1 00:00:08,920 --> 00:00:14,320 Speaker 1: Welcome to the Crime Roundup with Nancy Grace and Cheryl McCollum. Today, 2 00:00:14,920 --> 00:00:20,000 Speaker 1: Rex Huerman, the Long Island serial killer accused, had two 3 00:00:20,200 --> 00:00:24,919 Speaker 1: additional victims tied to him. Y'all get ready, y'all better 4 00:00:24,960 --> 00:00:28,600 Speaker 1: hang on because this is a rodeo. Nancy, jump on 5 00:00:28,720 --> 00:00:30,560 Speaker 1: in here, honey, Cheryl. 6 00:00:31,560 --> 00:00:35,159 Speaker 2: The man's got DNA. The man's got the same location, 7 00:00:35,280 --> 00:00:39,080 Speaker 2: the same vehicle. Now we've got a play by play 8 00:00:39,280 --> 00:00:43,720 Speaker 2: handbook taken out of his home about how to catch victims, 9 00:00:43,920 --> 00:00:47,159 Speaker 2: how to catch them better the next time, even reminding 10 00:00:47,200 --> 00:00:49,560 Speaker 2: himself to get a better night's rest the night before 11 00:00:50,200 --> 00:00:53,680 Speaker 2: so there will be more time to quote play, to 12 00:00:53,800 --> 00:00:58,800 Speaker 2: get thicker rope, to decrease sound. You know, you can 13 00:00:58,880 --> 00:01:03,040 Speaker 2: keep saying, let edged and accused, but DNA doesn't lie. 14 00:01:03,080 --> 00:01:06,959 Speaker 2: Cheryl will come, you know, Cheryl. Many people have argued 15 00:01:07,240 --> 00:01:10,800 Speaker 2: since the bodies were first discovered that the Long Island 16 00:01:10,880 --> 00:01:14,039 Speaker 2: serial Killer and the butcher of Manival or in fact 17 00:01:14,040 --> 00:01:16,880 Speaker 2: two people. That is not true, As I've screamed from 18 00:01:16,920 --> 00:01:21,520 Speaker 2: the get go, I believe that that theory came about 19 00:01:22,240 --> 00:01:26,600 Speaker 2: because of the different mos modus operandi method of operation. 20 00:01:28,040 --> 00:01:30,920 Speaker 2: We see that these so called butcher of manerbil Akaa 21 00:01:31,080 --> 00:01:36,000 Speaker 2: Rexed Hureman would I think I could explain what was happening. 22 00:01:37,080 --> 00:01:40,120 Speaker 2: I think at the beginning Hureeman believed he had to 23 00:01:40,120 --> 00:01:44,520 Speaker 2: totally destroy any and all evidence connecting him to the bodies, 24 00:01:45,120 --> 00:01:50,280 Speaker 2: including watching the body and watching out body cavities as 25 00:01:50,480 --> 00:01:53,520 Speaker 2: is detailed in his playbook that we now know has 26 00:01:53,560 --> 00:01:56,160 Speaker 2: been found in his home. He would also cut off 27 00:01:56,200 --> 00:02:00,640 Speaker 2: their hands, their heads, get rid of distinguishing markings like 28 00:02:00,720 --> 00:02:06,480 Speaker 2: tattoos or birthmarks. That's how he got rid of the evidence. 29 00:02:06,760 --> 00:02:09,720 Speaker 2: Then I believe he got a little too comfy. It 30 00:02:09,800 --> 00:02:12,960 Speaker 2: was going a little too well, too much success, and 31 00:02:13,000 --> 00:02:17,320 Speaker 2: he became blase. Then he changes mo as sorry, just 32 00:02:17,520 --> 00:02:20,480 Speaker 2: dumping the bodies along, you'll go beach in a row, 33 00:02:20,600 --> 00:02:25,760 Speaker 2: essentially like a cemetery. It's always been making tention that 34 00:02:25,880 --> 00:02:29,399 Speaker 2: Long Island serial killer at Butcher of Manerville are one 35 00:02:29,520 --> 00:02:32,280 Speaker 2: and the same, and now we see that all he 36 00:02:32,320 --> 00:02:33,359 Speaker 2: did was get sloppy. 37 00:02:33,840 --> 00:02:36,639 Speaker 1: If this was our case, and I came into your 38 00:02:36,680 --> 00:02:39,080 Speaker 1: office and I said, let me tell you something. We 39 00:02:39,200 --> 00:02:42,880 Speaker 1: can now tie him to nineteen ninety three. You are 40 00:02:43,040 --> 00:02:47,079 Speaker 1: adding decades. We have now expanded the kill zone the 41 00:02:47,200 --> 00:02:50,800 Speaker 1: area and like you're saying the MO and the signatures. 42 00:02:51,360 --> 00:02:54,920 Speaker 1: If you look at an MO, all that means is 43 00:02:54,960 --> 00:02:58,040 Speaker 1: the person is learning how to do something better. So 44 00:02:58,160 --> 00:03:00,560 Speaker 1: when they were going to burglarize a home and they 45 00:03:00,600 --> 00:03:03,000 Speaker 1: buzzed out the window and then they realized, wait a minute, 46 00:03:03,000 --> 00:03:05,720 Speaker 1: the victim was alerted and called the police. So then 47 00:03:05,760 --> 00:03:07,960 Speaker 1: they say, hey, I'm going to come and get some 48 00:03:08,639 --> 00:03:11,920 Speaker 1: glass cutter. So now they can't hear me when I 49 00:03:12,120 --> 00:03:13,680 Speaker 1: get the glass out of the way so I can 50 00:03:13,760 --> 00:03:17,400 Speaker 1: unlock the window or the door. That's all that DMO is. 51 00:03:18,200 --> 00:03:21,480 Speaker 2: Before I go into what we learned in court today, 52 00:03:21,960 --> 00:03:24,760 Speaker 2: I want to talk about a scary scenario that I've 53 00:03:24,800 --> 00:03:28,720 Speaker 2: been thinking about. We know serial killers very often do 54 00:03:28,840 --> 00:03:33,040 Speaker 2: the same thing over and over. We know now because 55 00:03:33,080 --> 00:03:37,040 Speaker 2: body parts from a victim I've been found not only 56 00:03:37,120 --> 00:03:40,720 Speaker 2: in Gilgo Beach but also Mannerful, the same victim body 57 00:03:40,760 --> 00:03:43,840 Speaker 2: parts in two different places. Of course it's the same killer. 58 00:03:44,400 --> 00:03:47,360 Speaker 2: So we see Rex Huerman and I'm breaking out of 59 00:03:47,360 --> 00:03:51,680 Speaker 2: the mold. As far as the burial grounds, here's my 60 00:03:51,800 --> 00:03:55,920 Speaker 2: fear and my suspicion. I think, whether we find it 61 00:03:56,000 --> 00:03:59,080 Speaker 2: or not, Cheryl, there is another burial ground out there. 62 00:03:59,480 --> 00:04:02,040 Speaker 2: I think there are more victims, and I think there's 63 00:04:02,040 --> 00:04:04,560 Speaker 2: another burial ground. And mark my words, it may not 64 00:04:04,680 --> 00:04:07,240 Speaker 2: be today, it may not be tomorrow, it may not 65 00:04:07,280 --> 00:04:10,640 Speaker 2: be this year or next year, but there will be 66 00:04:11,000 --> 00:04:14,040 Speaker 2: other victims found because we see him. Why do I 67 00:04:14,080 --> 00:04:17,520 Speaker 2: say that, Because we see him already leaving the Mannibal 68 00:04:17,600 --> 00:04:20,960 Speaker 2: area burial area, and we see him going to kill go. 69 00:04:22,000 --> 00:04:25,560 Speaker 2: We see activity in multiple places, and I guarantee you 70 00:04:25,600 --> 00:04:27,640 Speaker 2: there's another place I don't know where. 71 00:04:27,560 --> 00:04:30,240 Speaker 1: We got thirty years now. And not only are there 72 00:04:30,279 --> 00:04:33,839 Speaker 1: going to be more victims, I think you're gonna see 73 00:04:33,880 --> 00:04:37,479 Speaker 1: twenty five thirty victims before this thing is completely done. 74 00:04:38,000 --> 00:04:40,640 Speaker 2: All you have to do is go back and see 75 00:04:40,680 --> 00:04:45,640 Speaker 2: whenever his wife left town. That's when there's gonna be killings, 76 00:04:45,680 --> 00:04:48,719 Speaker 2: at least one killings, and remember one killing. And remember 77 00:04:48,720 --> 00:04:51,400 Speaker 2: she's from out of the country, so her trips wouldn't 78 00:04:51,400 --> 00:04:54,960 Speaker 2: be a weekend at grandma's. Her trusts will be two weeks, 79 00:04:55,000 --> 00:04:58,000 Speaker 2: three weeks a month at Grandma's out of the country 80 00:04:58,520 --> 00:04:59,800 Speaker 2: with the children. 81 00:05:00,040 --> 00:05:03,320 Speaker 1: Plenty of time to do his stalking, his hunting, his prep, 82 00:05:04,080 --> 00:05:07,400 Speaker 1: the days of torture and then the body prep and 83 00:05:07,440 --> 00:05:09,720 Speaker 1: then disposal. But you know, I want to talk to 84 00:05:09,760 --> 00:05:11,960 Speaker 1: you a little bit about the John Douglas book that 85 00:05:12,080 --> 00:05:12,480 Speaker 1: was there. 86 00:05:12,839 --> 00:05:14,480 Speaker 2: I want to talk about you. I want to talk 87 00:05:14,480 --> 00:05:19,000 Speaker 2: to you about the thumbpins. He even wrote a note 88 00:05:19,040 --> 00:05:21,400 Speaker 2: to himself, I'm sure you've seen Dexter. It's one of 89 00:05:21,440 --> 00:05:24,040 Speaker 2: the only things that got me through my pregnancy. Dexter, 90 00:05:24,240 --> 00:05:27,880 Speaker 2: as we all know, the star of a fantasy about 91 00:05:27,880 --> 00:05:30,240 Speaker 2: a good guy serial killer is the only way I 92 00:05:30,240 --> 00:05:33,760 Speaker 2: can put it. Would always wrap the room and plastic 93 00:05:33,880 --> 00:05:38,159 Speaker 2: before he dismembered, killed and dismembered his victim. In this case, 94 00:05:38,279 --> 00:05:44,320 Speaker 2: we see Hureman writing to himself a note that says, 95 00:05:44,839 --> 00:05:49,280 Speaker 2: don't use tape to hold up the canvas, use thumbtacks. 96 00:05:50,880 --> 00:05:56,200 Speaker 2: Words to that effect. So he would actually cote the rooms, 97 00:05:56,440 --> 00:06:00,600 Speaker 2: cure the room. And that's why for a says couldn't 98 00:06:00,600 --> 00:06:05,400 Speaker 2: find as much DNA hair fibers as they had hoped 99 00:06:05,440 --> 00:06:08,200 Speaker 2: to find of the victims, because this guy was totally 100 00:06:08,960 --> 00:06:13,480 Speaker 2: wrapping the room, apparently in canvas, and then I believe 101 00:06:13,680 --> 00:06:19,120 Speaker 2: burning it because notes he took for himself set to 102 00:06:19,240 --> 00:06:22,880 Speaker 2: burn clothing, burn the clothing that he wore, so extrapolating, 103 00:06:22,920 --> 00:06:26,880 Speaker 2: he would burn the canvas that he draped the room. 104 00:06:27,320 --> 00:06:30,720 Speaker 1: The preparation, the time that he put into it, the 105 00:06:30,760 --> 00:06:33,520 Speaker 1: time that he took with the victim, the time that 106 00:06:33,560 --> 00:06:36,800 Speaker 1: he took with the disposal. I'm going to say again 107 00:06:36,880 --> 00:06:39,920 Speaker 1: what I have said from the very beginning. This is 108 00:06:40,080 --> 00:06:43,440 Speaker 1: all he does. There ain't no such thing as a 109 00:06:43,480 --> 00:06:46,440 Speaker 1: part times hero killer. This is what he spent his 110 00:06:46,520 --> 00:06:48,599 Speaker 1: money on. This is what he spent his time doing. 111 00:06:49,320 --> 00:06:53,120 Speaker 1: Everything he did was thinking about killing. 112 00:06:53,600 --> 00:06:56,920 Speaker 2: That's all he was thinking about. He was thinking about 113 00:06:57,560 --> 00:07:01,600 Speaker 2: getting off. It was thinking of about the sexual pleasure 114 00:07:02,000 --> 00:07:08,760 Speaker 2: and the ejaculation that would be his main goal in stalking, capturing, 115 00:07:09,080 --> 00:07:15,000 Speaker 2: woo wooing the victim. Because I personally spoke to one 116 00:07:15,040 --> 00:07:19,200 Speaker 2: of the women that he contacted. They went out to 117 00:07:19,360 --> 00:07:21,920 Speaker 2: a restaurant. He tried to get her to go with 118 00:07:22,000 --> 00:07:25,560 Speaker 2: him out to Long Island. He made all these plans 119 00:07:25,560 --> 00:07:28,400 Speaker 2: about how she would get there, but no plans about 120 00:07:28,440 --> 00:07:32,080 Speaker 2: how she would get back home. As she told me 121 00:07:32,400 --> 00:07:35,200 Speaker 2: right to my face, she got totally skewed out and 122 00:07:35,320 --> 00:07:38,920 Speaker 2: ran out of the restaurant. So it was a wooing 123 00:07:39,000 --> 00:07:42,320 Speaker 2: process where he would identify the victim, contact the victim, 124 00:07:42,680 --> 00:07:47,400 Speaker 2: woo the victim, trick the victim subdue her torture, her, 125 00:07:47,840 --> 00:07:53,120 Speaker 2: keep her for sex torture for days on end, and 126 00:07:53,160 --> 00:07:58,160 Speaker 2: then he would relive it by the planning notes and 127 00:07:58,600 --> 00:08:01,000 Speaker 2: starting the process all over again. I mean, think about it. 128 00:08:01,040 --> 00:08:03,480 Speaker 2: I'm not a hunter, But what about these men that 129 00:08:03,640 --> 00:08:06,360 Speaker 2: get up in those of what do you say, dear Sands. 130 00:08:06,600 --> 00:08:09,640 Speaker 2: I guess you know he's with me, David, but you 131 00:08:09,800 --> 00:08:11,800 Speaker 2: like to say he or do you want everybody to 132 00:08:11,840 --> 00:08:14,720 Speaker 2: y else? To shut up? David? At fourthly he just 133 00:08:14,760 --> 00:08:18,000 Speaker 2: actually says, shut up David. Now that that's what I 134 00:08:18,040 --> 00:08:21,120 Speaker 2: call Stockholm says, we're right there. But I mean, can 135 00:08:21,360 --> 00:08:24,680 Speaker 2: you know these guys that will go out no offense. 136 00:08:24,760 --> 00:08:26,800 Speaker 2: I don't care you go hunt. All you want to 137 00:08:26,960 --> 00:08:29,200 Speaker 2: is just not for me, dear saying yes, dear San 138 00:08:30,000 --> 00:08:33,560 Speaker 2: They'll sit up there in a raincoat for days and 139 00:08:33,679 --> 00:08:37,040 Speaker 2: they love it. See I would not like that, but 140 00:08:37,120 --> 00:08:41,720 Speaker 2: I want them to enjoy themselves. He Rex Huerman loved 141 00:08:42,000 --> 00:08:44,800 Speaker 2: the taste and he got off on it. 142 00:08:48,960 --> 00:08:50,960 Speaker 1: I want to get back to the John Douglas book. 143 00:08:51,160 --> 00:08:53,960 Speaker 1: He's got this book on his coffee table that is 144 00:08:54,040 --> 00:08:59,920 Speaker 1: all about mutilation and sexual violence. Reading John Douglas's book 145 00:09:00,280 --> 00:09:04,360 Speaker 1: was poorn to him, no doubt about it. 146 00:09:04,880 --> 00:09:09,480 Speaker 2: I'm just thinking about that, I think of Okay, here's something. 147 00:09:10,559 --> 00:09:12,880 Speaker 2: Every time I try a case, especially in murder case, 148 00:09:13,280 --> 00:09:17,520 Speaker 2: I'd learn something new, and I would not only learn 149 00:09:17,559 --> 00:09:20,160 Speaker 2: something new, I would identify things that I was doing 150 00:09:20,240 --> 00:09:24,520 Speaker 2: completely wrong. That's Awkwards. Well, you know people have these 151 00:09:24,559 --> 00:09:29,320 Speaker 2: horrible dreams where they show up to class and uh, 152 00:09:30,480 --> 00:09:34,200 Speaker 2: they're naked. Okay, you know I have a recurring dream 153 00:09:34,640 --> 00:09:36,840 Speaker 2: where I stand up in front of a huge you know, 154 00:09:36,920 --> 00:09:39,160 Speaker 2: eighty people and a judge, that defendant, a fleet of 155 00:09:39,200 --> 00:09:42,040 Speaker 2: defense layers, and I stand up to start the impaneling 156 00:09:42,080 --> 00:09:44,240 Speaker 2: process for the jury, and I can I remember the 157 00:09:44,280 --> 00:09:49,400 Speaker 2: foreign paneling questions? You know by heart, right, I've had 158 00:09:49,400 --> 00:09:51,920 Speaker 2: that same horrible dream over and over, and I'm immediately 159 00:09:51,960 --> 00:09:55,480 Speaker 2: started looking for al Dixon. Do you remember that, God 160 00:09:55,520 --> 00:09:58,280 Speaker 2: rest his soul immediately, you know, trying to find el 161 00:09:58,360 --> 00:10:00,640 Speaker 2: Dixon to send me a copy of the grand jury 162 00:10:00,679 --> 00:10:02,880 Speaker 2: and paneling quest This is the same dream over and 163 00:10:02,920 --> 00:10:07,679 Speaker 2: over and over again. Bottom line, you learn your own 164 00:10:07,840 --> 00:10:11,880 Speaker 2: errors and you try to perfect them next time around. 165 00:10:12,120 --> 00:10:13,600 Speaker 2: That's what Hureman was doing. 166 00:10:14,200 --> 00:10:16,960 Speaker 1: I believe that, But I also believe there's an element 167 00:10:17,440 --> 00:10:22,840 Speaker 1: he could not get the level of twistedness that he wanted. 168 00:10:23,280 --> 00:10:24,079 Speaker 2: Is that a word? 169 00:10:24,200 --> 00:10:29,320 Speaker 1: It is now? Now think about it, though, Nancy. Everything 170 00:10:29,360 --> 00:10:32,480 Speaker 1: he could find online would be made up. This was 171 00:10:32,640 --> 00:10:36,480 Speaker 1: real victims, real cases that he could read about and 172 00:10:36,600 --> 00:10:38,640 Speaker 1: fantasize about and then go try. 173 00:10:39,280 --> 00:10:42,800 Speaker 2: I'm just wondering, you know. We know they went back 174 00:10:43,320 --> 00:10:46,080 Speaker 2: La law Enforce and went back into human's home in 175 00:10:46,160 --> 00:10:50,040 Speaker 2: the last days. What could they possibly have missed the 176 00:10:50,040 --> 00:10:53,120 Speaker 2: first time they practically tore the whole thing apart. I 177 00:10:53,240 --> 00:10:56,600 Speaker 2: just wonder what, of course we'll we'll find out when 178 00:10:56,640 --> 00:11:01,000 Speaker 2: this goes to trial. But that floppy discasically a handbook 179 00:11:01,040 --> 00:11:06,360 Speaker 2: of how to that he himself wrote, I cannot wait 180 00:11:07,000 --> 00:11:10,600 Speaker 2: to see what all what is in there? And I 181 00:11:10,640 --> 00:11:15,240 Speaker 2: would I would give you one hundred dollars Cheryl McCollum 182 00:11:15,720 --> 00:11:18,880 Speaker 2: if I could hand that over to the jury and 183 00:11:19,000 --> 00:11:22,160 Speaker 2: go through it page I'd love to blow up each 184 00:11:22,360 --> 00:11:25,600 Speaker 2: page and look at each word, even the word selection 185 00:11:26,280 --> 00:11:28,000 Speaker 2: of how he referred to the. 186 00:11:27,960 --> 00:11:30,559 Speaker 1: Victimy line, word for word, yep. 187 00:11:31,000 --> 00:11:35,800 Speaker 2: Word for a word, Cheryl oh h l N. Nobody's 188 00:11:35,920 --> 00:11:43,880 Speaker 2: leaving this courtroom through every page of that, every page. 189 00:11:43,840 --> 00:11:47,720 Speaker 1: Because again, that's what he wrote, that's what he was 190 00:11:47,800 --> 00:11:51,520 Speaker 1: concentrating on. That's what was important to him, this target. 191 00:11:51,840 --> 00:11:54,920 Speaker 1: Don't forget the body washed, don't forget rope, don't forget 192 00:11:55,000 --> 00:11:55,400 Speaker 1: to get. 193 00:11:55,280 --> 00:11:58,280 Speaker 2: Some can just go over it just that quickly. When 194 00:11:58,320 --> 00:12:00,760 Speaker 2: you say body wash, you may me think I'm in 195 00:12:00,840 --> 00:12:03,960 Speaker 2: some fancy hotel and they have those little containers of 196 00:12:04,200 --> 00:12:07,600 Speaker 2: quote body wash, a liquid soap. It sounds to me 197 00:12:07,720 --> 00:12:13,559 Speaker 2: like I'm squirting some sweet smelling, flowery, pinkish colored jel 198 00:12:13,679 --> 00:12:16,480 Speaker 2: or maybe green like peppermine. I don't know. 199 00:12:16,480 --> 00:12:18,120 Speaker 1: No, he was. 200 00:12:18,120 --> 00:12:27,360 Speaker 2: Cleaning out every havity, every body, havity, everything under the fingernails, 201 00:12:27,520 --> 00:12:31,960 Speaker 2: chopping the hands off so there would be absolutely no 202 00:12:32,760 --> 00:12:36,800 Speaker 2: phrase hadas left behind. And you call it a body wash. 203 00:12:36,880 --> 00:12:39,600 Speaker 1: I believe that's what he called it. That's why I 204 00:12:39,640 --> 00:12:43,440 Speaker 1: said it that way in his manifesto. So he's reminding 205 00:12:43,559 --> 00:12:47,240 Speaker 1: himself to do these things, to go get these you know, 206 00:12:47,480 --> 00:12:49,240 Speaker 1: the cat litter and everything. 207 00:12:49,520 --> 00:12:52,200 Speaker 2: I believe I would call this a manifesto. I would 208 00:12:52,240 --> 00:12:53,160 Speaker 2: call this a how to. 209 00:12:53,640 --> 00:12:56,320 Speaker 1: Well, they called it a blueprint, which. 210 00:12:56,120 --> 00:12:59,120 Speaker 2: I guess, yes, yes, really light, which goes back to 211 00:12:59,160 --> 00:13:00,520 Speaker 2: his architectural roots. 212 00:13:00,720 --> 00:13:03,440 Speaker 1: Mm hmmm. This show does just like I think the 213 00:13:03,480 --> 00:13:05,480 Speaker 1: way he put the victims out, I think a lot 214 00:13:05,520 --> 00:13:08,679 Speaker 1: of those things. He could not stop being who he 215 00:13:08,920 --> 00:13:09,840 Speaker 1: was at his core. 216 00:13:10,200 --> 00:13:12,200 Speaker 2: Let's talk about that again. I love the way you 217 00:13:12,240 --> 00:13:14,679 Speaker 2: described that, the way he laid out the victims. 218 00:13:14,880 --> 00:13:18,520 Speaker 1: They're all lined up just on this shore edge and 219 00:13:18,559 --> 00:13:20,960 Speaker 1: it if you think about it, it looks like a city. 220 00:13:21,280 --> 00:13:24,760 Speaker 1: Those are his buildings, those are his masterpieces. To me, 221 00:13:25,120 --> 00:13:27,600 Speaker 1: that's what it looks like. The way there's space. You've 222 00:13:27,640 --> 00:13:30,640 Speaker 1: got some you know, gathered close here. You've got one 223 00:13:30,679 --> 00:13:32,679 Speaker 1: off kind of to the side, and it goes straight 224 00:13:32,800 --> 00:13:35,559 Speaker 1: down is parallel right with the road. 225 00:13:36,360 --> 00:13:40,640 Speaker 2: Just wondering how his wife and children are responding to this, 226 00:13:40,760 --> 00:13:44,120 Speaker 2: because I know she's doing a reality show and making 227 00:13:44,160 --> 00:13:47,880 Speaker 2: a lot of money off of it too, And I 228 00:13:47,880 --> 00:13:51,280 Speaker 2: guess there'll be a memoir I Married a serial Killer, 229 00:13:51,720 --> 00:13:54,680 Speaker 2: My life with the Long Island serial Killer. But of 230 00:13:54,679 --> 00:13:56,560 Speaker 2: course that's I got to come out to lifeter the trial, 231 00:13:57,440 --> 00:13:58,760 Speaker 2: and she's going to have to have a lot of 232 00:13:58,800 --> 00:14:02,160 Speaker 2: joll house business that she can talk about. And then 233 00:14:02,200 --> 00:14:05,400 Speaker 2: I guess some TV stud network will pick it up 234 00:14:05,440 --> 00:14:08,040 Speaker 2: and make it a mini series. That's what's going to happen. 235 00:14:08,440 --> 00:14:13,280 Speaker 1: Well, you're talking about three hundred and fifty electronic devices. 236 00:14:14,080 --> 00:14:19,440 Speaker 1: You're talking about different computers where he's put literally the 237 00:14:19,480 --> 00:14:22,720 Speaker 1: playbook of how he does it. You're talking about putting 238 00:14:22,800 --> 00:14:26,320 Speaker 1: up tarts. Now that's great, but you and I both 239 00:14:26,400 --> 00:14:31,600 Speaker 1: know cleaning a crime, saying, is nearly impossible. I don't 240 00:14:31,640 --> 00:14:34,120 Speaker 1: care what you put down. I don't care how well 241 00:14:34,200 --> 00:14:37,160 Speaker 1: you think you've got everything covered with tarts and everything else. 242 00:14:38,280 --> 00:14:43,600 Speaker 1: One splatter, one hair, one fingernail. It's hard for me 243 00:14:43,680 --> 00:14:46,680 Speaker 1: to believe there wasn't evidence all over that house. And 244 00:14:46,760 --> 00:14:49,880 Speaker 1: I want to ask you something. Why do you think 245 00:14:50,640 --> 00:14:54,200 Speaker 1: they took paint chips from the outside of that house 246 00:14:54,320 --> 00:14:56,160 Speaker 1: and wenda did. 247 00:14:56,640 --> 00:15:04,560 Speaker 2: The paint Did they find something? Wow, examination under a microscope, 248 00:15:04,800 --> 00:15:08,880 Speaker 2: maybe a mass spictometer that could match up to the 249 00:15:08,920 --> 00:15:11,640 Speaker 2: paint hips. There had to be here's. 250 00:15:11,440 --> 00:15:15,240 Speaker 1: What's fascinating to me. On the outside of the house. 251 00:15:15,440 --> 00:15:17,640 Speaker 1: So that means she was either trying to crawl out 252 00:15:17,640 --> 00:15:19,880 Speaker 1: a window. I mean, how does a paint chip get 253 00:15:19,960 --> 00:15:22,080 Speaker 1: on you from the outside of a house. 254 00:15:22,400 --> 00:15:25,240 Speaker 2: Well, it could have been something as simple as a struggle, 255 00:15:26,200 --> 00:15:30,480 Speaker 2: because remember I believe I recall a witness stating they 256 00:15:30,560 --> 00:15:34,840 Speaker 2: saw a woman naked running for the house. They saw 257 00:15:34,960 --> 00:15:39,360 Speaker 2: it was one of the victims or running from the house. 258 00:15:39,880 --> 00:15:42,560 Speaker 2: I believe it's a taxi cab driver. Somebody in the 259 00:15:42,640 --> 00:15:45,320 Speaker 2: camp saw a woman running out of the house. I 260 00:15:45,400 --> 00:15:49,400 Speaker 2: can't remember if she was clothed or unclothed, And I'm wondering, 261 00:15:49,480 --> 00:15:53,000 Speaker 2: was there some sort of altercation where the woman the 262 00:15:53,080 --> 00:15:57,120 Speaker 2: victim was pushed up against the house. Maybe she had 263 00:15:57,280 --> 00:16:02,000 Speaker 2: a cut or an a brage into her elbow or 264 00:16:02,000 --> 00:16:03,520 Speaker 2: the back of her arm, or the back of her 265 00:16:03,560 --> 00:16:07,440 Speaker 2: head where she was pushed up against the house. All 266 00:16:07,520 --> 00:16:12,520 Speaker 2: these years later, they get one tiny particle of a 267 00:16:12,600 --> 00:16:15,840 Speaker 2: chemical of paint and you. 268 00:16:15,760 --> 00:16:18,240 Speaker 1: Can see the difference in paint in layer. We did 269 00:16:18,240 --> 00:16:21,040 Speaker 1: it all the time with car accidents, no question. I 270 00:16:21,120 --> 00:16:23,240 Speaker 1: just didn't know if it was, like you're saying, through 271 00:16:23,280 --> 00:16:26,120 Speaker 1: a struggle or through an escape attempt. 272 00:16:26,600 --> 00:16:30,000 Speaker 2: But same thing where the part of the body comes 273 00:16:30,000 --> 00:16:32,680 Speaker 2: in contact with it, and it would have to be 274 00:16:32,800 --> 00:16:38,000 Speaker 2: forceful for that to stay, to adhere to the skin 275 00:16:38,760 --> 00:16:43,800 Speaker 2: and be able to be discovered this many years later. 276 00:16:44,360 --> 00:16:49,000 Speaker 2: And you know, that's really amazing, Cheryl, that all these 277 00:16:49,120 --> 00:16:56,960 Speaker 2: years later, these women's bodies will be States Witness Number one. 278 00:16:57,560 --> 00:17:02,440 Speaker 2: What their bodies will reveal or is it clues because 279 00:17:02,480 --> 00:17:06,679 Speaker 2: they got to give it to Huerman. He got rid 280 00:17:06,760 --> 00:17:10,359 Speaker 2: of a lot of evidence. Then he would leave a 281 00:17:10,480 --> 00:17:15,840 Speaker 2: glaring clues like the avalanche, you know, the truck sitting 282 00:17:15,880 --> 00:17:17,440 Speaker 2: part out in front of his house. 283 00:17:22,400 --> 00:17:25,719 Speaker 1: One question we had early on was where they killed, 284 00:17:26,000 --> 00:17:28,560 Speaker 1: and I mean really early on in the truck in 285 00:17:28,640 --> 00:17:30,560 Speaker 1: the woods on the side of the road, like where 286 00:17:30,560 --> 00:17:34,600 Speaker 1: were they killed? Well, now we know with the surgical 287 00:17:34,640 --> 00:17:38,680 Speaker 1: blankets that are leak proof by the way, that even 288 00:17:38,720 --> 00:17:42,800 Speaker 1: in transport they were bleeding. And for some of these 289 00:17:42,800 --> 00:17:46,959 Speaker 1: women that he strangled and all that we know now 290 00:17:47,640 --> 00:17:52,240 Speaker 1: some were stabbed with straight edge weaponry. So you've got 291 00:17:52,280 --> 00:17:55,159 Speaker 1: this picture that has been painted now that absolutely he 292 00:17:55,320 --> 00:17:59,280 Speaker 1: used the home, no doubt about it. He took great time. 293 00:17:59,440 --> 00:18:02,040 Speaker 1: He took more time than maybe we even originally thought. 294 00:18:02,560 --> 00:18:05,600 Speaker 1: I thought sometimes maybe it was overnight, but now I 295 00:18:05,600 --> 00:18:07,200 Speaker 1: believe absolutely it was days. 296 00:18:07,600 --> 00:18:10,400 Speaker 2: Oh. I think these women were tortured for days on end. 297 00:18:10,880 --> 00:18:12,920 Speaker 2: And I think that every time his wife went out 298 00:18:12,960 --> 00:18:14,439 Speaker 2: of town he would get a new victim. 299 00:18:14,760 --> 00:18:17,560 Speaker 1: I do too, But I also think there was maybe 300 00:18:17,720 --> 00:18:19,760 Speaker 1: one or two that he just couldn't wait for her 301 00:18:19,800 --> 00:18:23,720 Speaker 1: to leave. And he was a real quick like hit 302 00:18:23,720 --> 00:18:25,840 Speaker 1: it and quit it kind of thing. He didn't have 303 00:18:25,960 --> 00:18:28,320 Speaker 1: time to do a three day deal. But I don't 304 00:18:28,359 --> 00:18:30,800 Speaker 1: think he only killed when they were out of town. 305 00:18:30,920 --> 00:18:32,920 Speaker 1: I don't think he's got that kind of self control. 306 00:18:33,480 --> 00:18:36,800 Speaker 2: I don't know. I don't know how he could. Well, yeah, 307 00:18:36,840 --> 00:18:39,679 Speaker 2: you're right, you're right, because they were not all dismembered, 308 00:18:40,240 --> 00:18:43,840 Speaker 2: it could be a very quick process. He wouldn't have 309 00:18:43,920 --> 00:18:46,359 Speaker 2: to wait every time. Yeah, you're right, And. 310 00:18:46,240 --> 00:18:48,399 Speaker 1: That's what I was saying. Like Bundy, he dismembered some, 311 00:18:48,560 --> 00:18:50,719 Speaker 1: but he didn't dismember all of them. Some he just 312 00:18:50,720 --> 00:18:53,080 Speaker 1: bludgeons real quick with the logs. Some he strangled with 313 00:18:53,119 --> 00:18:56,879 Speaker 1: their own pantyhose. I think he is such a sexual 314 00:18:57,000 --> 00:19:00,880 Speaker 1: pervert that he was trying all kinds of stuff different times, 315 00:19:01,200 --> 00:19:05,040 Speaker 1: and he didn't always have the opportunity to have the 316 00:19:05,080 --> 00:19:08,280 Speaker 1: house to himself. And I think he made amends. 317 00:19:08,560 --> 00:19:12,320 Speaker 2: You know what, little mon fact Bundy would actually post 318 00:19:12,440 --> 00:19:17,240 Speaker 2: mortem bathe the victims, put on their put on makeup, 319 00:19:17,280 --> 00:19:21,399 Speaker 2: apply makeup to them, and redo their hair. Oh. I 320 00:19:21,440 --> 00:19:24,480 Speaker 2: don't know how you and I can even function in society, Cheryl, 321 00:19:24,520 --> 00:19:27,000 Speaker 2: when we have to analyze this all the time. 322 00:19:27,440 --> 00:19:29,080 Speaker 1: Here's how we do it. We ain't gonna end on 323 00:19:29,119 --> 00:19:32,720 Speaker 1: something negative. I want to do a real quick crime 324 00:19:32,840 --> 00:19:36,280 Speaker 1: con roundup, and I got to talk about you. I've 325 00:19:36,320 --> 00:19:37,880 Speaker 1: told you this story before, but. 326 00:19:38,200 --> 00:19:41,720 Speaker 2: You do know I'm going about, let's say, seventy nine 327 00:19:41,800 --> 00:19:44,560 Speaker 2: miles an hour on the interstate, trying to get home 328 00:19:44,560 --> 00:19:47,080 Speaker 2: to the children right now, and here I am talking 329 00:19:47,080 --> 00:19:50,200 Speaker 2: about Ted Bludee having sex with a dead body and 330 00:19:50,280 --> 00:19:53,280 Speaker 2: end applying makeup to it. Dear lord, I got to 331 00:19:53,320 --> 00:19:55,040 Speaker 2: get this out of my head before I get home. 332 00:19:55,400 --> 00:19:57,800 Speaker 1: Well, I'm gonna do it right now. So you know, 333 00:19:58,359 --> 00:20:01,400 Speaker 1: me and Walt early on we were we didn't have cable. 334 00:20:01,760 --> 00:20:05,200 Speaker 1: You know, I did not realize how famous you got 335 00:20:05,359 --> 00:20:08,320 Speaker 1: so quick because we didn't have cable. Well, let me 336 00:20:08,359 --> 00:20:11,879 Speaker 1: tell you something, sister, kay. When I get into that 337 00:20:12,000 --> 00:20:15,040 Speaker 1: room and I saw your buddy John and he's like, yeah, 338 00:20:15,119 --> 00:20:16,600 Speaker 1: she's right in there, and I said, well, I hadn't 339 00:20:16,600 --> 00:20:18,560 Speaker 1: even seen her all weekend. I got to go, you know, Hugger, 340 00:20:18,600 --> 00:20:22,040 Speaker 1: real quick, y'all. I walked in a room, Nellie. 341 00:20:22,160 --> 00:20:26,680 Speaker 2: When there was a te TV camera going up until 342 00:20:26,680 --> 00:20:28,800 Speaker 2: then you right by me in the hallway. 343 00:20:29,040 --> 00:20:33,760 Speaker 1: That's right. I didn't know who she was. Seriously, that 344 00:20:34,359 --> 00:20:37,560 Speaker 1: place was as big as an airplane hanger, and people 345 00:20:37,600 --> 00:20:41,080 Speaker 1: were wrapped around it, and then out the door, down 346 00:20:41,160 --> 00:20:44,040 Speaker 1: the hall, and y'all here was the funniest thing ever. 347 00:20:44,160 --> 00:20:46,120 Speaker 1: I was kind of blown away because I'm like, look 348 00:20:46,119 --> 00:20:48,640 Speaker 1: at all these people that just want to say hey 349 00:20:48,640 --> 00:20:51,480 Speaker 1: to her, just want to meet her, just you know, deservedly. 350 00:20:51,520 --> 00:20:54,359 Speaker 1: So but I'm just saying, there was thousands of people. 351 00:20:54,880 --> 00:20:57,159 Speaker 1: So I walk up and I'm kind of standing to 352 00:20:57,200 --> 00:21:00,600 Speaker 1: the side because Nancy. One thing that blows my mind 353 00:21:00,640 --> 00:21:05,040 Speaker 1: about you is you speak to every single person. You 354 00:21:05,080 --> 00:21:07,320 Speaker 1: don't rush them, you don't get in a hurry, and 355 00:21:07,359 --> 00:21:09,040 Speaker 1: you are not a flight attendant. You know, a flight 356 00:21:09,080 --> 00:21:11,359 Speaker 1: attendant's thank you for flying, good ny, goodbye, thank you 357 00:21:11,400 --> 00:21:12,119 Speaker 1: for flying, good. 358 00:21:12,000 --> 00:21:12,640 Speaker 2: Night, goodbye. 359 00:21:13,000 --> 00:21:16,800 Speaker 1: You don't do that. You say something unique to every person, 360 00:21:17,200 --> 00:21:20,640 Speaker 1: which is mind boggling. But then you catch my eye 361 00:21:21,000 --> 00:21:23,040 Speaker 1: and you say, hey, come here, let's do a quick video. 362 00:21:23,480 --> 00:21:28,040 Speaker 1: And what do you say, shut up, David so here. 363 00:21:30,040 --> 00:21:33,520 Speaker 1: So we had we had I don't know, two thousand 364 00:21:33,520 --> 00:21:36,040 Speaker 1: people crack up with us at the same time. But 365 00:21:36,119 --> 00:21:39,320 Speaker 1: I just appreciated watching you. You're so gracious and you're 366 00:21:39,320 --> 00:21:39,919 Speaker 1: so kind. 367 00:21:40,240 --> 00:21:43,320 Speaker 2: I appreciate that. But it's not me. It is not me. 368 00:21:43,560 --> 00:21:46,479 Speaker 2: You know why people are in a line. People are 369 00:21:46,480 --> 00:21:50,720 Speaker 2: in a line because somewhere along the way, I was 370 00:21:50,840 --> 00:21:53,880 Speaker 2: lucky enough, blessed enough to get to tell a story. 371 00:21:54,760 --> 00:21:59,000 Speaker 2: And whatever story that was, it touched them like it 372 00:21:59,080 --> 00:22:03,159 Speaker 2: touches me and you. Every single time it touched them, 373 00:22:03,760 --> 00:22:08,240 Speaker 2: that touched their lives and maybe it changed something about 374 00:22:08,280 --> 00:22:12,280 Speaker 2: their life. Because I'm gonna tell you, you know, the 375 00:22:12,359 --> 00:22:14,119 Speaker 2: first thing I'm gonna do when I get home tonight, 376 00:22:14,200 --> 00:22:17,479 Speaker 2: I'm gonna find Lucy. I'm gonna find John David. I'm 377 00:22:17,520 --> 00:22:20,640 Speaker 2: gonna force them into a group PUG which they hate. 378 00:22:21,440 --> 00:22:24,800 Speaker 2: I'm gonna hold one. It's very awkward for them, not 379 00:22:24,920 --> 00:22:28,760 Speaker 2: for me. I'm gonna hold on like there is no tomorrow. 380 00:22:28,880 --> 00:22:32,120 Speaker 2: And every case I cover makes me appreciate my time 381 00:22:32,160 --> 00:22:36,600 Speaker 2: with them, and my time was shut up David even. 382 00:22:37,240 --> 00:22:39,640 Speaker 2: And what I'm saying is it's not It really is 383 00:22:39,680 --> 00:22:44,720 Speaker 2: not me at some moment, some story, some case, some 384 00:22:44,800 --> 00:22:48,080 Speaker 2: crime victim, some moment when we've actually found a child 385 00:22:48,160 --> 00:22:50,959 Speaker 2: we're looking for, or we've had a happy resolution for 386 00:22:51,000 --> 00:22:55,200 Speaker 2: once or twice. And that's that's why people wait. That's 387 00:22:55,240 --> 00:22:59,919 Speaker 2: what they want justice. They want the right thing to happen. 388 00:23:00,359 --> 00:23:03,080 Speaker 2: They want that child to found, they want that ahold 389 00:23:03,160 --> 00:23:05,159 Speaker 2: to go to jail the rest of his life, and 390 00:23:05,240 --> 00:23:08,400 Speaker 2: I've just been lucky enough to get to tell those stories. 391 00:23:08,520 --> 00:23:09,760 Speaker 2: That's what it is right there. 392 00:23:10,359 --> 00:23:12,679 Speaker 1: Well, I love that you said it that way, but 393 00:23:12,800 --> 00:23:15,160 Speaker 1: you know, there's a lot of hard work and that luck, 394 00:23:15,280 --> 00:23:17,240 Speaker 1: and there's a lot of long nights and a lot 395 00:23:17,280 --> 00:23:20,800 Speaker 1: of tears and blood and sweat. So I just appreciate you. 396 00:23:21,240 --> 00:23:23,399 Speaker 1: And I tell people all the time that being in 397 00:23:23,440 --> 00:23:26,840 Speaker 1: this job, I know for a fact, has made me 398 00:23:26,880 --> 00:23:29,840 Speaker 1: a better parent, has made me a better wife. I 399 00:23:29,880 --> 00:23:33,240 Speaker 1: don't take anything for granted, and that includes your friendship. 400 00:23:33,680 --> 00:23:35,440 Speaker 1: So I appreciate you so much. 401 00:23:36,280 --> 00:23:40,280 Speaker 2: Cheerl Are we ever ever gonna sit down and have 402 00:23:40,320 --> 00:23:42,560 Speaker 2: a cup of coffee? I guess not. Why do I 403 00:23:42,560 --> 00:23:44,560 Speaker 2: even keep saying that that's never gonna happen. 404 00:23:44,720 --> 00:23:47,000 Speaker 1: Stop offering coffee and I might show up. 405 00:23:47,440 --> 00:23:50,320 Speaker 2: You know I'm a teacher. You know that I'm sorry. 406 00:23:51,200 --> 00:23:52,880 Speaker 2: I guess I got slip a little bit of something 407 00:23:52,920 --> 00:23:55,439 Speaker 2: into your decaf, and don't think of getting falterers. You 408 00:23:55,480 --> 00:23:58,200 Speaker 2: know what I've been doing. Hopefully he's not paying any attention. 409 00:23:58,320 --> 00:24:00,879 Speaker 2: He's got his earpiece in his ear for years and 410 00:24:00,960 --> 00:24:05,760 Speaker 2: years and years. David thinks he's getting Folgers instant. No way. 411 00:24:06,600 --> 00:24:11,080 Speaker 2: I go to Dollar Tree, I get like ten and 412 00:24:11,119 --> 00:24:14,960 Speaker 2: I keep putting it into the Folgress could take her everyone. 413 00:24:15,320 --> 00:24:18,840 Speaker 2: This coffee is so good, I'm like, it ain't just 414 00:24:18,920 --> 00:24:19,879 Speaker 2: the best ever. 415 00:24:20,600 --> 00:24:23,040 Speaker 1: That man can't get a birthday gift. He can't get 416 00:24:23,080 --> 00:24:26,679 Speaker 1: a decent he can't get a decent cup of coffee. 417 00:24:27,520 --> 00:24:30,560 Speaker 2: He doesn't know any better. He's over there just listening 418 00:24:30,600 --> 00:24:32,679 Speaker 2: to some book on tape, not paying one bit of 419 00:24:32,680 --> 00:24:33,760 Speaker 2: attention to what I'm saying. 420 00:24:33,760 --> 00:24:35,600 Speaker 1: I'm so happy. 421 00:24:36,760 --> 00:24:38,680 Speaker 2: So yes, you can come over and have some Dollar 422 00:24:38,680 --> 00:24:39,879 Speaker 2: Tree gets some coffee with me. 423 00:24:40,359 --> 00:24:42,160 Speaker 1: Yep, we're gonna do it next week and then we'll 424 00:24:42,160 --> 00:24:42,800 Speaker 1: talk about it. 425 00:24:42,960 --> 00:24:44,080 Speaker 2: Okay, we'll talk about it. 426 00:24:44,080 --> 00:24:48,119 Speaker 1: Bye, love you, honey. I'm Cheryl McCollum and this is 427 00:24:48,160 --> 00:24:50,760 Speaker 1: the Crime Round Up with Zones Heaven 428 00:25:00,320 --> 00:25:00,359 Speaker 2: No