WEBVTT - 70 Years of Brown v. Board of Education

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<v Speaker 1>Pushkin.

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<v Speaker 2>We come then to the question presented, does segregation of

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<v Speaker 2>children in public schools solely on the basis of race,

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<v Speaker 2>even though the physical facilities and other tangible factors may

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<v Speaker 2>be equal, deprive the children of the minority group of

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<v Speaker 2>equal educational opportunities.

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<v Speaker 1>I'm having flashbacks. So okay, what are we listening to?

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<v Speaker 1>Why are we here for this very special day?

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<v Speaker 3>So May seventeenth, seventieth, the anniversary of Brown v. Board

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<v Speaker 3>of Education, Chief Justice Earl Warren hands down the opinion

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<v Speaker 3>in the momentous series of consolidated school segregation cases in

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<v Speaker 3>which the Supreme Court declared segregation on constitutional a violation

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<v Speaker 3>of the fourteenth Amendment. The crazy thing is we are

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<v Speaker 3>listening to not the actual opinion issued by Earl Warren,

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<v Speaker 3>because these cases were not recorded, were just on the edge,

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<v Speaker 3>just on the eve of the Supreme Court instituting the

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<v Speaker 3>practice of recording oral arguments. So the OYA project, which

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<v Speaker 3>is I love, is a project started by this guy,

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<v Speaker 3>Jerry Goldman, a political scientist, hero of evidence and justice,

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<v Speaker 3>who decided to make available to kind of research and

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<v Speaker 3>pull together all of the audio of all the Supreme

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<v Speaker 3>Court opinions and oral arguments where those existed as recordings.

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<v Speaker 3>It's all free and online at the OYA Project. It's

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<v Speaker 3>this amazing resource. I use it all the time. I

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<v Speaker 3>now never just go read Spreme Court opinion. I go

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<v Speaker 3>listen to the oral arguments because of.

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<v Speaker 1>The day A consummates.

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<v Speaker 3>Yeah, they're great. Like, it's an incredible thing that the

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<v Speaker 3>OYA Project exists, and it's really hugely meaningful historical record.

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<v Speaker 3>So Jerry Goldman got really interested in what it meant

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<v Speaker 3>that there's an absence of a record for Brown v.

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<v Speaker 3>Board of Education, because it's so important, and because we

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<v Speaker 3>also have the voices of the main participants. Earl Warren

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<v Speaker 3>had been governor of California. The we have plenty of

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<v Speaker 3>recordings of Earl Warren's voice before he was appointed to

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<v Speaker 3>the court by Eisenhower, after he was on the court.

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<v Speaker 3>But what we were just listening to was not the

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<v Speaker 3>opinion issued by Earl Warren, but a recreation of Earl

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<v Speaker 3>Warren's voice that is driven by a kind of really

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<v Speaker 3>interesting and surely increasingly common recreation of the transcript voice

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<v Speaker 3>actors reading the transcript and giving it emotional inflection and

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<v Speaker 3>pacing and tone, and then an ai recreated voice kind

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<v Speaker 3>of overlaid onto that.

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<v Speaker 1>Like a mask I think is the term they use,

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<v Speaker 1>that it's the sort of performance within a mask on it.

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<v Speaker 1>I love that. It's very Batman and so I guess

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<v Speaker 1>there's a number of reasons why it feels so right

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<v Speaker 1>to celebrate this anniversary on the Last Archive today. One

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<v Speaker 1>is that we are inveterate reenactors of trials, sometimes hits,

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<v Speaker 1>sometimes misses. And then another is that Brown verse Board

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<v Speaker 1>of Education is really central to the inquiry of the show.

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<v Speaker 1>So much of the sort of epistemological backlash of the

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<v Speaker 1>twentieth century, at least the bad faith backlash is a

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<v Speaker 1>response to Brown and all these themes of brainwashing and

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<v Speaker 1>the kind of different cultures of knowledge emerging after the

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<v Speaker 1>mid twentieth century. It feels like it all comes out

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<v Speaker 1>of this this moment which a lot builds up to.

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<v Speaker 4>Well.

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<v Speaker 1>And then of course the third reason is just artificial

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<v Speaker 1>intelligence and how you know what you know? So it's

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<v Speaker 1>this very yeah, last archivy combination of things.

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<v Speaker 3>So you will remember Ben that for the Last Archive.

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<v Speaker 1>Second season second with the Scopes tra Yeah, yeah.

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<v Speaker 3>So the Scopes Trial in nineteen twenty five somewhat similar

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<v Speaker 3>to the Brown case in that it was recorded and

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<v Speaker 3>was the first criminal trial ever broadcast on the radio.

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<v Speaker 3>It was broadcast nationwide. It was a huge phenomen People

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<v Speaker 3>sat around and listened to the Scopes trial, but none

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<v Speaker 3>of the radio broadcast was recorded, devastating. So like it is,

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<v Speaker 3>it is actually really interesting to think about it as

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<v Speaker 3>a listening experience because that's how people experienced it, and

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<v Speaker 3>yet we clen't recapture that. And so similarly, like Clarence Darrow,

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<v Speaker 3>like we have the William Jennings Bryan, the two attorneys

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<v Speaker 3>who argued the case. We have their voices. Their voices

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<v Speaker 3>are recorded, we know what they sounded like. So we,

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<v Speaker 3>without any ethical hesitation whatsoever, wide and recreated the Scopes trial.

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<v Speaker 1>With actors via zoom because it was the early days

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<v Speaker 1>of the pandemic. So we were one step closer to

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<v Speaker 1>a fully artificially intelligent voice acting experience.

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<v Speaker 3>So you know, we never I can't recall us ever

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<v Speaker 3>having conversations reason not to do that. I mean, anyway,

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<v Speaker 3>inherit the wind already exists and people think, so.

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<v Speaker 1>Okay, no, but this I think is that is a

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<v Speaker 1>crucial I think the inherit the wind thing is a

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<v Speaker 1>crucial point because to me, there's this ipe craze in Hollywood.

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<v Speaker 1>People are increasingly making films based on real events. There's

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<v Speaker 1>a kind of historical acting style that emerges when people

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<v Speaker 1>have a lot of access to audio visual material, and

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<v Speaker 1>it's exemplified by something like Bradley Cooper and Maestro performing

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<v Speaker 1>as Leonard Bernstein, where you know famously he spent like

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<v Speaker 1>years studying film of his conducting style so he could

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<v Speaker 1>like perfectly do the movements. To me, it that turns

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<v Speaker 1>out to be something more like mimicry than real acting

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<v Speaker 1>or sort of real dramatic interpretation, something like Inherit the Wind,

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<v Speaker 1>we should say, the famous nineteen sixty film re enacting

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<v Speaker 1>the Scopes Trial starring an amazing Spencer Tracy. It bears

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<v Speaker 1>almost no resemblance.

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<v Speaker 3>To the actual history, right, totally free rate.

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<v Speaker 1>But it's totally transporting.

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<v Speaker 3>Yeah, I know it's interesting, but I think too one

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<v Speaker 3>of the things that differentiates say, Inherit the Wind from

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<v Speaker 3>Maestro is Inherit the Wind maybe like a performance of

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<v Speaker 3>the Crucible, right, very much an updating of the story

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<v Speaker 3>for our own times. Right, it isn't about a kind

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<v Speaker 3>of backward looking Oh, let's transport ourselves to nineteen twenty

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<v Speaker 3>five and be in the Scopes trial. It's let's offer

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<v Speaker 3>up a moral fable that can help us understand McCarthyism. Right,

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<v Speaker 3>It's not about emulation, it's about adaptation, which has this

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<v Speaker 3>weird analog and constitutional interpretation, right, like do we look

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<v Speaker 3>backward at what the frame of the Constitution or the

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<v Speaker 3>fourteenth Amendment meant and intended and what they understood by

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<v Speaker 3>the words that they said, or do we adapt those

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<v Speaker 3>things for our own time. So that's what's the sort

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<v Speaker 3>of weird free selling around, like, oh, it's cool to

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<v Speaker 3>use these technologies to look backward, but also for what purposes?

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<v Speaker 1>Well, this also it's sort of presented as a podcast.

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<v Speaker 1>The narrator her name is Karen Grigsby Bates. She's from

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<v Speaker 1>NPR both independently. Had sense that she sounds like a

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<v Speaker 1>young Nina Totenberg.

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<v Speaker 3>Let's pause here for a quick explanation of what you're hearing.

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<v Speaker 3>No microphones were recording Warren's words that day in nineteen

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<v Speaker 3>fifty four. I just feel so taken care of.

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<v Speaker 1>I would believe anything that was told me.

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<v Speaker 3>It's good to tell me. So this is why I

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<v Speaker 3>have come out of my sabbatical to record a one

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<v Speaker 3>off episode of the Last Art Time with you, just

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<v Speaker 3>to think about how interesting this is. It really does

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<v Speaker 3>raise all kinds of questions for historical research and history

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<v Speaker 3>storytelling too, that I know, we you know, won't have

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<v Speaker 3>time to get into. But I decided I would try

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<v Speaker 3>to find out whether one of the voices at least

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<v Speaker 3>is accurate. But I wrote to four people I know

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<v Speaker 3>who were martial clerks, and I asked them to listen

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<v Speaker 3>to the recreated martial voice, and three of them said

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<v Speaker 3>more or less the same thing, which was that Marshall

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<v Speaker 3>famously could speak in many different voices, that he had

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<v Speaker 3>different accents that he could put on. I mean, he

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<v Speaker 3>grew up in Baltimore, but he had worked as a

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<v Speaker 3>pullman porter, you know, when he went and argued cases

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<v Speaker 3>in the South, he kind of deliberately sounded a little

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<v Speaker 3>bit more like a Southerner. But in a court room,

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<v Speaker 3>and certainly in the Supreme Court, he spoke in impeccable

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<v Speaker 3>enunciated Queen's English. Martha Minno told me that people come

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<v Speaker 3>from miles around just to hear a third good Marshall

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<v Speaker 3>argue in court, just because of the nature of the performance.

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<v Speaker 3>But you know, Harry Littman, who was also a Marshall clerk,

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<v Speaker 3>who's the host of the amazing podcast Talking Feds that

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<v Speaker 3>I'm obsessed with, he heard the recreated Marshal voice as

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<v Speaker 3>something of like something of a mashup of Marshall's many

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<v Speaker 3>different speaking styles. Cas Sunstein told me, you know, that

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<v Speaker 3>sounds a bit like when I knew him, but I'm

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<v Speaker 3>not super close. And then Randy Kennedy, a law school

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<v Speaker 3>professor at Harvard as well and a former Marshall clerk, said,

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<v Speaker 3>if you had not told me that the voice was

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<v Speaker 3>AI generated out of sworn that it was the real

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<v Speaker 3>third Good Marshal.

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<v Speaker 1>Something that's interesting to me though about this. I love

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<v Speaker 1>hearing the reports of people who actually knew him, but

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<v Speaker 1>it also foregrounds for me this kind of maybe naive

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<v Speaker 1>to say, but incredible to me, fact that Brown resportive

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<v Speaker 1>education as a ruling well within the span of a

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<v Speaker 1>human lifetime. I mean, this is the seventieth anniversary, but

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<v Speaker 1>you're actually going to talk to a scholar, Kenneth Mack

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<v Speaker 1>from Harvard Law School who studies round resportive education now

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<v Speaker 1>about the significance of the case.

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<v Speaker 3>Yeah, So, Ken, this amazing. He is just an incredibly

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<v Speaker 3>astute constitutional analyst, but he's also a legal historian, and

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<v Speaker 3>he's wrote this really amazing book on civil rights lawyering

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<v Speaker 3>and what it means to sort of try to represent

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<v Speaker 3>a race. So I wrote to Kenna say, like, this

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<v Speaker 3>is this crazy brown thing is coming out? What do

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<v Speaker 3>you make of it?

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<v Speaker 5>Hi?

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<v Speaker 4>Ken?

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<v Speaker 3>Hey, how are you good?

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<v Speaker 6>Good?

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<v Speaker 4>Good?

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<v Speaker 3>Thank you so much for doing this. I will confess

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<v Speaker 3>I'm completely fascinated by this project of trying to recreate

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<v Speaker 3>the entire audio landscape of Brown v. Board of Education.

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<v Speaker 3>So I wanted to ask you a little bit first though,

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<v Speaker 3>what the NAACP's legal strategy was here.

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<v Speaker 6>Okay, all right, So the background for Brown versus the

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<v Speaker 6>Board of Education. The NAACP is the principal of civil

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<v Speaker 6>rights organization in the United States. Found in the early

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<v Speaker 6>twentieth century. By the nineteen thirties, the NAACP it began

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<v Speaker 6>to focus some of its energies on school desegregation. The

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<v Speaker 6>attack on segregated schools was led by two lawyers, one

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<v Speaker 6>of which was Thurgood Marshall, who had eventually become the

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<v Speaker 6>first black Supreme Court justice, and the other of which

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<v Speaker 6>was Charles Hamilton Houston, who was a black Harvard Law

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<v Speaker 6>School graduate. So the two of them began filing cases

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<v Speaker 6>in the nineteen thirties about schools, but most of them

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<v Speaker 6>were school equalization cases. So you've got a black school

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<v Speaker 6>in which the teachers are paid X at a white

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<v Speaker 6>school in which the teachers are paid Y. So we

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<v Speaker 6>followed suit to try to get the teachers paid equally.

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<v Speaker 6>There are a number of cases they bring that are

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<v Speaker 6>about primary secondary schools. Okay, we want equal salaries for

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<v Speaker 6>Blackack and white teachers or equal facilities for black and

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<v Speaker 6>white schools within the system of segregation. But there are

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<v Speaker 6>a bunch of university cases. The NACP challenges Missouri's practice

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<v Speaker 6>of excluding black people from its law school. You know,

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<v Speaker 6>there is no black law school and the white law

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<v Speaker 6>school is whites only. So the NACP brings a case saying, okay,

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<v Speaker 6>well there's no black law school, we should bit black

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<v Speaker 6>people to the white law school. And Supreme Court decides

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<v Speaker 6>in favor of the NAACP in that case.

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<v Speaker 3>Which because there's no question, there's no question of equality

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<v Speaker 3>when there's an absence.

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<v Speaker 6>Yeah, yeah, So the it's still within separate but equal, right,

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<v Speaker 6>because theoretically, if you built a black law school in Missouri,

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<v Speaker 6>you know, that would be okay within separate but equal,

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<v Speaker 6>But there is no black law school. In fact, to

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<v Speaker 6>build a black law school would be fantastically defensive. So

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<v Speaker 6>the logic of the case is actually an attack on separate

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<v Speaker 6>but equal, because you know, you can't build separate everything,

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<v Speaker 6>right law schools, dental schools, et cetera, et cetera. And

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<v Speaker 6>so that begins to set the stage for the cases

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<v Speaker 6>that would become brown versus more of education.

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<v Speaker 3>So one of the things I love about these cases

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<v Speaker 3>is there's so much human drama. You know, Robert Jackson

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<v Speaker 3>has a heart attack, Fred Vinson just up and dies.

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<v Speaker 3>You know, the court changes, the cases argued more than once.

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<v Speaker 3>You know, there's like the drama of the day itself.

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<v Speaker 3>May seventeenth, nineteen fifty four, and the kind of you

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<v Speaker 3>get this real sense the country is on the edge

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<v Speaker 3>of its seat about the case at that point. But

0:13:53.275 --> 0:13:55.475
<v Speaker 3>then you know this from the historians point of view,

0:13:55.475 --> 0:13:57.595
<v Speaker 3>it's quite frustrating that none of this was recorded, and

0:13:57.595 --> 0:14:00.275
<v Speaker 3>it's just on the edge of when the court begins

0:14:00.395 --> 0:14:03.915
<v Speaker 3>recording its proceedings. So one of the things that I

0:14:03.915 --> 0:14:07.235
<v Speaker 3>think is really interesting about this OIA project attempts to

0:14:07.275 --> 0:14:11.715
<v Speaker 3>recreate the audio of it all, is can that sense

0:14:11.955 --> 0:14:18.035
<v Speaker 3>of human drama be captured with like artificially intelligent driven

0:14:18.515 --> 0:14:22.035
<v Speaker 3>recreation of voices. Let's listen to a little clip of

0:14:22.035 --> 0:14:26.155
<v Speaker 3>one of the recreated scenes, and then I don't kind

0:14:26.155 --> 0:14:27.435
<v Speaker 3>of want to hear your reaction to it. I think

0:14:27.475 --> 0:14:32.995
<v Speaker 3>this is from Spotswood Robinson arguing in the court.

0:14:34.115 --> 0:14:36.355
<v Speaker 5>I think it is very clear that the frame was

0:14:36.395 --> 0:14:39.315
<v Speaker 5>intended to destroy the black Codes. I think it is

0:14:39.395 --> 0:14:41.875
<v Speaker 5>clear that they intended to deprive the states of all

0:14:41.915 --> 0:14:45.155
<v Speaker 5>power to enact similar laws in the future. I think

0:14:45.195 --> 0:14:48.475
<v Speaker 5>the evidence overall is clear that it was contemplated and

0:14:48.715 --> 0:14:51.675
<v Speaker 5>understood that the state would not be permitted to use

0:14:51.715 --> 0:14:55.515
<v Speaker 5>its power to maintain a class or caste system based

0:14:55.595 --> 0:14:59.075
<v Speaker 5>upon race or color, and that the Fourteenth Amendment would

0:14:59.075 --> 0:15:03.075
<v Speaker 5>operate as a prohibition against the imposition of any racial

0:15:03.075 --> 0:15:05.675
<v Speaker 5>classification in respect of civil rights.

0:15:06.955 --> 0:15:08.795
<v Speaker 3>So, yeah, what's your reaction to that.

0:15:10.195 --> 0:15:13.835
<v Speaker 6>Well, it's a lot of fun to hear to pretend

0:15:13.835 --> 0:15:18.355
<v Speaker 6>ones hearing spots with Robinson. You know, he's from Virginia.

0:15:18.435 --> 0:15:21.035
<v Speaker 6>It sort of sounds like what he would sound like.

0:15:21.195 --> 0:15:24.315
<v Speaker 6>Maybe although I never met him, so I don't really know.

0:15:26.515 --> 0:15:30.355
<v Speaker 6>To me, it's like listening to a movie traumatization, like

0:15:30.915 --> 0:15:34.595
<v Speaker 6>this is not Spotswood Robinson, but maybe you get a

0:15:34.675 --> 0:15:37.275
<v Speaker 6>sense of what it might have been like to have

0:15:37.355 --> 0:15:37.835
<v Speaker 6>heard him.

0:15:38.035 --> 0:15:38.395
<v Speaker 7>Yeah.

0:15:38.595 --> 0:15:41.795
<v Speaker 3>Yeah, there's a kind of combination of an actor underlay

0:15:41.835 --> 0:15:46.595
<v Speaker 3>and then some ai overlay in these voices. But thinking

0:15:46.635 --> 0:15:49.235
<v Speaker 3>about I'd love to hear more about what it meant

0:15:49.275 --> 0:15:53.995
<v Speaker 3>for someone like Robinson to do the work of lawyering.

0:15:55.035 --> 0:15:59.195
<v Speaker 3>Is there something about how you would imagine hearing that

0:15:59.555 --> 0:16:02.155
<v Speaker 3>or the way that that would come across in an argument.

0:16:03.955 --> 0:16:06.555
<v Speaker 3>I guess, like I'm not sure. It kind of gets

0:16:06.595 --> 0:16:09.515
<v Speaker 3>me there, that voice, right, Like there's something about the

0:16:10.355 --> 0:16:12.155
<v Speaker 3>the stakes.

0:16:12.915 --> 0:16:17.235
<v Speaker 6>Yeah, it's it's it's every time these black lawyers go

0:16:17.315 --> 0:16:20.035
<v Speaker 6>to court in these civil rights cases, there's a lot

0:16:20.075 --> 0:16:23.675
<v Speaker 6>of drama just from the from the basic trial court

0:16:23.915 --> 0:16:28.795
<v Speaker 6>to the Supreme Court because in every case, you know,

0:16:28.955 --> 0:16:33.275
<v Speaker 6>in these courtrooms, there's never been a black person to

0:16:33.395 --> 0:16:38.075
<v Speaker 6>do this kind of thing. There are very few black lawyers.

0:16:38.555 --> 0:16:42.875
<v Speaker 6>If their good marshall goes to court in Virginia or

0:16:42.955 --> 0:16:47.275
<v Speaker 6>somewhere else in the South, nobody's ever seen a black lawyer.

0:16:47.395 --> 0:16:50.755
<v Speaker 6>Usually and nobody's seen a black layer talk to white

0:16:50.755 --> 0:16:53.675
<v Speaker 6>people the way that Thirgod Marshal gets to talk to

0:16:53.715 --> 0:16:58.395
<v Speaker 6>white people in court. But at the same time, you know,

0:16:58.835 --> 0:17:02.195
<v Speaker 6>there's a bunch of cases where Marshall's not sure if

0:17:02.195 --> 0:17:06.235
<v Speaker 6>he's going to be lynched for coming to court, and

0:17:06.315 --> 0:17:09.195
<v Speaker 6>in one case he almost is lynched and it's just

0:17:09.235 --> 0:17:12.715
<v Speaker 6>saved by one of his colleagues. So there's things like

0:17:12.755 --> 0:17:17.355
<v Speaker 6>that you just can't reconstruct, right, just the drama of

0:17:17.435 --> 0:17:17.995
<v Speaker 6>that moment.

0:17:18.155 --> 0:17:21.555
<v Speaker 3>Yeah, let's listen to Marshall for a minute. What I

0:17:21.555 --> 0:17:24.435
<v Speaker 3>want to do is play this Ai Marshall, and then

0:17:24.475 --> 0:17:27.915
<v Speaker 3>we can listen to actual Marshal from the same year,

0:17:27.955 --> 0:17:32.075
<v Speaker 3>from fifty four, and see what you think.

0:17:32.915 --> 0:17:34.995
<v Speaker 8>There is nothing in the debates that will hint in

0:17:35.035 --> 0:17:38.435
<v Speaker 8>the slightest that they did not mean complete equality. They

0:17:38.475 --> 0:17:41.515
<v Speaker 8>said so to raise the Negro up into the status

0:17:41.515 --> 0:17:44.515
<v Speaker 8>of complete equality with the other people. That is the

0:17:44.595 --> 0:17:47.555
<v Speaker 8>language they used. Substantial as a word. It was put

0:17:47.595 --> 0:17:50.875
<v Speaker 8>into the fourteenth Amendment by Plessy versus Furguson, and I

0:17:50.915 --> 0:17:53.555
<v Speaker 8>cannot find it, and it cannot be found in any

0:17:53.595 --> 0:17:54.595
<v Speaker 8>place in the debates.

0:17:55.835 --> 0:17:59.875
<v Speaker 3>Okay, can we listen to the actual Marshal from the

0:17:59.955 --> 0:18:00.595
<v Speaker 3>same period.

0:18:01.555 --> 0:18:06.475
<v Speaker 4>Despite the progress that's been made in twenty years, despite

0:18:07.675 --> 0:18:12.635
<v Speaker 4>the fondest hopes of a lot of people, we have

0:18:12.755 --> 0:18:18.395
<v Speaker 4>got before us a job for the future, and it's

0:18:18.515 --> 0:18:23.515
<v Speaker 4>not the type of job that can be solved solely

0:18:23.715 --> 0:18:27.755
<v Speaker 4>by government. It's a type of job that has to

0:18:27.795 --> 0:18:32.515
<v Speaker 4>be solved by individuals working on individuals.

0:18:33.115 --> 0:18:33.995
<v Speaker 3>I don't know, what do you think.

0:18:35.115 --> 0:18:40.395
<v Speaker 6>It's so striking that the two they don't quite sound alike.

0:18:40.835 --> 0:18:45.795
<v Speaker 6>They're similar, but also like, I know what Marshall sounded

0:18:45.915 --> 0:18:48.795
<v Speaker 6>like later in life. I didn't meet him, but he's

0:18:48.835 --> 0:18:51.635
<v Speaker 6>more gravely, like yeah, yeah, his voice is deeper later

0:18:51.675 --> 0:18:57.115
<v Speaker 6>in life. He his accent changes. So that's the other

0:18:57.155 --> 0:18:59.915
<v Speaker 6>thing you just can't capture. You don't know what he

0:19:00.035 --> 0:19:04.115
<v Speaker 6>sounded like in court because everybody said that when he

0:19:04.235 --> 0:19:06.635
<v Speaker 6>was in when he was in the South, he would

0:19:06.675 --> 0:19:11.595
<v Speaker 6>get a real Southern accent. Now when he's in a

0:19:11.595 --> 0:19:12.755
<v Speaker 6>Supreme court, he probably doesn't.

0:19:12.955 --> 0:19:14.315
<v Speaker 3>Yeah, but we don't.

0:19:14.115 --> 0:19:17.315
<v Speaker 6>Actually know that he's arguing with John W. Davis, you

0:19:17.355 --> 0:19:21.555
<v Speaker 6>know who knows. Yeah, So we can't capture that yeah aspect.

0:19:22.515 --> 0:19:26.035
<v Speaker 3>Yeah, like he just was like a consummate code switcher,

0:19:26.595 --> 0:19:29.195
<v Speaker 3>which I guess We're not surprising when you think about

0:19:29.235 --> 0:19:30.915
<v Speaker 3>the kind of roles that he was playing, as you say,

0:19:30.955 --> 0:19:33.835
<v Speaker 3>and also traveling and speaking into different audiences.

0:19:35.835 --> 0:19:37.875
<v Speaker 1>We'll be back with more in just a minute.

0:19:42.595 --> 0:19:43.995
<v Speaker 3>I kind of want to go back to the case

0:19:44.035 --> 0:19:49.275
<v Speaker 3>itself and think about how close was Brown to being

0:19:49.315 --> 0:19:50.475
<v Speaker 3>decided differently.

0:19:52.275 --> 0:19:55.555
<v Speaker 6>Yeah, we don't know how close Brown was to being

0:19:55.555 --> 0:20:00.995
<v Speaker 6>decided differently. We know that the first time it was argued,

0:20:02.435 --> 0:20:07.355
<v Speaker 6>it looks like maybe four justices were in favor of

0:20:07.595 --> 0:20:12.795
<v Speaker 6>overturning school segregation, and maybe two were in favor of

0:20:12.835 --> 0:20:16.195
<v Speaker 6>affirming it, and the others, including Felix Frankfurter, we don't

0:20:16.235 --> 0:20:20.755
<v Speaker 6>really know. So there's a lot of accidents, you know,

0:20:20.875 --> 0:20:25.115
<v Speaker 6>like this is history, right, History is you know, a

0:20:25.115 --> 0:20:27.235
<v Speaker 6>bunch of things happened, and some of them are planned,

0:20:27.275 --> 0:20:29.115
<v Speaker 6>and some of them are accidents, and some of them,

0:20:29.475 --> 0:20:33.795
<v Speaker 6>you know, an accident happens and then somebody takes advantage

0:20:33.995 --> 0:20:37.795
<v Speaker 6>of it and pushes it. So our main accident, of course,

0:20:37.915 --> 0:20:41.795
<v Speaker 6>is that Chief Justice Vincent dies and Brown is re

0:20:41.955 --> 0:20:47.235
<v Speaker 6>are argued, and in the second argument, the NAACP is

0:20:47.235 --> 0:20:49.715
<v Speaker 6>a lot more aggressive also, and you know what they

0:20:49.795 --> 0:20:53.275
<v Speaker 6>ask for and the kind of claims they make about

0:20:53.275 --> 0:20:57.195
<v Speaker 6>the original understanding of the fourteenth Amendment as prohibiting school segregation.

0:20:58.275 --> 0:21:03.515
<v Speaker 6>So these are all accidents. It was, you know, the

0:21:03.995 --> 0:21:07.395
<v Speaker 6>cases themselves were often accidents in the sense that the

0:21:07.475 --> 0:21:10.915
<v Speaker 6>cases kind of evolved. You know, the South Carolina case

0:21:10.995 --> 0:21:16.035
<v Speaker 6>breaks versus delegate starts with a request for a school bus, like, Okay,

0:21:16.475 --> 0:21:19.315
<v Speaker 6>if they gave the black kids a school bus, then

0:21:19.435 --> 0:21:20.875
<v Speaker 6>maybe the whole thing would have been different.

0:21:21.835 --> 0:21:26.115
<v Speaker 3>I've been reading about, you know, that day and people's expectations,

0:21:26.115 --> 0:21:28.075
<v Speaker 3>a sort of reporter scrambling to go down to the

0:21:28.115 --> 0:21:31.555
<v Speaker 3>courthouse because finally this decision was going to be issued.

0:21:31.595 --> 0:21:33.195
<v Speaker 3>You know, it had been argued twice, it had been

0:21:33.195 --> 0:21:35.915
<v Speaker 3>in the news for a long time. The country's really

0:21:35.995 --> 0:21:37.515
<v Speaker 3>kind of on the edge of its seat about what

0:21:37.555 --> 0:21:42.595
<v Speaker 3>this decision is is going to look like. I was

0:21:42.635 --> 0:21:45.915
<v Speaker 3>reading the biography of Ethel Payne, who was the Washington

0:21:46.235 --> 0:21:49.875
<v Speaker 3>reporter for the Chicago Defender, and she had gone down

0:21:49.915 --> 0:21:52.675
<v Speaker 3>with the press and she talks about, you know, it

0:21:52.755 --> 0:21:55.835
<v Speaker 3>was noontime that the court was called into session, and

0:21:55.875 --> 0:21:59.395
<v Speaker 3>at the minute it became clear which way the decision

0:21:59.475 --> 0:22:04.435
<v Speaker 3>was going to go. When Warren got to you know,

0:22:04.475 --> 0:22:07.595
<v Speaker 3>a particular point in issuing the opinion, which he of

0:22:07.595 --> 0:22:11.475
<v Speaker 3>course read out loud that everybody the room already looked

0:22:11.555 --> 0:22:15.675
<v Speaker 3>the room to go report it. So let's hear when

0:22:15.715 --> 0:22:17.475
<v Speaker 3>he kind of gets to that point where you kind

0:22:17.515 --> 0:22:19.715
<v Speaker 3>of the reveal, where you kind of get a good

0:22:19.755 --> 0:22:21.995
<v Speaker 3>sense of how how the opinion is going to go.

0:22:22.635 --> 0:22:26.235
<v Speaker 2>In approaching this problem, we cannot turn the clock back

0:22:26.275 --> 0:22:29.875
<v Speaker 2>to eighteen sixty eight when the amendment was adopted, or

0:22:29.955 --> 0:22:34.435
<v Speaker 2>even to eighteen ninety six when plus versus Ferguson was written.

0:22:34.875 --> 0:22:38.355
<v Speaker 2>We must consider public education in the light of its

0:22:38.395 --> 0:22:42.635
<v Speaker 2>full development and its present place in American life throughout

0:22:42.635 --> 0:22:46.315
<v Speaker 2>the nation. Only in this way can it be determined

0:22:46.635 --> 0:22:51.075
<v Speaker 2>if segregation in public schools deprives these plaintiffs of the

0:22:51.195 --> 0:22:53.355
<v Speaker 2>equal protection of the laws.

0:22:55.355 --> 0:22:57.875
<v Speaker 3>What Ethel Payne talks about is that once the decision

0:22:57.915 --> 0:23:00.195
<v Speaker 3>went out on the radio, because people, the reporters who've

0:23:00.515 --> 0:23:03.475
<v Speaker 3>raced out of the room called the radio stations, you know,

0:23:03.715 --> 0:23:08.875
<v Speaker 3>call their newsrooms, that all the taxis in Washington, DC

0:23:09.035 --> 0:23:11.835
<v Speaker 3>started honking. All the taxi drivers were these black men,

0:23:12.155 --> 0:23:13.755
<v Speaker 3>and they all heard it on the radio at the

0:23:13.755 --> 0:23:16.075
<v Speaker 3>same time, and people were were like like an atomic

0:23:16.115 --> 0:23:18.555
<v Speaker 3>attack or something that they were like sirens going up.

0:23:18.755 --> 0:23:23.155
<v Speaker 3>The whole city kind of like exploded in this kind

0:23:23.195 --> 0:23:27.515
<v Speaker 3>of powerful noise, which I really love. But I'm wondering

0:23:27.515 --> 0:23:29.315
<v Speaker 3>if you just tell us, like, what is the opinion

0:23:29.395 --> 0:23:32.795
<v Speaker 3>and what's striking about it to you?

0:23:32.835 --> 0:23:33.115
<v Speaker 6>Still?

0:23:33.115 --> 0:23:33.475
<v Speaker 1>Today?

0:23:34.675 --> 0:23:38.195
<v Speaker 6>I think a few things are striking about Warren's opinion today.

0:23:38.315 --> 0:23:41.275
<v Speaker 6>I mean one is it's written in very plain language.

0:23:41.355 --> 0:23:44.635
<v Speaker 6>You know, Warren is a politician. He knows how to communicate.

0:23:45.195 --> 0:23:49.075
<v Speaker 6>It's a big deal what Supreme Court is doing, and

0:23:49.275 --> 0:23:53.355
<v Speaker 6>he doesn't want it to feel technical. He wants it

0:23:53.395 --> 0:23:59.195
<v Speaker 6>to feel like something that people can understand. It also

0:23:59.235 --> 0:24:04.075
<v Speaker 6>sort of avoids the issue why exactly is school segregation

0:24:04.235 --> 0:24:08.955
<v Speaker 6>un constitutionally? Doesn't quite tell us, and we're still really

0:24:09.155 --> 0:24:13.395
<v Speaker 6>arguing today about you know, why was it unconstitutional? So

0:24:13.675 --> 0:24:16.235
<v Speaker 6>it's the way in which it's it's smart, it's plain,

0:24:18.115 --> 0:24:20.915
<v Speaker 6>it's it's written by somebody who knows how to write

0:24:20.955 --> 0:24:23.595
<v Speaker 6>an opinion that's going to be consumed by millions of

0:24:23.635 --> 0:24:28.875
<v Speaker 6>Americans who don't agree on the fundamental thing that he's deciding.

0:24:30.275 --> 0:24:34.475
<v Speaker 3>And how did the country respond to it in fifty.

0:24:34.115 --> 0:24:38.115
<v Speaker 6>Four, Well, there were a number of different responses. The

0:24:38.715 --> 0:24:43.555
<v Speaker 6>initial reaction was very muted, they're they're not these grand

0:24:43.595 --> 0:24:46.995
<v Speaker 6>gestures of defiance. I mean there there, there would be

0:24:47.195 --> 0:24:50.075
<v Speaker 6>pretty soon. I mean once you know, Martin Luther King

0:24:50.115 --> 0:24:54.555
<v Speaker 6>comes along, you know, basically not very long after, so

0:24:54.755 --> 0:24:57.235
<v Speaker 6>pretty soon there are these kind of grand gestures of

0:24:57.315 --> 0:25:00.795
<v Speaker 6>defiance of the both of the Supreme Corps to the

0:25:00.835 --> 0:25:05.555
<v Speaker 6>prospect of integration. But but in the white South, the

0:25:05.595 --> 0:25:09.915
<v Speaker 6>initial reaction is, you know, maybe pretty mutic compared to

0:25:09.995 --> 0:25:12.915
<v Speaker 6>what we might expect it to have been from our

0:25:13.675 --> 0:25:15.355
<v Speaker 6>our vantage for many years later.

0:25:17.035 --> 0:25:19.035
<v Speaker 3>So one of the things I think about with Brown,

0:25:19.235 --> 0:25:22.235
<v Speaker 3>and this was really striking to me. Somehow listening to

0:25:22.315 --> 0:25:27.555
<v Speaker 3>the arguments made this more clear to me than reading them,

0:25:27.875 --> 0:25:36.755
<v Speaker 3>which was how intricately the NAACP lawyers are both insisting

0:25:36.795 --> 0:25:40.155
<v Speaker 3>on in an original intention argument about the Fourteenth Amendment,

0:25:40.315 --> 0:25:42.955
<v Speaker 3>that it had these anti slavery origins, that it was

0:25:42.995 --> 0:25:45.475
<v Speaker 3>an abolitionist idea, that it had this kind of open

0:25:45.555 --> 0:25:52.715
<v Speaker 3>ended meaning that could be construed to declare segregation unconstitutional,

0:25:52.755 --> 0:25:54.595
<v Speaker 3>in spite of the fact that all the members of

0:25:54.635 --> 0:26:01.035
<v Speaker 3>Congress who were involved in drafting the Fourteenth Amendment had

0:26:01.315 --> 0:26:03.635
<v Speaker 3>children who were going to segregated schools. Like the original

0:26:03.635 --> 0:26:06.315
<v Speaker 3>intention argument can go the other way. But they have this,

0:26:06.435 --> 0:26:10.435
<v Speaker 3>they're committed to that, but at the same time they

0:26:10.435 --> 0:26:12.755
<v Speaker 3>want to argue that original intention kind of doesn't matter,

0:26:13.115 --> 0:26:15.675
<v Speaker 3>and that really it's the social science that they're presenting.

0:26:15.755 --> 0:26:19.275
<v Speaker 3>This amazing, you know, this incredible. Uh so we will

0:26:19.315 --> 0:26:22.715
<v Speaker 3>call social psychology evidence about the consequences of segregation for

0:26:22.755 --> 0:26:27.155
<v Speaker 3>black children. Like they're throwing everything by way of evidence

0:26:27.155 --> 0:26:30.435
<v Speaker 3>and argument at defeating in this kind of grand sweeping way,

0:26:30.595 --> 0:26:33.235
<v Speaker 3>the very idea of separate but equal. By the time,

0:26:33.315 --> 0:26:36.875
<v Speaker 3>you know, they get to the actual second round of arguments,

0:26:38.435 --> 0:26:41.675
<v Speaker 3>and you know, looking from my point of view seventy

0:26:41.755 --> 0:26:46.555
<v Speaker 3>years on the legal arguments, that that argues not John

0:26:46.635 --> 0:26:49.715
<v Speaker 3>Davis's arguments in court in fifty three or something, but

0:26:49.795 --> 0:26:52.195
<v Speaker 3>the later legal arguments, you know, the sort of origins

0:26:52.195 --> 0:26:57.995
<v Speaker 3>of originalism case that the reaction to Brown leads a

0:26:58.035 --> 0:27:00.715
<v Speaker 3>group of scholars who would come to call themselves conservative

0:27:00.755 --> 0:27:05.755
<v Speaker 3>constitutionalists to emphasize that the original intention of the fourteenth

0:27:05.755 --> 0:27:08.715
<v Speaker 3>Amendment was never to end segregation and that therefore Brown

0:27:08.795 --> 0:27:11.795
<v Speaker 3>was wrongly decided. And you see this kind of whole

0:27:12.875 --> 0:27:18.075
<v Speaker 3>origin of some of our contemporary legal clashes around what

0:27:18.155 --> 0:27:20.675
<v Speaker 3>the Supreme Court does and how it makes its decisions.

0:27:22.395 --> 0:27:27.955
<v Speaker 3>So I'm struck listening to it at how like alive

0:27:28.075 --> 0:27:30.955
<v Speaker 3>those disputes still are.

0:27:31.715 --> 0:27:36.675
<v Speaker 6>Yeah, I think we have always argued as Americans about

0:27:37.315 --> 0:27:41.275
<v Speaker 6>are founding principles and race. Right in the nineteenth century

0:27:41.315 --> 0:27:44.995
<v Speaker 6>it was was the Constitution pro slavery or anti slavery?

0:27:45.075 --> 0:27:51.955
<v Speaker 6>You know, pitched battles over that. And since Brown, it's

0:27:52.075 --> 0:27:57.355
<v Speaker 6>you know, how to understand the Fourteenth Amendment? Do we

0:27:57.395 --> 0:28:02.915
<v Speaker 6>look at its original understanding, intention, meaning, et cetera, et cetera.

0:28:03.035 --> 0:28:06.715
<v Speaker 6>Does that matter even when we look back to eighteen

0:28:06.795 --> 0:28:09.675
<v Speaker 6>sixty eight we get different answers there? Actually is it

0:28:09.955 --> 0:28:14.875
<v Speaker 6>one answer? I mean, Supreme Court is deciding cases at

0:28:14.915 --> 0:28:21.475
<v Speaker 6>this moment that are about how to understand both the

0:28:22.635 --> 0:28:26.395
<v Speaker 6>meaning around when it was decided and the meaning of

0:28:26.435 --> 0:28:33.915
<v Speaker 6>the Fourteenth Amendment when it was framed and ratified. And

0:28:34.275 --> 0:28:36.715
<v Speaker 6>you know, we've just been arguing about that for the

0:28:36.835 --> 0:28:39.595
<v Speaker 6>last seventy years, and we could continue to argue about that.

0:28:42.435 --> 0:28:47.235
<v Speaker 3>I am really interested in the tech piece of this,

0:28:47.395 --> 0:28:51.915
<v Speaker 3>where this kind of AI voice recreation can give us

0:28:51.915 --> 0:28:58.915
<v Speaker 3>some proximate version that's maybe different than hiring actors, could

0:28:58.915 --> 0:29:02.195
<v Speaker 3>be cheaper for ordinary people to do. And since so

0:29:02.275 --> 0:29:07.955
<v Speaker 3>much of our constitutional discourse is about original intention, meaning

0:29:07.955 --> 0:29:13.915
<v Speaker 3>and understanding. So let's say someone wants to recreate the

0:29:13.995 --> 0:29:18.835
<v Speaker 3>debates of the congressional debates about the fourteenth Amendment as audio,

0:29:19.795 --> 0:29:23.275
<v Speaker 3>where the question of what did people mean when they

0:29:23.515 --> 0:29:28.035
<v Speaker 3>said these things is given a different weightiness if we're

0:29:28.195 --> 0:29:30.355
<v Speaker 3>listening to it and you're you know, the way the

0:29:30.435 --> 0:29:35.035
<v Speaker 3>AI might emphasize certain terms or recreate certain voices. Since

0:29:35.075 --> 0:29:40.875
<v Speaker 3>we care about what the framers of constitutional texts meant

0:29:40.875 --> 0:29:43.795
<v Speaker 3>when they said things, what would it mean if we

0:29:43.795 --> 0:29:48.635
<v Speaker 3>were listening to them? Would it have an effect on

0:29:48.715 --> 0:29:52.435
<v Speaker 3>how we interpret the constitution? Is there a conceivable future

0:29:52.475 --> 0:29:58.715
<v Speaker 3>in which this technology has implications for jurisprudence?

0:30:03.515 --> 0:30:06.635
<v Speaker 6>You know, it's interesting when we kind of think about

0:30:06.635 --> 0:30:11.835
<v Speaker 6>what did Brown mean when it was decided, and if

0:30:11.915 --> 0:30:15.595
<v Speaker 6>we had some form of a access AI generated to

0:30:16.635 --> 0:30:21.075
<v Speaker 6>how people spoke about it, would it help us understand

0:30:21.075 --> 0:30:25.035
<v Speaker 6>what it meant? And I guess the answer was sort

0:30:25.035 --> 0:30:28.595
<v Speaker 6>of yes and no. You know, I'm a historian, so

0:30:28.995 --> 0:30:32.595
<v Speaker 6>I always think I'm committed to figuring out how people

0:30:32.835 --> 0:30:35.875
<v Speaker 6>thought about things in the past and trying to do

0:30:35.955 --> 0:30:39.515
<v Speaker 6>that as accurately as possible. And there's a way in

0:30:39.515 --> 0:30:43.275
<v Speaker 6>which AI is both facilitates and underminds that, right, because

0:30:43.515 --> 0:30:48.115
<v Speaker 6>you know, you can't you can't reconstruct how it sounded

0:30:48.155 --> 0:30:51.235
<v Speaker 6>in the past because you weren't there. We don't have

0:30:51.275 --> 0:30:53.635
<v Speaker 6>a recording. Even if we even if we had a recording,

0:30:53.675 --> 0:30:55.275
<v Speaker 6>we don't know what it feels like to be in

0:30:55.315 --> 0:30:57.515
<v Speaker 6>the room. So there's a way in which it's it's

0:30:57.675 --> 0:31:01.435
<v Speaker 6>it's great, and there's a win which it's a pipe dream.

0:31:01.715 --> 0:31:03.715
<v Speaker 6>I mean, you're just never going to be able to

0:31:03.955 --> 0:31:08.155
<v Speaker 6>get to the past. Yeah, and we almost have to

0:31:08.435 --> 0:31:09.435
<v Speaker 6>sort of leave it there.

0:31:10.235 --> 0:31:14.475
<v Speaker 3>Yeah, no, we do, but that I think I have

0:31:14.555 --> 0:31:17.955
<v Speaker 3>this kind of completeness fantasy as a historian, and something

0:31:17.955 --> 0:31:20.955
<v Speaker 3>about this AI kind of speaks to that, like, oh

0:31:21.035 --> 0:31:24.395
<v Speaker 3>you could really you know, why did Warren write it

0:31:24.475 --> 0:31:26.315
<v Speaker 3>just that way? You can when you hear it, it would

0:31:26.355 --> 0:31:29.435
<v Speaker 3>be different, dirt, that's somehow we could get all the answers.

0:31:29.515 --> 0:31:35.835
<v Speaker 3>And but you're rational and wise and you know that's

0:31:35.955 --> 0:31:39.955
<v Speaker 3>not that that's not true. But also it shouldn't decide

0:31:39.955 --> 0:31:43.475
<v Speaker 3>for us how we live today, right, like at some level,

0:31:43.475 --> 0:31:46.755
<v Speaker 3>like that's kind of the turning point that Brown represents, Right,

0:31:47.395 --> 0:31:49.675
<v Speaker 3>even if we knew what the what the framers what

0:31:49.755 --> 0:31:53.315
<v Speaker 3>John Bingham meant when he drafted the fourteenth Amendment. Even

0:31:53.315 --> 0:31:56.315
<v Speaker 3>if we knew, we still know we should end segregation,

0:31:56.395 --> 0:31:58.115
<v Speaker 3>do you know what I mean? Like even like that,

0:31:58.115 --> 0:32:00.795
<v Speaker 3>that's the that's for me, the the kind of real

0:32:00.875 --> 0:32:03.555
<v Speaker 3>majesty of Brown is the naac's claim like, all right,

0:32:03.555 --> 0:32:05.875
<v Speaker 3>we're gonna make this argument about original intention, but it

0:32:05.915 --> 0:32:07.755
<v Speaker 3>actually what we're really going to say is this is

0:32:07.795 --> 0:32:12.195
<v Speaker 3>just wrong. And that's why I love this case. Like

0:32:12.235 --> 0:32:16.235
<v Speaker 3>that's why I love listening to Marshall and spots with'ms

0:32:16.275 --> 0:32:21.835
<v Speaker 3>and make these claims because you can hear like enough already, do.

0:32:21.795 --> 0:32:22.355
<v Speaker 1>You know what I mean?

0:32:23.475 --> 0:32:27.395
<v Speaker 6>Yeah, I mean I agree. I think that Brown was

0:32:27.435 --> 0:32:31.075
<v Speaker 6>as much about the moment it was decided as it

0:32:31.235 --> 0:32:34.355
<v Speaker 6>was about eighteen sixty eight. Like I mean, you know,

0:32:34.675 --> 0:32:36.555
<v Speaker 6>if you read about the justices, they.

0:32:37.075 --> 0:32:40.675
<v Speaker 7>Kind of understood, you know, it's the nineteen fifties. Could

0:32:40.755 --> 0:32:43.915
<v Speaker 7>we really have school segregation? This thing is kind of wrong,

0:32:44.515 --> 0:32:46.235
<v Speaker 7>But then what are we supposed to do? How were

0:32:46.235 --> 0:32:48.515
<v Speaker 7>we supposed to write an opinion? But they kind of

0:32:48.555 --> 0:32:50.355
<v Speaker 7>know intuitively, at least most of.

0:32:50.315 --> 0:32:57.315
<v Speaker 6>Them, that it seems incommensurate with nineteen fifties America to

0:32:57.435 --> 0:33:01.715
<v Speaker 6>have this and to not have any legal remedy. And

0:33:01.755 --> 0:33:04.235
<v Speaker 6>that's really what the case is about. And as you say,

0:33:04.315 --> 0:33:08.635
<v Speaker 6>the Thurgood Marshall and the NAACP lawyers they kind of

0:33:08.675 --> 0:33:12.595
<v Speaker 6>know that too. And we argue about all this technical stuff,

0:33:12.755 --> 0:33:16.275
<v Speaker 6>but really the case is about now, as in the

0:33:16.355 --> 0:33:19.875
<v Speaker 6>nineteen fifties for Brown. Yeah, but we argue about it.

0:33:19.875 --> 0:33:24.955
<v Speaker 6>It's always about now. We pretend like we're arguing about

0:33:25.075 --> 0:33:28.475
<v Speaker 6>nineteen fifty four or eighteen sixty eight, but we're really

0:33:28.515 --> 0:33:31.235
<v Speaker 6>always arguing about now.

0:33:33.515 --> 0:33:36.195
<v Speaker 1>The special episode of the Last Archive was hosted by

0:33:36.275 --> 0:33:39.515
<v Speaker 1>Jill Lapour. It was produced by Ben Nattahaffrey and Amy

0:33:39.555 --> 0:33:43.075
<v Speaker 1>Gaines mcuaid. Editing on this episode by Lydia Jane Coott.

0:33:43.995 --> 0:33:48.235
<v Speaker 1>Today's episode was engineered and mastered by Sarah Briguere. Original

0:33:48.315 --> 0:33:52.075
<v Speaker 1>music by John Evans and Matthias Bossi of Stellwagen Symfinet.

0:33:52.675 --> 0:33:55.795
<v Speaker 1>Thank you to the Oya Project. We've included a link

0:33:55.835 --> 0:33:58.755
<v Speaker 1>to their amazing Brown Versus Board of Education website in

0:33:58.835 --> 0:34:01.755
<v Speaker 1>our show notes. We should check it out. Special thanks

0:34:01.795 --> 0:34:04.955
<v Speaker 1>to the Last Archives editor Sophie Crane, to Sarah Nix,

0:34:05.115 --> 0:34:05.915
<v Speaker 1>and to Gretecone