1 00:00:00,080 --> 00:00:02,360 Speaker 1: Heybody, thanks for watching this week's episode. We want to 2 00:00:02,360 --> 00:00:03,480 Speaker 1: promote where you can see us. 3 00:00:03,600 --> 00:00:04,760 Speaker 2: For tickets, go to Joe. 4 00:00:04,559 --> 00:00:07,600 Speaker 1: Gattoofficial dot com. To see all my door dates. 5 00:00:07,920 --> 00:00:13,360 Speaker 2: For Steve's go to punch Up dot Live backslash Steve 6 00:00:13,760 --> 00:00:16,720 Speaker 2: hyphen Burn. That's beat y r I need. 7 00:00:17,120 --> 00:00:20,040 Speaker 3: He makes it so easy to find him and now 8 00:00:20,239 --> 00:00:26,200 Speaker 3: onto the episode. 9 00:00:28,560 --> 00:00:34,120 Speaker 1: Were a ticket MND, Okay, here we go. I'm so excited. Hey, 10 00:00:34,200 --> 00:00:35,680 Speaker 1: thank you for listening to two Cool Moms. 11 00:00:35,720 --> 00:00:37,880 Speaker 3: I'm Joe Gatto, I'm Steve Burn and with us today 12 00:00:37,920 --> 00:00:39,080 Speaker 3: is the lovely Kobe Ka. 13 00:00:39,200 --> 00:00:42,360 Speaker 1: Thank you so much for joining us. It's great to 14 00:00:42,360 --> 00:00:42,720 Speaker 1: see you. 15 00:00:42,800 --> 00:00:44,840 Speaker 2: Yes, see you the cool aunt. 16 00:00:45,080 --> 00:00:48,520 Speaker 1: Yeah, we do colands. So when you're on aunt aunt, 17 00:00:48,720 --> 00:00:52,600 Speaker 1: what do you say? And yeah, okay An, you're very proper. 18 00:00:52,920 --> 00:00:56,440 Speaker 2: My father is very regimented with he's so Irish, like 19 00:00:56,480 --> 00:01:00,000 Speaker 2: the old school Irish where they're like insistent on every 20 00:01:00,160 --> 00:01:02,400 Speaker 2: syllable being pronounced correctly and you. 21 00:01:02,280 --> 00:01:09,080 Speaker 3: Say ultimate. 22 00:01:08,600 --> 00:01:14,479 Speaker 2: All right, Two color moms moms, I love it all. 23 00:01:14,520 --> 00:01:17,320 Speaker 1: Sudden, it's great, fantastic. Well, thank you so much for 24 00:01:17,400 --> 00:01:19,920 Speaker 1: joining us. I can't believe you did it. 25 00:01:19,920 --> 00:01:21,440 Speaker 2: This is so funny to have you here, which you've 26 00:01:21,480 --> 00:01:23,600 Speaker 2: been You've been talking about her since we started the 27 00:01:23,640 --> 00:01:25,080 Speaker 2: show about getting wrong. 28 00:01:24,920 --> 00:01:27,319 Speaker 3: I asked, she is one of the most interesting people 29 00:01:27,360 --> 00:01:29,600 Speaker 3: I've ever met in my life. I still yes, you 30 00:01:29,640 --> 00:01:32,560 Speaker 3: are so fun, so nice, super sweet, and I you know, 31 00:01:32,760 --> 00:01:36,920 Speaker 3: our our friendship began a long time ago when I 32 00:01:37,000 --> 00:01:40,800 Speaker 3: crashed one of your concerts because my wife is a super. 33 00:01:40,480 --> 00:01:42,800 Speaker 1: Fan and I knew your music as well, and he 34 00:01:42,920 --> 00:01:43,520 Speaker 1: was in your house. 35 00:01:43,840 --> 00:01:48,160 Speaker 3: We damned first first each other, and I knew you 36 00:01:48,160 --> 00:01:49,120 Speaker 3: were having a show, and I was like, Hey, you're 37 00:01:49,120 --> 00:01:49,560 Speaker 3: coming to New York. 38 00:01:49,560 --> 00:01:50,560 Speaker 1: I'd love to come see you. And You're like, oh 39 00:01:50,600 --> 00:01:52,120 Speaker 1: my god, I know. I'm like, how do you know me? 40 00:01:52,520 --> 00:01:55,880 Speaker 3: It's too low brow for Kobe, and and then yeah, 41 00:01:55,920 --> 00:01:58,080 Speaker 3: it was just Ever since then, it's been great and 42 00:01:58,080 --> 00:02:00,240 Speaker 3: you're wonderful. So I'm very excited to have you with 43 00:02:00,320 --> 00:02:02,520 Speaker 3: us to, you know, bring it down a notch for 44 00:02:02,560 --> 00:02:03,920 Speaker 3: her and bring it up a notch for us. 45 00:02:04,000 --> 00:02:06,200 Speaker 2: By the way, you must like when you're touring as 46 00:02:06,280 --> 00:02:09,079 Speaker 2: much as you do, like you must get pinged quite 47 00:02:09,160 --> 00:02:11,840 Speaker 2: often from who's one of the odder celebrities you've gotten 48 00:02:11,919 --> 00:02:14,400 Speaker 2: dm from, like hey, I'm a big fan, and even 49 00:02:14,400 --> 00:02:15,239 Speaker 2: you were surprised by that. 50 00:02:15,320 --> 00:02:19,160 Speaker 1: Yeah, because I was surprised you knew me, Like. 51 00:02:18,520 --> 00:02:22,280 Speaker 4: Oh yeah, I mean so I wish see I need 52 00:02:22,320 --> 00:02:23,480 Speaker 4: to be prepared with these questions. 53 00:02:23,560 --> 00:02:25,280 Speaker 5: I don't know, I'm it just depends. 54 00:02:25,320 --> 00:02:27,280 Speaker 4: I feel like, like our friendship was so random, and 55 00:02:27,320 --> 00:02:29,679 Speaker 4: I truly was like the biggest fan. 56 00:02:29,760 --> 00:02:32,560 Speaker 5: I was like, are you kidding? I told my girlfriends because. 57 00:02:32,320 --> 00:02:34,320 Speaker 4: We watched your Guys show all the time and we 58 00:02:34,320 --> 00:02:35,239 Speaker 4: thought it was so funny. 59 00:02:35,280 --> 00:02:37,679 Speaker 5: So I don't know, Like I think. 60 00:02:37,680 --> 00:02:40,800 Speaker 4: I DMed Casey Musgraves the other day to like, you know, 61 00:02:40,840 --> 00:02:42,960 Speaker 4: see if she wanted to work together whatever, and she 62 00:02:43,120 --> 00:02:46,799 Speaker 4: responded and I was like, oh my god, she like responded, 63 00:02:46,800 --> 00:02:47,440 Speaker 4: that's so cool. 64 00:02:47,480 --> 00:02:48,519 Speaker 5: It just feels nice. 65 00:02:48,280 --> 00:02:49,240 Speaker 1: When it always does. 66 00:02:49,360 --> 00:02:50,760 Speaker 5: You know, you're like, oh, okay, thank you. 67 00:02:50,880 --> 00:02:51,600 Speaker 1: I get I get. 68 00:02:52,080 --> 00:02:54,720 Speaker 3: I get like all the time when people like recognize 69 00:02:54,840 --> 00:02:57,280 Speaker 3: or you know somebody and it's like my first question 70 00:02:57,320 --> 00:03:00,520 Speaker 3: that is like how, yeah, you know, how did you 71 00:03:00,560 --> 00:03:01,640 Speaker 3: find like True TV? 72 00:03:01,840 --> 00:03:02,840 Speaker 1: Like it's it's very weird. 73 00:03:02,960 --> 00:03:05,200 Speaker 2: You make it seem like, yeah, dude, it's one of 74 00:03:05,240 --> 00:03:08,880 Speaker 2: the biggest show in the history of fifteen years, I know, 75 00:03:08,919 --> 00:03:09,480 Speaker 2: fourteen years. 76 00:03:09,520 --> 00:03:11,040 Speaker 3: If you think about like but if you think about that. 77 00:03:11,080 --> 00:03:12,560 Speaker 3: It's still like you're in a vacuum, like you're on 78 00:03:12,560 --> 00:03:14,040 Speaker 3: a TV show. You know, You're like you're in a vacuum. 79 00:03:14,040 --> 00:03:15,640 Speaker 3: You don't feel like it. Especially I did it with 80 00:03:15,680 --> 00:03:17,200 Speaker 3: my friends. It was like I'm just missing you know. 81 00:03:17,400 --> 00:03:18,359 Speaker 3: It didn't really feel like it. 82 00:03:18,440 --> 00:03:20,960 Speaker 2: You know, how I feel is how you should really feel. 83 00:03:21,000 --> 00:03:24,480 Speaker 2: Like that's crazy, Like I had an obscure summer show 84 00:03:24,520 --> 00:03:27,440 Speaker 2: on TBS and you're like on television twenty four hours 85 00:03:27,480 --> 00:03:30,440 Speaker 2: a day. You're like, who did you find me? What 86 00:03:31,120 --> 00:03:32,960 Speaker 2: do you also koy and shy about? 87 00:03:33,000 --> 00:03:34,320 Speaker 1: Like you know me? 88 00:03:34,440 --> 00:03:34,639 Speaker 3: Yeah? 89 00:03:34,680 --> 00:03:36,800 Speaker 5: Exactly, Yeah, yeah, come on. 90 00:03:36,720 --> 00:03:37,880 Speaker 1: No, I'm world famous, guys. 91 00:03:37,880 --> 00:03:40,320 Speaker 3: I don't want to break it to you, world famous 92 00:03:40,360 --> 00:03:42,440 Speaker 3: basic cable celebrity Joe Gatta, but. 93 00:03:42,480 --> 00:03:44,880 Speaker 2: I follow you and then you and Gavin du Graus, 94 00:03:45,320 --> 00:03:46,800 Speaker 2: you guys seem to work together. 95 00:03:47,120 --> 00:03:50,240 Speaker 4: But yeah, yeah, we're besties. We've worked together for I 96 00:03:50,240 --> 00:03:52,280 Speaker 4: don't know, fifteen years. We have a song together, we 97 00:03:52,320 --> 00:03:54,680 Speaker 4: wrote for a movie, We've toured a punch together. 98 00:03:55,520 --> 00:03:56,400 Speaker 5: We're just like besties. 99 00:03:56,640 --> 00:03:59,160 Speaker 2: So it's a great duo. And it's it's like the 100 00:03:59,200 --> 00:04:00,920 Speaker 2: things where I see you together, I'm like, man, I 101 00:04:00,920 --> 00:04:02,800 Speaker 2: wish I was in town at some point to get 102 00:04:02,800 --> 00:04:03,640 Speaker 2: to watch you guys together. 103 00:04:03,640 --> 00:04:07,360 Speaker 4: How did that friendship for him we got? You know, 104 00:04:07,400 --> 00:04:09,800 Speaker 4: I think you just meet like in LA and doing shows, 105 00:04:09,840 --> 00:04:12,360 Speaker 4: and you you meet at you know, at either like 106 00:04:12,400 --> 00:04:14,880 Speaker 4: a radio show or through an event that you're doing. 107 00:04:15,360 --> 00:04:19,120 Speaker 4: And we were both fans of each other's music. I 108 00:04:19,120 --> 00:04:21,320 Speaker 4: think we were like, let's write together. Sometimes we wrote 109 00:04:21,360 --> 00:04:23,120 Speaker 4: a song at my house and then that song got 110 00:04:23,120 --> 00:04:25,080 Speaker 4: in a movie and we toured together. 111 00:04:25,120 --> 00:04:26,239 Speaker 5: I think that next summer. 112 00:04:26,360 --> 00:04:28,719 Speaker 4: And yeah, so it just kind of was one of 113 00:04:28,720 --> 00:04:31,680 Speaker 4: those things that it started with work, but then it 114 00:04:31,720 --> 00:04:34,120 Speaker 4: turned into just like a great like we're like like 115 00:04:34,560 --> 00:04:36,440 Speaker 4: brother sister, like with bicker all the time. 116 00:04:36,520 --> 00:04:39,840 Speaker 1: It's like a really fun, familiar big bro. 117 00:04:40,480 --> 00:04:41,040 Speaker 2: I'm a sister. 118 00:04:43,880 --> 00:04:45,960 Speaker 1: Yeah, and I'm a big bro because I'm round there. 119 00:04:46,000 --> 00:04:48,320 Speaker 2: You're older. No, you said brother sister, So I was like, well, 120 00:04:48,320 --> 00:04:51,000 Speaker 2: I have to be the sister. Another question for you, 121 00:04:51,040 --> 00:04:53,200 Speaker 2: do you prefer to tour when you when you get 122 00:04:53,240 --> 00:04:55,919 Speaker 2: to when you get to go out on tour with 123 00:04:55,960 --> 00:04:58,320 Speaker 2: somebody that you appreciate your friends with, would you prefer 124 00:04:58,440 --> 00:05:01,520 Speaker 2: to tour in general on your own or is it 125 00:05:01,600 --> 00:05:03,520 Speaker 2: nice to have that camaraderie or is there like a 126 00:05:03,600 --> 00:05:04,080 Speaker 2: good mix. 127 00:05:04,240 --> 00:05:04,960 Speaker 5: It's a good mix. 128 00:05:05,120 --> 00:05:06,720 Speaker 4: So, you know, Gavin and I w end up touring 129 00:05:06,760 --> 00:05:09,479 Speaker 4: together a lot. We're already booking some more shows next year. Like, 130 00:05:09,560 --> 00:05:12,400 Speaker 4: it's just fun to tour with people that you are 131 00:05:12,440 --> 00:05:14,760 Speaker 4: fans of their music, that you're friends with. It keeps 132 00:05:14,800 --> 00:05:17,200 Speaker 4: the you know, as you guys know, touring can get 133 00:05:17,839 --> 00:05:20,360 Speaker 4: a little depressing kind of if you're just the same 134 00:05:20,400 --> 00:05:23,440 Speaker 4: old routine and although you love your band and crew, 135 00:05:23,480 --> 00:05:26,200 Speaker 4: it's just it's it's nice having friends out there and 136 00:05:26,600 --> 00:05:29,479 Speaker 4: also collaborating, Like Gavin is one of my favorite vocalists ever, 137 00:05:29,600 --> 00:05:33,680 Speaker 4: so singing with him makes the show extra fun. It 138 00:05:33,760 --> 00:05:36,080 Speaker 4: also makes a lot more dynamic. So you know, having 139 00:05:36,080 --> 00:05:38,880 Speaker 4: your own tour is really nice because it's just it's less, 140 00:05:39,520 --> 00:05:42,920 Speaker 4: there's less chaos, less to have to balance and figure out. 141 00:05:43,040 --> 00:05:44,719 Speaker 4: So both it's a balance of both. 142 00:05:45,120 --> 00:05:47,520 Speaker 2: What's been your dream collaboration? What was the one where 143 00:05:47,520 --> 00:05:49,159 Speaker 2: you're like, pinch me, I can't believe I'm in the 144 00:05:49,160 --> 00:05:50,440 Speaker 2: studio doing this is crazy? 145 00:05:51,560 --> 00:05:53,279 Speaker 1: This is it? 146 00:05:55,320 --> 00:05:55,440 Speaker 2: Right? 147 00:05:55,839 --> 00:05:58,120 Speaker 4: Here we go today is one of the days. But 148 00:05:59,320 --> 00:06:03,600 Speaker 4: for music, I got to tour with John Mayer and 149 00:06:03,880 --> 00:06:07,400 Speaker 4: Cheryl Crow. Cheryl Crow sang on one of my songs. 150 00:06:08,839 --> 00:06:12,640 Speaker 4: I'm actually doing a duet album, which I have not announced, 151 00:06:12,680 --> 00:06:15,279 Speaker 4: so this is probably too soon for me to be 152 00:06:15,279 --> 00:06:17,480 Speaker 4: announcing it. But there's a lot of people on this 153 00:06:17,520 --> 00:06:20,840 Speaker 4: album that I've been really excited to work with. Yeah, 154 00:06:20,960 --> 00:06:24,159 Speaker 4: so I think stuff like that, I love that, And. 155 00:06:24,240 --> 00:06:26,280 Speaker 2: Is there one still out in the ether, like a 156 00:06:26,720 --> 00:06:29,159 Speaker 2: one that you're like, yes. 157 00:06:29,440 --> 00:06:33,520 Speaker 4: Post Malone and cold Play, I think, like Chris Martin, 158 00:06:33,520 --> 00:06:35,159 Speaker 4: that would be amazing, both of those. 159 00:06:35,360 --> 00:06:38,360 Speaker 3: I just I did the jingle Bowl tour with iHeart, 160 00:06:38,400 --> 00:06:41,000 Speaker 3: and I went to a bunch of them and Chris 161 00:06:41,000 --> 00:06:44,719 Speaker 3: Martin was at one of them and he played his 162 00:06:44,839 --> 00:06:47,440 Speaker 3: song that in the There's a Kid Movie sing and 163 00:06:47,440 --> 00:06:50,200 Speaker 3: my kids were with me and he played it, and 164 00:06:50,320 --> 00:06:52,839 Speaker 3: my son like he put it together because it's a 165 00:06:52,839 --> 00:06:55,960 Speaker 3: cartoon to him, and he saw the song being played 166 00:06:56,000 --> 00:06:58,080 Speaker 3: and he was like, oh, he's. 167 00:06:57,880 --> 00:06:58,479 Speaker 2: From the movie. 168 00:06:59,600 --> 00:07:00,240 Speaker 1: Thought it was him. 169 00:07:01,839 --> 00:07:06,240 Speaker 2: Is really cute A like jingle Ball and stuff like that. 170 00:07:06,640 --> 00:07:08,800 Speaker 2: I'm like, Oh, I met the original guitarist from Rat 171 00:07:08,800 --> 00:07:09,480 Speaker 2: at a Chili's. 172 00:07:10,040 --> 00:07:14,440 Speaker 5: It's like, oh, if you guys have seen cold Play, 173 00:07:14,520 --> 00:07:15,640 Speaker 5: have you been to a cold Play. 174 00:07:15,840 --> 00:07:16,600 Speaker 1: Cold Play concert? 175 00:07:16,600 --> 00:07:18,000 Speaker 3: No? I saw him as a part of that. He 176 00:07:18,000 --> 00:07:20,520 Speaker 3: did three songs and it was just awesome. 177 00:07:20,600 --> 00:07:22,640 Speaker 4: Yeah, he's just yeah, those jingle balls are so cool 178 00:07:22,680 --> 00:07:26,000 Speaker 4: because you it's everyone from every genre, and that's again 179 00:07:26,040 --> 00:07:27,800 Speaker 4: that's how you kind of make friends and connect with 180 00:07:27,920 --> 00:07:29,560 Speaker 4: artists that that you admire. 181 00:07:29,680 --> 00:07:30,239 Speaker 1: It's fun. 182 00:07:31,040 --> 00:07:33,600 Speaker 3: I befriended up Benson Boone through it. He's such a 183 00:07:33,640 --> 00:07:35,200 Speaker 3: fun guy, such a great dude. That's what I'm on 184 00:07:35,240 --> 00:07:36,960 Speaker 3: the you know, the grammar is just happening. He did 185 00:07:36,960 --> 00:07:38,680 Speaker 3: great there, but it was it's fun just to go 186 00:07:38,800 --> 00:07:44,600 Speaker 3: in and be like off piano. I didn't see he 187 00:07:44,640 --> 00:07:46,480 Speaker 3: does like he's like very active on stage, so he 188 00:07:46,560 --> 00:07:48,560 Speaker 3: like does like backflips while he's singing and stuff. So 189 00:07:48,960 --> 00:07:50,480 Speaker 3: it was very funny to see him. And every time 190 00:07:50,520 --> 00:07:52,440 Speaker 3: he goes like you see all his people. 191 00:07:52,200 --> 00:07:52,960 Speaker 2: On the side, they're like. 192 00:07:55,600 --> 00:07:55,960 Speaker 1: Thank god. 193 00:07:56,040 --> 00:08:00,120 Speaker 2: Yeah. It was in a fuel jumpsuit. He did a 194 00:08:00,120 --> 00:08:02,720 Speaker 2: buff a piano and then he adjusted himself at the 195 00:08:02,840 --> 00:08:04,560 Speaker 2: end and all this is like trending, and I was like, 196 00:08:04,640 --> 00:08:07,360 Speaker 2: that's pretty pretty. That's like that's the difference between like 197 00:08:07,440 --> 00:08:08,800 Speaker 2: rock stars and like what we do. 198 00:08:08,880 --> 00:08:10,440 Speaker 1: It's like, well, when you try to do that at 199 00:08:10,480 --> 00:08:11,360 Speaker 1: our last show, why. 200 00:08:14,440 --> 00:08:15,120 Speaker 5: Hurt yourself? 201 00:08:15,560 --> 00:08:18,920 Speaker 1: You hurt yourself? So as far as like, so we 202 00:08:18,960 --> 00:08:21,640 Speaker 1: talk about our moms a lot because like we always 203 00:08:21,680 --> 00:08:22,080 Speaker 1: were like. 204 00:08:22,000 --> 00:08:23,720 Speaker 3: The friends that come through advice. So in like your 205 00:08:23,720 --> 00:08:26,320 Speaker 3: friend group, I know you have a lot of cool friends. 206 00:08:26,320 --> 00:08:28,080 Speaker 1: I've met a lot of them. They're wonderful. 207 00:08:28,480 --> 00:08:30,760 Speaker 3: Where do you fall in the coming for advice or 208 00:08:30,800 --> 00:08:32,280 Speaker 3: going to people for advice kind of thing? 209 00:08:32,320 --> 00:08:35,520 Speaker 1: Are you the voice or reason or you like, how 210 00:08:35,559 --> 00:08:37,000 Speaker 1: do you how does it shake effort? 211 00:08:37,080 --> 00:08:38,880 Speaker 4: I think I mean both for sure. I think it 212 00:08:38,960 --> 00:08:42,400 Speaker 4: depends like for girl girlfriends, you know, if you're going 213 00:08:42,400 --> 00:08:43,760 Speaker 4: through a breakup or. 214 00:08:43,679 --> 00:08:45,199 Speaker 5: There's like boy trouble stuff like that. 215 00:08:45,240 --> 00:08:47,640 Speaker 4: There's there's times where we vent to each other and 216 00:08:47,679 --> 00:08:49,480 Speaker 4: then there's times where it's like the ex that you've 217 00:08:49,520 --> 00:08:52,440 Speaker 4: gone back to way too many times. And as the 218 00:08:52,440 --> 00:08:54,679 Speaker 4: best friends were like, I can't talk to you about it, 219 00:08:54,720 --> 00:08:57,080 Speaker 4: I have to talk to like an distant friend like 220 00:08:57,120 --> 00:08:59,199 Speaker 4: who will who are who's actually going to talk a 221 00:08:59,200 --> 00:09:02,160 Speaker 4: little bit, because you know, best friends you kind of 222 00:09:02,200 --> 00:09:02,880 Speaker 4: just like cut it off. 223 00:09:02,920 --> 00:09:05,280 Speaker 5: You have no tolerance for that person whatsoever. 224 00:09:05,600 --> 00:09:08,000 Speaker 4: But no, I feel like when it comes to you know, 225 00:09:08,040 --> 00:09:11,440 Speaker 4: I think a lot of us can struggle with depression 226 00:09:11,440 --> 00:09:14,439 Speaker 4: at times, and like life can be hard and challenging 227 00:09:14,480 --> 00:09:16,640 Speaker 4: and there's just things. And so I feel like my 228 00:09:16,720 --> 00:09:19,040 Speaker 4: friends and I are really good about being honest and 229 00:09:19,120 --> 00:09:20,760 Speaker 4: vulnerable and just be like, hey, today is like a 230 00:09:20,760 --> 00:09:24,400 Speaker 4: tough day. I'm feeling down. Either I need my time 231 00:09:24,440 --> 00:09:26,840 Speaker 4: and my peace and quiet or can. 232 00:09:26,640 --> 00:09:27,280 Speaker 5: We get together? 233 00:09:27,440 --> 00:09:29,240 Speaker 4: And so we're really good at being like, Yep, you 234 00:09:29,280 --> 00:09:31,920 Speaker 4: do your thing, I'm here for you, or yes we're 235 00:09:31,960 --> 00:09:34,000 Speaker 4: going let's go right now and go for a walk. 236 00:09:33,840 --> 00:09:34,520 Speaker 5: Or go to lunch. 237 00:09:34,600 --> 00:09:36,160 Speaker 1: And it's like leave me alone or help. 238 00:09:36,040 --> 00:09:38,160 Speaker 4: Me out exactly, And I think both are very important. 239 00:09:38,200 --> 00:09:40,040 Speaker 4: So we can understand that with each other and be 240 00:09:40,160 --> 00:09:41,600 Speaker 4: that for each other's kay. 241 00:09:41,480 --> 00:09:43,600 Speaker 2: I ask you one question I think like for you, 242 00:09:43,760 --> 00:09:48,160 Speaker 2: especially like you know, as a top song musician, like 243 00:09:48,240 --> 00:09:50,600 Speaker 2: how cathartic is it to think that, yeah, you might 244 00:09:50,640 --> 00:09:53,440 Speaker 2: be struggling with something, you might be going through about 245 00:09:53,480 --> 00:09:55,960 Speaker 2: a depression, whatever. But the fact that you can just 246 00:09:56,080 --> 00:09:59,920 Speaker 2: like literally pick up a guitar and turn that instance 247 00:10:00,160 --> 00:10:03,120 Speaker 2: and do something so inspiring years later for somebody that 248 00:10:03,720 --> 00:10:07,400 Speaker 2: used that same exact moment to get them through. How 249 00:10:08,080 --> 00:10:10,400 Speaker 2: what is the creative process like for that in terms 250 00:10:10,440 --> 00:10:14,080 Speaker 2: of just like, yeah. 251 00:10:13,960 --> 00:10:16,080 Speaker 4: Sometimes you just do you just start writing it's it's 252 00:10:16,080 --> 00:10:20,240 Speaker 4: truthfully like therapeutic. You're just so sad, or you're so confused, 253 00:10:20,280 --> 00:10:23,200 Speaker 4: or you're so happy and in love, whatever the feelings are. 254 00:10:24,040 --> 00:10:25,400 Speaker 2: Why do you keep looking at me? When you say 255 00:10:25,400 --> 00:10:26,800 Speaker 2: that she looks at me? 256 00:10:26,880 --> 00:10:33,719 Speaker 5: For do I keep looking at you? 257 00:10:33,720 --> 00:10:34,120 Speaker 2: Mostly? 258 00:10:35,040 --> 00:10:40,000 Speaker 4: Sorry, Joe, I'm no, I think that. I you just 259 00:10:40,040 --> 00:10:42,080 Speaker 4: pick up the guitar or go to the piano, or 260 00:10:42,080 --> 00:10:44,080 Speaker 4: it's just sometimes you're even just somewhere in your singing 261 00:10:44,160 --> 00:10:46,880 Speaker 4: or you're writing on your your little notepad on your 262 00:10:46,880 --> 00:10:49,920 Speaker 4: phone and you just start getting stuff off your chest, 263 00:10:49,960 --> 00:10:52,200 Speaker 4: and then it feels therapeutic. And it's either like ah, 264 00:10:52,280 --> 00:10:55,520 Speaker 4: that I'm saying nothing important there or something I've already 265 00:10:55,559 --> 00:10:57,960 Speaker 4: said right there, or you're like, oh my god, that 266 00:10:58,080 --> 00:11:01,240 Speaker 4: was really clever and you just get you write the 267 00:11:01,280 --> 00:11:04,240 Speaker 4: whole song right then and there. Or there's tons of 268 00:11:04,240 --> 00:11:06,480 Speaker 4: times where I just like have this little idea and 269 00:11:06,559 --> 00:11:08,559 Speaker 4: I know it's something that could be good, and then 270 00:11:08,679 --> 00:11:11,040 Speaker 4: I'll bring it into a writing session with some friends 271 00:11:11,040 --> 00:11:13,920 Speaker 4: that I trust that it's like a therapy session. 272 00:11:13,920 --> 00:11:14,120 Speaker 5: Again. 273 00:11:14,160 --> 00:11:16,360 Speaker 4: I'm like, here, I want to say this, help me 274 00:11:16,400 --> 00:11:19,360 Speaker 4: say it in the best way possible. So there's all 275 00:11:19,400 --> 00:11:23,800 Speaker 4: the different variations, but it's obviously therapeutic when you write it. 276 00:11:24,880 --> 00:11:27,640 Speaker 4: I've found that I'll sing songs later, years later, and 277 00:11:27,679 --> 00:11:29,840 Speaker 4: I find new meaning in them. I'm like, oh my god, 278 00:11:29,960 --> 00:11:32,080 Speaker 4: that's like I feel that right now, and it's like 279 00:11:32,120 --> 00:11:34,480 Speaker 4: I can sing it for myself. And then the best 280 00:11:34,480 --> 00:11:36,960 Speaker 4: part is when fans are like this helped me through 281 00:11:37,559 --> 00:11:40,880 Speaker 4: a divorce or a loss, or we fell in love 282 00:11:40,920 --> 00:11:43,120 Speaker 4: and you know, walked down the aisle door at our 283 00:11:43,160 --> 00:11:45,280 Speaker 4: wedding to this song, Like that is the best part 284 00:11:45,280 --> 00:11:46,560 Speaker 4: about songwriting for sure. 285 00:11:46,679 --> 00:11:50,040 Speaker 3: For sure, my house was filled with Kobe. My Bessie 286 00:11:50,080 --> 00:11:52,239 Speaker 3: definitely connected with the music. And when we were separated, 287 00:11:52,559 --> 00:11:54,440 Speaker 3: I would come in the house and if Kobe was playing, 288 00:11:54,440 --> 00:11:55,680 Speaker 3: I would know it was a rough moment. 289 00:12:01,720 --> 00:12:03,839 Speaker 1: But you know she always loved you. 290 00:12:03,800 --> 00:12:04,920 Speaker 5: For that breakup songs. 291 00:12:05,000 --> 00:12:16,040 Speaker 2: Yeah, oh yes, so much. I want to ask you 292 00:12:16,120 --> 00:12:18,280 Speaker 2: one question. I was watching this interview. I'd seen that 293 00:12:18,440 --> 00:12:21,880 Speaker 2: movie Better Man about Robbie Williams and was blown away 294 00:12:21,880 --> 00:12:25,360 Speaker 2: at how just how unique and different was a documentary. 295 00:12:25,600 --> 00:12:26,800 Speaker 2: No no, no, no, no no no. 296 00:12:27,040 --> 00:12:28,440 Speaker 3: I make my funny Steve of all the time because 297 00:12:28,480 --> 00:12:30,840 Speaker 3: I love always loves to talking about documentaries. 298 00:12:30,440 --> 00:12:34,080 Speaker 2: But this one he was played by a cgi like monkey, 299 00:12:34,160 --> 00:12:36,920 Speaker 2: and I guess the basis goes, I'm not evolved, so 300 00:12:37,440 --> 00:12:39,920 Speaker 2: I don't feel like I fit in. So it's it's 301 00:12:39,960 --> 00:12:41,920 Speaker 2: this great film, and so I went down a rabbit 302 00:12:41,960 --> 00:12:43,760 Speaker 2: hole to learn as much as I could about the 303 00:12:43,800 --> 00:12:46,720 Speaker 2: process of the film. And he was saying that there 304 00:12:47,760 --> 00:12:50,160 Speaker 2: there was a song called Millennium where it's a very 305 00:12:50,160 --> 00:12:53,120 Speaker 2: popular song, but he he's singing it all these years 306 00:12:53,200 --> 00:12:55,559 Speaker 2: later and he doesn't feel like he connects to his 307 00:12:55,640 --> 00:12:57,760 Speaker 2: own song anymore. Yeah, And I was like, oh, it's 308 00:12:57,760 --> 00:13:00,560 Speaker 2: interesting that at like twenty four you write a song 309 00:13:00,600 --> 00:13:03,600 Speaker 2: that's this massive hit and years later you're just like, eh, 310 00:13:03,760 --> 00:13:05,240 Speaker 2: I don't believe in this song anymore. I don't want 311 00:13:05,240 --> 00:13:07,840 Speaker 2: to put it in the repertoire. But he does. But 312 00:13:07,960 --> 00:13:09,560 Speaker 2: to your point what you were saying a second ago, 313 00:13:09,640 --> 00:13:13,840 Speaker 2: like you're rediscovering lyrics or whatever, is it interesting too? 314 00:13:14,160 --> 00:13:15,959 Speaker 2: You know you have that moment a kis made on 315 00:13:16,000 --> 00:13:19,199 Speaker 2: stage where you're singing something and you're like, oh my god, 316 00:13:19,360 --> 00:13:21,880 Speaker 2: like how did that? You know, you appreciate the work 317 00:13:22,200 --> 00:13:23,560 Speaker 2: you did all those years earlier. 318 00:13:23,679 --> 00:13:26,280 Speaker 4: Absolutely, it's all of those things. So sometimes it's like, I, 319 00:13:26,600 --> 00:13:28,800 Speaker 4: I mean, I don't really feel anything towards a song. 320 00:13:28,840 --> 00:13:31,120 Speaker 4: I'll sing it, but it's not like, you know, someone's 321 00:13:31,120 --> 00:13:32,760 Speaker 4: crying in the audience to it, and I'm like, oh, 322 00:13:32,960 --> 00:13:35,520 Speaker 4: I'm so glad I'm not in that like feeling anymore, 323 00:13:35,640 --> 00:13:38,719 Speaker 4: you know, right. And then there's times where yeah, I'm 324 00:13:38,720 --> 00:13:41,000 Speaker 4: like in the moment on stage, I'm like, oh shit, 325 00:13:41,120 --> 00:13:43,840 Speaker 4: this is like that is exactly what I'm feeling. But 326 00:13:43,920 --> 00:13:46,720 Speaker 4: this was about someone fifteen years ago, right in a 327 00:13:46,760 --> 00:13:48,679 Speaker 4: different way of you know, I was totally in a 328 00:13:48,720 --> 00:13:52,679 Speaker 4: different world. And then then there's times where it's like 329 00:13:53,160 --> 00:13:55,920 Speaker 4: you're it fresh out of a breakup and you're just like, 330 00:13:56,120 --> 00:13:58,480 Speaker 4: oh my god, I cannot believe I have to sing 331 00:13:58,640 --> 00:13:59,720 Speaker 4: these fing. 332 00:13:59,640 --> 00:14:02,320 Speaker 5: Songs, Like how am I going to get through it? 333 00:14:02,320 --> 00:14:05,480 Speaker 1: It could be sure you're out there trying to Yeah. 334 00:14:05,920 --> 00:14:08,160 Speaker 3: Yeah, that's where you just like turn the mic to 335 00:14:08,200 --> 00:14:10,240 Speaker 3: the audience a lot where you're like let me hear you, 336 00:14:11,840 --> 00:14:15,640 Speaker 3: or I wish you're not into like doing a set 337 00:14:15,960 --> 00:14:17,040 Speaker 3: like tell my jokes. 338 00:14:18,760 --> 00:14:19,560 Speaker 5: You know, you can't do it. 339 00:14:19,600 --> 00:14:21,440 Speaker 4: Hopefully they know the song if I want to, like, 340 00:14:21,560 --> 00:14:22,920 Speaker 4: you know, because sometimes you never know. 341 00:14:23,720 --> 00:14:24,560 Speaker 5: You just cut the song. 342 00:14:24,600 --> 00:14:27,680 Speaker 4: You're like, I can't not tonight that's a. 343 00:14:27,640 --> 00:14:31,920 Speaker 3: Great hack that I'm super jealous of that ability and 344 00:14:32,040 --> 00:14:34,280 Speaker 3: moment where like I'm I'm a fan of music. I 345 00:14:34,320 --> 00:14:36,320 Speaker 3: go to see stuff, and you know, when people want 346 00:14:36,320 --> 00:14:37,640 Speaker 3: you to sing along with him, you have that moment 347 00:14:37,760 --> 00:14:39,400 Speaker 3: we're able to move a crowd. I always say to him, 348 00:14:39,440 --> 00:14:42,480 Speaker 3: that's a moment where you're not going to have as 349 00:14:42,520 --> 00:14:45,080 Speaker 3: a rock star, like to have to turn the mic, 350 00:14:45,440 --> 00:14:47,480 Speaker 3: have the flash lights up and everybody singing back to 351 00:14:47,640 --> 00:14:52,160 Speaker 3: your lyrics an entertainer. As a musician, that's an unbelievable feeling, right, 352 00:14:52,280 --> 00:14:55,160 Speaker 3: you could have that. We don't ever have his comedians, 353 00:14:55,240 --> 00:14:55,560 Speaker 3: you know. 354 00:14:55,760 --> 00:14:59,160 Speaker 4: But you have it with just people bursting into laughter 355 00:14:59,520 --> 00:15:02,600 Speaker 4: and like smiling the whole time and showing up because 356 00:15:02,640 --> 00:15:04,240 Speaker 4: you bring so much joy to them. 357 00:15:04,960 --> 00:15:08,360 Speaker 2: So yeah, we were pursuing of one emotion, right, It's 358 00:15:08,400 --> 00:15:10,960 Speaker 2: just like I think joy, But like you guys have 359 00:15:11,040 --> 00:15:14,080 Speaker 2: this pendulum swim where it's like party, it's dance, it's fun, 360 00:15:14,120 --> 00:15:15,440 Speaker 2: it's reflective. 361 00:15:15,400 --> 00:15:15,960 Speaker 1: In the corner. 362 00:15:16,040 --> 00:15:19,360 Speaker 2: Ah yeah, just like it's the pendulum of emotions, which 363 00:15:19,360 --> 00:15:21,640 Speaker 2: I appreciate. It is the last music question I want 364 00:15:21,640 --> 00:15:23,400 Speaker 2: to ask, because I could ask a thousand music questions, 365 00:15:23,440 --> 00:15:26,560 Speaker 2: but the last one I was, can. 366 00:15:26,440 --> 00:15:27,240 Speaker 1: We write a song together? 367 00:15:30,040 --> 00:15:30,160 Speaker 2: Right? 368 00:15:30,240 --> 00:15:31,400 Speaker 1: Yeah? 369 00:15:31,440 --> 00:15:35,400 Speaker 2: But what was the song that you wrote that I 370 00:15:35,440 --> 00:15:37,080 Speaker 2: was reading this thing about Noel Gallagher. He said he 371 00:15:37,120 --> 00:15:40,640 Speaker 2: wrote super Sonic over Chinese because they needed another song, 372 00:15:40,720 --> 00:15:42,800 Speaker 2: and he said he wrote it in six minutes. Wow. 373 00:15:43,120 --> 00:15:45,480 Speaker 2: And then they came back and he had laid the 374 00:15:45,920 --> 00:15:47,240 Speaker 2: track or whatever and they were ready to go and 375 00:15:47,280 --> 00:15:49,360 Speaker 2: it became a massive hit single for them. Is there 376 00:15:49,400 --> 00:15:51,400 Speaker 2: a song that shocked the hell out of you or 377 00:15:51,560 --> 00:15:53,720 Speaker 2: just like it just came to you right away and 378 00:15:53,760 --> 00:15:54,920 Speaker 2: it's one of your favorites. 379 00:15:55,240 --> 00:15:57,880 Speaker 4: Bubbly actually was one of those songs, which is so 380 00:15:58,000 --> 00:16:01,200 Speaker 4: interesting because that I wrote I was twenty years old. 381 00:16:01,320 --> 00:16:04,320 Speaker 4: My dad my parents had told me, like, you're always 382 00:16:04,320 --> 00:16:06,520 Speaker 4: going out all the time, you're not taking music serious, 383 00:16:06,560 --> 00:16:09,480 Speaker 4: Like stay home and write a song, get bored, allow 384 00:16:09,520 --> 00:16:13,560 Speaker 4: yourself to get bored. And I was sitting like it 385 00:16:13,600 --> 00:16:15,960 Speaker 4: is because if you're never allowing yourself that time to 386 00:16:16,120 --> 00:16:19,480 Speaker 4: feel and creative, then you're never gonna, you know, be 387 00:16:19,560 --> 00:16:22,120 Speaker 4: able to get it out. So I did that and 388 00:16:22,200 --> 00:16:25,560 Speaker 4: I stayed home and I just like, honestly, majority of 389 00:16:25,560 --> 00:16:27,200 Speaker 4: the song came out in like twenty minutes. 390 00:16:27,200 --> 00:16:28,120 Speaker 5: I don't wow. 391 00:16:28,160 --> 00:16:30,560 Speaker 4: I don't know what it was about it, just like 392 00:16:30,840 --> 00:16:33,240 Speaker 4: I even think lyrically, the words were just kind of 393 00:16:33,640 --> 00:16:36,440 Speaker 4: they weren't very thought through, They're not very deep, you know, 394 00:16:36,520 --> 00:16:39,120 Speaker 4: They're just it was just a stream of thought. And 395 00:16:39,800 --> 00:16:42,360 Speaker 4: sometimes when you're singing a melody, these words fall out 396 00:16:42,400 --> 00:16:43,800 Speaker 4: and you're like, oh, I'm just gonna go with that, 397 00:16:43,920 --> 00:16:47,280 Speaker 4: Like that's obviously somewhere in there what I'm feeling right now. 398 00:16:48,000 --> 00:16:51,160 Speaker 4: So Bubbly was one that was like really fast, and 399 00:16:51,200 --> 00:16:53,840 Speaker 4: then there's other songs that take a year to write 400 00:16:53,880 --> 00:16:56,240 Speaker 4: and take you know, multiple people coming in to help 401 00:16:56,280 --> 00:16:59,160 Speaker 4: finish it. So yeah, that was interesting to me that 402 00:16:59,280 --> 00:17:01,360 Speaker 4: it could happen, you know, so fast like that. It's 403 00:17:01,360 --> 00:17:02,720 Speaker 4: like it's in the airwaves or something. 404 00:17:02,880 --> 00:17:06,879 Speaker 1: Right. I just ashamed that bubble didn't catch on, you know, 405 00:17:07,240 --> 00:17:08,800 Speaker 1: you know, you wrote so bad and then there's like, oh, 406 00:17:08,840 --> 00:17:13,000 Speaker 1: this is even got I love that though. 407 00:17:13,040 --> 00:17:15,040 Speaker 3: Yeah, that's the I find out sometimes when you try. 408 00:17:15,080 --> 00:17:17,159 Speaker 3: And I think that's a lot of creative people. But 409 00:17:17,200 --> 00:17:19,320 Speaker 3: I think about the people that I think that have 410 00:17:19,400 --> 00:17:22,200 Speaker 3: it like the hardest of like artists, because you're literally 411 00:17:22,240 --> 00:17:24,440 Speaker 3: like seeing it like we see the words on the paper, 412 00:17:24,640 --> 00:17:26,879 Speaker 3: you know, there's a conduit between us two because you know, 413 00:17:26,920 --> 00:17:28,560 Speaker 3: we write jokes. You write music, so you see it 414 00:17:28,560 --> 00:17:30,520 Speaker 3: starts with like really maybe words or lyrics. But if 415 00:17:30,520 --> 00:17:32,440 Speaker 3: you're an artist and you're looking at like a sculpture 416 00:17:32,720 --> 00:17:34,640 Speaker 3: and you're like, right, this looks like ship, Like. 417 00:17:34,560 --> 00:17:36,920 Speaker 1: What do you what you do? It's in your face. 418 00:17:36,960 --> 00:17:40,320 Speaker 1: You're like, oh god, that that's not at all. You're 419 00:17:40,359 --> 00:17:42,679 Speaker 1: trying to make something out of it, Yeah, before it dries. 420 00:17:43,000 --> 00:17:45,560 Speaker 1: Could you imagine that pressure to have to like make 421 00:17:45,640 --> 00:17:46,720 Speaker 1: something before the clay. 422 00:17:47,400 --> 00:17:50,119 Speaker 3: Oh well yeah that would I would don't be a sculptor, 423 00:17:50,200 --> 00:17:50,879 Speaker 3: is really my point. 424 00:17:51,040 --> 00:17:54,359 Speaker 2: But I was, but I was reading this thing and 425 00:17:54,440 --> 00:17:57,800 Speaker 2: then get it's very well rand no, no, no, I 426 00:17:57,920 --> 00:18:00,639 Speaker 2: was just like like an artist like looks at the 427 00:18:00,920 --> 00:18:03,359 Speaker 2: looks at the block of granite or whatever it is 428 00:18:03,359 --> 00:18:06,879 Speaker 2: that you're and it's like you've the whole purpose is 429 00:18:06,920 --> 00:18:10,359 Speaker 2: to find the art within just a blank slate, you know, 430 00:18:10,440 --> 00:18:14,160 Speaker 2: whether it's a music sheet or whatever, blank notebook. 431 00:18:14,160 --> 00:18:16,639 Speaker 3: For us, the granite, the granite's a big pressure cooker, 432 00:18:17,600 --> 00:18:19,120 Speaker 3: has a big a big hunk. 433 00:18:18,960 --> 00:18:21,040 Speaker 1: Of rock there, and you're like, let me, let me 434 00:18:21,119 --> 00:18:23,680 Speaker 1: take this and go dink. Oh yeah, this is gonna 435 00:18:23,720 --> 00:18:25,960 Speaker 1: be a it's gonna be a planet. It's a round ball. 436 00:18:26,040 --> 00:18:27,560 Speaker 1: You know that's crazy. 437 00:18:27,640 --> 00:18:32,840 Speaker 2: That's crazy. Graned and be like, give me the thing here. 438 00:18:34,400 --> 00:18:36,040 Speaker 2: It's a face like that's insane. 439 00:18:36,560 --> 00:18:37,240 Speaker 1: Oh my god. 440 00:18:37,320 --> 00:18:39,119 Speaker 2: Okay, before we get in this, I want to ask you, 441 00:18:39,160 --> 00:18:43,360 Speaker 2: obviously your parents. How instrumental your parents been and how 442 00:18:43,400 --> 00:18:47,120 Speaker 2: great have they been in terms of advice in your life? Oh? 443 00:18:47,320 --> 00:18:47,960 Speaker 5: Very so. 444 00:18:48,040 --> 00:18:52,080 Speaker 4: My dad's a music producer, and my parents were both 445 00:18:52,080 --> 00:18:54,000 Speaker 4: in the music industry, so they were the ones that 446 00:18:54,480 --> 00:18:56,320 Speaker 4: they knew I loved singing since I was a kid. 447 00:18:57,040 --> 00:19:00,199 Speaker 4: They their friends were obviously all in that industry. So 448 00:19:01,280 --> 00:19:03,440 Speaker 4: one of my mom's best friends, she was my vocal teacher, 449 00:19:03,840 --> 00:19:05,719 Speaker 4: one of my dad's friends, and someone he worked with. 450 00:19:05,760 --> 00:19:08,600 Speaker 4: He ended up being my first producer, Michael Blue from 451 00:19:08,640 --> 00:19:13,159 Speaker 4: my first album in Bubbly. My parents were the reason that, like, 452 00:19:13,200 --> 00:19:15,119 Speaker 4: I knew how to put a form a band, and 453 00:19:15,359 --> 00:19:19,199 Speaker 4: I found my manager because my manager knew my dad's 454 00:19:19,240 --> 00:19:22,399 Speaker 4: business partner who was also in management, and he recommended 455 00:19:22,440 --> 00:19:24,200 Speaker 4: my manager, who I've had my entire career. 456 00:19:25,920 --> 00:19:27,320 Speaker 5: My parents were the ones that told me to be 457 00:19:27,359 --> 00:19:29,280 Speaker 5: a songwriter. They knew I liked singing. 458 00:19:29,000 --> 00:19:31,320 Speaker 4: But they were like, you should also write songs because 459 00:19:31,359 --> 00:19:34,399 Speaker 4: that's where it's at is being able to write what 460 00:19:34,440 --> 00:19:37,439 Speaker 4: you feel. But then also you know the income of that. 461 00:19:37,480 --> 00:19:39,800 Speaker 4: They're always just like, you know, telling you how to 462 00:19:39,800 --> 00:19:40,680 Speaker 4: do it right, right, so. 463 00:19:40,640 --> 00:19:42,800 Speaker 2: You can't complain about giving them the fifteen percent of 464 00:19:42,880 --> 00:19:45,280 Speaker 2: the last taking how to take care of them. 465 00:19:45,640 --> 00:19:47,800 Speaker 4: No, that's the thing, like they if I would have 466 00:19:47,840 --> 00:19:51,199 Speaker 4: had no knowledge of it whatsoever and no motivation, and 467 00:19:51,240 --> 00:19:53,040 Speaker 4: they were like, don't you know I was working at 468 00:19:53,040 --> 00:19:55,080 Speaker 4: like tanning songs and home Depot and things like that, 469 00:19:55,119 --> 00:19:57,520 Speaker 4: and they were like, just like, stop working, focus on 470 00:19:57,560 --> 00:19:59,600 Speaker 4: this if you really want to do it. So they 471 00:19:59,600 --> 00:20:02,280 Speaker 4: gave me all the options in the world to have 472 00:20:02,359 --> 00:20:03,840 Speaker 4: this become a reality. 473 00:20:03,960 --> 00:20:05,920 Speaker 2: By the way, you worked at home Depot, Oh, yeah, 474 00:20:05,920 --> 00:20:10,560 Speaker 2: it was the best job. 475 00:20:10,119 --> 00:20:16,439 Speaker 4: Cashier, no decor, the knobs and cut blinds. Yeah, I 476 00:20:16,480 --> 00:20:18,399 Speaker 4: cut blinds and I did I helped people. 477 00:20:18,560 --> 00:20:19,520 Speaker 5: I don't know. It was so fun. 478 00:20:19,520 --> 00:20:22,680 Speaker 4: So Brianna, my my best friend, she worked in returns 479 00:20:22,720 --> 00:20:26,320 Speaker 4: as a cashier. We had like we liked guys in 480 00:20:26,400 --> 00:20:28,840 Speaker 4: like the paint department, and it was so fun. 481 00:20:29,280 --> 00:20:33,000 Speaker 2: We are the hottest home dep I've ever seen in 482 00:20:33,040 --> 00:20:33,480 Speaker 2: my life. 483 00:20:33,520 --> 00:20:36,160 Speaker 5: Back then, I know, everybody. 484 00:20:35,760 --> 00:20:36,439 Speaker 1: Was looking for her. 485 00:20:37,480 --> 00:20:37,800 Speaker 2: It's like. 486 00:20:42,080 --> 00:20:44,680 Speaker 1: I did. I can't imagine. How long do you worked there? 487 00:20:45,359 --> 00:20:45,840 Speaker 1: I don't know. 488 00:20:46,000 --> 00:20:47,760 Speaker 5: I really in a short span of time, I had 489 00:20:47,800 --> 00:20:50,119 Speaker 5: like twenty jobs. I left place. 490 00:20:50,160 --> 00:20:51,800 Speaker 4: I got bored quick. But I think I was at 491 00:20:51,800 --> 00:20:54,240 Speaker 4: home Depot the longest. Oh yeah, I don't know how long. 492 00:20:54,280 --> 00:20:54,960 Speaker 5: Maybe a few months. 493 00:20:55,000 --> 00:20:56,679 Speaker 3: Do you walk in there and get nostalgic when you 494 00:20:56,680 --> 00:20:58,560 Speaker 3: smell the sawdust? 495 00:20:58,560 --> 00:20:59,640 Speaker 1: We did a lap around Home. 496 00:20:59,600 --> 00:21:01,840 Speaker 5: Deeper like a month ago. I totally. 497 00:21:01,960 --> 00:21:04,040 Speaker 4: And you know what's so funny is like my music 498 00:21:04,160 --> 00:21:07,480 Speaker 4: is always played in Home Depot like CBS and Home Depot. 499 00:21:07,480 --> 00:21:08,680 Speaker 5: I'm like, still work here. 500 00:21:10,280 --> 00:21:11,360 Speaker 1: I'm still in the depot. 501 00:21:12,640 --> 00:21:16,440 Speaker 3: I worked at Party City, which is a machine, and 502 00:21:16,480 --> 00:21:20,199 Speaker 3: every every time I'm working, every time I walked in 503 00:21:20,200 --> 00:21:22,119 Speaker 3: there because I had gone from multiple years after I 504 00:21:22,160 --> 00:21:24,560 Speaker 3: had had finished there, and I would just always walk 505 00:21:24,600 --> 00:21:26,360 Speaker 3: in and I would have like notes, I'm like, oh, yeah, 506 00:21:26,400 --> 00:21:27,840 Speaker 3: your guys are out of the purple plates. 507 00:21:27,600 --> 00:21:28,720 Speaker 5: In the backs. 508 00:21:29,440 --> 00:21:30,840 Speaker 1: You know what you can bring us with purple plates? 509 00:21:30,840 --> 00:21:33,320 Speaker 2: They are too hot. 510 00:21:31,359 --> 00:21:34,879 Speaker 3: We were Party City, But I'm the same way with 511 00:21:34,880 --> 00:21:37,120 Speaker 3: nor Strom because I worked at Nordstrom. Yeah, every time 512 00:21:37,160 --> 00:21:39,320 Speaker 3: I go into North Strum it's always like, uh, you know, 513 00:21:39,400 --> 00:21:41,960 Speaker 3: I'm like, uh, you work on commission, come on, come 514 00:21:41,960 --> 00:21:43,920 Speaker 3: on and get some Yeah. 515 00:21:44,080 --> 00:21:45,880 Speaker 1: Yeah, I always just love to shop. 516 00:21:45,880 --> 00:21:48,000 Speaker 3: But I always loved working at Nordstrom because I was 517 00:21:48,040 --> 00:21:50,879 Speaker 3: a platinum pace center, which is like one of their tears. 518 00:21:51,000 --> 00:21:53,280 Speaker 1: And I always like, yeah, I was a Nordy platinum 519 00:21:53,280 --> 00:21:53,680 Speaker 1: plate center. 520 00:21:55,960 --> 00:21:56,880 Speaker 5: What was that is that part? 521 00:21:56,920 --> 00:21:59,320 Speaker 1: It's like one of the like cells, like sales rights. 522 00:21:59,400 --> 00:21:59,720 Speaker 2: Yeah. 523 00:21:59,760 --> 00:22:02,040 Speaker 3: So they were like, you're a platinum pay setter and 524 00:22:02,040 --> 00:22:03,560 Speaker 3: you worked at north I was like, you could make 525 00:22:03,640 --> 00:22:04,200 Speaker 3: dreams happen. 526 00:22:04,280 --> 00:22:04,480 Speaker 1: Kid. 527 00:22:06,160 --> 00:22:08,680 Speaker 5: What was the worst job that you guys ever had 528 00:22:09,280 --> 00:22:09,840 Speaker 5: or like. 529 00:22:09,960 --> 00:22:14,320 Speaker 3: Yeah, I didn't have many jobs I didn't like, but 530 00:22:14,440 --> 00:22:17,359 Speaker 3: I think my first job we talked about this one. 531 00:22:17,480 --> 00:22:19,360 Speaker 3: I I used to scoop ice Is outside the Big 532 00:22:19,400 --> 00:22:20,640 Speaker 3: Apple Bizarre and Staten Island. 533 00:22:20,680 --> 00:22:23,520 Speaker 1: My dad knew a guy I like ICs, you know. 534 00:22:23,800 --> 00:22:26,080 Speaker 3: Yeah, so I was I was an icy salesman at 535 00:22:26,080 --> 00:22:28,679 Speaker 3: the Big Apple Bazaar and for this guy Tony that 536 00:22:28,720 --> 00:22:29,840 Speaker 3: my dad knew, and he used to pay me like 537 00:22:29,920 --> 00:22:33,080 Speaker 3: three dollars an hour under the table, and I remember 538 00:22:33,119 --> 00:22:34,399 Speaker 3: he was just told me to go home and they 539 00:22:34,400 --> 00:22:36,280 Speaker 3: pulled a guy in the place and locked the door, 540 00:22:36,840 --> 00:22:38,920 Speaker 3: and my dad's like, Tony doesn't want you to work 541 00:22:38,920 --> 00:22:39,520 Speaker 3: there anymore. 542 00:22:41,080 --> 00:22:42,920 Speaker 1: So that was Yeah, that was a weird job. Yeah 543 00:22:42,920 --> 00:22:43,239 Speaker 1: that was fair. 544 00:22:43,359 --> 00:22:46,240 Speaker 2: That's a weird the best. I don't know. I I'm 545 00:22:46,240 --> 00:22:48,160 Speaker 2: not like, I'm like you. I didn't have a bad 546 00:22:48,200 --> 00:22:51,240 Speaker 2: one because it was like I I targeted a place 547 00:22:51,240 --> 00:22:52,520 Speaker 2: where I was like, if I'm going to work, I 548 00:22:52,520 --> 00:22:54,720 Speaker 2: want to enjoy it here. Yeah, and I played hockey. 549 00:22:55,240 --> 00:22:57,119 Speaker 2: You know, I still play hockey. But when I was 550 00:22:57,119 --> 00:22:59,159 Speaker 2: in high school, I was a rint guard and so 551 00:22:59,200 --> 00:23:01,960 Speaker 2: we you know, we on our high school teams. And 552 00:23:02,160 --> 00:23:05,000 Speaker 2: one night we we played till three in the morning, 553 00:23:05,280 --> 00:23:07,440 Speaker 2: and his bony drivers like, all right, I'm gonna wrap 554 00:23:07,480 --> 00:23:09,120 Speaker 2: it up here, so we'll see you guys in the morning. 555 00:23:09,119 --> 00:23:10,480 Speaker 2: And then we're like, let's go to the snack bark 556 00:23:10,600 --> 00:23:13,720 Speaker 2: just make stuff. So we made cookies and pizzas and 557 00:23:13,760 --> 00:23:17,040 Speaker 2: we fell asleep and the owner came in at like 558 00:23:17,080 --> 00:23:20,800 Speaker 2: eight in the morning and saw Otis Spunkmeyer oven was 559 00:23:20,840 --> 00:23:23,240 Speaker 2: still on. We had we'd gone through like a sleeve 560 00:23:23,280 --> 00:23:26,920 Speaker 2: of cookies and four pizzas and get the fuck out 561 00:23:26,520 --> 00:23:29,680 Speaker 2: and come back. And that was such a bummer because 562 00:23:29,680 --> 00:23:30,480 Speaker 2: I loved that job. 563 00:23:31,400 --> 00:23:31,639 Speaker 5: That job. 564 00:23:33,040 --> 00:23:35,359 Speaker 2: I went out a should we get in this? 565 00:23:35,560 --> 00:23:35,720 Speaker 1: Yeah? 566 00:23:36,119 --> 00:23:38,399 Speaker 2: All right, here's the first question, and I thought this 567 00:23:38,480 --> 00:23:39,160 Speaker 2: would be great. 568 00:23:39,280 --> 00:23:41,680 Speaker 3: Thanks to all our fans who reach out and send 569 00:23:41,760 --> 00:23:45,160 Speaker 3: our questions over two Coles Mom's pod at gmail dot 570 00:23:45,160 --> 00:23:48,960 Speaker 3: com or on the Instagram pod. 571 00:23:51,480 --> 00:23:54,119 Speaker 2: It's been a year and a half, still be able 572 00:23:54,160 --> 00:23:56,359 Speaker 2: to catch up with this. Okay, this first question, Uh, 573 00:23:56,640 --> 00:23:59,440 Speaker 2: coming out of the gates with from Riley, I thought, 574 00:23:59,480 --> 00:24:01,560 Speaker 2: obviously we the talent to koby here. You can help 575 00:24:01,600 --> 00:24:03,639 Speaker 2: with this. I need some music to pump me up. 576 00:24:03,760 --> 00:24:05,639 Speaker 2: What do your go to songs to get me to 577 00:24:05,800 --> 00:24:06,720 Speaker 2: get you hyped up? 578 00:24:07,000 --> 00:24:08,480 Speaker 1: I thought you're gonna say I need some help with 579 00:24:08,520 --> 00:24:11,160 Speaker 1: blinds recommend. 580 00:24:13,280 --> 00:24:15,040 Speaker 2: Okay sos to pump you up? 581 00:24:15,760 --> 00:24:18,720 Speaker 5: Uh, Walking on a Dream Empire of the Sun. That 582 00:24:18,760 --> 00:24:19,480 Speaker 5: one pumps me out. 583 00:24:20,400 --> 00:24:21,320 Speaker 1: That's that's the go to. 584 00:24:22,040 --> 00:24:22,720 Speaker 5: I feel like. 585 00:24:22,760 --> 00:24:24,679 Speaker 4: It's one of them, like in that kind of in 586 00:24:24,720 --> 00:24:26,639 Speaker 4: that kind of mode. 587 00:24:26,800 --> 00:24:28,520 Speaker 5: Do you need me to give a list? Or are 588 00:24:28,560 --> 00:24:28,880 Speaker 5: you guys? 589 00:24:31,920 --> 00:24:33,280 Speaker 1: I don't I know it the other way? 590 00:24:33,359 --> 00:24:35,440 Speaker 2: I love you need me to give a list? 591 00:24:35,800 --> 00:24:36,680 Speaker 5: Is that not enough for you? 592 00:24:37,800 --> 00:24:38,119 Speaker 1: Fine? 593 00:24:38,520 --> 00:24:38,879 Speaker 2: Sorry? 594 00:24:39,000 --> 00:24:40,679 Speaker 1: Riley, that's all we've got for you. 595 00:24:40,800 --> 00:24:43,320 Speaker 2: Thanks, That's all the time we have Toko Mom's pod 596 00:24:43,560 --> 00:24:46,080 Speaker 2: by well yours. 597 00:24:46,160 --> 00:24:47,720 Speaker 1: I know, I've been with you a lot. When the 598 00:24:47,800 --> 00:24:51,720 Speaker 1: Killers come on, the Killers, Yeah. 599 00:24:51,640 --> 00:24:54,160 Speaker 3: That's probably I would probably say if I had to see. 600 00:24:54,200 --> 00:24:55,679 Speaker 3: We drive a lot, him and I because we were 601 00:24:55,720 --> 00:24:57,639 Speaker 3: in the car on the road and we play we 602 00:24:57,720 --> 00:24:59,080 Speaker 3: have playlists. 603 00:24:58,520 --> 00:25:04,200 Speaker 2: And he nineties nineties fun hip hop like like even pop, 604 00:25:04,320 --> 00:25:05,440 Speaker 2: like very everything. 605 00:25:05,520 --> 00:25:08,800 Speaker 1: Yeah so and he's very not so we made him 606 00:25:08,840 --> 00:25:10,240 Speaker 1: listen to for fun. 607 00:25:10,359 --> 00:25:11,960 Speaker 3: Like we just started playing all these songs and he 608 00:25:12,000 --> 00:25:14,080 Speaker 3: couldn't do anything about it because he was driving. And 609 00:25:14,160 --> 00:25:17,359 Speaker 3: we played like the Venga Bus like you know, like 610 00:25:17,400 --> 00:25:18,800 Speaker 3: the six like skins. 611 00:25:18,520 --> 00:25:20,440 Speaker 2: Crawling, like get out now. 612 00:25:20,520 --> 00:25:22,160 Speaker 1: This is something like that, which is what you guys 613 00:25:22,320 --> 00:25:25,080 Speaker 1: like it? Oh, dude, you really like. 614 00:25:28,840 --> 00:25:30,560 Speaker 2: Fe like I love l M F A. 615 00:25:30,680 --> 00:25:30,800 Speaker 6: Oh. 616 00:25:30,880 --> 00:25:33,040 Speaker 3: I think party rock and is probably my number one 617 00:25:33,240 --> 00:25:35,639 Speaker 3: I When that comes on, I just get in a 618 00:25:35,640 --> 00:25:41,639 Speaker 3: different money set them for party rock and like he 619 00:25:41,760 --> 00:25:42,520 Speaker 3: lets shot shot. 620 00:25:42,560 --> 00:25:45,800 Speaker 2: Yeah, like he's the guy generally likes it. 621 00:25:45,840 --> 00:25:51,439 Speaker 1: And I'm like, yeah, this is all of america popular songs. 622 00:25:51,480 --> 00:25:52,119 Speaker 2: It's not just me. 623 00:25:52,280 --> 00:25:54,880 Speaker 1: I'm I'm in the minority here, but in the majority 624 00:25:54,880 --> 00:25:55,320 Speaker 1: in America. 625 00:25:55,440 --> 00:25:57,600 Speaker 2: Yes, you should throw your after parties at out back 626 00:25:57,600 --> 00:26:04,240 Speaker 2: steakhouse with a bluets, but yeah, I would say bright 627 00:26:04,400 --> 00:26:07,880 Speaker 2: mister Brightside like that. That is one of the greatest 628 00:26:07,880 --> 00:26:10,240 Speaker 2: experiences I've ever had was when I opened for these 629 00:26:10,240 --> 00:26:14,280 Speaker 2: guys being Ah, They're in European tour and We're at 630 00:26:14,280 --> 00:26:16,720 Speaker 2: like the O two arena and I'm like, now, I'll 631 00:26:16,720 --> 00:26:18,239 Speaker 2: never get a chance to do this again, so I'm 632 00:26:18,280 --> 00:26:19,280 Speaker 2: going to do this, so you pitch. 633 00:26:19,359 --> 00:26:21,560 Speaker 3: The idea was unbelievable because Steve open Versus is a 634 00:26:21,640 --> 00:26:23,320 Speaker 3: very funny comic, so we were doing the O two, 635 00:26:23,720 --> 00:26:25,720 Speaker 3: was super excited and he goes, he goes, guys, have 636 00:26:25,800 --> 00:26:28,240 Speaker 3: an idea. He's like, I want to I wanted to 637 00:26:28,320 --> 00:26:31,480 Speaker 3: sing mister Bright's side with the crowd. And we're like, what, 638 00:26:31,720 --> 00:26:33,359 Speaker 3: You're a comic. He's like, I just He's like he 639 00:26:33,880 --> 00:26:35,239 Speaker 3: said that, I don't I never I don't think I'll 640 00:26:35,240 --> 00:26:36,400 Speaker 3: ever had this opportunity again. 641 00:26:36,480 --> 00:26:37,840 Speaker 1: And we're like, yeah, sure, go for it. We don't 642 00:26:37,840 --> 00:26:39,000 Speaker 1: care because we know he's funny and we know what 643 00:26:39,080 --> 00:26:39,560 Speaker 1: to work out. 644 00:26:40,000 --> 00:26:42,480 Speaker 3: So then he just is up there and he does 645 00:26:42,480 --> 00:26:44,080 Speaker 3: his set and he goes, he guys, just want to 646 00:26:44,400 --> 00:26:46,960 Speaker 3: I want to try something real quick, and then he 647 00:26:47,000 --> 00:26:50,639 Speaker 3: had cute it and it was like it was his 648 00:26:50,800 --> 00:26:54,560 Speaker 3: concert and the place went Now he went into the crowd. 649 00:26:55,040 --> 00:26:56,800 Speaker 1: Remember you went down into the crowd. You got so 650 00:26:56,880 --> 00:26:57,600 Speaker 1: overwhelmed by that. 651 00:26:57,640 --> 00:26:59,679 Speaker 3: He left the stage empty and we were in the wings, 652 00:26:59,680 --> 00:27:01,760 Speaker 3: but they were this weird thing in uh when you 653 00:27:01,840 --> 00:27:04,280 Speaker 3: perform there that they need for the union, you need 654 00:27:04,320 --> 00:27:06,040 Speaker 3: to take a break. So after our opener, there's a 655 00:27:06,080 --> 00:27:08,239 Speaker 3: twenty minute intermission. Then we come out, which is very 656 00:27:08,240 --> 00:27:11,199 Speaker 3: different than what you normally do. So he comes out 657 00:27:11,240 --> 00:27:13,320 Speaker 3: and he's the stages down, he's going nuts, the cameras 658 00:27:13,320 --> 00:27:14,760 Speaker 3: on him, and it's the last thing, and we're. 659 00:27:14,600 --> 00:27:16,560 Speaker 1: All backstage, we're all hyped. I was like, let's go. 660 00:27:16,600 --> 00:27:19,479 Speaker 1: When we ran out on stage and we sang at 661 00:27:19,520 --> 00:27:20,600 Speaker 1: the peak chorus. 662 00:27:20,600 --> 00:27:23,040 Speaker 3: The place started going nuts where and they're like see 663 00:27:23,040 --> 00:27:23,680 Speaker 3: in tut. 664 00:27:32,440 --> 00:27:35,800 Speaker 2: I mean they were at a crescendo. The crowded so far. 665 00:27:36,080 --> 00:27:37,720 Speaker 5: That's a good. Have you done it again? Have you 666 00:27:37,760 --> 00:27:38,280 Speaker 5: done it since? 667 00:27:39,200 --> 00:27:39,720 Speaker 1: Every time? 668 00:27:39,800 --> 00:27:42,399 Speaker 2: For the on the tour. On that tour, we did it, 669 00:27:42,440 --> 00:27:44,679 Speaker 2: and we hit the lyrics up and you know, the 670 00:27:44,680 --> 00:27:46,800 Speaker 2: spotlight saw on you and the cameras follow you, and 671 00:27:46,840 --> 00:27:48,639 Speaker 2: I'm with these people. I hand him the mic I 672 00:27:48,680 --> 00:27:51,640 Speaker 2: take his beer. We're singing together. I'm going up four 673 00:27:51,680 --> 00:27:54,119 Speaker 2: more rows and it was a bless and then the 674 00:27:54,320 --> 00:27:58,000 Speaker 2: song peaks. These guys rush out and people are going nuts, 675 00:27:58,040 --> 00:28:00,560 Speaker 2: and I was like, that's what that's I mean, that's 676 00:28:00,560 --> 00:28:01,560 Speaker 2: what you got the closest. 677 00:28:02,200 --> 00:28:06,040 Speaker 4: Yeah, that was really good. Everyone together, Yeah, which is cool? 678 00:28:06,119 --> 00:28:07,240 Speaker 2: Yeah, with a thump and beaten. 679 00:28:07,560 --> 00:28:09,800 Speaker 5: That's great. I mean everyone knows that song. Everyone loves 680 00:28:09,800 --> 00:28:10,240 Speaker 5: that for sure. 681 00:28:10,640 --> 00:28:16,920 Speaker 6: Especially that's like that's like their YMC A something. It's like, 682 00:28:17,040 --> 00:28:18,520 Speaker 6: you know the song that hips me up before show? 683 00:28:18,560 --> 00:28:21,200 Speaker 6: Why am of course it does these days? 684 00:28:21,359 --> 00:28:22,280 Speaker 1: You know the macarena. 685 00:28:24,400 --> 00:28:28,119 Speaker 2: All right, here we go. This is from Myra Myra's ass. 686 00:28:28,240 --> 00:28:30,640 Speaker 2: I'm having crazy dreams of lake. Do you remember your 687 00:28:30,680 --> 00:28:34,280 Speaker 2: craziest or scariest dream? Is it reoccurring? And how do 688 00:28:34,359 --> 00:28:36,280 Speaker 2: you cope with bad dreams? Oh? 689 00:28:36,320 --> 00:28:37,640 Speaker 1: Bad dreams is tough. 690 00:28:38,200 --> 00:28:40,120 Speaker 3: I'm trying to get my kids to get out of 691 00:28:40,320 --> 00:28:41,840 Speaker 3: My dad had taught me a trick back in the 692 00:28:41,920 --> 00:28:45,080 Speaker 3: day where he said, replace whatever was scaring you. It 693 00:28:45,160 --> 00:28:46,240 Speaker 3: was so weird it just stuck with me and I 694 00:28:46,240 --> 00:28:48,040 Speaker 3: don't know, he said, whatever scaring you in your dream, 695 00:28:48,120 --> 00:28:49,360 Speaker 3: replace it with a hippopotamus. 696 00:28:50,840 --> 00:28:53,360 Speaker 1: Yeah, it's like hip hop, like with a cartoon hippopotamous, 697 00:28:53,400 --> 00:28:54,640 Speaker 1: and he's like it we'll become scary. 698 00:28:54,920 --> 00:28:56,880 Speaker 3: So I was like, oh, all right, and then he 699 00:28:56,920 --> 00:28:58,239 Speaker 3: was like he's like, you know, just think about that. 700 00:28:58,280 --> 00:29:00,440 Speaker 3: And then I would just always wait, cup like I 701 00:29:00,480 --> 00:29:01,960 Speaker 3: was being chased by like a shark or whatever, and 702 00:29:01,960 --> 00:29:04,560 Speaker 3: I'd be like, Oh, it's just like this purple hippopoonamous and. 703 00:29:04,440 --> 00:29:06,240 Speaker 1: In my mind he always talks like, oh, I'm going 704 00:29:06,280 --> 00:29:08,360 Speaker 1: to get you like that. Yeah, I was just like 705 00:29:08,360 --> 00:29:10,360 Speaker 1: this weird thing. So I'm trying to teach that to. 706 00:29:10,400 --> 00:29:12,400 Speaker 5: My kids, you know about it because so it works. 707 00:29:12,480 --> 00:29:14,160 Speaker 3: It worked for me, and I would do it and 708 00:29:14,200 --> 00:29:15,600 Speaker 3: I was like, oh, just think of something silly and 709 00:29:15,640 --> 00:29:16,440 Speaker 3: replacing your dream. 710 00:29:16,520 --> 00:29:17,120 Speaker 5: That's smart. 711 00:29:17,240 --> 00:29:19,080 Speaker 3: So and that was a nice little trick for me 712 00:29:19,120 --> 00:29:20,880 Speaker 3: for like a recurring scary dream because I was having 713 00:29:20,880 --> 00:29:22,680 Speaker 3: a recurring dream for a while. I don't remember at 714 00:29:22,720 --> 00:29:24,880 Speaker 3: this point, but I remember the same dream was getting 715 00:29:24,920 --> 00:29:26,480 Speaker 3: me and then by the end of it was just 716 00:29:26,520 --> 00:29:28,680 Speaker 3: like a silly, silly, hippopoonamous kind of thing. 717 00:29:28,960 --> 00:29:30,640 Speaker 2: Wow, that's pretty wild. That's good advice. 718 00:29:30,720 --> 00:29:31,680 Speaker 5: It is really good advice. 719 00:29:31,760 --> 00:29:33,600 Speaker 1: You sound surprised, that's what I do yet. 720 00:29:36,200 --> 00:29:39,160 Speaker 2: Creative. It's it's smart, just like you know, allow yourself 721 00:29:39,160 --> 00:29:40,880 Speaker 2: to be bored. I've never heard that before, and I'm like, 722 00:29:40,920 --> 00:29:44,840 Speaker 2: I'm going to remember that. That's great advice. Still. Yeah, 723 00:29:45,000 --> 00:29:48,880 Speaker 2: do you have a recurring scary or frightening after this appearance? 724 00:29:49,160 --> 00:29:51,280 Speaker 5: Yeah, I will have nightmares. 725 00:29:51,360 --> 00:29:55,520 Speaker 4: No, it's actually very weird. I don't remember any dreams really. 726 00:29:55,680 --> 00:29:57,400 Speaker 4: This second I wake up, it's gone. 727 00:29:57,560 --> 00:29:59,480 Speaker 5: Whatever. I don't know. I don't know how to. 728 00:29:59,600 --> 00:30:02,440 Speaker 4: I don't know if that's something I know. 729 00:30:02,760 --> 00:30:04,000 Speaker 5: Because everyone's like, oh, I got to. 730 00:30:03,960 --> 00:30:05,880 Speaker 4: Tell you my dream or this nightmare happened. I'm like 731 00:30:06,040 --> 00:30:08,120 Speaker 4: they're like, did you I'm like, I got nothing. I 732 00:30:08,200 --> 00:30:09,120 Speaker 4: literally it's not there. 733 00:30:09,160 --> 00:30:11,480 Speaker 2: Even deep sleep, somebody wakes you up, You're still not. 734 00:30:11,640 --> 00:30:13,200 Speaker 5: Like it's instantly gone. 735 00:30:13,240 --> 00:30:15,320 Speaker 4: Like I know, I was dreaming about stuff and thinking 736 00:30:15,360 --> 00:30:17,040 Speaker 4: at the moment, and then the second I'm up, it's 737 00:30:17,080 --> 00:30:19,480 Speaker 4: like it's like erased. 738 00:30:19,680 --> 00:30:22,680 Speaker 5: So I know, I don't. I don't. I will check. 739 00:30:22,800 --> 00:30:29,480 Speaker 5: I will look into it. You seem concerned, What about you? 740 00:30:30,560 --> 00:30:34,320 Speaker 2: I I uh, yeah, I mean I definitely had a 741 00:30:35,480 --> 00:30:39,680 Speaker 2: when you were younger, I dream No. I I had 742 00:30:39,720 --> 00:30:42,440 Speaker 2: an experience a few years ago where I kept having 743 00:30:42,480 --> 00:30:46,800 Speaker 2: these dreams and I had been a part of a 744 00:30:47,080 --> 00:30:50,800 Speaker 2: murder and I got away with it and nobody knew, 745 00:30:51,400 --> 00:30:53,960 Speaker 2: and the heat was coming in on me like like 746 00:30:53,840 --> 00:30:57,120 Speaker 2: like I was going to get figured out right, and 747 00:30:57,360 --> 00:31:00,600 Speaker 2: it was crippling, like I would wake up like my God, 748 00:31:00,760 --> 00:31:02,200 Speaker 2: to the point where it was like so real. I 749 00:31:02,200 --> 00:31:05,400 Speaker 2: felt like I felt did I do something in my past? 750 00:31:05,520 --> 00:31:07,760 Speaker 2: And I was talking to my wife about it one time, 751 00:31:07,800 --> 00:31:10,800 Speaker 2: She's like, well, that's crazy, Like what do you think 752 00:31:10,880 --> 00:31:14,000 Speaker 2: it means? Because you've had I've had it multiple times, 753 00:31:14,360 --> 00:31:17,840 Speaker 2: many matings. And then I was just like, maybe this 754 00:31:17,880 --> 00:31:19,240 Speaker 2: is something I have to deal with her, like what 755 00:31:19,440 --> 00:31:22,880 Speaker 2: is it? And I had years ago when I was 756 00:31:22,920 --> 00:31:25,560 Speaker 2: on the road, Sorry, this is going to get go okay. 757 00:31:25,920 --> 00:31:27,920 Speaker 2: Years ago when I was I was at the Houston 758 00:31:27,920 --> 00:31:29,040 Speaker 2: Improvity just opened. 759 00:31:29,120 --> 00:31:29,920 Speaker 1: I murdered someone. 760 00:31:30,480 --> 00:31:34,200 Speaker 2: Well, no, I didn't murder somebody, but this day happened, 761 00:31:34,280 --> 00:31:38,360 Speaker 2: and I confronted this reality and I gave myself the 762 00:31:38,400 --> 00:31:40,560 Speaker 2: credence to pay attention to it. But what happened was 763 00:31:40,960 --> 00:31:44,040 Speaker 2: I was I was hanging out one night the club 764 00:31:44,080 --> 00:31:46,840 Speaker 2: had just opened. I hung out with this girl who 765 00:31:46,880 --> 00:31:49,720 Speaker 2: was bartending, and then feature at Brad and I hung 766 00:31:49,720 --> 00:31:51,760 Speaker 2: out with the waitress and the bartender. We had a 767 00:31:51,760 --> 00:31:54,480 Speaker 2: great night, and we come to learn that this girl, 768 00:31:54,560 --> 00:31:58,160 Speaker 2: it's her birthday and none of her friends called her, 769 00:31:58,160 --> 00:31:59,800 Speaker 2: and she was really in a depressed state and whatever. 770 00:31:59,840 --> 00:32:04,120 Speaker 2: So we went and we left the condo. We're all 771 00:32:04,120 --> 00:32:06,440 Speaker 2: stand right across from the street, and we went and 772 00:32:06,480 --> 00:32:08,200 Speaker 2: bought like a sheet cake for her and brought it 773 00:32:08,240 --> 00:32:11,200 Speaker 2: back and saying happy birthday to her, and she seemed 774 00:32:11,200 --> 00:32:12,640 Speaker 2: to perk up, and then all of a sudden, she's like, 775 00:32:12,680 --> 00:32:14,000 Speaker 2: I'm out of here. I got to get out of her. 776 00:32:14,040 --> 00:32:17,040 Speaker 2: She just like turn on a dime and it got dark, 777 00:32:17,080 --> 00:32:19,360 Speaker 2: and we're like, you're too drunk. You can't drive, you know. 778 00:32:19,680 --> 00:32:21,920 Speaker 2: So I hit her keys, I did all this stuff, 779 00:32:21,960 --> 00:32:24,160 Speaker 2: and it just nothing would work. And it had been 780 00:32:24,200 --> 00:32:25,920 Speaker 2: about two hours, and I'm like, I can't do this. 781 00:32:26,120 --> 00:32:27,480 Speaker 2: I gotta go to bed, you know. So I went 782 00:32:27,520 --> 00:32:31,280 Speaker 2: to bed and Brad and the other girl were handling 783 00:32:31,280 --> 00:32:34,000 Speaker 2: the situation. Eventually she's I guess she told them I 784 00:32:34,040 --> 00:32:36,120 Speaker 2: feel fine, Now, can you just drive me into my 785 00:32:36,160 --> 00:32:39,000 Speaker 2: car and to sleep my car? And that'd said, So 786 00:32:39,080 --> 00:32:41,920 Speaker 2: Brad took her, and then as they were leaving, she 787 00:32:42,080 --> 00:32:44,480 Speaker 2: gunned it and went past them. I woke up the 788 00:32:44,520 --> 00:32:49,640 Speaker 2: next day and the club called me and she died 789 00:32:49,640 --> 00:32:53,000 Speaker 2: in a car accident, like a drunk driving car accident. 790 00:32:53,720 --> 00:32:56,680 Speaker 2: And so I had to stay that weekend and still 791 00:32:56,720 --> 00:32:59,920 Speaker 2: do shows. And I was just like I was. I 792 00:33:00,120 --> 00:33:03,320 Speaker 2: met her, I talked to her best friend, I spent 793 00:33:03,440 --> 00:33:05,560 Speaker 2: time talking to the mom on the phone, and then 794 00:33:05,640 --> 00:33:07,480 Speaker 2: I said, I'm not going on the road anymore. So 795 00:33:07,520 --> 00:33:09,920 Speaker 2: I stayed in New York City for like eight years 796 00:33:09,920 --> 00:33:11,400 Speaker 2: and just stayed at the seller. I didn't. I was like, 797 00:33:11,480 --> 00:33:13,600 Speaker 2: I can't go on the road, and so that's why 798 00:33:13,800 --> 00:33:15,760 Speaker 2: I was always doing like inter night shows and whatever. 799 00:33:15,800 --> 00:33:19,040 Speaker 2: But so then I don't think i'd ever give myself 800 00:33:19,200 --> 00:33:23,920 Speaker 2: the moment to reflect on it. And and so when 801 00:33:23,960 --> 00:33:26,440 Speaker 2: I went through kind of like my psyche and experiences, 802 00:33:26,560 --> 00:33:28,320 Speaker 2: is like, maybe this is it, because I always felt 803 00:33:28,320 --> 00:33:31,240 Speaker 2: like I didn't do enough and I felt I was 804 00:33:31,240 --> 00:33:33,120 Speaker 2: like guilt written with it. I can't believe we're talking 805 00:33:33,120 --> 00:33:36,200 Speaker 2: about this right now. But anyways, so that I I 806 00:33:36,480 --> 00:33:39,720 Speaker 2: just I kept like thinking about it and gave myself 807 00:33:39,760 --> 00:33:40,840 Speaker 2: the time to process it. 808 00:33:40,920 --> 00:33:43,120 Speaker 1: And that's important. 809 00:33:43,200 --> 00:33:45,480 Speaker 2: And yeah, and I think once once I did that, 810 00:33:45,560 --> 00:33:47,480 Speaker 2: I haven't had that dream since and that was probably 811 00:33:47,920 --> 00:33:50,160 Speaker 2: probably two years ago, but it would. 812 00:33:49,880 --> 00:33:52,760 Speaker 1: Be your brain is still like that deep stuff that's. 813 00:33:52,880 --> 00:33:55,520 Speaker 2: My subconscious or whatever. Just it was resonant and was 814 00:33:55,560 --> 00:33:58,959 Speaker 2: still bothering me and I and I just gave myself 815 00:33:59,000 --> 00:34:02,600 Speaker 2: the opportunity to say, you did everything you possibly could 816 00:34:02,600 --> 00:34:03,320 Speaker 2: have done that evening. 817 00:34:03,400 --> 00:34:05,600 Speaker 1: I mean, that's that's just that's just what's happening enough 818 00:34:05,600 --> 00:34:08,279 Speaker 1: the stairs. I mean, you did live everything you do. 819 00:34:08,719 --> 00:34:12,279 Speaker 3: But that's what's so interesting about when you think about 820 00:34:12,320 --> 00:34:14,440 Speaker 3: these people that do the dreams, like the journals and 821 00:34:14,440 --> 00:34:16,640 Speaker 3: all that stuff, and you go in through all these things, 822 00:34:16,640 --> 00:34:19,880 Speaker 3: it's like this, there's so much going on upstairs that 823 00:34:19,920 --> 00:34:22,520 Speaker 3: you don't even you didn't even go should be a songwriter. 824 00:34:22,560 --> 00:34:23,640 Speaker 3: You could have wrote a song about it. 825 00:34:23,800 --> 00:34:28,600 Speaker 2: Be therapy. I did. It's called Bubbly. Somebody else wrote. Yeah. 826 00:34:28,800 --> 00:34:30,319 Speaker 2: Now to get us back into comedy, were just can 827 00:34:30,360 --> 00:34:33,759 Speaker 2: play the bloopers from Schiller's list. Jesus Christ Stevens a 828 00:34:33,760 --> 00:34:34,520 Speaker 2: comedy podcast. 829 00:34:35,280 --> 00:34:38,239 Speaker 4: Change like you get deep, buddy, you don't know what 830 00:34:38,280 --> 00:34:41,080 Speaker 4: you get A very important yeah. 831 00:34:41,200 --> 00:34:42,920 Speaker 1: Yeah, this is this is a healing podcast. 832 00:34:42,960 --> 00:34:45,120 Speaker 3: More than anything, I hear from all seven people that 833 00:34:45,200 --> 00:34:48,880 Speaker 3: listen that they love that we're helping people. 834 00:34:48,920 --> 00:34:51,440 Speaker 2: You will say that, but I after the show is 835 00:34:51,440 --> 00:34:53,399 Speaker 2: I always get people that that are like I listened 836 00:34:53,400 --> 00:34:56,680 Speaker 2: to it's very nice. Sorry, this is coming to us 837 00:34:56,719 --> 00:34:58,040 Speaker 2: from Aaron. 838 00:34:58,239 --> 00:34:59,319 Speaker 1: What do you do if you can? 839 00:35:02,000 --> 00:35:04,200 Speaker 2: If you could wake up as any celebrity for a day, 840 00:35:04,280 --> 00:35:07,080 Speaker 2: who would it be? Oh, that's interesting anyway for you 841 00:35:07,120 --> 00:35:07,439 Speaker 2: to ask. 842 00:35:07,440 --> 00:35:09,680 Speaker 5: How you guys met. I don't think I know the story? 843 00:35:10,239 --> 00:35:11,160 Speaker 2: Can I Christless? 844 00:35:11,320 --> 00:35:14,080 Speaker 1: Yeah? Chraigs lest he was looking for a roommate. No, 845 00:35:14,200 --> 00:35:16,319 Speaker 1: I did. We both had a show on His show 846 00:35:16,400 --> 00:35:18,520 Speaker 1: was on TBS and mine was on Truth. 847 00:35:18,560 --> 00:35:20,239 Speaker 3: It was the same network, and we met through like 848 00:35:20,280 --> 00:35:23,040 Speaker 3: the marketing kind of tour kind of stuff. 849 00:35:23,760 --> 00:35:26,200 Speaker 2: Well, i'll tell you what happened. His show just come out, 850 00:35:26,239 --> 00:35:28,440 Speaker 2: My show just came out. And then we would always 851 00:35:28,440 --> 00:35:31,160 Speaker 2: be on tour right in the summer. Yeah, so these 852 00:35:31,160 --> 00:35:33,360 Speaker 2: guys doing comedy clubs, we're doing comedy clubs. In the 853 00:35:33,400 --> 00:35:35,279 Speaker 2: second year we go out. We'd always tour. We'd call 854 00:35:35,320 --> 00:35:37,960 Speaker 2: each other and be like, hey, let's hang out, and 855 00:35:38,040 --> 00:35:41,240 Speaker 2: we're in comedy clubs and they're starting to do theaters. 856 00:35:41,600 --> 00:35:43,800 Speaker 2: And then the third year, we're still in comedy clubs 857 00:35:43,800 --> 00:35:46,120 Speaker 2: and they're selling out two shows at theaters. So I'm like, 858 00:35:46,239 --> 00:35:51,040 Speaker 2: guys wanting to get canceled. So we just constantly would 859 00:35:51,080 --> 00:35:53,400 Speaker 2: hang out. Yeah, and we. 860 00:35:53,120 --> 00:35:55,120 Speaker 3: Were graduated to like call him and checking in because 861 00:35:55,120 --> 00:35:57,360 Speaker 3: we didn't He lived in California at the time and 862 00:35:57,400 --> 00:35:58,880 Speaker 3: I was in New York. So whenever I was out 863 00:35:58,880 --> 00:36:00,360 Speaker 3: in New York, he was in you know, all we 864 00:36:00,360 --> 00:36:01,560 Speaker 3: would just check in and say hey. 865 00:36:01,840 --> 00:36:05,240 Speaker 2: But we jailed because Vince Vaughn through this Nashville Comedy Festival. 866 00:36:05,600 --> 00:36:07,120 Speaker 2: And when Vince was putting it together, He's like, who 867 00:36:07,120 --> 00:36:08,279 Speaker 2: should we get. I was like, you got to get 868 00:36:08,280 --> 00:36:10,359 Speaker 2: these guys in practical jokers. I got this great show 869 00:36:10,560 --> 00:36:11,880 Speaker 2: and we did this after. 870 00:36:11,719 --> 00:36:13,040 Speaker 5: Party Vince Vaughn. 871 00:36:13,320 --> 00:36:15,680 Speaker 2: Yeah, at the like bud Light Lounge, right, So we're 872 00:36:15,680 --> 00:36:16,720 Speaker 2: going on the bud Light Lounge. 873 00:36:17,239 --> 00:36:20,000 Speaker 1: I was just space sponsored by bud Light. So I 874 00:36:20,080 --> 00:36:21,840 Speaker 1: got called the bud Light Lounge for the Nashville, you 875 00:36:21,880 --> 00:36:22,640 Speaker 1: know of festival. 876 00:36:22,680 --> 00:36:25,280 Speaker 2: But I got all these like friends that I loved, 877 00:36:25,560 --> 00:36:27,799 Speaker 2: and so you know, I remember one night is like me, 878 00:36:28,040 --> 00:36:30,879 Speaker 2: Colin Jost and you guys and a bunch of other 879 00:36:30,920 --> 00:36:35,160 Speaker 2: comedians and me and Colin are and like Vince and 880 00:36:35,160 --> 00:36:37,440 Speaker 2: Peter Billings ley course of the story, were standing on 881 00:36:37,480 --> 00:36:39,640 Speaker 2: this band catte and we got the whole play singer 882 00:36:39,680 --> 00:36:44,279 Speaker 2: like piano man and stuff. And then Joe gets the 883 00:36:44,360 --> 00:36:46,040 Speaker 2: Jokers and they go on the other side, and now 884 00:36:46,040 --> 00:36:48,680 Speaker 2: it becomes like a sing off between this side and 885 00:36:48,719 --> 00:36:50,839 Speaker 2: that side of the room, and Joe's orchestrating the whole thing. 886 00:36:51,200 --> 00:36:53,759 Speaker 2: Then Joe's in the middle of the room and he's 887 00:36:53,760 --> 00:36:56,120 Speaker 2: got a shirt off, He's got the whole place dancing, 888 00:36:56,680 --> 00:36:59,319 Speaker 2: and then it's going him up afterwards. And I had 889 00:36:59,400 --> 00:37:01,359 Speaker 2: known Joe yeah, and then I'm like, man, we got 890 00:37:01,400 --> 00:37:03,120 Speaker 2: to get a drink. And Jo's like, no, I don't drink. 891 00:37:03,160 --> 00:37:05,000 Speaker 2: I'm like, you mean tonight He's like I don't drink. 892 00:37:05,040 --> 00:37:07,560 Speaker 2: I'm like you're sober. He's like yeah, I just don't drink. 893 00:37:07,600 --> 00:37:10,320 Speaker 2: I'm like, you do that sober that this is you. 894 00:37:11,960 --> 00:37:14,120 Speaker 3: Minutes he was just he couldn't wrap his head around 895 00:37:14,120 --> 00:37:15,319 Speaker 3: it because he had had a couple and. 896 00:37:15,239 --> 00:37:19,600 Speaker 1: He was like, wait, wait, wait, you've never been drunk. No, wait, 897 00:37:20,000 --> 00:37:21,040 Speaker 1: wait are you drink? 898 00:37:21,920 --> 00:37:22,359 Speaker 2: What do you doing? 899 00:37:22,360 --> 00:37:23,680 Speaker 1: You got to be doing something. I'm like no, I'm 900 00:37:23,719 --> 00:37:24,200 Speaker 1: just being me. 901 00:37:24,280 --> 00:37:26,719 Speaker 3: And then he got Sally. He's like, your fraid I 902 00:37:26,719 --> 00:37:28,120 Speaker 3: don't believe you don't. I was messing with him and 903 00:37:28,120 --> 00:37:30,080 Speaker 3: he started interrogating everything. It's railed this whole night. 904 00:37:30,160 --> 00:37:30,759 Speaker 1: It's just me came. 905 00:37:31,880 --> 00:37:33,440 Speaker 2: It's like a vegetarian. It's like, wait, she did you 906 00:37:33,480 --> 00:37:36,480 Speaker 2: eat fish? I couldn't stop. And then that's when I 907 00:37:36,520 --> 00:37:38,640 Speaker 2: was like, this dude's the coolest. I loved everything. 908 00:37:38,680 --> 00:37:40,560 Speaker 3: And then when we went on tour in London and 909 00:37:40,560 --> 00:37:42,160 Speaker 3: he came with us, but it was like eleven days 910 00:37:42,160 --> 00:37:43,640 Speaker 3: together or whatever, and we spent. 911 00:37:43,520 --> 00:37:44,920 Speaker 1: A lot of time together and we're in the upper deck, 912 00:37:45,080 --> 00:37:45,799 Speaker 1: like talking. 913 00:37:45,520 --> 00:37:46,439 Speaker 2: To everybody else. 914 00:37:46,960 --> 00:37:47,919 Speaker 5: You've known each other for years. 915 00:37:48,000 --> 00:37:50,800 Speaker 2: Yeah, yeah, yeah, yeah, yeah, he's my Gavin. 916 00:37:51,640 --> 00:37:52,320 Speaker 6: I know. 917 00:37:55,480 --> 00:37:56,600 Speaker 2: Who's your celib for a day? 918 00:37:59,440 --> 00:37:59,880 Speaker 5: I don't know. 919 00:38:00,120 --> 00:38:03,160 Speaker 4: I feel like I don't know the answer it, but yeah, 920 00:38:03,480 --> 00:38:05,680 Speaker 4: I feel like Oprah would be an interesting one because 921 00:38:05,680 --> 00:38:09,319 Speaker 4: she knows so many fascinating people and the questions that 922 00:38:09,360 --> 00:38:12,839 Speaker 4: she asked and like the information and knowledge that she gets. 923 00:38:12,840 --> 00:38:14,520 Speaker 5: I feel like that would be I feel like I 924 00:38:14,560 --> 00:38:15,280 Speaker 5: would come back. 925 00:38:16,360 --> 00:38:20,400 Speaker 3: If you have their brain to like yeah, yeah, yeah, 926 00:38:21,160 --> 00:38:23,880 Speaker 3: I look like I feel like I wouldn't be just 927 00:38:23,920 --> 00:38:25,480 Speaker 3: be in the mirror just like looking at myself. 928 00:38:26,719 --> 00:38:27,839 Speaker 2: I'd be elon for a day. 929 00:38:28,760 --> 00:38:30,759 Speaker 1: If you take it from that perspective, whose mind do 930 00:38:30,800 --> 00:38:31,120 Speaker 1: you want? 931 00:38:31,200 --> 00:38:31,960 Speaker 2: That's crazy? 932 00:38:33,040 --> 00:38:35,320 Speaker 1: Oprah? Yeah, for sure, I think that'd be kindest. 933 00:38:42,719 --> 00:38:46,160 Speaker 2: But Oprah Oprah is great because she's she's discovering, right, 934 00:38:46,239 --> 00:38:50,600 Speaker 2: she's unearthing, whereas Elon is the opposite. He's he's moving 935 00:38:50,640 --> 00:38:56,200 Speaker 2: forward with literally burrowing holes in the boring company, electric cars, 936 00:38:56,320 --> 00:38:59,400 Speaker 2: going to Mars, an amazing video game play like and 937 00:38:59,440 --> 00:39:02,160 Speaker 2: all this stuff. Can you imagine what his dreams are like? 938 00:39:02,400 --> 00:39:06,120 Speaker 3: Oh god, I feel like he dreams when he's awake. 939 00:39:06,719 --> 00:39:09,000 Speaker 1: Oh yeah, yeah, yeah, dreaming machine. 940 00:39:09,040 --> 00:39:09,600 Speaker 2: That's crazy. 941 00:39:10,080 --> 00:39:12,160 Speaker 1: Okay, Well at one more, yeah. 942 00:39:12,000 --> 00:39:17,160 Speaker 2: Okay, here we go. Last question, Let's make it good? Okay, okay, 943 00:39:18,280 --> 00:39:20,040 Speaker 2: Well this is from lindsay. 944 00:39:20,520 --> 00:39:22,120 Speaker 1: Well, you have choices in front of you. 945 00:39:22,320 --> 00:39:23,640 Speaker 2: You say, let's make it a good one. 946 00:39:23,680 --> 00:39:24,920 Speaker 1: Then you go, well, so. 947 00:39:24,960 --> 00:39:29,359 Speaker 3: Make a different one if you don't like you true, okay. 948 00:39:29,239 --> 00:39:30,200 Speaker 5: Don't like it for sure? 949 00:39:30,400 --> 00:39:33,960 Speaker 2: All right? Well this this is something I think that 950 00:39:34,160 --> 00:39:37,759 Speaker 2: anybody who is who tours as much as any of 951 00:39:37,840 --> 00:39:41,160 Speaker 2: us do would be privy to. This coming from Andrew, Hi, mommy, 952 00:39:41,160 --> 00:39:43,680 Speaker 2: is I recently got into a long distance relationship. She's 953 00:39:43,719 --> 00:39:46,040 Speaker 2: in Florida, I'm a Connecticut with the hopes of someday 954 00:39:46,040 --> 00:39:48,560 Speaker 2: moving to Florida. Do you guys have any recommendations on 955 00:39:48,600 --> 00:39:51,520 Speaker 2: the best way to make a long distance relationship work? 956 00:39:52,080 --> 00:39:54,200 Speaker 1: Interesting? Did you have to do long distance ones that 957 00:39:54,239 --> 00:39:55,680 Speaker 1: were like true long. 958 00:39:55,560 --> 00:39:57,839 Speaker 4: Distance, not where we lived far apart? But yeah, i'd 959 00:39:57,840 --> 00:39:59,960 Speaker 4: say with touring, I think. I think what a lot 960 00:40:00,000 --> 00:40:01,439 Speaker 4: lot of people I've heard say, and what I would 961 00:40:01,440 --> 00:40:03,440 Speaker 4: try to do is not go more than two to 962 00:40:03,520 --> 00:40:06,920 Speaker 4: three weeks before, like without seeing each other, because it 963 00:40:06,960 --> 00:40:09,160 Speaker 4: can you can lose that connection and it's hard just 964 00:40:09,200 --> 00:40:11,920 Speaker 4: to you know, talk on the phone and update each 965 00:40:11,960 --> 00:40:14,600 Speaker 4: other on each other's days. So I think that's the 966 00:40:14,600 --> 00:40:18,040 Speaker 4: advice that I had always felt worked, or that I 967 00:40:18,040 --> 00:40:19,200 Speaker 4: would hear work with people. 968 00:40:19,360 --> 00:40:21,440 Speaker 1: Yeah, spend a couple of days there, a couple of weeks. 969 00:40:21,280 --> 00:40:24,800 Speaker 5: Yeah, if you can. Obviously it can't always, but pretty consistently. 970 00:40:24,880 --> 00:40:27,319 Speaker 1: Yeah, Yeah, I think you do longest. I don't. 971 00:40:27,360 --> 00:40:29,279 Speaker 3: Yeah, I meant did a year and a half. She 972 00:40:29,400 --> 00:40:31,040 Speaker 3: was in Cali, I was in New York. Is another 973 00:40:31,080 --> 00:40:32,680 Speaker 3: thing that's the good thing about that is there on 974 00:40:32,719 --> 00:40:34,520 Speaker 3: the same time zone. It's even worse when you're two 975 00:40:34,520 --> 00:40:35,440 Speaker 3: different times, right. 976 00:40:35,520 --> 00:40:36,239 Speaker 2: Yeah, that's worse. 977 00:40:36,360 --> 00:40:39,760 Speaker 3: But she I would say, the thing that really helped 978 00:40:39,840 --> 00:40:42,719 Speaker 3: was when you were spending time together, don't make it 979 00:40:42,719 --> 00:40:45,239 Speaker 3: feel like a vacation, like really, get to make it 980 00:40:45,239 --> 00:40:47,719 Speaker 3: feel like you're dating, you know, like somebody's gonna be 981 00:40:47,719 --> 00:40:49,239 Speaker 3: out of town, right, so I'll be like, oh, I 982 00:40:49,280 --> 00:40:50,839 Speaker 3: gotta go show you this. You never been younger, maybe 983 00:40:50,880 --> 00:40:52,560 Speaker 3: the first time, but then the second time, like just 984 00:40:52,640 --> 00:40:54,560 Speaker 3: you know, go to dinner, talk, hang out, spend time. 985 00:40:54,760 --> 00:40:57,040 Speaker 3: I think you really do the real stuff that's gonna 986 00:40:57,120 --> 00:40:59,480 Speaker 3: that helps you build better. And I think everybody does 987 00:40:59,480 --> 00:41:01,239 Speaker 3: a long distance now with FaceTime, he has got such an 988 00:41:01,280 --> 00:41:03,839 Speaker 3: upper hand her and I would doing like phone calls 989 00:41:03,840 --> 00:41:06,680 Speaker 3: and whatnot. Like I think it's just so different. Yeah, 990 00:41:06,880 --> 00:41:09,480 Speaker 3: FaceTime definitely helps with it, but I think make the 991 00:41:09,520 --> 00:41:13,120 Speaker 3: time that you spend together feel real, not like playtime. 992 00:41:13,200 --> 00:41:14,280 Speaker 3: And I think it's important. 993 00:41:14,400 --> 00:41:16,560 Speaker 2: Yeah. Yeah, I think you also have to be super 994 00:41:16,560 --> 00:41:20,040 Speaker 2: secure because there's gonna be Yeah it's a long distance, 995 00:41:20,160 --> 00:41:23,200 Speaker 2: like yeah, she's going to go out with her friends. Yeah. 996 00:41:23,320 --> 00:41:25,560 Speaker 2: So just like I remember when I first started to 997 00:41:25,600 --> 00:41:27,520 Speaker 2: date my wife, Like I would be like, I'm in 998 00:41:27,600 --> 00:41:29,960 Speaker 2: Miami for two days and I call her Friday, and 999 00:41:29,960 --> 00:41:32,200 Speaker 2: then she hear from me Sunday and she's like, hey, 1000 00:41:32,239 --> 00:41:34,120 Speaker 2: how was it. It's like, oh, she didn't even sweat 1001 00:41:34,160 --> 00:41:37,239 Speaker 2: me away. And I think when when I realized how 1002 00:41:37,280 --> 00:41:39,840 Speaker 2: cool and secure she was with herself, that's when I 1003 00:41:39,920 --> 00:41:42,000 Speaker 2: that's when you, I think, as a decent human being 1004 00:41:42,080 --> 00:41:45,719 Speaker 2: saying well, don't violate that right, like really respectful. Because 1005 00:41:45,760 --> 00:41:48,840 Speaker 2: she's respecting the fact that she knows you're going to 1006 00:41:48,880 --> 00:41:51,680 Speaker 2: be a good guy, then you should you you have 1007 00:41:51,719 --> 00:41:53,719 Speaker 2: the obligation to be a good guy, right. So I 1008 00:41:53,719 --> 00:41:56,239 Speaker 2: think that's when that kind of turned for me where 1009 00:41:56,239 --> 00:41:58,359 Speaker 2: I was like, wow, I'm Miami, Miami, and she never 1010 00:41:58,400 --> 00:42:01,800 Speaker 2: even gave a second thought. And I wasn't do anything crazy. 1011 00:42:01,800 --> 00:42:04,120 Speaker 2: It was just my show is at midnight. I'm done 1012 00:42:04,160 --> 00:42:07,640 Speaker 2: at three, Yeah, because Inami, I'm in Miami. I'm doing 1013 00:42:07,719 --> 00:42:08,840 Speaker 2: blow Yeah for sure. 1014 00:42:09,000 --> 00:42:10,480 Speaker 1: So you're up till seventy. I am easy. 1015 00:42:10,600 --> 00:42:10,880 Speaker 2: Thank you. 1016 00:42:10,960 --> 00:42:12,360 Speaker 3: And I think the flipping that is true too. I 1017 00:42:12,360 --> 00:42:14,879 Speaker 3: think this you provide the security is important too. Right 1018 00:42:14,880 --> 00:42:17,360 Speaker 3: now you have to you have to like yeah, exactly, 1019 00:42:17,400 --> 00:42:19,080 Speaker 3: you have to go over and be like, hey, you 1020 00:42:19,120 --> 00:42:20,839 Speaker 3: know I missed you, you know this is where I 1021 00:42:20,880 --> 00:42:21,319 Speaker 3: was or whatever. 1022 00:42:21,320 --> 00:42:22,359 Speaker 1: You just got to do to make sure that other 1023 00:42:22,360 --> 00:42:24,680 Speaker 1: person's okay with Yes, well, this has been fantastic. Cobe, 1024 00:42:24,920 --> 00:42:26,080 Speaker 1: You're the best. Thank you so much. 1025 00:42:26,200 --> 00:42:28,000 Speaker 2: Thanks for making time you guys. 1026 00:42:28,239 --> 00:42:30,000 Speaker 5: I love you guys. I love when you come to town. 1027 00:42:30,040 --> 00:42:31,800 Speaker 4: I didn't know that you lived here, so now we 1028 00:42:31,880 --> 00:42:33,120 Speaker 4: got to see each other more often. 1029 00:42:33,280 --> 00:42:35,440 Speaker 1: But now I'll be jealous. I feel insecure. 1030 00:42:35,600 --> 00:42:36,440 Speaker 2: This is my Miami. 1031 00:42:37,320 --> 00:42:38,160 Speaker 5: Will make you feel bad. 1032 00:42:38,280 --> 00:42:39,759 Speaker 2: We love to come see you. Now. Are you out 1033 00:42:39,760 --> 00:42:42,200 Speaker 2: on the road touring? Are you gearing up for another album? 1034 00:42:42,239 --> 00:42:43,560 Speaker 2: What are you working on currently? Yeah? 1035 00:42:43,560 --> 00:42:46,279 Speaker 4: I have a new album coming out in July. I 1036 00:42:46,320 --> 00:42:48,640 Speaker 4: have more songs coming out before that, so like every 1037 00:42:48,640 --> 00:42:51,960 Speaker 4: month until then, and I have some shows here and there. 1038 00:42:51,960 --> 00:42:53,840 Speaker 4: But yeah, the album is what I'm working on and 1039 00:42:53,920 --> 00:42:54,319 Speaker 4: coming out. 1040 00:42:54,760 --> 00:42:57,080 Speaker 2: Is there a working title or I can't. 1041 00:42:56,800 --> 00:42:58,839 Speaker 5: Say anything yet? When is this coming out? By the way, 1042 00:42:59,000 --> 00:43:01,560 Speaker 5: this will be on a couple of weeks, so I 1043 00:43:01,560 --> 00:43:02,239 Speaker 5: can't tell you and. 1044 00:43:02,200 --> 00:43:04,359 Speaker 1: You can't tell you all have to say that part. 1045 00:43:04,440 --> 00:43:07,040 Speaker 5: Yeah, it's fine. I have new music coming out this year. 1046 00:43:08,440 --> 00:43:11,080 Speaker 2: This year, yes, and a tour to follow. I assume 1047 00:43:11,120 --> 00:43:11,439 Speaker 2: as well. 1048 00:43:11,520 --> 00:43:14,360 Speaker 5: There should be. That is the plan they. 1049 00:43:14,239 --> 00:43:15,759 Speaker 1: Want me to but I don't really want to leave 1050 00:43:15,760 --> 00:43:16,240 Speaker 1: my house. 1051 00:43:17,520 --> 00:43:20,160 Speaker 5: I'm gonna I'm gonna do some touring. It's just not booked. 1052 00:43:19,920 --> 00:43:21,960 Speaker 1: Yet, but I promise I will come see you. 1053 00:43:22,080 --> 00:43:24,560 Speaker 5: I know you will like you better come to and 1054 00:43:24,640 --> 00:43:26,879 Speaker 5: I will be there. Thanks for making all of us laugh, 1055 00:43:26,880 --> 00:43:28,120 Speaker 5: because you guys are the best. 1056 00:43:28,160 --> 00:43:30,360 Speaker 4: You guys are funny and cool, and I had a 1057 00:43:30,400 --> 00:43:32,560 Speaker 4: great time to thank your girlfriend. 1058 00:43:34,719 --> 00:43:36,600 Speaker 2: Now take care of I'm the most please