1 00:00:03,920 --> 00:00:08,879 Speaker 1: So a trip to the dog park. They're running around 2 00:00:08,920 --> 00:00:15,200 Speaker 1: and I see Wolf Splitzer. No, the fact that his 3 00:00:15,320 --> 00:00:17,880 Speaker 1: name is Wolf has nothing related to the dog, any 4 00:00:17,920 --> 00:00:18,680 Speaker 1: of the dogs. 5 00:00:18,840 --> 00:00:20,079 Speaker 2: That's a kind of big dog. 6 00:00:20,160 --> 00:00:23,439 Speaker 1: That's why I pointed out. And he says, have you 7 00:00:23,520 --> 00:00:25,880 Speaker 1: met my dog? And his dog comes over and. 8 00:00:25,800 --> 00:00:28,120 Speaker 2: I'm like, oh, and just so I know the dog 9 00:00:28,160 --> 00:00:29,520 Speaker 2: breed is not a wolf. 10 00:00:30,240 --> 00:00:32,160 Speaker 1: His dog is not a wolf. Well, let me tell 11 00:00:32,200 --> 00:00:34,360 Speaker 1: you about his dog. I'm looking at this dog and 12 00:00:34,400 --> 00:00:38,720 Speaker 1: I say, Wolf, are you where your dog's friggin head 13 00:00:38,800 --> 00:00:42,280 Speaker 1: fell off? A wolf is like no, let me explain. 14 00:00:42,880 --> 00:00:47,080 Speaker 1: He's a turtle dog. He's scared, so his head is 15 00:00:47,360 --> 00:00:49,440 Speaker 1: permanently on the inside. 16 00:00:50,800 --> 00:00:53,960 Speaker 2: I see, Okay, so the dog has a shell that 17 00:00:54,120 --> 00:00:56,120 Speaker 2: is where his body lives. 18 00:00:56,400 --> 00:00:58,200 Speaker 1: Yes, his body is a shell. 19 00:01:00,120 --> 00:01:05,000 Speaker 2: And then so he's got a turtle dog. Yes? And 20 00:01:05,040 --> 00:01:06,840 Speaker 2: then did he ever hit it with the lawnmower or 21 00:01:06,840 --> 00:01:08,920 Speaker 2: something like in the backyard? And then there's a big 22 00:01:08,959 --> 00:01:09,720 Speaker 2: chip on its shell? 23 00:01:10,600 --> 00:01:12,040 Speaker 1: He didn't do that? Hmmm? 24 00:01:12,880 --> 00:01:18,039 Speaker 2: Is that's weird to you? Just seem like bound to happen. 25 00:01:18,360 --> 00:01:21,040 Speaker 2: Inside the show, they look basically like a rock. Hey, 26 00:01:21,240 --> 00:01:24,400 Speaker 2: I hate the way this microphone is now. I have 27 00:01:24,480 --> 00:01:28,360 Speaker 2: to lean so far forward. What happened to them? And 28 00:01:28,400 --> 00:01:29,920 Speaker 2: this is part of the new Josh thing. 29 00:01:29,959 --> 00:01:32,280 Speaker 1: And we do appreciate that Josh was able to do 30 00:01:32,360 --> 00:01:34,400 Speaker 1: this at the last second. We do appreciate it. 31 00:01:34,520 --> 00:01:36,920 Speaker 2: You know what, somebody fished them. This should be here. 32 00:01:37,000 --> 00:01:39,080 Speaker 1: Everything is a little bit worse than normal. 33 00:01:39,520 --> 00:01:41,720 Speaker 2: And I'm talking to you, Josh, and you can and 34 00:01:41,920 --> 00:01:46,800 Speaker 2: oh and now I'm here. Oh that feels better. Hey, 35 00:01:46,880 --> 00:01:48,920 Speaker 2: So I didn't mean to ruin your turtle dog story. 36 00:01:48,960 --> 00:01:52,400 Speaker 2: What happened next? Hayes his dog and my dog Jason 37 00:01:52,440 --> 00:01:55,400 Speaker 2: mcame friends. Okay, and your dog is a wolf? 38 00:01:56,040 --> 00:02:01,480 Speaker 1: Yes, yes, ah, up to Hollywood handbook. Ands, I just 39 00:02:01,520 --> 00:02:03,960 Speaker 1: got to kicking button dropping names in the red carpet lineback. 40 00:02:04,000 --> 00:02:07,720 Speaker 1: Always of this industry we call showbiz what. This is 41 00:02:07,800 --> 00:02:10,200 Speaker 1: a weird one for a lot of reasons. The whole 42 00:02:10,280 --> 00:02:16,760 Speaker 1: Josh thing is super weird. Uh. Very rarely do we 43 00:02:16,880 --> 00:02:21,160 Speaker 1: not set up our own records. Usually it's us, you know, 44 00:02:21,240 --> 00:02:23,560 Speaker 1: reaching out to a guest and saying that we need 45 00:02:23,639 --> 00:02:24,720 Speaker 1: to put this together. 46 00:02:24,520 --> 00:02:26,519 Speaker 2: And calling the shots, saying you got to be here 47 00:02:26,560 --> 00:02:31,160 Speaker 2: at this time in this caress like this, you got 48 00:02:31,160 --> 00:02:33,680 Speaker 2: to bring these drinks for us and also this kind 49 00:02:33,720 --> 00:02:34,840 Speaker 2: of donut for Hayes. 50 00:02:35,040 --> 00:02:35,959 Speaker 1: Yeah, are he gonna be? 51 00:02:36,919 --> 00:02:38,639 Speaker 2: And here's all the funny stuff for you to say, 52 00:02:38,680 --> 00:02:40,400 Speaker 2: oh yeah and say some of this funny stuff and 53 00:02:40,480 --> 00:02:42,720 Speaker 2: we have it all prepared. Yeah, And so this episode 54 00:02:42,800 --> 00:02:45,840 Speaker 2: might feel a little weird because quite frankly, we got blindsided. 55 00:02:45,840 --> 00:02:47,480 Speaker 2: Hayes and I got grabbed and thrown in a van. 56 00:02:47,680 --> 00:02:53,520 Speaker 1: We were emailed by the guests and we were like, 57 00:02:55,080 --> 00:02:57,960 Speaker 1: maybe not today, maybe some other day or something. And 58 00:02:58,000 --> 00:03:01,280 Speaker 1: then Adam Sacks emailed us and was like, guys, can 59 00:03:01,320 --> 00:03:03,560 Speaker 1: you get in there and do this one today? 60 00:03:04,680 --> 00:03:06,720 Speaker 2: We said no, and then we went for a walk 61 00:03:06,800 --> 00:03:07,920 Speaker 2: and then we got thrown in a van. 62 00:03:08,240 --> 00:03:10,240 Speaker 1: Shared what I said, and then we were grabbed and 63 00:03:10,240 --> 00:03:12,880 Speaker 1: thrown in advance and let's just go with what I said. 64 00:03:13,120 --> 00:03:17,919 Speaker 1: It's that was the end of it. And so Tom 65 00:03:17,960 --> 00:03:20,560 Speaker 1: Sharpling and Julie Klausner are here. 66 00:03:20,639 --> 00:03:25,040 Speaker 2: And it's the two of them. Guys, was sean, what up? 67 00:03:25,120 --> 00:03:25,560 Speaker 3: What up? 68 00:03:25,919 --> 00:03:28,800 Speaker 1: And so we had both of them on the show 69 00:03:29,000 --> 00:03:29,720 Speaker 1: very recently. 70 00:03:29,880 --> 00:03:33,959 Speaker 2: They've both been here, yeah, individually, so great to be back. 71 00:03:34,080 --> 00:03:36,640 Speaker 1: Tom's been on the show eleven times. 72 00:03:37,720 --> 00:03:40,760 Speaker 2: Yes, Queenie's been here. This is her third time. 73 00:03:40,880 --> 00:03:41,920 Speaker 3: Third or fourth m h. 74 00:03:42,960 --> 00:03:45,200 Speaker 2: And we don't know which and where. There's no way 75 00:03:45,240 --> 00:03:45,600 Speaker 2: to check. 76 00:03:45,800 --> 00:03:48,480 Speaker 4: And I'm kind of the Steve Martin of this piece 77 00:03:48,560 --> 00:03:51,200 Speaker 4: at this point, right, and. 78 00:03:51,160 --> 00:03:55,520 Speaker 3: I'm the Edie Brickel. Yeah, and together we have a musical. 79 00:03:55,640 --> 00:03:58,880 Speaker 4: Yes, and we are here Steve Martin, Yeah, because you 80 00:03:58,960 --> 00:04:03,600 Speaker 4: do have a band just to I do the banjo stuff. Yeah, 81 00:04:03,640 --> 00:04:10,360 Speaker 4: And I'm here to do verbal banjosticks with my bro 82 00:04:11,240 --> 00:04:18,960 Speaker 4: at Git big Red, Julie Klausner. Yeah, what up? What up? Indeed? 83 00:04:19,440 --> 00:04:20,280 Speaker 2: All this what up? 84 00:04:20,320 --> 00:04:21,640 Speaker 4: What up? Big Yeah? 85 00:04:21,760 --> 00:04:22,800 Speaker 2: Yeah, what is it all? 86 00:04:22,920 --> 00:04:28,040 Speaker 1: It's almost starting to seem deliberate because what up? 87 00:04:28,440 --> 00:04:29,480 Speaker 4: What Yeah? 88 00:04:29,560 --> 00:04:29,800 Speaker 2: Up? 89 00:04:30,279 --> 00:04:30,640 Speaker 1: What up? 90 00:04:30,680 --> 00:04:31,440 Speaker 2: What up? 91 00:04:32,240 --> 00:04:36,800 Speaker 1: I'm concerned And because Sean does say that, and he 92 00:04:36,839 --> 00:04:39,560 Speaker 1: only says it sometimes now, and he parcels them out 93 00:04:39,680 --> 00:04:40,279 Speaker 1: very carefully. 94 00:04:40,320 --> 00:04:42,039 Speaker 2: And when he does, people online say. 95 00:04:41,880 --> 00:04:44,520 Speaker 1: Oh, we we got one a little fish food. 96 00:04:44,600 --> 00:04:45,800 Speaker 2: I make it special for them. 97 00:04:45,880 --> 00:04:47,200 Speaker 1: They swim to the top and they go. 98 00:04:48,720 --> 00:04:49,560 Speaker 2: Yeah, where do they go? 99 00:04:51,880 --> 00:04:55,640 Speaker 4: Well, you used to get a Star Wars movie once 100 00:04:55,680 --> 00:04:58,680 Speaker 4: every twenty years. Now you're getting one every three months. 101 00:04:59,120 --> 00:05:02,400 Speaker 4: That's where what up? What Up's going? We're blowing this 102 00:05:02,440 --> 00:05:04,920 Speaker 4: thing wide open as a part of what we are 103 00:05:05,000 --> 00:05:08,320 Speaker 4: here to tell YouTube dudes all. 104 00:05:08,240 --> 00:05:11,239 Speaker 5: About and in another sense, we're not here. 105 00:05:11,320 --> 00:05:12,000 Speaker 4: You know what I mean. 106 00:05:12,240 --> 00:05:12,800 Speaker 2: We're not here. 107 00:05:12,920 --> 00:05:18,160 Speaker 6: Oh wow, don't treat this like we're here, because we're not. 108 00:05:18,480 --> 00:05:20,160 Speaker 2: This is really putting me on my heels. 109 00:05:20,240 --> 00:05:23,200 Speaker 4: Do a show, a show you have if. 110 00:05:23,040 --> 00:05:25,719 Speaker 6: We're and if I appear to be writing something down 111 00:05:25,720 --> 00:05:27,960 Speaker 6: while you're talking, don't worry about it. 112 00:05:28,520 --> 00:05:31,520 Speaker 4: I won't be able to tell by all means. Once 113 00:05:31,560 --> 00:05:33,880 Speaker 4: you pick it up from that story where you were 114 00:05:33,880 --> 00:05:35,080 Speaker 4: at the dog. 115 00:05:35,520 --> 00:05:37,920 Speaker 5: I wrote down turtle dog turtle dogh. 116 00:05:39,000 --> 00:05:42,520 Speaker 1: Okay, well that story is resolved. 117 00:05:43,279 --> 00:05:47,600 Speaker 2: Yes, and it was good. Now this one is just beginning. 118 00:05:47,800 --> 00:05:50,400 Speaker 2: We got some email, maybe not today, maybe not tomorrow, 119 00:05:50,480 --> 00:05:53,680 Speaker 2: but someday soon you'll be recording a podcast and that's 120 00:05:53,720 --> 00:05:56,480 Speaker 2: all we knew. Yes, And so it feels like this 121 00:05:56,640 --> 00:05:59,400 Speaker 2: is that podcast. And last time it was tomorrow. 122 00:05:59,440 --> 00:06:03,080 Speaker 1: Tom he was in engineer Cody's engineer boot camp in school. 123 00:06:03,400 --> 00:06:06,560 Speaker 1: It was not resolved whether he actually became an engineer. 124 00:06:07,560 --> 00:06:10,440 Speaker 1: Not sure who's thought that was probably Tom's. 125 00:06:10,160 --> 00:06:12,279 Speaker 4: Kind of trickled to a non conclusion. 126 00:06:12,640 --> 00:06:14,960 Speaker 2: Mm hmm. Yeah, it felt like maybe it lost some 127 00:06:15,080 --> 00:06:17,680 Speaker 2: steam or maybe never had momentum to begin with. M 128 00:06:18,120 --> 00:06:19,240 Speaker 2: now a little bit of both. 129 00:06:19,360 --> 00:06:22,600 Speaker 5: I just remembered I've been here three times, not four. 130 00:06:23,320 --> 00:06:27,320 Speaker 1: Okay, three was the original number. I thought that we and. 131 00:06:27,240 --> 00:06:29,920 Speaker 2: That got said, and then who remembers who brought up four? 132 00:06:30,000 --> 00:06:31,920 Speaker 2: It could have been Julia, could have been anybody, but 133 00:06:32,000 --> 00:06:35,000 Speaker 2: somebody brought up for and now, uh, maybe the same 134 00:06:35,040 --> 00:06:37,040 Speaker 2: person is saying no, no more for. 135 00:06:37,200 --> 00:06:40,520 Speaker 1: Here's what's stressful to me about this situation. I haven't 136 00:06:40,600 --> 00:06:44,039 Speaker 1: looked in the news today to see what's good to 137 00:06:44,120 --> 00:06:46,640 Speaker 1: talk about in movies. And so when you say, just like, 138 00:06:46,760 --> 00:06:51,880 Speaker 1: do a show it a normal show, what's required first 139 00:06:52,560 --> 00:06:55,640 Speaker 1: is to go to the news and say, oh, wouldn't 140 00:06:55,680 --> 00:06:57,360 Speaker 1: that be interesting for people to hear our take on. 141 00:06:57,640 --> 00:07:00,560 Speaker 2: Mmmm yeah, or know what people think, think about what 142 00:07:00,600 --> 00:07:01,320 Speaker 2: we think. 143 00:07:01,240 --> 00:07:05,680 Speaker 1: File away and experience in my daily life, sure, which 144 00:07:05,720 --> 00:07:06,960 Speaker 1: I was not prepared to do. 145 00:07:08,279 --> 00:07:11,680 Speaker 2: Turtle Dog is one thing that happened. But that's almost 146 00:07:11,920 --> 00:07:19,000 Speaker 2: like cats almost squeezed dry. So yeah, that's cashed. So 147 00:07:19,120 --> 00:07:21,480 Speaker 2: at this point, I'm like, do we dive back into 148 00:07:21,520 --> 00:07:24,160 Speaker 2: turtle dog? Maybe Wolf's name being Wolf and he's at 149 00:07:24,160 --> 00:07:27,119 Speaker 2: a dog park. I feel like we've explored that enough. 150 00:07:28,240 --> 00:07:30,240 Speaker 4: Should we give some context to why we're here, and 151 00:07:30,280 --> 00:07:31,960 Speaker 4: again we're not here. 152 00:07:32,080 --> 00:07:37,840 Speaker 6: Should we let mere phrase that might happen, my comrade, Yes, partner. 153 00:07:37,560 --> 00:07:40,240 Speaker 5: Can we give some context as to why we're not here? 154 00:07:40,600 --> 00:07:42,800 Speaker 1: Yes, that would be so good. 155 00:07:43,880 --> 00:07:47,360 Speaker 4: You know that I made a play to try to 156 00:07:47,440 --> 00:07:51,960 Speaker 4: lure Hayes Stan on the East Coast switch Hollywood Handbook 157 00:07:52,000 --> 00:07:54,920 Speaker 4: to Big Apple Bible. Didn't go well, ended up on 158 00:07:55,000 --> 00:07:58,800 Speaker 4: a train, ended up on some god forsaken live episode 159 00:07:58,840 --> 00:08:03,600 Speaker 4: of your show with engineer Cody. I was beneath him, 160 00:08:03,600 --> 00:08:08,040 Speaker 4: trying to get back in on the whole thing. Bad 161 00:08:08,120 --> 00:08:10,360 Speaker 4: a little bad play. Looked at myself in the mirror, 162 00:08:10,440 --> 00:08:13,280 Speaker 4: bad play, And just like there are a lot. 163 00:08:13,160 --> 00:08:15,360 Speaker 3: Of stops and starts with your relationship to this show. 164 00:08:15,440 --> 00:08:18,120 Speaker 4: Where do you have a mirror? Where do I have 165 00:08:18,160 --> 00:08:18,640 Speaker 4: a mirror? 166 00:08:19,120 --> 00:08:20,960 Speaker 5: Tom keeps a man compact? 167 00:08:21,360 --> 00:08:23,320 Speaker 4: Okay, yeah, it doesn't have it. 168 00:08:23,400 --> 00:08:24,920 Speaker 3: Doesn't have powder in it. 169 00:08:24,920 --> 00:08:27,160 Speaker 2: It's just a well what does it have where the 170 00:08:27,200 --> 00:08:27,920 Speaker 2: powder would be? 171 00:08:28,240 --> 00:08:29,000 Speaker 3: Another mirror? 172 00:08:30,000 --> 00:08:30,920 Speaker 2: Double mirror? 173 00:08:31,320 --> 00:08:35,839 Speaker 4: Yeah, double mirror, just like uh infinity, Yeah, just like that. 174 00:08:36,520 --> 00:08:41,480 Speaker 4: The thing with the auto tune double mirror. What a miracle? 175 00:08:41,640 --> 00:08:44,480 Speaker 2: What was that one? Oh no, I don't know, but 176 00:08:44,600 --> 00:08:45,440 Speaker 2: now I have to. 177 00:08:45,559 --> 00:08:47,240 Speaker 1: He's talking about the double Rainbow. 178 00:08:47,480 --> 00:08:52,760 Speaker 2: Yeah, right, so I was stoned. Do you think he 179 00:08:52,920 --> 00:08:55,800 Speaker 2: was messed up? 180 00:08:57,200 --> 00:08:57,440 Speaker 1: Glad? 181 00:08:58,360 --> 00:09:01,079 Speaker 2: It's funny, but I think he was totally. I think 182 00:09:01,080 --> 00:09:06,560 Speaker 2: we had taken edibles. Remember, he goes, is this real life? 183 00:09:07,600 --> 00:09:12,319 Speaker 4: Yeah? That's the uh Charlie. So anyway, damn Charlie. I'm 184 00:09:12,360 --> 00:09:16,679 Speaker 4: at the bottom of the barrel. I'm looking up at 185 00:09:16,840 --> 00:09:20,320 Speaker 4: engineer Cody and I'm saying this to myself in the mirror, 186 00:09:21,040 --> 00:09:22,559 Speaker 4: how far have you fallen? 187 00:09:22,640 --> 00:09:23,000 Speaker 2: Tom? 188 00:09:23,040 --> 00:09:26,080 Speaker 4: And then I get a call from Julie. She's coming 189 00:09:26,080 --> 00:09:29,600 Speaker 4: to town. I'm stuck out here in Los Angeles. She's like, 190 00:09:30,679 --> 00:09:33,120 Speaker 4: I got a play to make and we're going to 191 00:09:33,200 --> 00:09:34,200 Speaker 4: get it all back. 192 00:09:34,240 --> 00:09:36,280 Speaker 2: It's like, well, we've made plays with Julie. I mean, 193 00:09:36,320 --> 00:09:37,520 Speaker 2: we've made two musicals. 194 00:09:37,600 --> 00:09:40,079 Speaker 4: Well, no, this is I mean a play, not a 195 00:09:40,160 --> 00:09:43,600 Speaker 4: stage play. This is a business play. And we're ready 196 00:09:43,640 --> 00:09:45,040 Speaker 4: to make a business play how. 197 00:09:44,880 --> 00:09:46,480 Speaker 2: To succeed in business without really trying. 198 00:09:46,720 --> 00:09:50,680 Speaker 4: But that's another play. That's a business play. Yeah, that's 199 00:09:50,720 --> 00:09:54,199 Speaker 4: a business But this is a play in the world 200 00:09:54,240 --> 00:09:55,000 Speaker 4: of business. 201 00:09:56,000 --> 00:10:01,600 Speaker 2: And Flag on the Field, yeah, is that a musical? 202 00:10:01,960 --> 00:10:03,520 Speaker 1: No, it's a few bars. 203 00:10:04,440 --> 00:10:06,520 Speaker 4: Flag on the field on the fields. 204 00:10:07,480 --> 00:10:11,360 Speaker 5: I think that's that whatever it is, I'm probably not 205 00:10:11,520 --> 00:10:12,079 Speaker 5: using it right. 206 00:10:12,120 --> 00:10:12,400 Speaker 3: Sorry. 207 00:10:12,440 --> 00:10:14,480 Speaker 1: Julie pretends not to know about football as part of 208 00:10:14,520 --> 00:10:14,920 Speaker 1: her brand. 209 00:10:15,280 --> 00:10:19,760 Speaker 4: I know, but she's always wearing that that I wear 210 00:10:19,800 --> 00:10:23,760 Speaker 4: that leather that's why you call her. Yeah, you always 211 00:10:23,800 --> 00:10:26,920 Speaker 4: got your old Timmy football leatherhead's helmet on. 212 00:10:28,440 --> 00:10:31,199 Speaker 2: Yeah, and Monk Jersey and. 213 00:10:31,080 --> 00:10:38,640 Speaker 4: Those Joe Namath white ginos. So Julie's like, fear not friend, 214 00:10:40,559 --> 00:10:42,320 Speaker 4: you're at the bott. We're going to get this back. 215 00:10:42,400 --> 00:10:48,160 Speaker 4: She has a play to make, not a sports not that, 216 00:10:48,360 --> 00:10:51,240 Speaker 4: not the Yeah, okay. 217 00:10:51,120 --> 00:10:52,280 Speaker 2: I didn't say anything. 218 00:10:52,400 --> 00:10:54,520 Speaker 1: A sports play, sure, damn Yankees. 219 00:10:55,880 --> 00:11:00,000 Speaker 2: It's not ever so a double play. 220 00:11:00,200 --> 00:11:07,240 Speaker 6: But Lola from the KINGK song, Oh. 221 00:11:05,840 --> 00:11:09,600 Speaker 2: Wow with the power Man. Oh good. 222 00:11:10,240 --> 00:11:14,640 Speaker 4: Yeah. So she has an idea. We're going to get 223 00:11:14,640 --> 00:11:18,320 Speaker 4: it all back, and then would you like to would 224 00:11:18,360 --> 00:11:20,280 Speaker 4: you like to tell them what we decided to do? 225 00:11:20,840 --> 00:11:21,640 Speaker 2: Remember that we. 226 00:11:24,679 --> 00:11:27,280 Speaker 6: Sold should we say the News or we optioned? 227 00:11:27,280 --> 00:11:30,320 Speaker 5: We sold the News, we optioned Hollywood Handbook. 228 00:11:30,960 --> 00:11:34,360 Speaker 2: Oh wow, hey, now what do you mean? 229 00:11:37,240 --> 00:11:39,199 Speaker 4: Well, what we're. 230 00:11:39,480 --> 00:11:42,720 Speaker 2: We're in business is option, like a quarterback option, because 231 00:11:42,840 --> 00:11:45,160 Speaker 2: you seem to be living in that realm right now. 232 00:11:45,360 --> 00:11:50,040 Speaker 4: No. No, we met with Adam mm hmmm. Sacks. 233 00:11:50,240 --> 00:11:52,280 Speaker 2: Yeah, and Paul. 234 00:11:52,080 --> 00:11:55,920 Speaker 4: Fik got him attached. All of us came in optioned 235 00:11:55,960 --> 00:12:00,640 Speaker 4: the show. Yeah, Hollywood book. 236 00:12:00,559 --> 00:12:03,360 Speaker 5: With a woman on one one role. 237 00:12:03,720 --> 00:12:06,480 Speaker 6: So it's like af like, it's half Paul fig and 238 00:12:06,520 --> 00:12:08,440 Speaker 6: then it's half Adam. 239 00:12:08,520 --> 00:12:13,400 Speaker 1: Adam Sacks Adam Sacks the masculine side figa equation. 240 00:12:13,679 --> 00:12:16,040 Speaker 4: Yeah, so it's like a it's like a Saca. 241 00:12:15,679 --> 00:12:20,000 Speaker 6: Figu'sca fege like, yeah, scaigue. 242 00:12:19,440 --> 00:12:25,320 Speaker 4: Newton's yeah, fig Newton, Yes, which would be sacafee sas 243 00:12:25,320 --> 00:12:26,160 Speaker 4: Saca Figu's. 244 00:12:26,360 --> 00:12:27,760 Speaker 3: Yeah. 245 00:12:27,800 --> 00:12:29,440 Speaker 4: So it's like it's kind of like being out in 246 00:12:29,559 --> 00:12:33,360 Speaker 4: Coachella where the figs are from. No, those are dates. 247 00:12:33,520 --> 00:12:35,560 Speaker 4: They're not figs. They grow dates out there. 248 00:12:35,679 --> 00:12:38,200 Speaker 2: Oh yes, I've seen we're going to. 249 00:12:38,240 --> 00:12:39,840 Speaker 3: Be playing you in a movie. 250 00:12:40,600 --> 00:12:43,079 Speaker 5: I yet, How did I just let it out? 251 00:12:43,400 --> 00:12:47,240 Speaker 2: No, don't burst out like that, now, hold on, I 252 00:12:47,280 --> 00:12:51,920 Speaker 2: was invested in hearing the long version. Now let's back up, 253 00:12:53,520 --> 00:12:54,760 Speaker 2: because happened to between. 254 00:12:55,760 --> 00:12:59,880 Speaker 4: Yeah, it's it's a multi it's a multi plat multicam. 255 00:13:00,320 --> 00:13:02,680 Speaker 5: It's the first multi camp multi platform. 256 00:13:03,360 --> 00:13:05,280 Speaker 2: Does it have a two screen experience. 257 00:13:04,920 --> 00:13:07,360 Speaker 4: No, we're gonna do it. Well, it'll be screen on 258 00:13:07,440 --> 00:13:08,440 Speaker 4: screen for people. 259 00:13:08,600 --> 00:13:09,360 Speaker 2: Uh, there's a pip. 260 00:13:09,840 --> 00:13:11,800 Speaker 6: It's going to be a PIP experience, you know, picture 261 00:13:11,800 --> 00:13:13,439 Speaker 6: and picture on the remote. 262 00:13:13,480 --> 00:13:16,800 Speaker 1: Experience, Pip experience experience Pippin. 263 00:13:17,400 --> 00:13:17,800 Speaker 7: Mm hmm. 264 00:13:17,880 --> 00:13:18,080 Speaker 4: Yeah. 265 00:13:18,080 --> 00:13:22,839 Speaker 2: Another to find my corner of the sky. Remember that. 266 00:13:24,080 --> 00:13:31,559 Speaker 4: That's uh Ben Vereen remember so, so we are here, were. 267 00:13:31,720 --> 00:13:33,480 Speaker 3: The point, we're not here? 268 00:13:33,480 --> 00:13:35,679 Speaker 4: We are here, we're not here. It's like a ride 269 00:13:35,720 --> 00:13:39,360 Speaker 4: along when you make you n run. 270 00:13:40,240 --> 00:13:42,840 Speaker 1: You mentioned the musical, So don't be like, oh, you 271 00:13:43,000 --> 00:13:44,360 Speaker 1: don't up Pippin. 272 00:13:44,600 --> 00:13:47,160 Speaker 4: Look, I want you guys to say whatever you want 273 00:13:47,160 --> 00:13:50,960 Speaker 4: to say because we're here. Sings, okay, sing, so we 274 00:13:51,000 --> 00:13:52,160 Speaker 4: should put some singing. 275 00:13:51,960 --> 00:13:54,360 Speaker 2: And sings and then maybe a qualifier on it because 276 00:13:54,360 --> 00:13:56,480 Speaker 2: they sing, got pipes, they sing. 277 00:13:57,200 --> 00:14:02,320 Speaker 4: I'm figuring if this thing's ultimately going to be a movie, 278 00:14:03,080 --> 00:14:08,880 Speaker 4: we should probably do some podcasts as them to to 279 00:14:09,040 --> 00:14:11,600 Speaker 4: kind of really just get the And what. 280 00:14:11,520 --> 00:14:13,880 Speaker 5: We did is we tried to do one. We did 281 00:14:13,920 --> 00:14:14,600 Speaker 5: like a dry. 282 00:14:14,440 --> 00:14:18,040 Speaker 6: Run, but Tom was playing Sean like way too gay 283 00:14:19,120 --> 00:14:19,480 Speaker 6: mm hmm. 284 00:14:19,720 --> 00:14:24,800 Speaker 4: Yeah. The engineer walked out because he was so turned on, 285 00:14:25,920 --> 00:14:27,600 Speaker 4: and he came back four minutes later. 286 00:14:28,160 --> 00:14:28,880 Speaker 3: That's all it took. 287 00:14:29,040 --> 00:14:31,000 Speaker 4: Then I did it again. Then he walked out again 288 00:14:31,480 --> 00:14:32,720 Speaker 4: and came back six minutes. 289 00:14:32,760 --> 00:14:35,240 Speaker 2: So this guy's getting to release. 290 00:14:35,840 --> 00:14:40,960 Speaker 4: Yeah, yeah, cold, Well, I didn't think I was just 291 00:14:40,960 --> 00:14:43,080 Speaker 4: playing you. I was playing you. 292 00:14:43,280 --> 00:14:45,400 Speaker 5: We got feedback that it was too gay later. 293 00:14:45,200 --> 00:14:48,080 Speaker 2: From the engineer just for the movies or whatever. 294 00:14:50,000 --> 00:14:51,920 Speaker 3: He didn't mention for anything. 295 00:14:51,960 --> 00:14:54,640 Speaker 4: You just said that it was too He said when 296 00:14:54,640 --> 00:14:56,920 Speaker 4: he was listening to it, he had the compulsion to 297 00:14:57,000 --> 00:15:01,680 Speaker 4: go out into the to the head. Mmmm. And uh, 298 00:15:02,880 --> 00:15:06,720 Speaker 4: run off a batch of stomach pancakes twice. 299 00:15:08,080 --> 00:15:10,120 Speaker 1: Aren't all pancakes stomach pancakes? 300 00:15:11,680 --> 00:15:13,680 Speaker 2: Well, where do you? Where do you put him? 301 00:15:14,400 --> 00:15:16,000 Speaker 4: I think they end up in your I think he's 302 00:15:16,080 --> 00:15:17,480 Speaker 4: r ending up on his stomach. 303 00:15:17,640 --> 00:15:25,680 Speaker 2: Oh, oh, I see batter batter. Oh he's blasting loads. Okay, 304 00:15:25,840 --> 00:15:29,720 Speaker 2: Here's why I don't understand about any of this. Why 305 00:15:29,880 --> 00:15:34,040 Speaker 2: is like Julie, Julie's got heat h Why what does 306 00:15:34,120 --> 00:15:38,120 Speaker 2: she have to gain from working with Tom who's radioactive? 307 00:15:38,720 --> 00:15:40,920 Speaker 2: Julie's one of the funniest honeys in the business. Yeah, 308 00:15:41,400 --> 00:15:43,280 Speaker 2: so at this point I'm sort of going here. 309 00:15:43,360 --> 00:15:45,800 Speaker 1: She was in a photos played with Jen Kirkman recently, 310 00:15:46,480 --> 00:15:48,440 Speaker 1: and look, my thing's toxic. 311 00:15:48,600 --> 00:15:49,680 Speaker 4: I'll admit it. 312 00:15:50,360 --> 00:15:51,880 Speaker 1: You admit it's very confusing. 313 00:15:52,600 --> 00:15:56,800 Speaker 6: I have a relationship that precedes our relationship with show businesses. 314 00:15:57,120 --> 00:16:00,320 Speaker 4: So what if I'm in podcast jail right now? I 315 00:16:00,360 --> 00:16:02,640 Speaker 4: can handle it. I'm gonna fight my way out of 316 00:16:02,720 --> 00:16:07,040 Speaker 4: young and a breakout of podcast jail, my fraid and 317 00:16:07,240 --> 00:16:09,080 Speaker 4: you know what it was like that show, uh, the 318 00:16:09,120 --> 00:16:13,840 Speaker 4: prison break. Julie went into the prison, got me out. 319 00:16:14,600 --> 00:16:17,640 Speaker 5: Tom's like family, so I will help him. 320 00:16:17,720 --> 00:16:20,480 Speaker 1: Don't see that being your motivation. I just feel like 321 00:16:20,560 --> 00:16:23,640 Speaker 1: I know you better than that. There must be some 322 00:16:23,640 --> 00:16:26,160 Speaker 1: something else that really work, you. 323 00:16:26,120 --> 00:16:27,800 Speaker 6: Know what to make Reminding me of what Hayes is 324 00:16:27,800 --> 00:16:30,160 Speaker 6: saying is when the engineer said, I was playing Hayes 325 00:16:30,200 --> 00:16:33,200 Speaker 6: to mean, Remember yeah, when he was just like, you're 326 00:16:33,280 --> 00:16:36,680 Speaker 6: just making him like a fire breathing dragon. 327 00:16:36,840 --> 00:16:41,400 Speaker 4: Yeah. The engineer was like, there's funny mean and mean 328 00:16:41,520 --> 00:16:42,480 Speaker 4: mean have to. 329 00:16:43,480 --> 00:16:44,360 Speaker 3: Like what's his name? 330 00:16:44,400 --> 00:16:46,880 Speaker 5: The poet in Reservoir Dogs who cut off that guy's year? 331 00:16:46,960 --> 00:16:51,160 Speaker 6: You know the No, he was mean, he wasn't nice. 332 00:16:51,360 --> 00:16:55,560 Speaker 2: Mister had mister in the time you read Michael Madison's. 333 00:16:55,600 --> 00:16:58,760 Speaker 5: Color Yeah, mister colors right, he writes poetry. 334 00:16:58,920 --> 00:17:04,080 Speaker 2: M So what I do want to caution you against 335 00:17:04,160 --> 00:17:07,360 Speaker 2: Julie is overestimating the amount of heat that you have 336 00:17:07,480 --> 00:17:11,080 Speaker 2: and feeling like Tom can't bring you down through association 337 00:17:11,200 --> 00:17:15,800 Speaker 2: the way radioactivity works and not the fun Spider Man radioactivity, 338 00:17:15,880 --> 00:17:20,280 Speaker 2: but like real radio activity. Look, Tom, radioactivity. 339 00:17:19,520 --> 00:17:23,199 Speaker 1: Fair enough point you have to bury him in the 340 00:17:23,280 --> 00:17:24,879 Speaker 1: Brianas trench. 341 00:17:24,960 --> 00:17:29,959 Speaker 4: If I what if I turn out to be the 342 00:17:30,040 --> 00:17:33,840 Speaker 4: first podcast superhero, Right Tom? 343 00:17:33,880 --> 00:17:35,680 Speaker 3: We didn't talk about any of this in the car. 344 00:17:35,920 --> 00:17:38,920 Speaker 4: No, this is this is look, let's get phase. 345 00:17:39,080 --> 00:17:41,679 Speaker 2: This is what he does. He plays fast and lose. 346 00:17:41,760 --> 00:17:42,880 Speaker 4: This is phase one. 347 00:17:43,240 --> 00:17:45,200 Speaker 2: He surprises you in the worst way. 348 00:17:45,400 --> 00:17:48,920 Speaker 4: This is what I'll say. Boys, do your show. We're 349 00:17:48,960 --> 00:17:51,560 Speaker 4: here to take notes, have at. 350 00:17:51,400 --> 00:17:54,639 Speaker 2: It, okay, and we just pretend you guys aren't here. 351 00:17:55,000 --> 00:17:57,280 Speaker 2: Do we talk about you the whole time? What happened 352 00:17:57,280 --> 00:17:59,120 Speaker 2: when you did the when you did the. 353 00:17:59,080 --> 00:18:02,760 Speaker 3: Mean version of me that the engineers pinky. 354 00:18:02,720 --> 00:18:05,760 Speaker 1: Oh my goodness, did he crank out some tear pancakes? 355 00:18:07,640 --> 00:18:08,720 Speaker 1: Their cheek pancakes? 356 00:18:09,040 --> 00:18:10,840 Speaker 5: Well they were red velvet, you know what I mean? 357 00:18:10,840 --> 00:18:14,080 Speaker 1: Because he was, oh my goodness, decade. 358 00:18:16,000 --> 00:18:19,639 Speaker 2: So you're a woman playing Hayes and the note was 359 00:18:19,720 --> 00:18:23,119 Speaker 2: just that you were too mean. But then Tom's playing me, 360 00:18:24,160 --> 00:18:27,120 Speaker 2: and it was he was too gay? Can we even. 361 00:18:27,000 --> 00:18:29,840 Speaker 4: Say that I didn't look, I was just playing you 362 00:18:29,920 --> 00:18:30,399 Speaker 4: as is? 363 00:18:30,560 --> 00:18:31,680 Speaker 1: Can we say that on here? 364 00:18:32,240 --> 00:18:35,199 Speaker 2: Can we say that on here? Are we allowed to? Josh? 365 00:18:35,280 --> 00:18:37,280 Speaker 2: Can we say that on this? I think it's fun? 366 00:18:37,440 --> 00:18:38,120 Speaker 3: Can we? 367 00:18:38,440 --> 00:18:39,320 Speaker 4: I think it's fun? 368 00:18:39,440 --> 00:18:39,920 Speaker 2: I don't try. 369 00:18:40,640 --> 00:18:45,120 Speaker 4: I think fine, that's what else do you think is fun? 370 00:18:45,800 --> 00:18:48,600 Speaker 5: Wears a seventy five piece suit when he directs. 371 00:18:49,160 --> 00:18:51,080 Speaker 2: Oh, yes, I've heard his. 372 00:18:51,680 --> 00:18:54,480 Speaker 3: Pocket squares have pocket squares. 373 00:18:55,920 --> 00:19:01,479 Speaker 1: And when it's kershiff drifts to the floor. That's how 374 00:19:01,480 --> 00:19:05,080 Speaker 1: you know it's come out. It settles on the floor. 375 00:19:05,160 --> 00:19:05,840 Speaker 1: That's when it's time. 376 00:19:06,040 --> 00:19:08,280 Speaker 2: When he tucks his cravat in to his cumber bun 377 00:19:08,320 --> 00:19:12,720 Speaker 2: in the morning. Yes, I've heard he really sits around 378 00:19:12,760 --> 00:19:18,520 Speaker 2: the house. I've heard, yes that he really sits around 379 00:19:18,560 --> 00:19:20,760 Speaker 2: the house, really around better than when I was let's 380 00:19:20,840 --> 00:19:23,399 Speaker 2: say that's h and I'm willing to admit when something's 381 00:19:23,400 --> 00:19:24,680 Speaker 2: better than what I was going to say? 382 00:19:24,760 --> 00:19:27,560 Speaker 4: How was that really sits around the house? So good? 383 00:19:27,680 --> 00:19:30,399 Speaker 6: Yes, it's like I think you went in the opposite direction. 384 00:19:30,480 --> 00:19:31,600 Speaker 6: Now it's not gay enough? 385 00:19:31,720 --> 00:19:34,120 Speaker 2: Okay, Yeah, yeah, that doesn't really sound like don't really 386 00:19:34,200 --> 00:19:37,520 Speaker 2: sound that's very go zone. 387 00:19:37,640 --> 00:19:38,359 Speaker 4: Okay, yeah. 388 00:19:38,520 --> 00:19:40,280 Speaker 5: You know a lot of actors start with the voice. 389 00:19:40,480 --> 00:19:42,919 Speaker 1: Okay, but I prefer American men. 390 00:19:46,800 --> 00:19:50,520 Speaker 2: But why, but why are they having you do this? 391 00:19:50,680 --> 00:19:53,200 Speaker 6: I understand they they need. 392 00:19:53,080 --> 00:20:02,240 Speaker 1: A woman to brand. Yes, why it's still white Tom? 393 00:20:02,440 --> 00:20:06,720 Speaker 1: Why is Tom the one playing Sean? There are so many. 394 00:20:07,200 --> 00:20:10,000 Speaker 2: Yeah that that's right, Like, how does Tom get to 395 00:20:10,040 --> 00:20:10,439 Speaker 2: play me? 396 00:20:10,960 --> 00:20:12,760 Speaker 1: There are lots of people who I think would be 397 00:20:12,880 --> 00:20:18,040 Speaker 1: uh a great? I mean Kirkman, forgot said sure, Kirk Douglas. 398 00:20:18,080 --> 00:20:21,680 Speaker 1: If we're getting funny honeys, let's get the Kirkman in. Yeah, yeah, 399 00:20:21,680 --> 00:20:23,359 Speaker 1: the Kirk because. 400 00:20:22,960 --> 00:20:25,120 Speaker 6: Paul is only producing half of it. The other half 401 00:20:25,119 --> 00:20:26,520 Speaker 6: has to be a male Kirk. 402 00:20:26,320 --> 00:20:31,320 Speaker 2: Douglas, Dick Van Dyke. Oh Sacks insisted on Tom. Mike 403 00:20:31,400 --> 00:20:34,920 Speaker 2: sa No, no, I'm not poking a dead frog here. 404 00:20:35,680 --> 00:20:37,120 Speaker 2: I'm talking about Adam Sacks. 405 00:20:39,160 --> 00:20:41,640 Speaker 6: Adam Sacks likes Tom. They had a coffee I wasn't 406 00:20:41,680 --> 00:20:42,199 Speaker 6: invited to. 407 00:20:42,560 --> 00:20:43,600 Speaker 2: Yeah, oh wow. 408 00:20:43,720 --> 00:20:45,560 Speaker 3: I don't know what happened in it, but I know 409 00:20:45,760 --> 00:20:46,520 Speaker 3: in the coffee. 410 00:20:47,160 --> 00:20:52,199 Speaker 4: Look, I'll say this all due respect, it's none of 411 00:20:52,200 --> 00:20:54,520 Speaker 4: your fucking business. Why I'm on the side of this 412 00:20:54,640 --> 00:20:57,320 Speaker 4: table or not. Do the show? 413 00:20:57,680 --> 00:21:00,480 Speaker 1: Do the show, please, please, and now seem to have 414 00:21:00,600 --> 00:21:02,160 Speaker 1: hit a kind of sensitive. 415 00:21:03,600 --> 00:21:05,679 Speaker 8: And now we seem to have hit a sort of 416 00:21:05,880 --> 00:21:06,960 Speaker 8: sensitive place. 417 00:21:07,960 --> 00:21:11,320 Speaker 2: Wait a minute to go it here? Hold on, how 418 00:21:11,359 --> 00:21:15,240 Speaker 2: could Hayes be if he's over? But you're just but 419 00:21:15,359 --> 00:21:16,000 Speaker 2: she was over. 420 00:21:16,480 --> 00:21:19,400 Speaker 1: Usually my voice just is inside my own head. 421 00:21:20,320 --> 00:21:25,680 Speaker 2: So what you're saying is you hate joes? 422 00:21:28,440 --> 00:21:38,959 Speaker 4: Yes? How come I like cookie but often like yeah 423 00:21:39,040 --> 00:21:39,680 Speaker 4: ice creams? 424 00:21:40,680 --> 00:21:46,960 Speaker 1: Yeah? No, I do just say no, yeah, searching for 425 00:21:47,119 --> 00:21:48,040 Speaker 1: something better to say. 426 00:21:48,119 --> 00:21:50,359 Speaker 2: I would never ask that question. I know exactly why 427 00:21:51,240 --> 00:21:55,960 Speaker 2: ice cream is too cold. So and so one thing 428 00:21:56,560 --> 00:21:59,760 Speaker 2: is I'm thinking is so crazy? Is we're movies guys 429 00:22:00,119 --> 00:22:03,200 Speaker 2: a podcast Yeah, and now these podcasters are taking our 430 00:22:03,240 --> 00:22:06,200 Speaker 2: podcasts and making a movie using. 431 00:22:06,000 --> 00:22:08,800 Speaker 1: People who are not movie people. 432 00:22:09,359 --> 00:22:14,560 Speaker 2: Yeah, not much. Not seem a little inside out. And 433 00:22:14,640 --> 00:22:16,879 Speaker 2: I don't mean the Mandy Kayling vehicle. 434 00:22:21,400 --> 00:22:23,720 Speaker 4: K A l U S N E R. 435 00:22:24,080 --> 00:22:26,080 Speaker 2: Is she one of the funny honeyes? S H? 436 00:22:26,680 --> 00:22:28,200 Speaker 1: Did she make the funny honey Is she one of 437 00:22:28,200 --> 00:22:28,919 Speaker 1: the funny honeyes? 438 00:22:29,840 --> 00:22:32,040 Speaker 2: What is Mandy Kayling one of the funny Honeyes? 439 00:22:32,320 --> 00:22:33,600 Speaker 3: I told them about my band. 440 00:22:33,880 --> 00:22:37,280 Speaker 4: Okay, the funny honeys. 441 00:22:36,040 --> 00:22:40,320 Speaker 1: Like the rock Bottom Remainders of women in comedy and 442 00:22:40,359 --> 00:22:41,200 Speaker 1: Stephen King. 443 00:22:41,359 --> 00:22:44,920 Speaker 3: Plays the drums in both. He's pretty cool. 444 00:22:45,000 --> 00:22:46,560 Speaker 1: Dave Buried, does Dave Barry get to? 445 00:22:47,160 --> 00:22:52,679 Speaker 6: Dave Becky and Dave Barry play the triangles. 446 00:22:52,160 --> 00:22:56,160 Speaker 1: They share as. 447 00:22:55,359 --> 00:22:58,399 Speaker 6: They share trial and you know the third side of 448 00:22:58,400 --> 00:23:00,959 Speaker 6: the triangle is for not bearing. 449 00:23:02,480 --> 00:23:05,160 Speaker 4: I've got a note for the band Becky Barry, Barry 450 00:23:05,320 --> 00:23:06,360 Speaker 4: More cow Bell. 451 00:23:07,920 --> 00:23:08,160 Speaker 6: More. 452 00:23:10,480 --> 00:23:14,440 Speaker 2: He's drinking like a spicy drink. It's part of the 453 00:23:14,480 --> 00:23:17,760 Speaker 2: Spicy Drink challenge. It's an ongoing. 454 00:23:17,800 --> 00:23:21,600 Speaker 4: Probably put like something else in that bottle though, you 455 00:23:21,640 --> 00:23:23,399 Speaker 4: know what I mean, Like the way the way Michael 456 00:23:23,440 --> 00:23:27,680 Speaker 4: Anthony from Van Hallen would fake drink. Jack Daniels on stage, 457 00:23:27,960 --> 00:23:29,960 Speaker 4: I see what you're doing. I'll put like iced tea 458 00:23:30,000 --> 00:23:33,840 Speaker 4: in the bottle just because I'm not going to drink that. 459 00:23:35,119 --> 00:23:36,960 Speaker 6: Like I was gonna wear like pants that were too 460 00:23:37,000 --> 00:23:39,040 Speaker 6: tight just to get myself uncomfortable. 461 00:23:40,560 --> 00:23:45,760 Speaker 4: Is that like a hazism? Well, like, okay, put some 462 00:23:46,000 --> 00:23:46,840 Speaker 4: too tight pants. 463 00:23:47,480 --> 00:23:47,760 Speaker 2: Blood. 464 00:23:48,160 --> 00:23:50,800 Speaker 1: Blood being in the head is good rather than anywhere else. 465 00:23:50,840 --> 00:23:52,760 Speaker 4: He's known for his two tight pants. 466 00:23:52,920 --> 00:23:56,399 Speaker 2: Why am I giving you tips. 467 00:23:55,160 --> 00:23:57,880 Speaker 6: Because it's actually really helpful if you have any more. 468 00:23:57,920 --> 00:24:02,399 Speaker 4: Hey, guys listening, not if when this thing hits, we're 469 00:24:02,480 --> 00:24:06,080 Speaker 4: all rich. You guys might want to play ball on this. 470 00:24:07,480 --> 00:24:11,000 Speaker 1: Is that true because nobody came to us about any 471 00:24:11,119 --> 00:24:15,520 Speaker 1: Oh no, I mean options is rich. Oh okay, so. 472 00:24:15,440 --> 00:24:17,960 Speaker 4: The roy I'll be rich, Julie will be rich. You 473 00:24:18,080 --> 00:24:20,440 Speaker 4: Wolf will be rich. Huh. You guys are going to 474 00:24:20,480 --> 00:24:23,879 Speaker 4: be like, do you know Kenny Kramer is? Do you 475 00:24:23,920 --> 00:24:24,560 Speaker 4: know who that is? 476 00:24:25,640 --> 00:24:26,000 Speaker 9: I do? 477 00:24:26,200 --> 00:24:27,760 Speaker 2: Yeah, Jerry. 478 00:24:28,520 --> 00:24:32,200 Speaker 4: You guys will be doing like the real Hollywood Handbook 479 00:24:32,240 --> 00:24:34,879 Speaker 4: tour of the studio. Yeah, and you just be like 480 00:24:35,000 --> 00:24:39,360 Speaker 4: taking you take people on a bus ride all around. 481 00:24:39,480 --> 00:24:41,159 Speaker 4: It's just like, hey, this is where they shot the 482 00:24:42,080 --> 00:24:43,320 Speaker 4: this is where they shot the movie. 483 00:24:43,480 --> 00:24:46,000 Speaker 1: I'm amazed that Kenny Kramer got away with it. When 484 00:24:46,640 --> 00:24:49,040 Speaker 1: you know all those times Michael Richard's saying all that 485 00:24:49,080 --> 00:24:52,720 Speaker 1: funny stuff and like and then everyone's like, oh, it's 486 00:24:52,760 --> 00:24:55,080 Speaker 1: Kenny Kramer, who's like the original funny person. 487 00:24:55,240 --> 00:24:56,840 Speaker 3: Yeah, so he didn't get credit for the. 488 00:24:57,080 --> 00:24:59,960 Speaker 1: And then he says this other thing and everyone's like, 489 00:25:00,119 --> 00:25:04,080 Speaker 1: now it's you. When he was he's just doing Kenny Kramer. 490 00:25:05,200 --> 00:25:11,280 Speaker 4: That was a good run. You should Kenny Kramer. 491 00:25:11,760 --> 00:25:13,560 Speaker 3: He's just doing Kenny Kramer. 492 00:25:15,480 --> 00:25:17,760 Speaker 1: So what happened do we continue to do this show. 493 00:25:17,840 --> 00:25:18,719 Speaker 2: Yeah, where do we go? 494 00:25:18,760 --> 00:25:20,600 Speaker 4: Who are you talking to? We're not here? 495 00:25:20,600 --> 00:25:20,920 Speaker 3: Not here? 496 00:25:21,080 --> 00:25:25,119 Speaker 1: But you've responded every other time I've spoken, Have we 497 00:25:25,480 --> 00:25:26,160 Speaker 1: I don't think. 498 00:25:26,040 --> 00:25:27,560 Speaker 2: So, Hayes. I'm getting scared. 499 00:25:29,480 --> 00:25:31,679 Speaker 1: I'm wondering if they actually are not here? Where do 500 00:25:31,760 --> 00:25:32,120 Speaker 1: we go? 501 00:25:32,359 --> 00:25:32,439 Speaker 10: Like? 502 00:25:32,520 --> 00:25:34,520 Speaker 2: Do we go away? When may be us? 503 00:25:35,720 --> 00:25:42,000 Speaker 1: Because normally it's just us and a guest, you know? 504 00:25:42,680 --> 00:25:49,240 Speaker 1: And now if that right? And now there's other people here, 505 00:25:49,240 --> 00:25:52,560 Speaker 1: but they say they are here, and when we try 506 00:25:52,560 --> 00:25:54,520 Speaker 1: to talk to them, they say, who are you talking to? 507 00:25:54,880 --> 00:26:01,040 Speaker 1: Like there's nobody there. Yeah, it's a paralyzically scary situation. 508 00:26:02,960 --> 00:26:04,639 Speaker 3: You guys, ever thrown up in a haunted house? 509 00:26:04,960 --> 00:26:06,199 Speaker 2: I don't want it to be. 510 00:26:06,400 --> 00:26:08,400 Speaker 1: Yeah, I've thrown up a bunch of times. 511 00:26:08,480 --> 00:26:12,920 Speaker 2: Hey, I don't want to to be me because I'm 512 00:26:12,960 --> 00:26:16,000 Speaker 2: trying to I'm being me, and if Tom's being me, 513 00:26:16,080 --> 00:26:17,080 Speaker 2: then I don't know who to be. 514 00:26:17,119 --> 00:26:20,119 Speaker 1: Here's here's what is making me. 515 00:26:21,080 --> 00:26:24,840 Speaker 2: Here's why I'm sad right now. I do want Julie to. 516 00:26:24,760 --> 00:26:28,960 Speaker 3: Be me emotional so I'm good at talking. 517 00:26:31,200 --> 00:26:38,200 Speaker 2: I like this. Yeah, I like when somebody else gets 518 00:26:38,240 --> 00:26:40,480 Speaker 2: to be me instead of me. You're doing now, I 519 00:26:40,520 --> 00:26:41,280 Speaker 2: don't want to be me. 520 00:26:42,600 --> 00:26:45,040 Speaker 4: Okay, then I'll be showing back to that this is 521 00:26:45,160 --> 00:26:49,760 Speaker 4: more comfortable. Okay, then I'll go that's nice. I guess, sir. 522 00:26:50,600 --> 00:26:57,399 Speaker 4: Maybe the soda and soda pops, I like the diet 523 00:26:57,520 --> 00:26:58,240 Speaker 4: PEPSI is. 524 00:26:58,480 --> 00:27:04,119 Speaker 7: The row maybe, But what you're saying is that, well, 525 00:27:07,800 --> 00:27:11,400 Speaker 7: what you're saying, what you're what you're saying, what you're 526 00:27:11,600 --> 00:27:12,879 Speaker 7: saying is. 527 00:27:13,160 --> 00:27:21,639 Speaker 2: Lower there, Okay, you hey, juice? So if it's not 528 00:27:21,800 --> 00:27:28,160 Speaker 2: so much a juice and it's so if you're being 529 00:27:28,320 --> 00:27:33,000 Speaker 2: me and it's the who freaking engineer got to jag 530 00:27:33,160 --> 00:27:35,560 Speaker 2: off all the time about that when you're doing that? 531 00:27:36,119 --> 00:27:38,320 Speaker 2: How come that doesn't happen when I'm just being me? 532 00:27:39,520 --> 00:27:41,439 Speaker 5: He can't lift his pinky while he does it anymore? 533 00:27:41,480 --> 00:27:43,760 Speaker 2: Do you know why I cut it off? Oh? No, 534 00:27:44,160 --> 00:27:44,879 Speaker 2: mean hayes. 535 00:27:45,880 --> 00:27:51,800 Speaker 11: Well, okay, so with a scissors, Oh no, with scissors? 536 00:27:52,880 --> 00:27:57,960 Speaker 11: Oh boy, guys, I want to hear the title. 537 00:27:59,560 --> 00:28:00,480 Speaker 1: When you text me. 538 00:28:01,960 --> 00:28:03,800 Speaker 4: Oh yeah, I want to wait for this. What is it? 539 00:28:03,880 --> 00:28:09,640 Speaker 1: The title of Hazy of wolf Pack? Okay, and Tom 540 00:28:10,400 --> 00:28:11,680 Speaker 1: didn't respond to that text. 541 00:28:11,760 --> 00:28:14,160 Speaker 4: It's Hollywood hand and I'm not sure I would either 542 00:28:14,680 --> 00:28:15,600 Speaker 4: calling the movie in. 543 00:28:15,640 --> 00:28:21,680 Speaker 3: The movie hazy Sean of Wolf, We'll make it you're not. 544 00:28:22,400 --> 00:28:23,560 Speaker 3: I'm I'm the title person. 545 00:28:23,800 --> 00:28:26,600 Speaker 1: And does that have like an origin reference? 546 00:28:27,200 --> 00:28:31,600 Speaker 2: Yeah, Sean, is that tethered to any idea whatsoever? 547 00:28:31,960 --> 00:28:33,960 Speaker 1: Or it just sort of exists. 548 00:28:35,280 --> 00:28:39,000 Speaker 2: Shade of Winter mm hmm, and that's not anything anybody knows. 549 00:28:39,720 --> 00:28:41,440 Speaker 5: Well my band covers. 550 00:28:41,120 --> 00:28:43,880 Speaker 4: That song, oh with funny honeys. 551 00:28:44,240 --> 00:28:46,520 Speaker 1: I'm trying to get my head around Tom's involvement in 552 00:28:46,600 --> 00:28:47,240 Speaker 1: this thing at all. 553 00:28:47,520 --> 00:28:52,000 Speaker 2: Why Adam sacks a lot of big superstars. 554 00:28:52,080 --> 00:28:53,800 Speaker 1: I'm starting to wonder if it has something to do 555 00:28:53,840 --> 00:28:55,360 Speaker 1: with the other day when Adam says, came in the 556 00:28:55,400 --> 00:28:57,520 Speaker 1: office you remember this, and he was like, guys, I'm 557 00:28:57,560 --> 00:29:05,320 Speaker 1: so excited. My long lost brother appeared and he's and 558 00:29:05,560 --> 00:29:07,720 Speaker 1: he and he wants to be my brother again. 559 00:29:08,360 --> 00:29:14,640 Speaker 2: Oh right, that's right. He had traveled on the rails, yeah, 560 00:29:15,880 --> 00:29:18,440 Speaker 2: from some coastal. He thought that his brother had died 561 00:29:18,480 --> 00:29:22,560 Speaker 2: when he was a baby scarlet fever. Yes, but now 562 00:29:22,600 --> 00:29:25,840 Speaker 2: it turns out his brother's alive and traveled to see 563 00:29:25,920 --> 00:29:29,600 Speaker 2: him and him to ask some questions about their childhood, 564 00:29:29,880 --> 00:29:33,560 Speaker 2: just like the neighbor's house, more details, and he said, no, 565 00:29:33,840 --> 00:29:37,040 Speaker 2: need I know this guy's my brother. I can see 566 00:29:37,080 --> 00:29:37,800 Speaker 2: it in his eyes. 567 00:29:40,120 --> 00:29:43,600 Speaker 4: It's not called show friendship, assholes, It's called show brother 568 00:29:43,680 --> 00:29:46,040 Speaker 4: your slay whatever angle you got to play on this thing, 569 00:29:47,200 --> 00:29:49,920 Speaker 4: and I went it up. Goddamn inch at a time. 570 00:29:51,280 --> 00:29:54,120 Speaker 2: The inches we need are all around us. I remember 571 00:29:55,280 --> 00:30:02,360 Speaker 2: freaking al Pacino was doing that oh ah sound, that's acting, baby. 572 00:30:03,480 --> 00:30:06,360 Speaker 2: So what's the best kind of chewing gum? 573 00:30:08,120 --> 00:30:10,440 Speaker 4: So they are doing the show, let's let them. 574 00:30:12,120 --> 00:30:13,680 Speaker 2: Well, now we what we we would have to do 575 00:30:13,800 --> 00:30:14,240 Speaker 2: with a guest. 576 00:30:14,280 --> 00:30:18,320 Speaker 1: So I guess it's Josh h because you wouldn't ask. 577 00:30:18,280 --> 00:30:19,000 Speaker 4: Me that question. 578 00:30:21,080 --> 00:30:23,680 Speaker 1: Yeah, I know, you know, Josh, what kinds of what's 579 00:30:23,720 --> 00:30:26,440 Speaker 1: the best kind of chewing gum? You have better get 580 00:30:26,440 --> 00:30:26,760 Speaker 1: it right. 581 00:30:27,400 --> 00:30:31,640 Speaker 2: It's it's the one at the zebra oh fruit stripes. 582 00:30:32,000 --> 00:30:34,120 Speaker 1: Well, that one is childhood for the wind and it 583 00:30:34,240 --> 00:30:35,040 Speaker 1: is epic. 584 00:30:35,160 --> 00:30:40,120 Speaker 2: Mm hmm, and hey and the and the that's one 585 00:30:40,160 --> 00:30:47,840 Speaker 2: of you kid will understand my homepage yip stripes. 586 00:30:49,440 --> 00:30:52,280 Speaker 4: I think I want to play Josh. Also, that's fun, 587 00:30:53,040 --> 00:30:54,120 Speaker 4: I trust you, I think. 588 00:30:54,240 --> 00:30:56,840 Speaker 1: But that's actually not the right answer. It's spree because 589 00:30:56,880 --> 00:30:58,720 Speaker 1: it is both candy and gum. 590 00:30:59,280 --> 00:31:04,160 Speaker 2: I can't I don't really think it becomes true at 591 00:31:04,200 --> 00:31:04,600 Speaker 2: the end. 592 00:31:06,920 --> 00:31:08,720 Speaker 6: To figure out who's going to break it to Jonah 593 00:31:08,800 --> 00:31:10,240 Speaker 6: Ray that you're playing both parts. 594 00:31:10,360 --> 00:31:13,000 Speaker 4: I like the one with the zebra on it. 595 00:31:15,320 --> 00:31:17,400 Speaker 1: That sounded like me, Yeah, that sounds. 596 00:31:17,200 --> 00:31:19,480 Speaker 3: Like I think we need to if you just do 597 00:31:19,640 --> 00:31:21,600 Speaker 3: like a quick workshop with teacher. 598 00:31:22,080 --> 00:31:24,720 Speaker 4: Okay, that was a little too close to the Hayes, Julie, 599 00:31:24,760 --> 00:31:25,720 Speaker 4: this is my people don't want u. 600 00:31:25,840 --> 00:31:25,959 Speaker 11: Tom. 601 00:31:25,960 --> 00:31:28,040 Speaker 2: He's going to straight up clumps this motherfucker. I know 602 00:31:28,160 --> 00:31:30,600 Speaker 2: you're the before you know it, you will close it. 603 00:31:31,080 --> 00:31:33,280 Speaker 2: He will close this project. 604 00:31:33,320 --> 00:31:39,400 Speaker 1: Says everything he touches. Did you hear as like instantly, 605 00:31:39,440 --> 00:31:41,840 Speaker 1: as soon as you heard another voice, he said, I 606 00:31:42,080 --> 00:31:44,040 Speaker 1: want to be that as I was excited. 607 00:31:44,120 --> 00:31:48,240 Speaker 5: He's exposed to the world and his curiosity is enormous. 608 00:31:48,560 --> 00:31:52,080 Speaker 4: Look, I like to play. That's all it comes down to, guys. 609 00:31:52,120 --> 00:31:54,720 Speaker 4: I like to play. Fine, I won't play Josh. I'll 610 00:31:54,840 --> 00:31:56,320 Speaker 4: just focus that much more on playing. 611 00:31:56,440 --> 00:31:59,480 Speaker 2: He was. He was, Josh, Yeah, we need a Josh 612 00:31:59,560 --> 00:32:01,600 Speaker 2: for one thing. You know, Tom was originally in Trump 613 00:32:01,720 --> 00:32:04,040 Speaker 2: Versus Bernie, but he tried to make it clumps versus Bernie, 614 00:32:04,080 --> 00:32:07,680 Speaker 2: and then it was just clumbs versus clumps. So now 615 00:32:08,080 --> 00:32:09,680 Speaker 2: you know that show would have been, it would have 616 00:32:09,800 --> 00:32:13,320 Speaker 2: tanked instead of being freaking rocket ship. I will say this, 617 00:32:13,560 --> 00:32:14,160 Speaker 2: if we're going to. 618 00:32:14,200 --> 00:32:16,000 Speaker 6: Go into ancient history, I used to eat p on 619 00:32:16,040 --> 00:32:19,720 Speaker 6: bajillion dollar properties. But this is not about what happened yesterday, 620 00:32:20,360 --> 00:32:20,640 Speaker 6: do you know. 621 00:32:20,640 --> 00:32:21,080 Speaker 2: What I mean? 622 00:32:21,760 --> 00:32:24,600 Speaker 3: And those wounds will heal, those winds will heal in time. 623 00:32:25,000 --> 00:32:29,160 Speaker 3: Oh my, you remember that when I heard that girl? 624 00:32:29,280 --> 00:32:31,960 Speaker 2: M h? Can I received? 625 00:32:32,280 --> 00:32:32,480 Speaker 4: Yeah? 626 00:32:33,200 --> 00:32:33,440 Speaker 6: Can I? 627 00:32:33,640 --> 00:32:35,440 Speaker 3: It's not going to speak back to me anymore? 628 00:32:35,680 --> 00:32:37,320 Speaker 2: Can I be Josh? 629 00:32:38,720 --> 00:32:41,160 Speaker 4: Oh you want to audition? Look? 630 00:32:41,640 --> 00:32:43,920 Speaker 3: I mean I can't beat him? 631 00:32:44,240 --> 00:32:47,240 Speaker 4: Yeah, kind of like kind of like in uh In, 632 00:32:47,360 --> 00:32:50,080 Speaker 4: like Starsky and Hutch when they threw those two original 633 00:32:50,160 --> 00:32:52,920 Speaker 4: losers that played Starsky and Hutch apart where. 634 00:32:52,800 --> 00:32:56,400 Speaker 10: They're cooling ship, yeah, and they're just like, hey, you 635 00:32:56,480 --> 00:32:59,320 Speaker 10: guys like to eat manure, and then like Ben Stiller 636 00:32:59,400 --> 00:33:03,480 Speaker 10: and Owen Wills are just like whatever, you old assholes, 637 00:33:03,920 --> 00:33:04,720 Speaker 10: and then like walked. 638 00:33:04,880 --> 00:33:06,760 Speaker 4: But then they froze on him. For a second, You're like, wait, 639 00:33:06,800 --> 00:33:10,640 Speaker 4: those are the original Starsky and so we should We'll 640 00:33:10,720 --> 00:33:12,040 Speaker 4: give them like a thing like that. 641 00:33:12,360 --> 00:33:14,520 Speaker 2: We could potentially be an Easter eggo of some kind. 642 00:33:15,600 --> 00:33:16,200 Speaker 3: Boumbs too. 643 00:33:16,680 --> 00:33:18,080 Speaker 2: Yeah, the real. 644 00:33:18,240 --> 00:33:20,200 Speaker 3: Bombs are originals, weren't it. 645 00:33:20,720 --> 00:33:24,880 Speaker 4: Yeah, we'll throw you guys a cameo. 646 00:33:25,120 --> 00:33:27,320 Speaker 1: I could be Richard Grico and the new twenty one 647 00:33:27,400 --> 00:33:31,560 Speaker 1: jub Street are fun. Oh that's Johnny Depp and that 648 00:33:31,640 --> 00:33:34,080 Speaker 1: other guy must be the other person who is in 649 00:33:34,160 --> 00:33:35,080 Speaker 1: twenty one jud Street. 650 00:33:35,160 --> 00:33:36,520 Speaker 2: It's the ep of Jiggalows. 651 00:33:38,280 --> 00:33:42,760 Speaker 3: We what if we give Sean Sean didn't ask for anything. 652 00:33:43,040 --> 00:33:47,160 Speaker 4: Just so you know, Sean's not hearing this, Okay, what 653 00:33:47,280 --> 00:33:49,280 Speaker 4: if we give him the What if he plays Polly 654 00:33:49,400 --> 00:33:50,320 Speaker 4: Shore in this thing? 655 00:33:51,560 --> 00:33:51,720 Speaker 2: Right? 656 00:33:53,760 --> 00:33:57,440 Speaker 4: We put him in the wig? Right, put him wrap 657 00:33:57,480 --> 00:34:02,120 Speaker 4: a couple of scarves around him. I haven't know. Weezing 658 00:34:02,240 --> 00:34:09,640 Speaker 4: with the Jews, right, can you say, Sean? Mind just 659 00:34:09,680 --> 00:34:13,279 Speaker 4: saying weezing with the juice? Three times? First time kind 660 00:34:13,320 --> 00:34:16,240 Speaker 4: of tight, second time, just a little looser. 661 00:34:16,440 --> 00:34:17,200 Speaker 2: Just give me three of them. 662 00:34:17,239 --> 00:34:18,360 Speaker 4: Third time, just go just. 663 00:34:18,400 --> 00:34:20,080 Speaker 2: Rip off three of the third time, three of them 664 00:34:20,120 --> 00:34:24,480 Speaker 2: in a row, Three in a row. Okay, weason with 665 00:34:24,560 --> 00:34:29,440 Speaker 2: the juice, Reason with the Jews? Oh, we using with 666 00:34:29,600 --> 00:34:30,160 Speaker 2: the juice. 667 00:34:31,360 --> 00:34:31,719 Speaker 4: That's not. 668 00:34:33,640 --> 00:34:35,879 Speaker 2: What happens in this In the movie. 669 00:34:36,719 --> 00:34:38,279 Speaker 3: Sean and Hayes make love in the. 670 00:34:41,880 --> 00:34:44,920 Speaker 5: On second act and the rest of the Is there 671 00:34:44,960 --> 00:34:46,560 Speaker 5: anywhere else to go dealing with it? 672 00:34:47,960 --> 00:34:48,880 Speaker 3: Oh, there's lots to go. 673 00:34:49,920 --> 00:34:53,799 Speaker 1: You sort of a D train model. M M, yes, 674 00:34:53,920 --> 00:34:56,279 Speaker 1: we're D training this one. What does that mean? 675 00:34:56,440 --> 00:34:57,719 Speaker 2: Some dance sensation the D train. 676 00:35:00,400 --> 00:35:01,600 Speaker 3: I'm afraid I'm not familiar. 677 00:35:01,760 --> 00:35:02,600 Speaker 2: Two men make love. 678 00:35:02,840 --> 00:35:06,320 Speaker 1: Oh, yeah, you're in for But it's not a story point. 679 00:35:06,360 --> 00:35:08,960 Speaker 6: That's the thing, because it's a Paul Fie reboot. It's 680 00:35:09,000 --> 00:35:10,560 Speaker 6: a heterosexual situation. 681 00:35:13,920 --> 00:35:18,440 Speaker 2: It's a gay dude in a funny honey. I mean 682 00:35:18,600 --> 00:35:20,080 Speaker 2: that's sort of similar. 683 00:35:20,239 --> 00:35:22,080 Speaker 6: I feel like I don't want to give away anything 684 00:35:22,080 --> 00:35:23,480 Speaker 6: else about Sean's genus. 685 00:35:25,320 --> 00:35:26,120 Speaker 1: There's more to it. 686 00:35:27,719 --> 00:35:30,239 Speaker 2: Yeah, it doesn't seem like something that would be layered. 687 00:35:30,040 --> 00:35:32,440 Speaker 12: A little bit, you know what that's not that's from 688 00:35:33,520 --> 00:35:38,520 Speaker 12: this A little bit, A little bit, a little little bit, 689 00:35:38,840 --> 00:35:42,720 Speaker 12: a little bit kind of disrespectful to bring up analyze 690 00:35:42,760 --> 00:35:44,200 Speaker 12: this in this studio. 691 00:35:44,640 --> 00:35:45,040 Speaker 3: Why is it? 692 00:35:46,000 --> 00:35:48,920 Speaker 1: Because there was a podcast that was hosted here. It 693 00:35:49,120 --> 00:35:52,680 Speaker 1: was based on that name and Analyze Fish, and so 694 00:35:53,280 --> 00:35:56,040 Speaker 1: we tried not to You don't know the rules when 695 00:35:56,120 --> 00:35:56,560 Speaker 1: you come. 696 00:35:56,440 --> 00:36:02,320 Speaker 2: In, but we don't make fun of that. We just 697 00:36:02,400 --> 00:36:03,480 Speaker 2: do a nice podcast. 698 00:36:03,800 --> 00:36:07,080 Speaker 4: Yeah. Hey, I was out of the room for a minute. 699 00:36:07,120 --> 00:36:07,560 Speaker 9: What have you? 700 00:36:07,640 --> 00:36:09,239 Speaker 4: What were you guys talking about For the last ninety 701 00:36:09,239 --> 00:36:09,600 Speaker 4: seconds we. 702 00:36:09,640 --> 00:36:11,960 Speaker 11: Were talking about trying to do a n money podcast 703 00:36:12,040 --> 00:36:16,600 Speaker 11: with Let's all, I'm fine with a love scene. 704 00:36:17,000 --> 00:36:18,520 Speaker 4: I'm ready to talk about the rest of it. I 705 00:36:18,560 --> 00:36:20,760 Speaker 4: missed the last ninety seconds with you guys were goofing 706 00:36:20,800 --> 00:36:21,640 Speaker 4: around about. 707 00:36:22,520 --> 00:36:25,760 Speaker 5: Sometimes I take my pants off so my partner will. 708 00:36:25,640 --> 00:36:26,680 Speaker 3: Have a little sweet surprise. 709 00:36:27,480 --> 00:36:29,120 Speaker 4: Is this Haze? Are you doing Hayes right now? 710 00:36:29,560 --> 00:36:32,640 Speaker 1: No, this is just Julie my pants are talking about 711 00:36:32,680 --> 00:36:34,040 Speaker 1: my pants are too tight. 712 00:36:34,000 --> 00:36:36,479 Speaker 5: Because I've done something scenes on my show. 713 00:36:37,120 --> 00:36:41,160 Speaker 2: Yes, I think I know why Julie's working with Tom. 714 00:36:41,239 --> 00:36:42,239 Speaker 2: I just figured it out. 715 00:36:43,000 --> 00:36:43,960 Speaker 3: You figured it out. 716 00:36:44,280 --> 00:36:50,720 Speaker 2: Yeah, I know what happened. What let's just say, somebody 717 00:36:50,840 --> 00:36:55,759 Speaker 2: closed a lot of doors for Julie recently, just. 718 00:36:55,840 --> 00:36:58,839 Speaker 5: Like Stephen Sondheim, like opening doors from Early We Roll. 719 00:37:00,960 --> 00:37:02,320 Speaker 2: Do you really want to be next? 720 00:37:05,080 --> 00:37:06,399 Speaker 4: I don't know what he's talking about. 721 00:37:06,440 --> 00:37:08,600 Speaker 3: I don't know what he's talking about either I do, But. 722 00:37:08,640 --> 00:37:13,759 Speaker 1: I'm gonna make Suan say it like noises off, shut up, 723 00:37:14,960 --> 00:37:18,360 Speaker 1: shut up, Okay, shut up, Okay. 724 00:37:19,960 --> 00:37:22,440 Speaker 4: When you say okay, that's not shutting up. Shut up. 725 00:37:23,200 --> 00:37:26,040 Speaker 1: Okay, I'm shutting up, shut up, okay, shutting up? 726 00:37:26,120 --> 00:37:29,080 Speaker 2: Now, shut up, okay, shut up, just now shut I 727 00:37:29,400 --> 00:37:34,080 Speaker 2: just did shut up. Just say it. It has to 728 00:37:34,120 --> 00:37:35,000 Speaker 2: be you. 729 00:37:35,320 --> 00:37:37,440 Speaker 1: Shut Sehn has to be the one to explain it. 730 00:37:37,520 --> 00:37:39,440 Speaker 1: I don't want to take away because. 731 00:37:39,239 --> 00:37:40,319 Speaker 3: Tom wants him to shut up. 732 00:37:40,440 --> 00:37:41,400 Speaker 4: He shut up. 733 00:37:41,800 --> 00:37:48,480 Speaker 1: He suggested that somebody forced your your career to a 734 00:37:48,600 --> 00:37:50,719 Speaker 1: place where now you have to work with Tom. Is 735 00:37:50,760 --> 00:37:51,240 Speaker 1: that correct? 736 00:37:51,400 --> 00:37:51,560 Speaker 4: Yes? 737 00:37:51,920 --> 00:37:52,560 Speaker 3: What's the door? 738 00:37:54,239 --> 00:37:56,480 Speaker 2: Who was doors were closed for you? 739 00:37:57,280 --> 00:37:57,839 Speaker 4: Shut up? 740 00:37:58,440 --> 00:37:59,600 Speaker 1: And who was that person? 741 00:37:59,719 --> 00:38:00,719 Speaker 4: You shut up? 742 00:38:01,760 --> 00:38:04,759 Speaker 2: I'm saying you felt the sting of someone whose name 743 00:38:04,800 --> 00:38:05,520 Speaker 2: starts with a Z. 744 00:38:05,800 --> 00:38:09,760 Speaker 9: Who we do not mention it, but she was able 745 00:38:11,120 --> 00:38:16,440 Speaker 9: to at the highest levels of Hollywood basically corral you 746 00:38:16,760 --> 00:38:19,360 Speaker 9: so that you had only one career option, which is 747 00:38:19,680 --> 00:38:20,520 Speaker 9: certain doom. 748 00:38:22,040 --> 00:38:27,880 Speaker 4: You shut up. You shut your mouth right now. Okay. 749 00:38:28,560 --> 00:38:31,080 Speaker 2: Oh no, he's being me saying, okay about it. 750 00:38:31,760 --> 00:38:32,400 Speaker 4: I'll shut up. 751 00:38:32,400 --> 00:38:33,880 Speaker 1: Oh no, he can make me agree. 752 00:38:33,640 --> 00:38:35,680 Speaker 2: To shutting up, even if I don't want to be silenced. 753 00:38:35,840 --> 00:38:39,080 Speaker 4: I'll shut up. If you put a nice mm chip's 754 00:38:39,080 --> 00:38:39,759 Speaker 4: a hoy. 755 00:38:39,600 --> 00:38:42,840 Speaker 2: In my mouth? Oh God, there's no way to distinguish 756 00:38:42,880 --> 00:38:44,080 Speaker 2: whether that's really me doing that. 757 00:38:44,280 --> 00:38:46,879 Speaker 4: Oh I like the high drugs or Oreo more. 758 00:38:47,080 --> 00:38:48,799 Speaker 2: Hey, so I never knew the power of letting them 759 00:38:48,840 --> 00:38:51,000 Speaker 2: become us. Now they can make us do anything they want. 760 00:38:51,200 --> 00:38:51,560 Speaker 1: Mmm. 761 00:38:51,800 --> 00:38:53,840 Speaker 4: I think I might punch myself in the face. 762 00:38:54,080 --> 00:38:55,719 Speaker 7: Oh no, that would do it. 763 00:38:55,840 --> 00:38:57,640 Speaker 4: I think you should put on exloves. 764 00:38:57,680 --> 00:38:59,080 Speaker 2: That's some spakes and the No. 765 00:39:00,040 --> 00:39:00,520 Speaker 1: That would hurt. 766 00:39:00,640 --> 00:39:05,120 Speaker 8: Get yourself good and make the blood. Put the blood 767 00:39:05,200 --> 00:39:09,360 Speaker 8: on mane, put the blood on put the blood on me. 768 00:39:11,320 --> 00:39:14,440 Speaker 8: Put the blood on me. Put the blood on me? 769 00:39:15,120 --> 00:39:20,000 Speaker 2: Who put put the blood? Put the blood on me? Well, 770 00:39:20,040 --> 00:39:22,640 Speaker 2: we can't not write a musical with you, Julie. I'll 771 00:39:22,680 --> 00:39:25,120 Speaker 2: put the blood on me. And what you know? 772 00:39:25,239 --> 00:39:25,680 Speaker 4: Who knows? 773 00:39:25,680 --> 00:39:33,080 Speaker 2: Who's saying that? Seems like a rich, very very white 774 00:39:33,760 --> 00:39:36,319 Speaker 2: put the blood on me. Yeah, it's way down there. 775 00:39:37,520 --> 00:39:39,239 Speaker 3: You know it's fun or period bloopers? 776 00:39:41,920 --> 00:39:42,960 Speaker 2: Is there any other kind? 777 00:39:44,480 --> 00:39:44,640 Speaker 6: Yes? 778 00:39:47,239 --> 00:39:51,520 Speaker 4: Hey Hayes, Yes, Do I like. 779 00:39:53,000 --> 00:39:56,640 Speaker 2: Vanilla or. 780 00:39:59,000 --> 00:39:59,879 Speaker 4: Chocolate more? 781 00:40:02,120 --> 00:40:05,760 Speaker 1: I never realized how food focused I am. I didn't. 782 00:40:07,280 --> 00:40:08,840 Speaker 2: It's right, but I just didn't know. 783 00:40:12,960 --> 00:40:15,560 Speaker 7: We girls, and. 784 00:40:18,840 --> 00:40:22,719 Speaker 2: Hey, is I have a planet in mouth and then 785 00:40:23,160 --> 00:40:29,600 Speaker 2: you become time, and you become and I become Jewel, 786 00:40:29,719 --> 00:40:33,160 Speaker 2: and I become we can then we can play ourselves 787 00:40:33,200 --> 00:40:34,640 Speaker 2: in the movie the. 788 00:40:36,880 --> 00:40:37,800 Speaker 12: Blood on me. 789 00:40:38,400 --> 00:40:41,680 Speaker 7: Let me try shoot the fingers with the blade and 790 00:40:41,960 --> 00:40:43,160 Speaker 7: put the blood on me. 791 00:40:43,840 --> 00:40:48,279 Speaker 4: I oh, I used to said fake period, Why am 792 00:40:48,400 --> 00:40:52,600 Speaker 4: magazine ship? He got he got you? 793 00:40:53,080 --> 00:40:53,440 Speaker 1: Who's this? 794 00:40:53,640 --> 00:40:54,480 Speaker 4: Oh no, he's got me. 795 00:40:54,760 --> 00:40:57,400 Speaker 6: I thought it was like I thought it was like, 796 00:40:57,480 --> 00:40:59,120 Speaker 6: you know how the place in your head sounds a 797 00:40:59,160 --> 00:40:59,680 Speaker 6: little different. 798 00:41:00,560 --> 00:41:03,640 Speaker 4: Yeah, yeah, I felt like it. He's got you and 799 00:41:03,719 --> 00:41:04,160 Speaker 4: he's got me. 800 00:41:04,880 --> 00:41:05,920 Speaker 2: Oh yeah, I know what that's like. 801 00:41:06,040 --> 00:41:07,239 Speaker 4: Oh was your weak. 802 00:41:09,719 --> 00:41:13,480 Speaker 1: Let me tell you something. Nobody out there is doing this. 803 00:41:13,600 --> 00:41:15,560 Speaker 1: Nobody out there's holding the candle to the kind of 804 00:41:15,600 --> 00:41:16,680 Speaker 1: thing I'm doing on this show. 805 00:41:18,320 --> 00:41:19,719 Speaker 4: He's really doing a good job with me. 806 00:41:20,280 --> 00:41:22,120 Speaker 1: None of these other guys out here, None of these 807 00:41:22,120 --> 00:41:23,600 Speaker 1: guys even sniff my jock. 808 00:41:23,719 --> 00:41:27,360 Speaker 4: I agree. I've never said that. I've never said sniff 809 00:41:27,440 --> 00:41:30,520 Speaker 4: my jock. But other than that, he's one hand. 810 00:41:30,600 --> 00:41:32,840 Speaker 5: Everything Sean is doing is pretty dead all. 811 00:41:33,520 --> 00:41:36,080 Speaker 4: I'm a little spooked out by. 812 00:41:36,000 --> 00:41:37,760 Speaker 3: This, almost like an snl audition. 813 00:41:38,440 --> 00:41:42,319 Speaker 1: So now we can go to Adam Sachs as them 814 00:41:42,920 --> 00:41:44,520 Speaker 1: and get the rights to our show back. 815 00:41:46,200 --> 00:41:49,520 Speaker 2: Yeah, we finally found a way out of this maze. 816 00:41:51,000 --> 00:41:52,719 Speaker 1: That seems like a good resolution to me. 817 00:41:53,200 --> 00:41:56,720 Speaker 2: Mm hmm. Adam Sacks is the Mino tour at the center. 818 00:42:00,080 --> 00:42:03,800 Speaker 2: So what a great story we've told. 819 00:42:04,920 --> 00:42:07,360 Speaker 4: So I'm not sure what just happened. 820 00:42:07,400 --> 00:42:10,200 Speaker 1: You guys know, Josh, you can't take any pictures. Just 821 00:42:11,680 --> 00:42:14,440 Speaker 1: the Josh factor has really been hovering this. 822 00:42:17,040 --> 00:42:18,200 Speaker 2: Do you not have a camera? Basic? 823 00:42:20,440 --> 00:42:23,279 Speaker 3: And we want to we want to show too. 824 00:42:23,480 --> 00:42:28,360 Speaker 1: It's me, Josh. Josh got intacted at some point he 825 00:42:28,480 --> 00:42:30,719 Speaker 1: thought he was shown. So that's the only loose end here. 826 00:42:31,200 --> 00:42:32,680 Speaker 1: Everyone else is back to normal. 827 00:42:32,920 --> 00:42:38,239 Speaker 4: You know what the best part is. If Hayes is me, 828 00:42:39,480 --> 00:42:41,080 Speaker 4: he's radio active. 829 00:42:41,600 --> 00:42:42,600 Speaker 3: He's in radio jail. 830 00:42:42,840 --> 00:42:44,600 Speaker 4: Yeah, he's in podcast jail. 831 00:42:44,719 --> 00:42:48,480 Speaker 1: No, I'm radio active. It's like I'm active in in radio. 832 00:42:48,680 --> 00:42:50,280 Speaker 3: I guess I'm not sure about the difference. 833 00:42:50,400 --> 00:42:51,680 Speaker 5: I guess I don't know the difference. 834 00:42:53,960 --> 00:43:00,560 Speaker 4: He's now stuck with my stuff. I'm now you, Julie. 835 00:43:01,160 --> 00:43:02,000 Speaker 3: How's that possible? 836 00:43:02,200 --> 00:43:03,160 Speaker 4: I think because. 837 00:43:04,719 --> 00:43:05,320 Speaker 3: Sean was me. 838 00:43:05,880 --> 00:43:09,759 Speaker 1: If Sean is you, then Julie, Julie, don't say you 839 00:43:09,840 --> 00:43:15,239 Speaker 1: were word word. We told you, told you, and that's 840 00:43:15,280 --> 00:43:15,799 Speaker 1: what he's done. 841 00:43:15,840 --> 00:43:20,000 Speaker 2: You got and he's now you me, Hayes and himself. 842 00:43:20,920 --> 00:43:27,120 Speaker 13: Unfortunately he's also JOSHTI know where to look and all 843 00:43:27,400 --> 00:43:29,279 Speaker 13: you and I would also say, since there will be 844 00:43:29,360 --> 00:43:32,279 Speaker 13: apparently a photo you did mention when I became you, 845 00:43:32,440 --> 00:43:35,000 Speaker 13: that might be almost an snl audition. 846 00:43:35,160 --> 00:43:37,040 Speaker 2: I do have a new character for Lorn. What's that? 847 00:43:37,239 --> 00:43:41,040 Speaker 2: Since I have this mustache right now, it's hipster. Jeff's Foxworthy. 848 00:43:41,680 --> 00:43:42,040 Speaker 3: Let's go. 849 00:43:45,840 --> 00:43:46,960 Speaker 2: What are you doing with your hands? 850 00:43:47,080 --> 00:43:47,840 Speaker 3: Why are you doing that? 851 00:43:48,280 --> 00:43:49,040 Speaker 2: I'm getting into it? 852 00:43:49,360 --> 00:43:50,879 Speaker 5: Are you what are you pretending to pitch a ball 853 00:43:50,960 --> 00:43:51,480 Speaker 5: into the air. 854 00:43:51,680 --> 00:43:54,759 Speaker 2: No, I'm just queuing it on. I'm hitting the I'm 855 00:43:54,800 --> 00:43:55,880 Speaker 2: hidden telling. 856 00:43:55,719 --> 00:43:59,279 Speaker 3: The tech booth. If if he's directing the pitch of 857 00:43:59,360 --> 00:44:00,000 Speaker 3: his voice, if. 858 00:43:59,920 --> 00:44:05,480 Speaker 2: You go jogging around the reservoir in Silver Lake, you 859 00:44:05,600 --> 00:44:09,000 Speaker 2: might be a hashtag redneck redneck. 860 00:44:09,719 --> 00:44:15,880 Speaker 6: Interesting, interesting, the hipster talk about it, Mary Klein. 861 00:44:16,280 --> 00:44:23,839 Speaker 4: So he's if he's hipster thoughts worthy, I'm Sewan again. 862 00:44:24,080 --> 00:44:25,160 Speaker 3: I think I'm John Daly. 863 00:44:25,520 --> 00:44:29,440 Speaker 4: You're John Dely the golfer or the comedians exactly? 864 00:44:30,400 --> 00:44:31,320 Speaker 2: Okay, hook. 865 00:44:32,640 --> 00:44:32,879 Speaker 11: Bye. 866 00:44:39,800 --> 00:44:43,680 Speaker 9: Hollywood Handbook is brought to you by Wolf Cool Production, 867 00:44:43,880 --> 00:44:49,160 Speaker 9: to subsidiary of Calvin Dabbs Ow Baby