1 00:00:07,760 --> 00:00:09,640 Speaker 1: Usually when that song is planned. I know it's kind 2 00:00:09,640 --> 00:00:11,920 Speaker 1: of put my phone down because one of my favorite 3 00:00:11,920 --> 00:00:15,200 Speaker 1: shows coming on, probably yours two. If you're here, welcome 4 00:00:15,200 --> 00:00:18,400 Speaker 1: to the official podcast for Yellowstone. For the next version 5 00:00:18,480 --> 00:00:20,400 Speaker 1: of this podcast, I won't be your host. My name 6 00:00:20,440 --> 00:00:22,560 Speaker 1: is Bobby Bones, big fan. I do want to say 7 00:00:22,560 --> 00:00:25,880 Speaker 1: this too, this will not be a spoiler podcast, meaning 8 00:00:26,200 --> 00:00:30,000 Speaker 1: we just won't go recklessly into talking spoilers. If there 9 00:00:30,040 --> 00:00:33,040 Speaker 1: is going to be something that I feel could possibly spoil, 10 00:00:33,080 --> 00:00:35,000 Speaker 1: I will give you a spoiler alert to be like 11 00:00:35,560 --> 00:00:39,560 Speaker 1: run throw your headphones in the lake. I will definitely 12 00:00:39,560 --> 00:00:42,400 Speaker 1: give you a spoiler alert, so listen along. Mostly it's 13 00:00:42,400 --> 00:00:45,640 Speaker 1: like getting to know like why the show happens, some 14 00:00:45,640 --> 00:00:48,760 Speaker 1: stories from behind the scenes, some people that acted in 15 00:00:48,800 --> 00:00:52,400 Speaker 1: the show. It's just a fan show done by a fan, 16 00:00:52,440 --> 00:00:55,080 Speaker 1: which is pretty cool. We have some great guests coming up. 17 00:00:55,120 --> 00:00:57,280 Speaker 1: I don't want to even spoil who the guests are, 18 00:00:57,760 --> 00:01:01,680 Speaker 1: but like Teeter Jin, I just call her, I just 19 00:01:01,680 --> 00:01:03,760 Speaker 1: call her Jen Jen Landon. We have her coming up 20 00:01:04,080 --> 00:01:06,959 Speaker 1: and this episode specifically, we're gonna have Winni Monez who 21 00:01:07,000 --> 00:01:10,920 Speaker 1: played Governor Perry then she was a senator. It's it's 22 00:01:11,000 --> 00:01:13,280 Speaker 1: that it's those people that I want to talk to. 23 00:01:14,000 --> 00:01:17,400 Speaker 1: It's everything in between. So we're gonna dive into all 24 00:01:17,480 --> 00:01:19,760 Speaker 1: the elements that maybe you've always wondered or maybe you 25 00:01:19,760 --> 00:01:23,240 Speaker 1: didn't even know to wonder about on such a massive show, 26 00:01:23,319 --> 00:01:25,040 Speaker 1: a lot of behind the scenes, a lot of insight, 27 00:01:25,400 --> 00:01:27,720 Speaker 1: a lot of fans. For me, it's all about the characters. 28 00:01:27,720 --> 00:01:29,960 Speaker 1: This is one of those shows that was such a 29 00:01:30,000 --> 00:01:34,000 Speaker 1: great character building show, Like I felt invested, And the 30 00:01:34,040 --> 00:01:36,360 Speaker 1: hardest thing to do on a show where there's great 31 00:01:36,560 --> 00:01:39,360 Speaker 1: character development, like if you're building those characters, is to 32 00:01:39,400 --> 00:01:42,160 Speaker 1: give a side that isn't super likable, but also make 33 00:01:42,160 --> 00:01:45,640 Speaker 1: the character still somebody that you either root for or 34 00:01:45,840 --> 00:01:48,000 Speaker 1: walk alongside to see what happens. I mean, I think 35 00:01:48,000 --> 00:01:49,840 Speaker 1: BET's a great example of that. Like there's some qualities 36 00:01:49,840 --> 00:01:51,800 Speaker 1: about You're like, man, that's a hardcore, but then you 37 00:01:51,920 --> 00:01:54,559 Speaker 1: root for Beth and you root for Beth and rip. 38 00:01:55,200 --> 00:01:59,960 Speaker 1: So Jamie's an example, Like Jamie, You're like, Jamie's awe 39 00:02:00,120 --> 00:02:04,720 Speaker 1: some Jamie's awful. Well what is? It's so human and 40 00:02:04,880 --> 00:02:07,840 Speaker 1: that's what makes the show awesome. So that's what we're 41 00:02:07,880 --> 00:02:11,480 Speaker 1: going to do for this episode, plus like seven or 42 00:02:11,520 --> 00:02:14,280 Speaker 1: so more I'm super excited to be here, and mostly 43 00:02:14,320 --> 00:02:16,680 Speaker 1: I'm excited to talk to the people that made the show. 44 00:02:16,720 --> 00:02:19,000 Speaker 1: And so let's get to our first guest, Wendy Monez, 45 00:02:19,520 --> 00:02:23,840 Speaker 1: who plays Governor Perry on the show. And before we 46 00:02:23,880 --> 00:02:25,120 Speaker 1: get there, I do want to take a second and 47 00:02:25,160 --> 00:02:27,800 Speaker 1: talk about a real life tragedy that's transpired this month 48 00:02:27,800 --> 00:02:31,040 Speaker 1: in California. Unfortunately, Wendy was part of the many people 49 00:02:31,040 --> 00:02:33,640 Speaker 1: who lost their homes and the fires, and as the 50 00:02:33,639 --> 00:02:38,639 Speaker 1: wildfires continue to impact Los Angeles, families are facing unimaginable loss. 51 00:02:39,160 --> 00:02:41,400 Speaker 1: But when disaster strikes, one of the great things is 52 00:02:41,840 --> 00:02:45,280 Speaker 1: we come together. iHeart LA has teamed up to help 53 00:02:45,320 --> 00:02:47,720 Speaker 1: support the Dream Center, which is a local LA organization 54 00:02:47,800 --> 00:02:51,320 Speaker 1: working tirelessly to provide relief, from operating shelters to supplying 55 00:02:51,440 --> 00:02:55,040 Speaker 1: essentials to those who've lost everything. Supplies are being accepted 56 00:02:55,080 --> 00:02:57,560 Speaker 1: and donated at the Dream Center in LA, where iHeart 57 00:02:57,600 --> 00:03:00,680 Speaker 1: has set up trucks to receive and distribute them. So 58 00:03:01,840 --> 00:03:03,960 Speaker 1: we want to continue to do things. I felt like 59 00:03:04,000 --> 00:03:06,760 Speaker 1: I needed to share that we recorded this actually before 60 00:03:06,800 --> 00:03:10,440 Speaker 1: the fires, but she lost her home in the fire 61 00:03:11,280 --> 00:03:13,040 Speaker 1: and we hate that for her and everybody who is 62 00:03:13,720 --> 00:03:17,560 Speaker 1: struggling through this. You can also join us in supporting 63 00:03:17,760 --> 00:03:22,079 Speaker 1: their vital work by donating at dreamcenter dot org, slash donate, 64 00:03:22,639 --> 00:03:26,040 Speaker 1: or texting the word relief to three three one hundred. 65 00:03:26,200 --> 00:03:29,400 Speaker 1: That's relief to three three one hundred. So now let's 66 00:03:29,440 --> 00:03:44,640 Speaker 1: talk with Wendy Monis. So it's over. Please don't spoil 67 00:03:44,640 --> 00:03:46,120 Speaker 1: the final episode because I haven't seen it yet. So 68 00:03:46,120 --> 00:03:47,760 Speaker 1: I want to say that the final episode I have 69 00:03:47,800 --> 00:03:49,960 Speaker 1: not got to watch yet because I've been traveling. Do 70 00:03:50,000 --> 00:03:52,000 Speaker 1: you do this with the finales in general? Like you 71 00:03:52,040 --> 00:03:54,520 Speaker 1: have to treat that time precious. It's like no phone 72 00:03:54,800 --> 00:03:56,840 Speaker 1: when it's a finale is something I need to be 73 00:03:56,960 --> 00:04:00,960 Speaker 1: fully no airplane, fully dedicated, And that's so tonight I'm 74 00:04:01,000 --> 00:04:04,160 Speaker 1: gonna do that. So aside from Yellowstone, do you treat 75 00:04:04,160 --> 00:04:05,080 Speaker 1: finales the same way? 76 00:04:05,320 --> 00:04:08,120 Speaker 2: Yeah? Yeah, something that I'm invested in like that and 77 00:04:08,160 --> 00:04:10,800 Speaker 2: something that requires like I could never watch Yellowstone on 78 00:04:11,160 --> 00:04:15,720 Speaker 2: a plane, you know, it's just too cinematic and because 79 00:04:15,720 --> 00:04:19,440 Speaker 2: there's so much storytelling and you have to sort of 80 00:04:19,560 --> 00:04:22,719 Speaker 2: really pay attention, so you need no destructions. I'm on 81 00:04:22,760 --> 00:04:23,320 Speaker 2: board with that. 82 00:04:23,560 --> 00:04:25,120 Speaker 1: Game of Thrones. When I watch Game of Thrones, it 83 00:04:25,160 --> 00:04:26,560 Speaker 1: was like I got to focus so I can't do 84 00:04:26,600 --> 00:04:30,560 Speaker 1: something where there's like other elements and same thing with Yellowstone. 85 00:04:30,640 --> 00:04:33,800 Speaker 1: So again I'm going to ask you questions about the 86 00:04:33,839 --> 00:04:36,640 Speaker 1: show and ish about the finale, but I ask please 87 00:04:36,680 --> 00:04:38,280 Speaker 1: don't spoil the finale because I haven't seen it yet 88 00:04:38,279 --> 00:04:40,479 Speaker 1: and I think you respect this, So thank you. Oh yeah, good. 89 00:04:40,600 --> 00:04:41,640 Speaker 1: Also I love too well. 90 00:04:41,720 --> 00:04:45,440 Speaker 2: I won't thank thank you, thank you so much now 91 00:04:45,480 --> 00:04:46,080 Speaker 2: that it's over. 92 00:04:46,880 --> 00:04:48,680 Speaker 1: I don't know now that it's over, because it's been 93 00:04:48,680 --> 00:04:50,320 Speaker 1: over for you because I saw your Instagram when you 94 00:04:50,400 --> 00:04:52,960 Speaker 1: were like done taping, and I know that's its own conclusion. 95 00:04:53,400 --> 00:04:56,400 Speaker 1: But now that it's over for everyone, how do you 96 00:04:56,440 --> 00:04:58,680 Speaker 1: feel this morning when you wake up or the morning after? 97 00:04:59,160 --> 00:05:03,200 Speaker 2: Sad? Honestly, like it's been a bit. I feel a 98 00:05:03,200 --> 00:05:07,160 Speaker 2: bit blue. I mean I felt that on my last 99 00:05:07,200 --> 00:05:10,800 Speaker 2: day of wrapping, and I did write that little just 100 00:05:10,839 --> 00:05:15,640 Speaker 2: sort of poured out of me when I wrapped for 101 00:05:15,720 --> 00:05:21,880 Speaker 2: the series, and that was sad for sure. And I 102 00:05:21,920 --> 00:05:24,880 Speaker 2: didn't know how I was going to feel about, you know, 103 00:05:25,279 --> 00:05:29,960 Speaker 2: watching the finale and it being the end, because I 104 00:05:30,000 --> 00:05:33,240 Speaker 2: hadn't already had that moment. But man, I really did 105 00:05:33,279 --> 00:05:40,479 Speaker 2: feel the impact of it's over and it's bittersweet, but 106 00:05:40,560 --> 00:05:44,080 Speaker 2: I definitely have been feeling a bit blue the last 107 00:05:44,120 --> 00:05:46,200 Speaker 2: couple of days processing it. 108 00:05:46,279 --> 00:05:48,320 Speaker 1: You know, I feel like some of my friends took 109 00:05:48,320 --> 00:05:51,560 Speaker 1: a civics lesson from the show, meaning they did not 110 00:05:51,680 --> 00:05:54,599 Speaker 1: know the difference in federal government and state government. And 111 00:05:54,640 --> 00:05:57,000 Speaker 1: I bet your character you get to learn that because 112 00:05:57,000 --> 00:05:58,320 Speaker 1: your governor, and then all of a sudden you're not 113 00:05:58,400 --> 00:06:00,320 Speaker 1: governor and then you go run for senate. A couple 114 00:06:00,360 --> 00:06:02,279 Speaker 1: of my idiot friends were like, why would you leave 115 00:06:02,320 --> 00:06:05,360 Speaker 1: being a governor, Like isn't that bigger? And it's like, well, 116 00:06:05,480 --> 00:06:08,440 Speaker 1: and so I will explain to them, here's the difference, 117 00:06:08,600 --> 00:06:11,440 Speaker 1: and this is the different things that you can contribute to. 118 00:06:11,839 --> 00:06:14,240 Speaker 1: So I feel like, in a way, Yellowstone helped a 119 00:06:14,240 --> 00:06:16,960 Speaker 1: lot of my dummy friends understand the roles of a 120 00:06:17,040 --> 00:06:19,719 Speaker 1: governor versus the roles of a senator. And you don't 121 00:06:19,720 --> 00:06:22,440 Speaker 1: often see someone leave to be a you know, to 122 00:06:22,480 --> 00:06:24,520 Speaker 1: go from stay. They try a lot of governors try 123 00:06:24,520 --> 00:06:25,960 Speaker 1: to be president. How did you feel when they came 124 00:06:25,960 --> 00:06:27,080 Speaker 1: to you and said, hey, we're going to switch your 125 00:06:27,120 --> 00:06:28,400 Speaker 1: roll up a little bit. We're going to send you 126 00:06:28,440 --> 00:06:29,040 Speaker 1: to DC. 127 00:06:30,880 --> 00:06:35,240 Speaker 2: H. I was like, okay, I mean at that point 128 00:06:35,279 --> 00:06:39,640 Speaker 2: I'm just trusting Taylor and his writing. You know, I 129 00:06:39,720 --> 00:06:42,960 Speaker 2: never wasn't trusting it, but with all the twists and turns, 130 00:06:43,000 --> 00:06:45,320 Speaker 2: it's kind of like, Okay, we're doing this now, Well 131 00:06:45,360 --> 00:06:48,559 Speaker 2: he knows what he's doing, so I'm along for the ride. 132 00:06:48,640 --> 00:06:51,479 Speaker 2: But to your point, I had to educate myself too 133 00:06:52,400 --> 00:06:55,520 Speaker 2: about all of that, because I wasn't very politically versed 134 00:06:55,520 --> 00:06:58,719 Speaker 2: in any of it. So when I originally got the job, 135 00:06:58,760 --> 00:07:00,240 Speaker 2: I was like, Okay, what is a governor or what 136 00:07:00,279 --> 00:07:01,680 Speaker 2: does the governor do? What does it mean? And then 137 00:07:03,160 --> 00:07:07,080 Speaker 2: now you're the Senator and so I learned what it was, 138 00:07:07,160 --> 00:07:13,440 Speaker 2: and I felt I felt some uncertainty just about how 139 00:07:13,480 --> 00:07:15,840 Speaker 2: I was going to still be because when you think 140 00:07:15,880 --> 00:07:18,760 Speaker 2: of the senator or a senator that you think of Washington, 141 00:07:19,280 --> 00:07:22,080 Speaker 2: So like, how am I still involved in all of this? 142 00:07:22,200 --> 00:07:25,920 Speaker 2: And but you just are because you're very connected to 143 00:07:25,960 --> 00:07:30,360 Speaker 2: the state, and so I was working closely with John 144 00:07:30,400 --> 00:07:33,520 Speaker 2: Dutton's character, but at a federal level. 145 00:07:33,840 --> 00:07:36,600 Speaker 1: You know what's pretty wild. It's like the president of 146 00:07:36,800 --> 00:07:39,080 Speaker 1: Ukraine in real life. Zelensky was once an actor and 147 00:07:39,080 --> 00:07:41,120 Speaker 1: he played the president of Ukraine. So now here you are, 148 00:07:41,160 --> 00:07:43,600 Speaker 1: how about you going to be the governor of a state. 149 00:07:43,680 --> 00:07:45,480 Speaker 1: I think any because now we know you as that, 150 00:07:45,520 --> 00:07:48,960 Speaker 1: we feel like you're that person. Any any idea of 151 00:07:49,000 --> 00:07:50,080 Speaker 1: maybe running for office? 152 00:07:51,600 --> 00:07:56,040 Speaker 2: One hundred percent. No, that's death. That's a hard no. 153 00:07:56,960 --> 00:08:01,600 Speaker 2: And never ever. I'm an actor and I only play 154 00:08:01,600 --> 00:08:04,360 Speaker 2: a governor or any kind of a politician. On TV? 155 00:08:05,240 --> 00:08:08,280 Speaker 1: How far ahead would you know where the stories were going? 156 00:08:08,680 --> 00:08:11,480 Speaker 2: Not that far ahead. We would get the scripts for 157 00:08:11,560 --> 00:08:16,640 Speaker 2: each You wouldn't get a season. You wouldn't get all 158 00:08:16,640 --> 00:08:19,520 Speaker 2: the scripts at once, so you would get them as 159 00:08:19,560 --> 00:08:22,679 Speaker 2: they were as they were coming. So it was kind 160 00:08:22,680 --> 00:08:26,000 Speaker 2: of cool and exciting to be like, O, hey, am 161 00:08:26,080 --> 00:08:27,840 Speaker 2: I in the script? Or what am I doing in 162 00:08:27,840 --> 00:08:31,960 Speaker 2: this script? And it was new information each time you 163 00:08:32,040 --> 00:08:35,000 Speaker 2: got a script, So it was not very far in advance. 164 00:08:34,840 --> 00:08:36,800 Speaker 1: With all your history of because you've had so many 165 00:08:36,800 --> 00:08:38,720 Speaker 1: different kinds of role. And I know you also from 166 00:08:39,040 --> 00:08:44,080 Speaker 1: House Cards on Netflix. I took that show down, loved it. 167 00:08:44,920 --> 00:08:48,520 Speaker 1: How good are you memorizing? And would they allow you 168 00:08:48,559 --> 00:08:52,760 Speaker 1: to at times? I slightly change stuff up if you 169 00:08:52,800 --> 00:08:53,880 Speaker 1: didn't remember it verbatim. 170 00:08:54,160 --> 00:08:58,840 Speaker 2: I'm really good at memorizing. For me, the memorization is 171 00:08:58,960 --> 00:09:02,760 Speaker 2: the easy part because it's not about memorizing the words. 172 00:09:02,800 --> 00:09:06,000 Speaker 2: It's about what's it's understanding what's going on in the 173 00:09:06,040 --> 00:09:10,319 Speaker 2: scene and then the words. Then it's easy to remember 174 00:09:10,320 --> 00:09:13,400 Speaker 2: the words versus like you're just taking a piece of 175 00:09:13,400 --> 00:09:18,120 Speaker 2: material and memorizing wrote what's happening For me, I need 176 00:09:18,160 --> 00:09:20,520 Speaker 2: to understand what's happening in the scene and you know 177 00:09:20,920 --> 00:09:23,640 Speaker 2: what a person wants and listening to the other person, 178 00:09:23,679 --> 00:09:26,920 Speaker 2: and then then it's easy to know how the words 179 00:09:27,240 --> 00:09:31,920 Speaker 2: follow the path. That way, there wasn't a lot of 180 00:09:32,000 --> 00:09:36,560 Speaker 2: changing of words. It wasn't super super rigid if it 181 00:09:36,600 --> 00:09:39,520 Speaker 2: was a small kind of a thing, but there wasn't 182 00:09:39,640 --> 00:09:42,160 Speaker 2: really a need to change words. You know, sometimes as 183 00:09:42,160 --> 00:09:45,480 Speaker 2: an actor, I always say that everything is on the page. 184 00:09:45,559 --> 00:09:47,720 Speaker 2: If you start with something amazing on the page, as 185 00:09:47,760 --> 00:09:50,240 Speaker 2: an actor, you're like, okay, you're you know, you're off 186 00:09:50,280 --> 00:09:53,280 Speaker 2: to the races. Sometimes you get material that's not so 187 00:09:53,360 --> 00:09:55,320 Speaker 2: great and you're trying to make it work and you're 188 00:09:55,360 --> 00:09:58,640 Speaker 2: having to change things to make it. But with Taylor's writing, 189 00:09:59,280 --> 00:10:05,360 Speaker 2: you don't really have to change anything. It's it's just 190 00:10:05,679 --> 00:10:06,440 Speaker 2: excellent writing. 191 00:10:27,120 --> 00:10:31,880 Speaker 1: Did you acquire any ranch skills or animal skills from 192 00:10:31,920 --> 00:10:34,160 Speaker 1: just being around the set? 193 00:10:35,200 --> 00:10:39,480 Speaker 2: Not skills? No, because I was in the cowboy world 194 00:10:39,480 --> 00:10:41,920 Speaker 2: where I was a hands on kind of way. But 195 00:10:42,120 --> 00:10:45,720 Speaker 2: I fully appreciated any moments that my character had to 196 00:10:45,760 --> 00:10:49,760 Speaker 2: be around those animals, those horses, and I you know, 197 00:10:50,679 --> 00:10:54,839 Speaker 2: just you know, being able to touch them, being being 198 00:10:54,880 --> 00:10:59,000 Speaker 2: so close to them, and watching the other actors interact 199 00:10:59,040 --> 00:11:06,280 Speaker 2: with them. I sort of developed an affection for horses, 200 00:11:06,520 --> 00:11:09,480 Speaker 2: especially that I didn't really have before going in. The 201 00:11:09,480 --> 00:11:13,080 Speaker 2: horses really scared me because they're big and they're powerful, 202 00:11:13,120 --> 00:11:16,319 Speaker 2: and I was never I never rode horses. So I 203 00:11:16,360 --> 00:11:20,120 Speaker 2: wouldn't say skill, but I would say and appreciation and affection. 204 00:11:20,400 --> 00:11:23,520 Speaker 2: I definitely gained that being around them. 205 00:11:23,920 --> 00:11:26,160 Speaker 1: I don't judge me, but but I went and so 206 00:11:26,280 --> 00:11:28,600 Speaker 1: I won Dancing with the Stars. And I had a 207 00:11:28,640 --> 00:11:30,600 Speaker 1: shoe that I was wearing my final episode and I 208 00:11:30,600 --> 00:11:31,240 Speaker 1: took it to the judge. 209 00:11:31,280 --> 00:11:33,280 Speaker 2: Wait a minute, you won Dancing with the Stars. 210 00:11:33,360 --> 00:11:36,320 Speaker 1: I did, Yes, that was mylas. 211 00:11:36,360 --> 00:11:39,360 Speaker 2: I love Dancing with the Stars yesterday like five years ago, 212 00:11:39,400 --> 00:11:40,400 Speaker 2: not yesterday. 213 00:11:40,440 --> 00:11:42,840 Speaker 1: Thank you for not judging me. Sometimes it's the opposite. 214 00:11:42,840 --> 00:11:45,600 Speaker 1: So oh, your tone was up. Oh, I appreciate that thing. 215 00:11:45,640 --> 00:11:48,280 Speaker 2: Hats off, hats off. I would love to be on 216 00:11:48,360 --> 00:11:50,560 Speaker 2: that show. I would love to learn all those dances. 217 00:11:50,640 --> 00:11:52,679 Speaker 2: I'm jealous. That's awesome. Good for you. 218 00:11:53,000 --> 00:11:54,920 Speaker 1: Well now I feel better about myself. Thank you. I 219 00:11:55,000 --> 00:11:58,640 Speaker 1: at the end, after the final on this show, because 220 00:11:58,640 --> 00:12:00,320 Speaker 1: I didn't want to miss it, I took my shoe 221 00:12:00,360 --> 00:12:01,920 Speaker 1: off that I was wearing. I took it to the 222 00:12:02,000 --> 00:12:04,280 Speaker 1: judges on camera because I didn't really know the rules 223 00:12:04,320 --> 00:12:05,679 Speaker 1: of the show. And that's and it's part of how 224 00:12:05,720 --> 00:12:08,439 Speaker 1: I won, Like I worked really hard, but I was 225 00:12:08,480 --> 00:12:10,240 Speaker 1: a bit different, and so I had them all signed 226 00:12:10,240 --> 00:12:12,760 Speaker 1: the shoe because I wanted something from that while I 227 00:12:12,840 --> 00:12:14,520 Speaker 1: was still in it. So I have the shoe that 228 00:12:14,559 --> 00:12:17,040 Speaker 1: I was wearing signed by all the judges and to me, 229 00:12:17,120 --> 00:12:18,880 Speaker 1: I still keep that shoe and it's very important to 230 00:12:18,920 --> 00:12:21,559 Speaker 1: me because it reminds me of a time for you 231 00:12:21,640 --> 00:12:23,720 Speaker 1: on that show. Did you do you have anything with 232 00:12:23,840 --> 00:12:27,040 Speaker 1: you that everybody like signed or some think you took 233 00:12:27,080 --> 00:12:29,120 Speaker 1: from it that you are that you keep And you're like, man, 234 00:12:29,160 --> 00:12:31,880 Speaker 1: I know that in five, seven, twelve years, I'm going 235 00:12:31,960 --> 00:12:33,760 Speaker 1: to have this and it represents that time there. 236 00:12:34,000 --> 00:12:35,760 Speaker 2: Yes, you know. It's funny because as the show was 237 00:12:35,800 --> 00:12:37,439 Speaker 2: wrapping up, I know that a lot of the other 238 00:12:37,480 --> 00:12:39,439 Speaker 2: actors were asked that question, like what did you take 239 00:12:39,480 --> 00:12:41,560 Speaker 2: from the show, And I'm kind of regretful that I 240 00:12:41,559 --> 00:12:44,640 Speaker 2: didn't take something super personal, like maybe a piece of 241 00:12:44,679 --> 00:12:48,400 Speaker 2: jewelry or shoes that she was wearing. I have a pin. 242 00:12:48,800 --> 00:12:50,480 Speaker 2: I always had a pin that was the props. When 243 00:12:50,480 --> 00:12:52,600 Speaker 2: I would get on set, props would put the governor 244 00:12:52,640 --> 00:12:54,280 Speaker 2: pin or the senator pin on me. They gave me 245 00:12:54,320 --> 00:12:56,680 Speaker 2: those at the end. The back of my chair has 246 00:12:56,720 --> 00:12:59,320 Speaker 2: my name and Yellowstone on it. I didn't have anybody 247 00:12:59,480 --> 00:13:02,440 Speaker 2: sign it. Throughout the years, they would gift us things, 248 00:13:02,480 --> 00:13:09,400 Speaker 2: so I have really badass stuff like an incredible cowboy 249 00:13:09,480 --> 00:13:12,400 Speaker 2: hat that has a leather brim and has my initials 250 00:13:12,400 --> 00:13:15,240 Speaker 2: written on it, and flasks and those kinds of things. 251 00:13:15,960 --> 00:13:19,199 Speaker 2: They made a Monopoly game of Yellowstone and I've got that. 252 00:13:19,320 --> 00:13:21,520 Speaker 2: They made a deck of cards, and I have a 253 00:13:21,600 --> 00:13:23,679 Speaker 2: card like the Queen of Clubs is my card. I 254 00:13:23,720 --> 00:13:26,040 Speaker 2: mean all of that to me, it was like that's 255 00:13:26,240 --> 00:13:29,440 Speaker 2: I have so many memories of that peppered around my 256 00:13:29,679 --> 00:13:36,160 Speaker 2: office space. Not that anybody's signed, but you know, I 257 00:13:36,200 --> 00:13:39,319 Speaker 2: have our It's like you mentioned Instagram before and how 258 00:13:39,360 --> 00:13:40,920 Speaker 2: I did my sign off, and that's one of the 259 00:13:40,920 --> 00:13:43,480 Speaker 2: great things I think about social media is that you 260 00:13:43,520 --> 00:13:45,640 Speaker 2: can be in touch with people and stay connected and 261 00:13:45,679 --> 00:13:48,200 Speaker 2: have those memories there. It's like a giant photo album. 262 00:13:49,000 --> 00:13:50,920 Speaker 2: Social media can be great when you're using it the 263 00:13:51,000 --> 00:13:53,680 Speaker 2: right way for those for that and so I feel 264 00:13:53,679 --> 00:13:54,640 Speaker 2: like I have it in that way. 265 00:13:55,000 --> 00:13:57,520 Speaker 1: Do you have any cool pictures that, like, maybe you 266 00:13:57,520 --> 00:13:59,800 Speaker 1: haven't posted, but on your phone of like the crew, 267 00:14:00,000 --> 00:14:02,120 Speaker 1: like a really special picture. Maybe it's even framed in 268 00:14:02,120 --> 00:14:04,320 Speaker 1: your office. I don't know from your experience there. 269 00:14:05,520 --> 00:14:07,280 Speaker 2: I do have a lot of good pictures in my phone. 270 00:14:07,280 --> 00:14:09,720 Speaker 2: I don't have anything framed yet, but like you know, 271 00:14:09,760 --> 00:14:13,400 Speaker 2: we had parties over the years, and I've got candid 272 00:14:13,480 --> 00:14:16,640 Speaker 2: pictures and pictures on the sets of you know, people 273 00:14:16,679 --> 00:14:21,200 Speaker 2: that you wouldn't see my character with, Like in the end, 274 00:14:21,280 --> 00:14:24,240 Speaker 2: there's a lot of group we were together as a group, 275 00:14:24,800 --> 00:14:27,200 Speaker 2: which we weren't often because there was the cowboy world 276 00:14:27,240 --> 00:14:29,200 Speaker 2: and there was the political world, and I tended to be, 277 00:14:29,440 --> 00:14:32,080 Speaker 2: you know, in the political world more. But you know, 278 00:14:32,400 --> 00:14:36,000 Speaker 2: if pictures of me and Teeter like hanging out, you know, 279 00:14:36,120 --> 00:14:39,200 Speaker 2: on the last day, those kinds of things are special 280 00:14:39,200 --> 00:14:43,240 Speaker 2: to me because our characters didn't interact, but we still 281 00:14:43,680 --> 00:14:49,000 Speaker 2: were really close ensemble and when we did see each 282 00:14:49,040 --> 00:14:50,960 Speaker 2: other in our paths did cross. There's just so much 283 00:14:51,280 --> 00:14:53,160 Speaker 2: warmth and camaraderie with that group of people. 284 00:14:53,320 --> 00:14:54,840 Speaker 1: What is your move to La story? 285 00:14:55,480 --> 00:14:58,840 Speaker 2: My Move to La story is a two parter. Really. 286 00:14:59,040 --> 00:15:02,920 Speaker 2: In ninety nine, I left a soap opera that I 287 00:15:03,000 --> 00:15:06,320 Speaker 2: was on that was my big break in my twenties, 288 00:15:06,960 --> 00:15:09,880 Speaker 2: and I left that. They wanted me to stay, but 289 00:15:09,920 --> 00:15:12,360 Speaker 2: I was like, no, I'm gonna go see about primetime TV. 290 00:15:12,920 --> 00:15:16,120 Speaker 2: And at that time, it was really New York in LA, 291 00:15:16,200 --> 00:15:20,480 Speaker 2: whereas now TV shoots everywhere. And I'd never lived in 292 00:15:20,480 --> 00:15:22,760 Speaker 2: California before, so I left. I'm an East Coast girl. 293 00:15:22,800 --> 00:15:24,720 Speaker 2: I grew up in Massachusetts. So I left New York 294 00:15:24,760 --> 00:15:28,000 Speaker 2: and I came to LA and I landed a pilot 295 00:15:28,280 --> 00:15:31,560 Speaker 2: like pretty much out of the gate. It didn't get 296 00:15:31,600 --> 00:15:35,080 Speaker 2: picked up, but it was this really well done pedigree 297 00:15:35,080 --> 00:15:41,000 Speaker 2: pilot that Carl Franklin directed, actually, and so that got 298 00:15:41,000 --> 00:15:43,400 Speaker 2: me a manager, and that just got me going and 299 00:15:43,440 --> 00:15:48,560 Speaker 2: I really worked very steadily. I was fortunate in that way. 300 00:15:49,600 --> 00:15:53,160 Speaker 2: I did that pilot that didn't get picked up. I 301 00:15:53,200 --> 00:15:55,200 Speaker 2: got offered a couple of things I didn't take. I 302 00:15:56,280 --> 00:16:00,360 Speaker 2: did a TV movie based on the book Tuesday with 303 00:16:00,400 --> 00:16:03,280 Speaker 2: Maury with Jack Lemon and Hank's Area, and that was 304 00:16:03,320 --> 00:16:05,200 Speaker 2: a big deal at won bunch of Emmys. It was 305 00:16:05,240 --> 00:16:12,120 Speaker 2: like the Jack Nicholson Jack Lemon's Last thing. And then 306 00:16:12,160 --> 00:16:15,480 Speaker 2: I did a series I did Nash Bridges that was 307 00:16:15,560 --> 00:16:17,760 Speaker 2: kind of an iconic show. I just did the last 308 00:16:17,760 --> 00:16:20,440 Speaker 2: season of it that had like a seven year run 309 00:16:20,520 --> 00:16:23,760 Speaker 2: or something. And then I did a show called The Guardian, 310 00:16:23,880 --> 00:16:29,120 Speaker 2: which was a great CBS show that ran for three years. Yeah. 311 00:16:29,120 --> 00:16:33,240 Speaker 2: I was kind of just always finding myself in television 312 00:16:35,440 --> 00:16:39,360 Speaker 2: and I'm still here doing it somehow. But that was 313 00:16:39,920 --> 00:16:43,960 Speaker 2: my LA move. And then my son, who's now twenty, 314 00:16:44,120 --> 00:16:46,000 Speaker 2: was born in two thousand and four, and we went 315 00:16:46,040 --> 00:16:48,320 Speaker 2: back to New York because family was on the East 316 00:16:48,320 --> 00:16:51,360 Speaker 2: Coast and it was harder than because I had my 317 00:16:51,480 --> 00:16:54,840 Speaker 2: kids and I couldn't really travel. And then we moved. 318 00:16:55,640 --> 00:16:57,600 Speaker 2: We were in New York for ten straight years and 319 00:16:57,640 --> 00:16:59,600 Speaker 2: I did some good work in New York. But then 320 00:16:59,640 --> 00:17:03,120 Speaker 2: we moved moved back again to LA and have been 321 00:17:03,160 --> 00:17:06,480 Speaker 2: here since twenty fifteen. And it's funny that you say 322 00:17:06,520 --> 00:17:08,360 Speaker 2: House of Cards, because as soon as we moved back 323 00:17:08,359 --> 00:17:11,200 Speaker 2: in twenty fifteen, I got the job on House of Cards, 324 00:17:11,200 --> 00:17:14,119 Speaker 2: so I was commuting back to the East Coast after 325 00:17:14,160 --> 00:17:16,680 Speaker 2: I got to LA. It's like the gypsy life of 326 00:17:16,720 --> 00:17:17,119 Speaker 2: an actor. 327 00:17:17,160 --> 00:17:42,520 Speaker 1: You know, you've been in pretty much the whole arc 328 00:17:42,880 --> 00:17:44,880 Speaker 1: of the show, right, You've been there the whole time, 329 00:17:44,920 --> 00:17:48,760 Speaker 1: different you had different jobs during the arc. At what 330 00:17:48,800 --> 00:17:51,600 Speaker 1: point did you realize, oh, man, this show is starting 331 00:17:51,640 --> 00:17:54,639 Speaker 1: to take on a life, like a big life. Because 332 00:17:54,640 --> 00:17:58,280 Speaker 1: for me it was recommended probably like halfway through season two, 333 00:17:58,400 --> 00:17:59,840 Speaker 1: and so much of the stuff that we watched now 334 00:18:00,040 --> 00:18:02,359 Speaker 1: recommend a word of mouth from friends. Like anything, on anything, 335 00:18:02,520 --> 00:18:04,159 Speaker 1: a friend usually says, hey, you got to watch it. 336 00:18:04,440 --> 00:18:07,040 Speaker 1: And I did not start Yellowstone season one, episode one 337 00:18:07,119 --> 00:18:08,840 Speaker 1: right when it came out. I didn't know about it, 338 00:18:09,040 --> 00:18:12,000 Speaker 1: but I got so into it about halfway through season two. 339 00:18:12,720 --> 00:18:16,399 Speaker 1: When did you start to feel like culturally it was impacting? 340 00:18:16,600 --> 00:18:19,520 Speaker 2: Culturally when it was impacting, There's probably other things that 341 00:18:19,640 --> 00:18:22,720 Speaker 2: indicated it, But for me, the biggest one was when 342 00:18:22,760 --> 00:18:26,960 Speaker 2: people started dressing up like our characters for Halloween. That 343 00:18:27,240 --> 00:18:30,000 Speaker 2: I was like, what is happening? I mean it was, 344 00:18:30,600 --> 00:18:33,119 Speaker 2: it was incredible, And I had friends that would have 345 00:18:33,200 --> 00:18:36,080 Speaker 2: watch parties even before it was Halloween, and they would 346 00:18:36,080 --> 00:18:38,600 Speaker 2: like dress up and have their Yellowstone parties. It was 347 00:18:38,880 --> 00:18:41,200 Speaker 2: because it wasn't something that you were getting. You couldn't 348 00:18:41,200 --> 00:18:43,119 Speaker 2: stream it whenever. It was once a week, you know, 349 00:18:43,200 --> 00:18:46,440 Speaker 2: every Sunday night, and people would gather for it, and 350 00:18:46,440 --> 00:18:50,959 Speaker 2: that spoke to, you know, culturally, oh, this is one 351 00:18:51,000 --> 00:18:53,119 Speaker 2: of those shows that people are waiting for to you know, 352 00:18:53,680 --> 00:18:57,080 Speaker 2: get together and watch in that way, which is special. 353 00:18:57,520 --> 00:19:00,560 Speaker 2: But then when people were dressing up as characters, I 354 00:19:00,560 --> 00:19:03,720 Speaker 2: mean and even my character, I'm just like, I'm a 355 00:19:04,160 --> 00:19:06,920 Speaker 2: politician in a suit, and there were people that were 356 00:19:07,080 --> 00:19:10,320 Speaker 2: dressing up like me and John someone was dressing up 357 00:19:10,359 --> 00:19:13,160 Speaker 2: as my character. Obviously there were other characters that are 358 00:19:13,200 --> 00:19:16,199 Speaker 2: you know more Halloween Need to be a Cowboy, to 359 00:19:16,280 --> 00:19:19,800 Speaker 2: be to Beth had some great, you know, iconic looks 360 00:19:19,840 --> 00:19:22,360 Speaker 2: that people would dress up as and and they still 361 00:19:22,400 --> 00:19:25,560 Speaker 2: did it even this last Halloween. There were some. But 362 00:19:25,680 --> 00:19:29,359 Speaker 2: for me, I was like, whoa, that's what's happening here. 363 00:19:30,640 --> 00:19:31,440 Speaker 2: This is a big deal. 364 00:19:31,720 --> 00:19:35,560 Speaker 1: When you were studying acting in whatever form, in all 365 00:19:35,560 --> 00:19:38,639 Speaker 1: the different forms, who was it that you looked at 366 00:19:38,920 --> 00:19:40,879 Speaker 1: or two and thought, Okay, I'm not going to be 367 00:19:40,920 --> 00:19:43,520 Speaker 1: them and I'm not going to emulate their style. But 368 00:19:43,920 --> 00:19:46,160 Speaker 1: I can really take a lot from how they do it. 369 00:19:48,520 --> 00:19:54,440 Speaker 2: Hmm, that's a good question. I don't know, there wasn't one. 370 00:19:54,880 --> 00:20:02,639 Speaker 2: I mean, I really appreciate actors, actors that are listening 371 00:20:03,280 --> 00:20:09,080 Speaker 2: and that are understated and nuanced. I studied with a 372 00:20:09,119 --> 00:20:12,280 Speaker 2: coach in New York for a while called Harold Guskin, 373 00:20:12,720 --> 00:20:15,000 Speaker 2: and he was really he was like a theater guy. 374 00:20:15,000 --> 00:20:17,480 Speaker 2: I think, you know James Gandalfeini studied with him and 375 00:20:17,520 --> 00:20:22,760 Speaker 2: Glenn Close, and there is a quality about his approach 376 00:20:22,840 --> 00:20:27,640 Speaker 2: and those kinds of actors where their stillness and their 377 00:20:27,680 --> 00:20:33,920 Speaker 2: listening is what's going on versus the acting of it. 378 00:20:34,000 --> 00:20:36,680 Speaker 2: He wrote a book called How to Stop Acting. Is 379 00:20:36,680 --> 00:20:39,280 Speaker 2: this idea that acting is that you're you know, you're 380 00:20:39,320 --> 00:20:42,200 Speaker 2: putting it out there, whereas really a lot of times 381 00:20:42,200 --> 00:20:45,600 Speaker 2: it's an inside job and it's a listening and exercise 382 00:20:45,640 --> 00:20:48,560 Speaker 2: and listening to your scene partner and really understanding the 383 00:20:48,920 --> 00:20:52,840 Speaker 2: text the context of the script. So I can't think 384 00:20:52,880 --> 00:20:54,760 Speaker 2: of a person, but I know that that was sort 385 00:20:54,800 --> 00:20:57,320 Speaker 2: of my approach, and when I see actors that are 386 00:20:58,119 --> 00:21:02,480 Speaker 2: that have that, that are doing that, it's I find 387 00:21:02,520 --> 00:21:05,080 Speaker 2: myself getting lost in it and not really paying attention 388 00:21:05,119 --> 00:21:05,800 Speaker 2: to the acting. 389 00:21:06,200 --> 00:21:08,160 Speaker 1: If you were shooting and you did shoot a scene 390 00:21:08,200 --> 00:21:12,359 Speaker 1: multiple times, would you often give no, I won't say better, 391 00:21:12,400 --> 00:21:16,840 Speaker 1: but a slightly different or more nuanced version of your 392 00:21:16,960 --> 00:21:20,040 Speaker 1: character and then let them decide which one best fit. 393 00:21:20,080 --> 00:21:22,200 Speaker 1: I mean, would they be a bit different for that purpose. 394 00:21:22,400 --> 00:21:24,680 Speaker 2: Yeah. Sometimes you do it on your own because it's 395 00:21:24,720 --> 00:21:29,520 Speaker 2: fun to play, and there's different there's different there's often 396 00:21:29,600 --> 00:21:33,160 Speaker 2: different ways that you can approach a scene or play 397 00:21:33,160 --> 00:21:36,600 Speaker 2: a scene. And sometimes I would find it on my 398 00:21:36,640 --> 00:21:38,919 Speaker 2: own and play around with it. And sometimes I would 399 00:21:39,119 --> 00:21:42,120 Speaker 2: stick to one thing, and then one of our wonderful 400 00:21:42,119 --> 00:21:44,960 Speaker 2: directors would come in and say, try it this way 401 00:21:45,040 --> 00:21:47,080 Speaker 2: or think about it like this, and then it's like, 402 00:21:47,160 --> 00:21:49,480 Speaker 2: oh wow, that's a great note. And then it changes 403 00:21:49,520 --> 00:21:52,520 Speaker 2: the whole It changes it, you know, and then there's 404 00:21:52,600 --> 00:21:57,080 Speaker 2: just an incredible editor on that show. So they were 405 00:21:57,640 --> 00:22:01,320 Speaker 2: fantastic about picking. I don't think there was ever a 406 00:22:01,400 --> 00:22:03,680 Speaker 2: scene that I watched back that I was like, oh, 407 00:22:03,720 --> 00:22:06,560 Speaker 2: I wish they used this take or that didn't you know, 408 00:22:06,760 --> 00:22:10,439 Speaker 2: I don't feel like that was like it always was. 409 00:22:11,040 --> 00:22:13,840 Speaker 2: I was always really really pleased with the way they edited, 410 00:22:13,840 --> 00:22:17,280 Speaker 2: because the editing of something is, you know, that's the 411 00:22:17,400 --> 00:22:19,360 Speaker 2: art that's a separate thing that goes on that they 412 00:22:19,400 --> 00:22:22,040 Speaker 2: piece it together and can create a performance based on 413 00:22:22,080 --> 00:22:24,280 Speaker 2: just the editing, and it can look a lot like 414 00:22:24,320 --> 00:22:26,000 Speaker 2: what you think you were doing, or it could look 415 00:22:26,040 --> 00:22:30,679 Speaker 2: a lot different. But I always felt like how I 416 00:22:30,760 --> 00:22:34,320 Speaker 2: was showing up doing my work was translating to the 417 00:22:34,359 --> 00:22:37,680 Speaker 2: screen in the in the best version of what I 418 00:22:37,720 --> 00:22:38,159 Speaker 2: was giving. 419 00:22:38,480 --> 00:22:40,200 Speaker 1: How do you feel about watching yourself back? 420 00:22:40,240 --> 00:22:42,960 Speaker 2: Generally, I like to watch myself back because I like 421 00:22:43,080 --> 00:22:46,280 Speaker 2: to not incessantly, you know, I don't. I didn't wasn't 422 00:22:46,320 --> 00:22:48,879 Speaker 2: like running to watch the show, like I would have 423 00:22:48,920 --> 00:22:52,879 Speaker 2: to kind of mentally prepare myself to watch it and 424 00:22:52,960 --> 00:22:57,240 Speaker 2: not you know, criticize myself too much. But I find 425 00:22:57,520 --> 00:23:00,959 Speaker 2: there's value in watching yourself to make sure that what 426 00:23:01,000 --> 00:23:03,680 Speaker 2: you feel like you're doing in the moment is is 427 00:23:04,600 --> 00:23:08,560 Speaker 2: coming across and then you feel like, Okay, I'm in 428 00:23:08,640 --> 00:23:10,480 Speaker 2: the I'm in the zone, I'm in the right zone 429 00:23:10,520 --> 00:23:13,560 Speaker 2: that I want to be in. And then the feedback 430 00:23:13,600 --> 00:23:15,560 Speaker 2: that you're getting from people that are guiding you or 431 00:23:15,720 --> 00:23:21,240 Speaker 2: you know, they're they're confirming that for you. So yeah, 432 00:23:21,320 --> 00:23:24,040 Speaker 2: and uh, and I like to I like to watch 433 00:23:24,080 --> 00:23:28,119 Speaker 2: it back because I get a lot of pleasure watching uh, 434 00:23:28,400 --> 00:23:33,040 Speaker 2: the other actors' performances and how we You know, it's 435 00:23:33,040 --> 00:23:36,399 Speaker 2: different when you're working live across from someone and then 436 00:23:36,440 --> 00:23:38,959 Speaker 2: when you see the product with the music and with 437 00:23:39,040 --> 00:23:42,760 Speaker 2: the editing and and things that the scene partner was 438 00:23:43,080 --> 00:23:47,560 Speaker 2: doing that were maybe small when you were across from them, 439 00:23:47,560 --> 00:23:50,000 Speaker 2: but then when you see it, it's like, oh, wow, 440 00:23:50,080 --> 00:23:52,840 Speaker 2: that was a great look or a great moment without 441 00:23:52,880 --> 00:23:55,800 Speaker 2: even having words. Those kinds of things I think are 442 00:23:55,840 --> 00:23:57,680 Speaker 2: really fun for the watching back. 443 00:23:57,760 --> 00:23:59,840 Speaker 1: For me, what's your process as far as getting into 444 00:23:59,880 --> 00:24:02,239 Speaker 1: it character? I'm assuming you're not a full method all 445 00:24:02,280 --> 00:24:03,800 Speaker 1: the time and we don't have to call you governor 446 00:24:03,880 --> 00:24:06,600 Speaker 1: during the day at noon, but like, what what is 447 00:24:06,760 --> 00:24:08,280 Speaker 1: what is your process to get there? 448 00:24:08,440 --> 00:24:12,720 Speaker 2: For me, it starts with doing doing some research and 449 00:24:12,840 --> 00:24:18,320 Speaker 2: understanding who the person is, their occupation if the occupation 450 00:24:18,480 --> 00:24:21,320 Speaker 2: is so specific like in this case, so I like 451 00:24:21,359 --> 00:24:23,680 Speaker 2: to know what it means to be the kind of person, 452 00:24:24,200 --> 00:24:28,159 Speaker 2: what their job is, who you are to be that, 453 00:24:28,880 --> 00:24:34,320 Speaker 2: and then how they stand, how you're standing. I'm a 454 00:24:34,600 --> 00:24:36,240 Speaker 2: you know, I'm a bit of a tomboy. I don't 455 00:24:36,520 --> 00:24:41,080 Speaker 2: you know, I'm not like I feel like that. If 456 00:24:41,080 --> 00:24:43,520 Speaker 2: we're talking about the governor for me in my mind, Okay, 457 00:24:43,560 --> 00:24:46,440 Speaker 2: she stands up straight. And the clothes that are incredible 458 00:24:46,440 --> 00:24:50,800 Speaker 2: costume designer give will like inform me and change me, 459 00:24:52,720 --> 00:24:56,919 Speaker 2: and those kinds of things help me, help me get 460 00:24:57,119 --> 00:24:59,920 Speaker 2: into character. And no, I don't have to I'm not 461 00:25:00,400 --> 00:25:02,520 Speaker 2: I don't have to be called the governor in between 462 00:25:02,560 --> 00:25:05,320 Speaker 2: it all. I'm easy to. I mean, Wes and I 463 00:25:05,359 --> 00:25:07,000 Speaker 2: had so much fun together. We would have a lot 464 00:25:07,000 --> 00:25:11,320 Speaker 2: of laughs, and I appreciate a great sense of humor 465 00:25:11,359 --> 00:25:14,680 Speaker 2: and I like to laugh in between and I would 466 00:25:14,720 --> 00:25:18,080 Speaker 2: have my moments where I would be pretending like I was, 467 00:25:18,160 --> 00:25:22,119 Speaker 2: you know, in deep like well, you know, like in 468 00:25:22,160 --> 00:25:24,520 Speaker 2: between takes and then and then snap back into the 469 00:25:24,560 --> 00:25:27,119 Speaker 2: reality of the show. And you know, that was my 470 00:25:28,640 --> 00:25:32,720 Speaker 2: that was my fun fantasy in between takes. That was 471 00:25:32,800 --> 00:25:34,320 Speaker 2: Julia Louis Dreyfus on VIEP. 472 00:25:34,400 --> 00:25:36,320 Speaker 1: Isn't it And we're kind of wrap on this, But 473 00:25:37,080 --> 00:25:39,680 Speaker 1: isn't it so much fun? Too? And there's a difference 474 00:25:40,240 --> 00:25:43,359 Speaker 1: just even my experience in doing whatever television I'm doing, 475 00:25:43,720 --> 00:25:46,560 Speaker 1: and having people you like and working with every day 476 00:25:46,960 --> 00:25:50,720 Speaker 1: and people that there are maybe mid and it makes 477 00:25:50,800 --> 00:25:54,119 Speaker 1: it so much more enjoyable to have people that you 478 00:25:54,160 --> 00:25:55,880 Speaker 1: work with day in and day out, that you actually 479 00:25:56,000 --> 00:25:59,600 Speaker 1: enjoy them, And I felt like it makes me better 480 00:25:59,600 --> 00:26:01,919 Speaker 1: at what I'm doing. If I'm with someone that I enjoy, 481 00:26:02,640 --> 00:26:04,719 Speaker 1: they can also push me, because it's okay if they 482 00:26:04,720 --> 00:26:07,720 Speaker 1: push me. I don't get offended or resentful if somebody 483 00:26:07,760 --> 00:26:09,560 Speaker 1: I like is telling me, hey, you can do this. 484 00:26:09,680 --> 00:26:12,520 Speaker 1: Did you experience that with this cast and especially the 485 00:26:12,520 --> 00:26:14,480 Speaker 1: political side of this show. 486 00:26:15,240 --> 00:26:18,640 Speaker 2: It was heaven working with this group of people, every 487 00:26:18,680 --> 00:26:23,040 Speaker 2: actor that I worked with, I don't have a negative 488 00:26:23,960 --> 00:26:26,320 Speaker 2: Not only do I not have a negative experience, had 489 00:26:26,359 --> 00:26:30,800 Speaker 2: a negative experience with anybody, but it was above and beyond, 490 00:26:33,320 --> 00:26:37,879 Speaker 2: but professionally when you're talking about seeing partners and then 491 00:26:38,240 --> 00:26:41,119 Speaker 2: the in between of just liking them, you know, to 492 00:26:41,160 --> 00:26:45,320 Speaker 2: your point, wanting to be around them, trusting the process 493 00:26:45,600 --> 00:26:52,200 Speaker 2: in working with them. Yeah, I mean, it didn't get better. 494 00:26:54,200 --> 00:26:57,439 Speaker 2: It doesn't get better than that. What it was for 495 00:26:57,560 --> 00:27:02,280 Speaker 2: me was in my working experience and the pleasure of 496 00:27:02,320 --> 00:27:03,320 Speaker 2: being around these people. 497 00:27:03,680 --> 00:27:05,399 Speaker 1: You were awesome, one of my favorite characters of the 498 00:27:05,720 --> 00:27:08,520 Speaker 1: whole show. I thought, again, you were just excellent. It 499 00:27:08,560 --> 00:27:12,120 Speaker 1: was really cool to talk with you. Congratulations on such 500 00:27:12,119 --> 00:27:16,520 Speaker 1: a run and sometimes on this show I'll complain in 501 00:27:16,560 --> 00:27:19,280 Speaker 1: general about American television as compared to British television, because 502 00:27:19,320 --> 00:27:21,280 Speaker 1: they will do a show and they'll do two seasons 503 00:27:21,280 --> 00:27:22,879 Speaker 1: and they'll go, this is perfect. We don't want to 504 00:27:22,880 --> 00:27:25,280 Speaker 1: continue going because it will no longer be perfect. And 505 00:27:25,320 --> 00:27:27,960 Speaker 1: I like that about British television. But what I like 506 00:27:28,040 --> 00:27:32,080 Speaker 1: about what Yellowstone did is like it's done now, but 507 00:27:32,119 --> 00:27:34,720 Speaker 1: it was right. It was just right, and I loved 508 00:27:34,760 --> 00:27:37,040 Speaker 1: your character, and I love that they didn't try to 509 00:27:37,080 --> 00:27:39,520 Speaker 1: go twelve seasons. And I do like the other versions, 510 00:27:39,520 --> 00:27:41,960 Speaker 1: but they're different stories and different people. But I feel 511 00:27:42,000 --> 00:27:46,160 Speaker 1: like it's a great time. I loved it, and now 512 00:27:46,200 --> 00:27:48,679 Speaker 1: I think it was so quality all the way to 513 00:27:48,720 --> 00:27:52,240 Speaker 1: the end. There's not like filler seasons, and that is 514 00:27:52,280 --> 00:27:54,840 Speaker 1: what I enjoyed about the show. And you did such 515 00:27:54,840 --> 00:27:56,239 Speaker 1: a great job, and so I just wanted to tell 516 00:27:56,240 --> 00:27:57,680 Speaker 1: you that and thank you so much for the time. 517 00:28:04,240 --> 00:28:07,919 Speaker 1: The Yellowstone Official Podcast hosted by Me Bobby Bones and 518 00:28:07,960 --> 00:28:11,760 Speaker 1: brought to you by iHeartMedia Podcasts and MTV Entertainment Studios. 519 00:28:12,040 --> 00:28:15,920 Speaker 1: Big shout out to executive producers Jason Reid, Lindsay Hoffman, 520 00:28:16,240 --> 00:28:19,359 Speaker 1: Carl Katl and Kevin O'Connell. Also our senior manager of 521 00:28:19,400 --> 00:28:22,600 Speaker 1: podcast Marketing, Ali Canner Grab for keeping the word out 522 00:28:22,880 --> 00:28:25,200 Speaker 1: and of course a big thanks to Will Pearson, president 523 00:28:25,240 --> 00:28:28,240 Speaker 1: of iHeartMedia Podcast for him supporting this show. We've also 524 00:28:28,320 --> 00:28:31,600 Speaker 1: got special thanks going out to Whitney Baxter, xavier A Free, 525 00:28:31,680 --> 00:28:35,280 Speaker 1: Barbara Parida, Emily Curry, and Joe Flattery. You guys make 526 00:28:35,320 --> 00:28:38,560 Speaker 1: this happen. This podcast is produced in association with One 527 00:28:38,560 --> 00:28:41,720 Speaker 1: on one Studios over there executive producer Scott Stone and 528 00:28:41,800 --> 00:28:45,080 Speaker 1: Director of Podcast Development and Production Danielle Waxman. We also 529 00:28:45,120 --> 00:28:47,240 Speaker 1: got to give a big nod to Michelle Newman, David 530 00:28:47,280 --> 00:28:49,920 Speaker 1: Glasser and David Hutkin for their support. Thank you guys 531 00:28:49,960 --> 00:28:51,600 Speaker 1: for tuning in. See you next week.