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Speaker 1: Have you.

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Speaker 2: Hey, everybody, it's Matt and I'm very excited to let

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Speaker 2: you know that my debut album, Have You Heard Of Christmas?

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Speaker 2: Is out Friday, November three. Stream it everywhere in anywhere.

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Speaker 2: You do that and order the vinyl online.

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Speaker 1: Now. I've also got new merch and tickets to my

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Speaker 1: tour at www dot Matt rogersofficial dot com starting December

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Speaker 1: first in Philly and wrapping up December twenty third in

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Speaker 1: New York City. Again, check out www.

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Speaker 2: Dot Matt Rogersofficial dot com for all the new music,

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Speaker 2: merch and tour info.

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Speaker 1: Very exciting.

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Speaker 2: It's officially Christmas, and now my gift.

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Speaker 1: To you a podcast. Look mare, oh, I see you

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Speaker 1: my own and look over there is that culture Yes, goodness, wow,

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Speaker 1: last culture ding dong, last cultureistas calling. Both of us

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Speaker 1: have had I would say a rough night.

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Speaker 2: You had the Sunday scaries. You said I had the

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Speaker 2: Sunday scaries. I've never heard you say you ever have

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Speaker 2: the Sunday scary. I always have the Sunday scaries. It's

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Speaker 2: really bad. I power through it, you know what I mean? Yeah,

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Speaker 2: Well you must. In a high pressure environment where it's

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Speaker 2: high octane, the comedy comes hard.

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Speaker 1: And fast.

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Speaker 2: It's not even about the work, it's just something about Monday. Yeah,

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Speaker 2: it doesn't matter what is on the schedule. Hm, I'm

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Speaker 2: freaking well. Can I do a people behind the curtain?

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Speaker 1: Yes.

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Speaker 2: So you said to me outside that you have the

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Speaker 2: Sunday scaries and I was like why, and I could

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Speaker 2: sense that it was because you want to do a great

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Speaker 2: job for Emma. I do want to come, I said,

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Speaker 2: you have to Birthday twins to Birthday twins.

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Speaker 1: Well, she's exactly two years older. Okay, Well, first of all,

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Speaker 1: you're you're dating her. Oh no, I don't mean going

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Speaker 1: out for dinner. It's me Emma ethan Hawk really on

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Speaker 1: November sex that is so prestige and county. It's the

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Speaker 1: only caliber I'll ever be in with them.

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Speaker 2: Quickly googling that's not true, Ethnically googling March fifth Famous birthdays.

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Speaker 1: You don't know this at the top of your head.

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Speaker 3: No.

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Speaker 1: I think it's because it's kind of like lame. Oh

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Speaker 1: my god, wait, no Oscar nominee Adriana Barazza Adrianna Babel

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Speaker 1: of course? Wait wait was Adriana nominated the same year

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Speaker 1: as Ringo K.

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Speaker 2: Well, when you're in the same film. That's often what

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Speaker 2: happens is you get nominated the same year. Oh my god, wait,

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Speaker 2: Kevin Connolly of Entourage, I can okay.

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Speaker 1: Wait, you are Babel and Entourage combined.

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Speaker 2: Model Nikki Taylor Pendulette Pendultte, Talia Balsam, actress Talia Balsam.

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Speaker 1: Oh my god.

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Speaker 2: These are so Matt Rogers code is. I've always felt

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Speaker 2: connected to actress Talia Balsam.

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Speaker 1: Do you know who I'm talking about?

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Speaker 2: I do know Talia bals She's sort of like in

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Speaker 2: so many projects, but like not a household name, and

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Speaker 2: I think, even disrespectfully, she's known to some as John

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Speaker 2: Slattery's wife, which is true disrespect but she.

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Speaker 1: Was his wife on mad Men.

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Speaker 2: She was his wife on mad Men, and I think

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Speaker 2: she got the row end of the deal there, which

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Speaker 2: any woman dating anyone on mad Man was getting the

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Speaker 2: wrong You're a woman on mad Man, good Luck unless

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Speaker 2: your name was Peggy Olsen. You were arm candy periods.

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Speaker 2: This is real culture number fifty nine. If you're a

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Speaker 2: woman on mad Man, good Luck, unless your name is

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Speaker 2: Peggy Olson otherwise your candy period period.

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Speaker 1: It's a long one, yeah, but I think it was

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Speaker 1: a true one. And this episode is going to be

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Speaker 1: long but true. Yes, this episode.

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Speaker 2: Is flirting with Honesty's own vibes because I wanted to

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Speaker 2: say I wanted.

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Speaker 1: To do people behind the curtain.

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Speaker 2: We're doing people behind the curtain. It is Honesty's own vibes.

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Speaker 2: I think we're both coming in on a similar like,

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Speaker 2: oh hey, good morning girl wavelength and I think that's

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Speaker 2: actually beautiful setup. So you had the Sunday scaries and

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Speaker 2: didn't sleep. Yeah, I are going to be like Matt

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Speaker 2: social to do a bit et cetera when I say this,

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Speaker 2: and I literally agree, I'd forgotten to take my Lexapro

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Speaker 2: for four days. I think what happened was I'm dumb

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Speaker 2: and not that smart without tools to remind myself to

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Speaker 2: take it and buy without tools to remind myself to

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Speaker 2: take it.

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Speaker 1: I mean, I don't literally just use my phone again on.

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Speaker 2: A schedule, but I literally feel like you know, in

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Speaker 2: like Mario Kart, where you get like the poison mushroom

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Speaker 2: and you drive backwards when you try to drive forwards,

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Speaker 2: and like this must be double dash because I don't

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Speaker 2: know this girl. I don't know that mushroom.

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Speaker 1: See even me trying to make that metaphor come across

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Speaker 1: like to read like it's sort of but I know

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Speaker 1: what you mean.

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Speaker 2: I feel like woozy down and I just I fear

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Speaker 2: for what it's going to have me absolutely say on

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Speaker 2: the episode.

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Speaker 1: Am I going to be saying the truth? Honey?

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Speaker 2: That's what I'll say you finally the truth. Finally the truth.

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Speaker 2: I said to bowing off Air. I was like, I

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Speaker 2: think you need to do The Actress part two.

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Speaker 1: Oh, that's yeah, we're talking about m A. Stone.

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Speaker 2: I think The Actress Part two would only disappoint. And

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Speaker 2: it's no, it is such a perfect I'm not like

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Speaker 2: gassing at my own work here, but it's like the

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Speaker 2: way that that was conceived and written and made and

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Speaker 2: shot and everything was like so pure and like it

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Speaker 2: was me and Julio like coming together.

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Speaker 1: I think he would admit to this.

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Speaker 2: He would have to admit to it. Oh, he would

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Speaker 2: proudly say it. No, he would say that. But I'm

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Speaker 2: just saying, like, this is how I am with any sequel.

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Speaker 1: M hm. You know.

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Speaker 2: I mean, I famously kind of hate when sketches are

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Speaker 2: force fed on SNL as like recurring bits. I think

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Speaker 2: there's been some amazing bits that just not for nothing,

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Speaker 2: but kind of like overstay their welcome a.

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Speaker 1: Touch, it's always diminishing return.

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Speaker 2: And here's what I would say. The actress is not

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Speaker 2: one of those things. And this is my pitch for

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Speaker 2: the sketch. And am I dooming it by saying it

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Speaker 2: probably won't happen if you say it on this Yeah,

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Speaker 2: you kind of are doing it. But I think that's okay.

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Speaker 2: I've already like rolled that out, so I pitched it

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Speaker 2: and he's already ruled it down. Now now it's a

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Speaker 2: safe place for me to pitch it here. I think

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Speaker 2: this would be iconic. Everyone's gonna agree. The actress too.

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Speaker 2: Starts with the actress that Emmastone plays in the first sketch.

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Speaker 2: She's now hugely successful. We see like her boudoir is

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Speaker 2: filled with oscars. She's got like six oscars, And I

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Speaker 2: all say, what's her.

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Speaker 1: Name in the schedule? Oh my god, does she not

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Speaker 1: have a name? She does?

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Speaker 2: Actually, no, she does have a name. She does have

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Speaker 2: a name, and I just her name is Grace Grace.

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Speaker 1: So we see that Grace, who is known in Hollywood

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Speaker 1: mononymously as Grace. She has won six oscars, all for lead. Okay,

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Speaker 1: she's Emma Stone, she's emistone a fifteen.

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Speaker 2: Like, she's the biggest actress in Hollywood. And they come

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Speaker 2: to her with a pitch for another film with Ty Mitchell,

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Speaker 2: and she says, I don't know if I can go

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Speaker 2: back to that place, and they convince her and we

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Speaker 2: see her doing Lady Gaga method on the set, and

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Speaker 2: I just feel like we all would love to rest

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Speaker 2: into this world, and I have doomed it by pitching

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Speaker 2: it here.

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Speaker 1: No, you haven't. You have every ideas over here.

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Speaker 2: No, if I get an idea from Matt, everyone must

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Speaker 2: know that it's mana from heaven. To me, this is

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Speaker 2: someone here. Can I just say, mind your manas Mondy

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Speaker 2: Manna's Matt and I. You and I have not had

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Speaker 2: a chance to really sit down and like dig into

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Speaker 2: something creatively in a long time until recently. Not gonna

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Speaker 2: reveal too much, but I gotta say I'm blown away

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Speaker 2: by this girl. You are very good at this. You

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Speaker 2: know what they say is if you want something done,

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Speaker 2: give it to a busy person.

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Speaker 1: When I'm in busy mode.

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Speaker 2: You are the busiest you've ever been. Well, you were

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Speaker 2: just in London. I would say that this wasn't a

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Speaker 2: runway for that discussion, I do feel very busy. What

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Speaker 2: I'm saying is I feel like I've been able to

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Speaker 2: be productive because I'm already inuyzon.

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Speaker 1: It's inertia, You're already in motion.

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Speaker 2: Whereas and I don't know if you and the readers

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Speaker 2: agree with this, but when I am given license to

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Speaker 2: do nothing, I think I am the biggest waste of

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Speaker 2: space on the planet, Like I will just lay around.

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Speaker 2: And the way that I feel this morning because of

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Speaker 2: how I treated my body yesterday with food and more

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Speaker 2: like and the lack of inertia, I feel fifty eight

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Speaker 2: years old this morning, and I think it's a little

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Speaker 2: bit didn't take them meds a little bit ate very

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Speaker 2: badly yesterday. Also, we drank last night at the game.

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Speaker 2: We did because we were sort of at the Nets

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Speaker 2: game sitting courtside. We were sitting court side and like

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Speaker 2: Jack Nicholson, like Jack Nicholson and fucking Michelle Pfeiffer. I

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Speaker 2: want to say, did I think she would look thumbing?

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Speaker 2: Did they go to a basketball game together at one

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Speaker 2: point in the nineties. I think they did maybe. And

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Speaker 2: today this morning we woke up feeling like Julianne Moore

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Speaker 2: at the game, that meme of her going, wait, really.

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Speaker 1: Is there a meme I've heard about? You know the meme?

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Speaker 1: I don't think I did.

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Speaker 2: It's like they cut to her, it's like stars at

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Speaker 2: the game, and she's like fully dissociating.

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Speaker 1: Like speaking of Julian Moore it.

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Speaker 2: I was just gonna say, well, your picture of the

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Speaker 2: actress too reminded me of May December, like an actress

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Speaker 2: playing an actress taking it so seriously, yeah, that's just

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Speaker 2: May December in a nutshell. So I sort of said

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Speaker 2: what I felt about my December. And I don't think

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Speaker 2: we're gonna get into spoilers because May December is going

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Speaker 2: to be widely available to watch, I believe Oncembers in

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Speaker 2: a couple weeks or soon. Wow yeah on Friday, so

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Speaker 2: very soon. But you can see it in theater. Is

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Speaker 2: now your thoughts on May December. Let's just go and

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Speaker 2: meebirth this bitch. I loved it. You know what I

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Speaker 2: had to do what I saw May December and Denver

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Speaker 2: at Landmark Strait's Artists and you went by yourself. I

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Speaker 2: went by myself. This is a good solo movie theater. Oh,

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Speaker 2: it's a perfect solo movie. The theater was full of

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Speaker 2: I would say, lovely elderly people with taste, cephiles, cinophiles

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Speaker 2: who for some reason still don't know how to behave

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Speaker 2: at the theater. Well, let me guess, a lot of

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Speaker 2: unwrapping of shit, a lot of talking, a lot of

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Speaker 2: k so what I had to do. And also the

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Speaker 2: sound was not turned high enough in the space. I

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Speaker 2: was sitting in front of two women who were crinkling

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Speaker 2: the fuck out of their plastics. There's not enough talk

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Speaker 2: about crinkle culture. There's not We need to stop it

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Speaker 2: with the crinkling.

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Speaker 1: One of the rudest things you could do is a

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Speaker 1: glip out of package and crinkle the night away. While

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Speaker 1: Julian Moore is speaking, Obviously, they're very in the cure,

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Speaker 1: very insecure. I'm very secure.

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Speaker 2: So with your thoughts on her lisp, I admit it

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Speaker 2: to you, and I it brings me great shame to

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Speaker 2: say this. I did not clock that she had a

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Speaker 2: lisp until two thirds of the way through the movie,

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Speaker 2: until the end of Act two.

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Speaker 1: You're so brave to sell your arms. Contra, you're a

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Speaker 1: modern woman. You're a modern woman. So interesting how you're

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Speaker 1: a modern woman doesn't have any s there's no lists. Yeah, no,

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Speaker 1: she wanted that one to land boys can be hard,

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Speaker 1: boy can be Hardy, can be hard, can be hard?

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Speaker 1: I love that line.

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Speaker 2: There's a lot of boys can be hard is a

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Speaker 2: perfect so okay, not spoiler territory, but just to give

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Speaker 2: some context for people.

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Speaker 1: And this movie was written, I told you. I started

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Speaker 1: reading the screenplay a couple of years ago.

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Speaker 2: It was on the black List, and people were like,

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Speaker 2: oh my god, this movie the screenplay made December is crazy.

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Speaker 1: Like everyone should read it.

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Speaker 2: And I started it and then realized in watching the movie,

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Speaker 2: it's like, oh, I this is familiar. It's about Natalie

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Speaker 2: Portman play this television actress. I love how it's specifically

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Speaker 2: she's a TV actress and not necessarily.

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Speaker 1: Looking to break through in this independent film. So perfect. Yeah,

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Speaker 1: informs so much about this.

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Speaker 2: She wears a hat that I can only describe as

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Speaker 2: a hat that an actress wears. She comes to this town.

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Speaker 2: So basically it's based on like the Mary Kayla Turno scandal. Yeah,

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Speaker 2: so basically, like it's about a woman played by Julian

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Speaker 2: Moore who's married to fir student. Well that wasn't a student,

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Speaker 2: it was that they were Oh, she ran a pet shop.

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Speaker 2: She ran a pet shop and started fucking her employee,

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Speaker 2: who was a teen boy. I believe he was in

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Speaker 2: eighth grade. He was in the seventh grade. I got

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Speaker 2: to mix up because there's not spoiler. At one point

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Speaker 2: in the movie, he in the seventh grade writes her

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Speaker 2: a card, yes for an assignment. So I for a

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Speaker 2: second I thought teacher, But yes, so pet shop.

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Speaker 1: She runs a pet shop.

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Speaker 2: She starts fucking her child employee, and basically she goes

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Speaker 2: to jail. But they get married, and so we meet

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Speaker 2: them when Natalie Portman, who plays a TV actress who's

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Speaker 2: going to play her in a film, has.

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Speaker 1: Gone to this small, small, small like island town they

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Speaker 1: live in to start show Georgia.

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Speaker 2: Yeah, small island town.

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Speaker 1: It's by the water. In my head, it was a

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Speaker 1: small island town.

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Speaker 2: Okay, well it might have been like Hilton Head or something.

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Speaker 2: But anyway, they're very isolated.

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Speaker 1: In this town.

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Speaker 2: Okay, it's a comfortable place for them to live because

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Speaker 2: they don't really get bothered, like you can imagine, like

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Speaker 2: this woman has like been through obviously like international shaming

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Speaker 2: because she's a rapist who is married to this child

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Speaker 2: who's now a grown adult. They have kids, and Natalie

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Speaker 2: goes to the town to shadow her and watch her

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Speaker 2: because she wants to really do justice to her.

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Speaker 1: In this independent film, She's playing Julianne in.

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Speaker 2: And the relationship gets more and more complicated as the

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Speaker 2: shadowing proceeds. There is a lovely layer that is not

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Speaker 2: to I thought it was gonna be very heavy handed,

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Speaker 2: but there's a great thing of like to it. There

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Speaker 2: are like piano stings and like Lynchian like frames and cuts.

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Speaker 1: It's to Hayes and it's very Toddy.

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Speaker 2: Yes, it's very Todd Haynes, and I loved it, but yeah,

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Speaker 2: what else is there to say? I'm the lisp, But yeah,

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Speaker 2: I just didn't clock the Lisp because I was just

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Speaker 2: so captivated, like everything melted away. I was just like,

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Speaker 2: oh my god, I'm watching two people I love come

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Speaker 2: together and do that.

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Speaker 1: And then Charles Milton a revelation.

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Speaker 2: Charles Melton has one scene in particular where I was

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Speaker 2: like really really like overwhelmed by his talent. I was like,

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Speaker 2: this is crazy, like between him, I guess, and Jacoba Lordie,

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Speaker 2: It's like this year is like when you listen with

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Speaker 2: two of them like are now being taken very seriously

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Speaker 2: as dramatic actors, and with good reason, because I would say, like,

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Speaker 2: even with Julianne Moore and Natalie Portman in this movie

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Speaker 2: Killing It, and Natalie has a scene, one scene.

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Speaker 1: In particular, Yes, she has a monologue.

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Speaker 2: Scene where she's playing Julianne and like doing a monologue

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Speaker 2: as her, which after Greta and I watched it, I

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Speaker 2: turned to Greta and she was just like, I mean,

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Speaker 2: if there was any doubt she is totally one of

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Speaker 2: the best.

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Speaker 1: That we have. And I was like, when Natalie snaps in,

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Speaker 1: everyone else is found out. It's really compelling.

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Speaker 2: But Charles Milton, I think, gives it the performance that

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Speaker 2: you really remember because ultimately, Jamie Lee Curtis, this movie

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Speaker 2: is about trauma, yes, and exploitation and how you really

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Speaker 2: can't when something like this is inflicted on someone like

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Speaker 2: it never leaves them. And yes, what do you think

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Speaker 2: about it being classified as a comedy at the Golden PRS.

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Speaker 2: I was thinking about that the entire time because Matt

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Speaker 2: brought this up last episode with Seth Meyers.

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Speaker 1: It's so jarring. I can't believe that.

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Speaker 2: But I also am like I can't believe it's not

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Speaker 2: getting more inwards buzz. It's kind of getting lost in

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Speaker 2: the mix because everything else is sort of like, it's

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Speaker 2: hard to market this movie. I guess to like a

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Speaker 2: bigger award watching on Well. Weirdly enough, the Academy has

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Speaker 2: always like had like a polite respect for Todd Haynes,

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Speaker 2: but they've never gone kuckoo bananas over really anything he's

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Speaker 2: ever done.

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Speaker 1: Like Carrol kind of got nothing too.

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Speaker 2: I mean, it got its nominations, and I think that

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Speaker 2: the ones that got were like the inevitable ones. And

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Speaker 2: I think that people obviously are truly fanatical about that movie,

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Speaker 2: like there's a certain brand of gay that is their

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Speaker 2: favorite film. And Carol's certainly great, cap blinnch Had is amazing,

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Speaker 2: Rooney Mara is great. But this movie, I think maybe

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Speaker 2: it's the subject matter. It's just a little dire and

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Speaker 2: very uncomfortable, and you sort of leave the movie, especially

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Speaker 2: the last scene, feeling really jarred because the last scene

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Speaker 2: is is a reveal.

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Speaker 1: Yeah, I believe it to be a reveal. I think

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Speaker 1: it's a reveal. I think that is the comedic thing. Yeah,

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Speaker 1: it reminded me of Tar honestly, in many ways, many

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Speaker 1: many ways, Like this is ridiculous.

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Speaker 2: Yeah, it takes a turn at the end that you're like,

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Speaker 2: and the whole thing it actually begs for a rewatch

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Speaker 2: in many ways, the same way Tar did, because you

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Speaker 2: watch it and you're like wait what yes, yes, and

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Speaker 2: that to me, like I can honestly say, like where

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Speaker 2: we're really calling this a satire and it is. I

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Speaker 2: kind of get it as a comedy, but like it's

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Speaker 2: just so weird to think about this subject matter being

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Speaker 2: up against like what like no hard feelings and like.

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Speaker 1: Right, like you know what I mean, Like you know,

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Speaker 1: the Golden Globes is gonna be like jylaw and no

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Speaker 1: hard feelings and like what Natalie in May December, Like honestly.

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Speaker 2: Kinda Natalie is hilarious in it. She's hilarious, but it's

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Speaker 2: not the kids. Are they all out of la not

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Speaker 2: sexy enough?

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Speaker 1: You're spoiling the whole thing.

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Speaker 2: I don't know if I am you. This is the

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Speaker 2: thing about Matt he everyone listen up. She points the

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Speaker 2: finger when it comes to spoiling. Oh, shut the fuck up,

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Speaker 2: but you spoil. First of all, I would like to

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Speaker 2: think what I do. Don't tell me to shut the pelsies,

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Speaker 2: So how dare you? The other day I was I

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Speaker 2: was at a party that was hosted by our friend

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Speaker 2: Matt Whitaker, and I started singing a little bit and

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Speaker 2: Jared turned to me from across the room and said, Matt,

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Speaker 2: and he goes like this, like telling me that tell

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Speaker 2: me the silence literally, And.

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Speaker 1: I said, shut up, Yeah, Jared, that's not okay, don't.

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Speaker 1: I would never do that to you. Have I ever

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Speaker 1: told you to quiet down? Yeah, but not like I've

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Speaker 1: never trauma way. I've never across the room.

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Speaker 2: At an event been like, hey, that's we love Jared obviously,

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Speaker 2: but that's well. Then he told me he was kidding.

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Speaker 2: He loves my singing, but that's not the way to

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Speaker 2: show love. Speaking of Jared, tonight, we are going to

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Speaker 2: a screening of The Color Purple. Oh my god, I

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Speaker 2: can't wait for you to see. I can't wait to

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Speaker 2: see myself. I'm really excited. So did you know I

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Speaker 2: didn't know much about this direct Let's buzzer woule a.

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Speaker 2: So he worked on Blackest King. Oh and so I

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Speaker 2: had never heard of him before. But then I realized,

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Speaker 2: though I've obviously seen and enjoyed his work, and I

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Speaker 2: am very I've always been excited because you know that

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Speaker 2: I saw Fantasia on stage.

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Speaker 1: Do the color person do you remember this?

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Speaker 2: And then I think Taraji is kind of a perfect

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Speaker 2: shug and all the buzz about the supporting actresses Aboutdanielle Brooks, who,

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Speaker 2: to be honest with you, I've never been like super

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Speaker 2: emphatic about but maybe it's just because I haven't seen

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Speaker 2: her in the right thing. Sure I say this having

386
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Speaker 2: seen all of oranges in New Black, but excited for that.

387
00:18:38,000 --> 00:18:40,360
Speaker 2: But Orders to New Black is an interesting show because

388
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Speaker 2: it was such an ensemble moment, like there was no

389
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Speaker 2: person to really like focused your scope on.

390
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Speaker 1: Some people like.

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Speaker 2: Really popped to me in that show, and for some reason,

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Speaker 2: like just Tasty was not one of the characters that

393
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Speaker 2: was popping to me, Like I felt like, what was

394
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Speaker 2: her name? God, it's been so long, but the one

395
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Speaker 2: who's pregnant, who is like fucking the Yeah, yeah, yeah, Matthew.

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Speaker 1: McGrory, Dia, Dia, yeah, Dia. Yeah. I loved that storyline.

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Speaker 2: God, what a moment, What a moment to say, A

398
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Speaker 2: simpler time Orange is the New Black is ridiculous, Yeah,

399
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Speaker 2: but a simpler time.

400
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Speaker 1: In many ways.

401
00:19:16,840 --> 00:19:21,640
Speaker 2: Samir Wiley obviously breakout or prepawn Uzzoh. Remember when Laura

402
00:19:21,640 --> 00:19:24,879
Speaker 2: Papon was giving like the performance. I remember literally saying like,

403
00:19:24,960 --> 00:19:27,080
Speaker 2: Laura Propon is absolutely slanging on this show.

404
00:19:27,320 --> 00:19:29,600
Speaker 1: I was like, maybe Scientology they got a point.

405
00:19:30,560 --> 00:19:34,240
Speaker 2: Elizabeth Olsen? What Elizabeth Olson? Sorry, sorry, sorry, Oh my god.

406
00:19:34,280 --> 00:19:38,320
Speaker 2: I meant no, no, no, no, no, no, no no no Leon.

407
00:19:38,600 --> 00:19:41,200
Speaker 2: I did not mean a dodger leone. I meant Peggy.

408
00:19:41,560 --> 00:19:45,040
Speaker 2: I mixed up Peggy Olsen with Elizabeth What's what's her name?

409
00:19:45,680 --> 00:19:49,359
Speaker 2: The actress who plays Peggy Peggy Peggy Olsen in Madmen.

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Speaker 2: She wasn't in Orange of the New Black, but she's

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Speaker 2: a scientologist. Oh oh, sorry, Elizabeth Moss.

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Speaker 1: Elizabeth Moss.

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Speaker 2: God, it's one of the great led It's one of

414
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Speaker 2: the great scientology legends. It's so weird to think about

415
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Speaker 2: people still dying on that hill because they're trapped in it.

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Speaker 1: Oh yeah, I guess that's so true.

417
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Speaker 2: But that just makes you go Wow. What Leah Remeny

418
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Speaker 2: did was the bowler. It was the bravest thing you

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Speaker 2: could possibly do. It was the bravest thing she did

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Speaker 2: since unbuttoning her top button in second act to deliver

421
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Speaker 2: a punchline. Oh my god, it was iconic and lea remedy.

422
00:20:28,400 --> 00:20:32,679
Speaker 2: In second act, she unbuttoned her top button of her

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Speaker 2: jeans and jeans you are a boob guy.

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Speaker 1: Time we say, I love boom you.

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Speaker 2: This is not the first time that someone with an

426
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Speaker 2: impressive rack has been talked about by Bowen. I'm always

427
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Speaker 2: talking about You're a boob kitties, I love.

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Speaker 1: I'm a boob gay. Oh my god.

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Speaker 2: Culture number eleven is a boob gay? Should the title

430
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Speaker 2: of that boob gay?

431
00:20:59,640 --> 00:21:01,040
Speaker 1: Boob gay?

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Speaker 2: I think they're gonna put this as a tribe on grinder, Yeah,

433
00:21:04,840 --> 00:21:05,400
Speaker 2: boob gay?

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00:21:05,800 --> 00:21:08,120
Speaker 1: You know that one scorpio boob gay.

435
00:21:08,200 --> 00:21:10,800
Speaker 2: One of my favorite things to know about myself is

436
00:21:10,800 --> 00:21:15,359
Speaker 2: that if I was born female, I would have a rats.

437
00:21:15,680 --> 00:21:17,639
Speaker 1: I really would be not saying.

438
00:21:17,400 --> 00:21:20,120
Speaker 2: Too much about my sister and my mother, but they're

439
00:21:20,119 --> 00:21:23,199
Speaker 2: blessed with big old boobies, and I feel like I

440
00:21:23,240 --> 00:21:26,800
Speaker 2: would have a huge rack if I were born female,

441
00:21:26,840 --> 00:21:30,120
Speaker 2: And that's just something that that would be big tit

442
00:21:29,840 --> 00:21:31,760
Speaker 2: bit a girl. Well, my name would have been Chelsea

443
00:21:31,800 --> 00:21:33,600
Speaker 2: and I would have had huge tits. Do you think

444
00:21:33,640 --> 00:21:35,600
Speaker 2: I'd still be here as a ghost?

445
00:21:36,160 --> 00:21:36,560
Speaker 1: Yeah?

446
00:21:36,640 --> 00:21:42,880
Speaker 2: I think big tits are such they informed so much.

447
00:21:43,080 --> 00:21:45,880
Speaker 2: Patty Harrison wrote a whole show about it. I love

448
00:21:46,000 --> 00:21:48,160
Speaker 2: that show, you know what I mean. My huge tits

449
00:21:48,240 --> 00:21:49,960
Speaker 2: huge because infected.

450
00:21:49,520 --> 00:21:52,040
Speaker 1: Not fake, not fake. My huge HiT's huge because infected

451
00:21:52,080 --> 00:21:54,480
Speaker 1: not fake. Everyone should go see My huge tits huge

452
00:21:54,520 --> 00:21:57,200
Speaker 1: because infected not fake. I saw it at the Edinburgh

453
00:21:57,200 --> 00:21:59,520
Speaker 1: Fringe Festival. It was my favorite work that Patty has

454
00:21:59,560 --> 00:22:02,040
Speaker 1: ever done, which is saying a lot. Yeah, I'm one

455
00:22:02,080 --> 00:22:03,359
Speaker 1: of Patty's number one fans.

456
00:22:04,119 --> 00:22:09,880
Speaker 3: By Racial Girl, by Racial Girl, Why am I giving

457
00:22:09,920 --> 00:22:16,399
Speaker 3: away the show? Literally one part of the showy Racial Girl.

458
00:22:16,680 --> 00:22:19,480
Speaker 2: She has a great song called the Biracial Girl, which

459
00:22:19,480 --> 00:22:22,399
Speaker 2: she is Yeah, because the show really, she said at

460
00:22:22,400 --> 00:22:24,520
Speaker 2: one point, the show is not about my huge tits.

461
00:22:24,720 --> 00:22:28,679
Speaker 1: The show is about the fact that I'm biracial. You

462
00:22:28,800 --> 00:22:32,719
Speaker 1: have to go see it. It's perfect. It's she's perfect.

463
00:22:32,880 --> 00:22:36,520
Speaker 2: For her to do that at Fringe is so iconic.

464
00:22:36,760 --> 00:22:41,159
Speaker 2: Greathouses well to fucking like lampoon, the whole idea of

465
00:22:41,200 --> 00:22:44,080
Speaker 2: a Fringe show. It's like, fuck you for like making

466
00:22:44,119 --> 00:22:46,760
Speaker 2: people like do shows about their identities.

467
00:22:47,359 --> 00:22:47,760
Speaker 1: You know what I mean.

468
00:22:47,760 --> 00:22:50,119
Speaker 2: I don't know if they make them really want to

469
00:22:50,119 --> 00:22:52,400
Speaker 2: do shows about their identities. They want to explore themselves.

470
00:22:52,400 --> 00:22:54,840
Speaker 2: They don't make them, but they are sort of incentivized

471
00:22:54,840 --> 00:22:56,480
Speaker 2: and encouraged to do that. Whatever we can cut this out.

472
00:22:56,560 --> 00:22:58,960
Speaker 2: No one thing I'll say is that the way the

473
00:22:58,960 --> 00:23:02,200
Speaker 2: theater like works, because commumed in the UK is so amazing,

474
00:23:02,320 --> 00:23:04,760
Speaker 2: Like what I just did my shows at the Soho Theater,

475
00:23:05,040 --> 00:23:07,879
Speaker 2: love them so great. Everyone there were so lovely. But

476
00:23:08,280 --> 00:23:11,439
Speaker 2: you get reviewed, which would never happen in America, Like

477
00:23:11,440 --> 00:23:14,600
Speaker 2: I would never like do a show and people would come.

478
00:23:14,920 --> 00:23:15,480
Speaker 1: But it's weird.

479
00:23:15,560 --> 00:23:17,840
Speaker 2: It's like the review culture in the UK and UK

480
00:23:17,960 --> 00:23:20,240
Speaker 2: theater and UK comedy is so different than it is.

481
00:23:20,320 --> 00:23:22,320
Speaker 1: Yes, it's like you know they're coming.

482
00:23:22,680 --> 00:23:25,480
Speaker 2: It's like it matters, like the word of mouth really

483
00:23:25,680 --> 00:23:27,840
Speaker 2: literally does travel because of those reviews.

484
00:23:27,840 --> 00:23:28,520
Speaker 1: It's just odd.

485
00:23:28,960 --> 00:23:31,960
Speaker 2: It's just foreign to us as a yeah, as a

486
00:23:32,000 --> 00:23:36,400
Speaker 2: culture where the arts are not subsidized. Okay, that's your

487
00:23:36,440 --> 00:23:38,800
Speaker 2: call for subsidization, that's my call.

488
00:23:39,800 --> 00:23:40,960
Speaker 1: Where were we talking about me December?

489
00:23:41,000 --> 00:23:43,240
Speaker 2: Any I mean, I don't know. If there's much else society,

490
00:23:43,240 --> 00:23:44,640
Speaker 2: then I would say I would give it a big

491
00:23:44,640 --> 00:23:48,360
Speaker 2: old stream it, stream it and also see it, see

492
00:23:48,400 --> 00:23:50,680
Speaker 2: it if you can this week. Anything else, I mean,

493
00:23:50,960 --> 00:23:54,679
Speaker 2: here's the thing I would say. Bowen before we got on,

494
00:23:54,920 --> 00:23:56,879
Speaker 2: said that he has a very sort of big I

495
00:23:56,920 --> 00:23:58,600
Speaker 2: don't think. So I need to do today, And I'm

496
00:23:58,600 --> 00:24:01,280
Speaker 2: told that we have to reserve comment on a certain

497
00:24:01,560 --> 00:24:04,600
Speaker 2: Housewives franchise until the end. So the other one we

498
00:24:04,600 --> 00:24:05,920
Speaker 2: can talk all the other ones, and I will say.

499
00:24:05,960 --> 00:24:09,119
Speaker 2: My father watched Beverly Hills with me, So I was

500
00:24:09,160 --> 00:24:13,920
Speaker 2: I was experiencing a lovely holiday moment, extended holiday moment with.

501
00:24:13,920 --> 00:24:14,840
Speaker 1: My real housewives.

502
00:24:14,920 --> 00:24:16,879
Speaker 2: Yeah, and so I basically I had so much to do.

503
00:24:16,960 --> 00:24:20,400
Speaker 2: I had to watch Salt Lake, Beverly Hills, and Miami.

504
00:24:20,480 --> 00:24:22,600
Speaker 2: So I watched Miami first, and they were sort of

505
00:24:22,680 --> 00:24:25,160
Speaker 2: half watching it with me. Then they both sat down.

506
00:24:25,200 --> 00:24:27,159
Speaker 2: Both my parents sat down and watched Beverly Hills with

507
00:24:27,200 --> 00:24:30,080
Speaker 2: me because I think there's like some in there.

508
00:24:30,160 --> 00:24:31,560
Speaker 1: I don't know, maybe because they know the women a

509
00:24:31,600 --> 00:24:34,720
Speaker 1: little bit more, they're more famous. This is my dad's review.

510
00:24:34,920 --> 00:24:36,520
Speaker 2: I kind of liked the one who I went through

511
00:24:36,520 --> 00:24:40,040
Speaker 2: the divorce and lives in the small house Erica. Correct,

512
00:24:40,440 --> 00:24:43,600
Speaker 2: he said, I liked the one in the hat Garsell Kyle.

513
00:24:43,800 --> 00:24:44,119
Speaker 1: Kyle.

514
00:24:44,400 --> 00:24:46,400
Speaker 2: Kyle was always very powerful when she puts a hat

515
00:24:46,400 --> 00:24:47,800
Speaker 2: on right, and my mom said.

516
00:24:47,680 --> 00:24:49,280
Speaker 1: I don't know what it is about her, but I

517
00:24:49,320 --> 00:24:52,480
Speaker 1: have a feeling she's not very nice. Oh, that's my

518
00:24:52,520 --> 00:24:54,560
Speaker 1: mom's intuition. I trust Katrina.

519
00:24:54,760 --> 00:24:58,080
Speaker 2: Then he said that he thinks Garcella is a good mom. Yes,

520
00:24:58,960 --> 00:25:02,080
Speaker 2: and he said Jacks. He said he thinks that Sutton

521
00:25:02,200 --> 00:25:06,000
Speaker 2: is quote unquote crushed in every scene, which means drunk.

522
00:25:06,359 --> 00:25:08,360
Speaker 2: And I think he might have. I think he might.

523
00:25:08,720 --> 00:25:11,120
Speaker 2: You know what I was saying about Sutton. The way

524
00:25:11,200 --> 00:25:15,359
Speaker 2: she's speaking now is so it's setting off every alarm

525
00:25:15,359 --> 00:25:16,560
Speaker 2: in my head because.

526
00:25:16,320 --> 00:25:20,879
Speaker 1: She's going like this, she's something's different. She's talking down and.

527
00:25:23,000 --> 00:25:28,720
Speaker 2: I'm like, you want to have a sudden bone, But

528
00:25:28,800 --> 00:25:32,479
Speaker 2: she'll be in the middle of an argument and something off,

529
00:25:32,680 --> 00:25:35,520
Speaker 2: scaring the crap out of me. Yeah, there's something very

530
00:25:35,520 --> 00:25:38,360
Speaker 2: scary about it. And name name him might have been

531
00:25:38,480 --> 00:25:40,960
Speaker 2: like alcohol field. I'm sorry, it's not my place to see.

532
00:25:41,040 --> 00:25:43,720
Speaker 2: I think that you might. I was like, I think

533
00:25:43,720 --> 00:25:44,480
Speaker 2: she might be drinking.

534
00:25:44,520 --> 00:25:45,400
Speaker 1: And then my dad.

535
00:25:45,240 --> 00:25:47,800
Speaker 2: Goes, well, look at the tub in front of her.

536
00:25:47,960 --> 00:25:50,560
Speaker 2: There's a huge cocktail in front of her in that name,

537
00:25:50,600 --> 00:25:54,160
Speaker 2: I'm seeing like a giant paloma. There's something going on there.

538
00:25:54,200 --> 00:25:56,560
Speaker 1: For sure. And then I think we all forgot Crystal

539
00:25:56,600 --> 00:25:57,520
Speaker 1: was in the episode.

540
00:25:57,920 --> 00:26:01,040
Speaker 2: Yeah, and then when Denise Richards walked in, my dad

541
00:26:01,040 --> 00:26:03,720
Speaker 2: turns to me and goes Denise Richards, which he knew

542
00:26:03,920 --> 00:26:06,680
Speaker 2: was which I think is a reveal that he may

543
00:26:06,720 --> 00:26:09,000
Speaker 2: have cranked it to her in the nineties.

544
00:26:09,040 --> 00:26:10,000
Speaker 1: There ranked it.

545
00:26:10,119 --> 00:26:12,720
Speaker 2: That's I'll say it. I think many straight men cranked

546
00:26:12,720 --> 00:26:14,480
Speaker 2: it to Denise Richards in the nineties. And that's a

547
00:26:14,520 --> 00:26:17,480
Speaker 2: rule of culture number seventeen. I think many straight men

548
00:26:17,640 --> 00:26:20,080
Speaker 2: cranked it to Denise Richards in the nineties. You forgot

549
00:26:20,560 --> 00:26:25,280
Speaker 2: iconic Bond girl, yeah, and iconic just hot woman, hot woman,

550
00:26:25,359 --> 00:26:26,360
Speaker 2: wild things.

551
00:26:26,640 --> 00:26:27,200
Speaker 1: Yeah.

552
00:26:27,400 --> 00:26:31,879
Speaker 2: Scary Movie three exactly, queen, she was so buddy and

553
00:26:31,920 --> 00:26:32,560
Speaker 2: Scary Movie three.

554
00:26:32,800 --> 00:26:37,040
Speaker 1: Yeah. No sex? What no sex?

555
00:26:40,400 --> 00:26:40,560
Speaker 2: Oh?

556
00:26:40,640 --> 00:26:45,280
Speaker 1: Yeah, she played the tru Yeah she was crushed.

557
00:26:46,760 --> 00:26:49,520
Speaker 2: That is We bring up Scary Movie three once a

558
00:26:49,520 --> 00:26:50,760
Speaker 2: month because it's iconic.

559
00:26:50,960 --> 00:26:52,840
Speaker 1: I need to watch it.

560
00:26:53,000 --> 00:26:54,879
Speaker 2: Some of the best It's like it's Airplane, It's like

561
00:26:54,920 --> 00:26:57,840
Speaker 2: some of the best jokes, like yeah, I mean right now,

562
00:26:57,880 --> 00:27:00,679
Speaker 2: I'm forgetting Cameron Manhew, I'm playing Cherry Jones and signs

563
00:27:00,720 --> 00:27:03,000
Speaker 2: that role, and every and every time the camera comes

564
00:27:03,000 --> 00:27:04,520
Speaker 2: back to her hat is bigger.

565
00:27:05,040 --> 00:27:07,439
Speaker 1: To the point where she can't get into the car

566
00:27:07,520 --> 00:27:10,720
Speaker 1: because her hat's so big. Why did they decide that

567
00:27:10,920 --> 00:27:13,080
Speaker 1: was the bit? I don't know, but I want more

568
00:27:13,080 --> 00:27:17,640
Speaker 1: of that, Need more of that? How says blank? Dude.

569
00:27:18,680 --> 00:27:27,480
Speaker 2: Dudel says blank, dude, dude, love it.

570
00:27:27,720 --> 00:27:32,920
Speaker 1: Jenny McCarthy Pam and Jenny Pam and Jenny Pam. Pam

571
00:27:33,000 --> 00:27:33,879
Speaker 1: is such a good actor.

572
00:27:34,240 --> 00:27:36,760
Speaker 2: Justice for Pam. We've been saying it forever. I mean, listen,

573
00:27:36,760 --> 00:27:38,680
Speaker 2: I'm I'm a Pam supporter. I went to opening night

574
00:27:38,720 --> 00:27:39,280
Speaker 2: of Chicago.

575
00:27:39,400 --> 00:27:41,480
Speaker 1: Oh my god, I did not see Pam in Chicago.

576
00:27:41,760 --> 00:27:43,879
Speaker 2: What is the next theatrical experience we're going to have?

577
00:27:43,960 --> 00:27:45,240
Speaker 2: I guess should we go see Merrily?

578
00:27:45,600 --> 00:27:47,040
Speaker 1: I saw it at New York Theater Workshop.

579
00:27:47,160 --> 00:27:50,600
Speaker 2: Loved Itathan, they were all in it, Oh Daniel, Jonathan

580
00:27:50,640 --> 00:27:53,920
Speaker 2: and Lindsay and Lindsay. Lindsay was great. So everyone says,

581
00:27:54,000 --> 00:27:58,800
Speaker 2: leaving it girl Merrily. Isn't me you study coded?

582
00:27:59,480 --> 00:28:01,720
Speaker 1: Hmmm? Is it thinking?

583
00:28:02,000 --> 00:28:05,200
Speaker 2: These are three kids who met in college and then

584
00:28:05,200 --> 00:28:06,040
Speaker 2: it all fell apart.

585
00:28:06,200 --> 00:28:08,560
Speaker 1: It all falls apart, and it's told.

586
00:28:08,640 --> 00:28:11,560
Speaker 2: Well the thing with Merrily and I loved this production

587
00:28:11,680 --> 00:28:15,160
Speaker 2: so much, at least the Off Broadway production, but it

588
00:28:15,200 --> 00:28:17,840
Speaker 2: is like structurally doing a cool thing. You know, it's

589
00:28:17,840 --> 00:28:21,400
Speaker 2: told in reverse chronological order, but it does completely take

590
00:28:21,440 --> 00:28:23,560
Speaker 2: the steaks out of it. So you're like, well, I

591
00:28:23,640 --> 00:28:25,800
Speaker 2: know this ends badly, So then why am I like

592
00:28:26,320 --> 00:28:28,560
Speaker 2: watching like the steaks get lower.

593
00:28:28,400 --> 00:28:30,040
Speaker 1: And lower as time goes on? Yeah, you know what

594
00:28:30,080 --> 00:28:30,360
Speaker 1: I mean?

595
00:28:30,480 --> 00:28:32,920
Speaker 2: Well, I guess in what like twenty years time, we'll

596
00:28:32,920 --> 00:28:36,280
Speaker 2: have a Richard Linklaner movie that's right, with Beanie and Ben.

597
00:28:36,320 --> 00:28:38,160
Speaker 2: With Beanie and Ben, I mean, I can't wait to

598
00:28:38,200 --> 00:28:40,960
Speaker 2: see that. But I just think, like, and that's not

599
00:28:41,000 --> 00:28:43,400
Speaker 2: a Sondheim thing. I forgot who wrote the book, but like,

600
00:28:43,680 --> 00:28:46,480
Speaker 2: I just think that's the fundamental thing about Merrily that

601
00:28:46,480 --> 00:28:50,200
Speaker 2: I'm like, that's why, like it hasn't been put up

602
00:28:50,240 --> 00:28:51,720
Speaker 2: that often, and now that I think this is the

603
00:28:51,720 --> 00:28:53,720
Speaker 2: perfect setup for it where you have these big stars

604
00:28:53,760 --> 00:28:56,040
Speaker 2: do it and the music's great.

605
00:28:56,120 --> 00:28:57,560
Speaker 1: I do love the songs. I just love a.

606
00:28:57,600 --> 00:29:01,120
Speaker 2: Factual experience, I really do. How are you gonna get

607
00:29:01,120 --> 00:29:05,600
Speaker 2: your egot? Let's see Emmy this season in messing out.

608
00:29:06,480 --> 00:29:11,560
Speaker 2: Let's hope Oscar for this season? If you play who

609
00:29:11,600 --> 00:29:11,920
Speaker 2: would you.

610
00:29:11,880 --> 00:29:12,720
Speaker 1: Play in a biopic?

611
00:29:12,760 --> 00:29:16,960
Speaker 2: To get your Oscar I'm famously playing Hunter Biden. Oh

612
00:29:17,000 --> 00:29:24,320
Speaker 2: my god, I would play Eileen Warnow. I would play

613
00:29:25,120 --> 00:29:26,760
Speaker 2: do you think they didn't get it right the first time?

614
00:29:26,840 --> 00:29:31,200
Speaker 2: I think Charlie's flopped. Just kidding. I think Charlie's flopped,

615
00:29:31,200 --> 00:29:32,680
Speaker 2: and I need to go in there, and I think

616
00:29:32,680 --> 00:29:34,000
Speaker 2: you'd be a stunning Aileen.

617
00:29:34,320 --> 00:29:34,800
Speaker 1: Thank you.

618
00:29:35,080 --> 00:29:38,520
Speaker 2: Yeah, show me what's the line from the movie. I

619
00:29:38,560 --> 00:29:40,360
Speaker 2: remember the clip they played at the Oscars.

620
00:29:40,880 --> 00:29:42,240
Speaker 1: Oh yeah, the clip was like.

621
00:29:43,720 --> 00:29:47,240
Speaker 2: I forgot, she's like going she's going crazy.

622
00:29:47,840 --> 00:29:50,240
Speaker 1: I mean, look, I know a makeup person.

623
00:29:51,040 --> 00:29:53,280
Speaker 2: You know a lot of them, a lot of who

624
00:29:53,360 --> 00:29:56,440
Speaker 2: could do what they did, who can do what they did? Yeah, okay,

625
00:29:57,160 --> 00:30:01,000
Speaker 2: I would say for my performances Hunter Biden, I'm just

626
00:30:01,000 --> 00:30:03,360
Speaker 2: gonna not sleep. I'm just gonna show up to set

627
00:30:03,360 --> 00:30:07,760
Speaker 2: every day like Haggard, like hag like it's so rough.

628
00:30:07,760 --> 00:30:10,960
Speaker 2: I'm gonna embody what it feels to feel rough and

629
00:30:11,160 --> 00:30:15,000
Speaker 2: just go in and like, should I write the script myself?

630
00:30:15,040 --> 00:30:16,880
Speaker 2: I feel like I have to make this happen. I

631
00:30:16,960 --> 00:30:20,040
Speaker 2: think no, no one's gonna write me in my Hunter

632
00:30:20,120 --> 00:30:20,760
Speaker 2: Biden vehicle.

633
00:30:20,800 --> 00:30:24,719
Speaker 1: I just I think, listen the people at script Notes,

634
00:30:24,760 --> 00:30:28,360
Speaker 1: listen to this podcast. I think they're gonna get the word.

635
00:30:28,160 --> 00:30:32,160
Speaker 2: Out that John August, write me my Hunter Biden vehicle

636
00:30:32,320 --> 00:30:35,120
Speaker 2: now now, John, listen, it's.

637
00:30:35,000 --> 00:30:37,120
Speaker 1: All been very thought. A nice city has passed back

638
00:30:37,160 --> 00:30:40,960
Speaker 1: and forth. Do something, write me a role. I think

639
00:30:41,000 --> 00:30:41,880
Speaker 1: that's your oscar.

640
00:30:42,760 --> 00:30:47,800
Speaker 2: Yeah, my Grammy and Grammy is clearly in coming.

641
00:30:47,360 --> 00:30:51,080
Speaker 1: And Tony, Oh, we should definitely win a Tony together.

642
00:30:52,080 --> 00:30:52,680
Speaker 1: Do we do that?

643
00:30:52,840 --> 00:30:58,960
Speaker 2: Hmmm? It's usually we compete Wicked stage Wicked and we

644
00:30:59,000 --> 00:30:59,400
Speaker 2: both win.

645
00:30:59,600 --> 00:31:00,320
Speaker 1: This is so funny.

646
00:31:00,320 --> 00:31:03,240
Speaker 2: I actually was listening to Defining Gravity today. I don't

647
00:31:03,280 --> 00:31:05,520
Speaker 2: know why, but I think I was just, oh, you

648
00:31:05,560 --> 00:31:07,480
Speaker 2: want to know what I was really feeling myself. So

649
00:31:07,680 --> 00:31:09,520
Speaker 2: pick Pie of the Curtain because this is a big

650
00:31:09,560 --> 00:31:12,960
Speaker 2: truth episode Honesty's own. People were late today and I

651
00:31:13,080 --> 00:31:15,800
Speaker 2: was very early. He was, Matt was, so I was like,

652
00:31:16,000 --> 00:31:18,479
Speaker 2: so freakishly early. So I decided to like walk around

653
00:31:18,600 --> 00:31:22,320
Speaker 2: and for some reason I landed on Burn from Hamiltonton,

654
00:31:23,080 --> 00:31:25,680
Speaker 2: which was one of the inspirations for my song Every

655
00:31:25,720 --> 00:31:29,680
Speaker 2: Christmas Eve, oh years ago, and I was listening to

656
00:31:29,760 --> 00:31:32,160
Speaker 2: it and I'm like, this song goes so hard.

657
00:31:32,200 --> 00:31:35,080
Speaker 1: Oh, it's a beautiful song. You farfit the rest of that.

658
00:31:35,960 --> 00:31:40,239
Speaker 1: You far fit. You don't get don't know about us?

659
00:31:40,360 --> 00:31:43,680
Speaker 1: That so good. Pippa went off on that one.

660
00:31:43,920 --> 00:31:47,000
Speaker 2: I want to be at the Kennedy Center Honors, Pippa

661
00:31:47,760 --> 00:31:48,920
Speaker 2: so wait, I was.

662
00:31:48,880 --> 00:31:50,080
Speaker 1: Actually thinking about this too.

663
00:31:50,760 --> 00:31:53,280
Speaker 2: What would the Kennedy Soner Honors for Mariah B what's

664
00:31:53,280 --> 00:31:54,520
Speaker 2: the lineup and what songs? Go?

665
00:31:54,640 --> 00:31:57,360
Speaker 1: Oh, I can't do this. I don't know Arianna.

666
00:31:57,680 --> 00:32:00,520
Speaker 2: Yeah, I would like to see Arianna do either dream

667
00:32:00,560 --> 00:32:01,600
Speaker 2: Lover or Fantasy.

668
00:32:02,200 --> 00:32:04,360
Speaker 1: You know that's all. You're not as big a lamb

669
00:32:04,400 --> 00:32:05,000
Speaker 1: as I am.

670
00:32:07,080 --> 00:32:09,040
Speaker 2: I know I know these songs, but I'm thinking, like

671
00:32:09,080 --> 00:32:11,200
Speaker 2: I'm just thinking, if there's no I trust you.

672
00:32:11,320 --> 00:32:13,720
Speaker 1: I want Kelly to sing my all like we pitched

673
00:32:13,720 --> 00:32:15,640
Speaker 1: on this episode. What she wants to sing?

674
00:32:15,880 --> 00:32:17,520
Speaker 2: Yeah, I just I think I kind of want ari

675
00:32:17,680 --> 00:32:19,960
Speaker 2: to give a more uptempo moment. That's what I say.

676
00:32:20,120 --> 00:32:23,280
Speaker 2: Was like fantasy. Even Fantasy is a little slow. Maybe

677
00:32:23,480 --> 00:32:26,080
Speaker 2: it's not like you need like something fast. She doesn't

678
00:32:26,120 --> 00:32:28,920
Speaker 2: really have a lot of up up up tempos. By

679
00:32:28,960 --> 00:32:31,760
Speaker 2: the way, they just did a tribute to Mariah and

680
00:32:32,080 --> 00:32:37,640
Speaker 2: Jennifer Auson sang Vision of Love. It was so much

681
00:32:37,760 --> 00:32:40,360
Speaker 2: singing yes that I just have to stand on a

682
00:32:40,440 --> 00:32:44,760
Speaker 2: plod right, and then Patty LaBelle also sang I forget

683
00:32:44,760 --> 00:32:47,560
Speaker 2: what she sang, but like it was also stunning, and

684
00:32:47,600 --> 00:32:50,600
Speaker 2: I was just like wow, because to tribute Mariah you

685
00:32:50,680 --> 00:32:52,880
Speaker 2: kind of have to bring everyone in who's gonna do

686
00:32:53,120 --> 00:32:54,720
Speaker 2: kind of the most to say the least, right.

687
00:32:55,280 --> 00:32:57,440
Speaker 1: And imagine just sitting.

688
00:32:57,160 --> 00:33:00,480
Speaker 2: There for performance, have to performance just like knocked off

689
00:33:00,560 --> 00:33:03,840
Speaker 2: your pedestal by these women who know it's their Mariah

690
00:33:03,840 --> 00:33:04,960
Speaker 2: carry tribute moment.

691
00:33:04,800 --> 00:33:05,840
Speaker 1: Right, and that she's watching.

692
00:33:06,040 --> 00:33:08,320
Speaker 2: I think that is a YouTube clip that will be

693
00:33:08,320 --> 00:33:11,680
Speaker 2: watched by gays over and over and over again when

694
00:33:11,720 --> 00:33:12,200
Speaker 2: it happens.

695
00:33:12,240 --> 00:33:14,880
Speaker 1: After it happens. Wait, I'm sorry, did this happen. It

696
00:33:14,920 --> 00:33:17,520
Speaker 1: happened the other night, but not a Kennedy Center, I know, yes,

697
00:33:17,520 --> 00:33:19,480
Speaker 1: but is it on YouTube? Is what I'm saying. Yeah.

698
00:33:19,520 --> 00:33:21,880
Speaker 2: I watched the Jennifer Hudson performance okay, okay, and it was,

699
00:33:21,960 --> 00:33:23,280
Speaker 2: like I said, it was the Vision of Love and

700
00:33:23,320 --> 00:33:25,640
Speaker 2: it was just like, WHOA. The thing about Vision of

701
00:33:25,640 --> 00:33:28,280
Speaker 2: Love and Mariah is there's like an elegance.

702
00:33:28,800 --> 00:33:32,840
Speaker 1: Oh, she comes in completely like I don't know, like,

703
00:33:33,200 --> 00:33:35,480
Speaker 1: I don't think anyone can really sing that. You think so?

704
00:33:35,640 --> 00:33:36,760
Speaker 1: I think it's one of those songs.

705
00:33:36,840 --> 00:33:38,680
Speaker 2: I think Vision of Love is a lot more I

706
00:33:38,720 --> 00:33:41,760
Speaker 2: Will Always Love You than we realized in that Like

707
00:33:41,880 --> 00:33:45,120
Speaker 2: by the end it's like, yeah, it's also just like

708
00:33:45,400 --> 00:33:52,040
Speaker 2: a vision of Love is so Mariah coded because it's Mariah.

709
00:33:51,360 --> 00:33:53,760
Speaker 1: Pure Mariah, that's real. Number eighty nine.

710
00:33:54,000 --> 00:33:57,360
Speaker 2: Vision of Love is so Mariah coded because it's Mariah.

711
00:33:57,840 --> 00:34:00,320
Speaker 1: It's almost like she starts.

712
00:34:00,080 --> 00:34:03,520
Speaker 2: Solo and then by the end she's like, yeah, it's

713
00:34:03,600 --> 00:34:05,880
Speaker 2: just so even to hear Jennifer Hudson do it, who's

714
00:34:05,880 --> 00:34:08,759
Speaker 2: obviously one of the best singers out there, it's just like, yes,

715
00:34:08,840 --> 00:34:11,000
Speaker 2: this is a tribute to This is not a new

716
00:34:11,040 --> 00:34:13,680
Speaker 2: rendition of because you really can't do a new rendition

717
00:34:13,760 --> 00:34:16,160
Speaker 2: of vision and vision of love, right, And I think

718
00:34:16,239 --> 00:34:18,120
Speaker 2: that's the case for a lot of Mariah's songs, which

719
00:34:18,120 --> 00:34:19,640
Speaker 2: is why you don't see her covered a lot. But

720
00:34:19,719 --> 00:34:23,239
Speaker 2: that song in particular, you really can't write. Would you

721
00:34:23,239 --> 00:34:26,640
Speaker 2: say that Mariah's music is timeless or is it so

722
00:34:26,719 --> 00:34:31,799
Speaker 2: beautifully time bound that you can't really like modernize it. Well,

723
00:34:32,160 --> 00:34:35,160
Speaker 2: people do literally modernize it, like fucking fantasy. They just

724
00:34:35,360 --> 00:34:37,560
Speaker 2: big dick energy was ye ye ye, But even that

725
00:34:37,680 --> 00:34:41,120
Speaker 2: was very preserved. Yeah, like it sounded just like fantasy,

726
00:34:41,160 --> 00:34:42,920
Speaker 2: and fantasy is of course a sample.

727
00:34:43,200 --> 00:34:44,520
Speaker 1: So wait, but I would say, was it you that

728
00:34:44,600 --> 00:34:45,600
Speaker 1: said to me? It wasn't you.

729
00:34:45,800 --> 00:34:47,400
Speaker 2: I think it was Jared because he loves to do this.

730
00:34:47,480 --> 00:34:51,000
Speaker 2: He was like, if you had to keep one person's discography, no, I.

731
00:34:50,960 --> 00:34:51,520
Speaker 1: Hate this shit.

732
00:34:51,680 --> 00:34:53,520
Speaker 2: I hate this, hate this, hate this so much. But

733
00:34:53,560 --> 00:34:56,200
Speaker 2: he said, because I don't have to keep one person,

734
00:34:56,440 --> 00:34:57,120
Speaker 2: You're right exactly.

735
00:34:57,200 --> 00:34:58,759
Speaker 1: And I was like, there's actually not so now that

736
00:34:58,800 --> 00:35:01,319
Speaker 1: we have both discographies, there's not a world where like,

737
00:35:01,440 --> 00:35:03,359
Speaker 1: you can never listen to this again. But I guess

738
00:35:03,400 --> 00:35:05,120
Speaker 1: he was like, imagine a world where and you could

739
00:35:05,200 --> 00:35:07,800
Speaker 1: never listen. I don't think so money like that whole

740
00:35:07,840 --> 00:35:10,160
Speaker 1: like rhetorical thing. I don't like those guns to your

741
00:35:10,280 --> 00:35:12,600
Speaker 1: head Jesus or that. Well, I don't have a gun

742
00:35:12,640 --> 00:35:14,279
Speaker 1: to my head, and I wouldn't. No one would ever

743
00:35:14,360 --> 00:35:16,000
Speaker 1: hold a gun in my head and make me choose

744
00:35:16,080 --> 00:35:19,080
Speaker 1: these two fucking things, right, And so he said to me,

745
00:35:19,280 --> 00:35:20,080
Speaker 1: gun to your head.

746
00:35:20,280 --> 00:35:22,040
Speaker 2: Sorry, tried to put you on blast, but you did

747
00:35:22,080 --> 00:35:24,360
Speaker 2: say this Taylor or Beyonce. And I was like, I

748
00:35:24,400 --> 00:35:28,000
Speaker 2: refuse to answer the question, refuse to answer the question.

749
00:35:28,280 --> 00:35:29,920
Speaker 2: But he said Taylor and Mariah.

750
00:35:30,719 --> 00:35:32,719
Speaker 1: I was like, I have to keep Mariah's music. Oh,

751
00:35:32,719 --> 00:35:36,160
Speaker 1: of course, I have to keep Maria's music. To you, Mariah,

752
00:35:36,160 --> 00:35:39,520
Speaker 1: It's just it's not that I don't want to be disrespectful,

753
00:35:39,520 --> 00:35:42,640
Speaker 1: but it's like I think that that would put me

754
00:35:42,840 --> 00:35:47,640
Speaker 1: in a serious depression knowing that I could never listen

755
00:35:47,680 --> 00:35:52,080
Speaker 1: to any of Mariah's music ever again, Whereas like Taylor

756
00:35:52,160 --> 00:35:55,480
Speaker 1: write new music, not that Mariah couldn't, but like, I

757
00:35:55,520 --> 00:35:58,279
Speaker 1: don't know, there's something so special to me about Mariah's discography.

758
00:35:58,920 --> 00:36:02,560
Speaker 2: The beauty of Taylor is the like glut of music

759
00:36:02,640 --> 00:36:06,200
Speaker 2: that there is. And part of gorgeous word glut glut,

760
00:36:06,560 --> 00:36:07,840
Speaker 2: and then what goes with that.

761
00:36:07,880 --> 00:36:09,680
Speaker 1: Is you can comia glut.

762
00:36:10,360 --> 00:36:13,479
Speaker 2: Part of that means as a consumer, and that's all

763
00:36:13,600 --> 00:36:17,640
Speaker 2: I am as a consumer. I big bottom, big bottom.

764
00:36:17,680 --> 00:36:19,480
Speaker 2: I get to take a break, yeah, you know what

765
00:36:19,520 --> 00:36:22,400
Speaker 2: I mean. And like I think with Taylor, sometimes I

766
00:36:22,440 --> 00:36:24,600
Speaker 2: have to consciously be like I'm gonna tap on, I'm

767
00:36:24,600 --> 00:36:27,200
Speaker 2: gonna listen to some like Byork or whatever. You know.

768
00:36:27,360 --> 00:36:31,440
Speaker 2: People were like, oh, she's announcing reputation TV tonight. They

769
00:36:31,440 --> 00:36:33,239
Speaker 2: were saying this all weekend, and I was just like,

770
00:36:33,719 --> 00:36:36,680
Speaker 2: you guys, we have to slow down, let her exist.

771
00:36:36,880 --> 00:36:40,640
Speaker 2: We have to low down, like because honestly I remember,

772
00:36:40,840 --> 00:36:44,360
Speaker 2: like my initial reaction to even Evermore coming out was

773
00:36:44,400 --> 00:36:48,080
Speaker 2: I was just like, but we just got folklore what Like,

774
00:36:48,160 --> 00:36:49,760
Speaker 2: I was just like, it's gonna take me a second.

775
00:36:49,880 --> 00:36:52,319
Speaker 2: Then I eventually got around to Evermore and like it

776
00:36:52,400 --> 00:36:54,000
Speaker 2: was one of my favorite albums of hers.

777
00:36:54,440 --> 00:36:57,200
Speaker 1: But when things come too fast, too furious. It's like

778
00:36:57,400 --> 00:36:59,719
Speaker 1: even with nineteen eighty nine TV, like we were honest

779
00:36:59,719 --> 00:37:01,640
Speaker 1: about our thoughts about it on this pod, but like

780
00:37:02,120 --> 00:37:05,280
Speaker 1: I haven't really sat down and like allowed the newer

781
00:37:05,400 --> 00:37:08,120
Speaker 1: songs Yes to like seep into my vans as like

782
00:37:08,160 --> 00:37:10,680
Speaker 1: Taylor Cannon because I'm like, I don't know, I just

783
00:37:10,680 --> 00:37:13,319
Speaker 1: feel like I'm not in that zone right now.

784
00:37:13,320 --> 00:37:17,160
Speaker 2: I'm still enjoying the Yes. I'm still listening to Cruel Summer.

785
00:37:18,040 --> 00:37:20,200
Speaker 2: I'm still listening to Cruel Summer. I was thinking today

786
00:37:20,200 --> 00:37:24,520
Speaker 2: in the shower should give Lover another full rotation. I

787
00:37:24,560 --> 00:37:28,880
Speaker 2: love Love Lover is. It's maligned and there's no reason

788
00:37:28,920 --> 00:37:33,640
Speaker 2: for it to be. It is such an interesting moment

789
00:37:33,719 --> 00:37:36,960
Speaker 2: in her career for her first two singles to be

790
00:37:37,800 --> 00:37:41,640
Speaker 2: songs that are so outside of what she knows.

791
00:37:41,680 --> 00:37:43,680
Speaker 1: She does best. Do you know what I mean? For

792
00:37:43,800 --> 00:37:45,279
Speaker 1: Me and You need to Calm Down to be the

793
00:37:45,280 --> 00:37:46,399
Speaker 1: first two singles from that.

794
00:37:46,960 --> 00:37:48,799
Speaker 2: Do you think that me and You need to calm down?

795
00:37:48,840 --> 00:37:52,680
Speaker 2: We're just like an overcorrection from the reputation? Yes, me

796
00:37:53,239 --> 00:37:57,760
Speaker 2: is so still such a big question mark for swifties.

797
00:37:57,800 --> 00:38:00,160
Speaker 2: I think it's so rare for her to be I'm

798
00:38:00,160 --> 00:38:03,399
Speaker 2: just gonna say this publicly, A little self conscious about

799
00:38:03,440 --> 00:38:06,760
Speaker 2: it because you remember when she took out Hey Kids Fun?

800
00:38:06,800 --> 00:38:08,120
Speaker 1: I thought was the wrong move.

801
00:38:08,280 --> 00:38:10,040
Speaker 2: I was like, why are you taking out? I think

802
00:38:10,160 --> 00:38:13,239
Speaker 2: because that is the element of like whatever. Uh kill

803
00:38:13,280 --> 00:38:14,839
Speaker 2: me for saying this, but like the element of wit

804
00:38:15,040 --> 00:38:18,080
Speaker 2: that's in there. Something's a little off, something's a little wrong,

805
00:38:18,280 --> 00:38:19,760
Speaker 2: And I love it when that happened.

806
00:38:19,840 --> 00:38:20,600
Speaker 1: Yeah, you know what I mean.

807
00:38:20,600 --> 00:38:22,000
Speaker 2: It felt like a choice that was made and we

808
00:38:22,000 --> 00:38:24,239
Speaker 2: should stick to the choice. Did you ever say why

809
00:38:24,320 --> 00:38:25,960
Speaker 2: she took it out? And it kind of just reads

810
00:38:26,040 --> 00:38:29,239
Speaker 2: as self consciousness because maybe the response to it. I mean,

811
00:38:29,280 --> 00:38:31,759
Speaker 2: it was like on paper a huge hit, but like

812
00:38:31,880 --> 00:38:33,480
Speaker 2: the response to it was like the internet was like

813
00:38:33,480 --> 00:38:35,000
Speaker 2: what the people being like, we.

814
00:38:35,000 --> 00:38:35,920
Speaker 1: Don't know about this one?

815
00:38:36,000 --> 00:38:38,080
Speaker 2: Yeah? And then it did that weird thing where she

816
00:38:38,160 --> 00:38:41,120
Speaker 2: does have like that reputation for quote unquote not choosing

817
00:38:41,160 --> 00:38:45,600
Speaker 2: the right first single, which is like not something that's necessarily.

818
00:38:44,960 --> 00:38:47,279
Speaker 1: True and it doesn't really matter in the end.

819
00:38:47,640 --> 00:38:49,480
Speaker 2: Yeah, and then you need to come down was of

820
00:38:49,520 --> 00:38:53,160
Speaker 2: course felt gay Baby at the time. I don't know,

821
00:38:53,280 --> 00:38:54,919
Speaker 2: like it did feel like that was like a moment

822
00:38:54,960 --> 00:38:56,760
Speaker 2: in her career where people were just ready to drag

823
00:38:56,800 --> 00:38:59,279
Speaker 2: her in a way that like sort of invalidated just

824
00:38:59,360 --> 00:39:03,279
Speaker 2: how good her actually was, which because most of the

825
00:39:03,360 --> 00:39:06,400
Speaker 2: songs on that album are like some of her greatest

826
00:39:06,440 --> 00:39:10,400
Speaker 2: work still an Archerstan she said, by the way that

827
00:39:10,440 --> 00:39:11,040
Speaker 2: it's gonna be.

828
00:39:11,560 --> 00:39:14,360
Speaker 1: And while it's dreams yeah, I mean the stream.

829
00:39:14,440 --> 00:39:19,360
Speaker 2: Dreamable version and long live but because so much of

830
00:39:19,440 --> 00:39:22,279
Speaker 2: Lover is so fucking good Lover, the song to me

831
00:39:22,360 --> 00:39:23,080
Speaker 2: is one of her best.

832
00:39:23,520 --> 00:39:25,719
Speaker 1: But yeah, no, those weren't the singles. Cruel Summer was

833
00:39:25,760 --> 00:39:26,439
Speaker 1: the single Girl.

834
00:39:26,520 --> 00:39:28,959
Speaker 2: But then again, can we argue with the timeline which

835
00:39:29,000 --> 00:39:31,319
Speaker 2: saw Cruel Simmer have this moment It felt right for

836
00:39:31,400 --> 00:39:37,240
Speaker 2: the Aerostour, it did. Everything happens for a reason. Hashtag Taylor,

837
00:39:37,320 --> 00:39:49,480
Speaker 2: hashtag I want to quickly talk about Miami. Drianna is

838
00:39:49,480 --> 00:39:52,239
Speaker 2: so important. Adriana de Mora is so important and why

839
00:39:52,320 --> 00:39:55,640
Speaker 2: is she not housewife status? The only thing about Miami

840
00:39:55,800 --> 00:40:00,440
Speaker 2: is the friends are so vital to the show, and

841
00:40:00,480 --> 00:40:02,399
Speaker 2: there is just like I guess it's just too many

842
00:40:02,440 --> 00:40:04,879
Speaker 2: women who are already house wives who are holding. There's

843
00:40:05,440 --> 00:40:08,560
Speaker 2: full time and three friends, it's nine. Bump it up

844
00:40:08,600 --> 00:40:09,040
Speaker 2: to nine.

845
00:40:09,200 --> 00:40:10,480
Speaker 1: I don't know, do it.

846
00:40:10,719 --> 00:40:13,680
Speaker 2: Potomac has eight right now, and five out of the

847
00:40:13,719 --> 00:40:16,440
Speaker 2: eight are fucking cannon fodder.

848
00:40:16,840 --> 00:40:18,279
Speaker 1: I can't do this. We have to wait till I.

849
00:40:18,520 --> 00:40:21,280
Speaker 2: Was told that we had the way to talk about Honey.

850
00:40:21,360 --> 00:40:24,880
Speaker 2: But in terms of Miami, I feel like here's the thing. Marisol,

851
00:40:25,160 --> 00:40:29,080
Speaker 2: Adriana and Kiki. I think there's this thing that Miami

852
00:40:29,200 --> 00:40:32,080
Speaker 2: is doing that because they have women that are married

853
00:40:32,560 --> 00:40:36,840
Speaker 2: and are actual, quote unquote housewives. They are the main cast. Sure,

854
00:40:36,920 --> 00:40:40,040
Speaker 2: But then again, like Larsa, isn't I think we're well

855
00:40:40,080 --> 00:40:43,520
Speaker 2: past the point of like, yeah, that being a requirement.

856
00:40:43,520 --> 00:40:45,759
Speaker 2: But anyway, this is all to say I love this

857
00:40:45,800 --> 00:40:46,520
Speaker 2: show so much.

858
00:40:46,520 --> 00:40:49,640
Speaker 1: I think that if it's working, if it ain't broke, sure,

859
00:40:49,800 --> 00:40:52,680
Speaker 1: Like Kiki is a friend of I think is perfectly fine.

860
00:40:52,840 --> 00:40:54,120
Speaker 1: Kiki is a friend, Up's perfectly fine.

861
00:40:54,160 --> 00:40:57,560
Speaker 2: Even Maratha, I just think Adriana drives so much of

862
00:40:57,600 --> 00:41:00,640
Speaker 2: the tree does and she is I'm.

863
00:41:00,400 --> 00:41:04,440
Speaker 1: No longer susceptible to your poison. They have vipers like

864
00:41:04,640 --> 00:41:08,520
Speaker 1: the venom like vipers, venom like vipers. Fuck you marry

865
00:41:08,600 --> 00:41:12,320
Speaker 1: salt motherfucker. Hateful person, be hateful because I'm flatulent.

866
00:41:16,239 --> 00:41:19,840
Speaker 2: The word flatulent being used so many times. Really, no

867
00:41:19,960 --> 00:41:23,080
Speaker 2: notes for Miami, No, no notes for Salt Lake. Really,

868
00:41:23,320 --> 00:41:26,680
Speaker 2: these are fun shows and that's what you need. That's

869
00:41:26,719 --> 00:41:30,440
Speaker 2: what makes something watchable. Okay, period pointless, and that will

870
00:41:30,480 --> 00:41:34,200
Speaker 2: lead into our discussion on another franchise in just a bit. Okay,

871
00:41:34,400 --> 00:41:37,080
Speaker 2: so listen, it's time I think to sort of get

872
00:41:37,080 --> 00:41:39,279
Speaker 2: that negativity out and I'm actually gonna have you go

873
00:41:39,360 --> 00:41:43,160
Speaker 2: first today. I'm superstitious what I feel like, you always

874
00:41:43,160 --> 00:41:45,279
Speaker 2: go first, and I feel like if you're going to

875
00:41:45,320 --> 00:41:47,759
Speaker 2: switch up the order, this is gonna really shake up

876
00:41:47,800 --> 00:41:49,600
Speaker 2: the week, which I you know what, maybe I need I.

877
00:41:49,520 --> 00:41:51,080
Speaker 1: Think I forgot what. I don't think so, honey, was

878
00:41:51,520 --> 00:41:54,359
Speaker 1: I think you need to go first? Okay? Okay, this

879
00:41:54,960 --> 00:41:57,040
Speaker 1: is bone Yang's I don't think so, honey, and it's

880
00:41:57,120 --> 00:41:59,880
Speaker 1: long awaited as time starts now, I don't think so.

881
00:42:00,040 --> 00:42:02,520
Speaker 2: One of the real House as of Potomac, I think

882
00:42:02,520 --> 00:42:07,440
Speaker 2: I'm tapping out because it has become utterly unwatchable.

883
00:42:07,840 --> 00:42:09,239
Speaker 1: It brings me no pleasure to say this.

884
00:42:09,280 --> 00:42:10,759
Speaker 2: If you had asked me two years ago, I would

885
00:42:10,760 --> 00:42:13,320
Speaker 2: have said it was my favorite city in the entire franchise.

886
00:42:13,440 --> 00:42:18,880
Speaker 2: Now it is dead last because, as I said, the

887
00:42:19,000 --> 00:42:21,360
Speaker 2: Race show is bad. Five out of these eight women

888
00:42:21,600 --> 00:42:27,600
Speaker 2: are intolerable. Three of them are evil people, Mia thirty, Mia,

889
00:42:27,680 --> 00:42:32,600
Speaker 2: Giselle Robin, You guys, you guys are so awful. And

890
00:42:32,600 --> 00:42:35,240
Speaker 2: that I love Karen, I love Wendy, I love Canvas

891
00:42:35,320 --> 00:42:37,919
Speaker 2: Down forever for life. But the rest of these women

892
00:42:37,960 --> 00:42:41,160
Speaker 2: are so desperate to be on television, so thirsty, so hungry.

893
00:42:41,480 --> 00:42:44,600
Speaker 2: They're acting like Drew Carey just called their names on

894
00:42:44,680 --> 00:42:47,840
Speaker 2: the prices, right, and they're racing to the bottom to

895
00:42:47,880 --> 00:42:51,680
Speaker 2: bid one dollar because that is what is the price

896
00:42:51,719 --> 00:42:55,960
Speaker 2: five of the show. Even Wendy. I love you, Wendy,

897
00:42:56,120 --> 00:42:58,600
Speaker 2: but you are over correcting here. I mean this show

898
00:42:58,719 --> 00:42:59,279
Speaker 2: is bad.

899
00:42:59,400 --> 00:43:03,280
Speaker 1: Vibes. That's one minute. Listen to me. I'm out.

900
00:43:03,719 --> 00:43:07,040
Speaker 2: You sit here and you say that the evil people

901
00:43:07,400 --> 00:43:10,360
Speaker 2: are Giselle, Robin and Mia, I would raise you in

902
00:43:10,520 --> 00:43:11,600
Speaker 2: Ashley Darby.

903
00:43:11,360 --> 00:43:12,280
Speaker 1: Oh, Ashley Darby.

904
00:43:12,360 --> 00:43:18,040
Speaker 2: You're fucking Ashley Darby is God. So here's something I

905
00:43:18,040 --> 00:43:22,600
Speaker 2: was actually asking myself. Is Ashley Darby this dumb or

906
00:43:22,640 --> 00:43:25,480
Speaker 2: this mean? And I'm like, oh, it doesn't mess obviously

907
00:43:25,560 --> 00:43:29,880
Speaker 2: that she's this mean because her thing of like, oops,

908
00:43:29,920 --> 00:43:32,960
Speaker 2: did I spread that rumor about Wendy's mother being like

909
00:43:33,080 --> 00:43:34,760
Speaker 2: a voodoo person?

910
00:43:34,840 --> 00:43:35,319
Speaker 1: First of all?

911
00:43:35,320 --> 00:43:38,040
Speaker 2: Can I say I am with you? I kind of

912
00:43:38,080 --> 00:43:40,960
Speaker 2: refuse to participate in something that's gonna pit these two

913
00:43:41,040 --> 00:43:42,680
Speaker 2: Nigerian women against each other.

914
00:43:42,640 --> 00:43:46,240
Speaker 1: Based on heritage. It's so disappointed. And I was really

915
00:43:46,280 --> 00:43:49,160
Speaker 1: not about the editing of the last episode, which was

916
00:43:49,200 --> 00:43:52,759
Speaker 1: like showing Wendy's mother like praying, and then they did

917
00:43:52,800 --> 00:43:55,720
Speaker 1: this weird musical sting on it to make her seem

918
00:43:55,840 --> 00:43:57,320
Speaker 1: like mystical.

919
00:43:57,480 --> 00:43:59,880
Speaker 2: That did not feel right now to me, this all

920
00:44:00,000 --> 00:44:02,120
Speaker 2: it feels very wrong to me. How many more times

921
00:44:02,120 --> 00:44:04,160
Speaker 2: are we gonna have to have Wendy sat down by

922
00:44:04,200 --> 00:44:07,600
Speaker 2: Ashley and told something horrible like that's being said about

923
00:44:07,600 --> 00:44:08,200
Speaker 2: her life?

924
00:44:08,600 --> 00:44:13,400
Speaker 1: Just for what These women aren't friends. That's not fun.

925
00:44:13,880 --> 00:44:17,360
Speaker 1: They're they're just not friends. They're just not friends. Robin

926
00:44:17,560 --> 00:44:19,120
Speaker 1: is inactive.

927
00:44:19,600 --> 00:44:22,520
Speaker 2: They all live like fifteen miles apart from each other.

928
00:44:23,360 --> 00:44:27,560
Speaker 2: It's like there is no like central binding hub. There's

929
00:44:27,600 --> 00:44:29,759
Speaker 2: no agent, there's no like thing that like brings these

930
00:44:29,800 --> 00:44:34,640
Speaker 2: people together. Truly, the way that Giselle salivates when she

931
00:44:34,760 --> 00:44:36,960
Speaker 2: hears she can talk shit about Wendy or that there's

932
00:44:37,000 --> 00:44:40,839
Speaker 2: something nasty about Wendy, it's so like the glee with

933
00:44:40,880 --> 00:44:44,800
Speaker 2: which Robin was receiving that information from Neca, like about

934
00:44:44,840 --> 00:44:47,040
Speaker 2: like all that stuff that was negative about Wendy.

935
00:44:47,080 --> 00:44:48,719
Speaker 1: I was like, this is.

936
00:44:48,840 --> 00:44:53,319
Speaker 2: Such an ugly yep show yep, and it really is

937
00:44:53,360 --> 00:44:56,080
Speaker 2: a shame. And I'll miss you Karen, I'll miss you Wendy,

938
00:44:56,120 --> 00:44:58,319
Speaker 2: I'll miss you Candice. And I'm not saying I'm not

939
00:44:58,360 --> 00:45:01,239
Speaker 2: gonna watch it. I'm just saying, like I still haven't

940
00:45:01,280 --> 00:45:04,880
Speaker 2: seen this week's episode. There's no propeller for me to

941
00:45:05,080 --> 00:45:07,480
Speaker 2: watch it. It's like, and honestly that's the thing too

942
00:45:07,480 --> 00:45:10,120
Speaker 2: about like having so many other franchises that are doing

943
00:45:10,160 --> 00:45:13,359
Speaker 2: so great on Bravo right now, is just like I'm

944
00:45:13,400 --> 00:45:15,319
Speaker 2: not gonna watch something I'm not gonna enjoy that I

945
00:45:15,400 --> 00:45:16,719
Speaker 2: like morally object to.

946
00:45:16,800 --> 00:45:20,680
Speaker 1: There's no way. And also it's like why why invest time?

947
00:45:20,880 --> 00:45:21,840
Speaker 1: We don't you.

948
00:45:21,840 --> 00:45:24,400
Speaker 2: Don't have the time, like you the readers Katie's Publics

949
00:45:24,480 --> 00:45:26,880
Speaker 2: finalists do not have the time to watch something like

950
00:45:26,920 --> 00:45:29,799
Speaker 2: that for Potomac anymore. I never thought I would say this.

951
00:45:29,920 --> 00:45:32,640
Speaker 2: I used to love the show. Literally, what I said

952
00:45:32,760 --> 00:45:34,760
Speaker 2: was I would hang out with any of these women.

953
00:45:34,960 --> 00:45:40,080
Speaker 2: Now these are the fucking lamest people. It's really so

954
00:45:40,440 --> 00:45:41,560
Speaker 2: deeply uncool.

955
00:45:41,719 --> 00:45:41,959
Speaker 1: Yeah.

956
00:45:42,000 --> 00:45:45,359
Speaker 2: And also it's just like, I guess like Wendy and

957
00:45:45,440 --> 00:45:48,360
Speaker 2: Candace and Karen have to keep participating because it's the

958
00:45:48,360 --> 00:45:50,680
Speaker 2: show that they're on, but it's just like, god, like,

959
00:45:50,760 --> 00:45:52,480
Speaker 2: at what point is it not even worth it? You

960
00:45:52,480 --> 00:45:54,319
Speaker 2: have to show up and these are your colleagues, people

961
00:45:54,320 --> 00:45:58,360
Speaker 2: who are out to destroy your lives and the people

962
00:45:58,400 --> 00:46:01,520
Speaker 2: that you love. That's like, that's the difference. Is that

963
00:46:02,000 --> 00:46:06,759
Speaker 2: on Miami it's like you talked about me because I

964
00:46:06,800 --> 00:46:09,719
Speaker 2: was flatching on how daily your vipra so funny? And

965
00:46:09,960 --> 00:46:13,000
Speaker 2: on Beverly Hills, it's like, you know, it definitely gets thick,

966
00:46:13,040 --> 00:46:16,000
Speaker 2: it gets a little dark, but like there's like a

967
00:46:16,080 --> 00:46:18,360
Speaker 2: pageantry there that the women are all in on. That

968
00:46:18,480 --> 00:46:21,560
Speaker 2: feels like these women are not collaborating with each other

969
00:46:21,760 --> 00:46:27,520
Speaker 2: to make content, They're conspiring with one another to ruin

970
00:46:27,680 --> 00:46:31,839
Speaker 2: each other, right, And it feels like for what it's

971
00:46:31,920 --> 00:46:35,280
Speaker 2: not entertainment, and for Salt Lake, there is an element

972
00:46:35,320 --> 00:46:39,120
Speaker 2: of like there are criminals about and these women have

973
00:46:39,200 --> 00:46:42,920
Speaker 2: to unite to fight off these evils. Like that is

974
00:46:42,960 --> 00:46:45,080
Speaker 2: a fun, compelling thing for me to watch. They're also

975
00:46:45,160 --> 00:46:47,759
Speaker 2: fun to watch. They're also so like none of these

976
00:46:47,800 --> 00:46:50,720
Speaker 2: women are fun to watch. And I'm sorry, but like Candas,

977
00:46:50,800 --> 00:46:53,160
Speaker 2: you haven't been on the show, like I mean, like

978
00:46:53,480 --> 00:46:55,560
Speaker 2: this is another part of it. Cannis, Karen and Wendy

979
00:46:55,880 --> 00:46:58,120
Speaker 2: Wendy except for this like fucking neck of stuff. It's

980
00:46:58,160 --> 00:47:01,160
Speaker 2: like they're not featured enough. There's so much focus being

981
00:47:01,160 --> 00:47:03,759
Speaker 2: put on Robin and Giselle still and Ashley in her

982
00:47:04,440 --> 00:47:06,880
Speaker 2: stupid why are you doing a coast side house and

983
00:47:06,920 --> 00:47:09,080
Speaker 2: the fucking DMV Ashley Derby the.

984
00:47:09,160 --> 00:47:13,319
Speaker 1: Stupidest fucking It's yeah, it really is a very like

985
00:47:13,520 --> 00:47:16,240
Speaker 1: lead very.

986
00:47:15,600 --> 00:47:19,360
Speaker 2: Like it's like very like old fashioned like beach house.

987
00:47:19,520 --> 00:47:24,959
Speaker 2: It's it's giving like fifth thought, it's just how many

988
00:47:24,960 --> 00:47:27,040
Speaker 2: houses have we been to in the suburbs where this

989
00:47:27,320 --> 00:47:29,960
Speaker 2: is the story. You know, my house is a beach

990
00:47:30,760 --> 00:47:33,600
Speaker 2: it's giving like lame, it's given like that's not to

991
00:47:33,680 --> 00:47:36,920
Speaker 2: disrespect anyone who's like my living room is the sand,

992
00:47:37,080 --> 00:47:39,040
Speaker 2: and my my bathroom is the beach.

993
00:47:39,080 --> 00:47:40,319
Speaker 1: You know what I mean? Like that is like a

994
00:47:40,360 --> 00:47:41,400
Speaker 1: common thing. I get it.

995
00:47:41,840 --> 00:47:44,120
Speaker 2: I'm only using this his ammunition against someone that I

996
00:47:44,120 --> 00:47:46,000
Speaker 2: already dislike. That's all I'm saying.

997
00:47:46,040 --> 00:47:47,880
Speaker 1: Everyone else, I think your house is beautiful.

998
00:47:47,880 --> 00:47:52,040
Speaker 2: If you have a coastal themed house in a landlocked area,

999
00:47:53,040 --> 00:47:53,560
Speaker 2: I love that.

1000
00:47:53,800 --> 00:47:55,359
Speaker 1: I think your house is beautiful. I think your house

1001
00:47:55,400 --> 00:47:55,840
Speaker 1: is beautiful.

1002
00:47:56,160 --> 00:47:59,480
Speaker 2: But if your name is Ashley Darby and you're are

1003
00:47:59,520 --> 00:48:00,239
Speaker 2: they divorced yet?

1004
00:48:00,239 --> 00:48:01,840
Speaker 1: And you're fucking oh they're not divorced?

1005
00:48:01,920 --> 00:48:05,000
Speaker 2: Yeah, Like you're in such a sad arrangement, Ashley. And

1006
00:48:05,040 --> 00:48:07,920
Speaker 2: here's the thing that connects all of these women that

1007
00:48:07,960 --> 00:48:11,239
Speaker 2: are like vituperative on the show or what I learned

1008
00:48:11,280 --> 00:48:14,359
Speaker 2: from bewen Yang is their person and lives are all

1009
00:48:14,480 --> 00:48:17,560
Speaker 2: a mess, Like watching the Robin and Wan of it

1010
00:48:17,600 --> 00:48:21,640
Speaker 2: all is so pathetic. And the fact is like you

1011
00:48:21,760 --> 00:48:25,320
Speaker 2: kind of do, like have to side with her because

1012
00:48:25,360 --> 00:48:27,040
Speaker 2: it's like when someone says like.

1013
00:48:27,160 --> 00:48:30,480
Speaker 1: I don't care, I don't care, I don't care, You're like, okay,

1014
00:48:30,880 --> 00:48:33,800
Speaker 1: well she said she doesn't care, So now I guess

1015
00:48:33,840 --> 00:48:36,399
Speaker 1: everyone else is uncool for trying to get her into

1016
00:48:36,480 --> 00:48:40,000
Speaker 1: a position where she like But again, ultimately, what I'm

1017
00:48:40,000 --> 00:48:43,239
Speaker 1: saying is it's just like, guys, she doesn't care. She

1018
00:48:43,440 --> 00:48:46,160
Speaker 1: doesn't want her life to be better. She doesn't aspire

1019
00:48:46,280 --> 00:48:49,000
Speaker 1: two better things, right, So when someone is telling you

1020
00:48:49,520 --> 00:48:51,360
Speaker 1: what they feel, that's what she feels.

1021
00:48:51,600 --> 00:48:54,960
Speaker 2: Leave her bee, leave her be. She doesn't want her

1022
00:48:55,000 --> 00:48:57,640
Speaker 2: situation to improve, which then makes me go, then why

1023
00:48:57,680 --> 00:49:00,480
Speaker 2: is she on television? Why am I watching her life?

1024
00:49:00,680 --> 00:49:03,279
Speaker 2: And well, our husband got fucking fired. And now here's

1025
00:49:03,280 --> 00:49:06,600
Speaker 2: another garbage thing I'm picking up on the show. He

1026
00:49:06,680 --> 00:49:09,839
Speaker 2: is constantly one Dixon is constantly on television being like, well,

1027
00:49:09,880 --> 00:49:11,960
Speaker 2: you know, I got fired because we weren't winning games,

1028
00:49:12,000 --> 00:49:14,080
Speaker 2: not anything. I love my guys. I love my guys.

1029
00:49:14,120 --> 00:49:17,680
Speaker 2: It's like, first of all, here's the truth. You allowed

1030
00:49:18,040 --> 00:49:20,799
Speaker 2: a situation to go on on your team, Yes, with

1031
00:49:20,920 --> 00:49:24,399
Speaker 2: a young person who will be affected by just look

1032
00:49:24,440 --> 00:49:25,120
Speaker 2: it up because.

1033
00:49:24,880 --> 00:49:27,279
Speaker 1: I'm not getting into actually disgusting. It's disgusting.

1034
00:49:27,320 --> 00:49:30,840
Speaker 2: He covered up basically assault on his team, like a

1035
00:49:30,920 --> 00:49:34,760
Speaker 2: coach on his team was to say the least inappropriate

1036
00:49:34,840 --> 00:49:37,799
Speaker 2: with one of the players. The player brought it to

1037
00:49:37,840 --> 00:49:41,600
Speaker 2: the attention of the coaches, and the coaches like buried it. Okay,

1038
00:49:41,640 --> 00:49:44,000
Speaker 2: so that's why he was fired. That's what we're dealing

1039
00:49:44,040 --> 00:49:48,440
Speaker 2: with in that family. In the Dixon household, Gizelle is

1040
00:49:48,520 --> 00:49:53,000
Speaker 2: being so fucking stupid with this whole like cougar identity

1041
00:49:53,080 --> 00:49:53,520
Speaker 2: she now has.

1042
00:49:53,640 --> 00:49:56,040
Speaker 1: This woman doesn't know who she is. This woman does not.

1043
00:49:56,560 --> 00:49:59,440
Speaker 2: Interesting and the only thing that makes her interesting is

1044
00:49:59,880 --> 00:50:00,919
Speaker 2: the way that she.

1045
00:50:01,600 --> 00:50:04,840
Speaker 1: Plays the chessboard. I guess in terms of like, she.

1046
00:50:04,840 --> 00:50:07,359
Speaker 2: Doesn't play the chess board. She fucking flips the table. Yeah,

1047
00:50:07,400 --> 00:50:10,400
Speaker 2: she fucking flips it. She like makes a fucking mess.

1048
00:50:10,440 --> 00:50:13,080
Speaker 1: It's just that no fun. It's not fun. It's no fun.

1049
00:50:13,080 --> 00:50:15,960
Speaker 2: And Ashley Darby being like, oh oops, did I destroy

1050
00:50:16,080 --> 00:50:18,760
Speaker 2: any potential for these two women to be friends Mekka

1051
00:50:18,760 --> 00:50:21,040
Speaker 2: and Wendy, when like they should have come on and

1052
00:50:21,120 --> 00:50:23,399
Speaker 2: been like, you know, not that Meka needed any help,

1053
00:50:23,400 --> 00:50:27,400
Speaker 2: because she couldn't have got to the center of this

1054
00:50:27,440 --> 00:50:32,040
Speaker 2: inappropriate bullshit with Wendy's mother quicker. No. But also Neka

1055
00:50:32,120 --> 00:50:35,239
Speaker 2: is like not at whatsoever, there's no star wars, no

1056
00:50:35,280 --> 00:50:37,880
Speaker 2: star quality. The way she talks to her husband is vile.

1057
00:50:38,080 --> 00:50:40,680
Speaker 2: She like screams at him to shut up every single day.

1058
00:50:40,920 --> 00:50:41,840
Speaker 2: I'm like, I don't like this.

1059
00:50:42,000 --> 00:50:45,160
Speaker 1: Here's what I'll say about Mia. At least I'm laughing.

1060
00:50:45,680 --> 00:50:48,800
Speaker 2: I've started calling her the legendary Mia Thornton in group chats,

1061
00:50:48,840 --> 00:50:51,880
Speaker 2: and I do laugh because you're laughing because she's not legendary,

1062
00:50:51,880 --> 00:50:54,320
Speaker 2: because she's actually she's equally as pathetical.

1063
00:50:54,480 --> 00:50:57,840
Speaker 1: Here's what I'll say, Like, if Mecca has no star quality,

1064
00:50:57,880 --> 00:51:00,720
Speaker 1: at least I think Mia, like whenever she's on television,

1065
00:51:00,800 --> 00:51:03,600
Speaker 1: I'm like, well, what is this gonna be? I at

1066
00:51:03,680 --> 00:51:06,080
Speaker 1: least do like watching Mia. I do Mia.

1067
00:51:06,360 --> 00:51:09,000
Speaker 2: The moments that I say the legendary mea legendary Meathorton.

1068
00:51:09,080 --> 00:51:11,719
Speaker 2: The moments that I like watching the legendary Meathorton are

1069
00:51:11,760 --> 00:51:16,520
Speaker 2: when Karen is being so mean to her and Karenhake

1070
00:51:16,640 --> 00:51:17,880
Speaker 2: and she just takes it on and then Mia just

1071
00:51:17,960 --> 00:51:19,360
Speaker 2: kind of takes it on the chin, and I'm like, Okay,

1072
00:51:19,400 --> 00:51:21,800
Speaker 2: that's funny, but like that does not a reality TV

1073
00:51:22,000 --> 00:51:24,759
Speaker 2: character make. I just I don't know what to say.

1074
00:51:25,040 --> 00:51:26,920
Speaker 2: I'm not saying I'm not gonna watch it anymore, but

1075
00:51:26,960 --> 00:51:27,759
Speaker 2: I am saying, like.

1076
00:51:27,800 --> 00:51:29,120
Speaker 1: You are right, Dead Last.

1077
00:51:29,400 --> 00:51:32,360
Speaker 2: It's bad Dead Last, and I feel like the weird

1078
00:51:32,440 --> 00:51:35,120
Speaker 2: thing that's happening is they feel like they can't get

1079
00:51:35,239 --> 00:51:38,160
Speaker 2: rid of Giselle and Robin and Ashley, and I have

1080
00:51:38,239 --> 00:51:41,240
Speaker 2: to tell you you can, you can, you can't. Actually

1081
00:51:41,360 --> 00:51:43,360
Speaker 2: this happens all the time, is you get the toxic

1082
00:51:43,400 --> 00:51:44,520
Speaker 2: people out of those situation.

1083
00:51:44,600 --> 00:51:46,880
Speaker 1: It is a noxious show.

1084
00:51:47,280 --> 00:51:50,359
Speaker 2: Like it's just like, oh, like we're not dealing with

1085
00:51:51,120 --> 00:51:54,520
Speaker 2: Lighthousewives content, We're dealing with this stuff that Like watching

1086
00:51:54,880 --> 00:51:58,840
Speaker 2: Wendy's face as she has to receive that this is

1087
00:51:58,880 --> 00:52:01,200
Speaker 2: gonna be the conflict of the show, like they're attacking

1088
00:52:01,239 --> 00:52:05,839
Speaker 2: her mother based on heritage and religion is so and

1089
00:52:05,920 --> 00:52:09,200
Speaker 2: like what they are saying about this, like ole, this

1090
00:52:09,280 --> 00:52:14,319
Speaker 2: implication that Wendy's family might be OSU is actually so

1091
00:52:14,320 --> 00:52:19,799
Speaker 2: so so damning and dark and so personal that it's like,

1092
00:52:20,040 --> 00:52:23,239
Speaker 2: of course, like the Bravo audience, the Housewives audience is

1093
00:52:23,280 --> 00:52:25,880
Speaker 2: not going to actually understand what's being implicated here. But

1094
00:52:25,920 --> 00:52:28,080
Speaker 2: it's like if you look into it and actually go

1095
00:52:28,120 --> 00:52:30,359
Speaker 2: to Wendy's Twitter and see what she's gretweeting and what

1096
00:52:30,400 --> 00:52:34,080
Speaker 2: she's saying, it's really really fucked up. But that's the

1097
00:52:34,120 --> 00:52:37,560
Speaker 2: thing is that there's so much room for misinterpretation or

1098
00:52:37,560 --> 00:52:41,239
Speaker 2: like agnosticism about like what these things mean in that

1099
00:52:41,280 --> 00:52:46,960
Speaker 2: culture that it leaves room for so much bad faith,

1100
00:52:47,000 --> 00:52:49,840
Speaker 2: in bad like interpretation of what this all means, and

1101
00:52:49,920 --> 00:52:53,440
Speaker 2: like and fucking Ashley Darby starts it like this, fucking

1102
00:52:53,640 --> 00:52:56,839
Speaker 2: I'm sorry, light skinned woman who like could not care

1103
00:52:57,000 --> 00:52:59,080
Speaker 2: less about the fact that these two women are from

1104
00:52:59,440 --> 00:53:02,040
Speaker 2: a culture that is completely foreign to her, And also

1105
00:53:02,120 --> 00:53:04,920
Speaker 2: watching them all sweat so hard to try to make

1106
00:53:05,000 --> 00:53:07,279
Speaker 2: Meca a thing. They're all getting on their Instagram, like

1107
00:53:07,440 --> 00:53:09,400
Speaker 2: we're so excited for you guys to meet Mekka, and

1108
00:53:09,400 --> 00:53:10,400
Speaker 2: NEA's incredible.

1109
00:53:10,560 --> 00:53:15,520
Speaker 1: It's like, Mekka is total not today, Meka, not today?

1110
00:53:15,640 --> 00:53:18,240
Speaker 1: What is it? Not today today? Not today?

1111
00:53:18,440 --> 00:53:22,480
Speaker 2: Today, the ankles, ankle, not today, Satan not today. Say

1112
00:53:23,120 --> 00:53:25,560
Speaker 2: we miss you Candae on the show? I mean Hana's

1113
00:53:25,920 --> 00:53:27,680
Speaker 2: she was on the show this episode, but I just

1114
00:53:28,200 --> 00:53:30,879
Speaker 2: where you've been, where you been anyway, she's been on tour,

1115
00:53:31,400 --> 00:53:34,799
Speaker 2: and that's what's doing on the tour. Okay, I do

1116
00:53:34,920 --> 00:53:37,239
Speaker 2: have and I don't think so, honey, And I wish

1117
00:53:37,320 --> 00:53:40,040
Speaker 2: I didn't. Oh, I wish I did it. I'm sorry,

1118
00:53:40,160 --> 00:53:52,040
Speaker 2: It's okay, now, Rogers, I don't think so many times

1119
00:53:52,040 --> 00:53:53,520
Speaker 2: starts now, I don't.

1120
00:53:53,360 --> 00:53:54,040
Speaker 1: Think so, honey.

1121
00:53:54,120 --> 00:53:59,920
Speaker 2: The song from Wish, Oh, I just missed the day

1122
00:54:00,239 --> 00:54:04,000
Speaker 2: of majesty in these Disney songs, Like I'm listening to

1123
00:54:04,040 --> 00:54:08,080
Speaker 2: the song from Wish and I'm rooting for Wish, like

1124
00:54:08,120 --> 00:54:11,200
Speaker 2: I root for every like Disney Princess movie that comes out.

1125
00:54:11,480 --> 00:54:13,359
Speaker 2: And then here's what I would say, like to give

1126
00:54:13,400 --> 00:54:17,480
Speaker 2: some feedback, like too many words, like where is the

1127
00:54:17,520 --> 00:54:20,239
Speaker 2: timeless melody? Where is the timeless? Like easy thing to

1128
00:54:20,320 --> 00:54:23,040
Speaker 2: let you into, like where is seconds the days of

1129
00:54:23,200 --> 00:54:26,280
Speaker 2: Alan Mankin and Howard Ashman, like we need to find

1130
00:54:26,400 --> 00:54:29,120
Speaker 2: And I love Julia Michaels, but she is a pop songwriter,

1131
00:54:29,600 --> 00:54:31,680
Speaker 2: and I feel like there's like a lack of like

1132
00:54:31,800 --> 00:54:36,560
Speaker 2: timelessness or like memorability to the melodies in this Seconds.

1133
00:54:36,800 --> 00:54:38,839
Speaker 2: And I listened to like the soundtrack today and I'm

1134
00:54:38,880 --> 00:54:42,479
Speaker 2: just like, we're missing some of the magic. And that's

1135
00:54:42,520 --> 00:54:44,640
Speaker 2: to not to say too much about like the whole

1136
00:54:44,640 --> 00:54:48,279
Speaker 2: fucking thing, but where is the magic? We need less

1137
00:54:48,320 --> 00:54:50,919
Speaker 2: words to find it. I didn't like the song and Wish,

1138
00:54:50,920 --> 00:54:53,239
Speaker 2: I don't think so, honey, And that's one minute. And

1139
00:54:53,400 --> 00:54:57,000
Speaker 2: it's so interesting because all of the promotional stuff about

1140
00:54:57,000 --> 00:54:59,040
Speaker 2: this movie is making it seem like this is the

1141
00:54:59,040 --> 00:55:01,920
Speaker 2: best I want song Disney has ever written. First of all,

1142
00:55:02,040 --> 00:55:05,319
Speaker 2: you have to say it, it probably isn't true. And

1143
00:55:05,360 --> 00:55:09,800
Speaker 2: also it's like, let's not pretend like the steaks aren't

1144
00:55:09,880 --> 00:55:11,960
Speaker 2: so high in terms of that, I mean, like part

1145
00:55:11,960 --> 00:55:13,680
Speaker 2: of your world is staring us in the face. By

1146
00:55:13,719 --> 00:55:16,000
Speaker 2: the way, there was a rolling Stone list about the

1147
00:55:16,000 --> 00:55:20,759
Speaker 2: top ten Disney movies, and I actually agreed with it.

1148
00:55:20,760 --> 00:55:23,239
Speaker 2: It wasn't that I agreed or disagreed. I was just like, Okay,

1149
00:55:23,239 --> 00:55:24,919
Speaker 2: it's a rolling Stone, lest here we go. They chose

1150
00:55:24,960 --> 00:55:27,759
Speaker 2: Bambi as number one. That's ridiculous, which I actually I

1151
00:55:27,760 --> 00:55:29,719
Speaker 2: don't think is ridiculous. I actually think it's kind of

1152
00:55:29,760 --> 00:55:33,160
Speaker 2: like a chic choice because I mean, the animation was

1153
00:55:33,200 --> 00:55:36,359
Speaker 2: revolutionary for the time. It's very emotional story like it's

1154
00:55:36,400 --> 00:55:39,399
Speaker 2: also like og og Disney, So I kind of got that.

1155
00:55:39,680 --> 00:55:41,560
Speaker 2: But then the Lion King wasn't even in the top

1156
00:55:41,600 --> 00:55:45,680
Speaker 2: ten see and like the recent Winnie the Pooh was

1157
00:55:45,920 --> 00:55:48,239
Speaker 2: no And I'm like rolling Stone, rolling Stone being wrong,

1158
00:55:48,320 --> 00:55:51,360
Speaker 2: you gotta stop. Like it was giving Celindia not on

1159
00:55:51,400 --> 00:55:54,920
Speaker 2: the list vibes at some point, but at least like

1160
00:55:55,000 --> 00:55:57,400
Speaker 2: there was like some respect for in there, for the

1161
00:55:57,400 --> 00:55:59,840
Speaker 2: classic like Little Mermaid was ranked very high, and I'm like, yes,

1162
00:56:00,120 --> 00:56:03,440
Speaker 2: because Little Mermaid, like at least the songs in the original,

1163
00:56:03,760 --> 00:56:06,000
Speaker 2: like you don't ever forget them, Beauty and the Beast,

1164
00:56:06,080 --> 00:56:10,239
Speaker 2: that duo, there's something there that's like timeless. And I

1165
00:56:10,360 --> 00:56:14,440
Speaker 2: feel like in this Wish song, which I believe is

1166
00:56:14,480 --> 00:56:18,880
Speaker 2: called I Wish, I'm not able to like latch onto

1167
00:56:19,000 --> 00:56:22,120
Speaker 2: anything about the song because I think it's too crowded

1168
00:56:22,760 --> 00:56:27,400
Speaker 2: narratively and like there's nothing we're not aiming for the

1169
00:56:27,440 --> 00:56:33,160
Speaker 2: stars in terms of like feeling classic. And yet I

1170
00:56:33,200 --> 00:56:38,760
Speaker 2: think Disney has poured in so much into it being

1171
00:56:39,320 --> 00:56:44,080
Speaker 2: Disney one hundred, let's really cement the legacy of the

1172
00:56:44,160 --> 00:56:47,040
Speaker 2: last century of what we've put out, and like this

1173
00:56:47,120 --> 00:56:49,520
Speaker 2: is like they've had a weird year.

1174
00:56:49,680 --> 00:56:51,759
Speaker 1: A bad one, They've had a not good year. I

1175
00:56:51,760 --> 00:56:52,040
Speaker 1: think that.

1176
00:56:52,200 --> 00:56:54,919
Speaker 2: So the thing with Wish is it quote unquote isn't

1177
00:56:54,960 --> 00:56:57,040
Speaker 2: succeeding right now at the box office, but it did

1178
00:56:57,040 --> 00:56:59,200
Speaker 2: get an a Cinema score, and it's something that could

1179
00:56:59,200 --> 00:57:01,279
Speaker 2: play through the holiday. I mean, they said Elemental was

1180
00:57:01,280 --> 00:57:03,080
Speaker 2: a flop and then it actually made a lot of money.

1181
00:57:03,280 --> 00:57:05,720
Speaker 2: It's now categorized as a sleeper hit, which I didn't

1182
00:57:05,719 --> 00:57:09,040
Speaker 2: even know, because I feel like there's so much emphasis

1183
00:57:09,040 --> 00:57:10,880
Speaker 2: put on like the opening weekends for things like this.

1184
00:57:11,000 --> 00:57:14,320
Speaker 2: But you have to also remember Frozen was a huge

1185
00:57:14,560 --> 00:57:18,640
Speaker 2: sleeper phenomenon, like that was not a hugely popular movie

1186
00:57:18,680 --> 00:57:21,040
Speaker 2: and it's even its first two weeks, and then as

1187
00:57:21,160 --> 00:57:23,800
Speaker 2: kids started to express that they loved it, like then

1188
00:57:23,840 --> 00:57:27,160
Speaker 2: it grew so like I feel like there's potential for

1189
00:57:27,240 --> 00:57:29,560
Speaker 2: Wish to do well. But here's the thing is, it's

1190
00:57:29,560 --> 00:57:34,680
Speaker 2: like you need something that's like a really driving, intangible

1191
00:57:35,200 --> 00:57:38,000
Speaker 2: for something like this movie to succeed, and Frozen had

1192
00:57:38,040 --> 00:57:40,280
Speaker 2: that with Let It Go and the other songs. The

1193
00:57:40,440 --> 00:57:44,160
Speaker 2: songs are not songing on this album. And it's no

1194
00:57:44,320 --> 00:57:47,600
Speaker 2: disrespect to Julia Michaels, who I think is a great

1195
00:57:47,640 --> 00:57:51,440
Speaker 2: pop songwriter and a great pop artist, but there's something

1196
00:57:51,520 --> 00:57:56,800
Speaker 2: that's like not connecting in terms of like you can't

1197
00:57:56,800 --> 00:57:59,120
Speaker 2: there's no emotional into these songs and I haven't seen

1198
00:57:59,160 --> 00:57:59,720
Speaker 2: them in context.

1199
00:57:59,760 --> 00:58:01,640
Speaker 1: I have and seeing the movie.

1200
00:58:01,320 --> 00:58:03,760
Speaker 2: But it's just been a weird year because that didn't

1201
00:58:03,760 --> 00:58:06,440
Speaker 2: do well and then the Marvels like really didn't do well.

1202
00:58:06,920 --> 00:58:09,280
Speaker 2: And I think that Disney's plan going forward is to

1203
00:58:09,320 --> 00:58:11,480
Speaker 2: funnel Like I think it's like twenty billion into the

1204
00:58:11,480 --> 00:58:13,840
Speaker 2: theme parks. It's all going into the parks, yeah, because

1205
00:58:13,840 --> 00:58:17,320
Speaker 2: they're the only real division of Disney that is growing,

1206
00:58:18,040 --> 00:58:20,360
Speaker 2: are the parks, because there was like a theme park resurgence.

1207
00:58:20,760 --> 00:58:22,320
Speaker 2: And I guess my thing is, like you had a

1208
00:58:22,320 --> 00:58:25,840
Speaker 2: lot to do with that, absolutely, But I guess my

1209
00:58:25,920 --> 00:58:29,960
Speaker 2: thing is like what happens when the ip all just

1210
00:58:30,000 --> 00:58:32,320
Speaker 2: like collapses in on itself, you know what I mean,

1211
00:58:32,400 --> 00:58:36,600
Speaker 2: Like the marvel it's so confusing and saturated now that

1212
00:58:36,680 --> 00:58:38,640
Speaker 2: I think people didn't go see the Marvels because they

1213
00:58:38,640 --> 00:58:39,240
Speaker 2: were like, I'm not.

1214
00:58:39,200 --> 00:58:39,800
Speaker 1: Gonna get it.

1215
00:58:40,040 --> 00:58:44,400
Speaker 2: No, it's they had an opportunity to like really reset

1216
00:58:44,400 --> 00:58:50,240
Speaker 2: it after endgame, Yeah, and they just kept like sizing

1217
00:58:50,320 --> 00:58:52,560
Speaker 2: up the bubble and yeah, it was like it was

1218
00:58:52,600 --> 00:58:57,400
Speaker 2: impossible to follow. It's unreal how much you'd have to

1219
00:58:57,440 --> 00:59:02,160
Speaker 2: consume to truly understand what's happening in any given piece

1220
00:59:02,160 --> 00:59:03,920
Speaker 2: of content that's come out from Marble in the past

1221
00:59:03,920 --> 00:59:04,400
Speaker 2: two years.

1222
00:59:04,680 --> 00:59:08,560
Speaker 1: You tell me, like Jonathan Majors plays King, and I'm like,

1223
00:59:08,760 --> 00:59:10,760
Speaker 1: which knows a whole thing? Well, I just think like.

1224
00:59:10,760 --> 00:59:16,040
Speaker 2: They've had a lot of bad luck and Destin Daniel

1225
00:59:16,240 --> 00:59:19,479
Speaker 2: dropped out of the Next Avengers movie, and he's gonna

1226
00:59:19,480 --> 00:59:22,560
Speaker 2: still direct to the shang Hi film. Something's going on

1227
00:59:22,600 --> 00:59:25,520
Speaker 2: at Disney, And like, I think the little drips of

1228
00:59:25,680 --> 00:59:29,040
Speaker 2: news and announcements lately have been so interesting too, between

1229
00:59:29,120 --> 00:59:31,840
Speaker 2: like Inside Out and this whole thing about like oh,

1230
00:59:32,000 --> 00:59:34,560
Speaker 2: Toy Story five and Frozen four, it's like, okay, but like,

1231
00:59:35,040 --> 00:59:37,360
Speaker 2: just give us a second. I don't know, I just

1232
00:59:37,400 --> 00:59:39,920
Speaker 2: I just say they're obsessed with announcements. Yeah, yeah, Like

1233
00:59:39,960 --> 00:59:42,440
Speaker 2: they're so obsessed with letting you know what's happening so

1234
00:59:42,480 --> 00:59:44,800
Speaker 2: that you know down the road everything, and then you

1235
00:59:44,840 --> 00:59:47,280
Speaker 2: look at it and you're like wow, so you're truly

1236
00:59:47,400 --> 00:59:52,800
Speaker 2: banking on this regurgitative ip again and again and again

1237
00:59:52,840 --> 00:59:55,600
Speaker 2: and again, and then even your original stuff feels derivative,

1238
00:59:55,720 --> 00:59:59,720
Speaker 2: Like just on face value, wish feels very isn't it?

1239
01:00:01,680 --> 01:00:03,680
Speaker 1: Story of it? I think there might be something to.

1240
01:00:03,800 --> 01:00:06,919
Speaker 2: That, like this is the world where like wishes get

1241
01:00:07,000 --> 01:00:09,600
Speaker 2: doled out to every little Disney world, you know, or

1242
01:00:09,640 --> 01:00:10,280
Speaker 2: something like that.

1243
01:00:10,480 --> 01:00:12,840
Speaker 1: I guess I gotta, you know, do my due diligence

1244
01:00:12,880 --> 01:00:13,680
Speaker 1: and see it more.

1245
01:00:13,720 --> 01:00:17,800
Speaker 2: But like I don't know, Like usually like I'm more excited,

1246
01:00:17,920 --> 01:00:21,120
Speaker 2: but I think that there's just something going on where

1247
01:00:21,720 --> 01:00:25,720
Speaker 2: every single like big ip for Disney, like Star Wars,

1248
01:00:25,800 --> 01:00:29,200
Speaker 2: like Marvel, like even though the Disney princesses and like

1249
01:00:29,240 --> 01:00:31,760
Speaker 2: that whole thing, it just feels like it's all kind

1250
01:00:31,760 --> 01:00:35,240
Speaker 2: of just like collapsing in on itself, where I guess

1251
01:00:35,280 --> 01:00:37,200
Speaker 2: they can put all the money to the theme parks

1252
01:00:37,240 --> 01:00:41,200
Speaker 2: because that ip there feels very special and new because

1253
01:00:41,200 --> 01:00:44,680
Speaker 2: you're experiencing it, But it's not getting people to elect

1254
01:00:44,800 --> 01:00:48,400
Speaker 2: to go to the movies, yes, because it doesn't feel

1255
01:00:48,560 --> 01:00:51,120
Speaker 2: like there's not a lot of pull to I feel

1256
01:00:51,120 --> 01:00:54,200
Speaker 2: like I've barely even seen Wish promoted. Well he don't

1257
01:00:54,200 --> 01:00:58,360
Speaker 2: follow our end of bows on Instagram, I think I do, Oh, okay, well.

1258
01:00:58,280 --> 01:00:59,240
Speaker 1: Then you have no excuse.

1259
01:00:59,480 --> 01:01:02,160
Speaker 2: It gets like god it talking about Disney like this

1260
01:01:02,240 --> 01:01:06,000
Speaker 2: makes me think that Kingdom Hearts really is the perfect

1261
01:01:06,160 --> 01:01:08,960
Speaker 2: case study in this because it peaked.

1262
01:01:08,600 --> 01:01:10,800
Speaker 1: And then it really fucking fell.

1263
01:01:11,360 --> 01:01:13,320
Speaker 2: It really kind of all like burst at the themes in

1264
01:01:13,320 --> 01:01:15,360
Speaker 2: a way that was just like what was that all for?

1265
01:01:16,040 --> 01:01:18,320
Speaker 2: It's like, let's celebrate all the Disney things and put

1266
01:01:18,360 --> 01:01:20,320
Speaker 2: that and like remix it with this new crazy like

1267
01:01:21,040 --> 01:01:25,560
Speaker 2: final fantasy element, and like it worked until it immediately

1268
01:01:25,600 --> 01:01:28,760
Speaker 2: stopped because there were so many titles. It was impossible

1269
01:01:28,800 --> 01:01:31,240
Speaker 2: to keep up with it. Like literally, this is like

1270
01:01:31,240 --> 01:01:34,000
Speaker 2: it is a microcosm for what's happening on a larger scaleton.

1271
01:01:34,080 --> 01:01:36,000
Speaker 2: This is my theory and I'm actually I'm onto something here.

1272
01:01:36,320 --> 01:01:38,240
Speaker 2: Kingdom Hearts, what happened with the Kingdom Heart series? And

1273
01:01:38,280 --> 01:01:40,240
Speaker 2: they're making a fourth one whatever, But what happened with

1274
01:01:40,240 --> 01:01:44,240
Speaker 2: the Kingdom Heart series is the perfect writ small thing

1275
01:01:44,360 --> 01:01:46,920
Speaker 2: of what's happening I think with let's say Disney as

1276
01:01:46,960 --> 01:01:50,920
Speaker 2: a whole, it's really interesting, Like it was just so

1277
01:01:51,040 --> 01:01:54,440
Speaker 2: convoluted you needed to watch like a twenty five minute

1278
01:01:54,480 --> 01:01:56,520
Speaker 2: movie before you could play the third one that came

1279
01:01:56,520 --> 01:01:59,240
Speaker 2: out a few years ago. It's just like, at what

1280
01:01:59,280 --> 01:02:03,200
Speaker 2: point do we like, Yeah, just like congeal things and

1281
01:02:03,240 --> 01:02:07,160
Speaker 2: like make things more digestible. Yeah, because there's a lot

1282
01:02:07,240 --> 01:02:10,240
Speaker 2: of asking people to buy into these universes, and the

1283
01:02:10,320 --> 01:02:13,960
Speaker 2: universes are just so like I actually read a Wikipedia.

1284
01:02:14,480 --> 01:02:17,520
Speaker 2: I read the Wikipedia of the plot of the Marvels,

1285
01:02:18,040 --> 01:02:21,200
Speaker 2: and I was just like, what, why can't this just

1286
01:02:21,280 --> 01:02:24,920
Speaker 2: be these three ladies kick ass? Why can't this just

1287
01:02:24,960 --> 01:02:28,520
Speaker 2: be Mama's slay, Mama's slay. Literally, the Marvels should have

1288
01:02:28,760 --> 01:02:31,440
Speaker 2: just been Mama's It would have been so fun. It

1289
01:02:31,440 --> 01:02:33,120
Speaker 2: would have been incredibly fun.

1290
01:02:33,480 --> 01:02:35,520
Speaker 1: It's like they can only slay in a certain universe,

1291
01:02:35,560 --> 01:02:38,560
Speaker 1: because when you slay too hard in universe be universe

1292
01:02:38,600 --> 01:02:41,920
Speaker 1: c is not so sligh? Wait, what are those little

1293
01:02:42,120 --> 01:02:46,439
Speaker 1: green guys? Aliens? Don't talk to me? I don't. Don't.

1294
01:02:46,960 --> 01:02:50,800
Speaker 2: We need a Mama's Slay movie so badly. We need

1295
01:02:50,960 --> 01:02:54,880
Speaker 2: this decade's version of Charlie's Angels full throttle. We need

1296
01:02:54,920 --> 01:02:58,320
Speaker 2: Mamas Slay the movie. Now, what has been mama slay recently?

1297
01:02:58,400 --> 01:03:03,360
Speaker 2: That has been that has poppedlated? Barbie? You said Barbie

1298
01:03:03,360 --> 01:03:04,440
Speaker 2: Hays had made a number.

1299
01:03:04,560 --> 01:03:07,360
Speaker 1: First of all, describing made a number as mama is

1300
01:03:07,720 --> 01:03:08,400
Speaker 1: so dark.

1301
01:03:08,520 --> 01:03:11,440
Speaker 2: Barbie is not even Mama's sleigh. I think Barbie is

1302
01:03:11,480 --> 01:03:14,080
Speaker 2: Mama's slag. I think Barbie is Mama's all around the

1303
01:03:14,080 --> 01:03:16,480
Speaker 2: world's sligh. And that's actually really clad your number one hundred.

1304
01:03:16,920 --> 01:03:19,680
Speaker 2: Barbie is Mama's all around the world sligh.

1305
01:03:19,920 --> 01:03:24,160
Speaker 1: No, Barbie is the flood not.

1306
01:03:24,920 --> 01:03:29,480
Speaker 2: So see that beautiful? It's beautiful and timeless and simple.

1307
01:03:30,080 --> 01:03:32,840
Speaker 2: You know what I'm saying, Billy, this is my favorite

1308
01:03:32,840 --> 01:03:36,440
Speaker 2: Billy lyric. Ever is I don't know how to feel,

1309
01:03:36,800 --> 01:03:39,120
Speaker 2: but I want to try. That is the whole movie,

1310
01:03:39,440 --> 01:03:41,680
Speaker 2: because I don't know how to feel. She's I don't

1311
01:03:41,680 --> 01:03:43,520
Speaker 2: know how to feel. But also she literally doesn't. She's

1312
01:03:43,520 --> 01:03:45,920
Speaker 2: a toy. Yeah, but she wants to try.

1313
01:03:46,600 --> 01:03:56,760
Speaker 1: My favorite Billie Eilish lyric is guy the talk about

1314
01:03:56,760 --> 01:03:57,320
Speaker 1: an artist.

1315
01:03:57,920 --> 01:04:01,080
Speaker 2: I love Billy, love Billy, Billy Billy for the pod.

1316
01:04:01,200 --> 01:04:03,440
Speaker 2: I think she'd be excellent. I think she would have fun.

1317
01:04:03,640 --> 01:04:06,920
Speaker 2: She's good vibes. I just looked at our producer. I said, yeah, Booker,

1318
01:04:07,800 --> 01:04:13,400
Speaker 2: look Billy, come on, but just Billy. No, no phineas parents,

1319
01:04:14,640 --> 01:04:15,400
Speaker 2: just get her in here.

1320
01:04:15,800 --> 01:04:17,120
Speaker 1: Let just Billy.

1321
01:04:17,200 --> 01:04:19,560
Speaker 2: We want to talk to Billy and really help her

1322
01:04:19,600 --> 01:04:22,160
Speaker 2: figure out her newfound lesbianism.

1323
01:04:22,520 --> 01:04:23,320
Speaker 1: Is she lesbian?

1324
01:04:23,400 --> 01:04:26,040
Speaker 2: Said that she's attracted to women, but she's intimidated by them, and.

1325
01:04:26,040 --> 01:04:27,720
Speaker 1: You think that we could help her figure that out.

1326
01:04:28,160 --> 01:04:31,160
Speaker 2: I think we're the perfect strippas to lesbianism. I think

1327
01:04:31,160 --> 01:04:34,000
Speaker 2: you said O were the perfect strippers and strippers. I

1328
01:04:34,080 --> 01:04:37,240
Speaker 2: think we stripped for her and then she definitely all.

1329
01:04:37,200 --> 01:04:41,520
Speaker 1: Right now I know would be gay TAXI.

1330
01:04:43,040 --> 01:04:46,600
Speaker 2: Oh my god, so fun. She is so stunning as

1331
01:04:46,600 --> 01:04:49,800
Speaker 2: an artist. You know, this has been an episode that

1332
01:04:49,800 --> 01:04:51,240
Speaker 2: has gotten all sorts of directions.

1333
01:04:51,280 --> 01:04:52,640
Speaker 1: I think we really slayed it.

1334
01:04:52,720 --> 01:04:54,680
Speaker 2: I think we slayed it. I think this was Mama's sleigh.

1335
01:04:55,040 --> 01:04:58,040
Speaker 2: I think we're boob gaye. We're boob gays on both

1336
01:04:58,080 --> 01:05:00,360
Speaker 2: sides of the coin where you have the boo bobs.

1337
01:05:00,880 --> 01:05:04,919
Speaker 1: If you were woman and I if you were woman,

1338
01:05:05,000 --> 01:05:06,040
Speaker 1: you'd be an appreciator.

1339
01:05:06,240 --> 01:05:08,840
Speaker 2: If you were fan presenting, you would have boobs here,

1340
01:05:09,440 --> 01:05:11,960
Speaker 2: you'd be boob gay in that regard. I'm boob gay

1341
01:05:12,200 --> 01:05:14,560
Speaker 2: and the fact that I am purveyor of boobs and

1342
01:05:14,640 --> 01:05:15,760
Speaker 2: I appreciate boobs.

1343
01:05:16,200 --> 01:05:19,240
Speaker 1: And with this thought we do end every episode of

1344
01:05:19,280 --> 01:05:27,360
Speaker 1: the song the food No just fall down, I know,

1345
01:05:28,800 --> 01:05:33,840
Speaker 1: but I'm the shore. Now what else ma for?

1346
01:05:36,880 --> 01:05:38,440
Speaker 2: What was MA.

1347
01:05:41,480 --> 01:05:48,760
Speaker 1: Called bookcase? Enjoy me? I'm sad.

1348
01:05:50,560 --> 01:06:04,720
Speaker 2: Don't tell boy, it's not what he's made. I made. Hey, everybody,

1349
01:06:04,760 --> 01:06:07,680
Speaker 2: it's Matt, and I'm very excited to let you know

1350
01:06:07,800 --> 01:06:10,480
Speaker 2: that my debut album, Have You Heard Of Christmas? Is

1351
01:06:10,520 --> 01:06:15,000
Speaker 2: out Friday, November three. Stream it everywhere in anywhere you

1352
01:06:15,120 --> 01:06:18,919
Speaker 2: do that and order the vinyl online now. I've also

1353
01:06:19,000 --> 01:06:22,840
Speaker 2: got new merch and tickets to my tour at www

1354
01:06:23,000 --> 01:06:27,640
Speaker 2: dot Matt Rogersofficial dot com. Starting December first in Philly

1355
01:06:27,920 --> 01:06:30,600
Speaker 2: and wrapping up December twenty third in New York City again.

1356
01:06:30,720 --> 01:06:35,439
Speaker 2: Check out www dot Matt rogersofficial dot com for all

1357
01:06:35,480 --> 01:06:40,680
Speaker 2: the new music, merch and tour info. Very exciting, it's

1358
01:06:40,920 --> 01:06:47,000
Speaker 2: officially Christmas