680 --> 00:28:56,800 Speaker 1: think I will love it. Um. And then we should 529 00:28:56,840 --> 00:29:03,800 Speaker 1: just also say the biggest shout out to missus zendayah One. 530 00:29:04,280 --> 00:29:09,240 Speaker 1: She deserves it. She that role she played, Holy shit, 531 00:29:10,160 --> 00:29:13,040 Speaker 1: she was so good in that. It's one of those 532 00:29:13,080 --> 00:29:17,280 Speaker 1: it's it's this Matt Rodgers criterion where no other actor 533 00:29:17,360 --> 00:29:20,400 Speaker 1: could have done that. I always say, like the award 534 00:29:20,440 --> 00:29:23,440 Speaker 1: should go to someone who it feels like, no one 535 00:29:23,480 --> 00:29:25,400 Speaker 1: else could have done that part, you know what I mean. 536 00:29:25,440 --> 00:29:29,320 Speaker 1: And I actually rewatched the scene where she goes to 537 00:29:29,840 --> 00:29:31,880 Speaker 1: It was episode three of Euphoria, and it's a scene 538 00:29:31,880 --> 00:29:34,520 Speaker 1: where she goes to get drugs from her dealer and 539 00:29:34,600 --> 00:29:36,600 Speaker 1: he says to her for the first time, I'm not 540 00:29:36,680 --> 00:29:39,040 Speaker 1: giving them to you, and then she like freaks out 541 00:29:39,080 --> 00:29:41,280 Speaker 1: at the door and she basically has a panic attack 542 00:29:41,320 --> 00:29:44,040 Speaker 1: at the door. I was like, you know, this young 543 00:29:44,080 --> 00:29:49,360 Speaker 1: girl's India is beyond she is. Not only is she 544 00:29:49,440 --> 00:29:51,800 Speaker 1: a star in the way that she carries herself, but 545 00:29:52,240 --> 00:29:56,280 Speaker 1: she is so gifted at acting. She's a great dancer, 546 00:29:56,520 --> 00:29:59,920 Speaker 1: she is a fantastic singer. I mean, she's a cat 547 00:30:00,080 --> 00:30:06,560 Speaker 1: debating she's one. She's like like real crown jewel of 548 00:30:06,640 --> 00:30:09,080 Speaker 1: her entire generation. And we're gonna be talking about her 549 00:30:09,120 --> 00:30:13,720 Speaker 1: for years to come. I believe she is so good. Yes, 550 00:30:13,920 --> 00:30:15,320 Speaker 1: we're gonna take a quick break and then we'll be 551 00:30:15,360 --> 00:30:25,720 Speaker 1: back with jess Rona. We're back with jess Rona. I 552 00:30:25,760 --> 00:30:28,520 Speaker 1: want to know something. I want both of you too 553 00:30:28,760 --> 00:30:31,560 Speaker 1: in tandem. I want both of you to in tandem. Oh, 554 00:30:32,080 --> 00:30:35,880 Speaker 1: track the beginnings of the meeting. The report you guys 555 00:30:35,920 --> 00:30:37,680 Speaker 1: built on set. I want to know every because because Matt, 556 00:30:37,680 --> 00:30:43,040 Speaker 1: because Jess, Matt was truly singing your praises every single day. 557 00:30:44,400 --> 00:30:46,960 Speaker 1: So cool. I love you, I adore you. Talk about 558 00:30:47,000 --> 00:30:49,000 Speaker 1: the process of of of the show and and and 559 00:30:49,080 --> 00:30:51,720 Speaker 1: how you guys became friends over the course of production. Well, 560 00:30:51,800 --> 00:30:54,080 Speaker 1: I just want to say, and like, this isn't like 561 00:30:54,120 --> 00:30:56,360 Speaker 1: what happened at the beginning, but I just will actually 562 00:30:56,400 --> 00:31:00,480 Speaker 1: know right away. I knew Matt is so easy to 563 00:31:00,520 --> 00:31:03,800 Speaker 1: talk to, and I'm sure isn't he Like he just 564 00:31:03,840 --> 00:31:06,440 Speaker 1: like gets right there. And I think it's part partly 565 00:31:06,440 --> 00:31:09,080 Speaker 1: because he's a Pisces, but like he'll just like get 566 00:31:09,120 --> 00:31:11,840 Speaker 1: on your level and just if you're on your knees, 567 00:31:11,840 --> 00:31:13,760 Speaker 1: he'll get on his knees and just look at like 568 00:31:14,000 --> 00:31:16,960 Speaker 1: we're in this together, and like let's unpack, you know, 569 00:31:17,120 --> 00:31:23,080 Speaker 1: let's talk. And I'm an Arieska is very good. I 570 00:31:23,080 --> 00:31:32,240 Speaker 1: supposed to marrion Arees. Really, I'm supposed to really. Oh, 571 00:31:32,320 --> 00:31:36,000 Speaker 1: I get along well with Scorpios. I are we both 572 00:31:36,040 --> 00:31:42,440 Speaker 1: fire signs? No water? Gotcha? I'm water water water water 573 00:31:42,560 --> 00:31:51,200 Speaker 1: water yeah, water placement. I just are you water your water? Okay. 574 00:31:52,400 --> 00:31:54,360 Speaker 1: I knew immediately that we were going to get along. 575 00:31:54,480 --> 00:31:56,360 Speaker 1: We actually have a mutual friend. And literally, this is 576 00:31:56,400 --> 00:31:59,880 Speaker 1: so funny because Bowen knows this person too from high school. Liz. 577 00:32:00,960 --> 00:32:05,000 Speaker 1: Oh my god, Lizz, You want to with Liz? She 578 00:32:05,120 --> 00:32:07,360 Speaker 1: was my sister's year in high school? Yeah, no way. 579 00:32:07,920 --> 00:32:10,040 Speaker 1: So Liz is a writer. She writes for She's written 580 00:32:10,080 --> 00:32:12,920 Speaker 1: for so many things, most recently Special And I know 581 00:32:13,000 --> 00:32:16,760 Speaker 1: her because she's very close with Jared Um. But this 582 00:32:17,000 --> 00:32:18,680 Speaker 1: that was when we first started talking about And I 583 00:32:18,680 --> 00:32:22,200 Speaker 1: always I stand having a mutual friend with someone. I 584 00:32:22,280 --> 00:32:23,840 Speaker 1: love it because then you can just talk about that 585 00:32:23,920 --> 00:32:26,480 Speaker 1: mutual friend for like forty seconds to a minute, and 586 00:32:26,520 --> 00:32:28,240 Speaker 1: then you're off to the races. You have the rhythm, 587 00:32:28,680 --> 00:32:32,440 Speaker 1: and then you're oh my god, if you're ever shout 588 00:32:32,440 --> 00:32:34,960 Speaker 1: out to anyone out there, any reader who's nervous about 589 00:32:34,960 --> 00:32:37,520 Speaker 1: meeting someone, how and you wanted to go, Well, find 590 00:32:37,600 --> 00:32:40,680 Speaker 1: the mutual friends. That's so true. What if they're a 591 00:32:40,800 --> 00:32:43,200 Speaker 1: mutual friend, what are they to do? You got to 592 00:32:43,280 --> 00:32:47,520 Speaker 1: service them sexually? Yes, and then you're off to the 593 00:32:47,600 --> 00:32:55,360 Speaker 1: races and seconds later, rhythm, you're off to the races. Wait, 594 00:32:55,440 --> 00:32:58,680 Speaker 1: speaking of shoutouts, before this episode is over, I need 595 00:32:58,720 --> 00:33:00,960 Speaker 1: to make a shout out to one of your and 596 00:33:01,000 --> 00:33:05,120 Speaker 1: you call your listeners readers, readers. One of your readers 597 00:33:05,240 --> 00:33:10,000 Speaker 1: is a groomer and he's in Florida. His name is 598 00:33:10,120 --> 00:33:13,520 Speaker 1: Jonathan David and he loves you guys. And he's like, 599 00:33:13,600 --> 00:33:16,400 Speaker 1: oh my god, I was listening to last cultural stas 600 00:33:16,400 --> 00:33:18,960 Speaker 1: and I just and they just announced that Matt is 601 00:33:19,000 --> 00:33:23,880 Speaker 1: the host of hot Dog. That's my favorite podcast, and 602 00:33:24,200 --> 00:33:27,040 Speaker 1: so he's going to flip when I was like, oh, 603 00:33:27,080 --> 00:33:30,320 Speaker 1: I'm gonna shout out Jonathan. He's a very well known 604 00:33:30,400 --> 00:33:34,840 Speaker 1: dog groomer and he's Yes, he is just so talented. 605 00:33:34,880 --> 00:33:37,520 Speaker 1: He's a judge. He's like very fancy in the grooming world. 606 00:33:37,800 --> 00:33:45,440 Speaker 1: Will he come on the show? Yes, play out compete? 607 00:33:45,440 --> 00:33:46,880 Speaker 1: Oh I thought you even like as a guest on 608 00:33:46,880 --> 00:33:49,719 Speaker 1: this show. I was like, oh my god. Yes. Now 609 00:33:49,920 --> 00:33:52,080 Speaker 1: here's the thing, Like, I don't think he wants to 610 00:33:52,240 --> 00:33:55,400 Speaker 1: compete anymore. I think he wants to just be a judge. 611 00:33:56,080 --> 00:33:58,520 Speaker 1: Like he doesn't want to go back to competing. That's interesting. 612 00:33:58,680 --> 00:34:00,880 Speaker 1: He's he's he's earned his spot. But okay, so I 613 00:34:01,400 --> 00:34:03,760 Speaker 1: still want to know more about this um this this 614 00:34:03,840 --> 00:34:06,600 Speaker 1: friendship betting. But but just talk a little bit to 615 00:34:06,720 --> 00:34:08,360 Speaker 1: me as a as a as a person who's not 616 00:34:08,480 --> 00:34:12,120 Speaker 1: versed in this, who's not literate, Um, what what the 617 00:34:12,239 --> 00:34:15,000 Speaker 1: what the network of dog groomers? How that sort of 618 00:34:15,040 --> 00:34:16,759 Speaker 1: what that looks like? What the shape of that is like? 619 00:34:16,760 --> 00:34:19,160 Speaker 1: Because I feel like you came into it. You came 620 00:34:19,200 --> 00:34:20,560 Speaker 1: into it the way you came into it with these 621 00:34:20,560 --> 00:34:23,600 Speaker 1: like these incredible videos, and then did you start to 622 00:34:23,600 --> 00:34:26,040 Speaker 1: sort of like pick up on this network that was 623 00:34:26,080 --> 00:34:29,439 Speaker 1: already sort of in place. I actually, So there are 624 00:34:29,800 --> 00:34:33,680 Speaker 1: trade shows and conventions throughout the year all over the 625 00:34:33,760 --> 00:34:36,920 Speaker 1: United States, and it's always the same people at the 626 00:34:36,920 --> 00:34:40,000 Speaker 1: trade shows, all the same scissor booths, and you know, 627 00:34:40,440 --> 00:34:47,280 Speaker 1: and Matt loves when I say scissoring spray, scissoring spray. Um. 628 00:34:47,360 --> 00:34:50,960 Speaker 1: You know, like you see all the same people. Um. 629 00:34:51,080 --> 00:34:54,480 Speaker 1: And there are grooming competitions at these trade shows, and 630 00:34:54,480 --> 00:34:56,719 Speaker 1: you see all the same competitors. So it's kind of 631 00:34:56,719 --> 00:35:00,680 Speaker 1: like a grooming community. And so I I was, I 632 00:35:00,719 --> 00:35:03,680 Speaker 1: was competing back in two thousand twelve, and I was 633 00:35:03,760 --> 00:35:07,400 Speaker 1: just really invested and involved in the grooming world, wanting 634 00:35:07,440 --> 00:35:11,360 Speaker 1: to get better. There's seminars, classes, It's a whole world 635 00:35:11,960 --> 00:35:16,000 Speaker 1: that people don't It's an amazing it really is. And 636 00:35:16,080 --> 00:35:18,480 Speaker 1: so Jonathan David is sort of like he's he judges 637 00:35:18,520 --> 00:35:22,800 Speaker 1: grooming competitions and he's just he teaches seminars people asking 638 00:35:22,880 --> 00:35:27,080 Speaker 1: for advice on haircuts or business and because his business 639 00:35:27,120 --> 00:35:30,719 Speaker 1: is really successful and so he's sort of like that 640 00:35:30,800 --> 00:35:34,000 Speaker 1: type of person in the industry. Um. But yeah, I 641 00:35:34,040 --> 00:35:37,040 Speaker 1: started making my videos actually when I was kind of 642 00:35:37,080 --> 00:35:39,640 Speaker 1: in a dark, low place in my life and I 643 00:35:39,680 --> 00:35:44,040 Speaker 1: was just antsy, and so the videos weren't really like, well, 644 00:35:44,040 --> 00:35:46,960 Speaker 1: they made me well known in like the real world, 645 00:35:47,520 --> 00:35:50,640 Speaker 1: but like, um, I didn't get well known in the 646 00:35:50,680 --> 00:35:55,680 Speaker 1: grooming world until like a few years later. M And 647 00:35:55,760 --> 00:35:57,600 Speaker 1: so what what was that? Was that just kind of 648 00:35:57,640 --> 00:35:59,919 Speaker 1: like you built an Instagram presence or were you doing 649 00:36:00,000 --> 00:36:02,040 Speaker 1: really well on the circuit? Like how did you become? 650 00:36:02,080 --> 00:36:04,439 Speaker 1: Because you should see like and you will see like 651 00:36:04,760 --> 00:36:09,160 Speaker 1: the respect and the reverence that the contestants have for Jess. 652 00:36:09,200 --> 00:36:13,279 Speaker 1: She truly is like you know them. I'm trying to 653 00:36:13,320 --> 00:36:16,239 Speaker 1: find a good one to one but like and I 654 00:36:16,280 --> 00:36:27,160 Speaker 1: don't we love Anne. We love but you know what 655 00:36:27,200 --> 00:36:28,800 Speaker 1: I'm saying is I'm trying to make a one to 656 00:36:28,920 --> 00:36:30,960 Speaker 1: one on another reality show. But like what I mean 657 00:36:31,040 --> 00:36:33,480 Speaker 1: is like she is like the Simon, like like if 658 00:36:33,520 --> 00:36:36,680 Speaker 1: you go in addition American very Mary, very Mary Barry, 659 00:36:36,800 --> 00:36:41,719 Speaker 1: maybe very that very like Tom Collichio that so. And 660 00:36:41,880 --> 00:36:44,480 Speaker 1: I was just like really observing everyone come in and 661 00:36:44,480 --> 00:36:46,200 Speaker 1: they see Jess and you know, they look at each 662 00:36:46,200 --> 00:36:48,319 Speaker 1: other and they're like, oh my god because they're seeing 663 00:36:48,360 --> 00:36:51,520 Speaker 1: like a celebrity to them, and um, a lot of 664 00:36:51,520 --> 00:36:53,919 Speaker 1: times you would know those groomers as well that we're 665 00:36:53,920 --> 00:36:56,160 Speaker 1: coming on and competing because this is the community, right, 666 00:36:56,280 --> 00:36:58,839 Speaker 1: like you all know each other. I knew a lot 667 00:36:58,880 --> 00:37:00,480 Speaker 1: of them, not all of them, but out of them. 668 00:37:00,520 --> 00:37:03,560 Speaker 1: But like you know when you meet someone and they're 669 00:37:03,640 --> 00:37:06,239 Speaker 1: just so good at what they do and you're just 670 00:37:06,320 --> 00:37:09,479 Speaker 1: like it's like magic that I'm like that with groomers too. 671 00:37:09,520 --> 00:37:13,440 Speaker 1: I'm like, your work is so good that you get 672 00:37:13,480 --> 00:37:17,319 Speaker 1: a little star struck. And um it's still, uh, you 673 00:37:17,360 --> 00:37:20,080 Speaker 1: know something I'm not used to when people react to 674 00:37:20,080 --> 00:37:22,880 Speaker 1: me that way, but um, yeah, that's how it is 675 00:37:22,920 --> 00:37:25,520 Speaker 1: in the grooming world. It's just a tiny version of like, 676 00:37:25,680 --> 00:37:28,480 Speaker 1: you know, Hollywood, just how did you get into it? 677 00:37:28,680 --> 00:37:30,759 Speaker 1: Like how did you get into dog grooming? Like what? What? 678 00:37:30,840 --> 00:37:33,399 Speaker 1: Because it's something that you know, you know, what has 679 00:37:33,440 --> 00:37:36,719 Speaker 1: to happen but you don't think about when you're like 680 00:37:36,760 --> 00:37:38,279 Speaker 1: growing up, like I'm gonna grow up and be a 681 00:37:38,280 --> 00:37:39,879 Speaker 1: dog groomer. It's just not what you think. So how 682 00:37:39,880 --> 00:37:44,080 Speaker 1: did you get into it? Not what I'm thinking? Some people, Yes, yes, 683 00:37:44,200 --> 00:37:47,160 Speaker 1: well a lot more now after this show comes out. Well, 684 00:37:47,320 --> 00:37:49,320 Speaker 1: I think so, I hope so I'd love to change 685 00:37:49,360 --> 00:37:53,839 Speaker 1: the grooming industry. Um. I stumbled upon it. I just 686 00:37:53,960 --> 00:37:56,000 Speaker 1: needed a job when I was eighteen, and I started 687 00:37:56,040 --> 00:37:59,000 Speaker 1: bathing dogs because it was the least nine to five 688 00:37:59,160 --> 00:38:02,120 Speaker 1: job I could find. Mind, my mom always got cat 689 00:38:02,200 --> 00:38:04,920 Speaker 1: food at pet Smart, and she dragged me to pet Smart, 690 00:38:05,040 --> 00:38:07,000 Speaker 1: you know, and she's like, oh, there's a help wanted sign. 691 00:38:07,040 --> 00:38:10,040 Speaker 1: You need a job, so and then on the application 692 00:38:10,360 --> 00:38:12,560 Speaker 1: there were all these different jobs that you could do 693 00:38:12,600 --> 00:38:15,279 Speaker 1: it pet Smart, like work in the aquatic section, or 694 00:38:15,400 --> 00:38:17,399 Speaker 1: work as a cashier or whatever. And then I see 695 00:38:17,440 --> 00:38:21,719 Speaker 1: dog bather and I was just like, Okay, well I 696 00:38:21,760 --> 00:38:25,560 Speaker 1: don't know anything about dogs. It sounds cute as fuck. 697 00:38:25,719 --> 00:38:30,400 Speaker 1: It doesn't sound like a regular job. And so I 698 00:38:30,440 --> 00:38:33,359 Speaker 1: started doing it without ever thinking it would turn into 699 00:38:33,400 --> 00:38:35,880 Speaker 1: a career. I was always wanting to be an actress. 700 00:38:36,360 --> 00:38:40,120 Speaker 1: I was class clown. I was like just a ham 701 00:38:40,360 --> 00:38:43,760 Speaker 1: wanting to be an actress. So I was like, Okay, 702 00:38:43,760 --> 00:38:46,200 Speaker 1: I'll do this for now. And then over the years, 703 00:38:46,200 --> 00:38:48,520 Speaker 1: I started grooming dogs more. I started learning, you know, 704 00:38:48,880 --> 00:38:51,160 Speaker 1: how to do a snoozer cut and what's a cocker 705 00:38:51,200 --> 00:38:54,759 Speaker 1: spaniel cut or whatever, and I just started to learn 706 00:38:54,800 --> 00:38:57,480 Speaker 1: how to do it over the years. So it just 707 00:38:57,560 --> 00:39:01,040 Speaker 1: kind of happened organically. And then how long after you're 708 00:39:01,080 --> 00:39:04,240 Speaker 1: doing it do you start competing? Oh my god. So 709 00:39:05,280 --> 00:39:09,399 Speaker 1: I I was also waiting tables a lot, and then 710 00:39:09,400 --> 00:39:11,720 Speaker 1: my my dream was to be a waiter or waitress 711 00:39:11,760 --> 00:39:14,800 Speaker 1: and I could wait tables and then go on auditions 712 00:39:14,880 --> 00:39:17,080 Speaker 1: during the day and wait tables at night. That was 713 00:39:17,160 --> 00:39:21,320 Speaker 1: my big goal. I wanted to do the grind, baby, 714 00:39:21,760 --> 00:39:24,520 Speaker 1: so I ended up Um. I was waiting tables at night, 715 00:39:24,520 --> 00:39:33,160 Speaker 1: grooming dogs During the day. I worked at Bukaa Bepo. 716 00:39:33,680 --> 00:39:38,000 Speaker 1: I worked at the one on CityWalk. Oh my god, incredible, 717 00:39:38,120 --> 00:39:40,640 Speaker 1: you are really a legend. Thank you so much. I 718 00:39:40,719 --> 00:39:43,359 Speaker 1: was on the tours of the kitchen, you know, when 719 00:39:43,400 --> 00:39:45,680 Speaker 1: you would go and people would give tours of the kitchen. 720 00:39:46,280 --> 00:39:48,600 Speaker 1: I would do that. I waited, I was a food runner. 721 00:39:48,760 --> 00:39:51,160 Speaker 1: I was just like, my dream was to be a waitress. 722 00:39:51,600 --> 00:39:53,799 Speaker 1: Oh my god, I was an iconic waitress too. I 723 00:39:53,840 --> 00:39:56,920 Speaker 1: was also runner. Yeah, there was a whole summer where 724 00:39:56,960 --> 00:39:58,759 Speaker 1: I was a food runner and I couldn't touch a 725 00:39:58,800 --> 00:40:00,879 Speaker 1: plate that was too hot. Give me a plate that's 726 00:40:01,520 --> 00:40:04,000 Speaker 1: I can handle it. Oh, I bet I can see that. 727 00:40:04,200 --> 00:40:07,160 Speaker 1: And also we had three flights of stairs, so I 728 00:40:07,160 --> 00:40:09,279 Speaker 1: would carry and I could still do it if you 729 00:40:09,280 --> 00:40:11,040 Speaker 1: give me a big gass tray. I bet I can 730 00:40:11,080 --> 00:40:14,520 Speaker 1: carry three lasagnas on that tray up three flights stairs. 731 00:40:14,560 --> 00:40:21,800 Speaker 1: I bet I could do it. Afterwards, honestly, name another legend. 732 00:40:22,160 --> 00:40:24,919 Speaker 1: Name another legend. That's my new thing. I say about 733 00:40:24,920 --> 00:40:28,600 Speaker 1: Bowen and now Jess name whatever. Whenever Boone puts out 734 00:40:28,880 --> 00:40:32,000 Speaker 1: a photo that's fire, I just say, name another legend 735 00:40:34,840 --> 00:40:38,000 Speaker 1: that's actually a title of that. Name another another legend. 736 00:40:38,040 --> 00:40:40,560 Speaker 1: I love that. Okay, so jazz. So you're waiting tables 737 00:40:40,719 --> 00:40:43,720 Speaker 1: and you start to compete. So yeah, So I waited 738 00:40:43,760 --> 00:40:48,120 Speaker 1: tables and I slowly started actually phasing out grooming, and 739 00:40:48,160 --> 00:40:53,080 Speaker 1: I moved to New York started doing UCB. I was 740 00:40:53,160 --> 00:40:57,160 Speaker 1: just like waiting table that also had three flights of stairs, 741 00:40:57,160 --> 00:41:00,920 Speaker 1: which was very weird. Um, and so I kind of 742 00:41:01,040 --> 00:41:03,880 Speaker 1: quit grooming for a little while, and then I realized 743 00:41:04,000 --> 00:41:06,320 Speaker 1: I don't want to be a waitress anymore. After six years, 744 00:41:07,000 --> 00:41:09,959 Speaker 1: I was just like, I I remember this skill I had, 745 00:41:10,280 --> 00:41:13,000 Speaker 1: and I was just like, I want to really get 746 00:41:13,000 --> 00:41:15,720 Speaker 1: good at grooming. So I came back to l A 747 00:41:15,719 --> 00:41:18,480 Speaker 1: after living in New York for a few years, and 748 00:41:19,000 --> 00:41:22,480 Speaker 1: I just dove into grooming dogs and that's where I 749 00:41:22,520 --> 00:41:26,120 Speaker 1: started competing. That's when I would meet my grooming idols 750 00:41:26,239 --> 00:41:29,160 Speaker 1: and asked him a million questions, and that's when I 751 00:41:29,239 --> 00:41:32,440 Speaker 1: just decided to get really good at it. Wow. But 752 00:41:32,560 --> 00:41:35,840 Speaker 1: while also keeping this track of acting because because like, 753 00:41:35,920 --> 00:41:41,120 Speaker 1: because she books and she's doing she's doing things. So 754 00:41:41,160 --> 00:41:44,399 Speaker 1: I was an intern at UCB at night, and I 755 00:41:44,440 --> 00:41:47,160 Speaker 1: was like I lived up the street from uc B 756 00:41:47,320 --> 00:41:50,840 Speaker 1: Franklin and worked across the street at Tailwashers. So I 757 00:41:50,880 --> 00:41:53,520 Speaker 1: never left that little corner and I was just immersed 758 00:41:53,600 --> 00:41:59,080 Speaker 1: in dog grooming and improv for so many years. That's 759 00:41:59,120 --> 00:42:02,960 Speaker 1: literally where I lived, not the not the Scientology Center. Now, 760 00:42:03,000 --> 00:42:06,680 Speaker 1: I lived behind Gelson's on Bronson. Oh, so you know 761 00:42:06,760 --> 00:42:15,280 Speaker 1: that's literally my neighborhood. My my neighbor is the Celebrity Center. Yeah, 762 00:42:15,320 --> 00:42:19,520 Speaker 1: I know exactly where you live because I have your address. 763 00:42:19,760 --> 00:42:22,880 Speaker 1: Um but yeah, but so then you are you're like competing, 764 00:42:22,960 --> 00:42:24,600 Speaker 1: and when does it get to the point where you 765 00:42:24,680 --> 00:42:27,920 Speaker 1: become like really really good, like like and when did 766 00:42:27,960 --> 00:42:31,040 Speaker 1: you realize like, oh, this is like I'm not competitive, 767 00:42:31,120 --> 00:42:33,560 Speaker 1: I'm like, I'm like one of the one of the ones. 768 00:42:34,239 --> 00:42:39,440 Speaker 1: I think I started realizing that when I was Um, 769 00:42:39,600 --> 00:42:41,560 Speaker 1: so I got fired from my job because I kept 770 00:42:41,600 --> 00:42:46,080 Speaker 1: having to leave for auditions, and honestly, I don't think 771 00:42:46,200 --> 00:42:50,600 Speaker 1: I'm a good employee to have. I'm very entrepreneurial, and like, 772 00:42:50,760 --> 00:42:54,759 Speaker 1: I think my boss was right for firing me, because, um, 773 00:42:54,800 --> 00:42:56,000 Speaker 1: I just had to leave all the time for these 774 00:42:56,080 --> 00:42:58,160 Speaker 1: dumb commercial auditions that you'd have to go to Santa 775 00:42:58,200 --> 00:43:00,480 Speaker 1: Monica like at the drop of a hat. And so 776 00:43:00,640 --> 00:43:04,400 Speaker 1: I started working. I converted my garage into a grooming studio, 777 00:43:05,080 --> 00:43:07,680 Speaker 1: and it was that time when I was able to 778 00:43:08,160 --> 00:43:10,680 Speaker 1: I wasn't very busy. People didn't know what. I just 779 00:43:10,719 --> 00:43:12,719 Speaker 1: wanted to groom my friend's dog, so I didn't have 780 00:43:12,760 --> 00:43:15,520 Speaker 1: a ton of clients. So I just really took my 781 00:43:15,640 --> 00:43:18,080 Speaker 1: time and would take like I would just do one 782 00:43:18,120 --> 00:43:21,920 Speaker 1: dog at a time and just really work on my 783 00:43:22,080 --> 00:43:26,320 Speaker 1: craft and getting really good um. And I entered myself 784 00:43:26,360 --> 00:43:30,520 Speaker 1: in grooming competitions and I placed in every competition. I 785 00:43:30,560 --> 00:43:36,680 Speaker 1: didn't win until last year, but I placed. And um, 786 00:43:37,000 --> 00:43:39,279 Speaker 1: I just I think when you make a decision to 787 00:43:39,400 --> 00:43:44,480 Speaker 1: do something, it's very powerful in anyone's life. So I 788 00:43:44,600 --> 00:43:48,680 Speaker 1: just decided, did any kind of endeavor, like mentally committing 789 00:43:48,680 --> 00:43:52,600 Speaker 1: yourself to something is kind of it sounds simplistic, it 790 00:43:52,600 --> 00:43:56,359 Speaker 1: sounds reductive, but it's like sometimes that is just very 791 00:43:56,640 --> 00:43:59,279 Speaker 1: very very powerful in the ways that you follow through 792 00:43:59,320 --> 00:44:02,160 Speaker 1: on that. That that's that's very cool. And so it 793 00:44:02,280 --> 00:44:06,040 Speaker 1: went from like you're grooming your friends dogs to you 794 00:44:06,120 --> 00:44:10,839 Speaker 1: now groom the dogs of Katie Perry. You know, like 795 00:44:12,239 --> 00:44:16,760 Speaker 1: I think Ellen Pompeio, like you are now a celebrity. 796 00:44:16,920 --> 00:44:20,840 Speaker 1: I love Ellen Pompeo. I mean we love ell. I 797 00:44:20,960 --> 00:44:23,920 Speaker 1: met her. She's a schmoop, she has she is the 798 00:44:23,960 --> 00:44:28,640 Speaker 1: biggest heart, she loves her dogs. She's the coolest. I mean, 799 00:44:28,920 --> 00:44:32,160 Speaker 1: you groom some cool. I mean, I can't believe you 800 00:44:32,200 --> 00:44:36,960 Speaker 1: have a relationship with the Nugget Perry. I know Nuggie, 801 00:44:37,400 --> 00:44:44,400 Speaker 1: little baby Nugget has a sister. Oh, yes, a human sister. 802 00:44:45,200 --> 00:44:52,080 Speaker 1: Now has a human sister, Daisy. Yes, Daisy Dugo. What's 803 00:44:52,120 --> 00:44:55,440 Speaker 1: the hardest breed of dog? Is it a poodle? I 804 00:44:55,440 --> 00:44:58,279 Speaker 1: would imagine No, I love poodles. For me, I think 805 00:44:58,320 --> 00:45:01,080 Speaker 1: it depends on the groomer. For me, the hardest dog 806 00:45:01,200 --> 00:45:06,960 Speaker 1: is a soft coded wheat and terrier. Give me, well, 807 00:45:07,000 --> 00:45:10,479 Speaker 1: you would be. This is another Your hairs are long, 808 00:45:10,800 --> 00:45:13,680 Speaker 1: but they're beautiful dog. This is another really cool thing 809 00:45:13,719 --> 00:45:16,560 Speaker 1: about the show too, is like I love dogs, but 810 00:45:16,640 --> 00:45:18,560 Speaker 1: I didn't know all the breeds. This show has all 811 00:45:18,600 --> 00:45:22,439 Speaker 1: different kinds of breeds, and every episode it's like they're 812 00:45:22,440 --> 00:45:24,719 Speaker 1: all getting they'll get a sign like a different kind 813 00:45:24,760 --> 00:45:26,839 Speaker 1: of small dog. They off to do the same thing 814 00:45:26,880 --> 00:45:28,840 Speaker 1: too in the mini challenge, and then in the main 815 00:45:29,000 --> 00:45:33,759 Speaker 1: challenge m any they basically get any dog that they 816 00:45:33,840 --> 00:45:37,280 Speaker 1: want to do a creative transformation with based on the theme. 817 00:45:37,640 --> 00:45:40,480 Speaker 1: So there's themes like old Hollywood glamour, there's themes like 818 00:45:41,560 --> 00:45:49,080 Speaker 1: disco Inferno, there's Western pop pop star. It's probably one 819 00:45:49,080 --> 00:45:53,080 Speaker 1: of my favorite episodes. It's amazing. I cannot wait for 820 00:45:53,080 --> 00:45:55,600 Speaker 1: people to see it. And so what I want everyone 821 00:45:55,640 --> 00:45:58,319 Speaker 1: to know is that the show. The aesthetic of the 822 00:45:58,320 --> 00:46:01,279 Speaker 1: show is very much based on Jestice aesthetic, which is 823 00:46:01,320 --> 00:46:04,640 Speaker 1: like how would you describe it? I would say kitchy 824 00:46:04,880 --> 00:46:13,520 Speaker 1: seventies glam with a little wink and humor. Yeahs, I mean, 825 00:46:13,680 --> 00:46:17,320 Speaker 1: I just love her. But you know, it's just I 826 00:46:16,000 --> 00:46:21,880 Speaker 1: was like, this is very wood paneled, retro like life, 827 00:46:22,400 --> 00:46:26,080 Speaker 1: and the wood paneling was just it just happened. Like 828 00:46:26,239 --> 00:46:29,840 Speaker 1: the garage of the rented house I live in hadwood paneling, 829 00:46:29,880 --> 00:46:32,680 Speaker 1: and I would just I would go to a thrift 830 00:46:32,680 --> 00:46:34,640 Speaker 1: store or something and see a portrait of a dog 831 00:46:34,719 --> 00:46:37,759 Speaker 1: and get it. And it just never really was intentional, 832 00:46:37,920 --> 00:46:41,960 Speaker 1: but it just sort of organically appeared as my brand. 833 00:46:42,080 --> 00:46:44,200 Speaker 1: And then I just people were like, oh my god, 834 00:46:44,239 --> 00:46:47,000 Speaker 1: the wood paneling, like they started reacting to it, and 835 00:46:47,040 --> 00:46:50,120 Speaker 1: I was like, oh, this is my thing. But I've 836 00:46:50,160 --> 00:46:53,719 Speaker 1: always been really like a hippie into seventies and like 837 00:46:53,800 --> 00:46:56,359 Speaker 1: I've just always been like that anyway, because you're from 838 00:46:56,440 --> 00:46:58,440 Speaker 1: l A. So it's like seventies but in the l 839 00:46:58,480 --> 00:47:03,440 Speaker 1: A context where you have these Hollywood elements in it, 840 00:47:03,520 --> 00:47:07,080 Speaker 1: and like that is such a solid, you know story, 841 00:47:07,560 --> 00:47:10,000 Speaker 1: just aesthetically. I love that. Well. I can't wait for 842 00:47:10,080 --> 00:47:12,239 Speaker 1: you to see my new shop. I just moved out 843 00:47:12,239 --> 00:47:19,239 Speaker 1: of the garage a month. I would love to come. 844 00:47:19,440 --> 00:47:22,840 Speaker 1: I mean I just took the aesthetic and like ramped 845 00:47:22,840 --> 00:47:24,839 Speaker 1: it up and did it the way I want to 846 00:47:24,880 --> 00:47:29,120 Speaker 1: do it versus just the way it happened to happen. Um. 847 00:47:29,239 --> 00:47:31,480 Speaker 1: But yeah, I finally after six years, I'm out of 848 00:47:31,520 --> 00:47:36,960 Speaker 1: my garage. Wow. And the move from the garage to 849 00:47:37,120 --> 00:47:42,479 Speaker 1: the corner of Larchmont and Melrose is a massive one. 850 00:47:42,600 --> 00:47:45,000 Speaker 1: And it's I'm so excited for the store to open up, 851 00:47:45,120 --> 00:47:47,239 Speaker 1: or the shop to open up rather, but I mean, 852 00:47:47,280 --> 00:47:51,160 Speaker 1: it's open, is it open? Now? It's open? We did 853 00:47:51,160 --> 00:47:53,720 Speaker 1: a soft opening. Yeah, we've been open for a few weeks. 854 00:47:54,080 --> 00:47:57,279 Speaker 1: I never know what's open anymore in there. I'm so 855 00:47:58,440 --> 00:48:02,400 Speaker 1: can Oh, I'm gonna come. Um. But okay, so I 856 00:48:02,440 --> 00:48:05,319 Speaker 1: want to know, like because I do know this, But 857 00:48:05,560 --> 00:48:10,960 Speaker 1: how does it become a television show? Oh? Yeah? Well? Um, okay, 858 00:48:11,040 --> 00:48:15,480 Speaker 1: so people are fascinated with celebrity. I don't know. I 859 00:48:15,520 --> 00:48:19,600 Speaker 1: don't expect you guys to understand that, but I'm just kidding. 860 00:48:19,680 --> 00:48:24,320 Speaker 1: But like, so, I've been approached to do reality shows 861 00:48:24,360 --> 00:48:26,520 Speaker 1: for years and years and I always said, no, it's 862 00:48:26,600 --> 00:48:29,359 Speaker 1: just not what I want to do. And I met 863 00:48:29,520 --> 00:48:33,800 Speaker 1: Nicole and she has this beautiful red poodle named Doug, 864 00:48:34,320 --> 00:48:37,799 Speaker 1: And so I met Nicole's husband on set when I 865 00:48:37,840 --> 00:48:42,840 Speaker 1: was Katie Perry's Dog's Glam Squad. So, Nicole Nicole is 866 00:48:42,920 --> 00:48:45,840 Speaker 1: the producer of Hot Dog Nicole Yarn And she was 867 00:48:45,920 --> 00:48:48,680 Speaker 1: like a producer for the voice and and she created 868 00:48:48,800 --> 00:48:52,440 Speaker 1: making it with Amy Poehler nick Offerman. She's a force, 869 00:48:52,840 --> 00:48:58,320 Speaker 1: she's a visionary. Um. She is so brilliant, she's based. 870 00:48:58,400 --> 00:49:01,600 Speaker 1: I think she's a genius. Um. There's very few people 871 00:49:01,640 --> 00:49:06,000 Speaker 1: that I've ever met like her, but um. So. So 872 00:49:06,080 --> 00:49:08,279 Speaker 1: I met her husband on a on set at a 873 00:49:08,320 --> 00:49:11,160 Speaker 1: Katie Perry commercial thing where I was like Katie's Dog's 874 00:49:11,200 --> 00:49:13,359 Speaker 1: Glam squad and he's like, if I ever get a dog, 875 00:49:13,400 --> 00:49:15,680 Speaker 1: you have to groom it. Three weeks later, they got 876 00:49:15,680 --> 00:49:19,080 Speaker 1: a dog and they're like they called me. And so 877 00:49:19,120 --> 00:49:22,040 Speaker 1: I met Nicole through Rob, her husband, and she was like, 878 00:49:22,080 --> 00:49:26,279 Speaker 1: we're making a show, and I was she when we 879 00:49:26,320 --> 00:49:28,680 Speaker 1: talked about it, it was more of like a competition show. 880 00:49:28,760 --> 00:49:30,960 Speaker 1: It was less like a reality show of like cameras 881 00:49:30,960 --> 00:49:34,799 Speaker 1: following me and more like something elevated and cool and 882 00:49:35,040 --> 00:49:39,919 Speaker 1: intentional and and so um and so we just over 883 00:49:39,960 --> 00:49:42,960 Speaker 1: the years we developed the ideas and she would she 884 00:49:43,000 --> 00:49:45,040 Speaker 1: sat down with me and she's like, Okay, how do 885 00:49:45,080 --> 00:49:48,000 Speaker 1: you picture the set being draw it out? Like draw 886 00:49:48,160 --> 00:49:52,000 Speaker 1: the like where would the judge's table be? So like? 887 00:49:52,760 --> 00:49:55,879 Speaker 1: And she actually sold the show on her own. I mean, 888 00:49:55,920 --> 00:49:59,680 Speaker 1: she's so connected in this industry. She sold it just 889 00:50:00,000 --> 00:50:04,080 Speaker 1: off of the sizzle that we made. And I mean, 890 00:50:04,680 --> 00:50:06,200 Speaker 1: I mean that's I mean, that's what made me want 891 00:50:06,200 --> 00:50:07,520 Speaker 1: to do it. They sent me the sizzle and I 892 00:50:07,560 --> 00:50:10,720 Speaker 1: was like, this looks like the most functional ever. Wow. 893 00:50:11,680 --> 00:50:15,160 Speaker 1: And so she sizzles like she has a genius editor. 894 00:50:15,760 --> 00:50:20,440 Speaker 1: And I gave her like tons of like photos for 895 00:50:20,520 --> 00:50:22,960 Speaker 1: reference and the vibe and the tone, and I just 896 00:50:23,000 --> 00:50:27,120 Speaker 1: like put together collages of looks and and just visuals. 897 00:50:27,600 --> 00:50:31,279 Speaker 1: And she put together this amazing sizzle and sold it. 898 00:50:31,320 --> 00:50:34,120 Speaker 1: And she was like, you know, she just kept calling 899 00:50:34,120 --> 00:50:37,319 Speaker 1: me with good news. We sold it, I found out. 900 00:50:38,880 --> 00:50:41,280 Speaker 1: Then I found out we got picked up for twelve episodes. 901 00:50:41,680 --> 00:50:44,000 Speaker 1: Like she just kept calling me with good news, good news, 902 00:50:44,000 --> 00:50:45,840 Speaker 1: And I was crying. I just I was like, I 903 00:50:45,880 --> 00:50:49,080 Speaker 1: don't I'm not a big crier, but I'm crying because 904 00:50:49,320 --> 00:50:54,320 Speaker 1: my two worlds are colliding. Who knew the dog grooming 905 00:50:54,320 --> 00:50:59,120 Speaker 1: would lead me to the other stuff. Yeah, it's amazing. 906 00:50:59,160 --> 00:51:01,319 Speaker 1: It's awesome, and so Jess and I got to watch 907 00:51:01,360 --> 00:51:03,839 Speaker 1: the first episode today and it's so much fun. And 908 00:51:04,080 --> 00:51:07,360 Speaker 1: you know what really comes across is like me, Jess 909 00:51:07,480 --> 00:51:11,399 Speaker 1: and Robin thity, like we really do have so much fun. 910 00:51:11,440 --> 00:51:15,799 Speaker 1: We laugh so much and it's hot. I mean, this 911 00:51:15,840 --> 00:51:17,880 Speaker 1: is my first time doing this, but I've been told 912 00:51:17,920 --> 00:51:22,080 Speaker 1: like chemistry like ours is not normal, and it's it's 913 00:51:22,120 --> 00:51:24,600 Speaker 1: like the three of us just got along. Also, like 914 00:51:24,719 --> 00:51:28,439 Speaker 1: we all have mutual friends. Yeah. Yeah, I knew Robin 915 00:51:28,520 --> 00:51:31,160 Speaker 1: because Robin came and did Game Show and it was 916 00:51:31,200 --> 00:51:33,200 Speaker 1: so much fun and such a probe and we shared 917 00:51:33,320 --> 00:51:35,080 Speaker 1: like we were working on the same floor when she 918 00:51:35,120 --> 00:51:36,719 Speaker 1: was writing a Black Lady Sketch show and I was 919 00:51:36,760 --> 00:51:39,920 Speaker 1: working on Game Show and so um we knew each 920 00:51:39,920 --> 00:51:42,880 Speaker 1: other from that. But it's so funny because the producers 921 00:51:42,880 --> 00:51:44,960 Speaker 1: were like, and of course you and Jess and Robin 922 00:51:45,040 --> 00:51:47,640 Speaker 1: will have amazing chemistry and that will happen, and I 923 00:51:47,719 --> 00:51:50,640 Speaker 1: was just like, you are assuming that, but you can tell, 924 00:51:50,680 --> 00:51:53,600 Speaker 1: like people behind the scenes are like they're trying to 925 00:51:53,719 --> 00:51:56,000 Speaker 1: establish this thing of like and of course the chemistry 926 00:51:56,000 --> 00:51:58,080 Speaker 1: will be amazing, but you can tell that's what they're 927 00:51:58,080 --> 00:52:00,600 Speaker 1: nervous about and like, so we didn't we weren't able 928 00:52:00,640 --> 00:52:03,640 Speaker 1: to meet in person beforehand. Um, and then we just 929 00:52:03,680 --> 00:52:06,520 Speaker 1: literally arrived on set and luckily, like the three of 930 00:52:06,600 --> 00:52:09,640 Speaker 1: us started talking and didn't stop. It really was just 931 00:52:09,760 --> 00:52:13,640 Speaker 1: so fun. And Robin is she's I love her so much. 932 00:52:13,760 --> 00:52:16,760 Speaker 1: I feel so honored that she's in my life now. 933 00:52:16,920 --> 00:52:19,640 Speaker 1: I feel like she has the biggest heart. She's such 934 00:52:19,680 --> 00:52:23,120 Speaker 1: a good person. She's just one of those loyal kind 935 00:52:23,120 --> 00:52:25,359 Speaker 1: of ride or die type of people that would just 936 00:52:25,400 --> 00:52:28,360 Speaker 1: like have your back and be there for you. She's 937 00:52:28,400 --> 00:52:31,760 Speaker 1: just I just feel really lucky. I think we're really lucky. 938 00:52:32,160 --> 00:52:34,640 Speaker 1: We got lucky because none of us are like assholes. 939 00:52:35,320 --> 00:52:38,000 Speaker 1: I just think we got really lucky because it kind 940 00:52:38,000 --> 00:52:41,279 Speaker 1: of gone the other way for sure. I mean yeah, 941 00:52:41,360 --> 00:52:44,040 Speaker 1: And also it's it's just like, um, I mean, Robin 942 00:52:44,120 --> 00:52:47,840 Speaker 1: talked about a hustler, like she really works her fucking 943 00:52:47,960 --> 00:52:51,920 Speaker 1: ass off, and she's so graceful. I'm a mess when 944 00:52:51,960 --> 00:52:55,120 Speaker 1: I'm when I'm like my cup is full, I'm overwhelmed. 945 00:52:55,840 --> 00:53:00,359 Speaker 1: She was doing so much during the shoot. And yeah, 946 00:53:00,520 --> 00:53:03,279 Speaker 1: I mean I just really admire her and look up 947 00:53:03,320 --> 00:53:05,839 Speaker 1: to her. She's the best. We'll talk about, um, what 948 00:53:05,880 --> 00:53:08,080 Speaker 1: it was like to shoot, because I feel like you 949 00:53:08,120 --> 00:53:12,680 Speaker 1: guys were one of the like first shows to shoot 950 00:53:12,719 --> 00:53:16,080 Speaker 1: in l A at least um like during COVID but 951 00:53:16,120 --> 00:53:17,640 Speaker 1: like you you guys sort of reported this in the 952 00:53:17,640 --> 00:53:20,759 Speaker 1: press release. No COVID cases at all during the entire 953 00:53:20,760 --> 00:53:23,080 Speaker 1: course of filming. They were so on top of their 954 00:53:23,120 --> 00:53:26,240 Speaker 1: testing regimen for you guys, Um, what was what was that? Like? 955 00:53:26,400 --> 00:53:28,680 Speaker 1: It was trippy, it was weird. So we we were 956 00:53:28,960 --> 00:53:31,800 Speaker 1: we basically were like it was like me justin Robin 957 00:53:31,960 --> 00:53:34,400 Speaker 1: had like the backstage area and we were kind of 958 00:53:34,440 --> 00:53:37,799 Speaker 1: just like all together the whole time. And then you know, 959 00:53:37,880 --> 00:53:41,719 Speaker 1: it's weird, like hair makeup was basically on like hazmat suits, 960 00:53:41,760 --> 00:53:44,879 Speaker 1: like putting putting our makeup on everything. But I will 961 00:53:44,920 --> 00:53:50,520 Speaker 1: say this, and this is something that um, I want 962 00:53:50,560 --> 00:53:54,160 Speaker 1: to tell everyone that's you know, nervous about getting back 963 00:53:54,200 --> 00:53:57,239 Speaker 1: to work and stuff like that. My takeaway from it 964 00:53:57,320 --> 00:53:59,880 Speaker 1: was it really I always think like whenever I'm on 965 00:54:00,040 --> 00:54:02,640 Speaker 1: set and there's a good vibe, it does become like 966 00:54:02,680 --> 00:54:04,960 Speaker 1: a little family. Like I know, our set was like 967 00:54:05,000 --> 00:54:07,160 Speaker 1: a family. Is a kind of cliche, I think to say. 968 00:54:07,239 --> 00:54:10,759 Speaker 1: But one thing that I took from the experience was 969 00:54:11,160 --> 00:54:13,359 Speaker 1: not only was everyone just so excited to be back 970 00:54:13,360 --> 00:54:15,560 Speaker 1: at work and working and working on this show because 971 00:54:15,560 --> 00:54:19,120 Speaker 1: it really is so positive and it's so it's so 972 00:54:19,239 --> 00:54:22,480 Speaker 1: nice to see like the this profession get its shine 973 00:54:22,880 --> 00:54:25,839 Speaker 1: finally because it never has. But also everyone working on 974 00:54:25,880 --> 00:54:29,319 Speaker 1: set was really taking care of each other, and it 975 00:54:29,400 --> 00:54:32,160 Speaker 1: was like really like top of mind for everyone in 976 00:54:32,239 --> 00:54:34,880 Speaker 1: coming to work every day, Like everyone was really taking 977 00:54:34,920 --> 00:54:38,200 Speaker 1: the quarantining seriously. Everyone was really checking in with each 978 00:54:38,239 --> 00:54:40,439 Speaker 1: other in terms of their physical space and everything. So 979 00:54:40,880 --> 00:54:44,919 Speaker 1: it actually like wasn't even better experience than a good 980 00:54:44,920 --> 00:54:48,919 Speaker 1: experience is because you came into it with love and 981 00:54:49,000 --> 00:54:51,759 Speaker 1: care and also came away from it after we had 982 00:54:51,760 --> 00:54:53,960 Speaker 1: completed it and we had said, wow, we did that. 983 00:54:54,040 --> 00:54:57,520 Speaker 1: Because I'll say this, like, I don't think I've heard 984 00:54:57,520 --> 00:55:01,880 Speaker 1: of one other production that has not had one at 985 00:55:01,960 --> 00:55:04,960 Speaker 1: least one positive case that's shooting right now. We were 986 00:55:05,080 --> 00:55:09,920 Speaker 1: really lucky that um that happened to their other place. 987 00:55:10,000 --> 00:55:13,680 Speaker 1: There are other productions where someone tests positive and they 988 00:55:13,680 --> 00:55:16,120 Speaker 1: have to they have to like pause or shut down 989 00:55:16,200 --> 00:55:19,520 Speaker 1: or that person can't work, you know, like and you 990 00:55:19,560 --> 00:55:23,840 Speaker 1: know it's it's tough because no one knows for sure 991 00:55:23,880 --> 00:55:27,000 Speaker 1: how you get or don't get this. So people are 992 00:55:27,000 --> 00:55:28,680 Speaker 1: really trying the hardest, and you know, the tests aren't 993 00:55:28,680 --> 00:55:32,960 Speaker 1: always accurate, but we were tested every single day, um, 994 00:55:33,520 --> 00:55:36,359 Speaker 1: and you know, and also like we weren't allowed to 995 00:55:36,400 --> 00:55:40,120 Speaker 1: eat with everyone. We weren't allowed to even in the morning. 996 00:55:40,280 --> 00:55:43,399 Speaker 1: I would really want to just get my coffee, but 997 00:55:45,080 --> 00:55:48,440 Speaker 1: someone was like, hey, can I get you something? But 998 00:55:48,480 --> 00:55:50,000 Speaker 1: why don't you go inside and I'll bring it to you. 999 00:55:50,040 --> 00:55:53,160 Speaker 1: And I'm just like, I mean, it sounds great to 1000 00:55:53,200 --> 00:55:55,520 Speaker 1: be weighted on, but honestly, I just want to get 1001 00:55:55,520 --> 00:55:57,759 Speaker 1: my coffee, you know, like it was. It's just very 1002 00:55:57,840 --> 00:56:02,600 Speaker 1: weird to like not be independent, right, right, but you know, 1003 00:56:02,840 --> 00:56:05,680 Speaker 1: we we did it. And and Matt's kind of saying that, 1004 00:56:05,719 --> 00:56:09,080 Speaker 1: like the consideration was built into this process being so 1005 00:56:10,480 --> 00:56:14,680 Speaker 1: you know, precautionary and everyone really had to look out 1006 00:56:14,719 --> 00:56:17,720 Speaker 1: for each other on this collective level where you're you're 1007 00:56:17,880 --> 00:56:21,240 Speaker 1: you really are thinking about every single person in that environment, 1008 00:56:21,400 --> 00:56:24,600 Speaker 1: which I mean, it's it's crazy that that wasn't that 1009 00:56:24,840 --> 00:56:29,080 Speaker 1: sort of wasn't the firm case before and then before 1010 00:56:29,160 --> 00:56:32,160 Speaker 1: times where like you wouldn't you wouldn't come into these 1011 00:56:32,200 --> 00:56:35,799 Speaker 1: situations necessarily being like well that we're a unit. We 1012 00:56:35,840 --> 00:56:37,719 Speaker 1: all have we all have to work together to make 1013 00:56:37,719 --> 00:56:41,360 Speaker 1: sure we can work towards this common goal. UM. To 1014 00:56:41,480 --> 00:56:44,120 Speaker 1: have like you know, this, this, these these protocols in 1015 00:56:44,160 --> 00:56:47,040 Speaker 1: place which are unfortunate and whatever and bizarre, but like 1016 00:56:47,120 --> 00:56:51,880 Speaker 1: to have them kind of like established this tone of well, 1017 00:56:51,960 --> 00:56:54,959 Speaker 1: we're all working towards the same thing is is pretty cool. 1018 00:56:55,239 --> 00:56:58,680 Speaker 1: But how are you feeling about going back? Oh, so 1019 00:56:58,760 --> 00:57:02,440 Speaker 1: many ways. We don't talk about them. Probably I'm probably 1020 00:57:02,440 --> 00:57:05,719 Speaker 1: not allowed to. Okay, yeah, probably probably gotta keep a 1021 00:57:05,719 --> 00:57:08,200 Speaker 1: lid on it. But little on. But let's take a 1022 00:57:08,239 --> 00:57:11,280 Speaker 1: quick break and then we have to ask Jess the question. Okay, 1023 00:57:11,280 --> 00:57:20,600 Speaker 1: so we'll be right back with Jess room and we're 1024 00:57:20,640 --> 00:57:23,720 Speaker 1: back Matt. You asked the question. Here's the thing. Jess 1025 00:57:23,720 --> 00:57:26,000 Speaker 1: actually texted me yesterday and she was like, I'm nervous 1026 00:57:26,000 --> 00:57:28,280 Speaker 1: about this part of it. And I was like why 1027 00:57:28,360 --> 00:57:30,240 Speaker 1: and she was like, because there's so many different things 1028 00:57:30,280 --> 00:57:31,640 Speaker 1: I could say and I don't know what to say. 1029 00:57:31,680 --> 00:57:33,000 Speaker 1: And I was like, well, you have to choose the 1030 00:57:33,120 --> 00:57:37,640 Speaker 1: thing that UM in choosing your moment of culture, that 1031 00:57:37,760 --> 00:57:39,960 Speaker 1: was the moment that made you say culture was for you. 1032 00:57:40,280 --> 00:57:43,760 Speaker 1: It's that thing that's that intangible thing. It happened and 1033 00:57:43,800 --> 00:57:46,240 Speaker 1: all of a sudden your life took on a new 1034 00:57:46,280 --> 00:57:47,800 Speaker 1: course and you didn't know why. And she was like, Okay, 1035 00:57:47,840 --> 00:57:49,720 Speaker 1: I'm still confused. I still think about it. And I 1036 00:57:49,760 --> 00:57:51,960 Speaker 1: was like, that's part of the course. So I am 1037 00:57:52,000 --> 00:57:54,360 Speaker 1: now going to turn to Jess and say, what have 1038 00:57:54,560 --> 00:57:57,480 Speaker 1: you decided on? What was your cult moment of culture 1039 00:57:57,520 --> 00:57:59,560 Speaker 1: that made you say culture was for me? Jess Rhona, 1040 00:58:00,160 --> 00:58:05,000 Speaker 1: it can be multiple things too, if you're torn between stuff, Okay, um, okay, 1041 00:58:05,040 --> 00:58:07,440 Speaker 1: so these this is the These are the three things 1042 00:58:07,480 --> 00:58:12,600 Speaker 1: that I thought of. Maybe you guys can can weigh in. So. 1043 00:58:13,000 --> 00:58:15,760 Speaker 1: I grew up in l A in the nineties and 1044 00:58:15,800 --> 00:58:21,120 Speaker 1: I was very into ska music, um Gwen Stefani when 1045 00:58:21,160 --> 00:58:25,120 Speaker 1: she was when she was singing songs with Sublime like 1046 00:58:25,200 --> 00:58:30,600 Speaker 1: that o c back in the um. Then I became 1047 00:58:31,400 --> 00:58:37,720 Speaker 1: a raver and electronic music was really influencing me. You. 1048 00:58:39,240 --> 00:58:43,320 Speaker 1: I was a molly doer very I mean this was 1049 00:58:43,800 --> 00:58:49,040 Speaker 1: twenty years ago. I was doing molly and raving like 1050 00:58:49,120 --> 00:58:53,360 Speaker 1: a candy raver. When I was there were kids that 1051 00:58:53,480 --> 00:58:56,240 Speaker 1: there were kids at school, like seventeen years old. He 1052 00:58:56,320 --> 00:58:58,640 Speaker 1: would go to raves sixteen and like and like and 1053 00:58:58,760 --> 00:59:02,000 Speaker 1: like fucking role yeah, and I was like, those kids 1054 00:59:02,000 --> 00:59:07,160 Speaker 1: are crazy and now it's like my favorite. What's a candy? 1055 00:59:07,280 --> 00:59:11,920 Speaker 1: I love? I love dating myself candy is Is it 1056 00:59:12,000 --> 00:59:15,960 Speaker 1: like flipping? Are you like changing drugs? Candy flipping is 1057 00:59:16,000 --> 00:59:18,320 Speaker 1: a thing um back in the day when you would 1058 00:59:18,320 --> 00:59:20,720 Speaker 1: do when you were candy flipping, it is my understanding 1059 00:59:20,720 --> 00:59:23,000 Speaker 1: that you were just doing acid and molly acid and 1060 00:59:24,240 --> 00:59:27,520 Speaker 1: you're like we just called the e. Back in the day, 1061 00:59:27,560 --> 00:59:30,840 Speaker 1: it wasn't like I remember when it was yeah, well 1062 00:59:30,920 --> 00:59:33,200 Speaker 1: like the good ship is molly and now it's like 1063 00:59:33,320 --> 00:59:35,800 Speaker 1: you know, prime and powder and it's like a clean 1064 00:59:35,920 --> 00:59:37,720 Speaker 1: high and like that's the end of it. But back 1065 00:59:37,760 --> 00:59:39,720 Speaker 1: then it was like cut with speed and you were 1066 00:59:39,800 --> 00:59:43,840 Speaker 1: up till six am like a lunatic. Not like I'm 1067 00:59:43,880 --> 00:59:46,520 Speaker 1: a drug addict or anything. I don't do it anymore 1068 00:59:46,600 --> 00:59:50,760 Speaker 1: at all. Um, okay, so Scott into Raver and then 1069 00:59:50,800 --> 00:59:52,360 Speaker 1: and then and then what I will complete the story? 1070 00:59:52,880 --> 00:59:55,480 Speaker 1: Oh just and then like I touched on it before, 1071 00:59:55,520 --> 00:59:57,440 Speaker 1: but like and I told Matt, I'm going to be 1072 00:59:57,560 --> 01:00:04,760 Speaker 1: such a nerd. But improv really changed my whole life 1073 01:00:07,080 --> 01:00:10,680 Speaker 1: because Bo and Yang also did improv as a youngster. Really. Yes, 1074 01:00:11,240 --> 01:00:13,120 Speaker 1: Well I was a late bloomer. I wish I did 1075 01:00:13,120 --> 01:00:15,240 Speaker 1: it when I was younger. I didn't start until I 1076 01:00:15,280 --> 01:00:18,200 Speaker 1: was in my late twenties. But I was really into 1077 01:00:18,240 --> 01:00:22,240 Speaker 1: it like a crazy person, like from the line at 1078 01:00:22,320 --> 01:00:24,400 Speaker 1: u c B and every time we were all there 1079 01:00:24,520 --> 01:00:27,960 Speaker 1: were all there improv boot camp, like I was like 1080 01:00:28,160 --> 01:00:31,720 Speaker 1: it was a lot. I still think we have not 1081 01:00:31,920 --> 01:00:36,720 Speaker 1: as a community of improvisers or x improvisers x u 1082 01:00:36,800 --> 01:00:39,760 Speaker 1: c B ors whatever. We let's just let's just keep 1083 01:00:39,760 --> 01:00:42,240 Speaker 1: it to UCB, okay, because that's that's like like that's 1084 01:00:42,240 --> 01:00:45,640 Speaker 1: where our circles overlap. What was it about UCB and 1085 01:00:45,680 --> 01:00:50,680 Speaker 1: that culture that made it so like we were all acolytes. 1086 01:00:50,760 --> 01:00:52,400 Speaker 1: We were all like, oh my god, we have to 1087 01:00:52,440 --> 01:00:54,640 Speaker 1: stay up for all of DC and like, what was 1088 01:00:54,640 --> 01:00:59,600 Speaker 1: it about? God? There's something I mean, I I don't 1089 01:00:59,600 --> 01:01:02,080 Speaker 1: want to like kind of like cheaply like compared to 1090 01:01:02,080 --> 01:01:04,760 Speaker 1: a cult, but there was something like that just demanded 1091 01:01:04,800 --> 01:01:07,920 Speaker 1: your devotion to it and dedication to it. And I'm 1092 01:01:07,960 --> 01:01:09,800 Speaker 1: trying to figure out like what that what like what 1093 01:01:09,880 --> 01:01:12,880 Speaker 1: was the promise and what do you guys? And I 1094 01:01:12,880 --> 01:01:15,520 Speaker 1: want to know what you guys think. I think that 1095 01:01:15,920 --> 01:01:19,840 Speaker 1: for me when I was in high school, the cool 1096 01:01:19,920 --> 01:01:23,200 Speaker 1: kids were always like that was not really attainable for 1097 01:01:23,360 --> 01:01:25,560 Speaker 1: me because it was just like you had to be 1098 01:01:25,600 --> 01:01:30,000 Speaker 1: like straight in a certain way to look and um, 1099 01:01:30,040 --> 01:01:33,920 Speaker 1: the way that popularity was gauged just never really connected 1100 01:01:33,960 --> 01:01:38,120 Speaker 1: with me. But I always wanted um to be recognized 1101 01:01:38,120 --> 01:01:41,400 Speaker 1: for being good at something, and I feel like I 1102 01:01:41,440 --> 01:01:43,720 Speaker 1: always had a good sense of humor. And then when 1103 01:01:43,720 --> 01:01:46,400 Speaker 1: I saw when I went to college, and like I 1104 01:01:46,440 --> 01:01:49,200 Speaker 1: saw the sketching improphecy, and then the UCB seems like 1105 01:01:49,440 --> 01:01:51,240 Speaker 1: the macro of that. In New York, it was like 1106 01:01:51,400 --> 01:01:53,960 Speaker 1: everything like if you were pursuing comedy in New York, 1107 01:01:53,960 --> 01:01:56,080 Speaker 1: everyone was like, well, what when's your next UCB class? 1108 01:01:56,080 --> 01:01:57,880 Speaker 1: That was just what it is. I think that u 1109 01:01:57,960 --> 01:02:01,040 Speaker 1: c B, at least in the way I saw things 1110 01:02:01,120 --> 01:02:06,280 Speaker 1: at the time, seemed to celebrate people for being smart 1111 01:02:06,440 --> 01:02:10,920 Speaker 1: and funny, whereas popularity for me was always based on 1112 01:02:10,960 --> 01:02:13,720 Speaker 1: like looking a certain way or whatever and doing certain 1113 01:02:13,760 --> 01:02:17,240 Speaker 1: things or lifestyle things. Whereas this was like, oh, these 1114 01:02:17,280 --> 01:02:19,560 Speaker 1: people who rise to the top are the quote unquote 1115 01:02:19,600 --> 01:02:22,840 Speaker 1: smartest and funniest. Now looking back, I know that's not true. 1116 01:02:22,960 --> 01:02:25,480 Speaker 1: It's like kind of like exclusive to certain people. And 1117 01:02:25,520 --> 01:02:29,000 Speaker 1: I can see the exclusivities of uc B now in retrospect, 1118 01:02:29,200 --> 01:02:31,600 Speaker 1: but at the time, I was like God to be 1119 01:02:31,680 --> 01:02:35,000 Speaker 1: able to go up there say the smartest, funniest thing 1120 01:02:35,160 --> 01:02:38,000 Speaker 1: and then become like a star in this arena. And 1121 01:02:38,040 --> 01:02:41,320 Speaker 1: I was always someone that wanted to act and perform, 1122 01:02:41,480 --> 01:02:45,040 Speaker 1: but I didn't take acting classes or anything. And I thought, 1123 01:02:45,120 --> 01:02:46,520 Speaker 1: this is a fun way to get into it. But 1124 01:02:46,560 --> 01:02:49,960 Speaker 1: I don't know what you guys think. Yeah, I'm the opposite. 1125 01:02:50,080 --> 01:02:51,960 Speaker 1: I mean, not the opposite of that, but I'm the 1126 01:02:51,960 --> 01:02:55,640 Speaker 1: opposite of Like I started off taking acting classes in 1127 01:02:55,800 --> 01:02:59,240 Speaker 1: l A and like having breakthrough in my classes and 1128 01:02:59,320 --> 01:03:03,480 Speaker 1: just scene study classes and taking it so seriously and 1129 01:03:03,480 --> 01:03:07,640 Speaker 1: doing all this dramatic acting. And I went to school 1130 01:03:07,640 --> 01:03:10,000 Speaker 1: called Playhouse West and I went all the way through 1131 01:03:10,000 --> 01:03:12,280 Speaker 1: the advanced program and I was just so into it. 1132 01:03:12,280 --> 01:03:14,840 Speaker 1: But I was never good at homework and I was 1133 01:03:14,920 --> 01:03:17,360 Speaker 1: never good at like preparing, and like, finally I was 1134 01:03:17,440 --> 01:03:21,800 Speaker 1: like improv. I don't have to break down a scene. 1135 01:03:22,320 --> 01:03:25,880 Speaker 1: I could just show up and play and um. And 1136 01:03:25,920 --> 01:03:29,160 Speaker 1: when I first found improv, I was like, holy sh it, 1137 01:03:29,640 --> 01:03:32,200 Speaker 1: this is where I belong, this is what I want. 1138 01:03:32,480 --> 01:03:34,840 Speaker 1: These are my people. But I think you're totally right. 1139 01:03:34,920 --> 01:03:39,520 Speaker 1: It's like it's magical when it's done well. It's like 1140 01:03:39,800 --> 01:03:42,880 Speaker 1: unlike anything you've seen when it's done well. And I 1141 01:03:42,880 --> 01:03:47,240 Speaker 1: started UCB in New York and when it's when you 1142 01:03:47,360 --> 01:03:51,160 Speaker 1: see a magical thing like that performed in front of you, 1143 01:03:52,000 --> 01:03:55,040 Speaker 1: and you're just like, I want to do that so bad. 1144 01:03:55,080 --> 01:03:57,560 Speaker 1: I want to be that. I want to be that good. 1145 01:03:57,600 --> 01:04:00,400 Speaker 1: I want to be that smart and funny and quick 1146 01:04:00,480 --> 01:04:03,240 Speaker 1: and all of it. And it's like a drug. And 1147 01:04:03,520 --> 01:04:07,880 Speaker 1: it's also you know, I think improv um attracts a 1148 01:04:07,880 --> 01:04:11,640 Speaker 1: certain kind of person. You know, we might be the 1149 01:04:11,720 --> 01:04:15,640 Speaker 1: underdogs in our real life in some way. And if 1150 01:04:15,760 --> 01:04:20,000 Speaker 1: you can succeed at this thing, then you're finally valid 1151 01:04:20,120 --> 01:04:24,920 Speaker 1: like validated, you're finally funny, you're finally good, and you 1152 01:04:25,000 --> 01:04:27,640 Speaker 1: won't stop until you're good, and you won't be good 1153 01:04:27,720 --> 01:04:31,160 Speaker 1: until they say you're good, so you keep going. You're 1154 01:04:31,200 --> 01:04:35,440 Speaker 1: competitive every And it's also the culture. You know, everyone's 1155 01:04:35,520 --> 01:04:38,160 Speaker 1: just scrambling to get on a Herald team or a 1156 01:04:38,200 --> 01:04:42,840 Speaker 1: mod team and it's just you know, a frenzy. God. 1157 01:04:42,880 --> 01:04:46,640 Speaker 1: I don't miss it um, but I do. I mean, 1158 01:04:46,680 --> 01:04:51,120 Speaker 1: I miss performing improv, but I don't miss feeling like 1159 01:04:51,520 --> 01:04:55,560 Speaker 1: shit so much. I just felt like I wasn't good, 1160 01:04:55,600 --> 01:04:59,200 Speaker 1: I wasn't funny, You're not talented unless you're on a 1161 01:04:59,240 --> 01:05:02,880 Speaker 1: Herald team. But that was the common valuation. That was 1162 01:05:02,920 --> 01:05:06,760 Speaker 1: the common evaluation, like that you would that everyone would 1163 01:05:06,800 --> 01:05:09,000 Speaker 1: sort of buy into, which was, Oh my god, that 1164 01:05:09,080 --> 01:05:11,040 Speaker 1: Lloyd team audition was so awful and they were just 1165 01:05:11,080 --> 01:05:12,640 Speaker 1: like they just didn't really laugh and it was just 1166 01:05:12,720 --> 01:05:15,880 Speaker 1: so awkward and uh and god my my, this indie, 1167 01:05:16,160 --> 01:05:18,800 Speaker 1: this indie team show is just it's like everyone was 1168 01:05:18,840 --> 01:05:22,560 Speaker 1: in this constant as at this constant frequency of like discomfort, 1169 01:05:22,840 --> 01:05:25,200 Speaker 1: which is one thing that I'm like that I I 1170 01:05:25,240 --> 01:05:27,400 Speaker 1: still don't think we've like fully like I think I 1171 01:05:27,400 --> 01:05:29,880 Speaker 1: think there's just time with more time has to pass 1172 01:05:29,960 --> 01:05:33,760 Speaker 1: before we like realize why we were really all just 1173 01:05:33,920 --> 01:05:38,640 Speaker 1: like so like uneasy because it's so interesting. Well because 1174 01:05:38,800 --> 01:05:41,240 Speaker 1: I put I put the weight of the world on it. 1175 01:05:41,600 --> 01:05:44,200 Speaker 1: If I got on a team, it means I got reps, 1176 01:05:44,440 --> 01:05:47,040 Speaker 1: I can book things, I could be a series regular 1177 01:05:47,080 --> 01:05:49,680 Speaker 1: on a TV show. That's how big it was to me. 1178 01:05:49,720 --> 01:05:51,520 Speaker 1: If I got on a Herald team, it means I 1179 01:05:51,560 --> 01:05:54,360 Speaker 1: will get on a TV show. That's and that's all 1180 01:05:54,400 --> 01:05:56,800 Speaker 1: I wanted. It was like my way out. It was 1181 01:05:56,840 --> 01:05:59,680 Speaker 1: like it's a clear path with like steps in front 1182 01:05:59,680 --> 01:06:02,240 Speaker 1: of you, where it's like here you go, just get 1183 01:06:02,280 --> 01:06:04,800 Speaker 1: to this door, and once you open the door, all 1184 01:06:04,840 --> 01:06:08,480 Speaker 1: of Hollywood is going to cast you and everything and 1185 01:06:08,520 --> 01:06:10,440 Speaker 1: you'll have reps and people will believe in you and 1186 01:06:10,440 --> 01:06:12,920 Speaker 1: you'll be the cool thing. But that was only that 1187 01:06:13,000 --> 01:06:15,040 Speaker 1: was only true for like maybe a year and a half. 1188 01:06:15,280 --> 01:06:19,200 Speaker 1: Oh my god, all these people. I mean, look, it's 1189 01:06:19,240 --> 01:06:21,959 Speaker 1: been so so many years since this happened for me, 1190 01:06:22,080 --> 01:06:24,360 Speaker 1: and I'm sure for most people it's just like you 1191 01:06:24,560 --> 01:06:27,520 Speaker 1: now that we're out of it, you know, It's just 1192 01:06:28,280 --> 01:06:31,640 Speaker 1: it was a little toxic, and it's sad because really 1193 01:06:31,640 --> 01:06:35,800 Speaker 1: talented people thought that they were bad. I thought that 1194 01:06:35,840 --> 01:06:40,600 Speaker 1: they were not funny talented. You know what, though, I'm 1195 01:06:40,640 --> 01:06:44,000 Speaker 1: sorry really quick, everybody like not like so many people 1196 01:06:44,400 --> 01:06:48,120 Speaker 1: have the same story. And now I'm thinking, oh, it 1197 01:06:48,200 --> 01:06:51,600 Speaker 1: wasn't just me that felt like this. Sorry, what are 1198 01:06:51,600 --> 01:06:53,320 Speaker 1: you going to say? No, I was just gonna say 1199 01:06:53,360 --> 01:06:58,320 Speaker 1: I'm realizing now specifically why I fell into the UCB thing. 1200 01:06:58,400 --> 01:07:00,640 Speaker 1: And I do think it's this. This is the case 1201 01:07:00,640 --> 01:07:02,840 Speaker 1: for a lot of people, and this is gonna sound 1202 01:07:03,080 --> 01:07:06,720 Speaker 1: insane for me to say here, but I remember being 1203 01:07:06,760 --> 01:07:10,760 Speaker 1: so depressed when I was eighteen years old that I 1204 01:07:10,840 --> 01:07:14,320 Speaker 1: like got back to my room in college. I was closeted, 1205 01:07:14,360 --> 01:07:16,360 Speaker 1: I was like crying. I just was like not it 1206 01:07:16,440 --> 01:07:19,800 Speaker 1: was not happening for me in college. And I wanted 1207 01:07:19,960 --> 01:07:24,560 Speaker 1: so desperately as like a um, you know kid who 1208 01:07:24,600 --> 01:07:27,000 Speaker 1: grew up on Long Island, Like, I wanted to succeed 1209 01:07:27,120 --> 01:07:30,320 Speaker 1: in the entertainment industry so badly, and I thought my 1210 01:07:30,440 --> 01:07:34,800 Speaker 1: skills aligned with Saturday Night Live. And so I remember 1211 01:07:34,840 --> 01:07:39,680 Speaker 1: I googled Amy Poehler in my lowest moment, and I 1212 01:07:39,720 --> 01:07:42,640 Speaker 1: saw everything she had done, and I was like, I'm 1213 01:07:42,640 --> 01:07:44,880 Speaker 1: gonna do exactly everything that she did to get to 1214 01:07:44,920 --> 01:07:48,960 Speaker 1: where she's at. And I got on my sketch team 1215 01:07:49,000 --> 01:07:51,439 Speaker 1: at college because she was on her improv team at 1216 01:07:51,520 --> 01:07:53,920 Speaker 1: at Boston College. And I saw that she had a 1217 01:07:53,960 --> 01:07:55,960 Speaker 1: thing called UCB and that's when I signed up for 1218 01:07:56,040 --> 01:08:00,080 Speaker 1: UCB classes because I thought, legitimately, I thought this is 1219 01:08:00,080 --> 01:08:02,920 Speaker 1: a pathway to get to Saturday Night Live. And I 1220 01:08:02,960 --> 01:08:04,960 Speaker 1: think that that's a lot of the way a lot 1221 01:08:05,000 --> 01:08:07,360 Speaker 1: of people think. And then once you get into the 1222 01:08:07,440 --> 01:08:11,000 Speaker 1: UCB community, there's different check marks that pop up because 1223 01:08:11,000 --> 01:08:14,280 Speaker 1: you're already headed toward a check mark. You know, when 1224 01:08:14,320 --> 01:08:17,559 Speaker 1: you're in your classes, everyone wants the same thing and 1225 01:08:17,600 --> 01:08:21,240 Speaker 1: we're all just trying to get on that house team, 1226 01:08:21,280 --> 01:08:24,599 Speaker 1: and so like you become competitive with people and it's 1227 01:08:24,640 --> 01:08:26,880 Speaker 1: like we started at the same time and now they're 1228 01:08:26,880 --> 01:08:29,559 Speaker 1: on a team and I'm not, or like, there's just 1229 01:08:29,600 --> 01:08:32,200 Speaker 1: like a lot, you know, and so I'm it was 1230 01:08:32,280 --> 01:08:36,760 Speaker 1: just yeah, it was I think it was that consistent discomfort, 1231 01:08:37,360 --> 01:08:40,320 Speaker 1: but it's like, why are we doing to reach to ourselves? Well, 1232 01:08:40,320 --> 01:08:42,280 Speaker 1: it's also kind of there's something fun about it though, 1233 01:08:43,840 --> 01:08:49,880 Speaker 1: And yeah, I had we all we all and run 1234 01:08:49,880 --> 01:08:53,960 Speaker 1: into each other and die, Oh my god, I would 1235 01:08:55,200 --> 01:08:58,000 Speaker 1: I would love god. I never experienced like an all 1236 01:08:58,160 --> 01:09:02,280 Speaker 1: team at it where everyone's well that I have like 1237 01:09:02,320 --> 01:09:05,360 Speaker 1: a DCM bit where it's just ending the whole time. 1238 01:09:05,400 --> 01:09:07,720 Speaker 1: It sounds like a show. But but there was a 1239 01:09:07,840 --> 01:09:12,040 Speaker 1: time I used to see sets that like ended Sometimes 1240 01:09:12,080 --> 01:09:14,760 Speaker 1: they just ended so perfectly that everyone would jump off 1241 01:09:14,800 --> 01:09:16,320 Speaker 1: the back line and I was like, oh, that has 1242 01:09:16,360 --> 01:09:19,040 Speaker 1: to feel so good. And I never like it's chasing 1243 01:09:19,080 --> 01:09:22,160 Speaker 1: that high. Yeah, I never. I never succeeded in improv 1244 01:09:22,240 --> 01:09:24,519 Speaker 1: I was more sketched. That was more my thing. But 1245 01:09:24,600 --> 01:09:27,280 Speaker 1: I remember like whenever the improv show would end and 1246 01:09:27,280 --> 01:09:29,840 Speaker 1: they'd all go backstage, I would always be like, I 1247 01:09:29,840 --> 01:09:32,560 Speaker 1: wonder what they're talking about. I wonder they're going to 1248 01:09:33,560 --> 01:09:36,840 Speaker 1: you know, because it's such a rare. It's a high 1249 01:09:37,000 --> 01:09:39,599 Speaker 1: when you have a great show and when you fucking 1250 01:09:39,640 --> 01:09:42,320 Speaker 1: crush it. You know you're crushing it, you just know it. 1251 01:09:42,320 --> 01:09:45,680 Speaker 1: It's everything's working and you just it's a high and 1252 01:09:45,720 --> 01:09:48,160 Speaker 1: there's just nothing like it. And I think that's another 1253 01:09:48,240 --> 01:09:52,440 Speaker 1: thing that kept people there, is chasing that high of 1254 01:09:52,439 --> 01:09:55,160 Speaker 1: of doing well and you just never knew if the 1255 01:09:55,160 --> 01:09:58,640 Speaker 1: stars were aligned that night. Sure, but perhaps one of 1256 01:09:58,680 --> 01:10:01,360 Speaker 1: those things where it just slipped. It's it's disposable whatever, 1257 01:10:01,360 --> 01:10:04,240 Speaker 1: but like those those those moments of glories just sort 1258 01:10:04,240 --> 01:10:06,840 Speaker 1: of slipped through your fingers and there's no actual sort 1259 01:10:06,880 --> 01:10:10,639 Speaker 1: of stuff like we're just or just actual like physical 1260 01:10:10,720 --> 01:10:14,000 Speaker 1: substance to them, um, because because how we're gonna like 1261 01:10:14,000 --> 01:10:15,760 Speaker 1: how are you gonna use this? But like where it's 1262 01:10:15,800 --> 01:10:19,599 Speaker 1: like it's like let's stay with like writing or with 1263 01:10:19,720 --> 01:10:22,280 Speaker 1: like you know, dog grooming. It's like, oh, like there 1264 01:10:22,320 --> 01:10:24,800 Speaker 1: are ways that you can develop these skills and track 1265 01:10:24,920 --> 01:10:28,320 Speaker 1: them very concretely, whereas improv was just a little was 1266 01:10:28,320 --> 01:10:30,720 Speaker 1: was so arbitrary, and then it just put you in 1267 01:10:30,920 --> 01:10:33,320 Speaker 1: it's it's it's this thing that puts you in your 1268 01:10:33,360 --> 01:10:36,280 Speaker 1: head the most I think Skid of any other I'll 1269 01:10:36,360 --> 01:10:40,559 Speaker 1: never forget watching I had met Bowen like my freshman 1270 01:10:40,640 --> 01:10:44,719 Speaker 1: year UM. But then I went to UM an improv 1271 01:10:44,800 --> 01:10:47,960 Speaker 1: show that Bone was doing in college, and I didn't 1272 01:10:48,000 --> 01:10:51,080 Speaker 1: really know Bowen super well like we had met like 1273 01:10:51,120 --> 01:10:53,519 Speaker 1: we did. We had went with mutual friends to one 1274 01:10:53,560 --> 01:10:55,800 Speaker 1: comedy show and then I remember I want to go 1275 01:10:55,880 --> 01:10:58,439 Speaker 1: see his improv team, Danger Box, and he came off 1276 01:10:58,439 --> 01:11:00,920 Speaker 1: the back line and he had she had a scene 1277 01:11:00,920 --> 01:11:05,480 Speaker 1: with in a future world the robots are the queens. 1278 01:11:05,960 --> 01:11:09,000 Speaker 1: And I was just like, so stupid, and I was 1279 01:11:09,040 --> 01:11:11,240 Speaker 1: just like I was. I was just like, this is 1280 01:11:11,280 --> 01:11:17,639 Speaker 1: like ter terrible improvment. But I was in the audience 1281 01:11:17,680 --> 01:11:22,360 Speaker 1: and I was screaming because he had such star energy. 1282 01:11:22,520 --> 01:11:29,720 Speaker 1: He was you are you are, you are, you are? 1283 01:11:30,200 --> 01:11:34,599 Speaker 1: But but Bowen like he just exploded off the stage 1284 01:11:34,600 --> 01:11:37,000 Speaker 1: and I was like, oh my god, And I do 1285 01:11:37,240 --> 01:11:40,000 Speaker 1: I do think that there is something to that too. 1286 01:11:40,080 --> 01:11:43,040 Speaker 1: It's like when you see people that are so amazing. 1287 01:11:43,160 --> 01:11:45,200 Speaker 1: It makes you want to be involved in it too. 1288 01:11:45,560 --> 01:11:51,640 Speaker 1: And that's talk about this. We can't talk about that. 1289 01:11:51,720 --> 01:11:55,080 Speaker 1: Well I I will talk about it, um wait I 1290 01:11:55,120 --> 01:11:56,960 Speaker 1: do before we move on, I do want to talk 1291 01:11:56,960 --> 01:12:04,200 Speaker 1: a little bit more about scatter and revisor. Okay, um no, wait. 1292 01:12:04,360 --> 01:12:07,880 Speaker 1: Summarize these summarizes as the connective tissue as best as 1293 01:12:07,880 --> 01:12:09,760 Speaker 1: you can, Like how did one go? Thank God, I've 1294 01:12:09,800 --> 01:12:14,479 Speaker 1: never even thought about its set, Like, yeah I did, 1295 01:12:15,000 --> 01:12:18,640 Speaker 1: I did. I had the Betty Page haircut, I wore coppers, 1296 01:12:19,200 --> 01:12:22,200 Speaker 1: Oh my god. I would just go to all the 1297 01:12:22,280 --> 01:12:26,680 Speaker 1: underground SKA shows and see these like bands. There used 1298 01:12:26,680 --> 01:12:29,400 Speaker 1: to be a club called the Alligator Lounge and it's 1299 01:12:29,439 --> 01:12:31,759 Speaker 1: like where the NewYork Theater is, like on Santa Monica 1300 01:12:31,800 --> 01:12:33,559 Speaker 1: off the four oh five. Like I would drive there, 1301 01:12:34,360 --> 01:12:37,320 Speaker 1: um but yeah, I would just I was just very 1302 01:12:37,360 --> 01:12:41,360 Speaker 1: I would go to all the show every weekend, um, 1303 01:12:41,439 --> 01:12:45,320 Speaker 1: you know, and just see all these little bands, date 1304 01:12:45,360 --> 01:12:49,320 Speaker 1: the guys. Um just be the groupies of the bands. 1305 01:12:50,160 --> 01:12:52,680 Speaker 1: I still would. Like there's a band called Hepcat and 1306 01:12:52,680 --> 01:12:58,639 Speaker 1: they were my favorite SKA band, like a hepatitis cut. Yes, 1307 01:12:58,760 --> 01:13:03,400 Speaker 1: but no, but if you if you ever are like 1308 01:13:03,439 --> 01:13:07,240 Speaker 1: in the mood for something fun and different. Checkout Hepcat. Um. 1309 01:13:07,360 --> 01:13:10,559 Speaker 1: Yeah they were a great band. And um, I don't so, 1310 01:13:10,760 --> 01:13:14,240 Speaker 1: I man, I don't even know what the threat is 1311 01:13:14,600 --> 01:13:19,000 Speaker 1: between SKA and being a raver. It seems like all 1312 01:13:19,040 --> 01:13:22,800 Speaker 1: three of these things are built on community, right. Yeah, 1313 01:13:22,960 --> 01:13:26,720 Speaker 1: it's like you you're finding people who and like you're 1314 01:13:26,760 --> 01:13:29,720 Speaker 1: talking about like what you're seeing on stage or you know, 1315 01:13:29,760 --> 01:13:32,800 Speaker 1: it's like you're talking about some shared experience. It's so true. 1316 01:13:32,880 --> 01:13:36,400 Speaker 1: It's always like with a community. There's a community of 1317 01:13:36,720 --> 01:13:41,880 Speaker 1: ravers in a community of SKA people and improvisers. And 1318 01:13:41,920 --> 01:13:43,920 Speaker 1: it's not the thing. It's not the thing where you 1319 01:13:43,960 --> 01:13:47,479 Speaker 1: went from SCA into like solo archery or whatever. It 1320 01:13:47,520 --> 01:13:49,320 Speaker 1: was like a very like solitude thing. It was like 1321 01:13:49,360 --> 01:13:52,360 Speaker 1: you you went from like group to group and like 1322 01:13:53,120 --> 01:13:56,599 Speaker 1: I don't know, Like, yeah, that's true. I need a family, Okay, 1323 01:13:56,760 --> 01:14:00,160 Speaker 1: I need I have. It's it's very clear to me. 1324 01:14:00,720 --> 01:14:03,320 Speaker 1: She wants to be in a community, she wants to move, 1325 01:14:03,680 --> 01:14:06,680 Speaker 1: and she wants to sweat, so you know what I mean. So, 1326 01:14:06,800 --> 01:14:09,559 Speaker 1: so basically all these things are connected. When you're involved 1327 01:14:09,600 --> 01:14:15,880 Speaker 1: in the scot community, not involved in the SCA community, 1328 01:14:16,080 --> 01:14:18,759 Speaker 1: you are involved in this community, and I actually, I actually, 1329 01:14:18,800 --> 01:14:21,120 Speaker 1: when I was in high school, I attended one ska 1330 01:14:21,360 --> 01:14:24,519 Speaker 1: thing at a bowling alley and I skanked with the 1331 01:14:24,520 --> 01:14:26,720 Speaker 1: best of them, and I remember being so sweaty in 1332 01:14:26,760 --> 01:14:28,840 Speaker 1: my white T shirt and black jeans and I was 1333 01:14:28,920 --> 01:14:31,240 Speaker 1: just like really killing it and like I did not 1334 01:14:31,320 --> 01:14:32,800 Speaker 1: belong there at all, but I was like, this was 1335 01:14:32,840 --> 01:14:35,519 Speaker 1: so fun because it was like dancing, but it wasn't 1336 01:14:35,560 --> 01:14:37,719 Speaker 1: like bumping grind, like I didn't have to be sexual. 1337 01:14:37,800 --> 01:14:39,559 Speaker 1: It was just like kind of like we're all kind 1338 01:14:39,560 --> 01:14:41,800 Speaker 1: of freaking out and doing our weird old thing. And 1339 01:14:41,840 --> 01:14:44,640 Speaker 1: then with a rave culture, it's like that's sort of 1340 01:14:44,640 --> 01:14:48,080 Speaker 1: there's sort of a progression there, you know. It was 1341 01:14:48,920 --> 01:14:51,600 Speaker 1: it like real big fish or was it like it 1342 01:14:51,720 --> 01:14:53,439 Speaker 1: was like real big fish? It was it was like 1343 01:14:53,600 --> 01:14:57,519 Speaker 1: it was like you know, commercial Scott. It was sort 1344 01:14:57,560 --> 01:15:02,000 Speaker 1: of like commercial Yeah. Yeah. I was like very into 1345 01:15:02,200 --> 01:15:07,880 Speaker 1: like the old Jamaican ska and like authentic Desmond Decker 1346 01:15:08,120 --> 01:15:10,960 Speaker 1: and yeah, Phyllis Dillon and the Toots and the may 1347 01:15:11,000 --> 01:15:24,160 Speaker 1: Tolls like that kind of yeah, oh yeah, but that's okay. 1348 01:15:22,800 --> 01:15:29,280 Speaker 1: But that's like that's where I became a ska music nerd, 1349 01:15:29,960 --> 01:15:32,280 Speaker 1: where I would just really get into like the old 1350 01:15:32,479 --> 01:15:35,640 Speaker 1: traditional ska music and then like do you guys know 1351 01:15:35,720 --> 01:15:41,000 Speaker 1: the bands like the Specials and Madness from the eighties. Okay, 1352 01:15:41,080 --> 01:15:43,719 Speaker 1: so like yeah, I was just There's and then became 1353 01:15:43,800 --> 01:15:46,120 Speaker 1: like real big fish and like those big less than 1354 01:15:46,240 --> 01:15:50,479 Speaker 1: Jake and Mighty Much tones. Gwen Stefani would perform. She 1355 01:15:50,640 --> 01:15:53,040 Speaker 1: did songs with Sublime back in the day. There, you know, 1356 01:15:53,160 --> 01:15:55,559 Speaker 1: No doubt really started off as like one of these 1357 01:15:55,600 --> 01:15:59,519 Speaker 1: smaller bands that came up when I was into ska. 1358 01:16:00,040 --> 01:16:04,679 Speaker 1: Then now like you know, she's a pop star. But right, so, um, 1359 01:16:04,760 --> 01:16:07,800 Speaker 1: what do you feel about Gwen Stefani? Now, I mean, 1360 01:16:07,840 --> 01:16:10,840 Speaker 1: I don't I like her. I don't. I don't know. 1361 01:16:10,960 --> 01:16:12,599 Speaker 1: I don't listen to a ton of her music, but 1362 01:16:12,720 --> 01:16:16,280 Speaker 1: I love you know, she's an icon. I don't know, 1363 01:16:16,640 --> 01:16:19,040 Speaker 1: She's definitely an icon. Is what I mean to say, 1364 01:16:19,160 --> 01:16:24,360 Speaker 1: is like, well, no, no, not that it's okay. What 1365 01:16:25,160 --> 01:16:27,760 Speaker 1: it's like her her and Blake Shelton like hanging out 1366 01:16:27,760 --> 01:16:30,400 Speaker 1: with like Paul Ryan at Ski launches and it's like 1367 01:16:30,439 --> 01:16:33,360 Speaker 1: that thing where's like, oh, she's like she's horseshoe theory 1368 01:16:33,439 --> 01:16:36,519 Speaker 1: herself from being very punk aesthetic into being like this 1369 01:16:36,640 --> 01:16:42,400 Speaker 1: conservative woman yeah. Yeah, I mean I don't know, you know, 1370 01:16:42,720 --> 01:16:46,000 Speaker 1: it seems like she's devolving and it's her journey love 1371 01:16:46,040 --> 01:16:50,760 Speaker 1: and light to Gwen, she's doing a thing. Yeah, she 1372 01:16:50,920 --> 01:16:55,240 Speaker 1: certainly is. Yes, she certainly is. Talk about very briefly 1373 01:16:55,240 --> 01:16:57,479 Speaker 1: your experience at the dc M party space, if that 1374 01:16:59,640 --> 01:17:05,160 Speaker 1: were you, I was a ho. Yes, I wanted to 1375 01:17:05,200 --> 01:17:10,160 Speaker 1: be drunk as fuck, stoned as fuck, getting disgusting in 1376 01:17:10,240 --> 01:17:16,120 Speaker 1: that basement hallway under Gustid's just just like hooking up 1377 01:17:16,120 --> 01:17:23,320 Speaker 1: with the grossest, sweatiest improvisers, dancing in midnight shows on stage, 1378 01:17:23,560 --> 01:17:27,639 Speaker 1: taking off my clothes, just being a loon. The things 1379 01:17:27,640 --> 01:17:29,439 Speaker 1: that I did in that space. I once ate a 1380 01:17:29,479 --> 01:17:36,760 Speaker 1: carrot that had been in John Gemberling's ass, No, my god, 1381 01:17:37,240 --> 01:17:40,559 Speaker 1: what I ate it off the ground. So basically he 1382 01:17:40,640 --> 01:17:46,760 Speaker 1: had done a disgusting Yeah, he had like put a 1383 01:17:46,800 --> 01:17:49,920 Speaker 1: carrot in his in his underwear, and then like I guess, 1384 01:17:49,920 --> 01:17:54,280 Speaker 1: the carrot came out and I was so wasted in 1385 01:17:54,320 --> 01:17:57,080 Speaker 1: the improv scene after that, I came out and like 1386 01:17:57,280 --> 01:17:59,160 Speaker 1: I was doing it, and then I was like dancing 1387 01:17:59,160 --> 01:18:01,479 Speaker 1: and the crowd was like screaming and they were like, 1388 01:18:01,600 --> 01:18:04,599 Speaker 1: eat the carrot, eat the carrol, and I was just like, 1389 01:18:04,720 --> 01:18:08,080 Speaker 1: you want to eat this carrot and they're like, yes, slut, 1390 01:18:08,400 --> 01:18:09,960 Speaker 1: and I was like, I'm gonna eat it. And I 1391 01:18:10,120 --> 01:18:12,320 Speaker 1: ate the carrot off the ground and I thought and 1392 01:18:12,360 --> 01:18:15,280 Speaker 1: they were screaming. They were screaming, and they were like 1393 01:18:15,720 --> 01:18:17,880 Speaker 1: they were like, oh my god. And I thought, Oh, 1394 01:18:17,920 --> 01:18:20,240 Speaker 1: they're really freaking out that I eat this carrot off 1395 01:18:20,280 --> 01:18:26,360 Speaker 1: the ground. And I'll never forget James asshole floor. James 1396 01:18:26,400 --> 01:18:30,519 Speaker 1: Twire looked me in the eyes afterwards and he goes, Dude, 1397 01:18:30,720 --> 01:18:34,599 Speaker 1: that carrot was in Gemberling's ass and I was like, 1398 01:18:35,080 --> 01:18:37,920 Speaker 1: uh what, And I remember I just like could feel 1399 01:18:38,000 --> 01:18:42,080 Speaker 1: the carrot in my stomach. No, I didn't, and I 1400 01:18:42,200 --> 01:18:44,400 Speaker 1: just moved on. I moved on from that. I like 1401 01:18:44,439 --> 01:18:46,479 Speaker 1: went on and you know, did a new drug probably, 1402 01:18:46,840 --> 01:18:49,160 Speaker 1: But then years later he would be the star of 1403 01:18:49,200 --> 01:18:54,000 Speaker 1: broad City. Should we tell the readers what DCM is. 1404 01:18:54,600 --> 01:18:57,840 Speaker 1: Dell close. It's like a huge We've talked about it 1405 01:18:57,840 --> 01:18:59,560 Speaker 1: before in the past, but you don't know. If you 1406 01:18:59,600 --> 01:19:02,519 Speaker 1: don't know, now you know, it's like Douchlas Marathon is 1407 01:19:02,560 --> 01:19:06,240 Speaker 1: like essentially Woodstock for improvisers every year, or at least 1408 01:19:06,240 --> 01:19:10,080 Speaker 1: it was twenty four hours for three days straight. Five 1409 01:19:10,160 --> 01:19:14,360 Speaker 1: AM shows shows every fifteen minutes and you don't sleep 1410 01:19:14,439 --> 01:19:18,920 Speaker 1: and you're disgusting and it's horrible. But the biggest comedians 1411 01:19:18,960 --> 01:19:21,360 Speaker 1: and that are like related to improv in the world 1412 01:19:21,560 --> 01:19:23,200 Speaker 1: come and do it. I mean Del Close was like 1413 01:19:23,280 --> 01:19:25,920 Speaker 1: essentially the sentence of improv and he was like that. 1414 01:19:26,000 --> 01:19:28,960 Speaker 1: He was like a godlike figure and improv which is problematic, 1415 01:19:29,320 --> 01:19:33,080 Speaker 1: but you know he he in his image was Delas 1416 01:19:33,200 --> 01:19:35,960 Speaker 1: Marathon was created and it was essentially like a festival 1417 01:19:36,000 --> 01:19:37,760 Speaker 1: for three days, and I remember it always fell on 1418 01:19:37,800 --> 01:19:40,599 Speaker 1: Pride weekend in New York. Yeah, it was bad, which 1419 01:19:40,680 --> 01:19:46,200 Speaker 1: was a nightmare right China Cross Town during Pride in 1420 01:19:46,240 --> 01:19:50,360 Speaker 1: New York. Forget it, forget it. But just like for 1421 01:19:50,479 --> 01:19:54,360 Speaker 1: gay improvisers, that was like there was too much. There's 1422 01:19:54,400 --> 01:19:57,559 Speaker 1: too much stuff. Yeah, um but yeah, I mean some 1423 01:19:57,560 --> 01:20:00,760 Speaker 1: some great horrible memories from I mean like those bit 1424 01:20:00,840 --> 01:20:04,120 Speaker 1: shows were a wild You had diaper Baby where everyone 1425 01:20:04,120 --> 01:20:07,040 Speaker 1: would come out and these men would come out in diapers. 1426 01:20:07,320 --> 01:20:11,200 Speaker 1: Um you, I mean there was just so much. I 1427 01:20:11,240 --> 01:20:13,320 Speaker 1: remember there was one where I think Matt and I 1428 01:20:13,400 --> 01:20:16,360 Speaker 1: un I did something where people had to drink milk, 1429 01:20:16,960 --> 01:20:20,519 Speaker 1: Like every scene it was milk and peppers. Peers. It 1430 01:20:20,640 --> 01:20:22,200 Speaker 1: was you had to you had to eat a hot 1431 01:20:22,240 --> 01:20:24,479 Speaker 1: pepper and while you were doing a scene, and the 1432 01:20:24,720 --> 01:20:27,840 Speaker 1: peppers were so hot, and then you there was milk 1433 01:20:27,920 --> 01:20:31,920 Speaker 1: there to like stop the spice, and you had to 1434 01:20:32,000 --> 01:20:34,200 Speaker 1: do this scene without drinking the milk. That was the 1435 01:20:34,200 --> 01:20:37,080 Speaker 1: whole thing. Milk and peppers. Milk and peppers. And we 1436 01:20:37,120 --> 01:20:39,560 Speaker 1: also did we we did. I don't know if you 1437 01:20:39,600 --> 01:20:41,120 Speaker 1: were in this one, but me and Josh and Aaron 1438 01:20:41,320 --> 01:20:43,960 Speaker 1: and Pat and a bunch of people and Brian Foston. 1439 01:20:44,160 --> 01:20:45,720 Speaker 1: It was like it was all gays and we were 1440 01:20:45,760 --> 01:20:48,439 Speaker 1: all pretending we were from Boston and calling each other faggot. 1441 01:20:48,800 --> 01:20:51,479 Speaker 1: It was just fifteen minutes of Boston gays calling each 1442 01:20:51,520 --> 01:20:54,200 Speaker 1: other faggot. And that was it, And that was that 1443 01:20:54,280 --> 01:20:57,400 Speaker 1: was a show. It was all gayt being like yeah, 1444 01:20:58,240 --> 01:21:02,000 Speaker 1: just like and it was just like comedy people. Some 1445 01:21:03,080 --> 01:21:05,200 Speaker 1: readers will not like that, but I don't know, I 1446 01:21:05,200 --> 01:21:06,600 Speaker 1: don't know what to tell you. It's a part of 1447 01:21:06,640 --> 01:21:11,280 Speaker 1: comedy history. Um. The things that I ended up doing 1448 01:21:11,360 --> 01:21:16,000 Speaker 1: during DCM, I got my dick sucked on the Street's 1449 01:21:16,160 --> 01:21:18,760 Speaker 1: not the first time, I know, the first and only 1450 01:21:18,800 --> 01:21:21,439 Speaker 1: time on Eighth Avenue at like two in the morning, 1451 01:21:21,479 --> 01:21:23,840 Speaker 1: I off grinder, I like looked up with the sky 1452 01:21:23,880 --> 01:21:29,519 Speaker 1: on the street traffic, like, did you tell in front 1453 01:21:29,520 --> 01:21:35,800 Speaker 1: of God and gristus? Wow, I'm not kidding. It was dark. 1454 01:21:37,240 --> 01:21:40,360 Speaker 1: But anyway, I don't think so honey, it's time for 1455 01:21:40,479 --> 01:21:42,639 Speaker 1: it now. I don't think so honey. What is it? 1456 01:21:42,760 --> 01:21:44,600 Speaker 1: I don't think so honey. Is our segment where we 1457 01:21:44,680 --> 01:21:49,559 Speaker 1: each take one minute to really get angry about something 1458 01:21:49,560 --> 01:21:55,719 Speaker 1: in culture. Wouldn't you say? I would say it starts 1459 01:21:55,760 --> 01:22:00,160 Speaker 1: take one minute to rail something, get so mad we 1460 01:22:00,400 --> 01:22:06,679 Speaker 1: rail it like like you're on eighth Avenue. A U. Okay, 1461 01:22:06,720 --> 01:22:09,519 Speaker 1: So I have something that I alluded to before. Kay, 1462 01:22:10,320 --> 01:22:12,880 Speaker 1: that's right, and I can't wait to hear it. Right, 1463 01:22:12,880 --> 01:22:14,280 Speaker 1: So we'll go with We'll go Matt and me and 1464 01:22:14,280 --> 01:22:17,080 Speaker 1: then we'll do Jess. Yeah. Perfect, this is Matt Rodgers. 1465 01:22:17,120 --> 01:22:19,200 Speaker 1: I don't think so many as time starts now, I 1466 01:22:19,240 --> 01:22:21,519 Speaker 1: don't think so honey. The marriage of Michael Darby and 1467 01:22:21,560 --> 01:22:27,559 Speaker 1: Ashley Darby. This has to end, Ashley. No, And honestly, 1468 01:22:27,600 --> 01:22:29,280 Speaker 1: I think I get what you're going for here, which 1469 01:22:29,360 --> 01:22:31,599 Speaker 1: is you wanted to get pregnant again so that you're 1470 01:22:32,200 --> 01:22:34,680 Speaker 1: your daughter could have a sibling because your sibling is 1471 01:22:34,720 --> 01:22:39,600 Speaker 1: important to you. I understand that, But Babe, the husband's 1472 01:22:39,680 --> 01:22:42,759 Speaker 1: gotta go. Now that you have, you have your family, 1473 01:22:42,880 --> 01:22:46,120 Speaker 1: your daughter has like gonna have their sibling. You gotta go, girl, 1474 01:22:46,200 --> 01:22:50,040 Speaker 1: because he is bad. Nu. I don't think so, honey, 1475 01:22:50,080 --> 01:22:53,400 Speaker 1: Michael Darby. I don't believe the thing that you say 1476 01:22:53,479 --> 01:22:56,360 Speaker 1: about not sleeping with these women. You grabbed and you 1477 01:22:56,360 --> 01:22:59,360 Speaker 1: grabbed the asses and assaulted member of the Potoma cruise, 1478 01:22:59,360 --> 01:23:01,639 Speaker 1: something that's for some reason does not get discussed anymore. 1479 01:23:01,720 --> 01:23:05,439 Speaker 1: I don't think so, honey. Him. I don't think so, honey, Ashley, 1480 01:23:05,479 --> 01:23:08,639 Speaker 1: Now that you know better, because foolmy once, shame on you, 1481 01:23:08,840 --> 01:23:12,320 Speaker 1: fool me twice, shame on me. Honey. You need to 1482 01:23:12,400 --> 01:23:14,920 Speaker 1: know this phrase because you're about to get full to 1483 01:23:14,960 --> 01:23:16,880 Speaker 1: the third time. And I know that you keep saying 1484 01:23:16,920 --> 01:23:18,519 Speaker 1: you're not afraid to leave. Michael, it seems like you are. 1485 01:23:18,520 --> 01:23:20,120 Speaker 1: I don't think so, honey. You need to buck up. 1486 01:23:20,600 --> 01:23:24,080 Speaker 1: And that's one minute. Now. Your husband is bad for Ashley. 1487 01:23:24,120 --> 01:23:26,759 Speaker 1: It's foolmy once, shame on you, fool me twice, still 1488 01:23:27,080 --> 01:23:34,639 Speaker 1: shame on you. She clearly does not know she doesn't 1489 01:23:34,640 --> 01:23:36,519 Speaker 1: know the phrase, because if she didn't know the phrase, 1490 01:23:36,880 --> 01:23:40,360 Speaker 1: she would know that she is getting rode hard and 1491 01:23:40,400 --> 01:23:43,759 Speaker 1: put away wet by her husband publicly. And I can't 1492 01:23:43,800 --> 01:23:46,719 Speaker 1: believe the scene in Potomac, which was them at dinner 1493 01:23:47,200 --> 01:23:49,160 Speaker 1: discussing their business and then he was like, we're done, 1494 01:23:49,160 --> 01:23:51,679 Speaker 1: We're done, and the producer came over and the fourth 1495 01:23:51,720 --> 01:23:54,360 Speaker 1: wall was broken yet again on a real housewife show, 1496 01:23:55,080 --> 01:23:59,320 Speaker 1: and she was just like, obviously through with it. And 1497 01:23:59,400 --> 01:24:01,080 Speaker 1: I think that she doesn't. She doesn't want to be 1498 01:24:01,120 --> 01:24:03,519 Speaker 1: in this marriage at all. I think I think she 1499 01:24:03,560 --> 01:24:06,400 Speaker 1: wanted her kid to have a sibling because it's I 1500 01:24:06,560 --> 01:24:08,720 Speaker 1: think she feels it's important, but she needs to get 1501 01:24:08,760 --> 01:24:11,720 Speaker 1: out of that marriage. She loves her half sister, and 1502 01:24:11,760 --> 01:24:13,680 Speaker 1: I don't I don't. I don't necessarily think that she 1503 01:24:13,880 --> 01:24:18,519 Speaker 1: feels that like it's a more legitimate siblinghood for these 1504 01:24:18,840 --> 01:24:23,160 Speaker 1: kids to have the same parents. I think that it's 1505 01:24:23,320 --> 01:24:27,439 Speaker 1: so clearly, clearly fucked up. Michael's answering the phone as 1506 01:24:27,479 --> 01:24:29,800 Speaker 1: if she's a nuisance, even though he's only ever been 1507 01:24:29,800 --> 01:24:32,200 Speaker 1: in the wrong. It's like, this guy is one of 1508 01:24:32,240 --> 01:24:34,600 Speaker 1: the most vile human beings. Oh, he's one of the 1509 01:24:34,600 --> 01:24:37,920 Speaker 1: worst people on television. And it's it's it's really getting 1510 01:24:37,920 --> 01:24:40,400 Speaker 1: to the point now where not as good as Ramona Singer. 1511 01:24:40,479 --> 01:24:42,880 Speaker 1: He's unfortunately Remona singer still takes the cake. I want 1512 01:24:42,920 --> 01:24:45,360 Speaker 1: her to die alone. As I said, well she, I'm 1513 01:24:45,400 --> 01:24:48,000 Speaker 1: gonna go ahead and say I'm if it's team Michael 1514 01:24:48,080 --> 01:24:50,920 Speaker 1: versus Team Ramona, I'm team Ramona. I I don't think 1515 01:24:50,960 --> 01:24:55,840 Speaker 1: Michael Darby is permissible. I Ramon Ramona is maybe a 1516 01:24:55,840 --> 01:24:58,880 Speaker 1: white supremacist. She keeps tiki torches in her garage. I 1517 01:24:58,920 --> 01:25:01,960 Speaker 1: hope Andy asked you a about all your claims against 1518 01:25:02,040 --> 01:25:04,240 Speaker 1: Ramona and I actually I would love to pop off 1519 01:25:04,240 --> 01:25:08,000 Speaker 1: of that. Ramona. I would love to disappointed that you're 1520 01:25:08,040 --> 01:25:10,000 Speaker 1: not on an episode of Watch What Happens Live with 1521 01:25:10,080 --> 01:25:12,840 Speaker 1: Ramona because I think I would love to be. I 1522 01:25:12,880 --> 01:25:14,479 Speaker 1: would love to be in the future. I would love 1523 01:25:14,520 --> 01:25:16,679 Speaker 1: to be on an episode with ms Ramona Singer. Would 1524 01:25:16,760 --> 01:25:26,400 Speaker 1: your business? Yes? Really? Oh God? Okay? So basically the 1525 01:25:26,479 --> 01:25:29,240 Speaker 1: three is Me, Bowen and Joel, and Joel was on 1526 01:25:29,320 --> 01:25:32,960 Speaker 1: Watch What Happens Live with Miss Kenya Moore herself. Bowen 1527 01:25:33,080 --> 01:25:35,880 Speaker 1: is about to be on with Monique Samuel's and I 1528 01:25:35,920 --> 01:25:37,920 Speaker 1: am putting into the universe that one day when I 1529 01:25:37,920 --> 01:25:42,360 Speaker 1: get booked on Watch What Happens Live. God willing, I 1530 01:25:42,400 --> 01:25:44,960 Speaker 1: don't care. I just want to be with a housewife. 1531 01:25:45,200 --> 01:25:48,519 Speaker 1: I want to be with a housewife. It's gonna happen. Well, 1532 01:25:48,560 --> 01:25:50,639 Speaker 1: I want to be It's my favorite show. When Bowen 1533 01:25:50,680 --> 01:25:52,280 Speaker 1: said he was gonna be honest, I immediately was like 1534 01:25:52,400 --> 01:25:54,160 Speaker 1: I was popping off. I was like, Okay, well it 1535 01:25:54,240 --> 01:25:56,400 Speaker 1: might be Robin because she hasn't been on yet, and 1536 01:25:56,479 --> 01:25:59,080 Speaker 1: well you know Candice, she's coming on. And so I 1537 01:25:59,120 --> 01:26:01,880 Speaker 1: watched it every night. I love watching Happens Live. I'm 1538 01:26:01,920 --> 01:26:04,800 Speaker 1: such a Brava holic. You're a Brava holic. I was 1539 01:26:04,840 --> 01:26:06,960 Speaker 1: I was gonna be happy with any of the Potomac women, 1540 01:26:07,000 --> 01:26:08,720 Speaker 1: and I said that in my response back. I was like, 1541 01:26:08,720 --> 01:26:10,559 Speaker 1: I'd love to do it, especially if it was if 1542 01:26:10,560 --> 01:26:13,559 Speaker 1: it's with the Potomac Housewife and so out of you 1543 01:26:13,680 --> 01:26:17,719 Speaker 1: that you got booked on it, thank you girl, but Matt. 1544 01:26:17,800 --> 01:26:19,680 Speaker 1: But Matt was like, it's either gonna be, it's gonna be. 1545 01:26:19,720 --> 01:26:24,439 Speaker 1: The options are Wendy, Uh, Monique, or Robin Queen. And 1546 01:26:24,479 --> 01:26:26,040 Speaker 1: I was like, any of them might be so happy. 1547 01:26:26,120 --> 01:26:28,000 Speaker 1: I'm kind of disappointed that you're not on with Wendy 1548 01:26:28,040 --> 01:26:31,000 Speaker 1: because I think that become friends, me and Wendy, we 1549 01:26:31,000 --> 01:26:33,240 Speaker 1: can talk about like our immigrant parents. You know, I 1550 01:26:33,320 --> 01:26:35,439 Speaker 1: was thinking of during this episode. I was like, there's 1551 01:26:35,479 --> 01:26:38,320 Speaker 1: so many similarities. I know. I love Wendy a sef 1552 01:26:38,320 --> 01:26:41,240 Speaker 1: of a lot. Anyway, so we're we're talking a lot 1553 01:26:41,240 --> 01:26:44,200 Speaker 1: of potomac I have I haven't. I don't think so honey. Okay, 1554 01:26:44,320 --> 01:26:46,880 Speaker 1: So traditionally, after I do my I don't think so honey, 1555 01:26:46,920 --> 01:26:48,960 Speaker 1: bow and Yang will do his. I don't think so honey, 1556 01:26:49,040 --> 01:26:52,800 Speaker 1: And that tradition is upheld tonight because it is time 1557 01:26:52,880 --> 01:26:54,960 Speaker 1: for Bowen Yang's. I don't think so honey. On this 1558 01:26:55,080 --> 01:26:58,720 Speaker 1: the episode of Just Rhona on Losrestas, as I get 1559 01:26:58,760 --> 01:27:02,320 Speaker 1: my camera, all right, here we go, you're I don't think, 1560 01:27:02,360 --> 01:27:05,400 Speaker 1: so honey. Time starts from now. I don't think so honey. 1561 01:27:05,520 --> 01:27:11,320 Speaker 1: Cooking it's messy, it's hard, it's inconvenient, it's we we 1562 01:27:11,400 --> 01:27:14,400 Speaker 1: all sort of accepted as part of our lives, even 1563 01:27:14,479 --> 01:27:19,479 Speaker 1: with restaurants, even with ordering delivery. Cooking. I can't believe 1564 01:27:19,479 --> 01:27:21,600 Speaker 1: that it's a necessary part of our There should be 1565 01:27:21,920 --> 01:27:26,720 Speaker 1: readily edible food growing off trees in the parks, in 1566 01:27:26,760 --> 01:27:31,639 Speaker 1: the grass, stuff that's not just bananas and fruits and vegetables, meals. 1567 01:27:31,760 --> 01:27:35,960 Speaker 1: Meals should be kind of coming from the dirty. Capitalism 1568 01:27:36,080 --> 01:27:39,960 Speaker 1: has driven us to a place of disgusting surplus. Why 1569 01:27:40,000 --> 01:27:43,679 Speaker 1: are we not abolishing cooking? We should have ready made 1570 01:27:43,720 --> 01:27:47,759 Speaker 1: food available to us at all times on demand. Cooking 1571 01:27:47,960 --> 01:27:51,120 Speaker 1: today I made a baked zita was so difficult, and 1572 01:27:51,200 --> 01:27:54,800 Speaker 1: the process of collecting ingredients. Make sure the dishes were 1573 01:27:54,840 --> 01:27:57,479 Speaker 1: washed before you cook. Then after you took you get 1574 01:27:57,520 --> 01:27:59,880 Speaker 1: dirty dishes and you gotta clean those dishes all over again. 1575 01:28:00,320 --> 01:28:03,320 Speaker 1: It's a Sissyphian task to cook because guess what, you're 1576 01:28:03,320 --> 01:28:04,920 Speaker 1: going to have to do it again because you got 1577 01:28:04,920 --> 01:28:08,000 Speaker 1: to eat. And that's one minute. That was a gorgeous 1578 01:28:08,120 --> 01:28:13,400 Speaker 1: dressing down and also explanation of cooking for all. Yes, 1579 01:28:13,600 --> 01:28:20,960 Speaker 1: the applause is loud and raucous. Um disagreed with. And 1580 01:28:20,960 --> 01:28:22,759 Speaker 1: I don't think there's anymore. All of a sudden, Hans 1581 01:28:22,760 --> 01:28:25,519 Speaker 1: team met. It's probably because I called him hot earlier 1582 01:28:25,520 --> 01:28:30,080 Speaker 1: in the chat. He looked really hot today. Um, but listen, 1583 01:28:30,760 --> 01:28:32,680 Speaker 1: I identify with you girl. You know I'm not a 1584 01:28:32,680 --> 01:28:35,320 Speaker 1: fan of the stuff. No, you don't like to cook, 1585 01:28:35,360 --> 01:28:37,760 Speaker 1: my we're two sisters. We don't like to cook. We're 1586 01:28:37,760 --> 01:28:39,439 Speaker 1: two sisters. Who don't like to cook. It's really cook 1587 01:28:39,439 --> 01:28:43,040 Speaker 1: A number thirty two were two sisters who don't like 1588 01:28:42,720 --> 01:28:46,679 Speaker 1: to cook. I love watching cooking videos. I love food culture. 1589 01:28:46,760 --> 01:28:49,479 Speaker 1: I love watching other people cook. I don't like doing it. 1590 01:28:50,200 --> 01:28:53,280 Speaker 1: A sense Podma is not gonna like this, Well, no, 1591 01:28:53,400 --> 01:28:55,920 Speaker 1: I would. I love watching Podma cook in her kitchen. 1592 01:28:55,960 --> 01:28:57,880 Speaker 1: I like watching her make a dose. Though I love 1593 01:28:57,920 --> 01:29:00,280 Speaker 1: watching her do anything I do. I don't like looking 1594 01:29:00,439 --> 01:29:02,840 Speaker 1: for me when we have Podma again. I would like 1595 01:29:03,040 --> 01:29:06,120 Speaker 1: the podcast episode to be us cooking with Podma. I 1596 01:29:06,160 --> 01:29:08,040 Speaker 1: want to figure out how we can do that. We 1597 01:29:08,080 --> 01:29:10,640 Speaker 1: can do it. We can in the ingredients list, in 1598 01:29:10,680 --> 01:29:13,960 Speaker 1: the Great After when COVID is less of a concern. Okay, 1599 01:29:14,000 --> 01:29:16,760 Speaker 1: so Hans says she's gonna send he's gonna send her 1600 01:29:16,840 --> 01:29:19,080 Speaker 1: that clip. Well, I think we can make it happen. 1601 01:29:19,160 --> 01:29:23,559 Speaker 1: Podma is down to clown Jess thoughts on cooking. I 1602 01:29:23,920 --> 01:29:26,680 Speaker 1: really see your argument, because you know, you have to 1603 01:29:26,680 --> 01:29:29,519 Speaker 1: clean the dishes, and then you got and then you 1604 01:29:29,560 --> 01:29:31,400 Speaker 1: cook and then guess what, you got to clean the 1605 01:29:31,439 --> 01:29:34,880 Speaker 1: dishes again. So it's hard, and and you know what 1606 01:29:34,920 --> 01:29:38,559 Speaker 1: a big z D that's that's really it's an advanced dish. 1607 01:29:39,320 --> 01:29:42,280 Speaker 1: So um, but I'm I'm totally with you. Fuck it. 1608 01:29:42,640 --> 01:29:46,000 Speaker 1: You know what, Get take out cooking is a vicious cycle. 1609 01:29:46,360 --> 01:29:55,360 Speaker 1: It's actually cycle. Thank you, thank you, thank you. It's cycle. 1610 01:29:55,439 --> 01:29:58,400 Speaker 1: And I'm really grateful that you two are are receiving 1611 01:29:58,400 --> 01:30:01,240 Speaker 1: this and hearing me and giving me. I receive and 1612 01:30:01,280 --> 01:30:04,479 Speaker 1: I hear. Um. I can't wait for this. I don't 1613 01:30:04,479 --> 01:30:08,280 Speaker 1: think so honey, you're ready because this one. I know 1614 01:30:08,840 --> 01:30:11,280 Speaker 1: this one. I fucking know this one. I know so, 1615 01:30:11,320 --> 01:30:13,519 Speaker 1: she said. Out of the two segments, the cultural moment 1616 01:30:13,560 --> 01:30:15,479 Speaker 1: that was for me she was uneasy about. But I 1617 01:30:15,520 --> 01:30:18,120 Speaker 1: don't think so honey. She was because it's really the 1618 01:30:18,160 --> 01:30:23,400 Speaker 1: only thing that means anything to me. Okay, yes, okay, 1619 01:30:23,439 --> 01:30:26,120 Speaker 1: this is Jess rohnas I don't think so honey, and 1620 01:30:26,200 --> 01:30:29,559 Speaker 1: her time starts now. Okay, I don't think so honey. 1621 01:30:29,560 --> 01:30:35,160 Speaker 1: Walking your dog on hot asphalt Okay. People don't realize 1622 01:30:35,400 --> 01:30:38,120 Speaker 1: that when you go to a flea market, if you 1623 01:30:38,160 --> 01:30:41,080 Speaker 1: go to a farmer's market, guess what. It's on the street. 1624 01:30:41,120 --> 01:30:44,200 Speaker 1: It's in a parking lot and your dog is lowered 1625 01:30:44,200 --> 01:30:47,080 Speaker 1: to the ground, which means your dog is hot. I'm 1626 01:30:47,120 --> 01:30:51,120 Speaker 1: a groomer, so I've seen dogs with burned pads because 1627 01:30:51,200 --> 01:30:55,000 Speaker 1: people don't not that bad. But people don't realize that 1628 01:30:55,320 --> 01:31:00,320 Speaker 1: just because it's like maybe sevre, it's it's breeze, it 1629 01:31:00,400 --> 01:31:03,400 Speaker 1: doesn't mean that your dog is not panting its ass 1630 01:31:03,400 --> 01:31:08,120 Speaker 1: off overheating. I almost can't go to a farmer's market 1631 01:31:08,200 --> 01:31:11,600 Speaker 1: or flea market because I get so upset when I 1632 01:31:11,640 --> 01:31:15,920 Speaker 1: see people walking their dogs on asphalt. Stay in the shade, 1633 01:31:16,000 --> 01:31:18,280 Speaker 1: keep your dog home if it's more than seventy five 1634 01:31:18,320 --> 01:31:21,080 Speaker 1: degrees outside, don't take your dog to the flea market 1635 01:31:21,120 --> 01:31:23,720 Speaker 1: or the farmer's market or anywhere on the hot asphalt. 1636 01:31:24,200 --> 01:31:26,840 Speaker 1: Listen to your dog, watch your dog, don't do it. 1637 01:31:29,760 --> 01:31:33,559 Speaker 1: You know what. And she truly, Jess truly will get 1638 01:31:33,560 --> 01:31:35,280 Speaker 1: on the It's amazing and I can't reorme for people 1639 01:31:35,320 --> 01:31:36,519 Speaker 1: to see it in the show, but she will get 1640 01:31:36,520 --> 01:31:39,040 Speaker 1: on the level of the dog and the dogs. The 1641 01:31:39,160 --> 01:31:45,640 Speaker 1: dogs will immediately settle. It's so I've watched videos of 1642 01:31:45,760 --> 01:31:50,120 Speaker 1: Jess with with these doodle mixes, with these and these 1643 01:31:50,160 --> 01:31:54,360 Speaker 1: doodles like and she she is very attuned to how 1644 01:31:54,360 --> 01:31:56,000 Speaker 1: they're feeling. She's like, I'm gonna i' we're gonna, We're 1645 01:31:56,000 --> 01:31:59,439 Speaker 1: gonna give the facial and they're not gonna understand what's happening, 1646 01:31:59,439 --> 01:32:01,280 Speaker 1: but you gotta let them sort of like you know 1647 01:32:01,400 --> 01:32:03,200 Speaker 1: that it's okay. And I'm just like, oh my god, 1648 01:32:03,280 --> 01:32:06,600 Speaker 1: this woman knows how dogs think. Can you do a 1649 01:32:06,600 --> 01:32:09,400 Speaker 1: little bit about how do you communicate with dogs? Yeah, 1650 01:32:09,400 --> 01:32:12,200 Speaker 1: of course I communicate well, you mean, like just in general, 1651 01:32:12,240 --> 01:32:16,439 Speaker 1: how anyone can do it, or just me particularly So 1652 01:32:16,560 --> 01:32:19,720 Speaker 1: for me, I look for opportunities from the dog to 1653 01:32:19,880 --> 01:32:23,960 Speaker 1: respond to. So what I do is I'm just extremely 1654 01:32:24,000 --> 01:32:27,519 Speaker 1: focused on any nuance in their behavior, and it's something 1655 01:32:27,560 --> 01:32:30,200 Speaker 1: that's become second nature to me. So if a dog 1656 01:32:30,240 --> 01:32:33,479 Speaker 1: shies away from something, I know that that they're unsure 1657 01:32:33,479 --> 01:32:36,000 Speaker 1: of me or they're not trusting in in like if 1658 01:32:36,000 --> 01:32:38,240 Speaker 1: I want to Usually it's when dogs um when I 1659 01:32:38,320 --> 01:32:41,439 Speaker 1: comb up on their paws, because if they have any 1660 01:32:41,479 --> 01:32:44,559 Speaker 1: tangles in between their toes, that's a painful spot. Some 1661 01:32:44,640 --> 01:32:47,960 Speaker 1: spots are more painful. So for me, I communicate with 1662 01:32:48,000 --> 01:32:53,080 Speaker 1: them by looking for moments opportunities to respond by being 1663 01:32:53,200 --> 01:32:56,280 Speaker 1: gentle and so I can show them I see you, 1664 01:32:56,720 --> 01:32:59,000 Speaker 1: I know you don't like this. Watch how I've got 1665 01:32:59,000 --> 01:33:01,719 Speaker 1: your back watch. I'm gonna go really slow and gentle 1666 01:33:01,840 --> 01:33:04,400 Speaker 1: and show you that I see you. And once a 1667 01:33:04,479 --> 01:33:07,800 Speaker 1: dog or human feels like they're seen and heard, they're 1668 01:33:07,800 --> 01:33:12,000 Speaker 1: calm m. It's just for anybody. So if you can 1669 01:33:12,080 --> 01:33:16,360 Speaker 1: just and find any way to show someone that you 1670 01:33:16,439 --> 01:33:20,280 Speaker 1: see them and that they are understood, it's it's that's 1671 01:33:20,320 --> 01:33:23,439 Speaker 1: that's the approach of communication with dogs. And it's taken 1672 01:33:23,439 --> 01:33:26,080 Speaker 1: me twenty years to get to that point. That is amazing. 1673 01:33:26,120 --> 01:33:29,160 Speaker 1: And I will say, like it's true like every because 1674 01:33:29,160 --> 01:33:31,360 Speaker 1: the dogs come in and you know, it's a big set, 1675 01:33:31,479 --> 01:33:33,800 Speaker 1: is a lot of people around, and also many dogs 1676 01:33:33,800 --> 01:33:37,439 Speaker 1: are not always comfortable being groomed. Like every dog has 1677 01:33:37,439 --> 01:33:39,840 Speaker 1: a different relationship to that process. You know, not every 1678 01:33:39,880 --> 01:33:43,479 Speaker 1: dog has been groomed since they were a baby or 1679 01:33:43,600 --> 01:33:45,120 Speaker 1: like you know, so and there was kind of a 1680 01:33:45,160 --> 01:33:46,880 Speaker 1: mixed back with the dogs that came into the show, 1681 01:33:47,360 --> 01:33:49,680 Speaker 1: And so that was something that you kept saying to 1682 01:33:49,720 --> 01:33:52,080 Speaker 1: the groomers, was you know, even though it's high stakes 1683 01:33:52,120 --> 01:33:55,439 Speaker 1: in it's the competition, like you always did put the 1684 01:33:55,800 --> 01:33:58,559 Speaker 1: emphasis on listening to the dog, giving the dog what 1685 01:33:58,640 --> 01:34:00,519 Speaker 1: they want, you know what I mean, which I was 1686 01:34:00,560 --> 01:34:03,280 Speaker 1: so impressed by and I had never thought like and 1687 01:34:03,320 --> 01:34:05,920 Speaker 1: also what can happen when you raise your voice around 1688 01:34:06,000 --> 01:34:07,840 Speaker 1: or at a dog like that is not the way 1689 01:34:07,880 --> 01:34:12,880 Speaker 1: to always discipline or get its attention. Yeah, totally for sure. 1690 01:34:14,120 --> 01:34:24,440 Speaker 1: I'm just like beautiful. I was very selfishly as a grimmer. 1691 01:34:24,520 --> 01:34:28,240 Speaker 1: If my dog is happy, my job is easier. So 1692 01:34:28,600 --> 01:34:31,000 Speaker 1: I've done everything I can to learn how to call 1693 01:34:31,120 --> 01:34:33,559 Speaker 1: the dog so that I can have a nicer day 1694 01:34:33,880 --> 01:34:37,799 Speaker 1: and not have to fight or you know. Look, dogs 1695 01:34:37,800 --> 01:34:40,960 Speaker 1: are avoidant. That that's what they do. They just avoid us. 1696 01:34:41,000 --> 01:34:43,120 Speaker 1: They don't want to, you know, their nails trimmed or whatever. 1697 01:34:43,600 --> 01:34:46,280 Speaker 1: So if I can work with a dog that is avoidant, 1698 01:34:46,400 --> 01:34:50,000 Speaker 1: then I can have an easier time, an easier day. 1699 01:34:51,080 --> 01:34:53,519 Speaker 1: Wait till you see these dogs in the Happy Hoodies, 1700 01:34:54,000 --> 01:34:56,840 Speaker 1: which are these little hoodies that they that the dog. 1701 01:34:56,920 --> 01:34:59,600 Speaker 1: They put around the dog's head so that when the 1702 01:34:59,640 --> 01:35:05,599 Speaker 1: blow dryer as loud, it's not as loud. They are 1703 01:35:05,720 --> 01:35:10,200 Speaker 1: really really cute. You're gonna love this show. I can't wait. 1704 01:35:10,240 --> 01:35:13,479 Speaker 1: I'm telling you. Like and people flip for dogs, like 1705 01:35:13,560 --> 01:35:16,360 Speaker 1: even for people who aren't dog people. It's like no, 1706 01:35:16,680 --> 01:35:21,400 Speaker 1: Like dogs like are are powerful sort of like media 1707 01:35:22,160 --> 01:35:25,280 Speaker 1: like like like sort of teasers, like they they'll they'll 1708 01:35:25,479 --> 01:35:27,960 Speaker 1: draw you into something. I was telling Matt this Like 1709 01:35:28,479 --> 01:35:30,200 Speaker 1: I used to work on this at the e commerce site, 1710 01:35:30,200 --> 01:35:31,840 Speaker 1: and like any time there would be options where there 1711 01:35:31,880 --> 01:35:33,840 Speaker 1: would be a photo with a dog or not a dog, 1712 01:35:34,240 --> 01:35:36,320 Speaker 1: every single time they would be like you have to 1713 01:35:36,479 --> 01:35:39,120 Speaker 1: have to have to include the dog because it drives 1714 01:35:39,200 --> 01:35:44,800 Speaker 1: up like engagement by really just love dogs. And so 1715 01:35:45,360 --> 01:35:46,880 Speaker 1: I think this will be a hit. I think it's 1716 01:35:46,880 --> 01:35:49,439 Speaker 1: gonna be I cannot I'm gonna watch every single episode 1717 01:35:49,479 --> 01:35:51,680 Speaker 1: in one setting. I cannot wait, and I'm gonna watch 1718 01:35:51,680 --> 01:35:53,479 Speaker 1: I'm gonna rewatch them because I think it's it'll be 1719 01:35:53,520 --> 01:35:56,400 Speaker 1: that kind of show. I'm really excited. And like I 1720 01:35:56,400 --> 01:35:59,120 Speaker 1: said today, like um, we did get to watch the 1721 01:35:59,160 --> 01:36:01,360 Speaker 1: first episode and it so much fun, and the show 1722 01:36:01,479 --> 01:36:02,720 Speaker 1: is I would say, if I had to break it 1723 01:36:02,760 --> 01:36:06,120 Speaker 1: down into third it's like a third comedy with the panel, 1724 01:36:06,200 --> 01:36:09,080 Speaker 1: it's a third dog grooming process and learning about that, 1725 01:36:09,120 --> 01:36:12,360 Speaker 1: and it's a third narratives about these amazing contestants who 1726 01:36:12,400 --> 01:36:15,000 Speaker 1: are really great and we have such an amazing diverse 1727 01:36:15,360 --> 01:36:18,280 Speaker 1: group of groomers. And I was actually wanted to say, 1728 01:36:18,320 --> 01:36:20,880 Speaker 1: like it was so fun to see there was not 1729 01:36:21,240 --> 01:36:24,040 Speaker 1: one groomer that I felt like was duplicated, you know 1730 01:36:24,040 --> 01:36:27,640 Speaker 1: what I mean, we didn't have so different. Yeah, and 1731 01:36:27,800 --> 01:36:30,800 Speaker 1: the the the dog grooming community is so diverse and 1732 01:36:30,880 --> 01:36:34,720 Speaker 1: different and dynamic, and I love this. I love this. 1733 01:36:35,280 --> 01:36:36,960 Speaker 1: Before we end, I just want to know, like, how 1734 01:36:37,120 --> 01:36:40,679 Speaker 1: involved were you and picking the contestants? Not I wasn't 1735 01:36:40,800 --> 01:36:45,240 Speaker 1: really in charge of casting. I would just send casting 1736 01:36:45,640 --> 01:36:48,559 Speaker 1: my friends or groomers that I think are good. But 1737 01:36:48,760 --> 01:36:52,800 Speaker 1: I every um every episode I would be I would 1738 01:36:52,880 --> 01:36:55,639 Speaker 1: I was handed some cards and that's the first time 1739 01:36:55,680 --> 01:36:58,160 Speaker 1: I would see who was on the show. So I 1740 01:36:58,240 --> 01:37:00,960 Speaker 1: didn't know who was on the show until we shot. 1741 01:37:01,200 --> 01:37:04,360 Speaker 1: And some people I knew and I was so excited 1742 01:37:04,400 --> 01:37:06,320 Speaker 1: to see them, and then some people I didn't know. 1743 01:37:06,520 --> 01:37:09,760 Speaker 1: And I was really surprised at the skill and the 1744 01:37:09,800 --> 01:37:14,559 Speaker 1: different techniques and the innovation that the like the the 1745 01:37:14,640 --> 01:37:17,400 Speaker 1: inventions that they would come up with because they all 1746 01:37:17,439 --> 01:37:20,000 Speaker 1: had to deal with a theme, and like how would 1747 01:37:20,040 --> 01:37:24,840 Speaker 1: they embrace that theme? That was really fun. And the accessories, 1748 01:37:25,439 --> 01:37:28,720 Speaker 1: that's that was more of Robbin's whole thing, where she 1749 01:37:29,400 --> 01:37:31,800 Speaker 1: either loved or hate the accessories. And you know, we 1750 01:37:31,880 --> 01:37:34,439 Speaker 1: never knew what we were going to get with Robin. Well, 1751 01:37:34,520 --> 01:37:37,240 Speaker 1: Robin loves the tales and she loves to talk about 1752 01:37:37,240 --> 01:37:39,519 Speaker 1: the tales and she always loves to, you know, talk 1753 01:37:39,560 --> 01:37:42,320 Speaker 1: about the worthiness of different accessories that are on the 1754 01:37:42,320 --> 01:37:45,400 Speaker 1: animal and the colors and because that's that's another thing 1755 01:37:45,479 --> 01:37:48,240 Speaker 1: is a lot of the dogs like they get colored. 1756 01:37:48,720 --> 01:37:50,760 Speaker 1: And so this is something that I don't think a 1757 01:37:50,760 --> 01:37:52,880 Speaker 1: lot of people know, is that I certainly didn't know that, 1758 01:37:52,920 --> 01:37:56,599 Speaker 1: and I was like, I didn't. But it's really, really 1759 01:37:56,600 --> 01:37:59,120 Speaker 1: really amazing to see what these people do. They're really 1760 01:37:59,280 --> 01:38:01,479 Speaker 1: artists and they're some people that are coming and they 1761 01:38:01,560 --> 01:38:05,360 Speaker 1: really represented themselves amazingly on the show, and so I'm 1762 01:38:05,400 --> 01:38:08,679 Speaker 1: super excited about it. I'm so excited to watch. I really, 1763 01:38:08,720 --> 01:38:10,920 Speaker 1: I'm over here just like I wanted to be Thursday. 1764 01:38:10,920 --> 01:38:14,439 Speaker 1: I cannot wait. Wow, name another legend, name another letter, 1765 01:38:14,560 --> 01:38:19,920 Speaker 1: name another legend. Jess, thank you so much for coming on. 1766 01:38:20,080 --> 01:38:21,880 Speaker 1: I mean I knew the second I met you. I 1767 01:38:21,920 --> 01:38:23,880 Speaker 1: was like, I couldn't wait to have you on, and 1768 01:38:24,200 --> 01:38:27,479 Speaker 1: I couldn't. I could not say enough about how lovely 1769 01:38:27,520 --> 01:38:29,599 Speaker 1: I think you are and how talented I think you are, 1770 01:38:29,680 --> 01:38:33,360 Speaker 1: and how much I appreciate you putting your whole spirit 1771 01:38:33,520 --> 01:38:36,160 Speaker 1: and just like your good vibe into this show because 1772 01:38:36,200 --> 01:38:39,439 Speaker 1: I do think that it's going to make people really happy, 1773 01:38:39,560 --> 01:38:42,760 Speaker 1: and I think that that's like, you know, it's an 1774 01:38:42,760 --> 01:38:47,040 Speaker 1: opportunity for me, yes, but I think for like everyone 1775 01:38:47,080 --> 01:38:49,639 Speaker 1: to just like take a break and watch this thing, 1776 01:38:49,680 --> 01:38:52,400 Speaker 1: because I think one thing that everyone in this world 1777 01:38:52,479 --> 01:38:55,439 Speaker 1: hasn't comeon is like, you know, that feeling of seeing 1778 01:38:55,479 --> 01:38:57,840 Speaker 1: a happy little dog like you know, do its thing. 1779 01:38:58,000 --> 01:38:59,679 Speaker 1: I just think it's going to make people feel really 1780 01:38:59,680 --> 01:39:02,360 Speaker 1: good right now when people really want to feel really good. 1781 01:39:02,400 --> 01:39:06,439 Speaker 1: And so that's because of you and because of well who. 1782 01:39:06,479 --> 01:39:09,160 Speaker 1: The show wouldn't exist without your without you doing what 1783 01:39:09,200 --> 01:39:12,080 Speaker 1: you do. So I want to thank you, and um, 1784 01:39:12,120 --> 01:39:15,479 Speaker 1: I want everyone to watch Hot Dog, which is premiering 1785 01:39:15,479 --> 01:39:20,120 Speaker 1: with six episodes tonight at midnight a K eight tomorrow 1786 01:39:20,479 --> 01:39:23,719 Speaker 1: UM September, and there will be six more episodes before 1787 01:39:23,720 --> 01:39:26,280 Speaker 1: the end of the year TBD. But yes, this is 1788 01:39:26,280 --> 01:39:28,960 Speaker 1: a twelve episode first season and we are so excited 1789 01:39:29,000 --> 01:39:34,439 Speaker 1: to show him. So that's episode with the song that's 1790 01:39:34,520 --> 01:39:41,400 Speaker 1: kidding Well, that's actually a good live We didn't even 1791 01:39:41,400 --> 01:39:56,840 Speaker 1: talk about gods new video and to hear the rest 1792 01:39:56,840 --> 01:39:58,920 Speaker 1: of that, you can listen to a Lady Guy Guys 1793 01:39:59,040 --> 01:40:04,960 Speaker 1: Underrated now hard Pop, Fine,