1
00:00:01,880 --> 00:00:13,840
Speaker 1: Bobby Transmittinglisa. Hello, welcome to Friday Show Morning Studio. Morning.

2
00:00:13,960 --> 00:00:15,880
Speaker 1: I'm left handed. It's been a difficult life for me

3
00:00:15,920 --> 00:00:16,640
Speaker 1: being left handed.

4
00:00:16,920 --> 00:00:18,360
Speaker 2: I was reading a story about how a lot of

5
00:00:18,400 --> 00:00:21,000
Speaker 2: parents will if their kids starts to be left handed,

6
00:00:21,000 --> 00:00:23,319
Speaker 2: they may them be right handed. Oh, they just start

7
00:00:23,360 --> 00:00:26,639
Speaker 2: going Nope, right hand, right hand, right hand. So you

8
00:00:26,640 --> 00:00:28,720
Speaker 2: have kids who grow up now being right handed. But

9
00:00:28,760 --> 00:00:30,240
Speaker 2: we're naturally left handed.

10
00:00:30,280 --> 00:00:31,360
Speaker 3: And maybe is what happened to me.

11
00:00:32,320 --> 00:00:34,440
Speaker 1: I don't think so. Maybe, uh huh, just from knowing

12
00:00:34,440 --> 00:00:35,320
Speaker 1: you forever, I don't think so.

13
00:00:35,560 --> 00:00:37,000
Speaker 3: What what about when I golf?

14
00:00:37,560 --> 00:00:38,040
Speaker 1: What about it?

15
00:00:38,159 --> 00:00:39,720
Speaker 3: And when I bat left handed?

16
00:00:40,560 --> 00:00:41,159
Speaker 1: What about it?

17
00:00:41,280 --> 00:00:43,960
Speaker 4: Okay, and miss Kelly, the dyslexia coach that came in

18
00:00:44,000 --> 00:00:45,560
Speaker 4: here and did all that stuff, she said that could

19
00:00:45,560 --> 00:00:46,720
Speaker 4: have been the beginning of some of.

20
00:00:46,640 --> 00:00:51,120
Speaker 3: The confusion in my brain. Wow, fair enough, just saying

21
00:00:51,120 --> 00:00:52,120
Speaker 3: my dad was left handed.

22
00:00:52,400 --> 00:00:54,720
Speaker 1: I don't think it's genetic. Yeah, I think it's just weird.

23
00:00:54,720 --> 00:00:56,840
Speaker 1: You're just weird. You're really unlucky, you're born into it.

24
00:00:57,080 --> 00:00:58,560
Speaker 1: You guys have no idea how hard it is. No,

25
00:00:58,680 --> 00:01:00,360
Speaker 1: we don't. I made a list of how hard it is.

26
00:01:00,440 --> 00:01:03,880
Speaker 4: Oh, whatever, you're more creative.

27
00:01:05,000 --> 00:01:06,880
Speaker 1: Let's go number how many do you want? I got

28
00:01:06,880 --> 00:01:07,320
Speaker 1: ten of them.

29
00:01:07,319 --> 00:01:11,440
Speaker 2: Go number ten watches I like watching I'm watch guy now,

30
00:01:11,560 --> 00:01:13,520
Speaker 2: But most watches are designed for right handers to wear

31
00:01:13,520 --> 00:01:15,880
Speaker 2: on their left wrist, which is way less convenient for

32
00:01:15,959 --> 00:01:16,720
Speaker 2: left handed people.

33
00:01:17,000 --> 00:01:20,959
Speaker 1: Number nine using a can opener, Yeah good luck. That's

34
00:01:20,959 --> 00:01:21,319
Speaker 1: all I wrote.

35
00:01:21,400 --> 00:01:22,000
Speaker 5: Yeah good luck.

36
00:01:22,120 --> 00:01:25,320
Speaker 2: It's always a side to twitch.

37
00:01:25,080 --> 00:01:27,080
Speaker 1: With the wrong hand. It clicks the wrong Number eight.

38
00:01:27,240 --> 00:01:30,199
Speaker 2: Writing in binders or notebooks because that those big clips

39
00:01:30,200 --> 00:01:33,000
Speaker 2: in the middle, you can't even ride across it. If

40
00:01:33,000 --> 00:01:36,880
Speaker 2: it's just on straight paper, fine, there's endless room, but

41
00:01:37,200 --> 00:01:39,039
Speaker 2: you write with those big clips on the left side,

42
00:01:39,040 --> 00:01:39,600
Speaker 2: you're screwed.

43
00:01:39,640 --> 00:01:43,880
Speaker 1: Left handed. Number thank you, And you made about you

44
00:01:43,920 --> 00:01:45,080
Speaker 1: at the beginning a specially that makes.

45
00:01:44,920 --> 00:01:47,800
Speaker 3: It about me, making it about me, But now I'm thankful.

46
00:01:47,960 --> 00:01:48,520
Speaker 1: Number seven.

47
00:01:49,440 --> 00:01:52,680
Speaker 2: Eating out at a restaurant next to right handed people, Oh,

48
00:01:52,680 --> 00:01:53,120
Speaker 2: you bump them.

49
00:01:53,760 --> 00:01:54,280
Speaker 1: We're both over here.

50
00:01:54,320 --> 00:01:56,480
Speaker 2: I'm trying to eat, they're trying to It's a constant

51
00:01:56,520 --> 00:02:00,240
Speaker 2: car wreck. And they'd shame me terrible. They'll like, where'd

52
00:02:00,240 --> 00:02:01,680
Speaker 2: you learn to eat?

53
00:02:01,800 --> 00:02:04,080
Speaker 1: And I'm like, the same place you did, And they're

54
00:02:04,080 --> 00:02:05,760
Speaker 1: like your mom and your dad and I was like, no, sorry.

55
00:02:05,760 --> 00:02:05,880
Speaker 3: Oh.

56
00:02:07,240 --> 00:02:10,040
Speaker 2: Number six, cutting with scissors. Scissors suck for left handed people.

57
00:02:10,200 --> 00:02:14,000
Speaker 2: Scissors are made for right handed people. Number five people

58
00:02:14,040 --> 00:02:16,239
Speaker 2: always blown away. It's the fact that I'm left handed.

59
00:02:16,360 --> 00:02:17,200
Speaker 5: You know what, move along.

60
00:02:17,440 --> 00:02:20,440
Speaker 1: I'm not a circus act. Am I bearded woman?

61
00:02:20,639 --> 00:02:20,760
Speaker 2: No?

62
00:02:20,880 --> 00:02:21,560
Speaker 1: I'm left handed.

63
00:02:21,600 --> 00:02:23,800
Speaker 6: But when you play sports, people are like, ooh, cool lefty,

64
00:02:24,560 --> 00:02:25,840
Speaker 6: So you kind of get praised for that.

65
00:02:25,919 --> 00:02:28,040
Speaker 2: They're like, look at the south paw. Hey, anybody ever

66
00:02:28,080 --> 00:02:30,480
Speaker 2: tell you're throwing from the wrong side? Hey, you get

67
00:02:30,800 --> 00:02:35,120
Speaker 2: constantly move alone. Number four video game controllers are built

68
00:02:35,120 --> 00:02:39,080
Speaker 2: for right handed people. Most games assume the right pointer

69
00:02:39,120 --> 00:02:40,480
Speaker 2: finger is what you used the most.

70
00:02:41,080 --> 00:02:43,160
Speaker 1: I got news for them. My left one is.

71
00:02:44,720 --> 00:02:47,160
Speaker 2: Number three, sharpie on the back of my hand or

72
00:02:47,240 --> 00:02:48,680
Speaker 2: pencil on the back of my hand because my hand

73
00:02:48,760 --> 00:02:49,480
Speaker 2: drags across it.

74
00:02:49,680 --> 00:02:52,119
Speaker 1: Number two. Not being able to find a left handed.

75
00:02:51,880 --> 00:02:57,000
Speaker 2: Baseball glove amazon right, Well, now, it's like going to

76
00:02:57,000 --> 00:02:58,519
Speaker 2: the score as a kid. You had to look to

77
00:02:58,639 --> 00:03:00,000
Speaker 2: every one of them you could. I couldn't find it

78
00:03:00,040 --> 00:03:02,040
Speaker 2: any of them. And number one and this is the

79
00:03:02,080 --> 00:03:03,400
Speaker 2: hardest of all. And you guys have no idea how

80
00:03:03,400 --> 00:03:05,680
Speaker 2: hard it is. Not being able to play a song

81
00:03:05,720 --> 00:03:07,640
Speaker 2: when people are passing guitars around because it's a right

82
00:03:07,680 --> 00:03:10,280
Speaker 2: handed guitar. Yeah, you know, often I feel judged and

83
00:03:10,280 --> 00:03:11,839
Speaker 2: I'm like, I could play a couple of songs.

84
00:03:11,919 --> 00:03:14,280
Speaker 1: And you're in that scenario all the time, all the time,

85
00:03:15,440 --> 00:03:17,520
Speaker 1: and then buying a left handed guitar much more expensive,

86
00:03:17,520 --> 00:03:18,120
Speaker 1: harder to find.

87
00:03:18,919 --> 00:03:22,200
Speaker 2: Sorry, man, there are certain people. It's a disability. I'm

88
00:03:22,200 --> 00:03:23,720
Speaker 2: gonna say it.

89
00:03:23,720 --> 00:03:23,960
Speaker 6: It is.

90
00:03:24,720 --> 00:03:26,440
Speaker 1: Oh maybe I should get a hand cap sticker. That's

91
00:03:26,440 --> 00:03:29,680
Speaker 1: where it's going. You should apply see what they say.

92
00:03:29,760 --> 00:03:31,359
Speaker 2: You guys have no idea how hard it is to

93
00:03:31,400 --> 00:03:32,639
Speaker 2: be left handed. Like a shout out to all my

94
00:03:32,720 --> 00:03:35,080
Speaker 2: left handed people out there. How about swiping credit cards?

95
00:03:35,640 --> 00:03:38,280
Speaker 2: They're meant those machines are meant for right handed people.

96
00:03:38,320 --> 00:03:39,160
Speaker 1: You can't do that with your.

97
00:03:39,120 --> 00:03:41,600
Speaker 2: Left You can, but it's much harder now stick it

98
00:03:41,680 --> 00:03:47,840
Speaker 2: in amy whoa in school, all the the desks are

99
00:03:47,840 --> 00:03:49,800
Speaker 2: made for right handed people. Think about how that the

100
00:03:49,880 --> 00:03:53,280
Speaker 2: little thing you can tap the credit card? No, but

101
00:03:53,320 --> 00:03:56,320
Speaker 2: it's not as easy. Measuring cups. Don't get me started.

102
00:03:56,320 --> 00:03:58,800
Speaker 1: You're still I think you said there were ten fourteen?

103
00:03:59,000 --> 00:04:01,680
Speaker 3: No, no, no measuring No what measuring cups?

104
00:04:01,680 --> 00:04:04,680
Speaker 1: The handles it's one handle.

105
00:04:05,320 --> 00:04:06,760
Speaker 5: It's literally a handle in the middle of.

106
00:04:07,440 --> 00:04:12,000
Speaker 2: No measurement tools are printed for right handed orientation. They're

107
00:04:12,000 --> 00:04:14,200
Speaker 2: making it harder for left handed people to read them. Wow,

108
00:04:14,920 --> 00:04:16,359
Speaker 2: you guys have no idea every day? I hard my

109
00:04:16,400 --> 00:04:20,360
Speaker 2: life is you had no idea? Justice for lat haended people.

110
00:04:20,400 --> 00:04:23,000
Speaker 2: I think we should get our special day off or something.

111
00:04:23,839 --> 00:04:27,000
Speaker 7: Now we know, Oh, look there's a day, there is

112
00:04:27,000 --> 00:04:28,560
Speaker 7: a let haended day, but nobody gets off.

113
00:04:28,640 --> 00:04:29,560
Speaker 1: Nobody gets off.

114
00:04:30,080 --> 00:04:32,239
Speaker 2: We're here coming up, Thomas Rhett will be on the show.

115
00:04:32,520 --> 00:04:34,800
Speaker 2: Not left handed, anybody else in this whole show left

116
00:04:34,800 --> 00:04:37,320
Speaker 2: handed I was supposed to be, but oh.

117
00:04:37,200 --> 00:04:39,200
Speaker 1: My god, I feel bad.

118
00:04:39,240 --> 00:04:42,120
Speaker 7: Your your your your day just pasted August thirteenth. We

119
00:04:42,120 --> 00:04:45,160
Speaker 7: didn't even celebrate. Oh man, were and you're supposed to

120
00:04:45,160 --> 00:04:46,000
Speaker 7: have day August thirteenth?

121
00:04:46,000 --> 00:04:46,480
Speaker 1: Did' even have it?

122
00:04:52,200 --> 00:04:56,840
Speaker 5: Anonymous, here's the question to be.

123
00:05:01,720 --> 00:05:05,839
Speaker 2: Hello, Bobby Bones. I really like this girl. Been dating

124
00:05:05,839 --> 00:05:08,800
Speaker 2: for a couple months now, so much about her. I

125
00:05:08,839 --> 00:05:10,600
Speaker 2: could go on and on, but she spends a lot

126
00:05:10,600 --> 00:05:14,279
Speaker 2: of her evenings going out partying, and it's become difficult

127
00:05:14,279 --> 00:05:16,279
Speaker 2: for me to keep up. I know, I don't have

128
00:05:16,320 --> 00:05:17,920
Speaker 2: to be with her every time she goes out, but

129
00:05:17,960 --> 00:05:20,200
Speaker 2: I don't want to give her the impression that my

130
00:05:20,400 --> 00:05:22,760
Speaker 2: interest in her is waning. Is it going to run

131
00:05:22,800 --> 00:05:25,760
Speaker 2: things if I opt out like twenty percent of her partying, Well,

132
00:05:25,760 --> 00:05:28,920
Speaker 2: that makes it seem like I'm not interested sign dating

133
00:05:28,960 --> 00:05:32,040
Speaker 2: a party girl. I think you have this all wrong, man, Like,

134
00:05:32,240 --> 00:05:33,720
Speaker 2: she's not gonna care if you go or not when

135
00:05:33,760 --> 00:05:35,040
Speaker 2: she wants to go out all the time. But can

136
00:05:35,080 --> 00:05:38,320
Speaker 2: you actually, like, do you want to be with someone

137
00:05:38,360 --> 00:05:39,920
Speaker 2: who wants to go out partying all the time when

138
00:05:39,920 --> 00:05:43,720
Speaker 2: you don't? So you have to also understand, bro, you're

139
00:05:43,720 --> 00:05:45,480
Speaker 2: of value too. It's not about you just want to

140
00:05:45,520 --> 00:05:48,520
Speaker 2: keep up and make her keep liking you. And also

141
00:05:49,560 --> 00:05:50,840
Speaker 2: if she wants to go party and you want to

142
00:05:50,839 --> 00:05:53,240
Speaker 2: stay home, that's cool. But a lot of times it

143
00:05:53,400 --> 00:05:56,440
Speaker 2: just depending on the age. If you're twenty two, how

144
00:05:56,440 --> 00:05:58,960
Speaker 2: do you answer this? It's fine, let her go party,

145
00:05:59,000 --> 00:06:01,920
Speaker 2: go some If you're thirty four, it's a whole different

146
00:06:01,920 --> 00:06:04,560
Speaker 2: story here. If you're thirty four and she's going out

147
00:06:04,560 --> 00:06:06,839
Speaker 2: all the time and you're not, that's probably that's probably

148
00:06:06,839 --> 00:06:08,599
Speaker 2: gonna be pretty consistent in her life. She loves to

149
00:06:08,600 --> 00:06:11,560
Speaker 2: go out, and that's not gonna match for the most part,

150
00:06:11,600 --> 00:06:13,720
Speaker 2: I think you need to reevaluate that depending on your age.

151
00:06:13,960 --> 00:06:15,360
Speaker 1: But you don't need to worry about going out.

152
00:06:15,440 --> 00:06:17,120
Speaker 2: If you don't want to go out, it's not gonna

153
00:06:17,120 --> 00:06:20,480
Speaker 2: seem like your interest is waning. But if she goes

154
00:06:20,480 --> 00:06:23,480
Speaker 2: out a whole lot and you don't like, that's all

155
00:06:23,520 --> 00:06:24,280
Speaker 2: that's gonna be a thing.

156
00:06:24,279 --> 00:06:25,160
Speaker 1: If you're like a real life.

157
00:06:25,080 --> 00:06:27,320
Speaker 4: Adult, she's gonna catch up to you for sure, and

158
00:06:27,360 --> 00:06:28,919
Speaker 4: you want to see if like, is she able to

159
00:06:29,000 --> 00:06:29,880
Speaker 4: just chill with you.

160
00:06:29,839 --> 00:06:32,240
Speaker 3: At home or you constantly just chasing what she's doing.

161
00:06:32,320 --> 00:06:33,560
Speaker 1: And how hard is she partying?

162
00:06:33,640 --> 00:06:35,920
Speaker 2: Yeah, and if you snuck out and watch your party

163
00:06:35,960 --> 00:06:38,160
Speaker 2: with you not around us, if she's making out other dudes, Yeah,

164
00:06:38,279 --> 00:06:39,119
Speaker 2: that's what I was thinking.

165
00:06:39,240 --> 00:06:39,719
Speaker 1: Not healthy.

166
00:06:39,720 --> 00:06:42,080
Speaker 2: Don't recommend it, but you never know because if you're

167
00:06:42,240 --> 00:06:45,279
Speaker 2: if you're going hard, who knows what's going on. Yeah,

168
00:06:45,480 --> 00:06:48,400
Speaker 2: So I would just say, reevaluate the situation if you're

169
00:06:48,440 --> 00:06:51,400
Speaker 2: over thirty. If you're under thirty and it's like you're

170
00:06:51,400 --> 00:06:53,520
Speaker 2: out of college, just figure out if you want to

171
00:06:53,560 --> 00:06:55,159
Speaker 2: keep up or not. But if you're over thirty, like

172
00:06:55,200 --> 00:06:57,400
Speaker 2: that ain't gonna change with her. You need to figure

173
00:06:57,440 --> 00:07:00,279
Speaker 2: out if you want to be with someone. Not that

174
00:07:00,360 --> 00:07:02,840
Speaker 2: what she's doing is bad, but your lifestyles are very different.

175
00:07:03,120 --> 00:07:04,880
Speaker 2: All right, there you go. That's the mail back close it.

176
00:07:04,839 --> 00:07:08,480
Speaker 1: Upbby Bone, Showy Lunchbocks got mad at a sausage guy

177
00:07:08,480 --> 00:07:11,240
Speaker 1: at the grocery store. Remember this, Yes, Lunchbocks. For our

178
00:07:11,240 --> 00:07:12,400
Speaker 1: listeners that are new to go ahead.

179
00:07:12,560 --> 00:07:14,800
Speaker 7: I went to the meat counter and I got a

180
00:07:15,040 --> 00:07:19,000
Speaker 7: one pound of spicy pork sausage and it was in

181
00:07:19,040 --> 00:07:21,840
Speaker 7: the casing and I didn't want it in the casing.

182
00:07:21,920 --> 00:07:23,640
Speaker 7: So as he was taking it off, I said, oh,

183
00:07:23,680 --> 00:07:25,400
Speaker 7: by the way, could you take that out of the

184
00:07:25,400 --> 00:07:26,080
Speaker 7: casing for me?

185
00:07:26,440 --> 00:07:30,440
Speaker 1: And he said that would be easy. But no.

186
00:07:31,160 --> 00:07:32,960
Speaker 8: When you told the story the first time, though, you

187
00:07:33,000 --> 00:07:35,000
Speaker 8: were like, yo, take it out of the casing.

188
00:07:35,920 --> 00:07:37,440
Speaker 1: Your hesitation has gotten kinder.

189
00:07:37,680 --> 00:07:42,000
Speaker 7: However, either way, it said that would be easy, but no.

190
00:07:42,400 --> 00:07:44,920
Speaker 2: So I challenged Lunchbox to go back to the same store,

191
00:07:45,040 --> 00:07:46,960
Speaker 2: try with somebody different, because it could have just been

192
00:07:47,000 --> 00:07:47,840
Speaker 2: a store policy.

193
00:07:48,120 --> 00:07:50,360
Speaker 1: The guy may not have just been a jerk. It

194
00:07:50,440 --> 00:07:52,360
Speaker 1: may not be sausage guy who's a fault here. Okay,

195
00:07:52,400 --> 00:07:54,400
Speaker 1: So you went back, went back and I ordered the

196
00:07:54,440 --> 00:07:54,840
Speaker 1: same thing.

197
00:07:55,000 --> 00:07:57,040
Speaker 7: Here we go, Can I get a pound of the

198
00:07:57,240 --> 00:08:01,680
Speaker 7: spicy Italian pork sausage. Please, is there anywhere I can

199
00:08:01,760 --> 00:08:04,720
Speaker 7: get that out of the casing? Did you just like

200
00:08:04,760 --> 00:08:05,680
Speaker 7: cut the casing.

201
00:08:05,400 --> 00:08:05,880
Speaker 5: Off for me?

202
00:08:06,560 --> 00:08:06,720
Speaker 4: Right?

203
00:08:06,800 --> 00:08:07,720
Speaker 1: Yeah?

204
00:08:07,800 --> 00:08:13,080
Speaker 9: Thanks man, Thanks for doing that, man, I appreciate it.

205
00:08:14,840 --> 00:08:18,080
Speaker 9: Thanks man. I appreciate you cutting that for me. Thank you,

206
00:08:18,560 --> 00:08:19,080
Speaker 9: Thanks man.

207
00:08:20,240 --> 00:08:20,720
Speaker 1: Thanks man.

208
00:08:20,960 --> 00:08:21,240
Speaker 6: The guy.

209
00:08:21,640 --> 00:08:22,920
Speaker 1: Why is this guy thanking me so much?

210
00:08:23,280 --> 00:08:24,720
Speaker 5: Because I'm trying to get him to talk more? He

211
00:08:24,800 --> 00:08:25,400
Speaker 5: was so quiet.

212
00:08:25,520 --> 00:08:27,480
Speaker 2: Yeah, because he works at a meat counter, I understand,

213
00:08:27,480 --> 00:08:29,040
Speaker 2: but I was trying he didn't know he's being interviewed.

214
00:08:29,160 --> 00:08:30,120
Speaker 1: I was trying to get him.

215
00:08:29,960 --> 00:08:32,079
Speaker 7: To say, hey, no problem, man, we wouldn't do that

216
00:08:32,120 --> 00:08:33,000
Speaker 7: anytime or anything.

217
00:08:33,040 --> 00:08:34,559
Speaker 1: And he was just like, yeah, I think I can

218
00:08:34,600 --> 00:08:36,800
Speaker 1: do that. I feel like he even did not want

219
00:08:36,840 --> 00:08:39,000
Speaker 1: to do it. Yeah, he said. Maybe He's like, I

220
00:08:39,280 --> 00:08:41,480
Speaker 1: don't know. So what what's your conclusion here?

221
00:08:41,559 --> 00:08:43,400
Speaker 7: My conclusion is that I do need to file a

222
00:08:43,440 --> 00:08:46,520
Speaker 7: complaint and taddle on the first guy that wanted to say,

223
00:08:46,640 --> 00:08:47,640
Speaker 7: oh yeah, that'd be easy.

224
00:08:47,720 --> 00:08:51,000
Speaker 1: But no, do you have audio of that though? I don't?

225
00:08:51,080 --> 00:08:53,360
Speaker 7: Yeah, oh man, it's my word. Verse is, But who

226
00:08:53,400 --> 00:08:54,920
Speaker 7: they gonna believe customer is always right?

227
00:08:55,200 --> 00:08:57,320
Speaker 1: I don't think that's policy anymore as much the customer

228
00:08:57,360 --> 00:08:59,480
Speaker 1: is always right. That's like eighties.

229
00:08:59,600 --> 00:09:01,160
Speaker 5: So would you agree with me? Though the first guy

230
00:09:01,240 --> 00:09:01,680
Speaker 5: was a jerk.

231
00:09:01,960 --> 00:09:03,720
Speaker 3: I don't think he was a jerk. I just think that.

232
00:09:03,800 --> 00:09:05,480
Speaker 2: I also think how you presented it was like, yo,

233
00:09:05,559 --> 00:09:07,480
Speaker 2: cut us out, and now you've changed it to being

234
00:09:07,520 --> 00:09:10,720
Speaker 2: really kind. Yeah, so I think what's saying more with

235
00:09:11,600 --> 00:09:15,240
Speaker 2: honey than vinegar. Yeah, the honey than vinegar, be nicer

236
00:09:15,240 --> 00:09:16,600
Speaker 2: for people. They'll do nice things for you.

237
00:09:16,920 --> 00:09:18,920
Speaker 1: I guy had no problem doing it. Yeah, that guy

238
00:09:18,920 --> 00:09:20,600
Speaker 1: did have a problem doing it. He did it anyway, though,

239
00:09:20,840 --> 00:09:22,640
Speaker 1: But it sounds like it could be a policy. And

240
00:09:22,679 --> 00:09:24,720
Speaker 1: this guy was being like, you know what if.

241
00:09:24,559 --> 00:09:28,120
Speaker 2: This guy no so hippy and he's doing his job,

242
00:09:28,640 --> 00:09:30,080
Speaker 2: sounds like he did extra extra.

243
00:09:30,400 --> 00:09:32,480
Speaker 3: He definitely did. I really think it is a policy.

244
00:09:32,679 --> 00:09:34,520
Speaker 1: I do too. All Right, thank you lunch Blox, thanks

245
00:09:34,559 --> 00:09:35,040
Speaker 1: for the update.

246
00:09:35,040 --> 00:09:35,199
Speaker 2: There.

247
00:09:35,600 --> 00:09:36,920
Speaker 10: It's time for the good news.

248
00:09:37,559 --> 00:09:37,920
Speaker 11: Aready.

249
00:09:42,000 --> 00:09:44,800
Speaker 6: Laura Aikins is a pe teacher in Pender High School

250
00:09:44,840 --> 00:09:47,760
Speaker 6: in North Carolina and she has a student named Khalik.

251
00:09:48,000 --> 00:09:50,880
Speaker 6: She found out that Khalik had this kidney disease where

252
00:09:50,880 --> 00:09:51,760
Speaker 6: he needed a new kidney.

253
00:09:51,840 --> 00:09:54,079
Speaker 1: She said, oh, man, I really want to help Collek.

254
00:09:54,160 --> 00:09:54,880
Speaker 1: So let me go home.

255
00:09:54,960 --> 00:09:57,080
Speaker 6: She talked to her husband, said, I really think I

256
00:09:57,120 --> 00:09:59,800
Speaker 6: want to donate my kidney to Kaleik. So she goes

257
00:10:00,000 --> 00:10:03,200
Speaker 6: the hospital, gets checked she is not a match. But

258
00:10:03,320 --> 00:10:06,040
Speaker 6: what she found out that if she donates a kidney

259
00:10:06,040 --> 00:10:09,240
Speaker 6: to a complete stranger, it'll send Khalik to the top

260
00:10:09,360 --> 00:10:09,880
Speaker 6: of the list.

261
00:10:10,400 --> 00:10:10,720
Speaker 1: Wow.

262
00:10:11,040 --> 00:10:13,240
Speaker 2: Yeah, you really threw me because when you're like, she

263
00:10:13,280 --> 00:10:15,559
Speaker 2: goes to the hospital and get checked in, not a match,

264
00:10:15,640 --> 00:10:16,080
Speaker 2: not a match.

265
00:10:16,080 --> 00:10:17,839
Speaker 1: It wasn't expecting that it was bad news.

266
00:10:17,840 --> 00:10:19,199
Speaker 6: But then they said, you know what, there's like a

267
00:10:19,280 --> 00:10:22,320
Speaker 6: voucher program where if you donate to a complete stranger,

268
00:10:22,679 --> 00:10:25,160
Speaker 6: your friend Khalik could go to the top of the list.

269
00:10:25,440 --> 00:10:26,040
Speaker 1: So she did.

270
00:10:26,120 --> 00:10:28,600
Speaker 6: She donated her kidney to a complete stranger, and now

271
00:10:28,679 --> 00:10:29,920
Speaker 6: Khalik is waiting for his kidney.

272
00:10:29,960 --> 00:10:30,839
Speaker 1: You ever heard of such thing?

273
00:10:31,120 --> 00:10:31,440
Speaker 2: Did you know?

274
00:10:31,760 --> 00:10:32,080
Speaker 5: Did you know?

275
00:10:32,120 --> 00:10:32,600
Speaker 1: You moved up?

276
00:10:32,640 --> 00:10:34,600
Speaker 3: Yeah, and Gray's Anatomy they talk about this.

277
00:10:35,400 --> 00:10:35,600
Speaker 1: Yeah.

278
00:10:35,640 --> 00:10:38,480
Speaker 3: I mean sometimes there's whole chains that get created. You

279
00:10:38,520 --> 00:10:39,640
Speaker 3: can't mess with it because.

280
00:10:39,400 --> 00:10:41,880
Speaker 2: Everybody's so if somebody donates to a stranger and then

281
00:10:41,920 --> 00:10:43,880
Speaker 2: while this person's waiting, somebody else donates to a stranger,

282
00:10:43,920 --> 00:10:46,240
Speaker 2: they jump the person into like I have all these questions.

283
00:10:46,320 --> 00:10:48,800
Speaker 1: Good, that's a good question. Yeah, it doesn't matter. Like

284
00:10:48,800 --> 00:10:53,120
Speaker 1: what this teacher did wonderful. Yeah, one of the most

285
00:10:53,240 --> 00:10:54,440
Speaker 1: humane things I've ever heard of.

286
00:10:54,520 --> 00:10:56,559
Speaker 6: But it's got to be a time priority, right, Like

287
00:10:56,840 --> 00:10:59,400
Speaker 6: if Laura did this first, then she's got to stay up.

288
00:10:59,320 --> 00:11:00,000
Speaker 1: At the top of that list.

289
00:11:00,040 --> 00:11:01,319
Speaker 2: But then if I'm on the list, if I'm like,

290
00:11:01,360 --> 00:11:03,120
Speaker 2: I'm gonna donate, but there's four people waiting at the

291
00:11:03,160 --> 00:11:04,680
Speaker 2: top of a list, I'm like, well, I'm gonna hold

292
00:11:04,760 --> 00:11:06,679
Speaker 2: I am I gonna do it now, wait.

293
00:11:06,559 --> 00:11:09,680
Speaker 5: Till Yeah, but it is different, so it may not

294
00:11:09,800 --> 00:11:10,640
Speaker 5: match with the person the.

295
00:11:10,960 --> 00:11:13,040
Speaker 1: Point then I want to It's a lot of things.

296
00:11:13,280 --> 00:11:14,920
Speaker 1: Give me the fourth thing, way too much about it.

297
00:11:15,360 --> 00:11:17,360
Speaker 1: We just love this teacher. This what's your name again?

298
00:11:17,400 --> 00:11:20,079
Speaker 1: Her name is Laura Aikins. Sake and draw someome That's

299
00:11:20,080 --> 00:11:20,760
Speaker 1: what it's all about.

300
00:11:21,520 --> 00:11:25,559
Speaker 5: That was telling me something good.

301
00:11:26,840 --> 00:11:28,280
Speaker 1: I'm gonna leave with this fun fact.

302
00:11:29,080 --> 00:11:33,280
Speaker 2: In the original version of Sleeping Beauty, the prince doesn't

303
00:11:33,400 --> 00:11:36,880
Speaker 2: kiss her to wake her up. He actually impregnates her

304
00:11:37,720 --> 00:11:41,360
Speaker 2: and she wakes up when the child is born. I not.

305
00:11:44,640 --> 00:11:46,720
Speaker 5: How they want to soften that up.

306
00:11:48,080 --> 00:11:50,280
Speaker 1: That's crazy and wake me up to.

307
00:11:52,160 --> 00:11:54,920
Speaker 2: Wow, when was the original written his way before the

308
00:11:54,920 --> 00:11:59,800
Speaker 2: one we saw on TV? That's why old, that's some good.

309
00:12:00,080 --> 00:12:01,800
Speaker 2: That is a creeper, I'd say. Looked to his computer

310
00:12:01,840 --> 00:12:04,640
Speaker 2: for other STLF. They didn't have any huters back then. Wow, okay,

311
00:12:06,200 --> 00:12:07,560
Speaker 2: mon fact Friday, Amy.

312
00:12:07,360 --> 00:12:07,760
Speaker 1: Go ahead.

313
00:12:07,800 --> 00:12:10,880
Speaker 4: We are more creative in the shower. So if you've

314
00:12:10,960 --> 00:12:13,520
Speaker 4: ever felt like ideas come to you when you're taking

315
00:12:13,520 --> 00:12:18,719
Speaker 4: a shower, it's because warm water increases the flow of dopamine,

316
00:12:18,880 --> 00:12:20,120
Speaker 4: which makes you more creative.

317
00:12:20,720 --> 00:12:21,320
Speaker 3: So that's why.

318
00:12:21,800 --> 00:12:22,800
Speaker 2: Yeah, I feel like I come with a lot of

319
00:12:22,840 --> 00:12:24,599
Speaker 2: great ideas in the shower, but then I don't have

320
00:12:24,640 --> 00:12:26,120
Speaker 2: anything to write them down on because it's.

321
00:12:25,960 --> 00:12:27,679
Speaker 1: Wet in there, and not forget them. That's a good boy.

322
00:12:27,760 --> 00:12:29,760
Speaker 1: Yeah yeah, lunchbox, Oh.

323
00:12:29,600 --> 00:12:31,240
Speaker 7: My goodness, guys, I got a shout out of this

324
00:12:31,280 --> 00:12:33,040
Speaker 7: guy Mickey. He told me this fun fact. I thought

325
00:12:33,040 --> 00:12:35,240
Speaker 7: it was not true. I looked it up. It's true.

326
00:12:35,800 --> 00:12:39,400
Speaker 7: In two thousand and four, Dave Matthews Band, the you know,

327
00:12:39,440 --> 00:12:42,760
Speaker 7: the you know really Freshman.

328
00:12:43,080 --> 00:12:47,120
Speaker 1: No, that's not the right band. Dave Matthews Band like so.

329
00:12:47,080 --> 00:12:50,120
Speaker 2: Much to say, so much to say, so much to

330
00:12:50,120 --> 00:12:52,520
Speaker 2: say so much just say no, no, no, no, no, no,

331
00:12:52,520 --> 00:12:56,400
Speaker 2: no whatever. No, but you did a song from a

332
00:12:56,400 --> 00:12:59,720
Speaker 2: one hit wonder. The herd Pipe Dave Matthews band is

333
00:12:59,720 --> 00:13:01,920
Speaker 2: like Falck and Roll Hall of Fame, like that type

334
00:13:01,960 --> 00:13:02,400
Speaker 2: of worthy.

335
00:13:02,440 --> 00:13:03,199
Speaker 1: Go ahead, my fault.

336
00:13:03,400 --> 00:13:06,160
Speaker 7: They were driving in Chicago and they were going over

337
00:13:06,240 --> 00:13:08,520
Speaker 7: one of those bridges that has like holes in it,

338
00:13:09,240 --> 00:13:11,160
Speaker 7: and the bus driver decided, you know what, we have

339
00:13:11,320 --> 00:13:13,959
Speaker 7: eight hundred pounds of human waste on here.

340
00:13:14,040 --> 00:13:14,960
Speaker 1: Let's get rid of it.

341
00:13:15,440 --> 00:13:17,520
Speaker 5: He releases it into the river.

342
00:13:18,160 --> 00:13:22,640
Speaker 7: Only problem is a sightseeing tour bus is driving under

343
00:13:22,679 --> 00:13:24,960
Speaker 7: the bridge and the people were sitting.

344
00:13:24,679 --> 00:13:26,480
Speaker 5: On the bus and they got dowsed in.

345
00:13:27,600 --> 00:13:31,640
Speaker 1: Remember this is a real story story, dude, except for

346
00:13:31,679 --> 00:13:32,560
Speaker 1: the freshman part.

347
00:13:32,920 --> 00:13:34,960
Speaker 7: Yeah yeah, you thought, oh, you know, I just dump

348
00:13:35,000 --> 00:13:37,200
Speaker 7: it in the Chicago river or whatever, and they got

349
00:13:37,480 --> 00:13:40,200
Speaker 7: so wow and they ended up having to pay a

350
00:13:40,200 --> 00:13:44,120
Speaker 7: lot of money and fines. And I mean that is bananas.

351
00:13:44,160 --> 00:13:45,680
Speaker 7: When we were at the brewery and Mickey told me,

352
00:13:45,720 --> 00:13:46,520
Speaker 7: I was like, that's not real.

353
00:13:46,520 --> 00:13:48,400
Speaker 1: I don't even Mickey is a shoutout, Micky, Yeah, shot

354
00:13:48,400 --> 00:13:49,959
Speaker 1: out Mickey, Eddie.

355
00:13:50,120 --> 00:13:52,920
Speaker 6: So if you took all your arteries and veins out

356
00:13:52,920 --> 00:13:56,000
Speaker 6: of your body and stretched him out, it would be

357
00:13:56,360 --> 00:13:58,720
Speaker 6: over one hundred thousand miles long.

358
00:13:58,760 --> 00:14:01,560
Speaker 1: One hundred thousand miles. Yeah, isn't that crazy?

359
00:14:01,600 --> 00:14:03,160
Speaker 6: You look at your body, You're like, there's no way,

360
00:14:03,200 --> 00:14:05,000
Speaker 6: but they're so tangled up in our body that if

361
00:14:05,000 --> 00:14:06,880
Speaker 6: we stretched it all out, it'd be over one hundred

362
00:14:06,880 --> 00:14:09,360
Speaker 6: thousand miles long, one thousand miles.

363
00:14:09,360 --> 00:14:13,520
Speaker 1: Hey, my friend Mickey told me that seems classic Morgan.

364
00:14:13,720 --> 00:14:15,079
Speaker 3: Is everybody here like Ketchup?

365
00:14:15,320 --> 00:14:15,520
Speaker 2: Yes?

366
00:14:16,000 --> 00:14:19,840
Speaker 1: Yeah. If you don't like it, lunchbox no Ketchup, Nope, weird.

367
00:14:19,960 --> 00:14:22,080
Speaker 2: My wife never has never eaten economy and ever in

368
00:14:22,080 --> 00:14:23,520
Speaker 2: her life, and I thought that was weird.

369
00:14:23,640 --> 00:14:27,320
Speaker 1: But ketchup is like the most universally beloved Yeah, go ahead.

370
00:14:27,000 --> 00:14:29,240
Speaker 12: Well, lunchboxs you would have been screwed in the eighteen

371
00:14:29,320 --> 00:14:32,520
Speaker 12: hundreds because ketchup was once sold as a medicine. In

372
00:14:32,640 --> 00:14:36,440
Speaker 12: eighteen thirties, it was believed ketchup could cure diarrhea, indigestion,

373
00:14:36,560 --> 00:14:37,480
Speaker 12: and even johndice.

374
00:14:37,880 --> 00:14:39,160
Speaker 3: So it was like the pepto bismol.

375
00:14:39,400 --> 00:14:41,880
Speaker 2: Not sure it still can't though, we don't know, just

376
00:14:41,920 --> 00:14:45,000
Speaker 2: not marketed as that anymore. There's a common myth that's

377
00:14:45,000 --> 00:14:48,240
Speaker 2: the word X mess when you see Xmas for Christmas

378
00:14:48,600 --> 00:14:51,920
Speaker 2: is a way to emphasize religious tradition, but that's actually

379
00:14:51,920 --> 00:14:54,920
Speaker 2: the opposite of what Xmas is. So people will say

380
00:14:54,920 --> 00:14:56,520
Speaker 2: you're taking the crist at of Christmas. But the term

381
00:14:56,520 --> 00:14:59,360
Speaker 2: actually dates back to Christian churches where the X and

382
00:14:59,400 --> 00:15:03,720
Speaker 2: Merry Christmas. X stands for Chi, which was Christ, so

383
00:15:03,840 --> 00:15:07,200
Speaker 2: it's an abbreviation for Christ in Greek. The suffix m

384
00:15:07,240 --> 00:15:11,400
Speaker 2: as is Latin for Mass, so they both kreated suffix

385
00:15:11,600 --> 00:15:15,880
Speaker 2: meant christ Mass. But now you will see people going, oh,

386
00:15:15,920 --> 00:15:18,000
Speaker 2: you take to Christ out of Christmas. That's just actually

387
00:15:18,080 --> 00:15:20,840
Speaker 2: no knowledge of what the tradition is.

388
00:15:20,920 --> 00:15:23,640
Speaker 1: Yeah, tell them about this fun fact when they say.

389
00:15:23,480 --> 00:15:25,320
Speaker 2: That, yeah, and then tell him aout sleeping beauty right

390
00:15:25,320 --> 00:15:27,960
Speaker 2: after that. That'll go, well, hit him with the right,

391
00:15:28,040 --> 00:15:29,960
Speaker 2: then the left, holy Man, and.

392
00:15:29,920 --> 00:15:30,720
Speaker 1: One other one.

393
00:15:31,480 --> 00:15:36,400
Speaker 2: One month before Seinfeld started, Jason Alexander, who played George,

394
00:15:36,680 --> 00:15:40,920
Speaker 2: who was like crazy George does anything. He actually won

395
00:15:41,040 --> 00:15:43,800
Speaker 2: a Tony for Best Leading Actor in a Musical for

396
00:15:43,920 --> 00:15:48,280
Speaker 2: Jerome Robbins on Broadway, like such a highly respected, touted

397
00:15:48,280 --> 00:15:51,040
Speaker 2: Broadway star before he went on Seinfeld and became Georgia.

398
00:15:50,720 --> 00:15:51,760
Speaker 1: Stanze like dumb George.

399
00:15:51,840 --> 00:15:58,320
Speaker 2: Yeah, there's a podcast called in the Vets Office with

400
00:15:58,400 --> 00:16:01,280
Speaker 2: Doctor Josie and Taylor Lawan is on it. Taylan is

401
00:16:01,840 --> 00:16:03,840
Speaker 2: the wife of Taylor Lawan who played in the NFL

402
00:16:03,880 --> 00:16:06,080
Speaker 2: for a long time. And Taylor they had a chicken

403
00:16:06,080 --> 00:16:08,280
Speaker 2: coop and she was talking about how sick she got

404
00:16:08,280 --> 00:16:10,280
Speaker 2: from cleaning the chicken coop without a mask on here.

405
00:16:10,320 --> 00:16:11,640
Speaker 11: Because I didn't know you're supposed to bear like a

406
00:16:11,760 --> 00:16:15,600
Speaker 11: mask respirator. I got myself so sick. Really, Oh yeah,

407
00:16:15,800 --> 00:16:17,720
Speaker 11: Like what were your symptoms? I was like, I think

408
00:16:17,720 --> 00:16:18,840
Speaker 11: I started the new Avian flu.

409
00:16:19,520 --> 00:16:21,160
Speaker 3: It's not okay, you were patient.

410
00:16:21,240 --> 00:16:21,360
Speaker 5: Here.

411
00:16:21,520 --> 00:16:23,640
Speaker 3: I was cleaning my own chicken coop.

412
00:16:24,040 --> 00:16:26,000
Speaker 2: And they have chickens and they have goats, and the

413
00:16:26,000 --> 00:16:28,720
Speaker 2: goats started dying because of goat herpies.

414
00:16:28,800 --> 00:16:29,640
Speaker 1: Whoa left hear.

415
00:16:29,560 --> 00:16:32,160
Speaker 11: It goat herpes. They got it from a sheep. They

416
00:16:32,160 --> 00:16:33,520
Speaker 11: could get it from a sheep, but they can't get

417
00:16:33,520 --> 00:16:36,400
Speaker 11: it from each other. But there's no telling if they

418
00:16:36,440 --> 00:16:37,040
Speaker 11: all have it.

419
00:16:37,160 --> 00:16:39,560
Speaker 4: Once they're infected, they have it for life and it

420
00:16:39,640 --> 00:16:42,600
Speaker 4: lays latent and then it'll flare up like just randomly

421
00:16:42,640 --> 00:16:44,000
Speaker 4: and they can die from it.

422
00:16:44,000 --> 00:16:45,680
Speaker 1: So like in life, watch out for those sheep. They

423
00:16:45,680 --> 00:16:46,280
Speaker 1: need protection.

424
00:16:47,360 --> 00:16:49,640
Speaker 2: Just watch out for the sheep that's called in the

425
00:16:49,680 --> 00:16:53,840
Speaker 2: vet's office with doctor Josie.

426
00:16:53,960 --> 00:16:55,400
Speaker 1: Amy's pile of stories.

427
00:16:55,480 --> 00:16:57,680
Speaker 4: All right, it's never too early to plan what Halloween

428
00:16:57,720 --> 00:17:00,640
Speaker 4: costumes you want for this year, and Entertainment Tonight put

429
00:17:00,640 --> 00:17:03,560
Speaker 4: together a list of the best couple's costumes for twenty

430
00:17:03,600 --> 00:17:04,080
Speaker 4: twenty four.

431
00:17:04,480 --> 00:17:07,640
Speaker 1: Salt and Pepper, Mushroom Ketcha, Burt and Ernie does still

432
00:17:07,680 --> 00:17:08,000
Speaker 1: make it?

433
00:17:08,160 --> 00:17:11,000
Speaker 3: They're not on there? Go ahead, Taylor Swift and Travis Kelce.

434
00:17:11,400 --> 00:17:13,120
Speaker 1: That's pretty good. That was a good one last year too,

435
00:17:13,240 --> 00:17:15,200
Speaker 1: I think right because they together.

436
00:17:15,240 --> 00:17:17,320
Speaker 2: Then oh, you just Wren eighty seven Jersey to Bondwig,

437
00:17:17,560 --> 00:17:19,000
Speaker 2: but then you switch it up though you have heard

438
00:17:19,000 --> 00:17:20,680
Speaker 2: Dough the eighty seven, but he does the blond way.

439
00:17:20,800 --> 00:17:24,800
Speaker 4: That's funny ya Beetlejuice and Lydia, Yes, because it's coming back.

440
00:17:26,240 --> 00:17:27,359
Speaker 1: What's the name Jenny Ortega?

441
00:17:27,440 --> 00:17:27,600
Speaker 2: Right?

442
00:17:27,960 --> 00:17:29,040
Speaker 1: Yeah, yeah, yeah? What else?

443
00:17:29,200 --> 00:17:30,360
Speaker 3: Dead pull and Wolverine.

444
00:17:30,920 --> 00:17:32,600
Speaker 1: That's dedication. That's a lot of costume.

445
00:17:33,359 --> 00:17:35,520
Speaker 3: Penelope and Colin from Bridgerton.

446
00:17:36,680 --> 00:17:38,880
Speaker 1: I've never watched Bridgerton, not a hater.

447
00:17:39,480 --> 00:17:43,440
Speaker 3: And Cleopatra and mar Campany.

448
00:17:42,520 --> 00:17:45,480
Speaker 1: Not new, Yeah, as old as Salt and Pepper, they're.

449
00:17:45,240 --> 00:17:46,040
Speaker 3: One of the top ones.

450
00:17:46,080 --> 00:17:48,520
Speaker 4: Okay, okay, So if you're someone that swipes through a

451
00:17:48,560 --> 00:17:50,600
Speaker 4: lot of videos because you're bored, and you're just like,

452
00:17:50,640 --> 00:17:53,720
Speaker 4: you know, flipping through on social media and you just swipe, swipe, swipe,

453
00:17:53,760 --> 00:17:55,200
Speaker 4: it's actually making you more bored.

454
00:17:55,680 --> 00:17:57,359
Speaker 1: You know another costume you could do, now that you

455
00:17:57,400 --> 00:17:57,879
Speaker 1: talk about it.

456
00:17:58,280 --> 00:18:00,480
Speaker 2: You can have somebody with a tiny micro phone coming

457
00:18:00,480 --> 00:18:02,560
Speaker 2: out of their phone and you could put a blonde

458
00:18:02,560 --> 00:18:04,720
Speaker 2: wig on and they're like, what are you and you

459
00:18:04,800 --> 00:18:06,040
Speaker 2: go and you lean to the microphone.

460
00:18:06,080 --> 00:18:09,640
Speaker 1: You'll houk to a spin on that thing. Oh that's great.

461
00:18:10,119 --> 00:18:13,720
Speaker 2: Because the guy was doing the phone interview, I hadn't

462
00:18:13,760 --> 00:18:15,320
Speaker 2: seen that, but that would be funny. No one would

463
00:18:15,359 --> 00:18:16,959
Speaker 2: know what it was. You'd have to act it out

464
00:18:17,000 --> 00:18:19,359
Speaker 2: every time, like what are you guys? And then he

465
00:18:19,560 --> 00:18:21,360
Speaker 2: has the cable out of his phone and leans it

466
00:18:21,359 --> 00:18:24,600
Speaker 2: and she goes, hog do I spending that thing all night? Yeah?

467
00:18:24,600 --> 00:18:25,920
Speaker 1: That's pretty good one. I'm sorry.

468
00:18:26,560 --> 00:18:28,760
Speaker 4: No, she she relates that because she was a viral

469
00:18:28,840 --> 00:18:31,400
Speaker 4: video on social media, some people probably swipe through her.

470
00:18:33,240 --> 00:18:34,000
Speaker 1: No, what are you talking about.

471
00:18:34,200 --> 00:18:37,040
Speaker 4: I'm talking about digital switching when you're on social media.

472
00:18:37,200 --> 00:18:39,280
Speaker 4: This is what it's called if you're just swiping through

473
00:18:39,320 --> 00:18:42,080
Speaker 4: videos because you're bored, but you're not watching videos through

474
00:18:42,200 --> 00:18:43,359
Speaker 4: through its completion.

475
00:18:43,280 --> 00:18:46,280
Speaker 2: It's today's flipping the channels. Yeah, because I would just

476
00:18:46,280 --> 00:18:48,080
Speaker 2: flip channels. It wouldn't matter if there are some good

477
00:18:48,080 --> 00:18:50,119
Speaker 2: on or not. I wouldn't stop him flipping flip flip,

478
00:18:50,160 --> 00:18:51,720
Speaker 2: flip flip Judge, Judy.

479
00:18:51,560 --> 00:18:54,240
Speaker 1: Court, and so that would happen. That's now, just do

480
00:18:54,280 --> 00:18:54,840
Speaker 1: it on TikTok.

481
00:18:54,920 --> 00:18:56,679
Speaker 4: Well Talker did a whole study about it, and they

482
00:18:56,720 --> 00:19:00,240
Speaker 4: said that watching short snippets of videos and then swing

483
00:19:00,280 --> 00:19:03,800
Speaker 4: through them or fast forwarding increases your boredom. So if

484
00:19:03,840 --> 00:19:06,200
Speaker 4: you're bored, watch the whole video, and they say it's

485
00:19:06,200 --> 00:19:08,000
Speaker 4: more satisfying, engaging, and meaningful.

486
00:19:08,520 --> 00:19:10,040
Speaker 2: I can agree with that even back in the day,

487
00:19:10,080 --> 00:19:12,320
Speaker 2: because I would just get angrier that I was bored

488
00:19:12,320 --> 00:19:13,840
Speaker 2: because there were so many channels and I didn't want

489
00:19:13,840 --> 00:19:16,080
Speaker 2: to stop on any of them. So yeah, I get it,

490
00:19:16,119 --> 00:19:17,760
Speaker 2: But it's that's today's flipping the channels.

491
00:19:17,760 --> 00:19:18,359
Speaker 1: By what else?

492
00:19:18,480 --> 00:19:20,920
Speaker 3: I've got some facts about Laneie Wilson.

493
00:19:21,119 --> 00:19:22,720
Speaker 1: You may be facts. Let's go.

494
00:19:23,960 --> 00:19:25,879
Speaker 4: When she was nine years old, her mom bought her

495
00:19:25,920 --> 00:19:29,040
Speaker 4: a pair of blue leopard print bell bottoms, and she's

496
00:19:29,160 --> 00:19:31,840
Speaker 4: joked that since then, she doesn't think anyone's ever seen

497
00:19:31,880 --> 00:19:35,440
Speaker 4: her inkles. Okay, when she was Hannah Montana, she would

498
00:19:35,440 --> 00:19:37,560
Speaker 4: impersonate her on the weekends at parties. She would make

499
00:19:37,600 --> 00:19:40,240
Speaker 4: four hundred dollars a gig and sometimes they would even

500
00:19:40,280 --> 00:19:41,359
Speaker 4: let her sing her own songs.

501
00:19:41,520 --> 00:19:44,040
Speaker 2: That's a lot of money. That's an impersonator, Like, that's

502
00:19:44,080 --> 00:19:46,080
Speaker 2: four hundred bucks a show. That's more than some artists

503
00:19:46,080 --> 00:19:48,000
Speaker 2: make now that are doing it as a career.

504
00:19:48,200 --> 00:19:48,800
Speaker 1: Okay, what else?

505
00:19:48,880 --> 00:19:50,800
Speaker 4: Landy lived in a camper van when she was first

506
00:19:50,800 --> 00:19:52,920
Speaker 4: trying to make it in Nashville, and she said when

507
00:19:52,920 --> 00:19:54,960
Speaker 4: a big storm would come in, she thought she was

508
00:19:54,960 --> 00:19:55,880
Speaker 4: going to get blown away.

509
00:19:56,640 --> 00:19:58,600
Speaker 1: Yeah, moved here, had nowhere to livet So she lived

510
00:19:58,600 --> 00:19:59,240
Speaker 1: in a camper.

511
00:19:59,040 --> 00:20:01,040
Speaker 4: And another fact about that as Luke Combs would actually

512
00:20:01,080 --> 00:20:04,040
Speaker 4: go visit her in her trailer and they would write songs.

513
00:20:04,119 --> 00:20:07,160
Speaker 2: They they smell out time together. They moved to town

514
00:20:07,200 --> 00:20:11,159
Speaker 2: to right right now. I just felt, lady will be

515
00:20:11,160 --> 00:20:12,920
Speaker 2: on the show Lenny right song.

516
00:20:13,040 --> 00:20:14,240
Speaker 1: Yes, Lady will be here money.

517
00:20:14,600 --> 00:20:16,520
Speaker 4: And the last one fact is Laney has a no

518
00:20:16,640 --> 00:20:18,199
Speaker 4: tongue rule for kissing on screen.

519
00:20:18,840 --> 00:20:21,560
Speaker 1: Why absolutely? Hi?

520
00:20:21,680 --> 00:20:22,560
Speaker 3: Amy that's my file.

521
00:20:23,480 --> 00:20:25,600
Speaker 1: That was Amy's pile of stories.

522
00:20:26,080 --> 00:20:27,520
Speaker 10: It's time for the good news.

523
00:20:27,840 --> 00:20:28,480
Speaker 4: How much Box.

524
00:20:32,520 --> 00:20:35,520
Speaker 7: There's three guys in Cincinnati that just got out of prison.

525
00:20:35,560 --> 00:20:38,960
Speaker 7: They spent a combined forty four years in prison for

526
00:20:39,119 --> 00:20:41,920
Speaker 7: crimes they didn't commit, and they're having a hard time

527
00:20:41,960 --> 00:20:45,640
Speaker 7: adjusting back to society. You know, they didn't feel comfortable,

528
00:20:45,680 --> 00:20:48,520
Speaker 7: they felt, you know, unsure themselves. You know, their teeth

529
00:20:48,520 --> 00:20:50,359
Speaker 7: were a little messed up because the dental care is

530
00:20:50,359 --> 00:20:53,399
Speaker 7: not that great in prison. So there's a dentist office

531
00:20:53,440 --> 00:20:55,680
Speaker 7: in Cincinnati said, hey, we're going to fix your teeth

532
00:20:55,680 --> 00:20:58,920
Speaker 7: for free. That way you feel confident, you feel good

533
00:20:58,960 --> 00:21:04,640
Speaker 7: about yourself. So they went in little here there fix

534
00:21:04,680 --> 00:21:05,680
Speaker 7: their teeth for free.

535
00:21:06,040 --> 00:21:08,399
Speaker 2: If you go to prison and you didn't do the crime,

536
00:21:08,720 --> 00:21:13,159
Speaker 2: it's a million dollars a year for auld.

537
00:21:13,240 --> 00:21:15,560
Speaker 1: Yeah, yeah, that's what I would do. I don't know

538
00:21:15,560 --> 00:21:16,280
Speaker 1: where we gett the money.

539
00:21:16,320 --> 00:21:17,919
Speaker 4: And then you don't have to and also you have

540
00:21:17,920 --> 00:21:18,760
Speaker 4: to pay for anything.

541
00:21:19,240 --> 00:21:20,320
Speaker 1: Well, no, that's a million dollars.

542
00:21:20,359 --> 00:21:23,400
Speaker 2: Ye an, you get your million a year and don't

543
00:21:23,440 --> 00:21:26,320
Speaker 2: wait at a restaurant. No, no, all that you can

544
00:21:26,440 --> 00:21:28,520
Speaker 2: pay the Yeah, yeah, you get a million bucks a

545
00:21:28,600 --> 00:21:33,040
Speaker 2: year and go try to have a decent life, even

546
00:21:33,080 --> 00:21:36,240
Speaker 2: though the one thing that you can't duplicate, time was

547
00:21:36,240 --> 00:21:40,680
Speaker 2: taken from you. So that one of these conventions R

548
00:21:40,760 --> 00:21:41,879
Speaker 2: n C, DNC I would get out.

549
00:21:41,880 --> 00:21:44,119
Speaker 1: So I'd say, that's good. Everybody's been in jail for crime.

550
00:21:44,160 --> 00:21:44,640
Speaker 1: They didn't commit.

551
00:21:44,680 --> 00:21:46,280
Speaker 2: A million dollars a year, that's what you get. And

552
00:21:46,320 --> 00:21:47,760
Speaker 2: everybody like, how do we get the money from taxes?

553
00:21:47,760 --> 00:21:49,040
Speaker 1: I'm like, I don't know. Turn the music off, I

554
00:21:49,160 --> 00:21:51,560
Speaker 1: walk off. Figure it out. Yeah, you guys figured it out.

555
00:21:51,560 --> 00:21:53,399
Speaker 1: I just say the crap. That sucks.

556
00:21:53,440 --> 00:21:55,679
Speaker 2: I'm glad they got dental care, but that sucks. They

557
00:21:55,720 --> 00:21:57,840
Speaker 2: weren't jailed for something they didn't do. All right, that's

558
00:21:57,840 --> 00:21:59,760
Speaker 2: a good story. Well part of it was good.

559
00:22:00,400 --> 00:22:00,800
Speaker 3: It's good.

560
00:22:00,920 --> 00:22:02,840
Speaker 1: Million dollars a year, that's what I would say. All right,

561
00:22:02,840 --> 00:22:03,639
Speaker 1: that's what it's all about.

562
00:22:04,119 --> 00:22:05,600
Speaker 5: That was tell me something good.

563
00:22:07,440 --> 00:22:09,800
Speaker 2: I'd like to say to our listeners never ever ever

564
00:22:09,840 --> 00:22:11,240
Speaker 2: take financial advice from us.

565
00:22:11,480 --> 00:22:14,439
Speaker 1: We know nothing. We do stupid stuff. We know nothing.

566
00:22:14,480 --> 00:22:16,600
Speaker 2: I just want to say that before I play this voicemail.

567
00:22:16,840 --> 00:22:18,679
Speaker 2: We know nothing, No go ahead.

568
00:22:19,119 --> 00:22:21,680
Speaker 3: In March of twenty twenty, Ray told us to.

569
00:22:21,600 --> 00:22:25,359
Speaker 1: Buy a Royal Caribbean stock. I bought ten shares at

570
00:22:25,440 --> 00:22:27,719
Speaker 1: twenty three dollars and twenty nine cents.

571
00:22:27,840 --> 00:22:32,160
Speaker 11: Today, those ten shares are worth one thousand, five hundred

572
00:22:32,280 --> 00:22:33,639
Speaker 11: eighty dollars.

573
00:22:33,160 --> 00:22:34,119
Speaker 1: And eighty cents.

574
00:22:34,200 --> 00:22:37,159
Speaker 3: That's a five hundred and seventy eight percent increase in

575
00:22:37,200 --> 00:22:40,080
Speaker 3: my shares. Thanks Ray, Mundo, great job.

576
00:22:40,200 --> 00:22:41,480
Speaker 2: I just want to say, don't listen to us for

577
00:22:41,600 --> 00:22:44,639
Speaker 2: now on because what because Ray has predicted the greatest

578
00:22:44,640 --> 00:22:47,080
Speaker 2: stock in the history of the Boybone Show and said that.

579
00:22:47,359 --> 00:22:48,800
Speaker 1: I just don't people to think we know we're talking

580
00:22:48,840 --> 00:22:51,840
Speaker 1: about big win. Ray though, like respect, Yeah, I don't

581
00:22:51,840 --> 00:22:53,679
Speaker 1: know if it's that much, but I got tipped off.

582
00:22:53,720 --> 00:22:55,480
Speaker 2: I got a buddy who lives in Miami said, cruise,

583
00:22:55,480 --> 00:22:56,400
Speaker 2: they're going to be through the race.

584
00:22:56,720 --> 00:22:59,120
Speaker 1: He lives near the waters. Like it doesn't matter.

585
00:22:59,240 --> 00:23:05,320
Speaker 2: You had agrisk bag because that raise our new money out. No, Hello,

586
00:23:05,440 --> 00:23:06,680
Speaker 2: the video is better than that.

587
00:23:07,440 --> 00:23:08,119
Speaker 1: No it's not.

588
00:23:08,280 --> 00:23:10,040
Speaker 2: I looked, it's not five hundred and eighty five percent

589
00:23:10,040 --> 00:23:14,000
Speaker 2: of however, Ray, good job, Thank you, thank you.

590
00:23:14,160 --> 00:23:19,880
Speaker 1: Let's do the Morning Corny. The Morning Corny.

591
00:23:20,040 --> 00:23:22,679
Speaker 4: Why can't you ever argue with a ninety degree angle

592
00:23:23,760 --> 00:23:25,120
Speaker 4: because they're always right.

593
00:23:25,960 --> 00:23:32,480
Speaker 1: That's true. That was the morning Corny.

594
00:23:32,800 --> 00:23:37,199
Speaker 2: I have no video it's up one because it took

595
00:23:37,240 --> 00:23:37,840
Speaker 2: a big tumble.

596
00:23:37,960 --> 00:23:42,560
Speaker 1: And what was world World Caribbean? I like five hundred,

597
00:23:43,320 --> 00:23:44,199
Speaker 1: it's a little different.

598
00:23:46,640 --> 00:23:47,880
Speaker 10: On the Bobby Bones Show.

599
00:23:47,960 --> 00:23:48,160
Speaker 1: Now.

600
00:23:48,440 --> 00:23:52,000
Speaker 2: Thomas Rhett his new album is out today. When you

601
00:23:52,080 --> 00:23:55,159
Speaker 2: do a new record, it's do you try to always

602
00:23:55,200 --> 00:23:59,800
Speaker 2: present a slightly new version of yourself or is it

603
00:24:00,000 --> 00:24:02,080
Speaker 2: as you're a different person because you've actually matured with

604
00:24:02,160 --> 00:24:04,600
Speaker 2: age and experience and it just comes out a new

605
00:24:04,640 --> 00:24:07,520
Speaker 2: person of yourself, like a version Maybe both.

606
00:24:07,640 --> 00:24:09,199
Speaker 13: I mean, I feel like I try to write you

607
00:24:09,240 --> 00:24:10,960
Speaker 13: know where I'm at in life, and I think right

608
00:24:11,000 --> 00:24:13,719
Speaker 13: now I'm in a fun season of life, like all

609
00:24:13,760 --> 00:24:15,960
Speaker 13: my kids are in school for the first time ever,

610
00:24:16,000 --> 00:24:18,240
Speaker 13: and so I feel like Lauren and I just kind

611
00:24:18,240 --> 00:24:21,080
Speaker 13: of are freer these days. And so I think I

612
00:24:21,119 --> 00:24:22,800
Speaker 13: think whatever I'm kind of going through in life sort

613
00:24:22,800 --> 00:24:24,520
Speaker 13: of translates to music. But I think when it comes

614
00:24:24,560 --> 00:24:27,359
Speaker 13: to making records, I feel like it's always trying to

615
00:24:27,359 --> 00:24:29,480
Speaker 13: be progressive while remaining authentic.

616
00:24:30,119 --> 00:24:32,000
Speaker 2: The album is about a woman, and we're going to

617
00:24:32,040 --> 00:24:34,639
Speaker 2: play some songs as we talk, But Ray, would you give.

618
00:24:34,520 --> 00:24:35,840
Speaker 1: Me an overdrive?

619
00:24:35,880 --> 00:24:37,880
Speaker 13: I would say that This song is a pretty accurate

620
00:24:37,920 --> 00:24:41,919
Speaker 13: story of my high school days. If you will, do

621
00:24:41,920 --> 00:24:43,200
Speaker 13: you have your Do you have your first truck that

622
00:24:43,240 --> 00:24:44,720
Speaker 13: you ever drove? Anybody have that.

623
00:24:46,359 --> 00:24:46,600
Speaker 12: Burn?

624
00:24:47,800 --> 00:24:48,000
Speaker 8: Yeah?

625
00:24:49,000 --> 00:24:49,560
Speaker 1: Yours? I do.

626
00:24:49,640 --> 00:24:50,320
Speaker 10: I bought it back.

627
00:24:50,520 --> 00:24:51,600
Speaker 1: Oh yeah, I remember when you did that.

628
00:24:51,680 --> 00:24:54,480
Speaker 10: I bought it back. And so I just I don't know.

629
00:24:54,480 --> 00:24:57,600
Speaker 13: When I hear this song, I smell, you know, Abercrombie

630
00:24:57,640 --> 00:25:02,320
Speaker 13: and fitched fierce. Immediately I go straight back to like

631
00:25:02,600 --> 00:25:04,960
Speaker 13: nineties two thousand's all rock, and I just I don't know.

632
00:25:05,000 --> 00:25:06,960
Speaker 13: I just can envision myself going to pick up Lauren

633
00:25:06,960 --> 00:25:09,679
Speaker 13: in that truck, And I don't know. I love nostalgia,

634
00:25:09,720 --> 00:25:13,560
Speaker 13: Like I'm a sucker for cheesy high school football films

635
00:25:13,600 --> 00:25:16,280
Speaker 13: and you know, things that take me back to younger years,

636
00:25:16,280 --> 00:25:18,600
Speaker 13: and so this kind of checks all those boxes for me.

637
00:25:19,200 --> 00:25:21,520
Speaker 1: When you and Lauren were first dating.

638
00:25:22,119 --> 00:25:23,840
Speaker 2: Because I saw the picture that one of you guys

639
00:25:23,880 --> 00:25:26,200
Speaker 2: had posted recently, it was like at a football game. Maybe

640
00:25:26,200 --> 00:25:28,640
Speaker 2: it's been posted a couple of times. Yeah, sure, did

641
00:25:28,720 --> 00:25:32,119
Speaker 2: you guys say hourdly, we know we're gonna get married.

642
00:25:32,160 --> 00:25:34,439
Speaker 2: We're so in love? Because I'm sure that cycled in

643
00:25:34,480 --> 00:25:37,160
Speaker 2: and out. But was that always the thing?

644
00:25:37,200 --> 00:25:40,600
Speaker 10: With you two for her, no for me? Did you

645
00:25:40,680 --> 00:25:42,720
Speaker 10: say that to her like as a kid, don't? I

646
00:25:42,720 --> 00:25:43,160
Speaker 10: don't think.

647
00:25:43,200 --> 00:25:45,320
Speaker 13: So we dated a little bit when we were like

648
00:25:45,359 --> 00:25:49,159
Speaker 13: sixteen years old, and you know, dated other people for

649
00:25:49,200 --> 00:25:51,000
Speaker 13: a long we didn't really get back together until we

650
00:25:51,000 --> 00:25:52,120
Speaker 13: were like twenty one twenty two.

651
00:25:52,320 --> 00:25:54,480
Speaker 2: When you were dating at sixteen, though, did you feel

652
00:25:54,480 --> 00:25:55,919
Speaker 2: like this is the person I'm gonna marry.

653
00:25:56,600 --> 00:25:58,920
Speaker 10: I mean I probably thought about it, you know.

654
00:25:59,760 --> 00:26:03,240
Speaker 2: Yeah, that just it just feels like, in hindsight, you

655
00:26:03,240 --> 00:26:04,520
Speaker 2: guys have always been together.

656
00:26:04,320 --> 00:26:07,639
Speaker 13: Even I mean we kind of even when we were

657
00:26:07,680 --> 00:26:10,640
Speaker 13: dating other people, we actually still double dated together.

658
00:26:11,080 --> 00:26:14,320
Speaker 1: So like, yeah, you mean you went out like we.

659
00:26:14,280 --> 00:26:15,720
Speaker 10: Always remained really good friends.

660
00:26:15,720 --> 00:26:17,560
Speaker 13: And so if I was dating somebody else and she

661
00:26:17,640 --> 00:26:20,240
Speaker 13: was dating somebody else, we would go to the movie together,

662
00:26:20,440 --> 00:26:22,800
Speaker 13: like go to Sonic together, like you know, do the things.

663
00:26:22,920 --> 00:26:24,679
Speaker 13: We always remained like really close.

664
00:26:24,840 --> 00:26:27,840
Speaker 1: Sounds a bit fish.

665
00:26:28,040 --> 00:26:30,600
Speaker 4: Whatever girl you had with you how to be like,

666
00:26:30,640 --> 00:26:33,320
Speaker 4: oh my gosh, she's totally into the other ground There was.

667
00:26:33,240 --> 00:26:35,639
Speaker 13: There was a long time period where I seriously did

668
00:26:35,680 --> 00:26:37,960
Speaker 13: I completely had blocked it out of my mind. But

669
00:26:38,000 --> 00:26:40,000
Speaker 13: I think like later on, when I turned like you know,

670
00:26:40,359 --> 00:26:43,199
Speaker 13: sophomore junior in college. I was just like, man, you know,

671
00:26:43,640 --> 00:26:45,160
Speaker 13: but I kind of thought she was going to get

672
00:26:45,160 --> 00:26:47,119
Speaker 13: married to somebody else. And we actually see both of

673
00:26:47,160 --> 00:26:51,520
Speaker 13: these people on a regular basis. Like the girl, the

674
00:26:51,520 --> 00:26:54,080
Speaker 13: girl that I dated, I see her at church every

675
00:26:54,080 --> 00:26:57,200
Speaker 13: Sunday and uh. And one of the guys or one

676
00:26:57,200 --> 00:26:59,199
Speaker 13: of the one of the guys that Lauren dated, he

677
00:26:59,240 --> 00:27:01,840
Speaker 13: comes to all of our like Halloween parties, Christmas parties,

678
00:27:01,840 --> 00:27:04,080
Speaker 13: all the stuff. So we see a lot more of

679
00:27:04,119 --> 00:27:06,040
Speaker 13: like the people that Lauren dated than I dated.

680
00:27:06,200 --> 00:27:09,920
Speaker 10: So probably shows to her character. She probably dated better

681
00:27:09,960 --> 00:27:10,560
Speaker 10: people than me.

682
00:27:11,160 --> 00:27:14,920
Speaker 2: You guys have been together even married for a while. Yeah,

683
00:27:14,960 --> 00:27:17,159
Speaker 2: how does she feel when you create something new and

684
00:27:17,200 --> 00:27:19,600
Speaker 2: you bring it home and you're like, check out.

685
00:27:19,440 --> 00:27:20,240
Speaker 1: This song.

686
00:27:21,800 --> 00:27:25,639
Speaker 2: Because it's even for my wife, And I say, my

687
00:27:25,680 --> 00:27:28,080
Speaker 2: wife loves me and supports me in every way. Sure,

688
00:27:28,160 --> 00:27:29,680
Speaker 2: And we were talking about my wife doesn't listen to

689
00:27:29,720 --> 00:27:31,480
Speaker 2: the show. She just does not care. She's like I

690
00:27:31,520 --> 00:27:34,879
Speaker 2: live with the show for sure, So I would say

691
00:27:34,880 --> 00:27:37,520
Speaker 2: I would say it's similar. I think like early on

692
00:27:38,200 --> 00:27:40,280
Speaker 2: she was with me a ton, like before we got married.

693
00:27:40,680 --> 00:27:40,840
Speaker 1: You know.

694
00:27:40,920 --> 00:27:44,280
Speaker 13: Lauren graduated as a nurse from the university of Tennessee,

695
00:27:44,480 --> 00:27:47,360
Speaker 13: and when we were going into marriage counseling, our counselor

696
00:27:47,400 --> 00:27:48,840
Speaker 13: was like, I think y'all just need to like really

697
00:27:48,880 --> 00:27:51,600
Speaker 13: be together your first year of marriage. And so she

698
00:27:51,760 --> 00:27:53,920
Speaker 13: was with me, like with you know, seven other dudes

699
00:27:53,960 --> 00:27:56,600
Speaker 13: on the bus. And back then we were playing like

700
00:27:56,600 --> 00:27:58,960
Speaker 13: two hundred and eighty three hundred and something plus shows.

701
00:27:58,960 --> 00:28:02,080
Speaker 13: So I mean she got a full feel like twenty twelve,

702
00:28:02,080 --> 00:28:03,679
Speaker 13: twenty thirteen on the road.

703
00:28:05,240 --> 00:28:08,320
Speaker 1: But yeah, I used to play her like every.

704
00:28:08,040 --> 00:28:10,800
Speaker 13: Song that I would write, And now I don't even

705
00:28:10,840 --> 00:28:13,000
Speaker 13: really play her demos anymore. I wait till they're finished

706
00:28:13,040 --> 00:28:17,080
Speaker 13: because Lauren gets like severe demo demo ad.

707
00:28:17,160 --> 00:28:17,320
Speaker 2: Yeah.

708
00:28:17,320 --> 00:28:19,120
Speaker 13: I remember when I wrote Die Happy Man. I played

709
00:28:19,119 --> 00:28:21,640
Speaker 13: her the demo and then we went to the studio

710
00:28:21,680 --> 00:28:23,440
Speaker 13: to cut it. She's like, I hate this.

711
00:28:23,480 --> 00:28:25,400
Speaker 10: Version, and I was like, well, I can't.

712
00:28:25,200 --> 00:28:30,639
Speaker 13: Put two am you know bus vocal out on the radio.

713
00:28:30,680 --> 00:28:33,359
Speaker 13: But anyway, I've gotten to the point where I'll finish

714
00:28:33,359 --> 00:28:35,440
Speaker 13: the record now and then I'll play it all four So.

715
00:28:35,680 --> 00:28:38,480
Speaker 2: What about this record sonically musically than people's ears?

716
00:28:38,480 --> 00:28:39,720
Speaker 1: Are they going to feel a bit different?

717
00:28:40,680 --> 00:28:42,760
Speaker 10: Man? I worked with a different producer on this project.

718
00:28:43,400 --> 00:28:44,000
Speaker 10: I don't sure if you.

719
00:28:43,960 --> 00:28:46,520
Speaker 2: Explain what that because again I think we all know

720
00:28:46,560 --> 00:28:48,440
Speaker 2: we're in that world of what a producer even.

721
00:28:48,360 --> 00:28:48,760
Speaker 10: Is for sure?

722
00:28:48,920 --> 00:28:49,280
Speaker 1: What is that?

723
00:28:49,280 --> 00:28:50,120
Speaker 10: That's kind of all over the place.

724
00:28:50,160 --> 00:28:51,480
Speaker 2: Yeah, yeah, what does that mean when you say work

725
00:28:51,480 --> 00:28:53,320
Speaker 2: with a new producer? How does that affect you and

726
00:28:53,400 --> 00:28:54,720
Speaker 2: what you're doing while you're in there.

727
00:28:55,160 --> 00:28:58,120
Speaker 13: I think that different producers use, you know, different sounds,

728
00:28:58,120 --> 00:29:01,960
Speaker 13: They come from different backgrounds, their influencers are different, and

729
00:29:02,000 --> 00:29:04,400
Speaker 13: so on this record, Dan Huff remained a constant on

730
00:29:04,440 --> 00:29:04,920
Speaker 13: this project.

731
00:29:04,960 --> 00:29:06,440
Speaker 10: But my buddy Julian Benetta.

732
00:29:06,560 --> 00:29:08,360
Speaker 13: I don't know if you think you know that Julian,

733
00:29:09,160 --> 00:29:11,880
Speaker 13: but he started, you know, maybe fifteen twenty years ago,

734
00:29:11,920 --> 00:29:14,040
Speaker 13: and his first big project that he worked on was

735
00:29:14,080 --> 00:29:16,760
Speaker 13: like the One Direction albums, and so like grew grew

736
00:29:16,800 --> 00:29:19,280
Speaker 13: up in La, did the whole La thing. And now

737
00:29:19,440 --> 00:29:22,120
Speaker 13: this year he produced my record, produced the Sabrina Carpenter

738
00:29:22,120 --> 00:29:25,800
Speaker 13: record and the Teddy Swims project. And so I feel

739
00:29:25,840 --> 00:29:28,000
Speaker 13: like his ability to kind of shift in between like

740
00:29:28,040 --> 00:29:30,360
Speaker 13: all those different things, while having the wealth of knowledge

741
00:29:30,360 --> 00:29:32,400
Speaker 13: that he has, he kind of just came in and

742
00:29:32,440 --> 00:29:36,840
Speaker 13: like challenged me in a bunch of different ways musically, lyrically, sonically.

743
00:29:36,760 --> 00:29:39,520
Speaker 2: A challenge, like he if you have something that you like,

744
00:29:39,560 --> 00:29:41,320
Speaker 2: and he's like, does he say, I think that can

745
00:29:41,360 --> 00:29:44,120
Speaker 2: be better? Like do you allow someone to challenge you?

746
00:29:44,160 --> 00:29:46,880
Speaker 13: Like, oh, dude, hundred percent. We do this thing called

747
00:29:46,920 --> 00:29:49,000
Speaker 13: the firing squad with each other. So me and him

748
00:29:49,000 --> 00:29:50,360
Speaker 13: and the cold people will sit around. I don't know

749
00:29:50,360 --> 00:29:52,520
Speaker 13: if y'all do this, but you should. We sit around

750
00:29:52,520 --> 00:29:54,880
Speaker 13: and we just pass the you know, the little speaker

751
00:29:54,920 --> 00:29:56,960
Speaker 13: around and we just play songs and we absolutely go

752
00:29:57,200 --> 00:29:59,680
Speaker 13: hard in the paint on what we either like or

753
00:29:59,720 --> 00:30:02,840
Speaker 13: can't stand about the song. So I feel like in

754
00:30:02,880 --> 00:30:05,320
Speaker 13: this right like every single song went through so many

755
00:30:05,400 --> 00:30:07,080
Speaker 13: rounds of like why do you like this? Why do

756
00:30:07,120 --> 00:30:09,240
Speaker 13: you not like this? I love the first verse, I

757
00:30:09,240 --> 00:30:11,240
Speaker 13: hate the second verse. The bridge could be better. So

758
00:30:11,880 --> 00:30:14,080
Speaker 13: I think having the time this go around, because I

759
00:30:14,080 --> 00:30:16,000
Speaker 13: had such a light touring year this year, it allowed

760
00:30:16,040 --> 00:30:18,280
Speaker 13: me to kind of like keep going back over to

761
00:30:18,320 --> 00:30:21,120
Speaker 13: Julian's house in tweaking melody and tweaking verses. And I've

762
00:30:21,120 --> 00:30:23,000
Speaker 13: never done that before. It's kind of always been like, well,

763
00:30:23,080 --> 00:30:25,160
Speaker 13: the song is done, that's what it's going to be.

764
00:30:25,560 --> 00:30:26,920
Speaker 13: A lot of these songs went through a bunch of

765
00:30:26,960 --> 00:30:29,520
Speaker 13: different rounds of just like fixing and tweaking until we

766
00:30:29,600 --> 00:30:30,680
Speaker 13: both felt like it was right.

767
00:30:30,800 --> 00:30:33,760
Speaker 2: So will you ever sing? And somebody like Julian or

768
00:30:33,760 --> 00:30:37,120
Speaker 2: whomeever you trust, is like, do it again? That is

769
00:30:37,160 --> 00:30:39,120
Speaker 2: not it and you're like, no, I feel like that's

770
00:30:39,160 --> 00:30:42,280
Speaker 2: like and they push you and then maybe you hit

771
00:30:42,280 --> 00:30:44,120
Speaker 2: a spot, a new spot, or maybe you have to

772
00:30:44,160 --> 00:30:46,560
Speaker 2: chase the place you don't feel comfortable and does that happen?

773
00:30:46,240 --> 00:30:48,720
Speaker 13: It happened a lot on this project, cause I feel

774
00:30:48,720 --> 00:30:50,200
Speaker 13: like I've really found my voice and I feel like

775
00:30:50,240 --> 00:30:51,000
Speaker 13: I know how I sing.

776
00:30:51,680 --> 00:30:53,080
Speaker 10: But he challenged me in a bunch of.

777
00:30:53,080 --> 00:30:55,400
Speaker 13: Different ways on this record, like on Boots, which is

778
00:30:55,400 --> 00:30:58,000
Speaker 13: like I think track maybe twelve or twelve or thirteen.

779
00:30:59,280 --> 00:31:00,680
Speaker 13: I think I told you this the other night, but

780
00:31:00,680 --> 00:31:02,200
Speaker 13: I sang it like me and he was just like,

781
00:31:02,240 --> 00:31:05,560
Speaker 13: I feel like your vocal is boring. And I was like,

782
00:31:05,560 --> 00:31:06,520
Speaker 13: what do you mean to do? And he was like,

783
00:31:06,520 --> 00:31:09,240
Speaker 13: I just want you to channel Elvis and Dwight Yoakam

784
00:31:09,320 --> 00:31:10,880
Speaker 13: right here, even if we don't use it, I just

785
00:31:10,920 --> 00:31:12,720
Speaker 13: want to hear what it sounds like. And so I

786
00:31:12,760 --> 00:31:15,080
Speaker 13: did it as a joke and then I started living

787
00:31:15,120 --> 00:31:17,880
Speaker 13: with that and all of a sudden, it became so

788
00:31:18,000 --> 00:31:20,880
Speaker 13: much more cooler. It just became cooler to me because

789
00:31:20,880 --> 00:31:22,560
Speaker 13: it was almost like I was playing a character for

790
00:31:22,600 --> 00:31:24,680
Speaker 13: the first time. I want a song like Can't Love

791
00:31:24,720 --> 00:31:27,080
Speaker 13: You Anymore? Like I always sing really full voice, and

792
00:31:27,080 --> 00:31:28,960
Speaker 13: he challenged me to singing kind of like this weird

793
00:31:29,960 --> 00:31:32,760
Speaker 13: not whisper but not yelling kind of voice. And so

794
00:31:32,800 --> 00:31:34,040
Speaker 13: I feel like I felt like on a lot of

795
00:31:34,080 --> 00:31:35,880
Speaker 13: the tracks on this record, he kind of encouraged me

796
00:31:35,880 --> 00:31:38,080
Speaker 13: to kind of sing differently on a lot of different things,

797
00:31:38,080 --> 00:31:40,040
Speaker 13: to kind of just keep making the record interesting as

798
00:31:40,040 --> 00:31:41,640
Speaker 13: you went down down the project.

799
00:31:41,680 --> 00:31:43,120
Speaker 1: So ray I want to hear a love bit of

800
00:31:43,160 --> 00:31:44,480
Speaker 1: Boots that he was talking about.

801
00:31:44,320 --> 00:31:46,600
Speaker 13: Could have easily gone in there and just gone okay

802
00:31:46,760 --> 00:31:49,760
Speaker 13: to talk to the session players. Let's record a nineties

803
00:31:50,320 --> 00:31:52,239
Speaker 13: honky talk down in the song and I'll sing it

804
00:31:52,280 --> 00:31:54,880
Speaker 13: like me. But then you start tweaking and you kind

805
00:31:54,880 --> 00:31:57,080
Speaker 13: of get more into this like rockabilly land, and then

806
00:31:57,160 --> 00:32:00,560
Speaker 13: compaired with like this, you know, kind of like easy top,

807
00:32:00,640 --> 00:32:02,240
Speaker 13: like a hole, you know, like just kind of just

808
00:32:02,280 --> 00:32:04,960
Speaker 13: getting just more into into the song, and and uh,

809
00:32:05,200 --> 00:32:06,840
Speaker 13: it just made it so much more interesting to me.

810
00:32:07,000 --> 00:32:10,160
Speaker 2: So I'm gonna play which is the song that the

811
00:32:10,200 --> 00:32:13,200
Speaker 2: record is kind of named after about a woman. So

812
00:32:13,560 --> 00:32:15,800
Speaker 2: give me a little something here before I go into this,

813
00:32:16,280 --> 00:32:18,400
Speaker 2: Like what's I don't know when I talk about that?

814
00:32:18,440 --> 00:32:20,320
Speaker 1: What do you think? What do you say with a.

815
00:32:20,200 --> 00:32:22,440
Speaker 10: Song something by a woman? Yeah?

816
00:32:22,640 --> 00:32:24,600
Speaker 13: I feel like it is the song maybe I think

817
00:32:24,640 --> 00:32:26,320
Speaker 13: something bout a woman in Boots? Are the ones that

818
00:32:26,400 --> 00:32:31,040
Speaker 13: feel like the most left of center songs on the project. Really,

819
00:32:31,160 --> 00:32:34,120
Speaker 13: I feel like they do. And if you know me,

820
00:32:34,200 --> 00:32:37,080
Speaker 13: like I'm a giant like Rolling Rolling Stones fan, like

821
00:32:37,160 --> 00:32:40,840
Speaker 13: big Steely Dan fan, and and I feel like I

822
00:32:40,880 --> 00:32:44,160
Speaker 13: was trying to channel my inner MiG Jagger on this track.

823
00:32:45,560 --> 00:32:47,000
Speaker 13: We wrote this song at like two o'clock in the

824
00:32:47,000 --> 00:32:49,240
Speaker 13: morning on the road, and once we had finished it,

825
00:32:49,280 --> 00:32:50,760
Speaker 13: I was like, I don't know where this goes, Like

826
00:32:50,800 --> 00:32:52,600
Speaker 13: does it go on this project? Does it come as

827
00:32:52,600 --> 00:32:54,800
Speaker 13: a one off? And the more I listen to it,

828
00:32:54,840 --> 00:32:57,600
Speaker 13: the more it just kind of became my favorite thing.

829
00:32:58,400 --> 00:32:59,720
Speaker 13: It's the one that when I sit down with a

830
00:32:59,720 --> 00:33:01,440
Speaker 13: guitar or it's like the first thing I start playing.

831
00:33:01,480 --> 00:33:03,480
Speaker 2: So we're gonna play it. Now, Here's something about a woman.

832
00:33:04,000 --> 00:33:06,160
Speaker 2: Thomas Ht's here. He's got an album out that's called

833
00:33:06,160 --> 00:33:08,520
Speaker 2: about a woman. It's out today, Go go stream it,

834
00:33:08,600 --> 00:33:10,600
Speaker 2: save it and then stream it later. You can't even

835
00:33:10,640 --> 00:33:12,640
Speaker 2: stream it right now, Save it right now, and then

836
00:33:12,680 --> 00:33:14,680
Speaker 2: stream it later on the.

837
00:33:14,680 --> 00:33:15,600
Speaker 10: Bobby Bones Show.

838
00:33:15,680 --> 00:33:18,600
Speaker 1: Now, Thomas Rhett. When you record an album, do you

839
00:33:18,680 --> 00:33:19,200
Speaker 1: do it all?

840
00:33:19,240 --> 00:33:21,160
Speaker 2: And like you go and you lock yourself in a

841
00:33:21,160 --> 00:33:25,680
Speaker 2: studio for four days? Is it different every time you do?

842
00:33:25,800 --> 00:33:28,760
Speaker 2: Sometimes it take months? Like this record, I don't know.

843
00:33:28,840 --> 00:33:29,840
Speaker 2: Do you record all the track?

844
00:33:29,960 --> 00:33:31,560
Speaker 1: I don't. I don't understand how this works.

845
00:33:31,960 --> 00:33:34,320
Speaker 13: Yeah, this record was obviously was different than any record

846
00:33:34,320 --> 00:33:37,160
Speaker 13: I've ever done. During COVID, I taught myself how to

847
00:33:37,200 --> 00:33:39,800
Speaker 13: like record my vocal at my house, and so I

848
00:33:39,800 --> 00:33:41,880
Speaker 13: feel like when I would used to go record songs,

849
00:33:41,920 --> 00:33:43,920
Speaker 13: it would always be like, Okay, we're gonna block seven

850
00:33:44,000 --> 00:33:45,880
Speaker 13: days to go to your producer's house or to the

851
00:33:45,920 --> 00:33:49,360
Speaker 13: studio into a gajillion takes of a song and whatever.

852
00:33:50,000 --> 00:33:52,720
Speaker 13: But I kind of felt like doing it in my studio,

853
00:33:52,800 --> 00:33:54,520
Speaker 13: like in my basement at home, Like I just feel

854
00:33:54,520 --> 00:33:57,080
Speaker 13: like I could try more without anyone watching, And so

855
00:33:57,120 --> 00:34:00,640
Speaker 13: I would just like literally just compile, compile and compile,

856
00:34:00,680 --> 00:34:02,520
Speaker 13: and then I would shoot it over to Julian and

857
00:34:02,560 --> 00:34:06,720
Speaker 13: he would do all the comping, Like when you sing

858
00:34:06,760 --> 00:34:09,239
Speaker 13: a song like ten times in a row, you kind

859
00:34:09,239 --> 00:34:10,640
Speaker 13: of like go through and you get you kind of

860
00:34:10,640 --> 00:34:12,600
Speaker 13: get to pick the best pieces of the verse or

861
00:34:12,640 --> 00:34:14,800
Speaker 13: get the you know, pick the best pieces of the chorus.

862
00:34:14,840 --> 00:34:17,160
Speaker 13: And so I could never comp my vocal. I would

863
00:34:17,160 --> 00:34:19,640
Speaker 13: I would go absolutely crazy doing that, but there are

864
00:34:19,640 --> 00:34:22,319
Speaker 13: some people that are so good at it. But yeah,

865
00:34:22,320 --> 00:34:24,080
Speaker 13: I mean we would go in and track, you know,

866
00:34:24,280 --> 00:34:25,840
Speaker 13: with a live band, and we would take kind of

867
00:34:25,880 --> 00:34:27,920
Speaker 13: the raw pieces of it and kind of we did

868
00:34:27,960 --> 00:34:31,320
Speaker 13: mostly subtracting, which is interesting because I always feel like

869
00:34:31,360 --> 00:34:33,319
Speaker 13: in my music, I'm I'm one of those people that

870
00:34:33,400 --> 00:34:35,680
Speaker 13: just always likes to add and add and add. You know,

871
00:34:35,680 --> 00:34:37,600
Speaker 13: if there's two part harmony, let's make it four, you

872
00:34:37,680 --> 00:34:39,600
Speaker 13: know what I mean. And I feel like Julian and

873
00:34:39,640 --> 00:34:41,200
Speaker 13: Dan did a good job on this record. It really

874
00:34:41,239 --> 00:34:43,920
Speaker 13: just like subtracting, so kind of just taking the bones

875
00:34:43,960 --> 00:34:45,959
Speaker 13: and just making what needed to be there stay there.

876
00:34:46,040 --> 00:34:47,960
Speaker 13: So I feel like there's on this record there's more

877
00:34:47,960 --> 00:34:50,319
Speaker 13: space than there's ever been on my projects, which kind

878
00:34:50,320 --> 00:34:53,279
Speaker 13: of terrified me in a way because space freaks me out,

879
00:34:53,320 --> 00:34:55,799
Speaker 13: Like even when I'm playing shows. If like we end

880
00:34:55,800 --> 00:34:58,279
Speaker 13: a song and like my drummer has to change his

881
00:34:58,320 --> 00:35:00,279
Speaker 13: snare drum er, we have like guitar changes whatever.

882
00:35:00,280 --> 00:35:01,320
Speaker 10: I start to panic.

883
00:35:01,080 --> 00:35:02,600
Speaker 13: Because I feel like we just need to get into

884
00:35:02,600 --> 00:35:05,840
Speaker 13: the next song as fast as humanly possible. But I've

885
00:35:05,920 --> 00:35:08,280
Speaker 13: kind of learned how to embrace the space on this project.

886
00:35:08,320 --> 00:35:11,160
Speaker 2: So do you ever hear any flaws in your old records?

887
00:35:11,200 --> 00:35:15,040
Speaker 2: That's your fault? I mean yeah, like and you're like,

888
00:35:15,080 --> 00:35:18,640
Speaker 2: oh man, I can't believe that five records ago, Like

889
00:35:18,719 --> 00:35:22,120
Speaker 2: I missed that a little. Do you ever hear that

890
00:35:23,120 --> 00:35:25,160
Speaker 2: or purposely leave a flaw in? Because I can think

891
00:35:25,200 --> 00:35:27,440
Speaker 2: of a couple of famous songs, oh yeah, not even yours,

892
00:35:27,440 --> 00:35:30,920
Speaker 2: like a James Blunt You're beautiful at that beginning part.

893
00:35:31,000 --> 00:35:33,400
Speaker 1: Yeah yeah, uh kolbe kala hey can you count me in?

894
00:35:33,400 --> 00:35:35,480
Speaker 2: There are a lot of those little any of that

895
00:35:35,840 --> 00:35:37,279
Speaker 2: on your records where they either left it.

896
00:35:37,719 --> 00:35:40,640
Speaker 13: I've always I've always really loved flaw on albums, like

897
00:35:40,719 --> 00:35:43,440
Speaker 13: I think probably my favorite reference would be like one

898
00:35:43,440 --> 00:35:45,840
Speaker 13: of the first couple Led Zeppelin albums, like John Bonham

899
00:35:46,040 --> 00:35:47,680
Speaker 13: is the reason I ever wanted to play drums, and

900
00:35:47,680 --> 00:35:49,279
Speaker 13: so like when you listen to those records, you can

901
00:35:49,360 --> 00:35:52,319
Speaker 13: hear his like kick drum pedal squeaking, you know, in

902
00:35:52,320 --> 00:35:54,439
Speaker 13: the microphone or whatever, and today you would you would

903
00:35:54,480 --> 00:35:56,440
Speaker 13: be able to just like take that out. But I

904
00:35:56,440 --> 00:35:59,319
Speaker 13: think I think flaw is what makes you human, you

905
00:35:59,360 --> 00:36:01,680
Speaker 13: know what I'm saying. And so there's definitely sometimes when

906
00:36:01,680 --> 00:36:04,280
Speaker 13: I listen down to a vocal or like my voice

907
00:36:04,280 --> 00:36:05,600
Speaker 13: cracked or my voice broke, but it.

908
00:36:05,520 --> 00:36:07,200
Speaker 2: I got a record though, that made it, and you

909
00:36:07,200 --> 00:36:09,960
Speaker 2: didn't catch it until it's like fully produced.

910
00:36:09,520 --> 00:36:11,239
Speaker 13: No, because I listened to these songs way too many

911
00:36:11,239 --> 00:36:14,520
Speaker 13: times not to catch that stuff. But I think I

912
00:36:14,880 --> 00:36:16,880
Speaker 13: definitely look back at records and I go, man, that

913
00:36:16,920 --> 00:36:20,040
Speaker 13: record could have done without five or six of those songs.

914
00:36:20,040 --> 00:36:20,560
Speaker 10: You know what I mean?

915
00:36:21,600 --> 00:36:23,160
Speaker 13: Because I do think we kind of live in an

916
00:36:23,200 --> 00:36:25,840
Speaker 13: age where it's like more is better all the time,

917
00:36:26,040 --> 00:36:30,920
Speaker 13: content music, whatever, and so like on this record, like

918
00:36:30,960 --> 00:36:33,239
Speaker 13: even just putting fourteen songs on this project freaked me

919
00:36:33,239 --> 00:36:35,680
Speaker 13: out because I was like, everybody is putting a gajillion

920
00:36:35,760 --> 00:36:38,520
Speaker 13: songs on their project and they're releasing like three projects

921
00:36:38,560 --> 00:36:41,880
Speaker 13: a year. But yeah, I definitely look back at my

922
00:36:42,480 --> 00:36:44,400
Speaker 13: older records and I'm like, man, those could have easily

923
00:36:44,480 --> 00:36:46,360
Speaker 13: been eleven songs and not eighteen.

924
00:36:46,880 --> 00:36:49,680
Speaker 1: There's song I think of. Were you a Nirvana fan ever?

925
00:36:50,360 --> 00:36:51,800
Speaker 10: Yes, but not miss you.

926
00:36:51,840 --> 00:36:51,960
Speaker 2: No.

927
00:36:52,160 --> 00:36:54,000
Speaker 10: I was a Nirvana fan, but probably not as big

928
00:36:54,000 --> 00:36:54,440
Speaker 10: as you were.

929
00:36:54,520 --> 00:36:56,520
Speaker 1: Yeah, it's big. I'm obviously a little older too.

930
00:36:56,520 --> 00:36:58,840
Speaker 2: But there's a song Pollie where it's like Polly says

931
00:36:58,840 --> 00:37:02,040
Speaker 2: her back hurts, but he jumps in. He should have

932
00:37:02,040 --> 00:37:04,279
Speaker 2: waited four and he jumped in it two. And I

933
00:37:04,400 --> 00:37:07,040
Speaker 2: listened to the producer who was in Garbage, who is

934
00:37:07,120 --> 00:37:09,880
Speaker 2: very famous producer, and he was talking about how he

935
00:37:09,960 --> 00:37:11,640
Speaker 2: just jumped in early and they left it in like

936
00:37:11,719 --> 00:37:16,040
Speaker 2: I love sure those instances of it just seems normal now. Yeah,

937
00:37:16,040 --> 00:37:18,280
Speaker 2: for sure, hear these famous songs, but they left like, well.

938
00:37:18,120 --> 00:37:19,600
Speaker 13: Those are the things, those are the things that you

939
00:37:19,600 --> 00:37:21,920
Speaker 13: can't wait to, like scream at a concert, you know

940
00:37:21,960 --> 00:37:24,840
Speaker 13: what I'm saying. Yeah, like a hidden tracks used to

941
00:37:24,880 --> 00:37:27,120
Speaker 13: be a rad thing. It was like, I don't I

942
00:37:27,120 --> 00:37:29,600
Speaker 13: don't know that that our generation has the capacity to

943
00:37:29,640 --> 00:37:32,400
Speaker 13: wait sixty seconds after the last song is over.

944
00:37:32,440 --> 00:37:34,719
Speaker 2: And we would see now how long a song is

945
00:37:34,760 --> 00:37:36,520
Speaker 2: and it would end a three and be like, why

946
00:37:36,560 --> 00:37:38,719
Speaker 2: is this track seven minutes? Because I remember like hard

947
00:37:38,719 --> 00:37:40,919
Speaker 2: Candy from County Crows on the last I would hold

948
00:37:40,920 --> 00:37:45,239
Speaker 2: down this fast forwards on the CD, right, yeah, and

949
00:37:45,280 --> 00:37:48,440
Speaker 2: then they would hear oh no said and it was

950
00:37:48,520 --> 00:37:50,920
Speaker 2: Joni Mitchell and it ended up later being them with

951
00:37:50,960 --> 00:37:51,800
Speaker 2: the Vanessa Carlton.

952
00:37:51,880 --> 00:37:54,320
Speaker 1: Yeah, paved Parod. I used to put up that was

953
00:37:54,360 --> 00:37:55,920
Speaker 1: the hidden track, and I was like, this is the

954
00:37:55,920 --> 00:37:56,880
Speaker 1: coolest thing ever.

955
00:37:57,080 --> 00:37:57,239
Speaker 13: I know.

956
00:37:57,360 --> 00:37:59,359
Speaker 2: Yeah, hidden tracks were so legit, we need to bring

957
00:37:59,440 --> 00:38:02,520
Speaker 2: them back. What about like backward masking? You ever hear

958
00:38:02,520 --> 00:38:05,359
Speaker 2: about that where you play the song backwards and people

959
00:38:05,400 --> 00:38:08,720
Speaker 2: would be like, you'd hear this, you'd hear and people

960
00:38:08,760 --> 00:38:11,640
Speaker 2: be like, I swear he just said, the Devil's wearing jeans.

961
00:38:12,600 --> 00:38:13,560
Speaker 1: The Devil's wearing jeens.

962
00:38:15,040 --> 00:38:18,480
Speaker 2: Yeah, what do you listen to? Whenever not new, I'm

963
00:38:18,480 --> 00:38:20,759
Speaker 2: gonna put you there. But when it's you just are

964
00:38:20,800 --> 00:38:23,560
Speaker 2: going to like relax. If you're like grill out in

965
00:38:23,600 --> 00:38:25,799
Speaker 2: the back and you got to put something on that

966
00:38:25,920 --> 00:38:27,600
Speaker 2: you love, but you don't have to spend a lot

967
00:38:27,680 --> 00:38:30,040
Speaker 2: of attention to like what is your what's your songs?

968
00:38:30,040 --> 00:38:31,319
Speaker 1: What's your music? Man?

969
00:38:31,360 --> 00:38:32,560
Speaker 10: I'm kind of an old soul.

970
00:38:32,680 --> 00:38:35,000
Speaker 13: I feel like when we're like cooking at the house

971
00:38:35,080 --> 00:38:38,440
Speaker 13: or whatever, I'm a I just put on Frank Sinatra radio.

972
00:38:39,880 --> 00:38:41,960
Speaker 13: There's something about the fifties. I don't know what it is,

973
00:38:42,000 --> 00:38:44,479
Speaker 13: but it it puts me in a very joyous mood.

974
00:38:45,160 --> 00:38:48,800
Speaker 13: So fifties music, I think, or yacht rock.

975
00:38:49,120 --> 00:38:52,719
Speaker 2: Yeah, yeah, right, yeah, when the big ballads come on

976
00:38:52,800 --> 00:38:54,800
Speaker 2: yacht rock, that's pretty fun stuff, pretty awesome.

977
00:38:55,280 --> 00:38:56,160
Speaker 1: Do you guys go to Africa?

978
00:38:56,440 --> 00:38:57,800
Speaker 10: We did. We were there for three weeks.

979
00:38:57,840 --> 00:38:58,680
Speaker 1: How long is that flight?

980
00:39:00,000 --> 00:39:00,439
Speaker 10: Which one?

981
00:39:01,360 --> 00:39:04,160
Speaker 13: I mean my family went over to London to try

982
00:39:04,160 --> 00:39:06,160
Speaker 13: to adapt at the time with all my kids and

983
00:39:06,200 --> 00:39:09,960
Speaker 13: I flew from Denver to London, London to Dubai, Dubai

984
00:39:10,000 --> 00:39:13,680
Speaker 13: down to Uganda and so all in all, it's it's

985
00:39:13,680 --> 00:39:15,799
Speaker 13: about a thirty six hour travel day.

986
00:39:16,040 --> 00:39:16,680
Speaker 10: Yeah wow.

987
00:39:16,800 --> 00:39:19,279
Speaker 13: And coming back Dubai to Washington, d C. Is a

988
00:39:19,280 --> 00:39:22,600
Speaker 13: fifteen hour straight flight. And we did that with four kids.

989
00:39:22,880 --> 00:39:24,920
Speaker 1: And what do you do while you're there for three weeks?

990
00:39:25,040 --> 00:39:26,000
Speaker 1: Was it your daughter's first time?

991
00:39:26,080 --> 00:39:28,080
Speaker 10: D Yeah, it was. We kind of did half and

992
00:39:28,080 --> 00:39:28,319
Speaker 10: a half.

993
00:39:28,360 --> 00:39:30,280
Speaker 13: So my wife is on the board of this organization

994
00:39:30,360 --> 00:39:33,480
Speaker 13: called Love One International, and for the last like five

995
00:39:33,560 --> 00:39:35,400
Speaker 13: or six years they've been raising money to build this

996
00:39:35,480 --> 00:39:38,800
Speaker 13: center in this little town about five hours north of Kampala,

997
00:39:38,840 --> 00:39:40,880
Speaker 13: which is the capital. So we went over there for

998
00:39:40,920 --> 00:39:44,839
Speaker 13: the grand opening of that and it was amazing. But yeah,

999
00:39:45,080 --> 00:39:48,040
Speaker 13: watching wille Gray go back to Uganda for the first time.

1000
00:39:48,320 --> 00:39:50,680
Speaker 13: It's been eight years now, it was one of the

1001
00:39:50,680 --> 00:39:52,920
Speaker 13: most special moments as a dad that I've ever experienced.

1002
00:39:53,520 --> 00:39:57,680
Speaker 2: When you wrote Mamma's House, because you wrote that with Morgan. Yeah,

1003
00:39:58,400 --> 00:40:01,239
Speaker 2: how did that come up as a topic? Did someone

1004
00:40:01,280 --> 00:40:03,560
Speaker 2: come in to go, let's write about a mamma or

1005
00:40:03,600 --> 00:40:05,840
Speaker 2: did that organically just come about in conversation.

1006
00:40:06,480 --> 00:40:07,960
Speaker 13: That was the first time I ever wrote with Morgan.

1007
00:40:08,000 --> 00:40:09,840
Speaker 13: It was on Zoom during COVID. It was me and

1008
00:40:09,960 --> 00:40:12,920
Speaker 13: him and Josh Thompson and a guy named Matt Dragson,

1009
00:40:12,960 --> 00:40:14,520
Speaker 13: and we actually had written another song. I don't even

1010
00:40:14,520 --> 00:40:16,880
Speaker 13: remember what it was called, but I remember almost getting

1011
00:40:16,920 --> 00:40:18,680
Speaker 13: off the zoom thinking like we just wrote the worst

1012
00:40:18,719 --> 00:40:21,520
Speaker 13: song ever. And Morgan randomly gets a phone call from

1013
00:40:21,520 --> 00:40:23,920
Speaker 13: his grandmama and you can hear it in the very

1014
00:40:23,960 --> 00:40:25,840
Speaker 13: beginning of the track, like that was like live audio

1015
00:40:25,880 --> 00:40:28,319
Speaker 13: from that session. And he got back and I was like, man,

1016
00:40:28,320 --> 00:40:30,040
Speaker 13: I didn't know you had a mamma that was from

1017
00:40:30,080 --> 00:40:32,040
Speaker 13: East Tennessee because I've got a mama from me Tennessee,

1018
00:40:32,040 --> 00:40:33,400
Speaker 13: and we started talking about the way that we were

1019
00:40:33,480 --> 00:40:35,680
Speaker 13: raised and all this kind of stuff, and so we

1020
00:40:35,680 --> 00:40:37,480
Speaker 13: were just like, let's write a song about our grandparents,

1021
00:40:37,560 --> 00:40:39,799
Speaker 13: kind of honestly thinking this is never going to see

1022
00:40:39,800 --> 00:40:42,480
Speaker 13: the light of day. And it didn't for like four years,

1023
00:40:42,520 --> 00:40:45,080
Speaker 13: and then yeah, it came out and turns out a

1024
00:40:45,080 --> 00:40:47,479
Speaker 13: lot of people love singing about the grandmamas, So.

1025
00:40:47,480 --> 00:40:48,600
Speaker 1: I would say that's accurate.

1026
00:40:48,719 --> 00:40:50,920
Speaker 2: I think I liked the song too, even if they

1027
00:40:50,920 --> 00:40:52,560
Speaker 2: don't like their grammarship Ryeah.

1028
00:40:52,760 --> 00:40:53,120
Speaker 10: Yeah.

1029
00:40:53,239 --> 00:40:55,319
Speaker 1: You ever write a song that's you feel like it's

1030
00:40:55,400 --> 00:40:59,560
Speaker 1: really good and it just doesn't make sense for you,

1031
00:40:59,680 --> 00:41:02,239
Speaker 1: not even timing wise, but it's just like, man, I

1032
00:41:02,280 --> 00:41:04,520
Speaker 1: love this song and it's super catchy and says, but

1033
00:41:04,800 --> 00:41:06,160
Speaker 1: I don't make sense singing it.

1034
00:41:06,360 --> 00:41:11,200
Speaker 10: Sure, it happens a lot. Actually, what's one of those? Nothing?

1035
00:41:11,560 --> 00:41:14,960
Speaker 13: Probably nothing recently, But I just had to hit with

1036
00:41:15,040 --> 00:41:17,960
Speaker 13: Dustin Lynch want a song called Stars Like Confetti that

1037
00:41:18,040 --> 00:41:20,160
Speaker 13: I wrote and I loved, but it didn't make sense

1038
00:41:20,200 --> 00:41:21,920
Speaker 13: for my project. And I don't even have a reason

1039
00:41:21,960 --> 00:41:23,880
Speaker 13: for that, but I think like listening down and then

1040
00:41:23,920 --> 00:41:25,839
Speaker 13: putting that song in the mix, it didn't make sense.

1041
00:41:26,719 --> 00:41:29,760
Speaker 1: I like when it goes stars like confetti.

1042
00:41:29,520 --> 00:41:32,200
Speaker 10: Uh huh yeah, that little ear candy.

1043
00:41:32,360 --> 00:41:35,120
Speaker 2: Yeah, So tell me about that specifically because I like

1044
00:41:35,200 --> 00:41:39,480
Speaker 2: that because it definitely hits way different, and there's a

1045
00:41:39,600 --> 00:41:41,400
Speaker 2: chance that when it hits different, it's going to hit

1046
00:41:41,440 --> 00:41:43,360
Speaker 2: Oh that's super catchy or that's super corny. Yeah, the

1047
00:41:43,480 --> 00:41:46,440
Speaker 2: shine line, I love that. That's what comes by. What

1048
00:41:46,680 --> 00:41:47,080
Speaker 2: are you saying?

1049
00:41:47,120 --> 00:41:47,920
Speaker 1: What's he saying? Exactly?

1050
00:41:48,200 --> 00:41:48,399
Speaker 8: Yeah?

1051
00:41:48,600 --> 00:41:51,839
Speaker 10: I think you just ah yah, did you.

1052
00:41:52,000 --> 00:41:54,840
Speaker 1: Write that in the initial chorus?

1053
00:41:56,440 --> 00:41:58,120
Speaker 10: And I've got the demo, I'll play, I'll send, I'll

1054
00:41:58,120 --> 00:41:58,560
Speaker 10: send it to you.

1055
00:41:58,600 --> 00:42:00,520
Speaker 1: And then did you think should we leave the II

1056
00:42:00,560 --> 00:42:02,800
Speaker 1: in or did you know immediately.

1057
00:42:02,360 --> 00:42:04,640
Speaker 13: You felt like yeah, I think we just wrote it

1058
00:42:04,719 --> 00:42:07,839
Speaker 13: and and I don't know, like six eight months went

1059
00:42:07,880 --> 00:42:09,640
Speaker 13: by and like nothing was happening with it, and so

1060
00:42:09,719 --> 00:42:12,560
Speaker 13: I think my buddy Josh Thompson the Senate to Dustin

1061
00:42:12,680 --> 00:42:13,880
Speaker 13: and he text me and said, are you gonna do

1062
00:42:13,880 --> 00:42:15,239
Speaker 13: anything with this? And I said I don't think so,

1063
00:42:16,440 --> 00:42:18,320
Speaker 13: and he and you never know when we will record

1064
00:42:18,360 --> 00:42:20,120
Speaker 13: your songs, that they're just going to be like random

1065
00:42:20,160 --> 00:42:22,080
Speaker 13: track number ten on an album if they're actually have

1066
00:42:22,080 --> 00:42:24,120
Speaker 13: a chance at making it as a single, but I

1067
00:42:24,120 --> 00:42:26,320
Speaker 13: think that song was kind of starting to pop organically.

1068
00:42:27,239 --> 00:42:29,080
Speaker 13: And yeah, dust I mean Dustin pretty much sang it

1069
00:42:29,360 --> 00:42:30,280
Speaker 13: how we did it in the demo.

1070
00:42:30,680 --> 00:42:32,920
Speaker 2: So I love Surprise, I love it and I just

1071
00:42:33,000 --> 00:42:35,720
Speaker 2: love the Yeah, like that is such.

1072
00:42:35,760 --> 00:42:39,200
Speaker 13: Well, it's like ooze and oz and like it's just

1073
00:42:39,200 --> 00:42:41,880
Speaker 13: something for people to latch onto, you know what I mean. Like,

1074
00:42:41,920 --> 00:42:43,480
Speaker 13: even if you don't know any of the other words

1075
00:42:43,480 --> 00:42:45,440
Speaker 13: in the show, you can go ah.

1076
00:42:45,520 --> 00:42:47,400
Speaker 2: You know, do you think if someone walked in with

1077
00:42:47,440 --> 00:42:49,279
Speaker 2: a shotgun right now and said Tom's raett, I need

1078
00:42:49,280 --> 00:42:50,840
Speaker 2: you to go in this room and I need you

1079
00:42:50,880 --> 00:42:52,640
Speaker 2: to write a song, and it has to be a hit,

1080
00:42:52,680 --> 00:42:54,839
Speaker 2: and it could be as as simple as possible, and

1081
00:42:54,880 --> 00:42:57,919
Speaker 2: you have thirty minutes, you could write a hit song.

1082
00:42:58,280 --> 00:43:00,000
Speaker 1: You can at all the claps and oohs and awe

1083
00:43:00,480 --> 00:43:03,560
Speaker 1: and kid choir anything you want. That is no. Do

1084
00:43:03,600 --> 00:43:05,680
Speaker 1: you think you could write a song in thirty minutes?

1085
00:43:05,680 --> 00:43:06,239
Speaker 10: It would be a hit?

1086
00:43:08,280 --> 00:43:10,240
Speaker 3: Maybe go to be a shotgun?

1087
00:43:10,320 --> 00:43:10,440
Speaker 13: YEA.

1088
00:43:10,520 --> 00:43:11,759
Speaker 2: Well, because we got to make him want to do

1089
00:43:11,800 --> 00:43:14,799
Speaker 2: it otherwise, he's like because he Thomas invests a lot

1090
00:43:14,840 --> 00:43:16,920
Speaker 2: of himself into his art and wants to say things

1091
00:43:16,960 --> 00:43:18,719
Speaker 2: are important to him. But I'm not asking to do that.

1092
00:43:18,920 --> 00:43:21,680
Speaker 2: I'm saying, you just got to write a goofy radio hit.

1093
00:43:22,200 --> 00:43:23,640
Speaker 2: Do you think in thirty minutes you could do one?

1094
00:43:23,719 --> 00:43:24,239
Speaker 10: Let me it could.

1095
00:43:24,320 --> 00:43:27,239
Speaker 2: Yeah, that's awesome, get a gun bringing it.

1096
00:43:29,560 --> 00:43:33,640
Speaker 1: About a woman. It is out today, fourteen.

1097
00:43:33,239 --> 00:43:35,080
Speaker 10: Tracks, yeah, fourteen way.

1098
00:43:35,120 --> 00:43:41,280
Speaker 1: What's the deal you and Lauren? The UT and Georgia versions?

1099
00:43:41,760 --> 00:43:42,560
Speaker 5: What are you what?

1100
00:43:42,600 --> 00:43:44,400
Speaker 1: It's even happening here where you guys are going against

1101
00:43:44,400 --> 00:43:44,759
Speaker 1: each other.

1102
00:43:45,440 --> 00:43:47,920
Speaker 13: So that rivalry in our house has just been like

1103
00:43:48,120 --> 00:43:50,920
Speaker 13: such a joke for a long time. And like, you know,

1104
00:43:51,000 --> 00:43:52,560
Speaker 13: me and my dad are like the only two Georgia

1105
00:43:52,560 --> 00:43:55,520
Speaker 13: Bulldog fans that that I'm like, I spend a lot

1106
00:43:55,560 --> 00:43:59,080
Speaker 13: of time with, and so we go to a lot

1107
00:43:59,120 --> 00:44:01,200
Speaker 13: of UT games, and there's just not a whole bunch

1108
00:44:01,239 --> 00:44:03,719
Speaker 13: of love for the Georgia Bulldogs around my family. And

1109
00:44:03,760 --> 00:44:06,440
Speaker 13: so somebody on my team had the idea of making

1110
00:44:06,440 --> 00:44:11,319
Speaker 13: these two different vinyls. To see, so one has like

1111
00:44:11,360 --> 00:44:13,520
Speaker 13: the orange and white checkerboard on the hood and the

1112
00:44:13,520 --> 00:44:15,760
Speaker 13: other has like the red and black light Georgius stripe

1113
00:44:15,760 --> 00:44:18,400
Speaker 13: on the hood, And we just kind of wanted to

1114
00:44:18,400 --> 00:44:20,040
Speaker 13: make a competition out of that to kind of see

1115
00:44:20,040 --> 00:44:23,279
Speaker 13: who had more loyalty from my fan base, and so

1116
00:44:23,960 --> 00:44:27,640
Speaker 13: she's beating me by like thirty five percent currently, which

1117
00:44:27,680 --> 00:44:28,440
Speaker 13: is not shocking.

1118
00:44:28,719 --> 00:44:32,239
Speaker 2: So about a woman is out today. One other thing,

1119
00:44:33,239 --> 00:44:34,440
Speaker 2: you look really like healthy?

1120
00:44:34,680 --> 00:44:35,040
Speaker 10: Thanks?

1121
00:44:35,400 --> 00:44:36,879
Speaker 1: Yeah? Anything? What are you doing new?

1122
00:44:37,280 --> 00:44:40,520
Speaker 13: I think I'm just like playing shows again. I've lost

1123
00:44:40,760 --> 00:44:42,680
Speaker 13: I've lost like twelve pounds over the summer, and I

1124
00:44:42,680 --> 00:44:45,719
Speaker 13: don't know if it's from jumping around in July and August.

1125
00:44:45,520 --> 00:44:46,160
Speaker 10: Heat or whatever.

1126
00:44:46,239 --> 00:44:46,960
Speaker 1: But yeah, you look good.

1127
00:44:46,960 --> 00:44:48,200
Speaker 10: I can't fit into most of my pants.

1128
00:44:48,239 --> 00:44:50,680
Speaker 3: Well you can't say that with such emphasis of good.

1129
00:44:51,120 --> 00:44:52,560
Speaker 3: I know you look good. But when it's like you

1130
00:44:52,600 --> 00:44:53,320
Speaker 3: look good.

1131
00:44:53,120 --> 00:44:56,360
Speaker 1: Like his hair is like popping, it's like a good color.

1132
00:44:56,440 --> 00:44:58,840
Speaker 1: It's like it's crazy.

1133
00:44:58,600 --> 00:45:01,360
Speaker 10: Liu as salt and pepper happening, awesome, embracing it.

1134
00:45:01,400 --> 00:45:03,319
Speaker 2: New albums out. Good to see your buddy. Like wise, man,

1135
00:45:03,360 --> 00:45:07,839
Speaker 2: that's always roof for everything you do. A hey, what

1136
00:45:07,880 --> 00:45:11,640
Speaker 2: if someone said final thing? What if someone said, Thom's

1137
00:45:11,640 --> 00:45:15,040
Speaker 2: Rett your producer, and you know you said they wanted

1138
00:45:15,040 --> 00:45:18,160
Speaker 2: you to like little Channel, little Dwight yoak a little maybe,

1139
00:45:18,160 --> 00:45:20,360
Speaker 2: oh I's fast as you know whatever that is, and

1140
00:45:20,360 --> 00:45:22,640
Speaker 2: they were like, we need you to channel Mickey Mouse

1141
00:45:23,480 --> 00:45:25,799
Speaker 2: and and just just lay down a little bit of

1142
00:45:27,160 --> 00:45:27,600
Speaker 2: half of me.

1143
00:45:27,800 --> 00:45:29,080
Speaker 1: Why need you do like Mickey Mouse?

1144
00:45:30,320 --> 00:45:31,399
Speaker 10: Ok, I could not do that.

1145
00:45:31,600 --> 00:45:37,480
Speaker 1: Well, no, I'm your producer for me.

1146
00:45:37,760 --> 00:45:39,759
Speaker 2: I kind of have to at least agree. Yeah, we

1147
00:45:39,800 --> 00:45:41,960
Speaker 2: never worked together. Then we never work you'd be out

1148
00:45:42,280 --> 00:45:45,759
Speaker 2: Bobby's record. See you didn't come to the challenge. And

1149
00:45:45,760 --> 00:45:47,680
Speaker 2: now I'm gonna go back to the Wiggles, which is

1150
00:45:47,680 --> 00:45:50,400
Speaker 2: what I've been known before. Yes, Thomas read the new

1151
00:45:50,400 --> 00:45:52,080
Speaker 2: record about a woman. Thomas, good to see a buddy.

1152
00:45:52,160 --> 00:45:53,040
Speaker 10: Like Wise, thank you, man.

1153
00:45:55,120 --> 00:45:58,120
Speaker 1: Ezy Trivia. Eddie's the new champion. He's wearing the t.

1154
00:45:58,280 --> 00:45:59,200
Speaker 5: R on his bald head.

1155
00:45:59,320 --> 00:46:01,759
Speaker 1: Champ is here. Does it hurt yes that I'm here

1156
00:46:01,800 --> 00:46:04,120
Speaker 1: in my head anymore? So it hurts? First?

1157
00:46:04,200 --> 00:46:07,640
Speaker 2: Category famous fast food items.

1158
00:46:07,880 --> 00:46:10,560
Speaker 1: No one should miss this? Yes, yes, yes, Eddie is

1159
00:46:10,640 --> 00:46:13,680
Speaker 1: the champion. Go first. What famous food chain is known

1160
00:46:13,719 --> 00:46:17,879
Speaker 1: for its big mac? That's McDonald's, correct, Morgan. What fast

1161
00:46:17,880 --> 00:46:19,360
Speaker 1: food restaurant serves a whopper?

1162
00:46:20,120 --> 00:46:22,480
Speaker 3: Oh, that is Burger King correct?

1163
00:46:23,400 --> 00:46:23,720
Speaker 1: Amy.

1164
00:46:23,760 --> 00:46:28,479
Speaker 2: The frosty is from Wendy's. Correct lunchbox. Let's finger licking good?

1165
00:46:29,040 --> 00:46:33,200
Speaker 2: KFC good. When you miss, if you miss, you will

1166
00:46:33,239 --> 00:46:33,800
Speaker 2: be boned.

1167
00:46:34,239 --> 00:46:38,160
Speaker 1: You've been booed, and you'll be out. Eddie's a champ

1168
00:46:38,239 --> 00:46:41,600
Speaker 1: seven total wins. Dang, I'm like Tom Brady of Easy Trivia.

1169
00:46:41,400 --> 00:46:44,080
Speaker 2: Amy four Lunchbox two. Morgan has never won a championship.

1170
00:46:44,239 --> 00:46:47,440
Speaker 1: So past your due. You're the Browns. I know who's

1171
00:46:47,520 --> 00:46:48,879
Speaker 1: not want who is that?

1172
00:46:49,200 --> 00:46:50,799
Speaker 2: You could be a lot of teams Texans never want

1173
00:46:50,840 --> 00:46:53,279
Speaker 2: a championship, Lions and never want a champions.

1174
00:46:53,200 --> 00:46:54,680
Speaker 1: The lines are good because they've been around for a while.

1175
00:46:54,719 --> 00:46:55,000
Speaker 5: All right?

1176
00:46:55,040 --> 00:46:59,160
Speaker 1: Famous US landmarks? Ready Ready?

1177
00:46:59,400 --> 00:47:02,640
Speaker 2: Which land ark is a giant statue located on Liberty

1178
00:47:02,640 --> 00:47:06,359
Speaker 2: Island and New York Harbor. Which landmark is a giant

1179
00:47:06,400 --> 00:47:08,279
Speaker 2: statue located on Liberty Island.

1180
00:47:08,080 --> 00:47:11,920
Speaker 1: In New York Harbor? Step to of Liberty Morgan? Which

1181
00:47:11,960 --> 00:47:15,040
Speaker 1: US landmark is famous for? A suspension bridge in San Francisco.

1182
00:47:17,080 --> 00:47:21,160
Speaker 12: Oh, I just know that it's in the San Francisco

1183
00:47:21,640 --> 00:47:25,439
Speaker 12: the it's bright red, I can see it.

1184
00:47:26,800 --> 00:47:27,120
Speaker 7: Shoot.

1185
00:47:27,160 --> 00:47:29,799
Speaker 3: What is the name? This is probably where I've never

1186
00:47:29,800 --> 00:47:30,400
Speaker 3: want a champion?

1187
00:47:30,480 --> 00:47:35,680
Speaker 2: Jim Well uslandmark famous suspension bridge in San Francisco.

1188
00:47:35,840 --> 00:47:38,120
Speaker 12: I'm gonna be so mad when I hear this out loud.

1189
00:47:38,320 --> 00:47:39,320
Speaker 3: What the freak is?

1190
00:47:39,360 --> 00:47:42,000
Speaker 1: It called why it's just like not listen, guys, my

1191
00:47:42,040 --> 00:47:44,040
Speaker 1: brain's alfunctioning on just the.

1192
00:47:44,000 --> 00:47:52,040
Speaker 2: London Bridge, the lunch Bridge, London Bridge, Francisco, Arizona.

1193
00:47:52,880 --> 00:47:54,000
Speaker 3: I know, I'm so mad?

1194
00:47:54,440 --> 00:47:54,960
Speaker 1: What is it?

1195
00:47:55,800 --> 00:47:56,880
Speaker 3: Golden Gate Bridge?

1196
00:47:59,680 --> 00:47:59,960
Speaker 1: Amy?

1197
00:48:00,160 --> 00:48:02,920
Speaker 2: Which landmark is a large sculpture of four US presidents

1198
00:48:02,920 --> 00:48:04,560
Speaker 2: carved into a mountain in South.

1199
00:48:04,400 --> 00:48:07,680
Speaker 1: Dakota Mount Rushmark? Good, lunchbox?

1200
00:48:07,719 --> 00:48:11,120
Speaker 2: We famous landmark in DC is the residence of the

1201
00:48:11,200 --> 00:48:12,760
Speaker 2: US President White House?

1202
00:48:12,800 --> 00:48:13,240
Speaker 1: Correct?

1203
00:48:13,680 --> 00:48:15,120
Speaker 5: Or are there any mark monuments?

1204
00:48:15,280 --> 00:48:16,399
Speaker 1: Three remain.

1205
00:48:18,080 --> 00:48:22,960
Speaker 2: Famous lead singers Eddie who's the lead singer of You two?

1206
00:48:23,480 --> 00:48:28,640
Speaker 2: Bono Good? Amy, who is the lead singer of Queen.

1207
00:48:30,640 --> 00:48:31,400
Speaker 3: Freddy Mercury?

1208
00:48:31,520 --> 00:48:35,000
Speaker 1: Correct Lunchbox who is the lead singer of the Rolling Stones?

1209
00:48:35,800 --> 00:48:37,000
Speaker 1: Mick Jagger? Correct?

1210
00:48:37,520 --> 00:48:44,160
Speaker 2: What up next? Category Famous toys? What doll Eddie was

1211
00:48:44,160 --> 00:48:46,920
Speaker 2: introduced by Mattel in nineteen fifty nine and became an

1212
00:48:47,120 --> 00:48:48,399
Speaker 2: iconic fashion doll.

1213
00:48:48,800 --> 00:48:51,520
Speaker 1: Oh It's gotta be Barbie correct? Amy?

1214
00:48:51,600 --> 00:48:56,120
Speaker 2: Which classic toy consists of a spring that walks downstairs?

1215
00:48:56,280 --> 00:48:56,680
Speaker 3: Slinky?

1216
00:48:56,840 --> 00:48:59,160
Speaker 1: Correct? Lunchbox? What Toy?

1217
00:48:59,520 --> 00:49:03,640
Speaker 2: Car brand, launched by Mattel in nineteen sixty eight, features

1218
00:49:03,840 --> 00:49:08,520
Speaker 2: die cast minner as your Cars, hot Wheels, correct, next

1219
00:49:08,640 --> 00:49:13,000
Speaker 2: category third grade science. Oh great, Eddie, what gas do

1220
00:49:13,040 --> 00:49:15,520
Speaker 2: we breathe in for our survival?

1221
00:49:16,040 --> 00:49:17,080
Speaker 1: Oxygen? Correct?

1222
00:49:18,200 --> 00:49:20,959
Speaker 2: I mean, what's the process by which water turns into

1223
00:49:21,040 --> 00:49:26,440
Speaker 2: vapor and rises into the air evaporation? Correct, lunchbox, What

1224
00:49:26,480 --> 00:49:27,760
Speaker 2: are the three states of matter?

1225
00:49:32,120 --> 00:49:32,560
Speaker 5: Liquid?

1226
00:49:32,760 --> 00:49:34,280
Speaker 1: Gas? Solid? Correct?

1227
00:49:36,480 --> 00:49:40,319
Speaker 7: Interesting order skipped around solid liquid gas.

1228
00:49:40,360 --> 00:49:43,520
Speaker 2: Yeah, there's no right way. I just never heard of liquid, yes, cold,

1229
00:49:43,640 --> 00:49:50,880
Speaker 2: think of solid? Famous fashion, Eddie, Which fashion house is

1230
00:49:50,920 --> 00:49:55,960
Speaker 2: known for its signature quilted bags and interlocking ce logo?

1231
00:49:58,960 --> 00:50:02,160
Speaker 2: Which fashion house is for its signature quilted bags and

1232
00:50:02,320 --> 00:50:04,680
Speaker 2: interlocking C logo?

1233
00:50:05,680 --> 00:50:10,960
Speaker 6: Gosh, his crown hurts. I'm thinking it off. I mean,

1234
00:50:11,120 --> 00:50:14,160
Speaker 6: see logo. I don't know about this hold what it was?

1235
00:50:14,200 --> 00:50:17,839
Speaker 1: The pattern? You said? Interlocking? Interlocking? That is the logo

1236
00:50:18,000 --> 00:50:23,560
Speaker 1: is probably the Chanel right the sea? Oh no, no, no, no, no, interlocking?

1237
00:50:24,920 --> 00:50:25,640
Speaker 1: Is that Gucci?

1238
00:50:26,440 --> 00:50:31,160
Speaker 2: Gosh, I don't know, dude, interlocking c See Gucci wouldn't

1239
00:50:31,160 --> 00:50:33,960
Speaker 2: have a c oh, but that's two c's.

1240
00:50:35,320 --> 00:50:40,360
Speaker 1: Yeah, gimme Gucci. No, why would you say Gucci?

1241
00:50:41,560 --> 00:50:41,640
Speaker 2: No?

1242
00:50:41,760 --> 00:50:45,120
Speaker 1: G U C C I Gucci the interlocking C H

1243
00:50:45,200 --> 00:50:45,799
Speaker 1: A N E L.

1244
00:50:46,000 --> 00:50:50,120
Speaker 2: No. I'm an idiot, so stupid, just based off of

1245
00:50:50,160 --> 00:50:54,560
Speaker 2: what you provided yourself and you said you see and

1246
00:50:54,560 --> 00:50:56,640
Speaker 2: they're like facing each other and they locked this way,

1247
00:50:56,760 --> 00:50:57,879
Speaker 2: isn't the Gucci have two?

1248
00:50:58,640 --> 00:51:05,960
Speaker 1: Stop arguing for it? Yellow card? A yellow card? Amy?

1249
00:51:06,120 --> 00:51:09,040
Speaker 1: What shoe brand is famous for its red soled high Hills?

1250
00:51:09,840 --> 00:51:11,040
Speaker 1: Correct lunchbox.

1251
00:51:11,080 --> 00:51:14,160
Speaker 2: What's the name of the annual fashion event hosted by Vogue,

1252
00:51:14,440 --> 00:51:17,880
Speaker 2: often called the Oscars of Fashion the met Gali?

1253
00:51:18,000 --> 00:51:23,480
Speaker 1: Correct? Never been? You've been Eddie?

1254
00:51:23,680 --> 00:51:27,879
Speaker 2: Gucci is two g's. No God, I had to look

1255
00:51:27,880 --> 00:51:33,840
Speaker 2: it up, but it's two g's Amy. Famous professions. What

1256
00:51:33,880 --> 00:51:38,839
Speaker 2: does a somalier specialize in? Correct lunchbox.

1257
00:51:38,960 --> 00:51:42,240
Speaker 1: What does a palaeontologist study?

1258
00:51:43,480 --> 00:51:43,600
Speaker 2: Uh?

1259
00:51:44,000 --> 00:51:44,359
Speaker 5: That's what?

1260
00:51:44,480 --> 00:51:53,800
Speaker 7: Ross bones? Dinosaur bones? What do you call that? Just bones?

1261
00:51:53,840 --> 00:51:57,080
Speaker 7: I guess it's just bones man? Uh, fossils?

1262
00:51:58,760 --> 00:52:02,920
Speaker 1: Dang, We'll go with bones.

1263
00:52:05,520 --> 00:52:05,680
Speaker 2: Man.

1264
00:52:05,719 --> 00:52:06,359
Speaker 1: Does he does?

1265
00:52:06,360 --> 00:52:06,560
Speaker 2: What?

1266
00:52:08,920 --> 00:52:15,920
Speaker 1: Mike? Be more specific? Stop hitting the table. You can

1267
00:52:15,920 --> 00:52:22,320
Speaker 1: all hear that. Oh my god, yes, stupid?

1268
00:52:24,000 --> 00:52:27,240
Speaker 5: Uh, dinosaur bones.

1269
00:52:27,280 --> 00:52:27,640
Speaker 1: I don't know.

1270
00:52:27,840 --> 00:52:30,759
Speaker 8: Oh my god, Mike, do you accept it? Then I'll

1271
00:52:30,800 --> 00:52:35,480
Speaker 8: say you accept it. We'll accept it. Fossils you said fossils,

1272
00:52:36,120 --> 00:52:41,080
Speaker 8: dinosaur bones? Fought will take it? You dance with the

1273
00:52:41,120 --> 00:52:41,640
Speaker 8: devil right now.

1274
00:52:41,640 --> 00:52:43,680
Speaker 5: Even I should have gone with fossil?

1275
00:52:44,400 --> 00:52:49,880
Speaker 1: Yeah? What does a cartographer make? Amy? What a cartographer?

1276
00:52:51,200 --> 00:52:52,960
Speaker 3: What does a cartographer make?

1277
00:52:53,000 --> 00:52:54,120
Speaker 1: What is a cartographer make?

1278
00:52:54,200 --> 00:52:57,000
Speaker 4: What is a cartographer make? Because I haven't never been

1279
00:52:57,040 --> 00:53:00,399
Speaker 4: heard of cartographer? What is a cartographer make?

1280
00:53:00,960 --> 00:53:01,960
Speaker 1: You're dancing with the devil?

1281
00:53:03,600 --> 00:53:04,480
Speaker 3: Cartographer?

1282
00:53:05,360 --> 00:53:05,640
Speaker 5: Car?

1283
00:53:06,320 --> 00:53:08,120
Speaker 3: Can you spell it? Please?

1284
00:53:09,600 --> 00:53:11,800
Speaker 1: Car? C A R photographer?

1285
00:53:12,440 --> 00:53:13,240
Speaker 3: O car?

1286
00:53:13,840 --> 00:53:14,640
Speaker 1: Cartographer?

1287
00:53:15,080 --> 00:53:23,080
Speaker 3: A cartographer? Does a cartographer make cars? A car maker?

1288
00:53:23,560 --> 00:53:31,400
Speaker 1: Incorrect? Already? I have scandalous it? Sure is? They make maps?

1289
00:53:31,560 --> 00:53:34,120
Speaker 3: Oh, I've heard of that, sang it.

1290
00:53:35,360 --> 00:53:41,640
Speaker 1: Podiatrist specializes in what podiatrist? For the win? Amy wouldn't

1291
00:53:41,640 --> 00:53:41,920
Speaker 1: do it?

1292
00:53:42,719 --> 00:53:46,920
Speaker 5: Someone offered her money?

1293
00:53:45,520 --> 00:53:48,640
Speaker 1: Those those.

1294
00:53:50,000 --> 00:53:55,000
Speaker 7: Oh my god, win a last season, but I came

1295
00:53:55,000 --> 00:53:56,360
Speaker 7: out of this season.

1296
00:53:57,239 --> 00:54:02,399
Speaker 1: Are controversy come out? Big time controversy?

1297
00:54:02,520 --> 00:54:06,680
Speaker 2: Yeah, you are giving an answer bones dinosaur bones?

1298
00:54:07,719 --> 00:54:10,600
Speaker 5: Were you gonna said more specific and on his dead fossils?

1299
00:54:10,800 --> 00:54:12,160
Speaker 1: But can't you got it?

1300
00:54:12,200 --> 00:54:17,480
Speaker 2: We gave it to you. Yes, Wow, song someth it's

1301
00:54:17,480 --> 00:54:19,920
Speaker 2: always up with lunchbox night. What happened to you? Now?

1302
00:54:20,239 --> 00:54:23,000
Speaker 7: My wife and I went to lunch and we got

1303
00:54:23,040 --> 00:54:24,400
Speaker 7: some It's one of those ones you go it' to

1304
00:54:24,480 --> 00:54:26,239
Speaker 7: counter you order and as you walk down, they make

1305
00:54:26,239 --> 00:54:28,760
Speaker 7: your little bowl or sandwich whatever you're ordering.

1306
00:54:28,920 --> 00:54:32,880
Speaker 1: What's familiar. Probably know what you're talking about.

1307
00:54:33,120 --> 00:54:36,799
Speaker 7: Yeahs one of those kind of places, right, And it

1308
00:54:36,840 --> 00:54:38,799
Speaker 7: was a beautiful day outside. We were like, let's go

1309
00:54:38,840 --> 00:54:40,480
Speaker 7: sit on the patio and sit in one of the

1310
00:54:40,520 --> 00:54:41,520
Speaker 7: outside chairs.

1311
00:54:41,920 --> 00:54:43,280
Speaker 5: Well, there was these two nurses.

1312
00:54:43,320 --> 00:54:46,240
Speaker 7: They had their little nurse outfits on and they're sitting

1313
00:54:46,280 --> 00:54:49,239
Speaker 7: at one of the tables. Yeah, scrubs got it. And

1314
00:54:49,320 --> 00:54:51,840
Speaker 7: all the tables are full and everybody's eating their food.

1315
00:54:52,080 --> 00:54:55,200
Speaker 7: But these nurses are eating food that they brought from home.

1316
00:54:55,360 --> 00:54:57,720
Speaker 7: They have their little lunch boxes out and they're eating

1317
00:54:57,719 --> 00:55:01,040
Speaker 7: their homemade food at the table of the restaurant.

1318
00:55:01,480 --> 00:55:03,960
Speaker 5: And I'm like, wait a minute, what are.

1319
00:55:03,800 --> 00:55:05,320
Speaker 1: You really like not in your head?

1320
00:55:05,640 --> 00:55:07,680
Speaker 5: No, I tell my wife. I'm like, well that's not cool.

1321
00:55:07,719 --> 00:55:09,759
Speaker 1: It's a different different game here. Because he's like, wait

1322
00:55:09,760 --> 00:55:11,560
Speaker 1: a minute. So you go to your wife and.

1323
00:55:11,480 --> 00:55:12,920
Speaker 7: I said, oh, they got to get up a move

1324
00:55:12,960 --> 00:55:14,960
Speaker 7: because they're not paying for a seat, like, they're not

1325
00:55:15,080 --> 00:55:18,239
Speaker 7: eating the food that came from this restaurant. My wife's like, no,

1326
00:55:18,320 --> 00:55:20,000
Speaker 7: we'll just go eat inside. It's not a big deal.

1327
00:55:20,040 --> 00:55:20,680
Speaker 7: I agree with her.

1328
00:55:20,920 --> 00:55:21,239
Speaker 5: No, No.

1329
00:55:21,520 --> 00:55:24,560
Speaker 7: The etiquette is you can't use a restaurant's tables if

1330
00:55:24,560 --> 00:55:27,239
Speaker 7: you're not eating their food. If it's a full, like,

1331
00:55:27,280 --> 00:55:29,560
Speaker 7: if all the tables are full, you gotta get. Like

1332
00:55:29,600 --> 00:55:31,799
Speaker 7: the girl had her like little bullet maybe granola, and

1333
00:55:31,800 --> 00:55:34,480
Speaker 7: she was slicing her banana on top of it. And

1334
00:55:34,520 --> 00:55:37,840
Speaker 7: I'm like, they don't sell bananas here. Oh you're like

1335
00:55:37,880 --> 00:55:39,399
Speaker 7: that or you just think that. No, that's what I'm

1336
00:55:39,520 --> 00:55:41,759
Speaker 7: like in your head. You like that, yeah, And I'm like, no,

1337
00:55:41,840 --> 00:55:44,160
Speaker 7: we need to tell them they got it skit Scot's

1338
00:55:44,239 --> 00:55:44,839
Speaker 7: Google dude.

1339
00:55:44,960 --> 00:55:46,839
Speaker 1: And Joe, did you say skit Skat's coodle dude?

1340
00:55:46,840 --> 00:55:50,319
Speaker 5: No, my wife wouldn't let me. Oh would you have?

1341
00:55:50,440 --> 00:55:50,600
Speaker 3: Oh?

1342
00:55:50,600 --> 00:55:51,080
Speaker 1: I would have?

1343
00:55:51,520 --> 00:55:53,120
Speaker 5: I said, hey, excuse me, ladies like.

1344
00:55:55,520 --> 00:55:56,080
Speaker 1: Would have done?

1345
00:55:56,800 --> 00:55:59,120
Speaker 7: All these tables are full, and you guys are not

1346
00:55:59,200 --> 00:56:01,680
Speaker 7: eating food for this restaurant. So you guys got to

1347
00:56:01,719 --> 00:56:03,960
Speaker 7: go sit on the curb or something. But I need

1348
00:56:03,960 --> 00:56:04,400
Speaker 7: that table.

1349
00:56:04,560 --> 00:56:06,720
Speaker 3: Do you see the patron police?

1350
00:56:06,800 --> 00:56:07,960
Speaker 1: No, I'm the etiquette police.

1351
00:56:08,320 --> 00:56:11,440
Speaker 7: So your question, though, is are you allowed to eat

1352
00:56:11,600 --> 00:56:14,360
Speaker 7: at a restaurant's table if you're not buying their food?

1353
00:56:14,880 --> 00:56:16,760
Speaker 1: Allowed? Sure?

1354
00:56:16,880 --> 00:56:20,240
Speaker 2: Probably if it's an outside table, should you if it's full.

1355
00:56:20,600 --> 00:56:23,480
Speaker 2: Probably not, but I don't think I'm gonna run anyone off,

1356
00:56:23,640 --> 00:56:25,400
Speaker 2: especially if there are tables inside.

1357
00:56:25,719 --> 00:56:27,640
Speaker 1: Now, if there are no tables and someone's.

1358
00:56:27,360 --> 00:56:29,560
Speaker 2: Just sitting there with their doggeting their blowny sandwich they

1359
00:56:29,560 --> 00:56:31,319
Speaker 2: brought from home, maybe you're like, hey, how long are

1360
00:56:31,320 --> 00:56:32,839
Speaker 2: guys gonna be here? We're gonna eat, We're gonna use

1361
00:56:32,880 --> 00:56:35,640
Speaker 2: this after you're done, Like you're nice about it, right, but.

1362
00:56:37,120 --> 00:56:38,560
Speaker 1: We just ended up eating inside.

1363
00:56:38,600 --> 00:56:41,120
Speaker 7: But I just thought, man, that's kind of disrespectful of them,

1364
00:56:41,160 --> 00:56:43,400
Speaker 7: those nurses. I mean, I understand their job is very

1365
00:56:43,400 --> 00:56:46,080
Speaker 7: important and they work hard, but doesn't mean you can

1366
00:56:46,120 --> 00:56:47,120
Speaker 7: steal tables from people.

1367
00:56:47,160 --> 00:56:49,080
Speaker 2: So let's say your wife wasn't there and you were there,

1368
00:56:49,160 --> 00:56:51,239
Speaker 2: Oh and I'm just one of the nurses, Go ahead.

1369
00:56:52,719 --> 00:56:55,480
Speaker 7: Excuse me, Like, yeah, I'm trying to sit outside and

1370
00:56:55,480 --> 00:56:57,920
Speaker 7: all the tables are full, and everyone else here is

1371
00:56:57,960 --> 00:56:59,040
Speaker 7: eating food in this restaurant.

1372
00:56:59,040 --> 00:57:01,160
Speaker 5: You're the only people that are. So I'm gonna need.

1373
00:57:00,960 --> 00:57:04,680
Speaker 1: You guys to find a different spot or not get

1374
00:57:04,719 --> 00:57:07,080
Speaker 1: the manager. There is there's no chance that would ever

1375
00:57:07,160 --> 00:57:08,400
Speaker 1: happen in a million years.

1376
00:57:08,360 --> 00:57:09,959
Speaker 2: That would I thought you can hit them with skit skats,

1377
00:57:10,000 --> 00:57:17,320
Speaker 2: candle or whatever gets cats gooodled dukes get Generally we

1378
00:57:17,360 --> 00:57:21,120
Speaker 2: depend on people to not take the final table. But really,

1379
00:57:21,120 --> 00:57:23,840
Speaker 2: if they're in it and it's outside, no one's gonna

1380
00:57:23,840 --> 00:57:24,480
Speaker 2: go and kick them out.

1381
00:57:24,560 --> 00:57:26,040
Speaker 7: But isn't it weird that they're eating there, that they

1382
00:57:26,040 --> 00:57:27,960
Speaker 7: didn't buy food there? They pull out their little lunch

1383
00:57:27,960 --> 00:57:29,720
Speaker 7: boxes out of their bag, and they got their little

1384
00:57:29,800 --> 00:57:33,280
Speaker 7: meal and their little cases of food, like unclipping the

1385
00:57:33,320 --> 00:57:35,080
Speaker 7: top and slice the banana out.

1386
00:57:34,920 --> 00:57:36,680
Speaker 1: Of like it as a docu series.

1387
00:57:36,920 --> 00:57:38,320
Speaker 5: I sat there and watch them, and I'm like, this

1388
00:57:38,400 --> 00:57:38,920
Speaker 5: is annoying.

1389
00:57:39,040 --> 00:57:40,480
Speaker 1: Good thing your wife was there. You'd really got in

1390
00:57:40,520 --> 00:57:40,880
Speaker 1: some trouble.

1391
00:57:41,040 --> 00:57:41,240
Speaker 4: I know.

1392
00:57:42,280 --> 00:57:44,360
Speaker 1: All right, let's talk about this for a second.

1393
00:57:44,360 --> 00:57:46,160
Speaker 2: We're doing this contest I want everybody to know about

1394
00:57:46,160 --> 00:57:49,200
Speaker 2: so you can hop in our iHeartRadio Music Festivals coming

1395
00:57:49,720 --> 00:57:52,760
Speaker 2: next month in Vegas, September twentieth, the twenty first. It's

1396
00:57:52,800 --> 00:57:55,840
Speaker 2: a really great lineup Thomas Rey Keith, Urban Black Crows,

1397
00:57:55,840 --> 00:57:58,600
Speaker 2: Shaboozi Dua Lipa. I could go on, but what we

1398
00:57:58,640 --> 00:58:00,600
Speaker 2: want to do. What Audible once to do is give

1399
00:58:00,640 --> 00:58:03,560
Speaker 2: you a free trip to the festival. So to enter,

1400
00:58:03,680 --> 00:58:06,760
Speaker 2: Audible users must submit a video telling us how Audible

1401
00:58:06,760 --> 00:58:10,200
Speaker 2: transforms their everyday routine, so it could be like Amy,

1402
00:58:10,880 --> 00:58:13,680
Speaker 2: like like cleans the house and dust stuff all the time.

1403
00:58:13,760 --> 00:58:15,720
Speaker 2: So what are you doing while you're listening to Audible?

1404
00:58:15,880 --> 00:58:18,040
Speaker 2: The most creative entry will win a trip to Las

1405
00:58:18,120 --> 00:58:21,000
Speaker 2: Vegas for our iHeart Radio Music Festival. You get hotel, airfare,

1406
00:58:21,040 --> 00:58:24,040
Speaker 2: tickets to both nights, and the opportunity to meet Big

1407
00:58:24,040 --> 00:58:26,560
Speaker 2: Sean or Thomas Rhett and announce them on stage.

1408
00:58:26,240 --> 00:58:28,520
Speaker 1: At the show. Heck you win this? Should you get

1409
00:58:28,520 --> 00:58:31,200
Speaker 1: through more? Lunchbox does show? That's awesome? Yeah?

1410
00:58:33,640 --> 00:58:36,400
Speaker 2: Visit iHeartRadio dot com slash Audible if you want to enter.

1411
00:58:36,840 --> 00:58:39,760
Speaker 2: Rules are up there at Eligibility sponsored by Audible, with

1412
00:58:39,800 --> 00:58:42,720
Speaker 2: an incredible selection of audiobooks, plus podcasts and originals all

1413
00:58:42,720 --> 00:58:45,400
Speaker 2: in one easy to use Audible app. You can listen

1414
00:58:46,120 --> 00:58:49,760
Speaker 2: and escape the every day, anytime, anywhere. Audible There's more

1415
00:58:49,840 --> 00:58:52,440
Speaker 2: to imagine when you listen. It's a good, good trip,

1416
00:58:52,480 --> 00:58:53,520
Speaker 2: good contest, good price.

1417
00:58:54,160 --> 00:58:57,040
Speaker 1: Bobby Bone show up today.

1418
00:58:57,560 --> 00:59:01,440
Speaker 7: This story comes up from Myrtle Beach, South Carolina. A

1419
00:59:01,640 --> 00:59:03,840
Speaker 7: thirty six year old man went to the candy store,

1420
00:59:04,000 --> 00:59:06,800
Speaker 7: bought a bag full of candy, went home eating a

1421
00:59:06,840 --> 00:59:09,760
Speaker 7: little bit. I don't like this candy, goes to take

1422
00:59:09,800 --> 00:59:12,280
Speaker 7: it back and they say, sir, our policy is once

1423
00:59:12,280 --> 00:59:14,160
Speaker 7: you buy the candy, you can't bring it back. It's

1424
00:59:14,160 --> 00:59:16,720
Speaker 7: stated right here, there's signs all over. And he goes, no, no,

1425
00:59:16,760 --> 00:59:18,560
Speaker 7: I don't like the candy. They said, sir, we're not

1426
00:59:18,600 --> 00:59:20,960
Speaker 7: giving you your money back. So the thirty six year

1427
00:59:21,000 --> 00:59:23,240
Speaker 7: old man pulls out a gun says, you're gonna give

1428
00:59:23,280 --> 00:59:24,120
Speaker 7: me my money back.

1429
00:59:24,400 --> 00:59:26,000
Speaker 5: I don't like the candy.

1430
00:59:26,040 --> 00:59:28,280
Speaker 1: Well you're lucky. Today's double your money back, sir. But

1431
00:59:28,280 --> 00:59:30,920
Speaker 1: I would say how I were in there and Keith Candy.

1432
00:59:32,240 --> 00:59:34,040
Speaker 2: It's hard because you're not supposed to take some on

1433
00:59:34,040 --> 00:59:35,439
Speaker 2: the back because you don't like it. But I feel

1434
00:59:35,440 --> 00:59:38,280
Speaker 2: like you've done that before. You're taken stuff back because

1435
00:59:38,280 --> 00:59:39,640
Speaker 2: it wasn't quite to what you thought it was going

1436
00:59:39,640 --> 00:59:39,840
Speaker 2: to be.

1437
00:59:40,040 --> 00:59:41,760
Speaker 7: You can do that if you don't, but if it

1438
00:59:41,880 --> 00:59:43,880
Speaker 7: if it states you can't bring it back, you can't

1439
00:59:43,880 --> 00:59:45,760
Speaker 7: bring it back. But like, let's say you buy a

1440
00:59:45,840 --> 00:59:48,640
Speaker 7: meal at a restaurant and you take a bike and

1441
00:59:49,080 --> 00:59:50,320
Speaker 7: this isn't really what I was thinking.

1442
00:59:50,520 --> 00:59:51,720
Speaker 5: You can send it back.

1443
00:59:52,200 --> 00:59:53,880
Speaker 1: But I don't think that's true either.

1444
00:59:54,520 --> 00:59:57,720
Speaker 3: I mean, I guess you can A second A reasonable.

1445
00:59:57,400 --> 01:00:00,000
Speaker 2: Voice so we started to go, is he being reasonab?

1446
01:00:00,160 --> 01:00:02,840
Speaker 2: But I don't think you can order the I don't

1447
01:00:02,840 --> 01:00:05,800
Speaker 2: even know what this is. Steak florentine if that's a thing,

1448
01:00:06,000 --> 01:00:09,200
Speaker 2: and you go, yeah, never mind, yeah, in it back,

1449
01:00:09,280 --> 01:00:10,120
Speaker 2: No you ordered that.

1450
01:00:10,280 --> 01:00:12,120
Speaker 7: No, if you order a milkshake, let's say you order

1451
01:00:12,160 --> 01:00:16,240
Speaker 7: a banana cherry strawberry, uh with almonds milkshake.

1452
01:00:16,320 --> 01:00:17,880
Speaker 5: I don't know, just making I'm just random name.

1453
01:00:17,880 --> 01:00:20,000
Speaker 1: I'm looking at Amy's so hard on things, we have

1454
01:00:20,040 --> 01:00:21,480
Speaker 1: no idea what they are.

1455
01:00:21,840 --> 01:00:24,760
Speaker 5: And then you take it. You're like, oh, no, no, never mind,

1456
01:00:24,760 --> 01:00:25,640
Speaker 5: I don't I don't want this.

1457
01:00:25,680 --> 01:00:28,840
Speaker 2: And I don't think you can, especially if that's exactly

1458
01:00:28,880 --> 01:00:30,720
Speaker 2: what you get. If they bring that to you and

1459
01:00:30,760 --> 01:00:33,160
Speaker 2: let's just say, I don't know, they add some florentine

1460
01:00:33,200 --> 01:00:35,320
Speaker 2: to it, as in the steak florentine.

1461
01:00:34,800 --> 01:00:36,200
Speaker 1: You're like, oh, I don't like this. Oh we didn't

1462
01:00:36,200 --> 01:00:37,840
Speaker 1: mean to put the florentine in. We'll take it back.

1463
01:00:38,040 --> 01:00:39,400
Speaker 2: But if it's what you ordered and they gave it

1464
01:00:39,400 --> 01:00:41,080
Speaker 2: to you, you get send it back unless it's messed up.

1465
01:00:41,080 --> 01:00:43,560
Speaker 7: An you never ordered a cocktail and you think, oh,

1466
01:00:43,600 --> 01:00:46,360
Speaker 7: that sounds really good, and you get that cocktail, right,

1467
01:00:46,440 --> 01:00:48,280
Speaker 7: Oh no, that is not good.

1468
01:00:48,640 --> 01:00:51,440
Speaker 6: Strawberry cherry vanilla all I'm up, Yes, I've done it,

1469
01:00:51,480 --> 01:00:53,240
Speaker 6: and you know what, dude, honestly, I don't care.

1470
01:00:53,280 --> 01:00:55,600
Speaker 1: If I don't like it, I'll tell them. I still

1471
01:00:55,600 --> 01:00:57,120
Speaker 1: think that's different than a whole meal. But then you

1472
01:00:57,160 --> 01:00:58,640
Speaker 1: put it on them and if they take it back,

1473
01:00:58,680 --> 01:01:00,280
Speaker 1: then you I still think its different than a who mill

1474
01:01:00,400 --> 01:01:04,560
Speaker 1: a drink at a bar. Yeah, where people are different

1475
01:01:04,600 --> 01:01:05,240
Speaker 1: than whatever.

1476
01:01:05,400 --> 01:01:08,680
Speaker 6: Strawberry vanilla alondlim lunchbox.

1477
01:01:08,720 --> 01:01:10,160
Speaker 5: That's your bonehead story of the day.

1478
01:01:11,720 --> 01:01:14,280
Speaker 2: It's not your imagination. We're going through toilet paper faster

1479
01:01:14,360 --> 01:01:14,960
Speaker 2: than we used to.

1480
01:01:15,480 --> 01:01:16,720
Speaker 1: Why do you think that is? Amy?

1481
01:01:16,880 --> 01:01:18,840
Speaker 3: I have no idea think about it.

1482
01:01:18,880 --> 01:01:20,920
Speaker 1: Why are we going through toilet paper more than we

1483
01:01:21,040 --> 01:01:21,360
Speaker 1: used to?

1484
01:01:21,800 --> 01:01:23,439
Speaker 3: Are we going to we're drinking more water?

1485
01:01:23,560 --> 01:01:25,680
Speaker 2: Okay, so you're going with the body, the physical part. Yeah, No,

1486
01:01:25,880 --> 01:01:27,720
Speaker 2: it's a companies are cheaper and they're putting less.

1487
01:01:27,560 --> 01:01:31,600
Speaker 1: On a roll. Oh well, that means in nineteen ninety two,

1488
01:01:31,640 --> 01:01:34,520
Speaker 1: the average two ply toilet paper roll had one hundred

1489
01:01:34,520 --> 01:01:40,080
Speaker 1: and seventy sheets. Today fifty six. That's crazy. And we

1490
01:01:40,080 --> 01:01:41,920
Speaker 1: didn't have a clue one third.

1491
01:01:42,320 --> 01:01:44,200
Speaker 2: And then we're like man a mus stomach must be Jeoh,

1492
01:01:44,200 --> 01:01:45,480
Speaker 2: I probably don't even have ibs.

1493
01:01:45,560 --> 01:01:46,760
Speaker 1: It's probably just the companies.

1494
01:01:46,880 --> 01:01:47,240
Speaker 7: I don't know.

1495
01:01:47,360 --> 01:01:49,280
Speaker 4: They get me now with like all the packaging for

1496
01:01:49,320 --> 01:01:52,440
Speaker 4: paper towels and toilet paper, it'll be like this is

1497
01:01:52,480 --> 01:01:55,760
Speaker 4: four rolls like in one, so like when you're buying it,

1498
01:01:55,800 --> 01:01:57,800
Speaker 4: you don't know, like everything looks bigger.

1499
01:01:57,880 --> 01:01:59,240
Speaker 3: But then I'm like, why don't you just.

1500
01:02:00,840 --> 01:02:04,520
Speaker 1: What? All right, We're done. We're done. Have a great weekend.

1501
01:02:04,560 --> 01:02:06,720
Speaker 1: We'll see you Monday. Goodbye, everybody.

1502
01:02:08,480 --> 01:02:12,320
Speaker 2: Show the Bobby Bones theme song written produce sang Bye

1503
01:02:12,480 --> 01:02:17,280
Speaker 2: read Yardberry. You can find his instagram at Reidyarberry dot com.

1504
01:02:17,320 --> 01:02:20,919
Speaker 2: Scooba Steve executive producer, Ray Mundo, head of Production. I'm

1505
01:02:20,920 --> 01:02:24,160
Speaker 2: Bobby Bones. My instagram is mister Bobby Bones. Thanks for

1506
01:02:24,200 --> 01:02:25,200
Speaker 2: listening to the podcast.