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Speaker 1: I don't know who this man is fucking.

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Speaker 2: You don't know who that new nigga pregnant. I don't know.

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Speaker 1: I'm making the this is my decision.

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Speaker 3: It's always your decision.

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Speaker 1: Informed this.

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Speaker 3: It's a crazy decision for any pregnant woman to lay

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Speaker 3: down and have sex with another man. That is not

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Speaker 3: a job. Still not That is insanity. I don't care

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Speaker 3: what scenario are you paying? If you are pregnant and showing,

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Speaker 3: you have not showing, but you are showing, Let's keep

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Speaker 3: doing it for if you're pregnant and showing.

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Speaker 1: That you not showing, No worry bloat.

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Speaker 2: For blow cold float, just prestigious sweats and.

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Speaker 4: Teas, no unnecessary accessories, the goat just for features. Proceed

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Speaker 4: with throat cut procedures. He looked rich, but he broke

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Speaker 4: justin Creatius. Don't trust rappers, hope trusting Jesus. Whole team

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Speaker 4: approach Coasta, Rican Coast on boats, getting throw from top models.

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Speaker 4: They pop ship my click pop battles.

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Speaker 3: I sit on shoots in the.

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Speaker 2: Bit watching the clock tic perform a couple of.

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Speaker 4: Hits, and then I did six figure. Is richer than

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Speaker 4: when I entered co World. Mister, I got a Temple.

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Speaker 4: I stay hot doing numbers like Kate pop bt s

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Speaker 4: in the flesh for they flopp and I laughed all

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Speaker 4: the way to the Deutsche Bank. Stay the fuck out

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Speaker 4: my lane. Avoid the pink. I'm really him, Bruce jenn

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Speaker 4: and boisous, ain't I'm boisterous laud pools for cruise from

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Speaker 4: mad voices. It's like your team's making the choice to

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Speaker 4: think hell after.

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Speaker 3: All, I got to laugh.

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Speaker 4: Y'all look like James Todd Smith on the graph.

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Speaker 3: Maybe that's why your bitch.

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Speaker 4: Dropped in math gug gets the squat and get.

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Speaker 3: Shopped in the half.

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Speaker 5: Now.

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Speaker 3: WoT who not tell me?

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Speaker 2: Who flopped?

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Speaker 3: Who sell out the tours? Who wrapped with trap niggas

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Speaker 3: to wet up.

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Speaker 4: Your doors, who go harder than them and never let

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Speaker 4: out before? Who got your heart poking head out the dog?

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Speaker 3: Getting paid every week like you did.

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Speaker 6: All the chores.

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Speaker 3: Life's a bitch and rich chill out.

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Speaker 7: Mary came back in here to apologize to you once again.

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Speaker 2: I hate doing it.

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Speaker 3: I don't even know if I don't even know if

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Speaker 3: I want the apology, but I'll take it.

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Speaker 2: Just know it comes.

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Speaker 7: It comes out of love, because it takes a lot

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Speaker 7: for me. So what happens, we'll apologize in the myth

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Speaker 7: that I was, which one of my words landed on

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Speaker 7: deaf ears at for. But then you had time over

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Speaker 7: the weekend to kind of sit with it and realize

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Speaker 7: that I was once again right.

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Speaker 3: I'm always right, but just once again.

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Speaker 7: Last episode, we were discussing the Cardi being offset back

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Speaker 7: and forth. Oh, that'll that shrift where offsets suggested that

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Speaker 7: she slept with another man while she was pregnant, and

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Speaker 7: you were telling me that all the women on the

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Speaker 7: timeline were totally fine with that. It's completely okay. Yeah,

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Speaker 7: they're still cursing me out if woman sleeps with another

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Speaker 7: man while she's pregnant. I just thought you were gassing

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Speaker 7: it a bit, like we were just doing some podcasting.

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Speaker 7: Once we put that clip out, I even went into

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Speaker 7: our own New Ray Maull community. Yeah, every single woman

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Speaker 7: in there was like, yeah, it's totally find a fuck

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Speaker 7: another guy while you're pregnant. Yeah, I apologize. I didn't

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Speaker 7: know they were really wild in the streets like this. Yeah,

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Speaker 7: I thought you were just you know, you saw one.

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Speaker 3: Tweet and then took it. And I'm not one of

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Speaker 3: those that see one tweet and be like, see, this

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Speaker 3: is what we need to do. Fans wanted no, And

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Speaker 3: then once.

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Speaker 7: It hit my algorithm, I just started singing women throughout

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Speaker 7: the entire weekend, just saying, so, what's wrong with that?

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Speaker 2: Yeah?

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Speaker 3: Not only are they saying what's wrong with that? They're

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Speaker 3: calling me like all kind of names now because they

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Speaker 3: feel like I am taking Offset side in the fact

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Speaker 3: that he like, they just sort of clipped they didn't

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Speaker 3: see the whole conversation. We both agreed that Offset cheating

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Speaker 3: is absolutely wrong, and you know, but I was just

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Speaker 3: saying that, but you didn't.

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Speaker 1: Say, put him on an island and bomb him.

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Speaker 3: Well, if we put a man that cheats on the

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Speaker 3: island and bomb them, then it's like we won't have

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Speaker 3: any of us left.

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Speaker 2: Who would build the bridges?

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Speaker 8: Yeah?

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Speaker 2: Who would be on this podcast?

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Speaker 3: YEAHO whould you know what I'm saying, create the seuice

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Speaker 3: system in these lovely buildings and condos that you live in.

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Speaker 2: We'll survive.

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Speaker 3: I don't know if you would.

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Speaker 7: But over the weekend as well, while I was sitting

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Speaker 7: here going damn all was right, I was going back

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Speaker 7: and forth with Demaris, just on some fun back and

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Speaker 7: forth and then I look at my phone like five

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Speaker 7: minutes later, and I see that there's like four unsent

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Speaker 7: messages to Demaris's phone that she sent to me that

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Speaker 7: she unsent, and I was like, well, that's weird. What

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Speaker 7: did you say? Apparently I got cussed the fuck out.

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Speaker 7: I wasn't quick enough to look at it.

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Speaker 2: Why'd you get cushed up?

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Speaker 7: I'm not sure, because I think it's bad for a

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Speaker 7: woman to sleep with another man while she's pregnant.

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Speaker 5: You know, I don't want to give my opinion on

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Speaker 5: that topic. I just want to ask what if? Because

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Speaker 5: nobody asked.

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Speaker 3: Opinion?

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Speaker 5: Nobody because before I give Before I give my opinion,

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Speaker 5: I just have a question. And when I was listening

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Speaker 5: back to the podcast, no one asked this question. Right,

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Speaker 5: This is why I should show up to work outside

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Speaker 5: of society standards for what women should and shouldn't do.

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Speaker 5: What is harmful about a woman's sleeping with another man

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Speaker 5: while she's pregnant. While she's pregnant, what's harmful? And I'm

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Speaker 5: not giving my with your kid in the bed, that's crazy,

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Speaker 5: told y'all, So y'all are stupid, Okay, cool, cool. I

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Speaker 5: just want to clarify I'm not stupid.

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Speaker 3: I'm stupid for thinking a woman that is pregnant with

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Speaker 3: another man's child having sex with another.

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Speaker 1: Man, for saying that it's like fucking with your kid.

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Speaker 2: In the bed.

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Speaker 3: It is your kid is in your stomach. That's even

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Speaker 3: worse if you ask me.

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Speaker 1: Okay, so no actual like serious like good good, no

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Speaker 1: good reasoning.

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Speaker 3: No that is that's not good reasoning. You're pregnant.

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Speaker 2: No mars taking the moral and tell us the scientific.

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Speaker 3: You are pregnant. What's the moral? You are pregnant? It

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Speaker 3: should be that simple. You're pregnant, Okay, and this is

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Speaker 3: not your child's father that you're having sex with.

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Speaker 2: Okay, that's not enough.

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Speaker 1: You're not giving a good reason why that was the.

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Speaker 3: Greatest reason why you're pregnant?

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Speaker 5: Like, like I'm looking for, is that a health reason?

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Speaker 5: Is there a moral code? Is there?

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Speaker 2: Like?

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Speaker 5: This is what I'm This is the question I'm asking

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Speaker 5: A little bit all of that, it's a it's a

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Speaker 5: gumbo of all of that ral accomplashes all the way off.

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Speaker 5: Why are you even thinking about sex with another man

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Speaker 5: and you're carrying another man's child?

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Speaker 2: Why?

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Speaker 3: Why is you why? Why is your body even telling

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Speaker 3: you I want sex, and it's not the child the

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Speaker 3: father of my child. R.

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Speaker 7: Kelly asked questions like that, See what that I'm just saying.

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Speaker 3: You want to have sex?

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Speaker 5: Why is your body telling you to? I want to

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Speaker 5: have sex? So so women shouldn't.

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Speaker 3: Be during the woman's Pregnanty, here is during the woman's pregnancy.

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Speaker 3: Isn't that supposed to be like the most sacred time.

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Speaker 3: The woman's body is going through a whole bunch of

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Speaker 3: different changes mentally, spiritual, it's a it's a it's a

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Speaker 3: whole different woman, right.

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Speaker 1: It's not a whole different woman's body change.

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Speaker 2: Yes. Yeah.

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Speaker 1: One of the hormones.

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Speaker 5: One of the hormones is that she gets she gets

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Speaker 5: extremely horny.

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Speaker 1: That's spiritual. You're changing spiritually, your.

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Speaker 5: Change, You're going through a lot. Yeah, right, you're walking

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Speaker 5: walking yourself into a whole two. Yes, your body is right.

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Speaker 3: You're going to allow this other energy from another man

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Speaker 3: to come into that body of that sacred thing that

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Speaker 3: you have growing in sid Do.

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Speaker 1: You truly believe that bodies and energy are sacred?

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Speaker 5: You know you do? Do you dick out here and

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Speaker 5: see how your energy change?

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Speaker 2: Do you?

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Speaker 3: Yes?

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Speaker 5: I do absolutely, both of y'all have admitted to fucking

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Speaker 5: numerous people at the same time, just none of them

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Speaker 5: were pregnant.

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Speaker 7: What the that's true.

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Speaker 2: Let's at least add that, Yeah, I don't know that.

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Speaker 3: Who don't know that?

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Speaker 5: Y'all don't know that if they were pregnant at the time.

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Speaker 5: Y'all don't know if they were pregnant. That was another thing.

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Speaker 5: Y'all were calling men who fuck pregnant women. Uh, y'all

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Speaker 5: are calling men who fuck pregnant women sick. And I'm like,

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Speaker 5: Carti herself in the internet, has herself has seen that.

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Speaker 5: Cardie didn't start showing that she was pregnant.

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Speaker 3: She was said that, We said she said that. We

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Speaker 3: said that, We said that maybe I could see it

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Speaker 3: happening if she didn't know she was.

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Speaker 5: No, I'm talking about the men. I'm not talking about

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Speaker 5: I'm talking with y'all were like, oh, how how could

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Speaker 5: a man do that?

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Speaker 1: And I'm like, a lot of men don't know women

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Speaker 1: are pregnant.

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Speaker 3: She might not have known. She might have said that,

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Speaker 3: you don't know. If you don't know, you don't that's

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Speaker 3: listenly that there. If you don't know, you don't know,

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Speaker 3: then that's no fault to nobody. I'm saying, if you

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Speaker 3: knowingly are pregnant and you lay down to sleep with

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Speaker 3: another man, that is insanity.

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Speaker 5: Insanity. Hold on, what's so? What's more insane and more dangerous?

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Speaker 2: Right?

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Speaker 1: Just quickly asking, still not giving my opinion, just being objective,

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Speaker 1: going to school.

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Speaker 5: Which one do you think is more dangerous and harmful

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Speaker 5: to the baby? The mother having sex with someone who

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Speaker 5: she knows has been tested, or she's been tested whatever,

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Speaker 5: safe sex with a condom, whatever, that she's having with

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Speaker 5: another the man or the father who's out fucking women.

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Speaker 1: Let me talk entire episode to talk. Are you going

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Speaker 1: to let me talk?

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Speaker 2: I am? Are you going to let me.

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Speaker 3: Get your okay? But when you finish, I'm bombing.

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Speaker 5: Just having having sex with another man?

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Speaker 1: Or which one is more dangerous?

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Speaker 5: Having sex with another man or getting stressed out by

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Speaker 5: your baby father who's running around cheating on you, coming

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Speaker 5: back fucking you or not fucking you but your baby

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Speaker 5: father is running around in front of millions and millions

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Speaker 5: of people, cheating on you, disrespecting you. Which one do

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Speaker 5: you think causes more harm to the baby. Which one

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Speaker 5: do you think is more likely to result in miscarriage,

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Speaker 5: stressed from high blood pressure, high cortisol, and I'm stressing

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Speaker 5: the fuck out crying over a nigga or a good

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Speaker 5: old orgasm from another nigga.

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Speaker 1: Which one do you think is more harmful?

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Speaker 7: Why that scenario is insane because you just gave one

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Speaker 7: scenario which is an actual, legit reason why women have miscarriages,

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Speaker 7: and then put it against something that's nothing to do

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Speaker 7: with miscarriages.

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Speaker 5: No, everybody's saying no, because everybody's acting like because everybody

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Speaker 5: keeps saying that it's so harmful to them, that didn't

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Speaker 5: make up that scenario.

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Speaker 7: He's running around the people that are not cheating, that

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Speaker 7: are stressing out their baby mother that could kill the kid, Like,

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Speaker 7: what are you talking about?

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Speaker 5: Okay, So even if a whole new topic, it's not

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Speaker 5: a whole new topic because you're missing the point.

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Speaker 1: It's like flying over your head.

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Speaker 5: The point is this man is running around stressing her out,

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Speaker 5: and nobody gives a fuck about that. People are on

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Speaker 5: her saying that people like her need to be on

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Speaker 5: bombs and nuked and killed on an island full of

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Speaker 5: whores because she gave, because she gave her pussy away,

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Speaker 5: that she fucking all right, but all said, it's just oh, well,

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Speaker 5: you know, I mean that's wrong, but whatever, When he's

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Speaker 5: running around stressing out his pregnant baby mother and everybody

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Speaker 5: knows that. All I asked was which one A or

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Speaker 5: B is more likely to result in the harm of

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Speaker 5: the baby, Since everybody is acting like Cardi's harming her baby,

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Speaker 5: which one for.

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Speaker 7: Your completely new scenario, it would be the stress You

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Speaker 7: became a listener last all you did was watch the clip.

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Speaker 7: You ain't listen to the whole episode because we said

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Speaker 7: at the end of that ship, yo, Cardi really just

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Speaker 7: needs to leave off set because clearly for the last

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Speaker 7: ten years he's been fucking wilding, making her look crazy

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Speaker 7: and stressing her the fuck out.

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Speaker 2: Put him on an island, I said, he can get

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Speaker 2: on the island too. We never excuse I'm not excusing

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Speaker 2: his behavior. He's awful.

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Speaker 7: Now, can I answer your question with a question that's

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Speaker 7: in more of this scenario that we're in here. I

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Speaker 7: agree that if a man is out cheating on his

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Speaker 7: pregnant girl, it could be harmful for the kid because

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Speaker 7: you could come back, you're sticking your dick and whatever.

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Speaker 2: That can fuck with a girl.

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Speaker 7: Even if she's not pregnant if you're just fucking other

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Speaker 7: women raw and then fucking your girl row. Now we

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Speaker 7: can all agree there, pregnant or exactly. We can all

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Speaker 7: agree that pregnant, it's worse. Right, pregnant, it's worse said right,

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Speaker 7: of course, so pregnant pregnancy. Okay, so we all agree

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Speaker 7: there it is. So why is it not the same thing?

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Speaker 7: If the pregnant woman is fucking a different dick like

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Speaker 7: that couldn't affect her. Why would it be any different

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Speaker 7: if because.

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Speaker 5: Also she's making that decision and she knows what's going on,

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Speaker 5: she's aware of all the factors.

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Speaker 1: I don't know who this man is fucking.

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Speaker 3: You don't know who that you don't.

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Speaker 2: Pregnant, I don't know.

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Speaker 5: I'm making the This is my decisions, always your decision

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Speaker 5: informed this.

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Speaker 3: It's a crazy decision for any pregnant woman to lay

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Speaker 3: down and have sex with another man. That is not

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Speaker 3: a job.

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Speaker 2: Still not That is insanity.

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Speaker 3: I don't care what scenario are you paying If you

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Speaker 3: are pregnant and showing showing, but you showing, let's keep

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Speaker 3: down it for if you're pregnant and showing that you.

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Speaker 5: Know, showing, Even if she whether she is if she

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Speaker 5: isn't you? No one has given me an actual answer

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Speaker 5: of how it.

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Speaker 3: Is if I'm crazy.

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Speaker 5: You cannot explain how it's crazy.

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Speaker 3: To lay down and open your legs to another man,

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Speaker 3: but when you are pregnant? Reason that insanity?

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Speaker 1: You're talking from societal standards.

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Speaker 3: Im from just having some type of moral.

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Speaker 2: Most have a more borro what's tomorrow?

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Speaker 3: You are pregnant? No, but what your legs and allowing

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Speaker 3: another man to enter in side of you? You are pregnant,

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Speaker 3: but you're not have some self respect?

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Speaker 1: How is it disrespectful? What's the more?

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Speaker 5: Because you are pregnant and no, yes, no you're you're

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Speaker 5: pregnant with another.

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Speaker 3: Child growing inside and you should not be laying down

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Speaker 3: with no other man.

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Speaker 1: You explain anything.

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Speaker 5: Listen, if I tell you you shouldn't go out in

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Speaker 5: the rain and you and you say why, I should

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Speaker 5: be able to explain to you, Well, you shouldn't go

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Speaker 5: out into the rain because this this, this is You

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Speaker 5: can't explain why you're just like.

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Speaker 3: Morally there because another life is growing inside you. That

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Speaker 3: that is a sacred time for a woman mentally, emotionally, spiritually, physically,

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Speaker 3: A woman is completely changing when she's pregnant. Why would

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Speaker 3: you then allow for another man to enter your body

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Speaker 3: when you have this life growing? This is a sake,

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Speaker 3: The most sacred time, some would say, for a woman

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Speaker 3: is going through woman of it, through motherhood. So why

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Speaker 3: would you then allow a man, whether he's wearing a

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Speaker 3: condom or not condom on fuck it, he's wearing the condom,

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Speaker 3: he's protected. How would you then allow this man to

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Speaker 3: enter your body when you have this whole thing on

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Speaker 3: called life growing?

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Speaker 5: What the man gets hurt and when he entered her?

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Speaker 2: What's different?

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Speaker 1: You said, what what's different? What changes like?

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Speaker 3: What? What is?

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Speaker 1: What is the result of this man having sex with her?

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Speaker 1: What changes you are?

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Speaker 7: And I just gave you the scientific one that wasn't

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Speaker 7: even more pregnant. If it's fucked up with the guys

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Speaker 7: going out and entering other women and then coming back

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Speaker 7: and entering her that new guy. To Maul's point, you

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Speaker 7: don't know what the fuck he's doing. That could fuck

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Speaker 7: how to you the same.

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Speaker 5: Way picked the nigga up off the street.

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Speaker 2: Y'all don't know the.

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Speaker 3: Whole thing we just told about women being pregnant and

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Speaker 3: having sex with another man that's not their child's fault.

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Speaker 7: Do you think in your core, your heart of hearts

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Speaker 7: that the guy that is fucking a pregnant woman we

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Speaker 7: just said that I was is making sound decisions in

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Speaker 7: the world right now? And why is he fucking a

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Speaker 7: bunch of other people too?

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Speaker 5: That's a wild Now remember inserting things that we have

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Speaker 5: no idea about.

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Speaker 7: We're going to sit in the part of hearts. Do

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Speaker 7: you think that the guy that is fucking the pregnant

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Speaker 7: girl with a kid.

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Speaker 1: That is I know she's pregnant.

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Speaker 2: Bro, No, no, no, no.

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Speaker 3: The rest of the world is let's keep it, let's

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Speaker 3: keep it on. He knows and she knows. They both

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Speaker 3: have They both know. They both know that she's pregnant.

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Speaker 5: You, that's not always true. Everybody moves like you and

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Speaker 5: thinks like you. Brokay for you, you know you're pregnant

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Speaker 5: and that me this don't put this on me.

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Speaker 3: No, I'm just saying. I'm saying the woman, the woman

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Speaker 3: knows that she's pregnant, and the guy that's not her

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Speaker 3: child's father knows that she's pregnant. That's what I'm saying.

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Speaker 3: She lays down and has sex with him. You don't

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Speaker 3: think that that's crazy?

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Speaker 2: No, I don't think that's crazy.

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Speaker 3: Why you don't think that that's crazy.

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Speaker 5: Because I feel like it's situation by situation basis. But

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Speaker 5: at the end of the day, everybody keeps saying a

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Speaker 5: woman is when she's at her more sacred, she's at

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Speaker 5: her most diss it's also what she's the most horny,

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Speaker 5: and she's also the most vulnerable, and she's also the

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Speaker 5: most lonely. So for someone to want affection and and

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Speaker 5: to want an orgasm, which.

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Speaker 1: Actually aren't, get a vibrator, get the feel like.

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Speaker 5: This is one of these things where I feel like

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Speaker 5: it's very easy for men to talk from these standpoints

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Speaker 5: because you're talking orgasm, because it's just something I'm talking

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Speaker 5: four other words, and you just the vulnerability, the loneliness,

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Speaker 5: the hormone.

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Speaker 3: All lonely. So let me go get some nigga and

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Speaker 3: fucking y'all.

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Speaker 5: Keep y'all keep putting it on that she just picked

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Speaker 5: the nigga up off the street, y'all keep putting.

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Speaker 3: I'm not saying she picked them up off the street.

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Speaker 3: Whoever it is, she knows him, you known it for years,

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Speaker 3: you used to fuck him.

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Speaker 2: Cool.

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Speaker 3: I'm saying, if you're pregnant. And remember, not only are

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Speaker 3: you pregnant in this scenario that we're talking about while

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Speaker 3: we're having this conversation, you're married still. You already have

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Speaker 3: a family with this person.

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Speaker 5: We don't know if she was still married. She got

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Speaker 5: divorced a while ago. We don't know if she was still.

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Speaker 3: When you were married. You mean to tell me that

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Speaker 3: you the guy that would have sex with you knowing

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Speaker 3: that you're pregnant. You think that that's like cool to

398
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Speaker 3: lay down with this dude and he knows that you're Like,

399
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Speaker 3: that's the type of nigga you want.

400
00:16:02,720 --> 00:16:06,520
Speaker 5: To that's y'all putting something on this type of nigga.

401
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Speaker 3: I'm saying to general.

402
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Speaker 1: Lets you say that's the type of nigga.

403
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Speaker 5: But there are plenty of men who meet women who

404
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Speaker 5: are pregnant and alone and doing ship alone and get

405
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Speaker 5: into relations with them and end up in that.

406
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Speaker 3: A pregnant woman is insanity. That's crazy.

407
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Speaker 2: That's your opinion.

408
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Speaker 3: That is insane. That is insane, Like, we don't have

409
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Speaker 3: about it.

410
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Speaker 2: It happens regularly, people fall in love. Yeah, it's crazy.

411
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Speaker 3: Insane. Niggas is insane. That's a nigga.

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Speaker 5: I just saw side right now, but naked scratching his

413
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Speaker 5: head on the corner, insane mental health.

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Speaker 2: That's fine.

415
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Speaker 5: I didn't want to sold my purpose, My purpose in

416
00:16:38,200 --> 00:16:40,520
Speaker 5: coming in here was again I didn't even I don't.

417
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Speaker 5: I have not given my opinion on this. I just no,

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Speaker 5: I haven't. You you just gave it whether you wanted

419
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Speaker 5: wanted to or not. You just know what side of

420
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Speaker 5: the fence you want. That's fine. No, you really don't

421
00:16:51,480 --> 00:16:53,160
Speaker 5: know what side of defense. Okay, so what side official

422
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Speaker 5: on doesn't matter my own.

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Speaker 3: You can't have this whole conversation, and he said it

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Speaker 3: doesn't matter.

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Speaker 1: That's my only point is.

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Speaker 2: Side only.

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Speaker 5: My only point in saying any of this to y'all

428
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Speaker 5: when I was listening was that you guys sounded very

429
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Speaker 5: like just health wise, you sounded uninformed. You sound like

430
00:17:09,440 --> 00:17:10,879
Speaker 5: you didn't know what you were talking about. When it

431
00:17:10,880 --> 00:17:14,840
Speaker 5: comes to women's nat. Laying that with another man is

432
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Speaker 5: you keep saying.

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Speaker 1: Moral, but you can't name the moral that's broken.

434
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Speaker 5: You can't name the moral dispect, what's life inside that's

435
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Speaker 5: not this?

436
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Speaker 1: She shouldn't fuck? So wait, so hold on sor right?

437
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Speaker 1: So this is what I wanted to get to.

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Speaker 5: So because the life belongs to this man, which the

439
00:17:29,040 --> 00:17:31,320
Speaker 5: life doesn't belong to him. Is also she created it too,

440
00:17:32,200 --> 00:17:35,200
Speaker 5: because the life the baby doesn't because the baby, because

441
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Speaker 5: the baby.

442
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Speaker 3: That's not his child. What are we talking about?

443
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Speaker 5: I said, it's not just his child. Okay, I said

444
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Speaker 5: that his child, his life. Is child's life is growing

445
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Speaker 5: inside of us.

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Speaker 1: Okay, child's life.

447
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Speaker 3: Their child's life. Okay, not this nigga that you you're

448
00:17:50,200 --> 00:17:52,520
Speaker 3: talking about on the not the sad. But at the

449
00:17:52,600 --> 00:17:54,120
Speaker 3: end of the day, you ain't that hord.

450
00:17:54,200 --> 00:17:56,800
Speaker 5: But at the end of the day, if this life

451
00:17:56,840 --> 00:17:59,040
Speaker 5: is so precious, then why should I fuck my husband?

452
00:17:59,040 --> 00:18:01,760
Speaker 5: Either nobody has that child.

453
00:18:01,800 --> 00:18:02,800
Speaker 3: What are we talking about?

454
00:18:02,800 --> 00:18:06,119
Speaker 5: It's still her body. It doesn't mean your body.

455
00:18:06,840 --> 00:18:07,800
Speaker 2: After we just go down.

456
00:18:07,640 --> 00:18:09,960
Speaker 1: I bothered. Your dick is not touching the child. The

457
00:18:10,080 --> 00:18:11,400
Speaker 1: child is unbothered.

458
00:18:11,320 --> 00:18:13,119
Speaker 3: Chucking the child. What are we talking about? I'm not

459
00:18:13,119 --> 00:18:13,920
Speaker 3: even talking about that.

460
00:18:14,840 --> 00:18:16,160
Speaker 1: And that's his child, that's his child.

461
00:18:16,520 --> 00:18:19,080
Speaker 3: That's me and my me and my girl. Week we're

462
00:18:19,160 --> 00:18:21,159
Speaker 3: creating a life together. You're going so because now I

463
00:18:21,240 --> 00:18:22,320
Speaker 3: cheat it, we're not together.

464
00:18:22,400 --> 00:18:24,280
Speaker 5: That means yo, the nigga you used to talk to

465
00:18:24,440 --> 00:18:25,879
Speaker 5: because you're pussy is horny right now.

466
00:18:25,920 --> 00:18:28,000
Speaker 3: You're clear us off. You want this nigga to pull

467
00:18:28,080 --> 00:18:30,280
Speaker 3: up and fuck you? What are we talking about here?

468
00:18:31,040 --> 00:18:31,159
Speaker 8: Now?

469
00:18:31,200 --> 00:18:33,040
Speaker 3: When the nigga come in the house and kill everybody,

470
00:18:33,080 --> 00:18:38,160
Speaker 3: then y'all gonna say, niggas is crazy.

471
00:18:36,320 --> 00:18:38,680
Speaker 5: Because a woman using her body for what she wanted

472
00:18:38,680 --> 00:18:39,800
Speaker 5: to use it for. It gives minutes.

473
00:18:39,920 --> 00:18:43,240
Speaker 3: No, because my child and our child is growing inside

474
00:18:43,240 --> 00:18:44,439
Speaker 3: of you and we're.

475
00:18:44,320 --> 00:18:46,600
Speaker 5: Going through and we're going through some ship right now.

476
00:18:47,080 --> 00:18:48,720
Speaker 3: Because I'm a piece of ship and I cheated. We

477
00:18:48,800 --> 00:18:50,680
Speaker 3: got that party. That don't mean to go lay that

478
00:18:50,800 --> 00:18:52,879
Speaker 3: with another man. Open your letter, because we all just

479
00:18:52,880 --> 00:18:55,920
Speaker 3: annowledge that the baby is unbothered. We don't know the baby.

480
00:18:55,920 --> 00:18:56,919
Speaker 3: We don't know that. We don't know.

481
00:18:58,680 --> 00:19:02,840
Speaker 5: That people with science degrees. For eight ten years, niggas

482
00:19:02,880 --> 00:19:03,240
Speaker 5: got dumb.

483
00:19:03,640 --> 00:19:05,320
Speaker 3: That lot of niggas got dumb, dick, and now my

484
00:19:05,400 --> 00:19:06,760
Speaker 3: kid is done when he come out, all right.

485
00:19:06,760 --> 00:19:11,160
Speaker 5: So so we're talking silly, talking silly like podcast funk.

486
00:19:11,000 --> 00:19:13,880
Speaker 3: Out of here. That's crazy that you think that that's

487
00:19:13,880 --> 00:19:16,159
Speaker 3: not a problem. That is crazy, and it's not that

488
00:19:16,840 --> 00:19:18,880
Speaker 3: it's not just you. I'm glad Cardy said that because

489
00:19:18,880 --> 00:19:19,320
Speaker 3: we had a.

490
00:19:19,280 --> 00:19:22,840
Speaker 5: Whole bunch of you skeezeres pop about of the fucking woodworks.

491
00:19:23,480 --> 00:19:26,480
Speaker 3: All the skeuses came out. We identified all skeezers.

492
00:19:26,520 --> 00:19:27,720
Speaker 2: You know, crazy? Is that?

493
00:19:27,800 --> 00:19:28,400
Speaker 1: I think that?

494
00:19:28,680 --> 00:19:29,080
Speaker 2: I think?

495
00:19:30,000 --> 00:19:31,439
Speaker 3: I think.

496
00:19:32,640 --> 00:19:35,760
Speaker 5: I think if the conversation whatever, I think, if the

497
00:19:35,800 --> 00:19:38,280
Speaker 5: conversation would have been about a regular two regular people

498
00:19:38,359 --> 00:19:42,840
Speaker 5: that we don't know about, you wouldn't have gotten No, we're.

499
00:19:42,760 --> 00:19:45,480
Speaker 3: Talking about anybody that's pregnant. Any woman that's pregnant, if

500
00:19:45,480 --> 00:19:47,359
Speaker 3: she's laying down with another man that is not her

501
00:19:47,440 --> 00:19:51,640
Speaker 3: child's father, she is Obviously she's hurt, she's going through

502
00:19:51,640 --> 00:19:53,840
Speaker 3: some ship, but she's not making a wise decision by

503
00:19:53,920 --> 00:19:55,640
Speaker 3: laying down on my point, that is not a wise

504
00:19:56,000 --> 00:19:58,000
Speaker 3: My point, I don't care how much you hurt and

505
00:19:58,119 --> 00:20:01,000
Speaker 3: heartbroken that your man cheated. You do not, lady, you

506
00:20:01,040 --> 00:20:03,639
Speaker 3: have a responsibility as a mother, as a woman that

507
00:20:03,720 --> 00:20:04,480
Speaker 3: is going through pregnant.

508
00:20:04,560 --> 00:20:06,800
Speaker 5: Can you have not named how it harms the child yet?

509
00:20:06,800 --> 00:20:08,919
Speaker 5: Other than silly little ship that you can say out?

510
00:20:09,200 --> 00:20:13,080
Speaker 3: Why do you keep saying harm the child? I'm not responsibility.

511
00:20:13,680 --> 00:20:18,760
Speaker 3: I'm saying to have some morals about yourself. You should

512
00:20:18,800 --> 00:20:21,760
Speaker 3: be so listen, you should be so disgusted by men

513
00:20:21,800 --> 00:20:23,600
Speaker 3: at that point if you're willing to not be with

514
00:20:23,640 --> 00:20:26,000
Speaker 3: your husband, that you should You wouldn't. You shouldn't even

515
00:20:26,040 --> 00:20:27,960
Speaker 3: want to look at another man, let alone open your

516
00:20:28,000 --> 00:20:31,280
Speaker 3: legs for him. What are we talking about here? You're pregnant,

517
00:20:31,600 --> 00:20:34,159
Speaker 3: Go sit down and go through this beautiful journey of

518
00:20:34,200 --> 00:20:37,200
Speaker 3: motherhood without opening your legs for some dirty dick nigga

519
00:20:37,200 --> 00:20:41,560
Speaker 3: from uptown. Go sit down, Go take a vacation with

520
00:20:41,600 --> 00:20:43,800
Speaker 3: you and your girls, your sister, your mother, the women,

521
00:20:43,880 --> 00:20:46,040
Speaker 3: and your family, and go through this beautiful journey of

522
00:20:46,040 --> 00:20:47,520
Speaker 3: motherhood with other mothers.

523
00:20:48,680 --> 00:20:51,280
Speaker 5: Don't surround yourself with no dirty dick niggas. What the

524
00:20:51,280 --> 00:20:52,520
Speaker 5: fuck are we talking about here?

525
00:20:53,040 --> 00:20:54,879
Speaker 3: How are we even trying to How are we even

526
00:20:54,920 --> 00:20:57,200
Speaker 3: trying to validate such malarchy?

527
00:20:57,640 --> 00:21:01,840
Speaker 2: I think, what are we talking? From what I'm gathering,

528
00:21:02,320 --> 00:21:07,920
Speaker 2: I really don't have much that's gonna like, dude, That's

529
00:21:07,960 --> 00:21:08,639
Speaker 2: all I'm saying.

530
00:21:08,840 --> 00:21:10,600
Speaker 3: And again, keep it on, keeping on, keeping on par

531
00:21:11,119 --> 00:21:12,959
Speaker 3: If he knows that the woman is pregnant, now if

532
00:21:12,960 --> 00:21:14,600
Speaker 3: he doesn't yet, that's not as if we don't know that.

533
00:21:14,800 --> 00:21:17,639
Speaker 3: I don't even know that that woman is pregnant. How

534
00:21:17,640 --> 00:21:19,560
Speaker 3: do you even get horny to be like I'm about

535
00:21:19,600 --> 00:21:21,240
Speaker 3: to hit that what are we talking about?

536
00:21:21,280 --> 00:21:24,639
Speaker 7: You You're a deviant If you do that, what the

537
00:21:24,680 --> 00:21:26,240
Speaker 7: fuck are we And if you see a pregnant one

538
00:21:26,320 --> 00:21:27,640
Speaker 7: be like, yeah, I want to fuck that girl.

539
00:21:27,480 --> 00:21:29,760
Speaker 3: Yo, and it's okay. And again I don't back to

540
00:21:29,800 --> 00:21:31,480
Speaker 3: the beginning of this conversation to this topic.

541
00:21:31,880 --> 00:21:34,640
Speaker 2: I don't believe for one second like that's a predator,

542
00:21:34,840 --> 00:21:36,520
Speaker 2: Like I really think that could be on the spectrum

543
00:21:36,520 --> 00:21:41,840
Speaker 2: of being a predator. You are you are not targeting pregnant? Yeah,

544
00:21:41,880 --> 00:21:44,760
Speaker 2: that is crazy. What other nasty ship do you be doing?

545
00:21:44,800 --> 00:21:47,720
Speaker 5: That is crazy? That's crazy to me. I don't think

546
00:21:47,720 --> 00:21:50,600
Speaker 5: that anybody could sit here and say that that's this something.

547
00:21:50,680 --> 00:21:52,200
Speaker 5: Even if you don't want to use the word crazy,

548
00:21:52,359 --> 00:21:58,200
Speaker 5: you can't say that, Yo, that's cool, that's cool. Yeah,

549
00:21:58,680 --> 00:22:01,919
Speaker 5: that's cool, And what what are we talking about?

550
00:22:02,160 --> 00:22:03,199
Speaker 1: I'll leave was saying this.

551
00:22:03,480 --> 00:22:05,840
Speaker 5: I think the reason why so many people came out

552
00:22:05,880 --> 00:22:08,520
Speaker 5: in support of this situation when it comes to com

553
00:22:09,400 --> 00:22:12,480
Speaker 5: is because people we've all watched for eight years what

554
00:22:13,119 --> 00:22:15,520
Speaker 5: CARDI cry and on the internet and go through all

555
00:22:15,520 --> 00:22:18,080
Speaker 5: of these things. So I think at one point a

556
00:22:18,119 --> 00:22:19,560
Speaker 5: lot of women that I talked to us like, yo,

557
00:22:19,600 --> 00:22:22,359
Speaker 5: if it was a normal, regular situation, I wouldn't support it,

558
00:22:22,400 --> 00:22:25,119
Speaker 5: but at this point, surety, like at this point, like

559
00:22:25,400 --> 00:22:26,239
Speaker 5: I can't blame her.

560
00:22:26,280 --> 00:22:27,520
Speaker 3: Let me ask you, okay, so let me ask you

561
00:22:27,560 --> 00:22:29,240
Speaker 3: a further question. What is that doing? What is that

562
00:22:29,280 --> 00:22:31,359
Speaker 3: helping you go out and lay that with another man

563
00:22:31,400 --> 00:22:34,679
Speaker 3: while you're pregnant? You know they want to get your back? Like,

564
00:22:34,720 --> 00:22:36,120
Speaker 3: that's what that is? You got your look back.

565
00:22:36,200 --> 00:22:37,880
Speaker 7: And first of all, to think that getting your look

566
00:22:37,920 --> 00:22:41,879
Speaker 7: back would not even cause more stress your your nuts?

567
00:22:41,920 --> 00:22:44,000
Speaker 7: Like if you think that's gonna make this current fucked

568
00:22:44,040 --> 00:22:48,200
Speaker 7: up situation a better one and less stressful, bugg, there's

569
00:22:48,280 --> 00:22:51,840
Speaker 7: and already look what it already possibly started. You don't

570
00:22:51,840 --> 00:22:54,320
Speaker 7: think Cardi B's hasn't been stressed out the past week?

571
00:22:55,280 --> 00:22:58,600
Speaker 7: And again, I don't think Cardi stressed bad for the kid,

572
00:22:58,960 --> 00:23:01,159
Speaker 7: so pissed off and so disgusted by men at that

573
00:23:01,160 --> 00:23:02,640
Speaker 7: point that she couldn't even tell.

574
00:23:02,560 --> 00:23:04,480
Speaker 5: Her Oh and that's another that's another thing. And I

575
00:23:04,800 --> 00:23:07,119
Speaker 5: don't really want to y'all didn't really do it, But

576
00:23:07,160 --> 00:23:09,000
Speaker 5: I've been seeing it on the internet a lot, and

577
00:23:09,080 --> 00:23:11,120
Speaker 5: I really don't like seeing this. I think it's really

578
00:23:11,160 --> 00:23:15,760
Speaker 5: disrespectful when people say why a lot of people were like, Maul,

579
00:23:15,800 --> 00:23:17,479
Speaker 5: how could you think she didn't do that? Look at

580
00:23:17,480 --> 00:23:19,639
Speaker 5: her past. It also did the same thing, throw her

581
00:23:19,680 --> 00:23:23,359
Speaker 5: past in her face. They told me not to Cardy.

582
00:23:23,480 --> 00:23:25,600
Speaker 5: She comes from a situation of having to be in

583
00:23:25,640 --> 00:23:29,600
Speaker 5: survival mode. But the thing that she has shown, everybody

584
00:23:29,680 --> 00:23:31,639
Speaker 5: keeps saying like, oh, she's a stripper, why wouldn't she

585
00:23:31,720 --> 00:23:31,959
Speaker 5: do that?

586
00:23:32,000 --> 00:23:33,200
Speaker 1: Like like disrespectful?

587
00:23:33,240 --> 00:23:35,600
Speaker 5: What It's like she really wanted to she was really

588
00:23:35,600 --> 00:23:38,680
Speaker 5: a vindictive type of person or when to do shit

589
00:23:38,720 --> 00:23:41,040
Speaker 5: when she's hurt. She could have been wiped the floor

590
00:23:41,080 --> 00:23:43,560
Speaker 5: with that nigga. She could have been walked him down.

591
00:23:43,680 --> 00:23:46,840
Speaker 7: I think I'm gonna sound like a caper here. But

592
00:23:47,080 --> 00:23:49,240
Speaker 7: outside of her past of being a stripper once she

593
00:23:49,320 --> 00:23:54,440
Speaker 7: stopped stripping, Carty never had some crazy past. I mean,

594
00:23:54,520 --> 00:23:57,199
Speaker 7: if she did, she hit it, we don't know. She

595
00:23:57,320 --> 00:23:59,800
Speaker 7: was never running around crazy from loving hip hop to

596
00:23:59,840 --> 00:24:03,439
Speaker 7: now yeah, even before she met Offset and they got married, Like,

597
00:24:04,400 --> 00:24:06,360
Speaker 7: when did we ever hear Cardi was really with somebody?

598
00:24:06,520 --> 00:24:09,320
Speaker 7: And that's gossip being corny. But to bring up Cardi

599
00:24:09,400 --> 00:24:11,680
Speaker 7: B's past, it's pretty squeaky fucking clean, And I don't

600
00:24:11,720 --> 00:24:14,520
Speaker 7: like outside of dancing at sus just how.

601
00:24:14,520 --> 00:24:14,960
Speaker 1: Side of her.

602
00:24:15,119 --> 00:24:17,879
Speaker 5: Also, it's ignorance. It's just how side of hers like

603
00:24:17,920 --> 00:24:20,760
Speaker 5: the it's twenty twenty four. We're still giving the negative

604
00:24:20,760 --> 00:24:24,920
Speaker 5: connotation that strippers are horse oh yeah, which is crazy regglar. Hey,

605
00:24:25,040 --> 00:24:27,080
Speaker 5: let me let y'all know, like as like a normal

606
00:24:27,119 --> 00:24:29,240
Speaker 5: woman with normal friends. The women that be in the

607
00:24:29,280 --> 00:24:32,040
Speaker 5: house that SHA don't see, they're in the house with niggas,

608
00:24:32,200 --> 00:24:34,640
Speaker 5: they're the horse. I'm telling you. I'm telling y'all this.

609
00:24:35,000 --> 00:24:38,359
Speaker 5: The women that be secretive in the house, they're the horse.

610
00:24:38,680 --> 00:24:41,199
Speaker 5: You just don't know their business. Don't put being a

611
00:24:41,200 --> 00:24:43,840
Speaker 5: whore on strippers. I know plenty of strippers that are

612
00:24:43,840 --> 00:24:44,359
Speaker 5: not horse.

613
00:24:45,600 --> 00:24:47,520
Speaker 7: And even if you get into some of that nasty

614
00:24:47,560 --> 00:24:50,800
Speaker 7: accusations of Cardi, like drugging men in motels, I don't

615
00:24:50,800 --> 00:24:51,520
Speaker 7: know if that's true or not.

616
00:24:51,720 --> 00:24:53,280
Speaker 5: That's what she said, but you know, you hold it

617
00:24:53,320 --> 00:24:55,160
Speaker 5: off her own words. But she's also an entertainer.

618
00:24:55,200 --> 00:24:58,359
Speaker 7: But she also like in I don't think drug men.

619
00:24:58,400 --> 00:25:01,480
Speaker 3: But she never beat again again. At that point in

620
00:25:01,480 --> 00:25:03,840
Speaker 3: her life, she was in survival mode. Yeah, she was

621
00:25:03,880 --> 00:25:06,520
Speaker 3: a different person. She's no longer in that space. She's

622
00:25:06,520 --> 00:25:10,000
Speaker 3: not living to survive. She's not out here doing shit

623
00:25:10,080 --> 00:25:13,760
Speaker 3: for survival. She's very comfortable, very well off, taking care

624
00:25:13,800 --> 00:25:15,600
Speaker 3: of for the rest of her life. She Cardi will

625
00:25:15,600 --> 00:25:17,880
Speaker 3: be just fine. I believe that Cardi is a type

626
00:25:17,880 --> 00:25:20,159
Speaker 3: of woman that if her husband or ex husband and

627
00:25:20,520 --> 00:25:23,560
Speaker 3: cheated and she's pregnant, I believe she would be so

628
00:25:23,640 --> 00:25:25,720
Speaker 3: disgusted with men that she would the thought of another

629
00:25:25,720 --> 00:25:27,879
Speaker 3: man even talking to her would make her throw up.

630
00:25:28,480 --> 00:25:30,359
Speaker 3: That's the type of energy I get from Cardi. So

631
00:25:30,880 --> 00:25:33,040
Speaker 3: her saying that again, I still think that was just

632
00:25:33,080 --> 00:25:35,320
Speaker 3: a fuck offsets head up.

633
00:25:36,000 --> 00:25:40,000
Speaker 1: She probably she probably was. She probably was dating people when.

634
00:25:40,200 --> 00:25:44,000
Speaker 3: Texting whatever, But I, you know, I actually having sex. No,

635
00:25:44,119 --> 00:25:45,760
Speaker 3: I don't believe, so I don't. I don't think she was.

636
00:25:45,840 --> 00:25:47,600
Speaker 3: I think she said that to hurt him. I wish

637
00:25:47,600 --> 00:25:50,080
Speaker 3: she didn't, because even her saying that, it's kind of like, whoa,

638
00:25:50,720 --> 00:25:53,400
Speaker 3: it's crazy. But when I get behind all that shit,

639
00:25:53,440 --> 00:25:56,600
Speaker 3: I know she's hurt, she's upset, and at that point

640
00:25:56,880 --> 00:25:59,399
Speaker 3: she'll say anything that she think is going to pierce

641
00:25:59,480 --> 00:26:00,120
Speaker 3: his soul.

642
00:26:00,520 --> 00:26:02,040
Speaker 7: To close the top. And again, we don't know these

643
00:26:02,080 --> 00:26:05,320
Speaker 7: fucking people. I think the actual scenario, I actually have

644
00:26:05,359 --> 00:26:08,199
Speaker 7: confidence in saying this. I think they were completely broken up.

645
00:26:08,359 --> 00:26:11,159
Speaker 7: She was dating, did not know she was pregnant yet,

646
00:26:11,480 --> 00:26:15,040
Speaker 7: OFFSET knew who she was dating. They were separated, and

647
00:26:15,119 --> 00:26:17,560
Speaker 7: obviously whether she was dating she was sleeping with. Then

648
00:26:17,600 --> 00:26:20,480
Speaker 7: she ended up finding out she was pregnant, and OFFSET

649
00:26:20,760 --> 00:26:23,880
Speaker 7: used that information against her. I don't think she knew

650
00:26:24,400 --> 00:26:24,920
Speaker 7: or he knew.

651
00:26:25,760 --> 00:26:26,199
Speaker 3: Yeah, but the.

652
00:26:26,280 --> 00:26:28,040
Speaker 7: Ass set knew that they were split and she was

653
00:26:28,040 --> 00:26:30,359
Speaker 7: talking to someone. When you break up with your girl,

654
00:26:30,520 --> 00:26:33,320
Speaker 7: especially if you have kids, you would know if like

655
00:26:33,400 --> 00:26:36,480
Speaker 7: what's going on. Yeah, so she was probably dating somebody seriously,

656
00:26:36,600 --> 00:26:39,080
Speaker 7: and of course they were having sex. Then she found

657
00:26:39,080 --> 00:26:39,879
Speaker 7: out she was pregnant.

658
00:26:39,920 --> 00:26:42,720
Speaker 3: I whole comment and it was OFFSET sorictly based on

659
00:26:43,680 --> 00:26:47,200
Speaker 3: if she knew she was pregnant and the other dude

660
00:26:47,200 --> 00:26:49,120
Speaker 3: that she was sleeping with knew she was pregnant. That's

661
00:26:49,200 --> 00:26:53,479
Speaker 3: absolutely crazy. Anything else is like nobody's at fault. If

662
00:26:53,480 --> 00:26:57,359
Speaker 3: nobody knew that they were pregnant, then you can't blame

663
00:26:57,400 --> 00:26:58,919
Speaker 3: them for that. You can't blame somebody for what they

664
00:26:58,920 --> 00:27:02,560
Speaker 3: don't know. I'm saying for woman is knowingly pregnant and

665
00:27:02,960 --> 00:27:05,920
Speaker 3: she lays down with another guy he knows she's pregnant.

666
00:27:06,200 --> 00:27:09,879
Speaker 3: That's fucking crazy. That's all. Sorry, baby, I ain't mean

667
00:27:09,920 --> 00:27:11,000
Speaker 3: to give you that, and I ain't see you in

668
00:27:11,040 --> 00:27:12,720
Speaker 3: a couple of days. That energy wasn't even meant for

669
00:27:12,720 --> 00:27:13,119
Speaker 3: you like that.

670
00:27:13,359 --> 00:27:16,399
Speaker 7: Yeah, I don't even like revisiting certain topics. But we

671
00:27:16,440 --> 00:27:17,720
Speaker 7: had to do with Domerasia.

672
00:27:17,920 --> 00:27:19,600
Speaker 1: Oh no, yeah I didn't. I didn't.

673
00:27:19,720 --> 00:27:20,320
Speaker 2: I was sick.

674
00:27:20,400 --> 00:27:22,720
Speaker 5: I wanted to come into work so bad because I

675
00:27:22,800 --> 00:27:24,680
Speaker 5: knew that it was going to be a ship so show.

676
00:27:24,920 --> 00:27:27,280
Speaker 5: And then I listened and I said, wow, a ship show?

677
00:27:27,320 --> 00:27:27,919
Speaker 5: How did I know?

678
00:27:28,600 --> 00:27:29,800
Speaker 3: But what made it a ship show?

679
00:27:29,840 --> 00:27:30,040
Speaker 2: Though?

680
00:27:30,600 --> 00:27:32,439
Speaker 5: You said that you need to put all horrores on

681
00:27:32,480 --> 00:27:34,479
Speaker 5: an island and set off a nuclear bomb.

682
00:27:34,760 --> 00:27:37,280
Speaker 3: All whores that agree that what she did was like.

683
00:27:37,359 --> 00:27:41,879
Speaker 5: Yes, people have done, and we have talked about on

684
00:27:41,920 --> 00:27:45,239
Speaker 5: this podcast. Though people agreeing that Cardie should get her

685
00:27:45,280 --> 00:27:47,600
Speaker 5: lick back whores island bomb?

686
00:27:47,680 --> 00:27:49,639
Speaker 3: No no, no, no no, not that she shouldn't get her

687
00:27:49,680 --> 00:27:52,840
Speaker 3: lick back, getting her lick back while she's pregnant is

688
00:27:52,920 --> 00:27:53,879
Speaker 3: fucking insanity.

689
00:27:54,640 --> 00:27:56,880
Speaker 5: I think y'all need to remember different don't own women,

690
00:27:56,920 --> 00:27:59,840
Speaker 5: and you don't own their body even if you put

691
00:27:59,840 --> 00:28:00,520
Speaker 5: a baby, And then.

692
00:28:02,800 --> 00:28:04,320
Speaker 1: Even if you put a baby in them, you do

693
00:28:04,400 --> 00:28:05,040
Speaker 1: not own.

694
00:28:05,000 --> 00:28:07,439
Speaker 3: You don't own nobody you're correct in that statement. Nobody

695
00:28:07,560 --> 00:28:10,960
Speaker 3: owns anybody's and that's just as a woman, you should

696
00:28:11,000 --> 00:28:13,600
Speaker 3: have a certain level of self respect and more round.

697
00:28:13,680 --> 00:28:16,080
Speaker 5: And nobody has explained to me why it's not moral

698
00:28:16,160 --> 00:28:19,440
Speaker 5: or disrespectful, and so therefore we end the conversation and

699
00:28:19,560 --> 00:28:19,919
Speaker 5: that's it.

700
00:28:19,960 --> 00:28:22,280
Speaker 1: We can agree to that. You can answer my question.

701
00:28:22,640 --> 00:28:24,920
Speaker 7: One more question that has nothing to do with Cardi

702
00:28:24,960 --> 00:28:28,000
Speaker 7: B or their situation at all, just the scenario I'm

703
00:28:28,000 --> 00:28:29,920
Speaker 7: gonna take it there are you? Do you think it's

704
00:28:29,960 --> 00:28:33,320
Speaker 7: okay if a woman swallows some nut while she's pregnant,

705
00:28:34,440 --> 00:28:35,520
Speaker 7: because that includes sex.

706
00:28:37,400 --> 00:28:38,520
Speaker 1: I can't like.

707
00:28:40,760 --> 00:28:40,840
Speaker 5: This.

708
00:28:41,000 --> 00:28:43,000
Speaker 1: Why why? This is why?

709
00:28:43,120 --> 00:28:44,960
Speaker 2: I can't think that's a crazy thing.

710
00:28:45,520 --> 00:28:48,640
Speaker 7: That's like when old boy said six nines only snitchy jacket.

711
00:28:49,840 --> 00:28:51,200
Speaker 2: You are so that's the.

712
00:28:51,120 --> 00:28:54,600
Speaker 5: Same thing idiotic, like the fact that you think that

713
00:28:54,600 --> 00:28:57,680
Speaker 5: that would even reach that baby. You are literally answer

714
00:28:57,720 --> 00:29:00,880
Speaker 5: the question. You are literally the question. Do I think

715
00:29:01,040 --> 00:29:03,479
Speaker 5: health wise? Is it a perfectly fine Yes? It causes

716
00:29:03,520 --> 00:29:06,400
Speaker 5: no harm to her or the child. No causes no

717
00:29:06,440 --> 00:29:09,440
Speaker 5: harm to her, The nutritional health causes no harm.

718
00:29:09,480 --> 00:29:10,760
Speaker 3: To let me tell y'all something.

719
00:29:12,760 --> 00:29:15,760
Speaker 5: This is y'all speaking from y'all ego I do not

720
00:29:15,800 --> 00:29:20,400
Speaker 5: hear anybody speaking.

721
00:29:19,760 --> 00:29:22,040
Speaker 3: Anybody out there listening. Let me tell you something. So

722
00:29:22,880 --> 00:29:27,440
Speaker 3: if if you're with ladies, if you're pregnant, knowingly pregnant,

723
00:29:28,200 --> 00:29:30,920
Speaker 3: and you lay out with another man and you let

724
00:29:30,960 --> 00:29:43,920
Speaker 3: him come in your mouth and you swallow, there with

725
00:29:43,960 --> 00:29:47,680
Speaker 3: my child and you you fuck another man and you swallow.

726
00:29:49,720 --> 00:29:51,840
Speaker 7: But the one listening mal is joking around. This is

727
00:29:51,880 --> 00:29:56,120
Speaker 7: just for content purpose. Any advertisers listening, this was all

728
00:29:56,400 --> 00:29:57,000
Speaker 7: he's joking.

729
00:29:57,000 --> 00:30:00,400
Speaker 3: All right, that was my camera. You listen, lady, if

730
00:30:00,440 --> 00:30:04,800
Speaker 3: you are pregnant with another man's child, another man, if

731
00:30:04,840 --> 00:30:11,800
Speaker 3: you swallow, how's that a little better? No, you deserve

732
00:30:11,840 --> 00:30:12,680
Speaker 3: everything that's coming to you.

733
00:30:12,720 --> 00:30:14,480
Speaker 2: And what's coming to him is a brand new pair

734
00:30:14,480 --> 00:30:21,960
Speaker 2: of levies from Did you see the commercial? Guys? It's

735
00:30:22,080 --> 00:30:22,800
Speaker 2: change the Channel.

736
00:30:23,440 --> 00:30:24,040
Speaker 3: She looks great.

737
00:30:24,920 --> 00:30:30,160
Speaker 2: This is fun. I think this is a good promo. Better, yeah,

738
00:30:30,160 --> 00:30:31,560
Speaker 2: it is Yahn.

739
00:30:32,200 --> 00:30:33,120
Speaker 1: She looks amazing.

740
00:30:33,560 --> 00:30:35,880
Speaker 5: Course, I forever want to see Beyonce pull out of

741
00:30:36,080 --> 00:30:38,240
Speaker 5: pull out of some jeans for the rest of my life.

742
00:30:38,760 --> 00:30:39,600
Speaker 3: Play down on a loop.

743
00:30:40,760 --> 00:30:43,960
Speaker 7: She looks great, she looks amazing. This commercial is weird.

744
00:30:44,240 --> 00:30:45,200
Speaker 2: How is it weird?

745
00:30:45,520 --> 00:30:46,000
Speaker 7: It's weird?

746
00:30:46,200 --> 00:30:48,720
Speaker 2: Can we acknowledge how mall. I mean this is like

747
00:30:48,760 --> 00:30:50,760
Speaker 2: your era. Is this for washing machines used to look

748
00:30:50,840 --> 00:30:52,360
Speaker 2: like what the hell is that?

749
00:30:53,040 --> 00:30:53,840
Speaker 7: Like the old school?

750
00:30:54,000 --> 00:30:54,920
Speaker 2: What is that ship?

751
00:30:55,680 --> 00:30:59,000
Speaker 7: That's like what Cuba went went underwater and it looks crazy.

752
00:31:00,200 --> 00:31:02,840
Speaker 2: Yeah, so you never I've never seen that. I was

753
00:31:02,840 --> 00:31:05,560
Speaker 2: born in ninety two. I've never seen a washing machine

754
00:31:05,640 --> 00:31:06,120
Speaker 2: like that.

755
00:31:06,680 --> 00:31:08,440
Speaker 7: Or in ninety neither of I mo.

756
00:31:09,000 --> 00:31:10,520
Speaker 5: Have you ever been in a commercial or like, did

757
00:31:10,560 --> 00:31:14,280
Speaker 5: any acting work in the commercial? No, you've done acting work?

758
00:31:14,800 --> 00:31:16,160
Speaker 5: Oh outside of our stuff?

759
00:31:16,720 --> 00:31:17,920
Speaker 2: Have I done acting work?

760
00:31:18,280 --> 00:31:18,440
Speaker 8: No?

761
00:31:18,960 --> 00:31:20,400
Speaker 2: I would. I mean you went to a performer arts

762
00:31:20,440 --> 00:31:21,760
Speaker 2: high school, so I figured I would ask.

763
00:31:21,960 --> 00:31:24,080
Speaker 3: I mean we had that we had acted on stage,

764
00:31:24,160 --> 00:31:26,840
Speaker 3: not like commercial ship like that. We did a lot

765
00:31:26,840 --> 00:31:29,680
Speaker 3: of shit like theater play type stuff, but not like

766
00:31:30,160 --> 00:31:30,880
Speaker 3: commercial camera.

767
00:31:30,960 --> 00:31:32,600
Speaker 1: Were you to lead in any of those plays?

768
00:31:34,120 --> 00:31:39,120
Speaker 2: I had solos in some in some songs at solos. Yeah.

769
00:31:39,160 --> 00:31:40,640
Speaker 1: I was just wondering, like if you was that nigga

770
00:31:40,680 --> 00:31:42,040
Speaker 1: in the high school, if he was like a tree.

771
00:31:42,120 --> 00:31:43,680
Speaker 3: No, I could really No, I could really sing at

772
00:31:43,720 --> 00:31:45,720
Speaker 3: one point, like I would really, I could really sing.

773
00:31:45,760 --> 00:31:47,400
Speaker 7: Do you have an I am TB page?

774
00:31:47,840 --> 00:31:48,360
Speaker 3: No? I do not.

775
00:31:48,680 --> 00:31:49,480
Speaker 7: No, that we're okay.

776
00:31:49,640 --> 00:31:49,920
Speaker 8: Damn.

777
00:31:50,000 --> 00:31:51,280
Speaker 2: So Rory really started typing.

778
00:31:53,120 --> 00:31:55,200
Speaker 7: I don't know, like even extra work it's put on there.

779
00:31:55,400 --> 00:31:57,840
Speaker 3: Ye never did no acting, no commercial acting.

780
00:31:58,640 --> 00:31:59,920
Speaker 5: I think you would be good at it. That's why

781
00:32:00,120 --> 00:32:02,440
Speaker 5: it's never too late start a new career. Podcast that

782
00:32:02,440 --> 00:32:05,560
Speaker 5: it's kind of tanking, is it a little bit they're.

783
00:32:05,360 --> 00:32:06,280
Speaker 2: Giving these white.

784
00:32:09,800 --> 00:32:13,160
Speaker 7: I feel like Amara would just destroy a commercial set,

785
00:32:13,280 --> 00:32:15,880
Speaker 7: Like she's adorable and would be great as like one

786
00:32:15,880 --> 00:32:19,120
Speaker 7: of those toddlers for any ad. I just feel like

787
00:32:20,160 --> 00:32:23,400
Speaker 7: she she put everyone in overtime, like union fees would

788
00:32:23,400 --> 00:32:24,000
Speaker 7: have to go longer.

789
00:32:24,080 --> 00:32:26,160
Speaker 3: She would be a menace. Tomorrow will be perfect, as

790
00:32:26,160 --> 00:32:28,360
Speaker 3: I knew. Remember the Pepsi girl that they used to have, Yeah,

791
00:32:28,400 --> 00:32:30,760
Speaker 3: I remember, Tomorrow will be dope or something like that,

792
00:32:31,360 --> 00:32:33,560
Speaker 3: like the red headed, red headed little curly.

793
00:32:34,000 --> 00:32:37,960
Speaker 7: So you're encouraging me to have my daughter drink these

794
00:32:38,000 --> 00:32:41,880
Speaker 7: sugary beverages that they're poisoning us with, that's what you're saying.

795
00:32:41,920 --> 00:32:43,120
Speaker 7: I mean, you encourage that type.

796
00:32:42,920 --> 00:32:46,840
Speaker 2: Of you drank it. You're still here, right? Is he? Oh?

797
00:32:46,840 --> 00:32:51,080
Speaker 2: He's here? Is he here? Depends the day the speaking

798
00:32:51,120 --> 00:32:53,400
Speaker 2: of children on set. The last shoot I did was

799
00:32:53,440 --> 00:32:56,120
Speaker 2: my first time working with a kid out of context.

800
00:32:56,120 --> 00:32:59,240
Speaker 2: It sounds crazy, but it was a It was a

801
00:32:59,240 --> 00:33:01,520
Speaker 2: scene where I play the dad, I had a wife,

802
00:33:01,960 --> 00:33:03,400
Speaker 2: and then there was a grand mob, but that there

803
00:33:03,440 --> 00:33:05,800
Speaker 2: was a kid. The kid was like is seven years old.

804
00:33:06,680 --> 00:33:10,080
Speaker 2: And the way that the production and like the parents

805
00:33:10,160 --> 00:33:12,760
Speaker 2: there and like the U there's like a guidance person

806
00:33:12,840 --> 00:33:15,680
Speaker 2: on set too. They are so like the kids only

807
00:33:15,720 --> 00:33:18,840
Speaker 2: allotted so much time on set during a shoot day,

808
00:33:19,200 --> 00:33:21,880
Speaker 2: you know. So it's like they are very like make

809
00:33:21,880 --> 00:33:24,800
Speaker 2: sure the kids, you know, fed having a good time,

810
00:33:24,920 --> 00:33:27,440
Speaker 2: Like they check in every ten seconds even when we're shooting.

811
00:33:27,440 --> 00:33:30,080
Speaker 2: They're like right off camera to make sure everything's fine.

812
00:33:30,120 --> 00:33:32,560
Speaker 2: So it was very at least from the only experience

813
00:33:32,600 --> 00:33:35,000
Speaker 2: I've had, like very professional, like by the book, they

814
00:33:35,000 --> 00:33:36,480
Speaker 2: don't play when there's kids on set.

815
00:33:36,520 --> 00:33:39,080
Speaker 3: Oh yeah no, there's a lot of laws and contractual

816
00:33:39,120 --> 00:33:41,280
Speaker 3: things that have to be in place when kids on

817
00:33:41,320 --> 00:33:42,000
Speaker 3: set for sure.

818
00:33:42,240 --> 00:33:45,120
Speaker 2: Yeah. So that's I mean, very limited experience, but it

819
00:33:45,160 --> 00:33:47,480
Speaker 2: was reverally interesting to see how different they are, like,

820
00:33:47,840 --> 00:33:51,360
Speaker 2: you know, versus treating us versus a child talent. It's

821
00:33:51,360 --> 00:33:52,280
Speaker 2: like night and day.

822
00:33:53,880 --> 00:33:56,760
Speaker 7: The craziest thing when I was working, like in production

823
00:33:57,160 --> 00:34:00,640
Speaker 7: was a we did a campaign for a stell and

824
00:34:02,040 --> 00:34:04,400
Speaker 7: we had cats on set, like a cat was part

825
00:34:04,400 --> 00:34:06,720
Speaker 7: of the single artwork and like some of the video

826
00:34:06,720 --> 00:34:11,240
Speaker 7: stuff we were doing. I'm thinking with like my novice

827
00:34:11,320 --> 00:34:14,160
Speaker 7: production experience at that time was like, all right, I'll

828
00:34:14,200 --> 00:34:18,240
Speaker 7: find find a cat that should be cool. I didn't

829
00:34:18,239 --> 00:34:20,520
Speaker 7: know about like the actual union laws when it comes

830
00:34:20,560 --> 00:34:26,120
Speaker 7: to animals. We had I think ten cats on set,

831
00:34:26,400 --> 00:34:29,520
Speaker 7: like in a small like you know, production white Sich

832
00:34:29,640 --> 00:34:33,400
Speaker 7: type of shit. Cats just roaming about everywhere because you

833
00:34:33,400 --> 00:34:35,080
Speaker 7: can't have just one.

834
00:34:35,960 --> 00:34:37,319
Speaker 2: It was one of the.

835
00:34:37,040 --> 00:34:40,919
Speaker 7: Worst experiences, like just shitting on the white syc And

836
00:34:41,080 --> 00:34:43,480
Speaker 7: of course the only person that has ten black cats

837
00:34:43,560 --> 00:34:44,239
Speaker 7: is a cat lady.

838
00:34:44,520 --> 00:34:44,800
Speaker 8: Yep.

839
00:34:45,280 --> 00:34:47,239
Speaker 7: She looked just like you know at home alone, the

840
00:34:47,280 --> 00:34:50,799
Speaker 7: woman with the pigeons. She looked just like her. We

841
00:34:50,840 --> 00:34:54,440
Speaker 7: had to do a two day shoot. Wait wait no, ma,

842
00:34:54,600 --> 00:34:57,479
Speaker 7: because she was a hero. She was scary at first,

843
00:34:57,480 --> 00:35:02,040
Speaker 7: but yeah, she was preg her. Well, she was showing

844
00:35:02,080 --> 00:35:06,200
Speaker 7: to be scary, but she was. She was a really nice,

845
00:35:06,200 --> 00:35:06,719
Speaker 7: sweet woman.

846
00:35:07,320 --> 00:35:10,440
Speaker 2: And then Kevin's fucking up a bazillion dollars and gave

847
00:35:10,480 --> 00:35:14,120
Speaker 2: her a fucking bullshit dove bitches homeless feeding pigeons. He goes,

848
00:35:14,360 --> 00:35:16,640
Speaker 2: thanks for rescuing my life. Here's a dove for a

849
00:35:16,760 --> 00:35:20,279
Speaker 2: Christmas tree that you don't have. You don't remember that.

850
00:35:20,680 --> 00:35:23,480
Speaker 3: It symbolized something deeper, And no, I should have cut

851
00:35:23,520 --> 00:35:24,319
Speaker 3: her a fucking check.

852
00:35:25,400 --> 00:35:26,080
Speaker 7: She was homeless.

853
00:35:26,760 --> 00:35:28,480
Speaker 2: What she gonna do? What's she gonna hang the doves

854
00:35:28,520 --> 00:35:30,000
Speaker 2: on a bush?

855
00:35:30,920 --> 00:35:33,399
Speaker 3: Yeah, she's gonna put it around one of the pigeons next,

856
00:35:33,480 --> 00:35:33,919
Speaker 3: like a chain.

857
00:35:38,120 --> 00:35:42,000
Speaker 7: So in the artwork, right, it's it's a black cat

858
00:35:42,440 --> 00:35:45,880
Speaker 7: between a chick's legs, like she has her legs shoe. Oh,

859
00:35:45,880 --> 00:35:48,480
Speaker 7: I think it's here, it's right there. Oh, I'll grab it, Yeah,

860
00:35:48,520 --> 00:35:50,680
Speaker 7: grab it so we can. I forgot the actual work

861
00:35:50,719 --> 00:35:54,360
Speaker 7: single called I'll Pull Out. So yeah, Aristotle directed this

862
00:35:55,560 --> 00:35:59,479
Speaker 7: and I had produced it. We had gotten a woman,

863
00:36:00,200 --> 00:36:03,040
Speaker 7: a stripper, oh, that one who I knew at the

864
00:36:03,080 --> 00:36:07,840
Speaker 7: time to lay like this. And for those listening to audio,

865
00:36:08,600 --> 00:36:09,520
Speaker 7: watch the video.

866
00:36:09,480 --> 00:36:11,719
Speaker 2: Go to YouTube. This was in our bathroom for a

867
00:36:11,800 --> 00:36:13,040
Speaker 2: while until it got cracked.

868
00:36:14,200 --> 00:36:16,719
Speaker 7: So now this woman is laying on her back right,

869
00:36:18,320 --> 00:36:20,359
Speaker 7: and we're trying to get I'm sorry. I wasn't black cats.

870
00:36:20,400 --> 00:36:21,040
Speaker 7: It was white cats.

871
00:36:21,560 --> 00:36:24,160
Speaker 2: Now the pigeon lady and cat lady.

872
00:36:25,440 --> 00:36:29,600
Speaker 7: Is damn near squatting over this girl's face the entire time,

873
00:36:29,760 --> 00:36:32,680
Speaker 7: trying to get the cats to behave, and then that

874
00:36:32,680 --> 00:36:35,439
Speaker 7: wouldn't work, they grab another cat. So imagine a woman

875
00:36:35,480 --> 00:36:37,279
Speaker 7: that looks like the home alone pigeon lady m h

876
00:36:37,800 --> 00:36:40,480
Speaker 7: squatting with her ass in the face of this woman

877
00:36:40,600 --> 00:36:42,719
Speaker 7: trying to keep her legs up with a cat there

878
00:36:42,840 --> 00:36:45,520
Speaker 7: who is and everyone's looking at me like Rory figured

879
00:36:45,560 --> 00:36:45,799
Speaker 7: it out.

880
00:36:46,960 --> 00:36:48,960
Speaker 2: So what they just photo They've just photo shopped the

881
00:36:49,080 --> 00:36:49,720
Speaker 2: woman out.

882
00:36:49,600 --> 00:36:53,279
Speaker 7: Of this the final no, she kept like running away

883
00:36:53,360 --> 00:36:54,960
Speaker 7: so we could take the photos, and then she run

884
00:36:55,080 --> 00:36:58,560
Speaker 7: back and like it almost looked like the Boston Crab

885
00:37:00,000 --> 00:37:00,800
Speaker 7: that she was putting him in.

886
00:37:01,200 --> 00:37:05,120
Speaker 5: So I listen all for the love of art first though, Yeah,

887
00:37:05,400 --> 00:37:08,840
Speaker 5: I give it all right, Why are you talking about cats?

888
00:37:10,920 --> 00:37:12,520
Speaker 7: I don't even know how we got down that path

889
00:37:12,560 --> 00:37:12,799
Speaker 7: at all.

890
00:37:13,200 --> 00:37:14,839
Speaker 3: It's so good. I don't I don't. I don't mind

891
00:37:14,880 --> 00:37:17,520
Speaker 3: talking about cats. But we got some new music this

892
00:37:17,600 --> 00:37:19,840
Speaker 3: week though, back to your boy J Cole, it was

893
00:37:20,000 --> 00:37:22,239
Speaker 3: it was a good music Friday, a lot of look

894
00:37:22,320 --> 00:37:23,960
Speaker 3: good good. I don't know if it's was it good

895
00:37:24,040 --> 00:37:28,120
Speaker 3: music Friday or was it just music Friday? No, it

896
00:37:28,320 --> 00:37:32,200
Speaker 3: was a better music Friday, Better music Friday. Yeah, out

897
00:37:32,239 --> 00:37:33,719
Speaker 3: of all the Fridays, I think this one was was

898
00:37:33,800 --> 00:37:36,680
Speaker 3: definitely up there. I liked that the weekend in uh

899
00:37:37,040 --> 00:37:37,720
Speaker 3: Cardi record.

900
00:37:38,719 --> 00:37:39,640
Speaker 2: Yeah, I'm not mad at it.

901
00:37:39,800 --> 00:37:44,520
Speaker 7: I've I expected uh worse from Cardi. I'll be honest.

902
00:37:44,520 --> 00:37:47,120
Speaker 7: I don't want any smoke with his fan base mm hmm.

903
00:37:47,520 --> 00:37:49,640
Speaker 7: But he impressed me more than what I thought he

904
00:37:49,719 --> 00:37:51,759
Speaker 7: was gonna bring. I thought he was just gonna go

905
00:37:52,080 --> 00:37:55,560
Speaker 7: like super full artsy and just stay silent, and it

906
00:37:55,600 --> 00:37:58,040
Speaker 7: was gonna say, featuring Playboy Cardi, like it was gonna

907
00:37:58,040 --> 00:38:00,360
Speaker 7: be an empty verse. That's really where I thought they

908
00:38:00,400 --> 00:38:02,759
Speaker 7: were gonna take it. The record is dope, Yeah, it's

909
00:38:02,760 --> 00:38:05,640
Speaker 7: cool record. Neptunes produced it, right, am I correctly saying

910
00:38:05,680 --> 00:38:08,200
Speaker 7: that it's a Neptunes's record?

911
00:38:08,280 --> 00:38:08,360
Speaker 8: Right?

912
00:38:09,360 --> 00:38:11,200
Speaker 7: Did they do while Julian looks that up? Did they

913
00:38:11,239 --> 00:38:13,680
Speaker 7: do their YouTube conspiracies of the Illuminati and the Devil

914
00:38:13,719 --> 00:38:16,040
Speaker 7: in this one yet? Because they weren't even trying to

915
00:38:16,120 --> 00:38:18,600
Speaker 7: hide I think trying to that would be the role of.

916
00:38:18,719 --> 00:38:20,640
Speaker 3: People play into that ship. Of course, they know they

917
00:38:20,719 --> 00:38:22,960
Speaker 3: know the images to use and the visuals to use

918
00:38:23,040 --> 00:38:25,920
Speaker 3: to get people going down these rabbit holes and to

919
00:38:26,440 --> 00:38:29,040
Speaker 3: you know, do these videos breaking down the record and

920
00:38:29,120 --> 00:38:31,839
Speaker 3: the images, like all of that is for the sake

921
00:38:31,920 --> 00:38:33,760
Speaker 3: of the record doing well. Yeah, even though the Weekend

922
00:38:33,760 --> 00:38:35,719
Speaker 3: doesn't need shit like that. He's obviously one of the

923
00:38:35,719 --> 00:38:36,719
Speaker 3: biggest artists in the world.

924
00:38:37,080 --> 00:38:40,439
Speaker 2: But the record is hard. Though gunner Stall produced the video.

925
00:38:40,680 --> 00:38:42,440
Speaker 2: To the director of the video, I should.

926
00:38:42,160 --> 00:38:44,759
Speaker 7: Say I like the video a lot. Yeah, it's it's

927
00:38:44,800 --> 00:38:48,360
Speaker 7: tough sometimes to just like get simplistic videos like this

928
00:38:48,480 --> 00:38:51,320
Speaker 7: to work, and they knocked it out the park. I

929
00:38:51,360 --> 00:38:52,680
Speaker 7: thought it was great, and the song is great.

930
00:38:53,000 --> 00:38:56,280
Speaker 2: Song is fire? What do we think the direction?

931
00:38:56,360 --> 00:38:58,160
Speaker 7: Because Weekend has kind of had a theme or a

932
00:38:58,239 --> 00:39:01,440
Speaker 7: personality for the last few albums. Yeah, I can't quite

933
00:39:01,480 --> 00:39:03,400
Speaker 7: figure out what this one is gonna be off this

934
00:39:03,520 --> 00:39:04,000
Speaker 7: first single.

935
00:39:05,040 --> 00:39:06,480
Speaker 3: Uh, So the artwork is interesting.

936
00:39:07,000 --> 00:39:11,480
Speaker 2: It's looks like he's going through it. Yeah, off a pack.

937
00:39:13,320 --> 00:39:15,719
Speaker 2: He has a mask on, right, No, well on the

938
00:39:15,800 --> 00:39:20,440
Speaker 2: single artwork, yes, you're art work? Yes? So is he back?

939
00:39:20,560 --> 00:39:21,479
Speaker 3: Is he behind the mask?

940
00:39:21,680 --> 00:39:21,800
Speaker 8: Is he?

941
00:39:23,120 --> 00:39:23,719
Speaker 2: What is he doing?

942
00:39:23,920 --> 00:39:24,040
Speaker 8: Is it?

943
00:39:24,080 --> 00:39:25,920
Speaker 3: Because this looks a little m F doomish right, It

944
00:39:25,960 --> 00:39:27,680
Speaker 3: definitely does look a little doomish.

945
00:39:30,520 --> 00:39:32,360
Speaker 2: Yeah. The single, Yeah, the single work is interesting, but

946
00:39:32,440 --> 00:39:36,319
Speaker 2: the album artwork is for for seeing his full face.

947
00:39:36,400 --> 00:39:37,719
Speaker 2: It's that extreme close.

948
00:39:37,520 --> 00:39:39,239
Speaker 3: Up with his like you know, oh, it's just the

949
00:39:39,280 --> 00:39:42,760
Speaker 3: one where he's not no mask, no mask, no no aesthetics,

950
00:39:42,840 --> 00:39:44,680
Speaker 3: no nothing is just it's it's able.

951
00:39:44,760 --> 00:39:45,400
Speaker 2: It's just able.

952
00:39:45,800 --> 00:39:48,200
Speaker 7: Yeah, he's at that point in his career. The self

953
00:39:48,280 --> 00:39:49,200
Speaker 7: title like this is.

954
00:39:49,239 --> 00:39:51,759
Speaker 2: Actually this is the upcoming album I've shed.

955
00:39:51,800 --> 00:39:54,880
Speaker 3: I've shed all of my personalities and all of my

956
00:39:55,200 --> 00:39:57,280
Speaker 3: you know, traumas, and now this is able.

957
00:39:58,360 --> 00:40:01,160
Speaker 7: I mean, I would like that from Weekend as much

958
00:40:01,200 --> 00:40:03,560
Speaker 7: as I've loved pretty much every Weekend album, and I

959
00:40:03,640 --> 00:40:06,799
Speaker 7: do like when he gets in his like altered personality bag,

960
00:40:07,239 --> 00:40:10,800
Speaker 7: but just a straight up Weekend album like not, I

961
00:40:10,840 --> 00:40:13,279
Speaker 7: don't want like another house of Balloons per se. I'm

962
00:40:13,320 --> 00:40:15,560
Speaker 7: not gonna take the artist, of course. I would want

963
00:40:15,600 --> 00:40:18,000
Speaker 7: to telling you an artist this far in their career,

964
00:40:18,080 --> 00:40:21,239
Speaker 7: can you go channel that again? Like yeah, I don't

965
00:40:21,280 --> 00:40:24,080
Speaker 7: want nas to go make Illmatic two. I'm cool on that.

966
00:40:24,440 --> 00:40:24,560
Speaker 8: Hm.

967
00:40:25,160 --> 00:40:28,359
Speaker 7: No, he gave me still Madici, which was a classic, yeah,

968
00:40:29,600 --> 00:40:32,600
Speaker 7: but sounded completely fucking different with definitely nothing like it.

969
00:40:33,120 --> 00:40:35,040
Speaker 7: I would like to see Weekend just get back to

970
00:40:35,120 --> 00:40:38,200
Speaker 7: the basics, like there's no gimmick shit here, It's it's

971
00:40:39,000 --> 00:40:41,600
Speaker 7: not pop. It's darker, even though he makes great dark

972
00:40:41,640 --> 00:40:43,640
Speaker 7: pop records, just a dark ass album.

973
00:40:43,840 --> 00:40:47,680
Speaker 2: I'm with, hmm, is that Cardi on the record?

974
00:40:48,560 --> 00:40:51,520
Speaker 3: What you mean? Because before I I just listened to

975
00:40:51,560 --> 00:40:53,719
Speaker 3: the record. I didn't even look at the like who

976
00:40:53,800 --> 00:40:55,440
Speaker 3: was featured on it? And I'm listening to it, and

977
00:40:55,520 --> 00:40:57,520
Speaker 3: then when I saw that it says Playboy Cardi. I

978
00:40:57,560 --> 00:40:59,080
Speaker 3: didn't think that was Playboy Cardi at all.

979
00:40:59,320 --> 00:40:59,839
Speaker 7: Who did you think?

980
00:41:00,680 --> 00:41:01,880
Speaker 3: I don't know who I thought it was. I just

981
00:41:01,920 --> 00:41:03,719
Speaker 3: didn't when that when they said Playboy Cardi, and then

982
00:41:03,760 --> 00:41:06,520
Speaker 3: I saw the video, I was very surprised, Like that

983
00:41:06,680 --> 00:41:09,720
Speaker 3: sounds totally different than playwork guarded.

984
00:41:10,280 --> 00:41:11,640
Speaker 7: Yeah, so what are you suggesting that?

985
00:41:13,760 --> 00:41:14,280
Speaker 3: Is it Cardi?

986
00:41:15,920 --> 00:41:16,640
Speaker 2: Is it someone else?

987
00:41:16,719 --> 00:41:19,239
Speaker 7: Or is it Ai? Is what you're saying? Is it

988
00:41:19,320 --> 00:41:19,879
Speaker 7: Cardi Ai?

989
00:41:20,160 --> 00:41:20,279
Speaker 5: Is it?

990
00:41:20,560 --> 00:41:21,279
Speaker 3: Is it Cardi Ai?

991
00:41:22,200 --> 00:41:23,840
Speaker 2: That would be very much a Cardi.

992
00:41:23,760 --> 00:41:26,960
Speaker 7: Move, even what he did with Aiden Ross, like, Yo,

993
00:41:27,000 --> 00:41:30,200
Speaker 7: give me what was it two million dollars, I'll come

994
00:41:30,239 --> 00:41:32,160
Speaker 7: and do an interview with you. He was like in

995
00:41:32,239 --> 00:41:34,080
Speaker 7: the hallway and was like, Yo, let me get the

996
00:41:34,680 --> 00:41:37,680
Speaker 7: let me get the back end, and dipped. I could

997
00:41:37,719 --> 00:41:39,520
Speaker 7: see Cardi leaning into it like that wasn't even me,

998
00:41:39,640 --> 00:41:42,120
Speaker 7: that was my AI shit, because a I had my

999
00:41:42,200 --> 00:41:44,080
Speaker 7: own verse, that would be some Cardi shit, and all

1000
00:41:44,120 --> 00:41:46,640
Speaker 7: his fans would be like, that's genius, because.

1001
00:41:46,440 --> 00:41:48,319
Speaker 5: Even in the video, if you look at the video

1002
00:41:48,360 --> 00:41:51,520
Speaker 5: and pay attention, like he's not really performing a verse.

1003
00:41:51,440 --> 00:41:51,600
Speaker 8: Like that.

1004
00:41:53,200 --> 00:41:55,040
Speaker 7: Mm, but that could also just be another Cardi.

1005
00:41:55,520 --> 00:41:56,359
Speaker 2: This is what he does.

1006
00:41:57,080 --> 00:41:59,160
Speaker 7: He's He's had a lot of different rap voices.

1007
00:41:59,200 --> 00:42:01,839
Speaker 2: He's on like his fourth voice in like the last

1008
00:42:01,880 --> 00:42:05,040
Speaker 2: two years. Because I heard a song that I really

1009
00:42:05,360 --> 00:42:07,560
Speaker 2: liked that he put out maybe a year or so ago,

1010
00:42:08,000 --> 00:42:10,640
Speaker 2: and I was like, this is thug. It's definitely's Yeah,

1011
00:42:10,680 --> 00:42:12,719
Speaker 2: there's no way this isn't young Thug. He went through

1012
00:42:12,719 --> 00:42:15,840
Speaker 2: a future it was Cardi. He sounded exactly like the

1013
00:42:16,160 --> 00:42:19,799
Speaker 2: which he still kind of goes like oscillates between that voice,

1014
00:42:19,880 --> 00:42:22,520
Speaker 2: the future voice and like the whiney classic Cardi voice.

1015
00:42:23,239 --> 00:42:24,319
Speaker 3: So you think it's him, you don't think.

1016
00:42:24,400 --> 00:42:26,080
Speaker 2: I do think it's him. I just think he's one

1017
00:42:26,080 --> 00:42:27,960
Speaker 2: of those artists that always, depending on the track, will

1018
00:42:28,040 --> 00:42:29,720
Speaker 2: change his voice, his tone.

1019
00:42:29,960 --> 00:42:30,919
Speaker 3: Well, if it's his, if.

1020
00:42:30,840 --> 00:42:34,279
Speaker 7: It's if it's Cardi, AI, isn't it essentially it's I

1021
00:42:34,360 --> 00:42:36,239
Speaker 7: guess well, I was gonna ask you guys that question.

1022
00:42:36,280 --> 00:42:38,439
Speaker 7: How do you feel about an artists doing their own

1023
00:42:38,520 --> 00:42:42,759
Speaker 7: AI of themselves. It's not like an artist just put

1024
00:42:42,800 --> 00:42:45,439
Speaker 7: feature in Playboy Cardi and ran something through an AI

1025
00:42:45,560 --> 00:42:49,000
Speaker 7: program like they. I don't know why they would write

1026
00:42:49,040 --> 00:42:51,560
Speaker 7: something and then have AI do it like okay, so

1027
00:42:51,600 --> 00:42:53,960
Speaker 7: it's pretty fucking lazy. Just take the night to record it.

1028
00:42:54,040 --> 00:42:57,320
Speaker 3: But so what if he didn't write it and he

1029
00:42:57,480 --> 00:43:01,040
Speaker 3: just they just using the AI Cardi, he didn't write it,

1030
00:43:01,080 --> 00:43:03,840
Speaker 3: but he'll perform it'll it'll be his name on the feature.

1031
00:43:04,280 --> 00:43:06,600
Speaker 7: I mean, I wouldn't care because when it comes to

1032
00:43:07,800 --> 00:43:10,279
Speaker 7: music like this, I don't particularly care who writes it.

1033
00:43:11,000 --> 00:43:13,719
Speaker 7: So if he had ten human writers, I wouldn't really

1034
00:43:13,760 --> 00:43:15,200
Speaker 7: give a fuck. So why would I really care if

1035
00:43:15,280 --> 00:43:17,560
Speaker 7: AI wrote it? So if it came to certain because

1036
00:43:18,960 --> 00:43:21,160
Speaker 7: other artists, yes, I would have a huge issue if

1037
00:43:21,200 --> 00:43:22,920
Speaker 7: I found out that they used AI to write their

1038
00:43:23,000 --> 00:43:24,440
Speaker 7: verse and then they just went in the booth and

1039
00:43:24,520 --> 00:43:25,719
Speaker 7: either sang it or wrapped it.

1040
00:43:26,040 --> 00:43:28,879
Speaker 3: So if Cardi, if somebody wrote this verse for Cardi

1041
00:43:29,880 --> 00:43:31,840
Speaker 3: and he didn't perform it, he didn't record it, they

1042
00:43:31,920 --> 00:43:39,000
Speaker 3: put it through an AI system and out comes the

1043
00:43:39,080 --> 00:43:41,880
Speaker 3: verse on audio and he just performs the track in

1044
00:43:41,960 --> 00:43:44,040
Speaker 3: the video. You okay with that?

1045
00:43:44,280 --> 00:43:44,320
Speaker 5: No?

1046
00:43:44,440 --> 00:43:47,040
Speaker 7: Then I have an issue if somebody put like a

1047
00:43:47,080 --> 00:43:49,319
Speaker 7: bunch of topics and a chat GPT that they think

1048
00:43:49,360 --> 00:43:53,000
Speaker 7: would work for Playboy Carti and chat GPT just spit

1049
00:43:53,120 --> 00:43:55,759
Speaker 7: back an entire Playboy Cardi verse and he went in

1050
00:43:55,800 --> 00:43:57,560
Speaker 7: the booth and did it, I'd have no problem with that.

1051
00:43:58,800 --> 00:44:01,040
Speaker 7: But if they put it his actual voice through that too,

1052
00:44:01,080 --> 00:44:03,319
Speaker 7: and he didn't even perform or record it, Yeah, that's

1053
00:44:03,400 --> 00:44:04,960
Speaker 7: fucking crazy. That's insane.

1054
00:44:05,040 --> 00:44:06,640
Speaker 2: Yeah, No, there's a line to be drawn.

1055
00:44:06,840 --> 00:44:09,560
Speaker 7: Yeah, and I think I think there's an okay, lone,

1056
00:44:09,560 --> 00:44:12,239
Speaker 7: I think artists are doing that. I think artists are

1057
00:44:12,280 --> 00:44:16,080
Speaker 7: doing that with writing right now, for sure. I think

1058
00:44:16,160 --> 00:44:19,560
Speaker 7: there's a lot of artists that use AI for writers,

1059
00:44:20,239 --> 00:44:23,640
Speaker 7: for sure. But again, who like if they already had

1060
00:44:23,680 --> 00:44:27,040
Speaker 7: writers before. I guess I'm pissed because you're not employing

1061
00:44:27,280 --> 00:44:31,879
Speaker 7: or paying talented writers that would love the opportunity. It's

1062
00:44:31,880 --> 00:44:32,719
Speaker 7: still the same, though.

1063
00:44:32,840 --> 00:44:32,960
Speaker 2: Is it?

1064
00:44:33,080 --> 00:44:33,360
Speaker 3: Okay?

1065
00:44:33,440 --> 00:44:33,480
Speaker 7: So?

1066
00:44:33,640 --> 00:44:33,759
Speaker 8: Is it?

1067
00:44:33,920 --> 00:44:33,960
Speaker 6: Is?

1068
00:44:34,000 --> 00:44:34,040
Speaker 5: It?

1069
00:44:34,200 --> 00:44:34,239
Speaker 8: Is?

1070
00:44:34,320 --> 00:44:34,360
Speaker 5: It?

1071
00:44:34,600 --> 00:44:38,280
Speaker 3: Is it difference? Is there a difference if because obviously

1072
00:44:38,360 --> 00:44:41,399
Speaker 3: we know other writers write for artists, right so there's

1073
00:44:41,440 --> 00:44:44,359
Speaker 3: no no foul play there, because we know people write

1074
00:44:44,360 --> 00:44:47,879
Speaker 3: on records. But now what we're talking about this AI technology.

1075
00:44:48,880 --> 00:44:52,720
Speaker 3: So now the writer gets in the booth and lays

1076
00:44:52,800 --> 00:44:55,640
Speaker 3: down basically like how you do a reference track, lays

1077
00:44:55,680 --> 00:44:59,520
Speaker 3: down the track with a Cardi AI filter m hm,

1078
00:45:00,600 --> 00:45:04,040
Speaker 3: and they send it in and all Cardi has to

1079
00:45:04,080 --> 00:45:07,080
Speaker 3: do is approve it, agrees to perform the record in

1080
00:45:07,120 --> 00:45:09,960
Speaker 3: the video. Are you okay with that?

1081
00:45:10,200 --> 00:45:10,239
Speaker 5: No?

1082
00:45:11,440 --> 00:45:13,880
Speaker 7: No, it's because at that point, like the writing thing

1083
00:45:14,000 --> 00:45:17,000
Speaker 7: is a separate thing, the performance part of it. That's

1084
00:45:17,040 --> 00:45:18,640
Speaker 7: where I would completely drug line. It has to be

1085
00:45:18,719 --> 00:45:20,920
Speaker 7: your voice, it has to be your inflections, it has

1086
00:45:20,960 --> 00:45:24,160
Speaker 7: to be you actually performing this record in the booth

1087
00:45:24,680 --> 00:45:26,920
Speaker 7: for sure, because that's crazy that at that point it's

1088
00:45:27,760 --> 00:45:30,640
Speaker 7: it's not you, it's we would joke remember on Drake's

1089
00:45:30,640 --> 00:45:31,959
Speaker 7: album where I was like, yeah, I think that's Michael

1090
00:45:32,040 --> 00:45:35,440
Speaker 7: Jackson AI or even other artists that have made whole

1091
00:45:35,520 --> 00:45:39,400
Speaker 7: Twitter accounts based off them making weekend records or anything.

1092
00:45:39,440 --> 00:45:42,640
Speaker 7: At that point, you're just there. It's just because Carti

1093
00:45:42,719 --> 00:45:45,280
Speaker 7: signed off on it doesn't make it Cardi.

1094
00:45:46,040 --> 00:45:48,200
Speaker 3: Do we think that that's I think that that's happening already.

1095
00:45:48,719 --> 00:45:49,160
Speaker 8: I do too.

1096
00:45:50,160 --> 00:45:54,120
Speaker 7: I definitely do too. But what does that look like

1097
00:45:54,640 --> 00:45:58,880
Speaker 7: when it comes to paperwork or like if I go

1098
00:45:58,960 --> 00:46:00,440
Speaker 7: on Spotify where I can see.

1099
00:46:00,760 --> 00:46:03,640
Speaker 3: It would it would just be the writer getting credited.

1100
00:46:05,680 --> 00:46:06,600
Speaker 2: But what if they do their right?

1101
00:46:06,640 --> 00:46:10,400
Speaker 3: But if you're using my AI, my likeness, right, my voice,

1102
00:46:10,920 --> 00:46:13,440
Speaker 3: my inflections, I.

1103
00:46:13,440 --> 00:46:15,040
Speaker 7: Think you're miss my question. I'm saying when it comes

1104
00:46:15,080 --> 00:46:17,600
Speaker 7: to the writing side, if they use AI to write, no,

1105
00:46:17,680 --> 00:46:18,600
Speaker 7: no one comes up with you.

1106
00:46:19,760 --> 00:46:21,640
Speaker 3: It's a real person writing, It's a real right.

1107
00:46:21,719 --> 00:46:23,840
Speaker 7: I still have an issue with it. But I'm curious

1108
00:46:23,880 --> 00:46:26,279
Speaker 7: what that looks like with publishing side, with people that

1109
00:46:26,360 --> 00:46:29,000
Speaker 7: are using AI to write, Like, at that point, whatever

1110
00:46:29,080 --> 00:46:32,440
Speaker 7: program you use, did they get the pub And how

1111
00:46:32,480 --> 00:46:35,200
Speaker 7: do you even prove that? Like whatever companies have these

1112
00:46:35,239 --> 00:46:38,600
Speaker 7: AI programs, are they monitoring everything that is being spit

1113
00:46:38,719 --> 00:46:41,200
Speaker 7: back to these artists like and is used?

1114
00:46:41,480 --> 00:46:42,120
Speaker 3: Because like what was that?

1115
00:46:42,200 --> 00:46:42,319
Speaker 2: Right?

1116
00:46:42,320 --> 00:46:44,160
Speaker 7: I don't even know how to go about Like let's

1117
00:46:44,200 --> 00:46:47,799
Speaker 7: say I'm of course I'm a bad example, but I'm

1118
00:46:47,840 --> 00:46:50,080
Speaker 7: on this podcast. If I'm in a studio and come

1119
00:46:50,160 --> 00:46:51,800
Speaker 7: up with a bunch of fucking topics and put it

1120
00:46:51,840 --> 00:46:53,920
Speaker 7: through an AI program and they give me back a

1121
00:46:54,040 --> 00:46:57,040
Speaker 7: verse and then I have an artist that doesn't typically write,

1122
00:46:57,040 --> 00:46:59,240
Speaker 7: but sings really well, and they go on that booth

1123
00:46:59,600 --> 00:47:01,239
Speaker 7: sing it. And then when it's time to sign off

1124
00:47:01,280 --> 00:47:03,719
Speaker 7: on that record and I'm doing the paperwork and we

1125
00:47:03,880 --> 00:47:07,520
Speaker 7: get down to publishing, who do I credit as a writer?

1126
00:47:10,640 --> 00:47:12,600
Speaker 2: No, but if it's if you do, but if you

1127
00:47:12,640 --> 00:47:13,839
Speaker 2: know the Mark Zuckerberg, if.

1128
00:47:13,760 --> 00:47:15,560
Speaker 3: It's an actual writer writing the lyrics.

1129
00:47:15,640 --> 00:47:16,239
Speaker 2: Though, like.

1130
00:47:17,840 --> 00:47:20,880
Speaker 3: That Drake did the pop was tailing Me like he

1131
00:47:20,960 --> 00:47:22,640
Speaker 3: did with Tailor Me. He wrote it, I wrote it.

1132
00:47:23,120 --> 00:47:26,160
Speaker 3: You just go in there, use a technology in the

1133
00:47:26,239 --> 00:47:30,480
Speaker 3: system that turns your tone and inflections sound like Tupac

1134
00:47:30,680 --> 00:47:36,040
Speaker 3: or Snoop or whoever. Okay, he Drake wrote it. Use

1135
00:47:36,200 --> 00:47:38,960
Speaker 3: the likeness of a of another artist. I'm saying, in

1136
00:47:39,040 --> 00:47:43,279
Speaker 3: this case, if somebody wrote that but Playboy didn't perform it,

1137
00:47:44,120 --> 00:47:48,160
Speaker 3: they just used Playboy's AI. But he's cool with it.

1138
00:47:48,520 --> 00:47:50,919
Speaker 3: He's like, all right, cool, like I'll let's shoot the video.

1139
00:47:51,000 --> 00:47:53,880
Speaker 3: Let's you don't. That's not cool to you, not at all,

1140
00:47:54,080 --> 00:47:57,400
Speaker 3: because he's not actually informing it. But I think that's happening.

1141
00:47:58,480 --> 00:47:59,160
Speaker 2: I agree.

1142
00:47:59,280 --> 00:48:01,320
Speaker 3: I think it's happened. I think it's going to continue

1143
00:48:01,360 --> 00:48:03,560
Speaker 3: to happen. I think some of the biggest artists are

1144
00:48:03,600 --> 00:48:05,759
Speaker 3: going to feel like, well, I'm already who I am,

1145
00:48:06,280 --> 00:48:08,600
Speaker 3: and I've already achieved as much as I can probably

1146
00:48:08,600 --> 00:48:09,359
Speaker 3: achieve in music.

1147
00:48:09,520 --> 00:48:11,520
Speaker 7: That makes you an influencer at this point, and I

1148
00:48:11,880 --> 00:48:15,040
Speaker 7: obviously everything is on that route. At that point, you're

1149
00:48:15,040 --> 00:48:17,440
Speaker 7: a straight up influencer. You're not an artist anymore because

1150
00:48:17,440 --> 00:48:19,640
Speaker 7: you're not even performing the records. Again, I have no

1151
00:48:19,760 --> 00:48:21,960
Speaker 7: issue with someone writing something for another artist and then

1152
00:48:22,040 --> 00:48:25,040
Speaker 7: performing it because they can perform it better, but you're

1153
00:48:25,200 --> 00:48:27,480
Speaker 7: That still makes you an artist. But once you just

1154
00:48:27,560 --> 00:48:32,560
Speaker 7: are signing off on someone using AI for your voice,

1155
00:48:32,600 --> 00:48:34,240
Speaker 7: you're an influencer. You're just popular.

1156
00:48:34,800 --> 00:48:37,279
Speaker 3: You have nothing, but most of these most of these

1157
00:48:37,400 --> 00:48:38,560
Speaker 3: artists are popular, but at.

1158
00:48:38,520 --> 00:48:40,959
Speaker 7: Least they make music. That's why they're popular. At that point,

1159
00:48:41,000 --> 00:48:42,440
Speaker 7: you're an ig model.

1160
00:48:42,440 --> 00:48:45,200
Speaker 2: To me, you just the I G. Batty.

1161
00:48:45,400 --> 00:48:48,759
Speaker 7: If someone is using your voice and writing for you

1162
00:48:49,040 --> 00:48:50,920
Speaker 7: and you're just signing off and saying, okay, you can

1163
00:48:51,040 --> 00:48:51,919
Speaker 7: use my likeness here.

1164
00:48:52,480 --> 00:48:55,560
Speaker 3: I think it's happening. I think we already hearing songs

1165
00:48:55,640 --> 00:48:57,920
Speaker 3: and it's not the actual artist performing that record.

1166
00:48:58,440 --> 00:49:00,080
Speaker 7: Outside of this one. You have any in particular that

1167
00:49:00,160 --> 00:49:04,239
Speaker 7: you've thought that was the case.

1168
00:49:05,600 --> 00:49:07,880
Speaker 3: I can't really think, but I remember. I remember sometimes

1169
00:49:07,920 --> 00:49:11,560
Speaker 3: hearing certain artists and I'm like, sounds different, Like you know,

1170
00:49:11,719 --> 00:49:14,640
Speaker 3: just sometimes you hear artists and you're like, wait that's who. Yeah, yo,

1171
00:49:14,719 --> 00:49:17,080
Speaker 3: no that's and I'm like, really like they sound different.

1172
00:49:17,239 --> 00:49:19,279
Speaker 2: But I mean to be fair AI or not, Like

1173
00:49:19,400 --> 00:49:21,800
Speaker 2: we've seen what pro tools and like you can do

1174
00:49:21,960 --> 00:49:26,080
Speaker 2: with vocals, you know, on the board, So those things

1175
00:49:26,120 --> 00:49:26,960
Speaker 2: have been happening for.

1176
00:49:27,200 --> 00:49:28,759
Speaker 7: The amount of plugins that.

1177
00:49:31,000 --> 00:49:33,600
Speaker 3: What's the difference with AI aside from you actually being

1178
00:49:33,640 --> 00:49:36,400
Speaker 3: in there and it's you actually, you know, performing a record,

1179
00:49:37,040 --> 00:49:38,880
Speaker 3: but like if I'm singing and I can't sing and

1180
00:49:38,960 --> 00:49:41,400
Speaker 3: they put a pitch correct on my voice odo to

1181
00:49:41,480 --> 00:49:44,440
Speaker 3: an entire record, like you understand what I'm saying, so

1182
00:49:44,800 --> 00:49:47,760
Speaker 3: kind of sort of in a way, it's it's already

1183
00:49:47,840 --> 00:49:51,160
Speaker 3: remnants of that happening, because that's not really it's you singing,

1184
00:49:51,280 --> 00:49:52,640
Speaker 3: but we put a lot of.

1185
00:49:54,440 --> 00:49:54,760
Speaker 8: Cutting.

1186
00:49:55,000 --> 00:49:56,640
Speaker 3: We put a lot of cut on those vocals.

1187
00:49:56,719 --> 00:49:58,600
Speaker 7: At that point, I think I'm just trying to hold

1188
00:49:58,640 --> 00:50:01,000
Speaker 7: onto any bit of me is an integrity that's left.

1189
00:50:01,040 --> 00:50:03,120
Speaker 7: But you are completely right, Like, what is the fucking

1190
00:50:03,160 --> 00:50:06,320
Speaker 7: diff what's the difference if we're putting that much tune

1191
00:50:06,400 --> 00:50:08,520
Speaker 7: and even a lot of the tune programs come from

1192
00:50:08,560 --> 00:50:12,040
Speaker 7: AI now, like a lot of stuff that my engineer

1193
00:50:12,200 --> 00:50:15,919
Speaker 7: Robbie uses with like actual established singers that are great.

1194
00:50:16,320 --> 00:50:19,840
Speaker 7: We'll still experiment with the AI programs that are attached

1195
00:50:19,840 --> 00:50:23,000
Speaker 7: to pro tools now. But when your voice is not

1196
00:50:23,040 --> 00:50:26,040
Speaker 7: even like that whatsoever, and we're already putting you through

1197
00:50:26,120 --> 00:50:28,200
Speaker 7: that program, does it matter? I guess you're right, Well,

1198
00:50:28,239 --> 00:50:29,640
Speaker 7: this is what I So.

1199
00:50:29,719 --> 00:50:31,319
Speaker 3: Now we're back to the point of it just being

1200
00:50:31,480 --> 00:50:34,640
Speaker 3: artist integrity, and we know that motherfucker's part with the

1201
00:50:34,719 --> 00:50:36,360
Speaker 3: integrity a lot, like a lot a lot of these

1202
00:50:36,440 --> 00:50:38,919
Speaker 3: niggas walking around book bags and these cross body bags

1203
00:50:38,960 --> 00:50:39,759
Speaker 3: with no integrity in it.

1204
00:50:39,880 --> 00:50:40,239
Speaker 8: We know that.

1205
00:50:41,320 --> 00:50:42,680
Speaker 7: So there's a gun in there too.

1206
00:50:42,800 --> 00:50:46,480
Speaker 3: It's a gun in there, no integrity, chapstick, credit card,

1207
00:50:46,680 --> 00:50:50,440
Speaker 3: no integrity, gun, knife, no integrity, right, So what's the

1208
00:50:50,800 --> 00:50:52,920
Speaker 3: we're just talking about from it at that point, it

1209
00:50:53,080 --> 00:50:55,279
Speaker 3: just being like, well, damn, just have some integrity at

1210
00:50:55,320 --> 00:50:56,759
Speaker 3: least STI getting a boof and laid down.

1211
00:50:57,120 --> 00:50:58,879
Speaker 7: I mean, I guess all right, So to get there,

1212
00:50:58,920 --> 00:51:00,919
Speaker 7: we would have to create a settings, So there would

1213
00:51:00,920 --> 00:51:03,120
Speaker 7: have to be an original song that AI could pull

1214
00:51:03,200 --> 00:51:06,600
Speaker 7: from and some settings that you used to even continue

1215
00:51:06,640 --> 00:51:09,120
Speaker 7: to do that. So I don't know, are artists going

1216
00:51:09,200 --> 00:51:11,480
Speaker 7: to do that once and if it's successful, let's just

1217
00:51:11,600 --> 00:51:13,120
Speaker 7: match this and let AI do the rest.

1218
00:51:15,280 --> 00:51:15,560
Speaker 2: Why not.

1219
00:51:17,000 --> 00:51:19,400
Speaker 3: I'm just saying, we got to start thinking that everything

1220
00:51:19,560 --> 00:51:23,000
Speaker 3: is changing and start questioning all of this shit when

1221
00:51:23,000 --> 00:51:25,520
Speaker 3: we see the technology right in our face, like, we

1222
00:51:25,640 --> 00:51:29,000
Speaker 3: have to start questioning a lot. And I'm just saying

1223
00:51:29,120 --> 00:51:32,920
Speaker 3: on this record in particular and listening to it. First

1224
00:51:32,920 --> 00:51:34,440
Speaker 3: of all, again, I love the record. I think the

1225
00:51:34,480 --> 00:51:38,120
Speaker 3: record is incredible, But in hearing it before I knew

1226
00:51:38,120 --> 00:51:41,120
Speaker 3: it was Playboy, I'm like, wait, that's who. It just

1227
00:51:41,160 --> 00:51:42,839
Speaker 3: didn't to me. It just didn't sound like him.

1228
00:51:43,239 --> 00:51:43,479
Speaker 2: Yeah.

1229
00:51:44,200 --> 00:51:46,920
Speaker 7: For example, Tommy Richmond's album that came out on Friday,

1230
00:51:47,480 --> 00:51:51,240
Speaker 7: I like, and I think he's very talented, but obviously

1231
00:51:51,320 --> 00:51:54,279
Speaker 7: you can tell he uses a lot of settings, which

1232
00:51:54,280 --> 00:51:57,040
Speaker 7: again is fine. Have plenty of artists that we revere

1233
00:51:57,080 --> 00:51:58,880
Speaker 7: that do the exact same thing. I'm not faulting in

1234
00:51:58,960 --> 00:52:01,640
Speaker 7: for that. But with the amount of settings he does use,

1235
00:52:01,680 --> 00:52:07,160
Speaker 7: AI could easily just remake that right, Like you could

1236
00:52:07,200 --> 00:52:10,320
Speaker 7: do a whole time Richmond album probably with AI that

1237
00:52:10,400 --> 00:52:12,040
Speaker 7: would be really good.

1238
00:52:12,320 --> 00:52:13,160
Speaker 3: Yeah, which is.

1239
00:52:14,680 --> 00:52:15,040
Speaker 8: It's over.

1240
00:52:17,680 --> 00:52:22,279
Speaker 2: It's just right now, listen, just get to it.

1241
00:52:22,440 --> 00:52:24,560
Speaker 3: Just get to it. Like I'm just trying to raise questions.

1242
00:52:24,960 --> 00:52:26,799
Speaker 3: I'm just trying to, you know, because I'm just saying

1243
00:52:26,840 --> 00:52:29,640
Speaker 3: this is we're not far from that being like a

1244
00:52:29,760 --> 00:52:31,960
Speaker 3: normal thing. It's all I'm saying, We're not far from it.

1245
00:52:32,360 --> 00:52:35,280
Speaker 3: I think some artists have already adopted it and already

1246
00:52:35,360 --> 00:52:38,359
Speaker 3: using it and just allowing this AI technology to use

1247
00:52:38,400 --> 00:52:41,359
Speaker 3: their likeness. And we already know there's incredible writers out there.

1248
00:52:41,920 --> 00:52:44,640
Speaker 3: I think that there's people writing, and there's people that

1249
00:52:44,719 --> 00:52:47,400
Speaker 3: are using these artists likeness and creating a song and

1250
00:52:47,480 --> 00:52:49,000
Speaker 3: the artist just has to agree to it and sign

1251
00:52:49,080 --> 00:52:49,400
Speaker 3: off on it.

1252
00:52:49,520 --> 00:52:51,719
Speaker 7: But even at this point, though, a lot of the

1253
00:52:51,800 --> 00:52:54,080
Speaker 7: writers that are doing the AI thing and making themselves

1254
00:52:54,160 --> 00:52:56,440
Speaker 7: other artists, they do have to perform it into the mic.

1255
00:52:56,320 --> 00:52:59,800
Speaker 3: Though the writer you mean, well, yeah, they have to

1256
00:53:00,040 --> 00:53:02,640
Speaker 3: them into the mic and then the system the technology

1257
00:53:02,840 --> 00:53:03,680
Speaker 3: and change it.

1258
00:53:03,920 --> 00:53:06,840
Speaker 7: That's where I'm drawing the line, like you should at

1259
00:53:06,920 --> 00:53:09,960
Speaker 7: least as the artist, just go perform what he wrote.

1260
00:53:09,760 --> 00:53:12,360
Speaker 3: And still and still allowed him to put all the

1261
00:53:12,440 --> 00:53:14,359
Speaker 3: pitch correction on there and all the tune on there.

1262
00:53:14,800 --> 00:53:16,640
Speaker 7: I don't know, man, it's over.

1263
00:53:16,760 --> 00:53:19,280
Speaker 3: I'm just saying, man, well it's technical.

1264
00:53:19,400 --> 00:53:19,799
Speaker 2: Just listen.

1265
00:53:20,000 --> 00:53:22,360
Speaker 7: I just I just encourage everybody to just listen a

1266
00:53:22,400 --> 00:53:25,719
Speaker 7: little more intentions. So you're saying coders are the new artists.

1267
00:53:25,520 --> 00:53:27,160
Speaker 3: I'm just saying, man, I think that, you know, with

1268
00:53:27,560 --> 00:53:29,920
Speaker 3: the industry, the music business is going to start, you know,

1269
00:53:30,120 --> 00:53:33,040
Speaker 3: just accepting this technology and using it to the best

1270
00:53:33,080 --> 00:53:38,040
Speaker 3: way they can. Maybe an artist can't leave a certain

1271
00:53:38,080 --> 00:53:39,719
Speaker 3: part of the world to record right now, can get

1272
00:53:39,800 --> 00:53:41,600
Speaker 3: the studio, but hey, we already have the record done.

1273
00:53:42,080 --> 00:53:45,400
Speaker 3: We'll let you hear it. Let us know what you think. Like,

1274
00:53:45,480 --> 00:53:47,400
Speaker 3: you gotta think if you're if you're in a already

1275
00:53:47,440 --> 00:53:49,439
Speaker 3: an establish artists, one of the biggest artists in the world,

1276
00:53:49,560 --> 00:53:52,160
Speaker 3: and they want you to make an album and you're like,

1277
00:53:52,680 --> 00:53:55,080
Speaker 3: I'm not really you know, in the mood to really

1278
00:53:55,120 --> 00:53:57,080
Speaker 3: go record, and they say, well, look, we got seven

1279
00:53:57,160 --> 00:53:57,960
Speaker 3: songs we already did.

1280
00:53:58,000 --> 00:53:58,520
Speaker 2: We got these.

1281
00:53:58,440 --> 00:54:01,720
Speaker 3: Writers, we got them and they used AI used your voice.

1282
00:54:02,400 --> 00:54:04,520
Speaker 3: We want you to hear it. And they send you

1283
00:54:04,600 --> 00:54:07,040
Speaker 3: these tracks and it's amazing music and it sounds just

1284
00:54:07,200 --> 00:54:10,919
Speaker 3: like you. What do you do at that point?

1285
00:54:11,000 --> 00:54:13,520
Speaker 7: Do you say also imagine the legacy acts that really

1286
00:54:13,560 --> 00:54:15,480
Speaker 7: have no interest in working anymore. I don't mean to

1287
00:54:15,520 --> 00:54:18,319
Speaker 7: trigger Demris. Let's use Mariah for example. I don't think

1288
00:54:18,320 --> 00:54:20,520
Speaker 7: she'd ever do this, because she's incredible, She's a goat,

1289
00:54:20,560 --> 00:54:24,839
Speaker 7: we love her, but Mariah the AI would COMPREHENDI came

1290
00:54:24,920 --> 00:54:27,400
Speaker 7: up with a bunch of amazing Mariah Christmas covers that

1291
00:54:27,480 --> 00:54:31,440
Speaker 7: we had never heard before, and it was pitched to Mariah.

1292
00:54:31,480 --> 00:54:34,759
Speaker 7: Simon Tolder was like, Yo, we have twelve Christmas covers

1293
00:54:34,800 --> 00:54:37,040
Speaker 7: ready that you've never done. You can listen to all

1294
00:54:37,080 --> 00:54:40,040
Speaker 7: these approved. Every single one goes sounds to me like

1295
00:54:40,160 --> 00:54:43,880
Speaker 7: if you did it goes out tomorrow, what's Mariah gonna be?

1296
00:54:43,960 --> 00:54:46,480
Speaker 3: Like? Nah, free bag. I didn't even have to leave

1297
00:54:46,520 --> 00:54:50,120
Speaker 3: the crib. They just using my likeness again. Integrity is

1298
00:54:50,120 --> 00:54:52,640
Speaker 3: still important to artists, right. We know that some people

1299
00:54:52,680 --> 00:54:55,800
Speaker 3: are still they hold that very high. I'm just saying

1300
00:54:57,040 --> 00:55:00,719
Speaker 3: we're we're probably already in that zone when we're listening

1301
00:55:00,800 --> 00:55:03,279
Speaker 3: to music and it's not the actual artist that was

1302
00:55:03,360 --> 00:55:06,239
Speaker 3: in their performing the record. That's just something for us

1303
00:55:06,239 --> 00:55:08,439
Speaker 3: to think about. Like, I don't see I can see

1304
00:55:08,520 --> 00:55:10,480
Speaker 3: like you said, legacy artists. I can see them definitely

1305
00:55:10,520 --> 00:55:11,080
Speaker 3: leaning into that.

1306
00:55:11,400 --> 00:55:15,480
Speaker 7: I mean remember the last probably catalog buy up conversation

1307
00:55:15,600 --> 00:55:18,920
Speaker 7: we had and we were discussing AI, like, of course

1308
00:55:18,960 --> 00:55:22,359
Speaker 7: there's a million factors why these tech companies are buying

1309
00:55:22,440 --> 00:55:25,040
Speaker 7: up all the catalogs. You're owning their voice at that

1310
00:55:25,080 --> 00:55:31,040
Speaker 7: point too. You own their voice, and you can manipulate

1311
00:55:31,120 --> 00:55:33,640
Speaker 7: that through AI. If you have all the masters, you

1312
00:55:33,760 --> 00:55:36,640
Speaker 7: own them, you legally can put those through AI programs

1313
00:55:37,480 --> 00:55:38,319
Speaker 7: and it's yours.

1314
00:55:38,440 --> 00:55:40,680
Speaker 2: Well, we've seen that. We've seen this in Hollywood where

1315
00:55:40,680 --> 00:55:43,160
Speaker 2: you guys are alluding to like, uh, I forget which

1316
00:55:43,360 --> 00:55:46,959
Speaker 2: actor is it? Was it Bruce Willis, Who's who's dying

1317
00:55:47,120 --> 00:55:49,000
Speaker 2: from some yeah.

1318
00:55:50,440 --> 00:55:50,760
Speaker 7: Dying?

1319
00:55:52,600 --> 00:55:53,640
Speaker 2: He has a yeah some.

1320
00:55:58,880 --> 00:56:01,680
Speaker 3: Do that in conversation, Bruce Willis is done die hard?

1321
00:56:01,760 --> 00:56:07,279
Speaker 2: Yea front dude, Frontal temporal dementia FTD. So he's it's

1322
00:56:07,320 --> 00:56:12,200
Speaker 2: like a slow deterioration. It's awful. So if it's not him,

1323
00:56:12,600 --> 00:56:14,320
Speaker 2: my bad Internet all is not going to google it

1324
00:56:14,400 --> 00:56:17,360
Speaker 2: right now. But I'm pretty sure it's him. He basically

1325
00:56:17,480 --> 00:56:19,800
Speaker 2: came to an agreement with the studio and sold his

1326
00:56:20,080 --> 00:56:23,000
Speaker 2: likeness for you know, X amount of money save just

1327
00:56:23,080 --> 00:56:24,920
Speaker 2: throw a number, fake figure one hundred million dollars. So

1328
00:56:24,960 --> 00:56:26,640
Speaker 2: they said, Okay, for a hundred million dollars, you can

1329
00:56:26,800 --> 00:56:30,880
Speaker 2: use Bruce Willis's likeness, voice like body, it just in

1330
00:56:31,080 --> 00:56:36,960
Speaker 2: program it into future productions. And because of he's incapable

1331
00:56:37,000 --> 00:56:39,680
Speaker 2: of doing these films and you know, being on set now,

1332
00:56:40,520 --> 00:56:42,080
Speaker 2: I don't know if they've done it, or if there's

1333
00:56:42,120 --> 00:56:43,920
Speaker 2: things that have that have taken place, or he's been

1334
00:56:43,960 --> 00:56:46,160
Speaker 2: in films or what what have you. But like this

1335
00:56:46,360 --> 00:56:49,880
Speaker 2: is happening in Hollywood where someone's willing to sell their

1336
00:56:50,000 --> 00:56:52,000
Speaker 2: likeness to a studio and let them do as they

1337
00:56:52,080 --> 00:56:55,280
Speaker 2: with for you know, films and stuff commercials.

1338
00:56:55,680 --> 00:56:58,040
Speaker 3: If you're already like a legacy artist.

1339
00:56:57,880 --> 00:56:59,680
Speaker 2: Right, yeah, you're just selling your likeness to that selling

1340
00:56:59,719 --> 00:57:00,360
Speaker 2: you like set.

1341
00:57:00,239 --> 00:57:03,920
Speaker 3: This point, like you've already written countless hits and had

1342
00:57:03,960 --> 00:57:07,760
Speaker 3: amazing albums and you know, did amazing tours. Like really,

1343
00:57:07,840 --> 00:57:10,359
Speaker 3: you've done that, and you're at a point now where

1344
00:57:10,360 --> 00:57:13,680
Speaker 3: you're like, y'all really, just don't you know, I don't

1345
00:57:13,680 --> 00:57:15,840
Speaker 3: feel like going and locking into a studio for the

1346
00:57:15,920 --> 00:57:20,160
Speaker 3: next fourteen months to create this new album. And you know,

1347
00:57:20,800 --> 00:57:22,680
Speaker 3: the label comes to you. You listen, we have these

1348
00:57:22,680 --> 00:57:26,320
Speaker 3: amazing writers, you know, we have these amazing producers, and

1349
00:57:26,440 --> 00:57:29,360
Speaker 3: we're gonna run everything, your likeness, your your your tone,

1350
00:57:29,440 --> 00:57:33,680
Speaker 3: your vocal inflections, everything through this AI filter. We come

1351
00:57:33,720 --> 00:57:34,880
Speaker 3: back to you, let you know when we have to

1352
00:57:34,920 --> 00:57:37,120
Speaker 3: finish product, let you let you hear it, you let

1353
00:57:37,200 --> 00:57:39,200
Speaker 3: us know what you think, and you get this album

1354
00:57:39,240 --> 00:57:43,120
Speaker 3: back and it's my beautiful, dark twisted Fantasy. That's the

1355
00:57:43,240 --> 00:57:46,480
Speaker 3: that's the level of this album, My beautiful dok twist Fantasy.

1356
00:57:46,520 --> 00:57:48,720
Speaker 3: As a legacy act. Do you be like, there's no

1357
00:57:48,920 --> 00:57:50,880
Speaker 3: fucking way I could ever put this out, you.

1358
00:57:50,920 --> 00:57:52,480
Speaker 2: Know, integrity who it is.

1359
00:57:52,640 --> 00:57:55,080
Speaker 7: But outside of the music, ship back to like the

1360
00:57:55,200 --> 00:57:57,880
Speaker 7: movie thing. What's gonna kill is animation, you know, like

1361
00:57:58,000 --> 00:58:01,040
Speaker 7: every so years, every few years, like b movie Jerry

1362
00:58:01,080 --> 00:58:03,800
Speaker 7: Seinfeld did where it's like Ellen, it has every name

1363
00:58:03,840 --> 00:58:06,600
Speaker 7: you could think of that just does the animation thing. Yeah,

1364
00:58:06,640 --> 00:58:09,080
Speaker 7: because those people are either retired or too busy, and

1365
00:58:09,120 --> 00:58:11,120
Speaker 7: it's like, let's just lock them in an air conditioned studio.

1366
00:58:11,680 --> 00:58:14,160
Speaker 7: It'll take them one month do all these lines. Yes,

1367
00:58:15,480 --> 00:58:17,280
Speaker 7: you don't have to do that anymore. Just take Jerry

1368
00:58:17,400 --> 00:58:19,760
Speaker 7: Seinfeld's voice with AI and just write the script.

1369
00:58:20,960 --> 00:58:22,680
Speaker 2: Another thing that I could see that that would be

1370
00:58:22,760 --> 00:58:27,480
Speaker 2: super lucrative. Is a lot of these celebrities get booked

1371
00:58:27,480 --> 00:58:30,080
Speaker 2: a lot of campaigns, say like in Japan, or it

1372
00:58:30,160 --> 00:58:33,000
Speaker 2: really any like in Asia, And instead of saving them

1373
00:58:33,080 --> 00:58:34,840
Speaker 2: having to go out there and shoot these things and

1374
00:58:34,960 --> 00:58:36,880
Speaker 2: do the voices and do all these things, if they

1375
00:58:36,920 --> 00:58:40,800
Speaker 2: could just agree like, Okay, here's the tech thenology that

1376
00:58:40,840 --> 00:58:43,160
Speaker 2: we have. We're gonna you know, and those ads don't

1377
00:58:43,240 --> 00:58:46,920
Speaker 2: run here and there, so like say it's exclusive to Japan,

1378
00:58:47,200 --> 00:58:49,840
Speaker 2: we have this ad usage fee of two years, so

1379
00:58:49,960 --> 00:58:52,440
Speaker 2: they can get a bag, do a two year you know,

1380
00:58:52,600 --> 00:58:54,560
Speaker 2: ad campaign that's running for tw years in Japan, but

1381
00:58:54,720 --> 00:58:57,480
Speaker 2: never have to physically leave their home in La and

1382
00:58:57,640 --> 00:59:00,440
Speaker 2: just take like twenty million dollars instead of having to

1383
00:59:00,480 --> 00:59:03,040
Speaker 2: fly halfway across the world to you know, fulfill the

1384
00:59:03,080 --> 00:59:05,920
Speaker 2: obligation beyond set, do the lines, do all this stuff.

1385
00:59:05,920 --> 00:59:08,960
Speaker 2: If they could just auto generate that, I'm sure that

1386
00:59:09,200 --> 00:59:10,880
Speaker 2: for me, if I was in that position, I would

1387
00:59:11,000 --> 00:59:13,720
Speaker 2: sign my rights to like other countries like that in

1388
00:59:13,760 --> 00:59:15,320
Speaker 2: a heartbeat, like look, you want me to be the

1389
00:59:15,400 --> 00:59:18,800
Speaker 2: face of this like Asian skincare product, Sure, just give me,

1390
00:59:18,920 --> 00:59:21,200
Speaker 2: you know, I'll take instead of twenty, give me ten.

1391
00:59:21,360 --> 00:59:22,520
Speaker 2: As long as they're going to stay home.

1392
00:59:22,880 --> 00:59:25,720
Speaker 7: Yeah, because I mean even when they were doing CGI

1393
00:59:26,280 --> 00:59:30,240
Speaker 7: in the early days, Like we're all now learning about

1394
00:59:30,280 --> 00:59:32,520
Speaker 7: this shit. But this has been in the works for

1395
00:59:32,640 --> 00:59:35,000
Speaker 7: quite some time. I'm sure there's plenty of contracts that

1396
00:59:35,040 --> 00:59:37,680
Speaker 7: are already in twenty twenty six, twenty twenty seven where

1397
00:59:37,920 --> 00:59:40,760
Speaker 7: actors don't even need to be there and we would

1398
00:59:40,800 --> 00:59:43,880
Speaker 7: never be the wiser. I was even watching the David

1399
00:59:43,960 --> 00:59:48,240
Speaker 7: Chase doc on HBO Max David Chase, the creative the Sopranos.

1400
00:59:49,280 --> 00:59:50,040
Speaker 2: I was still on the truck.

1401
00:59:50,280 --> 00:59:53,760
Speaker 7: I didn't even know that Tony's mom in real life,

1402
00:59:54,800 --> 00:59:59,280
Speaker 7: like the actual actress Nancy forgot her last name. She

1403
00:59:59,520 --> 01:00:03,120
Speaker 7: died during the creation of that, I think the second season.

1404
01:00:03,760 --> 01:00:06,960
Speaker 7: I didn't know they CGI had her after she was dead.

1405
01:00:07,040 --> 01:00:08,360
Speaker 7: And this was in the early two thousands.

1406
01:00:09,160 --> 01:00:09,960
Speaker 2: I didn't know that.

1407
01:00:10,200 --> 01:00:14,280
Speaker 7: Yeah, Like there's actual back and forth dialogue between Tony

1408
01:00:14,280 --> 01:00:17,960
Speaker 7: and his mom and it was all CGI. This was

1409
01:00:18,000 --> 01:00:20,040
Speaker 7: like in you know, two thousand and two.

1410
01:00:20,440 --> 01:00:20,680
Speaker 2: Wow.

1411
01:00:22,040 --> 01:00:26,880
Speaker 3: Another example, like witha I beloved Dame Maggie Smith just

1412
01:00:26,960 --> 01:00:31,919
Speaker 3: passing right, Oh yeah, it just to act obviously, Harry Potter,

1413
01:00:33,360 --> 01:00:35,560
Speaker 3: do we think that Harry Potter when they do another

1414
01:00:35,640 --> 01:00:39,520
Speaker 3: movie they c G I A I her likeness voice

1415
01:00:40,640 --> 01:00:41,280
Speaker 3: somewhere in that.

1416
01:00:41,680 --> 01:00:44,600
Speaker 5: No, I think they only do that when they're in

1417
01:00:44,680 --> 01:00:47,160
Speaker 5: the middle of a project and that person can't complete

1418
01:00:47,200 --> 01:00:49,320
Speaker 5: the project. Yeah, to do that for a whole new

1419
01:00:49,360 --> 01:00:52,640
Speaker 5: project is kind of disrespectful because now you're using this

1420
01:00:52,720 --> 01:00:54,520
Speaker 5: person's likeness and they're not getting paid for it.

1421
01:00:54,600 --> 01:00:57,400
Speaker 7: But I'm I think in contracts moving forward, like the

1422
01:00:57,440 --> 01:01:00,560
Speaker 7: same way we talk about labels taking life insurance money

1423
01:01:00,600 --> 01:01:04,400
Speaker 7: out on artists that have some gang history. Yeah, I'm

1424
01:01:04,440 --> 01:01:07,160
Speaker 7: sure the standard at some point when it comes to

1425
01:01:07,240 --> 01:01:12,000
Speaker 7: actors is you're literally writing your life away, Like if

1426
01:01:12,040 --> 01:01:14,760
Speaker 7: you die, we can just redo this, even.

1427
01:01:14,560 --> 01:01:14,960
Speaker 2: If you don't.

1428
01:01:16,400 --> 01:01:19,440
Speaker 3: If I own Harry Potter the series, right, then I

1429
01:01:19,640 --> 01:01:23,040
Speaker 3: own the characters in that as well. So with Dame

1430
01:01:23,120 --> 01:01:26,560
Speaker 3: Maggie Smith's character, her being, you know, her passion away

1431
01:01:26,600 --> 01:01:28,360
Speaker 3: now you can't see them doing Harry Potter.

1432
01:01:28,400 --> 01:01:28,480
Speaker 2: Wa.

1433
01:01:28,960 --> 01:01:31,520
Speaker 5: I'm not sure character you don't own the first Like

1434
01:01:31,600 --> 01:01:34,640
Speaker 5: the character is the character, she's not the character because.

1435
01:01:34,440 --> 01:01:34,840
Speaker 2: There's no one.

1436
01:01:35,000 --> 01:01:37,040
Speaker 3: You just use the voice of her character in that.

1437
01:01:37,400 --> 01:01:40,120
Speaker 5: But that's not the characters. Like the character doesn't have

1438
01:01:40,240 --> 01:01:43,480
Speaker 5: a voice. The character has a name, it has a definition,

1439
01:01:43,560 --> 01:01:45,000
Speaker 5: of its personality.

1440
01:01:44,520 --> 01:01:46,120
Speaker 3: And it has character doesn't have a voice.

1441
01:01:46,320 --> 01:01:48,360
Speaker 5: The character doesn't have a voice. No, the character is

1442
01:01:48,360 --> 01:01:50,320
Speaker 5: from a book. The character does not have a voice.

1443
01:01:50,600 --> 01:01:51,520
Speaker 5: Are you seeing what I'm saying?

1444
01:01:52,560 --> 01:01:56,520
Speaker 7: It's right with a loophole there as far as repurposing

1445
01:01:56,640 --> 01:01:59,880
Speaker 7: that because they own her likeness as that character, and

1446
01:02:00,000 --> 01:02:02,880
Speaker 7: if they want to go do any type of Harry

1447
01:02:03,040 --> 01:02:05,240
Speaker 7: Potter reboot, they don't need her permission. They can use

1448
01:02:05,280 --> 01:02:07,080
Speaker 7: all her footage, they can use her voice, they can

1449
01:02:07,400 --> 01:02:07,960
Speaker 7: anything they want.

1450
01:02:08,040 --> 01:02:11,400
Speaker 5: Yes, the past footage. They cannot go and create new footage.

1451
01:02:11,440 --> 01:02:12,720
Speaker 5: They cannot create new voice.

1452
01:02:12,960 --> 01:02:14,760
Speaker 7: And even if that's true, I think that's going to

1453
01:02:14,880 --> 01:02:20,840
Speaker 7: change within contracts moving forward. Like your voice as this character,

1454
01:02:21,240 --> 01:02:25,800
Speaker 7: we can manipulate for the rest of our lives to use. Yes, Okay,

1455
01:02:25,960 --> 01:02:27,840
Speaker 7: he's just saying that was a big part of the strike.

1456
01:02:31,280 --> 01:02:31,680
Speaker 2: I guess that.

1457
01:02:31,840 --> 01:02:34,160
Speaker 1: Yeah, the actors voted as they should.

1458
01:02:35,720 --> 01:02:39,520
Speaker 2: You guys, remember when South Park killed off Chef. Yeah,

1459
01:02:39,840 --> 01:02:42,840
Speaker 2: and they basically what happened in real life was Isaac Hasse,

1460
01:02:42,840 --> 01:02:46,160
Speaker 2: who voice Chef, gotten a really big fight contractually with

1461
01:02:46,480 --> 01:02:48,920
Speaker 2: the creators of South Park. They basically told him to

1462
01:02:48,920 --> 01:02:49,600
Speaker 2: go fuck himself.

1463
01:02:49,680 --> 01:02:50,800
Speaker 7: It was over scientology, right.

1464
01:02:51,720 --> 01:02:53,680
Speaker 2: Was it a religious dispute? I thought it was because

1465
01:02:53,680 --> 01:02:54,040
Speaker 2: they were.

1466
01:02:54,160 --> 01:02:56,320
Speaker 3: Telling Isaac case the fuck itself is insane.

1467
01:02:57,200 --> 01:02:59,000
Speaker 2: Yeah, they got to that part where they were like,

1468
01:02:59,040 --> 01:02:59,880
Speaker 2: this isn't going to work out.

1469
01:03:00,000 --> 01:03:02,280
Speaker 7: So I believe he was a scientologist and because they

1470
01:03:02,320 --> 01:03:04,200
Speaker 7: did that episode, he was like, I'm not fucking with chill.

1471
01:03:04,360 --> 01:03:08,000
Speaker 2: Yeah, great episode too, but they tom Cruise Vhot a crash.

1472
01:03:08,160 --> 01:03:10,000
Speaker 2: That was such a good episode. But anyway, they they

1473
01:03:10,120 --> 01:03:13,640
Speaker 2: came up with this episode. They basically killed Chef and

1474
01:03:13,760 --> 01:03:17,120
Speaker 2: instead of using Chef's real voice, they generated but it

1475
01:03:17,240 --> 01:03:20,360
Speaker 2: was like intentionally bad, like they did it on purpose.

1476
01:03:20,400 --> 01:03:22,960
Speaker 2: They did like a shitty version of like his dubbed voice,

1477
01:03:24,800 --> 01:03:26,960
Speaker 2: and it was basically it was so funny what they

1478
01:03:27,000 --> 01:03:28,480
Speaker 2: did do, and they made Chef just want to fuck

1479
01:03:28,520 --> 01:03:30,280
Speaker 2: the kids and then they killed him and it's like

1480
01:03:30,360 --> 01:03:33,240
Speaker 2: this whole thing but that was a very petty move. Yeah,

1481
01:03:33,320 --> 01:03:36,320
Speaker 2: it was a very soach to like fuck you, like

1482
01:03:36,400 --> 01:03:39,400
Speaker 2: we're gonna just destroy your character and the entire le

1483
01:03:39,840 --> 01:03:42,959
Speaker 2: Chef was over. Yeah. So but that's like another take

1484
01:03:43,040 --> 01:03:45,240
Speaker 2: on it is like if you lean into it in

1485
01:03:45,320 --> 01:03:47,440
Speaker 2: a satire way or wonder, there's different laws behind that

1486
01:03:47,840 --> 01:03:50,920
Speaker 2: because obviously people knew who Chef was and the voice,

1487
01:03:51,080 --> 01:03:52,880
Speaker 2: whether or not it's a drawing or not, people had

1488
01:03:52,920 --> 01:03:55,520
Speaker 2: an identity of Chef at that point. But then you

1489
01:03:55,720 --> 01:03:58,520
Speaker 2: just you know, degrade him and kill him off.

1490
01:03:59,280 --> 01:04:03,200
Speaker 7: Yeah, but I think that's like the good part of AI,

1491
01:04:03,600 --> 01:04:05,560
Speaker 7: say for like family Guy, because it doesn't set through

1492
01:04:05,680 --> 01:04:08,520
Speaker 7: a bunch of those voices. Yeah, I mean, if you're

1493
01:04:08,520 --> 01:04:10,440
Speaker 7: one of those, and even with South Park, don't those

1494
01:04:10,480 --> 01:04:11,840
Speaker 7: creators do a few of those voices as.

1495
01:04:11,760 --> 01:04:12,640
Speaker 2: Well, most of them.

1496
01:04:14,160 --> 01:04:17,240
Speaker 7: Like to me, that's where AI can be great, like

1497
01:04:17,360 --> 01:04:20,320
Speaker 7: that just cut production in half as far as time,

1498
01:04:20,400 --> 01:04:23,080
Speaker 7: Like they can pump out more content now because they

1499
01:04:23,120 --> 01:04:25,800
Speaker 7: don't have to sit and record every single voice and

1500
01:04:25,880 --> 01:04:29,440
Speaker 7: do this like manually. If they can just write it

1501
01:04:29,520 --> 01:04:31,480
Speaker 7: and then put it in a system, it would just

1502
01:04:31,480 --> 01:04:32,360
Speaker 7: save like six months.

1503
01:04:32,800 --> 01:04:34,880
Speaker 3: Yeah, you're awesome, but I mean that's what I'm saying.

1504
01:04:35,040 --> 01:04:36,680
Speaker 5: But they're also gonna be a lot of people are

1505
01:04:36,720 --> 01:04:39,640
Speaker 5: gonna lose jobs too, but that's with every every time

1506
01:04:39,720 --> 01:04:41,600
Speaker 5: we upgrade a computer, someone loses a job.

1507
01:04:41,760 --> 01:04:44,400
Speaker 3: So yeah, I mean someone will lose a job. But

1508
01:04:44,480 --> 01:04:46,920
Speaker 3: I also have seen how technology has made it to

1509
01:04:47,000 --> 01:04:48,880
Speaker 3: where we need more people that know how to do

1510
01:04:49,080 --> 01:04:50,040
Speaker 3: this thing too though.

1511
01:04:50,240 --> 01:04:52,520
Speaker 5: Yeah, you just got to get a different job. It's

1512
01:04:52,600 --> 01:04:55,080
Speaker 5: cutting out creatives. That's why I tell people, do not

1513
01:04:55,160 --> 01:04:58,480
Speaker 5: go into creativity, go into tech. Don't go into creativity.

1514
01:04:58,680 --> 01:04:59,760
Speaker 3: I think it goes hand in hand.

1515
01:05:00,360 --> 01:05:02,440
Speaker 5: It can, But what we're what they're doing is cutting

1516
01:05:02,480 --> 01:05:06,480
Speaker 5: creative jobs and creating more work for tech people, for

1517
01:05:06,560 --> 01:05:09,000
Speaker 5: people who know tech to create programs where you can

1518
01:05:09,080 --> 01:05:11,320
Speaker 5: manipulate these voices and do those types of things.

1519
01:05:12,240 --> 01:05:12,439
Speaker 2: Yeah.

1520
01:05:12,600 --> 01:05:15,280
Speaker 7: I mean, but that's where schools and we know the

1521
01:05:15,320 --> 01:05:18,160
Speaker 7: curriculum is not trying to prepare us for the real

1522
01:05:18,200 --> 01:05:20,360
Speaker 7: world whatsoever. And I doubt they would change it now,

1523
01:05:20,880 --> 01:05:24,360
Speaker 7: but I think school should have a drastic change in curriculum,

1524
01:05:24,600 --> 01:05:27,400
Speaker 7: Like if everything is going to fully go this way

1525
01:05:27,960 --> 01:05:32,480
Speaker 7: with every career, not just entertainment, shit, we need to

1526
01:05:32,520 --> 01:05:34,840
Speaker 7: prepare the next generation to be able to do that.

1527
01:05:35,120 --> 01:05:38,479
Speaker 2: Yeah yeah, yeah, did you guys catch U staying on music?

1528
01:05:38,600 --> 01:05:41,160
Speaker 2: Jay Cole did a feature with te Grizzly on Blow

1529
01:05:41,200 --> 01:05:42,840
Speaker 2: for Blow. They shot a video in New York.

1530
01:05:43,000 --> 01:05:45,000
Speaker 7: Oh and I didn't forget that mal when we started

1531
01:05:45,000 --> 01:05:46,600
Speaker 7: the music topics said, you know your boy J Cole

1532
01:05:46,720 --> 01:05:48,840
Speaker 7: just put something out like just there.

1533
01:05:48,880 --> 01:05:49,400
Speaker 2: Yeah, it's like.

1534
01:05:51,840 --> 01:05:54,760
Speaker 3: I think, I think this is the best verse that

1535
01:05:54,960 --> 01:05:58,120
Speaker 3: he probably dropped this year. Well that of the recent

1536
01:05:58,160 --> 01:05:59,960
Speaker 3: features that a few people dropped this year.

1537
01:06:00,320 --> 01:06:04,080
Speaker 7: Yeah, coming off off the Colli Green's Daylight record to

1538
01:06:04,240 --> 01:06:10,520
Speaker 7: this and a week now Cole is despite everything, Cole

1539
01:06:10,640 --> 01:06:11,760
Speaker 7: might be the best rapper this year.

1540
01:06:11,920 --> 01:06:14,160
Speaker 5: Oh quickly, he don't. He don't get to get that

1541
01:06:14,280 --> 01:06:17,800
Speaker 5: crown no more. I don't hear that he don't get

1542
01:06:17,840 --> 01:06:18,400
Speaker 5: that crown.

1543
01:06:19,480 --> 01:06:19,800
Speaker 2: We don't.

1544
01:06:19,960 --> 01:06:22,080
Speaker 3: I don't know if anyone's rapping like Ja wrapping his

1545
01:06:22,200 --> 01:06:23,720
Speaker 3: ass or I'm not taking that away from that this

1546
01:06:23,800 --> 01:06:24,800
Speaker 3: feature he went crazy on.

1547
01:06:24,960 --> 01:06:26,240
Speaker 1: Is anybody rapping like Ja Cole?

1548
01:06:26,280 --> 01:06:28,920
Speaker 2: Though? Is anybody one person rapping like Ja Cole?

1549
01:06:29,000 --> 01:06:29,240
Speaker 8: Right now?

1550
01:06:30,040 --> 01:06:32,120
Speaker 1: Listen, man, is anybody rapping like j Cole?

1551
01:06:32,200 --> 01:06:32,320
Speaker 2: Yes?

1552
01:06:32,680 --> 01:06:35,640
Speaker 3: All I'm saying is that best rapper ship he don't

1553
01:06:35,640 --> 01:06:37,840
Speaker 3: get the wear of that crown? Is anybody rapping like Jack?

1554
01:06:37,920 --> 01:06:38,800
Speaker 3: Crown too heavy.

1555
01:06:38,600 --> 01:06:40,560
Speaker 2: Fold take the crowns out of it?

1556
01:06:40,720 --> 01:06:47,680
Speaker 7: Is anyone in September of twenty twenty four rapping like Jacob?

1557
01:06:49,800 --> 01:06:52,040
Speaker 3: He rapping, I'm not going I'm not getting.

1558
01:06:53,360 --> 01:06:55,480
Speaker 5: No, he's trapped down. But I said that last week

1559
01:06:55,480 --> 01:06:57,040
Speaker 5: when we came here. I said that he rapping his ass.

1560
01:06:57,040 --> 01:06:59,360
Speaker 5: But the direct question for hear me.

1561
01:06:59,360 --> 01:07:01,080
Speaker 3: Say, Jake Cole can't wrap, well, he got a whack

1562
01:07:01,200 --> 01:07:02,920
Speaker 3: verse like that's not I don't even think it's possible

1563
01:07:02,920 --> 01:07:04,800
Speaker 3: for Ja Cole to put out a whag verse. I'm

1564
01:07:04,880 --> 01:07:07,960
Speaker 3: just saying, when you start saying he's the best rapping nine.

1565
01:07:07,800 --> 01:07:10,280
Speaker 1: We took that out, is anybody out wrapping j Cole

1566
01:07:10,360 --> 01:07:10,640
Speaker 1: right now?

1567
01:07:12,840 --> 01:07:13,520
Speaker 2: He rapped.

1568
01:07:17,480 --> 01:07:20,160
Speaker 7: A bunch of other podcasts having like the MVP conversation

1569
01:07:20,240 --> 01:07:22,240
Speaker 7: of the year. I saw a Future's name being thrown around,

1570
01:07:22,280 --> 01:07:24,320
Speaker 7: which I agree Future has had a great year. I

1571
01:07:24,520 --> 01:07:27,080
Speaker 7: liked the conversation of let's take out the Drake and

1572
01:07:27,200 --> 01:07:30,480
Speaker 7: Kendrick beef like because that obviously took up That's the

1573
01:07:30,520 --> 01:07:32,760
Speaker 7: highlight of the year, no matter what. But if you

1574
01:07:32,880 --> 01:07:37,080
Speaker 7: take that out, has anyone rapped better than Jermaine Cole

1575
01:07:37,200 --> 01:07:40,000
Speaker 7: in twenty twenty four? If you include his EP and

1576
01:07:40,120 --> 01:07:45,280
Speaker 7: these last three features, has anyone rapped better than Jermaine

1577
01:07:45,320 --> 01:07:50,600
Speaker 7: Cole in twenty twenty four? Shit, you can include Kendrick

1578
01:07:50,840 --> 01:07:51,320
Speaker 7: in the beef.

1579
01:07:52,320 --> 01:07:55,760
Speaker 2: Has anyone rapped better than Jake jco I can't find one.

1580
01:07:59,040 --> 01:07:59,680
Speaker 3: No, he rapped me.

1581
01:07:59,680 --> 01:08:01,960
Speaker 2: He put here.

1582
01:08:01,640 --> 01:08:04,840
Speaker 3: Ry't it ain't no denying that he putting out. He

1583
01:08:04,920 --> 01:08:07,480
Speaker 3: putting out some verses. But I'm just saying once I

1584
01:08:07,560 --> 01:08:10,720
Speaker 3: hear Niggas Thars saying best rapper. No no, no, no, no, no,

1585
01:08:11,520 --> 01:08:14,360
Speaker 3: that is that is totally we not know wrapping his

1586
01:08:14,440 --> 01:08:16,200
Speaker 3: ass off though he putting out some verse and this

1587
01:08:16,360 --> 01:08:17,880
Speaker 3: verse with T. Grizzly is hard.

1588
01:08:17,960 --> 01:08:21,560
Speaker 2: He got off to Grizzly is so amazing. Rory, you

1589
01:08:21,680 --> 01:08:25,160
Speaker 2: mentioned the Daylight theory, the conspiracy that you came up

1590
01:08:25,200 --> 01:08:28,519
Speaker 2: with of cold choosing aside last episode. I wanted to

1591
01:08:28,560 --> 01:08:30,640
Speaker 2: mention I saw on the timeline since that that a

1592
01:08:30,680 --> 01:08:32,559
Speaker 2: lot of people are saying that the song with Daylight

1593
01:08:32,720 --> 01:08:35,080
Speaker 2: was actually done in the sessions when they recorded Pie,

1594
01:08:35,600 --> 01:08:37,960
Speaker 2: which would have come out of the last installment of

1595
01:08:38,000 --> 01:08:40,479
Speaker 2: the Dreamville Camps long before the Beef. Dude.

1596
01:08:40,520 --> 01:08:44,280
Speaker 7: I had every producer, behind the scenes person hit me

1597
01:08:44,360 --> 01:08:47,800
Speaker 7: after that to try to say, YO that asap Rocky

1598
01:08:47,840 --> 01:08:51,479
Speaker 7: shit was done way before it was agreed upon, YO,

1599
01:08:51,640 --> 01:08:53,920
Speaker 7: that Daylight shit happened in Atlanta when they were recorded,

1600
01:08:53,960 --> 01:08:56,960
Speaker 7: when they were doing But if you guys remember my

1601
01:08:57,000 --> 01:09:01,080
Speaker 7: point before of how calculated Hole is and how much

1602
01:09:01,120 --> 01:09:04,880
Speaker 7: he understands perception, and understands the Internet. The times I've

1603
01:09:04,920 --> 01:09:06,840
Speaker 7: been in the studio with Cole, he is on the

1604
01:09:06,880 --> 01:09:09,120
Speaker 7: timeline where he understands everything that's happening.

1605
01:09:09,200 --> 01:09:10,880
Speaker 2: Wait, let's look at the optics. He didn't do that

1606
01:09:11,320 --> 01:09:11,960
Speaker 2: just for the fun of it.

1607
01:09:12,040 --> 01:09:14,280
Speaker 3: Wait hold on, So you're saying that these verses were

1608
01:09:14,400 --> 01:09:17,240
Speaker 3: recorded and laid before the beef. Yes, yes, the only

1609
01:09:17,360 --> 01:09:18,920
Speaker 3: watch so this them We don't even know what he

1610
01:09:19,000 --> 01:09:19,360
Speaker 3: sounded like.

1611
01:09:21,960 --> 01:09:24,920
Speaker 2: Oh, I thought about this. The Daylight one and the

1612
01:09:25,000 --> 01:09:27,160
Speaker 2: asap Rocky one were done before the beef.

1613
01:09:27,360 --> 01:09:29,760
Speaker 3: Oh okay, but this last one, this is but this

1614
01:09:29,880 --> 01:09:31,760
Speaker 3: is essentially the drum of TEA. Grizzly is essentially the

1615
01:09:31,800 --> 01:09:34,439
Speaker 3: first time we're hearing Cole. We don't post be.

1616
01:09:34,600 --> 01:09:36,960
Speaker 7: Outside of ye, we don't know if that's a grippy

1617
01:09:37,120 --> 01:09:40,880
Speaker 7: was done before the beef, too, Grippy was done, So

1618
01:09:41,360 --> 01:09:43,320
Speaker 7: we do know based on what we do know from

1619
01:09:43,680 --> 01:09:45,080
Speaker 7: having conversations behind the scenes.

1620
01:09:45,680 --> 01:09:48,360
Speaker 3: This verse with TG Grizzly is the one verse that

1621
01:09:48,800 --> 01:09:51,080
Speaker 3: he recorded and laid after the beef.

1622
01:09:51,960 --> 01:09:55,160
Speaker 7: Correct maybe from from what I was told, And we

1623
01:09:55,280 --> 01:09:56,800
Speaker 7: never know what sources. So I don't want to say

1624
01:09:56,840 --> 01:09:59,840
Speaker 7: it as a fact, because that's how everything gets weird as.

1625
01:09:59,720 --> 01:10:02,960
Speaker 3: A f cold bosk cool, No, why not?

1626
01:10:03,120 --> 01:10:05,600
Speaker 7: Was like cold bias. No, that's the call bos.

1627
01:10:06,560 --> 01:10:08,320
Speaker 3: Ask him he know, he know when this was late

1628
01:10:08,439 --> 01:10:11,160
Speaker 3: and this was written. I just want to know because now,

1629
01:10:11,200 --> 01:10:13,320
Speaker 3: if if you're telling me all of these verses is

1630
01:10:13,400 --> 01:10:16,439
Speaker 3: before the Beef, y'all can't talk as spice as y'all talk.

1631
01:10:16,520 --> 01:10:18,280
Speaker 7: I still think Cole has the power with all these

1632
01:10:18,320 --> 01:10:20,040
Speaker 7: songs to say no, don't put it out. So I'm

1633
01:10:20,040 --> 01:10:22,000
Speaker 7: still standing on my point with optics. It looks like

1634
01:10:22,080 --> 01:10:24,599
Speaker 7: he drew a line in the sand of who he's

1635
01:10:24,640 --> 01:10:26,200
Speaker 7: fucking with, who he's not. I don't care if they

1636
01:10:26,240 --> 01:10:28,479
Speaker 7: were recorded before. That's what I was telling everyone.

1637
01:10:28,520 --> 01:10:30,439
Speaker 1: That was And that's what I want to ask you.

1638
01:10:30,560 --> 01:10:31,120
Speaker 1: How does it matter?

1639
01:10:31,200 --> 01:10:33,519
Speaker 5: Do you think after the Beaf he just lost his voice,

1640
01:10:33,560 --> 01:10:35,759
Speaker 5: like they took his powers like the monstars.

1641
01:10:35,840 --> 01:10:37,960
Speaker 1: It came out to me or him happened I'm talking

1642
01:10:38,000 --> 01:10:38,400
Speaker 1: to him, he.

1643
01:10:38,479 --> 01:10:41,400
Speaker 5: Over here, like if this was recorded before Cole can't

1644
01:10:41,439 --> 01:10:42,400
Speaker 5: rap no more, it could.

1645
01:10:42,240 --> 01:10:43,240
Speaker 2: Happen out the Beef. Well.

1646
01:10:43,280 --> 01:10:45,840
Speaker 7: First of all, my question was twenty twenty four. All

1647
01:10:45,920 --> 01:10:49,000
Speaker 7: these verses were recorded in twenty twenty four periods. Original

1648
01:10:49,120 --> 01:10:51,040
Speaker 7: question was who is rapped better than Jermaine Cole in

1649
01:10:51,080 --> 01:10:54,000
Speaker 7: twenty twenty four. You can't find one post beef.

1650
01:10:54,320 --> 01:10:59,200
Speaker 5: No, it'll post beef at ready it is post Nobody

1651
01:10:59,720 --> 01:11:02,280
Speaker 5: tell me if then if he writ this before the

1652
01:11:02,320 --> 01:11:03,200
Speaker 5: beef or after the beef?

1653
01:11:05,120 --> 01:11:06,800
Speaker 3: What matter? Which? I want to know what he sounds

1654
01:11:06,880 --> 01:11:08,000
Speaker 3: like after the beef? How does that not?

1655
01:11:08,040 --> 01:11:09,639
Speaker 2: You got this t Grizzy record is crazy?

1656
01:11:10,479 --> 01:11:13,120
Speaker 3: Did he recorded after? I think before the beef? Now

1657
01:11:13,160 --> 01:11:15,639
Speaker 3: you're saying you think so exactly, So I'm saying did

1658
01:11:15,680 --> 01:11:17,000
Speaker 3: he or did he not? I just want to know

1659
01:11:18,320 --> 01:11:20,240
Speaker 3: the way the way the verses is hard. I'm just

1660
01:11:20,280 --> 01:11:21,640
Speaker 3: saying when did he record it? Though?

1661
01:11:21,720 --> 01:11:22,320
Speaker 7: Why does it matter?

1662
01:11:22,400 --> 01:11:22,559
Speaker 8: Though?

1663
01:11:23,439 --> 01:11:25,800
Speaker 3: Because if you coming after after that beef and him

1664
01:11:25,840 --> 01:11:27,720
Speaker 3: not wanting to engage with Kendrick and doing that whole

1665
01:11:27,720 --> 01:11:30,680
Speaker 3: ship at Dreamville Fest, I want to know what he

1666
01:11:30,800 --> 01:11:33,240
Speaker 3: sounds like after that. I want to know what he's

1667
01:11:33,280 --> 01:11:35,240
Speaker 3: writing after that. But what do you think happened? Like

1668
01:11:35,920 --> 01:11:38,439
Speaker 3: he like, I don't bro he couldn't he couldn't sleep.

1669
01:11:40,000 --> 01:11:41,000
Speaker 3: I want to know what a rapper?

1670
01:11:43,080 --> 01:11:43,679
Speaker 6: What you mean?

1671
01:11:43,840 --> 01:11:47,519
Speaker 5: I'm just this is not a logical question. Did he

1672
01:11:47,600 --> 01:11:48,640
Speaker 5: write this before after this?

1673
01:11:48,960 --> 01:11:51,959
Speaker 7: Mari point like, no, he didn't just shrink like the Monstars.

1674
01:11:52,240 --> 01:11:54,920
Speaker 3: Don't that you don't know, You don't know that niggas

1675
01:11:54,920 --> 01:11:59,360
Speaker 3: lose their confidence. You don't know that it happens. It happens.

1676
01:12:00,000 --> 01:12:02,439
Speaker 7: I just want to be on record that Julian was

1677
01:12:02,439 --> 01:12:04,640
Speaker 7: the one that compared j Cole to Ben Simmons, not us,

1678
01:12:04,720 --> 01:12:09,320
Speaker 7: no affiliate, No, you can't blame us for you just

1679
01:12:09,320 --> 01:12:09,640
Speaker 7: said he.

1680
01:12:09,640 --> 01:12:12,640
Speaker 2: Was Ben Simmons providing the example of someone who do

1681
01:12:12,680 --> 01:12:14,880
Speaker 2: you think Cole is? All right? That's not at all

1682
01:12:15,120 --> 01:12:17,519
Speaker 2: at all at all what I was saying. I had

1683
01:12:17,560 --> 01:12:19,519
Speaker 2: to flip because its on us anytime we say something

1684
01:12:19,560 --> 01:12:23,080
Speaker 2: negative and all saying sometimes people lose their powers. The

1685
01:12:23,120 --> 01:12:26,799
Speaker 2: Monstar said the perfect example that would be that bullshit.

1686
01:12:26,800 --> 01:12:27,479
Speaker 1: We understand he was.

1687
01:12:27,640 --> 01:12:31,800
Speaker 3: Absolutely, people lose their clipping, people lose their confidence. Absolutely.

1688
01:12:31,840 --> 01:12:33,280
Speaker 7: I just want to know I don't think Cole lost

1689
01:12:33,320 --> 01:12:35,240
Speaker 7: his confidence. I think after he saw what happened, he

1690
01:12:35,439 --> 01:12:36,759
Speaker 7: was very confident in his decision.

1691
01:12:37,760 --> 01:12:40,360
Speaker 3: Was he? I don't know if he was confident in it?

1692
01:12:41,920 --> 01:12:43,400
Speaker 2: From this song, just to light in the mood here,

1693
01:12:43,439 --> 01:12:45,320
Speaker 2: I learned ll cool Jay's first name.

1694
01:12:47,680 --> 01:12:49,360
Speaker 3: He didn't know his name was James Smith.

1695
01:12:50,080 --> 01:12:52,639
Speaker 2: Who else knew that it was James an album called that. Yeah,

1696
01:12:54,920 --> 01:12:57,400
Speaker 2: that wasn't boring. During that James Todd Smith era, what

1697
01:12:57,560 --> 01:12:58,240
Speaker 2: You're about?

1698
01:12:58,240 --> 01:12:58,519
Speaker 5: I don't know.

1699
01:12:58,720 --> 01:13:00,200
Speaker 2: I heard that line. I was in the j this

1700
01:13:00,280 --> 01:13:01,800
Speaker 2: morning and I looked up. I was like James Todd

1701
01:13:01,840 --> 01:13:03,200
Speaker 2: Smith and I saw it and I was like, oh

1702
01:13:03,240 --> 01:13:06,760
Speaker 2: that makes sense? See is it well you?

1703
01:13:06,800 --> 01:13:06,840
Speaker 7: No?

1704
01:13:07,000 --> 01:13:09,880
Speaker 3: No, no, no, I got this. I'm glad that it's

1705
01:13:10,080 --> 01:13:12,880
Speaker 3: I'm learning. Yes, it's cool to witness people learn things

1706
01:13:12,920 --> 01:13:16,200
Speaker 3: about rappers and rap history, like in real time. So yes.

1707
01:13:16,680 --> 01:13:19,800
Speaker 2: When was his James Todd Smith album Todd Smith rod

1708
01:13:19,840 --> 01:13:22,200
Speaker 2: Smith two thousand and six. Where's the James?

1709
01:13:23,040 --> 01:13:25,280
Speaker 3: Well, ladies, love Cool James or cool J is what

1710
01:13:25,600 --> 01:13:28,920
Speaker 3: we all know. It's his stage name.

1711
01:13:29,479 --> 01:13:31,720
Speaker 2: Yeah, but like ll cool J. I didn't even know

1712
01:13:31,760 --> 01:13:33,519
Speaker 2: the J was for James. Would you think it was

1713
01:13:33,600 --> 01:13:39,160
Speaker 2: fus J? Fuck it right? Cool Jay, Julian.

1714
01:13:39,520 --> 01:13:41,920
Speaker 3: Julie fuck it?

1715
01:13:41,960 --> 01:13:42,280
Speaker 2: I get it?

1716
01:13:43,400 --> 01:13:44,519
Speaker 7: But great record? Who produced it?

1717
01:13:45,840 --> 01:13:48,360
Speaker 2: I love Pierre Bourn? Oh, which funny story with that

1718
01:13:48,520 --> 01:13:51,479
Speaker 2: he didn't know about this placement. He said he found

1719
01:13:51,560 --> 01:13:54,519
Speaker 2: out when this song dropped that it hits his first

1720
01:13:54,600 --> 01:13:57,280
Speaker 2: time with a call record. He was very excited about it.

1721
01:13:57,760 --> 01:13:58,720
Speaker 2: That's dope. Pretty cool.

1722
01:13:58,960 --> 01:14:03,040
Speaker 7: Yeah, here's dope. I don't know, man, the pace that

1723
01:14:03,120 --> 01:14:05,719
Speaker 7: Cold is keeping up at right now, Like the narratives

1724
01:14:05,720 --> 01:14:06,200
Speaker 7: is gonna switch.

1725
01:14:06,800 --> 01:14:07,519
Speaker 3: What's the narrative?

1726
01:14:08,640 --> 01:14:11,320
Speaker 7: I think when when the fall off drops, I don't

1727
01:14:11,320 --> 01:14:15,240
Speaker 7: think we'll even be talking about that Dreamville Fest stage situation.

1728
01:14:17,640 --> 01:14:19,120
Speaker 3: Just say you won't. But I'm gonna talk about it

1729
01:14:21,880 --> 01:14:24,120
Speaker 3: to the day I die. I'm talking about that ship

1730
01:14:24,240 --> 01:14:26,559
Speaker 3: get the fuck out of here. And the record was dope.

1731
01:14:26,960 --> 01:14:28,960
Speaker 3: That's why. Then that's why I mad at look like,

1732
01:14:29,000 --> 01:14:29,960
Speaker 3: why would you delete?

1733
01:14:30,000 --> 01:14:30,040
Speaker 8: That?

1734
01:14:32,760 --> 01:14:34,960
Speaker 2: Might delete later? So it's not like it wasn't out

1735
01:14:34,960 --> 01:14:35,240
Speaker 2: of the realm.

1736
01:14:36,000 --> 01:14:37,800
Speaker 3: What is the name of the project? Might delete later? Yes,

1737
01:14:37,880 --> 01:14:39,680
Speaker 3: he didn't delete the whole project. He just deleted what

1738
01:14:39,760 --> 01:14:42,280
Speaker 3: you lead the whole project? No, no, no, delete the

1739
01:14:42,320 --> 01:14:45,160
Speaker 3: whole project. Don't just delete the song. Because if that,

1740
01:14:45,240 --> 01:14:47,160
Speaker 3: if that song would it hits like they Not like Us?

1741
01:14:47,200 --> 01:14:50,599
Speaker 3: You think he would have did that? The song did well?

1742
01:14:51,680 --> 01:14:54,560
Speaker 3: You think nobody was listening to the Cold song? This

1743
01:14:54,720 --> 01:14:56,400
Speaker 3: is to what I'm saying. If the song would have

1744
01:14:56,520 --> 01:14:58,760
Speaker 3: hit the way not they Not like Us hit, do

1745
01:14:58,840 --> 01:15:00,080
Speaker 3: you think he would have went on that stage? You

1746
01:15:00,160 --> 01:15:00,360
Speaker 3: did that?

1747
01:15:00,600 --> 01:15:05,840
Speaker 2: Yes, that ship did hit what's wrong with you? If

1748
01:15:05,920 --> 01:15:08,000
Speaker 2: the song hit like they not like us?

1749
01:15:08,120 --> 01:15:09,680
Speaker 3: Do you think he would have went on stage and

1750
01:15:09,720 --> 01:15:09,920
Speaker 3: did that?

1751
01:15:10,960 --> 01:15:11,720
Speaker 1: He would have still did it?

1752
01:15:12,320 --> 01:15:13,240
Speaker 2: What are they talking about?

1753
01:15:13,640 --> 01:15:15,280
Speaker 3: Just say no, no artists would have done that. No

1754
01:15:15,400 --> 01:15:16,519
Speaker 3: artists would have taken that song that.

1755
01:15:16,800 --> 01:15:18,680
Speaker 2: I think he would have took it down faster. You know,

1756
01:15:19,080 --> 01:15:20,200
Speaker 2: too many people listen to this ship.

1757
01:15:20,960 --> 01:15:22,800
Speaker 3: Now she thinks, Hell, we know you love Cold.

1758
01:15:22,880 --> 01:15:23,240
Speaker 8: I get it.

1759
01:15:23,400 --> 01:15:23,640
Speaker 3: I'm not.

1760
01:15:23,960 --> 01:15:25,400
Speaker 1: First of all, don't talk to me like I can't

1761
01:15:25,400 --> 01:15:25,919
Speaker 1: be objective.

1762
01:15:25,920 --> 01:15:26,160
Speaker 2: I'm not.

1763
01:15:26,280 --> 01:15:28,040
Speaker 5: I think I think if you can't be you can't

1764
01:15:28,080 --> 01:15:29,320
Speaker 5: be objective when it comes to Cold.

1765
01:15:29,439 --> 01:15:30,560
Speaker 3: Okay, were you've proven that?

1766
01:15:30,840 --> 01:15:32,800
Speaker 5: How have I proven that? I was the first one

1767
01:15:32,880 --> 01:15:34,800
Speaker 5: coming in here saying now, why the funk would you

1768
01:15:34,880 --> 01:15:36,880
Speaker 5: do that? I was the first one? And now and

1769
01:15:36,920 --> 01:15:38,960
Speaker 5: now what you're saying, I'm saying that he's still the

1770
01:15:39,000 --> 01:15:40,080
Speaker 5: best nigga rapping right now.

1771
01:15:40,240 --> 01:15:40,599
Speaker 1: Period.

1772
01:15:40,840 --> 01:15:41,799
Speaker 3: That's not being objective.

1773
01:15:42,280 --> 01:15:45,280
Speaker 5: How is that not objective? Because you can't answer who

1774
01:15:45,400 --> 01:15:47,240
Speaker 5: rapp it better than them? So ship, you ain't.

1775
01:15:47,800 --> 01:15:49,240
Speaker 3: I said he rapping his ass off, though I'm not

1776
01:15:49,320 --> 01:15:50,320
Speaker 3: doubt that's you.

1777
01:15:50,479 --> 01:15:53,040
Speaker 5: Forty different times, in forty different languages. Pig lat and

1778
01:15:53,040 --> 01:15:55,400
Speaker 5: included who's out rapping him right now? And you haven't

1779
01:15:55,479 --> 01:15:56,120
Speaker 5: named anybody.

1780
01:15:56,439 --> 01:15:58,000
Speaker 3: I said, he's rapping his ass off right now.

1781
01:15:58,200 --> 01:15:58,880
Speaker 2: That's what I said.

1782
01:15:59,000 --> 01:16:01,280
Speaker 3: Okay, you can't be objected when it comes to col

1783
01:16:01,360 --> 01:16:03,400
Speaker 3: I get you went to college when he did. He

1784
01:16:03,520 --> 01:16:05,280
Speaker 3: was he was a soundtrack of your dorm room.

1785
01:16:05,320 --> 01:16:05,600
Speaker 2: I get it.

1786
01:16:05,720 --> 01:16:08,960
Speaker 7: I understand that minute drill Ship hit like not like Us,

1787
01:16:09,560 --> 01:16:12,000
Speaker 7: and Cole said, I want to delete it. Eve would

1788
01:16:12,040 --> 01:16:14,599
Speaker 7: be on a telephone like con Edison.

1789
01:16:14,680 --> 01:16:18,160
Speaker 3: He would not, and that's why it would be.

1790
01:16:18,800 --> 01:16:19,800
Speaker 2: He would have no Wi Fi.

1791
01:16:19,920 --> 01:16:21,680
Speaker 3: And that's why I say what I say. That's why

1792
01:16:21,720 --> 01:16:23,200
Speaker 3: I feel like it was why because he wouldn't have

1793
01:16:23,280 --> 01:16:25,599
Speaker 3: did it if that record hit like that, That's all

1794
01:16:25,640 --> 01:16:26,040
Speaker 3: I'm saying.

1795
01:16:26,120 --> 01:16:28,280
Speaker 7: But I don't think also, like not like Us was

1796
01:16:28,320 --> 01:16:32,280
Speaker 7: for a specific type of this record, like Cole was

1797
01:16:32,320 --> 01:16:35,840
Speaker 7: really just checking the temperature, like it wasn't one of those.

1798
01:16:36,479 --> 01:16:38,320
Speaker 7: It wasn't intended to be one of those where would

1799
01:16:38,320 --> 01:16:38,960
Speaker 7: that song play?

1800
01:16:39,280 --> 01:16:40,960
Speaker 5: It ain't like it was intended to be one of those.

1801
01:16:41,040 --> 01:16:42,760
Speaker 5: And then it didn't hit and then he was like, oh,

1802
01:16:42,800 --> 01:16:44,599
Speaker 5: I'm gonna take it down. Like That's what I'm saying,

1803
01:16:44,640 --> 01:16:46,240
Speaker 5: Like that's.

1804
01:16:46,120 --> 01:16:48,800
Speaker 7: Why I'm mad great, check the temperature we came in

1805
01:16:48,840 --> 01:16:51,840
Speaker 7: here before that was like I was, and ap is

1806
01:16:51,920 --> 01:16:52,640
Speaker 7: fire and.

1807
01:16:52,680 --> 01:16:54,519
Speaker 3: Then tell us you can't sleep and then going to

1808
01:16:54,600 --> 01:16:55,640
Speaker 3: love yours? What is that?

1809
01:16:56,080 --> 01:16:59,599
Speaker 2: Gotta love yours? Okay, I'm at the perfect time jump

1810
01:16:59,720 --> 01:17:00,280
Speaker 2: up is see.

1811
01:17:01,400 --> 01:17:04,120
Speaker 7: I also think and we can close this peting what

1812
01:17:04,160 --> 01:17:09,080
Speaker 7: I said last episode and Kendrick pops up on that album.

1813
01:17:09,960 --> 01:17:12,320
Speaker 7: I think Drake says something and I think the beef

1814
01:17:12,439 --> 01:17:14,559
Speaker 7: is back on, and I think Cole will be comfortable

1815
01:17:15,080 --> 01:17:19,720
Speaker 7: entering the ring again. I think there will be a

1816
01:17:19,840 --> 01:17:22,840
Speaker 7: JO this is my prediction, will be Drake and J

1817
01:17:24,040 --> 01:17:24,840
Speaker 7: at some point.

1818
01:17:25,280 --> 01:17:28,240
Speaker 1: Well made a prediction, it came true, so y'all might

1819
01:17:28,400 --> 01:17:29,120
Speaker 1: to be careful.

1820
01:17:28,880 --> 01:17:31,280
Speaker 7: With I think Kendrick is popping up on the fall off,

1821
01:17:31,560 --> 01:17:33,679
Speaker 7: and I think Drake, rightfully so, is going to feel

1822
01:17:33,680 --> 01:17:35,840
Speaker 7: a fucking way about it, and he's gonna say something

1823
01:17:36,080 --> 01:17:38,880
Speaker 7: and I will have no issue coming back in the

1824
01:17:38,960 --> 01:17:41,360
Speaker 7: ring and there will be a J Cole and Drake beef.

1825
01:17:41,520 --> 01:17:43,000
Speaker 5: But I think that I don't think Cole will do

1826
01:17:43,080 --> 01:17:44,679
Speaker 5: that because I think that makes him look really whack

1827
01:17:44,720 --> 01:17:46,320
Speaker 5: and it makes him look like he's afraid of Kendrick

1828
01:17:46,400 --> 01:17:48,400
Speaker 5: even more than it already people already think he is.

1829
01:17:48,439 --> 01:17:50,200
Speaker 5: I don't think that he does that, even if he

1830
01:17:50,280 --> 01:17:52,439
Speaker 5: wants to. I don't think that he does it. You

1831
01:17:52,479 --> 01:17:54,080
Speaker 5: don't think that he put Kendrick on his album, No,

1832
01:17:54,160 --> 01:17:54,960
Speaker 5: I don't think he does that.

1833
01:17:55,439 --> 01:17:57,840
Speaker 7: He definitely does. I think he might do it twice.

1834
01:17:58,360 --> 01:18:00,519
Speaker 5: Because that makes something that makes you look because no,

1835
01:18:00,720 --> 01:18:02,880
Speaker 5: not him putting Kendrick on the album. I don't think

1836
01:18:02,920 --> 01:18:04,960
Speaker 5: he gets into a back and forth with Drake because

1837
01:18:04,960 --> 01:18:07,679
Speaker 5: I think then you look if you respond to Drake,

1838
01:18:08,040 --> 01:18:10,000
Speaker 5: then you look like, oh so you was afraid Kendrick,

1839
01:18:10,040 --> 01:18:10,840
Speaker 5: but you're not afraid of drink.

1840
01:18:10,840 --> 01:18:12,360
Speaker 1: It looks, it looks. I don't think Cold wonna go

1841
01:18:12,360 --> 01:18:12,680
Speaker 1: out like that.

1842
01:18:12,720 --> 01:18:16,040
Speaker 5: He might put Kendrick on the album, but if Drake responds,

1843
01:18:16,120 --> 01:18:18,320
Speaker 5: I don't think that he's gonna respond back to Drake.

1844
01:18:18,920 --> 01:18:19,240
Speaker 2: I can't.

1845
01:18:19,400 --> 01:18:20,840
Speaker 5: But you do agree that he look a little funny

1846
01:18:20,880 --> 01:18:23,160
Speaker 5: taking that record now. I don't think he looks funny

1847
01:18:23,200 --> 01:18:25,240
Speaker 5: taking it down. I think he shouldn't have did it.

1848
01:18:25,320 --> 01:18:27,439
Speaker 5: I will say a million times that Diana Hill, I

1849
01:18:27,439 --> 01:18:29,080
Speaker 5: don't think that he should have did that. But I

1850
01:18:29,120 --> 01:18:32,040
Speaker 5: can understand why he did it. I can understand doesn't mean,

1851
01:18:32,080 --> 01:18:33,439
Speaker 5: I agree with the decision. Why do you feel like

1852
01:18:33,439 --> 01:18:35,280
Speaker 5: that's objectivity? By the way, why do you feel like

1853
01:18:35,320 --> 01:18:35,640
Speaker 5: he did that.

1854
01:18:36,560 --> 01:18:37,439
Speaker 1: We've already talked.

1855
01:18:37,240 --> 01:18:39,080
Speaker 5: About that a million times. There's so many different episodes.

1856
01:18:39,080 --> 01:18:40,479
Speaker 5: If the listeners don't want to hear it no more.

1857
01:18:40,520 --> 01:18:43,719
Speaker 7: If the fall Office is the first certified cold classic,

1858
01:18:43,760 --> 01:18:46,280
Speaker 7: even though I love twenty fourteen for a sols drive,

1859
01:18:46,320 --> 01:18:49,000
Speaker 7: that's a classic to me personally. Same if he says

1860
01:18:49,040 --> 01:18:52,599
Speaker 7: that's not a classicis I feel like we still need

1861
01:18:52,680 --> 01:18:56,080
Speaker 7: more time? But make it a certified I personally feel

1862
01:18:56,120 --> 01:18:58,720
Speaker 7: that way. But if this fall Off is a certified

1863
01:18:58,840 --> 01:19:00,519
Speaker 7: out the gate, we know, all right is a classic

1864
01:19:00,560 --> 01:19:02,439
Speaker 7: out Like when Good Kid came out, We're like, well,

1865
01:19:02,920 --> 01:19:06,200
Speaker 7: this is our generation's first classic. Does that change the

1866
01:19:06,240 --> 01:19:09,880
Speaker 7: narrative to you? The way he rapping and making music

1867
01:19:09,960 --> 01:19:10,200
Speaker 7: right now?

1868
01:19:11,720 --> 01:19:13,280
Speaker 3: He said, did you change the narrative? As far as what?

1869
01:19:14,520 --> 01:19:17,519
Speaker 2: Yes, how you think? Of course, if anyone drops a classic,

1870
01:19:17,600 --> 01:19:20,160
Speaker 2: that has to change nobody.

1871
01:19:20,240 --> 01:19:22,120
Speaker 1: I don't think anybody's gonna give him credit for the classic.

1872
01:19:22,160 --> 01:19:23,599
Speaker 5: That's what I think is gonna happen, And that's gonna

1873
01:19:23,600 --> 01:19:25,240
Speaker 5: piss me off and make me start throwing these bricks

1874
01:19:25,240 --> 01:19:27,000
Speaker 5: from the walls. I think nobody is going to give

1875
01:19:27,080 --> 01:19:28,760
Speaker 5: him credit for that classic. I know it's going to

1876
01:19:28,800 --> 01:19:30,240
Speaker 5: be a classic, and I don't think anyone's going to

1877
01:19:30,280 --> 01:19:31,840
Speaker 5: give him credit for it. How you know it's gonna

1878
01:19:31,840 --> 01:19:33,840
Speaker 5: be a class cause I know because I know how

1879
01:19:33,920 --> 01:19:35,360
Speaker 5: you in the future.

1880
01:19:36,840 --> 01:19:40,960
Speaker 3: I know it's gonna be a classic. I know, Like,

1881
01:19:41,000 --> 01:19:42,360
Speaker 3: how do you know it's gonna be a classic?

1882
01:19:42,640 --> 01:19:44,200
Speaker 7: I don't know what's going to be. I just know

1883
01:19:44,640 --> 01:19:46,760
Speaker 7: Cole is rapping really, really well, and I'm excited.

1884
01:19:47,560 --> 01:19:49,760
Speaker 3: He wrapping his asshole name. Can't nobody take that from

1885
01:19:49,880 --> 01:19:52,320
Speaker 3: me wrapping his ass off. I'm just saying as far

1886
01:19:52,400 --> 01:19:54,439
Speaker 3: I want to hear because, like you said, these may

1887
01:19:54,479 --> 01:19:57,160
Speaker 3: have been recorded and laid before the Bee. That just

1888
01:19:57,280 --> 01:19:59,640
Speaker 3: changes things. I want to hear him host Beef, like

1889
01:19:59,680 --> 01:20:01,479
Speaker 3: what is what is?

1890
01:20:02,160 --> 01:20:02,200
Speaker 5: Like?

1891
01:20:03,200 --> 01:20:04,640
Speaker 7: You know, he's been working on The fall Off for

1892
01:20:04,760 --> 01:20:06,839
Speaker 7: like two years now. He's been rapping about working.

1893
01:20:07,000 --> 01:20:09,719
Speaker 1: All those songs. Is probably all so if he keeps.

1894
01:20:09,640 --> 01:20:12,680
Speaker 7: Let's say the Falloff has twelve records, just throwing a

1895
01:20:12,760 --> 01:20:17,280
Speaker 7: number up, and nine of them were from before The

1896
01:20:17,360 --> 01:20:19,320
Speaker 7: Beef because he's been working on it for two years.

1897
01:20:19,640 --> 01:20:21,680
Speaker 7: Obviously had to take a break during that entire thing.

1898
01:20:22,000 --> 01:20:25,600
Speaker 7: But he's back on his rollout. Is that okay with you?

1899
01:20:25,720 --> 01:20:27,080
Speaker 7: Because they're pretty beef?

1900
01:20:27,640 --> 01:20:29,080
Speaker 3: No, I want to hear him. I want to hear

1901
01:20:29,160 --> 01:20:30,639
Speaker 3: wrong with that. I want to hear what he sounds

1902
01:20:30,680 --> 01:20:32,400
Speaker 3: like post beef because I want to hear how he talking.

1903
01:20:32,479 --> 01:20:34,280
Speaker 7: I think he's gonna address everything on the intro and

1904
01:20:34,320 --> 01:20:36,000
Speaker 7: I have no info on that. That's just my guess.

1905
01:20:36,320 --> 01:20:39,240
Speaker 3: Okay, Well, I'm gonna listen either way. Whenever it drops,

1906
01:20:39,240 --> 01:20:41,920
Speaker 3: I want to hear it or the outro. I would

1907
01:20:41,960 --> 01:20:44,080
Speaker 3: love I would love for twenty twenty five for the

1908
01:20:44,120 --> 01:20:45,040
Speaker 3: ship to start back up.

1909
01:20:45,760 --> 01:20:48,240
Speaker 2: Well, gonna come back in some form because that's when

1910
01:20:48,240 --> 01:20:49,120
Speaker 2: the super Bowl is so.

1911
01:20:50,160 --> 01:20:52,240
Speaker 3: Yeah, but that's you know, we already know the super

1912
01:20:52,240 --> 01:20:54,920
Speaker 3: Bowl's happening. I'm talking about a feature on the album though,

1913
01:20:56,040 --> 01:21:00,439
Speaker 3: big as the what okay, all right, we're going to see.

1914
01:21:06,880 --> 01:21:09,200
Speaker 7: Before we get off music? Like I was trying to

1915
01:21:09,200 --> 01:21:11,679
Speaker 7: tell you more, it was a very good music Friday.

1916
01:21:12,600 --> 01:21:14,560
Speaker 7: We got I think one of the best R and

1917
01:21:14,640 --> 01:21:19,080
Speaker 7: B albums of the year. Leon Thomas Mutt Fire Dope record.

1918
01:21:19,120 --> 01:21:20,200
Speaker 2: That record is hard.

1919
01:21:20,439 --> 01:21:22,920
Speaker 7: Yeah, I really really really like good videos to his

1920
01:21:23,000 --> 01:21:25,960
Speaker 7: album and about to be on tour. I look forward

1921
01:21:26,000 --> 01:21:30,200
Speaker 7: to that. To me, Leon is right now probably the

1922
01:21:30,280 --> 01:21:34,200
Speaker 7: best writer in R and B currently high up there

1923
01:21:34,240 --> 01:21:36,200
Speaker 7: on production as well. So it's good to see him

1924
01:21:36,240 --> 01:21:40,040
Speaker 7: getting like his actual individual artists just do here because

1925
01:21:40,040 --> 01:21:43,639
Speaker 7: everyone your favorite artists run to him to get they saws.

1926
01:21:44,120 --> 01:21:48,320
Speaker 7: So it's good to see that Gallant put out an album,

1927
01:21:48,360 --> 01:21:50,160
Speaker 7: which I feel like it's been a minute. He was

1928
01:21:50,200 --> 01:21:52,960
Speaker 7: putting out Loose Season. I've always loved Gallant, but zinc

1929
01:21:53,040 --> 01:21:54,519
Speaker 7: he just put out is the name of the album.

1930
01:21:55,000 --> 01:21:58,440
Speaker 7: Brought Damarus's Homegirl back, Nail's.

1931
01:21:58,080 --> 01:22:00,479
Speaker 2: Back a great?

1932
01:22:00,760 --> 01:22:01,519
Speaker 1: Does she sound good?

1933
01:22:01,760 --> 01:22:05,320
Speaker 7: Sounds great. I've always fucked with Glant, so happy that

1934
01:22:05,400 --> 01:22:09,439
Speaker 7: he put out a project. We briefly talked about Tommy

1935
01:22:09,520 --> 01:22:13,000
Speaker 7: Richmond on some more AI ship, but I enjoyed the

1936
01:22:13,080 --> 01:22:13,599
Speaker 7: first listen.

1937
01:22:14,280 --> 01:22:14,720
Speaker 2: I have to like.

1938
01:22:14,800 --> 01:22:16,400
Speaker 7: Actually, I hate to say live with it, but I

1939
01:22:16,439 --> 01:22:17,600
Speaker 7: gave it one listen and I liked it.

1940
01:22:17,760 --> 01:22:18,760
Speaker 3: Yeah, he sounds cool.

1941
01:22:19,280 --> 01:22:20,920
Speaker 7: I don't understand that Tommy Richmond hate.

1942
01:22:21,640 --> 01:22:23,400
Speaker 2: I guess people are just you know, because he's white.

1943
01:22:24,120 --> 01:22:27,000
Speaker 3: Yeah, well that adds to it. But people feel like

1944
01:22:27,080 --> 01:22:29,400
Speaker 3: it kind of happened really fast formed it did. It

1945
01:22:29,400 --> 01:22:30,680
Speaker 3: feels a little plant ish.

1946
01:22:31,200 --> 01:22:33,760
Speaker 2: Okay, So you can't plant someone to a number one

1947
01:22:33,840 --> 01:22:34,600
Speaker 2: song though, you.

1948
01:22:34,680 --> 01:22:37,760
Speaker 5: Can't what that's the that's the definition of a plant,

1949
01:22:38,360 --> 01:22:40,840
Speaker 5: not like that. Yeah, okay, yeah, you know what my

1950
01:22:40,920 --> 01:22:42,519
Speaker 5: plant is. If they bought him that number one. They

1951
01:22:42,520 --> 01:22:43,599
Speaker 5: didn't buy him that number one.

1952
01:22:43,640 --> 01:22:44,600
Speaker 1: He earned it.

1953
01:22:45,000 --> 01:22:48,439
Speaker 7: I mean, I'm sure United Masters invested. But what are

1954
01:22:48,479 --> 01:22:50,200
Speaker 7: we talking about? Okay, and we're not gonna have a

1955
01:22:50,240 --> 01:22:53,280
Speaker 7: full plant conversation, I promise. I'm okay with plants when

1956
01:22:53,280 --> 01:22:56,240
Speaker 7: they're talented. Me too, Thank God for planting that seed.

1957
01:22:56,360 --> 01:22:58,640
Speaker 3: No, look, I'm all for if the plant is a

1958
01:22:58,960 --> 01:23:02,559
Speaker 3: talented I'm cool. Yeah, it's one of the plant with talented.

1959
01:23:02,640 --> 01:23:04,200
Speaker 3: It's like, all right, man, we can see right through this.

1960
01:23:04,360 --> 01:23:05,760
Speaker 2: Like, yeah, it was.

1961
01:23:05,800 --> 01:23:07,439
Speaker 7: It was an easy listen. I don't mean that in

1962
01:23:07,520 --> 01:23:10,479
Speaker 7: a bad way do that sh it on. Didn't feel

1963
01:23:10,479 --> 01:23:13,160
Speaker 7: like I needed to skip anything. It was one of

1964
01:23:13,200 --> 01:23:14,360
Speaker 7: those I think I can just throw on in the

1965
01:23:14,439 --> 01:23:17,120
Speaker 7: car and throw my phone over there. It'll be fine,

1966
01:23:17,240 --> 01:23:17,519
Speaker 7: Like it was.

1967
01:23:17,680 --> 01:23:18,120
Speaker 2: It was cool.

1968
01:23:19,560 --> 01:23:20,639
Speaker 7: Do we miss any singles?

1969
01:23:21,320 --> 01:23:21,439
Speaker 5: Uh?

1970
01:23:22,439 --> 01:23:25,080
Speaker 3: Roder Olds Rodder and Young Chris has a EP out

1971
01:23:25,160 --> 01:23:29,439
Speaker 3: case closed. Okay, I think that's my new gym soundtrack.

1972
01:23:29,760 --> 01:23:32,080
Speaker 3: They on there shooting a bunch of niggas, selling a

1973
01:23:32,120 --> 01:23:35,720
Speaker 3: bunch of dope, talking a bunch of ship but now

1974
01:23:35,760 --> 01:23:38,080
Speaker 3: they they wrapping their ass off. That's definitely one of

1975
01:23:38,160 --> 01:23:41,320
Speaker 3: my favorite EPs this year. Case closed Olds rodding Young

1976
01:23:41,439 --> 01:23:44,479
Speaker 3: Chris Real Real Philly Philly balls on that joint.

1977
01:23:44,479 --> 01:23:45,120
Speaker 2: So check that out.

1978
01:23:45,920 --> 01:23:46,479
Speaker 8: I have one.

1979
01:23:46,760 --> 01:23:52,400
Speaker 2: The Maxo Cream Crack Air record with Tyler Creator is incredible.

1980
01:23:51,960 --> 01:23:54,360
Speaker 7: Such such a random pairing every time, but they don't

1981
01:23:54,400 --> 01:23:57,280
Speaker 7: miss like so good and shout out to Maxo.

1982
01:23:58,600 --> 01:24:01,519
Speaker 1: Keanu's dropping two new singles on Wednesday.

1983
01:24:03,120 --> 01:24:06,080
Speaker 7: You excited even retweeting that, I mean you feel about

1984
01:24:06,080 --> 01:24:07,280
Speaker 7: her so just as excited.

1985
01:24:07,320 --> 01:24:09,360
Speaker 1: I'm so excited she writes music for me.

1986
01:24:10,560 --> 01:24:14,640
Speaker 7: I'm ready stuff I didn't listen to. There was a

1987
01:24:14,680 --> 01:24:16,920
Speaker 7: Lady Gaga album that came out of front of what

1988
01:24:17,040 --> 01:24:19,759
Speaker 7: the movie is coming out next week? Okay, I'm uninformed.

1989
01:24:19,920 --> 01:24:21,559
Speaker 7: This is a round joker.

1990
01:24:22,280 --> 01:24:24,639
Speaker 3: Yeah, okay, movies coming out October four.

1991
01:24:24,760 --> 01:24:28,080
Speaker 5: So have you guys seen Mario getting killed? They calling

1992
01:24:28,160 --> 01:24:29,040
Speaker 5: him unlucky day?

1993
01:24:29,240 --> 01:24:31,880
Speaker 2: Oh yeah, the new song like it sounded like I.

1994
01:24:31,960 --> 01:24:33,879
Speaker 7: Saw that tweet, but I didn't click the actual.

1995
01:24:35,240 --> 01:24:37,519
Speaker 2: They said the song. They said, the song sound like

1996
01:24:37,600 --> 01:24:39,440
Speaker 2: it dropped out a Lucky Day pocket.

1997
01:24:40,320 --> 01:24:43,439
Speaker 3: Why they see they shouldn't. Yah, Well, we're gonna play

1998
01:24:43,479 --> 01:24:43,840
Speaker 3: the song for you.

1999
01:24:43,920 --> 01:24:45,599
Speaker 5: We're gonna mute it for you too, but we're gonna

2000
01:24:45,600 --> 01:24:47,000
Speaker 5: play the song, a snippet of the song for you

2001
01:24:47,080 --> 01:24:48,240
Speaker 5: so that you can hear it.

2002
01:24:48,479 --> 01:24:49,760
Speaker 7: Yeah, I want to hear it because I didn't click

2003
01:24:49,800 --> 01:24:51,000
Speaker 7: the actual tweets and that song.

2004
01:24:56,200 --> 01:24:58,000
Speaker 2: It's to me, it's not even the song is the

2005
01:24:58,160 --> 01:25:01,840
Speaker 2: visual too, it's the same, like look at don't it's.

2006
01:25:02,680 --> 01:25:05,920
Speaker 7: Produce that because that was definitely left off Algorithm And

2007
01:25:06,040 --> 01:25:08,280
Speaker 7: they was like, yo, Mario, I got this record.

2008
01:25:08,560 --> 01:25:12,479
Speaker 3: That's that's very Lucky Day, very Bruno, very Anderson Park.

2009
01:25:14,280 --> 01:25:15,679
Speaker 2: Yeah, yeah, it's.

2010
01:25:16,520 --> 01:25:19,000
Speaker 3: If it's the producers, if same producers, then you understand it.

2011
01:25:19,000 --> 01:25:21,240
Speaker 7: You can't be mass and not taking anything away from Mario,

2012
01:25:21,400 --> 01:25:25,040
Speaker 7: but that sounds like Lucky Day right now, because Algorithm

2013
01:25:25,080 --> 01:25:27,360
Speaker 7: doesn't sound like the rest of Lucky's albums, like this

2014
01:25:27,520 --> 01:25:31,240
Speaker 7: is right now Lucky Day. Yeah, yeah, that was definitely

2015
01:25:31,240 --> 01:25:32,120
Speaker 7: a record that didn't make it.

2016
01:25:32,560 --> 01:25:36,479
Speaker 5: Yeah, they said, they said Mario on his ass, they like,

2017
01:25:36,520 --> 01:25:37,920
Speaker 5: now you want to sound like Lucky Day when you

2018
01:25:37,960 --> 01:25:41,439
Speaker 5: fumbled the bag you won that versus And then in

2019
01:25:41,560 --> 01:25:43,479
Speaker 5: the midst of everything that was going on at the time,

2020
01:25:43,520 --> 01:25:46,080
Speaker 5: you said, damn, everybody asking for my comeback. What do

2021
01:25:46,200 --> 01:25:49,680
Speaker 5: I do drop a song with Tory Lanez when I

2022
01:25:49,760 --> 01:25:52,800
Speaker 5: had woman fan base. No, I'm talking about when he

2023
01:25:52,840 --> 01:25:57,080
Speaker 5: did the verses his equipment from the cell somebody. But

2024
01:25:57,479 --> 01:26:01,479
Speaker 5: when he did the verses with Tori. Yeah, everybody was

2025
01:26:01,520 --> 01:26:04,040
Speaker 5: asking for you to come back. Everybody was so excited that, like,

2026
01:26:04,080 --> 01:26:06,880
Speaker 5: y'all don't give Mario his flowers. And then you come

2027
01:26:06,920 --> 01:26:08,439
Speaker 5: out and was like, you know what, right here in

2028
01:26:08,520 --> 01:26:11,679
Speaker 5: the mist all this ship Tory lane song that made

2029
01:26:11,760 --> 01:26:12,120
Speaker 5: no sense.

2030
01:26:12,160 --> 01:26:13,040
Speaker 1: Who was on your team?

2031
01:26:14,400 --> 01:26:16,360
Speaker 7: See, that's the thing, Like a lot of legacy acts,

2032
01:26:16,439 --> 01:26:18,799
Speaker 7: I'll give them bail because they really don't pay attention

2033
01:26:18,840 --> 01:26:21,360
Speaker 7: to what's going on right now. They were probably pitched Yo,

2034
01:26:21,439 --> 01:26:24,680
Speaker 7: Tory's hot right now, didn't look into it. That's the

2035
01:26:24,760 --> 01:26:25,160
Speaker 7: team thing.

2036
01:26:25,640 --> 01:26:30,400
Speaker 1: That's not a team. That was the biggest case that

2037
01:26:30,560 --> 01:26:32,439
Speaker 1: was going on in the middle of when he.

2038
01:26:32,479 --> 01:26:34,840
Speaker 7: Dropped his monthly listeners were the same. They actually think

2039
01:26:34,880 --> 01:26:39,760
Speaker 7: they went up Marios No Tory Lanees. I wouldn't do that,

2040
01:26:39,880 --> 01:26:42,599
Speaker 7: But I'm just saying, if you don't have a good team,

2041
01:26:42,640 --> 01:26:45,040
Speaker 7: they'll be like Yo, look what he's doing numbers.

2042
01:26:45,080 --> 01:26:47,880
Speaker 2: He's hot right now because he's shot a woman.

2043
01:26:48,120 --> 01:26:50,080
Speaker 1: When you when you have a when you want to

2044
01:26:50,120 --> 01:26:53,160
Speaker 1: appeal to women, you're gonna go just turn it on.

2045
01:26:54,680 --> 01:27:01,000
Speaker 7: Yeah, Like speaking of people, they tried to cancel you

2046
01:27:01,120 --> 01:27:05,000
Speaker 7: as well as well. Don't be mad at me. I

2047
01:27:05,080 --> 01:27:08,040
Speaker 7: haven't listened to it yet, but on the ride home,

2048
01:27:08,080 --> 01:27:10,160
Speaker 7: I am going to listen to that The Baby album.

2049
01:27:10,920 --> 01:27:12,000
Speaker 3: Why are you saying, don't get mad at you?

2050
01:27:12,240 --> 01:27:14,160
Speaker 7: I don't know. I feel like people try to cancel on.

2051
01:27:14,200 --> 01:27:16,840
Speaker 7: It's not okay to say you like the Baby. Oh no,

2052
01:27:17,680 --> 01:27:19,760
Speaker 7: I think that's I'm sure that. I'm sure there's crack

2053
01:27:19,840 --> 01:27:20,080
Speaker 7: on there.

2054
01:27:21,240 --> 01:27:23,960
Speaker 3: The Baby is, you know, he's really Yeah. How I

2055
01:27:24,000 --> 01:27:26,160
Speaker 3: felt about him just you know, went through a little

2056
01:27:27,120 --> 01:27:29,680
Speaker 3: personal some things he said he shouldn't have said. He

2057
01:27:29,720 --> 01:27:32,200
Speaker 3: went a little crazy on us. But talent. The talent

2058
01:27:32,320 --> 01:27:33,320
Speaker 3: is there though without.

2059
01:27:33,280 --> 01:27:35,880
Speaker 5: As long as he changed good music man to switch

2060
01:27:35,920 --> 01:27:42,280
Speaker 5: his flow up a little, Yeah, it gets old.

2061
01:27:43,120 --> 01:27:44,560
Speaker 3: But I feel the same way about him that I

2062
01:27:44,600 --> 01:27:46,640
Speaker 3: felt about Wayne when Wayne first came out. And I

2063
01:27:46,680 --> 01:27:48,160
Speaker 3: always hold people, I said, as soon as he gets

2064
01:27:48,160 --> 01:27:51,920
Speaker 3: away from many fresh production hm and change his sound

2065
01:27:51,920 --> 01:27:53,680
Speaker 3: a little bit like he's you know, he's gonna hit

2066
01:27:53,720 --> 01:27:55,439
Speaker 3: another level. I feel the same way about the Baby.

2067
01:27:55,479 --> 01:27:58,120
Speaker 3: As soon as he changes the music a little bit

2068
01:27:58,200 --> 01:28:00,400
Speaker 3: and and and start, you know, switching up his flow.

2069
01:28:00,520 --> 01:28:04,400
Speaker 3: I think his talent and creativity is undeniable.

2070
01:28:04,479 --> 01:28:08,240
Speaker 7: Wait, can we read this iTunes script because it's already

2071
01:28:08,240 --> 01:28:11,200
Speaker 7: starting out funny. When it comes to addressing controversy, the

2072
01:28:11,240 --> 01:28:14,360
Speaker 7: Baby has repeatedly shown himself to be more I need

2073
01:28:14,479 --> 01:28:15,599
Speaker 7: to know what the end of that sentence.

2074
01:28:15,800 --> 01:28:19,400
Speaker 2: Yeah, here we go. I need to know what they said,

2075
01:28:19,640 --> 01:28:22,280
Speaker 2: who wrote it? All right? When it comes to controversy.

2076
01:28:22,320 --> 01:28:24,599
Speaker 2: When it comes to a dressing controversy, the Baby has

2077
01:28:24,640 --> 01:28:27,320
Speaker 2: repeatedly shown himself to be more than willing to respond

2078
01:28:27,400 --> 01:28:29,960
Speaker 2: on record. After on stage remarks in front of a

2079
01:28:30,040 --> 01:28:34,840
Speaker 2: music festival crowd back in twenty twenty one, I would

2080
01:28:34,840 --> 01:28:38,080
Speaker 2: love to cut to that clip led to a considerable

2081
01:28:38,200 --> 01:28:41,960
Speaker 2: national backlash. The backlash this Charlotte North Kliner rappers spoke

2082
01:28:42,040 --> 01:28:44,400
Speaker 2: on the matter of the impact of his own love time. Okay, none,

2083
01:28:44,400 --> 01:28:47,880
Speaker 2: they just kind of yeah, got into the Jesus is long.

2084
01:28:48,360 --> 01:28:52,200
Speaker 5: Oh we were reading you guys's bios at the beginning. Peach,

2085
01:28:52,360 --> 01:28:54,400
Speaker 5: I mean peace should bring that back up.

2086
01:28:55,040 --> 01:28:57,160
Speaker 7: You're the ghostwriter, so you want to laugh at us

2087
01:28:57,240 --> 01:28:57,640
Speaker 7: you wrote it?

2088
01:28:57,760 --> 01:28:58,960
Speaker 2: Yeah, that those are your words.

2089
01:28:59,040 --> 01:29:00,519
Speaker 1: I know, but it's so funny.

2090
01:29:01,080 --> 01:29:03,439
Speaker 7: But that's like they're going to do that with every

2091
01:29:03,560 --> 01:29:07,000
Speaker 7: press release for any podcast, Like I know, real women,

2092
01:29:07,160 --> 01:29:11,719
Speaker 7: real opinions, real talk, never heard takes. No one's safe

2093
01:29:11,880 --> 01:29:13,840
Speaker 7: in this this podcast.

2094
01:29:14,920 --> 01:29:16,800
Speaker 2: Finally we get to some real conversation now, not really

2095
01:29:16,920 --> 01:29:17,760
Speaker 2: rot some bullshit.

2096
01:29:18,600 --> 01:29:22,080
Speaker 3: No, that's what we're telling you. That's what we're telling you.

2097
01:29:22,160 --> 01:29:22,479
Speaker 8: We know that.

2098
01:29:22,640 --> 01:29:23,320
Speaker 3: That's what we're telling you.

2099
01:29:23,600 --> 01:29:25,599
Speaker 5: The premise of New Royal Maw will be to bring

2100
01:29:25,720 --> 01:29:29,120
Speaker 5: forward both unexpected and long awaited conversations into the culture,

2101
01:29:29,240 --> 01:29:33,400
Speaker 5: both pushing it forward, both pushing it forward and appreciating

2102
01:29:33,479 --> 01:29:36,120
Speaker 5: how far it's come. Guests will be from both inside

2103
01:29:36,160 --> 01:29:38,360
Speaker 5: and outside of the hip hop realm. We will be

2104
01:29:38,479 --> 01:29:40,600
Speaker 5: deep diving into topics from hip hop, R and B

2105
01:29:40,720 --> 01:29:43,920
Speaker 5: and pop music, sports, mental health, entertainment, and much more.

2106
01:29:44,280 --> 01:29:44,799
Speaker 2: The whole.

2107
01:29:46,400 --> 01:29:49,120
Speaker 1: Don't laugh at me. The host looks to show their

2108
01:29:49,160 --> 01:29:50,960
Speaker 1: growth and learn new information in real.

2109
01:29:50,880 --> 01:29:57,400
Speaker 2: Time growth with their growing loyal bested we became worse

2110
01:29:57,439 --> 01:29:58,840
Speaker 2: people and.

2111
01:29:58,960 --> 01:30:01,679
Speaker 5: Learn new information and all time with their growing loyal

2112
01:30:01,840 --> 01:30:04,559
Speaker 5: family based audience creating a true community.

2113
01:30:04,600 --> 01:30:06,920
Speaker 7: Our audience has definitely grown. We have a true community.

2114
01:30:07,120 --> 01:30:09,639
Speaker 7: But everything you said before that we have regressed, We're

2115
01:30:09,720 --> 01:30:10,840
Speaker 7: not We're not better people.

2116
01:30:10,920 --> 01:30:15,120
Speaker 2: I came to this gamer writer, all right, well you

2117
01:30:15,200 --> 01:30:17,320
Speaker 2: can't bite writer.

2118
01:30:18,840 --> 01:30:23,760
Speaker 3: I'm not biting. I came into this game writer, which

2119
01:30:23,800 --> 01:30:24,160
Speaker 3: is true.

2120
01:30:24,400 --> 01:30:24,639
Speaker 9: Ship.

2121
01:30:25,200 --> 01:30:27,200
Speaker 5: That's one of my favorite clips. That's one of my

2122
01:30:27,400 --> 01:30:28,439
Speaker 5: favorite My fast.

2123
01:30:28,200 --> 01:30:29,920
Speaker 2: I ever get clipped or did I just get made

2124
01:30:29,960 --> 01:30:32,120
Speaker 2: fun of for that? I don't remember, never forget. It

2125
01:30:32,439 --> 01:30:35,599
Speaker 2: was one of my mom in the streets of all times.

2126
01:30:35,640 --> 01:30:37,000
Speaker 7: Definitely up there who said that.

2127
01:30:38,000 --> 01:30:39,519
Speaker 5: That was also like when you did I did an

2128
01:30:39,840 --> 01:30:42,240
Speaker 5: you being pretentious is like one of my favorite things

2129
01:30:42,240 --> 01:30:43,960
Speaker 5: about this podcast because you're saying I did a night

2130
01:30:44,000 --> 01:30:44,519
Speaker 5: in New York.

2131
01:30:44,800 --> 01:30:46,479
Speaker 1: Still one of my favorite lines that was ever said

2132
01:30:46,520 --> 01:30:47,120
Speaker 1: on that podcast.

2133
01:30:47,200 --> 01:30:47,720
Speaker 3: He lives here.

2134
01:30:48,840 --> 01:30:51,880
Speaker 2: I was coming it makes sense from Patty, we get it,

2135
01:30:52,000 --> 01:30:54,040
Speaker 2: coming from France, did a night in New York and

2136
01:30:54,080 --> 01:30:57,840
Speaker 2: then went to Philly with you guys, said massaid, who's

2137
01:30:57,880 --> 01:31:04,639
Speaker 2: these Jimmy Kim, Probably Jimmy Kim. Jimmy Oh.

2138
01:31:04,840 --> 01:31:06,439
Speaker 7: I'm just trying to bring up that he was coming

2139
01:31:06,479 --> 01:31:10,639
Speaker 7: from France. That's all he was trying to ask literally,

2140
01:31:11,520 --> 01:31:12,439
Speaker 7: is it a night in New York?

2141
01:31:13,240 --> 01:31:13,439
Speaker 10: Yeah?

2142
01:31:13,479 --> 01:31:14,200
Speaker 2: I was classic.

2143
01:31:14,320 --> 01:31:16,240
Speaker 7: I don't think I've ever read like a good podcast

2144
01:31:16,280 --> 01:31:18,960
Speaker 7: description in my life, or even like an album description

2145
01:31:19,200 --> 01:31:21,599
Speaker 7: on DSPs for that matter. They're always trying. I don't

2146
01:31:21,600 --> 01:31:23,720
Speaker 7: know if that has to be a theme. Even some

2147
01:31:23,880 --> 01:31:26,400
Speaker 7: classic albums have the worst DSP description ever.

2148
01:31:26,760 --> 01:31:27,960
Speaker 3: Yeah, it's always bad.

2149
01:31:28,360 --> 01:31:31,800
Speaker 2: Just played music and was up there. Just shut the

2150
01:31:31,840 --> 01:31:34,240
Speaker 2: fuck up and pot man the hot.

2151
01:31:34,439 --> 01:31:37,520
Speaker 7: Finally, some unfiltered conversations from this group of friends.

2152
01:31:37,640 --> 01:31:41,439
Speaker 2: The Hoktua clip Chick. That chick has a funny bio.

2153
01:31:43,160 --> 01:31:45,240
Speaker 2: By the way, her podcast is like number two on

2154
01:31:45,400 --> 01:31:46,679
Speaker 2: Apple None of this ship.

2155
01:31:47,240 --> 01:31:49,439
Speaker 5: I hate you know, sometimes I hate myself for not

2156
01:31:49,520 --> 01:31:53,120
Speaker 5: having audacity. It ain't about talent. I have talent, way

2157
01:31:53,160 --> 01:31:54,880
Speaker 5: more talent, and people holding their pinky thumb I have

2158
01:31:55,120 --> 01:31:55,880
Speaker 5: no audacity.

2159
01:31:56,080 --> 01:31:58,479
Speaker 1: Audacity is what gets people far, is to.

2160
01:31:58,479 --> 01:32:01,080
Speaker 7: Write a better description on that or the second general.

2161
01:32:00,920 --> 01:32:03,880
Speaker 2: Coming off her unprecedented viral moment and the biggest meme

2162
01:32:04,080 --> 01:32:08,439
Speaker 2: of the biggest meme of all time, true, Hailey Welch

2163
01:32:08,520 --> 01:32:10,360
Speaker 2: is ready to show the world that she's much more

2164
01:32:10,400 --> 01:32:12,719
Speaker 2: than a thirty second clip and she's here to stay.

2165
01:32:13,200 --> 01:32:16,280
Speaker 2: And then it's like the with celebrities, comedy sports, like

2166
01:32:16,360 --> 01:32:16,840
Speaker 2: all right.

2167
01:32:18,000 --> 01:32:21,400
Speaker 7: Before we get to voicemails. I don't want to compliment

2168
01:32:21,479 --> 01:32:23,880
Speaker 7: Drake on this podcast anymore, but he might be the

2169
01:32:23,920 --> 01:32:26,439
Speaker 7: only artist I've seen do that in a good way.

2170
01:32:26,479 --> 01:32:28,240
Speaker 7: I think it was views or if you're reading this,

2171
01:32:29,000 --> 01:32:30,920
Speaker 7: where he just wrote out all the shit that people

2172
01:32:30,960 --> 01:32:34,160
Speaker 7: were tweeting, like Drake is soft, Drake is pussy like

2173
01:32:34,280 --> 01:32:37,240
Speaker 7: that was his album description, all in caps.

2174
01:32:37,320 --> 01:32:39,240
Speaker 2: You think he wrote it or somebody team. I think

2175
01:32:39,400 --> 01:32:40,479
Speaker 2: as a collective they probably did.

2176
01:32:40,640 --> 01:32:42,160
Speaker 7: But it was the first time I'd ever seen on

2177
01:32:42,760 --> 01:32:44,200
Speaker 7: I don't even know if it was Apple Music at

2178
01:32:44,240 --> 01:32:47,240
Speaker 7: that point, just iTunes. Yeah, like a funny, creative way

2179
01:32:47,280 --> 01:32:48,280
Speaker 7: to put something right there.

2180
01:32:48,520 --> 01:32:50,080
Speaker 3: But jokes.

2181
01:32:50,120 --> 01:32:52,160
Speaker 7: Asidemad, I did want to check on you over the weekend.

2182
01:32:54,080 --> 01:32:57,920
Speaker 7: Aside from being a Knicks fan, I know Julius is

2183
01:32:58,200 --> 01:33:01,639
Speaker 7: your guy, so uh, my guy. Seeing him being traded,

2184
01:33:01,680 --> 01:33:04,240
Speaker 7: I know that was a different, different thing for you

2185
01:33:04,360 --> 01:33:07,120
Speaker 7: than it was probably for the rest of us. As

2186
01:33:07,240 --> 01:33:10,600
Speaker 7: much as we love Julius Randall as a as a

2187
01:33:10,680 --> 01:33:12,559
Speaker 7: Nick and as a Knicks fan, he wasn't my friend

2188
01:33:12,600 --> 01:33:14,720
Speaker 7: the way he was with you. So having your guy

2189
01:33:14,760 --> 01:33:16,519
Speaker 7: out of the city. I know it probably was a

2190
01:33:16,560 --> 01:33:17,240
Speaker 7: weird weekend for you.

2191
01:33:17,400 --> 01:33:17,920
Speaker 2: Did you cry?

2192
01:33:18,640 --> 01:33:22,920
Speaker 3: Did I cry? I know it was. I was hoping

2193
01:33:23,000 --> 01:33:26,760
Speaker 3: that it didn't happen. I think that you know, when

2194
01:33:26,800 --> 01:33:30,559
Speaker 3: you when somebody gets traded, you know, depending on how

2195
01:33:30,560 --> 01:33:32,439
Speaker 3: you look at its, another team wants you and they

2196
01:33:32,479 --> 01:33:34,840
Speaker 3: see value in you, but then at the same time,

2197
01:33:34,880 --> 01:33:37,720
Speaker 3: another team sees the opportunity to probably get something that

2198
01:33:37,800 --> 01:33:42,040
Speaker 3: they feel like is a better fit for them. I

2199
01:33:42,160 --> 01:33:45,760
Speaker 3: just felt like the Knicks, you know, Julius obviously before

2200
01:33:45,840 --> 01:33:49,000
Speaker 3: Jalen Brunson came, and you know, I just had the

2201
01:33:49,720 --> 01:33:52,240
Speaker 3: seasons that he's had with the Knicks, which just been incredible.

2202
01:33:52,920 --> 01:33:55,880
Speaker 3: I think Julius injected some life back into the city,

2203
01:33:56,479 --> 01:33:59,240
Speaker 3: some life back into the organization, made him respectable again,

2204
01:33:59,720 --> 01:34:02,920
Speaker 3: but a certain level of toughness and grit that New

2205
01:34:03,000 --> 01:34:04,799
Speaker 3: York fans are used to. You're talking about the nineties

2206
01:34:04,880 --> 01:34:08,360
Speaker 3: next with Doc Rivers, Anthony Mason, Oakley, Patrick Ewing, like

2207
01:34:09,280 --> 01:34:12,080
Speaker 3: Julius felt like he was from that cloth of just aggressive,

2208
01:34:13,120 --> 01:34:15,040
Speaker 3: doesn't look pretty all the time, but goes out there

2209
01:34:15,200 --> 01:34:16,080
Speaker 3: and plays hard.

2210
01:34:16,560 --> 01:34:19,160
Speaker 7: I mean, we don't have this next team without Julius.

2211
01:34:19,200 --> 01:34:22,639
Speaker 7: Random like after the mellow years. It went right back

2212
01:34:22,760 --> 01:34:26,240
Speaker 7: to it being corny to me for the next nobody

2213
01:34:26,280 --> 01:34:29,040
Speaker 7: wants Even Kevin Durant when it was between the nets

2214
01:34:29,080 --> 01:34:30,479
Speaker 7: to the next, he was like, why the funk would ever?

2215
01:34:30,520 --> 01:34:32,200
Speaker 7: There's no culture over there. We're not fucking with them.

2216
01:34:33,680 --> 01:34:37,479
Speaker 7: Julius really brought the entire organization back. He made it

2217
01:34:37,760 --> 01:34:40,160
Speaker 7: okay for people to want to go for Brunton yea,

2218
01:34:40,960 --> 01:34:42,240
Speaker 7: to even be comfortable going over there.

2219
01:34:42,280 --> 01:34:43,519
Speaker 3: So that was that was my only thing. I wanted

2220
01:34:43,520 --> 01:34:46,160
Speaker 3: to see what it looked like with Brunson and Julius

2221
01:34:46,240 --> 01:34:49,280
Speaker 3: healthy for a full season. Same I thought that the

2222
01:34:49,600 --> 01:34:52,120
Speaker 3: you know, Leon Rose and and and those guys in

2223
01:34:52,160 --> 01:34:55,880
Speaker 3: the front office would give Julius the opportunity to, uh,

2224
01:34:56,880 --> 01:34:58,519
Speaker 3: you know, I just feel like you reward players for

2225
01:34:58,720 --> 01:35:01,880
Speaker 3: what they started. And obviously Julius got hurt last year

2226
01:35:01,960 --> 01:35:05,639
Speaker 3: and wasn't able to help them with their playoff push.

2227
01:35:05,760 --> 01:35:08,680
Speaker 3: But even when they once they got eliminated, you the

2228
01:35:08,760 --> 01:35:12,160
Speaker 3: first thing that a lot of Knicks fans said was, yo,

2229
01:35:12,520 --> 01:35:16,240
Speaker 3: healthy Julius. Next year, this team could go to the finals,

2230
01:35:16,600 --> 01:35:17,920
Speaker 3: you know what I mean. So that was kind of

2231
01:35:17,960 --> 01:35:21,120
Speaker 3: the energy going into it, and I thought that they

2232
01:35:21,120 --> 01:35:23,439
Speaker 3: would let it happen and let the team, you know,

2233
01:35:23,560 --> 01:35:26,200
Speaker 3: build off of what they started. But they felt like

2234
01:35:26,280 --> 01:35:29,720
Speaker 3: Carled Anthony Towns was a better fit for them and

2235
01:35:29,840 --> 01:35:33,240
Speaker 3: a better piece to their future. But at the same time,

2236
01:35:33,320 --> 01:35:35,360
Speaker 3: I mean, Julius is going to a great situation as well.

2237
01:35:35,400 --> 01:35:37,920
Speaker 3: He's going to Minnesota with a great young team, uh,

2238
01:35:38,000 --> 01:35:42,040
Speaker 3: superstar and Olympian with Anthony Edwards. I think he's gonna

2239
01:35:42,040 --> 01:35:42,840
Speaker 3: fit great over there.

2240
01:35:43,080 --> 01:35:43,920
Speaker 7: You think they'll get along.

2241
01:35:44,760 --> 01:35:48,280
Speaker 3: Yeah, Julius is a he's his personality, he's a very uh.

2242
01:35:48,840 --> 01:35:50,720
Speaker 3: He wants to win. And I think that as long

2243
01:35:50,760 --> 01:35:53,080
Speaker 3: as you're a player that wants to win, I think

2244
01:35:53,160 --> 01:35:56,240
Speaker 3: that other, you know, teammates, other guys are gonna find

2245
01:35:56,240 --> 01:35:57,760
Speaker 3: it easy to get along with you because y'all are

2246
01:35:57,800 --> 01:36:00,360
Speaker 3: on at least the same page of I want to win,

2247
01:36:00,600 --> 01:36:02,800
Speaker 3: Like I don't. I'm not here for no personal ego

2248
01:36:02,960 --> 01:36:05,160
Speaker 3: things like that. I want to win and I want

2249
01:36:05,200 --> 01:36:07,400
Speaker 3: to win now. So it was fucked up to see

2250
01:36:07,439 --> 01:36:10,200
Speaker 3: Julius get traded. And I know how much he loved

2251
01:36:10,200 --> 01:36:13,240
Speaker 3: the city just having personal conversations with him throughout the years.

2252
01:36:13,920 --> 01:36:16,880
Speaker 3: He loved New York City. He loved everything about it,

2253
01:36:17,040 --> 01:36:20,840
Speaker 3: the culture, just you know, the energy. You know, it

2254
01:36:20,960 --> 01:36:23,000
Speaker 3: was just fun to play in the garden every night

2255
01:36:23,080 --> 01:36:25,320
Speaker 3: for him. So I know that he's hurt to leave,

2256
01:36:25,960 --> 01:36:28,599
Speaker 3: But at the same time, I know he is because

2257
01:36:28,640 --> 01:36:31,960
Speaker 3: the type of person is again, he's anxious to show

2258
01:36:32,000 --> 01:36:33,160
Speaker 3: that Nick front office.

2259
01:36:32,840 --> 01:36:35,439
Speaker 2: That they made a mistake. He was like, he's anxious

2260
01:36:35,479 --> 01:36:36,120
Speaker 2: to do that as well.

2261
01:36:36,280 --> 01:36:38,960
Speaker 7: When talking with him, did he find out kind of

2262
01:36:38,960 --> 01:36:40,320
Speaker 7: the way the rest of us did, or is this

2263
01:36:40,400 --> 01:36:40,720
Speaker 7: something that.

2264
01:36:40,840 --> 01:36:42,800
Speaker 3: I have not spoken to him since the trade? Having Okay,

2265
01:36:43,280 --> 01:36:44,040
Speaker 3: I texted him.

2266
01:36:43,880 --> 01:36:46,200
Speaker 7: Because it was that it was a very abrupt and

2267
01:36:46,320 --> 01:36:49,680
Speaker 7: weird time that the trade happens, Like yeah, yeah, I

2268
01:36:49,760 --> 01:36:52,559
Speaker 7: mean that made me feel like Julius found out maybe

2269
01:36:52,600 --> 01:36:55,120
Speaker 7: an hour before we found out type thing.

2270
01:36:55,240 --> 01:36:57,200
Speaker 3: I hope not. I hope they gave him more respect

2271
01:36:58,240 --> 01:37:01,719
Speaker 3: and courtesy than that. But either way, Julius is gonna

2272
01:37:01,720 --> 01:37:03,439
Speaker 3: be fine. He's a he's a dog man, he's he's

2273
01:37:03,520 --> 01:37:06,599
Speaker 3: he's going, you know, whatever Jersey it is. He feels

2274
01:37:06,640 --> 01:37:08,080
Speaker 3: like he's one of the best players on the floor

2275
01:37:08,080 --> 01:37:11,160
Speaker 3: at all times, so no matter where he goes with,

2276
01:37:11,560 --> 01:37:13,960
Speaker 3: he's gonna be good. But going to the Timberwolves with

2277
01:37:14,000 --> 01:37:17,160
Speaker 3: that young team and they got to the finals last year, right,

2278
01:37:18,520 --> 01:37:18,640
Speaker 3: was it?

2279
01:37:18,840 --> 01:37:19,000
Speaker 4: Who?

2280
01:37:19,080 --> 01:37:20,840
Speaker 2: Who the Boston player who they beating the finals was

2281
01:37:20,880 --> 01:37:21,400
Speaker 2: in Minnesota?

2282
01:37:22,520 --> 01:37:25,840
Speaker 5: They lost in the Western and Western Conference finals, but

2283
01:37:25,920 --> 01:37:28,439
Speaker 5: they got there, lost to Dallas. Uh.

2284
01:37:29,040 --> 01:37:31,960
Speaker 3: But I think that the Timberwolves have a good young nucleus.

2285
01:37:32,479 --> 01:37:36,800
Speaker 3: I think Julius brings uh, you know, a veteran presence there,

2286
01:37:38,080 --> 01:37:40,120
Speaker 3: you know, being one of Kobe's babies. You know, he

2287
01:37:40,200 --> 01:37:42,200
Speaker 3: brings that energy into the locker room, that work ethic

2288
01:37:42,280 --> 01:37:44,320
Speaker 3: as well. So I think it's gonna be a good

2289
01:37:44,360 --> 01:37:48,560
Speaker 3: fit for him. But again, I was sad to not

2290
01:37:48,680 --> 01:37:49,920
Speaker 3: really sad, but it was fucked up.

2291
01:37:49,960 --> 01:37:50,519
Speaker 2: I was like, damn.

2292
01:37:50,560 --> 01:37:52,720
Speaker 3: I was hoping that the Knicks gave him that opportunity

2293
01:37:52,800 --> 01:37:55,559
Speaker 3: for him and Jalen Brunson to kind of see see

2294
01:37:55,600 --> 01:37:57,960
Speaker 3: what they built all the way through. But you know,

2295
01:37:58,040 --> 01:37:59,320
Speaker 3: it's business at the end of the day, and they

2296
01:37:59,360 --> 01:38:02,120
Speaker 3: feel like calling Towns is a better piece for what

2297
01:38:02,200 --> 01:38:04,280
Speaker 3: they're trying to build. So we'll have to see how

2298
01:38:04,320 --> 01:38:04,880
Speaker 3: it works out.

2299
01:38:04,920 --> 01:38:07,400
Speaker 2: But how do you feel about getting.

2300
01:38:09,479 --> 01:38:12,000
Speaker 3: Carthony Towns is a really good player, There's no doubt

2301
01:38:12,000 --> 01:38:14,559
Speaker 3: about that. I just don't know if cal Anthony Towns

2302
01:38:15,400 --> 01:38:19,920
Speaker 3: has that has that dog in him, like Julius come

2303
01:38:19,960 --> 01:38:24,240
Speaker 3: playoff time when you're playing against guys like Embiid, I

2304
01:38:24,400 --> 01:38:26,320
Speaker 3: just don't know if cal If Caul can.

2305
01:38:27,120 --> 01:38:28,680
Speaker 2: If he has what it takes. He's got in a

2306
01:38:28,720 --> 01:38:31,160
Speaker 2: fight with him Bid that was his rival. They beat

2307
01:38:31,200 --> 01:38:31,960
Speaker 2: the shit out of each other.

2308
01:38:32,280 --> 01:38:34,040
Speaker 3: Yeah, but I mean that doesn't really do much as

2309
01:38:34,080 --> 01:38:37,160
Speaker 3: far as wins and losses. You know, again, I'm not

2310
01:38:37,200 --> 01:38:38,840
Speaker 3: gonna sit here and act like coll Anthony Towns is

2311
01:38:38,880 --> 01:38:42,280
Speaker 3: not a really good play He's a phenomenal player, phenomenal talent.

2312
01:38:43,000 --> 01:38:45,519
Speaker 3: But I just it's certain things man, Like you know,

2313
01:38:46,120 --> 01:38:49,360
Speaker 3: it's certain things in players that I think get overlooked

2314
01:38:49,479 --> 01:38:51,479
Speaker 3: and you start paying attention to just the name on

2315
01:38:51,560 --> 01:38:54,439
Speaker 3: the back of the jersey and you know, the stats,

2316
01:38:54,479 --> 01:38:56,840
Speaker 3: when it's really about the other things that don't show up.

2317
01:38:56,960 --> 01:38:59,120
Speaker 3: And I think that Julius embodies all of those things.

2318
01:38:59,520 --> 01:39:01,400
Speaker 3: Especially you're talking about the team like the Knicks have.

2319
01:39:01,600 --> 01:39:03,240
Speaker 3: I think that he was perfect for that team. His

2320
01:39:03,680 --> 01:39:08,320
Speaker 3: his demeanor, his energy, his style of play. But either way,

2321
01:39:08,360 --> 01:39:10,160
Speaker 3: I mean Colling the town's Jewish man. I mean, no,

2322
01:39:10,479 --> 01:39:12,400
Speaker 3: no team loses in that. I think this is more

2323
01:39:12,560 --> 01:39:15,920
Speaker 3: just a personal what you think fit. Obviously, the Knicks

2324
01:39:15,960 --> 01:39:17,160
Speaker 3: had success with Julius.

2325
01:39:18,800 --> 01:39:20,240
Speaker 2: So we'll have to see. We have to see what

2326
01:39:20,320 --> 01:39:21,120
Speaker 2: happens for me or not.

2327
01:39:21,280 --> 01:39:23,240
Speaker 3: But it is sad to see somebody I know that

2328
01:39:23,360 --> 01:39:26,479
Speaker 3: personally love New York City have to leave. But you

2329
01:39:26,560 --> 01:39:28,240
Speaker 3: know he'll be He'll be just fine with me.

2330
01:39:28,479 --> 01:39:30,760
Speaker 2: We also lost one of the Novin Knicks and one

2331
01:39:30,800 --> 01:39:34,320
Speaker 2: of Rory's uh brothers, Vincenzo, that.

2332
01:39:34,520 --> 01:39:37,280
Speaker 7: Was as much as you know, I like Julius and

2333
01:39:37,320 --> 01:39:39,040
Speaker 7: even came out to one of our live shows. Came

2334
01:39:39,080 --> 01:39:41,439
Speaker 7: on stage like, yeah, really really good person. In the

2335
01:39:41,479 --> 01:39:44,719
Speaker 7: time that I spent around him, Vincenzo, I saw myself

2336
01:39:44,760 --> 01:39:47,320
Speaker 7: and him that heard like I felt seen on the court.

2337
01:39:49,000 --> 01:39:50,920
Speaker 7: That was a while now that I think you saw

2338
01:39:51,000 --> 01:39:56,040
Speaker 7: yourself myself inside of it. No, I was rough man,

2339
01:39:56,040 --> 01:39:58,240
Speaker 7: because the Nova Knicks have a special place in my

2340
01:39:58,320 --> 01:40:02,640
Speaker 7: heart and like this lifelong tragedy that it's been to

2341
01:40:02,680 --> 01:40:05,920
Speaker 7: be a Knicks fan. Those three guys really gave me hope.

2342
01:40:07,080 --> 01:40:09,320
Speaker 7: That one was tough man. I think they're gonna now

2343
01:40:09,320 --> 01:40:13,280
Speaker 7: have to McBride is gonna be worked into the fucking

2344
01:40:13,360 --> 01:40:17,240
Speaker 7: ground now because I just our guard situation isn't really

2345
01:40:17,280 --> 01:40:20,400
Speaker 7: the greatest because Carl Anthony Towns now has to be

2346
01:40:20,439 --> 01:40:20,760
Speaker 7: a center.

2347
01:40:21,560 --> 01:40:25,519
Speaker 3: No, he doesn't have to be. He still play the four. Five.

2348
01:40:25,560 --> 01:40:29,639
Speaker 2: We don't have Mitchell, who was our five. Mitch Robinson

2349
01:40:29,760 --> 01:40:32,760
Speaker 2: is going he's still hurt. Oh, but it's gonna have

2350
01:40:32,880 --> 01:40:33,439
Speaker 2: to play the five.

2351
01:40:33,520 --> 01:40:35,400
Speaker 3: He'll be ready for He'll be ready to this season though,

2352
01:40:35,479 --> 01:40:38,360
Speaker 3: right mm hm, at some point, not in the beginning,

2353
01:40:38,960 --> 01:40:41,479
Speaker 3: but at some point he'll play, we hope.

2354
01:40:41,560 --> 01:40:43,599
Speaker 7: So Carl Anthony Towns to start the year is gonna

2355
01:40:43,640 --> 01:40:44,120
Speaker 7: have to be the five.

2356
01:40:44,160 --> 01:40:46,920
Speaker 3: I think that's what I'm saying. I just don't When

2357
01:40:47,000 --> 01:40:50,160
Speaker 3: do they play Philly early? How early do the Knicks

2358
01:40:50,200 --> 01:40:52,160
Speaker 3: play Philly where they add on the schedule, because that's

2359
01:40:52,160 --> 01:40:53,639
Speaker 3: gonna be that's gonna be a game that I want

2360
01:40:53,640 --> 01:40:55,240
Speaker 3: to see. I want to see how call matches up

2361
01:40:55,240 --> 01:40:57,720
Speaker 3: against and be because potentially they will see each other

2362
01:40:57,760 --> 01:40:58,320
Speaker 3: in the playoffs.

2363
01:40:58,360 --> 01:41:02,000
Speaker 7: So he better give him a wild elbow just for

2364
01:41:02,240 --> 01:41:05,040
Speaker 7: Mitchell Robinson. That bullshit that did?

2365
01:41:05,479 --> 01:41:09,559
Speaker 2: Yeah, yeah, we play The first game is November twelfth

2366
01:41:10,320 --> 01:41:11,479
Speaker 2: at Philly. That's early.

2367
01:41:11,680 --> 01:41:12,439
Speaker 3: We're gonna see early.

2368
01:41:12,760 --> 01:41:13,599
Speaker 7: We might have to go to that game.

2369
01:41:13,640 --> 01:41:14,519
Speaker 3: Yea, we're gonna see it early.

2370
01:41:14,640 --> 01:41:16,160
Speaker 5: We get to see it earlier this year, So I

2371
01:41:16,240 --> 01:41:19,360
Speaker 5: mean again, call Anthony Towns is a really, really good player.

2372
01:41:19,439 --> 01:41:23,320
Speaker 3: I just don't know if he has that that dog

2373
01:41:23,479 --> 01:41:24,120
Speaker 3: factor in him.

2374
01:41:24,240 --> 01:41:27,720
Speaker 7: I mean he's from the same Saint Joe's Hall of

2375
01:41:27,800 --> 01:41:30,920
Speaker 7: Fame class as my father, so I feel like he

2376
01:41:31,000 --> 01:41:33,639
Speaker 7: does have that dog They got inducted into high school

2377
01:41:33,640 --> 01:41:35,400
Speaker 7: Hall of Fame together, so yeah, I feel like it's

2378
01:41:35,840 --> 01:41:38,560
Speaker 7: it's there. If you Saint Joe's alumna, it has to

2379
01:41:38,600 --> 01:41:39,000
Speaker 7: be that.

2380
01:41:39,160 --> 01:41:42,560
Speaker 2: That is he did. He grew up the Yankee and

2381
01:41:43,280 --> 01:41:45,200
Speaker 2: Knicks fan, so that is kind of I always like

2382
01:41:45,280 --> 01:41:48,000
Speaker 2: one's a Jersey kid. I always like when to play.

2383
01:41:48,120 --> 01:41:50,320
Speaker 7: Dad played for the next for a minute too, Yeah,

2384
01:41:50,439 --> 01:41:52,000
Speaker 7: just a minute. I mean like really a minute.

2385
01:41:52,040 --> 01:41:54,599
Speaker 3: But yeah, I get it. But it was just tough

2386
01:41:54,680 --> 01:41:56,360
Speaker 3: to see them trade Julius because I just wanted to

2387
01:41:56,400 --> 01:41:59,000
Speaker 3: see them give that unit a chance.

2388
01:41:58,800 --> 01:42:02,479
Speaker 7: To achieve something same. But again, outside of the personal stuff,

2389
01:42:02,520 --> 01:42:06,559
Speaker 7: I'm not not mad at the trade. If everyone stays healthy,

2390
01:42:07,320 --> 01:42:09,639
Speaker 7: this could be the best next team that we've had.

2391
01:42:11,240 --> 01:42:13,640
Speaker 3: If they stay healthy. If yeah, I'm not.

2392
01:42:13,680 --> 01:42:17,400
Speaker 7: Mad, Og stays healthy in the last since the nineties,

2393
01:42:17,439 --> 01:42:19,360
Speaker 7: this would be the best next team we would have period.

2394
01:42:19,960 --> 01:42:22,639
Speaker 7: Including mellow Stott of myer Days everything.

2395
01:42:23,000 --> 01:42:24,479
Speaker 3: Why you on a schedule? Can you pull up when

2396
01:42:24,479 --> 01:42:25,599
Speaker 3: Minnesota comes to the Garden.

2397
01:42:28,160 --> 01:42:29,519
Speaker 7: But they don't play each other that much.

2398
01:42:30,040 --> 01:42:32,200
Speaker 3: Oh once a year, Yeah, Minnesota comes in once, but

2399
01:42:32,240 --> 01:42:33,960
Speaker 3: they played Brooklyn, so they'll be in New York twice.

2400
01:42:34,760 --> 01:42:39,080
Speaker 2: Let's see, they are a preseason game October thirteenth. Okay,

2401
01:42:39,160 --> 01:42:42,720
Speaker 2: that's next week's first game they play each other's at Minnesota.

2402
01:42:44,600 --> 01:42:48,120
Speaker 2: Remember we play at home against them January seventeenth.

2403
01:42:50,320 --> 01:42:52,719
Speaker 7: Don't see how far is addicted.

2404
01:42:53,360 --> 01:42:57,000
Speaker 3: I'm predicted a forty twenty game from Julius. We should go.

2405
01:42:57,680 --> 01:42:59,439
Speaker 3: He gonna have forty and twenty that night. Man, he

2406
01:42:59,479 --> 01:43:00,800
Speaker 3: go go create his first game back.

2407
01:43:01,120 --> 01:43:02,719
Speaker 7: I've never been to Minnesota before.

2408
01:43:03,439 --> 01:43:06,400
Speaker 3: Minnesota is a nice city, really nice city.

2409
01:43:06,800 --> 01:43:07,599
Speaker 2: It's not New York.

2410
01:43:07,920 --> 01:43:09,600
Speaker 3: Yeah, but I'll definitely have to go to Minnesota, and

2411
01:43:10,040 --> 01:43:13,080
Speaker 3: in comparison, I'm just saying definitely not New York.

2412
01:43:13,560 --> 01:43:16,160
Speaker 2: Julius has played for. He's had a really great uh

2413
01:43:17,320 --> 01:43:19,320
Speaker 2: in terms of teams he's played for. I mean, he

2414
01:43:19,439 --> 01:43:21,439
Speaker 2: died the one year in New Orleans, but he's been

2415
01:43:21,479 --> 01:43:23,439
Speaker 2: on the Lakers, the Knicks. Now we have really good

2416
01:43:23,479 --> 01:43:26,519
Speaker 2: Minnesota team. Like he's had a good career, you like,

2417
01:43:26,560 --> 01:43:29,000
Speaker 2: in terms of just guys he's playing with competitive teams,

2418
01:43:29,040 --> 01:43:30,280
Speaker 2: like he hasn't really played for a Dutch.

2419
01:43:30,320 --> 01:43:32,320
Speaker 3: I mean his career, Julius's career, what he's been able

2420
01:43:32,360 --> 01:43:34,240
Speaker 3: to achieve a two time, three time also now two

2421
01:43:34,240 --> 01:43:36,720
Speaker 3: time most something like that, I mean, what he's been

2422
01:43:36,760 --> 01:43:37,240
Speaker 3: able to.

2423
01:43:37,360 --> 01:43:39,920
Speaker 2: Achieve most improved player on the next Yeah, I mean,

2424
01:43:40,120 --> 01:43:40,320
Speaker 2: you know.

2425
01:43:40,360 --> 01:43:43,400
Speaker 3: Bringing the Knicks back to a respectable level of playing.

2426
01:43:44,560 --> 01:43:46,240
Speaker 3: And you gotta remember he broke his leg his first

2427
01:43:46,280 --> 01:43:48,680
Speaker 3: game of his career. Yeah, so this is you know,

2428
01:43:48,800 --> 01:43:52,479
Speaker 3: somebody when you talk about resilience and being able to

2429
01:43:52,520 --> 01:43:56,680
Speaker 3: bounce back from you know, adversity and get over some obstacles.

2430
01:43:56,840 --> 01:44:00,720
Speaker 3: Julius has obviously proven that he can do that. But

2431
01:44:00,840 --> 01:44:02,479
Speaker 3: this is just one of those things where the Knicks

2432
01:44:02,560 --> 01:44:05,599
Speaker 3: just felt like Carl Anthony was a was a piece

2433
01:44:05,680 --> 01:44:08,400
Speaker 3: that they you know, probably wanted and felt like was

2434
01:44:08,439 --> 01:44:11,160
Speaker 3: a better fit than Julius. But I am happy that

2435
01:44:11,240 --> 01:44:14,880
Speaker 3: they didn't send Julius to situation to where it would

2436
01:44:14,880 --> 01:44:16,840
Speaker 3: be a rebuilding thing, Like Minnesota is going to be

2437
01:44:16,960 --> 01:44:19,439
Speaker 3: right there at the top of the West again this year,

2438
01:44:19,600 --> 01:44:21,600
Speaker 3: so Julius should get a chance to.

2439
01:44:21,600 --> 01:44:21,960
Speaker 2: Go out there.

2440
01:44:22,000 --> 01:44:24,840
Speaker 5: And bring his game and his you know, his his

2441
01:44:25,040 --> 01:44:28,280
Speaker 5: his energy to to that young, exciting team. I think

2442
01:44:28,360 --> 01:44:30,040
Speaker 5: him and Anthony Edwards together is gonna be fun to

2443
01:44:30,040 --> 01:44:30,439
Speaker 5: watch though.

2444
01:44:30,840 --> 01:44:34,160
Speaker 3: And on another note in sports, sad sad news in

2445
01:44:34,880 --> 01:44:44,439
Speaker 3: basketball NBA legend, philanthropists, humanitarian, just all around amazing, amazing individual.

2446
01:44:44,560 --> 01:44:48,519
Speaker 3: Resting peace to the Kembe Mutumbo. Full time Defensive Player

2447
01:44:48,520 --> 01:44:51,280
Speaker 3: of the Year, eight time All Star, one of the

2448
01:44:51,360 --> 01:44:57,280
Speaker 3: greatest personalities and figures in the NBA that we've probably

2449
01:44:57,360 --> 01:45:00,439
Speaker 3: had the best shot blockers ever on and all the court.

2450
01:45:00,560 --> 01:45:03,719
Speaker 3: Just the things that he's done for his his his country,

2451
01:45:04,400 --> 01:45:09,599
Speaker 3: building hospitals, just literally using his light to help others

2452
01:45:10,040 --> 01:45:13,639
Speaker 3: his entire career. Uh sadly passed away after a battle

2453
01:45:13,720 --> 01:45:14,719
Speaker 3: with brain cancer.

2454
01:45:15,560 --> 01:45:17,400
Speaker 2: So it's sad.

2455
01:45:17,520 --> 01:45:19,360
Speaker 3: You know, you see these players that you grew up

2456
01:45:19,680 --> 01:45:22,519
Speaker 3: watching and you know, being fans of and now that

2457
01:45:23,120 --> 01:45:25,240
Speaker 3: you know, we're all older, but to see somebody like

2458
01:45:25,240 --> 01:45:29,160
Speaker 3: the kimman with Tumbo passed away, it's definitely, uh something

2459
01:45:29,200 --> 01:45:30,760
Speaker 3: you open your phone and you see that, you're like,

2460
01:45:30,880 --> 01:45:33,559
Speaker 3: damn like that that hits a little a little different.

2461
01:45:33,600 --> 01:45:37,120
Speaker 3: So recipes to the Kim Babu Tumbo. Yeah, prais and

2462
01:45:37,160 --> 01:45:41,040
Speaker 3: condolences to his family, and you know, hopefully the work

2463
01:45:41,080 --> 01:45:44,040
Speaker 3: that he's done here, it will be continued to carry on,

2464
01:45:44,200 --> 01:45:45,920
Speaker 3: especially in his his native land.

2465
01:45:46,000 --> 01:45:47,640
Speaker 5: The things that he's been doing over there throughout the

2466
01:45:47,720 --> 01:45:51,880
Speaker 5: years is incredible. So again, prais, condolences and recipes to

2467
01:45:52,000 --> 01:45:54,679
Speaker 5: the Kimba with Tumbo, you've got mal.

2468
01:45:56,680 --> 01:45:57,600
Speaker 2: Do we have voicemails?

2469
01:45:57,640 --> 01:46:00,400
Speaker 7: But before you answered, Julian, remember the coup that was

2470
01:46:00,400 --> 01:46:03,639
Speaker 7: married in Chevy Chase, Maryland that came to our DC show. Yes,

2471
01:46:03,920 --> 01:46:07,200
Speaker 7: they had mentioned that they wanted me to send a

2472
01:46:07,360 --> 01:46:09,920
Speaker 7: screenshot of the flowers that were sent back to me.

2473
01:46:11,040 --> 01:46:13,120
Speaker 7: I have it, but we lost their email. So if

2474
01:46:13,160 --> 01:46:16,000
Speaker 7: you guys are listening, please either send us your email

2475
01:46:16,400 --> 01:46:19,200
Speaker 7: or just do another voicemail so we can grab it.

2476
01:46:19,280 --> 01:46:20,800
Speaker 7: It doesn't have to be a voicemail that we play.

2477
01:46:21,160 --> 01:46:22,719
Speaker 7: I do want to send this for their their wedding

2478
01:46:22,760 --> 01:46:23,720
Speaker 7: book because they did ask that.

2479
01:46:24,880 --> 01:46:28,639
Speaker 2: Yeah, and my bad on that this storage, the system

2480
01:46:28,640 --> 01:46:30,400
Speaker 2: that we use for voicemails doesn't have much storage, so

2481
01:46:30,560 --> 01:46:32,759
Speaker 2: after I play them, I tend to delete them immediately,

2482
01:46:33,680 --> 01:46:36,320
Speaker 2: so that that's my fault. So yeah, send that voicemail,

2483
01:46:36,439 --> 01:46:38,439
Speaker 2: send another voicemail, put your email in it and then

2484
01:46:38,479 --> 01:46:39,960
Speaker 2: we'll get it settled.

2485
01:46:40,000 --> 01:46:41,920
Speaker 7: How do you feel that you'll be in someone's wedding book.

2486
01:46:43,160 --> 01:46:45,519
Speaker 7: I will be in the wedding but why well in

2487
01:46:45,600 --> 01:46:47,160
Speaker 7: the screenshot because you know you can put a message

2488
01:46:47,160 --> 01:46:49,320
Speaker 7: when you order flowers to send us someone like it's

2489
01:46:49,320 --> 01:46:52,240
Speaker 7: from the New Rolean Mall team. Yeah, you're going to

2490
01:46:52,320 --> 01:46:53,240
Speaker 7: be in someone's wedding book.

2491
01:46:53,320 --> 01:46:56,720
Speaker 2: Mo Oh, I get that. Yeah, my mom face, I.

2492
01:46:56,680 --> 01:46:58,519
Speaker 7: Could send them photos of you too. No, please don't

2493
01:46:58,680 --> 01:47:00,960
Speaker 7: like just random photos. I'm saying cool.

2494
01:47:02,280 --> 01:47:03,040
Speaker 3: Mal was good enough.

2495
01:47:03,080 --> 01:47:05,200
Speaker 7: You know why I love when it's your birthday because

2496
01:47:05,240 --> 01:47:09,960
Speaker 7: your sister always posts the funniest fucking cho Oh yeah, yo,

2497
01:47:10,040 --> 01:47:12,439
Speaker 7: there was one where you looked like Usher from the

2498
01:47:12,880 --> 01:47:13,559
Speaker 7: my Way video.

2499
01:47:14,479 --> 01:47:15,519
Speaker 2: What video that had?

2500
01:47:15,720 --> 01:47:15,840
Speaker 5: Right?

2501
01:47:16,880 --> 01:47:18,680
Speaker 2: I think I screenshoted yo.

2502
01:47:19,000 --> 01:47:22,360
Speaker 7: Every single birthday she always posts a photo I'd never

2503
01:47:22,400 --> 01:47:22,840
Speaker 7: seen before.

2504
01:47:22,920 --> 01:47:25,680
Speaker 3: She would stopped why and stop tagging me?

2505
01:47:27,280 --> 01:47:30,000
Speaker 7: Why you're not reposting a photo like this that the

2506
01:47:30,880 --> 01:47:32,519
Speaker 7: I can promise you no, look at look at your

2507
01:47:32,720 --> 01:47:33,280
Speaker 7: text message.

2508
01:47:33,640 --> 01:47:36,639
Speaker 3: No photo of me like that never happen.

2509
01:47:36,760 --> 01:47:37,240
Speaker 2: Are you sure?

2510
01:47:37,240 --> 01:47:40,800
Speaker 7: Because I just sent one to Julian just now face.

2511
01:47:41,479 --> 01:47:43,920
Speaker 7: I mean it's shadowy because it looks like it was

2512
01:47:44,080 --> 01:47:44,719
Speaker 7: like the nineties.

2513
01:47:44,800 --> 01:47:49,120
Speaker 5: So make sure you block her face out. I don't

2514
01:47:49,160 --> 01:47:53,160
Speaker 5: want her face in it. Okay, oh yeah that was that.

2515
01:47:53,320 --> 01:47:54,760
Speaker 7: That's not Usher in my Way video.

2516
01:47:55,000 --> 01:47:57,200
Speaker 3: Yeah, that was at that was at somebody's Sweet sixteen.

2517
01:47:57,200 --> 01:47:58,479
Speaker 2: I think that's a sick hat.

2518
01:47:58,960 --> 01:48:00,839
Speaker 7: What did you see that had you so for flexed?

2519
01:48:01,760 --> 01:48:02,799
Speaker 3: Probably some ass.

2520
01:48:04,400 --> 01:48:04,720
Speaker 2: Back then.

2521
01:48:04,840 --> 01:48:09,200
Speaker 10: You look like kel Mitchell you. I didn't even think that.

2522
01:48:09,439 --> 01:48:13,400
Speaker 10: I never put that together. You look like kel not

2523
01:48:13,479 --> 01:48:16,519
Speaker 10: in real life. But in that picture that is a

2524
01:48:16,600 --> 01:48:17,160
Speaker 10: crazy chain.

2525
01:48:18,680 --> 01:48:22,679
Speaker 7: Is that a caressage? What r whatever?

2526
01:48:23,320 --> 01:48:26,960
Speaker 3: I don't know what that's that's like for the when

2527
01:48:27,000 --> 01:48:29,120
Speaker 3: you get there, I don't know what that's called. The persons?

2528
01:48:29,120 --> 01:48:29,920
Speaker 2: What was I forgot who?

2529
01:48:30,120 --> 01:48:31,200
Speaker 3: That was definitely a sweet sixteen?

2530
01:48:31,280 --> 01:48:32,200
Speaker 2: What made you go with that hat?

2531
01:48:32,320 --> 01:48:32,360
Speaker 8: Like?

2532
01:48:32,880 --> 01:48:34,680
Speaker 7: Did you plan that days prior? Like you knew he

2533
01:48:34,720 --> 01:48:36,240
Speaker 7: was gonna kill him? You lay that on the bed,

2534
01:48:37,120 --> 01:48:39,760
Speaker 7: all white thing? Yeah, I gotta I gotta have from

2535
01:48:39,800 --> 01:48:40,400
Speaker 7: third alf.

2536
01:48:40,320 --> 01:48:42,680
Speaker 3: Yeah, I gotta give him from Cream, the cream, the

2537
01:48:42,720 --> 01:48:44,439
Speaker 3: cream for door. You know what I'm saying.

2538
01:48:45,400 --> 01:48:48,240
Speaker 2: Yeah, that's like calm color that the Marris would say.

2539
01:48:48,880 --> 01:48:51,600
Speaker 5: That's actually not nut colored. It's a little bit too cream. No,

2540
01:48:51,800 --> 01:48:54,679
Speaker 5: that's like that's gonna read a nut color unhealthy.

2541
01:48:54,800 --> 01:48:56,880
Speaker 2: Yeah, it's like the one that the guy slept with them.

2542
01:48:58,280 --> 01:49:00,960
Speaker 7: Did you end up doing anything for your birthday over

2543
01:49:01,000 --> 01:49:01,320
Speaker 7: the weekend?

2544
01:49:02,120 --> 01:49:04,439
Speaker 3: I mean I had to dinner with two of my homeboys.

2545
01:49:04,479 --> 01:49:06,800
Speaker 3: That was like they forced me to Did you wear

2546
01:49:06,840 --> 01:49:07,920
Speaker 3: that hat? God?

2547
01:49:08,080 --> 01:49:08,840
Speaker 2: No, did they pay?

2548
01:49:09,560 --> 01:49:12,680
Speaker 3: Hell yeah, fucking called me out of my house and

2549
01:49:12,720 --> 01:49:14,080
Speaker 3: they make me pay. Get the fuck out of here.

2550
01:49:14,080 --> 01:49:16,360
Speaker 2: I was, I was chilling. I had to come outside.

2551
01:49:16,760 --> 01:49:19,080
Speaker 7: That would be kind of wild, like separate checks. Yeah, no,

2552
01:49:19,240 --> 01:49:20,160
Speaker 7: you dragged me off.

2553
01:49:20,320 --> 01:49:22,439
Speaker 3: I go meet to meet you out here, like I

2554
01:49:22,640 --> 01:49:24,479
Speaker 3: had no intentions on coming outside today.

2555
01:49:24,640 --> 01:49:27,639
Speaker 7: Well yeah, again, that's my favorite part of your birthday season.

2556
01:49:27,720 --> 01:49:29,160
Speaker 3: Yeah, she always finds a way to find I don't

2557
01:49:29,160 --> 01:49:31,120
Speaker 3: even know. I didn't even know she still had those pictures.

2558
01:49:32,200 --> 01:49:35,519
Speaker 7: Thank god that her ig is private, because if some

2559
01:49:35,600 --> 01:49:38,040
Speaker 7: of those photos got out, Reddit would have a field day.

2560
01:49:38,080 --> 01:49:39,400
Speaker 1: I don't I don't know if it's private or if

2561
01:49:39,400 --> 01:49:40,680
Speaker 1: people just don't know how to find her.

2562
01:49:40,880 --> 01:49:43,759
Speaker 7: Let's let's not make them try. Yeah, of course voicemail.

2563
01:49:45,640 --> 01:49:48,880
Speaker 2: Yes, I reminder calling every tier has access to the

2564
01:49:49,040 --> 01:49:52,439
Speaker 2: voicemails on Patreon and we'll get to them as soon

2565
01:49:52,479 --> 01:49:53,360
Speaker 2: as we can. Here we go.

2566
01:49:53,840 --> 01:49:57,880
Speaker 6: What's up, So, Julian, baby d This is Bernie Khan

2567
01:49:57,960 --> 01:49:59,080
Speaker 6: from southern California.

2568
01:49:59,800 --> 01:50:01,519
Speaker 2: So I just had a quick question.

2569
01:50:02,400 --> 01:50:05,040
Speaker 6: A couple of years back, I started hanging out with

2570
01:50:05,120 --> 01:50:09,400
Speaker 6: this girl that was actually an ex of my best friend,

2571
01:50:09,840 --> 01:50:13,200
Speaker 6: and we started going, you know, getting close, and we

2572
01:50:13,320 --> 01:50:15,519
Speaker 6: fooled around, you know a little bit. But I had

2573
01:50:15,560 --> 01:50:18,439
Speaker 6: asked for permission. I had asked my friend if he

2574
01:50:18,560 --> 01:50:21,040
Speaker 6: was cool with it, to get his blessing, and he

2575
01:50:21,120 --> 01:50:25,520
Speaker 6: said he didn't. It didn't bother him. And little backstory

2576
01:50:25,640 --> 01:50:27,479
Speaker 6: like I didn't really know them when they were together.

2577
01:50:28,160 --> 01:50:30,120
Speaker 6: I wasn't really talking to my friend at that time,

2578
01:50:30,600 --> 01:50:32,360
Speaker 6: so I didn't. I never knew them as a couple.

2579
01:50:32,800 --> 01:50:35,000
Speaker 6: It wasn't until years later after they were already broke.

2580
01:50:35,040 --> 01:50:38,120
Speaker 6: You know, you know, we hung out and she was

2581
01:50:38,320 --> 01:50:41,160
Speaker 6: she was feeling me, and you know, she was baddie

2582
01:50:41,280 --> 01:50:42,960
Speaker 6: in my opinion, So you know, of course I was

2583
01:50:43,040 --> 01:50:47,080
Speaker 6: wanting to get some. So my question was, are all

2584
01:50:47,560 --> 01:50:49,360
Speaker 6: of your friends Texas off limits?

2585
01:50:49,560 --> 01:50:49,720
Speaker 5: Yes?

2586
01:50:50,520 --> 01:50:51,120
Speaker 2: Is that cool?

2587
01:50:51,240 --> 01:50:51,800
Speaker 8: If they're no?

2588
01:50:52,840 --> 01:50:59,280
Speaker 6: My scumbag, All right, take you guys later.

2589
01:51:00,240 --> 01:51:01,760
Speaker 3: He want to see what I'll say you're a piece

2590
01:51:01,800 --> 01:51:02,120
Speaker 3: of ship.

2591
01:51:02,760 --> 01:51:04,320
Speaker 7: You know, he said his name in the beginning, right,

2592
01:51:04,400 --> 01:51:07,439
Speaker 7: you asked your friend for permission, Bernie. He also put

2593
01:51:07,520 --> 01:51:09,320
Speaker 7: in this title Bernie a k a. B.

2594
01:51:09,520 --> 01:51:09,720
Speaker 8: Dog.

2595
01:51:09,800 --> 01:51:12,320
Speaker 7: You not beat dog after you your man's dogging your

2596
01:51:12,360 --> 01:51:17,160
Speaker 7: man's girls, because that has to be a nickname your

2597
01:51:17,160 --> 01:51:18,920
Speaker 7: friends would call you if you have that there. You're

2598
01:51:18,960 --> 01:51:21,200
Speaker 7: not beat dog after you fuck my ex. If it's

2599
01:51:21,439 --> 01:51:23,679
Speaker 7: if it's your homeboys, you're fucking weekend at Bernie's.

2600
01:51:23,800 --> 01:51:24,479
Speaker 2: If it's just a.

2601
01:51:24,520 --> 01:51:27,320
Speaker 3: Girl that he was just sleeping with, then I think

2602
01:51:27,320 --> 01:51:27,920
Speaker 3: it's fair game.

2603
01:51:28,200 --> 01:51:32,080
Speaker 1: But X no, yeah, x is wow. I can't you know.

2604
01:51:32,120 --> 01:51:33,920
Speaker 1: I want to stick up for Xes a little while.

2605
01:51:33,960 --> 01:51:35,040
Speaker 1: But but this is the thing.

2606
01:51:35,160 --> 01:51:38,120
Speaker 5: Once I ask you for permission and you say it's cool,

2607
01:51:38,880 --> 01:51:40,360
Speaker 5: then I don't want to hear nothing.

2608
01:51:40,400 --> 01:51:41,280
Speaker 2: But that's not what happened.

2609
01:51:41,360 --> 01:51:43,160
Speaker 1: He said. He asked him for permission and after.

2610
01:51:43,800 --> 01:51:47,439
Speaker 2: After he beat, which is after he didn't know that

2611
01:51:47,560 --> 01:51:48,000
Speaker 2: story went.

2612
01:51:48,120 --> 01:51:54,160
Speaker 7: That's he asked was asking for don't ask permission, just.

2613
01:51:54,160 --> 01:51:56,120
Speaker 1: Ask for forgiveness. Yeah, but he said he He said

2614
01:51:56,160 --> 01:51:56,880
Speaker 1: he asked before he.

2615
01:51:56,960 --> 01:51:58,720
Speaker 3: And I feel like, once you know, you got to ask,

2616
01:51:58,800 --> 01:51:59,400
Speaker 3: you know what's wrong?

2617
01:52:00,040 --> 01:52:02,000
Speaker 7: That exactly well, you're assuming to master the way he

2618
01:52:02,040 --> 01:52:03,960
Speaker 7: told that story, I'm positive he said it.

2619
01:52:04,080 --> 01:52:07,679
Speaker 1: Well, maybe we listened differently, but he said, that's crazy.

2620
01:52:09,160 --> 01:52:12,080
Speaker 6: So I just had a quick question. A couple of

2621
01:52:12,120 --> 01:52:15,920
Speaker 6: years back, I started hanging out with this girl that

2622
01:52:16,160 --> 01:52:19,400
Speaker 6: was actually an ex of my best friend, and we

2623
01:52:19,520 --> 01:52:23,200
Speaker 6: started going, you know, getting close, and we fooled around,

2624
01:52:23,560 --> 01:52:25,719
Speaker 6: you know a little bit. But I had asked for permission.

2625
01:52:25,880 --> 01:52:29,040
Speaker 1: I had asked for permission. I had asked, which means I.

2626
01:52:29,160 --> 01:52:30,720
Speaker 6: Had asked my friend if he was cool with it

2627
01:52:31,240 --> 01:52:33,800
Speaker 6: to get his blessing, and he said he didn't. It

2628
01:52:33,880 --> 01:52:34,840
Speaker 6: didn't bother him.

2629
01:52:35,000 --> 01:52:37,160
Speaker 3: So he asked first, he asked your backstory.

2630
01:52:37,439 --> 01:52:38,400
Speaker 7: I didn't really know, he said.

2631
01:52:40,400 --> 01:52:43,439
Speaker 3: He said it first, he said, I had asked either way.

2632
01:52:43,479 --> 01:52:45,360
Speaker 3: I feel like you got to ask for permission. You

2633
01:52:45,439 --> 01:52:47,320
Speaker 3: mean that that's like, you know, you're not supposed to

2634
01:52:47,320 --> 01:52:47,600
Speaker 3: be doing that.

2635
01:52:47,720 --> 01:52:53,200
Speaker 11: I asked Roory permission before to do what to walk

2636
01:52:53,400 --> 01:52:57,000
Speaker 11: up one of his exes. Yeah, but that's because you

2637
01:52:57,040 --> 01:52:57,880
Speaker 11: felt like that was wrong.

2638
01:52:58,960 --> 01:53:00,680
Speaker 5: No, I just wanted to make sure that he I

2639
01:53:00,760 --> 01:53:02,880
Speaker 5: feel like asking you ask because you feel like it's wrong.

2640
01:53:03,400 --> 01:53:06,160
Speaker 3: Not exactly what are we doing today? Because from the

2641
01:53:06,479 --> 01:53:09,080
Speaker 3: top of the fucking show. We've been at it asking

2642
01:53:09,160 --> 01:53:11,639
Speaker 3: for permission. Stop acting like it's not asking for permission,

2643
01:53:11,640 --> 01:53:14,479
Speaker 3: because you know what's wrong. I'm talking to you, talking

2644
01:53:14,520 --> 01:53:14,680
Speaker 3: to me.

2645
01:53:15,520 --> 01:53:18,920
Speaker 7: What's fucked up in those scenarios though, because like you'll

2646
01:53:18,960 --> 01:53:21,960
Speaker 7: have some ego if you have a friend asked you

2647
01:53:22,000 --> 01:53:23,400
Speaker 7: that type of ship, and I mean if you could

2648
01:53:23,400 --> 01:53:26,160
Speaker 7: get her, like, yeah, exactly what we're go ahead, and

2649
01:53:26,280 --> 01:53:27,360
Speaker 7: then they end up getting her.

2650
01:53:27,439 --> 01:53:29,760
Speaker 2: But then you're sitting there like, but you said, no

2651
01:53:29,920 --> 01:53:30,439
Speaker 2: you ask.

2652
01:53:30,360 --> 01:53:31,880
Speaker 3: Him because you feel like it's wrong.

2653
01:53:32,000 --> 01:53:33,719
Speaker 1: Well, no, you want to check the temperature.

2654
01:53:33,840 --> 01:53:37,160
Speaker 5: You might not feel it's wrong, but you're gonna be

2655
01:53:37,200 --> 01:53:39,800
Speaker 5: hot because it's wrong. No, you listen, it might be

2656
01:53:39,880 --> 01:53:43,120
Speaker 5: cool to you, but it's to somebody else it's wrong

2657
01:53:43,800 --> 01:53:44,479
Speaker 5: because it's wrong.

2658
01:53:44,560 --> 01:53:46,439
Speaker 1: You know, not exactly. It's some stuff that's cool to me,

2659
01:53:46,479 --> 01:53:47,880
Speaker 1: that's hot that you would That don't mean that you're

2660
01:53:47,880 --> 01:53:48,519
Speaker 1: wrong or I'm right.

2661
01:53:48,920 --> 01:53:50,080
Speaker 2: We think have different views.

2662
01:53:50,160 --> 01:53:53,160
Speaker 7: A legitimate access because when you asked, it wasn't wasn't leimate,

2663
01:53:53,400 --> 01:53:56,439
Speaker 7: what do you go? A legitimate ex to me is fu.

2664
01:53:56,560 --> 01:53:58,360
Speaker 5: But he did go on later to say that he

2665
01:53:58,439 --> 01:54:01,439
Speaker 5: didn't find out how they how close they were, until

2666
01:54:01,520 --> 01:54:03,280
Speaker 5: after he thought like, oh, that was just somebody used

2667
01:54:03,320 --> 01:54:05,439
Speaker 5: to like mess around with. He found out like that

2668
01:54:05,560 --> 01:54:07,040
Speaker 5: they was in it, in it after he said he

2669
01:54:07,120 --> 01:54:09,280
Speaker 5: wasn't around when they were, you know, dating.

2670
01:54:09,840 --> 01:54:11,400
Speaker 7: You might have been asleep in the car in Vegas.

2671
01:54:12,240 --> 01:54:13,680
Speaker 7: But I had a friend that had asked me a

2672
01:54:13,760 --> 01:54:15,720
Speaker 7: long time ago, like he had known I had slept

2673
01:54:15,760 --> 01:54:18,880
Speaker 7: with a woman, and was just like, yo, like you're

2674
01:54:18,880 --> 01:54:20,479
Speaker 7: cool if I shoot her. It's been a really long time.

2675
01:54:20,600 --> 01:54:23,360
Speaker 7: But it wasn't next. It was just you know whatever.

2676
01:54:23,520 --> 01:54:26,120
Speaker 7: I was like, yeah, go ahead, seen him in Vegas.

2677
01:54:26,280 --> 01:54:29,240
Speaker 7: I think you were asleep in the back. No, I asked, No, Yo,

2678
01:54:29,320 --> 01:54:31,920
Speaker 7: that bitch is crazy. I said, why do you think?

2679
01:54:31,920 --> 01:54:39,280
Speaker 3: I said, yes, yeah, that's hey, go for it. But

2680
01:54:40,240 --> 01:54:41,840
Speaker 3: you can't set the screen and send him into like

2681
01:54:42,160 --> 01:54:45,360
Speaker 3: the blonde yea, why all of a sudden?

2682
01:54:45,360 --> 01:54:47,400
Speaker 2: It is this my responsibility? You asked a girl having

2683
01:54:47,440 --> 01:54:49,280
Speaker 2: slept with him so long, but just ask me, And

2684
01:54:49,320 --> 01:54:50,360
Speaker 2: I'm like, all right, go ahead.

2685
01:54:50,360 --> 01:54:52,520
Speaker 3: But but you could have thrown it like yo, but yo,

2686
01:54:52,600 --> 01:54:53,640
Speaker 3: showty's crazy, thank you.

2687
01:54:54,200 --> 01:54:56,520
Speaker 5: She could have progressed And I'm like, hey, that's hey.

2688
01:54:56,880 --> 01:54:59,440
Speaker 5: If y'all meet, I tell him I'm crazy. He could

2689
01:54:59,440 --> 01:55:03,280
Speaker 5: find out if I'm I might not be crazy. Said,

2690
01:55:03,360 --> 01:55:05,800
Speaker 5: that's my whole work to make sure he walking into it.

2691
01:55:05,920 --> 01:55:07,360
Speaker 1: If he was that close to your homeboy, you want

2692
01:55:07,400 --> 01:55:07,879
Speaker 1: to be trying.

2693
01:55:07,720 --> 01:55:09,320
Speaker 2: To fuck me. So that's not true.

2694
01:55:10,120 --> 01:55:11,160
Speaker 3: We flee him.

2695
01:55:12,600 --> 01:55:15,360
Speaker 2: Oh yeah, Roy said, you can go talk to forty five.

2696
01:55:16,880 --> 01:55:17,560
Speaker 2: I'm with you.

2697
01:55:17,760 --> 01:55:18,640
Speaker 3: I don't do that anymore.

2698
01:55:18,680 --> 01:55:19,360
Speaker 7: I'm messing with you.

2699
01:55:20,280 --> 01:55:22,400
Speaker 2: Say you can go and talk to her, but just

2700
01:55:22,520 --> 01:55:24,600
Speaker 2: so you know when I was with her, or when

2701
01:55:24,600 --> 01:55:26,520
Speaker 2: I was seeing her, whatever, however you want to word it.

2702
01:55:26,760 --> 01:55:28,160
Speaker 2: She was a little off.

2703
01:55:28,200 --> 01:55:32,000
Speaker 7: The conversation made me uncomfortable to begin with, because I

2704
01:55:32,040 --> 01:55:34,480
Speaker 7: don't like that type of shit period. So I wasn't

2705
01:55:34,480 --> 01:55:39,320
Speaker 7: about to have a full conversation. H don't talk to

2706
01:55:39,360 --> 01:55:41,840
Speaker 7: me about someone I fucked years and years ago and

2707
01:55:41,920 --> 01:55:43,920
Speaker 7: you're asking if it's okay, Like, just go do that.

2708
01:55:44,160 --> 01:55:44,840
Speaker 2: No, I don't care.

2709
01:55:44,960 --> 01:55:46,520
Speaker 3: People got to ask, though, They got to ask.

2710
01:55:46,640 --> 01:55:48,280
Speaker 7: If it was my ex or someone that I was

2711
01:55:48,360 --> 01:55:51,840
Speaker 7: like really with with. Yeah, of course I would want

2712
01:55:51,880 --> 01:55:55,960
Speaker 7: my friend or associate to ask, but like, no, no,

2713
01:55:56,280 --> 01:55:59,120
Speaker 7: don't don't now, No, dude, All of a sudden, Julian's

2714
01:55:59,120 --> 01:56:01,440
Speaker 7: trying to give me that active have stipulations in this conversation.

2715
01:56:01,640 --> 01:56:03,160
Speaker 2: Don't explain how crazy she was.

2716
01:56:04,960 --> 01:56:07,400
Speaker 5: There'll be fucking bitches and it don't even be like no,

2717
01:56:07,760 --> 01:56:09,440
Speaker 5: Like you could have still been hitting that girl if

2718
01:56:09,480 --> 01:56:12,040
Speaker 5: you wanted to, and he might not know, Like men

2719
01:56:12,160 --> 01:56:16,760
Speaker 5: be lying about what they're doing, okay, but when people

2720
01:56:16,800 --> 01:56:17,280
Speaker 5: and I know.

2721
01:56:17,480 --> 01:56:18,120
Speaker 3: Yeah, but you can't.

2722
01:56:18,160 --> 01:56:19,600
Speaker 7: But you can't say that because that's because you're a

2723
01:56:19,600 --> 01:56:23,400
Speaker 7: group chat too active. Now, when you only had like

2724
01:56:23,480 --> 01:56:25,200
Speaker 7: three people in your group chat, that was cool. Now

2725
01:56:25,240 --> 01:56:27,520
Speaker 7: you got like twelve, so I don't know those other

2726
01:56:27,560 --> 01:56:29,200
Speaker 7: people it.

2727
01:56:29,800 --> 01:56:31,400
Speaker 2: Right though, it could have just been a temp check

2728
01:56:31,480 --> 01:56:33,280
Speaker 2: for you, Like.

2729
01:56:33,280 --> 01:56:34,600
Speaker 5: I'm gonna do this anyway, but I want to let

2730
01:56:34,640 --> 01:56:35,680
Speaker 5: you know that I'm gonna do this, but I'm gonna

2731
01:56:35,680 --> 01:56:36,160
Speaker 5: make it seem like.

2732
01:56:36,120 --> 01:56:38,560
Speaker 2: I'm you know, I know you've publicly said you're not

2733
01:56:38,680 --> 01:56:40,600
Speaker 2: hitting it. This is the opportunity to confide in me.

2734
01:56:40,800 --> 01:56:43,040
Speaker 2: Are you still hitting it? Because if not, I'm going

2735
01:56:43,120 --> 01:56:43,680
Speaker 2: to go for it.

2736
01:56:44,680 --> 01:56:46,080
Speaker 1: And I popped up from the back seat like.

2737
01:56:46,160 --> 01:56:48,160
Speaker 7: Damn, why do I why do I have to have

2738
01:56:48,480 --> 01:56:52,400
Speaker 7: like obligations to that conversation If it's somebody I don't

2739
01:56:52,400 --> 01:56:57,400
Speaker 7: even speak to, but he doesn't your.

2740
01:56:56,120 --> 01:56:58,800
Speaker 3: Friend, you speak to your friend. Your friend has seen

2741
01:56:59,000 --> 01:57:01,880
Speaker 3: or met an X of you, and it's thinking about

2742
01:57:02,160 --> 01:57:04,480
Speaker 3: you know, engaging in that and seeing where that goes

2743
01:57:04,560 --> 01:57:06,680
Speaker 3: and you know, taking it to another level. I think

2744
01:57:06,760 --> 01:57:08,600
Speaker 3: that it is right for your friend to ask you

2745
01:57:08,720 --> 01:57:09,240
Speaker 3: or let you know that.

2746
01:57:09,360 --> 01:57:09,440
Speaker 2: Yo.

2747
01:57:10,200 --> 01:57:11,800
Speaker 3: I know you used to talk to shorty, I used

2748
01:57:11,800 --> 01:57:13,600
Speaker 3: to date whatever whatever. Like, Yo, we kind of had

2749
01:57:13,640 --> 01:57:14,360
Speaker 3: a little energy.

2750
01:57:14,560 --> 01:57:16,960
Speaker 7: Like I was again not mad at the intentions of

2751
01:57:17,000 --> 01:57:19,360
Speaker 7: the conversation because that was that came from a good place.

2752
01:57:20,040 --> 01:57:22,640
Speaker 7: She wanted to let you know, like I've been talking,

2753
01:57:23,040 --> 01:57:25,760
Speaker 7: not talking to her, but like we exchanged numbers or whatever.

2754
01:57:25,800 --> 01:57:27,680
Speaker 7: Because they live in the same city that is not

2755
01:57:27,800 --> 01:57:29,480
Speaker 7: this city, so they run it. We all run in

2756
01:57:29,520 --> 01:57:32,480
Speaker 7: the same circles. And he had known that I had

2757
01:57:32,520 --> 01:57:37,560
Speaker 7: a previous encounter with her encounter or X definitely not X.

2758
01:57:37,720 --> 01:57:39,920
Speaker 2: Oh how long was the hookup phase?

2759
01:57:42,520 --> 01:57:43,360
Speaker 7: It's a pretty long time.

2760
01:57:44,120 --> 01:57:45,960
Speaker 2: Oh so, because that's how because I know how to

2761
01:57:46,040 --> 01:57:47,960
Speaker 2: trap Roy because he's not just like I met her

2762
01:57:48,000 --> 01:57:49,000
Speaker 2: in college. That's not fair.

2763
01:57:50,520 --> 01:57:51,080
Speaker 1: How long was that?

2764
01:57:51,160 --> 01:57:52,160
Speaker 2: Allows? Mad? Years?

2765
01:57:52,280 --> 01:57:55,040
Speaker 5: When were y'all and what years were y'all active? You know,

2766
01:57:55,200 --> 01:57:58,160
Speaker 5: they say this person, this actor was active between these years. Yeah,

2767
01:57:58,160 --> 01:57:59,120
Speaker 5: what years were y'all active?

2768
01:57:59,240 --> 01:58:00,920
Speaker 1: Not years? Well, how in the years if you.

2769
01:58:02,480 --> 01:58:05,720
Speaker 7: If you see a girl once or twice a year

2770
01:58:06,640 --> 01:58:08,120
Speaker 7: in that encounter, y'all sleep with each other.

2771
01:58:08,200 --> 01:58:11,680
Speaker 2: That's consistent is once or twice a year, especially when

2772
01:58:11,720 --> 01:58:13,640
Speaker 2: you don't live in the same city. It's it's like

2773
01:58:13,680 --> 01:58:15,560
Speaker 2: a fucking it's like going to the doctor, like you're

2774
01:58:15,840 --> 01:58:16,240
Speaker 2: planning this.

2775
01:58:16,320 --> 01:58:18,520
Speaker 5: If you had sex with a girl twice a year,

2776
01:58:18,760 --> 01:58:20,400
Speaker 5: by quarterly, that's a lot.

2777
01:58:20,680 --> 01:58:23,200
Speaker 7: That's the max. Like there'll be years where I wouldn't

2778
01:58:23,320 --> 01:58:23,640
Speaker 7: at all.

2779
01:58:23,880 --> 01:58:25,640
Speaker 3: Oh, so no, I don't got to ask no permission.

2780
01:58:25,680 --> 01:58:26,480
Speaker 3: That was just a hookup.

2781
01:58:26,520 --> 01:58:28,200
Speaker 2: He was just hooking up. How many years? Or was

2782
01:58:28,240 --> 01:58:28,680
Speaker 2: this a thing?

2783
01:58:28,840 --> 01:58:30,040
Speaker 1: You doing that for eight years?

2784
01:58:31,080 --> 01:58:33,880
Speaker 3: Twice a year? Stop running into me, y'all just using

2785
01:58:33,920 --> 01:58:36,960
Speaker 3: each other whenever, y'all the person that y'all really want

2786
01:58:37,040 --> 01:58:38,840
Speaker 3: and y'all on out, that's just who you go back to.

2787
01:58:38,960 --> 01:58:40,680
Speaker 3: That's just like your your dugout.

2788
01:58:42,120 --> 01:58:43,600
Speaker 2: I kill a bitch about my dugout.

2789
01:58:43,680 --> 01:58:45,720
Speaker 1: So I don't know, it.

2790
01:58:45,800 --> 01:58:49,640
Speaker 7: Wasn't eight years, but there would be like a two

2791
01:58:49,760 --> 01:58:52,800
Speaker 7: year span where we'd fuck once in that two year

2792
01:58:52,840 --> 01:58:55,200
Speaker 7: span and then like not fuck for like a year

2793
01:58:55,240 --> 01:58:57,480
Speaker 7: because we were five times.

2794
01:58:57,560 --> 01:58:59,480
Speaker 3: The next I'm not asking no permission. I'm not I'm

2795
01:58:59,520 --> 01:59:01,040
Speaker 3: not letting my me know what that me and shorty

2796
01:59:01,120 --> 01:59:03,640
Speaker 3: fucking you was fucking her twice a year, maybe once

2797
01:59:03,680 --> 01:59:03,960
Speaker 3: a year.

2798
01:59:04,120 --> 01:59:07,600
Speaker 7: That's why I was kind of an He just was aware.

2799
01:59:09,320 --> 01:59:12,320
Speaker 7: Like how he had even initially seen her before was

2800
01:59:12,360 --> 01:59:15,320
Speaker 7: because she was around me, So that's why he knew.

2801
01:59:15,360 --> 01:59:15,720
Speaker 5: I get it.

2802
01:59:15,800 --> 01:59:17,960
Speaker 7: And then but now that they're in another city and

2803
01:59:18,040 --> 01:59:20,080
Speaker 7: live in the same city in the same circles, he

2804
01:59:20,240 --> 01:59:21,480
Speaker 7: knows he met her through.

2805
01:59:21,400 --> 01:59:23,320
Speaker 3: Me, got it? So did he know that y'all was

2806
01:59:23,320 --> 01:59:24,840
Speaker 3: only having sex like twice a year once?

2807
01:59:24,960 --> 01:59:25,640
Speaker 1: No, he don't know that.

2808
01:59:26,160 --> 01:59:27,960
Speaker 7: No, because I don't like I didn't tell the group

2809
01:59:28,040 --> 01:59:28,440
Speaker 7: chat that now.

2810
01:59:28,440 --> 01:59:29,720
Speaker 3: I'm not saying he did, but I'm just saying that

2811
01:59:29,760 --> 01:59:31,760
Speaker 3: he know how consistently you'll were hooking up. He didn't know.

2812
01:59:31,880 --> 01:59:32,200
Speaker 7: He didn't know.

2813
01:59:32,760 --> 01:59:34,400
Speaker 3: You're not gonna stand him askingcause he probably thought it

2814
01:59:34,400 --> 01:59:36,520
Speaker 3: was something more serious like yeah cool.

2815
01:59:36,720 --> 01:59:38,800
Speaker 7: And again I wasn't mad at his intention of asking,

2816
01:59:39,280 --> 01:59:42,560
Speaker 7: but I don't think I'm required to give more information

2817
01:59:42,640 --> 01:59:42,960
Speaker 7: after that.

2818
01:59:43,080 --> 01:59:44,760
Speaker 1: No, you shouldn't have told him that that girl was great,

2819
01:59:44,920 --> 01:59:46,360
Speaker 1: Like it's.

2820
01:59:46,200 --> 01:59:49,160
Speaker 7: I'm uncomfortable already, Like I don't give a fuck for

2821
01:59:49,320 --> 01:59:52,400
Speaker 7: any of my friends at this point. To go date

2822
01:59:52,640 --> 01:59:55,360
Speaker 7: someone that I think it's kind of weird, I wouldn't

2823
01:59:55,400 --> 01:59:57,480
Speaker 7: do it. But if you want to do that from

2824
01:59:57,520 --> 02:00:01,640
Speaker 7: some past shit that I've had, I'm thirty three, you

2825
02:00:01,640 --> 02:00:03,240
Speaker 7: could at least put it a good thirty four years, like,

2826
02:00:03,360 --> 02:00:05,320
Speaker 7: don't don't have to tell me I have a past, Like,

2827
02:00:05,400 --> 02:00:07,200
Speaker 7: go ahead, I don't care you're going to my ex.

2828
02:00:07,320 --> 02:00:08,120
Speaker 2: Go ahead, I don't if.

2829
02:00:08,000 --> 02:00:10,440
Speaker 5: You're gonna hate, if you're gonna send hate as far

2830
02:00:10,520 --> 02:00:12,360
Speaker 5: as saying, oh, that bitch crazy, make sure you say

2831
02:00:12,440 --> 02:00:13,120
Speaker 5: that bitch crazy.

2832
02:00:13,160 --> 02:00:15,440
Speaker 1: But her pussy good and she cooked real good, she

2833
02:00:15,440 --> 02:00:16,000
Speaker 1: looked beautiful.

2834
02:00:16,320 --> 02:00:18,520
Speaker 3: I said hate if you really crazy, though, if you

2835
02:00:18,640 --> 02:00:20,880
Speaker 3: really want to set a bad set of good yeah,

2836
02:00:20,880 --> 02:00:22,320
Speaker 3: but if you really crazy, I feel like you should

2837
02:00:22,320 --> 02:00:23,200
Speaker 3: tell your friends that puts you.

2838
02:00:23,200 --> 02:00:25,120
Speaker 1: Down in five seconds, like if you if you, if.

2839
02:00:25,040 --> 02:00:27,440
Speaker 3: You asked if you talked to one of my homeboys, right,

2840
02:00:27,880 --> 02:00:31,680
Speaker 3: and I'm like, yo, the marriage listen, he cool, but

2841
02:00:31,760 --> 02:00:34,520
Speaker 3: the nigga a little he a little jealous and get

2842
02:00:34,560 --> 02:00:36,800
Speaker 3: crazy at times. You don't think that I should tell.

2843
02:00:36,680 --> 02:00:39,440
Speaker 7: You that if she stabbed me, Yes, I would tell

2844
02:00:39,480 --> 02:00:42,160
Speaker 7: my homeboy, you probably shouldn't do that. She's the regular

2845
02:00:42,320 --> 02:00:45,640
Speaker 7: level woman crazy like nothing to write home about. She's

2846
02:00:45,720 --> 02:00:46,800
Speaker 7: just a fucking nuts woman.

2847
02:00:47,560 --> 02:00:49,040
Speaker 3: Obviously he came back to you. It was like, Yo,

2848
02:00:49,120 --> 02:00:52,080
Speaker 3: this bitch is crazy. Yeah, so why you ain't telling

2849
02:00:52,080 --> 02:00:54,520
Speaker 3: me that, Nigga, tell.

2850
02:00:54,440 --> 02:00:56,480
Speaker 1: Me she crazy because you might not make her crazy.

2851
02:00:56,600 --> 02:00:58,680
Speaker 5: There's there's some men that would say I was crazy,

2852
02:00:58,720 --> 02:01:00,200
Speaker 5: and there's something that was like the Marrors is the

2853
02:01:00,240 --> 02:01:03,320
Speaker 5: most level headed person, the most logical person. Everybody experiences

2854
02:01:03,400 --> 02:01:07,920
Speaker 5: a different you. No, it's actually the opposite. Everybody experiences

2855
02:01:07,960 --> 02:01:08,440
Speaker 5: a different you.

2856
02:01:09,440 --> 02:01:11,320
Speaker 1: So you can't. I'm not gonna sit there and say

2857
02:01:11,360 --> 02:01:12,120
Speaker 1: she crazy and then I.

2858
02:01:12,160 --> 02:01:12,680
Speaker 5: Go deal with her.

2859
02:01:12,720 --> 02:01:16,320
Speaker 3: And boy Henry Rory experienced the same crazy bitch because

2860
02:01:16,320 --> 02:01:17,080
Speaker 3: he came back.

2861
02:01:17,000 --> 02:01:19,400
Speaker 7: Like also in that type of conversation. I'll take it

2862
02:01:19,400 --> 02:01:26,560
Speaker 7: to another level. If I ever caught Kia texting her friend,

2863
02:01:26,680 --> 02:01:28,080
Speaker 7: if her friend was like, yo, I know you used

2864
02:01:28,080 --> 02:01:29,640
Speaker 7: to sleepless dude or whatever, Like I know it wasn't

2865
02:01:29,640 --> 02:01:32,800
Speaker 7: a real thing, but like we're talking now and whatever,

2866
02:01:32,960 --> 02:01:36,960
Speaker 7: and they have a full blown conversation about their history.

2867
02:01:37,840 --> 02:01:41,960
Speaker 7: I would have an issue with that. Why why the

2868
02:01:42,040 --> 02:01:44,720
Speaker 7: fuck you go back and forth with your friend about

2869
02:01:45,480 --> 02:01:48,440
Speaker 7: old Like my answer to I almost said his name.

2870
02:01:49,120 --> 02:01:52,200
Speaker 7: My answer to him was go ahead. I'm not about

2871
02:01:52,200 --> 02:01:54,600
Speaker 7: to sit and reminisce like, Yo, this is what happened

2872
02:01:54,640 --> 02:01:56,120
Speaker 7: with this, this is like, this is what she is, Like,

2873
02:01:57,520 --> 02:01:58,520
Speaker 7: I wouldn't go to my life.

2874
02:01:59,040 --> 02:01:59,760
Speaker 3: Am I talking about?

2875
02:02:00,120 --> 02:02:01,880
Speaker 2: Got to do all that yester year and like that?

2876
02:02:02,000 --> 02:02:05,600
Speaker 7: But if if Kia did that exact scenario with her homegirl,

2877
02:02:05,680 --> 02:02:07,640
Speaker 7: like no, I mean yeah, I used to fucking them.

2878
02:02:07,680 --> 02:02:08,280
Speaker 2: This is what happened.

2879
02:02:08,280 --> 02:02:10,320
Speaker 7: This is where he's weird like this and starts going

2880
02:02:10,400 --> 02:02:13,240
Speaker 7: down his whole fucking uh, you'd be mad about that.

2881
02:02:13,480 --> 02:02:15,320
Speaker 2: Yeah, what the just say yes or no? Like why

2882
02:02:15,360 --> 02:02:17,000
Speaker 2: are you even having that conversation.

2883
02:02:16,720 --> 02:02:18,920
Speaker 1: Because that's how girls talk is girly. If you did it,

2884
02:02:18,960 --> 02:02:19,480
Speaker 1: it would be weird.

2885
02:02:19,520 --> 02:02:23,200
Speaker 5: But it's girly girls chat okay shitty Yeah yeah, like

2886
02:02:23,240 --> 02:02:24,680
Speaker 5: it's chat. It's girls chatting like.

2887
02:02:25,040 --> 02:02:27,120
Speaker 3: Yeah, just tell me if she's crazy or not you

2888
02:02:27,600 --> 02:02:30,880
Speaker 3: and ask the question. Yeah, but I mean if I'm

2889
02:02:30,960 --> 02:02:32,640
Speaker 3: asking you though, it's it cool. If a high light

2890
02:02:32,840 --> 02:02:37,120
Speaker 3: like way, yeah, but off the off the guhead, go.

2891
02:02:37,120 --> 02:02:39,480
Speaker 7: Ahead, lean into the father would say yeah, what murder,

2892
02:02:39,520 --> 02:02:42,920
Speaker 7: go ahead, lean into the lean into the yo. But

2893
02:02:43,000 --> 02:02:45,240
Speaker 7: she a little she a bug out, though I don't

2894
02:02:45,280 --> 02:02:47,960
Speaker 7: know that to be the case now, Like, okay, well

2895
02:02:48,040 --> 02:02:49,880
Speaker 7: say it same from your experience.

2896
02:02:49,600 --> 02:02:51,960
Speaker 2: He might not have out dick like you know, I

2897
02:02:52,000 --> 02:02:54,040
Speaker 2: don't want to send you she was fucking crazy.

2898
02:02:54,520 --> 02:02:56,920
Speaker 3: But so what I'm saying, sometimes they just crazy. That's

2899
02:02:56,960 --> 02:02:58,680
Speaker 3: why I'm not with her. That's why we didn't work out.

2900
02:02:59,560 --> 02:03:00,680
Speaker 1: That's hate. Don't don't hate.

2901
02:03:00,720 --> 02:03:04,240
Speaker 5: If you're going past, if your homeboy come for a recommendation,

2902
02:03:04,440 --> 02:03:06,760
Speaker 5: telling me good, don't telling them bad, don't hate, don't

2903
02:03:06,800 --> 02:03:08,120
Speaker 5: dirty back dirty macking?

2904
02:03:08,240 --> 02:03:11,720
Speaker 3: How really crazy? If you're not crazy, that's dirty macking?

2905
02:03:12,000 --> 02:03:14,320
Speaker 3: Like if you cool and I ain't never expressed so

2906
02:03:14,400 --> 02:03:15,440
Speaker 3: crazy with you and the like.

2907
02:03:15,640 --> 02:03:18,440
Speaker 2: She's crazy, craziest subjective. Well they're two for two with

2908
02:03:18,560 --> 02:03:20,120
Speaker 2: these guys like that seems she.

2909
02:03:20,200 --> 02:03:21,320
Speaker 3: Seems pretty consistent.

2910
02:03:23,600 --> 02:03:27,800
Speaker 2: She's crazy and myself first word, both y'all are lying.

2911
02:03:27,840 --> 02:03:31,120
Speaker 7: If you ever caught your girlfriends having a conversation with

2912
02:03:31,240 --> 02:03:32,800
Speaker 7: their homegirl like that via.

2913
02:03:32,720 --> 02:03:34,280
Speaker 2: Text, oh I would. I would not be cool with

2914
02:03:34,320 --> 02:03:34,680
Speaker 2: that at all.

2915
02:03:34,800 --> 02:03:37,040
Speaker 7: Yeah, So like, let's let's not all pretend like if oh,

2916
02:03:37,080 --> 02:03:39,800
Speaker 7: that's just what girls do. If one of her homegirls

2917
02:03:39,840 --> 02:03:41,080
Speaker 7: was like, Yo, I know you should just suck around

2918
02:03:41,120 --> 02:03:43,480
Speaker 7: with this dude in the past, but like I'm talking

2919
02:03:43,520 --> 02:03:44,960
Speaker 7: to him now, I just want to get your permission.

2920
02:03:45,120 --> 02:03:47,080
Speaker 7: So it's not weird if you see me pop up

2921
02:03:47,080 --> 02:03:51,320
Speaker 7: with him and she says anything besides yes or no,

2922
02:03:51,520 --> 02:03:54,600
Speaker 7: you would have an issue with that. M This is

2923
02:03:54,680 --> 02:03:56,560
Speaker 7: what This is what I feel like if you start

2924
02:03:56,600 --> 02:03:59,160
Speaker 7: going into like, yo, this is what happened in our relationship,

2925
02:03:59,160 --> 02:04:01,000
Speaker 7: this is what happened, Like he did this, he did that, Like,

2926
02:04:01,120 --> 02:04:02,200
Speaker 7: why are you even talking about that?

2927
02:04:02,720 --> 02:04:06,280
Speaker 1: Well unless my friend came and asked me about something.

2928
02:04:06,400 --> 02:04:08,640
Speaker 5: And second of all, this is why I feel like

2929
02:04:08,720 --> 02:04:10,800
Speaker 5: and this is why I'm so anti going through phones,

2930
02:04:11,040 --> 02:04:13,720
Speaker 5: because every conversation isn't for you to see.

2931
02:04:14,160 --> 02:04:15,480
Speaker 7: I agree, you see what I'm saying, Like.

2932
02:04:15,800 --> 02:04:18,960
Speaker 5: Conversations that I have, like with my friends about my

2933
02:04:19,080 --> 02:04:21,040
Speaker 5: man or somebody that I'm dating, a lot of that

2934
02:04:21,080 --> 02:04:23,880
Speaker 5: stuff he not gonna want to hear because it's me

2935
02:04:24,000 --> 02:04:25,880
Speaker 5: and my girls, Like the same way you the same

2936
02:04:25,920 --> 02:04:28,080
Speaker 5: way that we talk about certain people that we're dating.

2937
02:04:28,200 --> 02:04:30,200
Speaker 5: We would never want the people that were dating to

2938
02:04:30,360 --> 02:04:32,640
Speaker 5: hear that or to see that. There's conversations that me

2939
02:04:32,720 --> 02:04:34,600
Speaker 5: and you have had that you would never want key

2940
02:04:34,680 --> 02:04:36,600
Speaker 5: to hear. Doesn't mean you're cheating, doesn't mean you're doing

2941
02:04:36,640 --> 02:04:38,840
Speaker 5: anything wrong, but she just wouldn't be able to hear

2942
02:04:38,880 --> 02:04:40,280
Speaker 5: it with the ear that we hear it.

2943
02:04:40,320 --> 02:04:42,000
Speaker 7: And I'm saying, with the things that I can prevent

2944
02:04:42,080 --> 02:04:46,640
Speaker 7: that aren't necessary, I'm gonna prevent them, and you're gonna

2945
02:04:46,640 --> 02:04:50,800
Speaker 7: get an answer that's gonna say, go ahead, yeah, and

2946
02:04:50,960 --> 02:04:52,720
Speaker 7: just it's gonna be done at that. I'm not about

2947
02:04:52,760 --> 02:04:55,160
Speaker 7: to reminisce with my man about what happened, because he's

2948
02:04:55,200 --> 02:04:55,600
Speaker 7: trying to fun.

2949
02:04:55,640 --> 02:04:57,440
Speaker 5: But it ain't like you, like damn like youbout to

2950
02:04:57,520 --> 02:04:59,160
Speaker 5: hit that. Let me tell you about how that pussy

2951
02:04:59,200 --> 02:04:59,920
Speaker 5: hit at seven pm.

2952
02:05:00,240 --> 02:05:03,520
Speaker 7: Yeah, I see that at that point, At that point,

2953
02:05:03,560 --> 02:05:07,920
Speaker 7: that's kind of gay. That's that's different. I'm just talking

2954
02:05:07,960 --> 02:05:10,840
Speaker 7: about that type of conversation is different. But if she's

2955
02:05:10,960 --> 02:05:15,280
Speaker 7: legit crazy, just give me a little heads up. Woman crazy,

2956
02:05:15,800 --> 02:05:16,920
Speaker 7: We'll just give me a little heads up.

2957
02:05:17,080 --> 02:05:17,400
Speaker 2: That's all.

2958
02:05:18,280 --> 02:05:21,440
Speaker 7: She didn't burn my house down, she didn't hit me like.

2959
02:05:21,600 --> 02:05:24,640
Speaker 7: She's just regular woman nuts.

2960
02:05:24,640 --> 02:05:26,520
Speaker 1: And she fine enough for that not to matter.

2961
02:05:27,360 --> 02:05:29,040
Speaker 2: That's why you know why it took eight years.

2962
02:05:29,120 --> 02:05:34,840
Speaker 1: Yes, the same one I asked permission for no, I

2963
02:05:34,880 --> 02:05:35,360
Speaker 1: didn't try.

2964
02:05:35,840 --> 02:05:37,840
Speaker 2: Do we have one more voice? Oh? Yes we do.

2965
02:05:39,640 --> 02:05:41,000
Speaker 2: This is this will be this will be fun for

2966
02:05:41,080 --> 02:05:41,440
Speaker 2: this room.

2967
02:05:41,760 --> 02:05:42,400
Speaker 8: What's going on?

2968
02:05:42,680 --> 02:05:43,040
Speaker 2: Family?

2969
02:05:43,480 --> 02:05:43,600
Speaker 6: Uh?

2970
02:05:43,800 --> 02:05:47,160
Speaker 8: This is tea from the d m V. I ain't

2971
02:05:47,360 --> 02:05:48,880
Speaker 8: real quick, FuG get into my ship.

2972
02:05:49,160 --> 02:05:52,480
Speaker 9: I hate when people calling and say all of our

2973
02:05:52,560 --> 02:05:53,480
Speaker 9: names individually.

2974
02:05:53,840 --> 02:05:55,600
Speaker 8: I don't know if that she blows the fun out,

2975
02:05:55,920 --> 02:05:58,600
Speaker 8: but it blows the fun out of me. That ain't.

2976
02:05:58,600 --> 02:06:03,600
Speaker 8: Ain't got nothing to do nothing, A little issue. Right,

2977
02:06:03,880 --> 02:06:07,400
Speaker 8: So I'm married. Uh, me and my wife have a daughter.

2978
02:06:08,080 --> 02:06:11,960
Speaker 9: Uh, she's about namos and my wife is they stay

2979
02:06:12,000 --> 02:06:14,760
Speaker 9: at home mom. Oh, but she's cool, you know what

2980
02:06:14,840 --> 02:06:17,720
Speaker 9: I mean, Like you know, as far as like your

2981
02:06:17,760 --> 02:06:20,480
Speaker 9: pockets go whatever. It's like kind of trash because she's

2982
02:06:20,520 --> 02:06:21,360
Speaker 9: not working no more.

2983
02:06:21,440 --> 02:06:23,480
Speaker 8: But it is what it is, you know what I mean.

2984
02:06:23,560 --> 02:06:25,320
Speaker 8: The baby's happy, she's happy. It's okay.

2985
02:06:25,920 --> 02:06:29,320
Speaker 9: The only problem is is that like she very much

2986
02:06:29,600 --> 02:06:33,800
Speaker 9: takes like taking care of the baby as like her

2987
02:06:33,960 --> 02:06:34,760
Speaker 9: only job.

2988
02:06:35,640 --> 02:06:37,440
Speaker 8: And like I am.

2989
02:06:39,600 --> 02:06:42,680
Speaker 2: Before we got there. Now, come on, come on. Initial

2990
02:06:42,720 --> 02:06:44,520
Speaker 2: thoughts I knew, I knew would be a great one

2991
02:06:44,560 --> 02:06:47,560
Speaker 2: to end on. We'll keep going, We'll keep going.

2992
02:06:47,640 --> 02:06:48,280
Speaker 7: I'm all yours.

2993
02:06:48,400 --> 02:06:49,160
Speaker 2: Yeah, this is fun.

2994
02:06:49,360 --> 02:06:51,880
Speaker 7: There we go, scared where he's gonna take this trained chef.

2995
02:06:52,000 --> 02:06:55,080
Speaker 8: So I got home, I cook, you know what I mean.

2996
02:06:55,440 --> 02:06:57,680
Speaker 9: I still might clean up a little bit and everything

2997
02:06:57,760 --> 02:07:00,480
Speaker 9: like that or whatever, but like very much, if I

2998
02:07:00,560 --> 02:07:02,640
Speaker 9: leave a house or whatever, I come home and like

2999
02:07:02,840 --> 02:07:06,640
Speaker 9: it still looks exactly like it did, and like, you know,

3000
02:07:06,800 --> 02:07:10,000
Speaker 9: you can't make it seem like a do something else

3001
02:07:10,080 --> 02:07:12,280
Speaker 9: or whatever, because like you can't make it seem like

3002
02:07:12,400 --> 02:07:13,960
Speaker 9: taking care of the baby has light work.

3003
02:07:14,120 --> 02:07:16,880
Speaker 8: But also, hey, can you do something else?

3004
02:07:17,160 --> 02:07:17,800
Speaker 2: Like you know what I mean?

3005
02:07:18,520 --> 02:07:21,560
Speaker 8: So, uh, you know, how would y'all go about having

3006
02:07:21,600 --> 02:07:22,240
Speaker 8: that conversation?

3007
02:07:23,280 --> 02:07:27,280
Speaker 3: So somebody he wants his wife to do more at

3008
02:07:27,360 --> 02:07:28,600
Speaker 3: home while he's gone.

3009
02:07:28,480 --> 02:07:34,760
Speaker 2: Yes in short, yeah, all right, I'll let everyone without

3010
02:07:34,840 --> 02:07:35,680
Speaker 2: kids start the combo.

3011
02:07:36,280 --> 02:07:37,960
Speaker 3: I guess I could kind of sort of see what

3012
02:07:38,040 --> 02:07:41,240
Speaker 3: he's saying. But if there's if the house is clean,

3013
02:07:42,120 --> 02:07:43,960
Speaker 3: the baby is laying down sleep, taking.

3014
02:07:43,800 --> 02:07:45,800
Speaker 1: Care of he just said the house don't be So

3015
02:07:45,880 --> 02:07:47,200
Speaker 1: basically the wife isn't cleaning.

3016
02:07:47,040 --> 02:07:49,760
Speaker 2: You're not doing anything besides taking care of the kids.

3017
02:07:49,840 --> 02:07:51,920
Speaker 2: So he's saying he'll come home, he'll still cook, he'll

3018
02:07:51,960 --> 02:07:54,480
Speaker 2: still do the dishes, he'll clean the house, do everything

3019
02:07:54,800 --> 02:07:58,480
Speaker 2: that doesn't pertain to the kid. Even though he's he said,

3020
02:07:58,520 --> 02:08:00,440
Speaker 2: by trade, he's a chef profession chef.

3021
02:08:00,960 --> 02:08:03,480
Speaker 3: Oh so oh okay, I see what's happening. So because

3022
02:08:03,520 --> 02:08:08,040
Speaker 3: he's the professional chef, she's assuming that he's probably the

3023
02:08:08,120 --> 02:08:11,200
Speaker 3: better cook out of the two, and she's assuming that

3024
02:08:11,360 --> 02:08:13,840
Speaker 3: he's just gonna come home. And because this is what

3025
02:08:13,920 --> 02:08:17,600
Speaker 3: he does, you need practice. Yeah, but nobody must have

3026
02:08:17,680 --> 02:08:18,360
Speaker 3: work at home.

3027
02:08:19,160 --> 02:08:21,760
Speaker 7: We're called a bustman's holiday. When the guy that drives

3028
02:08:21,800 --> 02:08:24,560
Speaker 7: the bus on his days off drives his kids around,

3029
02:08:24,680 --> 02:08:25,800
Speaker 7: it's called a bust men's holiday.

3030
02:08:27,360 --> 02:08:31,360
Speaker 3: Yeah, I think she should. You should definitely find something

3031
02:08:31,400 --> 02:08:33,280
Speaker 3: to do around the house other than if you know,

3032
02:08:33,320 --> 02:08:36,640
Speaker 3: if the babies take care of sleep, that's your time

3033
02:08:36,720 --> 02:08:38,640
Speaker 3: to eat. If you want to rest cool, do some

3034
02:08:38,760 --> 02:08:40,160
Speaker 3: things that you want to do for yourself.

3035
02:08:40,280 --> 02:08:44,760
Speaker 5: Great, But if the house is dirty, you should also

3036
02:08:44,880 --> 02:08:46,560
Speaker 5: take that time to clean up the house as well.

3037
02:08:46,800 --> 02:08:46,960
Speaker 2: More.

3038
02:08:48,440 --> 02:08:53,240
Speaker 7: This very weekend, I had amara by myself from Friday night,

3039
02:08:53,520 --> 02:08:57,680
Speaker 7: Saturday night, Sunday night in Jersey, my cribon Jersey. That

3040
02:08:57,800 --> 02:09:01,600
Speaker 7: house is a disaster right now. The only time I

3041
02:09:01,640 --> 02:09:04,240
Speaker 7: would really have time to clean up would possibly be

3042
02:09:04,360 --> 02:09:06,960
Speaker 7: during the one hour nap that she takes in the

3043
02:09:07,000 --> 02:09:09,920
Speaker 7: middle of the day. At that point, I had stayed

3044
02:09:09,960 --> 02:09:15,120
Speaker 7: up the entire night before. I was fucking exhausted. That

3045
02:09:15,240 --> 02:09:17,800
Speaker 7: time where you need to just do nothing sometimes only

3046
02:09:17,880 --> 02:09:20,360
Speaker 7: comes when your child is sleeping for that hour hour

3047
02:09:20,360 --> 02:09:22,680
Speaker 7: and a half. Sure, it is so easy to let

3048
02:09:22,800 --> 02:09:25,600
Speaker 7: a house just go when you have a toddler. And

3049
02:09:25,680 --> 02:09:27,720
Speaker 7: don't get me wrong, the way Big t overheres is

3050
02:09:27,800 --> 02:09:31,240
Speaker 7: talking is sort of how I felt in the beginning

3051
02:09:31,280 --> 02:09:33,400
Speaker 7: a bit. When I came back, I was like, damn man,

3052
02:09:34,120 --> 02:09:35,560
Speaker 7: working non stop, and then I come home and then

3053
02:09:35,600 --> 02:09:37,640
Speaker 7: I clean, I cook, I do laundry, all the shit.

3054
02:09:39,000 --> 02:09:42,120
Speaker 7: I got rid of that mentality after two weeks, once

3055
02:09:42,840 --> 02:09:44,280
Speaker 7: I had had a few weekends of just me and

3056
02:09:44,400 --> 02:09:45,960
Speaker 7: mar I'm like, oh, you can't get shit done with

3057
02:09:46,000 --> 02:09:49,480
Speaker 7: a toddler, And anytime you clean something up once they

3058
02:09:49,520 --> 02:09:52,480
Speaker 7: wake up from that nap, it's going to be redestroyed,

3059
02:09:53,360 --> 02:09:56,440
Speaker 7: Like even trying to feed a kid is an entire

3060
02:09:56,520 --> 02:09:58,800
Speaker 7: part of the house is going to get destroyed. He

3061
02:09:58,920 --> 02:10:03,440
Speaker 7: should have a bit more compassion when it comes to that. Yes,

3062
02:10:03,880 --> 02:10:05,880
Speaker 7: it's tough to work all day and then come home,

3063
02:10:06,040 --> 02:10:07,640
Speaker 7: and it's like, all right, any free time I would

3064
02:10:07,680 --> 02:10:10,240
Speaker 7: have is now fully in trying to make sure she

3065
02:10:10,400 --> 02:10:12,080
Speaker 7: is some free time, Like, what the fuck did you

3066
02:10:12,320 --> 02:10:14,800
Speaker 7: do all day? Sit with your kid for a week?

3067
02:10:15,720 --> 02:10:19,360
Speaker 7: Do roll reverse big t Let me know how you think,

3068
02:10:19,800 --> 02:10:22,920
Speaker 7: See how much you get done. Listen, I feel I

3069
02:10:23,080 --> 02:10:26,920
Speaker 7: feel him, But you have no idea what the fuck

3070
02:10:27,160 --> 02:10:29,480
Speaker 7: is like when you have one hour out the day

3071
02:10:29,480 --> 02:10:31,080
Speaker 7: that could have some free time. No, the house is

3072
02:10:31,120 --> 02:10:35,080
Speaker 7: gonna be fucking clean. Yeah, I can't even go food shopping.

3073
02:10:36,040 --> 02:10:38,560
Speaker 3: And it's a nine month old, so it's a new baby.

3074
02:10:40,680 --> 02:10:43,440
Speaker 3: But I mean I understand, like he's going he's at

3075
02:10:43,480 --> 02:10:45,160
Speaker 3: work all day, he come home. The last thing you

3076
02:10:45,200 --> 02:10:47,200
Speaker 3: want to come home to is a dirty house.

3077
02:10:47,760 --> 02:10:48,200
Speaker 8: I get that.

3078
02:10:49,080 --> 02:10:52,560
Speaker 3: But at the same time, raising a baby, raising a

3079
02:10:52,680 --> 02:10:56,800
Speaker 3: child a nine month old is NonStop work until that

3080
02:10:56,960 --> 02:11:00,040
Speaker 3: baby either decides I'm going to take a nap, the

3081
02:11:00,080 --> 02:11:02,840
Speaker 3: baby doesn't take in that up all day with the baby,

3082
02:11:03,120 --> 02:11:07,760
Speaker 3: feeding dishes, pampers, clothes, whatever, toys everywhere.

3083
02:11:08,600 --> 02:11:12,200
Speaker 2: I get how that goes alongside just pure exhaustion because

3084
02:11:12,240 --> 02:11:13,320
Speaker 2: babies don't sleep.

3085
02:11:13,240 --> 02:11:16,640
Speaker 7: And I mean, obviously we don't know them, but I'm

3086
02:11:16,680 --> 02:11:18,560
Speaker 7: sure she gives you some grace and lets you sleep

3087
02:11:18,600 --> 02:11:20,320
Speaker 7: because you have to work in the morning. Yeah, so

3088
02:11:20,520 --> 02:11:23,520
Speaker 7: she's up all night and like, when you know it's

3089
02:11:23,720 --> 02:11:26,760
Speaker 7: just you, you're the only responsible person. You don't ever

3090
02:11:26,840 --> 02:11:29,320
Speaker 7: really get into reun sleep, Like you close your eyes

3091
02:11:29,360 --> 02:11:31,400
Speaker 7: and you're kind of asleep, but you have that paranoia

3092
02:11:31,560 --> 02:11:34,520
Speaker 7: of the kid with especially in nine months, super paranoid.

3093
02:11:34,520 --> 02:11:36,920
Speaker 7: You never get real sleep. You just close your eyes,

3094
02:11:36,920 --> 02:11:39,800
Speaker 7: you get a bunch of thirty minute naps, you wake

3095
02:11:39,880 --> 02:11:41,760
Speaker 7: up the next Now I'm sorry, I'm not mopping the

3096
02:11:41,840 --> 02:11:42,760
Speaker 7: fucking floors today.

3097
02:11:43,400 --> 02:11:46,160
Speaker 1: And so this is why we had this conversation on

3098
02:11:46,240 --> 02:11:46,720
Speaker 1: the podcast.

3099
02:11:46,880 --> 02:11:47,120
Speaker 2: Before.

3100
02:11:47,200 --> 02:11:49,080
Speaker 5: We've had it off Mike two, and I've had it

3101
02:11:49,160 --> 02:11:51,440
Speaker 5: with men, and they get so angry when I say this.

3102
02:11:51,600 --> 02:11:53,040
Speaker 5: When I would say, oh, I want to be a

3103
02:11:53,080 --> 02:11:55,080
Speaker 5: stay at home mom, and then I'll be like, but

3104
02:11:55,160 --> 02:11:57,360
Speaker 5: I also want a nanny, and they'd be like, what.

3105
02:11:57,920 --> 02:11:59,520
Speaker 1: How the fuck could you be a stay at home mom?

3106
02:11:59,600 --> 02:12:00,800
Speaker 1: And still I want a nanny, like.

3107
02:12:01,000 --> 02:12:02,960
Speaker 5: You know for the beginning stages of like having a kid,

3108
02:12:03,000 --> 02:12:06,960
Speaker 5: and it's like, because I don't want to completely lose

3109
02:12:07,200 --> 02:12:10,360
Speaker 5: myself and being a mom, that the other roles that

3110
02:12:10,400 --> 02:12:14,200
Speaker 5: I also play of a daughter, where I have aging parents,

3111
02:12:14,800 --> 02:12:18,440
Speaker 5: a wife, a sister, a friend, and just me who

3112
02:12:18,520 --> 02:12:21,600
Speaker 5: I am alone to all be lost in being a

3113
02:12:21,720 --> 02:12:24,160
Speaker 5: mother because I have now the only thing I can

3114
02:12:24,200 --> 02:12:25,480
Speaker 5: do is be a mom. That's the only thing I

3115
02:12:25,560 --> 02:12:27,680
Speaker 5: have time for. No, I still want the nanny because

3116
02:12:27,680 --> 02:12:29,760
Speaker 5: I want to be able to clean my house and

3117
02:12:29,840 --> 02:12:31,280
Speaker 5: keep it the way that my husband and me are

3118
02:12:31,400 --> 02:12:33,160
Speaker 5: used to before we had a kid. I want to

3119
02:12:33,200 --> 02:12:37,000
Speaker 5: be able to support my husband emotionally and physically. I

3120
02:12:37,080 --> 02:12:39,600
Speaker 5: want to have enough energy to visit my parents and

3121
02:12:39,680 --> 02:12:41,800
Speaker 5: make sure that they're okay. So I don't want my

3122
02:12:42,480 --> 02:12:44,800
Speaker 5: child to be my entire life, because that is when

3123
02:12:44,840 --> 02:12:47,600
Speaker 5: I see moms go into depression. That is when I

3124
02:12:47,680 --> 02:12:51,040
Speaker 5: see marriages start to break up, because at the end

3125
02:12:51,040 --> 02:12:52,920
Speaker 5: of the day, you are in a relationship and yes,

3126
02:12:53,000 --> 02:12:56,520
Speaker 5: this person needs to be understanding, but people still have

3127
02:12:56,600 --> 02:12:58,920
Speaker 5: feelings and emotion and needs that they need their partner

3128
02:12:59,000 --> 02:13:01,120
Speaker 5: to meet that have been being that for years. So

3129
02:13:01,760 --> 02:13:05,600
Speaker 5: a mom can't beat everything to everyone. So to ask

3130
02:13:05,720 --> 02:13:07,400
Speaker 5: for help, which is one of the reasons why I'm

3131
02:13:07,400 --> 02:13:08,680
Speaker 5: waiting to have a kid. I want to be able

3132
02:13:08,720 --> 02:13:11,560
Speaker 5: to afford help, and everybody can't. But if you if

3133
02:13:11,600 --> 02:13:14,280
Speaker 5: this person can't afford help. You need to understand that. No, like,

3134
02:13:14,400 --> 02:13:16,000
Speaker 5: some things are gonna fall by the wayside, and it

3135
02:13:16,040 --> 02:13:18,360
Speaker 5: can't be the baby. The baby can't fall by the wayside.

3136
02:13:18,440 --> 02:13:22,840
Speaker 7: So what's gonna have to change? And nine months that's

3137
02:13:22,960 --> 02:13:26,080
Speaker 7: that's peak postpartum. Yeah, peak postpartum.

3138
02:13:26,200 --> 02:13:28,560
Speaker 5: Fucking the press. No, I don't want to clean. I

3139
02:13:28,640 --> 02:13:30,160
Speaker 5: get the press and don't want to clean. And I

3140
02:13:30,200 --> 02:13:32,240
Speaker 5: don't have any kids, so I can't imagine having a

3141
02:13:32,360 --> 02:13:34,280
Speaker 5: kid where I don't even want to get out of bed.

3142
02:13:34,560 --> 02:13:36,480
Speaker 5: I don't feel the same about myself. I don't I

3143
02:13:36,560 --> 02:13:38,680
Speaker 5: feel fat or out of shape, or I don't feel

3144
02:13:38,760 --> 02:13:41,480
Speaker 5: like my life is completely upside down. The only thing

3145
02:13:41,520 --> 02:13:42,840
Speaker 5: I can get out of bed to do is to

3146
02:13:42,920 --> 02:13:44,360
Speaker 5: make sure this baby survives.

3147
02:13:44,520 --> 02:13:45,240
Speaker 1: And that's all I have.

3148
02:13:46,280 --> 02:13:48,440
Speaker 2: Tribe, not everybody to.

3149
02:13:49,280 --> 02:13:50,520
Speaker 1: A lot of people have nobody.

3150
02:13:51,600 --> 02:13:55,400
Speaker 7: Well, even like with the tribe with people I have,

3151
02:13:55,560 --> 02:13:59,880
Speaker 7: there's there's people with tribes that also don't trust their

3152
02:14:00,320 --> 02:14:03,680
Speaker 7: tribe when it comes to kids. No, you guys know,

3153
02:14:04,000 --> 02:14:05,760
Speaker 7: they just know nothing about children.

3154
02:14:06,160 --> 02:14:06,360
Speaker 2: Yeah.

3155
02:14:07,080 --> 02:14:08,880
Speaker 7: I have great people around me, but some of them

3156
02:14:09,400 --> 02:14:12,280
Speaker 7: literally have no idea what it would take to even

3157
02:14:12,440 --> 02:14:14,120
Speaker 7: watch a toddler for two hours.

3158
02:14:14,200 --> 02:14:17,000
Speaker 2: Well, if he if he were to give, if he

3159
02:14:17,040 --> 02:14:20,600
Speaker 2: were to broach this conversation with his wife, how should

3160
02:14:20,640 --> 02:14:22,120
Speaker 2: he do it? Because it sounds like we all agree,

3161
02:14:22,160 --> 02:14:24,000
Speaker 2: like we understand being the stale mom is much harder

3162
02:14:24,040 --> 02:14:25,760
Speaker 2: than it's. Yeah, we got we're on board of that.

3163
02:14:26,600 --> 02:14:29,400
Speaker 2: But if he were to because it sounds like, you know,

3164
02:14:29,560 --> 02:14:31,120
Speaker 2: the same could be said for him, sounds like he's

3165
02:14:31,120 --> 02:14:32,760
Speaker 2: also doing a lot. They're both doing a lot, So

3166
02:14:32,880 --> 02:14:36,800
Speaker 2: then what can be done for some mutual you know

3167
02:14:36,800 --> 02:14:38,960
Speaker 2: what I mean? Alleviation on both of their sides, Like

3168
02:14:39,000 --> 02:14:40,560
Speaker 2: what would that look like? How could he have this

3169
02:14:40,640 --> 02:14:42,680
Speaker 2: conversation with her without like offending hers? Kind of what

3170
02:14:42,720 --> 02:14:43,200
Speaker 2: I'm asking.

3171
02:14:43,400 --> 02:14:45,880
Speaker 7: Obviously, I'm not sure his schedule because he said he's

3172
02:14:45,920 --> 02:14:48,840
Speaker 7: a professional chef. I don't know if that means he's getting.

3173
02:14:48,560 --> 02:14:51,320
Speaker 2: Home at like three those are usually late hours.

3174
02:14:52,520 --> 02:14:56,560
Speaker 7: But if I were to do a general advice, you

3175
02:14:56,760 --> 02:14:59,280
Speaker 7: just need to sit with your partner and put strategies together,

3176
02:14:59,400 --> 02:15:02,000
Speaker 7: like yeah, which took Key and I a long time

3177
02:15:02,080 --> 02:15:04,760
Speaker 7: to even get into that routine, but they'll be Knight's like,

3178
02:15:04,760 --> 02:15:06,160
Speaker 7: all right, I know I'm getting back from the pod

3179
02:15:06,200 --> 02:15:10,240
Speaker 7: at this time. I'll cook and you do bathtime, or

3180
02:15:10,280 --> 02:15:12,120
Speaker 7: I'll come right in and you I'll do bath time

3181
02:15:12,240 --> 02:15:14,240
Speaker 7: and then she'll start cooking or she'll start cleaning.

3182
02:15:14,320 --> 02:15:16,160
Speaker 2: Like you really need to schedule this shit.

3183
02:15:16,200 --> 02:15:18,440
Speaker 7: We even put a Google calendar together at some point,

3184
02:15:18,520 --> 02:15:21,480
Speaker 7: like with tasks of how to make this easier, to

3185
02:15:21,600 --> 02:15:23,760
Speaker 7: give everyone a break, Like I know, when I leave here,

3186
02:15:24,000 --> 02:15:26,920
Speaker 7: I'm going in to do bathtime, she'll cook, we'll eat,

3187
02:15:26,920 --> 02:15:29,440
Speaker 7: we'll feed tomorrow, Ke'll put her down. At that point,

3188
02:15:29,520 --> 02:15:31,560
Speaker 7: I can rest for the thirty minutes it takes to

3189
02:15:31,560 --> 02:15:33,840
Speaker 7: put tomorrow down and then we can chill. Like you

3190
02:15:33,920 --> 02:15:36,600
Speaker 7: really have to create a schedule. But nine months in

3191
02:15:37,480 --> 02:15:39,840
Speaker 7: isn't a lot of time because the baby isn't and

3192
02:15:39,920 --> 02:15:44,120
Speaker 7: the baby's changing, especially at nine months. Every day is

3193
02:15:44,480 --> 02:15:46,800
Speaker 7: a different thing with the kid at that point. You

3194
02:15:46,960 --> 02:15:48,640
Speaker 7: kind of have to tough it out in the beginning

3195
02:15:49,440 --> 02:15:52,840
Speaker 7: before you can get on that schedule. Cause it's rough, man,

3196
02:15:54,320 --> 02:15:56,720
Speaker 7: I know it. Like even the weekends where I would

3197
02:15:56,760 --> 02:15:58,760
Speaker 7: want a break, it's like, well, I need to give

3198
02:15:59,040 --> 02:16:01,840
Speaker 7: here a break. She had a full time job this

3199
02:16:01,920 --> 02:16:05,720
Speaker 7: week too. Okay, I had to go out this night,

3200
02:16:05,720 --> 02:16:08,240
Speaker 7: I had a business dinner or this and that. I

3201
02:16:08,280 --> 02:16:11,760
Speaker 7: got home at eleven, she did everything for that day,

3202
02:16:12,040 --> 02:16:14,640
Speaker 7: like those things. I'm not saying going tit for tat,

3203
02:16:15,560 --> 02:16:17,320
Speaker 7: but you do need to find a fifty to fifty

3204
02:16:17,360 --> 02:16:19,520
Speaker 7: split in those things. That's also still your kid.

3205
02:16:19,640 --> 02:16:19,680
Speaker 5: Like.

3206
02:16:21,040 --> 02:16:22,880
Speaker 7: I'm also on the non mental health side, which I've

3207
02:16:22,880 --> 02:16:24,960
Speaker 7: talked about with my therapist before, when she's like, you

3208
02:16:25,040 --> 02:16:26,600
Speaker 7: need to think about yourself when it comes to this,

3209
02:16:26,720 --> 02:16:28,760
Speaker 7: and all your free time goes to making sure he

3210
02:16:28,880 --> 02:16:31,360
Speaker 7: has free time. And I'm still a man. I'm a

3211
02:16:31,400 --> 02:16:34,040
Speaker 7: father at the end of the day, Like, right, stop

3212
02:16:34,120 --> 02:16:37,400
Speaker 7: being a bitch and be a fucking man and take

3213
02:16:37,440 --> 02:16:38,000
Speaker 7: care of your kid.

3214
02:16:38,120 --> 02:16:38,320
Speaker 2: Yeah.

3215
02:16:39,200 --> 02:16:42,360
Speaker 7: Every generation of males in my family before this went

3216
02:16:42,400 --> 02:16:44,160
Speaker 7: to work and took care of the kids. Now all

3217
02:16:44,160 --> 02:16:46,560
Speaker 7: of a sudden, I'm be like, well, I feel weird today.

3218
02:16:48,520 --> 02:16:50,680
Speaker 7: No one has felt like what am I going through,

3219
02:16:51,560 --> 02:16:53,400
Speaker 7: even though I think that's important. And you guys know,

3220
02:16:53,480 --> 02:16:56,200
Speaker 7: I'm a huge mental health advocate of this entire thing.

3221
02:16:56,440 --> 02:16:59,360
Speaker 7: Talk about depression, I've talked about suicide. I'm also a

3222
02:16:59,600 --> 02:17:02,120
Speaker 7: man and a father now, so a lot of that

3223
02:17:02,160 --> 02:17:04,360
Speaker 7: ship has to get pushed to the side exhausted when

3224
02:17:04,360 --> 02:17:04,760
Speaker 7: I walk in.

3225
02:17:05,160 --> 02:17:08,400
Speaker 3: That's right, Fuck your exhaustion, fuck it, yeah, suck it.

3226
02:17:08,480 --> 02:17:11,520
Speaker 2: Up, man ship, drink drink.

3227
02:17:13,560 --> 02:17:15,920
Speaker 7: We're joking, but I still think that's a huge factor

3228
02:17:15,959 --> 02:17:18,400
Speaker 7: that men need to take into consideration. Like that is

3229
02:17:18,520 --> 02:17:19,840
Speaker 7: your family. If you want to be the man and

3230
02:17:19,879 --> 02:17:22,600
Speaker 7: be the leader and be you're all that masculine shit

3231
02:17:22,640 --> 02:17:27,040
Speaker 7: that we talk about and we've said society has gotten

3232
02:17:27,080 --> 02:17:28,960
Speaker 7: real pussy and weird. All right. If you want to

3233
02:17:29,000 --> 02:17:33,200
Speaker 7: do the opposite, it sucks. If you want to be

3234
02:17:33,240 --> 02:17:35,080
Speaker 7: the leader of your fucking house, man the fuck up

3235
02:17:35,120 --> 02:17:37,440
Speaker 7: and do it. Yeah, come home after work, make sure

3236
02:17:37,480 --> 02:17:40,600
Speaker 7: your family is okay. I thought you want to be masculine, right,

3237
02:17:42,000 --> 02:17:44,400
Speaker 7: you hate these fucking liberals that go to therapy?

3238
02:17:44,800 --> 02:17:46,440
Speaker 3: Yeah, what about nasty time?

3239
02:17:47,879 --> 02:17:48,560
Speaker 7: Well, that's I mean that.

3240
02:17:49,959 --> 02:17:50,160
Speaker 3: Yeah.

3241
02:17:50,240 --> 02:17:51,440
Speaker 2: Yeah, you pencil that in.

3242
02:17:51,560 --> 02:17:53,880
Speaker 1: You gotta pencil that in for like the first five

3243
02:17:54,000 --> 02:17:54,920
Speaker 1: years of a kid's life.

3244
02:17:55,280 --> 02:17:59,320
Speaker 2: Schedule rough, pencil that in. Get it, pencil shit, We

3245
02:17:59,400 --> 02:18:00,640
Speaker 2: got it, Thank you very much.

3246
02:18:01,920 --> 02:18:04,400
Speaker 7: But that's also weird too, Like you know, your kid

3247
02:18:04,480 --> 02:18:07,720
Speaker 7: doesn't sleep through the night that way, even if you're

3248
02:18:07,720 --> 02:18:10,480
Speaker 7: in another room. You gotta be it's weird. It's always weird.

3249
02:18:10,560 --> 02:18:12,280
Speaker 2: Your ear, your eye, your ear is always open. Make

3250
02:18:12,320 --> 02:18:14,200
Speaker 2: sure they don't wake up. Yeah, clapping cheeks staring at

3251
02:18:14,240 --> 02:18:18,040
Speaker 2: the baby monitor. That's why it's real. No, I know

3252
02:18:18,200 --> 02:18:20,039
Speaker 2: it sounds awful, but yeah, it's like the phone is.

3253
02:18:20,040 --> 02:18:22,039
Speaker 7: The phone is right there with the video.

3254
02:18:25,720 --> 02:18:28,400
Speaker 3: Tickets available now newroymul dot com. We will be in

3255
02:18:28,520 --> 02:18:32,160
Speaker 3: Toronto October seventeenth. We will be in Atlanta November twenty second,

3256
02:18:32,240 --> 02:18:36,320
Speaker 3: then back home in New York City December fourteenth. Get

3257
02:18:36,360 --> 02:18:38,400
Speaker 3: your tickets now. Hope to see some of y'all soon.

3258
02:18:39,280 --> 02:18:41,400
Speaker 3: And yeah, man, I'm gonna pray for you, my brother.

3259
02:18:41,480 --> 02:18:43,800
Speaker 3: Hopefully you go home in the houses clean.

3260
02:18:44,720 --> 02:18:47,280
Speaker 7: We've gotten to a schedule, so like, yeah, that's easy

3261
02:18:47,360 --> 02:18:50,080
Speaker 7: now right, that's that's right there. It took a while,

3262
02:18:50,520 --> 02:18:50,920
Speaker 7: I'll get it.

3263
02:18:51,160 --> 02:18:52,520
Speaker 3: Shout out to the Big T hopefully Big T.

3264
02:18:52,680 --> 02:18:53,120
Speaker 2: You know you can.

3265
02:18:53,440 --> 02:18:55,200
Speaker 7: Oh, Big T is gonna be so mad when they

3266
02:18:55,240 --> 02:18:57,760
Speaker 7: start daycare and he thinks that his life is gonna change,

3267
02:18:57,840 --> 02:18:59,680
Speaker 7: Like oh yeah, all right, no, all right, she's not

3268
02:18:59,760 --> 02:19:01,960
Speaker 7: working him, but she's we have daycare so she can

3269
02:19:02,000 --> 02:19:05,480
Speaker 7: take that time. No, that's gonna get her mental stability back.

3270
02:19:06,080 --> 02:19:07,080
Speaker 3: Like I'm still a mess.

3271
02:19:07,640 --> 02:19:09,560
Speaker 7: Yeah, but you go clean your house. You're a fucking adope.

3272
02:19:10,800 --> 02:19:12,600
Speaker 3: The ain't nothing wrong with going home from work and cleaning.

3273
02:19:13,160 --> 02:19:13,840
Speaker 2: You're not wrong with that.

3274
02:19:14,200 --> 02:19:15,640
Speaker 7: Be a man, take care of your family, clean the

3275
02:19:15,680 --> 02:19:18,200
Speaker 7: fucking house. Yeah, you can't do laundry just because you

3276
02:19:18,320 --> 02:19:19,560
Speaker 7: chopped garlic for a living.

3277
02:19:19,840 --> 02:19:23,320
Speaker 3: Right, don't do that because Big probably a great chef.

3278
02:19:23,400 --> 02:19:24,440
Speaker 3: I'm sure I don't just make them.

3279
02:19:24,440 --> 02:19:26,120
Speaker 7: Oh No, in another lifetime, I would have loved that,

3280
02:19:26,120 --> 02:19:27,800
Speaker 7: would have been a career. I would have picked it.

3281
02:19:28,840 --> 02:19:29,160
Speaker 2: All right.

3282
02:19:29,240 --> 02:19:31,640
Speaker 3: Well, good to see you back, baby d I'm sorry

3283
02:19:31,680 --> 02:19:33,199
Speaker 3: that our energy got off on the wrong foot.

3284
02:19:33,280 --> 02:19:34,120
Speaker 1: Yeah, you kind of came.

3285
02:19:35,120 --> 02:19:36,440
Speaker 3: I love you though, so you know that's how I

3286
02:19:36,480 --> 02:19:37,720
Speaker 3: talk when I love you. Know what I'm saying. I

3287
02:19:37,800 --> 02:19:39,520
Speaker 3: love from you. You know what I mean. It's sometimes hurt.

3288
02:19:39,640 --> 02:19:41,400
Speaker 2: It was a good journey. Love hurt up and down.

3289
02:19:42,400 --> 02:19:43,240
Speaker 1: Love shit never hurt.

3290
02:19:43,480 --> 02:19:44,920
Speaker 5: He hit a little bit, a little bit, you know

3291
02:19:44,959 --> 02:19:46,600
Speaker 5: what I'm saying. Because we all were growing and we're

3292
02:19:46,600 --> 02:19:47,360
Speaker 5: getting better every day.

3293
02:19:47,400 --> 02:19:49,600
Speaker 3: So I love you no matter what. Julian is good

3294
02:19:49,600 --> 02:19:51,480
Speaker 3: to see you. Your hair is looking conditioned to the gods.

3295
02:19:51,520 --> 02:19:53,080
Speaker 3: Thank you very much for joining us here today.

3296
02:19:53,080 --> 02:19:55,840
Speaker 2: I have new hair products. This is not our natural

3297
02:19:55,879 --> 02:19:58,280
Speaker 2: as I've been saying. This is I forget what the

3298
02:19:58,360 --> 02:19:59,560
Speaker 2: name of the products are, but they're nice.

3299
02:20:01,879 --> 02:20:03,880
Speaker 3: I want to thank y'all for listening, man, thank y'all

3300
02:20:03,879 --> 02:20:06,440
Speaker 3: for joining us on this audio and this visual journey.

3301
02:20:06,879 --> 02:20:11,600
Speaker 3: Peaches think you want to give my brother R Julian,

3302
02:20:12,080 --> 02:20:12,760
Speaker 3: don't worry about it.

3303
02:20:12,760 --> 02:20:14,280
Speaker 6: I did.

3304
02:20:14,320 --> 02:20:16,200
Speaker 7: I tell you guys that I saw Chris Stefano at

3305
02:20:16,560 --> 02:20:18,480
Speaker 7: the Mets game and the first thing he yelled at

3306
02:20:18,560 --> 02:20:20,600
Speaker 7: me while we were waiting for food.

3307
02:20:20,520 --> 02:20:22,080
Speaker 2: Was where's Peaches.

3308
02:20:24,800 --> 02:20:25,160
Speaker 3: Right there?

3309
02:20:27,920 --> 02:20:31,240
Speaker 2: That's like yelling at what. I was like, Yo, who

3310
02:20:31,320 --> 02:20:32,080
Speaker 2: the fuck you said that?

3311
02:20:32,760 --> 02:20:34,800
Speaker 5: We had a lot of Yankees games, man, he does

3312
02:20:35,320 --> 02:20:36,720
Speaker 5: every time I look at Peace story. We had a

3313
02:20:37,040 --> 02:20:37,600
Speaker 5: Yankee game, man.

3314
02:20:37,640 --> 02:20:42,200
Speaker 3: I love it exactly. We told you that last year

3315
02:20:42,320 --> 02:20:43,519
Speaker 3: playoffs starting.

3316
02:20:43,400 --> 02:20:46,080
Speaker 2: Prediction Pod Subway series.

3317
02:20:48,000 --> 02:20:51,680
Speaker 3: I don't know, man, Be safe, be blessed, enjoy the week.

3318
02:20:51,959 --> 02:20:52,560
Speaker 3: I'm that nigga.

3319
02:20:52,600 --> 02:20:53,200
Speaker 2: He's just ginger.

3320
02:20:55,800 --> 02:20:55,840
Speaker 5: No