WEBVTT - Laughter: What's so funny about that?

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>It's ready. Are you welcome to Stuff you should know

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<v Speaker 1>from house Stuff Works dot Com? Hey, and welcome to

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<v Speaker 1>the podcast. I'm Josh Clark. There's Charles W. Chuck Bryant. Ay,

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<v Speaker 1>you have tape on your You have tape on your

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<v Speaker 1>new cover. Well that's because it's mine and mine alone.

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<v Speaker 1>So I'm gonna write Chuck on it at some point.

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<v Speaker 1>That's gonna affect something. It will. How does he sound, Jerry,

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<v Speaker 1>I'll screwed up. For those of you that don't know,

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<v Speaker 1>I got my own microphone cover because all the other

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<v Speaker 1>ones your smell bad. So I got one to keep

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<v Speaker 1>in my drawer, and uh, it's Chuck's. And I'm paranoid

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<v Speaker 1>that I'm making the microphone cover smell bad. Well there's

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<v Speaker 1>three of them now, yeah, Well you keep switching them

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<v Speaker 1>out and I can't smell it. So I'm like, all right,

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<v Speaker 1>I got something for you. Speaking speaking of you, just

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<v Speaker 1>laughing right there? You ready for this? Right? What do

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<v Speaker 1>you think I have integrity? I'm buying a cinnamon right now.

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<v Speaker 1>I'm buying a cinnamon at the airport that I arrived

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<v Speaker 1>at you understand why that's extra disgusting. Right when you're leaving,

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<v Speaker 1>if you're at your destined you know, when you're at

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<v Speaker 1>the airport, you're leaving. But you can go like, oh,

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<v Speaker 1>I gotta eat. I need to do food because I

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<v Speaker 1>might be trapped in the sky forever, and I obviously

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<v Speaker 1>to eat right now. But this is I've landed, the

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<v Speaker 1>trip is over. Not too shabby. Check. That's the great

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<v Speaker 1>Louis c. K. If I'm not mistaken, Yes, who I

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<v Speaker 1>think is one of the funnier people on the planet today.

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<v Speaker 1>I agree with you. You know, I started as a

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<v Speaker 1>Saturday Night Live writer. Doesn't surprise me. Um. And that

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<v Speaker 1>was from his h his special, right, like his like

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<v Speaker 1>what's it called chewed up? Yes, chewed up? His stand

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<v Speaker 1>up special? One one of his stands. Very good. Okay,

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<v Speaker 1>so I've got one for you. Okay, all right, I

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<v Speaker 1>mean you couldn't get you to laugh here, listen up, chucker.

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<v Speaker 1>All right. When I finished, I want to take all

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<v Speaker 1>my graduation money and buy myself a motorcycle, but my

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<v Speaker 1>mom said no, she who died in a horrible motorcycle

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<v Speaker 1>accident when he was eighteen, And I could just have

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<v Speaker 1>his motorcycle. He's that guy. That's Anthony Jeselnick. He's hilarious.

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<v Speaker 1>Oh you saw him live, yeah, south By Southwest. Okay,

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<v Speaker 1>that was that guy. So okay, all right, we're laughing.

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<v Speaker 1>This is a pretty good it's a pretty auspicious start

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<v Speaker 1>to the podcast on how laughter works. Yeah, now we

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<v Speaker 1>just have to be as funny as Louisa. Kay. Yeah,

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<v Speaker 1>I don't think we should even try no pressure, Yeah, no, no,

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<v Speaker 1>I think we should just be ourselves here and explain

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<v Speaker 1>how after it works. Like this is a robust how

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<v Speaker 1>stuff works articles. Actually it was written by Marshall Brain himself. Yeah. Um,

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<v Speaker 1>and he went to town, uh, figuring out exactly how

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<v Speaker 1>um laughter works why we laugh? And you can't up

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<v Speaker 1>with a bunch of really good data on it. We're

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<v Speaker 1>gonna share here. He gets right into it too. Did

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<v Speaker 1>you notice that with the joke with nothing man, it

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<v Speaker 1>was like, oh no, I cut all that out. I think,

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<v Speaker 1>oh you did. You didn't see the joke about Bill

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<v Speaker 1>Gates and the president of General Martin. I cut all

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<v Speaker 1>that out. No, wonder it seemed like he got right

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<v Speaker 1>into it. Yeah, I cut that part out. Well. Yeah, well,

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<v Speaker 1>after after that, after the intro. He does start out

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<v Speaker 1>with you know, first of all, laughter is not the

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<v Speaker 1>same as humor and quote uh and that's a pretty

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<v Speaker 1>good point. Laughter is the physiological response to humor. Right,

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<v Speaker 1>So humor is a joke or um, Mo Howard slapping

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<v Speaker 1>Larry Fine, Um, whatever is your bad Tom, you know,

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<v Speaker 1>chasing Jerry, Jerry makes it into his mousehole and then

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<v Speaker 1>Tom smacks's face or modaba tenda. That's where I thought

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<v Speaker 1>you were going when you said Mo, No, Mo Howard

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<v Speaker 1>another funny moment, that's mo. What's most last name? Moda tenda?

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<v Speaker 1>No he has the last name? Does he? Is it? Like?

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<v Speaker 1>I don't know what it is. His first name is momar,

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<v Speaker 1>but I can't remember what his last name is. Well anyway,

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<v Speaker 1>So any of that is humor, and then we respond

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<v Speaker 1>to in a certain way. And what's awesome is although

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<v Speaker 1>we can't really say like why things are funny or

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<v Speaker 1>why we even have a capacity to find things humorous. Um,

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<v Speaker 1>we have a pretty good understanding of what happens in

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<v Speaker 1>the brain, right we do. UM. And we also know

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<v Speaker 1>that what happens physically, like there's a there's a cascade

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<v Speaker 1>of events that takes place in a very unfunny way.

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<v Speaker 1>Um that that starts with your face, right, that's right. Uh.

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<v Speaker 1>Right off the bat, fifteen facial muscles will contract. It's

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<v Speaker 1>going to stimulate the zygomatic major muscle, which is the

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<v Speaker 1>apparently the lifting mechanism of your upper lip. Yeah, and

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<v Speaker 1>think about it. When you're trying to stifle laughter, what

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<v Speaker 1>you're doing is focusing on keeping that muscle from lifting,

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<v Speaker 1>because once it hits that one point of no return,

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<v Speaker 1>you're you just crack up. That's right, and that crazy Uh.

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<v Speaker 1>Your respiratory system is upset, and your epiglottis apparently half

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<v Speaker 1>closes your larynx, so that's why you sometimes can't catch

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<v Speaker 1>your breath, and if you really get going, it's gonna

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<v Speaker 1>activate your tear ducks. That's why you cry with laughter sometimes. Yes,

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<v Speaker 1>And I guess those happen in a sequence depending on

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<v Speaker 1>how hard you're laughing. Right. Um. Not only that you

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<v Speaker 1>talked about the epiglottis closing the larynx right so that

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<v Speaker 1>that you're trying to gasp for air, which is also

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<v Speaker 1>why sometimes you can go for a pretty long period

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<v Speaker 1>of time without making any sound whatsoever, because you're epiglottis

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<v Speaker 1>has um completely close to your life. You can't breathe

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<v Speaker 1>this right exactly. But when you're when you're drawing in

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<v Speaker 1>and gasping, it makes the laughter sound right or w

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<v Speaker 1>whit you snort? Right? Yeah, you don't snort normally when

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<v Speaker 1>you're walking around, No, it's absolutely true. Um snort. Ever

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<v Speaker 1>when you laugh sometimes once in a while, Yeah, me too.

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<v Speaker 1>It's funny. It's such an embarrassing thing too, certainly, like

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<v Speaker 1>kind of I'm proud of That means I'm really laughing,

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<v Speaker 1>right sure, um, And when I cry, it means I'm

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<v Speaker 1>really laughing. It's wonderful. But um so when when we

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<v Speaker 1>make this uh, when we're drawing air in right to

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<v Speaker 1>try to survive and live, um, where we make a

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<v Speaker 1>sound and we make a certain sound. And what I've

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<v Speaker 1>what I found is that it's universal. Ho ho ho.

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<v Speaker 1>I thought you meant when you're breathing or ha ha ha,

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<v Speaker 1>that's the laugh, right. What's crazy is is it happens

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<v Speaker 1>like almost universally people say ha ha ha or ho

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<v Speaker 1>ho ho, right, and they deliver that same laugh at

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<v Speaker 1>about the same rate about every two milliseconds. Structure. Yeah,

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<v Speaker 1>and the h is almost a delivery vehicle for the

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<v Speaker 1>vowel either the O or the A, the long or

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<v Speaker 1>the long A or the short am aha ha. I've

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<v Speaker 1>never paid that much attention to myself. But you don't

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<v Speaker 1>intermix them ever. No one has ever in the history

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<v Speaker 1>of humanity ever genuinely intermixed hot and ho into a

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<v Speaker 1>real laugh. And that interesting it is. And you also

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<v Speaker 1>have your own signature laugh, just like your voice is

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<v Speaker 1>your own, and your hiccupping pattern is your own. It's

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<v Speaker 1>your laugh generally is the same like it might might range,

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<v Speaker 1>but that is your laugh. You're never gonna laugh like, Wow,

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<v Speaker 1>that sounded like someone else all of a sudden, right, Yeah,

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<v Speaker 1>that'd be weird. My signature laugh is pink. It's really

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<v Speaker 1>I don't know what that means, but I'm laughing. So um, well,

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<v Speaker 1>there there you go. Then it was it was successful. Um.

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<v Speaker 1>And we also apparently humans have some sort of um

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<v Speaker 1>laughter detector that as far as I know, since we

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<v Speaker 1>call it a laughter detector, it means science hasn't figured

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<v Speaker 1>out what that is yet because that's to do with

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<v Speaker 1>the brain. But just based on observation, UM, we have

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<v Speaker 1>an ability to pick up on other people's laughter, and

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<v Speaker 1>for some reason that can make us laugh. It's contagious,

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<v Speaker 1>and as we laugh, it can make the other people

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<v Speaker 1>laugh and so on, and laughter just kind of keeps going.

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<v Speaker 1>That's right. Something else interesting about laughter is the more

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<v Speaker 1>you try to stifle it, say you're trying to really

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<v Speaker 1>keep your zygomatic major muscle in a relaxed position, the

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<v Speaker 1>more the funnier the situation becomes. The church, even heathens

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<v Speaker 1>know that it's called the church eagle. If you've never

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<v Speaker 1>setting footed side of church, you still call the church giggles.

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<v Speaker 1>And I have actually gotten the church giggles in church

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<v Speaker 1>big Oh yeah, sure, when I was a kid like it.

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<v Speaker 1>I remember being specifically being a teenager. This one time

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<v Speaker 1>I got the church kiggles really bad because something a

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<v Speaker 1>guest preacher said. He misspoke in a funny way and

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<v Speaker 1>it's something you shouldn't have laughed at, and I couldn't

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<v Speaker 1>help it, and I literally for like, I had to

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<v Speaker 1>excuse myself. I was the only person that had to

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<v Speaker 1>get up in leave. Did he shout center at you

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<v Speaker 1>on your way out? No? No. So one last little

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<v Speaker 1>universal aspect or pretty much universal aspect of laughter specifically, um,

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<v Speaker 1>and we should say, like this is based on the

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<v Speaker 1>article how laughter works, but it includes humor quite a

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<v Speaker 1>bit as well, but laughter specifically, Uh, there's this aspect

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<v Speaker 1>of it called the punctuation effect, where it doesn't it

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<v Speaker 1>doesn't normally I know what you're saying, I know your idea,

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<v Speaker 1>but it doesn't normally come in the middle of a sentence.

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<v Speaker 1>It normally comes at the end of a sentence or

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<v Speaker 1>the end of a phrase, or in a dead space

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<v Speaker 1>a period, which hence the name punctuation effect. That's one

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<v Speaker 1>of those things where I was like, do you really

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<v Speaker 1>need some researcher to tell you that, like that you

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<v Speaker 1>laugh after you speak, because you can't do both at

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<v Speaker 1>the same time. No, But I think the point is

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<v Speaker 1>that you're not like most people don't in the middle

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<v Speaker 1>of a joke laugh and then continue on with the joke,

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<v Speaker 1>and then laugh and then continue on and then deliver

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<v Speaker 1>the punch line. And if they do, everybody thinks they're

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<v Speaker 1>terrible joke teller. Well, if you're laughing at your own

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<v Speaker 1>joke anyway, probably doing it wrong. Or when um, when uh,

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<v Speaker 1>Henry Hill and good Fellas, right, he's just ticking off

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<v Speaker 1>Joe Pesci and he tells him he's a funny guy

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<v Speaker 1>and He's like, what am my clown do? I amuse you?

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<v Speaker 1>You think I'm you think I'm funny? Right, And then

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<v Speaker 1>like they they the tension is relieved and he jumps

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<v Speaker 1>on him or no, he doesn't jump on him yet,

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<v Speaker 1>and he goes, you really are a funny guy, and

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<v Speaker 1>then they starts laughing again. He didn't go you really

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<v Speaker 1>are and laugh a funny guy. The punctuation effect. Yeah,

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<v Speaker 1>I think that's lame. Well, okay, let's move on then

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<v Speaker 1>to why we laugh like this is a This is

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<v Speaker 1>one of the parts where we just don't fully understand. Well, uh,

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<v Speaker 1>some people have their ideas obviously. Uh. It all goes

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<v Speaker 1>back to Tuck Tuck, and people think that initially it

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<v Speaker 1>might have been as a ah, a release of tension

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<v Speaker 1>from the passing of danger. Took Tuk and his buddies

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<v Speaker 1>are sitting around in the saber Tooth Tigers nearby and

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<v Speaker 1>they are all quiet, and then they think maybe laughter

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<v Speaker 1>started as a relief that the danger is now gone,

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<v Speaker 1>or maybe it took Tok farted right afterwards, which is

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<v Speaker 1>always we had to get one of those in there.

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<v Speaker 1>Um that Another explanation is that it's a form of

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<v Speaker 1>social bonding. Sure that you don't really laugh around people

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<v Speaker 1>you don't trust. You at the very least, don't genuinely

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<v Speaker 1>laugh around people you don't trust, right, Yeah, you have

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<v Speaker 1>to be at ease to laugh. Yes, generally speaking, Um,

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<v Speaker 1>it's also a means of asserting dominance. As far as

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<v Speaker 1>I understand that, dominant individuals in societies, whether it be

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<v Speaker 1>human or maybe chimp, um, the jerks and other words,

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<v Speaker 1>tend to um create laughter more. But it's not necessarily

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<v Speaker 1>genuine laughter, not comfortable after it's a way of controlling

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<v Speaker 1>the social climate. But as far as genuine laughter goes,

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<v Speaker 1>there seems to be a necessity for trust and um,

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<v Speaker 1>there's some sort of positive feedback loop, right where when

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<v Speaker 1>you laugh with somebody you feel comfortable around them, and

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<v Speaker 1>they laugh and they feel comfortable around you, and that

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<v Speaker 1>lettle comfort can lead to more laughter and it's again

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<v Speaker 1>a positive feedback, and then you're all just having a

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<v Speaker 1>rip more good time. Right. And then afterward, after you've

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<v Speaker 1>shared this experience of these this person, you feel even

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<v Speaker 1>closer to than than before. That's right, When you share

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<v Speaker 1>a good laugh with someone, it bonds you. Yeah, I

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<v Speaker 1>feel that way for sure. So in that sense, it's

0:13:05.840 --> 0:13:09.320
<v Speaker 1>a social signal. And there's other studies that back up

0:13:09.400 --> 0:13:15.959
<v Speaker 1>the idea that this it's laughter is expressly designed for

0:13:17.160 --> 0:13:21.160
<v Speaker 1>the as a social bonding glue. Yeah, you're thirty times

0:13:21.240 --> 0:13:23.880
<v Speaker 1>more likely apparently to laugh in a social setting than

0:13:23.920 --> 0:13:29.160
<v Speaker 1>when you're alone with the TV off. Then again, I

0:13:29.240 --> 0:13:31.000
<v Speaker 1>wonder about that. It's like, don't you need some sort

0:13:31.040 --> 0:13:33.840
<v Speaker 1>of stimuli or they did they do? When they did,

0:13:33.840 --> 0:13:35.400
<v Speaker 1>they didn't have anything on the study, Like did they

0:13:35.440 --> 0:13:37.760
<v Speaker 1>put someone in a room alone and give them like

0:13:37.840 --> 0:13:40.120
<v Speaker 1>a funny book or something. I don't understand how that works.

0:13:40.120 --> 0:13:43.960
<v Speaker 1>Probably Okay, I think that maybe a book um would

0:13:44.040 --> 0:13:48.160
<v Speaker 1>do it. It says, no pseudo social device like a television,

0:13:48.360 --> 0:13:50.160
<v Speaker 1>So what are you laughing at? Then? If you're just

0:13:50.240 --> 0:13:51.920
<v Speaker 1>in a room. But that's what I'm saying, like, maybe

0:13:52.000 --> 0:13:55.720
<v Speaker 1>like you, you just are reading jokes on strips of paper, okay,

0:13:56.080 --> 0:14:00.280
<v Speaker 1>like a bazooka gum jokes nobody laughs at the Yeah,

0:14:00.360 --> 0:14:03.520
<v Speaker 1>that's that. That explains that. Well. In nitrous oxide, they

0:14:03.559 --> 0:14:10.000
<v Speaker 1>found German physiologists named Willobald Rook. They he found that

0:14:10.080 --> 0:14:15.120
<v Speaker 1>laughing gas was even less effective when you're alone. Yeah,

0:14:15.920 --> 0:14:20.160
<v Speaker 1>which which is true because you're just high. Is that

0:14:20.240 --> 0:14:23.640
<v Speaker 1>the deal. Oh yeah, I don't. I can't remember if

0:14:23.680 --> 0:14:26.960
<v Speaker 1>I ever had laughing gas, to be honest, Oh really no,

0:14:27.200 --> 0:14:29.760
<v Speaker 1>I've never liked had surgery. You don't necessarily I mean

0:14:29.800 --> 0:14:32.400
<v Speaker 1>you do kind of laughing. You're funny and everything seems funny.

0:14:32.440 --> 0:14:35.400
<v Speaker 1>And I have noticed, like when when you're at the dentist, uh,

0:14:35.480 --> 0:14:37.440
<v Speaker 1>and there, you know, the dentist and the hygienist during

0:14:37.480 --> 0:14:40.200
<v Speaker 1>there and they got you like nice and loaded. Everything's

0:14:40.240 --> 0:14:42.520
<v Speaker 1>kind of funnier and you're talking and all that, and

0:14:42.520 --> 0:14:44.280
<v Speaker 1>then when they leave and you're by yourself, you're just

0:14:44.440 --> 0:14:47.640
<v Speaker 1>like looking at the ceiling tile because it looks crazy.

0:14:47.840 --> 0:14:50.840
<v Speaker 1>But it's not necessarily funny. You should try it, man,

0:14:50.880 --> 0:14:54.040
<v Speaker 1>it's my whole life free. I hate the dentist too.

0:14:54.160 --> 0:14:57.080
<v Speaker 1>That would probably change that experience. You'll still hate the dentist,

0:14:57.200 --> 0:15:01.680
<v Speaker 1>but you'll be like, at least there's this okay, gotcha doctor,

0:15:01.760 --> 0:15:05.000
<v Speaker 1>feel good? Uh? It is uh. The study of laughter,

0:15:05.160 --> 0:15:09.359
<v Speaker 1>Josh has a name, is called gelatology, or it's g lotology.

0:15:09.520 --> 0:15:13.720
<v Speaker 1>That's the physiological study of laughter. That's what it said, right,

0:15:13.840 --> 0:15:15.560
<v Speaker 1>But I just want to make sure that that's clear,

0:15:15.840 --> 0:15:20.360
<v Speaker 1>because we're kind of vacillating between laughter and humor, and

0:15:20.560 --> 0:15:26.280
<v Speaker 1>this is the physiological study of humor of laughter. Thanks

0:15:26.320 --> 0:15:30.920
<v Speaker 1>for clearing that up. Uh. Emotional responses, um start in

0:15:31.040 --> 0:15:33.480
<v Speaker 1>the I'm sorry emotional responses or the function of the

0:15:33.520 --> 0:15:36.560
<v Speaker 1>frontal lobe. But when it comes to laughter, it's all

0:15:36.640 --> 0:15:38.960
<v Speaker 1>over the map. It's not just the frontal lobe. They

0:15:38.960 --> 0:15:41.840
<v Speaker 1>hooked people up to E E. G s and showed

0:15:41.840 --> 0:15:45.720
<v Speaker 1>them funny things and found that it's all All parts

0:15:45.760 --> 0:15:48.960
<v Speaker 1>of the brain are involved in the laughter response. So

0:15:49.080 --> 0:15:51.600
<v Speaker 1>it's not just emotional. But it's not necessarily all over

0:15:51.640 --> 0:15:53.080
<v Speaker 1>the map. I mean, it is all over the brain,

0:15:53.120 --> 0:15:57.440
<v Speaker 1>but it follows a prescribed neural circuit. That's right, Like

0:15:57.520 --> 0:16:01.040
<v Speaker 1>they can go, oh, it's going here next see, um,

0:16:01.200 --> 0:16:04.200
<v Speaker 1>what what parts of the brain does? It include the

0:16:04.360 --> 0:16:09.760
<v Speaker 1>cerebral cortex. Electrical wave moves through there and if now

0:16:09.880 --> 0:16:11.960
<v Speaker 1>I didn't really understand this, but if the wave takes

0:16:12.000 --> 0:16:14.400
<v Speaker 1>a negative charge, then you're gonna be laughing. If it's

0:16:14.440 --> 0:16:17.680
<v Speaker 1>a positive charge, then there's no response. So I guess

0:16:17.760 --> 0:16:20.600
<v Speaker 1>that just measures whether or not you think something's funny.

0:16:22.120 --> 0:16:24.840
<v Speaker 1>I guess I don't know, or else. Like it literally

0:16:25.400 --> 0:16:29.760
<v Speaker 1>like one type of electrical charge will trigger this response

0:16:29.840 --> 0:16:33.040
<v Speaker 1>and another type won't like it just passes over you.

0:16:33.680 --> 0:16:37.520
<v Speaker 1>But the human electric though, well either way. Um, an

0:16:37.560 --> 0:16:41.720
<v Speaker 1>electrical wave is generated when something that's potentially funny, potentially

0:16:41.800 --> 0:16:45.640
<v Speaker 1>funny stimuli is encountered. Within four tenths of a second. Yes,

0:16:45.720 --> 0:16:49.760
<v Speaker 1>this electrical signal is generated, and it's it. It's determined

0:16:49.840 --> 0:16:51.640
<v Speaker 1>I guess in four tents whether you thought it was

0:16:51.680 --> 0:16:55.200
<v Speaker 1>funny or not. Yeah. So, but that's a great question.

0:16:55.280 --> 0:16:57.520
<v Speaker 1>I mean, like that's a card or the horse kind

0:16:57.560 --> 0:17:01.240
<v Speaker 1>of question, like does it turn positive or negative because

0:17:01.360 --> 0:17:03.040
<v Speaker 1>we found it funny or do we find it funny

0:17:03.080 --> 0:17:06.800
<v Speaker 1>because it turned positive or negative. I think it's the humor.

0:17:07.040 --> 0:17:08.640
<v Speaker 1>You have to find it funny, and then the brain

0:17:08.760 --> 0:17:12.640
<v Speaker 1>reacts to that response. That's what I think. So let's

0:17:12.680 --> 0:17:15.760
<v Speaker 1>say that it does take a negative charge, this electrical

0:17:15.800 --> 0:17:19.359
<v Speaker 1>wave that just covers your brain, and um, it starts

0:17:19.400 --> 0:17:23.240
<v Speaker 1>spreading through this neural circuit, starting with the left side

0:17:23.280 --> 0:17:26.640
<v Speaker 1>of the cortex right, which analyzes the words and structure

0:17:26.680 --> 0:17:29.159
<v Speaker 1>of a joke. Yep, making sense of it all. Ye,

0:17:29.680 --> 0:17:32.680
<v Speaker 1>of the words themselves. The frontal lobe, which is in

0:17:32.760 --> 0:17:35.960
<v Speaker 1>charge of emotion. That's right, you got the right hemisphere,

0:17:36.080 --> 0:17:39.879
<v Speaker 1>the cortex, which basically it sorts out whether or not

0:17:39.960 --> 0:17:42.680
<v Speaker 1>the joke makes sense to you. Right, Well, that's where

0:17:42.720 --> 0:17:45.280
<v Speaker 1>you put it together, like the the right um, the

0:17:45.440 --> 0:17:49.000
<v Speaker 1>right hemisphere, the frontal lobe is the place where we

0:17:49.600 --> 0:17:55.320
<v Speaker 1>managed to construct emotion and intellect of the cortex, and

0:17:55.440 --> 0:17:57.959
<v Speaker 1>that's where we that's where you get the joke. Right.

0:17:58.280 --> 0:18:01.199
<v Speaker 1>They've also found that that's the hard since you need

0:18:01.280 --> 0:18:03.480
<v Speaker 1>all these different systems in the brain. But that's the

0:18:03.600 --> 0:18:07.960
<v Speaker 1>part when it's damage that produces the um most damage

0:18:08.040 --> 0:18:12.880
<v Speaker 1>to experiencing humor, getting humor, finding anything funny, Yeah, it's

0:18:12.880 --> 0:18:15.400
<v Speaker 1>real sad uh. Of course, you have the motor sections

0:18:15.480 --> 0:18:19.119
<v Speaker 1>that get all the physical responses going, like slapping your

0:18:19.200 --> 0:18:24.200
<v Speaker 1>knee or doubling over or whatever you do that's wacky

0:18:24.240 --> 0:18:26.720
<v Speaker 1>when you laugh. And there's there's also another big one

0:18:26.800 --> 0:18:28.800
<v Speaker 1>that um, I didn't think of, but it made perfect

0:18:28.840 --> 0:18:30.680
<v Speaker 1>sense when I when I thought about it, which was

0:18:30.760 --> 0:18:34.520
<v Speaker 1>the sensory processing area of the occipital lobe towards the

0:18:34.560 --> 0:18:37.400
<v Speaker 1>back of the head. But that's where you visualize things.

0:18:37.440 --> 0:18:40.240
<v Speaker 1>So it's like imagine what a snake wearing a vest

0:18:40.359 --> 0:18:43.119
<v Speaker 1>does look like, you know, and then that makes you

0:18:43.240 --> 0:18:46.040
<v Speaker 1>laugh as well. So it's almost like all of these

0:18:46.119 --> 0:18:48.600
<v Speaker 1>different like the structure of the joke, the words, and

0:18:48.680 --> 0:18:53.040
<v Speaker 1>all that um, pulling in past emotions, your emotional response

0:18:53.160 --> 0:18:56.600
<v Speaker 1>right then going um, visualizing the thing that's just been described.

0:18:56.840 --> 0:19:00.920
<v Speaker 1>All this stuff is brought together to produce the sensation

0:19:01.040 --> 0:19:06.120
<v Speaker 1>of finding something funny, and then that motor part is triggered,

0:19:07.000 --> 0:19:09.119
<v Speaker 1>and that's when you start crying and you can't breathe

0:19:09.160 --> 0:19:11.200
<v Speaker 1>and you say ha ha ha or ho ho ho

0:19:11.400 --> 0:19:14.920
<v Speaker 1>every milliseconds, or flail your arms about her whatever you're

0:19:14.920 --> 0:19:22.320
<v Speaker 1>into the Olympics system. I didn't get a lot out

0:19:22.359 --> 0:19:25.760
<v Speaker 1>of this part, especially the comparison to the alligator. It

0:19:25.920 --> 0:19:28.840
<v Speaker 1>was a I have a I have a big question

0:19:28.920 --> 0:19:31.960
<v Speaker 1>markt that didn't really there's a whole paragraph in this

0:19:32.240 --> 0:19:36.439
<v Speaker 1>um in this article everybody that it has no purpose

0:19:36.760 --> 0:19:39.240
<v Speaker 1>for being there. Chuck and I can't make heather tails

0:19:39.280 --> 0:19:42.639
<v Speaker 1>of it. If you can email us later. Um, but

0:19:42.960 --> 0:19:45.080
<v Speaker 1>I chucked. The Olympics system part didn't make much sense

0:19:45.119 --> 0:19:48.399
<v Speaker 1>to me until I found a theory um that that

0:19:48.800 --> 0:19:53.400
<v Speaker 1>we that we can talk about called incongruity theory. UM. Well,

0:19:53.440 --> 0:19:55.720
<v Speaker 1>it's one of the theories of why we have the

0:19:55.800 --> 0:19:59.840
<v Speaker 1>ability to find things funny or why things are funny

0:20:00.280 --> 0:20:04.719
<v Speaker 1>and others aren't. And incongruity theory says that, um remember

0:20:04.800 --> 0:20:08.159
<v Speaker 1>with curiosity. That was also a theory for why we're curious, like,

0:20:08.640 --> 0:20:11.040
<v Speaker 1>you know, this pencil just fell up and I want

0:20:11.080 --> 0:20:13.879
<v Speaker 1>to go find out why that. That's a theory to

0:20:14.000 --> 0:20:17.560
<v Speaker 1>explain why things make us curious. There's also a similar

0:20:17.640 --> 0:20:20.680
<v Speaker 1>theory for why things can be found funny, and it's

0:20:21.200 --> 0:20:24.840
<v Speaker 1>when you tell a joke. We were the joke tellers,

0:20:24.920 --> 0:20:28.760
<v Speaker 1>riling up the expectation and the listener and then delivering

0:20:28.800 --> 0:20:31.720
<v Speaker 1>something totally different. That that moment of incongruity that makes

0:20:31.800 --> 0:20:34.200
<v Speaker 1>the brain like, whoa, it just slipped on ice and

0:20:34.280 --> 0:20:38.520
<v Speaker 1>it's regaining its footing is thrilling. That's one explanation. The

0:20:38.600 --> 0:20:41.360
<v Speaker 1>other explanation for incongruity theory is that we find things

0:20:41.440 --> 0:20:44.200
<v Speaker 1>funny so that we can learn how not to think

0:20:44.680 --> 0:20:47.440
<v Speaker 1>or how not to act right like you don't you

0:20:47.560 --> 0:20:50.000
<v Speaker 1>don't you just don't walk around acting like the Three Stooges.

0:20:50.080 --> 0:20:52.440
<v Speaker 1>We find it funny because it's something we don't do.

0:20:52.720 --> 0:20:55.159
<v Speaker 1>We learned to not do it like that, or we

0:20:55.320 --> 0:21:01.280
<v Speaker 1>can we cannot follow logic just in a madcap screwy

0:21:01.359 --> 0:21:06.440
<v Speaker 1>logic is attendant to jokes by finding them funny as well. Yeah,

0:21:06.480 --> 0:21:08.800
<v Speaker 1>that's I think that's one part of some types of

0:21:08.920 --> 0:21:13.920
<v Speaker 1>comedy for sure, is when the punch line is unexpected

0:21:14.080 --> 0:21:20.600
<v Speaker 1>in some way in congruous, like for instance, Um, the

0:21:20.720 --> 0:21:22.840
<v Speaker 1>other day, I was hanging out at the house with

0:21:22.920 --> 0:21:26.520
<v Speaker 1>Emily and I was singing songs to my dog. Um,

0:21:26.880 --> 0:21:29.160
<v Speaker 1>there's a lot of things like that in our home,

0:21:30.000 --> 0:21:33.119
<v Speaker 1>and I was singing the song I was playing patty

0:21:33.160 --> 0:21:37.159
<v Speaker 1>Cake with my dog, Charlie, who was a girl. And

0:21:37.280 --> 0:21:41.520
<v Speaker 1>I said, well, you gotta know that for the song

0:21:41.600 --> 0:21:43.520
<v Speaker 1>to make sense. And so I was singing this song

0:21:44.200 --> 0:21:48.840
<v Speaker 1>and I said, patty cake, patty cake, Baker's chick, bake

0:21:49.000 --> 0:21:52.440
<v Speaker 1>me a cake that's shaped like a standard cake. It.

0:21:52.560 --> 0:21:55.160
<v Speaker 1>Emily just thought that was the funniest thing she'd ever heard.

0:21:55.720 --> 0:21:58.119
<v Speaker 1>But that's a good example, like that Limerick thing where you,

0:21:58.520 --> 0:22:01.359
<v Speaker 1>I mean, it's the same, what's the Limerick joke where

0:22:01.920 --> 0:22:03.920
<v Speaker 1>you think you're gonna say something dirty and it's actually

0:22:03.960 --> 0:22:05.920
<v Speaker 1>something great normal. I know what you're talking about. I

0:22:05.960 --> 0:22:09.359
<v Speaker 1>can't think of it right, But it's that unexpected, incongruous

0:22:09.520 --> 0:22:12.000
<v Speaker 1>thing that works so well in comedy. So many times

0:22:12.840 --> 0:22:14.960
<v Speaker 1>you have me that you thought I was gonna say

0:22:15.000 --> 0:22:18.520
<v Speaker 1>something else I did and I blushed, You did, your

0:22:18.520 --> 0:22:21.520
<v Speaker 1>face got a little red. So um. Incongruity theory is

0:22:21.760 --> 0:22:25.040
<v Speaker 1>old and very widely accepted, although it's also criticized for

0:22:25.119 --> 0:22:29.480
<v Speaker 1>being overly broad. Explain a lot of stuff totally. But

0:22:29.600 --> 0:22:31.800
<v Speaker 1>it's like, I don't understand why everybody has to have

0:22:31.840 --> 0:22:34.400
<v Speaker 1>a theory for everything. Why can't it be like, Yes,

0:22:34.680 --> 0:22:39.320
<v Speaker 1>incongruity explains some type of humor, superiority explains another. Well,

0:22:39.400 --> 0:22:41.879
<v Speaker 1>that's another. That's what I like to call the America's

0:22:41.960 --> 0:22:45.320
<v Speaker 1>Funniest Home Videos humor, which is we've talked about before,

0:22:45.840 --> 0:22:50.240
<v Speaker 1>And that's when you focus on stupidity or misfortune a

0:22:50.359 --> 0:22:53.199
<v Speaker 1>gufall and not a god fall. That's a laugh, a boner,

0:22:53.359 --> 0:22:58.000
<v Speaker 1>a mistake, and um, it makes you feel superior to

0:22:58.160 --> 0:23:01.480
<v Speaker 1>the guy that just got kicked in the groin, and

0:23:01.600 --> 0:23:03.680
<v Speaker 1>you think that's funny. It is because it's not you

0:23:03.800 --> 0:23:06.760
<v Speaker 1>getting kicked in the groin. I guess I've never analyzed

0:23:06.800 --> 0:23:09.679
<v Speaker 1>it like that, but yeah, I guess better him than

0:23:09.760 --> 0:23:12.080
<v Speaker 1>me what I'm thinking? And I kicked in the groin?

0:23:12.119 --> 0:23:14.600
<v Speaker 1>Would you think it was funny? No? I wouldn't, But

0:23:14.680 --> 0:23:16.520
<v Speaker 1>that doesn't explain why I find it funny when it

0:23:16.560 --> 0:23:19.440
<v Speaker 1>happens to somebody else. Well, in a way, it's just

0:23:19.760 --> 0:23:22.600
<v Speaker 1>the superiority theory. And I don't think that literally means

0:23:22.640 --> 0:23:26.200
<v Speaker 1>you feel superior. But it's just funny to see someone

0:23:26.280 --> 0:23:29.560
<v Speaker 1>fall down sometimes and they should call it something else. Um.

0:23:30.600 --> 0:23:32.800
<v Speaker 1>Let me say one more thing about in congruity. Okay,

0:23:33.600 --> 0:23:37.160
<v Speaker 1>there's a dude out there named Alistair Cook who came

0:23:37.240 --> 0:23:39.240
<v Speaker 1>up with a book and in it I know him,

0:23:39.760 --> 0:23:43.600
<v Speaker 1>you do, well, not personally really, I hadn't heard of

0:23:43.720 --> 0:23:47.280
<v Speaker 1>him until recently. Anyway, he came out with a book

0:23:47.440 --> 0:23:50.119
<v Speaker 1>and in it he had he came up with an

0:23:50.160 --> 0:23:56.840
<v Speaker 1>equation to basically figure out how humorous something is. So

0:23:57.119 --> 0:24:00.399
<v Speaker 1>humor equals Are you ready for this? The guy came

0:24:00.440 --> 0:24:05.359
<v Speaker 1>up with a formula to humor equals um the amount

0:24:05.400 --> 0:24:09.400
<v Speaker 1>of misinformation present in the joke, right, which is part

0:24:09.440 --> 0:24:15.960
<v Speaker 1>of incongruity times um the potential for the joke listener

0:24:16.040 --> 0:24:20.000
<v Speaker 1>to take it seriously. Right, So the bigger the whopper

0:24:20.240 --> 0:24:23.159
<v Speaker 1>is and the more finesse with which you tell it,

0:24:24.280 --> 0:24:26.520
<v Speaker 1>the more humorous this joke is going to be. That

0:24:26.600 --> 0:24:30.480
<v Speaker 1>makes sense. There's also the comedy is tragedy. Plus time.

0:24:31.119 --> 0:24:34.239
<v Speaker 1>We've all heard that things that aren't funny today might

0:24:34.320 --> 0:24:37.200
<v Speaker 1>be funny in ten years. That's why too soon you

0:24:37.240 --> 0:24:39.280
<v Speaker 1>can also get a laughing actually just by saying too

0:24:39.359 --> 0:24:41.879
<v Speaker 1>soon when you make a bad joke in poor taste

0:24:42.640 --> 0:24:47.960
<v Speaker 1>or Alan al said, did you ever see Crimes and Misdemeanors?

0:24:48.440 --> 0:24:51.680
<v Speaker 1>What do Allen? Movie? Alan Alda was this really pompous

0:24:52.040 --> 0:24:55.560
<v Speaker 1>director in that movie. And when he was he's trying

0:24:55.560 --> 0:24:58.119
<v Speaker 1>to explain comedy to what Allen And he said, if

0:24:58.160 --> 0:25:02.040
<v Speaker 1>it bends, it's funny. If it breaks, it's not funny.

0:25:02.720 --> 0:25:05.000
<v Speaker 1>But that's kind of true though, It's that take it

0:25:05.080 --> 0:25:09.119
<v Speaker 1>to a certain point, but don't break it, because then

0:25:09.160 --> 0:25:13.640
<v Speaker 1>it's just not funny. I don't know, sometimes it's funny

0:25:13.680 --> 0:25:15.760
<v Speaker 1>to break it. I think there's always just because you

0:25:15.920 --> 0:25:21.280
<v Speaker 1>don't take something it's funny doesn't mean that someone else does. Yeah.

0:25:21.760 --> 0:25:23.760
<v Speaker 1>I don't think you should ever begrudge somebody for taking

0:25:23.800 --> 0:25:26.320
<v Speaker 1>something funny, even if it offends you. There's not a

0:25:26.359 --> 0:25:29.760
<v Speaker 1>lot that offends me, as you know. Um. The last

0:25:29.880 --> 0:25:34.280
<v Speaker 1>one is relief theory, which is, like you were saying, um,

0:25:34.440 --> 0:25:38.959
<v Speaker 1>some people populate was the first experience of laughter? Um

0:25:39.119 --> 0:25:41.600
<v Speaker 1>was some danger past and everybody was just relieved so

0:25:41.680 --> 0:25:45.280
<v Speaker 1>they were laughing. Right, Um, have you seen Emerson the

0:25:45.320 --> 0:25:50.120
<v Speaker 1>baby that's um scared of his mom no blowing her nose. Oh,

0:25:50.200 --> 0:25:52.800
<v Speaker 1>it's awesome. You gotta see it. This kid is terrified,

0:25:52.880 --> 0:25:55.600
<v Speaker 1>like you've never seen a human being terrified whenever his

0:25:55.720 --> 0:25:58.080
<v Speaker 1>mom blows his nose. And then he starts laughing and

0:25:58.240 --> 0:26:01.080
<v Speaker 1>she does it again. He's terrified again, and it's really

0:26:01.200 --> 0:26:04.680
<v Speaker 1>just I'll send you the link. It's awesome. But yeah,

0:26:04.760 --> 0:26:07.880
<v Speaker 1>he supports relief theory. Uh. The other thing too about

0:26:07.920 --> 0:26:10.600
<v Speaker 1>superiority theory before we move on, is that's that's the

0:26:10.680 --> 0:26:14.159
<v Speaker 1>basis of a lot of comedy period. Like Louis c

0:26:14.320 --> 0:26:17.520
<v Speaker 1>k is so funny because he's talking about how fat

0:26:17.600 --> 0:26:21.200
<v Speaker 1>he is and how he never has sex anymore and

0:26:22.160 --> 0:26:24.440
<v Speaker 1>like what a piece of crappy as a human and

0:26:24.520 --> 0:26:27.160
<v Speaker 1>a bad dad. And that's that's not just him, that's

0:26:27.160 --> 0:26:30.119
<v Speaker 1>a lot of comedians take that route that self and

0:26:30.200 --> 0:26:33.159
<v Speaker 1>see that goes beyond self deprecating even it's like make

0:26:33.200 --> 0:26:35.600
<v Speaker 1>fun of myself, like everyone laugh at me and how

0:26:36.160 --> 0:26:38.960
<v Speaker 1>miserable I am, and feel better about yourself because you're

0:26:38.960 --> 0:26:43.520
<v Speaker 1>not fat and bald. And then relief theory. Also, Um

0:26:44.800 --> 0:26:48.119
<v Speaker 1>explains how uh, laughter is a great way to diffuse

0:26:48.160 --> 0:26:50.720
<v Speaker 1>a Mexican standoff, right, because you're in there and you

0:26:50.840 --> 0:26:52.480
<v Speaker 1>got your gun on one guy, he's got his gun

0:26:52.600 --> 0:26:55.680
<v Speaker 1>on you. And then if you laugh and you can

0:26:55.800 --> 0:26:58.480
<v Speaker 1>convince him it's a genuine laugh, he becomes disarmed and

0:26:58.520 --> 0:27:01.760
<v Speaker 1>then blam right, you're you're the last man standing. I'm

0:27:01.800 --> 0:27:04.440
<v Speaker 1>gonna remember that. Haven't you ever seen any movies? Yeah,

0:27:05.200 --> 0:27:08.440
<v Speaker 1>that happens to the movies. You're right, that's why that's

0:27:08.440 --> 0:27:11.800
<v Speaker 1>scientific fact. Are there really Mexican standoffs? Has that ever happened?

0:27:12.760 --> 0:27:15.119
<v Speaker 1>Three people? It has? I think you can do it

0:27:15.200 --> 0:27:18.280
<v Speaker 1>with two. But yeah, and I thought the definition was

0:27:18.359 --> 0:27:21.479
<v Speaker 1>three people. No, I don't know. I know that if

0:27:21.560 --> 0:27:23.240
<v Speaker 1>you have your gun on somebody and they have their

0:27:23.280 --> 0:27:29.320
<v Speaker 1>gun on you, I think that's a a a Chilean standoff, right,

0:27:29.480 --> 0:27:32.880
<v Speaker 1>And I'm just taken. So we've just dragged humor through

0:27:32.920 --> 0:27:36.560
<v Speaker 1>the mud and just basically we've just eviscerated it. We've

0:27:36.640 --> 0:27:40.280
<v Speaker 1>vivisected it. Um, So let's find out what's not funny,

0:27:40.640 --> 0:27:44.720
<v Speaker 1>chuckers Um. Apparently it comes down to and again, there's

0:27:44.760 --> 0:27:47.760
<v Speaker 1>researchers out, there's a guy named Robert Provine, who's quite

0:27:47.760 --> 0:27:50.680
<v Speaker 1>a career for himself, like studying humor and laughter. Um.

0:27:51.160 --> 0:27:57.440
<v Speaker 1>But this laughter or humor research um has yielded that

0:27:57.560 --> 0:28:02.840
<v Speaker 1>there's basically two factor in somebody not finding something funny

0:28:03.160 --> 0:28:06.359
<v Speaker 1>that's age makes sense and attachment to the subject or

0:28:06.440 --> 0:28:09.720
<v Speaker 1>the victim that says it all. When you're a little baby,

0:28:10.119 --> 0:28:14.600
<v Speaker 1>you're discovering the world, you think your mom uh sneezing

0:28:14.840 --> 0:28:17.879
<v Speaker 1>is funny, no terrifying, No, no, no, I was just

0:28:18.000 --> 0:28:21.359
<v Speaker 1>using a different example. Or your dog, you know, lapping

0:28:21.440 --> 0:28:24.320
<v Speaker 1>water is funny because it's all brand new. You get

0:28:24.320 --> 0:28:27.320
<v Speaker 1>a little bit older, things are gonna change. When you're

0:28:28.400 --> 0:28:32.720
<v Speaker 1>a little toddler, you're gonna think poopoo is funny. Well,

0:28:33.600 --> 0:28:35.720
<v Speaker 1>when you're an adult, you might think poopoo is funny.

0:28:36.200 --> 0:28:38.760
<v Speaker 1>When you're an awkward teenager, you might be more into

0:28:39.880 --> 0:28:43.320
<v Speaker 1>h jokes that make fun of authority figures or that

0:28:43.440 --> 0:28:46.520
<v Speaker 1>focus on sex and like all these new things when

0:28:46.560 --> 0:28:49.280
<v Speaker 1>you're trying to figure yourself out. And then as you mature,

0:28:49.400 --> 0:28:53.360
<v Speaker 1>supposedly you're supposed to get a little more evolved with

0:28:53.520 --> 0:28:57.040
<v Speaker 1>your humor and barriers are broken down much more um

0:28:57.880 --> 0:29:02.000
<v Speaker 1>and uh, like you may joke about work, right sure,

0:29:02.960 --> 0:29:06.040
<v Speaker 1>the old the old boss, the old man, the old lady. Right, um.

0:29:06.200 --> 0:29:09.040
<v Speaker 1>And and with all of these, each of these stages,

0:29:09.120 --> 0:29:12.160
<v Speaker 1>even though like an adult thinks a teenager sense of

0:29:12.280 --> 0:29:15.840
<v Speaker 1>humor is just trap, right, um, if you if you

0:29:16.120 --> 0:29:19.080
<v Speaker 1>kind of take away that evaluation and look at all

0:29:19.120 --> 0:29:23.880
<v Speaker 1>of them equally, people laugh about or find things funny

0:29:24.440 --> 0:29:27.080
<v Speaker 1>based on what's a stresser in their life. So what

0:29:27.200 --> 0:29:30.520
<v Speaker 1>stress is a teenager oute is totally unrelatable for an adult,

0:29:30.840 --> 0:29:33.080
<v Speaker 1>so they're not gonna find it funny. There's it's not

0:29:33.200 --> 0:29:35.640
<v Speaker 1>a stressor. So mainly most of the stuff we laugh

0:29:35.720 --> 0:29:38.640
<v Speaker 1>about or we find funny are based on stressors in

0:29:38.720 --> 0:29:42.640
<v Speaker 1>our lives. Yeah, that makes sense, and your intelligence level

0:29:42.760 --> 0:29:45.360
<v Speaker 1>has a little something to do with it, um, as

0:29:45.400 --> 0:29:47.960
<v Speaker 1>far as what you find funny, I've known people, and

0:29:48.000 --> 0:29:50.920
<v Speaker 1>I'm sure you have that were dumb and that didn't

0:29:50.960 --> 0:29:54.480
<v Speaker 1>get jokes or humor. I used to have a rule

0:29:54.520 --> 0:29:57.400
<v Speaker 1>of a measuring stick for intelligence. You remember the show

0:29:57.520 --> 0:30:01.400
<v Speaker 1>Doctor Kats. Did you ever meet anybody who was like, oh,

0:30:01.480 --> 0:30:03.840
<v Speaker 1>I can't watch that show. That's those quickly lines is

0:30:03.920 --> 0:30:09.080
<v Speaker 1>driving me crazy? Yeah, yeah, you have it. That's pretty good.

0:30:09.560 --> 0:30:12.880
<v Speaker 1>They just use that it was infallible. Yeah, or I mean,

0:30:12.920 --> 0:30:14.880
<v Speaker 1>there's a lot of TV shows like that, but it's

0:30:14.880 --> 0:30:16.960
<v Speaker 1>all just I don't know, it's all subjective. It's I

0:30:17.000 --> 0:30:18.840
<v Speaker 1>guess it's not right to say someone's not smart. But

0:30:19.400 --> 0:30:22.760
<v Speaker 1>I've known some dummies that in a quick paste funny

0:30:22.840 --> 0:30:25.240
<v Speaker 1>conversation they just sit there like I don't get it.

0:30:26.400 --> 0:30:29.480
<v Speaker 1>They're lost. Yeah, it's sad and drags everybody else down,

0:30:29.560 --> 0:30:32.000
<v Speaker 1>and really they should just stay in their rooms, right,

0:30:34.520 --> 0:30:40.920
<v Speaker 1>um so chuck josh. Uh. Lastly, I guess where you

0:30:41.040 --> 0:30:45.480
<v Speaker 1>come from is another aspect of what you find funny

0:30:45.480 --> 0:30:48.440
<v Speaker 1>and what cultural for sure? May I may I play

0:30:48.480 --> 0:30:51.280
<v Speaker 1>an example of that. I brought another one today. Okay,

0:30:51.960 --> 0:30:57.680
<v Speaker 1>I have a joke. There is it cheer the cheer

0:30:59.320 --> 0:31:05.280
<v Speaker 1>walk Oh with a shot la la la, you walk

0:31:05.360 --> 0:31:12.960
<v Speaker 1>on the street that he's a walking from. Yes, well,

0:31:13.000 --> 0:31:21.960
<v Speaker 1>what's a funny image? Yes? Nice that one was using

0:31:22.000 --> 0:31:27.120
<v Speaker 1>her occipital lobe. Oh boy, that was from the genuinely

0:31:27.240 --> 0:31:31.240
<v Speaker 1>perfect movie Borat. Yeah, there's not not much as funnier

0:31:31.320 --> 0:31:34.040
<v Speaker 1>to meeting Borah. I love it, Yes, but it's a

0:31:34.080 --> 0:31:37.840
<v Speaker 1>great example of how, uh, something could be funny in

0:31:38.000 --> 0:31:43.520
<v Speaker 1>theory to a to a foreigner that the person in

0:31:43.680 --> 0:31:46.360
<v Speaker 1>the culture outside of that, and that's the whole basis

0:31:46.400 --> 0:31:48.800
<v Speaker 1>of pride. That's all he does talk about things that

0:31:48.840 --> 0:31:53.040
<v Speaker 1>are funny in Kazakhstan. So, um, British humor. You've always

0:31:53.040 --> 0:31:55.960
<v Speaker 1>heard about British humor very specific and like if you think,

0:31:56.160 --> 0:31:58.120
<v Speaker 1>like I didn't like Faulty Towers, well you just don't

0:31:58.160 --> 0:32:00.880
<v Speaker 1>get British humor. Like on, oh, I just not thought

0:32:00.880 --> 0:32:03.800
<v Speaker 1>it was funny. Yeah it was hit or miss. Fawlty Towers,

0:32:03.880 --> 0:32:06.800
<v Speaker 1>Monty Python was even hit or miss. I mean just

0:32:06.920 --> 0:32:09.680
<v Speaker 1>sometimes you're not in the move for absurdainity. Agreed, And

0:32:09.760 --> 0:32:12.440
<v Speaker 1>there is a British humor. But I found the Brits

0:32:12.480 --> 0:32:14.920
<v Speaker 1>are a little prone to get up on their high

0:32:15.000 --> 0:32:18.560
<v Speaker 1>horse about like, well, you just don't get it right. Well, no,

0:32:19.000 --> 0:32:21.520
<v Speaker 1>you know you have a British friend, don't you. Oh yeah,

0:32:21.600 --> 0:32:23.400
<v Speaker 1>Justin will tell me. I don't get it took Oh,

0:32:23.440 --> 0:32:25.400
<v Speaker 1>it's just it's pretty human. You don't understand, right, No,

0:32:26.640 --> 0:32:29.200
<v Speaker 1>leave me alone while my beans drenched and catch up.

0:32:29.680 --> 0:32:32.520
<v Speaker 1>Justin's been here since he was seventeen though he's so

0:32:33.080 --> 0:32:36.720
<v Speaker 1>he's American, He's American Georgia and even until the girls

0:32:36.760 --> 0:32:42.240
<v Speaker 1>come around um, so chuckers. Oh lastly, um, if you

0:32:43.200 --> 0:32:47.440
<v Speaker 1>have an attachment to the subject, say you know you're

0:32:47.560 --> 0:32:50.960
<v Speaker 1>you're your brother really did die in a motorcycle accident,

0:32:51.160 --> 0:32:53.200
<v Speaker 1>You're never gonna find it. Might not find that Anthony

0:32:53.280 --> 0:32:57.960
<v Speaker 1>doesn't nick joke funny, or if you literally couldn't care

0:32:58.120 --> 0:33:01.520
<v Speaker 1>less about people dying in motors cycle accidents, you're probably

0:33:01.560 --> 0:33:04.040
<v Speaker 1>not going to find that funny. And that researcher Provine

0:33:04.040 --> 0:33:07.680
<v Speaker 1>has basically divided that up into two ends of the spectrum,

0:33:08.000 --> 0:33:12.440
<v Speaker 1>which based on things people commonly say, which is is

0:33:12.520 --> 0:33:15.120
<v Speaker 1>it offensive or what's the point? Or it is I'm

0:33:15.120 --> 0:33:21.479
<v Speaker 1>sorry it is offensive or what's the point? Well, there

0:33:21.520 --> 0:33:24.040
<v Speaker 1>you have it. That means you Yeah, that probably means

0:33:24.080 --> 0:33:27.000
<v Speaker 1>you have a personal something at stake. Yes, and you

0:33:27.080 --> 0:33:30.840
<v Speaker 1>found even in time won't even cure that. Yeah, that's

0:33:30.880 --> 0:33:33.760
<v Speaker 1>like the Twin Towers falling. It was the first comedians

0:33:33.840 --> 0:33:36.160
<v Speaker 1>to start joking about that. It was remember that being

0:33:36.200 --> 0:33:39.400
<v Speaker 1>a very like tense thing when people started making jokes

0:33:39.440 --> 0:33:43.160
<v Speaker 1>about that. But I think one of the ways to

0:33:43.480 --> 0:33:49.080
<v Speaker 1>digest raw and negative emotions is to eventually laugh about it, right, Yeah,

0:33:49.120 --> 0:33:52.440
<v Speaker 1>because it's the best medicine. So, speaking of medicine, Chuck,

0:33:52.760 --> 0:33:56.040
<v Speaker 1>that's a nice set up. Um. There is no less

0:33:56.080 --> 0:34:00.600
<v Speaker 1>than two UM groups dedicated to studying humor, and these

0:34:00.640 --> 0:34:05.560
<v Speaker 1>are international associations, well ones American UM what is it?

0:34:05.680 --> 0:34:11.320
<v Speaker 1>The American Association for Therapeutic Humor and the International Society

0:34:11.360 --> 0:34:13.560
<v Speaker 1>for Humor Studies, and they are bona fide. They have

0:34:13.719 --> 0:34:16.920
<v Speaker 1>conferences all over the place. Because it's real, dude, it

0:34:17.160 --> 0:34:20.280
<v Speaker 1>is UM. And there's like a definite hint of Patch

0:34:20.360 --> 0:34:22.359
<v Speaker 1>Adams in there. So I'd like to just skim right

0:34:22.400 --> 0:34:26.720
<v Speaker 1>over this. But there is a physiological effect to laughter,

0:34:27.560 --> 0:34:30.960
<v Speaker 1>UM that is totally beneficial of the body. That's right, right,

0:34:31.800 --> 0:34:33.359
<v Speaker 1>And it kind of goes back to fight or flight

0:34:33.480 --> 0:34:36.080
<v Speaker 1>in a way very much, because we've talked about this

0:34:36.239 --> 0:34:38.560
<v Speaker 1>gazillion times. When the fight or flight response kicks in,

0:34:39.160 --> 0:34:41.760
<v Speaker 1>that kind of a lot of your other bodily functions

0:34:41.800 --> 0:34:46.399
<v Speaker 1>cease to happen and everything freezes up. And when we laugh, though,

0:34:46.680 --> 0:34:51.320
<v Speaker 1>is that uh, laughter shuts off the stress hormones, certain

0:34:51.360 --> 0:34:55.640
<v Speaker 1>stress hormones that the fight or flight response would normally

0:34:55.760 --> 0:34:58.560
<v Speaker 1>be shutting down your like immune system. It shuts that

0:34:58.719 --> 0:35:02.920
<v Speaker 1>down and actually boost to your immune system right temporarily, UM,

0:35:03.120 --> 0:35:06.280
<v Speaker 1>not only that it boosts the production of gamma interfere

0:35:06.360 --> 0:35:10.160
<v Speaker 1>on um B cells and T cells, which are all

0:35:10.400 --> 0:35:14.759
<v Speaker 1>UM engaged in warding off disease or boosting the immune system. Right,

0:35:15.520 --> 0:35:19.919
<v Speaker 1>UM the production of blood platelets increases UM UH, SAL,

0:35:20.120 --> 0:35:25.839
<v Speaker 1>salivary immunoglobulin A, which UM protects against respiratory diseases. All

0:35:25.920 --> 0:35:30.560
<v Speaker 1>of these cells and antibodies their production is boosted. So basically,

0:35:30.680 --> 0:35:35.080
<v Speaker 1>we're just inherently healthier when we laugh, which is pretty

0:35:35.080 --> 0:35:37.120
<v Speaker 1>awesome if you ask me so. Not only is the

0:35:37.480 --> 0:35:42.719
<v Speaker 1>is the fight or flight the sympathetic uh, the sympathetic

0:35:42.880 --> 0:35:48.719
<v Speaker 1>nervous system like deadened, but we're actually getting healthier, right,

0:35:49.400 --> 0:35:52.719
<v Speaker 1>That's just that's awesome. It's pretty amazing. It also gives

0:35:52.719 --> 0:35:55.440
<v Speaker 1>you a pretty good workout. They found that laughing one

0:35:55.560 --> 0:35:58.640
<v Speaker 1>hundred times is about the same as fifteen minutes on

0:35:58.680 --> 0:36:01.799
<v Speaker 1>an exercise bike works out your diaphragm. You know you've

0:36:01.840 --> 0:36:05.120
<v Speaker 1>had your stomach kurt from laughing so hard, Yes, crunches,

0:36:05.280 --> 0:36:07.080
<v Speaker 1>I know, it feels so good. It feels so good

0:36:08.120 --> 0:36:10.720
<v Speaker 1>your stomach kurts, and you realize you just peed yourself

0:36:10.719 --> 0:36:17.880
<v Speaker 1>a little. I've never pead myself laughing. Really, it's a gas. Uh.

0:36:17.960 --> 0:36:20.000
<v Speaker 1>There's a guy named Norman Cousins. Have you ever heard

0:36:20.040 --> 0:36:23.719
<v Speaker 1>of this dude? He is uh or was an author, humorist,

0:36:25.000 --> 0:36:29.279
<v Speaker 1>political activists, and he studied the biochemistry of emotions for

0:36:29.400 --> 0:36:33.080
<v Speaker 1>many years. And U c l A. And he struggled

0:36:33.120 --> 0:36:36.680
<v Speaker 1>with heart disease and then eventually a severe form of arthritis.

0:36:37.320 --> 0:36:43.760
<v Speaker 1>And he watched Marx Brothers films, and uh basically found

0:36:43.800 --> 0:36:47.839
<v Speaker 1>that belly laughing for ten minutes. Watching one of these

0:36:47.880 --> 0:36:50.840
<v Speaker 1>Marx Brothers films allowed him to sleep pain free for

0:36:50.960 --> 0:36:53.840
<v Speaker 1>two hours. And then it literally he could feel it

0:36:53.920 --> 0:36:56.640
<v Speaker 1>wearing off as if it were a medicine. And then

0:36:56.719 --> 0:36:59.160
<v Speaker 1>he would watch funny stuff again. If only I could

0:36:59.239 --> 0:37:02.359
<v Speaker 1>laugh at March but There's films, I'd be a happier person.

0:37:02.400 --> 0:37:04.080
<v Speaker 1>You don't laugh at March Brothers. No, I'm more like

0:37:04.520 --> 0:37:07.239
<v Speaker 1>in awe, like wow, these guys were comic geniuses. But

0:37:07.400 --> 0:37:09.920
<v Speaker 1>to find something that comic genius doesn't necessarily mean to

0:37:09.960 --> 0:37:14.239
<v Speaker 1>find it funny interesting. I don't. I don't, although I

0:37:14.320 --> 0:37:16.759
<v Speaker 1>do have to say and maybe like I'm like a

0:37:16.880 --> 0:37:19.400
<v Speaker 1>fan of The poor Man's Marks Brothers, but I do

0:37:19.560 --> 0:37:22.000
<v Speaker 1>laugh out loud. You me and I both laugh out loud.

0:37:22.120 --> 0:37:25.440
<v Speaker 1>At Three Stooges. Now, I would think you would laugh

0:37:25.440 --> 0:37:27.520
<v Speaker 1>at March Brothers because they have watched it. Man that

0:37:27.640 --> 0:37:30.360
<v Speaker 1>that's not even like higher class of comedy than three students.

0:37:31.120 --> 0:37:33.080
<v Speaker 1>I'll have to check it out again. No, Gratcha was

0:37:33.719 --> 0:37:36.200
<v Speaker 1>he was a sharp tack. Yeah, sure, And I think

0:37:36.239 --> 0:37:38.000
<v Speaker 1>that that kind of translates so a different part of

0:37:38.080 --> 0:37:40.239
<v Speaker 1>my brain is activated where I'm like watching him on

0:37:40.280 --> 0:37:42.719
<v Speaker 1>an intellectual level. With with the Three Stooges, I can

0:37:42.760 --> 0:37:46.400
<v Speaker 1>just turn off and it's just funny. I got you

0:37:46.600 --> 0:37:49.680
<v Speaker 1>all right, Um, do you got anything else? Yeah? U

0:37:49.760 --> 0:37:51.399
<v Speaker 1>c l A has a study they're doing now too,

0:37:51.680 --> 0:37:58.279
<v Speaker 1>Um where they they inflict pain on children there. It

0:37:58.400 --> 0:38:01.399
<v Speaker 1>is the funniest thing of this wolds. Uh. They take

0:38:01.480 --> 0:38:04.120
<v Speaker 1>healthy kids and they wire them up and then ask

0:38:04.200 --> 0:38:06.600
<v Speaker 1>them to put their hands in ten degrease celsius water

0:38:07.120 --> 0:38:08.680
<v Speaker 1>and hold it there for as long as they can.

0:38:09.840 --> 0:38:12.920
<v Speaker 1>It's painful. It's not like inflicting damage though, you know

0:38:12.960 --> 0:38:16.879
<v Speaker 1>what I'm saying. And Uh, on average kids can hold

0:38:16.880 --> 0:38:19.040
<v Speaker 1>their arms in the freezing water for eighty seven seconds.

0:38:19.520 --> 0:38:22.279
<v Speaker 1>But if they're shown funny videos while they're doing that,

0:38:23.239 --> 0:38:25.640
<v Speaker 1>their heart rate, blood pressure and breathing and all their

0:38:25.760 --> 0:38:28.839
<v Speaker 1>vital signs get better and stronger, and they can last

0:38:28.960 --> 0:38:33.680
<v Speaker 1>up to longer. And then afterward they sample the we've

0:38:33.719 --> 0:38:37.320
<v Speaker 1>talked about cortisol, the stress hormone before. Then there's saliva

0:38:37.400 --> 0:38:41.759
<v Speaker 1>and they laughing helps their bodies recover much faster. So

0:38:41.960 --> 0:38:45.120
<v Speaker 1>it's physical, baby, it's very neat. It's all in the spit.

0:38:45.520 --> 0:38:47.560
<v Speaker 1>I guess that's the that's the point of this whole

0:38:47.640 --> 0:38:51.359
<v Speaker 1>How Laughter Works podcast. It's all about your spit. It's

0:38:51.400 --> 0:38:53.200
<v Speaker 1>that the deal. Hey, you should check out. I think

0:38:53.200 --> 0:38:58.439
<v Speaker 1>it's a national geographic maybe Natio Nova. It's one of those.

0:38:58.520 --> 0:39:03.719
<v Speaker 1>It's one of those two um documentary on stress, like

0:39:03.800 --> 0:39:07.080
<v Speaker 1>the Physiological effects of stress. Who read about that too?

0:39:07.239 --> 0:39:10.880
<v Speaker 1>Really awesome, it's very good. It's that article actually, physical

0:39:10.920 --> 0:39:13.600
<v Speaker 1>effects of stress. It's good. It's streaming on Netflix. Check

0:39:13.640 --> 0:39:16.200
<v Speaker 1>it out. All right, you got anything else? I got

0:39:16.280 --> 0:39:17.799
<v Speaker 1>nothing else? All right? Well, if you want to learn

0:39:17.880 --> 0:39:20.560
<v Speaker 1>more about laughter, type in laughter in the search bar

0:39:20.680 --> 0:39:23.520
<v Speaker 1>how Stuff Works dot Com, which brings up Chuck. It's

0:39:23.560 --> 0:39:28.000
<v Speaker 1>been a little while. Listener mail Josh. We asked for

0:39:28.080 --> 0:39:31.320
<v Speaker 1>bear stories and we got him. And this is what

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<v Speaker 1>I thought was the best one. This is from Chris

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<v Speaker 1>ef in Vancouver, BC, Canada. It's British Columbia. Two years ago.

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<v Speaker 1>The bear population came out of the mountains early because

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<v Speaker 1>of poor barry supplies. Basically, this guy's neighborhood was rampant

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<v Speaker 1>with bears for for a summer. Um I'm sorry. In

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<v Speaker 1>the spring, I'm sorry. In the autumn, he returned from

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<v Speaker 1>walking his dog, walked into his cardboard and there was

0:39:56.719 --> 0:39:59.880
<v Speaker 1>a large bear cub chowing down on my garbage. My

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<v Speaker 1>dog was an energetic labradoodle, how old and happy excitement

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<v Speaker 1>of what he thought was the biggest squirrel he had

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<v Speaker 1>ever seen, and chased after the cub, who we named

0:40:09.239 --> 0:40:13.080
<v Speaker 1>boot Dog, ran around uh Chase's cub in the backyard,

0:40:13.120 --> 0:40:15.960
<v Speaker 1>and all of a sudden, booze mother came around the corner,

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<v Speaker 1>and they later named this one Marie Hardy. She weighed

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<v Speaker 1>about two and fifty pounds and walked up to this

0:40:24.080 --> 0:40:27.239
<v Speaker 1>guy and the dog, who was barking four ft away.

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<v Speaker 1>When I hit her on the head with my golf umbrella.

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<v Speaker 1>The south stopped deadner Track sat back on her haunches,

0:40:34.120 --> 0:40:36.920
<v Speaker 1>shaking her head in disbelief, and was very surprised to

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<v Speaker 1>be smacked with the umbrella. For about five seconds, and

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<v Speaker 1>then she came straight at me in the garage and

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<v Speaker 1>I smacked her again with significantly less profound effect. Gave

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<v Speaker 1>me time to back out of the cardboard and do

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<v Speaker 1>the only thing I could think of, which was to

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<v Speaker 1>open the umbrella in her face and yell and scream

0:40:54.000 --> 0:40:56.280
<v Speaker 1>and close my eyes. Yeah that sounds like a reasonable

0:40:56.320 --> 0:40:58.719
<v Speaker 1>thing to do. Yeah, that makes perfect sense. I mean,

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<v Speaker 1>I am so tense right now. What happened? I opened

0:41:01.280 --> 0:41:03.480
<v Speaker 1>my eyes again and Moriarty was gone into the brush

0:41:04.000 --> 0:41:06.800
<v Speaker 1>along with Boo. But they became regular visitors throughout the

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<v Speaker 1>rest of the fall, ranging through the neighborhood for scraps,

0:41:10.719 --> 0:41:12.960
<v Speaker 1>and then they returned the next summer with a new

0:41:13.080 --> 0:41:17.759
<v Speaker 1>small cub that we named Boo Too Happy ending for

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<v Speaker 1>Chris and ps, we're proud Civa contributors, which is really

0:41:21.840 --> 0:41:24.480
<v Speaker 1>a lord that our Kiva team is killing it. We're

0:41:24.480 --> 0:41:29.160
<v Speaker 1>about to hit sik in loan. Yeah, so go guys.

0:41:29.560 --> 0:41:31.239
<v Speaker 1>If you want to join our Kiva team, you can

0:41:31.320 --> 0:41:34.640
<v Speaker 1>go to www. Dot Kiva k i v a dot

0:41:34.800 --> 0:41:40.040
<v Speaker 1>org slash team singular slash stuff you should know. Join up,

0:41:40.160 --> 0:41:43.680
<v Speaker 1>start donating and uh help contribute to the cause. And

0:41:43.760 --> 0:41:46.520
<v Speaker 1>if you want to send us an email about laughing

0:41:46.880 --> 0:41:49.360
<v Speaker 1>something you thought was very funny or even better than that,

0:41:49.400 --> 0:41:51.600
<v Speaker 1>because we probably wouldn't find it that funny. Send us

0:41:51.600 --> 0:41:54.920
<v Speaker 1>a link to something that's actually funny, all right, and

0:41:55.040 --> 0:41:59.799
<v Speaker 1>we will judge you, well, we'll judge your laughing skills. Um.

0:42:00.200 --> 0:42:03.799
<v Speaker 1>Send it to Stuff Podcast at how stuff works dot com.

0:42:08.800 --> 0:42:11.360
<v Speaker 1>Be sure to check out our new video podcast, Stuff

0:42:11.440 --> 0:42:14.000
<v Speaker 1>from the Future. Join how Stuff Work staff as we

0:42:14.080 --> 0:42:20.560
<v Speaker 1>explore the most promising and perplexing possibilities of tomorrow, brought

0:42:20.560 --> 0:42:23.760
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0:42:23.960 --> 0:42:24.239
<v Speaker 1>are you