1 00:00:04,640 --> 00:00:07,040 Speaker 1: Hey, and welcome to the short stuff. I'm Josh, and 2 00:00:07,040 --> 00:00:10,400 Speaker 1: there's Chuck out over there, and Jerry's hanging around somewhere, 3 00:00:10,400 --> 00:00:15,400 Speaker 1: and this is short stuff about Vanta Black, which is 4 00:00:15,440 --> 00:00:18,640 Speaker 1: pretty cool. It is uh and it's funny. I never 5 00:00:18,680 --> 00:00:22,439 Speaker 1: really thought about variations of black until a couple of 6 00:00:22,520 --> 00:00:25,840 Speaker 1: years ago, when we finally were able to professionally renovate 7 00:00:25,880 --> 00:00:27,880 Speaker 1: our house and not just to have me do it poorly, 8 00:00:28,880 --> 00:00:32,040 Speaker 1: because I wanted my upstairs office to be black because 9 00:00:32,080 --> 00:00:34,640 Speaker 1: it's got lots of windows and tons of light, and 10 00:00:34,640 --> 00:00:36,960 Speaker 1: so it wouldn't have that, you know, dungeon like feel 11 00:00:37,000 --> 00:00:40,479 Speaker 1: even if it were black. And I didn't know how 12 00:00:40,560 --> 00:00:42,800 Speaker 1: many blacks there were to choose from until I started looking. 13 00:00:42,800 --> 00:00:47,680 Speaker 1: It was really interesting. Yeah, there's a ton and actually, um, 14 00:00:47,720 --> 00:00:51,519 Speaker 1: if you wanted to go super duper black Chuck, it 15 00:00:51,520 --> 00:00:54,440 Speaker 1: would it cost you a pretty penny had you been like, 16 00:00:54,480 --> 00:00:57,000 Speaker 1: I'm gonna paint this whole thing in Vanta black, because 17 00:00:57,800 --> 00:01:00,760 Speaker 1: that's some expensive stuff. I'm think you can buy it, 18 00:01:00,800 --> 00:01:04,200 Speaker 1: can't you. I don't know. I think there is something 19 00:01:04,360 --> 00:01:07,959 Speaker 1: called v b X two, which is a bit of 20 00:01:07,959 --> 00:01:11,560 Speaker 1: a paint, like an actual paint that you could spray 21 00:01:11,640 --> 00:01:14,160 Speaker 1: on but I yeah, I don't get the impression that 22 00:01:14,160 --> 00:01:16,119 Speaker 1: that you could buy it. And as a matter of fact, 23 00:01:16,160 --> 00:01:18,080 Speaker 1: I guess if you would buy it or tried to 24 00:01:18,120 --> 00:01:20,320 Speaker 1: buy it, you would be running a foul of a 25 00:01:20,400 --> 00:01:24,240 Speaker 1: license held by an artist name nich kapoor Um, who 26 00:01:24,400 --> 00:01:28,680 Speaker 1: supposedly is the only person legally allowed to buy Vanta Black. 27 00:01:28,760 --> 00:01:32,399 Speaker 1: So who knows in this crazy world. But a lot 28 00:01:32,400 --> 00:01:34,200 Speaker 1: of people are probably like, what are you guys talking about? 29 00:01:34,240 --> 00:01:36,240 Speaker 1: What was so great about this Vana Black that it 30 00:01:36,240 --> 00:01:39,520 Speaker 1: would it would war in its own short stuff episode? 31 00:01:39,920 --> 00:01:42,720 Speaker 1: And I say to those people, kick back and listen up, 32 00:01:42,760 --> 00:01:46,880 Speaker 1: because Vanta Black is pretty interesting stuff, that's right. Uh. 33 00:01:46,920 --> 00:01:49,920 Speaker 1: If you would be interested in having a really, really 34 00:01:49,960 --> 00:01:53,560 Speaker 1: really deep black, oh, let's say one that absorbs I 35 00:01:53,600 --> 00:01:58,160 Speaker 1: don't know, Pot nine six of light, then Vanta Black 36 00:01:58,240 --> 00:02:00,640 Speaker 1: is for you. It was I remember when US came out, 37 00:02:01,360 --> 00:02:04,040 Speaker 1: I think it's about six or seven years ago from 38 00:02:04,160 --> 00:02:07,760 Speaker 1: Surrey Nanosystems. Uh. They very much were proud of the 39 00:02:07,800 --> 00:02:11,200 Speaker 1: fact that they set a world record for their vertically 40 00:02:11,280 --> 00:02:14,520 Speaker 1: aligned nanotube array black, which is what it stands for 41 00:02:15,120 --> 00:02:19,040 Speaker 1: as being the blackest black of all time, right, and 42 00:02:19,200 --> 00:02:23,679 Speaker 1: it's called vertically aligned nanotube array black because uh it's 43 00:02:23,720 --> 00:02:27,959 Speaker 1: actually made up of nanotubes UM. I was looking into 44 00:02:28,000 --> 00:02:31,639 Speaker 1: it's like, well, how how would that create a black pigment? 45 00:02:32,320 --> 00:02:36,560 Speaker 1: And it's pretty interesting. These these tubes are super super 46 00:02:36,639 --> 00:02:40,239 Speaker 1: tall UM and they're so they're vertically oriented, so they're 47 00:02:40,240 --> 00:02:44,639 Speaker 1: standing up on end and apparently the ratio between their width, 48 00:02:44,639 --> 00:02:48,560 Speaker 1: their diameter, and their length is like one to one million, 49 00:02:49,320 --> 00:02:53,440 Speaker 1: So for say every nanometer that they are around, there 50 00:02:53,480 --> 00:02:59,400 Speaker 1: a million nanometers tall, and they're really tightly crowded together, 51 00:02:59,720 --> 00:03:03,800 Speaker 1: so there's like a billion nanotubes per square centimeter of 52 00:03:04,040 --> 00:03:07,720 Speaker 1: you know, whatever's painted van of black, and they actually 53 00:03:07,960 --> 00:03:12,360 Speaker 1: capture light. The light goes into these nanotubes and can't 54 00:03:12,400 --> 00:03:15,120 Speaker 1: find its way out and eventually just dissipates his heat, 55 00:03:15,480 --> 00:03:19,880 Speaker 1: which means that the reflective uh nous of anything painted 56 00:03:19,919 --> 00:03:25,280 Speaker 1: in vanta black or with nanocarbon nano um carbon tubes 57 00:03:25,800 --> 00:03:30,360 Speaker 1: UM like that, like you just don't see anything. There's 58 00:03:30,400 --> 00:03:34,200 Speaker 1: no ridges, there's no um depth, there's no anything. It's 59 00:03:34,280 --> 00:03:36,960 Speaker 1: just basically like you're looking at a void and all 60 00:03:37,000 --> 00:03:38,960 Speaker 1: you can see is the silhouette of that thing that's 61 00:03:38,960 --> 00:03:42,360 Speaker 1: painted van of black, which makes it pretty awesome. All right, 62 00:03:42,360 --> 00:03:44,600 Speaker 1: how about we take a break. That's a great cliffhanger, 63 00:03:45,520 --> 00:03:48,920 Speaker 1: and we'll talk a little bit about why anyone cares 64 00:03:49,680 --> 00:04:00,120 Speaker 1: because it is kind of cool. Right after this m 65 00:04:17,440 --> 00:04:21,120 Speaker 1: did you ever see spinal Tap? I think you did, right, Yes. 66 00:04:21,680 --> 00:04:26,000 Speaker 1: Do you remember the none more Black joke? No, it's 67 00:04:26,000 --> 00:04:29,159 Speaker 1: when they came out with their black album and they 68 00:04:29,200 --> 00:04:32,240 Speaker 1: said look at the cover, how black is that or 69 00:04:32,279 --> 00:04:34,720 Speaker 1: something like that, and he goes, it could be none 70 00:04:34,720 --> 00:04:38,400 Speaker 1: more black. And there's a very subtle joke in that 71 00:04:38,440 --> 00:04:40,400 Speaker 1: scene which I didn't pick up on until about my 72 00:04:40,480 --> 00:04:43,520 Speaker 1: thirtieth viewing, which is they have a record store release 73 00:04:43,640 --> 00:04:46,599 Speaker 1: signing for their black album and they're sitting there holding 74 00:04:46,640 --> 00:04:50,840 Speaker 1: black sharpiets, but they don't gave attention to it. That's great. 75 00:04:50,880 --> 00:04:53,479 Speaker 1: Those are usually the best kinds of jokes where you 76 00:04:53,520 --> 00:04:55,359 Speaker 1: know it's you just have to pick up on it. 77 00:04:55,480 --> 00:04:58,600 Speaker 1: You know it's pretty great. Um, So we teached you 78 00:04:58,600 --> 00:05:01,080 Speaker 1: with why would anyone care about having something that black? 79 00:05:01,680 --> 00:05:06,679 Speaker 1: And the original purpose of vanti Black was for space 80 00:05:06,680 --> 00:05:12,040 Speaker 1: travel or maybe an application on something to improve visibility 81 00:05:12,080 --> 00:05:16,760 Speaker 1: of something very in the very far distance. So I think, like, uh, 82 00:05:17,360 --> 00:05:19,919 Speaker 1: like if you have a telescope or something coding the 83 00:05:19,960 --> 00:05:22,520 Speaker 1: inside and maybe even outside of that. With Vanti black, 84 00:05:22,560 --> 00:05:25,359 Speaker 1: it would absorb all of that light coming in. That 85 00:05:25,520 --> 00:05:28,080 Speaker 1: really just takes away any glare that you could think of, 86 00:05:28,800 --> 00:05:33,120 Speaker 1: right exactly. So there's like a lot of scientific applications 87 00:05:33,160 --> 00:05:36,120 Speaker 1: to it. But if you say, like the black is black, 88 00:05:36,200 --> 00:05:39,480 Speaker 1: that doesn't really let light escape. It tends to also 89 00:05:39,960 --> 00:05:43,760 Speaker 1: um capture the attention of artists and designs and designers 90 00:05:43,880 --> 00:05:46,840 Speaker 1: of course, and designers qualify as artists, but you know, 91 00:05:47,240 --> 00:05:49,720 Speaker 1: we like to separate them out here there, and I 92 00:05:49,760 --> 00:05:54,640 Speaker 1: just did. And in fact, some car designers from BMW said, hey, 93 00:05:55,160 --> 00:05:58,520 Speaker 1: we want to use Vanto black to basically paint a 94 00:05:58,600 --> 00:06:03,680 Speaker 1: BMW x x um so that we can like look 95 00:06:03,720 --> 00:06:07,000 Speaker 1: at the silhouettes and not have to worry about, you know, 96 00:06:07,160 --> 00:06:09,719 Speaker 1: any kind of glare or anything like that. They basically 97 00:06:09,800 --> 00:06:11,440 Speaker 1: used it. I think they really did it as a 98 00:06:11,440 --> 00:06:15,120 Speaker 1: publicity stunt. They ostensibly did it so that they could 99 00:06:15,200 --> 00:06:18,800 Speaker 1: study the shapes of the cars without being distracted by 100 00:06:18,880 --> 00:06:22,080 Speaker 1: glare or reflection in there. And if you look at this, 101 00:06:22,080 --> 00:06:25,839 Speaker 1: this BMW X six, it is pretty cool to look at. 102 00:06:26,240 --> 00:06:28,520 Speaker 1: It's awesome. And I'm not even a card guy, but 103 00:06:28,560 --> 00:06:31,400 Speaker 1: I looked at that, and I was like, that's pretty sweet. Yeah, 104 00:06:31,440 --> 00:06:33,840 Speaker 1: because again, when you look at something like this head on, 105 00:06:33,960 --> 00:06:36,320 Speaker 1: it's letting such a little amount of light escape that 106 00:06:36,400 --> 00:06:41,320 Speaker 1: there's there's no there's no perspective or or any angles 107 00:06:41,400 --> 00:06:45,839 Speaker 1: or anything in it. It's just the silhouette of it. Ideally. Um, 108 00:06:45,880 --> 00:06:47,599 Speaker 1: so it is pretty cool to look at. But I 109 00:06:47,640 --> 00:06:51,320 Speaker 1: saw a watch by H. Moser and Company. Um, they 110 00:06:51,440 --> 00:06:56,440 Speaker 1: released a seventy five thousand dollar Vanta black watch and 111 00:06:56,520 --> 00:07:00,920 Speaker 1: the the the minute and our hands are just hovering 112 00:07:01,120 --> 00:07:05,000 Speaker 1: in the middle of this chasm, this void. That's the 113 00:07:05,040 --> 00:07:08,640 Speaker 1: watch face which has been painted vana black. It's it's 114 00:07:08,720 --> 00:07:10,760 Speaker 1: it's very cool to see as a matter of fact. 115 00:07:10,800 --> 00:07:12,880 Speaker 1: So it's really hard to come by, but every once 116 00:07:12,880 --> 00:07:16,640 Speaker 1: in a while people use it to a pretty great effect. Um, 117 00:07:16,680 --> 00:07:18,680 Speaker 1: I'll spring for a slide whistle for you. You're not 118 00:07:18,720 --> 00:07:23,120 Speaker 1: getting that watch, okay, all right for now, give it, 119 00:07:23,120 --> 00:07:25,120 Speaker 1: give us a few more years, hopefully. But I did 120 00:07:25,120 --> 00:07:27,480 Speaker 1: research and get you the best slide whistle there is. 121 00:07:28,000 --> 00:07:30,800 Speaker 1: It's a good slide whistle. And I will eventually break now, 122 00:07:30,920 --> 00:07:32,360 Speaker 1: I know, I know we're gonna hear it. This is 123 00:07:32,360 --> 00:07:35,640 Speaker 1: I like building the suspense. Yeah, yeah, that's where Showman 124 00:07:35,720 --> 00:07:38,560 Speaker 1: if anything for that BMW though they couldn't use the 125 00:07:38,560 --> 00:07:42,480 Speaker 1: original vant To black. They had to use different arrangements 126 00:07:42,520 --> 00:07:46,080 Speaker 1: of the carbon nanotubes to even get something that you 127 00:07:46,120 --> 00:07:48,840 Speaker 1: could apply as like a car paint, so they had 128 00:07:48,840 --> 00:07:52,760 Speaker 1: to kind of rearrange things a little bit. They eventually, um, 129 00:07:52,800 --> 00:07:55,200 Speaker 1: and also something that doesn't have to be grown in 130 00:07:55,240 --> 00:07:58,440 Speaker 1: a CBD reactor, which is problematic if you want to 131 00:07:58,480 --> 00:08:01,320 Speaker 1: paint a car. Uh. They eventually did come up with that, 132 00:08:01,440 --> 00:08:04,520 Speaker 1: and like you said, the thing looks really nice. Um, 133 00:08:04,560 --> 00:08:06,640 Speaker 1: and it's kind of like you should when you get 134 00:08:06,640 --> 00:08:09,160 Speaker 1: a safe place to look this thing up. You really 135 00:08:09,160 --> 00:08:10,520 Speaker 1: need to put your eyes on it to kind of 136 00:08:10,560 --> 00:08:13,080 Speaker 1: see what you mean. But it is interesting to see 137 00:08:13,080 --> 00:08:15,320 Speaker 1: a car. I mean, obviously you see a car. They 138 00:08:15,440 --> 00:08:18,200 Speaker 1: use words like it disappears and it's invisible and it's 139 00:08:18,240 --> 00:08:24,040 Speaker 1: not invisible, but the details are a bit invisible. Yeah, um. 140 00:08:24,080 --> 00:08:25,680 Speaker 1: And I mean I don't know if we've said it 141 00:08:25,760 --> 00:08:28,600 Speaker 1: or not, but the original Vanto Black was clocked in 142 00:08:28,680 --> 00:08:33,040 Speaker 1: at UM absorbing ninety nine point nine six five percent 143 00:08:33,240 --> 00:08:37,040 Speaker 1: of visible light. Yea, that oh we did. Okay, I'm 144 00:08:37,040 --> 00:08:39,400 Speaker 1: sorry I didn't catch that. But the the so that 145 00:08:39,480 --> 00:08:43,000 Speaker 1: was kind of like the the trend that was there, 146 00:08:43,040 --> 00:08:46,920 Speaker 1: the benchmark that was set. But apparently some other people 147 00:08:46,960 --> 00:08:48,840 Speaker 1: have said, we can do better than that. And I 148 00:08:48,880 --> 00:08:52,000 Speaker 1: guess in September of two thousand nineteen, Chuck, a group 149 00:08:52,040 --> 00:08:54,440 Speaker 1: from M I T did just that. They came up 150 00:08:54,480 --> 00:08:58,400 Speaker 1: with a type of black that's actually blacker than Vanto black. 151 00:08:58,760 --> 00:09:03,240 Speaker 1: And it uses the same technology of carbon nanotubes UM 152 00:09:03,280 --> 00:09:08,959 Speaker 1: and it is it captures point nine nine five percent 153 00:09:09,400 --> 00:09:13,800 Speaker 1: of visible light, which makes it officially blacker than Vanto black. 154 00:09:14,600 --> 00:09:16,679 Speaker 1: And like I was saying, this kind of stuff captures 155 00:09:16,679 --> 00:09:20,080 Speaker 1: the attention of artists and designers. UM. And there was 156 00:09:20,240 --> 00:09:24,760 Speaker 1: a an artist named, oh what was her name? She's 157 00:09:24,800 --> 00:09:29,559 Speaker 1: a German artist named DeMott stribe s t r e 158 00:09:29,720 --> 00:09:32,360 Speaker 1: b e Is. Did I say that correctly? M hmmm. 159 00:09:33,280 --> 00:09:37,839 Speaker 1: I might say Streba, but I don't know this way better. Um. 160 00:09:37,880 --> 00:09:41,280 Speaker 1: She took a diamond, a two million dollar diamond, and 161 00:09:41,360 --> 00:09:44,480 Speaker 1: had it coated with this new black or black, so 162 00:09:44,520 --> 00:09:47,560 Speaker 1: it's like a void, a diamond void. It It's just 163 00:09:47,840 --> 00:09:51,040 Speaker 1: amazing stuff to see this. It just takes over this 164 00:09:51,120 --> 00:09:53,880 Speaker 1: thing and and and basically plunges it into a black hole. 165 00:09:53,960 --> 00:09:57,000 Speaker 1: No matter what you coated with Yeah. And if you 166 00:09:57,040 --> 00:09:59,160 Speaker 1: are redoing your house and you want to have a 167 00:09:59,200 --> 00:10:02,600 Speaker 1: black office like me, Um, I chose one that you know, 168 00:10:02,679 --> 00:10:04,679 Speaker 1: now that I look at it, it definitely looks black, 169 00:10:04,760 --> 00:10:07,520 Speaker 1: but you could argue that there's a little bit of 170 00:10:07,559 --> 00:10:10,640 Speaker 1: gray to it. Um. If you do want something super black, though, 171 00:10:10,679 --> 00:10:13,120 Speaker 1: there's an artist named Stuart Simple s E. M P 172 00:10:13,280 --> 00:10:16,280 Speaker 1: l E. That made to Matt black acrylic paints black 173 00:10:16,360 --> 00:10:19,320 Speaker 1: two point oh and black three point oh, which are 174 00:10:19,320 --> 00:10:23,120 Speaker 1: apparently really really black. Yeah they are, and so so 175 00:10:23,160 --> 00:10:26,480 Speaker 1: I mentioned earlier the artist A Niche Kapoor. Well, A 176 00:10:26,559 --> 00:10:30,200 Speaker 1: Niche Kapoor and Stuart Simple are in an art war, 177 00:10:30,640 --> 00:10:34,599 Speaker 1: a good old fashioned art showdown, because Stuart Simple is 178 00:10:34,640 --> 00:10:37,840 Speaker 1: not very happy that a Niche Kapoor has the market 179 00:10:37,880 --> 00:10:42,640 Speaker 1: cornered legally on vanta black. So Stuart Simple makes his 180 00:10:42,679 --> 00:10:46,480 Speaker 1: own pigments and sells them. And if you go by them, 181 00:10:46,520 --> 00:10:48,559 Speaker 1: you mean went and bought a tube of this, uh 182 00:10:48,640 --> 00:10:52,200 Speaker 1: this black three dotto today and yeah, and in it 183 00:10:52,320 --> 00:10:55,280 Speaker 1: when you're buying it, you have to say, I affirm 184 00:10:55,360 --> 00:10:57,600 Speaker 1: that I'm not a Niche Kapoor, that I'm not an 185 00:10:57,600 --> 00:11:00,120 Speaker 1: associate of a Niche Kapoor. This is not going to 186 00:11:00,160 --> 00:11:01,880 Speaker 1: get into the hands of a Niche Kapoor. I'm not 187 00:11:01,960 --> 00:11:04,840 Speaker 1: buying it for him. Um. You have to like click 188 00:11:04,880 --> 00:11:07,640 Speaker 1: that box that says all that before you can actually 189 00:11:07,679 --> 00:11:10,640 Speaker 1: purchase the stuff. Um, which is pretty great. And I 190 00:11:10,679 --> 00:11:13,679 Speaker 1: was like, a Niche Kapoor sounds kind of familiar. And 191 00:11:13,720 --> 00:11:18,040 Speaker 1: it turns out we've actually seen his work. Um you 192 00:11:18,080 --> 00:11:19,680 Speaker 1: mean I don't think you and I have ever seen 193 00:11:19,720 --> 00:11:22,880 Speaker 1: his work together. Um at the Hirshworm Museum in d C. 194 00:11:23,480 --> 00:11:26,679 Speaker 1: And he has these like giant eggs and the inside 195 00:11:26,760 --> 00:11:29,920 Speaker 1: is painted vanta black. And it's one of the coolest 196 00:11:29,920 --> 00:11:32,000 Speaker 1: things I've ever seen in my life because it really 197 00:11:32,080 --> 00:11:34,800 Speaker 1: is like you're looking into a black hole. Like if 198 00:11:34,840 --> 00:11:37,240 Speaker 1: you stuck your hand in, it would just keep going 199 00:11:37,280 --> 00:11:41,240 Speaker 1: into another dimension, is what it looks like it really is. 200 00:11:41,679 --> 00:11:45,360 Speaker 1: I think that the Stewart's simple a Niche Kapoor feud, 201 00:11:45,920 --> 00:11:48,400 Speaker 1: we should warn its own short stuff one day and 202 00:11:48,480 --> 00:11:52,400 Speaker 1: let's hope it doesn't end in bloodshed. Yes, let's hope. Uh. 203 00:11:52,440 --> 00:11:56,679 Speaker 1: And well, since we hoped against bloodshed, I think that 204 00:11:56,720 --> 00:11:58,840 Speaker 1: means we've reached the end of short stuff, don't you chuck? 205 00:11:59,120 --> 00:12:02,400 Speaker 1: Does that mean we're out short Stuff at m H. 206 00:12:04,760 --> 00:12:07,040 Speaker 1: Stuff you Should Know is a production of iHeart Radio's 207 00:12:07,040 --> 00:12:09,760 Speaker 1: How Stuff Works. For more podcasts for My heart Radio, 208 00:12:09,880 --> 00:12:12,720 Speaker 1: visit the iHeart Radio app, Apple Podcasts, or wherever you 209 00:12:12,760 --> 00:12:16,880 Speaker 1: listen to your favorite shows. H