WEBVTT - Fri Full Show: Thomas Rhett In Studio + Lunchbox Went Back To Sausage Guy

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<v Speaker 1>Bobby Transmittinglisa. Hello, welcome to Friday Show Morning Studio. Morning.

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<v Speaker 1>I'm left handed. It's been a difficult life for me

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<v Speaker 1>being left handed.

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<v Speaker 2>I was reading a story about how a lot of

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<v Speaker 2>parents will if their kids starts to be left handed,

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<v Speaker 2>they may them be right handed. Oh, they just start

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<v Speaker 2>going Nope, right hand, right hand, right hand. So you

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<v Speaker 2>have kids who grow up now being right handed. But

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<v Speaker 2>we're naturally left handed.

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<v Speaker 3>And maybe is what happened to me.

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<v Speaker 1>I don't think so. Maybe, uh huh, just from knowing

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<v Speaker 1>you forever, I don't think so.

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<v Speaker 3>What what about when I golf?

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<v Speaker 1>What about it?

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<v Speaker 3>And when I bat left handed?

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<v Speaker 1>What about it?

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<v Speaker 4>Okay, and miss Kelly, the dyslexia coach that came in

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<v Speaker 4>here and did all that stuff, she said that could

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<v Speaker 4>have been the beginning of some of.

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<v Speaker 3>The confusion in my brain. Wow, fair enough, just saying

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<v Speaker 3>my dad was left handed.

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<v Speaker 1>I don't think it's genetic. Yeah, I think it's just weird.

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<v Speaker 1>You're just weird. You're really unlucky, you're born into it.

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<v Speaker 1>You guys have no idea how hard it is. No,

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<v Speaker 1>we don't. I made a list of how hard it is.

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<v Speaker 4>Oh, whatever, you're more creative.

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<v Speaker 1>Let's go number how many do you want? I got

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<v Speaker 1>ten of them.

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<v Speaker 2>Go number ten watches I like watching I'm watch guy now,

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<v Speaker 2>But most watches are designed for right handers to wear

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<v Speaker 2>on their left wrist, which is way less convenient for

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<v Speaker 2>left handed people.

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<v Speaker 1>Number nine using a can opener, Yeah good luck. That's

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<v Speaker 1>all I wrote.

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<v Speaker 5>Yeah good luck.

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<v Speaker 2>It's always a side to twitch.

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<v Speaker 1>With the wrong hand. It clicks the wrong Number eight.

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<v Speaker 2>Writing in binders or notebooks because that those big clips

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<v Speaker 2>in the middle, you can't even ride across it. If

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<v Speaker 2>it's just on straight paper, fine, there's endless room, but

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<v Speaker 2>you write with those big clips on the left side,

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<v Speaker 2>you're screwed.

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<v Speaker 1>Left handed. Number thank you, And you made about you

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<v Speaker 1>at the beginning a specially that makes.

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<v Speaker 3>It about me, making it about me, But now I'm thankful.

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<v Speaker 1>Number seven.

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<v Speaker 2>Eating out at a restaurant next to right handed people, Oh,

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<v Speaker 2>you bump them.

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<v Speaker 1>We're both over here.

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<v Speaker 2>I'm trying to eat, they're trying to It's a constant

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<v Speaker 2>car wreck. And they'd shame me terrible. They'll like, where'd

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<v Speaker 2>you learn to eat?

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<v Speaker 1>And I'm like, the same place you did, And they're

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<v Speaker 1>like your mom and your dad and I was like, no, sorry.

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<v Speaker 3>Oh.

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<v Speaker 2>Number six, cutting with scissors. Scissors suck for left handed people.

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<v Speaker 2>Scissors are made for right handed people. Number five people

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<v Speaker 2>always blown away. It's the fact that I'm left handed.

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<v Speaker 5>You know what, move along.

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<v Speaker 1>I'm not a circus act. Am I bearded woman?

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<v Speaker 2>No?

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<v Speaker 1>I'm left handed.

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<v Speaker 6>But when you play sports, people are like, ooh, cool lefty,

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<v Speaker 6>So you kind of get praised for that.

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<v Speaker 2>They're like, look at the south paw. Hey, anybody ever

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<v Speaker 2>tell you're throwing from the wrong side? Hey, you get

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<v Speaker 2>constantly move alone. Number four video game controllers are built

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<v Speaker 2>for right handed people. Most games assume the right pointer

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<v Speaker 2>finger is what you used the most.

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<v Speaker 1>I got news for them. My left one is.

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<v Speaker 2>Number three, sharpie on the back of my hand or

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<v Speaker 2>pencil on the back of my hand because my hand

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<v Speaker 2>drags across it.

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<v Speaker 1>Number two. Not being able to find a left handed.

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<v Speaker 2>Baseball glove amazon right, Well, now, it's like going to

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<v Speaker 2>the score as a kid. You had to look to

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<v Speaker 2>every one of them you could. I couldn't find it

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<v Speaker 2>any of them. And number one and this is the

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<v Speaker 2>hardest of all. And you guys have no idea how

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<v Speaker 2>hard it is. Not being able to play a song

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<v Speaker 2>when people are passing guitars around because it's a right

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<v Speaker 2>handed guitar. Yeah, you know, often I feel judged and

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<v Speaker 2>I'm like, I could play a couple of songs.

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<v Speaker 1>And you're in that scenario all the time, all the time,

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<v Speaker 1>and then buying a left handed guitar much more expensive,

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<v Speaker 1>harder to find.

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<v Speaker 2>Sorry, man, there are certain people. It's a disability. I'm

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<v Speaker 2>gonna say it.

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<v Speaker 6>It is.

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<v Speaker 1>Oh maybe I should get a hand cap sticker. That's

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<v Speaker 1>where it's going. You should apply see what they say.

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<v Speaker 2>You guys have no idea how hard it is to

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<v Speaker 2>be left handed. Like a shout out to all my

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<v Speaker 2>left handed people out there. How about swiping credit cards?

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<v Speaker 2>They're meant those machines are meant for right handed people.

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<v Speaker 1>You can't do that with your.

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<v Speaker 2>Left You can, but it's much harder now stick it

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<v Speaker 2>in amy whoa in school, all the the desks are

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<v Speaker 2>made for right handed people. Think about how that the

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<v Speaker 2>little thing you can tap the credit card? No, but

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<v Speaker 2>it's not as easy. Measuring cups. Don't get me started.

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<v Speaker 1>You're still I think you said there were ten fourteen?

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<v Speaker 3>No, no, no measuring No what measuring cups?

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<v Speaker 1>The handles it's one handle.

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<v Speaker 5>It's literally a handle in the middle of.

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<v Speaker 2>No measurement tools are printed for right handed orientation. They're

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<v Speaker 2>making it harder for left handed people to read them. Wow,

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<v Speaker 2>you guys have no idea every day? I hard my

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<v Speaker 2>life is you had no idea? Justice for lat haended people.

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<v Speaker 2>I think we should get our special day off or something.

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<v Speaker 7>Now we know, Oh, look there's a day, there is

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<v Speaker 7>a let haended day, but nobody gets off.

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<v Speaker 1>Nobody gets off.

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<v Speaker 2>We're here coming up, Thomas Rhett will be on the show.

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<v Speaker 2>Not left handed, anybody else in this whole show left

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<v Speaker 2>handed I was supposed to be, but oh.

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<v Speaker 1>My god, I feel bad.

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<v Speaker 7>Your your your your day just pasted August thirteenth. We

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<v Speaker 7>didn't even celebrate. Oh man, were and you're supposed to

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<v Speaker 7>have day August thirteenth?

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<v Speaker 1>Did' even have it?

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<v Speaker 5>Anonymous, here's the question to be.

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<v Speaker 2>Hello, Bobby Bones. I really like this girl. Been dating

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<v Speaker 2>for a couple months now, so much about her. I

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<v Speaker 2>could go on and on, but she spends a lot

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<v Speaker 2>of her evenings going out partying, and it's become difficult

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<v Speaker 2>for me to keep up. I know, I don't have

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<v Speaker 2>to be with her every time she goes out, but

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<v Speaker 2>I don't want to give her the impression that my

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<v Speaker 2>interest in her is waning. Is it going to run

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<v Speaker 2>things if I opt out like twenty percent of her partying, Well,

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<v Speaker 2>that makes it seem like I'm not interested sign dating

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<v Speaker 2>a party girl. I think you have this all wrong, man, Like,

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<v Speaker 2>she's not gonna care if you go or not when

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<v Speaker 2>she wants to go out all the time. But can

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<v Speaker 2>you actually, like, do you want to be with someone

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<v Speaker 2>who wants to go out partying all the time when

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<v Speaker 2>you don't? So you have to also understand, bro, you're

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<v Speaker 2>of value too. It's not about you just want to

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<v Speaker 2>keep up and make her keep liking you. And also

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<v Speaker 2>if she wants to go party and you want to

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<v Speaker 2>stay home, that's cool. But a lot of times it

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<v Speaker 2>just depending on the age. If you're twenty two, how

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<v Speaker 2>do you answer this? It's fine, let her go party,

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<v Speaker 2>go some If you're thirty four, it's a whole different

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<v Speaker 2>story here. If you're thirty four and she's going out

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<v Speaker 2>all the time and you're not, that's probably that's probably

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<v Speaker 2>gonna be pretty consistent in her life. She loves to

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<v Speaker 2>go out, and that's not gonna match for the most part,

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<v Speaker 2>I think you need to reevaluate that depending on your age.

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<v Speaker 1>But you don't need to worry about going out.

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<v Speaker 2>If you don't want to go out, it's not gonna

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<v Speaker 2>seem like your interest is waning. But if she goes

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<v Speaker 2>out a whole lot and you don't like, that's all

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<v Speaker 2>that's gonna be a thing.

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<v Speaker 1>If you're like a real life.

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<v Speaker 4>Adult, she's gonna catch up to you for sure, and

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<v Speaker 4>you want to see if like, is she able to

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<v Speaker 4>just chill with you.

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<v Speaker 3>At home or you constantly just chasing what she's doing.

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<v Speaker 1>And how hard is she partying?

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<v Speaker 2>Yeah, and if you snuck out and watch your party

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<v Speaker 2>with you not around us, if she's making out other dudes, Yeah,

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<v Speaker 2>that's what I was thinking.

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<v Speaker 1>Not healthy.

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<v Speaker 2>Don't recommend it, but you never know because if you're

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<v Speaker 2>if you're going hard, who knows what's going on. Yeah,

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<v Speaker 2>So I would just say, reevaluate the situation if you're

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<v Speaker 2>over thirty. If you're under thirty and it's like you're

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<v Speaker 2>out of college, just figure out if you want to

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<v Speaker 2>keep up or not. But if you're over thirty, like

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<v Speaker 2>that ain't gonna change with her. You need to figure

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<v Speaker 2>out if you want to be with someone. Not that

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<v Speaker 2>what she's doing is bad, but your lifestyles are very different.

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<v Speaker 2>All right, there you go. That's the mail back close it.

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<v Speaker 1>Upbby Bone, Showy Lunchbocks got mad at a sausage guy

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<v Speaker 1>at the grocery store. Remember this, Yes, Lunchbocks. For our

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<v Speaker 1>listeners that are new to go ahead.

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<v Speaker 7>I went to the meat counter and I got a

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<v Speaker 7>one pound of spicy pork sausage and it was in

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<v Speaker 7>the casing and I didn't want it in the casing.

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<v Speaker 7>So as he was taking it off, I said, oh,

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<v Speaker 7>by the way, could you take that out of the

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<v Speaker 7>casing for me?

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<v Speaker 1>And he said that would be easy. But no.

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<v Speaker 8>When you told the story the first time, though, you

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<v Speaker 8>were like, yo, take it out of the casing.

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<v Speaker 1>Your hesitation has gotten kinder.

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<v Speaker 7>However, either way, it said that would be easy, but no.

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<v Speaker 2>So I challenged Lunchbox to go back to the same store,

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<v Speaker 2>try with somebody different, because it could have just been

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<v Speaker 2>a store policy.

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<v Speaker 1>The guy may not have just been a jerk. It

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<v Speaker 1>may not be sausage guy who's a fault here. Okay,

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<v Speaker 1>So you went back, went back and I ordered the

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<v Speaker 1>same thing.

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<v Speaker 7>Here we go, Can I get a pound of the

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<v Speaker 7>spicy Italian pork sausage. Please, is there anywhere I can

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<v Speaker 7>get that out of the casing? Did you just like

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<v Speaker 7>cut the casing.

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<v Speaker 5>Off for me?

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<v Speaker 4>Right?

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<v Speaker 1>Yeah?

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<v Speaker 9>Thanks man, Thanks for doing that, man, I appreciate it.

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<v Speaker 9>Thanks man. I appreciate you cutting that for me. Thank you,

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<v Speaker 9>Thanks man.

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<v Speaker 1>Thanks man.

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<v Speaker 6>The guy.

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<v Speaker 1>Why is this guy thanking me so much?

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<v Speaker 5>Because I'm trying to get him to talk more? He

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<v Speaker 5>was so quiet.

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<v Speaker 2>Yeah, because he works at a meat counter, I understand,

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<v Speaker 2>but I was trying he didn't know he's being interviewed.

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<v Speaker 1>I was trying to get him.

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<v Speaker 7>To say, hey, no problem, man, we wouldn't do that

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<v Speaker 7>anytime or anything.

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<v Speaker 1>And he was just like, yeah, I think I can

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<v Speaker 1>do that. I feel like he even did not want

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<v Speaker 1>to do it. Yeah, he said. Maybe He's like, I

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<v Speaker 1>don't know. So what what's your conclusion here?

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<v Speaker 7>My conclusion is that I do need to file a

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<v Speaker 7>complaint and taddle on the first guy that wanted to say,

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<v Speaker 7>oh yeah, that'd be easy.

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<v Speaker 1>But no, do you have audio of that though? I don't?

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<v Speaker 7>Yeah, oh man, it's my word. Verse is, But who

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<v Speaker 7>they gonna believe customer is always right?

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<v Speaker 1>I don't think that's policy anymore as much the customer

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<v Speaker 1>is always right. That's like eighties.

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<v Speaker 5>So would you agree with me? Though the first guy

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<v Speaker 5>was a jerk.

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<v Speaker 3>I don't think he was a jerk. I just think that.

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<v Speaker 2>I also think how you presented it was like, yo,

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<v Speaker 2>cut us out, and now you've changed it to being

0:09:07.520 --> 0:09:10.720
<v Speaker 2>really kind. Yeah, so I think what's saying more with

0:09:11.600 --> 0:09:15.240
<v Speaker 2>honey than vinegar. Yeah, the honey than vinegar, be nicer

0:09:15.240 --> 0:09:16.600
<v Speaker 2>for people. They'll do nice things for you.

0:09:16.920 --> 0:09:18.920
<v Speaker 1>I guy had no problem doing it. Yeah, that guy

0:09:18.920 --> 0:09:20.600
<v Speaker 1>did have a problem doing it. He did it anyway, though,

0:09:20.840 --> 0:09:22.640
<v Speaker 1>But it sounds like it could be a policy. And

0:09:22.679 --> 0:09:24.720
<v Speaker 1>this guy was being like, you know what if.

0:09:24.559 --> 0:09:28.120
<v Speaker 2>This guy no so hippy and he's doing his job,

0:09:28.640 --> 0:09:30.080
<v Speaker 2>sounds like he did extra extra.

0:09:30.400 --> 0:09:32.480
<v Speaker 3>He definitely did. I really think it is a policy.

0:09:32.679 --> 0:09:34.520
<v Speaker 1>I do too. All Right, thank you lunch Blox, thanks

0:09:34.559 --> 0:09:35.040
<v Speaker 1>for the update.

0:09:35.040 --> 0:09:35.199
<v Speaker 2>There.

0:09:35.600 --> 0:09:36.920
<v Speaker 10>It's time for the good news.

0:09:37.559 --> 0:09:37.920
<v Speaker 11>Aready.

0:09:42.000 --> 0:09:44.800
<v Speaker 6>Laura Aikins is a pe teacher in Pender High School

0:09:44.840 --> 0:09:47.760
<v Speaker 6>in North Carolina and she has a student named Khalik.

0:09:48.000 --> 0:09:50.880
<v Speaker 6>She found out that Khalik had this kidney disease where

0:09:50.880 --> 0:09:51.760
<v Speaker 6>he needed a new kidney.

0:09:51.840 --> 0:09:54.079
<v Speaker 1>She said, oh, man, I really want to help Collek.

0:09:54.160 --> 0:09:54.880
<v Speaker 1>So let me go home.

0:09:54.960 --> 0:09:57.080
<v Speaker 6>She talked to her husband, said, I really think I

0:09:57.120 --> 0:09:59.800
<v Speaker 6>want to donate my kidney to Kaleik. So she goes

0:10:00.000 --> 0:10:03.200
<v Speaker 6>the hospital, gets checked she is not a match. But

0:10:03.320 --> 0:10:06.040
<v Speaker 6>what she found out that if she donates a kidney

0:10:06.040 --> 0:10:09.240
<v Speaker 6>to a complete stranger, it'll send Khalik to the top

0:10:09.360 --> 0:10:09.880
<v Speaker 6>of the list.

0:10:10.400 --> 0:10:10.720
<v Speaker 1>Wow.

0:10:11.040 --> 0:10:13.240
<v Speaker 2>Yeah, you really threw me because when you're like, she

0:10:13.280 --> 0:10:15.559
<v Speaker 2>goes to the hospital and get checked in, not a match,

0:10:15.640 --> 0:10:16.080
<v Speaker 2>not a match.

0:10:16.080 --> 0:10:17.839
<v Speaker 1>It wasn't expecting that it was bad news.

0:10:17.840 --> 0:10:19.199
<v Speaker 6>But then they said, you know what, there's like a

0:10:19.280 --> 0:10:22.320
<v Speaker 6>voucher program where if you donate to a complete stranger,

0:10:22.679 --> 0:10:25.160
<v Speaker 6>your friend Khalik could go to the top of the list.

0:10:25.440 --> 0:10:26.040
<v Speaker 1>So she did.

0:10:26.120 --> 0:10:28.600
<v Speaker 6>She donated her kidney to a complete stranger, and now

0:10:28.679 --> 0:10:29.920
<v Speaker 6>Khalik is waiting for his kidney.

0:10:29.960 --> 0:10:30.839
<v Speaker 1>You ever heard of such thing?

0:10:31.120 --> 0:10:31.440
<v Speaker 2>Did you know?

0:10:31.760 --> 0:10:32.080
<v Speaker 5>Did you know?

0:10:32.120 --> 0:10:32.600
<v Speaker 1>You moved up?

0:10:32.640 --> 0:10:34.600
<v Speaker 3>Yeah, and Gray's Anatomy they talk about this.

0:10:35.400 --> 0:10:35.600
<v Speaker 1>Yeah.

0:10:35.640 --> 0:10:38.480
<v Speaker 3>I mean sometimes there's whole chains that get created. You

0:10:38.520 --> 0:10:39.640
<v Speaker 3>can't mess with it because.

0:10:39.400 --> 0:10:41.880
<v Speaker 2>Everybody's so if somebody donates to a stranger and then

0:10:41.920 --> 0:10:43.880
<v Speaker 2>while this person's waiting, somebody else donates to a stranger,

0:10:43.920 --> 0:10:46.240
<v Speaker 2>they jump the person into like I have all these questions.

0:10:46.320 --> 0:10:48.800
<v Speaker 1>Good, that's a good question. Yeah, it doesn't matter. Like

0:10:48.800 --> 0:10:53.120
<v Speaker 1>what this teacher did wonderful. Yeah, one of the most

0:10:53.240 --> 0:10:54.440
<v Speaker 1>humane things I've ever heard of.

0:10:54.520 --> 0:10:56.559
<v Speaker 6>But it's got to be a time priority, right, Like

0:10:56.840 --> 0:10:59.400
<v Speaker 6>if Laura did this first, then she's got to stay up.

0:10:59.320 --> 0:11:00.000
<v Speaker 1>At the top of that list.

0:11:00.040 --> 0:11:01.319
<v Speaker 2>But then if I'm on the list, if I'm like,

0:11:01.360 --> 0:11:03.120
<v Speaker 2>I'm gonna donate, but there's four people waiting at the

0:11:03.160 --> 0:11:04.680
<v Speaker 2>top of a list, I'm like, well, I'm gonna hold

0:11:04.760 --> 0:11:06.679
<v Speaker 2>I am I gonna do it now, wait.

0:11:06.559 --> 0:11:09.680
<v Speaker 5>Till Yeah, but it is different, so it may not

0:11:09.800 --> 0:11:10.640
<v Speaker 5>match with the person the.

0:11:10.960 --> 0:11:13.040
<v Speaker 1>Point then I want to It's a lot of things.

0:11:13.280 --> 0:11:14.920
<v Speaker 1>Give me the fourth thing, way too much about it.

0:11:15.360 --> 0:11:17.360
<v Speaker 1>We just love this teacher. This what's your name again?

0:11:17.400 --> 0:11:20.079
<v Speaker 1>Her name is Laura Aikins. Sake and draw someome That's

0:11:20.080 --> 0:11:20.760
<v Speaker 1>what it's all about.

0:11:21.520 --> 0:11:25.559
<v Speaker 5>That was telling me something good.

0:11:26.840 --> 0:11:28.280
<v Speaker 1>I'm gonna leave with this fun fact.

0:11:29.080 --> 0:11:33.280
<v Speaker 2>In the original version of Sleeping Beauty, the prince doesn't

0:11:33.400 --> 0:11:36.880
<v Speaker 2>kiss her to wake her up. He actually impregnates her

0:11:37.720 --> 0:11:41.360
<v Speaker 2>and she wakes up when the child is born. I not.

0:11:44.640 --> 0:11:46.720
<v Speaker 5>How they want to soften that up.

0:11:48.080 --> 0:11:50.280
<v Speaker 1>That's crazy and wake me up to.

0:11:52.160 --> 0:11:54.920
<v Speaker 2>Wow, when was the original written his way before the

0:11:54.920 --> 0:11:59.800
<v Speaker 2>one we saw on TV? That's why old, that's some good.

0:12:00.080 --> 0:12:01.800
<v Speaker 2>That is a creeper, I'd say. Looked to his computer

0:12:01.840 --> 0:12:04.640
<v Speaker 2>for other STLF. They didn't have any huters back then. Wow, okay,

0:12:06.200 --> 0:12:07.560
<v Speaker 2>mon fact Friday, Amy.

0:12:07.360 --> 0:12:07.760
<v Speaker 1>Go ahead.

0:12:07.800 --> 0:12:10.880
<v Speaker 4>We are more creative in the shower. So if you've

0:12:10.960 --> 0:12:13.520
<v Speaker 4>ever felt like ideas come to you when you're taking

0:12:13.520 --> 0:12:18.719
<v Speaker 4>a shower, it's because warm water increases the flow of dopamine,

0:12:18.880 --> 0:12:20.120
<v Speaker 4>which makes you more creative.

0:12:20.720 --> 0:12:21.320
<v Speaker 3>So that's why.

0:12:21.800 --> 0:12:22.800
<v Speaker 2>Yeah, I feel like I come with a lot of

0:12:22.840 --> 0:12:24.599
<v Speaker 2>great ideas in the shower, but then I don't have

0:12:24.640 --> 0:12:26.120
<v Speaker 2>anything to write them down on because it's.

0:12:25.960 --> 0:12:27.679
<v Speaker 1>Wet in there, and not forget them. That's a good boy.

0:12:27.760 --> 0:12:29.760
<v Speaker 1>Yeah yeah, lunchbox, Oh.

0:12:29.600 --> 0:12:31.240
<v Speaker 7>My goodness, guys, I got a shout out of this

0:12:31.280 --> 0:12:33.040
<v Speaker 7>guy Mickey. He told me this fun fact. I thought

0:12:33.040 --> 0:12:35.240
<v Speaker 7>it was not true. I looked it up. It's true.

0:12:35.800 --> 0:12:39.400
<v Speaker 7>In two thousand and four, Dave Matthews Band, the you know,

0:12:39.440 --> 0:12:42.760
<v Speaker 7>the you know really Freshman.

0:12:43.080 --> 0:12:47.120
<v Speaker 1>No, that's not the right band. Dave Matthews Band like so.

0:12:47.080 --> 0:12:50.120
<v Speaker 2>Much to say, so much to say, so much to

0:12:50.120 --> 0:12:52.520
<v Speaker 2>say so much just say no, no, no, no, no, no,

0:12:52.520 --> 0:12:56.400
<v Speaker 2>no whatever. No, but you did a song from a

0:12:56.400 --> 0:12:59.720
<v Speaker 2>one hit wonder. The herd Pipe Dave Matthews band is

0:12:59.720 --> 0:13:01.920
<v Speaker 2>like Falck and Roll Hall of Fame, like that type

0:13:01.960 --> 0:13:02.400
<v Speaker 2>of worthy.

0:13:02.440 --> 0:13:03.199
<v Speaker 1>Go ahead, my fault.

0:13:03.400 --> 0:13:06.160
<v Speaker 7>They were driving in Chicago and they were going over

0:13:06.240 --> 0:13:08.520
<v Speaker 7>one of those bridges that has like holes in it,

0:13:09.240 --> 0:13:11.160
<v Speaker 7>and the bus driver decided, you know what, we have

0:13:11.320 --> 0:13:13.959
<v Speaker 7>eight hundred pounds of human waste on here.

0:13:14.040 --> 0:13:14.960
<v Speaker 1>Let's get rid of it.

0:13:15.440 --> 0:13:17.520
<v Speaker 5>He releases it into the river.

0:13:18.160 --> 0:13:22.640
<v Speaker 7>Only problem is a sightseeing tour bus is driving under

0:13:22.679 --> 0:13:24.960
<v Speaker 7>the bridge and the people were sitting.

0:13:24.679 --> 0:13:26.480
<v Speaker 5>On the bus and they got dowsed in.

0:13:27.600 --> 0:13:31.640
<v Speaker 1>Remember this is a real story story, dude, except for

0:13:31.679 --> 0:13:32.560
<v Speaker 1>the freshman part.

0:13:32.920 --> 0:13:34.960
<v Speaker 7>Yeah yeah, you thought, oh, you know, I just dump

0:13:35.000 --> 0:13:37.200
<v Speaker 7>it in the Chicago river or whatever, and they got

0:13:37.480 --> 0:13:40.200
<v Speaker 7>so wow and they ended up having to pay a

0:13:40.200 --> 0:13:44.120
<v Speaker 7>lot of money and fines. And I mean that is bananas.

0:13:44.160 --> 0:13:45.680
<v Speaker 7>When we were at the brewery and Mickey told me,

0:13:45.720 --> 0:13:46.520
<v Speaker 7>I was like, that's not real.

0:13:46.520 --> 0:13:48.400
<v Speaker 1>I don't even Mickey is a shoutout, Micky, Yeah, shot

0:13:48.400 --> 0:13:49.959
<v Speaker 1>out Mickey, Eddie.

0:13:50.120 --> 0:13:52.920
<v Speaker 6>So if you took all your arteries and veins out

0:13:52.920 --> 0:13:56.000
<v Speaker 6>of your body and stretched him out, it would be

0:13:56.360 --> 0:13:58.720
<v Speaker 6>over one hundred thousand miles long.

0:13:58.760 --> 0:14:01.560
<v Speaker 1>One hundred thousand miles. Yeah, isn't that crazy?

0:14:01.600 --> 0:14:03.160
<v Speaker 6>You look at your body, You're like, there's no way,

0:14:03.200 --> 0:14:05.000
<v Speaker 6>but they're so tangled up in our body that if

0:14:05.000 --> 0:14:06.880
<v Speaker 6>we stretched it all out, it'd be over one hundred

0:14:06.880 --> 0:14:09.360
<v Speaker 6>thousand miles long, one thousand miles.

0:14:09.360 --> 0:14:13.520
<v Speaker 1>Hey, my friend Mickey told me that seems classic Morgan.

0:14:13.720 --> 0:14:15.079
<v Speaker 3>Is everybody here like Ketchup?

0:14:15.320 --> 0:14:15.520
<v Speaker 2>Yes?

0:14:16.000 --> 0:14:19.840
<v Speaker 1>Yeah. If you don't like it, lunchbox no Ketchup, Nope, weird.

0:14:19.960 --> 0:14:22.080
<v Speaker 2>My wife never has never eaten economy and ever in

0:14:22.080 --> 0:14:23.520
<v Speaker 2>her life, and I thought that was weird.

0:14:23.640 --> 0:14:27.320
<v Speaker 1>But ketchup is like the most universally beloved Yeah, go ahead.

0:14:27.000 --> 0:14:29.240
<v Speaker 12>Well, lunchboxs you would have been screwed in the eighteen

0:14:29.320 --> 0:14:32.520
<v Speaker 12>hundreds because ketchup was once sold as a medicine. In

0:14:32.640 --> 0:14:36.440
<v Speaker 12>eighteen thirties, it was believed ketchup could cure diarrhea, indigestion,

0:14:36.560 --> 0:14:37.480
<v Speaker 12>and even johndice.

0:14:37.880 --> 0:14:39.160
<v Speaker 3>So it was like the pepto bismol.

0:14:39.400 --> 0:14:41.880
<v Speaker 2>Not sure it still can't though, we don't know, just

0:14:41.920 --> 0:14:45.000
<v Speaker 2>not marketed as that anymore. There's a common myth that's

0:14:45.000 --> 0:14:48.240
<v Speaker 2>the word X mess when you see Xmas for Christmas

0:14:48.600 --> 0:14:51.920
<v Speaker 2>is a way to emphasize religious tradition, but that's actually

0:14:51.920 --> 0:14:54.920
<v Speaker 2>the opposite of what Xmas is. So people will say

0:14:54.920 --> 0:14:56.520
<v Speaker 2>you're taking the crist at of Christmas. But the term

0:14:56.520 --> 0:14:59.360
<v Speaker 2>actually dates back to Christian churches where the X and

0:14:59.400 --> 0:15:03.720
<v Speaker 2>Merry Christmas. X stands for Chi, which was Christ, so

0:15:03.840 --> 0:15:07.200
<v Speaker 2>it's an abbreviation for Christ in Greek. The suffix m

0:15:07.240 --> 0:15:11.400
<v Speaker 2>as is Latin for Mass, so they both kreated suffix

0:15:11.600 --> 0:15:15.880
<v Speaker 2>meant christ Mass. But now you will see people going, oh,

0:15:15.920 --> 0:15:18.000
<v Speaker 2>you take to Christ out of Christmas. That's just actually

0:15:18.080 --> 0:15:20.840
<v Speaker 2>no knowledge of what the tradition is.

0:15:20.920 --> 0:15:23.640
<v Speaker 1>Yeah, tell them about this fun fact when they say.

0:15:23.480 --> 0:15:25.320
<v Speaker 2>That, yeah, and then tell him aout sleeping beauty right

0:15:25.320 --> 0:15:27.960
<v Speaker 2>after that. That'll go, well, hit him with the right,

0:15:28.040 --> 0:15:29.960
<v Speaker 2>then the left, holy Man, and.

0:15:29.920 --> 0:15:30.720
<v Speaker 1>One other one.

0:15:31.480 --> 0:15:36.400
<v Speaker 2>One month before Seinfeld started, Jason Alexander, who played George,

0:15:36.680 --> 0:15:40.920
<v Speaker 2>who was like crazy George does anything. He actually won

0:15:41.040 --> 0:15:43.800
<v Speaker 2>a Tony for Best Leading Actor in a Musical for

0:15:43.920 --> 0:15:48.280
<v Speaker 2>Jerome Robbins on Broadway, like such a highly respected, touted

0:15:48.280 --> 0:15:51.040
<v Speaker 2>Broadway star before he went on Seinfeld and became Georgia.

0:15:50.720 --> 0:15:51.760
<v Speaker 1>Stanze like dumb George.

0:15:51.840 --> 0:15:58.320
<v Speaker 2>Yeah, there's a podcast called in the Vets Office with

0:15:58.400 --> 0:16:01.280
<v Speaker 2>Doctor Josie and Taylor Lawan is on it. Taylan is

0:16:01.840 --> 0:16:03.840
<v Speaker 2>the wife of Taylor Lawan who played in the NFL

0:16:03.880 --> 0:16:06.080
<v Speaker 2>for a long time. And Taylor they had a chicken

0:16:06.080 --> 0:16:08.280
<v Speaker 2>coop and she was talking about how sick she got

0:16:08.280 --> 0:16:10.280
<v Speaker 2>from cleaning the chicken coop without a mask on here.

0:16:10.320 --> 0:16:11.640
<v Speaker 11>Because I didn't know you're supposed to bear like a

0:16:11.760 --> 0:16:15.600
<v Speaker 11>mask respirator. I got myself so sick. Really, Oh yeah,

0:16:15.800 --> 0:16:17.720
<v Speaker 11>Like what were your symptoms? I was like, I think

0:16:17.720 --> 0:16:18.840
<v Speaker 11>I started the new Avian flu.

0:16:19.520 --> 0:16:21.160
<v Speaker 3>It's not okay, you were patient.

0:16:21.240 --> 0:16:21.360
<v Speaker 5>Here.

0:16:21.520 --> 0:16:23.640
<v Speaker 3>I was cleaning my own chicken coop.

0:16:24.040 --> 0:16:26.000
<v Speaker 2>And they have chickens and they have goats, and the

0:16:26.000 --> 0:16:28.720
<v Speaker 2>goats started dying because of goat herpies.

0:16:28.800 --> 0:16:29.640
<v Speaker 1>Whoa left hear.

0:16:29.560 --> 0:16:32.160
<v Speaker 11>It goat herpes. They got it from a sheep. They

0:16:32.160 --> 0:16:33.520
<v Speaker 11>could get it from a sheep, but they can't get

0:16:33.520 --> 0:16:36.400
<v Speaker 11>it from each other. But there's no telling if they

0:16:36.440 --> 0:16:37.040
<v Speaker 11>all have it.

0:16:37.160 --> 0:16:39.560
<v Speaker 4>Once they're infected, they have it for life and it

0:16:39.640 --> 0:16:42.600
<v Speaker 4>lays latent and then it'll flare up like just randomly

0:16:42.640 --> 0:16:44.000
<v Speaker 4>and they can die from it.

0:16:44.000 --> 0:16:45.680
<v Speaker 1>So like in life, watch out for those sheep. They

0:16:45.680 --> 0:16:46.280
<v Speaker 1>need protection.

0:16:47.360 --> 0:16:49.640
<v Speaker 2>Just watch out for the sheep that's called in the

0:16:49.680 --> 0:16:53.840
<v Speaker 2>vet's office with doctor Josie.

0:16:53.960 --> 0:16:55.400
<v Speaker 1>Amy's pile of stories.

0:16:55.480 --> 0:16:57.680
<v Speaker 4>All right, it's never too early to plan what Halloween

0:16:57.720 --> 0:17:00.640
<v Speaker 4>costumes you want for this year, and Entertainment Tonight put

0:17:00.640 --> 0:17:03.560
<v Speaker 4>together a list of the best couple's costumes for twenty

0:17:03.600 --> 0:17:04.080
<v Speaker 4>twenty four.

0:17:04.480 --> 0:17:07.640
<v Speaker 1>Salt and Pepper, Mushroom Ketcha, Burt and Ernie does still

0:17:07.680 --> 0:17:08.000
<v Speaker 1>make it?

0:17:08.160 --> 0:17:11.000
<v Speaker 3>They're not on there? Go ahead, Taylor Swift and Travis Kelce.

0:17:11.400 --> 0:17:13.120
<v Speaker 1>That's pretty good. That was a good one last year too,

0:17:13.240 --> 0:17:15.200
<v Speaker 1>I think right because they together.

0:17:15.240 --> 0:17:17.320
<v Speaker 2>Then oh, you just Wren eighty seven Jersey to Bondwig,

0:17:17.560 --> 0:17:19.000
<v Speaker 2>but then you switch it up though you have heard

0:17:19.000 --> 0:17:20.680
<v Speaker 2>Dough the eighty seven, but he does the blond way.

0:17:20.800 --> 0:17:24.800
<v Speaker 4>That's funny ya Beetlejuice and Lydia, Yes, because it's coming back.

0:17:26.240 --> 0:17:27.359
<v Speaker 1>What's the name Jenny Ortega?

0:17:27.440 --> 0:17:27.600
<v Speaker 2>Right?

0:17:27.960 --> 0:17:29.040
<v Speaker 1>Yeah, yeah, yeah? What else?

0:17:29.200 --> 0:17:30.360
<v Speaker 3>Dead pull and Wolverine.

0:17:30.920 --> 0:17:32.600
<v Speaker 1>That's dedication. That's a lot of costume.

0:17:33.359 --> 0:17:35.520
<v Speaker 3>Penelope and Colin from Bridgerton.

0:17:36.680 --> 0:17:38.880
<v Speaker 1>I've never watched Bridgerton, not a hater.

0:17:39.480 --> 0:17:43.440
<v Speaker 3>And Cleopatra and mar Campany.

0:17:42.520 --> 0:17:45.480
<v Speaker 1>Not new, Yeah, as old as Salt and Pepper, they're.

0:17:45.240 --> 0:17:46.040
<v Speaker 3>One of the top ones.

0:17:46.080 --> 0:17:48.520
<v Speaker 4>Okay, okay, So if you're someone that swipes through a

0:17:48.560 --> 0:17:50.600
<v Speaker 4>lot of videos because you're bored, and you're just like,

0:17:50.640 --> 0:17:53.720
<v Speaker 4>you know, flipping through on social media and you just swipe, swipe, swipe,

0:17:53.760 --> 0:17:55.200
<v Speaker 4>it's actually making you more bored.

0:17:55.680 --> 0:17:57.359
<v Speaker 1>You know another costume you could do, now that you

0:17:57.400 --> 0:17:57.879
<v Speaker 1>talk about it.

0:17:58.280 --> 0:18:00.480
<v Speaker 2>You can have somebody with a tiny micro phone coming

0:18:00.480 --> 0:18:02.560
<v Speaker 2>out of their phone and you could put a blonde

0:18:02.560 --> 0:18:04.720
<v Speaker 2>wig on and they're like, what are you and you

0:18:04.800 --> 0:18:06.040
<v Speaker 2>go and you lean to the microphone.

0:18:06.080 --> 0:18:09.640
<v Speaker 1>You'll houk to a spin on that thing. Oh that's great.

0:18:10.119 --> 0:18:13.720
<v Speaker 2>Because the guy was doing the phone interview, I hadn't

0:18:13.760 --> 0:18:15.320
<v Speaker 2>seen that, but that would be funny. No one would

0:18:15.359 --> 0:18:16.959
<v Speaker 2>know what it was. You'd have to act it out

0:18:17.000 --> 0:18:19.359
<v Speaker 2>every time, like what are you guys? And then he

0:18:19.560 --> 0:18:21.360
<v Speaker 2>has the cable out of his phone and leans it

0:18:21.359 --> 0:18:24.600
<v Speaker 2>and she goes, hog do I spending that thing all night? Yeah?

0:18:24.600 --> 0:18:25.920
<v Speaker 1>That's pretty good one. I'm sorry.

0:18:26.560 --> 0:18:28.760
<v Speaker 4>No, she she relates that because she was a viral

0:18:28.840 --> 0:18:31.400
<v Speaker 4>video on social media, some people probably swipe through her.

0:18:33.240 --> 0:18:34.000
<v Speaker 1>No, what are you talking about.

0:18:34.200 --> 0:18:37.040
<v Speaker 4>I'm talking about digital switching when you're on social media.

0:18:37.200 --> 0:18:39.280
<v Speaker 4>This is what it's called if you're just swiping through

0:18:39.320 --> 0:18:42.080
<v Speaker 4>videos because you're bored, but you're not watching videos through

0:18:42.200 --> 0:18:43.359
<v Speaker 4>through its completion.

0:18:43.280 --> 0:18:46.280
<v Speaker 2>It's today's flipping the channels. Yeah, because I would just

0:18:46.280 --> 0:18:48.080
<v Speaker 2>flip channels. It wouldn't matter if there are some good

0:18:48.080 --> 0:18:50.119
<v Speaker 2>on or not. I wouldn't stop him flipping flip flip,

0:18:50.160 --> 0:18:51.720
<v Speaker 2>flip flip Judge, Judy.

0:18:51.560 --> 0:18:54.240
<v Speaker 1>Court, and so that would happen. That's now, just do

0:18:54.280 --> 0:18:54.840
<v Speaker 1>it on TikTok.

0:18:54.920 --> 0:18:56.679
<v Speaker 4>Well Talker did a whole study about it, and they

0:18:56.720 --> 0:19:00.240
<v Speaker 4>said that watching short snippets of videos and then swing

0:19:00.280 --> 0:19:03.800
<v Speaker 4>through them or fast forwarding increases your boredom. So if

0:19:03.840 --> 0:19:06.200
<v Speaker 4>you're bored, watch the whole video, and they say it's

0:19:06.200 --> 0:19:08.000
<v Speaker 4>more satisfying, engaging, and meaningful.

0:19:08.520 --> 0:19:10.040
<v Speaker 2>I can agree with that even back in the day,

0:19:10.080 --> 0:19:12.320
<v Speaker 2>because I would just get angrier that I was bored

0:19:12.320 --> 0:19:13.840
<v Speaker 2>because there were so many channels and I didn't want

0:19:13.840 --> 0:19:16.080
<v Speaker 2>to stop on any of them. So yeah, I get it,

0:19:16.119 --> 0:19:17.760
<v Speaker 2>But it's that's today's flipping the channels.

0:19:17.760 --> 0:19:18.359
<v Speaker 1>By what else?

0:19:18.480 --> 0:19:20.920
<v Speaker 3>I've got some facts about Laneie Wilson.

0:19:21.119 --> 0:19:22.720
<v Speaker 1>You may be facts. Let's go.

0:19:23.960 --> 0:19:25.879
<v Speaker 4>When she was nine years old, her mom bought her

0:19:25.920 --> 0:19:29.040
<v Speaker 4>a pair of blue leopard print bell bottoms, and she's

0:19:29.160 --> 0:19:31.840
<v Speaker 4>joked that since then, she doesn't think anyone's ever seen

0:19:31.880 --> 0:19:35.440
<v Speaker 4>her inkles. Okay, when she was Hannah Montana, she would

0:19:35.440 --> 0:19:37.560
<v Speaker 4>impersonate her on the weekends at parties. She would make

0:19:37.600 --> 0:19:40.240
<v Speaker 4>four hundred dollars a gig and sometimes they would even

0:19:40.280 --> 0:19:41.359
<v Speaker 4>let her sing her own songs.

0:19:41.520 --> 0:19:44.040
<v Speaker 2>That's a lot of money. That's an impersonator, Like, that's

0:19:44.080 --> 0:19:46.080
<v Speaker 2>four hundred bucks a show. That's more than some artists

0:19:46.080 --> 0:19:48.000
<v Speaker 2>make now that are doing it as a career.

0:19:48.200 --> 0:19:48.800
<v Speaker 1>Okay, what else?

0:19:48.880 --> 0:19:50.800
<v Speaker 4>Landy lived in a camper van when she was first

0:19:50.800 --> 0:19:52.920
<v Speaker 4>trying to make it in Nashville, and she said when

0:19:52.920 --> 0:19:54.960
<v Speaker 4>a big storm would come in, she thought she was

0:19:54.960 --> 0:19:55.880
<v Speaker 4>going to get blown away.

0:19:56.640 --> 0:19:58.600
<v Speaker 1>Yeah, moved here, had nowhere to livet So she lived

0:19:58.600 --> 0:19:59.240
<v Speaker 1>in a camper.

0:19:59.040 --> 0:20:01.040
<v Speaker 4>And another fact about that as Luke Combs would actually

0:20:01.080 --> 0:20:04.040
<v Speaker 4>go visit her in her trailer and they would write songs.

0:20:04.119 --> 0:20:07.160
<v Speaker 2>They they smell out time together. They moved to town

0:20:07.200 --> 0:20:11.159
<v Speaker 2>to right right now. I just felt, lady will be

0:20:11.160 --> 0:20:12.920
<v Speaker 2>on the show Lenny right song.

0:20:13.040 --> 0:20:14.240
<v Speaker 1>Yes, Lady will be here money.

0:20:14.600 --> 0:20:16.520
<v Speaker 4>And the last one fact is Laney has a no

0:20:16.640 --> 0:20:18.199
<v Speaker 4>tongue rule for kissing on screen.

0:20:18.840 --> 0:20:21.560
<v Speaker 1>Why absolutely? Hi?

0:20:21.680 --> 0:20:22.560
<v Speaker 3>Amy that's my file.

0:20:23.480 --> 0:20:25.600
<v Speaker 1>That was Amy's pile of stories.

0:20:26.080 --> 0:20:27.520
<v Speaker 10>It's time for the good news.

0:20:27.840 --> 0:20:28.480
<v Speaker 4>How much Box.

0:20:32.520 --> 0:20:35.520
<v Speaker 7>There's three guys in Cincinnati that just got out of prison.

0:20:35.560 --> 0:20:38.960
<v Speaker 7>They spent a combined forty four years in prison for

0:20:39.119 --> 0:20:41.920
<v Speaker 7>crimes they didn't commit, and they're having a hard time

0:20:41.960 --> 0:20:45.640
<v Speaker 7>adjusting back to society. You know, they didn't feel comfortable,

0:20:45.680 --> 0:20:48.520
<v Speaker 7>they felt, you know, unsure themselves. You know, their teeth

0:20:48.520 --> 0:20:50.359
<v Speaker 7>were a little messed up because the dental care is

0:20:50.359 --> 0:20:53.399
<v Speaker 7>not that great in prison. So there's a dentist office

0:20:53.440 --> 0:20:55.680
<v Speaker 7>in Cincinnati said, hey, we're going to fix your teeth

0:20:55.680 --> 0:20:58.920
<v Speaker 7>for free. That way you feel confident, you feel good

0:20:58.960 --> 0:21:04.640
<v Speaker 7>about yourself. So they went in little here there fix

0:21:04.680 --> 0:21:05.680
<v Speaker 7>their teeth for free.

0:21:06.040 --> 0:21:08.399
<v Speaker 2>If you go to prison and you didn't do the crime,

0:21:08.720 --> 0:21:13.159
<v Speaker 2>it's a million dollars a year for auld.

0:21:13.240 --> 0:21:15.560
<v Speaker 1>Yeah, yeah, that's what I would do. I don't know

0:21:15.560 --> 0:21:16.280
<v Speaker 1>where we gett the money.

0:21:16.320 --> 0:21:17.919
<v Speaker 4>And then you don't have to and also you have

0:21:17.920 --> 0:21:18.760
<v Speaker 4>to pay for anything.

0:21:19.240 --> 0:21:20.320
<v Speaker 1>Well, no, that's a million dollars.

0:21:20.359 --> 0:21:23.400
<v Speaker 2>Ye an, you get your million a year and don't

0:21:23.440 --> 0:21:26.320
<v Speaker 2>wait at a restaurant. No, no, all that you can

0:21:26.440 --> 0:21:28.520
<v Speaker 2>pay the Yeah, yeah, you get a million bucks a

0:21:28.600 --> 0:21:33.040
<v Speaker 2>year and go try to have a decent life, even

0:21:33.080 --> 0:21:36.240
<v Speaker 2>though the one thing that you can't duplicate, time was

0:21:36.240 --> 0:21:40.680
<v Speaker 2>taken from you. So that one of these conventions R

0:21:40.760 --> 0:21:41.879
<v Speaker 2>n C, DNC I would get out.

0:21:41.880 --> 0:21:44.119
<v Speaker 1>So I'd say, that's good. Everybody's been in jail for crime.

0:21:44.160 --> 0:21:44.640
<v Speaker 1>They didn't commit.

0:21:44.680 --> 0:21:46.280
<v Speaker 2>A million dollars a year, that's what you get. And

0:21:46.320 --> 0:21:47.760
<v Speaker 2>everybody like, how do we get the money from taxes?

0:21:47.760 --> 0:21:49.040
<v Speaker 1>I'm like, I don't know. Turn the music off, I

0:21:49.160 --> 0:21:51.560
<v Speaker 1>walk off. Figure it out. Yeah, you guys figured it out.

0:21:51.560 --> 0:21:53.399
<v Speaker 1>I just say the crap. That sucks.

0:21:53.440 --> 0:21:55.679
<v Speaker 2>I'm glad they got dental care, but that sucks. They

0:21:55.720 --> 0:21:57.840
<v Speaker 2>weren't jailed for something they didn't do. All right, that's

0:21:57.840 --> 0:21:59.760
<v Speaker 2>a good story. Well part of it was good.

0:22:00.400 --> 0:22:00.800
<v Speaker 3>It's good.

0:22:00.920 --> 0:22:02.840
<v Speaker 1>Million dollars a year, that's what I would say. All right,

0:22:02.840 --> 0:22:03.639
<v Speaker 1>that's what it's all about.

0:22:04.119 --> 0:22:05.600
<v Speaker 5>That was tell me something good.

0:22:07.440 --> 0:22:09.800
<v Speaker 2>I'd like to say to our listeners never ever ever

0:22:09.840 --> 0:22:11.240
<v Speaker 2>take financial advice from us.

0:22:11.480 --> 0:22:14.439
<v Speaker 1>We know nothing. We do stupid stuff. We know nothing.

0:22:14.480 --> 0:22:16.600
<v Speaker 2>I just want to say that before I play this voicemail.

0:22:16.840 --> 0:22:18.679
<v Speaker 2>We know nothing, No go ahead.

0:22:19.119 --> 0:22:21.680
<v Speaker 3>In March of twenty twenty, Ray told us to.

0:22:21.600 --> 0:22:25.359
<v Speaker 1>Buy a Royal Caribbean stock. I bought ten shares at

0:22:25.440 --> 0:22:27.719
<v Speaker 1>twenty three dollars and twenty nine cents.

0:22:27.840 --> 0:22:32.160
<v Speaker 11>Today, those ten shares are worth one thousand, five hundred

0:22:32.280 --> 0:22:33.639
<v Speaker 11>eighty dollars.

0:22:33.160 --> 0:22:34.119
<v Speaker 1>And eighty cents.

0:22:34.200 --> 0:22:37.159
<v Speaker 3>That's a five hundred and seventy eight percent increase in

0:22:37.200 --> 0:22:40.080
<v Speaker 3>my shares. Thanks Ray, Mundo, great job.

0:22:40.200 --> 0:22:41.480
<v Speaker 2>I just want to say, don't listen to us for

0:22:41.600 --> 0:22:44.639
<v Speaker 2>now on because what because Ray has predicted the greatest

0:22:44.640 --> 0:22:47.080
<v Speaker 2>stock in the history of the Boybone Show and said that.

0:22:47.359 --> 0:22:48.800
<v Speaker 1>I just don't people to think we know we're talking

0:22:48.840 --> 0:22:51.840
<v Speaker 1>about big win. Ray though, like respect, Yeah, I don't

0:22:51.840 --> 0:22:53.679
<v Speaker 1>know if it's that much, but I got tipped off.

0:22:53.720 --> 0:22:55.480
<v Speaker 2>I got a buddy who lives in Miami said, cruise,

0:22:55.480 --> 0:22:56.400
<v Speaker 2>they're going to be through the race.

0:22:56.720 --> 0:22:59.120
<v Speaker 1>He lives near the waters. Like it doesn't matter.

0:22:59.240 --> 0:23:05.320
<v Speaker 2>You had agrisk bag because that raise our new money out. No, Hello,

0:23:05.440 --> 0:23:06.680
<v Speaker 2>the video is better than that.

0:23:07.440 --> 0:23:08.119
<v Speaker 1>No it's not.

0:23:08.280 --> 0:23:10.040
<v Speaker 2>I looked, it's not five hundred and eighty five percent

0:23:10.040 --> 0:23:14.000
<v Speaker 2>of however, Ray, good job, Thank you, thank you.

0:23:14.160 --> 0:23:19.880
<v Speaker 1>Let's do the Morning Corny. The Morning Corny.

0:23:20.040 --> 0:23:22.679
<v Speaker 4>Why can't you ever argue with a ninety degree angle

0:23:23.760 --> 0:23:25.120
<v Speaker 4>because they're always right.

0:23:25.960 --> 0:23:32.480
<v Speaker 1>That's true. That was the morning Corny.

0:23:32.800 --> 0:23:37.199
<v Speaker 2>I have no video it's up one because it took

0:23:37.240 --> 0:23:37.840
<v Speaker 2>a big tumble.

0:23:37.960 --> 0:23:42.560
<v Speaker 1>And what was world World Caribbean? I like five hundred,

0:23:43.320 --> 0:23:44.199
<v Speaker 1>it's a little different.

0:23:46.640 --> 0:23:47.880
<v Speaker 10>On the Bobby Bones Show.

0:23:47.960 --> 0:23:48.160
<v Speaker 1>Now.

0:23:48.440 --> 0:23:52.000
<v Speaker 2>Thomas Rhett his new album is out today. When you

0:23:52.080 --> 0:23:55.159
<v Speaker 2>do a new record, it's do you try to always

0:23:55.200 --> 0:23:59.800
<v Speaker 2>present a slightly new version of yourself or is it

0:24:00.000 --> 0:24:02.080
<v Speaker 2>as you're a different person because you've actually matured with

0:24:02.160 --> 0:24:04.600
<v Speaker 2>age and experience and it just comes out a new

0:24:04.640 --> 0:24:07.520
<v Speaker 2>person of yourself, like a version Maybe both.

0:24:07.640 --> 0:24:09.199
<v Speaker 13>I mean, I feel like I try to write you

0:24:09.240 --> 0:24:10.960
<v Speaker 13>know where I'm at in life, and I think right

0:24:11.000 --> 0:24:13.719
<v Speaker 13>now I'm in a fun season of life, like all

0:24:13.760 --> 0:24:15.960
<v Speaker 13>my kids are in school for the first time ever,

0:24:16.000 --> 0:24:18.240
<v Speaker 13>and so I feel like Lauren and I just kind

0:24:18.240 --> 0:24:21.080
<v Speaker 13>of are freer these days. And so I think I

0:24:21.119 --> 0:24:22.800
<v Speaker 13>think whatever I'm kind of going through in life sort

0:24:22.800 --> 0:24:24.520
<v Speaker 13>of translates to music. But I think when it comes

0:24:24.560 --> 0:24:27.359
<v Speaker 13>to making records, I feel like it's always trying to

0:24:27.359 --> 0:24:29.480
<v Speaker 13>be progressive while remaining authentic.

0:24:30.119 --> 0:24:32.000
<v Speaker 2>The album is about a woman, and we're going to

0:24:32.040 --> 0:24:34.639
<v Speaker 2>play some songs as we talk, But Ray, would you give.

0:24:34.520 --> 0:24:35.840
<v Speaker 1>Me an overdrive?

0:24:35.880 --> 0:24:37.880
<v Speaker 13>I would say that This song is a pretty accurate

0:24:37.920 --> 0:24:41.919
<v Speaker 13>story of my high school days. If you will, do

0:24:41.920 --> 0:24:43.200
<v Speaker 13>you have your Do you have your first truck that

0:24:43.240 --> 0:24:44.720
<v Speaker 13>you ever drove? Anybody have that.

0:24:46.359 --> 0:24:46.600
<v Speaker 12>Burn?

0:24:47.800 --> 0:24:48.000
<v Speaker 8>Yeah?

0:24:49.000 --> 0:24:49.560
<v Speaker 1>Yours? I do.

0:24:49.640 --> 0:24:50.320
<v Speaker 10>I bought it back.

0:24:50.520 --> 0:24:51.600
<v Speaker 1>Oh yeah, I remember when you did that.

0:24:51.680 --> 0:24:54.480
<v Speaker 10>I bought it back. And so I just I don't know.

0:24:54.480 --> 0:24:57.600
<v Speaker 13>When I hear this song, I smell, you know, Abercrombie

0:24:57.640 --> 0:25:02.320
<v Speaker 13>and fitched fierce. Immediately I go straight back to like

0:25:02.600 --> 0:25:04.960
<v Speaker 13>nineties two thousand's all rock, and I just I don't know.

0:25:05.000 --> 0:25:06.960
<v Speaker 13>I just can envision myself going to pick up Lauren

0:25:06.960 --> 0:25:09.679
<v Speaker 13>in that truck, And I don't know. I love nostalgia,

0:25:09.720 --> 0:25:13.560
<v Speaker 13>Like I'm a sucker for cheesy high school football films

0:25:13.600 --> 0:25:16.280
<v Speaker 13>and you know, things that take me back to younger years,

0:25:16.280 --> 0:25:18.600
<v Speaker 13>and so this kind of checks all those boxes for me.

0:25:19.200 --> 0:25:21.520
<v Speaker 1>When you and Lauren were first dating.

0:25:22.119 --> 0:25:23.840
<v Speaker 2>Because I saw the picture that one of you guys

0:25:23.880 --> 0:25:26.200
<v Speaker 2>had posted recently, it was like at a football game. Maybe

0:25:26.200 --> 0:25:28.640
<v Speaker 2>it's been posted a couple of times. Yeah, sure, did

0:25:28.720 --> 0:25:32.119
<v Speaker 2>you guys say hourdly, we know we're gonna get married.

0:25:32.160 --> 0:25:34.439
<v Speaker 2>We're so in love? Because I'm sure that cycled in

0:25:34.480 --> 0:25:37.160
<v Speaker 2>and out. But was that always the thing?

0:25:37.200 --> 0:25:40.600
<v Speaker 10>With you two for her, no for me? Did you

0:25:40.680 --> 0:25:42.720
<v Speaker 10>say that to her like as a kid, don't? I

0:25:42.720 --> 0:25:43.160
<v Speaker 10>don't think.

0:25:43.200 --> 0:25:45.320
<v Speaker 13>So we dated a little bit when we were like

0:25:45.359 --> 0:25:49.159
<v Speaker 13>sixteen years old, and you know, dated other people for

0:25:49.200 --> 0:25:51.000
<v Speaker 13>a long we didn't really get back together until we

0:25:51.000 --> 0:25:52.120
<v Speaker 13>were like twenty one twenty two.

0:25:52.320 --> 0:25:54.480
<v Speaker 2>When you were dating at sixteen, though, did you feel

0:25:54.480 --> 0:25:55.919
<v Speaker 2>like this is the person I'm gonna marry.

0:25:56.600 --> 0:25:58.920
<v Speaker 10>I mean I probably thought about it, you know.

0:25:59.760 --> 0:26:03.240
<v Speaker 2>Yeah, that just it just feels like, in hindsight, you

0:26:03.240 --> 0:26:04.520
<v Speaker 2>guys have always been together.

0:26:04.320 --> 0:26:07.639
<v Speaker 13>Even I mean we kind of even when we were

0:26:07.680 --> 0:26:10.640
<v Speaker 13>dating other people, we actually still double dated together.

0:26:11.080 --> 0:26:14.320
<v Speaker 1>So like, yeah, you mean you went out like we.

0:26:14.280 --> 0:26:15.720
<v Speaker 10>Always remained really good friends.

0:26:15.720 --> 0:26:17.560
<v Speaker 13>And so if I was dating somebody else and she

0:26:17.640 --> 0:26:20.240
<v Speaker 13>was dating somebody else, we would go to the movie together,

0:26:20.440 --> 0:26:22.800
<v Speaker 13>like go to Sonic together, like you know, do the things.

0:26:22.920 --> 0:26:24.679
<v Speaker 13>We always remained like really close.

0:26:24.840 --> 0:26:27.840
<v Speaker 1>Sounds a bit fish.

0:26:28.040 --> 0:26:30.600
<v Speaker 4>Whatever girl you had with you how to be like,

0:26:30.640 --> 0:26:33.320
<v Speaker 4>oh my gosh, she's totally into the other ground There was.

0:26:33.240 --> 0:26:35.639
<v Speaker 13>There was a long time period where I seriously did

0:26:35.680 --> 0:26:37.960
<v Speaker 13>I completely had blocked it out of my mind. But

0:26:38.000 --> 0:26:40.000
<v Speaker 13>I think like later on, when I turned like you know,

0:26:40.359 --> 0:26:43.199
<v Speaker 13>sophomore junior in college. I was just like, man, you know,

0:26:43.640 --> 0:26:45.160
<v Speaker 13>but I kind of thought she was going to get

0:26:45.160 --> 0:26:47.119
<v Speaker 13>married to somebody else. And we actually see both of

0:26:47.160 --> 0:26:51.520
<v Speaker 13>these people on a regular basis. Like the girl, the

0:26:51.520 --> 0:26:54.080
<v Speaker 13>girl that I dated, I see her at church every

0:26:54.080 --> 0:26:57.200
<v Speaker 13>Sunday and uh. And one of the guys or one

0:26:57.200 --> 0:26:59.199
<v Speaker 13>of the one of the guys that Lauren dated, he

0:26:59.240 --> 0:27:01.840
<v Speaker 13>comes to all of our like Halloween parties, Christmas parties,

0:27:01.840 --> 0:27:04.080
<v Speaker 13>all the stuff. So we see a lot more of

0:27:04.119 --> 0:27:06.040
<v Speaker 13>like the people that Lauren dated than I dated.

0:27:06.200 --> 0:27:09.920
<v Speaker 10>So probably shows to her character. She probably dated better

0:27:09.960 --> 0:27:10.560
<v Speaker 10>people than me.

0:27:11.160 --> 0:27:14.920
<v Speaker 2>You guys have been together even married for a while. Yeah,

0:27:14.960 --> 0:27:17.159
<v Speaker 2>how does she feel when you create something new and

0:27:17.200 --> 0:27:19.600
<v Speaker 2>you bring it home and you're like, check out.

0:27:19.440 --> 0:27:20.240
<v Speaker 1>This song.

0:27:21.800 --> 0:27:25.639
<v Speaker 2>Because it's even for my wife, And I say, my

0:27:25.680 --> 0:27:28.080
<v Speaker 2>wife loves me and supports me in every way. Sure,

0:27:28.160 --> 0:27:29.680
<v Speaker 2>And we were talking about my wife doesn't listen to

0:27:29.720 --> 0:27:31.480
<v Speaker 2>the show. She just does not care. She's like I

0:27:31.520 --> 0:27:34.879
<v Speaker 2>live with the show for sure, So I would say

0:27:34.880 --> 0:27:37.520
<v Speaker 2>I would say it's similar. I think like early on

0:27:38.200 --> 0:27:40.280
<v Speaker 2>she was with me a ton, like before we got married.

0:27:40.680 --> 0:27:40.840
<v Speaker 1>You know.

0:27:40.920 --> 0:27:44.280
<v Speaker 13>Lauren graduated as a nurse from the university of Tennessee,

0:27:44.480 --> 0:27:47.360
<v Speaker 13>and when we were going into marriage counseling, our counselor

0:27:47.400 --> 0:27:48.840
<v Speaker 13>was like, I think y'all just need to like really

0:27:48.880 --> 0:27:51.600
<v Speaker 13>be together your first year of marriage. And so she

0:27:51.760 --> 0:27:53.920
<v Speaker 13>was with me, like with you know, seven other dudes

0:27:53.960 --> 0:27:56.600
<v Speaker 13>on the bus. And back then we were playing like

0:27:56.600 --> 0:27:58.960
<v Speaker 13>two hundred and eighty three hundred and something plus shows.

0:27:58.960 --> 0:28:02.080
<v Speaker 13>So I mean she got a full feel like twenty twelve,

0:28:02.080 --> 0:28:03.679
<v Speaker 13>twenty thirteen on the road.

0:28:05.240 --> 0:28:08.320
<v Speaker 1>But yeah, I used to play her like every.

0:28:08.040 --> 0:28:10.800
<v Speaker 13>Song that I would write, And now I don't even

0:28:10.840 --> 0:28:13.000
<v Speaker 13>really play her demos anymore. I wait till they're finished

0:28:13.040 --> 0:28:17.080
<v Speaker 13>because Lauren gets like severe demo demo ad.

0:28:17.160 --> 0:28:17.320
<v Speaker 2>Yeah.

0:28:17.320 --> 0:28:19.120
<v Speaker 13>I remember when I wrote Die Happy Man. I played

0:28:19.119 --> 0:28:21.640
<v Speaker 13>her the demo and then we went to the studio

0:28:21.680 --> 0:28:23.440
<v Speaker 13>to cut it. She's like, I hate this.

0:28:23.480 --> 0:28:25.400
<v Speaker 10>Version, and I was like, well, I can't.

0:28:25.200 --> 0:28:30.639
<v Speaker 13>Put two am you know bus vocal out on the radio.

0:28:30.680 --> 0:28:33.359
<v Speaker 13>But anyway, I've gotten to the point where I'll finish

0:28:33.359 --> 0:28:35.440
<v Speaker 13>the record now and then I'll play it all four So.

0:28:35.680 --> 0:28:38.480
<v Speaker 2>What about this record sonically musically than people's ears?

0:28:38.480 --> 0:28:39.720
<v Speaker 1>Are they going to feel a bit different?

0:28:40.680 --> 0:28:42.760
<v Speaker 10>Man? I worked with a different producer on this project.

0:28:43.400 --> 0:28:44.000
<v Speaker 10>I don't sure if you.

0:28:43.960 --> 0:28:46.520
<v Speaker 2>Explain what that because again I think we all know

0:28:46.560 --> 0:28:48.440
<v Speaker 2>we're in that world of what a producer even.

0:28:48.360 --> 0:28:48.760
<v Speaker 10>Is for sure?

0:28:48.920 --> 0:28:49.280
<v Speaker 1>What is that?

0:28:49.280 --> 0:28:50.120
<v Speaker 10>That's kind of all over the place.

0:28:50.160 --> 0:28:51.480
<v Speaker 2>Yeah, yeah, what does that mean when you say work

0:28:51.480 --> 0:28:53.320
<v Speaker 2>with a new producer? How does that affect you and

0:28:53.400 --> 0:28:54.720
<v Speaker 2>what you're doing while you're in there.

0:28:55.160 --> 0:28:58.120
<v Speaker 13>I think that different producers use, you know, different sounds,

0:28:58.120 --> 0:29:01.960
<v Speaker 13>They come from different backgrounds, their influencers are different, and

0:29:02.000 --> 0:29:04.400
<v Speaker 13>so on this record, Dan Huff remained a constant on

0:29:04.440 --> 0:29:04.920
<v Speaker 13>this project.

0:29:04.960 --> 0:29:06.440
<v Speaker 10>But my buddy Julian Benetta.

0:29:06.560 --> 0:29:08.360
<v Speaker 13>I don't know if you think you know that Julian,

0:29:09.160 --> 0:29:11.880
<v Speaker 13>but he started, you know, maybe fifteen twenty years ago,

0:29:11.920 --> 0:29:14.040
<v Speaker 13>and his first big project that he worked on was

0:29:14.080 --> 0:29:16.760
<v Speaker 13>like the One Direction albums, and so like grew grew

0:29:16.800 --> 0:29:19.280
<v Speaker 13>up in La, did the whole La thing. And now

0:29:19.440 --> 0:29:22.120
<v Speaker 13>this year he produced my record, produced the Sabrina Carpenter

0:29:22.120 --> 0:29:25.800
<v Speaker 13>record and the Teddy Swims project. And so I feel

0:29:25.840 --> 0:29:28.000
<v Speaker 13>like his ability to kind of shift in between like

0:29:28.040 --> 0:29:30.360
<v Speaker 13>all those different things, while having the wealth of knowledge

0:29:30.360 --> 0:29:32.400
<v Speaker 13>that he has, he kind of just came in and

0:29:32.440 --> 0:29:36.840
<v Speaker 13>like challenged me in a bunch of different ways musically, lyrically, sonically.

0:29:36.760 --> 0:29:39.520
<v Speaker 2>A challenge, like he if you have something that you like,

0:29:39.560 --> 0:29:41.320
<v Speaker 2>and he's like, does he say, I think that can

0:29:41.360 --> 0:29:44.120
<v Speaker 2>be better? Like do you allow someone to challenge you?

0:29:44.160 --> 0:29:46.880
<v Speaker 13>Like, oh, dude, hundred percent. We do this thing called

0:29:46.920 --> 0:29:49.000
<v Speaker 13>the firing squad with each other. So me and him

0:29:49.000 --> 0:29:50.360
<v Speaker 13>and the cold people will sit around. I don't know

0:29:50.360 --> 0:29:52.520
<v Speaker 13>if y'all do this, but you should. We sit around

0:29:52.520 --> 0:29:54.880
<v Speaker 13>and we just pass the you know, the little speaker

0:29:54.920 --> 0:29:56.960
<v Speaker 13>around and we just play songs and we absolutely go

0:29:57.200 --> 0:29:59.680
<v Speaker 13>hard in the paint on what we either like or

0:29:59.720 --> 0:30:02.840
<v Speaker 13>can't stand about the song. So I feel like in

0:30:02.880 --> 0:30:05.320
<v Speaker 13>this right like every single song went through so many

0:30:05.400 --> 0:30:07.080
<v Speaker 13>rounds of like why do you like this? Why do

0:30:07.120 --> 0:30:09.240
<v Speaker 13>you not like this? I love the first verse, I

0:30:09.240 --> 0:30:11.240
<v Speaker 13>hate the second verse. The bridge could be better. So

0:30:11.880 --> 0:30:14.080
<v Speaker 13>I think having the time this go around, because I

0:30:14.080 --> 0:30:16.000
<v Speaker 13>had such a light touring year this year, it allowed

0:30:16.040 --> 0:30:18.280
<v Speaker 13>me to kind of like keep going back over to

0:30:18.320 --> 0:30:21.120
<v Speaker 13>Julian's house in tweaking melody and tweaking verses. And I've

0:30:21.120 --> 0:30:23.000
<v Speaker 13>never done that before. It's kind of always been like, well,

0:30:23.080 --> 0:30:25.160
<v Speaker 13>the song is done, that's what it's going to be.

0:30:25.560 --> 0:30:26.920
<v Speaker 13>A lot of these songs went through a bunch of

0:30:26.960 --> 0:30:29.520
<v Speaker 13>different rounds of just like fixing and tweaking until we

0:30:29.600 --> 0:30:30.680
<v Speaker 13>both felt like it was right.

0:30:30.800 --> 0:30:33.760
<v Speaker 2>So will you ever sing? And somebody like Julian or

0:30:33.760 --> 0:30:37.120
<v Speaker 2>whomeever you trust, is like, do it again? That is

0:30:37.160 --> 0:30:39.120
<v Speaker 2>not it and you're like, no, I feel like that's

0:30:39.160 --> 0:30:42.280
<v Speaker 2>like and they push you and then maybe you hit

0:30:42.280 --> 0:30:44.120
<v Speaker 2>a spot, a new spot, or maybe you have to

0:30:44.160 --> 0:30:46.560
<v Speaker 2>chase the place you don't feel comfortable and does that happen?

0:30:46.240 --> 0:30:48.720
<v Speaker 13>It happened a lot on this project, cause I feel

0:30:48.720 --> 0:30:50.200
<v Speaker 13>like I've really found my voice and I feel like

0:30:50.240 --> 0:30:51.000
<v Speaker 13>I know how I sing.

0:30:51.680 --> 0:30:53.080
<v Speaker 10>But he challenged me in a bunch of.

0:30:53.080 --> 0:30:55.400
<v Speaker 13>Different ways on this record, like on Boots, which is

0:30:55.400 --> 0:30:58.000
<v Speaker 13>like I think track maybe twelve or twelve or thirteen.

0:30:59.280 --> 0:31:00.680
<v Speaker 13>I think I told you this the other night, but

0:31:00.680 --> 0:31:02.200
<v Speaker 13>I sang it like me and he was just like,

0:31:02.240 --> 0:31:05.560
<v Speaker 13>I feel like your vocal is boring. And I was like,

0:31:05.560 --> 0:31:06.520
<v Speaker 13>what do you mean to do? And he was like,

0:31:06.520 --> 0:31:09.240
<v Speaker 13>I just want you to channel Elvis and Dwight Yoakam

0:31:09.320 --> 0:31:10.880
<v Speaker 13>right here, even if we don't use it, I just

0:31:10.920 --> 0:31:12.720
<v Speaker 13>want to hear what it sounds like. And so I

0:31:12.760 --> 0:31:15.080
<v Speaker 13>did it as a joke and then I started living

0:31:15.120 --> 0:31:17.880
<v Speaker 13>with that and all of a sudden, it became so

0:31:18.000 --> 0:31:20.880
<v Speaker 13>much more cooler. It just became cooler to me because

0:31:20.880 --> 0:31:22.560
<v Speaker 13>it was almost like I was playing a character for

0:31:22.600 --> 0:31:24.680
<v Speaker 13>the first time. I want a song like Can't Love

0:31:24.720 --> 0:31:27.080
<v Speaker 13>You Anymore? Like I always sing really full voice, and

0:31:27.080 --> 0:31:28.960
<v Speaker 13>he challenged me to singing kind of like this weird

0:31:29.960 --> 0:31:32.760
<v Speaker 13>not whisper but not yelling kind of voice. And so

0:31:32.800 --> 0:31:34.040
<v Speaker 13>I feel like I felt like on a lot of

0:31:34.080 --> 0:31:35.880
<v Speaker 13>the tracks on this record, he kind of encouraged me

0:31:35.880 --> 0:31:38.080
<v Speaker 13>to kind of sing differently on a lot of different things,

0:31:38.080 --> 0:31:40.040
<v Speaker 13>to kind of just keep making the record interesting as

0:31:40.040 --> 0:31:41.640
<v Speaker 13>you went down down the project.

0:31:41.680 --> 0:31:43.120
<v Speaker 1>So ray I want to hear a love bit of

0:31:43.160 --> 0:31:44.480
<v Speaker 1>Boots that he was talking about.

0:31:44.320 --> 0:31:46.600
<v Speaker 13>Could have easily gone in there and just gone okay

0:31:46.760 --> 0:31:49.760
<v Speaker 13>to talk to the session players. Let's record a nineties

0:31:50.320 --> 0:31:52.239
<v Speaker 13>honky talk down in the song and I'll sing it

0:31:52.280 --> 0:31:54.880
<v Speaker 13>like me. But then you start tweaking and you kind

0:31:54.880 --> 0:31:57.080
<v Speaker 13>of get more into this like rockabilly land, and then

0:31:57.160 --> 0:32:00.560
<v Speaker 13>compaired with like this, you know, kind of like easy top,

0:32:00.640 --> 0:32:02.240
<v Speaker 13>like a hole, you know, like just kind of just

0:32:02.280 --> 0:32:04.960
<v Speaker 13>getting just more into into the song, and and uh,

0:32:05.200 --> 0:32:06.840
<v Speaker 13>it just made it so much more interesting to me.

0:32:07.000 --> 0:32:10.160
<v Speaker 2>So I'm gonna play which is the song that the

0:32:10.200 --> 0:32:13.200
<v Speaker 2>record is kind of named after about a woman. So

0:32:13.560 --> 0:32:15.800
<v Speaker 2>give me a little something here before I go into this,

0:32:16.280 --> 0:32:18.400
<v Speaker 2>Like what's I don't know when I talk about that?

0:32:18.440 --> 0:32:20.320
<v Speaker 1>What do you think? What do you say with a.

0:32:20.200 --> 0:32:22.440
<v Speaker 10>Song something by a woman? Yeah?

0:32:22.640 --> 0:32:24.600
<v Speaker 13>I feel like it is the song maybe I think

0:32:24.640 --> 0:32:26.320
<v Speaker 13>something bout a woman in Boots? Are the ones that

0:32:26.400 --> 0:32:31.040
<v Speaker 13>feel like the most left of center songs on the project. Really,

0:32:31.160 --> 0:32:34.120
<v Speaker 13>I feel like they do. And if you know me,

0:32:34.200 --> 0:32:37.080
<v Speaker 13>like I'm a giant like Rolling Rolling Stones fan, like

0:32:37.160 --> 0:32:40.840
<v Speaker 13>big Steely Dan fan, and and I feel like I

0:32:40.880 --> 0:32:44.160
<v Speaker 13>was trying to channel my inner MiG Jagger on this track.

0:32:45.560 --> 0:32:47.000
<v Speaker 13>We wrote this song at like two o'clock in the

0:32:47.000 --> 0:32:49.240
<v Speaker 13>morning on the road, and once we had finished it,

0:32:49.280 --> 0:32:50.760
<v Speaker 13>I was like, I don't know where this goes, Like

0:32:50.800 --> 0:32:52.600
<v Speaker 13>does it go on this project? Does it come as

0:32:52.600 --> 0:32:54.800
<v Speaker 13>a one off? And the more I listen to it,

0:32:54.840 --> 0:32:57.600
<v Speaker 13>the more it just kind of became my favorite thing.

0:32:58.400 --> 0:32:59.720
<v Speaker 13>It's the one that when I sit down with a

0:32:59.720 --> 0:33:01.440
<v Speaker 13>guitar or it's like the first thing I start playing.

0:33:01.480 --> 0:33:03.480
<v Speaker 2>So we're gonna play it. Now, Here's something about a woman.

0:33:04.000 --> 0:33:06.160
<v Speaker 2>Thomas Ht's here. He's got an album out that's called

0:33:06.160 --> 0:33:08.520
<v Speaker 2>about a woman. It's out today, Go go stream it,

0:33:08.600 --> 0:33:10.600
<v Speaker 2>save it and then stream it later. You can't even

0:33:10.640 --> 0:33:12.640
<v Speaker 2>stream it right now, Save it right now, and then

0:33:12.680 --> 0:33:14.680
<v Speaker 2>stream it later on the.

0:33:14.680 --> 0:33:15.600
<v Speaker 10>Bobby Bones Show.

0:33:15.680 --> 0:33:18.600
<v Speaker 1>Now, Thomas Rhett. When you record an album, do you

0:33:18.680 --> 0:33:19.200
<v Speaker 1>do it all?

0:33:19.240 --> 0:33:21.160
<v Speaker 2>And like you go and you lock yourself in a

0:33:21.160 --> 0:33:25.680
<v Speaker 2>studio for four days? Is it different every time you do?

0:33:25.800 --> 0:33:28.760
<v Speaker 2>Sometimes it take months? Like this record, I don't know.

0:33:28.840 --> 0:33:29.840
<v Speaker 2>Do you record all the track?

0:33:29.960 --> 0:33:31.560
<v Speaker 1>I don't. I don't understand how this works.

0:33:31.960 --> 0:33:34.320
<v Speaker 13>Yeah, this record was obviously was different than any record

0:33:34.320 --> 0:33:37.160
<v Speaker 13>I've ever done. During COVID, I taught myself how to

0:33:37.200 --> 0:33:39.800
<v Speaker 13>like record my vocal at my house, and so I

0:33:39.800 --> 0:33:41.880
<v Speaker 13>feel like when I would used to go record songs,

0:33:41.920 --> 0:33:43.920
<v Speaker 13>it would always be like, Okay, we're gonna block seven

0:33:44.000 --> 0:33:45.880
<v Speaker 13>days to go to your producer's house or to the

0:33:45.920 --> 0:33:49.360
<v Speaker 13>studio into a gajillion takes of a song and whatever.

0:33:50.000 --> 0:33:52.720
<v Speaker 13>But I kind of felt like doing it in my studio,

0:33:52.800 --> 0:33:54.520
<v Speaker 13>like in my basement at home, Like I just feel

0:33:54.520 --> 0:33:57.080
<v Speaker 13>like I could try more without anyone watching, And so

0:33:57.120 --> 0:34:00.640
<v Speaker 13>I would just like literally just compile, compile and compile,

0:34:00.680 --> 0:34:02.520
<v Speaker 13>and then I would shoot it over to Julian and

0:34:02.560 --> 0:34:06.720
<v Speaker 13>he would do all the comping, Like when you sing

0:34:06.760 --> 0:34:09.239
<v Speaker 13>a song like ten times in a row, you kind

0:34:09.239 --> 0:34:10.640
<v Speaker 13>of like go through and you get you kind of

0:34:10.640 --> 0:34:12.600
<v Speaker 13>get to pick the best pieces of the verse or

0:34:12.640 --> 0:34:14.800
<v Speaker 13>get the you know, pick the best pieces of the chorus.

0:34:14.840 --> 0:34:17.160
<v Speaker 13>And so I could never comp my vocal. I would

0:34:17.160 --> 0:34:19.640
<v Speaker 13>I would go absolutely crazy doing that, but there are

0:34:19.640 --> 0:34:22.319
<v Speaker 13>some people that are so good at it. But yeah,

0:34:22.320 --> 0:34:24.080
<v Speaker 13>I mean we would go in and track, you know,

0:34:24.280 --> 0:34:25.840
<v Speaker 13>with a live band, and we would take kind of

0:34:25.880 --> 0:34:27.920
<v Speaker 13>the raw pieces of it and kind of we did

0:34:27.960 --> 0:34:31.320
<v Speaker 13>mostly subtracting, which is interesting because I always feel like

0:34:31.360 --> 0:34:33.319
<v Speaker 13>in my music, I'm I'm one of those people that

0:34:33.400 --> 0:34:35.680
<v Speaker 13>just always likes to add and add and add. You know,

0:34:35.680 --> 0:34:37.600
<v Speaker 13>if there's two part harmony, let's make it four, you

0:34:37.680 --> 0:34:39.600
<v Speaker 13>know what I mean. And I feel like Julian and

0:34:39.640 --> 0:34:41.200
<v Speaker 13>Dan did a good job on this record. It really

0:34:41.239 --> 0:34:43.920
<v Speaker 13>just like subtracting, so kind of just taking the bones

0:34:43.960 --> 0:34:45.959
<v Speaker 13>and just making what needed to be there stay there.

0:34:46.040 --> 0:34:47.960
<v Speaker 13>So I feel like there's on this record there's more

0:34:47.960 --> 0:34:50.319
<v Speaker 13>space than there's ever been on my projects, which kind

0:34:50.320 --> 0:34:53.279
<v Speaker 13>of terrified me in a way because space freaks me out,

0:34:53.320 --> 0:34:55.799
<v Speaker 13>Like even when I'm playing shows. If like we end

0:34:55.800 --> 0:34:58.279
<v Speaker 13>a song and like my drummer has to change his

0:34:58.320 --> 0:35:00.279
<v Speaker 13>snare drum er, we have like guitar changes whatever.

0:35:00.280 --> 0:35:01.320
<v Speaker 10>I start to panic.

0:35:01.080 --> 0:35:02.600
<v Speaker 13>Because I feel like we just need to get into

0:35:02.600 --> 0:35:05.840
<v Speaker 13>the next song as fast as humanly possible. But I've

0:35:05.920 --> 0:35:08.280
<v Speaker 13>kind of learned how to embrace the space on this project.

0:35:08.320 --> 0:35:11.160
<v Speaker 2>So do you ever hear any flaws in your old records?

0:35:11.200 --> 0:35:15.040
<v Speaker 2>That's your fault? I mean yeah, like and you're like,

0:35:15.080 --> 0:35:18.640
<v Speaker 2>oh man, I can't believe that five records ago, Like

0:35:18.719 --> 0:35:22.120
<v Speaker 2>I missed that a little. Do you ever hear that

0:35:23.120 --> 0:35:25.160
<v Speaker 2>or purposely leave a flaw in? Because I can think

0:35:25.200 --> 0:35:27.440
<v Speaker 2>of a couple of famous songs, oh yeah, not even yours,

0:35:27.440 --> 0:35:30.920
<v Speaker 2>like a James Blunt You're beautiful at that beginning part.

0:35:31.000 --> 0:35:33.400
<v Speaker 1>Yeah yeah, uh kolbe kala hey can you count me in?

0:35:33.400 --> 0:35:35.480
<v Speaker 2>There are a lot of those little any of that

0:35:35.840 --> 0:35:37.279
<v Speaker 2>on your records where they either left it.

0:35:37.719 --> 0:35:40.640
<v Speaker 13>I've always I've always really loved flaw on albums, like

0:35:40.719 --> 0:35:43.440
<v Speaker 13>I think probably my favorite reference would be like one

0:35:43.440 --> 0:35:45.840
<v Speaker 13>of the first couple Led Zeppelin albums, like John Bonham

0:35:46.040 --> 0:35:47.680
<v Speaker 13>is the reason I ever wanted to play drums, and

0:35:47.680 --> 0:35:49.279
<v Speaker 13>so like when you listen to those records, you can

0:35:49.360 --> 0:35:52.319
<v Speaker 13>hear his like kick drum pedal squeaking, you know, in

0:35:52.320 --> 0:35:54.439
<v Speaker 13>the microphone or whatever, and today you would you would

0:35:54.480 --> 0:35:56.440
<v Speaker 13>be able to just like take that out. But I

0:35:56.440 --> 0:35:59.319
<v Speaker 13>think I think flaw is what makes you human, you

0:35:59.360 --> 0:36:01.680
<v Speaker 13>know what I'm saying. And so there's definitely sometimes when

0:36:01.680 --> 0:36:04.280
<v Speaker 13>I listen down to a vocal or like my voice

0:36:04.280 --> 0:36:05.600
<v Speaker 13>cracked or my voice broke, but it.

0:36:05.520 --> 0:36:07.200
<v Speaker 2>I got a record though, that made it, and you

0:36:07.200 --> 0:36:09.960
<v Speaker 2>didn't catch it until it's like fully produced.

0:36:09.520 --> 0:36:11.239
<v Speaker 13>No, because I listened to these songs way too many

0:36:11.239 --> 0:36:14.520
<v Speaker 13>times not to catch that stuff. But I think I

0:36:14.880 --> 0:36:16.880
<v Speaker 13>definitely look back at records and I go, man, that

0:36:16.920 --> 0:36:20.040
<v Speaker 13>record could have done without five or six of those songs.

0:36:20.040 --> 0:36:20.560
<v Speaker 10>You know what I mean?

0:36:21.600 --> 0:36:23.160
<v Speaker 13>Because I do think we kind of live in an

0:36:23.200 --> 0:36:25.840
<v Speaker 13>age where it's like more is better all the time,

0:36:26.040 --> 0:36:30.920
<v Speaker 13>content music, whatever, and so like on this record, like

0:36:30.960 --> 0:36:33.239
<v Speaker 13>even just putting fourteen songs on this project freaked me

0:36:33.239 --> 0:36:35.680
<v Speaker 13>out because I was like, everybody is putting a gajillion

0:36:35.760 --> 0:36:38.520
<v Speaker 13>songs on their project and they're releasing like three projects

0:36:38.560 --> 0:36:41.880
<v Speaker 13>a year. But yeah, I definitely look back at my

0:36:42.480 --> 0:36:44.400
<v Speaker 13>older records and I'm like, man, those could have easily

0:36:44.480 --> 0:36:46.360
<v Speaker 13>been eleven songs and not eighteen.

0:36:46.880 --> 0:36:49.680
<v Speaker 1>There's song I think of. Were you a Nirvana fan ever?

0:36:50.360 --> 0:36:51.800
<v Speaker 10>Yes, but not miss you.

0:36:51.840 --> 0:36:51.960
<v Speaker 2>No.

0:36:52.160 --> 0:36:54.000
<v Speaker 10>I was a Nirvana fan, but probably not as big

0:36:54.000 --> 0:36:54.440
<v Speaker 10>as you were.

0:36:54.520 --> 0:36:56.520
<v Speaker 1>Yeah, it's big. I'm obviously a little older too.

0:36:56.520 --> 0:36:58.840
<v Speaker 2>But there's a song Pollie where it's like Polly says

0:36:58.840 --> 0:37:02.040
<v Speaker 2>her back hurts, but he jumps in. He should have

0:37:02.040 --> 0:37:04.279
<v Speaker 2>waited four and he jumped in it two. And I

0:37:04.400 --> 0:37:07.040
<v Speaker 2>listened to the producer who was in Garbage, who is

0:37:07.120 --> 0:37:09.880
<v Speaker 2>very famous producer, and he was talking about how he

0:37:09.960 --> 0:37:11.640
<v Speaker 2>just jumped in early and they left it in like

0:37:11.719 --> 0:37:16.040
<v Speaker 2>I love sure those instances of it just seems normal now. Yeah,

0:37:16.040 --> 0:37:18.280
<v Speaker 2>for sure, hear these famous songs, but they left like, well.

0:37:18.120 --> 0:37:19.600
<v Speaker 13>Those are the things, those are the things that you

0:37:19.600 --> 0:37:21.920
<v Speaker 13>can't wait to, like scream at a concert, you know

0:37:21.960 --> 0:37:24.840
<v Speaker 13>what I'm saying. Yeah, like a hidden tracks used to

0:37:24.880 --> 0:37:27.120
<v Speaker 13>be a rad thing. It was like, I don't I

0:37:27.120 --> 0:37:29.600
<v Speaker 13>don't know that that our generation has the capacity to

0:37:29.640 --> 0:37:32.400
<v Speaker 13>wait sixty seconds after the last song is over.

0:37:32.440 --> 0:37:34.719
<v Speaker 2>And we would see now how long a song is

0:37:34.760 --> 0:37:36.520
<v Speaker 2>and it would end a three and be like, why

0:37:36.560 --> 0:37:38.719
<v Speaker 2>is this track seven minutes? Because I remember like hard

0:37:38.719 --> 0:37:40.919
<v Speaker 2>Candy from County Crows on the last I would hold

0:37:40.920 --> 0:37:45.239
<v Speaker 2>down this fast forwards on the CD, right, yeah, and

0:37:45.280 --> 0:37:48.440
<v Speaker 2>then they would hear oh no said and it was

0:37:48.520 --> 0:37:50.920
<v Speaker 2>Joni Mitchell and it ended up later being them with

0:37:50.960 --> 0:37:51.800
<v Speaker 2>the Vanessa Carlton.

0:37:51.880 --> 0:37:54.320
<v Speaker 1>Yeah, paved Parod. I used to put up that was

0:37:54.360 --> 0:37:55.920
<v Speaker 1>the hidden track, and I was like, this is the

0:37:55.920 --> 0:37:56.880
<v Speaker 1>coolest thing ever.

0:37:57.080 --> 0:37:57.239
<v Speaker 13>I know.

0:37:57.360 --> 0:37:59.359
<v Speaker 2>Yeah, hidden tracks were so legit, we need to bring

0:37:59.440 --> 0:38:02.520
<v Speaker 2>them back. What about like backward masking? You ever hear

0:38:02.520 --> 0:38:05.359
<v Speaker 2>about that where you play the song backwards and people

0:38:05.400 --> 0:38:08.720
<v Speaker 2>would be like, you'd hear this, you'd hear and people

0:38:08.760 --> 0:38:11.640
<v Speaker 2>be like, I swear he just said, the Devil's wearing jeans.

0:38:12.600 --> 0:38:13.560
<v Speaker 1>The Devil's wearing jeens.

0:38:15.040 --> 0:38:18.480
<v Speaker 2>Yeah, what do you listen to? Whenever not new, I'm

0:38:18.480 --> 0:38:20.759
<v Speaker 2>gonna put you there. But when it's you just are

0:38:20.800 --> 0:38:23.560
<v Speaker 2>going to like relax. If you're like grill out in

0:38:23.600 --> 0:38:25.799
<v Speaker 2>the back and you got to put something on that

0:38:25.920 --> 0:38:27.600
<v Speaker 2>you love, but you don't have to spend a lot

0:38:27.680 --> 0:38:30.040
<v Speaker 2>of attention to like what is your what's your songs?

0:38:30.040 --> 0:38:31.319
<v Speaker 1>What's your music? Man?

0:38:31.360 --> 0:38:32.560
<v Speaker 10>I'm kind of an old soul.

0:38:32.680 --> 0:38:35.000
<v Speaker 13>I feel like when we're like cooking at the house

0:38:35.080 --> 0:38:38.440
<v Speaker 13>or whatever, I'm a I just put on Frank Sinatra radio.

0:38:39.880 --> 0:38:41.960
<v Speaker 13>There's something about the fifties. I don't know what it is,

0:38:42.000 --> 0:38:44.479
<v Speaker 13>but it it puts me in a very joyous mood.

0:38:45.160 --> 0:38:48.800
<v Speaker 13>So fifties music, I think, or yacht rock.

0:38:49.120 --> 0:38:52.719
<v Speaker 2>Yeah, yeah, right, yeah, when the big ballads come on

0:38:52.800 --> 0:38:54.800
<v Speaker 2>yacht rock, that's pretty fun stuff, pretty awesome.

0:38:55.280 --> 0:38:56.160
<v Speaker 1>Do you guys go to Africa?

0:38:56.440 --> 0:38:57.800
<v Speaker 10>We did. We were there for three weeks.

0:38:57.840 --> 0:38:58.680
<v Speaker 1>How long is that flight?

0:39:00.000 --> 0:39:00.439
<v Speaker 10>Which one?

0:39:01.360 --> 0:39:04.160
<v Speaker 13>I mean my family went over to London to try

0:39:04.160 --> 0:39:06.160
<v Speaker 13>to adapt at the time with all my kids and

0:39:06.200 --> 0:39:09.960
<v Speaker 13>I flew from Denver to London, London to Dubai, Dubai

0:39:10.000 --> 0:39:13.680
<v Speaker 13>down to Uganda and so all in all, it's it's

0:39:13.680 --> 0:39:15.799
<v Speaker 13>about a thirty six hour travel day.

0:39:16.040 --> 0:39:16.680
<v Speaker 10>Yeah wow.

0:39:16.800 --> 0:39:19.279
<v Speaker 13>And coming back Dubai to Washington, d C. Is a

0:39:19.280 --> 0:39:22.600
<v Speaker 13>fifteen hour straight flight. And we did that with four kids.

0:39:22.880 --> 0:39:24.920
<v Speaker 1>And what do you do while you're there for three weeks?

0:39:25.040 --> 0:39:26.000
<v Speaker 1>Was it your daughter's first time?

0:39:26.080 --> 0:39:28.080
<v Speaker 10>D Yeah, it was. We kind of did half and

0:39:28.080 --> 0:39:28.319
<v Speaker 10>a half.

0:39:28.360 --> 0:39:30.280
<v Speaker 13>So my wife is on the board of this organization

0:39:30.360 --> 0:39:33.480
<v Speaker 13>called Love One International, and for the last like five

0:39:33.560 --> 0:39:35.400
<v Speaker 13>or six years they've been raising money to build this

0:39:35.480 --> 0:39:38.800
<v Speaker 13>center in this little town about five hours north of Kampala,

0:39:38.840 --> 0:39:40.880
<v Speaker 13>which is the capital. So we went over there for

0:39:40.920 --> 0:39:44.839
<v Speaker 13>the grand opening of that and it was amazing. But yeah,

0:39:45.080 --> 0:39:48.040
<v Speaker 13>watching wille Gray go back to Uganda for the first time.

0:39:48.320 --> 0:39:50.680
<v Speaker 13>It's been eight years now, it was one of the

0:39:50.680 --> 0:39:52.920
<v Speaker 13>most special moments as a dad that I've ever experienced.

0:39:53.520 --> 0:39:57.680
<v Speaker 2>When you wrote Mamma's House, because you wrote that with Morgan. Yeah,

0:39:58.400 --> 0:40:01.239
<v Speaker 2>how did that come up as a topic? Did someone

0:40:01.280 --> 0:40:03.560
<v Speaker 2>come in to go, let's write about a mamma or

0:40:03.600 --> 0:40:05.840
<v Speaker 2>did that organically just come about in conversation.

0:40:06.480 --> 0:40:07.960
<v Speaker 13>That was the first time I ever wrote with Morgan.

0:40:08.000 --> 0:40:09.840
<v Speaker 13>It was on Zoom during COVID. It was me and

0:40:09.960 --> 0:40:12.920
<v Speaker 13>him and Josh Thompson and a guy named Matt Dragson,

0:40:12.960 --> 0:40:14.520
<v Speaker 13>and we actually had written another song. I don't even

0:40:14.520 --> 0:40:16.880
<v Speaker 13>remember what it was called, but I remember almost getting

0:40:16.920 --> 0:40:18.680
<v Speaker 13>off the zoom thinking like we just wrote the worst

0:40:18.719 --> 0:40:21.520
<v Speaker 13>song ever. And Morgan randomly gets a phone call from

0:40:21.520 --> 0:40:23.920
<v Speaker 13>his grandmama and you can hear it in the very

0:40:23.960 --> 0:40:25.840
<v Speaker 13>beginning of the track, like that was like live audio

0:40:25.880 --> 0:40:28.319
<v Speaker 13>from that session. And he got back and I was like, man,

0:40:28.320 --> 0:40:30.040
<v Speaker 13>I didn't know you had a mamma that was from

0:40:30.080 --> 0:40:32.040
<v Speaker 13>East Tennessee because I've got a mama from me Tennessee,

0:40:32.040 --> 0:40:33.400
<v Speaker 13>and we started talking about the way that we were

0:40:33.480 --> 0:40:35.680
<v Speaker 13>raised and all this kind of stuff, and so we

0:40:35.680 --> 0:40:37.480
<v Speaker 13>were just like, let's write a song about our grandparents,

0:40:37.560 --> 0:40:39.799
<v Speaker 13>kind of honestly thinking this is never going to see

0:40:39.800 --> 0:40:42.480
<v Speaker 13>the light of day. And it didn't for like four years,

0:40:42.520 --> 0:40:45.080
<v Speaker 13>and then yeah, it came out and turns out a

0:40:45.080 --> 0:40:47.479
<v Speaker 13>lot of people love singing about the grandmamas, So.

0:40:47.480 --> 0:40:48.600
<v Speaker 1>I would say that's accurate.

0:40:48.719 --> 0:40:50.920
<v Speaker 2>I think I liked the song too, even if they

0:40:50.920 --> 0:40:52.560
<v Speaker 2>don't like their grammarship Ryeah.

0:40:52.760 --> 0:40:53.120
<v Speaker 10>Yeah.

0:40:53.239 --> 0:40:55.319
<v Speaker 1>You ever write a song that's you feel like it's

0:40:55.400 --> 0:40:59.560
<v Speaker 1>really good and it just doesn't make sense for you,

0:40:59.680 --> 0:41:02.239
<v Speaker 1>not even timing wise, but it's just like, man, I

0:41:02.280 --> 0:41:04.520
<v Speaker 1>love this song and it's super catchy and says, but

0:41:04.800 --> 0:41:06.160
<v Speaker 1>I don't make sense singing it.

0:41:06.360 --> 0:41:11.200
<v Speaker 10>Sure, it happens a lot. Actually, what's one of those? Nothing?

0:41:11.560 --> 0:41:14.960
<v Speaker 13>Probably nothing recently, But I just had to hit with

0:41:15.040 --> 0:41:17.960
<v Speaker 13>Dustin Lynch want a song called Stars Like Confetti that

0:41:18.040 --> 0:41:20.160
<v Speaker 13>I wrote and I loved, but it didn't make sense

0:41:20.200 --> 0:41:21.920
<v Speaker 13>for my project. And I don't even have a reason

0:41:21.960 --> 0:41:23.880
<v Speaker 13>for that, but I think like listening down and then

0:41:23.920 --> 0:41:25.839
<v Speaker 13>putting that song in the mix, it didn't make sense.

0:41:26.719 --> 0:41:29.760
<v Speaker 1>I like when it goes stars like confetti.

0:41:29.520 --> 0:41:32.200
<v Speaker 10>Uh huh yeah, that little ear candy.

0:41:32.360 --> 0:41:35.120
<v Speaker 2>Yeah, So tell me about that specifically because I like

0:41:35.200 --> 0:41:39.480
<v Speaker 2>that because it definitely hits way different, and there's a

0:41:39.600 --> 0:41:41.400
<v Speaker 2>chance that when it hits different, it's going to hit

0:41:41.440 --> 0:41:43.360
<v Speaker 2>Oh that's super catchy or that's super corny. Yeah, the

0:41:43.480 --> 0:41:46.440
<v Speaker 2>shine line, I love that. That's what comes by. What

0:41:46.680 --> 0:41:47.080
<v Speaker 2>are you saying?

0:41:47.120 --> 0:41:47.920
<v Speaker 1>What's he saying? Exactly?

0:41:48.200 --> 0:41:48.399
<v Speaker 8>Yeah?

0:41:48.600 --> 0:41:51.839
<v Speaker 10>I think you just ah yah, did you.

0:41:52.000 --> 0:41:54.840
<v Speaker 1>Write that in the initial chorus?

0:41:56.440 --> 0:41:58.120
<v Speaker 10>And I've got the demo, I'll play, I'll send, I'll

0:41:58.120 --> 0:41:58.560
<v Speaker 10>send it to you.

0:41:58.600 --> 0:42:00.520
<v Speaker 1>And then did you think should we leave the II

0:42:00.560 --> 0:42:02.800
<v Speaker 1>in or did you know immediately.

0:42:02.360 --> 0:42:04.640
<v Speaker 13>You felt like yeah, I think we just wrote it

0:42:04.719 --> 0:42:07.839
<v Speaker 13>and and I don't know, like six eight months went

0:42:07.880 --> 0:42:09.640
<v Speaker 13>by and like nothing was happening with it, and so

0:42:09.719 --> 0:42:12.560
<v Speaker 13>I think my buddy Josh Thompson the Senate to Dustin

0:42:12.680 --> 0:42:13.880
<v Speaker 13>and he text me and said, are you gonna do

0:42:13.880 --> 0:42:15.239
<v Speaker 13>anything with this? And I said I don't think so,

0:42:16.440 --> 0:42:18.320
<v Speaker 13>and he and you never know when we will record

0:42:18.360 --> 0:42:20.120
<v Speaker 13>your songs, that they're just going to be like random

0:42:20.160 --> 0:42:22.080
<v Speaker 13>track number ten on an album if they're actually have

0:42:22.080 --> 0:42:24.120
<v Speaker 13>a chance at making it as a single, but I

0:42:24.120 --> 0:42:26.320
<v Speaker 13>think that song was kind of starting to pop organically.

0:42:27.239 --> 0:42:29.080
<v Speaker 13>And yeah, dust I mean Dustin pretty much sang it

0:42:29.360 --> 0:42:30.280
<v Speaker 13>how we did it in the demo.

0:42:30.680 --> 0:42:32.920
<v Speaker 2>So I love Surprise, I love it and I just

0:42:33.000 --> 0:42:35.720
<v Speaker 2>love the Yeah, like that is such.

0:42:35.760 --> 0:42:39.200
<v Speaker 13>Well, it's like ooze and oz and like it's just

0:42:39.200 --> 0:42:41.880
<v Speaker 13>something for people to latch onto, you know what I mean. Like,

0:42:41.920 --> 0:42:43.480
<v Speaker 13>even if you don't know any of the other words

0:42:43.480 --> 0:42:45.440
<v Speaker 13>in the show, you can go ah.

0:42:45.520 --> 0:42:47.400
<v Speaker 2>You know, do you think if someone walked in with

0:42:47.440 --> 0:42:49.279
<v Speaker 2>a shotgun right now and said Tom's raett, I need

0:42:49.280 --> 0:42:50.840
<v Speaker 2>you to go in this room and I need you

0:42:50.880 --> 0:42:52.640
<v Speaker 2>to write a song, and it has to be a hit,

0:42:52.680 --> 0:42:54.839
<v Speaker 2>and it could be as as simple as possible, and

0:42:54.880 --> 0:42:57.919
<v Speaker 2>you have thirty minutes, you could write a hit song.

0:42:58.280 --> 0:43:00.000
<v Speaker 1>You can at all the claps and oohs and awe

0:43:00.480 --> 0:43:03.560
<v Speaker 1>and kid choir anything you want. That is no. Do

0:43:03.600 --> 0:43:05.680
<v Speaker 1>you think you could write a song in thirty minutes?

0:43:05.680 --> 0:43:06.239
<v Speaker 10>It would be a hit?

0:43:08.280 --> 0:43:10.240
<v Speaker 3>Maybe go to be a shotgun?

0:43:10.320 --> 0:43:10.440
<v Speaker 13>YEA.

0:43:10.520 --> 0:43:11.759
<v Speaker 2>Well, because we got to make him want to do

0:43:11.800 --> 0:43:14.799
<v Speaker 2>it otherwise, he's like because he Thomas invests a lot

0:43:14.840 --> 0:43:16.920
<v Speaker 2>of himself into his art and wants to say things

0:43:16.960 --> 0:43:18.719
<v Speaker 2>are important to him. But I'm not asking to do that.

0:43:18.920 --> 0:43:21.680
<v Speaker 2>I'm saying, you just got to write a goofy radio hit.

0:43:22.200 --> 0:43:23.640
<v Speaker 2>Do you think in thirty minutes you could do one?

0:43:23.719 --> 0:43:24.239
<v Speaker 10>Let me it could.

0:43:24.320 --> 0:43:27.239
<v Speaker 2>Yeah, that's awesome, get a gun bringing it.

0:43:29.560 --> 0:43:33.640
<v Speaker 1>About a woman. It is out today, fourteen.

0:43:33.239 --> 0:43:35.080
<v Speaker 10>Tracks, yeah, fourteen way.

0:43:35.120 --> 0:43:41.280
<v Speaker 1>What's the deal you and Lauren? The UT and Georgia versions?

0:43:41.760 --> 0:43:42.560
<v Speaker 5>What are you what?

0:43:42.600 --> 0:43:44.400
<v Speaker 1>It's even happening here where you guys are going against

0:43:44.400 --> 0:43:44.759
<v Speaker 1>each other.

0:43:45.440 --> 0:43:47.920
<v Speaker 13>So that rivalry in our house has just been like

0:43:48.120 --> 0:43:50.920
<v Speaker 13>such a joke for a long time. And like, you know,

0:43:51.000 --> 0:43:52.560
<v Speaker 13>me and my dad are like the only two Georgia

0:43:52.560 --> 0:43:55.520
<v Speaker 13>Bulldog fans that that I'm like, I spend a lot

0:43:55.560 --> 0:43:59.080
<v Speaker 13>of time with, and so we go to a lot

0:43:59.120 --> 0:44:01.200
<v Speaker 13>of UT games, and there's just not a whole bunch

0:44:01.239 --> 0:44:03.719
<v Speaker 13>of love for the Georgia Bulldogs around my family. And

0:44:03.760 --> 0:44:06.440
<v Speaker 13>so somebody on my team had the idea of making

0:44:06.440 --> 0:44:11.319
<v Speaker 13>these two different vinyls. To see, so one has like

0:44:11.360 --> 0:44:13.520
<v Speaker 13>the orange and white checkerboard on the hood and the

0:44:13.520 --> 0:44:15.760
<v Speaker 13>other has like the red and black light Georgius stripe

0:44:15.760 --> 0:44:18.400
<v Speaker 13>on the hood, And we just kind of wanted to

0:44:18.400 --> 0:44:20.040
<v Speaker 13>make a competition out of that to kind of see

0:44:20.040 --> 0:44:23.279
<v Speaker 13>who had more loyalty from my fan base, and so

0:44:23.960 --> 0:44:27.640
<v Speaker 13>she's beating me by like thirty five percent currently, which

0:44:27.680 --> 0:44:28.440
<v Speaker 13>is not shocking.

0:44:28.719 --> 0:44:32.239
<v Speaker 2>So about a woman is out today. One other thing,

0:44:33.239 --> 0:44:34.440
<v Speaker 2>you look really like healthy?

0:44:34.680 --> 0:44:35.040
<v Speaker 10>Thanks?

0:44:35.400 --> 0:44:36.879
<v Speaker 1>Yeah? Anything? What are you doing new?

0:44:37.280 --> 0:44:40.520
<v Speaker 13>I think I'm just like playing shows again. I've lost

0:44:40.760 --> 0:44:42.680
<v Speaker 13>I've lost like twelve pounds over the summer, and I

0:44:42.680 --> 0:44:45.719
<v Speaker 13>don't know if it's from jumping around in July and August.

0:44:45.520 --> 0:44:46.160
<v Speaker 10>Heat or whatever.

0:44:46.239 --> 0:44:46.960
<v Speaker 1>But yeah, you look good.

0:44:46.960 --> 0:44:48.200
<v Speaker 10>I can't fit into most of my pants.

0:44:48.239 --> 0:44:50.680
<v Speaker 3>Well you can't say that with such emphasis of good.

0:44:51.120 --> 0:44:52.560
<v Speaker 3>I know you look good. But when it's like you

0:44:52.600 --> 0:44:53.320
<v Speaker 3>look good.

0:44:53.120 --> 0:44:56.360
<v Speaker 1>Like his hair is like popping, it's like a good color.

0:44:56.440 --> 0:44:58.840
<v Speaker 1>It's like it's crazy.

0:44:58.600 --> 0:45:01.360
<v Speaker 10>Liu as salt and pepper happening, awesome, embracing it.

0:45:01.400 --> 0:45:03.319
<v Speaker 2>New albums out. Good to see your buddy. Like wise, man,

0:45:03.360 --> 0:45:07.839
<v Speaker 2>that's always roof for everything you do. A hey, what

0:45:07.880 --> 0:45:11.640
<v Speaker 2>if someone said final thing? What if someone said, Thom's

0:45:11.640 --> 0:45:15.040
<v Speaker 2>Rett your producer, and you know you said they wanted

0:45:15.040 --> 0:45:18.160
<v Speaker 2>you to like little Channel, little Dwight yoak a little maybe,

0:45:18.160 --> 0:45:20.360
<v Speaker 2>oh I's fast as you know whatever that is, and

0:45:20.360 --> 0:45:22.640
<v Speaker 2>they were like, we need you to channel Mickey Mouse

0:45:23.480 --> 0:45:25.799
<v Speaker 2>and and just just lay down a little bit of

0:45:27.160 --> 0:45:27.600
<v Speaker 2>half of me.

0:45:27.800 --> 0:45:29.080
<v Speaker 1>Why need you do like Mickey Mouse?

0:45:30.320 --> 0:45:31.399
<v Speaker 10>Ok, I could not do that.

0:45:31.600 --> 0:45:37.480
<v Speaker 1>Well, no, I'm your producer for me.

0:45:37.760 --> 0:45:39.759
<v Speaker 2>I kind of have to at least agree. Yeah, we

0:45:39.800 --> 0:45:41.960
<v Speaker 2>never worked together. Then we never work you'd be out

0:45:42.280 --> 0:45:45.759
<v Speaker 2>Bobby's record. See you didn't come to the challenge. And

0:45:45.760 --> 0:45:47.680
<v Speaker 2>now I'm gonna go back to the Wiggles, which is

0:45:47.680 --> 0:45:50.400
<v Speaker 2>what I've been known before. Yes, Thomas read the new

0:45:50.400 --> 0:45:52.080
<v Speaker 2>record about a woman. Thomas, good to see a buddy.

0:45:52.160 --> 0:45:53.040
<v Speaker 10>Like Wise, thank you, man.

0:45:55.120 --> 0:45:58.120
<v Speaker 1>Ezy Trivia. Eddie's the new champion. He's wearing the t.

0:45:58.280 --> 0:45:59.200
<v Speaker 5>R on his bald head.

0:45:59.320 --> 0:46:01.759
<v Speaker 1>Champ is here. Does it hurt yes that I'm here

0:46:01.800 --> 0:46:04.120
<v Speaker 1>in my head anymore? So it hurts? First?

0:46:04.200 --> 0:46:07.640
<v Speaker 2>Category famous fast food items.

0:46:07.880 --> 0:46:10.560
<v Speaker 1>No one should miss this? Yes, yes, yes, Eddie is

0:46:10.640 --> 0:46:13.680
<v Speaker 1>the champion. Go first. What famous food chain is known

0:46:13.719 --> 0:46:17.879
<v Speaker 1>for its big mac? That's McDonald's, correct, Morgan. What fast

0:46:17.880 --> 0:46:19.360
<v Speaker 1>food restaurant serves a whopper?

0:46:20.120 --> 0:46:22.480
<v Speaker 3>Oh, that is Burger King correct?

0:46:23.400 --> 0:46:23.720
<v Speaker 1>Amy.

0:46:23.760 --> 0:46:28.479
<v Speaker 2>The frosty is from Wendy's. Correct lunchbox. Let's finger licking good?

0:46:29.040 --> 0:46:33.200
<v Speaker 2>KFC good. When you miss, if you miss, you will

0:46:33.239 --> 0:46:33.800
<v Speaker 2>be boned.

0:46:34.239 --> 0:46:38.160
<v Speaker 1>You've been booed, and you'll be out. Eddie's a champ

0:46:38.239 --> 0:46:41.600
<v Speaker 1>seven total wins. Dang, I'm like Tom Brady of Easy Trivia.

0:46:41.400 --> 0:46:44.080
<v Speaker 2>Amy four Lunchbox two. Morgan has never won a championship.

0:46:44.239 --> 0:46:47.440
<v Speaker 1>So past your due. You're the Browns. I know who's

0:46:47.520 --> 0:46:48.879
<v Speaker 1>not want who is that?

0:46:49.200 --> 0:46:50.799
<v Speaker 2>You could be a lot of teams Texans never want

0:46:50.840 --> 0:46:53.279
<v Speaker 2>a championship, Lions and never want a champions.

0:46:53.200 --> 0:46:54.680
<v Speaker 1>The lines are good because they've been around for a while.

0:46:54.719 --> 0:46:55.000
<v Speaker 5>All right?

0:46:55.040 --> 0:46:59.160
<v Speaker 1>Famous US landmarks? Ready Ready?

0:46:59.400 --> 0:47:02.640
<v Speaker 2>Which land ark is a giant statue located on Liberty

0:47:02.640 --> 0:47:06.359
<v Speaker 2>Island and New York Harbor. Which landmark is a giant

0:47:06.400 --> 0:47:08.279
<v Speaker 2>statue located on Liberty Island.

0:47:08.080 --> 0:47:11.920
<v Speaker 1>In New York Harbor? Step to of Liberty Morgan? Which

0:47:11.960 --> 0:47:15.040
<v Speaker 1>US landmark is famous for? A suspension bridge in San Francisco.

0:47:17.080 --> 0:47:21.160
<v Speaker 12>Oh, I just know that it's in the San Francisco

0:47:21.640 --> 0:47:25.439
<v Speaker 12>the it's bright red, I can see it.

0:47:26.800 --> 0:47:27.120
<v Speaker 7>Shoot.

0:47:27.160 --> 0:47:29.799
<v Speaker 3>What is the name? This is probably where I've never

0:47:29.800 --> 0:47:30.400
<v Speaker 3>want a champion?

0:47:30.480 --> 0:47:35.680
<v Speaker 2>Jim Well uslandmark famous suspension bridge in San Francisco.

0:47:35.840 --> 0:47:38.120
<v Speaker 12>I'm gonna be so mad when I hear this out loud.

0:47:38.320 --> 0:47:39.320
<v Speaker 3>What the freak is?

0:47:39.360 --> 0:47:42.000
<v Speaker 1>It called why it's just like not listen, guys, my

0:47:42.040 --> 0:47:44.040
<v Speaker 1>brain's alfunctioning on just the.

0:47:44.000 --> 0:47:52.040
<v Speaker 2>London Bridge, the lunch Bridge, London Bridge, Francisco, Arizona.

0:47:52.880 --> 0:47:54.000
<v Speaker 3>I know, I'm so mad?

0:47:54.440 --> 0:47:54.960
<v Speaker 1>What is it?

0:47:55.800 --> 0:47:56.880
<v Speaker 3>Golden Gate Bridge?

0:47:59.680 --> 0:47:59.960
<v Speaker 1>Amy?

0:48:00.160 --> 0:48:02.920
<v Speaker 2>Which landmark is a large sculpture of four US presidents

0:48:02.920 --> 0:48:04.560
<v Speaker 2>carved into a mountain in South.

0:48:04.400 --> 0:48:07.680
<v Speaker 1>Dakota Mount Rushmark? Good, lunchbox?

0:48:07.719 --> 0:48:11.120
<v Speaker 2>We famous landmark in DC is the residence of the

0:48:11.200 --> 0:48:12.760
<v Speaker 2>US President White House?

0:48:12.800 --> 0:48:13.240
<v Speaker 1>Correct?

0:48:13.680 --> 0:48:15.120
<v Speaker 5>Or are there any mark monuments?

0:48:15.280 --> 0:48:16.399
<v Speaker 1>Three remain.

0:48:18.080 --> 0:48:22.960
<v Speaker 2>Famous lead singers Eddie who's the lead singer of You two?

0:48:23.480 --> 0:48:28.640
<v Speaker 2>Bono Good? Amy, who is the lead singer of Queen.

0:48:30.640 --> 0:48:31.400
<v Speaker 3>Freddy Mercury?

0:48:31.520 --> 0:48:35.000
<v Speaker 1>Correct Lunchbox who is the lead singer of the Rolling Stones?

0:48:35.800 --> 0:48:37.000
<v Speaker 1>Mick Jagger? Correct?

0:48:37.520 --> 0:48:44.160
<v Speaker 2>What up next? Category Famous toys? What doll Eddie was

0:48:44.160 --> 0:48:46.920
<v Speaker 2>introduced by Mattel in nineteen fifty nine and became an

0:48:47.120 --> 0:48:48.399
<v Speaker 2>iconic fashion doll.

0:48:48.800 --> 0:48:51.520
<v Speaker 1>Oh It's gotta be Barbie correct? Amy?

0:48:51.600 --> 0:48:56.120
<v Speaker 2>Which classic toy consists of a spring that walks downstairs?

0:48:56.280 --> 0:48:56.680
<v Speaker 3>Slinky?

0:48:56.840 --> 0:48:59.160
<v Speaker 1>Correct? Lunchbox? What Toy?

0:48:59.520 --> 0:49:03.640
<v Speaker 2>Car brand, launched by Mattel in nineteen sixty eight, features

0:49:03.840 --> 0:49:08.520
<v Speaker 2>die cast minner as your Cars, hot Wheels, correct, next

0:49:08.640 --> 0:49:13.000
<v Speaker 2>category third grade science. Oh great, Eddie, what gas do

0:49:13.040 --> 0:49:15.520
<v Speaker 2>we breathe in for our survival?

0:49:16.040 --> 0:49:17.080
<v Speaker 1>Oxygen? Correct?

0:49:18.200 --> 0:49:20.959
<v Speaker 2>I mean, what's the process by which water turns into

0:49:21.040 --> 0:49:26.440
<v Speaker 2>vapor and rises into the air evaporation? Correct, lunchbox, What

0:49:26.480 --> 0:49:27.760
<v Speaker 2>are the three states of matter?

0:49:32.120 --> 0:49:32.560
<v Speaker 5>Liquid?

0:49:32.760 --> 0:49:34.280
<v Speaker 1>Gas? Solid? Correct?

0:49:36.480 --> 0:49:40.319
<v Speaker 7>Interesting order skipped around solid liquid gas.

0:49:40.360 --> 0:49:43.520
<v Speaker 2>Yeah, there's no right way. I just never heard of liquid, yes, cold,

0:49:43.640 --> 0:49:50.880
<v Speaker 2>think of solid? Famous fashion, Eddie, Which fashion house is

0:49:50.920 --> 0:49:55.960
<v Speaker 2>known for its signature quilted bags and interlocking ce logo?

0:49:58.960 --> 0:50:02.160
<v Speaker 2>Which fashion house is for its signature quilted bags and

0:50:02.320 --> 0:50:04.680
<v Speaker 2>interlocking C logo?

0:50:05.680 --> 0:50:10.960
<v Speaker 6>Gosh, his crown hurts. I'm thinking it off. I mean,

0:50:11.120 --> 0:50:14.160
<v Speaker 6>see logo. I don't know about this hold what it was?

0:50:14.200 --> 0:50:17.839
<v Speaker 1>The pattern? You said? Interlocking? Interlocking? That is the logo

0:50:18.000 --> 0:50:23.560
<v Speaker 1>is probably the Chanel right the sea? Oh no, no, no, no, no, interlocking?

0:50:24.920 --> 0:50:25.640
<v Speaker 1>Is that Gucci?

0:50:26.440 --> 0:50:31.160
<v Speaker 2>Gosh, I don't know, dude, interlocking c See Gucci wouldn't

0:50:31.160 --> 0:50:33.960
<v Speaker 2>have a c oh, but that's two c's.

0:50:35.320 --> 0:50:40.360
<v Speaker 1>Yeah, gimme Gucci. No, why would you say Gucci?

0:50:41.560 --> 0:50:41.640
<v Speaker 2>No?

0:50:41.760 --> 0:50:45.120
<v Speaker 1>G U C C I Gucci the interlocking C H

0:50:45.200 --> 0:50:45.799
<v Speaker 1>A N E L.

0:50:46.000 --> 0:50:50.120
<v Speaker 2>No. I'm an idiot, so stupid, just based off of

0:50:50.160 --> 0:50:54.560
<v Speaker 2>what you provided yourself and you said you see and

0:50:54.560 --> 0:50:56.640
<v Speaker 2>they're like facing each other and they locked this way,

0:50:56.760 --> 0:50:57.879
<v Speaker 2>isn't the Gucci have two?

0:50:58.640 --> 0:51:05.960
<v Speaker 1>Stop arguing for it? Yellow card? A yellow card? Amy?

0:51:06.120 --> 0:51:09.040
<v Speaker 1>What shoe brand is famous for its red soled high Hills?

0:51:09.840 --> 0:51:11.040
<v Speaker 1>Correct lunchbox.

0:51:11.080 --> 0:51:14.160
<v Speaker 2>What's the name of the annual fashion event hosted by Vogue,

0:51:14.440 --> 0:51:17.880
<v Speaker 2>often called the Oscars of Fashion the met Gali?

0:51:18.000 --> 0:51:23.480
<v Speaker 1>Correct? Never been? You've been Eddie?

0:51:23.680 --> 0:51:27.879
<v Speaker 2>Gucci is two g's. No God, I had to look

0:51:27.880 --> 0:51:33.840
<v Speaker 2>it up, but it's two g's Amy. Famous professions. What

0:51:33.880 --> 0:51:38.839
<v Speaker 2>does a somalier specialize in? Correct lunchbox.

0:51:38.960 --> 0:51:42.240
<v Speaker 1>What does a palaeontologist study?

0:51:43.480 --> 0:51:43.600
<v Speaker 2>Uh?

0:51:44.000 --> 0:51:44.359
<v Speaker 5>That's what?

0:51:44.480 --> 0:51:53.800
<v Speaker 7>Ross bones? Dinosaur bones? What do you call that? Just bones?

0:51:53.840 --> 0:51:57.080
<v Speaker 7>I guess it's just bones man? Uh, fossils?

0:51:58.760 --> 0:52:02.920
<v Speaker 1>Dang, We'll go with bones.

0:52:05.520 --> 0:52:05.680
<v Speaker 2>Man.

0:52:05.719 --> 0:52:06.359
<v Speaker 1>Does he does?

0:52:06.360 --> 0:52:06.560
<v Speaker 2>What?

0:52:08.920 --> 0:52:15.920
<v Speaker 1>Mike? Be more specific? Stop hitting the table. You can

0:52:15.920 --> 0:52:22.320
<v Speaker 1>all hear that. Oh my god, yes, stupid?

0:52:24.000 --> 0:52:27.240
<v Speaker 5>Uh, dinosaur bones.

0:52:27.280 --> 0:52:27.640
<v Speaker 1>I don't know.

0:52:27.840 --> 0:52:30.759
<v Speaker 8>Oh my god, Mike, do you accept it? Then I'll

0:52:30.800 --> 0:52:35.480
<v Speaker 8>say you accept it. We'll accept it. Fossils you said fossils,

0:52:36.120 --> 0:52:41.080
<v Speaker 8>dinosaur bones? Fought will take it? You dance with the

0:52:41.120 --> 0:52:41.640
<v Speaker 8>devil right now.

0:52:41.640 --> 0:52:43.680
<v Speaker 5>Even I should have gone with fossil?

0:52:44.400 --> 0:52:49.880
<v Speaker 1>Yeah? What does a cartographer make? Amy? What a cartographer?

0:52:51.200 --> 0:52:52.960
<v Speaker 3>What does a cartographer make?

0:52:53.000 --> 0:52:54.120
<v Speaker 1>What is a cartographer make?

0:52:54.200 --> 0:52:57.000
<v Speaker 4>What is a cartographer make? Because I haven't never been

0:52:57.040 --> 0:53:00.399
<v Speaker 4>heard of cartographer? What is a cartographer make?

0:53:00.960 --> 0:53:01.960
<v Speaker 1>You're dancing with the devil?

0:53:03.600 --> 0:53:04.480
<v Speaker 3>Cartographer?

0:53:05.360 --> 0:53:05.640
<v Speaker 5>Car?

0:53:06.320 --> 0:53:08.120
<v Speaker 3>Can you spell it? Please?

0:53:09.600 --> 0:53:11.800
<v Speaker 1>Car? C A R photographer?

0:53:12.440 --> 0:53:13.240
<v Speaker 3>O car?

0:53:13.840 --> 0:53:14.640
<v Speaker 1>Cartographer?

0:53:15.080 --> 0:53:23.080
<v Speaker 3>A cartographer? Does a cartographer make cars? A car maker?

0:53:23.560 --> 0:53:31.400
<v Speaker 1>Incorrect? Already? I have scandalous it? Sure is? They make maps?

0:53:31.560 --> 0:53:34.120
<v Speaker 3>Oh, I've heard of that, sang it.

0:53:35.360 --> 0:53:41.640
<v Speaker 1>Podiatrist specializes in what podiatrist? For the win? Amy wouldn't

0:53:41.640 --> 0:53:41.920
<v Speaker 1>do it?

0:53:42.719 --> 0:53:46.920
<v Speaker 5>Someone offered her money?

0:53:45.520 --> 0:53:48.640
<v Speaker 1>Those those.

0:53:50.000 --> 0:53:55.000
<v Speaker 7>Oh my god, win a last season, but I came

0:53:55.000 --> 0:53:56.360
<v Speaker 7>out of this season.

0:53:57.239 --> 0:54:02.399
<v Speaker 1>Are controversy come out? Big time controversy?

0:54:02.520 --> 0:54:06.680
<v Speaker 2>Yeah, you are giving an answer bones dinosaur bones?

0:54:07.719 --> 0:54:10.600
<v Speaker 5>Were you gonna said more specific and on his dead fossils?

0:54:10.800 --> 0:54:12.160
<v Speaker 1>But can't you got it?

0:54:12.200 --> 0:54:17.480
<v Speaker 2>We gave it to you. Yes, Wow, song someth it's

0:54:17.480 --> 0:54:19.920
<v Speaker 2>always up with lunchbox night. What happened to you? Now?

0:54:20.239 --> 0:54:23.000
<v Speaker 7>My wife and I went to lunch and we got

0:54:23.040 --> 0:54:24.400
<v Speaker 7>some It's one of those ones you go it' to

0:54:24.480 --> 0:54:26.239
<v Speaker 7>counter you order and as you walk down, they make

0:54:26.239 --> 0:54:28.760
<v Speaker 7>your little bowl or sandwich whatever you're ordering.

0:54:28.920 --> 0:54:32.880
<v Speaker 1>What's familiar. Probably know what you're talking about.

0:54:33.120 --> 0:54:36.799
<v Speaker 7>Yeahs one of those kind of places, right, And it

0:54:36.840 --> 0:54:38.799
<v Speaker 7>was a beautiful day outside. We were like, let's go

0:54:38.840 --> 0:54:40.480
<v Speaker 7>sit on the patio and sit in one of the

0:54:40.520 --> 0:54:41.520
<v Speaker 7>outside chairs.

0:54:41.920 --> 0:54:43.280
<v Speaker 5>Well, there was these two nurses.

0:54:43.320 --> 0:54:46.240
<v Speaker 7>They had their little nurse outfits on and they're sitting

0:54:46.280 --> 0:54:49.239
<v Speaker 7>at one of the tables. Yeah, scrubs got it. And

0:54:49.320 --> 0:54:51.840
<v Speaker 7>all the tables are full and everybody's eating their food.

0:54:52.080 --> 0:54:55.200
<v Speaker 7>But these nurses are eating food that they brought from home.

0:54:55.360 --> 0:54:57.720
<v Speaker 7>They have their little lunch boxes out and they're eating

0:54:57.719 --> 0:55:01.040
<v Speaker 7>their homemade food at the table of the restaurant.

0:55:01.480 --> 0:55:03.960
<v Speaker 5>And I'm like, wait a minute, what are.

0:55:03.800 --> 0:55:05.320
<v Speaker 1>You really like not in your head?

0:55:05.640 --> 0:55:07.680
<v Speaker 5>No, I tell my wife. I'm like, well that's not cool.

0:55:07.719 --> 0:55:09.759
<v Speaker 1>It's a different different game here. Because he's like, wait

0:55:09.760 --> 0:55:11.560
<v Speaker 1>a minute. So you go to your wife and.

0:55:11.480 --> 0:55:12.920
<v Speaker 7>I said, oh, they got to get up a move

0:55:12.960 --> 0:55:14.960
<v Speaker 7>because they're not paying for a seat, like, they're not

0:55:15.080 --> 0:55:18.239
<v Speaker 7>eating the food that came from this restaurant. My wife's like, no,

0:55:18.320 --> 0:55:20.000
<v Speaker 7>we'll just go eat inside. It's not a big deal.

0:55:20.040 --> 0:55:20.680
<v Speaker 7>I agree with her.

0:55:20.920 --> 0:55:21.239
<v Speaker 5>No, No.

0:55:21.520 --> 0:55:24.560
<v Speaker 7>The etiquette is you can't use a restaurant's tables if

0:55:24.560 --> 0:55:27.239
<v Speaker 7>you're not eating their food. If it's a full, like,

0:55:27.280 --> 0:55:29.560
<v Speaker 7>if all the tables are full, you gotta get. Like

0:55:29.600 --> 0:55:31.799
<v Speaker 7>the girl had her like little bullet maybe granola, and

0:55:31.800 --> 0:55:34.480
<v Speaker 7>she was slicing her banana on top of it. And

0:55:34.520 --> 0:55:37.840
<v Speaker 7>I'm like, they don't sell bananas here. Oh you're like

0:55:37.880 --> 0:55:39.399
<v Speaker 7>that or you just think that. No, that's what I'm

0:55:39.520 --> 0:55:41.759
<v Speaker 7>like in your head. You like that, yeah, And I'm like, no,

0:55:41.840 --> 0:55:44.160
<v Speaker 7>we need to tell them they got it skit Scot's

0:55:44.239 --> 0:55:44.839
<v Speaker 7>Google dude.

0:55:44.960 --> 0:55:46.839
<v Speaker 1>And Joe, did you say skit Skat's coodle dude?

0:55:46.840 --> 0:55:50.319
<v Speaker 5>No, my wife wouldn't let me. Oh would you have?

0:55:50.440 --> 0:55:50.600
<v Speaker 3>Oh?

0:55:50.600 --> 0:55:51.080
<v Speaker 1>I would have?

0:55:51.520 --> 0:55:53.120
<v Speaker 5>I said, hey, excuse me, ladies like.

0:55:55.520 --> 0:55:56.080
<v Speaker 1>Would have done?

0:55:56.800 --> 0:55:59.120
<v Speaker 7>All these tables are full, and you guys are not

0:55:59.200 --> 0:56:01.680
<v Speaker 7>eating food for this restaurant. So you guys got to

0:56:01.719 --> 0:56:03.960
<v Speaker 7>go sit on the curb or something. But I need

0:56:03.960 --> 0:56:04.400
<v Speaker 7>that table.

0:56:04.560 --> 0:56:06.720
<v Speaker 3>Do you see the patron police?

0:56:06.800 --> 0:56:07.960
<v Speaker 1>No, I'm the etiquette police.

0:56:08.320 --> 0:56:11.440
<v Speaker 7>So your question, though, is are you allowed to eat

0:56:11.600 --> 0:56:14.360
<v Speaker 7>at a restaurant's table if you're not buying their food?

0:56:14.880 --> 0:56:16.760
<v Speaker 1>Allowed? Sure?

0:56:16.880 --> 0:56:20.240
<v Speaker 2>Probably if it's an outside table, should you if it's full.

0:56:20.600 --> 0:56:23.480
<v Speaker 2>Probably not, but I don't think I'm gonna run anyone off,

0:56:23.640 --> 0:56:25.400
<v Speaker 2>especially if there are tables inside.

0:56:25.719 --> 0:56:27.640
<v Speaker 1>Now, if there are no tables and someone's.

0:56:27.360 --> 0:56:29.560
<v Speaker 2>Just sitting there with their doggeting their blowny sandwich they

0:56:29.560 --> 0:56:31.319
<v Speaker 2>brought from home, maybe you're like, hey, how long are

0:56:31.320 --> 0:56:32.839
<v Speaker 2>guys gonna be here? We're gonna eat, We're gonna use

0:56:32.880 --> 0:56:35.640
<v Speaker 2>this after you're done, Like you're nice about it, right, but.

0:56:37.120 --> 0:56:38.560
<v Speaker 1>We just ended up eating inside.

0:56:38.600 --> 0:56:41.120
<v Speaker 7>But I just thought, man, that's kind of disrespectful of them,

0:56:41.160 --> 0:56:43.400
<v Speaker 7>those nurses. I mean, I understand their job is very

0:56:43.400 --> 0:56:46.080
<v Speaker 7>important and they work hard, but doesn't mean you can

0:56:46.120 --> 0:56:47.120
<v Speaker 7>steal tables from people.

0:56:47.160 --> 0:56:49.080
<v Speaker 2>So let's say your wife wasn't there and you were there,

0:56:49.160 --> 0:56:51.239
<v Speaker 2>Oh and I'm just one of the nurses, Go ahead.

0:56:52.719 --> 0:56:55.480
<v Speaker 7>Excuse me, Like, yeah, I'm trying to sit outside and

0:56:55.480 --> 0:56:57.920
<v Speaker 7>all the tables are full, and everyone else here is

0:56:57.960 --> 0:56:59.040
<v Speaker 7>eating food in this restaurant.

0:56:59.040 --> 0:57:01.160
<v Speaker 5>You're the only people that are. So I'm gonna need.

0:57:00.960 --> 0:57:04.680
<v Speaker 1>You guys to find a different spot or not get

0:57:04.719 --> 0:57:07.080
<v Speaker 1>the manager. There is there's no chance that would ever

0:57:07.160 --> 0:57:08.400
<v Speaker 1>happen in a million years.

0:57:08.360 --> 0:57:09.959
<v Speaker 2>That would I thought you can hit them with skit skats,

0:57:10.000 --> 0:57:17.320
<v Speaker 2>candle or whatever gets cats gooodled dukes get Generally we

0:57:17.360 --> 0:57:21.120
<v Speaker 2>depend on people to not take the final table. But really,

0:57:21.120 --> 0:57:23.840
<v Speaker 2>if they're in it and it's outside, no one's gonna

0:57:23.840 --> 0:57:24.480
<v Speaker 2>go and kick them out.

0:57:24.560 --> 0:57:26.040
<v Speaker 7>But isn't it weird that they're eating there, that they

0:57:26.040 --> 0:57:27.960
<v Speaker 7>didn't buy food there? They pull out their little lunch

0:57:27.960 --> 0:57:29.720
<v Speaker 7>boxes out of their bag, and they got their little

0:57:29.800 --> 0:57:33.280
<v Speaker 7>meal and their little cases of food, like unclipping the

0:57:33.320 --> 0:57:35.080
<v Speaker 7>top and slice the banana out.

0:57:34.920 --> 0:57:36.680
<v Speaker 1>Of like it as a docu series.

0:57:36.920 --> 0:57:38.320
<v Speaker 5>I sat there and watch them, and I'm like, this

0:57:38.400 --> 0:57:38.920
<v Speaker 5>is annoying.

0:57:39.040 --> 0:57:40.480
<v Speaker 1>Good thing your wife was there. You'd really got in

0:57:40.520 --> 0:57:40.880
<v Speaker 1>some trouble.

0:57:41.040 --> 0:57:41.240
<v Speaker 4>I know.

0:57:42.280 --> 0:57:44.360
<v Speaker 1>All right, let's talk about this for a second.

0:57:44.360 --> 0:57:46.160
<v Speaker 2>We're doing this contest I want everybody to know about

0:57:46.160 --> 0:57:49.200
<v Speaker 2>so you can hop in our iHeartRadio Music Festivals coming

0:57:49.720 --> 0:57:52.760
<v Speaker 2>next month in Vegas, September twentieth, the twenty first. It's

0:57:52.800 --> 0:57:55.840
<v Speaker 2>a really great lineup Thomas Rey Keith, Urban Black Crows,

0:57:55.840 --> 0:57:58.600
<v Speaker 2>Shaboozi Dua Lipa. I could go on, but what we

0:57:58.640 --> 0:58:00.600
<v Speaker 2>want to do. What Audible once to do is give

0:58:00.640 --> 0:58:03.560
<v Speaker 2>you a free trip to the festival. So to enter,

0:58:03.680 --> 0:58:06.760
<v Speaker 2>Audible users must submit a video telling us how Audible

0:58:06.760 --> 0:58:10.200
<v Speaker 2>transforms their everyday routine, so it could be like Amy,

0:58:10.880 --> 0:58:13.680
<v Speaker 2>like like cleans the house and dust stuff all the time.

0:58:13.760 --> 0:58:15.720
<v Speaker 2>So what are you doing while you're listening to Audible?

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<v Speaker 2>The most creative entry will win a trip to Las

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<v Speaker 2>tickets to both nights, and the opportunity to meet Big

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<v Speaker 2>Sean or Thomas Rhett and announce them on stage.

0:58:26.240 --> 0:58:28.520
<v Speaker 1>At the show. Heck you win this? Should you get

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<v Speaker 1>through more? Lunchbox does show? That's awesome? Yeah?

0:58:33.640 --> 0:58:36.400
<v Speaker 2>Visit iHeartRadio dot com slash Audible if you want to enter.

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<v Speaker 2>Rules are up there at Eligibility sponsored by Audible, with

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<v Speaker 2>to imagine when you listen. It's a good, good trip,

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<v Speaker 2>good contest, good price.

0:58:54.160 --> 0:58:57.040
<v Speaker 1>Bobby Bone show up today.

0:58:57.560 --> 0:59:01.440
<v Speaker 7>This story comes up from Myrtle Beach, South Carolina. A

0:59:01.640 --> 0:59:03.840
<v Speaker 7>thirty six year old man went to the candy store,

0:59:04.000 --> 0:59:06.800
<v Speaker 7>bought a bag full of candy, went home eating a

0:59:06.840 --> 0:59:09.760
<v Speaker 7>little bit. I don't like this candy, goes to take

0:59:09.800 --> 0:59:12.280
<v Speaker 7>it back and they say, sir, our policy is once

0:59:12.280 --> 0:59:14.160
<v Speaker 7>you buy the candy, you can't bring it back. It's

0:59:14.160 --> 0:59:16.720
<v Speaker 7>stated right here, there's signs all over. And he goes, no, no,

0:59:16.760 --> 0:59:18.560
<v Speaker 7>I don't like the candy. They said, sir, we're not

0:59:18.600 --> 0:59:20.960
<v Speaker 7>giving you your money back. So the thirty six year

0:59:21.000 --> 0:59:23.240
<v Speaker 7>old man pulls out a gun says, you're gonna give

0:59:23.280 --> 0:59:24.120
<v Speaker 7>me my money back.

0:59:24.400 --> 0:59:26.000
<v Speaker 5>I don't like the candy.

0:59:26.040 --> 0:59:28.280
<v Speaker 1>Well you're lucky. Today's double your money back, sir. But

0:59:28.280 --> 0:59:30.920
<v Speaker 1>I would say how I were in there and Keith Candy.

0:59:32.240 --> 0:59:34.040
<v Speaker 2>It's hard because you're not supposed to take some on

0:59:34.040 --> 0:59:35.439
<v Speaker 2>the back because you don't like it. But I feel

0:59:35.440 --> 0:59:38.280
<v Speaker 2>like you've done that before. You're taken stuff back because

0:59:38.280 --> 0:59:39.640
<v Speaker 2>it wasn't quite to what you thought it was going

0:59:39.640 --> 0:59:39.840
<v Speaker 2>to be.

0:59:40.040 --> 0:59:41.760
<v Speaker 7>You can do that if you don't, but if it

0:59:41.880 --> 0:59:43.880
<v Speaker 7>if it states you can't bring it back, you can't

0:59:43.880 --> 0:59:45.760
<v Speaker 7>bring it back. But like, let's say you buy a

0:59:45.840 --> 0:59:48.640
<v Speaker 7>meal at a restaurant and you take a bike and

0:59:49.080 --> 0:59:50.320
<v Speaker 7>this isn't really what I was thinking.

0:59:50.520 --> 0:59:51.720
<v Speaker 5>You can send it back.

0:59:52.200 --> 0:59:53.880
<v Speaker 1>But I don't think that's true either.

0:59:54.520 --> 0:59:57.720
<v Speaker 3>I mean, I guess you can A second A reasonable.

0:59:57.400 --> 1:00:00.000
<v Speaker 2>Voice so we started to go, is he being reasonab?

1:00:00.160 --> 1:00:02.840
<v Speaker 2>But I don't think you can order the I don't

1:00:02.840 --> 1:00:05.800
<v Speaker 2>even know what this is. Steak florentine if that's a thing,

1:00:06.000 --> 1:00:09.200
<v Speaker 2>and you go, yeah, never mind, yeah, in it back,

1:00:09.280 --> 1:00:10.120
<v Speaker 2>No you ordered that.

1:00:10.280 --> 1:00:12.120
<v Speaker 7>No, if you order a milkshake, let's say you order

1:00:12.160 --> 1:00:16.240
<v Speaker 7>a banana cherry strawberry, uh with almonds milkshake.

1:00:16.320 --> 1:00:17.880
<v Speaker 5>I don't know, just making I'm just random name.

1:00:17.880 --> 1:00:20.000
<v Speaker 1>I'm looking at Amy's so hard on things, we have

1:00:20.040 --> 1:00:21.480
<v Speaker 1>no idea what they are.

1:00:21.840 --> 1:00:24.760
<v Speaker 5>And then you take it. You're like, oh, no, no, never mind,

1:00:24.760 --> 1:00:25.640
<v Speaker 5>I don't I don't want this.

1:00:25.680 --> 1:00:28.840
<v Speaker 2>And I don't think you can, especially if that's exactly

1:00:28.880 --> 1:00:30.720
<v Speaker 2>what you get. If they bring that to you and

1:00:30.760 --> 1:00:33.160
<v Speaker 2>let's just say, I don't know, they add some florentine

1:00:33.200 --> 1:00:35.320
<v Speaker 2>to it, as in the steak florentine.

1:00:34.800 --> 1:00:36.200
<v Speaker 1>You're like, oh, I don't like this. Oh we didn't

1:00:36.200 --> 1:00:37.840
<v Speaker 1>mean to put the florentine in. We'll take it back.

1:00:38.040 --> 1:00:39.400
<v Speaker 2>But if it's what you ordered and they gave it

1:00:39.400 --> 1:00:41.080
<v Speaker 2>to you, you get send it back unless it's messed up.

1:00:41.080 --> 1:00:43.560
<v Speaker 7>An you never ordered a cocktail and you think, oh,

1:00:43.600 --> 1:00:46.360
<v Speaker 7>that sounds really good, and you get that cocktail, right,

1:00:46.440 --> 1:00:48.280
<v Speaker 7>Oh no, that is not good.

1:00:48.640 --> 1:00:51.440
<v Speaker 6>Strawberry cherry vanilla all I'm up, Yes, I've done it,

1:00:51.480 --> 1:00:53.240
<v Speaker 6>and you know what, dude, honestly, I don't care.

1:00:53.280 --> 1:00:55.600
<v Speaker 1>If I don't like it, I'll tell them. I still

1:00:55.600 --> 1:00:57.120
<v Speaker 1>think that's different than a whole meal. But then you

1:00:57.160 --> 1:00:58.640
<v Speaker 1>put it on them and if they take it back,

1:00:58.680 --> 1:01:00.280
<v Speaker 1>then you I still think its different than a who mill

1:01:00.400 --> 1:01:04.560
<v Speaker 1>a drink at a bar. Yeah, where people are different

1:01:04.600 --> 1:01:05.240
<v Speaker 1>than whatever.

1:01:05.400 --> 1:01:08.680
<v Speaker 6>Strawberry vanilla alondlim lunchbox.

1:01:08.720 --> 1:01:10.160
<v Speaker 5>That's your bonehead story of the day.

1:01:11.720 --> 1:01:14.280
<v Speaker 2>It's not your imagination. We're going through toilet paper faster

1:01:14.360 --> 1:01:14.960
<v Speaker 2>than we used to.

1:01:15.480 --> 1:01:16.720
<v Speaker 1>Why do you think that is? Amy?

1:01:16.880 --> 1:01:18.840
<v Speaker 3>I have no idea think about it.

1:01:18.880 --> 1:01:20.920
<v Speaker 1>Why are we going through toilet paper more than we

1:01:21.040 --> 1:01:21.360
<v Speaker 1>used to?

1:01:21.800 --> 1:01:23.439
<v Speaker 3>Are we going to we're drinking more water?

1:01:23.560 --> 1:01:25.680
<v Speaker 2>Okay, so you're going with the body, the physical part. Yeah, No,

1:01:25.880 --> 1:01:27.720
<v Speaker 2>it's a companies are cheaper and they're putting less.

1:01:27.560 --> 1:01:31.600
<v Speaker 1>On a roll. Oh well, that means in nineteen ninety two,

1:01:31.640 --> 1:01:34.520
<v Speaker 1>the average two ply toilet paper roll had one hundred

1:01:34.520 --> 1:01:40.080
<v Speaker 1>and seventy sheets. Today fifty six. That's crazy. And we

1:01:40.080 --> 1:01:41.920
<v Speaker 1>didn't have a clue one third.

1:01:42.320 --> 1:01:44.200
<v Speaker 2>And then we're like man a mus stomach must be Jeoh,

1:01:44.200 --> 1:01:45.480
<v Speaker 2>I probably don't even have ibs.

1:01:45.560 --> 1:01:46.760
<v Speaker 1>It's probably just the companies.

1:01:46.880 --> 1:01:47.240
<v Speaker 7>I don't know.

1:01:47.360 --> 1:01:49.280
<v Speaker 4>They get me now with like all the packaging for

1:01:49.320 --> 1:01:52.440
<v Speaker 4>paper towels and toilet paper, it'll be like this is

1:01:52.480 --> 1:01:55.760
<v Speaker 4>four rolls like in one, so like when you're buying it,

1:01:55.800 --> 1:01:57.800
<v Speaker 4>you don't know, like everything looks bigger.

1:01:57.880 --> 1:01:59.240
<v Speaker 3>But then I'm like, why don't you just.

1:02:00.840 --> 1:02:04.520
<v Speaker 1>What? All right, We're done. We're done. Have a great weekend.

1:02:04.560 --> 1:02:06.720
<v Speaker 1>We'll see you Monday. Goodbye, everybody.

1:02:08.480 --> 1:02:12.320
<v Speaker 2>Show the Bobby Bones theme song written produce sang Bye

1:02:12.480 --> 1:02:17.280
<v Speaker 2>read Yardberry. You can find his instagram at Reidyarberry dot com.

1:02:17.320 --> 1:02:20.919
<v Speaker 2>Scooba Steve executive producer, Ray Mundo, head of Production. I'm

1:02:20.920 --> 1:02:24.160
<v Speaker 2>Bobby Bones. My instagram is mister Bobby Bones. Thanks for

1:02:24.200 --> 1:02:25.200
<v Speaker 2>listening to the podcast.