1 00:00:20,160 --> 00:00:21,279 Speaker 1: Podcast starts now. 2 00:00:21,880 --> 00:00:27,280 Speaker 2: Wow, p G say it with me. I f you. 3 00:00:27,520 --> 00:00:31,280 Speaker 1: Thank you for saying that, because I have actually not 4 00:00:31,400 --> 00:00:34,479 Speaker 1: considered the fact that it is Friday, and this is 5 00:00:34,520 --> 00:00:37,279 Speaker 1: something obviously time affects us, whether we like it or not, 6 00:00:37,920 --> 00:00:40,440 Speaker 1: and I have not been letting time affect me. 7 00:00:40,440 --> 00:00:42,880 Speaker 2: Because you're on your in the midst of your week 8 00:00:42,920 --> 00:00:46,480 Speaker 2: off work. The rest of the month, you were mad 9 00:00:46,560 --> 00:00:49,400 Speaker 2: men putting on the suit, cheating on your wife fifteen 10 00:00:49,400 --> 00:00:52,240 Speaker 2: martiniz that line quite literally always knew exactly what time 11 00:00:52,240 --> 00:00:55,720 Speaker 2: it was your secretary was getting sexually hers. This week, 12 00:00:55,920 --> 00:00:58,760 Speaker 2: you are in Bushwick, you are going to the Underground Show. 13 00:00:58,960 --> 00:01:01,840 Speaker 2: You are having an orgy in the in the dark 14 00:01:01,920 --> 00:01:06,839 Speaker 2: room at basement. Yeah, seeing Charlie XX at boiler room. 15 00:01:07,000 --> 00:01:09,200 Speaker 2: This is not normally what our podcast is like. Of no, 16 00:01:09,319 --> 00:01:10,880 Speaker 2: of me just saying gay guy references. 17 00:01:11,000 --> 00:01:12,280 Speaker 1: No, but you're really good at it. 18 00:01:12,480 --> 00:01:13,479 Speaker 2: Thank you. I mean, I know. 19 00:01:15,120 --> 00:01:16,440 Speaker 1: Someone's been on Twitter this week. 20 00:01:16,520 --> 00:01:18,759 Speaker 2: Oh yeah, some would say it's one of the few 21 00:01:18,800 --> 00:01:19,800 Speaker 2: things I've done. 22 00:01:20,880 --> 00:01:24,280 Speaker 1: I've actually had the most UNTGIF day of my life. 23 00:01:24,560 --> 00:01:26,760 Speaker 2: Well, first of all, it's one fifteen pm. Not to 24 00:01:26,800 --> 00:01:29,480 Speaker 2: break the fourth wall. Okay, what can you have done 25 00:01:29,480 --> 00:01:30,600 Speaker 2: at this point, you have. 26 00:01:30,640 --> 00:01:32,959 Speaker 1: No idea what I have been up to. Okay, I 27 00:01:33,080 --> 00:01:35,720 Speaker 1: have packed up all of my clothes in my apartment 28 00:01:36,000 --> 00:01:38,840 Speaker 1: today into boxes this very morning. 29 00:01:38,680 --> 00:01:42,000 Speaker 2: Because, of course, you and your partner are moving temporarily 30 00:01:42,000 --> 00:01:43,480 Speaker 2: at least to the city of Los Angeles. 31 00:01:43,560 --> 00:01:47,560 Speaker 1: Yeah. Hard temporary, huh And everyone whenever you say that, 32 00:01:47,560 --> 00:01:49,720 Speaker 1: everyone rolls their eyes at you. They say, oh, just 33 00:01:49,760 --> 00:01:51,880 Speaker 1: say you're moving. I'm not. It's temporary. 34 00:01:52,160 --> 00:01:55,880 Speaker 2: What are the How are you handling the fact that 35 00:01:55,880 --> 00:01:59,440 Speaker 2: you are attempting to sublet your apartment furnished, just furnished, 36 00:01:59,480 --> 00:02:02,280 Speaker 2: also inc everything you own except for clothes. 37 00:02:02,920 --> 00:02:06,120 Speaker 1: Yeah, I'm thinking getting my clothes out. That's number one. 38 00:02:07,240 --> 00:02:10,120 Speaker 2: Are you gonna hire sorry to lea right off the bat? 39 00:02:10,240 --> 00:02:11,919 Speaker 2: Are you gonna hire someone to do deep clean? 40 00:02:12,280 --> 00:02:15,800 Speaker 1: I think we will. Is this part of this is 41 00:02:15,800 --> 00:02:17,040 Speaker 1: like an ad for my sublet? 42 00:02:18,600 --> 00:02:21,079 Speaker 2: Yes, exactly. Well you do not to call you out. 43 00:02:21,080 --> 00:02:22,120 Speaker 2: You do need some. 44 00:02:22,040 --> 00:02:24,280 Speaker 1: People, Okay, But by the time this comes out, I 45 00:02:24,360 --> 00:02:30,320 Speaker 1: might not that's true, hopefully not. And mostly I'm clothed, 46 00:02:30,320 --> 00:02:35,359 Speaker 1: and if there's anything like super personal, I'll take it out, dildo, dildo, 47 00:02:35,639 --> 00:02:37,080 Speaker 1: I'll leave the the loobs. 48 00:02:37,120 --> 00:02:40,240 Speaker 2: I don't use all the loobs, leave loobs around the house, 49 00:02:40,280 --> 00:02:42,400 Speaker 2: like how people have coasters so you don't stand the table. 50 00:02:42,400 --> 00:02:44,880 Speaker 1: Well, also you have to get people some like easter eggs, 51 00:02:44,880 --> 00:02:47,760 Speaker 1: Like you need to be like like because here's what 52 00:02:47,800 --> 00:02:49,960 Speaker 1: they're gonna want to snoop, and so you have to 53 00:02:49,960 --> 00:02:52,560 Speaker 1: give them something to find so they can have joy. 54 00:02:52,919 --> 00:02:55,280 Speaker 1: Imagine if you're in a sublet an Airbnb and you 55 00:02:55,320 --> 00:02:57,480 Speaker 1: open the bedside table and there's not a little sex 56 00:02:57,520 --> 00:02:59,919 Speaker 1: thing in it. You'll be like, well, I deserve it, 57 00:03:00,040 --> 00:03:00,480 Speaker 1: discount that. 58 00:03:00,560 --> 00:03:03,760 Speaker 2: But what if they then, like you know, post about 59 00:03:03,800 --> 00:03:05,919 Speaker 2: it and it goes viral and then it's like gig 60 00:03:06,040 --> 00:03:06,840 Speaker 2: comedia and. 61 00:03:06,800 --> 00:03:10,679 Speaker 1: George this you don't understand that's best case scenario scenario. Yeah, 62 00:03:10,960 --> 00:03:13,160 Speaker 1: I've I don't know, have I told you this my 63 00:03:13,280 --> 00:03:15,679 Speaker 1: new mindset, which is I don't know how much of 64 00:03:15,720 --> 00:03:17,560 Speaker 1: a joke it is. Okay, But like somebody was talking 65 00:03:17,560 --> 00:03:19,560 Speaker 1: about the planes that are like the doors are flying 66 00:03:19,600 --> 00:03:21,440 Speaker 1: off or whatever, and they're like, I would never take 67 00:03:21,440 --> 00:03:22,880 Speaker 1: that plane, and I'm like, are you kidding me? That's 68 00:03:22,919 --> 00:03:25,080 Speaker 1: the only plane I'm gonna take it because that's the book. 69 00:03:25,960 --> 00:03:26,760 Speaker 2: But you would die. 70 00:03:26,919 --> 00:03:28,560 Speaker 1: I was on the plane where the door fell off 71 00:03:28,680 --> 00:03:32,160 Speaker 1: and I lived. Well, here's the thing, there's an invincibility complex. 72 00:03:32,240 --> 00:03:32,640 Speaker 2: Uh huh. 73 00:03:32,680 --> 00:03:34,040 Speaker 1: First of all, where I'm like, well, I won't be 74 00:03:34,040 --> 00:03:35,440 Speaker 1: the one that dies, right, I will be the one 75 00:03:35,480 --> 00:03:36,120 Speaker 1: that gets a book. 76 00:03:36,560 --> 00:03:39,120 Speaker 2: Well, so this is the thing with things happening to 77 00:03:39,120 --> 00:03:41,480 Speaker 2: you and the trauma of any kind trauma, It is 78 00:03:41,560 --> 00:03:45,000 Speaker 2: actually like so difficult to find the right trauma that 79 00:03:45,080 --> 00:03:47,640 Speaker 2: is just unique enough that you can be the voice 80 00:03:47,680 --> 00:03:50,040 Speaker 2: of it but not you, but not so unique that 81 00:03:50,080 --> 00:03:52,920 Speaker 2: it's unrelatable for anyone else. I think, of course, growing 82 00:03:52,960 --> 00:03:54,080 Speaker 2: up in a cult is a dream. 83 00:03:54,440 --> 00:03:57,320 Speaker 1: That's the fantasy. That's the fantasy, Like you pretty much 84 00:03:57,320 --> 00:03:58,280 Speaker 1: have a house instantly. 85 00:03:58,600 --> 00:04:02,560 Speaker 2: Yes, and it can't be too dark no. And I'm 86 00:04:02,600 --> 00:04:04,520 Speaker 2: not going to say specific crimes that can be committing 87 00:04:04,560 --> 00:04:08,600 Speaker 2: cults and have been, but there can't be anything that 88 00:04:08,720 --> 00:04:09,600 Speaker 2: really turns people. 89 00:04:09,760 --> 00:04:12,520 Speaker 1: No. Just isolation, Yes, that's the key. 90 00:04:12,800 --> 00:04:13,360 Speaker 2: Isolation. 91 00:04:13,920 --> 00:04:16,080 Speaker 1: Maybe some cultural norms that are Ye. 92 00:04:16,279 --> 00:04:20,160 Speaker 2: Hadn't been inside a burger king A yeah? Thirty five? 93 00:04:20,360 --> 00:04:25,040 Speaker 1: Yes, that's a book. I feel like this is the 94 00:04:25,080 --> 00:04:27,640 Speaker 1: trauma thing is interesting because I was like, you know, 95 00:04:27,720 --> 00:04:30,680 Speaker 1: as I went to the hospital once famously, well and 96 00:04:30,760 --> 00:04:32,560 Speaker 1: so and so I was like, Okay, this is juicy. 97 00:04:32,600 --> 00:04:35,640 Speaker 1: I'm at the hospital, like, I, this sucks, but I 98 00:04:35,760 --> 00:04:37,520 Speaker 1: will be getting attention from this and I will be 99 00:04:37,560 --> 00:04:39,760 Speaker 1: posting and it's gonna be huge. 100 00:04:39,920 --> 00:04:40,160 Speaker 2: Right. 101 00:04:40,560 --> 00:04:42,520 Speaker 1: Then I go to the hospital a second time a 102 00:04:42,560 --> 00:04:44,880 Speaker 1: month and a half later, and I say, I don't 103 00:04:44,880 --> 00:04:46,760 Speaker 1: know how much I'm gonna want to post about this one, 104 00:04:47,279 --> 00:04:49,560 Speaker 1: because then you're sort of hospital guy and you're sort 105 00:04:49,560 --> 00:04:52,000 Speaker 1: of put in a box and people are genuinely concerned, 106 00:04:52,600 --> 00:04:54,880 Speaker 1: and that's when things start getting unfun. 107 00:04:55,240 --> 00:04:59,120 Speaker 2: Well. The thing with health issues and commodifying them to 108 00:04:59,160 --> 00:05:02,160 Speaker 2: say a book is that they have to first resolve 109 00:05:02,240 --> 00:05:05,720 Speaker 2: themselves and then you can tell the story. Because if 110 00:05:05,720 --> 00:05:08,680 Speaker 2: people are actively worried about yeah, you either have to 111 00:05:09,279 --> 00:05:13,599 Speaker 2: die yeah, published posthumously, or potentially have a partner or 112 00:05:13,640 --> 00:05:17,720 Speaker 2: family members write a book called My Brother Sam. Yeah. 113 00:05:17,720 --> 00:05:20,520 Speaker 1: That would be a bummer, right because then I. 114 00:05:20,520 --> 00:05:22,800 Speaker 2: Because you would not be a part of it. 115 00:05:22,960 --> 00:05:23,799 Speaker 1: Yeah. 116 00:05:23,839 --> 00:05:25,960 Speaker 2: So either that or you live, and then it's the 117 00:05:25,960 --> 00:05:31,239 Speaker 2: triumphant story of the triumphant human fruit. You can say 118 00:05:31,240 --> 00:05:33,240 Speaker 2: the boy who lived, The boy who lived, Yeah by 119 00:05:33,279 --> 00:05:35,800 Speaker 2: Sam Tiggert I. 120 00:05:36,320 --> 00:05:40,400 Speaker 1: Yeah, there also is like, yeah, hospital twice. That's when 121 00:05:40,440 --> 00:05:43,120 Speaker 1: people really I've been trying I was referring to it 122 00:05:43,160 --> 00:05:45,599 Speaker 1: recently as hospital tokens, where it's like you can post, 123 00:05:45,640 --> 00:05:47,960 Speaker 1: you can use one hospital token a year and be 124 00:05:48,080 --> 00:05:50,480 Speaker 1: like post about being in the hospital once, and then 125 00:05:50,480 --> 00:05:52,560 Speaker 1: once you're out of hospital tokens, you can't post anymore. 126 00:05:52,640 --> 00:05:56,279 Speaker 2: I think, Okay, I see what you're saying. But I 127 00:05:56,279 --> 00:05:57,800 Speaker 2: don't think the issue is the number of times. I 128 00:05:57,839 --> 00:06:00,960 Speaker 2: think the issue is how specific are about why you're there. 129 00:06:01,240 --> 00:06:04,279 Speaker 2: You both times were a little bit like, sh I'm 130 00:06:04,279 --> 00:06:10,960 Speaker 2: in the hospital like today do most people? I mean, 131 00:06:11,279 --> 00:06:14,080 Speaker 2: I have to say, I'm probably one of the people 132 00:06:14,080 --> 00:06:16,000 Speaker 2: in your life you talk to the most. I hope. 133 00:06:16,760 --> 00:06:21,080 Speaker 2: I think I barely understand exactly where we're at in 134 00:06:21,160 --> 00:06:22,240 Speaker 2: terms of your health issues. 135 00:06:22,360 --> 00:06:25,240 Speaker 1: Yeah, you and my mom both right, everyone's like, what's 136 00:06:25,279 --> 00:06:28,359 Speaker 1: going on? I'm like, I don't know. I'm not the doctor, right, No, 137 00:06:28,440 --> 00:06:29,159 Speaker 1: I do, be clear. 138 00:06:29,240 --> 00:06:32,919 Speaker 2: The doctor is my future father in law, so I should, 139 00:06:32,960 --> 00:06:34,720 Speaker 2: in fact know even more than I do. But he's 140 00:06:34,760 --> 00:06:36,200 Speaker 2: obsessed with doctor patient confidence. 141 00:06:36,200 --> 00:06:38,800 Speaker 1: I actually find that so problematic. It's like spill the. 142 00:06:38,760 --> 00:06:41,120 Speaker 2: T I'm literally every time I see him, I'm like, 143 00:06:41,400 --> 00:06:42,680 Speaker 2: are you gonna spill the tea? 144 00:06:43,600 --> 00:06:45,080 Speaker 1: Well, you know, I told him so that he would 145 00:06:45,080 --> 00:06:48,480 Speaker 1: spread the word like, yeah, I wave my confidence out. 146 00:06:50,279 --> 00:06:52,280 Speaker 2: Okay, so any updates. 147 00:06:53,279 --> 00:06:55,560 Speaker 1: You know I'm actually getting surgery, No, in a week 148 00:06:55,560 --> 00:06:55,920 Speaker 1: and a half. 149 00:06:55,920 --> 00:06:58,520 Speaker 2: What Yeah, you never tell me anything. 150 00:06:58,520 --> 00:07:01,919 Speaker 1: Why would I tell you it's upcoming. I'll tell you 151 00:07:01,920 --> 00:07:04,400 Speaker 1: what it's doing. Well, that's sort of my theory. 152 00:07:04,600 --> 00:07:09,920 Speaker 2: Okay, there's so much I think we might have to 153 00:07:09,960 --> 00:07:12,720 Speaker 2: bring in our bring in our guests because we need 154 00:07:12,720 --> 00:07:15,560 Speaker 2: someone to sort of navigate this couple's. 155 00:07:15,680 --> 00:07:19,400 Speaker 3: Rift that was there was so much juice in that 156 00:07:20,640 --> 00:07:24,200 Speaker 3: you have to unpack. Yeah, at some point, right, so 157 00:07:24,200 --> 00:07:24,679 Speaker 3: you don't. 158 00:07:24,480 --> 00:07:26,320 Speaker 2: Have to do it right now, no, no questions. 159 00:07:26,480 --> 00:07:30,160 Speaker 3: Maybe off camera, maybe after the pod, but once the 160 00:07:30,240 --> 00:07:32,520 Speaker 3: father in law came in then yeah. 161 00:07:32,720 --> 00:07:35,360 Speaker 1: Yeah, there's a lot. There's a lot of story here. 162 00:07:35,400 --> 00:07:37,480 Speaker 2: And let me just say please welcome Jibuoki on White. 163 00:07:37,520 --> 00:07:38,240 Speaker 3: Hello everybody. 164 00:07:38,320 --> 00:07:45,000 Speaker 2: Hi, So my boyfriend's father is a doctor. Not to brag, Okay, yeah, yeah. 165 00:07:44,800 --> 00:07:46,480 Speaker 3: I'm taking it as a brag. I'm very jealous. 166 00:07:46,520 --> 00:07:47,640 Speaker 1: And doctor that's. 167 00:07:47,560 --> 00:07:49,960 Speaker 2: Right in New York City, in the Borough of Manhattan. 168 00:07:50,000 --> 00:07:52,160 Speaker 1: It's pretty much the nicest kind of doctor you can get. 169 00:07:52,200 --> 00:07:55,120 Speaker 2: Was this by accident that this happened or was no? No, 170 00:07:55,320 --> 00:07:58,400 Speaker 2: Sam Sam at one point not to call you out 171 00:07:58,480 --> 00:08:02,200 Speaker 2: was like in Blee Hospital. Then I told everyone Sam 172 00:08:02,240 --> 00:08:04,240 Speaker 2: is that Blee hospital, and every single person I knew 173 00:08:04,280 --> 00:08:07,200 Speaker 2: was like, get him out of there. People die there 174 00:08:07,240 --> 00:08:07,840 Speaker 2: every day. 175 00:08:08,280 --> 00:08:09,440 Speaker 1: So then I was like, who do I know. 176 00:08:10,920 --> 00:08:11,200 Speaker 4: Local? 177 00:08:12,960 --> 00:08:17,640 Speaker 2: And I was like, who oh, spam Risk Okay. I 178 00:08:17,720 --> 00:08:24,160 Speaker 2: was like, yeah, they're like top anyway, it's not so then, 179 00:08:24,400 --> 00:08:27,520 Speaker 2: and then I was like, can can Matthew's dad he's 180 00:08:27,560 --> 00:08:30,680 Speaker 2: retired to but actually loves being a doctor, and I 181 00:08:30,680 --> 00:08:33,120 Speaker 2: think missus having patience. 182 00:08:33,200 --> 00:08:39,880 Speaker 1: He really love that. Yeah, he actually like I kept 183 00:08:39,920 --> 00:08:42,160 Speaker 1: dropping the like line of convo. I was like, well 184 00:08:42,200 --> 00:08:43,840 Speaker 1: he helped me through that, and then he kept following 185 00:08:43,920 --> 00:08:45,720 Speaker 1: up and I was like, this is actually so nice. 186 00:08:46,280 --> 00:08:49,360 Speaker 2: Yeah, we're not used to the only way you can 187 00:08:49,360 --> 00:08:51,720 Speaker 2: get good medical care in this country is if your 188 00:08:52,080 --> 00:08:55,040 Speaker 2: podcast co host's boyfriend's dad is a retired doctor. 189 00:08:55,160 --> 00:08:59,280 Speaker 1: I mean honestly, I like could not have gotten as 190 00:08:59,320 --> 00:09:01,720 Speaker 1: good of care with out him. 191 00:09:01,760 --> 00:09:03,640 Speaker 2: So there you go, Chibuki, what do you think is 192 00:09:03,679 --> 00:09:05,400 Speaker 2: the appropriate number of times you can post from a 193 00:09:05,440 --> 00:09:10,120 Speaker 2: hospital in one calendar year? And then as a gay creator, as. 194 00:09:09,960 --> 00:09:12,559 Speaker 1: A gay content creator whose brand is fun. 195 00:09:12,760 --> 00:09:16,920 Speaker 3: It really it really depends. I feel like there's definitely one, 196 00:09:17,080 --> 00:09:23,000 Speaker 3: probably for you being the patient. But then after that 197 00:09:23,160 --> 00:09:28,480 Speaker 3: go crazy visiting the India. Oh that's true. It could 198 00:09:28,640 --> 00:09:31,560 Speaker 3: just be like I had an experience that really opened 199 00:09:31,600 --> 00:09:33,640 Speaker 3: my eyes, and now I kind of love hospitals. 200 00:09:34,360 --> 00:09:36,840 Speaker 2: Shout out to never say his heart. Yeah, and I 201 00:09:36,840 --> 00:09:39,199 Speaker 2: have fun in hospitals. You could like, go do tiktoks 202 00:09:39,200 --> 00:09:41,920 Speaker 2: with them. Start a comedy show. Yeah, start a comedy 203 00:09:41,920 --> 00:09:43,400 Speaker 2: in the non denominational chapel. 204 00:09:43,679 --> 00:09:46,240 Speaker 1: That's a great idea. I actually did go back to 205 00:09:46,280 --> 00:09:48,040 Speaker 1: pick up records one day and I was like, God, 206 00:09:48,280 --> 00:09:49,280 Speaker 1: I loved it here. 207 00:09:49,960 --> 00:09:52,360 Speaker 2: You said that. I was like, I thought of vinyl record. 208 00:09:52,360 --> 00:09:54,640 Speaker 1: I was like, oh my god, if you have ever been 209 00:09:54,679 --> 00:09:57,640 Speaker 1: to the record store inside of the hospital, that would 210 00:09:57,679 --> 00:09:59,080 Speaker 1: actually be actually great price. 211 00:09:59,160 --> 00:10:00,360 Speaker 2: This is idea. Yeah. 212 00:10:00,520 --> 00:10:03,000 Speaker 1: Well no, I've always been pushing just one room that 213 00:10:03,000 --> 00:10:04,839 Speaker 1: has a vibe in a hospital, just. 214 00:10:04,880 --> 00:10:06,000 Speaker 2: One thank you? 215 00:10:06,400 --> 00:10:07,760 Speaker 1: Why was Why is that illegal? 216 00:10:08,200 --> 00:10:08,400 Speaker 2: Yeah? 217 00:10:08,520 --> 00:10:10,120 Speaker 3: Is it so wrong to want to catch a vibe 218 00:10:10,120 --> 00:10:10,760 Speaker 3: in a hospital. 219 00:10:11,200 --> 00:10:14,640 Speaker 1: If a bill is one hundred thousand dollars, you can't 220 00:10:14,640 --> 00:10:17,000 Speaker 1: make one room with smart lights? 221 00:10:17,080 --> 00:10:17,240 Speaker 2: Right? 222 00:10:17,520 --> 00:10:17,800 Speaker 1: Yeah? 223 00:10:17,840 --> 00:10:19,920 Speaker 3: A little like those tiny Fiji water bottles. 224 00:10:20,040 --> 00:10:24,280 Speaker 2: Yes, yes, I don't know. I do think sneaker slash 225 00:10:24,320 --> 00:10:29,320 Speaker 2: barber shop. Yes, huh yeah. 226 00:10:29,360 --> 00:10:33,839 Speaker 1: Well, how do you feel about milking trauma for a book? 227 00:10:34,040 --> 00:10:39,199 Speaker 3: Milking trauma for a book? I'm you know, I'm kind 228 00:10:39,200 --> 00:10:39,920 Speaker 3: of neutral on it. 229 00:10:40,000 --> 00:10:40,920 Speaker 2: I will say. 230 00:10:42,640 --> 00:10:44,120 Speaker 3: I think that you should be able to just make 231 00:10:44,200 --> 00:10:44,720 Speaker 3: up stuff. 232 00:10:45,000 --> 00:10:48,199 Speaker 2: Mmm, is anyone should be able to make Yeah. 233 00:10:48,000 --> 00:10:50,000 Speaker 3: You should just be able to make up stuff and 234 00:10:50,040 --> 00:10:51,280 Speaker 3: just be like, yeah, it's auto fiction. 235 00:10:51,679 --> 00:10:54,840 Speaker 2: Like you know, I feel like, why not, Well, let 236 00:10:54,920 --> 00:10:56,720 Speaker 2: me tell you something. David Snaris has been doing that 237 00:10:56,760 --> 00:10:58,680 Speaker 2: for decades. Yeah, so this is new. 238 00:10:58,840 --> 00:11:01,120 Speaker 1: Somebody Jesse David Fix mentioned this when we had him on, 239 00:11:01,400 --> 00:11:03,040 Speaker 1: and you guys like said it like it was fact, 240 00:11:03,080 --> 00:11:04,560 Speaker 1: and I was sort of like, Okay, if two people 241 00:11:04,559 --> 00:11:05,679 Speaker 1: are saying this is like it's fact, I guess I 242 00:11:05,880 --> 00:11:06,439 Speaker 1: just have to believe it. 243 00:11:06,559 --> 00:11:09,640 Speaker 2: To be clear, we have said this. David's theres is mother. 244 00:11:10,160 --> 00:11:13,480 Speaker 2: You know, without him, there can never be a gig comedian. 245 00:11:13,640 --> 00:11:16,920 Speaker 2: There could be a sort of middle yeah whatever, middle 246 00:11:16,920 --> 00:11:21,600 Speaker 2: brow gay comedians that are sort of like my mom. 247 00:11:21,920 --> 00:11:25,199 Speaker 2: But I do think it is sort of an open 248 00:11:25,280 --> 00:11:28,480 Speaker 2: secret that like that many things can't happen in that 249 00:11:28,600 --> 00:11:31,880 Speaker 2: way to one person. And he sort of like flattens 250 00:11:31,920 --> 00:11:34,040 Speaker 2: the characters that he is describing, like each of his 251 00:11:34,120 --> 00:11:37,280 Speaker 2: sisters and his parents. Everyone sort of becomes a cartoon character, which, 252 00:11:37,320 --> 00:11:39,400 Speaker 2: to be clear, I have no ethical qualms with. I'm 253 00:11:39,400 --> 00:11:40,960 Speaker 2: just saying that is a fact. 254 00:11:41,480 --> 00:11:43,840 Speaker 1: Do you guys remember when that guy it's. 255 00:11:43,640 --> 00:11:45,800 Speaker 2: A creative part of creative nonfiction? Of course, what are 256 00:11:45,800 --> 00:11:48,600 Speaker 2: you gonna do otherwise a little Yeah? 257 00:11:48,880 --> 00:11:50,840 Speaker 1: Do you remember when that guy got like canceled at 258 00:11:50,840 --> 00:11:52,120 Speaker 1: to being on Open Book Club. 259 00:11:52,760 --> 00:11:56,640 Speaker 3: H James Fray, He was like at nine to eleven 260 00:11:56,720 --> 00:12:03,040 Speaker 3: or something. Oh, okay, No, this is the guy that 261 00:12:03,080 --> 00:12:03,800 Speaker 3: wrote that book. 262 00:12:03,640 --> 00:12:07,040 Speaker 2: Called a Child, called it a Million Beautiful Things Pieces, 263 00:12:07,120 --> 00:12:10,160 Speaker 2: a million little pieces. I don't know that one it 264 00:12:10,200 --> 00:12:12,600 Speaker 2: was about. It was about his drug addiction. Yeah, but 265 00:12:12,640 --> 00:12:14,840 Speaker 2: then it turns out he like wasn't addiction to drugs. 266 00:12:14,960 --> 00:12:17,280 Speaker 1: Yeah, but he kind of was too, just to the 267 00:12:17,320 --> 00:12:17,800 Speaker 1: extent that he. 268 00:12:17,760 --> 00:12:19,600 Speaker 3: Said he was like, that's the thing, is like, yeah, 269 00:12:19,640 --> 00:12:23,160 Speaker 3: you're going to lie or you're going to like know, massage. 270 00:12:23,200 --> 00:12:25,920 Speaker 3: So it's like just go full fiction, just like yeah, 271 00:12:26,280 --> 00:12:27,679 Speaker 3: be like I don't know it's true. I don't know 272 00:12:27,720 --> 00:12:30,280 Speaker 3: it's not true. Make it fun for me because I 273 00:12:30,280 --> 00:12:31,720 Speaker 3: don't believe you that you're telling the truth. 274 00:12:31,760 --> 00:12:34,679 Speaker 2: When they're like, all of this happened, I'm like, no, yeah, 275 00:12:34,720 --> 00:12:37,440 Speaker 2: I think when it's about your own life, you can lie. 276 00:12:37,679 --> 00:12:41,200 Speaker 2: If you're a reporter reporting on Russia, potentially there you 277 00:12:41,200 --> 00:12:42,040 Speaker 2: should tell the truth. 278 00:12:42,160 --> 00:12:46,240 Speaker 1: No, I say, pat me a picture, all right, make 279 00:12:46,320 --> 00:12:46,680 Speaker 1: me care. 280 00:12:46,920 --> 00:12:50,400 Speaker 2: Magical realism, Yeah, we need more magical realism and sort 281 00:12:50,400 --> 00:12:51,720 Speaker 2: of foreign policy reporting. 282 00:12:51,880 --> 00:12:55,320 Speaker 1: Of course, if there was a beloved character, potentially more 283 00:12:55,320 --> 00:12:57,080 Speaker 1: people would care. Yeah. Yeah. 284 00:12:57,160 --> 00:13:00,440 Speaker 2: You know what's interesting, this is actually an issue with 285 00:13:00,480 --> 00:13:02,840 Speaker 2: the news is that people who are quote unquote enemies 286 00:13:02,880 --> 00:13:05,920 Speaker 2: are actually more cinematic and interesting than people who are 287 00:13:05,960 --> 00:13:08,440 Speaker 2: supposed to be rooting for. Like Putin. I'm like, I 288 00:13:08,520 --> 00:13:11,520 Speaker 2: get who he is. We're talking about a character. He 289 00:13:11,679 --> 00:13:14,439 Speaker 2: I could see exactly, who should play him in a movie, 290 00:13:14,480 --> 00:13:17,400 Speaker 2: how he would look, like his sort of ticks whatever. 291 00:13:17,960 --> 00:13:20,280 Speaker 2: I'm like, I mean, who's someone who's a hero in 292 00:13:20,320 --> 00:13:25,720 Speaker 2: public life? Anyone who's good. I'm like, I don't know, 293 00:13:27,200 --> 00:13:32,439 Speaker 2: Oprah To an extent, I'm trying to think, like who 294 00:13:32,480 --> 00:13:32,880 Speaker 2: is good? 295 00:13:33,240 --> 00:13:33,839 Speaker 1: Who is good? 296 00:13:34,040 --> 00:13:36,560 Speaker 3: But are we talking about like a good on the 297 00:13:36,600 --> 00:13:37,520 Speaker 3: spectrum of Putin? 298 00:13:37,640 --> 00:13:40,120 Speaker 2: Like who is better than who's angel? 299 00:13:40,160 --> 00:13:40,520 Speaker 1: Putin. 300 00:13:40,640 --> 00:13:42,800 Speaker 2: I guess who's good putin of all neat may he 301 00:13:42,880 --> 00:13:43,680 Speaker 2: rest in power. 302 00:13:43,679 --> 00:13:46,880 Speaker 1: Like aoc do I see count? 303 00:13:47,360 --> 00:13:52,120 Speaker 2: I think she'd. Yeah. Maybe it's just that when someone's good, 304 00:13:52,679 --> 00:13:54,720 Speaker 2: you expect more from them, so then it's more difficult 305 00:13:54,760 --> 00:13:56,600 Speaker 2: for them to be like I am one hundred percent sure. 306 00:13:57,000 --> 00:13:59,640 Speaker 1: But it's also like cause it's we you know, we 307 00:13:59,760 --> 00:14:02,480 Speaker 1: all have been joker fied as a nation and maybe 308 00:14:02,520 --> 00:14:05,559 Speaker 1: as a globe, and so we are obsessed with finding 309 00:14:05,640 --> 00:14:08,920 Speaker 1: jokers in the world and sympathizing and being like, how 310 00:14:08,960 --> 00:14:11,480 Speaker 1: did they go from the little boy to the crazy? 311 00:14:11,559 --> 00:14:14,360 Speaker 2: And also when someone is like comes out and is 312 00:14:14,400 --> 00:14:17,720 Speaker 2: like I am the new good person, you're like, okay, 313 00:14:17,760 --> 00:14:19,520 Speaker 2: I'm giving it a week, and after that, I'm gonna 314 00:14:19,520 --> 00:14:23,760 Speaker 2: start making fun of that person's hair, Like I'm. 315 00:14:23,560 --> 00:14:25,880 Speaker 1: Not, Well, it's so boring. 316 00:14:26,200 --> 00:14:27,720 Speaker 2: I think of the people in the past that I 317 00:14:27,760 --> 00:14:31,480 Speaker 2: have been like all in for politicians or whatever I might. Yeah, 318 00:14:31,520 --> 00:14:32,520 Speaker 2: I'm into them for a week. 319 00:14:33,160 --> 00:14:34,880 Speaker 1: Well you know who else everyone was into for a 320 00:14:34,880 --> 00:14:38,800 Speaker 1: week then they started making fun of his hair. Jesus Christ, that's. 321 00:14:38,640 --> 00:14:41,880 Speaker 2: A good point of Nazareth. 322 00:14:44,080 --> 00:14:46,760 Speaker 1: Yeah, I remember made fun of his hair so bad. 323 00:14:47,880 --> 00:14:50,040 Speaker 2: I do wonder sometimes what would happen if Jesus was 324 00:14:50,040 --> 00:14:55,760 Speaker 2: here today? What an incredible turn, because I do think 325 00:14:55,800 --> 00:14:58,680 Speaker 2: people think that it would be he would be sort 326 00:14:58,720 --> 00:15:00,800 Speaker 2: of like this calming figure, but in fact he would 327 00:15:00,800 --> 00:15:03,880 Speaker 2: be like an influencer. Yeah. 328 00:15:03,960 --> 00:15:06,800 Speaker 3: Yeah, that's actually literally, yeah, I mean he kind of was. 329 00:15:06,800 --> 00:15:07,160 Speaker 2: He was. 330 00:15:07,200 --> 00:15:09,200 Speaker 3: He was doing like pranks and stunts and stuff. 331 00:15:09,360 --> 00:15:10,960 Speaker 2: Literally, he was who's that guy? 332 00:15:10,960 --> 00:15:11,200 Speaker 1: Mister? 333 00:15:12,000 --> 00:15:14,880 Speaker 2: Yeah, Jesus was the original mister Beast? Oh my god, Like, 334 00:15:15,040 --> 00:15:17,000 Speaker 2: I'm watching fifty two. 335 00:15:16,800 --> 00:15:21,080 Speaker 3: Women's I crashed his dinner and I turned bread into 336 00:15:21,240 --> 00:15:23,960 Speaker 3: enough bread for like a thousand people, like. 337 00:15:24,560 --> 00:15:26,840 Speaker 2: And then people that do commentary posting videos are like, okay, 338 00:15:26,880 --> 00:15:27,960 Speaker 2: so here's where he went wrong. 339 00:15:29,960 --> 00:15:32,720 Speaker 3: Wow, have you guys ever watched a Mister Beasts video? 340 00:15:33,520 --> 00:15:35,760 Speaker 3: I scrubbed through one for the first time the other day. 341 00:15:35,840 --> 00:15:38,240 Speaker 2: It's really cool one with all the ages. Yes, that was. 342 00:15:38,400 --> 00:15:40,280 Speaker 2: I saw the trailer for that, and I was, I mean, 343 00:15:40,640 --> 00:15:42,760 Speaker 2: I guess there's what more is there to say? I mean, 344 00:15:42,840 --> 00:15:45,160 Speaker 2: when something literally looks like it's from like you know, 345 00:15:45,240 --> 00:15:47,680 Speaker 2: swid Game or V for Vendetta or whatever, all these 346 00:15:47,720 --> 00:15:53,400 Speaker 2: sort of like already you know broad satire, Like where 347 00:15:53,400 --> 00:15:55,120 Speaker 2: do you go from there? Yeah. 348 00:15:55,320 --> 00:15:58,200 Speaker 3: Basically the moral of the video was like, I guess 349 00:15:58,200 --> 00:15:59,920 Speaker 3: a guy was honest or something and he won. 350 00:16:00,360 --> 00:16:02,160 Speaker 1: Oh so it's like a Willy Wonka style story. 351 00:16:02,160 --> 00:16:03,720 Speaker 2: But also forty was the best age. 352 00:16:03,800 --> 00:16:06,960 Speaker 3: Forty was the best age forty one, which is like, 353 00:16:07,040 --> 00:16:08,640 Speaker 3: that's really empowering to hear as a game man. 354 00:16:08,720 --> 00:16:09,760 Speaker 2: I agree totally. 355 00:16:10,320 --> 00:16:12,360 Speaker 1: I mean there's something to it. Yeah, I'm actually I 356 00:16:12,400 --> 00:16:15,080 Speaker 1: am scared for the moment where I can't like I 357 00:16:15,120 --> 00:16:17,000 Speaker 1: feel like when I was like twenty, I was like, well, 358 00:16:17,040 --> 00:16:18,960 Speaker 1: I bet thirty is gonna be. Now I'm thirty and 359 00:16:18,960 --> 00:16:20,800 Speaker 1: I'm like, I bet forty is gonna be, And it's like, 360 00:16:20,800 --> 00:16:22,000 Speaker 1: there is gonna be a point where I'm like, I 361 00:16:22,000 --> 00:16:23,440 Speaker 1: can't be, like, I bet seventy is gonna be the 362 00:16:23,480 --> 00:16:24,280 Speaker 1: best time of by life. 363 00:16:24,320 --> 00:16:27,440 Speaker 2: What if it is, Like it might be, it might. 364 00:16:27,280 --> 00:16:31,040 Speaker 1: Be, maybe it is that could be fun. 365 00:16:31,320 --> 00:16:33,280 Speaker 2: I do think we have said this that like being 366 00:16:33,280 --> 00:16:35,000 Speaker 2: in your thirties as a gay man as the oldest 367 00:16:35,040 --> 00:16:37,880 Speaker 2: you can be because you you're not young, but you're 368 00:16:37,920 --> 00:16:41,280 Speaker 2: not daddy, so no one knows what to do with you. Yeah, 369 00:16:41,360 --> 00:16:43,320 Speaker 2: I do think maybe forty five is the best age. 370 00:16:45,160 --> 00:16:49,200 Speaker 1: I'd say forty two because forty five. Sorry to correct you, 371 00:16:49,240 --> 00:16:51,680 Speaker 1: but we have to engage. 372 00:16:51,760 --> 00:16:54,600 Speaker 2: Yeah, yeah, we're just agreeing with it. 373 00:16:54,680 --> 00:16:56,400 Speaker 1: We're just agree each other and what are we doing here? 374 00:16:56,600 --> 00:16:59,440 Speaker 1: But forty five. If I'm putting myself in the character 375 00:16:59,440 --> 00:17:02,320 Speaker 1: of a forty five year old, I'm instantly thinking, like, well, I'm. 376 00:17:02,160 --> 00:17:04,400 Speaker 2: Basbably fifty, right, where's forty two? 377 00:17:04,400 --> 00:17:08,120 Speaker 1: You're like, I'm this is new, right, but I'm I'm 378 00:17:08,200 --> 00:17:08,880 Speaker 1: ready for it. 379 00:17:10,000 --> 00:17:12,400 Speaker 2: Yeah, it's a good point. What age do you wish 380 00:17:12,400 --> 00:17:12,680 Speaker 2: you were? 381 00:17:13,000 --> 00:17:19,280 Speaker 3: What age do I wish I was? Honestly, I'm twenty 382 00:17:19,359 --> 00:17:22,800 Speaker 3: nine right now, and it's the most disgusting. It's like 383 00:17:22,840 --> 00:17:23,560 Speaker 3: make up your mond. 384 00:17:23,600 --> 00:17:25,720 Speaker 2: Twenty nine is a little bit like you've been edging 385 00:17:25,760 --> 00:17:28,399 Speaker 2: and like it's time. Yeah, Like I'm ready, I'm ready. 386 00:17:28,440 --> 00:17:31,520 Speaker 3: I feel like it should be twenty eight straight to thirty. Yeah, 387 00:17:31,560 --> 00:17:33,480 Speaker 3: like I feel like thirty. 388 00:17:33,520 --> 00:17:35,359 Speaker 2: I'm excited. Thirty is are good. Yeah. 389 00:17:35,359 --> 00:17:37,119 Speaker 1: There's also something about being twenty ine where it's like 390 00:17:37,160 --> 00:17:40,760 Speaker 1: you're lying, like anyone wo says a twenty nine, I'm like, 391 00:17:40,840 --> 00:17:42,520 Speaker 1: come on, just tell me how old you really are. 392 00:17:43,600 --> 00:17:47,800 Speaker 2: I'm actually twenty two. Also, to be in technically in 393 00:17:47,840 --> 00:17:52,400 Speaker 2: your twenties while being essentially thirty. It's so like embarrassing, condescending. 394 00:17:52,480 --> 00:17:54,600 Speaker 2: It's like being nineteen being in college to be like 395 00:17:54,640 --> 00:17:55,400 Speaker 2: I'm a teenager. 396 00:17:55,720 --> 00:17:59,560 Speaker 3: Yes, yes, it's that exact vibe. Yeah, I'm ready to 397 00:17:59,600 --> 00:18:02,200 Speaker 3: go to college whatever that. Oh yeah, what is a 398 00:18:02,240 --> 00:18:02,720 Speaker 3: dull college? 399 00:18:02,760 --> 00:18:03,320 Speaker 2: The hospital? 400 00:18:08,119 --> 00:18:10,320 Speaker 1: Tell you what? When I was I've never felt more young. 401 00:18:10,320 --> 00:18:11,920 Speaker 1: I don't know if I already said this on the podcast. 402 00:18:11,960 --> 00:18:14,119 Speaker 2: Oh because every because of course it's the hospital, so 403 00:18:14,280 --> 00:18:17,399 Speaker 2: most people are elderly. Yeah, you're like daddy alert. 404 00:18:18,080 --> 00:18:20,800 Speaker 1: No, they were. They were being every every single doctor, oh, 405 00:18:20,840 --> 00:18:22,480 Speaker 1: young guy like you coming in here? And I said, well, 406 00:18:22,560 --> 00:18:23,359 Speaker 1: not in Hollywood. 407 00:18:26,480 --> 00:18:28,560 Speaker 2: I mean, if there was an entertainment industry within the 408 00:18:28,560 --> 00:18:31,680 Speaker 2: hospital ecosystem, you would be like the number one star. 409 00:18:31,960 --> 00:18:36,760 Speaker 2: You'd be the Zndaea of a hospital. You'd be wearing 410 00:18:36,760 --> 00:18:41,360 Speaker 2: the Mooglare suit, just going from the cafeteria to your 411 00:18:41,400 --> 00:18:41,960 Speaker 2: little glass. 412 00:18:44,720 --> 00:18:56,399 Speaker 5: Should be our first segment, I think, so, Jubuk. 413 00:18:56,440 --> 00:18:59,359 Speaker 2: Your first segment is called straight Shooters Guns. 414 00:18:59,480 --> 00:19:01,960 Speaker 1: Yeah, this simultaneous. 415 00:19:02,160 --> 00:19:04,399 Speaker 2: I was like a little nervous. Our first segment was 416 00:19:04,440 --> 00:19:06,800 Speaker 2: called straight Shooters. And in this segment, we test your 417 00:19:06,800 --> 00:19:09,359 Speaker 2: familiarity with and complicity in straight culture by asking you 418 00:19:09,440 --> 00:19:12,040 Speaker 2: a series of rapid fire questions where you have to 419 00:19:12,119 --> 00:19:14,080 Speaker 2: choose this thing or this other thing. And the one 420 00:19:14,119 --> 00:19:16,679 Speaker 2: rule is you can't ask any questions about how the 421 00:19:16,680 --> 00:19:20,400 Speaker 2: game works. And it has despite fact that it seems 422 00:19:20,440 --> 00:19:25,359 Speaker 2: like we didn't explain it in full. All right, Sam, 423 00:19:25,440 --> 00:19:26,000 Speaker 2: take it away? 424 00:19:26,520 --> 00:19:32,119 Speaker 1: Okay, duoki, Yes, among us, last of us or all 425 00:19:32,160 --> 00:19:34,320 Speaker 1: of us strangers, all of us strangers. 426 00:19:34,680 --> 00:19:38,800 Speaker 2: Being nominated for an oscar or being dominated by an impostor. 427 00:19:38,480 --> 00:19:42,760 Speaker 1: Being dominated by an Okay, Two Birds with one Stone 428 00:19:43,000 --> 00:19:44,280 Speaker 1: or et phone home. 429 00:19:44,880 --> 00:19:48,159 Speaker 2: Two Birds, one Stone, A delicious meal prepared by your wife, 430 00:19:48,320 --> 00:19:50,640 Speaker 2: or the pernicious appeal of comedian Matt Rice. 431 00:19:51,720 --> 00:19:56,320 Speaker 1: Meal prepared, becoming a sneaker head or copulating in a 432 00:19:56,320 --> 00:19:58,840 Speaker 1: marital bed, copulating in a marit. 433 00:20:00,000 --> 00:20:02,760 Speaker 2: Being acquired by a private equity firm, or being admired 434 00:20:02,800 --> 00:20:04,400 Speaker 2: for the integrity of your sperm. 435 00:20:04,440 --> 00:20:05,879 Speaker 3: Being admired. 436 00:20:07,240 --> 00:20:10,160 Speaker 1: Jar jar binks or bab bab black sheep, Oh bab 437 00:20:10,160 --> 00:20:10,760 Speaker 1: bab black. 438 00:20:10,560 --> 00:20:13,919 Speaker 2: Sheep, chicken milanese, or cheating on your essay, cheating on 439 00:20:13,920 --> 00:20:17,960 Speaker 2: my essay, wow wow. You know recently we have we 440 00:20:18,080 --> 00:20:20,000 Speaker 2: rank every guest on a scale of zero to one 441 00:20:20,040 --> 00:20:22,920 Speaker 2: thousand doves, and we had a sort of mini period. 442 00:20:23,000 --> 00:20:25,520 Speaker 2: We were being overly generous with our guest. Period was 443 00:20:25,560 --> 00:20:28,160 Speaker 2: this week, period was this week one thousand, one thousand, 444 00:20:28,200 --> 00:20:31,600 Speaker 2: one thousand. Then we gave one person eight fifty fifty 445 00:20:31,600 --> 00:20:35,840 Speaker 2: two fifty two? How do you feel like, Jabuki? 446 00:20:35,840 --> 00:20:39,040 Speaker 1: Did you know? I'm trying to gauge. So what's interesting 447 00:20:39,080 --> 00:20:41,160 Speaker 1: about this game is now it's becoming a mirror on us, 448 00:20:41,200 --> 00:20:44,320 Speaker 1: and we're feeling about judging people because you know, we 449 00:20:44,320 --> 00:20:47,160 Speaker 1: were being so so generous and then we overcorrected and 450 00:20:47,160 --> 00:20:49,720 Speaker 1: we were being so so critical and I'm sort of like, 451 00:20:49,760 --> 00:20:53,600 Speaker 1: where are we at? I know, And so with that 452 00:20:53,640 --> 00:20:57,280 Speaker 1: being said, I think nine hundred and twenty three doves. 453 00:20:57,320 --> 00:20:59,280 Speaker 2: I think that is exactly your score. 454 00:20:59,200 --> 00:21:02,040 Speaker 1: Okay, because you know, I felt like you listened in 455 00:21:02,080 --> 00:21:04,919 Speaker 1: a way that was really important. Okay, but there was 456 00:21:04,960 --> 00:21:08,720 Speaker 1: some hesitation still, and I could feel you sort of 457 00:21:09,000 --> 00:21:09,720 Speaker 1: working through that. 458 00:21:10,000 --> 00:21:11,320 Speaker 2: Right. You know, there's a part of me and this 459 00:21:11,400 --> 00:21:12,840 Speaker 2: is so not your fault. There's a part of me 460 00:21:12,880 --> 00:21:14,960 Speaker 2: that's like we've had so many guests in a row 461 00:21:15,040 --> 00:21:18,520 Speaker 2: now not fight with us about the question thing. Usually 462 00:21:18,600 --> 00:21:20,400 Speaker 2: people are trying so hard to ask a question because 463 00:21:20,400 --> 00:21:23,199 Speaker 2: the game makes no sense. We yell at them. You know, 464 00:21:23,320 --> 00:21:25,600 Speaker 2: we get mad. That's part of the joke. You know, 465 00:21:25,640 --> 00:21:27,760 Speaker 2: it becomes sort of an iconic improv. 466 00:21:27,480 --> 00:21:31,720 Speaker 1: Scene fighting fighting. A good improv scene is fighting. 467 00:21:31,800 --> 00:21:34,520 Speaker 2: Yeah, and I'm like, I'm ready for someone to come in, 468 00:21:34,560 --> 00:21:37,160 Speaker 2: guns of blazing and really like put us in our place, 469 00:21:37,480 --> 00:21:41,120 Speaker 2: sort of Robbie Hoffman's style. Yeah, but we keep booking 470 00:21:41,400 --> 00:21:44,679 Speaker 2: real pros that knows exactly what they're doing. Not that 471 00:21:44,760 --> 00:21:47,040 Speaker 2: Robbie Hoffman is not a real In fact, she's probably 472 00:21:47,080 --> 00:21:50,520 Speaker 2: the only pro in this town. Say that, say that, 473 00:21:51,040 --> 00:21:55,000 Speaker 2: wake that up. Yeah, what I will say is that 474 00:21:55,080 --> 00:21:55,640 Speaker 2: I thought that. 475 00:21:55,680 --> 00:21:57,960 Speaker 3: All of them were going to be among Us themed. 476 00:21:58,480 --> 00:22:00,959 Speaker 3: Maybe they were, and I just wasn't enough to catch it. 477 00:22:01,119 --> 00:22:05,440 Speaker 3: But the first you were like very among us themed? 478 00:22:05,800 --> 00:22:08,280 Speaker 2: Wait what was so I don't know anything about among us? 479 00:22:08,520 --> 00:22:10,360 Speaker 2: I know yours was among. 480 00:22:10,160 --> 00:22:12,439 Speaker 1: Us among us of us? 481 00:22:12,560 --> 00:22:15,520 Speaker 2: Yeah, and then what else was among this theme? 482 00:22:15,600 --> 00:22:16,080 Speaker 1: Did you say? 483 00:22:16,520 --> 00:22:19,240 Speaker 2: Was your impostor oh impost that came up? Yeah? 484 00:22:19,320 --> 00:22:24,560 Speaker 3: Being super heterosexual for even recognized, I'm actually very surprised. 485 00:22:24,680 --> 00:22:26,640 Speaker 2: Okay, what is among going to go down? 486 00:22:28,480 --> 00:22:30,840 Speaker 1: Yeah? I mean it was totally eight seventy four. 487 00:22:31,840 --> 00:22:36,920 Speaker 2: Yeah, oh my god, it's going what is the deal 488 00:22:36,960 --> 00:22:39,840 Speaker 2: with among Us. It's a game, okay, and what's it about? 489 00:22:39,840 --> 00:22:41,720 Speaker 3: And it was like really big during the pandemic, it 490 00:22:41,760 --> 00:22:46,879 Speaker 3: got like memed past its original popularity, and that's I 491 00:22:46,920 --> 00:22:50,159 Speaker 3: feel like it overshadowed any impact that the game had to. 492 00:22:50,359 --> 00:22:53,720 Speaker 2: Yeah, okay, this is all right. This is something I've 493 00:22:53,720 --> 00:22:58,480 Speaker 2: been saying on stage, So apologies for sort of repeating myself. 494 00:22:59,160 --> 00:23:01,560 Speaker 2: I think the fact that I know nothing about among 495 00:23:01,600 --> 00:23:03,439 Speaker 2: Us has like reminded me of this. I think the 496 00:23:03,520 --> 00:23:06,879 Speaker 2: lack of monoculture. The only solution to it is that 497 00:23:06,920 --> 00:23:09,080 Speaker 2: there needs to be a government mandated book club that 498 00:23:09,160 --> 00:23:11,879 Speaker 2: everyone has to participate in and if you don't, you 499 00:23:11,880 --> 00:23:15,600 Speaker 2: get the death penalty, so that everyone gets on the 500 00:23:15,640 --> 00:23:17,760 Speaker 2: same page. And it has to be a neutral book, 501 00:23:18,200 --> 00:23:21,040 Speaker 2: like not you know not you know Howard's In, Like, 502 00:23:21,080 --> 00:23:24,399 Speaker 2: it has to be a neutral, politically neutral book, Barbara 503 00:23:24,440 --> 00:23:27,480 Speaker 2: Streisand's memoir, like just a neutral. Everyone has to read 504 00:23:27,480 --> 00:23:29,680 Speaker 2: it just for one year, just to get everyone back 505 00:23:29,680 --> 00:23:31,760 Speaker 2: on the same page, and then we can rebuild from there. 506 00:23:32,480 --> 00:23:35,960 Speaker 1: I think that's a nice goal, but I think obviously 507 00:23:36,000 --> 00:23:40,280 Speaker 1: the issue is choosing the book. Choosing the book because. 508 00:23:39,960 --> 00:23:42,720 Speaker 2: And enforcing the I mean, you know that part's easy. 509 00:23:42,800 --> 00:23:45,560 Speaker 2: Oh yeah, I mean imagine if suddenly everyone's being killed 510 00:23:45,760 --> 00:23:46,280 Speaker 2: on the street. 511 00:23:46,520 --> 00:23:48,119 Speaker 1: I mean I would I would sit my ass down 512 00:23:48,160 --> 00:23:49,480 Speaker 1: in a coffee shop and I'd read the book. 513 00:23:49,600 --> 00:23:54,760 Speaker 2: Yeah, that's true. So anyway, I'm taking ideas for what 514 00:23:54,920 --> 00:23:55,359 Speaker 2: for what. 515 00:23:55,320 --> 00:23:57,560 Speaker 1: This Well, like, I would also fear that the Barbara 516 00:23:57,560 --> 00:23:59,480 Speaker 1: Streison book. You know, there's a chapter that's like, we 517 00:23:59,520 --> 00:24:01,000 Speaker 1: got to get this sky all the White House. 518 00:24:01,040 --> 00:24:06,040 Speaker 2: Well, I think the Barber Streisand book would almost unite 519 00:24:06,080 --> 00:24:08,880 Speaker 2: the country because for conservatives they would at least learn 520 00:24:08,920 --> 00:24:12,720 Speaker 2: about Barbara Streisand, and for liberals, you know, she's so 521 00:24:12,800 --> 00:24:15,760 Speaker 2: annoying that they would sort of be like, all right, 522 00:24:15,840 --> 00:24:17,640 Speaker 2: well maybe it's time to give someone else the mic, 523 00:24:20,520 --> 00:24:22,800 Speaker 2: or they'd be like, is this what I'm like? Exactly. No, 524 00:24:22,920 --> 00:24:25,879 Speaker 2: that's very true because it's really like a mirror. You're like, 525 00:24:26,160 --> 00:24:29,239 Speaker 2: oh god, she like doesn't have any self awareness, and 526 00:24:29,280 --> 00:24:32,000 Speaker 2: she keeps talking in this like mid Atlantic accent. 527 00:24:33,480 --> 00:24:36,760 Speaker 6: Right because it's the audiobook, Well yeah, you actually no, no, no, no, no, 528 00:24:36,920 --> 00:24:39,040 Speaker 6: I mean, approximately, I think eighty eight percent of the 529 00:24:39,040 --> 00:24:42,280 Speaker 6: country can't read, so we're not gonna we don't have 530 00:24:42,320 --> 00:24:44,920 Speaker 6: to have to first fix public school education and then 531 00:24:44,960 --> 00:24:45,880 Speaker 6: get a book club going. 532 00:24:46,240 --> 00:24:47,359 Speaker 1: We have to start where we're at. 533 00:24:47,400 --> 00:24:49,680 Speaker 2: I mean maybe we could even start with a streaming show. 534 00:24:49,800 --> 00:24:50,960 Speaker 2: Maybe that can be like away. 535 00:24:51,080 --> 00:24:53,960 Speaker 1: Oh that's nice. That's very egalitarian. 536 00:24:54,119 --> 00:24:56,879 Speaker 2: Yeah, like I'm like, okay, what could it be? 537 00:24:58,400 --> 00:25:01,639 Speaker 1: Yeah, yeah, I mean I do think. I mean the 538 00:25:01,640 --> 00:25:03,520 Speaker 1: pandemic if anything did bring that. 539 00:25:03,560 --> 00:25:07,000 Speaker 2: Culture there was monoculture for like, yeah, the first monoculture 540 00:25:07,200 --> 00:25:10,240 Speaker 2: was banging pots and pans, sour dough, sour dough. 541 00:25:10,520 --> 00:25:13,639 Speaker 1: I mean it was real. That was we want that 542 00:25:13,720 --> 00:25:14,119 Speaker 1: in theory. 543 00:25:14,160 --> 00:25:21,359 Speaker 2: That's that's true. Okay, So another pandemic, maybe food born 544 00:25:21,440 --> 00:25:22,760 Speaker 2: this time born? 545 00:25:23,040 --> 00:25:24,679 Speaker 1: Well, yeah, because I still want to be able to 546 00:25:24,680 --> 00:25:28,400 Speaker 1: go out right, Yeah that was Yeah, that sucks. That sucks. 547 00:25:28,640 --> 00:25:31,080 Speaker 2: A nice convergence, like ozempic is blowing up and it's like, 548 00:25:31,280 --> 00:25:32,240 Speaker 2: don't need it'll kill you. 549 00:25:32,400 --> 00:25:35,479 Speaker 3: Yeah, that'll that'll I feel like, check a lot of boxes. 550 00:25:36,480 --> 00:25:38,880 Speaker 2: Maybe a disease or ozempic is the well, I guess 551 00:25:38,880 --> 00:25:39,679 Speaker 2: it already exists. 552 00:25:45,600 --> 00:25:48,480 Speaker 1: Maybe it's like sunlight's bad for you. Now you can 553 00:25:48,520 --> 00:25:49,440 Speaker 1: only go out at night. 554 00:25:49,720 --> 00:25:53,760 Speaker 3: Oh that actually would that really cool? That could kind 555 00:25:53,760 --> 00:25:56,640 Speaker 3: of work, yeah, talk about yeah, and then everyone could 556 00:25:56,640 --> 00:26:01,800 Speaker 3: read like the weird like sci fi y a normal period. Okay, 557 00:26:01,840 --> 00:26:02,600 Speaker 3: like that's pretty good. 558 00:26:02,680 --> 00:26:04,760 Speaker 1: I mean lighting design would go through the roof. 559 00:26:06,640 --> 00:26:07,440 Speaker 2: That would be great. 560 00:26:08,119 --> 00:26:09,960 Speaker 3: Charlie xx would do another boiler room set. 561 00:26:10,080 --> 00:26:12,520 Speaker 1: Oh my god, didn't I The monoculture would literally be 562 00:26:12,600 --> 00:26:13,800 Speaker 1: Charlie xx boiler. 563 00:26:16,400 --> 00:26:20,600 Speaker 2: That's I love. H You should write a dystopian novel 564 00:26:21,080 --> 00:26:24,840 Speaker 2: where the dystopia is that. Suddenly, gay guy culture is monoculture. 565 00:26:25,840 --> 00:26:28,359 Speaker 2: So there are just like suburban moms that are like 566 00:26:28,920 --> 00:26:32,840 Speaker 2: talking about poppers. Oh, I guess that already exists. Yes, 567 00:26:33,000 --> 00:26:37,400 Speaker 2: actually we're almost at that point. Yeah, I've long said that. 568 00:26:37,640 --> 00:26:41,080 Speaker 2: I think we will only find our way when we 569 00:26:41,200 --> 00:26:43,639 Speaker 2: sort of move from a gay guy sensibility to a 570 00:26:43,720 --> 00:26:46,679 Speaker 2: lesbian sensibility. And I could almost feel that happening last year. 571 00:26:46,960 --> 00:26:48,160 Speaker 1: Yeah, I felt like, what's happening? 572 00:26:48,320 --> 00:26:51,920 Speaker 2: I think actually the rise of Barry Kyogan's Crazy Ass 573 00:26:51,960 --> 00:26:54,960 Speaker 2: marks a switch between gay guy and lesbian because they 574 00:26:54,960 --> 00:26:56,520 Speaker 2: are a dressing him like a lesbian and not a 575 00:26:56,560 --> 00:27:00,000 Speaker 2: gay guy like Simmy Shalame. They were trying Harry styles 576 00:27:00,040 --> 00:27:01,359 Speaker 2: to me the child. They were trying to make them 577 00:27:01,359 --> 00:27:05,240 Speaker 2: gay guys. Very Killgan. They said, that's a lesbian. The 578 00:27:05,280 --> 00:27:06,240 Speaker 2: bathtub pick you know. 579 00:27:06,280 --> 00:27:11,720 Speaker 3: That's yeah, yeah, it was kind of given, like Jamie Lee. 580 00:27:12,600 --> 00:27:14,600 Speaker 1: I mean they were kind of trying to dress Timothy 581 00:27:14,640 --> 00:27:15,159 Speaker 1: like a lesbian. 582 00:27:15,280 --> 00:27:17,160 Speaker 2: That's true with the weird suits. 583 00:27:17,359 --> 00:27:20,119 Speaker 1: Yeah, I mean he could go either way, I guess. 584 00:27:20,200 --> 00:27:22,440 Speaker 2: Yeah. Okay, Okay, that's interesting. 585 00:27:23,160 --> 00:27:23,840 Speaker 1: We'll think on it. 586 00:27:23,920 --> 00:27:24,480 Speaker 2: We'll think on it. 587 00:27:24,520 --> 00:27:26,879 Speaker 1: I mean it's all about what's Jacob a lord? Are 588 00:27:26,880 --> 00:27:27,960 Speaker 1: you gonna do? You know? 589 00:27:28,440 --> 00:27:29,760 Speaker 2: How long do you think that will last? 590 00:27:29,960 --> 00:27:30,320 Speaker 1: Forever? 591 00:27:30,480 --> 00:27:35,360 Speaker 2: Okay? He is tall. He is tall. 592 00:27:35,440 --> 00:27:37,000 Speaker 3: That's always kind of like Evergreen. 593 00:27:37,640 --> 00:27:40,040 Speaker 1: He's tall, and he takes himself really seriously, and I 594 00:27:40,080 --> 00:27:42,119 Speaker 1: think when you have those two elements, you're in it 595 00:27:42,119 --> 00:27:42,639 Speaker 1: for the long haul. 596 00:27:42,760 --> 00:27:45,040 Speaker 2: He takes himself really seriously, but also holds a little purse. 597 00:27:45,720 --> 00:27:47,920 Speaker 1: That's because he's listening to trends. 598 00:27:48,400 --> 00:27:50,440 Speaker 3: He's also huge, like every purse is little to him. 599 00:27:50,680 --> 00:27:54,199 Speaker 2: That's yeah. Maybe those are like full size burkins, but 600 00:27:54,359 --> 00:27:55,960 Speaker 2: because they do. 601 00:27:56,560 --> 00:27:59,399 Speaker 3: We need a scale, like yeah, I mean if I 602 00:27:59,440 --> 00:28:01,160 Speaker 3: hold up a A all times, yeah. 603 00:28:01,000 --> 00:28:03,600 Speaker 2: Like we just know what's going on people, don't, you know, 604 00:28:03,680 --> 00:28:05,800 Speaker 2: people not in our industry, not to keep in our 605 00:28:05,800 --> 00:28:08,119 Speaker 2: industry yet realize how difficult. And I'm not even kidding 606 00:28:08,160 --> 00:28:10,040 Speaker 2: it is to be a tall leading man. 607 00:28:10,240 --> 00:28:11,639 Speaker 3: That's so true, and it is that. 608 00:28:12,119 --> 00:28:13,280 Speaker 2: Are you confused? 609 00:28:13,320 --> 00:28:14,080 Speaker 1: Wait? Just keep going. 610 00:28:14,160 --> 00:28:17,080 Speaker 2: Maybe it's just it is just simply true. Like all, 611 00:28:18,000 --> 00:28:20,480 Speaker 2: it's difficult just to be on camera as a very 612 00:28:20,520 --> 00:28:25,000 Speaker 2: tall person. That's why sort of famously all heart throbs 613 00:28:25,040 --> 00:28:27,880 Speaker 2: and like leading men are secretly like five to two. 614 00:28:29,000 --> 00:28:30,520 Speaker 1: I actually did not know this to be fact. 615 00:28:30,560 --> 00:28:32,879 Speaker 2: You know, like Tom Cruise, like everyone is just shorter 616 00:28:32,960 --> 00:28:33,680 Speaker 2: than you think they are. 617 00:28:33,760 --> 00:28:37,040 Speaker 3: Yeah, wow, everyone is everyone, especially because the women are 618 00:28:37,080 --> 00:28:39,160 Speaker 3: like four feet yes exactly. 619 00:28:40,000 --> 00:28:41,840 Speaker 2: That was the number one thing that shocked me. 620 00:28:42,000 --> 00:28:44,560 Speaker 3: Like women are for feel tall starlets. 621 00:28:44,720 --> 00:28:46,480 Speaker 2: Yeah, like the tallest one. 622 00:28:46,600 --> 00:28:52,400 Speaker 1: Yeah, five two. Well, I always thought it was like 623 00:28:52,480 --> 00:28:54,560 Speaker 1: the story of like a Tom Cruise type was like 624 00:28:54,600 --> 00:28:56,640 Speaker 1: and he did it all despite being four ten. 625 00:28:56,760 --> 00:28:58,240 Speaker 2: No, I'm telling you they're all four. 626 00:28:58,800 --> 00:29:02,680 Speaker 1: It's because it's because I had no idea how. 627 00:29:02,600 --> 00:29:06,760 Speaker 2: I actually know of people. In fact, we all do that. 628 00:29:07,360 --> 00:29:10,800 Speaker 2: I feel like their career has been hurt by their height. Really, 629 00:29:12,080 --> 00:29:15,880 Speaker 2: who say, I'll tell you. 630 00:29:18,080 --> 00:29:23,760 Speaker 1: Wow, because I I know successful talls name one am 631 00:29:23,760 --> 00:29:24,240 Speaker 1: I allowed? 632 00:29:24,800 --> 00:29:28,800 Speaker 2: Well, they're successful? You're not draggon Joe Stranger thing? 633 00:29:28,920 --> 00:29:37,080 Speaker 3: Oh okay, yeah, John Reynolds, John John Reynolds. 634 00:29:37,280 --> 00:29:40,400 Speaker 2: But he's not as tall as Jacob Elordi. Jacobulordi is 635 00:29:40,400 --> 00:29:44,160 Speaker 2: like six six six ' five. He actually could be 636 00:29:44,200 --> 00:29:45,760 Speaker 2: in the NBA if you wanted to. That's like a 637 00:29:45,880 --> 00:29:49,280 Speaker 2: tall man's tall. He's a tall person's tall person. Yeah. 638 00:29:49,400 --> 00:29:53,720 Speaker 1: Yeah, damn well, congrats to him. Despite all the odds, 639 00:29:53,760 --> 00:29:55,680 Speaker 1: he managed to succeed. 640 00:29:56,000 --> 00:29:59,480 Speaker 2: So we'll see. Should we get into our topic, Okay, 641 00:29:59,520 --> 00:30:02,840 Speaker 2: let's do it, JIBBOOKI, what is the straight topic that 642 00:30:02,880 --> 00:30:05,640 Speaker 2: you've brought to us today and what is straight about it? 643 00:30:05,720 --> 00:30:09,920 Speaker 3: To talk about contact sports? Wow, specifically contact sports, and 644 00:30:09,960 --> 00:30:12,880 Speaker 3: I want to create a binary between sports that have 645 00:30:13,080 --> 00:30:15,280 Speaker 3: contact and sports that don't have contact. 646 00:30:15,320 --> 00:30:17,760 Speaker 2: You were saying before skin to skin sports, skin to 647 00:30:17,840 --> 00:30:19,440 Speaker 2: skin sports, yes, raw. 648 00:30:19,320 --> 00:30:24,160 Speaker 1: Sports, raw raw, yeah, uncut. I think sports that I 649 00:30:24,160 --> 00:30:26,479 Speaker 1: think this is a really good topic because we've covered 650 00:30:26,520 --> 00:30:30,160 Speaker 1: specific sports before, but it's more we've covered like football 651 00:30:30,200 --> 00:30:34,440 Speaker 1: and hockey and like the cultures around them. But contact 652 00:30:34,480 --> 00:30:38,600 Speaker 1: sports as an entire genre is so specific in its 653 00:30:38,640 --> 00:30:42,680 Speaker 1: broadness because I specifically remember like being like what sports 654 00:30:42,760 --> 00:30:44,640 Speaker 1: should I do in high school? And being like, well, 655 00:30:44,680 --> 00:30:46,320 Speaker 1: I can't do the contact sports? 656 00:30:46,480 --> 00:30:51,840 Speaker 2: Yes, same, and so bad. Yeah, oh my god, so bad. 657 00:30:52,080 --> 00:30:54,160 Speaker 2: And that was you know, that wasn't a gay thing. 658 00:30:55,480 --> 00:30:58,120 Speaker 1: It wasn't mind fully was a gay I wanted to 659 00:30:58,120 --> 00:30:58,920 Speaker 1: wrestle so bad. 660 00:30:58,960 --> 00:31:01,400 Speaker 2: It was so crazy that he that, like people were 661 00:31:01,440 --> 00:31:03,600 Speaker 2: just going around in high school doing that. 662 00:31:04,480 --> 00:31:05,640 Speaker 1: It actually was crazy. 663 00:31:06,120 --> 00:31:07,200 Speaker 2: It was also. 664 00:31:07,040 --> 00:31:10,240 Speaker 3: Extreme, like the lifestyles that they live. Yeah, them being like, yeah, 665 00:31:10,240 --> 00:31:12,720 Speaker 3: I'm like wearing a garbage bag all week, Like, yeah, 666 00:31:12,760 --> 00:31:13,600 Speaker 3: it was crazy. 667 00:31:14,000 --> 00:31:18,480 Speaker 1: I'm spitting in the toilet all day. I hated that. 668 00:31:18,560 --> 00:31:20,440 Speaker 3: But it was very black Swan at the same time, 669 00:31:20,480 --> 00:31:24,800 Speaker 3: and ye, that's kind of what drew me to it. Also, Yeah, 670 00:31:24,800 --> 00:31:29,680 Speaker 3: it's like the psycho sexual like performance of it that 671 00:31:29,800 --> 00:31:31,360 Speaker 3: was very internal, you know. 672 00:31:31,840 --> 00:31:34,160 Speaker 2: Yeah, well there is something about wrestling that, even though 673 00:31:34,200 --> 00:31:37,440 Speaker 2: it is of course so violent, there's also something so 674 00:31:37,720 --> 00:31:41,080 Speaker 2: quiet about it. Like they really are sort of just 675 00:31:41,520 --> 00:31:43,760 Speaker 2: motionless a lot of the time because they're pulling or 676 00:31:43,880 --> 00:31:48,400 Speaker 2: slash pushing an equal with equal strength. Like it's not 677 00:31:48,520 --> 00:31:52,200 Speaker 2: like boxing or something where you're just like pounding each other. 678 00:31:53,080 --> 00:31:55,920 Speaker 1: Okay, I have to say, it's like, yeah, no, I'm 679 00:31:56,560 --> 00:32:00,000 Speaker 1: contact sports is the central issue. This is gonna sy 680 00:32:00,040 --> 00:32:01,880 Speaker 1: I'm literally homophobic. 681 00:32:04,760 --> 00:32:05,400 Speaker 2: Go go go. 682 00:32:05,760 --> 00:32:08,240 Speaker 1: This is a central issue. The gay guys are like, 683 00:32:08,520 --> 00:32:10,400 Speaker 1: well I don't want to be touching them because what 684 00:32:10,440 --> 00:32:13,600 Speaker 1: if like because touch means something different to me, right. 685 00:32:13,880 --> 00:32:15,320 Speaker 2: And to make them straight? 686 00:32:15,520 --> 00:32:19,160 Speaker 1: Yeah, that straight and touching because straight guys can do 687 00:32:19,200 --> 00:32:21,640 Speaker 1: it because they're like, of course I'll rub all of this. Guys, 688 00:32:21,760 --> 00:32:22,600 Speaker 1: I feel nothing. 689 00:32:22,680 --> 00:32:26,320 Speaker 2: Even like provocation. It's like, yeah, look at me jerking 690 00:32:26,400 --> 00:32:33,160 Speaker 2: him off, and one of us is going to win 691 00:32:33,200 --> 00:32:35,920 Speaker 2: a medal for being the least hard. 692 00:32:36,720 --> 00:32:38,920 Speaker 1: Being gay in contact sports is like being tall and 693 00:32:39,040 --> 00:32:39,880 Speaker 1: Hollywood acting. 694 00:32:40,120 --> 00:32:42,000 Speaker 2: That is a really good point because you. 695 00:32:42,000 --> 00:32:44,520 Speaker 1: Can do it. Yeah, but that odds are really sucked, 696 00:32:44,720 --> 00:32:45,240 Speaker 1: gods are. 697 00:32:45,160 --> 00:32:49,680 Speaker 2: Really sat you okay and okay? Yeah, And also being 698 00:32:49,680 --> 00:32:53,600 Speaker 2: tall in real life is a privilege. Yeah, and being 699 00:32:54,200 --> 00:32:56,760 Speaker 2: is this I'm saying, being gay in real life actually 700 00:32:57,000 --> 00:33:01,960 Speaker 2: is a real advantage to touching men. It's actually like 701 00:33:02,120 --> 00:33:03,760 Speaker 2: sort of the main thing that you have to be 702 00:33:03,840 --> 00:33:05,840 Speaker 2: in order to like go around touching men. That's true. 703 00:33:05,920 --> 00:33:07,400 Speaker 2: Whereas if you're straight and you want to go around 704 00:33:07,400 --> 00:33:09,640 Speaker 2: touching men, that's more difficult in real life. Well, you 705 00:33:09,760 --> 00:33:12,120 Speaker 2: have to play, you have to play. Like if you're 706 00:33:12,120 --> 00:33:15,160 Speaker 2: a straight man and you're like, god, I wish I 707 00:33:15,200 --> 00:33:17,880 Speaker 2: could touch men in a platonic way. You can only 708 00:33:17,880 --> 00:33:20,960 Speaker 2: do that in the ring. Yes, yes, I mean. 709 00:33:20,880 --> 00:33:22,040 Speaker 1: It's the only way to male bond. 710 00:33:22,160 --> 00:33:24,959 Speaker 2: Yeah, huh okay. 711 00:33:25,640 --> 00:33:27,480 Speaker 3: But then I think what's interesting is that you look 712 00:33:27,520 --> 00:33:31,320 Speaker 3: at the non contact sports, right like tennis, yes. 713 00:33:31,120 --> 00:33:36,680 Speaker 2: Volleyball, Why are those gay? Well? Because those are gay coded? 714 00:33:36,720 --> 00:33:37,200 Speaker 2: Are they not? 715 00:33:37,400 --> 00:33:45,480 Speaker 1: No, they they are? Why are they gay? Well? 716 00:33:45,520 --> 00:33:48,080 Speaker 2: I do think this is a sort of slight type 717 00:33:48,080 --> 00:33:50,240 Speaker 2: of conversation. In terms of tennis, in terms of swimming, 718 00:33:50,480 --> 00:33:53,360 Speaker 2: I think the less team based the sport is, the 719 00:33:53,440 --> 00:33:56,880 Speaker 2: more gay it is because it's like individualistic who it's 720 00:33:56,960 --> 00:33:59,760 Speaker 2: like someone. Basically, it's sort of the sport equivalent of 721 00:33:59,760 --> 00:34:05,080 Speaker 2: post mirror self is playing tennis or or swimming on 722 00:34:05,120 --> 00:34:05,400 Speaker 2: a team. 723 00:34:05,440 --> 00:34:09,160 Speaker 1: You know what I mean, there's okay, maybe this is fake. 724 00:34:09,640 --> 00:34:14,239 Speaker 1: There's also something about it where there's more like form involved. 725 00:34:14,600 --> 00:34:16,880 Speaker 1: Like football, you can kind of be a body and 726 00:34:16,920 --> 00:34:19,520 Speaker 1: you can just sort of like run forward a body. 727 00:34:22,840 --> 00:34:27,439 Speaker 2: Yes, that's still it. Yeah, that's still I'm not gonna 728 00:34:27,440 --> 00:34:27,839 Speaker 2: say it doesn't. 729 00:34:28,160 --> 00:34:30,880 Speaker 3: And that is what Grimes is talking about. 730 00:34:30,920 --> 00:34:34,200 Speaker 1: She's always loved football, and she was talking about football, 731 00:34:34,680 --> 00:34:37,919 Speaker 1: and I actually feel like with like, yeah, I'm thinking 732 00:34:37,960 --> 00:34:39,959 Speaker 1: of like swimming and stuff you have to like care 733 00:34:40,040 --> 00:34:40,959 Speaker 1: more about. 734 00:34:41,320 --> 00:34:44,080 Speaker 2: Well, there are more dance based either, more dab. That's 735 00:34:44,080 --> 00:34:47,480 Speaker 2: what it is, is that it's a spectrum from It's 736 00:34:47,719 --> 00:34:50,760 Speaker 2: like the two poles are individual versus team, dance based 737 00:34:50,880 --> 00:34:55,120 Speaker 2: versus war based. Yeah, those are the x act Wait. 738 00:34:55,000 --> 00:34:59,000 Speaker 1: That's that actually really is basketball feels dance based? 739 00:34:59,160 --> 00:35:01,800 Speaker 2: I think basketball is actually the exact center. 740 00:35:02,320 --> 00:35:02,640 Speaker 4: Wow. 741 00:35:02,880 --> 00:35:05,000 Speaker 2: I sort of think basketball is a sport that to 742 00:35:05,080 --> 00:35:08,520 Speaker 2: me is like right in the middle of the Kinsey scale. 743 00:35:08,640 --> 00:35:10,439 Speaker 2: I actually think as a gay person, I don't feel 744 00:35:10,440 --> 00:35:12,560 Speaker 2: alienated by basketball. I can go to a basketball I think, 745 00:35:13,440 --> 00:35:15,640 Speaker 2: I think, And I also think as a straight person, 746 00:35:16,400 --> 00:35:19,200 Speaker 2: you don't feel gay for like like it is clearly true, 747 00:35:19,239 --> 00:35:21,040 Speaker 2: you know, acceptable to like it as a strapers and 748 00:35:21,040 --> 00:35:23,080 Speaker 2: acceptable like as a gay person. I can't think of 749 00:35:23,120 --> 00:35:23,920 Speaker 2: another sport like that. 750 00:35:24,080 --> 00:35:27,319 Speaker 3: It's also like the body on display in basketball too, 751 00:35:27,360 --> 00:35:29,600 Speaker 3: Like you can fully see their face, you can fully 752 00:35:29,680 --> 00:35:33,759 Speaker 3: see their arms, Like there's enough like scantily. 753 00:35:33,239 --> 00:35:36,520 Speaker 2: Clads in it. Well, it's like. 754 00:35:36,960 --> 00:35:39,719 Speaker 3: Yeah, which is like mask but also very gay, exactly the. 755 00:35:39,840 --> 00:35:42,680 Speaker 2: Same with like old in the olden days short shorts 756 00:35:43,280 --> 00:35:48,160 Speaker 2: but also gay. Yeah, I feel like basketball stars when 757 00:35:48,160 --> 00:35:52,160 Speaker 2: they cross over like a Michael Jordan type. There's something 758 00:35:52,200 --> 00:35:55,440 Speaker 2: where they're not Democratic Republic and they're just like a 759 00:35:55,480 --> 00:35:58,040 Speaker 2: symbol of perseverance in American culture. 760 00:35:58,440 --> 00:36:00,120 Speaker 1: They're sort of the good that you were talking talk 761 00:36:00,120 --> 00:36:00,959 Speaker 1: he came out up top. 762 00:36:01,080 --> 00:36:07,680 Speaker 2: Yes, exactly. They're the opposite of putin. Yes, Michael Jordan is. 763 00:36:07,800 --> 00:36:08,680 Speaker 1: Yeah, or like. 764 00:36:08,680 --> 00:36:10,960 Speaker 2: Blake Griffin being on Broad City, like he could not 765 00:36:11,000 --> 00:36:13,040 Speaker 2: have done that if he was a football player. Yeah, no, 766 00:36:13,080 --> 00:36:13,960 Speaker 2: one right in with no. 767 00:36:14,160 --> 00:36:16,120 Speaker 1: Actually, and they're trying to do it like Travis Kelce 768 00:36:16,560 --> 00:36:19,439 Speaker 1: not gonna work. I always still feel like, but what's 769 00:36:19,480 --> 00:36:21,560 Speaker 1: the deep dark like underbelly of this guy. 770 00:36:21,680 --> 00:36:24,080 Speaker 2: Yeah, no, you can't be a football player and be 771 00:36:24,960 --> 00:36:29,600 Speaker 2: non partisan. Travis is the one dating Taylor, Yeah I 772 00:36:29,600 --> 00:36:29,920 Speaker 2: think so. 773 00:36:30,120 --> 00:36:33,800 Speaker 3: Okay, Yeah, you know they dug up his old tweets 774 00:36:33,800 --> 00:36:35,480 Speaker 3: and they were perfectly squeaky. 775 00:36:35,600 --> 00:36:40,360 Speaker 2: No, he is sort of like a classic like like 776 00:36:40,520 --> 00:36:43,560 Speaker 2: liberal white dude, like sort of like posting the right 777 00:36:43,600 --> 00:36:44,720 Speaker 2: things online and everything. 778 00:36:46,960 --> 00:36:48,480 Speaker 3: Like in twenty and ten he was like I love 779 00:36:48,600 --> 00:36:55,440 Speaker 3: justin Timberland exactly exactly. Yeah, like there was nothing really crazy. Yeah, okay, 780 00:36:56,000 --> 00:37:00,400 Speaker 3: I like the dance versus war Actually, yes, because wrestling 781 00:37:00,480 --> 00:37:03,840 Speaker 3: is really interesting because I feel like it's. 782 00:37:03,800 --> 00:37:05,960 Speaker 2: I almost so many quadrants totally. 783 00:37:06,120 --> 00:37:08,040 Speaker 1: I would have to put it more in war. 784 00:37:07,880 --> 00:37:11,280 Speaker 2: In warror things. But it's so dance. It's so dance. 785 00:37:11,400 --> 00:37:18,839 Speaker 2: It's Boutraville because with what Bauville is a clar dni 786 00:37:18,960 --> 00:37:23,960 Speaker 2: movie about someone doing military exercises that are very dance 787 00:37:24,040 --> 00:37:27,680 Speaker 2: based and we're choreographed. That's funny because in my head 788 00:37:27,680 --> 00:37:31,680 Speaker 2: I was like, bautravail. I never said it out loud before, 789 00:37:32,360 --> 00:37:34,200 Speaker 2: but no, that's yeah, that's wrestling. 790 00:37:34,480 --> 00:37:36,880 Speaker 1: Yeah that is I mean boxing is much more dance. 791 00:37:38,080 --> 00:37:41,440 Speaker 2: Oh, I think boxing is more war. There's so much. 792 00:37:41,440 --> 00:37:44,280 Speaker 2: It's so much more violent, Like there's like blood, but you're. 793 00:37:44,160 --> 00:37:48,120 Speaker 1: Literally doing like footwork, You're like on your toes and sort. 794 00:37:47,960 --> 00:37:50,799 Speaker 2: Of yeah, but with wrestling you're doing literally the hung 795 00:37:50,880 --> 00:37:51,360 Speaker 2: up video. 796 00:37:51,440 --> 00:37:53,880 Speaker 1: Okay, I'm sorry. None of you saw the Billy Elliott 797 00:37:53,960 --> 00:37:57,560 Speaker 1: film right that was called Yeah, yeah. 798 00:37:57,040 --> 00:37:59,000 Speaker 2: I'm shocked that this is something that was important in 799 00:37:59,040 --> 00:38:01,720 Speaker 2: your childhood. But go on, well he is a boxer, 800 00:38:02,080 --> 00:38:06,080 Speaker 2: boxer and then ballet, oh, ballet, and well wouldn't that 801 00:38:06,120 --> 00:38:08,400 Speaker 2: sort of imply that those are opposites. He's being forced 802 00:38:08,400 --> 00:38:09,000 Speaker 2: into something. 803 00:38:09,040 --> 00:38:10,759 Speaker 1: Because the boxwork is. 804 00:38:11,520 --> 00:38:15,000 Speaker 2: Bal right right dance and I mean listen, you could 805 00:38:15,120 --> 00:38:19,840 Speaker 2: argue and potentially this is uh one of the problems 806 00:38:19,840 --> 00:38:24,160 Speaker 2: in our culture that war is actually very dance based. 807 00:38:24,360 --> 00:38:27,120 Speaker 1: Oh no, so the binary doesn't make sense, the axis 808 00:38:27,200 --> 00:38:27,920 Speaker 1: doesn't make sense. 809 00:38:28,040 --> 00:38:31,680 Speaker 2: Well, uh, or it's more like straight culture is better 810 00:38:31,680 --> 00:38:34,440 Speaker 2: than appropriating gay culture than gay cultures that are appropriating straight 811 00:38:34,440 --> 00:38:40,520 Speaker 2: culture because dance is not war based. Wow, And you 812 00:38:40,560 --> 00:38:41,959 Speaker 2: can sit with that for as long as. 813 00:38:45,160 --> 00:38:47,120 Speaker 3: That was high level queer theory, I really need to 814 00:38:47,160 --> 00:38:48,359 Speaker 3: like chew on that for a little. 815 00:38:48,440 --> 00:38:52,840 Speaker 1: Yeah, that's interesting. That's kind of like a very interesting thesis. 816 00:38:52,920 --> 00:38:53,240 Speaker 2: Okay. 817 00:38:53,520 --> 00:38:55,719 Speaker 3: The thing is that I have I've done like a 818 00:38:55,760 --> 00:38:59,239 Speaker 3: little MMA, I've done like a little moy Thai, a 819 00:38:59,239 --> 00:39:01,480 Speaker 3: little BJJ, and the thing is exciting. 820 00:39:01,719 --> 00:39:03,320 Speaker 1: Yeah, well don't. 821 00:39:04,880 --> 00:39:05,959 Speaker 2: That's a blow job job. 822 00:39:07,520 --> 00:39:11,040 Speaker 3: Yeah, so you're kind of like doing it. But it's 823 00:39:11,120 --> 00:39:15,200 Speaker 3: like you clock and clock out. It's not like a 824 00:39:15,239 --> 00:39:18,960 Speaker 3: passion project. Sure you have to do a W nine 825 00:39:19,000 --> 00:39:22,880 Speaker 3: and everything. Yeah, No, it's like up until you're actually 826 00:39:22,920 --> 00:39:25,279 Speaker 3: fighting for real, for real, you are just dancing and 827 00:39:25,360 --> 00:39:28,040 Speaker 3: it is just one choreo and like you go to 828 00:39:28,080 --> 00:39:31,239 Speaker 3: a place and they're like, do the four combo and 829 00:39:31,280 --> 00:39:34,480 Speaker 3: you're like doing specific us and everything, and it's like 830 00:39:36,000 --> 00:39:42,479 Speaker 3: it is extremely dance coded. It's training and enough. Yeah 831 00:39:43,360 --> 00:39:43,759 Speaker 3: the movie. 832 00:39:43,840 --> 00:39:46,960 Speaker 2: Enough, the movie enough, I've never seen it. Well you 833 00:39:47,120 --> 00:39:50,480 Speaker 2: better check it out. Okay, I'm sold. 834 00:39:51,320 --> 00:39:51,719 Speaker 1: That's it. 835 00:39:51,880 --> 00:39:54,520 Speaker 3: That's it. They need to start including that in trailers, 836 00:39:54,560 --> 00:39:56,000 Speaker 3: I think, specifically. 837 00:39:55,400 --> 00:39:59,440 Speaker 2: Forgetting which which hair styles? Yeah, do they have the movie? 838 00:40:00,120 --> 00:40:01,919 Speaker 1: I mean I actually think with AI like the way 839 00:40:01,920 --> 00:40:03,759 Speaker 1: that ads are already like, oh you're a gay guy. 840 00:40:03,840 --> 00:40:05,759 Speaker 1: Now every ad you see will have gay guys in it. 841 00:40:05,840 --> 00:40:06,280 Speaker 2: Yeah. 842 00:40:06,320 --> 00:40:08,719 Speaker 1: Now, it's like they should start doing that more. 843 00:40:08,840 --> 00:40:09,040 Speaker 2: Yeah. 844 00:40:09,120 --> 00:40:12,400 Speaker 3: Yeah, Like I need movies where Nicole Kidman is ginger. 845 00:40:12,840 --> 00:40:14,880 Speaker 3: I need I need the natural to naturally. 846 00:40:14,920 --> 00:40:16,800 Speaker 2: You know, it made such a big impact hair wise. 847 00:40:17,000 --> 00:40:19,120 Speaker 2: Is the movie Atomic Blonde, which I've never seen. I 848 00:40:19,120 --> 00:40:22,200 Speaker 2: don't think I will ever see, but I'm like, I'm 849 00:40:22,480 --> 00:40:24,440 Speaker 2: picturing it and it's exactly what it sounds like. 850 00:40:24,480 --> 00:40:25,000 Speaker 1: I love that movie. 851 00:40:25,000 --> 00:40:27,799 Speaker 2: He's an atomic blonde and she uses it and she 852 00:40:27,920 --> 00:40:28,719 Speaker 2: uses it for a spy. 853 00:40:29,680 --> 00:40:34,480 Speaker 1: I wanted to say, Okay, I wanted to address the 854 00:40:34,480 --> 00:40:37,799 Speaker 1: binary of like contact worts versus non contact warts, where 855 00:40:37,840 --> 00:40:39,960 Speaker 1: you take a contact sport and make it non contact 856 00:40:39,960 --> 00:40:44,759 Speaker 1: like flag football, hm, because I remember football never ever 857 00:40:44,800 --> 00:40:49,480 Speaker 1: spoke to me. I found it terrifying. No, mostly you 858 00:40:49,520 --> 00:40:51,000 Speaker 1: know what it was. Actually it seem like there was 859 00:40:51,000 --> 00:40:53,120 Speaker 1: like a high bar of entry with whereas where gear 860 00:40:53,200 --> 00:40:55,560 Speaker 1: is concerned, where I was like, I'm just gonna be 861 00:40:55,600 --> 00:40:57,160 Speaker 1: in the locker room. They're gonna hand me like a 862 00:40:57,160 --> 00:40:59,359 Speaker 1: bucket of stuff and be like, see on. 863 00:40:59,320 --> 00:41:02,920 Speaker 3: The field, did you ever play lacrosse? No, you strike 864 00:41:02,960 --> 00:41:06,640 Speaker 3: me as someone you are, so you are very lacrosse coated. 865 00:41:08,480 --> 00:41:12,160 Speaker 2: Like you with like floppy blonde hair, like doing that 866 00:41:12,520 --> 00:41:16,000 Speaker 2: like for everyone to see you just exactly, that's like 867 00:41:16,080 --> 00:41:20,040 Speaker 2: waiting to go somewhere. The lacrosse wrist actually just like 868 00:41:20,160 --> 00:41:22,600 Speaker 2: walking around doing the wrist thing with your lacrostic and 869 00:41:22,640 --> 00:41:25,600 Speaker 2: then it's like you're sort of practicing doing it while 870 00:41:25,600 --> 00:41:26,760 Speaker 2: you're walking around school. 871 00:41:27,239 --> 00:41:29,040 Speaker 3: It was always such a mystery. It's also a very 872 00:41:29,080 --> 00:41:29,960 Speaker 3: Midwestern thing. 873 00:41:30,080 --> 00:41:32,680 Speaker 1: Yeah, it's mid Western, and it's like sothern. 874 00:41:34,160 --> 00:41:35,920 Speaker 2: But it's also am I wrong to say that? It's 875 00:41:35,920 --> 00:41:38,719 Speaker 2: also sort of like northeast West CONNECTICU. Yeah, yeah, I 876 00:41:38,760 --> 00:41:40,000 Speaker 2: guess it's just white. 877 00:41:39,960 --> 00:41:43,920 Speaker 1: Yeah yeah East. Do they do it in California? 878 00:41:44,360 --> 00:41:48,879 Speaker 2: I mean, I'll I don't think they do. Okay, yeah, 879 00:41:49,080 --> 00:41:49,760 Speaker 2: don't write. 880 00:41:49,560 --> 00:41:51,920 Speaker 1: In I'm going to bring it to California. I'll be 881 00:41:51,920 --> 00:41:52,880 Speaker 1: the first person to do it. 882 00:41:52,920 --> 00:41:53,560 Speaker 2: There, you should. 883 00:41:54,239 --> 00:41:56,560 Speaker 1: I actually did. One time. I was at a meeting 884 00:41:57,239 --> 00:42:01,160 Speaker 1: that involved my agent was there, Okay, get ready, and 885 00:42:01,280 --> 00:42:03,759 Speaker 1: the person who was at the other person was like 886 00:42:03,880 --> 00:42:06,799 Speaker 1: really into lacrosse. An agent was like, well, Sam, you 887 00:42:06,840 --> 00:42:10,160 Speaker 1: grew up playing lacrosse, and I'd be like, no, I didn't, like. 888 00:42:10,160 --> 00:42:11,480 Speaker 2: I'm not alone, You're not alone in this. 889 00:42:11,600 --> 00:42:14,920 Speaker 1: Okay, I've never talked of I don't do. I've never 890 00:42:14,960 --> 00:42:16,680 Speaker 1: touched the lacrossetic in my life. 891 00:42:16,719 --> 00:42:17,799 Speaker 2: What sport did you play? 892 00:42:18,000 --> 00:42:21,640 Speaker 1: I was cross country, swimming, track, and some like some tennis. 893 00:42:21,760 --> 00:42:25,800 Speaker 2: I mean you're literally all of the gas into lacrosse 894 00:42:25,880 --> 00:42:26,160 Speaker 2: kind of. 895 00:42:26,760 --> 00:42:29,920 Speaker 3: But yeah, you were just like collecting all the gay 896 00:42:29,920 --> 00:42:31,560 Speaker 3: infinity stones of high school sports. 897 00:42:31,680 --> 00:42:33,960 Speaker 2: Yeah, I mean talking about non team based sports. I 898 00:42:34,040 --> 00:42:37,720 Speaker 2: mean I and dance based, non team based, anything. 899 00:42:37,360 --> 00:42:39,480 Speaker 1: That like required hitting at all. 900 00:42:39,719 --> 00:42:41,960 Speaker 2: I was like, I'm no, I know too, I could 901 00:42:42,000 --> 00:42:44,520 Speaker 2: barely play soccer. Yeah, come towards me. 902 00:42:44,520 --> 00:42:48,719 Speaker 1: And I'd say, because I was also like, I like 903 00:42:48,920 --> 00:42:51,080 Speaker 1: being athletic, I like working out. 904 00:42:51,080 --> 00:42:52,160 Speaker 2: And that's where you're losing me. 905 00:42:53,920 --> 00:42:56,040 Speaker 1: But I don't need it to be like aggressive in 906 00:42:56,080 --> 00:42:58,239 Speaker 1: this way. Sure, I preferred to be a little more 907 00:42:58,280 --> 00:43:02,279 Speaker 1: meditative and that still stands today. Okay, Yeah, I went to. 908 00:43:02,280 --> 00:43:05,960 Speaker 3: A football camp once, and you play football. No, I 909 00:43:06,040 --> 00:43:07,520 Speaker 3: just went to a camp. It was like, it was 910 00:43:07,560 --> 00:43:11,719 Speaker 3: like a one day thing. And I remember tackling being 911 00:43:11,760 --> 00:43:13,879 Speaker 3: like I love this. And then I got tackled once 912 00:43:13,920 --> 00:43:16,040 Speaker 3: and I was like, I'm never doing this again. I'm 913 00:43:16,120 --> 00:43:18,319 Speaker 3: never doing this again. Wow, I was over it. 914 00:43:19,880 --> 00:43:22,000 Speaker 2: So yeah, but it had nothing to do with late 915 00:43:22,080 --> 00:43:25,239 Speaker 2: and homosexuality. You just didn't like being hurt. No, I 916 00:43:25,280 --> 00:43:26,080 Speaker 2: didn't like being hurt. 917 00:43:26,200 --> 00:43:28,000 Speaker 1: No, but the pain is part of it, and I 918 00:43:28,040 --> 00:43:30,319 Speaker 1: want to That's the other thing is I actually feel like, 919 00:43:30,760 --> 00:43:33,160 Speaker 1: and maybe I'm wrong, I actually feel like this is 920 00:43:33,239 --> 00:43:35,960 Speaker 1: also sounds homphobic. I feel like straight guys are more 921 00:43:36,040 --> 00:43:38,799 Speaker 1: comfortable being hurt. At least that's how I felt as 922 00:43:38,800 --> 00:43:40,839 Speaker 1: a kid, where I was like, well, I don't want 923 00:43:40,840 --> 00:43:42,640 Speaker 1: to be hurt, but they're all fine with it. 924 00:43:42,680 --> 00:43:45,680 Speaker 2: Right, Yeah, Well it's a It is actually sort of 925 00:43:45,719 --> 00:43:48,400 Speaker 2: a form of intimacy. Sure, in the same way that 926 00:43:48,480 --> 00:43:51,520 Speaker 2: like a sort of feminine version of that is being 927 00:43:51,719 --> 00:43:54,440 Speaker 2: liking being hurt emotionally, like being like part of a 928 00:43:54,480 --> 00:43:57,319 Speaker 2: relationship is sort of like testing each other's emotional boundaries 929 00:43:57,840 --> 00:44:01,640 Speaker 2: to see what we can handle. I'm straight, man, Yeah, 930 00:44:01,719 --> 00:44:04,799 Speaker 2: it's like hit me until I pass out. 931 00:44:05,840 --> 00:44:08,480 Speaker 3: That's so real. Actually, like the amount of times in 932 00:44:08,520 --> 00:44:10,520 Speaker 3: college like that guy at the party was like no, 933 00:44:10,520 --> 00:44:11,000 Speaker 3: no slap. 934 00:44:11,120 --> 00:44:12,560 Speaker 2: Yeah yeah, yeah, totally that. 935 00:44:12,680 --> 00:44:14,879 Speaker 3: I've always been like, get it out, man, I mean 936 00:44:15,080 --> 00:44:19,560 Speaker 3: jackass stomach, yeah, Jackass. I'm so like, I'm mad that 937 00:44:19,600 --> 00:44:23,360 Speaker 3: no one has really contextualized that in like like homo 938 00:44:23,480 --> 00:44:24,919 Speaker 3: social bonding kind of. 939 00:44:25,440 --> 00:44:26,080 Speaker 2: It's a tough. 940 00:44:26,960 --> 00:44:29,680 Speaker 1: Yeah, there have been some articles, but yeah, there needs 941 00:44:29,719 --> 00:44:31,839 Speaker 1: to be something more academic. 942 00:44:32,040 --> 00:44:34,160 Speaker 2: It's when the Jackass movie came out. I feel like 943 00:44:34,239 --> 00:44:36,799 Speaker 2: there was such an uptick in writing about it, right, 944 00:44:37,040 --> 00:44:39,080 Speaker 2: and I was like, I'm stone getting what I need 945 00:44:39,080 --> 00:44:40,080 Speaker 2: out of this criticism. 946 00:44:40,520 --> 00:44:43,560 Speaker 1: Yeah, yeah, we need more, we need more. 947 00:44:44,520 --> 00:44:47,200 Speaker 3: Yeah, like did you book a hotel and then oh 948 00:44:47,280 --> 00:44:50,160 Speaker 3: there's only one bed? So I guess Steve O and 949 00:44:50,239 --> 00:44:52,359 Speaker 3: Chris got a the same bed together, and then yeah, 950 00:44:52,360 --> 00:44:54,680 Speaker 3: what happened when I really just want fan fake? I 951 00:44:54,719 --> 00:44:57,160 Speaker 3: think fan fake really? 952 00:44:58,000 --> 00:45:01,360 Speaker 2: Ultimately, did they have they had a first woman in 953 00:45:01,360 --> 00:45:03,279 Speaker 2: that Jackass movie, but they've ever had a gay guy 954 00:45:04,520 --> 00:45:06,600 Speaker 2: that would actually be a revolutionary. 955 00:45:06,080 --> 00:45:10,759 Speaker 3: Okay, that's the other thing. Yeah, I love what the 956 00:45:10,800 --> 00:45:13,839 Speaker 3: presence of a gay man does two environments like that, 957 00:45:14,239 --> 00:45:16,600 Speaker 3: because it is like it really does feel like a 958 00:45:16,640 --> 00:45:18,840 Speaker 3: bullet in a chamber when you're playing Russian roulette. 959 00:45:19,000 --> 00:45:20,040 Speaker 2: Yeah, Like it's not. 960 00:45:20,040 --> 00:45:24,719 Speaker 3: All fun, like someone someone could discharge, like someone something. 961 00:45:24,440 --> 00:45:25,160 Speaker 2: Could go off. 962 00:45:25,520 --> 00:45:30,160 Speaker 3: Like there's actual like potency to it where I don't know, 963 00:45:30,280 --> 00:45:32,760 Speaker 3: and like with context sports and everything, like the level 964 00:45:32,960 --> 00:45:35,600 Speaker 3: of homo eroticism that you can get away with. Yeah, 965 00:45:35,680 --> 00:45:39,040 Speaker 3: when everyone is under the impression that like it, it's 966 00:45:39,040 --> 00:45:42,880 Speaker 3: almost like everyone is trying to run away from that. 967 00:45:43,320 --> 00:45:45,440 Speaker 3: But when someone is like, no, do it, I'm not 968 00:45:45,480 --> 00:45:48,319 Speaker 3: scared of it, then it becomes the most dangerous thing 969 00:45:48,680 --> 00:45:49,600 Speaker 3: in the room. 970 00:45:49,719 --> 00:45:53,920 Speaker 2: It's almost like it depends on the entire rules, depend 971 00:45:54,080 --> 00:45:57,680 Speaker 2: on the assumption that no one is gay, yeah, and 972 00:45:57,680 --> 00:46:01,000 Speaker 2: that no one is enjoying and that no one is yeah. Yeah. 973 00:46:01,040 --> 00:46:03,160 Speaker 2: But then it's crazy because it's like, but you're enjoying it. 974 00:46:03,400 --> 00:46:04,160 Speaker 1: You're all enjoying it. 975 00:46:04,280 --> 00:46:08,000 Speaker 3: Yeah, you're all enjoying this, So like, what's up? Because 976 00:46:08,000 --> 00:46:10,880 Speaker 3: I don't want to get hit I don't, but you 977 00:46:10,920 --> 00:46:13,400 Speaker 3: guys love getting hit. You come back time and time again. 978 00:46:13,760 --> 00:46:15,520 Speaker 2: I mean, is it an advantage to be a game 979 00:46:15,560 --> 00:46:18,440 Speaker 2: in a context for because then straight men are don't 980 00:46:18,440 --> 00:46:20,279 Speaker 2: want to come into contact with you as much. 981 00:46:20,480 --> 00:46:23,080 Speaker 1: Actually, I mean I think this is like, this is 982 00:46:23,280 --> 00:46:24,640 Speaker 1: some sort of comedy premise. 983 00:46:26,520 --> 00:46:31,560 Speaker 2: You know where comedy comes from. Truth is it's a 984 00:46:31,640 --> 00:46:35,040 Speaker 2: perfect crime. We need to we need someone to a 985 00:46:35,080 --> 00:46:37,000 Speaker 2: gay guy to infiltrate wrestling. 986 00:46:37,080 --> 00:46:38,759 Speaker 1: I feel like this is so close to like a 987 00:46:38,800 --> 00:46:43,600 Speaker 1: literal Degrassi plot line. Yeah, like where it's like because 988 00:46:43,640 --> 00:46:45,879 Speaker 1: I know there was one point where one character said 989 00:46:45,960 --> 00:46:47,759 Speaker 1: told everyone he was gay so that he didn't have 990 00:46:47,760 --> 00:46:49,120 Speaker 1: to go to a problem with this girl he didn't 991 00:46:49,160 --> 00:46:51,960 Speaker 1: want to. But I also could absolutely see it being 992 00:46:51,960 --> 00:46:53,799 Speaker 1: a plot line that he's like, and I'm gay, so 993 00:46:53,840 --> 00:46:54,920 Speaker 1: don't wrestle me or whatever. 994 00:47:01,000 --> 00:47:01,600 Speaker 7: Yeah. 995 00:47:01,640 --> 00:47:04,359 Speaker 2: Well, well I don't know. 996 00:47:06,480 --> 00:47:08,000 Speaker 1: We love silence, No, we do. 997 00:47:08,520 --> 00:47:09,719 Speaker 2: It's a feature, not a bug. 998 00:47:10,520 --> 00:47:14,000 Speaker 1: Yeah, yeah, you know, sometimes we're too rigorous, and. 999 00:47:14,160 --> 00:47:16,560 Speaker 2: You know what I'm thinking, I'm having a difficult time 1000 00:47:16,600 --> 00:47:19,160 Speaker 2: sort of like coming up with some of my famous 1001 00:47:19,200 --> 00:47:21,920 Speaker 2: theories for this episode because I feel like, at this point, 1002 00:47:22,239 --> 00:47:25,359 Speaker 2: I feel so it has been so long since I've 1003 00:47:25,400 --> 00:47:28,799 Speaker 2: really contemplated a topic like contact sports because it just 1004 00:47:28,840 --> 00:47:30,840 Speaker 2: is not part of my day to day life that 1005 00:47:30,880 --> 00:47:33,160 Speaker 2: I'm truly I was watching the Super Bowl and I 1006 00:47:33,239 --> 00:47:35,200 Speaker 2: legitimately did not know the rules, and I have learned 1007 00:47:35,239 --> 00:47:36,840 Speaker 2: the rules of football at some point in my life, 1008 00:47:36,880 --> 00:47:40,680 Speaker 2: like I do not. I do not remember any like 1009 00:47:40,719 --> 00:47:42,680 Speaker 2: it all seems like it ended in the early odds, 1010 00:47:42,680 --> 00:47:45,279 Speaker 2: because that's when I was like last paying attention. Do 1011 00:47:45,320 --> 00:47:47,200 Speaker 2: you feel that way or do you feel like it 1012 00:47:47,280 --> 00:47:48,880 Speaker 2: is all around you and you are. 1013 00:47:49,880 --> 00:47:51,839 Speaker 1: I mean, it's certainly not all around me. It's not 1014 00:47:51,880 --> 00:47:55,720 Speaker 1: in my life anymore, but it does. It's still around 1015 00:47:55,760 --> 00:47:57,080 Speaker 1: in the world, just not in our bubble. 1016 00:47:57,160 --> 00:47:59,239 Speaker 2: No, No, it certainly is around in the world. But 1017 00:47:59,360 --> 00:48:01,719 Speaker 2: I but I do think the movement away from moniculture 1018 00:48:01,800 --> 00:48:03,520 Speaker 2: just means that I can go about my life not 1019 00:48:03,560 --> 00:48:05,480 Speaker 2: knowing a single athlete. 1020 00:48:06,440 --> 00:48:08,520 Speaker 1: Yeah, I'm trying to think of like like that was. 1021 00:48:08,920 --> 00:48:10,839 Speaker 1: I do remember, like I like this topic so much 1022 00:48:10,880 --> 00:48:13,880 Speaker 1: because that was like a genuinely alienating thing. I remember 1023 00:48:14,040 --> 00:48:17,000 Speaker 1: like being like, Okay, they're all gonna play tackle football 1024 00:48:17,000 --> 00:48:19,239 Speaker 1: and I'm gonna sit on the side, and it's like 1025 00:48:19,960 --> 00:48:23,719 Speaker 1: I don't know what that equivalent is now, Like the 1026 00:48:23,760 --> 00:48:26,880 Speaker 1: closest I have now is like just people talking about football, 1027 00:48:27,239 --> 00:48:29,920 Speaker 1: where which I know this gets specifically into football, but 1028 00:48:30,200 --> 00:48:33,440 Speaker 1: I do find it deeply alienating in a way that 1029 00:48:33,600 --> 00:48:36,759 Speaker 1: is like it's like, is this trauma? What is this? 1030 00:48:38,440 --> 00:48:41,480 Speaker 3: I feel like I did not understand football at all, 1031 00:48:41,520 --> 00:48:43,879 Speaker 3: and I would just like glaze over. Samer came up 1032 00:48:44,160 --> 00:48:47,200 Speaker 3: until my brother, who played sports our entire childhood, was 1033 00:48:47,239 --> 00:48:50,320 Speaker 3: just explaining that like, even though he doesn't play anymore, 1034 00:48:50,400 --> 00:48:53,480 Speaker 3: he still keeps track because there's like stories in drama 1035 00:48:54,040 --> 00:48:57,480 Speaker 3: going on at like all times between like this guy 1036 00:48:57,520 --> 00:49:00,759 Speaker 3: got drafted, yeah, on this team, but he's playing his teammates, 1037 00:49:00,760 --> 00:49:03,840 Speaker 3: so like there's so much stuff like crackling underneath the surface. 1038 00:49:04,160 --> 00:49:07,000 Speaker 3: But you do need to dedicate like three hours a 1039 00:49:07,080 --> 00:49:09,160 Speaker 3: day of your life to keep up with it. 1040 00:49:09,360 --> 00:49:11,200 Speaker 2: And I'm not doing. No, this is what it is. 1041 00:49:11,239 --> 00:49:14,040 Speaker 2: It's sort of like how I don't know. If let's 1042 00:49:14,080 --> 00:49:15,960 Speaker 2: say you're a gay guy that likes the Oscars, you 1043 00:49:16,000 --> 00:49:18,280 Speaker 2: can sort of basically participate that in that without watching 1044 00:49:18,320 --> 00:49:21,759 Speaker 2: any of the films. Yeah, yeah, and I am sometimes. 1045 00:49:21,880 --> 00:49:23,800 Speaker 2: I was just the barber this morning and I caught 1046 00:49:23,840 --> 00:49:25,600 Speaker 2: you know, Sports Center or whatever was playing, and I 1047 00:49:25,640 --> 00:49:29,000 Speaker 2: was like, this is juicy, Like whatever they're talking about 1048 00:49:29,400 --> 00:49:32,120 Speaker 2: is basically like they're recapping a reality show or spreading. 1049 00:49:32,719 --> 00:49:35,440 Speaker 2: But the there's such a barrier to entry because the 1050 00:49:35,440 --> 00:49:37,560 Speaker 2: effort it would take for me to catch up, I'm 1051 00:49:37,560 --> 00:49:38,560 Speaker 2: sorry to say, not be worth it. 1052 00:49:39,360 --> 00:49:41,200 Speaker 3: But now I know, like, whenever I'm in an environment 1053 00:49:41,239 --> 00:49:42,640 Speaker 3: and there's like a bunch of straight men who are 1054 00:49:42,640 --> 00:49:46,600 Speaker 3: watching sports, I'm not like, oh, who's winning, I'm like, so. 1055 00:49:46,600 --> 00:49:50,719 Speaker 2: What's his story? Exactly? Where's he from? Our his parents? Still, 1056 00:49:51,000 --> 00:49:52,439 Speaker 2: and the fact that your instinct was to say who's 1057 00:49:52,480 --> 00:49:56,600 Speaker 2: winning is almost your bias against the straight by Oh, 1058 00:49:56,719 --> 00:49:58,200 Speaker 2: look at these guys are just watching. 1059 00:49:58,400 --> 00:50:01,600 Speaker 3: No, they're actually really hey, little buddy, who's winning? 1060 00:50:05,400 --> 00:50:06,479 Speaker 2: But he has feelings too? 1061 00:50:06,760 --> 00:50:07,760 Speaker 1: That's so true. 1062 00:50:08,000 --> 00:50:11,920 Speaker 3: Yeah, it just holds so much for people, Like all 1063 00:50:11,960 --> 00:50:13,320 Speaker 3: the contact sports. 1064 00:50:13,520 --> 00:50:13,919 Speaker 1: In the. 1065 00:50:15,520 --> 00:50:20,360 Speaker 2: You go tiny question, Yes, do you feel the physical 1066 00:50:20,400 --> 00:50:23,440 Speaker 2: contact and contact sports almost reverberates so much, which is 1067 00:50:23,719 --> 00:50:26,839 Speaker 2: why people feel even more passionate about supporting those teams 1068 00:50:26,880 --> 00:50:29,680 Speaker 2: because they're like, they're out on that they are putting 1069 00:50:29,680 --> 00:50:32,640 Speaker 2: their lives in danger for me in a way that 1070 00:50:34,360 --> 00:50:37,640 Speaker 2: Roger Federer is not for me. I don't know who. 1071 00:50:37,719 --> 00:50:39,640 Speaker 1: Roger Feeder is a tennis player. 1072 00:50:39,719 --> 00:50:44,520 Speaker 3: Okay, what's his story. 1073 00:50:46,000 --> 00:50:51,280 Speaker 2: Well, he's sort of he's sort of like the current goat. 1074 00:50:51,560 --> 00:50:53,840 Speaker 2: I think people would Okay, let's say, okay, does he 1075 00:50:53,880 --> 00:50:55,240 Speaker 2: have long hair? No? 1076 00:50:55,360 --> 00:50:59,120 Speaker 3: He I always imagine a male tennis player with long. 1077 00:50:59,000 --> 00:50:59,920 Speaker 2: Hair because of Andreas. 1078 00:51:00,440 --> 00:51:04,359 Speaker 3: Oh, I don't even just like the Ai image conjured up. 1079 00:51:04,400 --> 00:51:08,279 Speaker 2: Yeah, Federer is like Swiss. He's very sort of like 1080 00:51:08,880 --> 00:51:14,440 Speaker 2: just very picturesque, like a European man. Okay, barely an athlete, 1081 00:51:15,000 --> 00:51:17,360 Speaker 2: like I think he is meant to be a business person. 1082 00:51:17,640 --> 00:51:19,120 Speaker 2: But he was like, well I'm here, I might as 1083 00:51:19,120 --> 00:51:20,120 Speaker 2: well play tennis. 1084 00:51:20,440 --> 00:51:24,319 Speaker 3: Hmm okay, oh he just decided to be the best. 1085 00:51:24,400 --> 00:51:27,040 Speaker 1: Yeah, all right, Wait, did you play any other sports? 1086 00:51:27,040 --> 00:51:30,640 Speaker 1: Growing up? A little sport called theater m oh. 1087 00:51:30,680 --> 00:51:33,120 Speaker 2: I didn't play any sports, so football camp was how 1088 00:51:33,120 --> 00:51:35,360 Speaker 2: did that come about? You were not even playing football. 1089 00:51:35,960 --> 00:51:40,520 Speaker 3: So I had cousins that were like really into football, 1090 00:51:40,560 --> 00:51:43,200 Speaker 3: and my brother was always into like every single sport. 1091 00:51:43,200 --> 00:51:47,040 Speaker 2: At one point he was playing basketball, football, and baseball 1092 00:51:47,280 --> 00:51:48,400 Speaker 2: at the same time. 1093 00:51:49,080 --> 00:51:51,279 Speaker 3: And at once, yeah, at once, and I was like 1094 00:51:51,440 --> 00:51:56,440 Speaker 3: I kind of just brewed that's my thing. And then uh, oh, 1095 00:51:56,600 --> 00:52:00,200 Speaker 3: I played basketball in middle school and then I got 1096 00:52:00,200 --> 00:52:03,160 Speaker 3: like a little knee injury and then I stopped. But 1097 00:52:03,200 --> 00:52:08,400 Speaker 3: I never would I was terrible. I made like maybe eight. 1098 00:52:08,239 --> 00:52:11,800 Speaker 2: Points over four years, damn. 1099 00:52:12,880 --> 00:52:14,320 Speaker 3: And it's not even like I took a lot of 1100 00:52:14,320 --> 00:52:16,080 Speaker 3: shots and miss them. I think I'm I had like 1101 00:52:16,120 --> 00:52:18,920 Speaker 3: a seventy five percent like success rate. 1102 00:52:19,000 --> 00:52:21,080 Speaker 2: I just never shot. Well, you were a minimalist. You 1103 00:52:21,080 --> 00:52:23,839 Speaker 2: were like, when it's time, I'll do it right. 1104 00:52:23,920 --> 00:52:24,200 Speaker 1: Yeah. 1105 00:52:24,480 --> 00:52:25,760 Speaker 2: It was kind of like a ghost. 1106 00:52:25,560 --> 00:52:27,720 Speaker 3: Would just be like, yeah, like you know, that wasn't 1107 00:52:27,760 --> 00:52:29,479 Speaker 3: That wasn't what I was in it for. That wasn't 1108 00:52:29,480 --> 00:52:30,160 Speaker 3: what I was in it. 1109 00:52:30,200 --> 00:52:32,319 Speaker 2: I actually have thought of this where I'm like, he's 1110 00:52:32,320 --> 00:52:33,719 Speaker 2: one of the reasons why I was so bad at 1111 00:52:33,719 --> 00:52:37,880 Speaker 2: sports that I'm like more of a minimalist like that. 1112 00:52:37,960 --> 00:52:40,360 Speaker 2: I'm like, oh, it's too like I don't I'm not 1113 00:52:40,400 --> 00:52:43,200 Speaker 2: going to be constantly aggressing on people like I have 1114 00:52:43,239 --> 00:52:46,960 Speaker 2: to give them their space. I was hot manners. 1115 00:52:47,719 --> 00:52:50,960 Speaker 3: Well, I find that for me, the problem with sports 1116 00:52:51,000 --> 00:52:53,279 Speaker 3: and even kind of to this day when I'm playing 1117 00:52:53,320 --> 00:52:56,000 Speaker 3: sports with other people is like I cannot one hundred 1118 00:52:56,040 --> 00:53:00,000 Speaker 3: percent go for it, Like yes, there's just no narrative 1119 00:53:00,080 --> 00:53:02,000 Speaker 3: that I can tell myself where it's like I need 1120 00:53:02,040 --> 00:53:04,040 Speaker 3: to risk harm in order to do this. 1121 00:53:04,400 --> 00:53:06,799 Speaker 2: I just don't have that level of competitiveness. And it's 1122 00:53:06,800 --> 00:53:08,920 Speaker 2: a real peek into your own nature because you're like, 1123 00:53:09,000 --> 00:53:11,400 Speaker 2: damn if I not to project this on to you. 1124 00:53:11,440 --> 00:53:14,160 Speaker 2: But it's like if I can't do that, then what 1125 00:53:14,320 --> 00:53:16,800 Speaker 2: chance that am I missing in my normal nonsports? Like Okay, 1126 00:53:17,040 --> 00:53:18,600 Speaker 2: all right, I mean wake that up. 1127 00:53:18,800 --> 00:53:20,520 Speaker 3: I feel like for me, it was like it's just 1128 00:53:20,640 --> 00:53:24,040 Speaker 3: not that serious. Yeah, Like I know what's serious is 1129 00:53:24,360 --> 00:53:27,000 Speaker 3: and this is not it. Yeah, I don't know what. 1130 00:53:27,040 --> 00:53:28,200 Speaker 1: Did you get competitive about? 1131 00:53:30,160 --> 00:53:33,680 Speaker 2: Honestly, I do get competitive about like word games, like 1132 00:53:35,880 --> 00:53:41,560 Speaker 2: it will go crazy over some scrabble. Yeah, I don't know. 1133 00:53:41,640 --> 00:53:45,239 Speaker 3: I feel like like in high school, like growing up, 1134 00:53:45,239 --> 00:53:47,719 Speaker 3: when people be like, let's like play frisbee or something, 1135 00:53:47,760 --> 00:53:48,080 Speaker 3: I'd be. 1136 00:53:48,000 --> 00:53:48,799 Speaker 2: Like, can we just talk? 1137 00:53:50,239 --> 00:53:52,840 Speaker 3: Can we just like you know, just like shoot the 1138 00:53:52,880 --> 00:53:56,960 Speaker 3: shit like ponder You guys don't ponder. I was very 1139 00:53:56,960 --> 00:53:58,040 Speaker 3: serious about pondering. 1140 00:53:58,120 --> 00:54:01,000 Speaker 2: I feel like very competitive about pondering. You're like, I 1141 00:54:01,040 --> 00:54:02,600 Speaker 2: can tell I'm pondering harder than you. 1142 00:54:03,160 --> 00:54:05,239 Speaker 3: Yeah, you're not pondering enough right now? 1143 00:54:05,520 --> 00:54:07,359 Speaker 2: It is true that some people don't ponder enough. 1144 00:54:07,400 --> 00:54:09,680 Speaker 1: No, it's it's really true. It's kind of sad to see. 1145 00:54:10,080 --> 00:54:12,560 Speaker 2: I think potentially the government mandated book club could help 1146 00:54:12,600 --> 00:54:14,480 Speaker 2: with that as well. Of course, that would give him 1147 00:54:14,520 --> 00:54:15,479 Speaker 2: something to be inspired about. 1148 00:54:15,520 --> 00:54:16,600 Speaker 1: Close the pondering gap. 1149 00:54:16,640 --> 00:54:24,359 Speaker 2: Close the pondering gap, yes, exactly. Yeah, wow, well dub 1150 00:54:24,640 --> 00:54:26,680 Speaker 2: any final thoughts on contact sports. 1151 00:54:26,760 --> 00:54:32,160 Speaker 3: Wow, I will say I feel like there were no 1152 00:54:32,239 --> 00:54:35,200 Speaker 3: moral judgments on contact sports, right, we're just kind of 1153 00:54:35,239 --> 00:54:35,400 Speaker 3: like it. 1154 00:54:35,880 --> 00:54:38,400 Speaker 2: I didn't get into the political you know, it's funny 1155 00:54:38,400 --> 00:54:40,880 Speaker 2: with little topics like this is like, you know, contact 1156 00:54:40,920 --> 00:54:44,160 Speaker 2: sports so obviously straight, so we're almost like afraid of 1157 00:54:44,200 --> 00:54:47,919 Speaker 2: saying the obvious thing that we are trying so hard 1158 00:54:47,960 --> 00:54:50,399 Speaker 2: to find a deeper thing rather than being like, right, 1159 00:54:50,480 --> 00:54:54,560 Speaker 2: football is straight, right yeah, next, but. 1160 00:54:54,560 --> 00:54:58,520 Speaker 3: It is also it's homo. It's homo social at the 1161 00:54:58,640 --> 00:54:59,480 Speaker 3: very least very much. 1162 00:54:59,760 --> 00:55:00,000 Speaker 1: Yeah. 1163 00:55:00,080 --> 00:55:01,680 Speaker 3: And then I feel like, once you bring pain into 1164 00:55:01,760 --> 00:55:03,640 Speaker 3: this situation, it's erotic immediately. 1165 00:55:03,800 --> 00:55:07,320 Speaker 2: Well yeah, yeah, I've never experienced pain without being absolutely 1166 00:55:07,360 --> 00:55:07,839 Speaker 2: turned down. 1167 00:55:12,040 --> 00:55:14,239 Speaker 3: That's actually how you can go to the hospital more 1168 00:55:14,280 --> 00:55:17,040 Speaker 3: than once. Yeah, if you are, you're just like I'm 1169 00:55:17,080 --> 00:55:19,480 Speaker 3: in pain, Like, but you don't say what it is. 1170 00:55:19,640 --> 00:55:21,759 Speaker 3: You just have to say like pain, that's it, and 1171 00:55:21,800 --> 00:55:23,480 Speaker 3: then you can post as much as you want. 1172 00:55:23,840 --> 00:55:26,480 Speaker 1: Sure, maybe I'll pop in this afternoon. Yeah, I think 1173 00:55:26,480 --> 00:55:27,480 Speaker 1: I've got the health insurance. 1174 00:55:27,560 --> 00:55:29,760 Speaker 2: Yeah for one, Like whack your hat on the subway 1175 00:55:29,800 --> 00:55:32,120 Speaker 2: ball Okay, that works. 1176 00:55:32,239 --> 00:55:33,280 Speaker 1: Yeah, have some proof. 1177 00:55:34,040 --> 00:55:36,880 Speaker 2: That'll be a great scam to get. Just like free food, 1178 00:55:37,040 --> 00:55:38,800 Speaker 2: just like constantly hurt yourself go to the hospital for 1179 00:55:38,880 --> 00:55:44,799 Speaker 2: lunch a thirty thousand dollars every single. 1180 00:55:44,600 --> 00:55:47,680 Speaker 1: Day beats doing the dishes. 1181 00:55:49,360 --> 00:55:50,680 Speaker 2: Should we do our final segment? 1182 00:55:51,480 --> 00:56:03,360 Speaker 1: Yeah, I think we should chibuki. Our final segment is 1183 00:56:03,360 --> 00:56:06,160 Speaker 1: called shout Outs, and in this segment we pay himash 1184 00:56:06,200 --> 00:56:08,799 Speaker 1: to the Grand Street tradition of the radio shout out. Okay, 1185 00:56:08,840 --> 00:56:10,960 Speaker 1: and give a shout out to anything that we enjoy 1186 00:56:11,120 --> 00:56:15,400 Speaker 1: at all people place these things ideas, we'll go first. 1187 00:56:15,560 --> 00:56:17,560 Speaker 2: Yeah, and we think of it on the spot. So yeah, 1188 00:56:17,640 --> 00:56:20,239 Speaker 2: don't worry about the fact that we're springing on you. 1189 00:56:20,280 --> 00:56:21,920 Speaker 2: And in fact, I'm trying to think. I think I 1190 00:56:22,000 --> 00:56:22,359 Speaker 2: have one. 1191 00:56:22,440 --> 00:56:24,280 Speaker 1: Oh, if you have one, please go first. 1192 00:56:25,080 --> 00:56:28,120 Speaker 4: Okay. 1193 00:56:29,400 --> 00:56:33,280 Speaker 2: What's up everybody back home and all my chosen family 1194 00:56:33,360 --> 00:56:36,319 Speaker 2: that I love so much but never see. I want 1195 00:56:36,320 --> 00:56:39,360 Speaker 2: to give a shout out to the actor, the British 1196 00:56:39,360 --> 00:56:43,480 Speaker 2: actor Tobias Menzies. Are you familiar. 1197 00:56:43,040 --> 00:56:43,719 Speaker 1: Which one is he? 1198 00:56:43,920 --> 00:56:44,799 Speaker 2: Do you know who he is? 1199 00:56:45,040 --> 00:56:45,319 Speaker 3: Have you? 1200 00:56:45,400 --> 00:56:48,760 Speaker 2: Okay? So he was in that new Nicole Hollip Center 1201 00:56:48,840 --> 00:56:51,440 Speaker 2: movie with Julia Lee Dreyfus. Yeah, you hurt my feelings. 1202 00:56:51,480 --> 00:56:52,040 Speaker 2: He's a husband. 1203 00:56:52,280 --> 00:56:54,520 Speaker 1: Oh okay, Yeah. 1204 00:56:54,000 --> 00:56:56,120 Speaker 2: I saw it. I saw him on stage last night 1205 00:56:56,280 --> 00:56:59,799 Speaker 2: and a play called The Hunt and he is a 1206 00:56:59,800 --> 00:57:02,759 Speaker 2: little cutie pie and he is so you know, when 1207 00:57:02,800 --> 00:57:06,600 Speaker 2: you see a British theater actor just finally do theater 1208 00:57:06,680 --> 00:57:09,080 Speaker 2: acting after being forced to be in like Game of 1209 00:57:09,160 --> 00:57:12,400 Speaker 2: Thrones for sixteen years, you just feel so happy for 1210 00:57:12,440 --> 00:57:14,799 Speaker 2: them because it really that's all they want to do 1211 00:57:15,040 --> 00:57:18,360 Speaker 2: is to make negative money while emoting on stage. And 1212 00:57:18,400 --> 00:57:20,520 Speaker 2: he really killed it. I have to say, I was 1213 00:57:20,560 --> 00:57:23,240 Speaker 2: so proud of him. He has the most adorable little dimples. 1214 00:57:23,280 --> 00:57:25,040 Speaker 2: I said, talk about a tall man who has been 1215 00:57:25,080 --> 00:57:27,560 Speaker 2: able to kind of make it. I am so proud 1216 00:57:27,560 --> 00:57:29,640 Speaker 2: of him. And you know, if you're in New York, 1217 00:57:29,640 --> 00:57:33,440 Speaker 2: go see The Hunt at st Ane's Warehouse and shoutouts 1218 00:57:33,480 --> 00:57:37,080 Speaker 2: of device Menzi's and shout out to sort of unknown 1219 00:57:37,200 --> 00:57:41,000 Speaker 2: British theater actors that prop up everyone else in the industry. 1220 00:57:41,000 --> 00:57:42,200 Speaker 2: Without them, we would all be nothing. 1221 00:57:42,480 --> 00:57:47,200 Speaker 1: Yes, thank god, uck, okay, I have one. 1222 00:57:47,320 --> 00:57:47,680 Speaker 2: All right? 1223 00:57:48,400 --> 00:57:51,960 Speaker 1: What's up everyone in America and abroad. I want to 1224 00:57:51,960 --> 00:57:56,160 Speaker 1: give a huge shout out to guess what stand up comedy? 1225 00:57:56,840 --> 00:58:00,120 Speaker 1: That's right. I'm in New York City and I have 1226 00:58:00,160 --> 00:58:03,720 Speaker 1: been doing shows and it is so much fun. People 1227 00:58:03,760 --> 00:58:06,960 Speaker 1: forget when you're in LA it's not the same. Even 1228 00:58:06,960 --> 00:58:09,560 Speaker 1: if you do a show, you're like, that's fine, and here, 1229 00:58:10,040 --> 00:58:12,800 Speaker 1: oh my god, you feel alive. And I say, now, 1230 00:58:12,920 --> 00:58:16,360 Speaker 1: this is fun. Now this is comedy. And you see 1231 00:58:16,400 --> 00:58:18,760 Speaker 1: all these people who are way younger than you, and 1232 00:58:18,840 --> 00:58:23,520 Speaker 1: you say, retrow better get more successful quick. But even 1233 00:58:23,520 --> 00:58:27,240 Speaker 1: despite that, it is such a treat. And you know that. 1234 00:58:27,360 --> 00:58:29,680 Speaker 1: I know. It's like you're always like I'm never I'm 1235 00:58:29,680 --> 00:58:31,240 Speaker 1: never gonna have a good idea again, and then one 1236 00:58:31,320 --> 00:58:34,160 Speaker 1: day you do. Oh my god, there's no better feeling. 1237 00:58:34,680 --> 00:58:38,040 Speaker 1: I love stand up comedy. I love Union Hall in Brooklyn, 1238 00:58:38,080 --> 00:58:41,760 Speaker 1: New York, and I love various Bura Clynn bar shows. 1239 00:58:41,920 --> 00:58:45,000 Speaker 1: Xoxo Sam Wow love that. 1240 00:58:48,800 --> 00:58:51,720 Speaker 2: What's up everybody? This is Jabooki on the mic. 1241 00:58:52,240 --> 00:58:54,040 Speaker 3: I just want to like give a nice little shout 1242 00:58:54,080 --> 00:58:56,760 Speaker 3: out to, you know, all the people back home. I 1243 00:58:56,800 --> 00:58:58,840 Speaker 3: want to give this shout out to all the people 1244 00:58:58,920 --> 00:59:02,240 Speaker 3: who are not at home and I maybe haven't met 1245 00:59:02,320 --> 00:59:05,160 Speaker 3: yet and will one day consider part of my home 1246 00:59:05,760 --> 00:59:09,320 Speaker 3: back there. I want to shout out tiny desks. I 1247 00:59:09,360 --> 00:59:12,000 Speaker 3: want to shout out it's just so fun getting to 1248 00:59:12,040 --> 00:59:14,440 Speaker 3: see these musicians in their element, you know, just like 1249 00:59:14,480 --> 00:59:16,920 Speaker 3: having a fun having having a blast and having a 1250 00:59:16,960 --> 00:59:22,160 Speaker 3: fun time. I love music. I love when people make 1251 00:59:22,240 --> 00:59:24,240 Speaker 3: sounds with a bunch of instruments. Isn't that the best? 1252 00:59:24,560 --> 00:59:28,120 Speaker 3: That's so much fun. And I watched Kalala's on the 1253 00:59:28,160 --> 00:59:29,200 Speaker 3: way here, and. 1254 00:59:29,160 --> 00:59:33,560 Speaker 2: Kalala's was very good. I got chills multiple times. You're 1255 00:59:33,640 --> 00:59:35,320 Speaker 2: just waves and waves of chills. 1256 00:59:36,480 --> 00:59:39,520 Speaker 3: And I also want to give a shout out to MPR. 1257 00:59:40,040 --> 00:59:44,160 Speaker 3: There is an attack on journalism, so I'm enjoying them 1258 00:59:44,200 --> 00:59:48,680 Speaker 3: while I can and uh, happy final days MPR. 1259 00:59:49,720 --> 00:59:53,760 Speaker 2: You know, watching watching Tiny Desk counts of supporting independent journalism, 1260 00:59:53,840 --> 00:59:54,560 Speaker 2: and people don't. 1261 00:59:56,440 --> 00:59:59,600 Speaker 1: I mean, I actually have the same response to watching 1262 00:59:59,640 --> 01:00:01,560 Speaker 1: tiny deess as they do to like reading an article 1263 01:00:01,720 --> 01:00:03,280 Speaker 1: where I'm like, oh my god, I'm going to do this, 1264 01:00:03,480 --> 01:00:05,560 Speaker 1: and then I get like two minutes in and I'm like, oh, 1265 01:00:05,600 --> 01:00:07,680 Speaker 1: I have to do something else now, and I never 1266 01:00:07,760 --> 01:00:08,640 Speaker 1: ever finished. 1267 01:00:08,360 --> 01:00:10,960 Speaker 2: It because it is visual. Yeah, I just put it 1268 01:00:11,000 --> 01:00:13,400 Speaker 2: on like I do need to see them, and it's. 1269 01:00:13,280 --> 01:00:15,800 Speaker 1: Like just long enough. It's like fifteen minutes and you're 1270 01:00:15,840 --> 01:00:18,160 Speaker 1: like you're so in for two minutes and then it's 1271 01:00:18,200 --> 01:00:21,520 Speaker 1: like this feels like I'm wasting because I'm not watching 1272 01:00:21,520 --> 01:00:23,400 Speaker 1: a TV show but right right. 1273 01:00:23,280 --> 01:00:25,200 Speaker 3: Like I'm not getting a lot of information from you, 1274 01:00:25,560 --> 01:00:26,520 Speaker 3: just like wow, cool. 1275 01:00:26,680 --> 01:00:27,720 Speaker 1: Yeah, this is something. 1276 01:00:27,480 --> 01:00:29,960 Speaker 2: Sort of anticlimactic where you're like, well, they're still at 1277 01:00:29,960 --> 01:00:33,400 Speaker 2: the desk. It hasn't like it's not like an Okay 1278 01:00:33,440 --> 01:00:35,560 Speaker 2: Go video where it seems out and you're like in 1279 01:00:35,560 --> 01:00:36,400 Speaker 2: a bigger space. 1280 01:00:37,960 --> 01:00:38,880 Speaker 1: Yeah, if you want how. 1281 01:00:38,880 --> 01:00:40,560 Speaker 2: Much longer can we milk this? Really? 1282 01:00:40,760 --> 01:00:43,080 Speaker 1: Like, if we're being honest, NBR, if you want to 1283 01:00:43,120 --> 01:00:49,520 Speaker 1: stay alive a few more years, make call Okay going consultant. 1284 01:00:48,960 --> 01:00:50,919 Speaker 2: Because guess what I have to say, A tiny desk 1285 01:00:50,960 --> 01:00:53,080 Speaker 2: to me is almost a little like Obama era of 1286 01:00:53,120 --> 01:00:56,439 Speaker 2: like the tweeness. I'm like, how about we go big now? 1287 01:00:56,600 --> 01:00:57,240 Speaker 2: How about big? 1288 01:00:57,320 --> 01:00:57,520 Speaker 1: Right? 1289 01:00:57,600 --> 01:01:02,560 Speaker 2: Right? Because we actually, yeah, like we need some hutspah 1290 01:01:03,000 --> 01:01:06,080 Speaker 2: and some courage in this country, and we need artists 1291 01:01:06,120 --> 01:01:09,360 Speaker 2: to not make themselves small and be at a tiny desk. 1292 01:01:09,400 --> 01:01:11,800 Speaker 2: We need them to be at a giant desk. 1293 01:01:12,360 --> 01:01:14,200 Speaker 1: Uh huh. I love the jookie was like, this is 1294 01:01:14,320 --> 01:01:16,400 Speaker 1: something I really like and we're all like we. 1295 01:01:16,320 --> 01:01:19,200 Speaker 7: Should fucking cringe. 1296 01:01:19,320 --> 01:01:25,840 Speaker 3: Twenty twelve as Obama first term Obama era, corny ass bitch, Like, 1297 01:01:26,640 --> 01:01:27,200 Speaker 3: gag me. 1298 01:01:27,760 --> 01:01:30,040 Speaker 2: There is something about a tiny desk where I'm like, 1299 01:01:30,280 --> 01:01:31,520 Speaker 2: two Yards. 1300 01:01:31,320 --> 01:01:32,800 Speaker 1: Yeah, that's so true. 1301 01:01:32,840 --> 01:01:35,840 Speaker 2: But I'm so true. Every tiny desk is like what 1302 01:01:35,920 --> 01:01:40,320 Speaker 2: if Kalala was Ard. It's what if each artist was 1303 01:01:40,400 --> 01:01:42,120 Speaker 2: Juniyards for just fifteen minutes. 1304 01:01:43,200 --> 01:01:45,720 Speaker 1: Wow, that is really apt. Yeah. 1305 01:01:45,920 --> 01:01:47,960 Speaker 3: I've been hearing a lot of two Yards and like 1306 01:01:48,320 --> 01:01:49,840 Speaker 3: placements and commercials. 1307 01:01:50,000 --> 01:01:53,640 Speaker 2: Yeah, Jen Yards has actually done the thing that like, 1308 01:01:54,480 --> 01:01:56,520 Speaker 2: you know people do when they go corporate or like 1309 01:01:56,560 --> 01:01:58,680 Speaker 2: it's like a comedium becoming copyright. Like two Yards has 1310 01:01:58,680 --> 01:02:01,560 Speaker 2: now become like the official on track four things rather 1311 01:02:01,600 --> 01:02:04,680 Speaker 2: than being an artist that releases music like two Yards 1312 01:02:04,680 --> 01:02:06,440 Speaker 2: did the music for the New York Radio Hour, So 1313 01:02:06,480 --> 01:02:07,960 Speaker 2: every time you listen to the New York Radio Hour, 1314 01:02:08,000 --> 01:02:10,320 Speaker 2: it says like music by Meryl Garbage from two Yards, 1315 01:02:11,200 --> 01:02:15,280 Speaker 2: you know, whatever you're referring to, which I'm presumably that that. 1316 01:02:15,160 --> 01:02:17,800 Speaker 3: Feels like about yeah, yeah, what I'm referring to. 1317 01:02:19,040 --> 01:02:21,000 Speaker 2: So anyway, it's a cautionary tale. 1318 01:02:21,280 --> 01:02:24,440 Speaker 1: Or it's a success story of someone you know, recognizing 1319 01:02:24,480 --> 01:02:25,760 Speaker 1: what they want in this world. 1320 01:02:26,160 --> 01:02:28,400 Speaker 2: Yeah, that's true. I agree, And I have nothing against 1321 01:02:28,840 --> 01:02:29,640 Speaker 2: two yards. 1322 01:02:29,800 --> 01:02:31,840 Speaker 1: Oh why would I have something against two yards? That 1323 01:02:31,840 --> 01:02:32,520 Speaker 1: would be insane? 1324 01:02:32,600 --> 01:02:38,120 Speaker 2: No, I love Oh it's you fucking bitch. 1325 01:02:43,840 --> 01:02:48,920 Speaker 7: Blonde white woman, all right, go oh my god. 1326 01:02:49,240 --> 01:02:50,720 Speaker 3: But I do think it's funny though, because of the 1327 01:02:50,760 --> 01:02:53,120 Speaker 3: ad that I'm specifically referring to, Like, all the songs 1328 01:02:53,120 --> 01:02:56,800 Speaker 3: are about like hegemony and colonial but they just stripped 1329 01:02:56,840 --> 01:02:57,800 Speaker 3: it down to that. 1330 01:02:58,040 --> 01:02:58,280 Speaker 1: Yeah. 1331 01:02:58,320 --> 01:03:00,240 Speaker 3: So it's like when you remove it from the context 1332 01:03:00,280 --> 01:03:02,440 Speaker 3: and it's like, all right, the hook that was making 1333 01:03:02,440 --> 01:03:06,000 Speaker 3: me be like okay, I guess is now gone and it. 1334 01:03:06,040 --> 01:03:11,400 Speaker 2: Is just yeah, yeah, it's like a cup song with 1335 01:03:11,560 --> 01:03:14,320 Speaker 2: like yeah, with like vocal boards stuff. 1336 01:03:15,280 --> 01:03:17,960 Speaker 1: I can't believe what bitches you all are. 1337 01:03:18,520 --> 01:03:20,560 Speaker 2: Listen. Meryl Garbage is a huge part of my life. 1338 01:03:20,560 --> 01:03:22,720 Speaker 2: One time I went to a free June Yard show 1339 01:03:22,720 --> 01:03:24,880 Speaker 2: in San Francisco and I said, I am twenty two. 1340 01:03:24,920 --> 01:03:27,480 Speaker 2: Now I was streaming, Yeah, I was streaming. 1341 01:03:27,600 --> 01:03:30,520 Speaker 1: I was streaming. Yeah, yeah, yeah, I think I never 1342 01:03:30,720 --> 01:03:33,000 Speaker 1: downloaded illegally, probably at that age. 1343 01:03:33,840 --> 01:03:35,880 Speaker 2: Well that's why she now has to do the music 1344 01:03:35,920 --> 01:03:41,560 Speaker 2: for the New York Radio And it was your fault, MARYL. Garbus, 1345 01:03:41,600 --> 01:03:45,520 Speaker 2: dropped the venmo. We owe you so much. I demand 1346 01:03:45,520 --> 01:03:47,480 Speaker 2: the kalala Venmo. MARYL. Garbus. 1347 01:03:47,560 --> 01:03:51,200 Speaker 1: Yes, yes, yeah, all right. Well Droogie has been a 1348 01:03:51,240 --> 01:03:54,360 Speaker 1: real pleasure. Thank you for having me, Thanks for doing it. Yes, 1349 01:03:54,680 --> 01:03:58,520 Speaker 1: bye bye podcast and now want more? 1350 01:03:58,960 --> 01:04:02,040 Speaker 4: Subscribe to our page for two extra episodes a month, 1351 01:04:02,320 --> 01:04:06,040 Speaker 4: discord access and more by heading to patreon dot com, 1352 01:04:06,080 --> 01:04:07,560 Speaker 4: slash Stradio Lab. 1353 01:04:07,600 --> 01:04:10,240 Speaker 1: And for all our visual earners, free full length video 1354 01:04:10,240 --> 01:04:12,080 Speaker 1: episodes are available on our YouTube. 1355 01:04:12,320 --> 01:04:26,080 Speaker 4: Now get back to work.