1 00:00:01,720 --> 00:00:04,440 Speaker 1: And That's what you really missed with Jenna. 2 00:00:04,440 --> 00:00:07,080 Speaker 2: And Kevin and iHeartRadio podcast. 3 00:00:08,920 --> 00:00:13,080 Speaker 1: Welcome to and That's what you Really miss podcast recap addition, 4 00:00:14,240 --> 00:00:16,680 Speaker 1: The one and only. This is a big one, Jenna, 5 00:00:16,920 --> 00:00:20,560 Speaker 1: really big one, one of the biggest, Yeah, breaking records, 6 00:00:20,840 --> 00:00:22,400 Speaker 1: cap Hop Demon Hunters. 7 00:00:22,920 --> 00:00:24,360 Speaker 2: Finally our first time. 8 00:00:24,840 --> 00:00:27,600 Speaker 1: It's sad because like I was reading our you know, 9 00:00:27,680 --> 00:00:31,080 Speaker 1: little research document before and I was like, oh my god, 10 00:00:31,120 --> 00:00:36,400 Speaker 1: this came out in June. Yeah it is. I was like, 11 00:00:36,800 --> 00:00:40,640 Speaker 1: how did we miss that boat? Oftentimes, though, I will 12 00:00:40,640 --> 00:00:42,879 Speaker 1: say I will wait until the hype is done and 13 00:00:42,920 --> 00:00:47,360 Speaker 1: then I will watch something that's fair. So this tracks 14 00:00:47,400 --> 00:00:50,879 Speaker 1: for me. I feel like you would have seen this already. 15 00:00:50,560 --> 00:00:54,440 Speaker 2: Kevin, Yeah, I didn't because I was waiting for this. 16 00:00:54,680 --> 00:00:57,920 Speaker 1: Okay, we knew, we knew it was coming. Yeah, this 17 00:00:57,960 --> 00:00:59,480 Speaker 1: is Demon Hunters, wasn't it. 18 00:00:59,600 --> 00:01:02,840 Speaker 2: I was going to cheat on you and watch it before, 19 00:01:02,920 --> 00:01:04,520 Speaker 2: but I knew i'd have to watch it again because 20 00:01:04,560 --> 00:01:07,520 Speaker 2: my memory is, yeah, you good enough to retain anything. 21 00:01:07,600 --> 00:01:11,160 Speaker 1: Thousand. Okay, this is capop Demon Hunters. Let's just do it. 22 00:01:11,480 --> 00:01:14,880 Speaker 1: The premiere date of this was June twentieth, twenty twenty five, 23 00:01:15,440 --> 00:01:16,640 Speaker 1: not so long ago. 24 00:01:17,319 --> 00:01:20,959 Speaker 2: No, Number one song in the country was Ordinary by 25 00:01:21,040 --> 00:01:21,679 Speaker 2: Alex Warren. 26 00:01:21,800 --> 00:01:24,840 Speaker 1: Of course, number one movie was twenty eight years later. 27 00:01:24,959 --> 00:01:28,120 Speaker 1: I don't even know how many movies they've done of this, Fraguic. 28 00:01:28,360 --> 00:01:32,560 Speaker 2: This was the third twenty eight Yes, it's but they've 29 00:01:32,640 --> 00:01:34,640 Speaker 2: now done like one or two more since this too. 30 00:01:34,959 --> 00:01:36,800 Speaker 1: No, this has to be more than that. I know 31 00:01:36,920 --> 00:01:38,160 Speaker 1: this was a hundred of these. 32 00:01:38,480 --> 00:01:41,720 Speaker 2: It was twenty eight days, twenty eight or was it 33 00:01:41,760 --> 00:01:45,120 Speaker 2: twenty eight days, twenty eight weeks, twenty eight years? 34 00:01:46,040 --> 00:01:48,800 Speaker 1: I know something like that, Okay, well felt. 35 00:01:49,400 --> 00:01:52,760 Speaker 2: On June of twenty twenty five, we were recapping season 36 00:01:52,800 --> 00:01:55,920 Speaker 2: six episode eight, a wedding and season six episode nine. 37 00:01:56,080 --> 00:01:58,920 Speaker 1: Child star Kevin was also in London doing the from 38 00:01:59,720 --> 00:02:09,160 Speaker 1: Wow on your musical Bitter Run. Oh okay. This was 39 00:02:09,200 --> 00:02:13,720 Speaker 1: written by Maggie King and Chris Apple Hans And this 40 00:02:13,800 --> 00:02:16,119 Speaker 1: is a musical movie and this is is this our 41 00:02:16,320 --> 00:02:19,040 Speaker 1: first animated musical movie, Kevin, that were. 42 00:02:19,720 --> 00:02:22,400 Speaker 2: Very Finally, there's so many I want to do. 43 00:02:23,600 --> 00:02:26,520 Speaker 1: I mean they are on rotation in my house, so 44 00:02:27,040 --> 00:02:36,200 Speaker 1: let's get into them. Very exciting. This this was music 45 00:02:36,280 --> 00:02:38,840 Speaker 1: first for me. I've listened to this music. I listened 46 00:02:38,840 --> 00:02:41,880 Speaker 1: to this music every day. Yes, Emma, No, it's everywhere 47 00:02:41,919 --> 00:02:42,400 Speaker 1: to Eversum. 48 00:02:43,000 --> 00:02:44,359 Speaker 2: I heard it say the Nai Salon. 49 00:02:44,919 --> 00:02:49,480 Speaker 1: Yeah, it's it's it's it's killing, it's making and killing, 50 00:02:49,480 --> 00:02:52,240 Speaker 1: and it's doing really well. There's just a million writers 51 00:02:52,240 --> 00:02:57,640 Speaker 1: on this incredible, incredible songwriters throughout this entire album and 52 00:02:57,680 --> 00:02:59,480 Speaker 1: throughout this entire movie. 53 00:02:59,320 --> 00:03:02,440 Speaker 2: And Oscar nominated e J and Mark sonom Blick, who 54 00:03:02,440 --> 00:03:06,160 Speaker 2: wrote Golden and produced Golden. I think I've been the 55 00:03:06,160 --> 00:03:10,640 Speaker 2: most visually out there for obvious reasons, yep, and also 56 00:03:10,680 --> 00:03:13,480 Speaker 2: like hearing their stories is great. Mark sono Blick also 57 00:03:14,520 --> 00:03:17,560 Speaker 2: wrote the music and theater Camp, which was so good. 58 00:03:17,919 --> 00:03:19,320 Speaker 2: Have you ever seen it? Oh? 59 00:03:19,480 --> 00:03:22,560 Speaker 1: Yeah, so good? Oh of course I've seen it, Okay, 60 00:03:22,800 --> 00:03:25,280 Speaker 1: just making sure No, I know, I know, I mean, 61 00:03:25,320 --> 00:03:28,320 Speaker 1: there's a theater movie. I'm seeing it and it's then. So. 62 00:03:28,639 --> 00:03:31,520 Speaker 2: The film was animated by Sony Pictures Image Works with 63 00:03:31,600 --> 00:03:37,360 Speaker 2: Josh Beveridge as animation director. I really enjoyed the animation style. 64 00:03:37,440 --> 00:03:38,680 Speaker 2: It was not what I thought it would be. 65 00:03:39,560 --> 00:03:41,320 Speaker 1: Really, what did you expect? 66 00:03:41,400 --> 00:03:44,640 Speaker 2: I think because I've only seen small clips and you know, 67 00:03:44,680 --> 00:03:49,080 Speaker 2: like still images of it. I think the way, like 68 00:03:49,240 --> 00:03:54,600 Speaker 2: how the movement is, it's not just like a straightforward 69 00:03:54,680 --> 00:03:57,880 Speaker 2: style of animation that I thought it might be. 70 00:03:58,120 --> 00:04:05,440 Speaker 1: Got it, got it? Yeah, it was really really good. Yes, 71 00:04:05,880 --> 00:04:11,040 Speaker 1: like I get it good again. There's the voices of 72 00:04:11,200 --> 00:04:16,360 Speaker 1: the characters, and then there are the singing voices, so like, 73 00:04:16,400 --> 00:04:19,320 Speaker 1: for example, Ardent Show is roomy, and then e J 74 00:04:19,720 --> 00:04:27,520 Speaker 1: does Rumy singing voice. Also notably like uh my mayhng 75 00:04:27,680 --> 00:04:31,160 Speaker 1: is Mira and then Audrey Na plays Mira singing voice. 76 00:04:32,120 --> 00:04:37,239 Speaker 1: So there's all these different voices. Especially also Lea Salanga 77 00:04:37,320 --> 00:04:43,320 Speaker 1: makes a cameo. Oh yeah, Daniel Day Kim's in this, 78 00:04:43,640 --> 00:04:49,520 Speaker 1: Ken Jong is Bobby joking Booster. It's so good, so good. 79 00:04:49,920 --> 00:05:00,600 Speaker 1: The songs are how It's Done, Golden, Soda Pop, take Time, 80 00:05:00,800 --> 00:05:04,680 Speaker 1: Free Your Idol, and what it sounds like. I can't 81 00:05:04,680 --> 00:05:07,800 Speaker 1: believe it's only those songs I know, because there's little 82 00:05:08,200 --> 00:05:11,600 Speaker 1: like interludes within the film as well. So I was like, oh, 83 00:05:11,640 --> 00:05:13,000 Speaker 1: I've heard that before, Like. 84 00:05:12,960 --> 00:05:15,320 Speaker 2: Golden comes back like three times and then she does 85 00:05:15,520 --> 00:05:16,720 Speaker 2: a papella ones. 86 00:05:17,040 --> 00:05:22,719 Speaker 1: Love Golden, I Love Golden. My Emma's favorite song is 87 00:05:23,160 --> 00:05:27,200 Speaker 1: how It's Done, and then and then take Down and 88 00:05:27,240 --> 00:05:28,000 Speaker 1: then Golden. 89 00:05:29,640 --> 00:05:30,960 Speaker 2: I did not know there was a boy band in 90 00:05:31,000 --> 00:05:31,440 Speaker 2: this movie. 91 00:05:33,160 --> 00:05:36,000 Speaker 1: I got it. Now I've seen clips, I've seen you know, 92 00:05:36,160 --> 00:05:38,279 Speaker 1: hearing Soda Pop of course, and now. 93 00:05:38,160 --> 00:05:40,840 Speaker 2: I'm like, oh, make a lot more sense. 94 00:05:40,880 --> 00:05:44,119 Speaker 1: Now everything makes more sense. I'm listening to this album like, oh, 95 00:05:44,279 --> 00:05:46,440 Speaker 1: I know what's happening. I understand. 96 00:05:47,279 --> 00:05:50,359 Speaker 2: Okay, So the official summary for this movie when K 97 00:05:50,440 --> 00:05:53,840 Speaker 2: pop superstars Roomy, Mirra, and Zoe aren't selling out stadiums, 98 00:05:53,839 --> 00:05:56,360 Speaker 2: they're using their secret powers to protect their fans from 99 00:05:56,400 --> 00:05:58,000 Speaker 2: supernatural threats. 100 00:05:58,520 --> 00:06:04,359 Speaker 1: This became such a global phenomenon so quickly, and it 101 00:06:04,440 --> 00:06:07,040 Speaker 1: went on to become the most watched original title in 102 00:06:07,040 --> 00:06:15,200 Speaker 1: Netflix history, surpassing five hundred million views worldwide. Are you kidding? Yeah, 103 00:06:15,200 --> 00:06:17,960 Speaker 1: it's pretty amazing. And I think I've told this story 104 00:06:17,960 --> 00:06:21,880 Speaker 1: maybe when we were interviewing somebody. But we were at 105 00:06:21,880 --> 00:06:25,880 Speaker 1: Emma's preschool and they did this Christmas party and all 106 00:06:25,920 --> 00:06:27,720 Speaker 1: the kids were it was all our age. They were 107 00:06:27,720 --> 00:06:29,919 Speaker 1: listening to it at school. They were like, you know, 108 00:06:30,240 --> 00:06:35,760 Speaker 1: at home whatever. Her tiny little preschool of like three 109 00:06:35,839 --> 00:06:39,440 Speaker 1: four and five year olds. They have glow sticks. There's 110 00:06:39,480 --> 00:06:41,880 Speaker 1: a DJ, one of the teachers DJ. The lights are 111 00:06:41,920 --> 00:06:47,159 Speaker 1: out and they're screaming their heads off, jumping up and 112 00:06:47,279 --> 00:06:53,960 Speaker 1: down to golden and my little heart exploded, like I 113 00:06:53,960 --> 00:06:57,520 Speaker 1: didn't think it could explode anymore. And it was like, wow, 114 00:06:58,040 --> 00:07:01,719 Speaker 1: all these different kids, is it's verse in like, you know, 115 00:07:01,800 --> 00:07:04,839 Speaker 1: all these different ethnicities. But like watching little Emma, who's 116 00:07:04,920 --> 00:07:10,760 Speaker 1: half Korean stand with this like me thing, jumping up 117 00:07:10,800 --> 00:07:12,800 Speaker 1: and down screaming the words of this song. I was like, 118 00:07:12,960 --> 00:07:16,320 Speaker 1: she will never understand what it took for this to 119 00:07:16,360 --> 00:07:20,000 Speaker 1: happen and for how far we've come and how meaningful 120 00:07:20,040 --> 00:07:23,960 Speaker 1: it is. And it's so it's normal for her that 121 00:07:24,200 --> 00:07:28,280 Speaker 1: K pop is just popular and wildly accepted. And it 122 00:07:28,440 --> 00:07:31,400 Speaker 1: was like I was like, I am not okay, this 123 00:07:31,480 --> 00:07:34,160 Speaker 1: is so cool. This is so so cool, Like she 124 00:07:34,240 --> 00:07:35,040 Speaker 1: has no idea. 125 00:07:35,560 --> 00:07:37,720 Speaker 2: That's wild to think about too, because I think for 126 00:07:37,800 --> 00:07:43,440 Speaker 2: so many of us it also transcends like age this movie, 127 00:07:43,880 --> 00:07:47,400 Speaker 2: everybody loves it. But I think, yes, for a lot 128 00:07:47,400 --> 00:07:49,120 Speaker 2: of us, we can take it for granted because you're like, oh, 129 00:07:49,160 --> 00:07:51,320 Speaker 2: we love K pop and it's become popular and it's 130 00:07:51,360 --> 00:07:54,480 Speaker 2: like this is just another movie. Yeah, But for a 131 00:07:54,560 --> 00:07:58,920 Speaker 2: whole generation of kids, yeah, this is going to be 132 00:07:59,000 --> 00:08:01,400 Speaker 2: like a foundational and there's childhood that they're going to 133 00:08:01,480 --> 00:08:02,800 Speaker 2: have for the rest of their life that they're going 134 00:08:02,880 --> 00:08:04,920 Speaker 2: to know these songs. They're gonna be able to talk 135 00:08:04,920 --> 00:08:09,120 Speaker 2: about it. And it's a movie, like it's a movie 136 00:08:09,160 --> 00:08:11,960 Speaker 2: with Korean characters, it's Korean culture in it, there's Korean 137 00:08:12,040 --> 00:08:12,880 Speaker 2: language in it. 138 00:08:12,880 --> 00:08:18,760 Speaker 1: It's so cool. It's really really and you're like, well, 139 00:08:18,800 --> 00:08:22,160 Speaker 1: there needs to be more because look people love it. 140 00:08:22,440 --> 00:08:28,360 Speaker 2: Hello, Yeah, I like what is that. I don't even 141 00:08:28,360 --> 00:08:31,160 Speaker 2: know what that says about, Like the current state of 142 00:08:31,200 --> 00:08:32,080 Speaker 2: things where it's like. 143 00:08:32,520 --> 00:08:33,920 Speaker 1: Well, look at squid Game too. 144 00:08:34,640 --> 00:08:37,720 Speaker 2: Yes, And I think it's you have all these like 145 00:08:37,760 --> 00:08:42,760 Speaker 2: old white people in power, right, and like they've you know, 146 00:08:42,840 --> 00:08:46,000 Speaker 2: down the line. They're like, oh, look we're hiring people 147 00:08:46,040 --> 00:08:49,040 Speaker 2: who aren't white. That's great. But at the end of 148 00:08:49,040 --> 00:08:54,880 Speaker 2: the day, the default so often to like what they're 149 00:08:54,960 --> 00:08:56,600 Speaker 2: used to, which is something like. 150 00:08:56,559 --> 00:09:01,000 Speaker 1: This, yes, exactly, not taking the risk. It's risky, yes, and. 151 00:09:01,080 --> 00:09:05,400 Speaker 2: It's like it doesn't matter. Kids especially do not care 152 00:09:05,920 --> 00:09:09,920 Speaker 2: because the only you learn those prejudices and like. 153 00:09:10,640 --> 00:09:14,520 Speaker 1: They have no idea. This is what they're this is 154 00:09:14,559 --> 00:09:17,720 Speaker 1: what's coming out. This is what they love. It's good content. 155 00:09:17,800 --> 00:09:21,880 Speaker 1: It's like fun, it's got story, it's gotten arc, it's 156 00:09:21,880 --> 00:09:24,679 Speaker 1: got characters. It's like it's. 157 00:09:24,520 --> 00:09:27,800 Speaker 2: It's really good as well. Yeah, yeah, I think it 158 00:09:27,840 --> 00:09:30,160 Speaker 2: really does. I think like when we were growing up, 159 00:09:30,200 --> 00:09:35,960 Speaker 2: I feel like there were so many movies or like 160 00:09:36,040 --> 00:09:38,559 Speaker 2: animated things like that where it was either oh, it's 161 00:09:38,640 --> 00:09:44,040 Speaker 2: really wholesome, but it's not cool, right right, or if 162 00:09:44,080 --> 00:09:48,880 Speaker 2: it's really cool, it's sort of it's it's an edging 163 00:09:48,920 --> 00:09:52,800 Speaker 2: on like not providing like good representations children, and so 164 00:09:52,920 --> 00:09:57,320 Speaker 2: like this has everything. It like walks that line so 165 00:09:57,480 --> 00:10:00,240 Speaker 2: beautifully where you have these characters who are work king 166 00:10:02,440 --> 00:10:04,840 Speaker 2: and they love their fans. It's like a really it's 167 00:10:04,880 --> 00:10:07,319 Speaker 2: a really big fan service thing, like oh we need 168 00:10:07,360 --> 00:10:08,880 Speaker 2: a break, We're like, no, we don't, because we actually 169 00:10:08,920 --> 00:10:10,559 Speaker 2: just want to be with our fans so much. So 170 00:10:10,600 --> 00:10:14,480 Speaker 2: I also think it helps like create a healthy fan culture. 171 00:10:14,920 --> 00:10:21,400 Speaker 1: Yep, yep, yep. And then also like this like the 172 00:10:21,440 --> 00:10:24,560 Speaker 1: messaging of like identity and like hiding who you are 173 00:10:25,160 --> 00:10:29,560 Speaker 1: and being breaking open and you know, kind of just 174 00:10:29,600 --> 00:10:33,160 Speaker 1: being your true self and that being you know, that's. 175 00:10:33,000 --> 00:10:33,960 Speaker 2: Your real superpower. 176 00:10:34,160 --> 00:10:37,280 Speaker 1: Yeah yeah, yeah, your flaws and your you know, faults, 177 00:10:37,280 --> 00:10:40,720 Speaker 1: et cetera, and just and accepting those and loving them. 178 00:10:41,120 --> 00:10:45,000 Speaker 2: And then there's that good. There's a old adage of 179 00:10:45,960 --> 00:10:50,400 Speaker 2: why musicals are so special and still are necessary and 180 00:10:50,400 --> 00:10:55,880 Speaker 2: still work of the feeling you can get from hearing 181 00:10:55,880 --> 00:11:00,000 Speaker 2: a song. It's just so different. Look, I'm not religious 182 00:11:00,480 --> 00:11:04,000 Speaker 2: at all. Yeah, but if you play me some gospel music. 183 00:11:05,000 --> 00:11:06,320 Speaker 1: You mean take me to chrick Yeah. 184 00:11:06,360 --> 00:11:09,240 Speaker 2: Well yeah, like the I will have chills and goosebumps, 185 00:11:09,280 --> 00:11:12,559 Speaker 2: and I will feel connected to whoever's singing and whoever's around. 186 00:11:13,000 --> 00:11:16,280 Speaker 2: It's like there's something music can provide that the intangible 187 00:11:16,320 --> 00:11:19,400 Speaker 2: that we will never be able to I think fully articulate. Yep, 188 00:11:19,679 --> 00:11:25,600 Speaker 2: but like that's what this movie because the music and 189 00:11:25,720 --> 00:11:30,120 Speaker 2: story work so flawlessly together. Yep, it makes it. I 190 00:11:30,120 --> 00:11:33,120 Speaker 2: think that magic special sauce. 191 00:11:33,520 --> 00:11:36,960 Speaker 1: Yeah, and the soundtrack is such a massive success. It 192 00:11:37,440 --> 00:11:41,439 Speaker 1: became the first film soundtrack to have four songs simultaneously 193 00:11:41,480 --> 00:11:44,120 Speaker 1: in the top ten of Billboard Hot one hundred and 194 00:11:44,200 --> 00:11:47,599 Speaker 1: earning double platinum certification in the US by October of 195 00:11:47,640 --> 00:11:51,320 Speaker 1: twenty twenty five, just like a few months after it premiered. 196 00:11:51,400 --> 00:11:52,160 Speaker 1: That's crazy. 197 00:11:52,240 --> 00:11:56,719 Speaker 2: Kevin Golden also became the first K pop song ever 198 00:11:56,800 --> 00:11:57,960 Speaker 2: to win a Grammy this year. 199 00:11:59,160 --> 00:12:03,480 Speaker 1: Ah wow, yeah, wow. 200 00:12:03,120 --> 00:12:05,520 Speaker 2: Absolutely nuts. And it probably will win the Oscar. 201 00:12:06,000 --> 00:12:09,160 Speaker 1: Yeah, and it's it's winning every it's it's sweeping, it's 202 00:12:09,240 --> 00:12:10,080 Speaker 1: it's cleaning up. 203 00:12:10,320 --> 00:12:12,280 Speaker 2: And even if it doesn't win the Oscar, it doesn't matter. 204 00:12:12,320 --> 00:12:17,000 Speaker 1: That's I mean, it won the Critics Choice Golden Globes. 205 00:12:18,280 --> 00:12:20,640 Speaker 1: The film won Best Animated Feature and Best Regional Songs 206 00:12:20,640 --> 00:12:22,360 Speaker 1: for the Golden Globes. That kind of like kick started 207 00:12:22,360 --> 00:12:25,720 Speaker 1: this whole thing again after it being such a massive 208 00:12:25,880 --> 00:12:32,720 Speaker 1: success for Netflix in June. But the parents that like, 209 00:12:32,960 --> 00:12:35,000 Speaker 1: we were like, oh my god, everybody wants K pop 210 00:12:35,000 --> 00:12:39,520 Speaker 1: demon Hunters. Emma calls it cake pop demon Hunters. Sometimes 211 00:12:40,200 --> 00:12:41,960 Speaker 1: she hasn't seen the movie. She's a little too young, 212 00:12:42,280 --> 00:12:46,600 Speaker 1: but she loves the music. And every parent's like, oh yeah, 213 00:12:46,720 --> 00:12:49,319 Speaker 1: my daughter's obsessed with it. But at least it's good, 214 00:12:50,120 --> 00:12:52,440 Speaker 1: and you're like, yes, everybody wants to listen to this. 215 00:12:52,559 --> 00:12:54,360 Speaker 1: I don't mind that she wants to listen to this 216 00:12:54,400 --> 00:12:57,160 Speaker 1: on loop because it's good and we're all singing. We're 217 00:12:57,200 --> 00:12:57,959 Speaker 1: all singing along. 218 00:12:58,040 --> 00:13:03,360 Speaker 2: So I think what's also fascinating is that, like the 219 00:13:03,400 --> 00:13:08,280 Speaker 2: cultural impact. Obviously K pop has been growing, like your 220 00:13:08,360 --> 00:13:11,080 Speaker 2: veer in the US, the popularity around the world, not 221 00:13:11,120 --> 00:13:15,079 Speaker 2: just the US, but this movie, I think, you know, 222 00:13:15,120 --> 00:13:17,960 Speaker 2: there like a lot of that a lot of k pop, 223 00:13:18,040 --> 00:13:22,960 Speaker 2: most of K pop is made in Korea, like by Koreans, 224 00:13:24,160 --> 00:13:26,240 Speaker 2: and it has just like transcended that. But this movie 225 00:13:26,280 --> 00:13:29,520 Speaker 2: was mostly made by Korean people, but outside of Korea. Yeah, 226 00:13:29,679 --> 00:13:34,120 Speaker 2: while like still centering Korean culture and mythology and music. 227 00:13:34,240 --> 00:13:37,120 Speaker 2: And that's even what I think is the most fascinating part. 228 00:13:37,160 --> 00:13:40,960 Speaker 2: An animated movie about Korea has driven up tourism in 229 00:13:40,960 --> 00:13:46,880 Speaker 2: South Korea, so like the twenty twenty five tourism like 230 00:13:46,920 --> 00:13:50,800 Speaker 2: skyrocketed and people were going to the actual locations of 231 00:13:51,240 --> 00:13:55,400 Speaker 2: animated movie wow wowow. And like there's nothing better to 232 00:13:55,559 --> 00:14:01,360 Speaker 2: educate people of all ages than experiencing other cultures. Yes, 233 00:14:01,679 --> 00:14:04,439 Speaker 2: And I think, you know, a lot of like separation 234 00:14:05,280 --> 00:14:08,839 Speaker 2: and our politics in world today is like fear driven 235 00:14:08,880 --> 00:14:10,720 Speaker 2: and fear from the unknown or things that you have 236 00:14:10,840 --> 00:14:14,840 Speaker 2: not experienced yourself. And it's like it may seem silly 237 00:14:14,880 --> 00:14:19,160 Speaker 2: to say this, but like an animated you know, movie 238 00:14:19,200 --> 00:14:26,520 Speaker 2: for mostly children can really help bridge that gap, yep. 239 00:14:26,640 --> 00:14:30,080 Speaker 2: And it's like you should be visiting other places, you 240 00:14:30,080 --> 00:14:32,560 Speaker 2: should be interested in other cultures because there's so much 241 00:14:32,560 --> 00:14:34,560 Speaker 2: you can learn about yourself, so much other people, and 242 00:14:34,560 --> 00:14:39,280 Speaker 2: it makes you more empathetic and also it's just a great, greatposure. Yes. 243 00:14:39,840 --> 00:14:42,920 Speaker 1: I lak Djokovic also celebrated is when at the US 244 00:14:42,920 --> 00:14:47,400 Speaker 1: happened by doing the soda pop things at the end. 245 00:14:47,640 --> 00:14:49,720 Speaker 1: I was like, oh my god, even he's doing it. 246 00:14:49,720 --> 00:14:51,760 Speaker 1: And I hadn't obviously seen it yet, but I was like, 247 00:14:51,840 --> 00:14:54,120 Speaker 1: oh my god, this is wild. He has kids, so 248 00:14:54,360 --> 00:14:57,200 Speaker 1: it makes sense, but I thought that was fun. All 249 00:14:57,200 --> 00:14:58,120 Speaker 1: of our world's. 250 00:15:00,160 --> 00:15:02,880 Speaker 2: Or I've watched the movie, I have sort of been 251 00:15:02,920 --> 00:15:07,560 Speaker 2: obsessed with watching the real women who are the singing 252 00:15:07,600 --> 00:15:10,880 Speaker 2: voices of Hunterrick's and I remember when they went on 253 00:15:10,960 --> 00:15:13,960 Speaker 2: Jimmy Fallon. Yeah, I've literally watched I think all of 254 00:15:14,040 --> 00:15:16,040 Speaker 2: their life, also Jimmy Kimmel. 255 00:15:16,400 --> 00:15:20,720 Speaker 1: Their voices are great, and EJ's voice. 256 00:15:20,480 --> 00:15:22,880 Speaker 2: Is so high stupid like her voices. 257 00:15:23,680 --> 00:15:25,840 Speaker 1: I was like, I don't think I could hit this 258 00:15:25,880 --> 00:15:29,880 Speaker 1: on a good day, on my best day. It's crazy. 259 00:15:30,280 --> 00:15:33,960 Speaker 1: It's really they are so good, all the different versions 260 00:15:34,160 --> 00:15:35,200 Speaker 1: we listen to all of them. 261 00:15:35,640 --> 00:15:38,600 Speaker 2: I also think, like what this movie has not only 262 00:15:38,640 --> 00:15:42,960 Speaker 2: done for the public, but also like when you hear 263 00:15:43,040 --> 00:15:46,120 Speaker 2: EJ's story, she was a songwriter and she was always 264 00:15:46,120 --> 00:15:47,480 Speaker 2: told she wasn't gonna make it as like a K 265 00:15:47,560 --> 00:15:52,200 Speaker 2: pop star, so she became a songwriter, yeah, solely, and 266 00:15:52,240 --> 00:15:57,760 Speaker 2: then here she is like on every show on TV 267 00:15:58,480 --> 00:16:01,280 Speaker 2: singing the song that she wrote, winning all these awards 268 00:16:01,280 --> 00:16:04,600 Speaker 2: for it. And it's just like this movie keeps on 269 00:16:04,680 --> 00:16:08,320 Speaker 2: providing more and more like opportunities for great things to happen. 270 00:16:09,000 --> 00:16:11,440 Speaker 2: Mm hmmm, and like those are things you can never 271 00:16:11,600 --> 00:16:12,800 Speaker 2: ever ever plan for. 272 00:16:13,320 --> 00:16:16,480 Speaker 1: No, that's it. It's lightning in a bottle, right, and it's 273 00:16:16,520 --> 00:16:28,240 Speaker 1: fun to witness that. Yes, definitely, director Maggie King. She 274 00:16:28,360 --> 00:16:34,320 Speaker 1: designed Roomy like way before for a different project. Oh really, yeah, 275 00:16:34,400 --> 00:16:38,120 Speaker 1: it was artwork. Her husband is a director and a 276 00:16:38,120 --> 00:16:45,480 Speaker 1: story word artist, Radford Secrest, and then she was on 277 00:16:45,720 --> 00:16:49,080 Speaker 1: artwork on the bottom of a skateboard before Kang had 278 00:16:49,080 --> 00:16:52,320 Speaker 1: decided she was gonna She loved the character, and Kang's 279 00:16:52,400 --> 00:16:56,960 Speaker 1: daughter is now named Rumy, so Roomy really lives. Oh 280 00:16:57,040 --> 00:17:00,200 Speaker 1: my god, I think this is the most fun and 281 00:17:00,200 --> 00:17:04,080 Speaker 1: I like the King. She wanted to create female characters 282 00:17:04,080 --> 00:17:07,400 Speaker 1: who were powerful but also messy, funny and imperfect. Isn't 283 00:17:07,400 --> 00:17:13,080 Speaker 1: that the dream? Writing for real characters who represent real women. 284 00:17:13,680 --> 00:17:19,760 Speaker 1: They're not you know, they're not perfect, they're not polished, 285 00:17:20,640 --> 00:17:23,359 Speaker 1: but they're still loved, right, like I love this whole 286 00:17:23,760 --> 00:17:27,640 Speaker 1: thing and how it's these three women at the helme 287 00:17:27,720 --> 00:17:31,160 Speaker 1: of this film. I also was like, oh, this could 288 00:17:31,200 --> 00:17:35,280 Speaker 1: totally be a live action film, even though I obviously 289 00:17:35,320 --> 00:17:38,359 Speaker 1: it works better as an animated I think it could be. 290 00:17:38,480 --> 00:17:39,560 Speaker 1: I was like, Oh, I could see this. 291 00:17:39,920 --> 00:17:44,960 Speaker 2: I also like the like Maggie King has described the 292 00:17:45,000 --> 00:17:46,760 Speaker 2: movie as a love letter to K pop and her 293 00:17:46,800 --> 00:17:50,320 Speaker 2: Korean heritage and like leaning into like Korean culture mythology 294 00:17:50,640 --> 00:17:56,119 Speaker 2: socially like the shamanism, using music and dance as spiritual rituals. 295 00:17:56,600 --> 00:17:59,960 Speaker 1: And she the film was also inspired by the work 296 00:18:00,080 --> 00:18:03,119 Speaker 1: of Bom Junhole who did Parasite, who is like one 297 00:18:03,160 --> 00:18:06,479 Speaker 1: of my favorite directors of all time. And I was like, Okay, 298 00:18:06,600 --> 00:18:09,240 Speaker 1: this all is like this is everything. 299 00:18:08,840 --> 00:18:12,240 Speaker 2: Too, yeah, because he's able to like walk that line 300 00:18:12,280 --> 00:18:15,119 Speaker 2: that this movie does where there's humor, there's action, there's emotion, 301 00:18:15,720 --> 00:18:17,960 Speaker 2: and there's like a lot of depth and sort of 302 00:18:18,000 --> 00:18:22,400 Speaker 2: like the the obstacles they have to go through learning 303 00:18:22,440 --> 00:18:27,679 Speaker 2: about genius, like actual history, where like he presents it 304 00:18:27,680 --> 00:18:31,720 Speaker 2: as one thing and then like, oh, this is serious. Yeah, 305 00:18:32,040 --> 00:18:33,879 Speaker 2: but like kids aren't dumb. 306 00:18:34,200 --> 00:18:37,000 Speaker 1: No, that's no, we have to give them the chance, yes. 307 00:18:37,240 --> 00:18:39,439 Speaker 2: And it's like, let's let's see how we deal with 308 00:18:39,480 --> 00:18:42,680 Speaker 2: the truth of embracing the things. There's so much about 309 00:18:42,720 --> 00:18:46,720 Speaker 2: shame in this movie and like weaponizing shame and then 310 00:18:46,760 --> 00:18:50,240 Speaker 2: releasing that shame because don't need to carry that And like, 311 00:18:51,040 --> 00:18:53,040 Speaker 2: I don't know if I've seen the children's movie that 312 00:18:53,240 --> 00:18:55,600 Speaker 2: talks so openly about shame in that way. 313 00:18:56,240 --> 00:18:57,480 Speaker 1: No, definitely not. 314 00:18:57,480 --> 00:18:59,919 Speaker 2: And then tackles it. They run head and headfirst into that. 315 00:19:00,560 --> 00:19:02,880 Speaker 1: Yeah, I think the closest thing that I can think 316 00:19:02,920 --> 00:19:05,639 Speaker 1: of the most recent thing that has touched upon like 317 00:19:06,200 --> 00:19:09,320 Speaker 1: not shame, but love and self worth coming from inside 318 00:19:09,320 --> 00:19:10,360 Speaker 1: not out as like incanto. 319 00:19:10,880 --> 00:19:11,120 Speaker 2: Mh. 320 00:19:12,320 --> 00:19:17,600 Speaker 1: Like that reminded me of that piece of Like also, Kevin, 321 00:19:17,600 --> 00:19:22,280 Speaker 1: when you were talking about the the animation, Uh, they didn't. 322 00:19:22,840 --> 00:19:25,080 Speaker 1: They instead of following the hybrid two D three D 323 00:19:25,160 --> 00:19:29,520 Speaker 1: approach like Sony Spider Verse films, the team built the 324 00:19:29,560 --> 00:19:32,880 Speaker 1: movie on three D CGI, so it was in borrowing 325 00:19:32,920 --> 00:19:36,680 Speaker 1: from anime style expressions and stylization. So it's like kind 326 00:19:36,720 --> 00:19:40,120 Speaker 1: of this new format that they created, which is. 327 00:19:40,040 --> 00:19:42,440 Speaker 2: So cool, and it felt like that, like it felt 328 00:19:42,480 --> 00:19:46,200 Speaker 2: like it almost I think that's what I was surprised 329 00:19:46,200 --> 00:19:48,399 Speaker 2: by it because it looks three D, but it felt 330 00:19:48,400 --> 00:19:51,760 Speaker 2: two D and some of it it's like presentation in 331 00:19:51,800 --> 00:19:55,560 Speaker 2: a good way, and I think that's probably the stylization 332 00:19:56,480 --> 00:19:59,919 Speaker 2: is is where that shows the most, like yeah, just 333 00:20:00,080 --> 00:20:06,919 Speaker 2: the movements between characters and yeah, yeah. I also loved 334 00:20:07,119 --> 00:20:12,840 Speaker 2: the choreography. Oh, I mean the choreography was incredible in 335 00:20:12,880 --> 00:20:15,760 Speaker 2: this movie and was like so accurate. 336 00:20:17,160 --> 00:20:19,639 Speaker 1: It was so good. The ficial group hun Tricks, it 337 00:20:19,680 --> 00:20:22,800 Speaker 1: was modeled after like real K pop acts like Black 338 00:20:22,880 --> 00:20:24,200 Speaker 1: Pink obviously twice. 339 00:20:24,560 --> 00:20:26,560 Speaker 2: They were sort of like to me, they were like 340 00:20:26,640 --> 00:20:30,280 Speaker 2: this like the sisters of Big. 341 00:20:30,080 --> 00:20:34,080 Speaker 1: Bang, Yes, like they were that Yes and the Raval 342 00:20:34,080 --> 00:20:38,280 Speaker 1: boy bands, the Saga Boys. They drew inspiration from like BTS, 343 00:20:38,320 --> 00:20:45,840 Speaker 1: Stray Kids, Big Bang Also. Yeah, So the choreography was beautiful. 344 00:20:45,880 --> 00:20:50,439 Speaker 1: The numbers were beautiful. I also loved the tour, like 345 00:20:50,480 --> 00:20:53,480 Speaker 1: the meta tour aspect from like the beginning and throughout 346 00:20:53,560 --> 00:20:57,000 Speaker 1: the fandom of it, all of them speaking like to 347 00:20:57,040 --> 00:21:01,240 Speaker 1: the camera and confessional style about their love for the 348 00:21:01,920 --> 00:21:06,080 Speaker 1: He's giving me girls like you know a little Glee 349 00:21:06,080 --> 00:21:10,520 Speaker 1: three D Glee three D Yes, and I I really 350 00:21:10,920 --> 00:21:13,320 Speaker 1: I thought it was like it was a cool way 351 00:21:13,359 --> 00:21:16,479 Speaker 1: to us to get us into the universe. Of like 352 00:21:16,840 --> 00:21:19,119 Speaker 1: the fans, like the fans. It always comes back to 353 00:21:19,200 --> 00:21:23,479 Speaker 1: the fans of these groups and how they why they 354 00:21:23,520 --> 00:21:26,640 Speaker 1: do what they do right. It was a little meta, 355 00:21:26,720 --> 00:21:27,480 Speaker 1: but I loved it. 356 00:21:28,440 --> 00:21:32,160 Speaker 2: I also liked how, you know, the movie opens up 357 00:21:32,480 --> 00:21:36,200 Speaker 2: almost immediately with like their first battle with the demons, 358 00:21:37,080 --> 00:21:39,960 Speaker 2: and I like how there's not really a question of 359 00:21:40,160 --> 00:21:41,880 Speaker 2: how are we going to beat them? Ever? 360 00:21:43,040 --> 00:21:44,560 Speaker 1: Yeah, yeah, yeah, yeah. 361 00:21:44,600 --> 00:21:50,520 Speaker 2: If they're all in sync, you know and coordinated, like, 362 00:21:50,600 --> 00:21:53,560 Speaker 2: there's no way they're ever going to lose, right, they 363 00:21:53,640 --> 00:21:56,119 Speaker 2: get so powerful, the three of them are they just 364 00:21:56,160 --> 00:21:59,160 Speaker 2: had the plan even towards the end of the movie. Yeah. 365 00:21:59,160 --> 00:22:01,720 Speaker 2: The thing that they that makes them get in trouble 366 00:22:01,760 --> 00:22:04,199 Speaker 2: is that they separate and they say that through them 367 00:22:04,320 --> 00:22:06,879 Speaker 2: like she's we do everything in three part harmony, and 368 00:22:06,920 --> 00:22:07,959 Speaker 2: like that's how it works. 369 00:22:08,520 --> 00:22:09,560 Speaker 1: Mm hmmmmmmm. 370 00:22:10,040 --> 00:22:13,879 Speaker 2: And I really love how, like I hate you know, 371 00:22:13,960 --> 00:22:16,719 Speaker 2: when there's always that like seed of doubt in your head. 372 00:22:16,760 --> 00:22:18,160 Speaker 2: I'm like, are they going to do like all those 373 00:22:18,320 --> 00:22:21,760 Speaker 2: tropes and they didn't, like they didn't fall into that 374 00:22:21,800 --> 00:22:24,400 Speaker 2: thing of I didn't even think about it, like, oh, 375 00:22:24,440 --> 00:22:26,560 Speaker 2: they're almost going to be overrun, Like no, there's not 376 00:22:26,640 --> 00:22:29,080 Speaker 2: something even possible no question, because if they're locked in, 377 00:22:29,840 --> 00:22:33,280 Speaker 2: they they got it. Yeah, hits on hits on hits. 378 00:22:33,320 --> 00:22:36,800 Speaker 2: And I also like it was about like saving not 379 00:22:36,840 --> 00:22:41,280 Speaker 2: only their fans, but like all people through music and connection. 380 00:22:43,119 --> 00:22:46,399 Speaker 2: And it's like it's also about sort of like what 381 00:22:46,520 --> 00:22:49,560 Speaker 2: are you putting out into the world Because you have 382 00:22:49,640 --> 00:22:53,040 Speaker 2: the boy band that shows up and they have great songs, 383 00:22:53,080 --> 00:22:56,920 Speaker 2: but what is like their intentions behind their songs are 384 00:22:57,080 --> 00:23:01,680 Speaker 2: dark and sinister, right where all hunters this is intentions 385 00:23:01,720 --> 00:23:06,000 Speaker 2: always are like positive for the greater good, right, we 386 00:23:06,040 --> 00:23:06,640 Speaker 2: love everybody. 387 00:23:06,600 --> 00:23:09,920 Speaker 1: And like the lyrics the songwriting element within it too, 388 00:23:10,040 --> 00:23:12,760 Speaker 1: of watching them like create these songs, write these songs, 389 00:23:13,240 --> 00:23:16,440 Speaker 1: and she's like, the lyrics still aren't right, they aren't right, 390 00:23:17,080 --> 00:23:19,560 Speaker 1: And it gives this like extra level of like I 391 00:23:19,600 --> 00:23:21,720 Speaker 1: think to what we were saying earlier, of like this 392 00:23:21,920 --> 00:23:25,280 Speaker 1: understanding of like now when you hit the right lyrics, 393 00:23:25,320 --> 00:23:28,480 Speaker 1: there's meaning behind it, there's intention behind it, And now 394 00:23:28,560 --> 00:23:33,359 Speaker 1: as a viewer, I'm more appreciative and understanding of what 395 00:23:34,040 --> 00:23:36,560 Speaker 1: like the journey and then also what it means. It 396 00:23:36,600 --> 00:23:37,720 Speaker 1: was a sorry, I. 397 00:23:37,640 --> 00:23:40,480 Speaker 2: Can't sing this song because these lyrics don't resonate with 398 00:23:40,560 --> 00:23:46,240 Speaker 2: me right now exactly which is exactly very powerful and yeah, 399 00:23:46,240 --> 00:23:49,040 Speaker 2: and it's like also teaching kids how to like listen 400 00:23:49,119 --> 00:23:51,639 Speaker 2: to music and appreciate a lyric. 401 00:23:52,320 --> 00:23:56,840 Speaker 1: Yeah exactly. I did feel like I texted you at 402 00:23:56,840 --> 00:23:59,240 Speaker 1: one point through the film and was like, what else 403 00:23:59,240 --> 00:24:03,520 Speaker 1: could happen? Like we're an hour, Like there's an hour left, 404 00:24:03,600 --> 00:24:05,479 Speaker 1: I'm like, what else could could happen? 405 00:24:05,680 --> 00:24:08,520 Speaker 2: I had the exact at the exact same point, by 406 00:24:08,520 --> 00:24:10,959 Speaker 2: the way, checked how much was left. I was like, oh, 407 00:24:11,040 --> 00:24:11,359 Speaker 2: damn it. 408 00:24:11,720 --> 00:24:13,960 Speaker 1: Maybe I think there's something that lags in the middle 409 00:24:14,040 --> 00:24:17,359 Speaker 1: a little bit. It's like a piece too long, But 410 00:24:17,480 --> 00:24:19,840 Speaker 1: I get it, and I don't mind it. I just 411 00:24:20,080 --> 00:24:22,120 Speaker 1: had to get through that piece and then I was like, oh, 412 00:24:22,119 --> 00:24:24,120 Speaker 1: I'm back in. As soon as I like started again, 413 00:24:24,200 --> 00:24:26,760 Speaker 1: I was like, oh, I'm back in. But it's it's 414 00:24:26,800 --> 00:24:28,960 Speaker 1: like a little long for a kids film or like 415 00:24:29,040 --> 00:24:32,080 Speaker 1: a I guess it's an adult film that kids can watch. 416 00:24:32,520 --> 00:24:40,600 Speaker 1: But I appreciated the second half and it didn't like 417 00:24:40,640 --> 00:24:43,240 Speaker 1: the pacing was fine to me, it was right, It's 418 00:24:43,240 --> 00:24:45,000 Speaker 1: just like a little bit forever. 419 00:24:46,000 --> 00:24:48,080 Speaker 2: I could have watched these characters. I mean, they're obviously 420 00:24:48,119 --> 00:24:51,840 Speaker 2: going to make a sequel, but like, yeah, yeah, right, yeah, 421 00:24:51,960 --> 00:24:55,640 Speaker 2: I just I wanted to be in that world. Yeah, 422 00:24:55,840 --> 00:24:59,200 Speaker 2: it also was kind of scary, I thought, so I 423 00:24:59,280 --> 00:25:01,359 Speaker 2: was shocked at how scary some of this was. 424 00:25:02,280 --> 00:25:06,480 Speaker 1: Well, we watched a sample of this earlier, like around 425 00:25:06,720 --> 00:25:11,280 Speaker 1: maybe October, and both David and I were like, no, 426 00:25:11,440 --> 00:25:14,520 Speaker 1: we can't. No, it's like I can't you know, I 427 00:25:14,560 --> 00:25:15,159 Speaker 1: can't see it. 428 00:25:15,400 --> 00:25:18,480 Speaker 2: Well, it's like beautiful character design for the demons and like. 429 00:25:18,520 --> 00:25:22,520 Speaker 1: Totally and even the girls, like with their big expressions 430 00:25:22,560 --> 00:25:24,840 Speaker 1: when they're like yelling and the eyes and everything, it's 431 00:25:24,880 --> 00:25:28,080 Speaker 1: like a little scary, like I and it was, but 432 00:25:28,160 --> 00:25:30,680 Speaker 1: it was done beautifully. 433 00:25:30,920 --> 00:25:34,240 Speaker 2: Yeah, but I was imagining if like you're a little kid, 434 00:25:35,440 --> 00:25:36,240 Speaker 2: because you just. 435 00:25:36,119 --> 00:25:39,480 Speaker 1: Really yeah, well I will be like this is scary, 436 00:25:39,560 --> 00:25:42,399 Speaker 1: key fast forward. Yeah, but I don't even want her 437 00:25:42,440 --> 00:25:46,920 Speaker 1: to see it. Right. It's like the Grinch, I. 438 00:25:46,800 --> 00:25:50,120 Speaker 2: Think after you told me that about the Grinch, I 439 00:25:50,200 --> 00:25:51,880 Speaker 2: every time I saw the Grinch, I was like. 440 00:25:52,480 --> 00:25:54,920 Speaker 1: Every time, you better believe. I'm like, let's go. 441 00:25:55,960 --> 00:25:57,000 Speaker 2: He is scary. 442 00:25:57,200 --> 00:25:59,399 Speaker 1: He's so scary. I've seen a few characters on the 443 00:25:59,440 --> 00:26:03,520 Speaker 1: street who during the Christmas season and I was like, 444 00:26:03,640 --> 00:26:05,760 Speaker 1: get out of my way. You are scary. I don't 445 00:26:05,840 --> 00:26:06,120 Speaker 1: like you. 446 00:26:06,520 --> 00:26:08,000 Speaker 2: There was a point in this movie, and I'm not 447 00:26:08,000 --> 00:26:11,439 Speaker 2: saying this because we're a Glee podcast, but there was 448 00:26:11,480 --> 00:26:15,399 Speaker 2: a point during this movie. 449 00:26:14,920 --> 00:26:16,200 Speaker 1: We would have killed these songs. 450 00:26:16,400 --> 00:26:21,080 Speaker 2: I was thinking, like Golden would be like Rachel would 451 00:26:21,119 --> 00:26:23,440 Speaker 2: be like, well, this is my solo for competition. You'd 452 00:26:23,480 --> 00:26:24,439 Speaker 2: be like, are you kidding me? 453 00:26:24,880 --> 00:26:27,760 Speaker 1: It's giving it's giving a redo? 454 00:26:27,880 --> 00:26:31,720 Speaker 2: On, Well, did you and Rachel have a diva off? 455 00:26:32,240 --> 00:26:35,400 Speaker 1: What's the gollamn style? Yeah, it's a redo? Were giving 456 00:26:35,640 --> 00:26:36,480 Speaker 1: Gina redo? 457 00:26:37,000 --> 00:26:40,800 Speaker 2: Yes, it's like, no, let her, let her do the 458 00:26:40,840 --> 00:26:42,640 Speaker 2: only other Korean song we've ever done. 459 00:26:42,800 --> 00:26:48,480 Speaker 1: Ah, although it's very hack Yevin Jenna, I know, I know, 460 00:26:48,560 --> 00:26:50,120 Speaker 1: I know I could do it. It's it's not live. 461 00:26:50,920 --> 00:26:51,800 Speaker 2: Sure, that's fine. 462 00:26:51,960 --> 00:26:54,320 Speaker 1: She doesn't even option down every No. 463 00:26:54,240 --> 00:26:54,760 Speaker 2: She doesn't. 464 00:26:55,480 --> 00:26:56,000 Speaker 3: Did you hear it? 465 00:26:56,080 --> 00:26:58,479 Speaker 2: Like she said she was having like a freak out 466 00:26:58,480 --> 00:27:02,080 Speaker 2: before Jimmy fallon? Was she yes? And she didn't know 467 00:27:02,080 --> 00:27:03,720 Speaker 2: I for voices going to come out because her voice 468 00:27:03,720 --> 00:27:06,200 Speaker 2: was like so tired. Sure you're doing all the press 469 00:27:06,200 --> 00:27:09,920 Speaker 2: and everything. Oh my god, she sounded perfect. Its insane. 470 00:27:10,000 --> 00:27:11,879 Speaker 2: She sounds so good. That has to be like a 471 00:27:11,880 --> 00:27:14,000 Speaker 2: comfortable place for her, because that's crazy. 472 00:27:14,200 --> 00:27:15,120 Speaker 1: That is crazy. 473 00:27:15,240 --> 00:27:16,680 Speaker 2: Her voice must just live up there. 474 00:27:17,040 --> 00:27:19,240 Speaker 1: No, Golden would would have definitely been Anglee. 475 00:27:19,240 --> 00:27:21,399 Speaker 2: Can you imagine Golden as a competition song for the 476 00:27:21,400 --> 00:27:22,000 Speaker 2: Trouble Tones. 477 00:27:23,080 --> 00:27:25,720 Speaker 1: Can we just ask Adam Anders to do that for 478 00:27:25,800 --> 00:27:27,360 Speaker 1: us so we can hear it, because I would love 479 00:27:27,400 --> 00:27:27,840 Speaker 1: to see that. 480 00:27:29,359 --> 00:27:29,960 Speaker 2: I want it. 481 00:27:30,160 --> 00:27:33,680 Speaker 1: I need a revival. Also, the boys doing soda pop 482 00:27:33,800 --> 00:27:37,399 Speaker 1: definitely great, definitely do so. It's such a bop. I 483 00:27:37,440 --> 00:27:40,800 Speaker 1: love it. Emma used to be like fast forward this one. 484 00:27:40,880 --> 00:27:43,080 Speaker 1: I'm like no, no, no, no girl, But now we're 485 00:27:43,080 --> 00:27:48,840 Speaker 1: into it. We're into it now. Yeah, yeah, I I 486 00:27:49,119 --> 00:27:52,680 Speaker 1: I these songs are perfect. How are they going to 487 00:27:52,720 --> 00:27:54,240 Speaker 1: do this again? So I was sequel. 488 00:27:57,000 --> 00:28:00,879 Speaker 2: That's always your Here's what I think. I think, no 489 00:28:00,920 --> 00:28:04,080 Speaker 2: matter what, the music is going to still be great. 490 00:28:04,640 --> 00:28:10,399 Speaker 2: I think what you can't intentionally try to recreate is 491 00:28:10,600 --> 00:28:13,880 Speaker 2: like this moment that is currently happening for Golden. 492 00:28:14,760 --> 00:28:18,880 Speaker 1: Right, yes, yes, yeah, If you're chasing that, then you're 493 00:28:18,880 --> 00:28:21,560 Speaker 1: not doing this. Just make good music, right. 494 00:28:21,560 --> 00:28:25,040 Speaker 2: Because that's lightning in a bottle that just like one 495 00:28:25,119 --> 00:28:28,400 Speaker 2: in a million chants and it's happening. But I think 496 00:28:28,480 --> 00:28:31,920 Speaker 2: it's like Frozen two or like that. Music is still great. Yeah, 497 00:28:31,920 --> 00:28:34,480 Speaker 2: but like let it go? Do you want to build 498 00:28:34,520 --> 00:28:37,120 Speaker 2: a snowman? Were moments because it's the first time it happened. 499 00:28:37,560 --> 00:28:40,920 Speaker 1: Yeah, although we did do it with the Unknown, but 500 00:28:40,960 --> 00:28:43,560 Speaker 1: it was still wasn't no, it wasn't that, but it 501 00:28:43,600 --> 00:28:46,960 Speaker 1: will be like on the Heels, Yes, something excellent, but. 502 00:28:48,440 --> 00:28:51,880 Speaker 2: It's still going to be great music. Agreed. I'm definitely 503 00:28:51,920 --> 00:28:55,320 Speaker 2: going to because people, these people make great music. Like 504 00:28:55,400 --> 00:28:57,680 Speaker 2: that's just that's what's going to happen. 505 00:28:58,200 --> 00:28:59,960 Speaker 1: I can't get that beat out of my head from 506 00:29:00,520 --> 00:29:01,680 Speaker 1: I just it's too much. 507 00:29:02,760 --> 00:29:04,240 Speaker 2: And the nat salon today was the first time I've 508 00:29:04,240 --> 00:29:05,880 Speaker 2: heard of since watching the movie and it came on 509 00:29:05,920 --> 00:29:07,760 Speaker 2: and I was like, yes. 510 00:29:08,440 --> 00:29:12,800 Speaker 1: It's on repeat repeat. Can you blay eck pop demon 511 00:29:12,920 --> 00:29:13,600 Speaker 1: Unters please? 512 00:29:13,800 --> 00:29:17,440 Speaker 2: It's so cute like videos for dancing to it. 513 00:29:18,040 --> 00:29:20,200 Speaker 1: I'll get one. I'll get one. I also wanted to 514 00:29:20,240 --> 00:29:24,240 Speaker 1: put in. My brother told me way back when it 515 00:29:24,280 --> 00:29:26,360 Speaker 1: came out. He's like, if you guys do cap up 516 00:29:26,400 --> 00:29:31,600 Speaker 1: Demon Hunters, we will gladly contribute. My nieces are obsessed now. 517 00:29:31,920 --> 00:29:34,680 Speaker 1: I will tell you my nieces are white. This is exciting. 518 00:29:34,880 --> 00:29:38,480 Speaker 1: Like I'm like, I couldn't be more the help. But 519 00:29:38,520 --> 00:29:41,640 Speaker 1: they love it so I'm hoping to get a voice 520 00:29:41,640 --> 00:29:44,960 Speaker 1: memo that we can pop in here about like what 521 00:29:45,160 --> 00:29:48,720 Speaker 1: kids these age, you know, six and ten, and what 522 00:29:49,160 --> 00:29:51,360 Speaker 1: they're getting from it. So hopefully we'll be able to 523 00:29:51,400 --> 00:29:53,560 Speaker 1: pop something in here from them. They said they would 524 00:29:53,560 --> 00:29:57,360 Speaker 1: send it later, but I'm just cute. That's important, right, 525 00:29:57,360 --> 00:29:59,800 Speaker 1: Like I want to know like what they get from 526 00:29:59,840 --> 00:30:02,800 Speaker 1: it versus what we're getting from it, and because it's 527 00:30:02,800 --> 00:30:04,400 Speaker 1: such a phenomenon. Hi. 528 00:30:04,480 --> 00:30:07,800 Speaker 3: Everyone, my name is Chloe and I am six years old. 529 00:30:08,240 --> 00:30:11,800 Speaker 3: I love keepob Demon Hunters. I've seen it a million times. 530 00:30:12,240 --> 00:30:15,640 Speaker 3: My favorite character is Rumy, she's the leader and I 531 00:30:15,680 --> 00:30:19,600 Speaker 3: love her hair. My favorite song is Golden. I also 532 00:30:19,720 --> 00:30:22,560 Speaker 3: like take down a lot. Thank you Aunt Jenna and 533 00:30:22,640 --> 00:30:28,200 Speaker 3: Kevin for letting me be on your podcast. Bye. 534 00:30:33,840 --> 00:30:38,920 Speaker 1: Should we grade some performances? Yes, okay, let's do it. 535 00:30:38,960 --> 00:30:40,880 Speaker 1: We're definitely doing all of these and they're all getting 536 00:30:40,880 --> 00:30:43,560 Speaker 1: a's how it's done it. 537 00:30:43,720 --> 00:30:46,320 Speaker 2: Plus, I hadn't heard the song. I hadn't heard any 538 00:30:46,360 --> 00:30:47,640 Speaker 2: of these songs have Golden before? 539 00:30:48,200 --> 00:30:48,600 Speaker 3: Oh? 540 00:30:48,920 --> 00:30:49,240 Speaker 1: Really? 541 00:30:49,600 --> 00:30:50,240 Speaker 2: Yeah? 542 00:30:50,280 --> 00:30:53,880 Speaker 1: Well you really stayed away? Okay? Golden a plus plus plus. 543 00:30:55,240 --> 00:30:57,840 Speaker 2: Golden is yeah, a plus plus plus. Also, like the 544 00:30:57,880 --> 00:31:00,520 Speaker 2: court when they finally do it at the end. The 545 00:31:00,600 --> 00:31:03,520 Speaker 2: choreos so satisfying. 546 00:31:03,760 --> 00:31:08,480 Speaker 1: I know, I know, it's really good. A plus A 547 00:31:08,560 --> 00:31:15,040 Speaker 1: plus Takedown A plus A plus, free A your idol? 548 00:31:16,520 --> 00:31:21,040 Speaker 2: A wait, I want to talk about your idol? 549 00:31:21,200 --> 00:31:24,960 Speaker 1: Okay, talk about it, because the. 550 00:31:24,920 --> 00:31:27,120 Speaker 2: Whole time I was like, if I saw this in person, 551 00:31:28,680 --> 00:31:31,040 Speaker 2: are you kidding me? They start the number by levitating. 552 00:31:32,640 --> 00:31:36,640 Speaker 2: It is so cool, and then they show up downstage 553 00:31:38,080 --> 00:31:41,240 Speaker 2: and then they pop back up upstage and are levitating again. 554 00:31:41,320 --> 00:31:44,880 Speaker 2: I was like, this is theatrics. 555 00:31:45,600 --> 00:31:48,400 Speaker 1: It's giving as long as your mind. 556 00:31:49,320 --> 00:31:52,960 Speaker 2: But like historically, like the boy groups have always been 557 00:31:53,000 --> 00:31:56,200 Speaker 2: more theatrical than the girl groups, and I think you 558 00:31:56,240 --> 00:32:00,120 Speaker 2: also see that in some of like like the hairstyles 559 00:32:00,160 --> 00:32:02,280 Speaker 2: and things in the group Saga Boys. 560 00:32:02,640 --> 00:32:03,600 Speaker 1: Yeah yeah. 561 00:32:03,640 --> 00:32:08,960 Speaker 2: And then like they're like stage their stage presence is 562 00:32:08,960 --> 00:32:12,600 Speaker 2: like campier, yes, you know, like it is, and they 563 00:32:12,600 --> 00:32:16,000 Speaker 2: show up in these like Beyonce formation hats and they're 564 00:32:16,000 --> 00:32:19,240 Speaker 2: like demon wear and they're levitating. I just thought that 565 00:32:19,360 --> 00:32:20,040 Speaker 2: was so cool. 566 00:32:20,960 --> 00:32:26,440 Speaker 1: It's pretty great levitation what it sounds like. It was like, 567 00:32:27,840 --> 00:32:28,600 Speaker 1: I give it an. 568 00:32:28,440 --> 00:32:32,520 Speaker 2: A chills A plus oh wow, oh, because I mean 569 00:32:32,560 --> 00:32:34,680 Speaker 2: it's like the So I think we need to talk 570 00:32:34,720 --> 00:32:37,280 Speaker 2: about EJ's range because she can live up there, but 571 00:32:37,320 --> 00:32:39,360 Speaker 2: she also starts a song. I didn't think it was her. 572 00:32:39,480 --> 00:32:40,960 Speaker 1: I was like her, I didn't know it was her either. 573 00:32:41,040 --> 00:32:45,280 Speaker 1: I was like, that's her. It's excellent. Yeah, I mean 574 00:32:45,280 --> 00:32:48,520 Speaker 1: her range is crazy. Also, that ponytail must be so heavy. 575 00:32:49,480 --> 00:32:52,480 Speaker 1: Every fight girl wants that purple ponytail. I was like, 576 00:32:52,520 --> 00:32:53,240 Speaker 1: what is going on? 577 00:32:53,440 --> 00:32:55,000 Speaker 2: But we love it? I want it to. 578 00:32:59,240 --> 00:33:07,600 Speaker 1: Also the fashion, it was all like inspired by amazing 579 00:33:08,240 --> 00:33:15,360 Speaker 1: designers like Javonte, Jean, Paul Gautier, Alexander McQueen, and then 580 00:33:15,400 --> 00:33:18,200 Speaker 1: also blending in Korean traditional ements. I thought that the 581 00:33:18,760 --> 00:33:25,280 Speaker 1: costumeing was yeah, onto, I okay, all right, let's do 582 00:33:25,360 --> 00:33:31,400 Speaker 1: some Cardie shakes, great aucheese. I don't think that. I 583 00:33:31,480 --> 00:33:34,240 Speaker 1: don't know. I don't I don't think so. 584 00:33:34,360 --> 00:33:35,040 Speaker 2: I don't think so. 585 00:33:35,320 --> 00:33:38,040 Speaker 1: Okay, maybe we missed something, but nothing that we saw 586 00:33:38,280 --> 00:33:42,400 Speaker 1: in plain sight. Best dance move, I mean, Kevin the 587 00:33:42,840 --> 00:33:46,600 Speaker 1: Corey Army is Soda pop also went like viral like 588 00:33:46,680 --> 00:33:49,360 Speaker 1: people were doing it. It was it was crazy. 589 00:33:49,440 --> 00:33:51,600 Speaker 2: I'm actually sad I missed that because I would for 590 00:33:51,640 --> 00:33:55,240 Speaker 2: sure you definitely like golden. But I also just think 591 00:33:56,160 --> 00:33:57,800 Speaker 2: I don't know if he counts as a dancer. But 592 00:33:57,880 --> 00:34:03,080 Speaker 2: the levitation, okay, let's go with the levitation. It reminded me, 593 00:34:03,600 --> 00:34:05,760 Speaker 2: did you did you see the Backstreet Boys Millennium Tour. 594 00:34:06,720 --> 00:34:09,279 Speaker 1: I literally was thinking the same thing Kevin. I was like, 595 00:34:09,400 --> 00:34:10,360 Speaker 1: is this is giving. 596 00:34:10,160 --> 00:34:18,759 Speaker 2: Millennium snowboard looking things or like no shrinks attached? When 597 00:34:18,800 --> 00:34:19,960 Speaker 2: they dropped down from the scene. 598 00:34:20,000 --> 00:34:25,839 Speaker 1: I was like, yes, yes, it's so true. The best 599 00:34:25,840 --> 00:34:30,760 Speaker 1: song Golden, Golden, Yeah, that's the prop. 600 00:34:32,080 --> 00:34:34,040 Speaker 2: Man. There's so many good props in this movie. 601 00:34:37,640 --> 00:34:44,680 Speaker 1: The card, the card that comes out of the the Tigers. 602 00:34:45,080 --> 00:34:49,200 Speaker 2: I love the love the Tiger. I mean talked about 603 00:34:49,200 --> 00:34:50,240 Speaker 2: great character design. 604 00:34:50,719 --> 00:34:52,200 Speaker 1: I know she's like, what are you? 605 00:34:55,840 --> 00:34:57,359 Speaker 2: And I know this is not a prop, but I 606 00:34:57,440 --> 00:35:00,520 Speaker 2: just remember what my favorite outfit was when the girls 607 00:35:00,520 --> 00:35:02,160 Speaker 2: were all dressed in that black leather when they were 608 00:35:02,160 --> 00:35:05,799 Speaker 2: going to go take down Assaga Boys the first time. Yeah, 609 00:35:05,800 --> 00:35:07,279 Speaker 2: and they have to go down the slides in the leather. 610 00:35:08,080 --> 00:35:10,520 Speaker 1: Very it's very McQueen. 611 00:35:10,640 --> 00:35:13,560 Speaker 2: I think that cute. 612 00:35:14,440 --> 00:35:15,000 Speaker 1: Best line. 613 00:35:16,680 --> 00:35:18,480 Speaker 2: Oh, I definitely known what mine is? 614 00:35:19,200 --> 00:35:19,920 Speaker 1: What is yours? 615 00:35:21,400 --> 00:35:23,680 Speaker 2: She grew up in America? Someone told burbank us. 616 00:35:24,800 --> 00:35:37,200 Speaker 1: Yes, it was like, yeah, so good performance. MVP roomy, roomy. 617 00:35:37,400 --> 00:35:41,360 Speaker 2: Oh yeah, yeah, but like everybody was so great. 618 00:35:41,520 --> 00:35:44,640 Speaker 1: No really, ensemble cast excellent. 619 00:35:44,760 --> 00:35:49,640 Speaker 2: Yes, excellent, excellent work. Really enjoyed this, and now I'm 620 00:35:49,680 --> 00:35:53,280 Speaker 2: just pissed there's not a sequel yet. It's coming. 621 00:35:53,440 --> 00:35:56,239 Speaker 1: You know, it'll be you'll blanket it'll be here. 622 00:35:56,440 --> 00:36:02,759 Speaker 2: Okay, should we found a TikTok jenna completely unrelated the 623 00:36:02,840 --> 00:36:05,480 Speaker 2: lamp in curtain Finn's room. 624 00:36:05,719 --> 00:36:10,239 Speaker 1: I am Connor Burk. What's this is Connor Burk? 625 00:36:10,400 --> 00:36:12,359 Speaker 2: Is we love him? 626 00:36:12,600 --> 00:36:13,640 Speaker 1: It's really good. 627 00:36:15,120 --> 00:36:18,040 Speaker 2: Listening to Finn say what he should not be saying. 628 00:36:20,160 --> 00:36:23,719 Speaker 1: Yes exactly. And there's the literally is like a lamb 629 00:36:23,800 --> 00:36:24,319 Speaker 1: chain on his. 630 00:36:24,320 --> 00:36:26,600 Speaker 2: Head and wrapped in a Pride flag. 631 00:36:27,840 --> 00:36:30,400 Speaker 1: And being deeply offended. 632 00:36:30,040 --> 00:36:35,200 Speaker 2: In the corner of the room, the not so good 633 00:36:35,680 --> 00:36:38,680 Speaker 2: very our Irish opera. Thank you for this, Thank you 634 00:36:38,680 --> 00:36:43,160 Speaker 2: for your art. I love your art. You're an artist. 635 00:36:45,000 --> 00:36:48,440 Speaker 1: Okay, Well, coming up, Kevin, we're going to do all 636 00:36:48,480 --> 00:36:51,360 Speaker 1: this like musical talk is giving me the feels, So 637 00:36:51,400 --> 00:36:54,120 Speaker 1: we're going to reveal our top five or twenty musicals 638 00:36:54,120 --> 00:36:57,799 Speaker 1: of all time. So get your lists ready, let's talk 639 00:36:57,840 --> 00:37:00,440 Speaker 1: this through. This is going to be a learning for 640 00:37:00,520 --> 00:37:04,160 Speaker 1: Kevin sure, and we're just gonna go for it, So 641 00:37:04,200 --> 00:37:04,879 Speaker 1: let's talk music. 642 00:37:04,920 --> 00:37:08,240 Speaker 2: Make your own lists. Okay, that's what you really missed. 643 00:37:08,640 --> 00:37:11,799 Speaker 2: Thanks for listening, and follow us on Instagram at and 644 00:37:11,880 --> 00:37:14,120 Speaker 2: that's what you really miss pod. Make sure to write 645 00:37:14,160 --> 00:37:16,440 Speaker 2: us a review and leave us five stars. See you 646 00:37:16,440 --> 00:37:16,839 Speaker 2: next time.