1 00:00:12,320 --> 00:00:16,200 Speaker 1: It's time hell and live and hello, welcome to the 2 00:00:16,440 --> 00:00:20,640 Speaker 1: Naughty but Nice your host Rob Shooter, And it's Tuesday, 3 00:00:20,640 --> 00:00:23,880 Speaker 1: which can only mean one thing, one really good thing. 4 00:00:24,400 --> 00:00:28,080 Speaker 1: Our dear friend Delayer Dixon joins us. Hey, miss d 5 00:00:28,840 --> 00:00:29,400 Speaker 1: are you there? 6 00:00:30,000 --> 00:00:33,080 Speaker 2: I am, And it's a very cold Tuesday morning here 7 00:00:33,120 --> 00:00:35,360 Speaker 2: in New York City where we're just talking about it. 8 00:00:35,720 --> 00:00:38,720 Speaker 1: Boom, Well, we will warm you up for the next 9 00:00:39,000 --> 00:00:43,440 Speaker 1: twenty minutes with all the hot, really hot celebrity dish. 10 00:00:43,479 --> 00:00:46,560 Speaker 1: Are you ready, let's jump into the show. What time 11 00:00:46,640 --> 00:00:50,040 Speaker 1: is it, my friends, it is it's tea time. I 12 00:00:50,080 --> 00:00:51,639 Speaker 1: love this story at the top of the show. So 13 00:00:51,720 --> 00:00:56,680 Speaker 1: Taylor Swift fans are reacting to a very awkwardly timed 14 00:00:56,760 --> 00:01:01,640 Speaker 1: Some people might say it was geniusly timed. Tom Hiddleston 15 00:01:02,000 --> 00:01:06,399 Speaker 1: cutaway at the People Choice Awards. Let me explain. So 16 00:01:06,640 --> 00:01:11,200 Speaker 1: during a speech by the host of the awards, he 17 00:01:11,440 --> 00:01:17,240 Speaker 1: introduced the Barbie movie by referencing quote a blonde American icon. 18 00:01:17,520 --> 00:01:20,880 Speaker 1: We all thought Bobbie. And then the twist was he 19 00:01:21,000 --> 00:01:24,400 Speaker 1: was actually talking about Taylor Swift and saying I was 20 00:01:24,440 --> 00:01:29,960 Speaker 1: a Swifty long before I was a Ken. Everybody laughed, 21 00:01:30,000 --> 00:01:33,760 Speaker 1: and what did those naughty devils do in the control room, 22 00:01:33,880 --> 00:01:37,240 Speaker 1: the guys with the cameras, they did a cutaway to 23 00:01:37,240 --> 00:01:40,920 Speaker 1: Tom Hiddelson who was sitting there and to his credit, 24 00:01:41,440 --> 00:01:46,960 Speaker 1: he was laughing. Now, Swifties, Taylor's fans have different opinions 25 00:01:46,959 --> 00:01:49,440 Speaker 1: about this mystery. Some of them are praising him for 26 00:01:49,560 --> 00:01:52,360 Speaker 1: being a good sport and they think the moment is 27 00:01:52,440 --> 00:01:55,440 Speaker 1: quote iconic. Some people are saying it was evil and 28 00:01:55,480 --> 00:01:58,200 Speaker 1: they shouldn't have done that. Not only is it disrespectful 29 00:01:58,360 --> 00:02:02,480 Speaker 1: to Taylor, it's also respectful to Tom. What was he 30 00:02:02,520 --> 00:02:05,000 Speaker 1: meant to do? Look grumpy? Was he meant to laugh? 31 00:02:05,360 --> 00:02:09,480 Speaker 1: What reaction do you have when people talk about your ex? Now? 32 00:02:09,520 --> 00:02:12,600 Speaker 1: I know we're not all going to be on television 33 00:02:12,720 --> 00:02:16,560 Speaker 1: listening to hosts talk about someone we've dated in the past, 34 00:02:16,760 --> 00:02:19,280 Speaker 1: but we've all been a drinks where some naughty devil 35 00:02:19,320 --> 00:02:22,160 Speaker 1: it's normally me brings up what are your ex is, misty? 36 00:02:22,480 --> 00:02:26,400 Speaker 1: Do you giggle? Do you smile? Do you wrinkle your nose? 37 00:02:26,720 --> 00:02:28,799 Speaker 1: What's the appropriate reaction? 38 00:02:29,760 --> 00:02:32,160 Speaker 2: Okay, First of all, we're dealing with an actor, so 39 00:02:32,280 --> 00:02:34,639 Speaker 2: he knows how to put on a face. But in 40 00:02:34,680 --> 00:02:37,120 Speaker 2: real life, I think you do have to have a 41 00:02:37,160 --> 00:02:40,440 Speaker 2: game face when it comes to people talking about your ex. Now, 42 00:02:40,480 --> 00:02:43,200 Speaker 2: depending on the friend, you can say, oh my god, 43 00:02:43,320 --> 00:02:46,880 Speaker 2: that person was ugh and they will laugh along with you. 44 00:02:47,040 --> 00:02:49,600 Speaker 2: In other cases you just have to smile and be like, 45 00:02:50,000 --> 00:02:52,600 Speaker 2: I wish them nothing but the best. And I think 46 00:02:52,600 --> 00:02:56,160 Speaker 2: that's what Tom did here. And yes, producers can be 47 00:02:56,400 --> 00:02:59,000 Speaker 2: very cheeky at an awards show. They got to get 48 00:02:59,040 --> 00:03:02,240 Speaker 2: you to watch. That's one way to make sure it happens. 49 00:03:02,320 --> 00:03:04,200 Speaker 2: You don't want to miss the swifty moment. 50 00:03:05,120 --> 00:03:07,320 Speaker 1: Don't miss the moment. I remember I was at an 51 00:03:07,320 --> 00:03:10,680 Speaker 1: awards show with Jessica Simpson just after she had broken 52 00:03:10,760 --> 00:03:13,840 Speaker 1: up with Nick leashe and the comedian on stage, the 53 00:03:13,919 --> 00:03:17,120 Speaker 1: host made a joke about Nick being a seat filler, 54 00:03:17,280 --> 00:03:20,160 Speaker 1: really implying his career was over now that he was 55 00:03:20,160 --> 00:03:22,320 Speaker 1: no longer with Jessica, And they cut to Jessica and 56 00:03:22,360 --> 00:03:25,919 Speaker 1: she didn't laugh because it was cruel. Calling Taylor Swift, 57 00:03:26,000 --> 00:03:29,919 Speaker 1: the original Barbie who now is a feminist icon. That 58 00:03:30,120 --> 00:03:33,240 Speaker 1: is a compliment. So he actually was giving Taylor a compliment, 59 00:03:33,320 --> 00:03:35,600 Speaker 1: saying he was a Swiftie before he was a ken. 60 00:03:35,840 --> 00:03:38,400 Speaker 1: It's very funny, it's adorable, it's easy to laugh at, 61 00:03:38,640 --> 00:03:43,040 Speaker 1: but when somebody says something bad about an ex, even 62 00:03:43,040 --> 00:03:46,640 Speaker 1: if you agree with it, what do you do? I 63 00:03:46,800 --> 00:03:50,640 Speaker 1: have two different responses here, mister. For my inner cirtle, 64 00:03:50,680 --> 00:03:53,560 Speaker 1: of which you were part of the five the ten 65 00:03:53,720 --> 00:03:56,640 Speaker 1: friends that I tell the truth to, I'd wrinkle my 66 00:03:56,720 --> 00:03:59,240 Speaker 1: nose or I'd roll my eyes. I try not to 67 00:03:59,320 --> 00:04:03,320 Speaker 1: badmouth people, but I definitely been like mm hmm. But 68 00:04:03,760 --> 00:04:06,800 Speaker 1: for everybody else, I would just giggle or smile or 69 00:04:06,840 --> 00:04:09,880 Speaker 1: say nothing. Actually, what I might do is just remain neutral, 70 00:04:09,960 --> 00:04:12,720 Speaker 1: give no emotion at all. Mister. You're like a vault. 71 00:04:13,200 --> 00:04:16,720 Speaker 1: You even with your closest friends, you can sometimes keep 72 00:04:16,760 --> 00:04:17,760 Speaker 1: a secret. 73 00:04:18,160 --> 00:04:23,800 Speaker 2: Oh yes, I can keep secrets to the grave and beyond. Yeah, 74 00:04:23,839 --> 00:04:26,280 Speaker 2: I mean this was, like you said, it was lighthearted. 75 00:04:26,680 --> 00:04:28,960 Speaker 2: I mean, I'm not sure why they cut to Tom. 76 00:04:29,279 --> 00:04:32,919 Speaker 2: He's not one of her most known exes, so it 77 00:04:33,000 --> 00:04:35,400 Speaker 2: might have people might have not even gotten it. You know, 78 00:04:35,400 --> 00:04:37,479 Speaker 2: if you're not a swifty fan, this might have been like, 79 00:04:37,520 --> 00:04:38,400 Speaker 2: what's the connection? 80 00:04:38,680 --> 00:04:38,920 Speaker 1: Right? 81 00:04:39,120 --> 00:04:42,120 Speaker 2: So I think it Maybe if it had been somebody 82 00:04:42,120 --> 00:04:44,960 Speaker 2: else that we all know, it would have been more effective. 83 00:04:45,160 --> 00:04:47,919 Speaker 2: But we're talking about it, and that's what they wanted. 84 00:04:48,800 --> 00:04:51,520 Speaker 1: Very really clever. We've worked on TV shows, Misty and 85 00:04:51,640 --> 00:04:56,479 Speaker 1: the producers, the director, the camera people, they know how 86 00:04:56,560 --> 00:04:59,880 Speaker 1: to get the best shot, they know how to get 87 00:05:00,279 --> 00:05:06,680 Speaker 1: a reaction. I'm sure the camera person wasn't just accidentally 88 00:05:07,200 --> 00:05:09,960 Speaker 1: standing in front of Tom. They knew the script, They've 89 00:05:10,000 --> 00:05:11,599 Speaker 1: read the script. The joke was in the script, it 90 00:05:11,640 --> 00:05:14,960 Speaker 1: was in the teleprometer. It was not an ad libbed joke. 91 00:05:15,080 --> 00:05:17,760 Speaker 1: It was planned. And so I'm pretty sure when they 92 00:05:17,839 --> 00:05:20,040 Speaker 1: did a rehearsal for the show, Tom wouldn't have been 93 00:05:20,040 --> 00:05:22,320 Speaker 1: at the rehearsals, but when they did a rehearsals for 94 00:05:22,360 --> 00:05:24,400 Speaker 1: the show, they would have said, see that seat there, 95 00:05:24,560 --> 00:05:27,279 Speaker 1: That's where Tom's gonna be sitting. So make sure a 96 00:05:27,320 --> 00:05:30,960 Speaker 1: camera person that you are standing by that seat. Oh 97 00:05:30,960 --> 00:05:33,800 Speaker 1: it's the tricks of television. I sort of love it, 98 00:05:33,839 --> 00:05:35,919 Speaker 1: but at the same time, I can understand why some 99 00:05:35,960 --> 00:05:37,680 Speaker 1: of you might think it's wrong, which brings us to 100 00:05:37,720 --> 00:05:40,920 Speaker 1: our whole question of the day. Taylor Swift fans are 101 00:05:40,920 --> 00:05:44,479 Speaker 1: reacting to what some people are saying the awkwardly timed 102 00:05:44,640 --> 00:05:48,880 Speaker 1: moment when they cut to Tom Hiddlestone when a joke, 103 00:05:49,279 --> 00:05:53,119 Speaker 1: a funny joke, actually quite flattering joke, was made about 104 00:05:53,160 --> 00:05:58,080 Speaker 1: Taylor Swift from the stage. Our question is is this 105 00:05:58,520 --> 00:06:02,680 Speaker 1: right or is it wrong to cut to an X? 106 00:06:03,760 --> 00:06:07,280 Speaker 1: Should you be bringing up xes? Should you do it? Okay, 107 00:06:07,480 --> 00:06:11,440 Speaker 1: go vote on a Twitter page at naughty nice rob 108 00:06:11,560 --> 00:06:16,520 Speaker 1: or a Facebook page which is naughty yassip amby sure, 109 00:06:16,720 --> 00:06:21,120 Speaker 1: So check back to morrow to hear your results. Hey mister, 110 00:06:21,640 --> 00:06:22,680 Speaker 1: what are you working on? 111 00:06:23,640 --> 00:06:27,400 Speaker 2: Well, let's move to another awards ceremony. The baftist Now 112 00:06:27,680 --> 00:06:32,720 Speaker 2: Friends fans are very sadden that Matthew Perry wasn't included 113 00:06:32,800 --> 00:06:37,680 Speaker 2: in the Film Awards in memoriam segment, which aired on Sunday. 114 00:06:38,000 --> 00:06:41,200 Speaker 2: Now I remember Matthew. He passed away last October. He 115 00:06:41,279 --> 00:06:44,280 Speaker 2: was fifty four years old. He's really known for playing 116 00:06:44,400 --> 00:06:48,719 Speaker 2: Chandler Bang on the Iconic TV series, but he also 117 00:06:48,880 --> 00:06:52,760 Speaker 2: appeared in seventies. He also appeared in several films. He 118 00:06:52,800 --> 00:06:57,640 Speaker 2: was in seventeen again in the Whole Nine Yards Now there. 119 00:06:57,839 --> 00:07:01,000 Speaker 2: The decision for the BAFTA not to include him in 120 00:07:01,080 --> 00:07:05,240 Speaker 2: the immemorial segment has really left fans, just like I said, 121 00:07:05,279 --> 00:07:08,520 Speaker 2: disappointed and sad because they felt he should have been 122 00:07:08,560 --> 00:07:13,160 Speaker 2: recognized for his contributions to the film industry. But BAFTA 123 00:07:13,360 --> 00:07:18,720 Speaker 2: insiders are saying that Matthew wasn't primarily known as a 124 00:07:18,760 --> 00:07:21,760 Speaker 2: film star, and that is why they decided to leave 125 00:07:21,840 --> 00:07:24,600 Speaker 2: him out of the segment. Rob this is the British 126 00:07:24,680 --> 00:07:28,840 Speaker 2: Academy Film Awards. Tell me what is going on here? 127 00:07:29,040 --> 00:07:31,640 Speaker 1: Yeah, the Brits are not that outraged about this. They 128 00:07:31,640 --> 00:07:34,160 Speaker 1: don't think he should have been in the segment. It 129 00:07:34,240 --> 00:07:36,400 Speaker 1: really was for movie stars. It was for people who 130 00:07:36,600 --> 00:07:39,640 Speaker 1: worked in the movies, not just people on camera, but 131 00:07:39,680 --> 00:07:42,560 Speaker 1: behind the camera. And each year, it's a fact of life, 132 00:07:42,800 --> 00:07:45,600 Speaker 1: lots and lots of people pass away and you have 133 00:07:45,640 --> 00:07:48,200 Speaker 1: to make a decision how many you're going to include, 134 00:07:48,240 --> 00:07:51,280 Speaker 1: because if you included everybody, the award show would go 135 00:07:51,320 --> 00:07:54,360 Speaker 1: on for ten hours. And so they're arguing that Matthew 136 00:07:54,440 --> 00:07:57,840 Speaker 1: was primarily a TV actor here in America, an extraordinary one. 137 00:07:57,880 --> 00:08:00,680 Speaker 1: They think he's super, super talented. He wasn't really a 138 00:08:00,720 --> 00:08:03,840 Speaker 1: film actor. He had done a few films, but they 139 00:08:03,880 --> 00:08:06,920 Speaker 1: were really gonna honor him because of his celebrity. Let's 140 00:08:06,920 --> 00:08:08,880 Speaker 1: be honest here, it wasn't his body of work. So 141 00:08:08,920 --> 00:08:12,400 Speaker 1: if we start going down that route where we just 142 00:08:12,520 --> 00:08:16,280 Speaker 1: include people who are famous, what happens to the camera people, 143 00:08:16,360 --> 00:08:19,560 Speaker 1: what happens to the director what happens to the publicist, 144 00:08:19,600 --> 00:08:22,680 Speaker 1: what happens to the agents. There are so many people 145 00:08:22,720 --> 00:08:25,440 Speaker 1: that are involved in film that we never ever see, 146 00:08:25,680 --> 00:08:29,239 Speaker 1: we never hear about, and we never complain when they're 147 00:08:29,240 --> 00:08:31,680 Speaker 1: not included in this segment. So I think it's a 148 00:08:31,720 --> 00:08:34,160 Speaker 1: balance here. I can see it both ways. The fans 149 00:08:34,480 --> 00:08:37,080 Speaker 1: are upset because they love him, and I love that 150 00:08:37,160 --> 00:08:40,440 Speaker 1: about these fans. They are so dedicated to Matthew. But 151 00:08:40,520 --> 00:08:44,920 Speaker 1: I think not being included in a film Wood isn't 152 00:08:45,000 --> 00:08:48,520 Speaker 1: gonna change his legacy. He will always be Chandler, will 153 00:08:48,559 --> 00:08:52,400 Speaker 1: always have friends. I understand it. But I got to 154 00:08:52,440 --> 00:08:57,240 Speaker 1: admit here, mystery maybe a little controversial here. I'm actually 155 00:08:57,520 --> 00:09:01,000 Speaker 1: not that surprised if I was making the list and 156 00:09:01,040 --> 00:09:04,360 Speaker 1: the choice was to include somebody who was not famous 157 00:09:04,480 --> 00:09:08,360 Speaker 1: but had made fifty films, or to include an accountant, 158 00:09:08,400 --> 00:09:11,560 Speaker 1: to include somebody that worked in the pr office of 159 00:09:11,600 --> 00:09:15,520 Speaker 1: all these movies, and not include Matthew. I think I'm 160 00:09:15,520 --> 00:09:18,680 Speaker 1: going to go for the person with the biggest resume, 161 00:09:18,960 --> 00:09:21,880 Speaker 1: not the person that's the biggest star. I get it, 162 00:09:21,920 --> 00:09:25,679 Speaker 1: we love our celebrities, but they already have so so much. 163 00:09:26,040 --> 00:09:31,280 Speaker 1: Don't worry, Matthew's legacy will be fine, Okay, moving along. 164 00:09:31,400 --> 00:09:34,160 Speaker 1: Prince Harry has confirmed that he plans a lot more 165 00:09:34,240 --> 00:09:36,840 Speaker 1: visits to the UK to see his family. I love this. 166 00:09:36,960 --> 00:09:40,319 Speaker 1: So Harry's revealed that he has lots more trips planned 167 00:09:40,600 --> 00:09:44,880 Speaker 1: to visit the family in the UK, indicating a willingness 168 00:09:44,920 --> 00:09:46,920 Speaker 1: to see them much more often. He's not seen them 169 00:09:46,960 --> 00:09:50,840 Speaker 1: in a while. Recently, he's shod over the pond to 170 00:09:50,880 --> 00:09:54,160 Speaker 1: see King Charles, his dad upon a hearing about his 171 00:09:54,240 --> 00:09:57,920 Speaker 1: cancer and diagnosis, and he expressed his love for the family. 172 00:09:58,640 --> 00:10:01,800 Speaker 1: Now he is reveal he does plan to make a 173 00:10:01,800 --> 00:10:04,480 Speaker 1: lot more trips. So he has a lot of trips upcoming, 174 00:10:04,880 --> 00:10:08,160 Speaker 1: maybe not necessarily to England. Some of them might be 175 00:10:08,280 --> 00:10:10,840 Speaker 1: to Europe, but on the way he can stop off. 176 00:10:11,040 --> 00:10:13,199 Speaker 1: So I think this is a good priority, Harry. I 177 00:10:13,240 --> 00:10:16,920 Speaker 1: think it's a good sign. Seeing your dad seemed to 178 00:10:17,000 --> 00:10:21,120 Speaker 1: go very well. Maybe hopefully fingers crossed on an upcoming 179 00:10:21,160 --> 00:10:24,040 Speaker 1: trip you can see your brother. Because that's the key, 180 00:10:24,640 --> 00:10:30,320 Speaker 1: that's the foundation to mending this family. It's William, it 181 00:10:30,440 --> 00:10:34,319 Speaker 1: is Harry, and it is Charles. There are other people involved, 182 00:10:34,360 --> 00:10:40,080 Speaker 1: I get it, Megan, Kate, Camilla, very important people. However, 183 00:10:40,440 --> 00:10:43,240 Speaker 1: I think the inner circle is the three of them, 184 00:10:43,240 --> 00:10:46,080 Speaker 1: and if the three of them can get together and 185 00:10:46,240 --> 00:10:49,680 Speaker 1: find some sort of peace compromise, mister, I think the 186 00:10:49,840 --> 00:10:53,400 Speaker 1: whole family has a better shot of reuniting. 187 00:10:53,679 --> 00:10:57,000 Speaker 2: What do you think, Well, I definitely agree. We have 188 00:10:57,080 --> 00:11:00,360 Speaker 2: to remember that these men lost their mother at a 189 00:11:00,400 --> 00:11:02,880 Speaker 2: young age, and suddenly they never got a chance to 190 00:11:02,920 --> 00:11:05,280 Speaker 2: say goodbye, to tell her how much they love her. 191 00:11:05,360 --> 00:11:08,640 Speaker 2: Though I am one hundred percent certain she knew, and 192 00:11:08,679 --> 00:11:12,160 Speaker 2: she knows, so they don't. You know, Harry doesn't want 193 00:11:12,200 --> 00:11:15,720 Speaker 2: that to happen with his father now, King Charles, I 194 00:11:15,760 --> 00:11:18,960 Speaker 2: hope is going nowhere anytime soon. But you want to 195 00:11:19,000 --> 00:11:21,560 Speaker 2: have that relationship and say all the things that you 196 00:11:21,679 --> 00:11:24,880 Speaker 2: need to say. And yes, let's hope this opens to 197 00:11:24,920 --> 00:11:27,520 Speaker 2: the door for brothers. We have to remember they're just 198 00:11:27,679 --> 00:11:30,360 Speaker 2: like us. There are family members that we don't get 199 00:11:30,400 --> 00:11:34,480 Speaker 2: along with, but this one is so public. I really 200 00:11:34,600 --> 00:11:38,719 Speaker 2: hope that him, Harry talking to his father allows you. 201 00:11:39,040 --> 00:11:41,760 Speaker 2: Maybe William will be in the castle while he's there, 202 00:11:42,440 --> 00:11:44,440 Speaker 2: and they'll bump into each other in one of the 203 00:11:44,520 --> 00:11:48,360 Speaker 2: long hallways and they'll be like bro bro and they 204 00:11:48,360 --> 00:11:50,120 Speaker 2: can finally have that conversation. 205 00:11:50,280 --> 00:11:53,319 Speaker 1: So fingers crossed, fingus crossed, fingers crossed. Okay, this story 206 00:11:53,320 --> 00:11:55,840 Speaker 1: mystery is fascinating. So after the backter rewards, which are 207 00:11:55,840 --> 00:11:59,360 Speaker 1: the British Oscars, Oppenheimer won pretty much everything can now 208 00:11:59,600 --> 00:12:02,080 Speaker 1: so many people are askuing me, what does this mean 209 00:12:02,120 --> 00:12:05,559 Speaker 1: for the Oscars? Mystery You have two surprises where the 210 00:12:06,040 --> 00:12:08,880 Speaker 1: results the winners might be a little different. 211 00:12:09,600 --> 00:12:14,400 Speaker 2: So Oppenheimer won for Best Film, Emma Stone one for 212 00:12:14,520 --> 00:12:18,200 Speaker 2: Best Actress for her portrayal and Poor Things. So it 213 00:12:18,240 --> 00:12:23,360 Speaker 2: really positions both of these projects as strong contenders for 214 00:12:23,400 --> 00:12:26,520 Speaker 2: the Oscars. But it's important to note that the Baftis 215 00:12:26,520 --> 00:12:29,760 Speaker 2: do not necessarily predict the outcome of the Oscars. That's 216 00:12:29,840 --> 00:12:34,439 Speaker 2: usually gone to the Golden Globes. However, this international voting 217 00:12:34,920 --> 00:12:39,480 Speaker 2: category is becoming bigger and bigger and gaining more significance, 218 00:12:40,080 --> 00:12:43,080 Speaker 2: so the Oscars may still differ from the Baptists and 219 00:12:43,120 --> 00:12:46,760 Speaker 2: the categories a Best Actor and Best Actress, though Paul 220 00:12:46,800 --> 00:12:50,240 Speaker 2: Giamanid is considered to have the edge among the Oscar 221 00:12:50,320 --> 00:12:54,319 Speaker 2: voters for Best Actor, while Lily Gladstone is believed to 222 00:12:54,360 --> 00:12:57,760 Speaker 2: be the front runner for Best Actress. I'd like to 223 00:12:57,760 --> 00:13:00,720 Speaker 2: throw my two cents in for the Oscars for free right, 224 00:13:00,920 --> 00:13:04,720 Speaker 2: he was so amazing in American fiction, and I think 225 00:13:04,760 --> 00:13:07,800 Speaker 2: that would be a really big statement for the Oscars 226 00:13:08,200 --> 00:13:12,360 Speaker 2: speaking about the film industry and Black America. We'll see 227 00:13:12,360 --> 00:13:12,840 Speaker 2: what happens. 228 00:13:12,880 --> 00:13:15,040 Speaker 1: Yeah, you're you're right. I think it's going to be 229 00:13:15,120 --> 00:13:20,440 Speaker 1: Killiam Murphy from Oppenheimer. But I like it. I enjoy 230 00:13:20,520 --> 00:13:22,880 Speaker 1: the Award shows more when we go into them not 231 00:13:22,960 --> 00:13:25,320 Speaker 1: knowing who's going to win. Some years, when it's a 232 00:13:25,320 --> 00:13:28,640 Speaker 1: blowout and we know who's going to win, they're less exciting. 233 00:13:28,880 --> 00:13:31,600 Speaker 1: And so I think this could be a really really 234 00:13:31,720 --> 00:13:35,280 Speaker 1: exciting Oscars just a few weeks away. Okay, quickly before 235 00:13:35,280 --> 00:13:38,120 Speaker 1: we get a break. Big changes over at CNN. The 236 00:13:38,200 --> 00:13:41,320 Speaker 1: CNN hosts, the big stars over there, the Anderson Cooper's, 237 00:13:41,440 --> 00:13:45,679 Speaker 1: the Jake Tappers, all these big stars, Chris Wallace are 238 00:13:45,920 --> 00:13:48,920 Speaker 1: very worried that the new boss might want to cut 239 00:13:49,200 --> 00:13:52,680 Speaker 1: their wages. So there's going to be significant changes at 240 00:13:52,760 --> 00:13:57,280 Speaker 1: CNN under the new leaders ship. Mister Mark Thompson, he's 241 00:13:57,320 --> 00:13:59,800 Speaker 1: the new boss over there. He used to run the BBC. 242 00:14:00,000 --> 00:14:02,640 Speaker 1: I've known of him for a long time because he 243 00:14:02,679 --> 00:14:05,520 Speaker 1: was in Britain for a long long time and he 244 00:14:05,559 --> 00:14:07,760 Speaker 1: made massive cuts over at the BBC, and he sort 245 00:14:07,760 --> 00:14:10,440 Speaker 1: of made them lean and mean, but he was not 246 00:14:10,600 --> 00:14:15,160 Speaker 1: shy about slashing budgets. Now there's a new report in 247 00:14:15,200 --> 00:14:18,400 Speaker 1: the Rap that they're going to cut the talent budget. 248 00:14:18,440 --> 00:14:22,920 Speaker 1: That's what the hosts make by around fifty million dollars. 249 00:14:22,920 --> 00:14:24,560 Speaker 1: How are they going to get to fifty million dollars? 250 00:14:24,640 --> 00:14:28,960 Speaker 1: Let me explain. Anderson Cooper alone earns twenty million dollars 251 00:14:29,000 --> 00:14:33,360 Speaker 1: a year. Jake Tapper earns eight point five, Chris Wallace 252 00:14:33,760 --> 00:14:37,640 Speaker 1: earns eight. These are massive, massive salaries, but the one 253 00:14:37,680 --> 00:14:41,280 Speaker 1: that sticks out the most is Anderson Cooper twenty million 254 00:14:41,360 --> 00:14:45,480 Speaker 1: dollars a year, and the ratings are not very good. Now, 255 00:14:45,720 --> 00:14:49,040 Speaker 1: if Anderson had the number one show on TV, they 256 00:14:49,040 --> 00:14:51,760 Speaker 1: would pay whatever he wants. Rachel Maddow actually earns more. 257 00:14:51,840 --> 00:14:54,480 Speaker 1: Rachel earns thirty million a year, and she only does 258 00:14:54,480 --> 00:14:56,720 Speaker 1: one day a week. But the one day she does, 259 00:14:57,000 --> 00:15:00,520 Speaker 1: she gets the numberss good, big, big numbers. Is not 260 00:15:00,560 --> 00:15:05,520 Speaker 1: doing that, which might mean he might not be at 261 00:15:05,720 --> 00:15:09,320 Speaker 1: CNN for much longer. Okay, we're going to be around 262 00:15:09,360 --> 00:15:11,360 Speaker 1: for a lot longer, but we have to take this 263 00:15:11,440 --> 00:15:15,880 Speaker 1: quick break and we will be right back. Welcome back 264 00:15:15,920 --> 00:15:19,560 Speaker 1: to the Naughty but Nice Show. I'm your hast rub shooter. Hey, mister, 265 00:15:20,040 --> 00:15:25,240 Speaker 1: let's get to thepolls. Do last show, we talked about 266 00:15:25,320 --> 00:15:29,920 Speaker 1: Kelly Rowland, who insiders are revealing felt ambushed, ambushed by 267 00:15:29,960 --> 00:15:32,200 Speaker 1: the producers of the Today Show. So it was not 268 00:15:32,280 --> 00:15:34,960 Speaker 1: about the dressing room. Her friends are arguing, she has 269 00:15:35,000 --> 00:15:37,320 Speaker 1: been to the Today Show a hundred times, she knew 270 00:15:37,320 --> 00:15:39,520 Speaker 1: the dressing rooms. It was not about being a diva. 271 00:15:39,600 --> 00:15:41,920 Speaker 1: And we've known Kelly Rowland a long time. We've been 272 00:15:41,960 --> 00:15:44,960 Speaker 1: reporting on her for decades. I've not heard the diva 273 00:15:45,040 --> 00:15:48,000 Speaker 1: stories about her. If it was Mariah Carey, i'd believe it. 274 00:15:48,040 --> 00:15:50,200 Speaker 1: But Kelly Rowland, I don't know. There's something a little 275 00:15:50,240 --> 00:15:52,680 Speaker 1: off on this story. So insiders are saying it was 276 00:15:52,800 --> 00:15:56,479 Speaker 1: not about the dressing room, but rather about feeling ambushed 277 00:15:56,840 --> 00:16:00,640 Speaker 1: because producers people on the show want her to talk 278 00:16:00,640 --> 00:16:03,280 Speaker 1: about Beyonce. She said, no, that's my friend. I'm not 279 00:16:03,440 --> 00:16:07,160 Speaker 1: talking about Beyonce. And that's why she left. A question 280 00:16:07,320 --> 00:16:11,480 Speaker 1: to you is are you buying it? Are you buying 281 00:16:11,560 --> 00:16:13,720 Speaker 1: that she felt ambushed or do you think it was 282 00:16:13,760 --> 00:16:16,160 Speaker 1: the dressing rooms? Why did she walk out on the show. 283 00:16:16,520 --> 00:16:19,560 Speaker 1: Let's have a look. Ooh, eighty percent of you were 284 00:16:19,600 --> 00:16:22,400 Speaker 1: buying it you said, it's about Beyonce. She doesn't want 285 00:16:22,440 --> 00:16:25,960 Speaker 1: to betray her sister, her best friend. I think I'm 286 00:16:26,000 --> 00:16:28,360 Speaker 1: with you. Where are you, mister? Yeah? 287 00:16:28,400 --> 00:16:30,640 Speaker 2: That makes a lot of sense. I mean she wants 288 00:16:30,680 --> 00:16:34,200 Speaker 2: to promote her upcoming movie Mia Kolpa, you know on Netflix, 289 00:16:34,240 --> 00:16:37,160 Speaker 2: Tyler Perry happening this Friday, and then to have to 290 00:16:37,200 --> 00:16:40,920 Speaker 2: talk about another person in her life. It just doesn't 291 00:16:41,000 --> 00:16:43,640 Speaker 2: make sense for her own career and stepping out in 292 00:16:43,680 --> 00:16:46,560 Speaker 2: her own lime light. And of course we protect our friends. 293 00:16:46,600 --> 00:16:48,560 Speaker 2: We don't want to talk about them. Now, if she 294 00:16:48,680 --> 00:16:51,480 Speaker 2: did say something about Beyonce, she could have taken your 295 00:16:51,520 --> 00:16:57,680 Speaker 2: advice and said only nice things. But again, you're there 296 00:16:58,000 --> 00:17:02,120 Speaker 2: to host her co host. It should be really about you. 297 00:17:03,120 --> 00:17:05,640 Speaker 1: It's sort of insulting, isn't it. When I go out 298 00:17:05,680 --> 00:17:07,560 Speaker 1: for drinks for dinner, so many of my friends ask 299 00:17:07,640 --> 00:17:09,880 Speaker 1: me about you, mistery, and I love talking about how 300 00:17:09,880 --> 00:17:12,200 Speaker 1: great you are, but then we move on. But with Beyonce, 301 00:17:12,440 --> 00:17:14,680 Speaker 1: that's all they want to talk about. And Kelly must 302 00:17:14,720 --> 00:17:18,160 Speaker 1: feel so diminished. I was like, you booked me, not Beyonce, 303 00:17:18,280 --> 00:17:19,680 Speaker 1: and I don't want to sit here for the next 304 00:17:19,680 --> 00:17:22,320 Speaker 1: ten minutes talking about Beyonce. It's my moment. I'm on 305 00:17:22,359 --> 00:17:24,800 Speaker 1: the show, so I do get it and I am 306 00:17:24,800 --> 00:17:26,840 Speaker 1: with you on this one. Naughty's hey, don't forget to 307 00:17:26,920 --> 00:17:29,480 Speaker 1: vote on today's poul. Go to our Twitter page at 308 00:17:29,600 --> 00:17:34,119 Speaker 1: Naughty Nice Rob or a Facebook page Naughty Gossip and 309 00:17:34,320 --> 00:17:39,159 Speaker 1: be sure to check back tomorrow to hear your results. 310 00:17:39,400 --> 00:17:43,880 Speaker 1: And now it's time for a nice nice of the day. 311 00:17:45,960 --> 00:17:49,560 Speaker 2: Well, our nicest of the day is Prince William because 312 00:17:49,560 --> 00:17:52,960 Speaker 2: he has announced plans to build twenty four new homes 313 00:17:53,280 --> 00:17:59,640 Speaker 2: for people experience housing difficulties on Cornwall estate. So now 314 00:17:59,640 --> 00:18:02,000 Speaker 2: this phil as a commitment he made last year. It's 315 00:18:02,040 --> 00:18:05,600 Speaker 2: part of his Homewards project, which aims to address the 316 00:18:05,680 --> 00:18:10,399 Speaker 2: issue of homeless insecurity. Now the homes will be built 317 00:18:10,760 --> 00:18:14,439 Speaker 2: in nas little Land Nuque, with a projected cost of 318 00:18:14,520 --> 00:18:17,880 Speaker 2: nearly four million, and you can tell us how much 319 00:18:17,920 --> 00:18:21,480 Speaker 2: that is in powers, mister shooter. Now, construction will begin 320 00:18:21,560 --> 00:18:24,880 Speaker 2: in September and the first home should be completed by 321 00:18:25,400 --> 00:18:28,040 Speaker 2: next fall. I love it, very exciting, very wonderful. 322 00:18:28,080 --> 00:18:31,960 Speaker 1: Where your matheus And congratulations mister on your perfect pronunciation 323 00:18:32,080 --> 00:18:35,480 Speaker 1: of all those very very odd little British towns. Okay, 324 00:18:35,560 --> 00:18:38,520 Speaker 1: now not is the day naughty, naughty, naughty. Travis Kelcey 325 00:18:38,600 --> 00:18:40,240 Speaker 1: is a naughtous of the day. So he won the 326 00:18:40,240 --> 00:18:44,239 Speaker 1: People's Choice Awards Athlete of the Year, but he had 327 00:18:44,280 --> 00:18:47,879 Speaker 1: some really controversial comments about his nomination. He called it 328 00:18:48,000 --> 00:18:51,600 Speaker 1: quote effing nonsense. He did not turn up, he didn't 329 00:18:51,640 --> 00:18:56,360 Speaker 1: get the award. Travis, you are now in a different league, 330 00:18:56,480 --> 00:19:03,240 Speaker 1: level of fame. People who won honor you effing nonsense. 331 00:19:03,840 --> 00:19:06,600 Speaker 1: Maybe not the smartest thing to do. Rather than may 332 00:19:06,640 --> 00:19:10,360 Speaker 1: I suggest you'd be gracious, You turn up, you say 333 00:19:10,440 --> 00:19:15,399 Speaker 1: thank you. That's the way Taylor would handle it. Okay, 334 00:19:15,480 --> 00:19:17,480 Speaker 1: let's end with a moment of rob You get a 335 00:19:17,520 --> 00:19:20,280 Speaker 1: rob You get a robber, get a rob. Happiness is 336 00:19:20,320 --> 00:19:25,119 Speaker 1: a perfume. You cannot pour it on others without getting 337 00:19:25,200 --> 00:19:30,440 Speaker 1: a few drops on yourself. Pour that happiness today over 338 00:19:30,520 --> 00:19:34,000 Speaker 1: your friends, over strangers, over people that you love, other 339 00:19:34,040 --> 00:19:37,040 Speaker 1: people that you don't love, and maybe, in fact, I 340 00:19:37,119 --> 00:19:41,840 Speaker 1: absolutely guarantee you a few drops are gonna rub off 341 00:19:42,359 --> 00:19:42,920 Speaker 1: on you. 342 00:19:44,320 --> 00:19:48,159 Speaker 2: I love that happiness as a perfume. Yes, let's bottle it, 343 00:19:48,280 --> 00:19:51,919 Speaker 2: let's sell it. Let's make Cooper Anderson's twenty million dollars. 344 00:19:52,240 --> 00:19:54,880 Speaker 1: You're a bottle of perfume. The Little Happy Devil. Thank 345 00:19:54,960 --> 00:19:58,040 Speaker 1: you so much for joining needing us to day Misty, 346 00:19:58,080 --> 00:20:00,840 Speaker 1: and thank you nor Tease for listen to The Naughty 347 00:20:00,880 --> 00:20:03,960 Speaker 1: but Nice with Robert Misty Show, a production of iHeart Radio. 348 00:20:04,119 --> 00:20:07,479 Speaker 1: Don't forget to subscribe on the iHeartRadio app, Apple Podcasts. 349 00:20:07,520 --> 00:20:09,639 Speaker 1: Wherever you listen, leave us a review if you can. 350 00:20:09,680 --> 00:20:11,320 Speaker 1: They really do help. I'm reading them and they're so 351 00:20:11,480 --> 00:20:14,880 Speaker 1: kind and even the cheeky ones. We want to learn, 352 00:20:14,920 --> 00:20:17,359 Speaker 1: we want to grow. If we talk too much about 353 00:20:17,480 --> 00:20:19,959 Speaker 1: j Lo, let us know. If we don't talk enough 354 00:20:20,400 --> 00:20:23,199 Speaker 1: about your favorite celebrity, let us know that too. What 355 00:20:23,280 --> 00:20:25,280 Speaker 1: do you like about the show? What do you not 356 00:20:25,440 --> 00:20:28,200 Speaker 1: like about the show? I want to know all your comments, 357 00:20:28,240 --> 00:20:30,560 Speaker 1: because you are the show. Without you, there is no 358 00:20:31,400 --> 00:20:34,880 Speaker 1: Naughty but Nice. Okay, let's end with us sign off 359 00:20:34,880 --> 00:20:38,880 Speaker 1: for you already. Everybody to sing along. Remember, if you're 360 00:20:38,920 --> 00:20:46,040 Speaker 1: going to you gotta big nice, nice tay tear everybody. 361 00:20:47,640 --> 00:20:49,360 Speaker 1: It's not even nice