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Speaker 1: Yo, it's a rap right off podcast. My name is

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Speaker 1: beat Dot Elliot Wilson Ellie. Good to see you man,

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Speaker 1: because to see you brother man, Yo, yo, beat out.

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Speaker 1: We made it man. I saw you at the Spot, man,

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Speaker 1: saw me at the Apolo, you trying to be low.

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Speaker 1: I saw ye out there. You know what I was

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Speaker 1: that he was at the Apollo, the Drake show. I

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Speaker 1: saw you unite one. I saw yea out there showtime

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Speaker 1: at the What a show man, What a show it was. Man,

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Speaker 1: shout out to Drake and the whole Over your guys.

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Speaker 1: Then when you told me it's coming out to overp

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Speaker 1: over my dead body, you had you had to scoop

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Speaker 1: on that early right over my dead body. I know

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Speaker 1: a guy. I can't down to you out here, man,

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Speaker 1: I was like, okay. And to see him come out

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Speaker 1: with over my dead body, had the bedroom like he

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Speaker 1: was you know back in the day, had the heat

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Speaker 1: fan like he was in mama's house, trying to get

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Speaker 1: it together as a rapper man, but authentic Yo, Retty

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Speaker 1: bringing the theatric city Apollo. Man. I was used to

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Speaker 1: seeing that. Yeah, Man, I mean that was like the

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Speaker 1: most I've seen the Apollo as far as attendance wise,

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Speaker 1: like that was most people I've ever seen in the venue.

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Speaker 1: I don't even know what he could take the chairs out,

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Speaker 1: yeah yeah, set the tone be like when we came

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Speaker 1: in the VIP thing, like it was crazy, right yeah, man,

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Speaker 1: I saw um it was like I said, it was

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Speaker 1: a lot of people there. Um. I talked to Boogie Dash,

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Speaker 1: Dame Dash's son, Um yeah, Snoop Dogg's son, Cordell. He

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Speaker 1: we had chopped it up briefly. And then you know,

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Speaker 1: of course I saw Cordette cortest a rap right up

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Speaker 1: podcast on them. He was protest Bryant yep. And of

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Speaker 1: course some of the OVO guys um like Chubs and

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Speaker 1: forty and Rocks they wall in the building as well,

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Speaker 1: So it was it was a real good mix of people.

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Speaker 1: Only win night one. You went two nights, right yeah, yeah,

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Speaker 1: we're gonna get to that. We're gonna get to that.

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Speaker 1: But you know what that one I was. I was

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Speaker 1: going away when I walked in, though, Like they had

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Speaker 1: ripped the seats out the whole bottom level right Like

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Speaker 1: it was like I didn't know you could do that,

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Speaker 1: the Apollo and I didn't know you could do that, man. Yeah,

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Speaker 1: Like that's how That's how the boy does it. Man.

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Speaker 1: So he had basically cleared out the whole bottom level

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Speaker 1: and open bar whatever you want to drink that had

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Speaker 1: the lobos on it to kill. You know, I'm gonna

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Speaker 1: let to kill a blanca right now. You know this

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Speaker 1: is no sponsor, but shout lobos. You know what I'm saying.

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Speaker 1: They had that. Um yeah, So I was just born

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Speaker 1: away by that, you know what, was kicking it with

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Speaker 1: too beat out. You're not gonna You're not gonna believe it, man,

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Speaker 1: zay low man me and oh yeah yeah, Zaylo was

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Speaker 1: in the building. Man, it was shopping it up. It

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Speaker 1: was good to really, you know, I never really kicked

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Speaker 1: it with him to talk to him. It was really

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Speaker 1: a good time, man. Yeah. And then you know, the

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Speaker 1: boy did this thing right like and then he brought

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Speaker 1: the dip set out for the home team. He brought

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Speaker 1: dip set out. I was kind of like rerun on

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Speaker 1: what's happening. I was bootlegging a little bit of it

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Speaker 1: on the live stream. Oh yeah, Arents is loving you,

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Speaker 1: the kids that they were loving you out there for

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Speaker 1: your bootlegs. Yeah. I had to, you know, I had

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Speaker 1: to represent for the culture. Yeah, get that love stream

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Speaker 1: real out real quick out here the love stream love streams. Yeah, man,

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Speaker 1: And you know what's ill is about Drake? You know,

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Speaker 1: like you said, he came out to over my dead body,

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Speaker 1: and it just kind of reaffirmed what we already knew

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Speaker 1: about Drake. I felt like the B sides got a

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Speaker 1: lot of attention and it just like I said, it

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Speaker 1: felt like the people want those records and yeah, yeah,

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Speaker 1: and it's like Drake is one of the best to

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Speaker 1: ever do it. Man, if he if he's done your

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Speaker 1: top ten, I mean, what are you? What are you saying? Man?

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Speaker 1: Just tell me you're talking all time? You sunk all time?

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Speaker 1: He said that. Yeah, Drake is definitely a Hall of

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Speaker 1: Fame at this point. He's in Cooperstown, Canton. I mean whatever,

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Speaker 1: you what, I don't know what you want to rank

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Speaker 1: them through one through ten, but he's somewhere in there.

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Speaker 1: So yeah, undeniable man. Yeah. So the first whole first

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Speaker 1: set first, you know what, eight to ten songs was

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Speaker 1: mostly B side, right, think he did wuten forever he

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Speaker 1: did jaded like he was killings like I never seen

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Speaker 1: him do a lot of those records. Feeling the ways

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Speaker 1: I was a little disappointed. Then he started going to

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Speaker 1: the manly and the hits. I wanted him to at

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Speaker 1: least come back and do some more B sides, Like

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Speaker 1: he kind of the B sides in the front, you

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Speaker 1: know what I mean, Like and even some joints. It's

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Speaker 1: like with technically singles could have been you know, like

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Speaker 1: trophies or zero to one hundred like you know, like

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Speaker 1: a lot of the B sides though, were like battle records.

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Speaker 1: And I know he doesn't want to do that, but

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Speaker 1: you know, I wanted a little more B side, But

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Speaker 1: I can't get mad man, Like he evially smashed it,

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Speaker 1: and you could just tell he was so happy, like

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Speaker 1: post pandemic to be out there and you know, doing

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Speaker 1: this thing. Man. And then when twenty one came out,

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Speaker 1: like they got they got the youth right now, man,

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Speaker 1: him in twenty one they was doing that twenty one.

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Speaker 1: Can you do something for me? Things like super Out

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Speaker 1: That was like one of the loudest pops you know

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Speaker 1: in the crowd that night. Yeah, you know, yeah, rich

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Speaker 1: Flex definitely gets the people going. Man. The novel. He

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Speaker 1: has so many records. He could, like you say, could

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Speaker 1: pull from the old He could pull from the new

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Speaker 1: even some of the records that not necessarily got the

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Speaker 1: biggest response, you know, commercially, they still go. Yeah. So

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Speaker 1: I think that's just a testament to Drake's greatness. Man,

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Speaker 1: it was a great time speaking of going. Man, you

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Speaker 1: know me be that I said I wanted to go

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Speaker 1: to both shows. I get real greedy out here. Man,

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Speaker 1: I'm sorry, I'm old and greedy. I think I'm going

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Speaker 1: to and from jump Future to Princes, you know, shout

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Speaker 1: out Future to Prince. He told me, you know, it

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Speaker 1: might not be able to happen. You know, it's a

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Speaker 1: little hectic, you know, pick one night, pick one night.

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Speaker 1: So Saturday I reached out, I got in, there was

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Speaker 1: no problem, blah blah. And then when I was there

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Speaker 1: at the end, I ran into Future. I ran into forty.

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Speaker 1: Shout out forty. I saw him for him and I

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Speaker 1: was basically going to areas I didn't belong. I didn't

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Speaker 1: have the badge, basically just used my face card to

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Speaker 1: kind of act like up along. And then Future was like, yo,

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Speaker 1: you messed up. I'm like, wait, what I do wrong?

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Speaker 1: What I do wrong? So the Future was mad at

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Speaker 1: me because not only did I text him about the show.

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Speaker 1: I also texted Drake, so I guess Drake said to him, like, Yo,

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Speaker 1: you're gonna take care elliot, blah blah. And I guess

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Speaker 1: he got irritated because I already added him directly, you

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Speaker 1: know what I mean. So he was like, yo, you

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Speaker 1: know na man, So he was gonna give me a

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Speaker 1: little bit of attitude. I was a future You asked

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Speaker 1: mom and Dad said no, that's mom and Dad. I said,

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Speaker 1: just asked Dad. I went to both. I I messed up,

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Speaker 1: made a rookie move, but I'm sorry. I fucked up.

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Speaker 1: So then I'm scramble. I'm like, damn, I got to

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Speaker 1: get to the second show though, and it's raining and ship,

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Speaker 1: but I'm still like fucking I'm undeterred. I'm in New York.

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Speaker 1: You know, I'm visiting. I'm a California person out because

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Speaker 1: you know, be that. So I'm visiting. I need to

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Speaker 1: get to, you know, the most out of my situation.

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Speaker 1: So I was like, let me hit me easy. You

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Speaker 1: know twenty one Savages manager, uh, you know, he hasn't

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Speaker 1: been getting back to us. We've been trying to get

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Speaker 1: twenty one on the show full transparency, and he hasn't

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Speaker 1: really gotten back to us, right. But when I asked

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Speaker 1: for the tickets, he all of a sudden he hit

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Speaker 1: me back and he was like, yeah, I got you,

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Speaker 1: as long as he couldn't give me a plus one.

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Speaker 1: But he was like, yeah, I got you. But bus

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Speaker 1: so I got in there off easy shout out me

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Speaker 1: easy man twenty one twenty one. You know what I'm saying.

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Speaker 1: So I got to say, but you know you didn't

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Speaker 1: mis say to be out. The first night was better

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Speaker 1: than the second night. I'm gonna be honest with you.

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Speaker 1: So does this make you slow the game? That's all

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Speaker 1: I want to ceo slow the gang CEO, like, you know,

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Speaker 1: slowter Gates letting a lot of light skinned brothers there

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Speaker 1: right now, right, So Drake Bay opened the door for me. Man,

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Speaker 1: I might be slowter game man before hell man, I'm like, now,

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Speaker 1: but your night was better be that. But I should

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Speaker 1: have been like you just chilling on the night too. Man.

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Speaker 1: It was raining out there, it was cold with you

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Speaker 1: know what I'm saying, Just I should have just lay low?

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Speaker 1: What's up with all? So I'll go back to California

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Speaker 1: and me be after the show. I gotta be my

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Speaker 1: ass home. But now I'm looking on my timeline. Every

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Speaker 1: other night there's some hip hop shit of the Apollo.

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Speaker 1: Little Kim's tearing it down. Yep, she's bringing Lola out.

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Speaker 1: You know, it's the hot Lola, you know, a hot

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Speaker 1: song right now. And then I see they finally put

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Speaker 1: the Maze cam J. They show together the Free Headed

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Speaker 1: Monster Day out there doing horse and carriage. What's going

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Speaker 1: on in the city, but that what's going on. It's

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Speaker 1: showed time at the Apolo. Man though Steve Harvey needed it.

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Speaker 1: But it's good to see, you know, the Apolo Theater

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Speaker 1: becoming a viable place, and not to say it never was,

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Speaker 1: but you know, to see talent back in Hallom, you know, performing,

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Speaker 1: you know, it's just a great vibe. I mean I

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Speaker 1: didn't go to those shows, but you know, I saw

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Speaker 1: a couple of clips, you know, circling online. So it's

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Speaker 1: a good venue. You know, there's not too many venues

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Speaker 1: in New York City anymore. A lot of them got

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Speaker 1: shut down. So you know, I think this is good

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Speaker 1: that people can remembering that the Apollo is still a

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Speaker 1: great space to perform at. Take it up town, But

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Speaker 1: she was chilling. You don't want to take it up time.

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Speaker 1: You know, I want to John, that's all I need.

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Speaker 1: Popolo Knights now that not too many up all the

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Speaker 1: nights though. I'm gonna keep my black ass and queens

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Speaker 1: man all right, man, but how hear you coming to

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Speaker 1: California be the you know one a week when the

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Speaker 1: eve of was potentially the next Rock Nation brunch. Man,

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Speaker 1: I'm looking at my email. I don't see my invite yet.

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Speaker 1: I don't know what's going on. And we're saying gonna

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Speaker 1: see what's gonna happen is this is a tough week

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Speaker 1: for us. Man, We're gonna know probably about you know,

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Speaker 1: as we taking us on a Sunday that we're probably

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Speaker 1: gonna do the next twenty four forty eight hours if

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Speaker 1: we're invited to the Rock Nation brus to share. How

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Speaker 1: are you feeling? Man? Here feeling confident? What's going on

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Speaker 1: with you right now? How are you feeling? I brought

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Speaker 1: it be a suit because it costed a lot of money.

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Speaker 1: I don't know how y'all see it when it comes

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Speaker 1: to the ruck. You gotta get old dB on man.

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Speaker 1: I feel good, you know, I think that's always It's

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Speaker 1: been three years since the last one, and um, it's

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Speaker 1: always the most h talked about event of the Grammy weekend.

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Speaker 1: I think it's more exciting than the actual Grammys. It's

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Speaker 1: like the hip hop prom everyone you know suited and booted,

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Speaker 1: and it's really a great atmosphere of real convivial kind

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Speaker 1: of vibe. And I'm going forward to it, man, like

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Speaker 1: I'm looking forward to it. So you said you had

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Speaker 1: a souper. Now you may be switching the program last

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Speaker 1: minute you're doing. Yeah, man, I might do a wardrobe change.

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Speaker 1: I might bring two suits just in case because I

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Speaker 1: don't know which whatever I mean. You know what I mean,

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Speaker 1: You're gonna switch in the middle of the event, or

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Speaker 1: you coming going to cut it up? Like you know,

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Speaker 1: I always enjoyed myself when I'm there, So I'm looking

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Speaker 1: forward to it. I'm looking forward to that than an

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Speaker 1: actual ceremony. So you know what I'm saying, I gotta

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Speaker 1: I gotta see my invite in my inbox before I

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Speaker 1: go out to buy a super Man. I'll buy a

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Speaker 1: new sup but I can't move yet, man, I gotta

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Speaker 1: know what I'm saying. I gotta make sure I secure

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Speaker 1: the bag. I'm secured. You know what I'm saying. We'll

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Speaker 1: see how it goes. Man, But I don't listen. I

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Speaker 1: don't have an invitation either. We're just gonna cut through

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Speaker 1: the back door. Nah nah, Man at the work man,

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Speaker 1: Man catering, catering, be the light skinned janitor again, that's

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Speaker 1: not me. Mann. We gotta get right, man, please, Yeah,

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Speaker 1: we'll get right. Hopefully we have a story to tell,

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Speaker 1: a positive one next week. Yeah. Well, look, we manifested

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Speaker 1: last last episode that we would getting into the trade joint.

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Speaker 1: That worked out, So we manifested. We're putting a good

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Speaker 1: vibe together that we're gonna make it to the to

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Speaker 1: the brunch man. You know, you know, no hard feelings

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Speaker 1: either way, but you know, feel fingers across. I feel

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Speaker 1: good about it. I think we'll be good. We'll be good,

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Speaker 1: all right. Nobody's better than sits out here? Man. Seven

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Speaker 1: weeks and number one? What's going on with sitsar Man? Shit,

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Speaker 1: she's doing it. I might need to rap rate our

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Speaker 1: podcast when hello, Hello, get to get top on the phone.

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Speaker 1: Wor it up now. But we're all working, man. We

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Speaker 1: just came off this Atlanta run. Like we told people earlier,

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Speaker 1: we're about to go to Atlanta. Make things seems happen.

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Speaker 1: So I'm in Atlanta. I'm like, yo, I see on

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Speaker 1: the timeline that currencies and in Atlanta, what you made

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Speaker 1: the pre that making some music? Because I hit him up,

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Speaker 1: I'm like, yo, how long are you in Atlanta? You

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Speaker 1: know He's like, yeah, I'm here a couple days. Blaha.

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Speaker 1: I was like, yo, man, beat up, coming down and

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Speaker 1: take these episodes. Let's get something done like blab Boss

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Speaker 1: and they said it was with it. So I hit

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Speaker 1: beat Out in the group chat. We have this group

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Speaker 1: tex with our producer Laura. I was like, yo, I

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Speaker 1: didn't even get Currency and j D. And I'm thinking, like,

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Speaker 1: as be gonna say yes, don't the Quiet Troopers that

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Speaker 1: beat Out is very selective about the guests we put

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Speaker 1: them to rapperate or podcast. Man, It's true, he'd be

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Speaker 1: shutting people down. I'd be like, yo, we can make

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Speaker 1: it work, and beat I'll be like, nah, no, we

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Speaker 1: ain't doing it. But I said that, and then be

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Speaker 1: like of course, yeah, yeah we can do that, blahlah blah.

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Speaker 1: Then when we sit with them, I'll come to find

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Speaker 1: out that basically beat Out the reason these guys got together.

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Speaker 1: Man's Jermaine Dupre and Currency Hey, man, listen, I don't

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Speaker 1: I don't talk about my wins or just let the

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Speaker 1: work speak for itself, you know, beat out for a reason. Yeah,

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Speaker 1: but you know, I quietly connected the dots between Jermaine

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Speaker 1: Dupri and currency and I want a small executive producer

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Speaker 1: credit on the project. Yeah, good luck with that. Good

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Speaker 1: luck with that. Now. When we went down there, Yo,

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Speaker 1: what was it like for you to be a social

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Speaker 1: death studios? Man? A lot of story stuff downe there, man, Yeah,

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Speaker 1: that was like my first time ever going then. Um,

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Speaker 1: it's just like your eyes just wander. All you see

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Speaker 1: is like a row of plaques and just like all

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Speaker 1: those plaques have stories behind them. Man, such a lot

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Speaker 1: of cool artifacts in his studio. And Jermaine Dupri himself

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Speaker 1: is a living legends, so it's always good to pick

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Speaker 1: his brain and you know, talk to him about some

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Speaker 1: of the records that m I grew up listening to.

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Speaker 1: You know, it isn't it crazy? Like it's I mean,

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Speaker 1: I see people saying, like, you know, it's an odd pairing.

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Speaker 1: It's an odd pairing, Like I get to this odd pairing.

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Speaker 1: But like the music, the music didn't making it. Look

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Speaker 1: there's a lot of chemistry between them, Like it's amazing,

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Speaker 1: Like I didn't expect this to work so well from

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Speaker 1: what we heard they played us about four or five

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Speaker 1: songs and that Yeah, you know, yeah I can front

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Speaker 1: man like Currency. Currency is one of the most prolific

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Speaker 1: artists in the game, right, and he's always putting out

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Speaker 1: of music, Like he puts out music like it's going

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Speaker 1: out of style. But he sounds reinvigorated in in a

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Speaker 1: lot of ways, not in like in a bad way,

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Speaker 1: but it's just more so like like he's he just

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Speaker 1: founds like he's in his groove of JD behind him,

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Speaker 1: you know, like yeah, yeah, he's loving it. He's loved

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Speaker 1: and you could you could you could tell when in

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Speaker 1: the ROMs, Like it's kind of really hard to explain,

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Speaker 1: but I think the fans will get where I'm coming

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Speaker 1: from when they listen to the music and they had

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Speaker 1: once on it. Plus when they were like getting bad

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Speaker 1: people and making lists and not being on lists and something,

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Speaker 1: I felt like they might have been doing some dart

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Speaker 1: your way man with the list and all that. The lists. Hey,

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Speaker 1: it's okay, it's okay, you'll say about the hand the

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Speaker 1: fees them, you brought it together. Man, they say, clapping back,

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Speaker 1: you brought them together. The clapping back. Most kings get

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Speaker 1: the head cut off. Elliot's all right, j D Baby,

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Speaker 1: don chi Chi, don chi Chi Man, don chi Chi

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Speaker 1: and spinner Man Yos and the fans love. The first

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Speaker 1: time we got with currency back in New Orleans. We

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Speaker 1: went to like a church and stuff. And remember he

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Speaker 1: was like, he was so ampty. We just flew down

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Speaker 1: the interview him. He thought he was like on something

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Speaker 1: like New Orleans Press run. He was like, I know

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Speaker 1: you're gonna see Solange and I'm like, Noah, we see

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Speaker 1: Solange man for you, Like it's just what it is,

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Speaker 1: you know. Yeah, that was fun. I mean time goes

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Speaker 1: by so fast. I was like, what five six years ago?

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Speaker 1: Maybe it was that long ago. Wow, it's been spent

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Speaker 1: a while. I think I might be, you know, saucing it,

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Speaker 1: but I think it was like five six years ago.

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Speaker 1: We did that conversation and at a studio I think

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Speaker 1: it's a church converted studio or something like that. It's

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Speaker 1: always a good time spit us in the building. You'll

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Speaker 1: see they can't front of rap erate a podcast. Man.

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Speaker 1: We ain't new to this man. The you see us

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Speaker 1: out here in the open marketing. Man, all platforms, but

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Speaker 1: we put work in missus what twenty fifteen Beat said

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Speaker 1: we should do this twenty fifteen? Come on, man, been

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Speaker 1: a while. It's been a while. Man, if we got

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Speaker 1: something big coming up, we can't speak on the yep,

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Speaker 1: but my fingers is crossed. Beat, that brought something big

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Speaker 1: to the table. Man, just put your positive thoughts allway man,

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Speaker 1: that we make this thing work. Man, we're making some

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Speaker 1: big moves right now. You know what I'm saying. I

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Speaker 1: think this whole episode is gonna be entitled like positive vibes,

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Speaker 1: Positive positive vibes. Even though Jad Man, you don't he

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Speaker 1: don't take you don't know how to take a compliment, man,

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Speaker 1: Jady got that chip of the shoulder. Man, he don't

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Speaker 1: never get the respect he deserves. He'd like, yo, JD,

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Speaker 1: you hot out here. He's like, what you mean? I'm hot?

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Speaker 1: I've been hot? Like you don't know how to take

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Speaker 1: a commiment, man, JD. Part of Jamaine the Pre's genius

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Speaker 1: is that you know, he never feels like he gets

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Speaker 1: his just dude, That's what makes them to me, continue

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Speaker 1: to go hard, continue to make history, continue to show

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Speaker 1: you know how dope he is, you know, yeah, for sure.

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Speaker 1: I mean remember the first time we had JD on

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Speaker 1: I think I called him like my thirteen favorite producer

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Speaker 1: or something like that. He loved that. Yeah, you know

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Speaker 1: what I mean. So, you know, like you said that

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Speaker 1: Chip on the show, I think has always been the

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Speaker 1: battery in his back. Really. Yeah, inspired and motivated, and

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Speaker 1: you know, at the end of the day, I give JD.

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Speaker 1: You know, a lot of shit here and there, but

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Speaker 1: at the end of the day, he's a certified legend.

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Speaker 1: Let's be clear, Like he's iconic, certain goat status, coast status. Man.

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Speaker 1: So let's get into it, man, we get got to

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Speaker 1: go down to his his home base. Man, Social Death Studios. Man.

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Speaker 1: He keeps it real clean, the vegan lifestyle. He's drinking

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Speaker 1: like a gallon of water a day. Man, he's keeping

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Speaker 1: the skin right. Man. Shout Jamae the Prix boy. Man,

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Speaker 1: he's a real He's the real ice cream man, a

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Speaker 1: vegan ice cream. You know what I'm saying. Man, Tasty,

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Speaker 1: very tasty out there. And then currency, Man, why's currency?

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Speaker 1: Just like the coolest fool on the planet. Man, that

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Speaker 1: dude is just so cool and just so like he's

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Speaker 1: Comedy Central all the time. Yeah, currency is just like

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Speaker 1: living off life, man, Like his mom is good, the

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Speaker 1: jets are good, his son is great. Like he's just

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Speaker 1: chilling man. Like, it's hard to be mad at currency.

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Speaker 1: Someone said they're mad at currency. There's something wrong with you.

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Speaker 1: There's nothing wrong with you, man, It's nothing wrong with

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Speaker 1: the rapper of podcast. Man. Let's get it to a man,

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Speaker 1: Jermaine the pre currency man. They got a lot of

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Speaker 1: heat on the way. 're gonna be heating up the

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Speaker 1: whole year twenty twenty three. And we appreciate those exclusive anybody,

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Speaker 1: Like we set it off with this woman right right here. Definitely,

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Speaker 1: their inaugural conversation, noble conversation us getting to a manager

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Speaker 1: made the pre currency on the off podcast dast yeah,

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Speaker 1: rappering up podcast, Ellie Wilson, be that you know what's up?

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Speaker 1: Baby good Man? Were so deaf studios man, you know

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Speaker 1: what it is, y'all know what this I just recently

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Speaker 1: got that. I'm sorry if I blew my introduction. Definitely,

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Speaker 1: I definitely just got dad dropped on one of my

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Speaker 1: ren because je currency and making a goddamn music together

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Speaker 1: made the pre currency. Yeah, yeah, I think this is

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Speaker 1: hot one of the most highly anticipated albums of the

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Speaker 1: year because Instagram snippets and they played us like four

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Speaker 1: songs you know before we sat down and yeah, man, JD,

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Speaker 1: what's going on? Brother? You seemed like extra rejuvenated and

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Speaker 1: like this guy like how did this come together? I

399
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Speaker 1: don't even know what that mean? Actually, I don't know

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Speaker 1: what that means. I think, like I don't look mean,

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Speaker 1: that's what I do. I don't know. Huh, yeah, I

402
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Speaker 1: mean I don't know. You know, this is what he'd

403
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Speaker 1: been doing. Maybe other people rejuvenated other people My bad,

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Speaker 1: you stay, you stay. I'm you know what I did?

405
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Speaker 1: I did? I did. I thought about it because like

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Speaker 1: I have seen people reacting the way they're acting, and

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Speaker 1: they keep acting like I think rap has become so

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Speaker 1: popular and so big that niggas don't think it's other

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Speaker 1: music out there, right, because you know what I mean,

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Speaker 1: Like people be hitting me like damn, I ain't know

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Speaker 1: you make peach like this. I'm like, wait, wait a minute,

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Speaker 1: you missed you miss a linux record that you missed this.

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Speaker 1: There's at least other records that happened over the last year.

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Speaker 1: You missed these records or you you so I started

415
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Speaker 1: realizing that people probably not listening to nothing but rap music.

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Speaker 1: So you know what I mean, I think that's what

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Speaker 1: that's where that reaction is coming from. I think, so

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Speaker 1: people don't if I don't make no rap project, yeah,

419
00:18:44,800 --> 00:18:47,560
Speaker 1: then people like so maybe that's like you played one

420
00:18:47,600 --> 00:18:49,720
Speaker 1: song where you started the song off and you spitting

421
00:18:49,760 --> 00:18:51,520
Speaker 1: bars like, so do you he back in the rap

422
00:18:51,800 --> 00:18:54,040
Speaker 1: world where you like really like stating your ship. I

423
00:18:54,080 --> 00:18:56,199
Speaker 1: think that's inspiring. Yeah, I mean, like I said, I mean,

424
00:18:56,320 --> 00:18:59,399
Speaker 1: that's where I come from. Mommy, we got a million records,

425
00:18:59,400 --> 00:19:02,800
Speaker 1: were being him records every day. That's just what I do. Um.

426
00:19:03,400 --> 00:19:08,480
Speaker 1: But I'm also you know, R and B king some

427
00:19:08,720 --> 00:19:12,960
Speaker 1: kind of way, which is it's it's interesting, but it's

428
00:19:13,200 --> 00:19:15,880
Speaker 1: it's weird that people don't be like they only see

429
00:19:16,080 --> 00:19:18,719
Speaker 1: rap now, Like if you ain't making a rap records,

430
00:19:19,160 --> 00:19:21,320
Speaker 1: it don't seem like people be even knowing you make

431
00:19:21,440 --> 00:19:24,760
Speaker 1: music to me anyway, because I made you know what

432
00:19:24,760 --> 00:19:26,560
Speaker 1: I mean, Because I made a bunch of albums last

433
00:19:26,640 --> 00:19:28,639
Speaker 1: year yea, or not a bunch of albums, but I

434
00:19:28,720 --> 00:19:31,760
Speaker 1: made albums and it just put you know, just to

435
00:19:31,880 --> 00:19:35,080
Speaker 1: see people be like and I mean I think people

436
00:19:35,280 --> 00:19:37,600
Speaker 1: was really in the midst of this when you know,

437
00:19:37,680 --> 00:19:39,520
Speaker 1: when the when the Division record came out and they

438
00:19:39,560 --> 00:19:42,120
Speaker 1: had everybody talking about you know if I get caught

439
00:19:42,160 --> 00:19:45,320
Speaker 1: and it was like a viral thing. But I still

440
00:19:45,359 --> 00:19:49,520
Speaker 1: don't know that people honed in on oh he made that,

441
00:19:50,000 --> 00:19:53,960
Speaker 1: you know what I'm saying, because RB producers don't necessarily

442
00:19:54,119 --> 00:19:58,040
Speaker 1: have uh, like a thing about them, like they don't

443
00:19:58,359 --> 00:20:01,200
Speaker 1: stand out and be a star to next to the artist.

444
00:20:01,320 --> 00:20:04,560
Speaker 1: You know what I'm saying, don't know who did who?

445
00:20:04,600 --> 00:20:06,120
Speaker 1: You don't know who did it, you know what I'm saying,

446
00:20:06,200 --> 00:20:08,840
Speaker 1: Celine Dion, whoever. You don't know who's pressing the buttons

447
00:20:09,200 --> 00:20:11,240
Speaker 1: unless the motherfucker, you know what I'm saying, do it

448
00:20:11,320 --> 00:20:13,440
Speaker 1: like you and I have ship to whether it's no

449
00:20:13,800 --> 00:20:16,040
Speaker 1: you were involved, you know what I'm saying, But it

450
00:20:16,160 --> 00:20:18,399
Speaker 1: kind of the first step to the you know what

451
00:20:18,440 --> 00:20:21,560
Speaker 1: I'm saying, like that's not what happens and wrapped the

452
00:20:21,680 --> 00:20:23,760
Speaker 1: motherfucker right there with him, you know what I'm saying.

453
00:20:23,840 --> 00:20:28,159
Speaker 1: So you know, like, not dude, did this be like

454
00:20:28,320 --> 00:20:30,120
Speaker 1: the R and B records? Don't you know what I'm saying,

455
00:20:30,160 --> 00:20:32,120
Speaker 1: something a lot of shit like you didn't you don't

456
00:20:32,160 --> 00:20:34,320
Speaker 1: have a fucking big tag in the front of ship.

457
00:20:34,840 --> 00:20:36,920
Speaker 1: Motherfucker got to find out you did it, you know

458
00:20:36,960 --> 00:20:38,760
Speaker 1: what I'm saying, so that you can attack though you

459
00:20:38,800 --> 00:20:40,480
Speaker 1: said you was when you put that y'all know what

460
00:20:40,600 --> 00:20:43,560
Speaker 1: this is? Finally I wanted to Yeah, I thought, I

461
00:20:44,119 --> 00:20:47,480
Speaker 1: literally thought I was listening to another record. I was

462
00:20:47,560 --> 00:20:49,800
Speaker 1: like this this some other songs like somebody else, this,

463
00:20:49,920 --> 00:20:54,320
Speaker 1: somebody else. So dude, I knew I knew it. You

464
00:20:54,480 --> 00:20:56,960
Speaker 1: know what this is the first time you said it

465
00:20:57,280 --> 00:20:59,520
Speaker 1: where it came from? Yeah, I think the first time

466
00:20:59,560 --> 00:21:01,879
Speaker 1: I did it where people actually paid attention to it

467
00:21:02,520 --> 00:21:05,359
Speaker 1: was on grills with a Nelly record. When I did

468
00:21:05,400 --> 00:21:06,920
Speaker 1: it on a Netty record. But I always did it

469
00:21:07,040 --> 00:21:10,600
Speaker 1: as like I did it all like a whole monologue

470
00:21:10,640 --> 00:21:12,640
Speaker 1: in the front, like you know what I mean, We're

471
00:21:12,680 --> 00:21:14,760
Speaker 1: gonna start an epidemic with this, y'all know what this is?

472
00:21:14,840 --> 00:21:17,240
Speaker 1: And I said social death after it. I just start

473
00:21:17,320 --> 00:21:20,159
Speaker 1: taking that off and just start just saying, y'all know

474
00:21:20,280 --> 00:21:24,240
Speaker 1: this is right before the beat drop, and you know, yeah,

475
00:21:24,280 --> 00:21:26,040
Speaker 1: people be looking for it. I'd be trying. I'd be

476
00:21:26,160 --> 00:21:27,840
Speaker 1: all I get tired of this ship and be like,

477
00:21:27,920 --> 00:21:34,080
Speaker 1: I'm not doing that right, the whole project, Nigga, I'm

478
00:21:34,119 --> 00:21:38,760
Speaker 1: sitting in there, like, is this ship coming out? Bro

479
00:21:38,880 --> 00:21:40,760
Speaker 1: would have said that ship by now. If this ship

480
00:21:40,920 --> 00:21:43,080
Speaker 1: was for real? You know what I'm saying. He said

481
00:21:43,520 --> 00:21:46,240
Speaker 1: two days ago. That's even crazy too, Like people don't

482
00:21:46,280 --> 00:21:48,320
Speaker 1: feel like it's real till I say that, right. Yeah,

483
00:21:49,720 --> 00:21:51,280
Speaker 1: I was sitting right next to you, like, nah, Bro

484
00:21:51,440 --> 00:21:53,200
Speaker 1: just being nice because I said his name on the

485
00:21:53,280 --> 00:21:56,200
Speaker 1: hair Fraud record. He just don't know. He don't know

486
00:21:56,280 --> 00:21:58,280
Speaker 1: how to say thanks, So he's just like you know what, Bro,

487
00:21:58,359 --> 00:22:00,560
Speaker 1: come rap, That's where I started. You made a record

488
00:22:00,640 --> 00:22:02,359
Speaker 1: Jermaine d the pre beat that says he helped put

489
00:22:02,400 --> 00:22:04,679
Speaker 1: you guys together? Is that true? I want executive production

490
00:22:05,280 --> 00:22:10,400
Speaker 1: credit he did? Yeah, he definitely did. Yeah Bro, because connected,

491
00:22:11,320 --> 00:22:16,320
Speaker 1: but he done some good things. Yeah, yeah, what you

492
00:22:16,359 --> 00:22:19,399
Speaker 1: do now? So this partnership started from Collection Agency, right.

493
00:22:19,440 --> 00:22:21,359
Speaker 1: You had a record called Jamine the Prix, and you

494
00:22:21,400 --> 00:22:24,000
Speaker 1: know when the album dropped, I was like, Yo, joined

495
00:22:24,000 --> 00:22:29,879
Speaker 1: this I made he waved the band of fucking yellow.

496
00:22:30,200 --> 00:22:35,000
Speaker 1: He wouldn't the best song. Yeah, And that's how I know.

497
00:22:35,080 --> 00:22:36,760
Speaker 1: That's how I called it. I like that's how he

498
00:22:36,800 --> 00:22:39,760
Speaker 1: even that it happened. So I had sent Jermaine a

499
00:22:40,240 --> 00:22:42,600
Speaker 1: DM on Instagram like yo, currency has a song named

500
00:22:42,640 --> 00:22:45,080
Speaker 1: Nathew called Jermaine Dupre and then Jimmy is like word

501
00:22:45,200 --> 00:22:48,480
Speaker 1: and then the rest is history. Ye look, I look

502
00:22:48,520 --> 00:22:51,280
Speaker 1: at that based on the story, and all I wanted

503
00:22:51,480 --> 00:22:53,120
Speaker 1: was a beat. When he hit me, I'm like, dog,

504
00:22:53,200 --> 00:22:54,720
Speaker 1: just say he like, no, just come on, let's just

505
00:22:54,840 --> 00:22:57,119
Speaker 1: do a whole day. But why why did you decide

506
00:22:57,160 --> 00:22:59,600
Speaker 1: to name a song inspired by Jermaine? Because I was

507
00:23:00,240 --> 00:23:06,520
Speaker 1: by Jamaine and watching MTV cribs. Ro was walking him

508
00:23:06,560 --> 00:23:09,520
Speaker 1: through the garage and he went to the fucking you

509
00:23:09,680 --> 00:23:17,040
Speaker 1: had a Condon in this garage and motherfuckers didn't have that.

510
00:23:17,720 --> 00:23:20,640
Speaker 1: And then he fucking drew a line in the saying

511
00:23:20,720 --> 00:23:22,840
Speaker 1: I was like, if you don't have one of these,

512
00:23:23,080 --> 00:23:25,560
Speaker 1: now the big dog. So you have to stop saying that.

513
00:23:25,960 --> 00:23:28,399
Speaker 1: Everybody said there's a big dog. They don't have this,

514
00:23:28,520 --> 00:23:30,280
Speaker 1: you know what I'm saying. Drew the line with the

515
00:23:30,440 --> 00:23:34,200
Speaker 1: five eggs uh Downald Duck Iceberg. That was a moment

516
00:23:34,359 --> 00:23:36,600
Speaker 1: and I was like, that's that's what I would be

517
00:23:36,760 --> 00:23:39,320
Speaker 1: doing if I had that bread Like that's that's crazy.

518
00:23:39,359 --> 00:23:46,359
Speaker 1: I hope that I could get some shit like that Jain.

519
00:23:46,400 --> 00:23:48,080
Speaker 1: I feel like the first time I came to Atlanta

520
00:23:48,240 --> 00:23:50,639
Speaker 1: was a press junket when he was throwing out the

521
00:23:50,640 --> 00:23:53,560
Speaker 1: album money anything like from fourteen seventy two. I remember

522
00:23:53,600 --> 00:23:55,760
Speaker 1: coming to your house and you had like you had

523
00:23:55,760 --> 00:23:57,760
Speaker 1: all the rap magazines and you had the rob Report.

524
00:23:58,119 --> 00:24:00,080
Speaker 1: I don't even know what the fuck that was. I

525
00:24:00,160 --> 00:24:04,120
Speaker 1: was like Jamaine's that's a different level. So I learned

526
00:24:04,119 --> 00:24:05,560
Speaker 1: about it. Like I was like he had the rap bags,

527
00:24:05,600 --> 00:24:07,320
Speaker 1: he had the robber pot. I knew what that was. Right,

528
00:24:08,880 --> 00:24:10,520
Speaker 1: What did you think about it? Huh? When you heard

529
00:24:10,600 --> 00:24:13,119
Speaker 1: the record remain the pret what did you think I

530
00:24:13,320 --> 00:24:15,680
Speaker 1: was bugging? Because I'm like, you know, damn Nigga made

531
00:24:15,720 --> 00:24:19,880
Speaker 1: a song named me, right, that's not that's not that's

532
00:24:19,880 --> 00:24:22,399
Speaker 1: not that's not every day and that's not something that

533
00:24:22,520 --> 00:24:25,760
Speaker 1: you actually you know, I mean saying things that I

534
00:24:25,880 --> 00:24:28,320
Speaker 1: want to see happen in my career and even when

535
00:24:28,359 --> 00:24:30,200
Speaker 1: I was younger. But I never thought about that, Like

536
00:24:30,280 --> 00:24:33,680
Speaker 1: I never thought I would make a somebody else's on

537
00:24:33,840 --> 00:24:36,639
Speaker 1: the album, be a song on somebody else's album. So

538
00:24:37,080 --> 00:24:39,719
Speaker 1: I was I would, like I said, when when when

539
00:24:39,760 --> 00:24:41,480
Speaker 1: you sent it to me and I start checking it out,

540
00:24:41,520 --> 00:24:44,440
Speaker 1: I was just like, damn, I gotta make a record

541
00:24:44,480 --> 00:24:46,680
Speaker 1: with this nigga, Like you gotta do something. It don't

542
00:24:46,720 --> 00:24:48,680
Speaker 1: make you know what I mean, Like if it's the

543
00:24:48,760 --> 00:24:51,320
Speaker 1: last thing I do, I make a record with him

544
00:24:51,400 --> 00:24:53,320
Speaker 1: just for that because I feel like that you know,

545
00:24:53,720 --> 00:24:56,600
Speaker 1: that's a that's a stamp that you know that means that,

546
00:24:57,200 --> 00:24:59,600
Speaker 1: like you said, if I if I actually did that

547
00:24:59,680 --> 00:25:02,160
Speaker 1: to him, that makes me understand at least what I did,

548
00:25:02,560 --> 00:25:06,080
Speaker 1: yeah bout this career that I had. Ye ye, so

549
00:25:06,200 --> 00:25:07,840
Speaker 1: you flew down like what was the first meetings like?

550
00:25:07,920 --> 00:25:10,400
Speaker 1: And that why the chemistry hit to like because dude

551
00:25:10,480 --> 00:25:16,160
Speaker 1: was regular like humming like dude normal despite how many

552
00:25:16,240 --> 00:25:21,320
Speaker 1: plaques you walk by. Not he don't think he like

553
00:25:21,520 --> 00:25:24,160
Speaker 1: you know what I'm saying. On another planner and ship

554
00:25:24,320 --> 00:25:27,320
Speaker 1: bro regular like looking right now and everything just cool.

555
00:25:27,359 --> 00:25:29,040
Speaker 1: And I felt that shit. And second you know you

556
00:25:29,440 --> 00:25:31,960
Speaker 1: you know for show like if you want to play

557
00:25:32,000 --> 00:25:33,640
Speaker 1: ball with this nigga or not, you know what I'm saying,

558
00:25:33,640 --> 00:25:35,960
Speaker 1: if you pick them you want them or not? And

559
00:25:36,080 --> 00:25:38,159
Speaker 1: seconds you can tell you know what I'm saying. And

560
00:25:38,320 --> 00:25:40,120
Speaker 1: that's what it was. I think we did the same

561
00:25:40,240 --> 00:25:43,080
Speaker 1: thing to each other with the seconds and was like

562
00:25:43,200 --> 00:25:45,080
Speaker 1: all right, it just stepped on the gas like this

563
00:25:45,240 --> 00:25:48,320
Speaker 1: fuck it. It was on, yeah, straight up and then

564
00:25:48,920 --> 00:25:51,320
Speaker 1: fucking the dog pound hit me up. Dads hit me

565
00:25:51,359 --> 00:25:54,160
Speaker 1: because they see me in here smoking. It was like nigga.

566
00:25:54,760 --> 00:25:56,520
Speaker 1: We used at the go in the bathroom the smoke

567
00:25:56,640 --> 00:25:59,080
Speaker 1: like because dude didn't want nobody smoking in that bitch.

568
00:25:59,160 --> 00:26:03,080
Speaker 1: Like you remember that broke you broke through a barrier

569
00:26:06,160 --> 00:26:09,760
Speaker 1: right now. I used to be you know, when you

570
00:26:09,840 --> 00:26:11,879
Speaker 1: get a new studio, I mean, you know, I've had

571
00:26:11,960 --> 00:26:14,399
Speaker 1: this place for a while soon, but when you get

572
00:26:14,480 --> 00:26:16,520
Speaker 1: the new studio, you kind of like and I never

573
00:26:16,600 --> 00:26:20,639
Speaker 1: wanted my studio to smell like we um. I just

574
00:26:20,800 --> 00:26:25,280
Speaker 1: didn't at the time. You know, I smell like huh no,

575
00:26:25,359 --> 00:26:28,359
Speaker 1: I don't. But I thought I've been in a couple

576
00:26:28,359 --> 00:26:32,719
Speaker 1: of places where like, yeah, I'm probably the only one

577
00:26:32,840 --> 00:26:36,800
Speaker 1: come through. We're even gonna try Brad, oh, Bra, Brad

578
00:26:36,840 --> 00:26:44,600
Speaker 1: blow it down? Yeah big? But have you done you know,

579
00:26:44,680 --> 00:26:47,320
Speaker 1: albums with one producer in the past, like Alchemists continue

580
00:26:47,359 --> 00:26:49,720
Speaker 1: with Harry Frog. What makes it different this time around?

581
00:26:50,119 --> 00:26:54,720
Speaker 1: It's nothing that we're doing that's making it different, honestly,

582
00:26:55,440 --> 00:26:57,920
Speaker 1: Like Bro said, like that's what he'd been doing, and

583
00:26:58,040 --> 00:26:59,960
Speaker 1: this is what I've been doing, you know what I'm saying.

584
00:27:00,000 --> 00:27:03,600
Speaker 1: And it's just I had never like we just never

585
00:27:03,720 --> 00:27:05,960
Speaker 1: had our shot, you know what I'm saying. That's that's

586
00:27:06,000 --> 00:27:09,080
Speaker 1: flat out just what it is bro like um and

587
00:27:09,200 --> 00:27:11,960
Speaker 1: the fact that we were so cool and the ship

588
00:27:12,119 --> 00:27:14,639
Speaker 1: just so easy to do. It's just it's just sounding.

589
00:27:14,840 --> 00:27:18,720
Speaker 1: It sounds how that sound, And that's that's that is

590
00:27:18,720 --> 00:27:21,960
Speaker 1: the different The only differences the reaction from my listeners

591
00:27:22,400 --> 00:27:27,000
Speaker 1: because they have never seen me on a level like that.

592
00:27:27,480 --> 00:27:30,399
Speaker 1: Not to take nothing away from alor nobody else, you know,

593
00:27:30,520 --> 00:27:33,360
Speaker 1: like we live in the underground. No matter how big

594
00:27:33,640 --> 00:27:36,080
Speaker 1: we have gotten, you know what I'm saying, we still

595
00:27:36,320 --> 00:27:40,360
Speaker 1: it is that way soul for me to walk through

596
00:27:40,440 --> 00:27:44,879
Speaker 1: this hallway to record like my listeners is like damn

597
00:27:45,040 --> 00:27:47,760
Speaker 1: like bro like on something else. So they they tripping,

598
00:27:48,119 --> 00:27:50,560
Speaker 1: That's what's making it like that, you know what I'm saying.

599
00:27:50,680 --> 00:27:55,119
Speaker 1: And a lot of naysayers of mine who probably figured

600
00:27:55,200 --> 00:27:58,119
Speaker 1: like somebody or his caliber wouldn't fuck with me or

601
00:27:58,160 --> 00:27:59,920
Speaker 1: wouldn't be able to find like what they could do

602
00:28:00,119 --> 00:28:02,080
Speaker 1: with my sound, you know what I'm saying, So they

603
00:28:02,200 --> 00:28:04,359
Speaker 1: shocked and they fucked with it. Too none, you know

604
00:28:04,359 --> 00:28:06,880
Speaker 1: what I'm saying. That's that's the only thing that that's

605
00:28:06,920 --> 00:28:09,040
Speaker 1: what's making the difference. People who didn't really fuck with

606
00:28:09,160 --> 00:28:11,720
Speaker 1: me fucking with it because of that, and they didn't

607
00:28:11,760 --> 00:28:13,840
Speaker 1: know it was gonna be that that that dope. So

608
00:28:14,000 --> 00:28:18,440
Speaker 1: they they're trying to apologize for being bitches forever, you

609
00:28:18,480 --> 00:28:20,920
Speaker 1: know what I'm saying. So they just they just all

610
00:28:21,040 --> 00:28:23,280
Speaker 1: like that. That's the difference. That seems like you're spending

611
00:28:23,280 --> 00:28:25,520
Speaker 1: a lot of time in Atlanta, right yeah, bro, cool,

612
00:28:25,760 --> 00:28:27,280
Speaker 1: Like if I fuck with you, I'm gonna pull up

613
00:28:27,320 --> 00:28:31,680
Speaker 1: in anguige. You know it's no, it don't matter. We

614
00:28:31,840 --> 00:28:34,320
Speaker 1: might not even do do shit, you know what I'm saying.

615
00:28:34,440 --> 00:28:35,920
Speaker 1: Just like if I could just come through and just

616
00:28:36,040 --> 00:28:37,440
Speaker 1: kick it, I'm gonna just come through and kick it.

617
00:28:37,560 --> 00:28:40,200
Speaker 1: So so yeah, that's that's why. That's why, you know

618
00:28:40,240 --> 00:28:41,840
Speaker 1: what I'm saying. It's almost like a movement you're building,

619
00:28:41,920 --> 00:28:44,440
Speaker 1: right you guys dropping the EP and then possibly another EP,

620
00:28:44,600 --> 00:28:48,000
Speaker 1: right yeah, no, possibly. There's too many records in there. Yeah,

621
00:28:48,160 --> 00:28:49,800
Speaker 1: there's too many records in there. It's gonna be like

622
00:28:49,960 --> 00:28:53,120
Speaker 1: three of them. I wanted to do a whole album.

623
00:28:53,720 --> 00:28:55,360
Speaker 1: I wanted to do all out on me. I'm wanted

624
00:28:55,400 --> 00:29:01,600
Speaker 1: a double book. But but like three days ago, bro

625
00:29:01,800 --> 00:29:03,719
Speaker 1: drop the bombers like, look, we're just gonna drop now.

626
00:29:03,720 --> 00:29:05,840
Speaker 1: I was like, all right, you know what I'm saying.

627
00:29:06,120 --> 00:29:08,280
Speaker 1: You really gonna say? You know what I'm saying? All right, bam.

628
00:29:08,600 --> 00:29:11,280
Speaker 1: So riding back to the spot, I thought about them, like, nah,

629
00:29:11,360 --> 00:29:14,760
Speaker 1: that shit cool because just like when y'all heard the records,

630
00:29:14,840 --> 00:29:19,600
Speaker 1: y'all heard motherfuckers like playing some no yeah yeah. So

631
00:29:19,720 --> 00:29:21,200
Speaker 1: you know what I'm saying, that's what we're gonna do

632
00:29:21,360 --> 00:29:24,240
Speaker 1: to the game. When we dropped that, man, y'all know,

633
00:29:24,320 --> 00:29:26,680
Speaker 1: y'all because it just went for the whole fourteen fifteen

634
00:29:26,800 --> 00:29:29,120
Speaker 1: like nah, I don't trip, it's coming in a minute.

635
00:29:29,160 --> 00:29:31,600
Speaker 1: And then you take it upon yourself creative playlist, you

636
00:29:31,720 --> 00:29:34,280
Speaker 1: got the whole joint and then would drop your seven

637
00:29:34,400 --> 00:29:37,840
Speaker 1: more as needed. We're just being the airplane flying over

638
00:29:37,880 --> 00:29:41,360
Speaker 1: by many in trouble down there. It just drops. Get y'all,

639
00:29:41,400 --> 00:29:43,440
Speaker 1: little cat package. How did you come up with that?

640
00:29:43,560 --> 00:29:46,720
Speaker 1: Jvu um? I mean, well, well, first of all, let's

641
00:29:46,840 --> 00:29:48,480
Speaker 1: let me say this. This is all it's a real

642
00:29:49,160 --> 00:29:52,520
Speaker 1: old wall project. We're gonna do a tour, We're gonna

643
00:29:52,520 --> 00:29:54,200
Speaker 1: do it. We're gonna go out and we're gonna do

644
00:29:54,600 --> 00:29:58,800
Speaker 1: basically the seven songs from the first the ep UM

645
00:29:59,520 --> 00:30:02,000
Speaker 1: and I just feel like, like, I feel like the

646
00:30:02,680 --> 00:30:05,000
Speaker 1: add that people have when they listen to music. It's

647
00:30:05,040 --> 00:30:08,840
Speaker 1: so much music coming out, you know, let's keep people thirsty.

648
00:30:09,000 --> 00:30:11,880
Speaker 1: And I feel like, you know, you know, we started

649
00:30:11,880 --> 00:30:14,520
Speaker 1: working on this last year, so we we we found

650
00:30:16,160 --> 00:30:20,560
Speaker 1: everybody done nothing like that in my life, never done

651
00:30:20,560 --> 00:30:23,320
Speaker 1: anything like that in my life. First day I hung

652
00:30:23,360 --> 00:30:25,320
Speaker 1: with bro, I thought we were dropping the songs that

653
00:30:25,440 --> 00:30:34,760
Speaker 1: we did that night, as that sounds like it's posted

654
00:30:34,840 --> 00:30:37,479
Speaker 1: this these niggas waiting on this ship to drop at midnight.

655
00:30:38,200 --> 00:30:40,440
Speaker 1: And this man was like, oh no, this is how going.

656
00:30:40,480 --> 00:30:42,560
Speaker 1: I'm like, what fuck? You got the big as all

657
00:30:42,560 --> 00:30:45,000
Speaker 1: the graph picture of Michael Jackson and your and your

658
00:30:45,080 --> 00:30:50,400
Speaker 1: studio stuff right right, I'm away, let's do what you're

659
00:30:50,440 --> 00:30:52,640
Speaker 1: talking about. One thing, I ain't tripping. Yeah, So it's

660
00:30:52,640 --> 00:30:55,440
Speaker 1: just you know, it's a it's an overall thing where

661
00:30:55,480 --> 00:30:58,280
Speaker 1: I feel like, um, you know, we started working on

662
00:30:58,360 --> 00:31:01,800
Speaker 1: this in the beginning and I started sing from like

663
00:31:02,560 --> 00:31:07,880
Speaker 1: this this Instagram social media marketing that I'm doing. Basically

664
00:31:08,040 --> 00:31:10,560
Speaker 1: I'm saying like, oh, this is what y'all want. Oh,

665
00:31:10,680 --> 00:31:12,640
Speaker 1: this is what y'all talking about. Oh okay. So then

666
00:31:12,680 --> 00:31:15,680
Speaker 1: we start saying, oh, we should put this person on

667
00:31:15,760 --> 00:31:17,400
Speaker 1: this song. We should put this person on this song.

668
00:31:17,440 --> 00:31:19,240
Speaker 1: We should put this person on this song. And we

669
00:31:19,400 --> 00:31:23,600
Speaker 1: start so like part two is you know, it's gonna

670
00:31:23,600 --> 00:31:25,720
Speaker 1: be featured out. I feel like, you know, I feel

671
00:31:25,760 --> 00:31:29,480
Speaker 1: like it's important for this this part one actually has

672
00:31:29,520 --> 00:31:32,760
Speaker 1: come to a space where it's just really the South.

673
00:31:33,160 --> 00:31:34,880
Speaker 1: It's a real you know what I mean, It's a

674
00:31:34,960 --> 00:31:38,720
Speaker 1: real Southern record that that I feel like the South

675
00:31:38,800 --> 00:31:42,680
Speaker 1: actually needs, like a record that that has all the

676
00:31:42,960 --> 00:31:46,160
Speaker 1: elements of hip hop. I'm scratching this, samples, this, you

677
00:31:46,240 --> 00:31:47,880
Speaker 1: know what I mean, It's all kinds of things in there.

678
00:31:48,240 --> 00:31:51,360
Speaker 1: I feel like the South need that just to continue

679
00:31:51,400 --> 00:31:53,720
Speaker 1: to keep, you know, doing what we're doing. And I

680
00:31:53,840 --> 00:31:57,720
Speaker 1: feel like the next record, um, you know the nas Ross.

681
00:31:58,880 --> 00:32:03,120
Speaker 1: I mean, yeah, we got some cuts, we got we

682
00:32:03,280 --> 00:32:05,720
Speaker 1: got we got all of these records that wet. It's

683
00:32:05,760 --> 00:32:09,120
Speaker 1: just like let's get let's let's make sure y'all understand

684
00:32:09,160 --> 00:32:11,480
Speaker 1: what's happening on the first one before we bless you,

685
00:32:11,520 --> 00:32:13,200
Speaker 1: like they would make sure you love us for real

686
00:32:13,560 --> 00:32:16,160
Speaker 1: the first one, but to change in Tia in the

687
00:32:16,200 --> 00:32:18,840
Speaker 1: first one and the other guests. That's the first time

688
00:32:18,960 --> 00:32:22,560
Speaker 1: Tia got on one of his beats. Wow, how is

689
00:32:22,600 --> 00:32:25,600
Speaker 1: that possible? The first time coming to the studio that

690
00:32:25,880 --> 00:32:29,440
Speaker 1: he said? I mean, you know, I think like, well,

691
00:32:29,440 --> 00:32:31,800
Speaker 1: I mean, you know t always had and he had

692
00:32:31,920 --> 00:32:33,960
Speaker 1: you know what I mean? This is just like you know,

693
00:32:34,080 --> 00:32:36,040
Speaker 1: it's not really I'm not and I'm not the guy

694
00:32:36,120 --> 00:32:41,240
Speaker 1: that's like, hey, I'm trying to make my own projects.

695
00:32:41,280 --> 00:32:42,560
Speaker 1: You know what I'm saying. I'm been here doing what

696
00:32:42,640 --> 00:32:45,760
Speaker 1: I'm doing. Ain't nobody even paying no attention? Right if

697
00:32:45,800 --> 00:32:48,600
Speaker 1: you see like y'all here, ain't I ain't not one

698
00:32:48,640 --> 00:32:51,360
Speaker 1: of my people in the studio. It's all the people

699
00:32:51,800 --> 00:32:54,960
Speaker 1: and all my people like it. What the is? I

700
00:32:54,960 --> 00:32:58,880
Speaker 1: ain't seen us. I ain't smoking a right like nigga?

701
00:32:59,080 --> 00:33:01,600
Speaker 1: What's up? Like you tell everybody to stay out this business.

702
00:33:04,000 --> 00:33:06,520
Speaker 1: They don't know what they don't know what you know

703
00:33:06,520 --> 00:33:08,440
Speaker 1: what I mean, they don't know what's what's happening at

704
00:33:08,480 --> 00:33:11,320
Speaker 1: this point. Um. And that's usually how I like to

705
00:33:11,400 --> 00:33:14,080
Speaker 1: make my records. I like to do what I'm doing

706
00:33:14,200 --> 00:33:16,560
Speaker 1: and whatever y'all doing over the that's y'all. Then I

707
00:33:16,640 --> 00:33:19,040
Speaker 1: come out and it's like boom, boom, What the fuck

708
00:33:19,080 --> 00:33:20,480
Speaker 1: with this came from? You know what I mean? So

709
00:33:20,600 --> 00:33:24,040
Speaker 1: that's basically you're not saying nobody, no beat, You gotta

710
00:33:24,080 --> 00:33:31,720
Speaker 1: come into your world and get down crazy. People be

711
00:33:31,800 --> 00:33:33,960
Speaker 1: wanting that though. They want me to sing beats, and

712
00:33:34,160 --> 00:33:36,920
Speaker 1: I'm saying, like i'd be trying to explain to them,

713
00:33:37,000 --> 00:33:40,200
Speaker 1: like if you hear and we talk about it and

714
00:33:40,320 --> 00:33:43,360
Speaker 1: we figure it out, the records will come out way better.

715
00:33:43,760 --> 00:33:46,560
Speaker 1: And I don't think people understand what way better actually

716
00:33:46,640 --> 00:33:51,240
Speaker 1: means and hip hop what you mean by that? Like

717
00:33:51,360 --> 00:33:53,760
Speaker 1: like just now, like y'all heard four songs. Them songs

718
00:33:53,800 --> 00:33:57,080
Speaker 1: ain't even mix they just run, they just rough. Like

719
00:33:57,160 --> 00:34:03,760
Speaker 1: wait till I mix these songs, that shit gonna sound

720
00:34:03,920 --> 00:34:06,240
Speaker 1: one hundred times better than what it sound right now.

721
00:34:06,480 --> 00:34:08,680
Speaker 1: And that's that's what I mean by way better. I

722
00:34:08,719 --> 00:34:11,440
Speaker 1: don't even know if people cared to get to the

723
00:34:11,600 --> 00:34:14,040
Speaker 1: hundred percent better? Do you think it said I didn't understand,

724
00:34:14,160 --> 00:34:17,239
Speaker 1: like your producer, the process of making music, but it

725
00:34:17,320 --> 00:34:20,320
Speaker 1: really takes no I just think that that that that

726
00:34:21,400 --> 00:34:23,640
Speaker 1: you know, I'm I'm vegan, right, So I was talking

727
00:34:23,640 --> 00:34:32,600
Speaker 1: about this yesterday about how when you know vibes I'm

728
00:34:32,640 --> 00:34:34,880
Speaker 1: going I'm saying. I was telling him about you know

729
00:34:35,040 --> 00:34:38,319
Speaker 1: and hip hop. Everybody told my operational phone the phone

730
00:34:39,440 --> 00:34:46,000
Speaker 1: not at turn you told me to turn it off.

731
00:34:46,239 --> 00:34:48,560
Speaker 1: You gotta turn it off, you got to turn it off.

732
00:34:49,520 --> 00:34:57,080
Speaker 1: Keep whatever you was like, he told me that was

733
00:34:57,120 --> 00:35:03,439
Speaker 1: in the camera, like, might not seriously know my phone though?

734
00:35:04,719 --> 00:35:07,640
Speaker 1: So yesterday I was telling him that, you know, I'm vegan,

735
00:35:07,719 --> 00:35:10,359
Speaker 1: but I heard somebody say something that made me want

736
00:35:10,400 --> 00:35:12,920
Speaker 1: to be even more vegan than what I actually am. Right,

737
00:35:12,920 --> 00:35:15,600
Speaker 1: And it's based on the fact that in hip hop,

738
00:35:16,040 --> 00:35:21,160
Speaker 1: vibrations is like a word to vibrate high and vibrate load.

739
00:35:21,440 --> 00:35:24,480
Speaker 1: Make sure your vibrations is right, right, anybody saying this?

740
00:35:24,840 --> 00:35:28,520
Speaker 1: And I'm like, you know, when you eat a dead animal,

741
00:35:28,760 --> 00:35:32,239
Speaker 1: you're putting a dead vibration in your body, right, That's

742
00:35:32,280 --> 00:35:35,439
Speaker 1: what that is. And I feel like that's the same

743
00:35:35,560 --> 00:35:39,359
Speaker 1: thing with with music. When you tell me to send

744
00:35:39,440 --> 00:35:43,320
Speaker 1: the beat. Whatever's in between me sending the beat and

745
00:35:43,400 --> 00:35:46,520
Speaker 1: wherever you at, what's end between there is the energy

746
00:35:46,640 --> 00:35:48,960
Speaker 1: that we're gonna pick up. Right, it ain't gonna be

747
00:35:49,680 --> 00:35:51,839
Speaker 1: you know what I mean to beat? You you might

748
00:35:51,920 --> 00:35:54,239
Speaker 1: not listen to the beat on Friday, and I sent

749
00:35:54,320 --> 00:35:56,560
Speaker 1: the ship Friday morning, you don't get it to Sunday.

750
00:35:57,000 --> 00:35:59,120
Speaker 1: That's that bad energy, because now you're gonna make me

751
00:35:59,239 --> 00:36:01,839
Speaker 1: feel like my beat one popping and you ain't called

752
00:36:01,880 --> 00:36:04,759
Speaker 1: me back, and I'm me knowing me, I'm gonna make

753
00:36:05,120 --> 00:36:07,879
Speaker 1: thirty other beats and you're gonna be like, well, nah,

754
00:36:08,200 --> 00:36:09,919
Speaker 1: I fuck with it, and I'm gonna be like, nah,

755
00:36:10,040 --> 00:36:11,759
Speaker 1: I got a number one right, It's just gonna throw

756
00:36:11,800 --> 00:36:13,799
Speaker 1: the whole energy off. So I'm just saying, I feel

757
00:36:13,840 --> 00:36:18,200
Speaker 1: like if we're talking about vibrations and everybody always talking

758
00:36:18,200 --> 00:36:21,120
Speaker 1: about shit that happened in the past and how good

759
00:36:21,200 --> 00:36:24,160
Speaker 1: albums work. Rick Ruman was in the studio with LLL

760
00:36:24,280 --> 00:36:28,000
Speaker 1: cool J, you know what I mean. Doctor Drake was

761
00:36:28,040 --> 00:36:31,640
Speaker 1: in the studio, was snooped up. These puffles in the

762
00:36:31,719 --> 00:36:34,360
Speaker 1: studio are big. You gotta be in the studio with

763
00:36:34,440 --> 00:36:36,719
Speaker 1: each other that's sending the beach shit, that's cool. If

764
00:36:36,760 --> 00:36:39,279
Speaker 1: nigga's got so much money while y'all sending beach just

765
00:36:39,480 --> 00:36:46,279
Speaker 1: flying down and seeing niggah, I'm just saying, like, shit,

766
00:36:46,760 --> 00:36:52,200
Speaker 1: send me a beat that flew down to see. That's

767
00:36:52,239 --> 00:36:56,319
Speaker 1: some boss talk right like that. I I don't really

768
00:36:56,360 --> 00:36:57,880
Speaker 1: I think, I like, I just I just feel like

769
00:36:57,920 --> 00:36:59,480
Speaker 1: it's just a bad it just don't. But do you

770
00:36:59,520 --> 00:37:01,840
Speaker 1: feel like that, Curtcy, like you're being really produced on

771
00:37:01,920 --> 00:37:04,759
Speaker 1: this project? I've said that. How does that feel like

772
00:37:04,800 --> 00:37:07,960
Speaker 1: it's an artist ible with all the music you put up? Yeah,

773
00:37:08,000 --> 00:37:10,640
Speaker 1: it makes me. I damn never forgot everything I did

774
00:37:10,719 --> 00:37:13,919
Speaker 1: because it's like it feels like right now, I feel

775
00:37:13,920 --> 00:37:17,920
Speaker 1: like I'm nineteen, Like I'm like, damn, Like it's like

776
00:37:18,040 --> 00:37:24,000
Speaker 1: I'm watching five Heartbeats. What it's like, Damn niggas making

777
00:37:24,040 --> 00:37:27,759
Speaker 1: it like it's going down like like like that. It's

778
00:37:27,800 --> 00:37:29,840
Speaker 1: like it's like that, It's just it's me though. Nigga's

779
00:37:29,880 --> 00:37:33,759
Speaker 1: gonna be like, Damn, I was crazy saying five heartbeats.

780
00:37:34,160 --> 00:37:36,200
Speaker 1: Nigga said he bigger and he just thought about making

781
00:37:36,239 --> 00:37:39,759
Speaker 1: beats straight up? How I feel like, you know what

782
00:37:39,800 --> 00:37:41,640
Speaker 1: I'm saying. When they were waking her from the bone,

783
00:37:41,680 --> 00:37:44,040
Speaker 1: being like that's a song on and shit like that,

784
00:37:44,200 --> 00:37:46,560
Speaker 1: when that, Nigga said, y'all know what this is. I

785
00:37:46,840 --> 00:37:50,880
Speaker 1: pictured my fucking band members from the Heartbeats Waking me

786
00:37:51,040 --> 00:37:55,799
Speaker 1: up Nigga song on the radio that's what the fuck

787
00:37:55,880 --> 00:37:59,160
Speaker 1: happened to me? I went all the way to Jenny,

788
00:37:59,200 --> 00:38:01,320
Speaker 1: give you like a struct the criticism of your verses,

789
00:38:01,360 --> 00:38:04,960
Speaker 1: like how what's the problems. I ain't gonna lie motherfuckers,

790
00:38:05,000 --> 00:38:07,120
Speaker 1: don't do that to me and don't be like do

791
00:38:07,320 --> 00:38:10,359
Speaker 1: something again. But this nigga was like, you probably say

792
00:38:10,440 --> 00:38:15,520
Speaker 1: that again, like, well the nigga, dude got all the

793
00:38:15,600 --> 00:38:20,320
Speaker 1: graph picture of Michael jack like and it's it's like

794
00:38:20,520 --> 00:38:23,200
Speaker 1: to him, it's not like he's seen Michael Jackson, Like

795
00:38:23,280 --> 00:38:25,880
Speaker 1: can you sign this? This nigga was like, you know,

796
00:38:26,400 --> 00:38:29,000
Speaker 1: to you bro, like to him all that shit in

797
00:38:29,080 --> 00:38:31,319
Speaker 1: the to this nigga sounding like all right, bro, I'm

798
00:38:31,320 --> 00:38:33,759
Speaker 1: gonna go ahead and let it again, dude, fuck it, bro,

799
00:38:34,080 --> 00:38:36,440
Speaker 1: let's see it. But he don't gotta be told like

800
00:38:36,719 --> 00:38:39,719
Speaker 1: like thing about him is he knows, he knows, he

801
00:38:39,920 --> 00:38:43,000
Speaker 1: knows actually what you know what I mean? He understands

802
00:38:43,040 --> 00:38:45,359
Speaker 1: this space, so you understand where we are right now.

803
00:38:45,480 --> 00:38:47,080
Speaker 1: Nigga's gonna come to me to not get on the

804
00:38:47,200 --> 00:38:50,400
Speaker 1: radio like that just don't happen. Don't come over here

805
00:38:50,440 --> 00:38:54,040
Speaker 1: to be like JD. Let's make an underground album. I

806
00:38:54,280 --> 00:38:56,640
Speaker 1: kind of came to you and it was like I

807
00:38:56,840 --> 00:39:00,080
Speaker 1: was thinking, let's do let's just do my thing, you

808
00:39:00,120 --> 00:39:03,319
Speaker 1: know what I'm saying. But you can't even control who

809
00:39:03,440 --> 00:39:09,440
Speaker 1: you are. It's you. Like I was like a low

810
00:39:09,560 --> 00:39:12,560
Speaker 1: Rider song that I listened to in my low Rider

811
00:39:12,800 --> 00:39:15,600
Speaker 1: and my home is Nobody, and this nigga flipped the

812
00:39:15,640 --> 00:39:19,920
Speaker 1: sample into something that blew everybody brands out and then

813
00:39:20,000 --> 00:39:21,920
Speaker 1: he says, y'all know what this is on it? And

814
00:39:23,520 --> 00:39:26,360
Speaker 1: I'm like, my nigga, there's a record that I really

815
00:39:26,480 --> 00:39:28,920
Speaker 1: made for my call club to be like, yeah, you

816
00:39:29,000 --> 00:39:31,760
Speaker 1: wrapped on the fucking record. We like like, oh, nigga,

817
00:39:31,800 --> 00:39:34,839
Speaker 1: we about the fucking go to the moon behind that ship.

818
00:39:35,120 --> 00:39:38,080
Speaker 1: But it's just I don't know five hobbies. But it's

819
00:39:38,120 --> 00:39:39,759
Speaker 1: not for the radio though, Like this is not for

820
00:39:40,040 --> 00:39:42,879
Speaker 1: it wasn't like, yeah, I didn't say that. I didn't

821
00:39:42,880 --> 00:39:47,399
Speaker 1: say that, but he can't control what the fucking I think.

822
00:39:47,520 --> 00:39:51,160
Speaker 1: I mean, Like, you know, I want my listeners so excited.

823
00:39:51,560 --> 00:39:54,560
Speaker 1: They didn't knew that I was gonna step in ship.

824
00:39:55,719 --> 00:39:57,520
Speaker 1: There was no way that I could be in here

825
00:39:57,920 --> 00:40:00,520
Speaker 1: and some shit like that not happened. But you don't

826
00:40:00,520 --> 00:40:03,320
Speaker 1: want that, do you, because you had to do enjoy

827
00:40:03,520 --> 00:40:07,719
Speaker 1: being able to just kick it. But I see the

828
00:40:08,000 --> 00:40:14,200
Speaker 1: monetary value and being on that platform, and I think

829
00:40:14,280 --> 00:40:17,400
Speaker 1: I've been like I've been me for so long. I

830
00:40:17,480 --> 00:40:19,439
Speaker 1: ain't that shit ain't about to happen. I still gonna

831
00:40:19,440 --> 00:40:21,960
Speaker 1: be able to go to Walmart and get my socks

832
00:40:22,360 --> 00:40:26,000
Speaker 1: and my undershirts and fucking go to all those on

833
00:40:26,120 --> 00:40:29,560
Speaker 1: and get tire wet because everybody know me already, Like

834
00:40:29,640 --> 00:40:32,240
Speaker 1: man bro ain't even knowing it. Y'all knew me already

835
00:40:32,239 --> 00:40:34,600
Speaker 1: and it wasn't even bothering me because I wasn't lit.

836
00:40:34,960 --> 00:40:37,000
Speaker 1: So I don't fuck with me now, you know what

837
00:40:37,000 --> 00:40:39,000
Speaker 1: I'm saying. It's all good. Let me get my groceries.

838
00:40:39,040 --> 00:40:41,840
Speaker 1: My nigga is good. You know what I'm saying. That's it.

839
00:40:41,960 --> 00:40:43,640
Speaker 1: And I'm just and I think I'm still gonna be

840
00:40:43,680 --> 00:40:46,960
Speaker 1: able to slide, but I'll have like way more little riders,

841
00:40:47,800 --> 00:40:51,640
Speaker 1: like you know what I'm saying, more rose royces and stuff.

842
00:40:51,640 --> 00:40:53,760
Speaker 1: I've already been thinking, like what are you saying? Floral?

843
00:40:53,840 --> 00:40:55,640
Speaker 1: Like how do you handle that? Like geese like it's

844
00:40:55,880 --> 00:40:59,440
Speaker 1: rosary just that me and I have seventeen of them?

845
00:40:59,520 --> 00:41:02,120
Speaker 1: Like what do I do? You know what I'm saying,

846
00:41:02,280 --> 00:41:04,120
Speaker 1: I only have two so I had to think about it.

847
00:41:04,200 --> 00:41:06,120
Speaker 1: But I'm like, well, it's gonna send me into another bracket,

848
00:41:06,680 --> 00:41:08,520
Speaker 1: so I need to say, like, figure out what I

849
00:41:08,640 --> 00:41:11,120
Speaker 1: have to say when I have that man there. You know,

850
00:41:11,200 --> 00:41:16,040
Speaker 1: he had this personality, not totally, but I'm saying once

851
00:41:16,680 --> 00:41:19,960
Speaker 1: being around to my seat, that's how we got cool. Bro.

852
00:41:20,160 --> 00:41:22,880
Speaker 1: It was like, oh, man, like you funny nigga, you funny,

853
00:41:23,480 --> 00:41:25,759
Speaker 1: you cool? You know movies like that's what the fuck

854
00:41:25,840 --> 00:41:27,279
Speaker 1: was happening, like with the end of the day. And

855
00:41:27,320 --> 00:41:29,239
Speaker 1: I'm like, nah, just my dog, Like it's good, bro,

856
00:41:29,800 --> 00:41:33,800
Speaker 1: Like he's not He's not outside. The nigga is legit.

857
00:41:33,920 --> 00:41:35,719
Speaker 1: He ended up, you know what I'm saying. So it

858
00:41:35,840 --> 00:41:37,920
Speaker 1: was cool. That's to feel good JD to get kind

859
00:41:37,920 --> 00:41:39,480
Speaker 1: of back into the wrap space because he had so

860
00:41:39,560 --> 00:41:41,400
Speaker 1: much success on the R and B front over like

861
00:41:41,480 --> 00:41:45,320
Speaker 1: the last year. Right. Well, I mean, listen, I wanted

862
00:41:45,360 --> 00:41:47,360
Speaker 1: you to say this. Okay, he set it up for

863
00:41:47,480 --> 00:41:51,680
Speaker 1: me to get read out. Um. I first I want

864
00:41:51,719 --> 00:41:53,920
Speaker 1: to say this. I want people to understand I am

865
00:41:54,040 --> 00:41:59,919
Speaker 1: the first nigga from the South period, from the entire

866
00:42:00,160 --> 00:42:04,040
Speaker 1: your South, to have a record hold the entire South.

867
00:42:04,880 --> 00:42:11,880
Speaker 1: Let's be clear, only the first rapper from the South,

868
00:42:12,640 --> 00:42:17,120
Speaker 1: the entire South North Carolina. I don't give flora. It

869
00:42:17,280 --> 00:42:19,879
Speaker 1: was so big, everything was so big. People just didn't

870
00:42:19,920 --> 00:42:23,400
Speaker 1: even liking you to a region, Bro, you was just

871
00:42:23,719 --> 00:42:28,040
Speaker 1: just a thing. Yeah, but we have to we gotta

872
00:42:28,080 --> 00:42:30,960
Speaker 1: make sure people understand that, because what he's saying is

873
00:42:31,840 --> 00:42:35,640
Speaker 1: people they be forgetting that. Like my first single was

874
00:42:35,680 --> 00:42:41,040
Speaker 1: with jay Z, my song how weird do you to

875
00:42:41,120 --> 00:42:44,360
Speaker 1: be sitting with you? If my first single is jay Z,

876
00:42:46,120 --> 00:42:48,160
Speaker 1: Like I'm saying, you see what I'm saying is like

877
00:42:49,080 --> 00:42:50,920
Speaker 1: this the world I live in. I live in the world.

878
00:42:51,080 --> 00:42:54,520
Speaker 1: I'm like, damn. Like when I sampled Hold for the

879
00:42:54,719 --> 00:42:57,800
Speaker 1: Division record, I seen niggas like yo, how jay Z

880
00:42:58,000 --> 00:43:01,360
Speaker 1: let JD clear that. I'm like, what, that's just my

881
00:43:01,600 --> 00:43:06,480
Speaker 1: mom and like this my man. Like, but I'm saying

882
00:43:06,560 --> 00:43:11,320
Speaker 1: at the same time, people forget like, oh, this nigga

883
00:43:11,560 --> 00:43:14,960
Speaker 1: is the first nigga from the South, a place where

884
00:43:15,040 --> 00:43:18,279
Speaker 1: y'all thought rap one's supposed to come from to have

885
00:43:18,400 --> 00:43:24,320
Speaker 1: a record with the greatest rapper alive. True, your record

886
00:43:24,719 --> 00:43:27,840
Speaker 1: my record, right, But I mean in recent years, like

887
00:43:28,040 --> 00:43:30,319
Speaker 1: a Lenox Division you've had, like you know you're doing

888
00:43:30,360 --> 00:43:33,000
Speaker 1: anything one I don't know by the way I'm saying,

889
00:43:33,040 --> 00:43:34,400
Speaker 1: I'm not saying. I'm just I don't want to make

890
00:43:34,440 --> 00:43:38,920
Speaker 1: sure people understand where I come from. Jaman dupre first

891
00:43:39,040 --> 00:43:43,360
Speaker 1: single was money Anything. That's the first record that on

892
00:43:43,600 --> 00:43:47,320
Speaker 1: my album. Everybody else should whatever, but my album. I

893
00:43:47,400 --> 00:43:50,440
Speaker 1: didn't come out with no Mariah Carrie record and I

894
00:43:50,440 --> 00:43:52,920
Speaker 1: ain't come out on Usher record. I came out with

895
00:43:53,040 --> 00:43:57,399
Speaker 1: a straight rap song, ya right, and Nigga's throwing money

896
00:43:57,440 --> 00:43:59,839
Speaker 1: in the video and all kind of ship crashing force

897
00:44:00,120 --> 00:44:03,960
Speaker 1: is everything rap shit right? And when people say that,

898
00:44:04,000 --> 00:44:09,320
Speaker 1: I'm like, damn, y'all just do y'all don't know me.

899
00:44:09,400 --> 00:44:13,759
Speaker 1: That's what it is. Kiddy grew up listening to seven.

900
00:44:13,760 --> 00:44:15,120
Speaker 1: I saw another inter of you were saying, how like

901
00:44:15,200 --> 00:44:17,520
Speaker 1: people to take for granted now that like back when

902
00:44:17,560 --> 00:44:19,360
Speaker 1: I was coming up, we didn't hear Southern rap on

903
00:44:19,440 --> 00:44:22,160
Speaker 1: the radio. You heard this East Coast rap and then

904
00:44:22,280 --> 00:44:24,640
Speaker 1: your records and then then we hear the Bone Crushes

905
00:44:24,640 --> 00:44:26,240
Speaker 1: and the Young Bloods and all that. Like talk about

906
00:44:26,280 --> 00:44:28,359
Speaker 1: that like the impact of like how you went out

907
00:44:28,400 --> 00:44:31,440
Speaker 1: to make sure that Atlanta was heard on like those airways. Well,

908
00:44:31,480 --> 00:44:33,440
Speaker 1: I mean, like when I said that, you know, I

909
00:44:33,520 --> 00:44:36,759
Speaker 1: think people By the way, Hove called me on this

910
00:44:37,719 --> 00:44:41,719
Speaker 1: when I said this about me saying that I made

911
00:44:41,960 --> 00:44:46,719
Speaker 1: New York play Southern music, And um, what I meant

912
00:44:46,760 --> 00:44:50,680
Speaker 1: by this was that as far as a record company,

913
00:44:51,120 --> 00:44:55,080
Speaker 1: as far as a label, coming to New York and

914
00:44:55,320 --> 00:44:57,760
Speaker 1: getting in the streets of New York and running around

915
00:44:57,800 --> 00:45:01,400
Speaker 1: and making sure that I Records was heard, just like

916
00:45:01,600 --> 00:45:04,239
Speaker 1: Dip Set or anything else that was out there no

917
00:45:04,600 --> 00:45:08,960
Speaker 1: other company from the South that had ever done that,

918
00:45:09,120 --> 00:45:11,719
Speaker 1: not at the time that I did it right. And

919
00:45:12,320 --> 00:45:16,279
Speaker 1: you know, this is New York before Star Tenders and

920
00:45:16,400 --> 00:45:18,480
Speaker 1: all of this. The only strip club in New York

921
00:45:19,040 --> 00:45:22,000
Speaker 1: was sus One Devout way up in the Bronx, right,

922
00:45:22,280 --> 00:45:25,040
Speaker 1: And Everybody's like, JD, why you want to go up there?

923
00:45:25,080 --> 00:45:27,080
Speaker 1: And I'm like, they get neked. It's like Atlanta. I'm

924
00:45:27,120 --> 00:45:30,759
Speaker 1: trying to go. I'm trying to like what I'm doing.

925
00:45:31,400 --> 00:45:35,520
Speaker 1: And I even had a party there while I had

926
00:45:36,600 --> 00:45:38,960
Speaker 1: Atlanta versus New York, and I brought the girls from

927
00:45:38,960 --> 00:45:41,680
Speaker 1: the Gentleman's Club to New York. And if anybody's watching

928
00:45:41,760 --> 00:45:44,640
Speaker 1: this that understands and remember what I'm talking about, you

929
00:45:44,760 --> 00:45:48,239
Speaker 1: gotta remember at this time in New York, on hot

930
00:45:48,360 --> 00:45:54,560
Speaker 1: ninety seven Southern rap was like, yeah, DJ might play it,

931
00:45:55,040 --> 00:45:58,040
Speaker 1: FLEX might hit the song, somebody else might hit the song,

932
00:45:58,120 --> 00:46:02,239
Speaker 1: and they set But in the rotation of daily radio,

933
00:46:03,000 --> 00:46:06,919
Speaker 1: you never heard nothing from the South. And I'm saying,

934
00:46:07,920 --> 00:46:11,640
Speaker 1: you know, like he said, nobody ever said anything about me.

935
00:46:11,880 --> 00:46:15,680
Speaker 1: I think I passed through because I wasn't really like

936
00:46:16,160 --> 00:46:18,480
Speaker 1: trying to push that in people's face. But at the

937
00:46:18,560 --> 00:46:23,040
Speaker 1: same time, I was the first guy on the radio heavy.

938
00:46:23,440 --> 00:46:25,200
Speaker 1: I remember when I made money and the thing I

939
00:46:25,320 --> 00:46:27,880
Speaker 1: sent it the Clue and all I wanted. I felt

940
00:46:27,920 --> 00:46:31,200
Speaker 1: like how he saw my mind, my tag and you know,

941
00:46:31,560 --> 00:46:33,600
Speaker 1: you gotta think I've been listening to Clue forever. I'm

942
00:46:34,080 --> 00:46:37,480
Speaker 1: you know, I'm a hip hop junkie UM and he

943
00:46:37,600 --> 00:46:42,680
Speaker 1: put money in things first song on his tape and

944
00:46:42,800 --> 00:46:49,520
Speaker 1: I was like, right, I got the first song, by

945
00:46:49,600 --> 00:46:56,520
Speaker 1: the way, a nigga from the South. That's all I'm saying.

946
00:46:56,560 --> 00:46:59,800
Speaker 1: It's like, I want people to understand who I am. This,

947
00:47:00,080 --> 00:47:02,680
Speaker 1: that's who I am, That's where I am. I just

948
00:47:02,880 --> 00:47:04,839
Speaker 1: know how to do that other shit good. But you're

949
00:47:04,840 --> 00:47:08,320
Speaker 1: also celebrating thirty years of social death being in business

950
00:47:08,400 --> 00:47:11,680
Speaker 1: this year. Yeah, first record escape coming at you. That

951
00:47:11,760 --> 00:47:13,439
Speaker 1: came out of nineteen nine three. How does it feel

952
00:47:13,680 --> 00:47:19,320
Speaker 1: being thirty years in the game? Officially, it feels unbelievable,

953
00:47:20,600 --> 00:47:24,080
Speaker 1: say unbelievable. Unbelievable, I don't believe it doesn't really it

954
00:47:24,200 --> 00:47:28,080
Speaker 1: don't actually feel real right because I don't actually feel like.

955
00:47:29,160 --> 00:47:31,160
Speaker 1: First of all, I don't even realize I don't even

956
00:47:31,280 --> 00:47:34,720
Speaker 1: know how I'm the same age as hip hop because

957
00:47:34,760 --> 00:47:38,239
Speaker 1: I thought that I could have sworn that hip hop

958
00:47:38,360 --> 00:47:42,680
Speaker 1: started before I was even thinking about rapping. So I'm

959
00:47:42,719 --> 00:47:45,719
Speaker 1: not really even clear on this fiftieth thing. I'm not

960
00:47:45,920 --> 00:47:48,839
Speaker 1: I don't understand it because I'm like, I know rapper

961
00:47:48,920 --> 00:47:51,560
Speaker 1: Delight came out before I was even thinking about rapping,

962
00:47:52,640 --> 00:47:57,560
Speaker 1: the brakes that all that shit came. I didn't start

963
00:47:57,680 --> 00:48:01,920
Speaker 1: rapping two like eighty six. I know all of this

964
00:48:02,120 --> 00:48:06,000
Speaker 1: happened before me. So I'm still like, how what is

965
00:48:06,080 --> 00:48:10,319
Speaker 1: the figuration of fifty? But anyway to answer your question,

966
00:48:10,360 --> 00:48:12,400
Speaker 1: So when I'm looking at that, I'm like, damn, so

967
00:48:13,560 --> 00:48:16,560
Speaker 1: I started my company twenty years after the genre that

968
00:48:16,719 --> 00:48:20,239
Speaker 1: we all love. And then I'm also saying, damn, I

969
00:48:20,360 --> 00:48:25,960
Speaker 1: started my company ten years after thriller thrillers, and I'm like,

970
00:48:26,560 --> 00:48:28,160
Speaker 1: that's the stuff I'm paying to. I'm like, I don't.

971
00:48:28,320 --> 00:48:30,800
Speaker 1: I don't even think I was even close to Thriller

972
00:48:31,080 --> 00:48:34,680
Speaker 1: back then, but I guess, you know, I guess I was.

973
00:48:36,120 --> 00:48:38,040
Speaker 1: So that's the stuff I'm looking I'm like, it doesn't

974
00:48:38,080 --> 00:48:40,560
Speaker 1: feel real, yes, Michael Jackson autograph. I don't know if

975
00:48:40,560 --> 00:48:48,920
Speaker 1: you know. Currency. Let's talk about the project, man, the

976
00:48:49,160 --> 00:48:53,600
Speaker 1: Social Jets. That first song you play, they said, the

977
00:48:53,640 --> 00:48:57,280
Speaker 1: fans put that together, right, the Social Jets, Yeah, soltainly

978
00:48:57,360 --> 00:48:59,200
Speaker 1: we linked up. That was the first thing. They was saying,

979
00:48:59,440 --> 00:49:01,839
Speaker 1: like this one should be called so so justice has

980
00:49:01,920 --> 00:49:04,440
Speaker 1: to be called so so just. And I figured I

981
00:49:04,600 --> 00:49:06,719
Speaker 1: was like, well as an old to them because I

982
00:49:06,800 --> 00:49:09,680
Speaker 1: saw it so many times, Like, no, y'all not gonna

983
00:49:09,760 --> 00:49:13,719
Speaker 1: name the album for me, but I will let y'all

984
00:49:13,760 --> 00:49:15,680
Speaker 1: know that I saw that shit, you know what I'm saying.

985
00:49:15,800 --> 00:49:18,320
Speaker 1: So when they heard I posted a clip of it.

986
00:49:18,719 --> 00:49:21,120
Speaker 1: And when they heard that I was saying that on

987
00:49:21,200 --> 00:49:23,680
Speaker 1: the record, everybody was happening. Everybody was like, I feel

988
00:49:23,719 --> 00:49:27,160
Speaker 1: like I named it. I feel like and in a sense,

989
00:49:27,280 --> 00:49:29,600
Speaker 1: all of you did you know, I'm not joint JD

990
00:49:29,719 --> 00:49:35,120
Speaker 1: talk about lists excluding people, mans excluding people manually know

991
00:49:35,800 --> 00:49:38,200
Speaker 1: he actually said this. This was a line that yeah

992
00:49:38,200 --> 00:49:42,560
Speaker 1: it was saying his verse, but it struck. But by

993
00:49:42,680 --> 00:49:46,000
Speaker 1: seeing I'm like, I know shit like that. Yeah, yeah,

994
00:49:46,320 --> 00:49:48,960
Speaker 1: it does happen to us. Yeah, I mean, you know,

995
00:49:49,400 --> 00:49:50,759
Speaker 1: it's just like what we're talking about, Like, I just

996
00:49:50,840 --> 00:49:54,520
Speaker 1: don't understand. I really don't. I really don't get the

997
00:49:55,160 --> 00:49:59,600
Speaker 1: how my hip hop presence begin passed off. And I'm

998
00:49:59,600 --> 00:50:03,960
Speaker 1: like I said, I never I never really try to

999
00:50:04,080 --> 00:50:08,480
Speaker 1: like waive any flag because tomorrow I might be on

1000
00:50:08,600 --> 00:50:11,240
Speaker 1: an R and B album and not even talking about

1001
00:50:11,280 --> 00:50:12,719
Speaker 1: this record tomorrow, you know what I mean. That's just

1002
00:50:12,800 --> 00:50:15,480
Speaker 1: how I make records. That just we're done now he

1003
00:50:15,560 --> 00:50:18,440
Speaker 1: can get on the flight after this interview, it's all

1004
00:50:18,560 --> 00:50:22,120
Speaker 1: walking in pr and everything. You know what we got

1005
00:50:22,200 --> 00:50:23,759
Speaker 1: to do for the record At that point, My mind

1006
00:50:23,880 --> 00:50:26,960
Speaker 1: is what you know, I's just going back to Vegas.

1007
00:50:27,000 --> 00:50:28,359
Speaker 1: I gotta you know what I mean. I'm so I'm

1008
00:50:28,400 --> 00:50:30,840
Speaker 1: back in a whole different mode. But I also I

1009
00:50:31,000 --> 00:50:34,800
Speaker 1: just be wondering from the mentality spec space, like you know,

1010
00:50:34,880 --> 00:50:37,040
Speaker 1: we're just talking about this a minute ago, Like at

1011
00:50:37,080 --> 00:50:39,160
Speaker 1: the time of Money and Thing came out. It's no

1012
00:50:39,360 --> 00:50:43,319
Speaker 1: record like the record. It's Nigga's still using lines from

1013
00:50:43,400 --> 00:50:50,160
Speaker 1: that song. In twenty twenty two, Hony people have take

1014
00:50:50,320 --> 00:50:55,040
Speaker 1: the chain reaction line. I mean, I know it ain't

1015
00:50:55,080 --> 00:50:58,000
Speaker 1: my birst, but it's still my record. It's my song,

1016
00:50:58,600 --> 00:51:00,360
Speaker 1: you know what I mean. So it's like it's like

1017
00:51:01,000 --> 00:51:04,200
Speaker 1: how influential had was that song to hip ho hop

1018
00:51:05,000 --> 00:51:08,080
Speaker 1: and as a whole right, just period, and then like

1019
00:51:08,160 --> 00:51:10,759
Speaker 1: he talked about hating the Blood record, these are, by

1020
00:51:10,800 --> 00:51:13,320
Speaker 1: the way, these are my first songs. I had a

1021
00:51:13,400 --> 00:51:16,600
Speaker 1: song with Jada Kiss and Freeway when they didn't like

1022
00:51:16,760 --> 00:51:21,040
Speaker 1: each other Your Blood. They was beefing and I made

1023
00:51:21,080 --> 00:51:24,200
Speaker 1: a song with them and I didn't even realize they

1024
00:51:24,320 --> 00:51:30,920
Speaker 1: was beefing, you know what I mean. But I'm just saying, like,

1025
00:51:31,040 --> 00:51:33,360
Speaker 1: you can't these are and I guess probably because I

1026
00:51:33,360 --> 00:51:35,359
Speaker 1: don't like And that's why I feel like with this one,

1027
00:51:35,400 --> 00:51:36,840
Speaker 1: I wanted, like I told him, I wanted to go

1028
00:51:36,920 --> 00:51:39,080
Speaker 1: on I want to go on the tour. I feel

1029
00:51:39,120 --> 00:51:41,640
Speaker 1: like because even on Life in fourteen seventy, I didn't

1030
00:51:41,640 --> 00:51:44,560
Speaker 1: even go on tour. I just was like, I made records,

1031
00:51:44,760 --> 00:51:49,400
Speaker 1: I'm records, I'm gonna stand in the studio. This is

1032
00:51:49,560 --> 00:51:51,800
Speaker 1: basically all I do. But with this one, I just

1033
00:51:51,960 --> 00:51:54,040
Speaker 1: I felt like he got because I went to the

1034
00:51:54,120 --> 00:51:56,400
Speaker 1: show he was hit in Atlanta. I went to his

1035
00:51:56,480 --> 00:52:00,279
Speaker 1: show and he kept saying this to me, and I'm like,

1036
00:52:01,160 --> 00:52:03,600
Speaker 1: I'm trying to register this and he's like, Yo, you

1037
00:52:03,680 --> 00:52:06,120
Speaker 1: gotta come out. My people don't believe it's real. And

1038
00:52:06,239 --> 00:52:09,759
Speaker 1: I'm like, wow, what does that fucking mean? I go

1039
00:52:09,880 --> 00:52:13,319
Speaker 1: to every show. What are we talking about? Like, how

1040
00:52:13,400 --> 00:52:15,960
Speaker 1: don't they how do they live in Atlanta and don't

1041
00:52:16,000 --> 00:52:18,040
Speaker 1: believe that I fucked with you? Oh, I don't believe

1042
00:52:18,120 --> 00:52:20,400
Speaker 1: that it's real. So when he said that, I couldn't

1043
00:52:20,400 --> 00:52:23,040
Speaker 1: really understand it. But when I walked on the stage,

1044
00:52:23,040 --> 00:52:25,560
Speaker 1: I was seeing Nigga's faces and they was like they

1045
00:52:25,680 --> 00:52:31,359
Speaker 1: looked like they've seen a goals And that, by the way,

1046
00:52:31,400 --> 00:52:34,400
Speaker 1: that gave me a whole new jode of energy for

1047
00:52:34,520 --> 00:52:37,880
Speaker 1: this project. I came from that show and I started

1048
00:52:38,480 --> 00:52:42,520
Speaker 1: I started really like visualizing exactly what was happening. I'm like, Okay,

1049
00:52:43,200 --> 00:52:45,719
Speaker 1: so they don't feel like I fuck with you didn't.

1050
00:52:45,719 --> 00:52:48,120
Speaker 1: This project need a little bit more of me, right,

1051
00:52:48,360 --> 00:52:50,400
Speaker 1: And we gotta, you know, we gotta do do. We

1052
00:52:50,520 --> 00:52:55,880
Speaker 1: gotta really get in there right. And I feel like

1053
00:52:56,800 --> 00:53:00,359
Speaker 1: in the process of that, it's just started making more

1054
00:53:00,360 --> 00:53:02,320
Speaker 1: and more records, just more and more records, like we

1055
00:53:02,400 --> 00:53:04,760
Speaker 1: may record last night. What people is on the Instagram

1056
00:53:04,880 --> 00:53:07,759
Speaker 1: telling us, oh, now y'all, now y'all doing Now y'all

1057
00:53:07,840 --> 00:53:10,759
Speaker 1: making some music, And I'm like, now, we're making it right,

1058
00:53:10,960 --> 00:53:12,239
Speaker 1: And I had to say to him, I'm like, yo,

1059
00:53:12,280 --> 00:53:14,640
Speaker 1: are we making a record? That? Are we making the

1060
00:53:14,719 --> 00:53:17,560
Speaker 1: record that niggas think we're making? Were just making a

1061
00:53:17,600 --> 00:53:19,759
Speaker 1: record because we like it? Should we be making the

1062
00:53:19,840 --> 00:53:23,960
Speaker 1: record that make it? But it's we like it, and

1063
00:53:24,120 --> 00:53:28,320
Speaker 1: we have a good judge of like the music climate

1064
00:53:28,880 --> 00:53:32,960
Speaker 1: of each other's worlds, and were true to ourselves. So

1065
00:53:33,280 --> 00:53:37,279
Speaker 1: in that aspect, everybody liked it because of that. That's

1066
00:53:37,400 --> 00:53:40,759
Speaker 1: that's really what it. Yeah, I mean, but we also

1067
00:53:40,840 --> 00:53:43,279
Speaker 1: we also without us saying it, because I don't tell

1068
00:53:43,360 --> 00:53:46,200
Speaker 1: him nothing about his verses. I just let him figure

1069
00:53:46,239 --> 00:53:48,200
Speaker 1: it out. If I come up with a sample or

1070
00:53:48,280 --> 00:53:51,320
Speaker 1: some high idea for a hook, I'll say, yo, this

1071
00:53:51,360 --> 00:53:52,920
Speaker 1: is what I think the song should be called. But

1072
00:53:53,280 --> 00:53:55,120
Speaker 1: other than that, he going in, he do what you're doing?

1073
00:53:55,160 --> 00:53:57,239
Speaker 1: And I start taking and I'm like, yo, you should

1074
00:53:57,320 --> 00:54:01,920
Speaker 1: make this part. So we started on the song day

1075
00:54:01,960 --> 00:54:05,839
Speaker 1: before yesterday. That felt like we was trying to make

1076
00:54:05,920 --> 00:54:11,439
Speaker 1: some New Orleans type bounce shit ye, and I could

1077
00:54:11,480 --> 00:54:14,800
Speaker 1: tell that we was close, but we ain't had no

1078
00:54:14,960 --> 00:54:19,160
Speaker 1: cigguard yet, right, And he was like, you know, you

1079
00:54:19,239 --> 00:54:21,600
Speaker 1: gotta take things out, he was telling me, and I'm like, yo,

1080
00:54:21,719 --> 00:54:23,040
Speaker 1: you know, I really want to say you don't like

1081
00:54:23,120 --> 00:54:28,759
Speaker 1: to be but he was like, Jad, I think you

1082
00:54:28,840 --> 00:54:32,560
Speaker 1: gotta take things out. And then he said when we

1083
00:54:32,680 --> 00:54:34,480
Speaker 1: because we was trying to figure out this this thing

1084
00:54:34,560 --> 00:54:37,640
Speaker 1: about how like New Orleans they put this beat under

1085
00:54:37,719 --> 00:54:40,600
Speaker 1: every song they put Anita Baker on the bounce of

1086
00:54:40,680 --> 00:54:43,360
Speaker 1: New Orleans like and and most of the time the

1087
00:54:43,520 --> 00:54:46,000
Speaker 1: artists recorded the way they recorded and the DJ's putting

1088
00:54:46,040 --> 00:54:48,080
Speaker 1: on there. So we're almost trying to make the record

1089
00:54:48,480 --> 00:54:50,799
Speaker 1: in that way. And that's how he wrote the rat

1090
00:54:50,880 --> 00:54:54,280
Speaker 1: and I and I kept saying to myself, were trying

1091
00:54:54,400 --> 00:54:58,360
Speaker 1: something that feels like a science project right now, like

1092
00:54:58,520 --> 00:55:02,560
Speaker 1: we're trying to do something that probably ain't really we're

1093
00:55:02,680 --> 00:55:05,719
Speaker 1: supposed to be right, And I think we both felt it.

1094
00:55:05,920 --> 00:55:09,120
Speaker 1: So then the next morning he's posted a video and

1095
00:55:09,200 --> 00:55:12,120
Speaker 1: I'm watching the video and I was getting ready to

1096
00:55:12,200 --> 00:55:15,160
Speaker 1: call him, and he called me, like, JD, this is

1097
00:55:15,200 --> 00:55:16,880
Speaker 1: what we need to do, and we came to the

1098
00:55:17,000 --> 00:55:20,640
Speaker 1: studio and that ship came out. I'm talking about flying

1099
00:55:20,800 --> 00:55:23,520
Speaker 1: colors right, and it won't him tellingbod I need to

1100
00:55:23,560 --> 00:55:25,560
Speaker 1: take nothing out. He came in his motherfucker lay that

1101
00:55:25,600 --> 00:55:29,400
Speaker 1: ship down and shit went crazy. Mind you, I had

1102
00:55:30,000 --> 00:55:33,279
Speaker 1: four seconds of that by acting like they to drop

1103
00:55:33,360 --> 00:55:36,239
Speaker 1: the whole? Is that the one they get the gap? Yeah?

1104
00:55:36,880 --> 00:55:40,319
Speaker 1: They talk about that songs the original song and yeah,

1105
00:55:40,400 --> 00:55:42,759
Speaker 1: like h like I was telling him like that was

1106
00:55:43,160 --> 00:55:46,560
Speaker 1: pretty much how I even found out that we could

1107
00:55:46,640 --> 00:55:49,359
Speaker 1: make raps in New Orleans. You know what I'm saying,

1108
00:55:49,400 --> 00:55:53,239
Speaker 1: Because everything I heard came from somewhere else. So then

1109
00:55:53,320 --> 00:55:55,840
Speaker 1: I was like, oh, like we we could do this

1110
00:55:55,960 --> 00:55:57,879
Speaker 1: and they could be there player this on the radio

1111
00:55:58,360 --> 00:56:00,479
Speaker 1: even though we were from him. You know what I'm saying.

1112
00:56:00,520 --> 00:56:03,000
Speaker 1: Like that that ship was crazy as a child to

1113
00:56:03,200 --> 00:56:06,680
Speaker 1: see that because it was Michael Jackson LL cool J.

1114
00:56:07,400 --> 00:56:09,680
Speaker 1: You know what I'm saying. That's the motherfucker's I knew,

1115
00:56:09,800 --> 00:56:13,680
Speaker 1: and I was like, oh like this, like I seen this, dude.

1116
00:56:13,760 --> 00:56:16,360
Speaker 1: You know what I'm saying. That ship was and that

1117
00:56:16,680 --> 00:56:20,320
Speaker 1: I think everybody had that idea, but they were older

1118
00:56:20,360 --> 00:56:21,880
Speaker 1: than me. So then that's how you end up with

1119
00:56:21,960 --> 00:56:23,880
Speaker 1: all it's like you and LV and other people like

1120
00:56:23,920 --> 00:56:26,080
Speaker 1: when cash money first started and all that shit like

1121
00:56:26,520 --> 00:56:29,560
Speaker 1: like it was it was. They were already ready to

1122
00:56:29,640 --> 00:56:32,320
Speaker 1: get into so the ship was crazy, but everybody was

1123
00:56:32,400 --> 00:56:35,759
Speaker 1: waiting to get into music. And then motherfuckers heard Get

1124
00:56:35,800 --> 00:56:37,200
Speaker 1: the Game, was like, oh, all right, we can make

1125
00:56:37,239 --> 00:56:41,359
Speaker 1: this ship at the cribs. For some of you heard

1126
00:56:42,960 --> 00:56:46,040
Speaker 1: my first time, here was an answer. Um we performed

1127
00:56:46,080 --> 00:56:48,160
Speaker 1: at SF. I went to the club and I heard

1128
00:56:48,239 --> 00:56:50,400
Speaker 1: it and I'm like, you know, as soon as I

1129
00:56:50,560 --> 00:56:53,080
Speaker 1: hit different beats, I'm like, what the fuck? What is

1130
00:56:53,200 --> 00:56:56,600
Speaker 1: that right? And I'll be trying to like decolde the

1131
00:56:56,719 --> 00:57:00,520
Speaker 1: beat because I'm like, I heard this. I fucking know

1132
00:57:00,600 --> 00:57:03,320
Speaker 1: where everything I heard this beat before, And I'm like,

1133
00:57:03,400 --> 00:57:05,640
Speaker 1: where did they get Where is this beat come from?

1134
00:57:05,640 --> 00:57:07,680
Speaker 1: And I showed them yesterday with the beat came from

1135
00:57:08,239 --> 00:57:12,759
Speaker 1: the beat come from the dead. Couldn't believe Get the

1136
00:57:12,840 --> 00:57:17,479
Speaker 1: game the home and from New Orleans just I didn't

1137
00:57:17,680 --> 00:57:22,200
Speaker 1: play LLL cool. I'm like, damn, bro, he like a

1138
00:57:22,360 --> 00:57:27,520
Speaker 1: foul cabinet. I mother like, no, I got this, just

1139
00:57:27,800 --> 00:57:31,600
Speaker 1: got it. Growing up in New Orleans currency, who would you?

1140
00:57:31,640 --> 00:57:34,640
Speaker 1: Who did you listen? To outside of like like that

1141
00:57:34,800 --> 00:57:36,960
Speaker 1: was from the city, the outside of the city, or

1142
00:57:37,040 --> 00:57:43,280
Speaker 1: just well slick Rick was cool. Snoop was cool in

1143
00:57:43,400 --> 00:57:45,040
Speaker 1: the city. I was listening to you and the LV

1144
00:57:45,960 --> 00:57:49,600
Speaker 1: it was. It was because they had they had three

1145
00:57:49,800 --> 00:57:52,200
Speaker 1: three members, but each of them was like different. So

1146
00:57:52,320 --> 00:57:54,320
Speaker 1: he had one nigga that was like smooth and cool

1147
00:57:54,400 --> 00:57:55,920
Speaker 1: and I felt like I was him, and they had

1148
00:57:55,960 --> 00:57:59,160
Speaker 1: one thigg that was like snatching chains and shit yellow

1149
00:58:00,160 --> 00:58:02,680
Speaker 1: I'm saying right, But but it was cool that we

1150
00:58:02,840 --> 00:58:05,920
Speaker 1: was telling him what it meant uptown niggas living violent.

1151
00:58:06,000 --> 00:58:07,920
Speaker 1: I played them something some of you and the records

1152
00:58:07,960 --> 00:58:12,040
Speaker 1: that other day. That what I mean that was that

1153
00:58:12,240 --> 00:58:18,400
Speaker 1: was Yeah, yeah, before you got connected, did you were

1154
00:58:18,480 --> 00:58:20,560
Speaker 1: familiar with some of his music j D. Yeah, Yeah,

1155
00:58:20,600 --> 00:58:22,400
Speaker 1: I mean I heard him. I mean I heard him

1156
00:58:22,440 --> 00:58:26,120
Speaker 1: rap a bunch of times, um and and and it's like,

1157
00:58:27,520 --> 00:58:30,040
Speaker 1: like I said, I listened to so much rap I

1158
00:58:30,120 --> 00:58:31,880
Speaker 1: listened to so, I mean, I'm just music period. I'd

1159
00:58:31,880 --> 00:58:34,880
Speaker 1: be listening on everything um and just trying to like

1160
00:58:35,520 --> 00:58:37,320
Speaker 1: you know, just trying to keep up even like new

1161
00:58:37,360 --> 00:58:39,880
Speaker 1: stuff that's coming out, like even like the Larry Larry

1162
00:58:39,920 --> 00:58:42,320
Speaker 1: June record. She was telling like I heard that when

1163
00:58:42,360 --> 00:58:47,200
Speaker 1: I was getting my hair cut, uh, and I was like, damn,

1164
00:58:47,960 --> 00:58:49,959
Speaker 1: and I and I almost was like, I'm gonna change

1165
00:58:50,040 --> 00:58:55,080
Speaker 1: the beat. But glad you said that because I got

1166
00:58:55,120 --> 00:58:59,480
Speaker 1: told him that's actually my brother and we and just

1167
00:58:59,640 --> 00:59:02,800
Speaker 1: like with like we that happens so much that we

1168
00:59:02,880 --> 00:59:05,520
Speaker 1: don't we just damned that we're doing on purpose because

1169
00:59:05,560 --> 00:59:07,920
Speaker 1: it's like, oh, I wasn't around you at that time

1170
00:59:08,000 --> 00:59:10,600
Speaker 1: when you did that, but the funk with that and

1171
00:59:10,760 --> 00:59:12,479
Speaker 1: then they just do the shit too and it ain't

1172
00:59:12,520 --> 00:59:15,160
Speaker 1: even no thing because we like the same thing, ye like,

1173
00:59:20,120 --> 00:59:22,720
Speaker 1: but yeah, I was. I was listening to and they're different,

1174
00:59:22,880 --> 00:59:26,320
Speaker 1: yeah different. I just I was getting a haircut. My

1175
00:59:26,400 --> 00:59:28,680
Speaker 1: Barba was playing his record and I'm like, yo, turn

1176
00:59:28,800 --> 00:59:31,040
Speaker 1: that up, and I'm listening. I'm like, damn, and I

1177
00:59:31,080 --> 00:59:37,280
Speaker 1: didn't tell Baba. I'm like, but but but nobody. Nobody's

1178
00:59:37,320 --> 00:59:41,440
Speaker 1: really speaking to it though, because I expected more people to, like,

1179
00:59:41,560 --> 00:59:44,760
Speaker 1: I expect that they have to tell people like damn,

1180
00:59:44,840 --> 00:59:46,840
Speaker 1: there in my comments like that's my brother, like we

1181
00:59:46,960 --> 00:59:51,360
Speaker 1: fucking you know, but but nobody, it ain't even happen.

1182
00:59:51,520 --> 00:59:53,920
Speaker 1: But it sped up. His version is faster than ours,

1183
00:59:54,320 --> 00:59:56,880
Speaker 1: and it's a it's a different was a different field.

1184
00:59:57,040 --> 00:59:58,920
Speaker 1: But I also, you know, like I said, I felt,

1185
00:59:59,280 --> 01:00:01,600
Speaker 1: I felt like it was a time and hip hop

1186
01:00:01,760 --> 01:00:05,640
Speaker 1: where it was three hot records that was the same.

1187
01:00:06,760 --> 01:00:10,240
Speaker 1: This was a foolish Biggie record that she got it from,

1188
01:00:10,560 --> 01:00:12,960
Speaker 1: but Big al had it before Biggie got it right,

1189
01:00:13,040 --> 01:00:16,120
Speaker 1: So it's like, yeah, everybody got a little piece of

1190
01:00:16,960 --> 01:00:19,720
Speaker 1: yea And they wasn't even family like that. This this

1191
01:00:20,000 --> 01:00:22,840
Speaker 1: this family and all they're gonna do is match They're

1192
01:00:22,840 --> 01:00:26,200
Speaker 1: gonna slow his ship down to match out or speed.

1193
01:00:26,320 --> 01:00:29,240
Speaker 1: There's nothing to match that one. But you were saying

1194
01:00:30,440 --> 01:00:32,240
Speaker 1: you can take like a flip or Underground said, well

1195
01:00:32,440 --> 01:00:35,960
Speaker 1: it sounds big, Like what do you think about that? Same? Yeah, exactly,

1196
01:00:36,000 --> 01:00:37,760
Speaker 1: That's what he did. That's what he do though, you

1197
01:00:37,800 --> 01:00:39,360
Speaker 1: know what I'm saying like that, I said, he can't

1198
01:00:39,400 --> 01:00:41,840
Speaker 1: help what he do. It's just a caliber work that

1199
01:00:41,920 --> 01:00:48,120
Speaker 1: he put out. So you reach him fucking telephoned out.

1200
01:00:48,280 --> 01:00:50,919
Speaker 1: You know the sound of that. You know he still

1201
01:00:51,760 --> 01:00:54,600
Speaker 1: he's still gonna put Alicia keys on that bitch, and

1202
01:00:54,680 --> 01:00:57,760
Speaker 1: it's you know what I'm saying, So what you're gonna do?

1203
01:00:58,720 --> 01:01:02,240
Speaker 1: They are? You also working on a documentary the Freaknick documentary. Right,

1204
01:01:02,640 --> 01:01:06,040
Speaker 1: how's that come along? For someone that hasn't experienced Freaknick

1205
01:01:06,160 --> 01:01:10,360
Speaker 1: like myself, can't explain it significance. I mean, that's the

1206
01:01:10,520 --> 01:01:15,080
Speaker 1: that's the biggest um, I guess hurdle is to try

1207
01:01:15,120 --> 01:01:18,600
Speaker 1: to make sure that y'all that didn't experience freak Nick

1208
01:01:19,480 --> 01:01:23,840
Speaker 1: um feel the energy that was actually in the city,

1209
01:01:24,840 --> 01:01:29,000
Speaker 1: because you know, in Atlanta right now, I'm not sure

1210
01:01:29,080 --> 01:01:32,880
Speaker 1: that five thousand, six thousand black people can go to

1211
01:01:33,040 --> 01:01:36,720
Speaker 1: Petmont Park and there's no violence. I'm not sure that

1212
01:01:36,840 --> 01:01:39,160
Speaker 1: that would happen. I'm not sure that that would happen

1213
01:01:39,200 --> 01:01:43,280
Speaker 1: in anywhere in the United States. But Atlanta at this

1214
01:01:43,480 --> 01:01:46,640
Speaker 1: time was the place where people from other places where

1215
01:01:46,680 --> 01:01:49,360
Speaker 1: that was where it couldn't happen, that they was coming

1216
01:01:49,400 --> 01:01:51,800
Speaker 1: to Atlanta where it could happen, and it was like

1217
01:01:52,160 --> 01:01:56,120
Speaker 1: the Promised Land, right and you And so I was

1218
01:01:56,160 --> 01:01:58,720
Speaker 1: shooting in Petemont Park and I was actually telling people, like,

1219
01:01:59,360 --> 01:02:02,160
Speaker 1: in this section of the park, it was nothing but

1220
01:02:03,240 --> 01:02:07,440
Speaker 1: black people everywhere, Right, It's just like Africa. Then man,

1221
01:02:07,520 --> 01:02:11,640
Speaker 1: and he like, I'm like, yo, but I'm living here,

1222
01:02:11,680 --> 01:02:14,680
Speaker 1: So I didn't I'm not really understanding that that's what

1223
01:02:14,800 --> 01:02:17,480
Speaker 1: it because I've seen this all the time, but the

1224
01:02:17,640 --> 01:02:20,520
Speaker 1: fact that it was no violence and people was outside

1225
01:02:20,600 --> 01:02:23,200
Speaker 1: having fun, and people was dancing and the music was playing,

1226
01:02:23,320 --> 01:02:25,960
Speaker 1: and it's just an energy that you know, I wish

1227
01:02:26,040 --> 01:02:29,160
Speaker 1: the city could get back. But at the same time,

1228
01:02:29,240 --> 01:02:31,800
Speaker 1: I wish every other city had this type of energy.

1229
01:02:31,880 --> 01:02:33,680
Speaker 1: So I'm just I'm just trying to make sure that

1230
01:02:34,760 --> 01:02:38,000
Speaker 1: that that comes through the screen because that's a hard

1231
01:02:38,080 --> 01:02:41,400
Speaker 1: thing to try to you know, recreate and duplicate um,

1232
01:02:41,600 --> 01:02:43,880
Speaker 1: because the energy was just like you know, it was

1233
01:02:44,000 --> 01:02:47,560
Speaker 1: it was. It was real coming out this year or yeah,

1234
01:02:47,600 --> 01:02:50,120
Speaker 1: it's gonna be out this year. Um, it's um, it's

1235
01:02:50,200 --> 01:02:54,320
Speaker 1: it's coming through Hulu. Yeah, this is this is a goal.

1236
01:02:57,320 --> 01:02:58,960
Speaker 1: And I'm doing another one. I'm doing a Magic City

1237
01:02:59,160 --> 01:03:02,520
Speaker 1: documented too. Oh wow to getting into the documentary bad.

1238
01:03:02,640 --> 01:03:05,040
Speaker 1: What's the artwork for something like that? Look like we

1239
01:03:05,160 --> 01:03:09,440
Speaker 1: went for Magic City for the I mean, I think

1240
01:03:09,480 --> 01:03:15,160
Speaker 1: it's gonna look like probably um shot, you know, a

1241
01:03:15,320 --> 01:03:19,520
Speaker 1: screen grab from some vintage video or is it like

1242
01:03:20,240 --> 01:03:22,680
Speaker 1: it probably would be like the way the T shirts,

1243
01:03:22,720 --> 01:03:26,120
Speaker 1: the bootleg T shirts was was fired doing freak the

1244
01:03:26,240 --> 01:03:28,600
Speaker 1: dudes that was bootleg. It ain't any crazy shirts and

1245
01:03:28,680 --> 01:03:31,400
Speaker 1: it was like because they was pulling all the elements

1246
01:03:31,440 --> 01:03:33,280
Speaker 1: and putting it on the shirt. So like when I

1247
01:03:33,360 --> 01:03:37,240
Speaker 1: did the So So Death Basic All Stars covering, that's

1248
01:03:37,280 --> 01:03:42,200
Speaker 1: what we was trying to emulate. Freaking They Okay, you

1249
01:03:42,240 --> 01:03:44,080
Speaker 1: see what I'm talking about. So that's basically what it's

1250
01:03:44,080 --> 01:03:46,360
Speaker 1: gonna It's gonna feel like that. That's what's gonna probably

1251
01:03:46,400 --> 01:03:48,520
Speaker 1: feel like. Do you have like archival footage from that

1252
01:03:48,640 --> 01:03:52,240
Speaker 1: time or nah? Not me. Um. You know the other

1253
01:03:52,320 --> 01:03:56,040
Speaker 1: thing about Freakni because I was actually I was young,

1254
01:03:56,800 --> 01:04:00,480
Speaker 1: too young to be a part of freakning Um because

1255
01:04:00,680 --> 01:04:04,120
Speaker 1: freak Nick when it really popped off, I was only nineteen,

1256
01:04:04,160 --> 01:04:05,760
Speaker 1: so I wasn't old enough to get in the club.

1257
01:04:05,880 --> 01:04:09,400
Speaker 1: So I was only seeing freak Nick from falking lot

1258
01:04:09,920 --> 01:04:12,800
Speaker 1: pimping type of standpoint. I was out riding around in

1259
01:04:12,840 --> 01:04:15,240
Speaker 1: the streets and being in the traffic, so I know

1260
01:04:15,320 --> 01:04:18,040
Speaker 1: what the energy on the streets were. Inside the clubs.

1261
01:04:18,080 --> 01:04:20,880
Speaker 1: I didn't actually get inside the clubs still, like I said,

1262
01:04:21,080 --> 01:04:23,480
Speaker 1: until I turned twenty one, twenty two, twenty three years old,

1263
01:04:23,480 --> 01:04:25,640
Speaker 1: So he had records that were popping in those things

1264
01:04:25,640 --> 01:04:28,480
Speaker 1: panties that you couldn't even get into. Yeah, yeah, it's

1265
01:04:28,560 --> 01:04:34,360
Speaker 1: bad like that. Yeah, it's been like that that. That's

1266
01:04:34,440 --> 01:04:38,160
Speaker 1: almost how like I was saying, this is another interview

1267
01:04:38,200 --> 01:04:41,800
Speaker 1: about me, me and my style of production. While I

1268
01:04:42,040 --> 01:04:44,800
Speaker 1: you know, I make records the way I make records,

1269
01:04:44,840 --> 01:04:46,840
Speaker 1: and I write songs the way I write songs because

1270
01:04:46,840 --> 01:04:49,440
Speaker 1: I didn't I was too young to know people. I

1271
01:04:49,600 --> 01:04:52,520
Speaker 1: was too young to even know to find an engineer.

1272
01:04:52,800 --> 01:04:54,280
Speaker 1: I ain't you know what I mean. I didn't have

1273
01:04:54,320 --> 01:04:55,960
Speaker 1: a car when I tried to make Chris Cross. I

1274
01:04:56,000 --> 01:04:57,640
Speaker 1: ain't even had no way to get around the city.

1275
01:04:57,880 --> 01:05:00,440
Speaker 1: I just had to make sitting my my room and

1276
01:05:00,560 --> 01:05:02,960
Speaker 1: write the songs, like if you want to get out, JD,

1277
01:05:03,080 --> 01:05:05,800
Speaker 1: you gotta write this ship because you ain't gonna money,

1278
01:05:05,880 --> 01:05:07,600
Speaker 1: you know what I mean. And people don't actually believe that.

1279
01:05:07,680 --> 01:05:09,760
Speaker 1: People like even a verse on that song. I see

1280
01:05:09,800 --> 01:05:13,080
Speaker 1: people keep saying, like, JD, you know, we like this verse,

1281
01:05:13,160 --> 01:05:16,840
Speaker 1: but you know you wasn't poor, And I'm like, no,

1282
01:05:17,040 --> 01:05:19,240
Speaker 1: one't poor. My mom worked like a slave. That's why

1283
01:05:19,280 --> 01:05:21,400
Speaker 1: I say this something the song. My mom had like

1284
01:05:21,520 --> 01:05:24,520
Speaker 1: two three jobs. And you know what I'm saying, I

1285
01:05:24,680 --> 01:05:27,440
Speaker 1: wasn't poor, but I didn't have shit, you know what

1286
01:05:27,440 --> 01:05:30,360
Speaker 1: I mean. I mean, I put my first drummer set

1287
01:05:30,360 --> 01:05:32,000
Speaker 1: on lairway for two hundred dollars. If you put a

1288
01:05:32,080 --> 01:05:34,120
Speaker 1: drummer sh on lailway for two hundred dollars, you don't

1289
01:05:34,120 --> 01:05:37,680
Speaker 1: got nothing. Well I'm concerned too. You gotta put something

1290
01:05:37,720 --> 01:05:40,400
Speaker 1: on lailway for two hundred dollars, you don't have shit.

1291
01:05:41,440 --> 01:05:43,720
Speaker 1: That's how I feel, and that's what that's what it was.

1292
01:05:43,800 --> 01:05:46,360
Speaker 1: So I was too young to have friends. I was

1293
01:05:46,400 --> 01:05:50,240
Speaker 1: too young to just have other people come around me

1294
01:05:50,360 --> 01:05:52,400
Speaker 1: like that. So I just was like, I don't really

1295
01:05:52,480 --> 01:05:54,320
Speaker 1: know nobody. I don't know no camera. Man, I can't

1296
01:05:54,360 --> 01:05:56,760
Speaker 1: just get out move around the city to wait kids

1297
01:05:56,880 --> 01:06:00,400
Speaker 1: move around now, Um, so it just wouldn't. I had

1298
01:06:00,440 --> 01:06:07,160
Speaker 1: to learn, damn me everything. Yeah, speaking of moving currency,

1299
01:06:07,200 --> 01:06:10,360
Speaker 1: put your mom right across the street from you, yeah, man, Yeah,

1300
01:06:10,440 --> 01:06:13,320
Speaker 1: she she just takes me. Yeah, she takes me on.

1301
01:06:13,680 --> 01:06:17,360
Speaker 1: Apparently the anniversary of the day God got a little crib.

1302
01:06:17,840 --> 01:06:19,480
Speaker 1: So you and your mom lived right across the street

1303
01:06:19,480 --> 01:06:22,400
Speaker 1: from each other. Yeah, I'm eating good, good. I just

1304
01:06:22,520 --> 01:06:26,200
Speaker 1: wake up and walk straight to Min's crib, breakfast, lunch, dinner,

1305
01:06:26,320 --> 01:06:29,960
Speaker 1: It's all good. Within like the first week she told me,

1306
01:06:30,040 --> 01:06:34,640
Speaker 1: she was like, I feel like Scarface checked my mom out.

1307
01:06:34,720 --> 01:06:36,680
Speaker 1: She's funny and ship. But she was like, yo, I'm

1308
01:06:36,720 --> 01:06:39,200
Speaker 1: just walking around here and she's like, man, I feel

1309
01:06:39,240 --> 01:06:42,120
Speaker 1: like scar Face like, damn, well we did it then

1310
01:06:42,240 --> 01:06:44,720
Speaker 1: you know we're straight. Yeah. And she saw me the

1311
01:06:44,840 --> 01:06:48,760
Speaker 1: other day sitting outside and she takes me and she

1312
01:06:49,080 --> 01:06:52,240
Speaker 1: was like, that's living your life. You're like, you're living

1313
01:06:52,280 --> 01:06:54,520
Speaker 1: your fucking life across the street. She's like, you don't

1314
01:06:54,520 --> 01:06:56,600
Speaker 1: mind me curtain. She was like, and I'm very glad

1315
01:06:56,680 --> 01:06:59,080
Speaker 1: I could see you living your life, you know what

1316
01:06:59,160 --> 01:07:01,440
Speaker 1: I'm saying, Like, that's cool. And I always see her

1317
01:07:01,480 --> 01:07:04,040
Speaker 1: in the windows, like looking out. She just like looking

1318
01:07:04,080 --> 01:07:07,720
Speaker 1: out watching me wash cars and shit like that. She said.

1319
01:07:08,000 --> 01:07:11,360
Speaker 1: She said, it's good, bro, It's super good. I think

1320
01:07:11,400 --> 01:07:14,360
Speaker 1: about it a lot, Like, you know, I could stop now,

1321
01:07:14,520 --> 01:07:17,120
Speaker 1: you know what I'm saying, because she's straight, like straighter

1322
01:07:17,160 --> 01:07:19,680
Speaker 1: than I had ever really imagine. I figured just getting

1323
01:07:19,680 --> 01:07:22,120
Speaker 1: her call the time was cool, or you know what

1324
01:07:22,160 --> 01:07:26,080
Speaker 1: I'm saying, just giving us ship, But now she's super straight.

1325
01:07:26,680 --> 01:07:28,640
Speaker 1: She's straight. Yeah, because that has to be like one

1326
01:07:28,680 --> 01:07:31,080
Speaker 1: of the most gratifying parts. Yeah, that's it, that's the one.

1327
01:07:31,120 --> 01:07:33,440
Speaker 1: That's what I did everything, you know, outside of that

1328
01:07:33,560 --> 01:07:35,960
Speaker 1: it's taking you know, I got I'm lacing my son,

1329
01:07:36,200 --> 01:07:38,440
Speaker 1: you know what I'm saying. But it's not about me.

1330
01:07:38,640 --> 01:07:41,560
Speaker 1: None of this ship about me, you know. So it's cool. Yeah,

1331
01:07:41,680 --> 01:07:45,200
Speaker 1: it's cool that I that I'm like being purposeful. You know.

1332
01:07:45,280 --> 01:07:49,480
Speaker 1: It's a cool seeing you in Zion Williamson, Bro. You

1333
01:07:49,560 --> 01:07:53,800
Speaker 1: know that's the homie dog, that's the homie. I'm honored Daddy.

1334
01:07:54,000 --> 01:07:58,560
Speaker 1: Daddy even acknowledged me to to that level and holding

1335
01:07:58,600 --> 01:08:00,640
Speaker 1: me up that way, you know what I'm saying, because

1336
01:08:01,120 --> 01:08:03,680
Speaker 1: do it in a big eye and motherfucker come to

1337
01:08:03,760 --> 01:08:08,880
Speaker 1: the game with jetlife. Jacobson, drop farty, don't come fuckers

1338
01:08:08,920 --> 01:08:11,800
Speaker 1: doing all kind He did that fucking dunk against the Suns,

1339
01:08:12,200 --> 01:08:14,800
Speaker 1: got the big fine, come over, getting me the jersey

1340
01:08:14,840 --> 01:08:20,920
Speaker 1: and shit. Yeah, it was cool every Pelican Yeah game.

1341
01:08:21,120 --> 01:08:23,599
Speaker 1: I've been thinking about traveling to one of they roll

1342
01:08:23,720 --> 01:08:25,680
Speaker 1: games because it's been getting a little rough for us

1343
01:08:26,240 --> 01:08:28,920
Speaker 1: on the road. He's enjoyed watching this happen to me

1344
01:08:28,920 --> 01:08:30,479
Speaker 1: because it's kind of it kind of shut me down.

1345
01:08:30,560 --> 01:08:35,400
Speaker 1: We lost the bust and yesterday it was hurtful. Yeah,

1346
01:08:35,479 --> 01:08:37,519
Speaker 1: but it's all right. Sorry, I figure I'm gonna catch

1347
01:08:37,560 --> 01:08:39,760
Speaker 1: one of the when they roll games, probably when they

1348
01:08:39,800 --> 01:08:42,320
Speaker 1: play Phoenix again. So I could see what's up with

1349
01:08:42,400 --> 01:08:46,960
Speaker 1: Chris Paul and see what Booker drive to the game. Yeah,

1350
01:08:47,040 --> 01:08:49,360
Speaker 1: I fucked with Bro because it's called collection. It's cool,

1351
01:08:49,400 --> 01:08:50,880
Speaker 1: so I want to see what they're bringing the game.

1352
01:08:52,320 --> 01:08:55,160
Speaker 1: You know, when he started playing for the Pelican, like,

1353
01:08:55,800 --> 01:08:57,840
Speaker 1: I mean, I just had the game, and I guess

1354
01:08:57,920 --> 01:09:00,559
Speaker 1: after a while, and then you know, last I did

1355
01:09:01,000 --> 01:09:03,240
Speaker 1: the warm ups and ship for them. We did Jet

1356
01:09:03,320 --> 01:09:05,760
Speaker 1: Life Jet Life appall, and we did a collab with

1357
01:09:05,840 --> 01:09:08,240
Speaker 1: the Pelicans. We did like sweatsuits and warm ups and

1358
01:09:08,280 --> 01:09:10,400
Speaker 1: ship for them. So at that point he was already

1359
01:09:10,439 --> 01:09:13,120
Speaker 1: wearing the ship and just was like, all right, where

1360
01:09:13,160 --> 01:09:15,400
Speaker 1: this came from? They're like broken, Like, oh all right.

1361
01:09:15,400 --> 01:09:17,600
Speaker 1: And then he fucked with me, just musically anyway. So

1362
01:09:18,320 --> 01:09:22,479
Speaker 1: and then I'm cool me, like, you don't come on, dude,

1363
01:09:22,560 --> 01:09:26,000
Speaker 1: you know, yeah, you're gonna wear the jacket you got

1364
01:09:26,120 --> 01:09:29,800
Speaker 1: j Jet Life man. Yeah. Yeah all the time too.

1365
01:09:29,960 --> 01:09:34,400
Speaker 1: Bro Bro brough him some shitty applied the game. Immediately.

1366
01:09:34,840 --> 01:09:37,240
Speaker 1: I was on it. I was on it. Touch on

1367
01:09:37,320 --> 01:09:39,439
Speaker 1: someone meeting Jad. You put it a tweet out a

1368
01:09:39,479 --> 01:09:43,960
Speaker 1: couple of months ago. You say, It's crazy when you

1369
01:09:44,040 --> 01:09:45,880
Speaker 1: meet someone you thought was a jet out your whole life,

1370
01:09:45,920 --> 01:09:49,000
Speaker 1: you have a conversation you realize they never were. Yeah,

1371
01:09:50,640 --> 01:09:54,920
Speaker 1: I can't go into that like that, but yeah, I

1372
01:09:55,000 --> 01:09:56,720
Speaker 1: can't go into it like but but I mean, you know,

1373
01:09:56,920 --> 01:10:01,160
Speaker 1: that's just how I feel, like I you know, because

1374
01:10:01,160 --> 01:10:04,040
Speaker 1: I'd be thinking, like, like I said, I don't be

1375
01:10:04,160 --> 01:10:06,960
Speaker 1: having people around me when I'll be making records like

1376
01:10:07,120 --> 01:10:09,160
Speaker 1: right now, like this rugged, like I said, we make

1377
01:10:09,360 --> 01:10:11,439
Speaker 1: I make all these records. Me and him. We're just

1378
01:10:11,560 --> 01:10:14,400
Speaker 1: the ones in the studio be cos he here, come

1379
01:10:14,479 --> 01:10:16,640
Speaker 1: in and you know, but for the most part, this

1380
01:10:16,880 --> 01:10:20,280
Speaker 1: project has just been me and Bro. So when i'd

1381
01:10:20,280 --> 01:10:23,040
Speaker 1: be making records, I'd be thinking that other producers be

1382
01:10:23,160 --> 01:10:25,720
Speaker 1: doing the same shit I'm doing. I'll be thinking they,

1383
01:10:26,080 --> 01:10:28,479
Speaker 1: you know, they tapped in and do shit the same thing,

1384
01:10:28,640 --> 01:10:30,680
Speaker 1: or they're doing this and they're doing that. And then

1385
01:10:30,760 --> 01:10:34,480
Speaker 1: when I have a conversation with them, I'm like, exactly,

1386
01:10:34,640 --> 01:10:36,800
Speaker 1: that's what I said about us being cool. I haven't

1387
01:10:36,800 --> 01:10:40,759
Speaker 1: been around. Wait a minute, I thought there's a Jedi

1388
01:10:41,000 --> 01:10:46,880
Speaker 1: like and I mean, you know, just because I'm saying, like, niggas,

1389
01:10:46,920 --> 01:10:49,120
Speaker 1: don't treat me like no JEDDI. But they be treating

1390
01:10:49,160 --> 01:10:52,840
Speaker 1: these other guys like they jetters. They act like it, Nigga.

1391
01:10:52,960 --> 01:10:57,600
Speaker 1: That's what I keep telling me. You are like unaware,

1392
01:10:57,640 --> 01:11:00,560
Speaker 1: You're just so just regular and chilling. I'm gonna be

1393
01:11:00,640 --> 01:11:02,560
Speaker 1: wanting nobody. I'm putting my hoodie on and I just

1394
01:11:04,360 --> 01:11:05,920
Speaker 1: hear what I'm saying. You know what I'm saying. But

1395
01:11:06,080 --> 01:11:08,560
Speaker 1: that's why. That's why. No, But that's how it is.

1396
01:11:08,640 --> 01:11:11,479
Speaker 1: I just feel I could I I you know, if

1397
01:11:11,560 --> 01:11:13,960
Speaker 1: I meet somebody that I feel like supposed not that

1398
01:11:14,000 --> 01:11:15,479
Speaker 1: I meet him. All I talk to somebody that I

1399
01:11:15,560 --> 01:11:19,160
Speaker 1: feel like, it's like a we are acting like he's

1400
01:11:19,200 --> 01:11:22,479
Speaker 1: a musical god and his person is they did so

1401
01:11:22,680 --> 01:11:24,880
Speaker 1: much in data and I have a conversation with them

1402
01:11:25,280 --> 01:11:27,280
Speaker 1: and they ain't up on shit that we're talking about.

1403
01:11:28,040 --> 01:11:32,920
Speaker 1: I'd be I'm lost a little bit, like what wait

1404
01:11:32,960 --> 01:11:34,920
Speaker 1: a minute, and IM and I've been walking around and

1405
01:11:35,000 --> 01:11:37,479
Speaker 1: I'd be walking away talk and it's fucked up because

1406
01:11:37,479 --> 01:11:39,320
Speaker 1: Twitter is the only person I could talk to you

1407
01:11:39,479 --> 01:11:41,400
Speaker 1: because I don't want to. I don't even want to

1408
01:11:41,439 --> 01:11:46,200
Speaker 1: tell nobody else this like yo, this thinking you know

1409
01:11:46,240 --> 01:11:48,560
Speaker 1: what I mean, Like I just don't, don't you know,

1410
01:11:48,760 --> 01:11:50,479
Speaker 1: I don't know, and we're just having a conversation like

1411
01:11:50,520 --> 01:11:52,680
Speaker 1: that last night, and I don't think it's a bad thing.

1412
01:11:52,840 --> 01:11:55,439
Speaker 1: Maybe it's not. Maybe it's maybe I'm just a guy

1413
01:11:55,560 --> 01:11:59,799
Speaker 1: that's just like I'm you know, I'm I am hip hop. Yeah, basically,

1414
01:12:00,320 --> 01:12:03,840
Speaker 1: if we fifty week fifty, I am hip hop. I'm

1415
01:12:03,920 --> 01:12:07,400
Speaker 1: everything about hip hop. I study b boring, I study graffiti,

1416
01:12:09,200 --> 01:12:15,240
Speaker 1: I study dancing, every aspect. And one of the aspects

1417
01:12:15,280 --> 01:12:17,519
Speaker 1: of hip hop is to just be like this, just

1418
01:12:17,680 --> 01:12:20,160
Speaker 1: like that's why all these records are here. It's just

1419
01:12:20,280 --> 01:12:22,920
Speaker 1: to sit here and do like this and read the

1420
01:12:23,040 --> 01:12:27,160
Speaker 1: credits and look and be like okay, Roger Troutman Zap

1421
01:12:27,520 --> 01:12:30,200
Speaker 1: and you know, you do your own education, right, So

1422
01:12:30,600 --> 01:12:32,919
Speaker 1: when you're doing all this and then you meet somebody

1423
01:12:33,600 --> 01:12:38,960
Speaker 1: and you like, I'm fucked up. I mean like yo,

1424
01:12:40,680 --> 01:12:46,000
Speaker 1: I thought, dudes, yeah, like oh oh, And then I

1425
01:12:46,080 --> 01:12:52,400
Speaker 1: start finding our knicks, be having help associate producers. I

1426
01:12:52,400 --> 01:12:54,559
Speaker 1: ain't gonna front though. I felt that same energy when

1427
01:12:54,600 --> 01:12:56,880
Speaker 1: I remember reading the credits on American Gangster, the work

1428
01:12:56,920 --> 01:13:00,439
Speaker 1: you did on Jay Z's album and like falling and Success,

1429
01:13:00,600 --> 01:13:04,640
Speaker 1: I'm like, wait, j D did that, Damn Okay. I

1430
01:13:04,680 --> 01:13:10,120
Speaker 1: actually introduced no Id too, jay Z, Like I took

1431
01:13:10,240 --> 01:13:13,120
Speaker 1: him with me to that session when I was doing Falling,

1432
01:13:13,200 --> 01:13:15,639
Speaker 1: I took No Idea with me. He didn't. They didn't

1433
01:13:15,760 --> 01:13:18,960
Speaker 1: know each other. Wow, and and and No Idea was

1434
01:13:19,000 --> 01:13:20,920
Speaker 1: in the corner while I was making that beat. He

1435
01:13:21,040 --> 01:13:23,360
Speaker 1: was in the corner with his headphones on making another beat,

1436
01:13:23,960 --> 01:13:27,360
Speaker 1: and Hold was like, what what you got? And he

1437
01:13:27,439 --> 01:13:29,639
Speaker 1: was asking everybody around. It was a bunch of producers

1438
01:13:29,680 --> 01:13:32,000
Speaker 1: in the studios, like what you got? And I was like,

1439
01:13:32,280 --> 01:13:35,320
Speaker 1: he got some shit. I'm telling you why he plugged

1440
01:13:35,360 --> 01:13:37,040
Speaker 1: that shit up? And the next thing, you know, they

1441
01:13:37,040 --> 01:13:39,640
Speaker 1: don't made the whole album together. Wow, you know, I

1442
01:13:39,720 --> 01:13:42,640
Speaker 1: mean still you know no I D's by Yeah you

1443
01:13:42,760 --> 01:13:45,479
Speaker 1: know he heard Kanya say that, so he definitely knew

1444
01:13:45,520 --> 01:13:47,439
Speaker 1: who he was. But this is the first time that

1445
01:13:47,479 --> 01:13:50,000
Speaker 1: they actually got a chance to like really connect like that.

1446
01:13:50,439 --> 01:13:54,120
Speaker 1: People forget that run where he did those records. I

1447
01:13:54,160 --> 01:13:56,599
Speaker 1: mean he say he came here specifically. That's why I say.

1448
01:13:56,600 --> 01:14:00,320
Speaker 1: People don't come here to just get like what they

1449
01:14:00,439 --> 01:14:03,240
Speaker 1: already been doing. They come here to try to step

1450
01:14:03,280 --> 01:14:07,080
Speaker 1: out into a light that they haven't had. Yeah, man, yeah,

1451
01:14:07,520 --> 01:14:10,560
Speaker 1: amazing stepping into the light. Man, this project. Is this

1452
01:14:10,720 --> 01:14:12,280
Speaker 1: gonna be like a series? I know, we say it's

1453
01:14:12,280 --> 01:14:15,200
Speaker 1: gonna have other EPs. Is it like Volume one VITU two?

1454
01:14:15,479 --> 01:14:17,840
Speaker 1: Or is it different names every Yeah? No, no, no,

1455
01:14:17,920 --> 01:14:21,759
Speaker 1: I think it's gonna be. We already got three volumes

1456
01:14:22,280 --> 01:14:25,040
Speaker 1: already to put away. Y'all know the name of the album. Now,

1457
01:14:25,360 --> 01:14:28,679
Speaker 1: we didn't even get the name. They understand what's gonna be. Yeah,

1458
01:14:29,120 --> 01:14:34,400
Speaker 1: for motivational use only, for motivational use. I wanted to

1459
01:14:34,520 --> 01:14:37,759
Speaker 1: name it Quiet Giants at first, but then we settled

1460
01:14:37,840 --> 01:14:40,439
Speaker 1: them on that because that's exactly what it's for. For

1461
01:14:40,560 --> 01:14:45,479
Speaker 1: motivational use only Volume one. I'm motivated and it's all

1462
01:14:45,520 --> 01:14:48,800
Speaker 1: about like it self help books. You know you got

1463
01:14:48,880 --> 01:14:51,280
Speaker 1: the problem you're thinking about something to throw this on.

1464
01:14:51,479 --> 01:14:53,800
Speaker 1: There's a self help book. You know what I'm saying.

1465
01:14:54,840 --> 01:14:57,080
Speaker 1: It will drop in volumes. You know, I think you've

1466
01:14:57,240 --> 01:14:59,040
Speaker 1: got a lot too currency, I mean you and all

1467
01:14:59,040 --> 01:15:00,880
Speaker 1: the rappers and make me more step my game up

1468
01:15:00,880 --> 01:15:03,840
Speaker 1: and see if I'm living right now? That's what this

1469
01:15:04,080 --> 01:15:07,200
Speaker 1: is like. Like Like what instructions? Yeah, like when your

1470
01:15:07,240 --> 01:15:12,040
Speaker 1: recent project on that you can't make the soup instruction,

1471
01:15:14,880 --> 01:15:17,920
Speaker 1: like even recently your latest project you're talking about like

1472
01:15:18,040 --> 01:15:20,439
Speaker 1: how you had the date date. It's not the same

1473
01:15:20,520 --> 01:15:23,240
Speaker 1: as the date job. I looked at my watch and

1474
01:15:23,320 --> 01:15:26,200
Speaker 1: I was like, damn man, I yeah, yeah, you gotta

1475
01:15:26,320 --> 01:15:29,840
Speaker 1: have both options on your rules. Talking about I just

1476
01:15:30,040 --> 01:15:34,880
Speaker 1: got that one bubble and it's not you know, feel

1477
01:15:35,720 --> 01:15:37,560
Speaker 1: you could just wait until you got the bread to

1478
01:15:37,640 --> 01:15:39,600
Speaker 1: get that one. That's all. That's why I said, just

1479
01:15:39,880 --> 01:15:42,280
Speaker 1: because I get him. Sometime I get him, but I

1480
01:15:42,439 --> 01:15:45,320
Speaker 1: never can convince myself to keep them. Like in my watchbox,

1481
01:15:45,400 --> 01:15:47,720
Speaker 1: I end up like giving it to the homey or

1482
01:15:47,760 --> 01:15:49,639
Speaker 1: something like that. That's a good I got the world

1483
01:15:49,680 --> 01:15:51,400
Speaker 1: in my name. Oh I should have won the fucking

1484
01:15:52,080 --> 01:15:55,640
Speaker 1: looking colors to show shut. Yeah. So I'm trying to

1485
01:15:55,720 --> 01:16:00,120
Speaker 1: get him to open the trunk with all his I

1486
01:16:00,200 --> 01:16:02,479
Speaker 1: got a Jacob that he wouldn't know it exists. I'm

1487
01:16:02,520 --> 01:16:06,000
Speaker 1: trying to get him to bring I remember another lyric

1488
01:16:06,080 --> 01:16:08,360
Speaker 1: that you had, So you found money in your pocket

1489
01:16:08,400 --> 01:16:10,559
Speaker 1: that you forgot. Yeah, I found I found the Jacob

1490
01:16:10,640 --> 01:16:12,800
Speaker 1: and some bread. Yeah, partment, I had to go and

1491
01:16:12,920 --> 01:16:14,560
Speaker 1: clear all this shit out of apartment. I was just

1492
01:16:14,680 --> 01:16:16,840
Speaker 1: paying rent on the ship and then I was all right,

1493
01:16:16,880 --> 01:16:19,120
Speaker 1: that's dumb because I haven't been there. So long, like

1494
01:16:19,479 --> 01:16:21,360
Speaker 1: one of my homies was staying there for a while.

1495
01:16:21,400 --> 01:16:23,960
Speaker 1: So he kept it full like maybe a year or two,

1496
01:16:24,000 --> 01:16:26,760
Speaker 1: and then stopped. And then I started paying paying on

1497
01:16:26,840 --> 01:16:29,320
Speaker 1: it again, and I went to clean it out and

1498
01:16:29,560 --> 01:16:33,320
Speaker 1: I found like my watch from young money and some

1499
01:16:33,520 --> 01:16:35,280
Speaker 1: bread that I had. I don't know what I was,

1500
01:16:35,439 --> 01:16:37,280
Speaker 1: what I was putting it away for, but I found

1501
01:16:37,320 --> 01:16:39,680
Speaker 1: me a cool little piece. Yeah, I had a good

1502
01:16:39,760 --> 01:16:42,640
Speaker 1: summer when that happened. I said that. I said that

1503
01:16:42,720 --> 01:16:47,400
Speaker 1: on the gym, like I definitely, I meant the fuck

1504
01:16:47,439 --> 01:16:49,760
Speaker 1: out that. I was proud of myself too. I want

1505
01:16:49,800 --> 01:16:52,479
Speaker 1: to watch in the video there you go said something

1506
01:16:52,479 --> 01:16:54,639
Speaker 1: that they faked your drive had put up a clip

1507
01:16:54,720 --> 01:16:58,200
Speaker 1: at him in a little way, like your song has

1508
01:16:58,240 --> 01:17:01,840
Speaker 1: never come out. It's twenty twenty three songs that people

1509
01:17:01,840 --> 01:17:04,160
Speaker 1: are fascinating body in facted like you know you the

1510
01:17:04,360 --> 01:17:06,160
Speaker 1: early days of your money and you being with Wayne

1511
01:17:06,240 --> 01:17:08,160
Speaker 1: so close, and like that didn't work for you, but

1512
01:17:08,200 --> 01:17:10,720
Speaker 1: you're building your own career Like yeah, well, I mean

1513
01:17:11,280 --> 01:17:13,519
Speaker 1: I knew what I wanted to do, and I knew

1514
01:17:13,560 --> 01:17:17,320
Speaker 1: that I couldn't do it under brother, um brother, the

1515
01:17:17,400 --> 01:17:19,040
Speaker 1: way I wanted to do it. I was gonna have

1516
01:17:19,160 --> 01:17:22,200
Speaker 1: to be young, money and and and if you're rolling

1517
01:17:22,320 --> 01:17:25,000
Speaker 1: with somebody and you and the whole time you you're

1518
01:17:25,080 --> 01:17:27,000
Speaker 1: trying to build an empire, and you got shit in

1519
01:17:27,080 --> 01:17:29,560
Speaker 1: your mind and you're doing a disservice to them, Like

1520
01:17:29,680 --> 01:17:31,920
Speaker 1: that's fake. You know what. I don't want nobody wrong

1521
01:17:32,040 --> 01:17:34,120
Speaker 1: me doing that. I'd rather you keep it a hunting

1522
01:17:34,120 --> 01:17:35,439
Speaker 1: and I could help you get in a position to

1523
01:17:35,479 --> 01:17:36,720
Speaker 1: do what you want to do, because you're not really

1524
01:17:36,760 --> 01:17:38,960
Speaker 1: gonna be able to help me because you're thinking about

1525
01:17:39,000 --> 01:17:40,560
Speaker 1: doing other shit. So I just had to keep it

1526
01:17:40,640 --> 01:17:43,439
Speaker 1: a hunting. And it was like I gotta do all shit,

1527
01:17:43,560 --> 01:17:45,080
Speaker 1: you know what I'm saying. That's why I wasn't no thing.

1528
01:17:45,840 --> 01:17:49,320
Speaker 1: And that's why when this the other volumes come out,

1529
01:17:49,800 --> 01:17:53,240
Speaker 1: you'll see what we say. Yeah yeah, yeah yeah. And

1530
01:17:53,320 --> 01:17:54,800
Speaker 1: before we get out here, that better be on beat

1531
01:17:54,800 --> 01:17:59,120
Speaker 1: ours list. Right there? Sounds good? Man, Man, Whatever happen happened,

1532
01:18:00,400 --> 01:18:03,160
Speaker 1: it didn't. It didn't bother me. It didn't bother me.

1533
01:18:03,439 --> 01:18:06,479
Speaker 1: This year, I honestly expect the continuance to be there,

1534
01:18:06,520 --> 01:18:11,080
Speaker 1: but I figured we came out so early. He let

1535
01:18:11,160 --> 01:18:15,160
Speaker 1: us know that was a song because because there's another

1536
01:18:15,240 --> 01:18:19,800
Speaker 1: list where you put songs yes, wasn't. That wasn't. There's

1537
01:18:19,840 --> 01:18:21,880
Speaker 1: a verse way you put that. There's a list way

1538
01:18:21,920 --> 01:18:24,439
Speaker 1: you put verses out, like well, I know I showed

1539
01:18:24,600 --> 01:18:29,439
Speaker 1: up on somebody shit, Like even Lebron thought, so what

1540
01:18:29,479 --> 01:18:31,599
Speaker 1: I mean that. I'm like, oh, you know what, man,

1541
01:18:32,080 --> 01:18:34,760
Speaker 1: it's all good. It's all good. You know what I'm saying. Well,

1542
01:18:34,760 --> 01:18:36,080
Speaker 1: I mean, he didn't say this is gonna be the

1543
01:18:36,280 --> 01:18:40,360
Speaker 1: This feels like one of the most anticipated rapp records years.

1544
01:18:40,439 --> 01:18:42,120
Speaker 1: We went in a long time to see you guys

1545
01:18:43,439 --> 01:18:48,960
Speaker 1: of those the most anti anticipated and be honest about

1546
01:18:49,600 --> 01:18:53,160
Speaker 1: put us up at the top, up up. Not that

1547
01:18:53,320 --> 01:18:55,160
Speaker 1: list matters, but you know this ship you kind of

1548
01:18:55,400 --> 01:19:00,400
Speaker 1: don't matter by the way it rocked the change because

1549
01:19:00,400 --> 01:19:03,720
Speaker 1: soon as you say something, yeah, motherfuckers, go back up

1550
01:19:03,920 --> 01:19:08,720
Speaker 1: on the streaming things like into into uh like go

1551
01:19:08,880 --> 01:19:11,479
Speaker 1: back up into the countdowns. You know what I'm saying.

1552
01:19:11,520 --> 01:19:14,000
Speaker 1: Because even for the few lists that I did make,

1553
01:19:14,320 --> 01:19:17,479
Speaker 1: I saw continue was like show back up and I

1554
01:19:17,640 --> 01:19:19,840
Speaker 1: was like, yeah, but dig if this nigga being guy

1555
01:19:19,960 --> 01:19:22,840
Speaker 1: was a sick and be back up like it's just

1556
01:19:23,120 --> 01:19:26,880
Speaker 1: drop you know, like you know he didn't want to

1557
01:19:26,960 --> 01:19:31,599
Speaker 1: toss no brand, It's just money. You're literally just giving

1558
01:19:31,760 --> 01:19:35,280
Speaker 1: money away. Say same thing I told him when he said,

1559
01:19:35,360 --> 01:19:37,200
Speaker 1: y'all know what this is, I'm like, you just gave

1560
01:19:37,320 --> 01:19:40,080
Speaker 1: me a big ass bag of money. You don't even know,

1561
01:19:40,600 --> 01:19:42,680
Speaker 1: like thank you. But when you do that, that's what

1562
01:19:42,800 --> 01:19:45,320
Speaker 1: you're doing. You giving motherfuckers like having much you get

1563
01:19:45,360 --> 01:19:47,680
Speaker 1: for a million streamers in the money you give them

1564
01:19:47,760 --> 01:19:51,160
Speaker 1: like twelve bands, you know, giving niggas like twelve. That's

1565
01:19:51,200 --> 01:19:52,560
Speaker 1: why I say. He just said that he was the

1566
01:19:52,640 --> 01:19:58,400
Speaker 1: most Christmas just took me off the ship. And I

1567
01:19:58,520 --> 01:20:02,120
Speaker 1: guess it because I just knew was on. Because you

1568
01:20:02,200 --> 01:20:04,439
Speaker 1: know what I did. I went, I went looking for

1569
01:20:04,560 --> 01:20:07,320
Speaker 1: the disrespect. I was like, let me start at the bottom.

1570
01:20:07,640 --> 01:20:10,160
Speaker 1: You know what I'm saying. Of course I'll be down there.

1571
01:20:10,200 --> 01:20:11,519
Speaker 1: And I was like, oh wait, no I'm not at

1572
01:20:11,520 --> 01:20:19,599
Speaker 1: the bottom. Hey, man, now say oh I just stopped

1573
01:20:19,600 --> 01:20:24,880
Speaker 1: taking everybody's phone. Man, you know what, that's bullshit. Man,

1574
01:20:24,920 --> 01:20:27,439
Speaker 1: I don't think that's gonna be the case. Said that

1575
01:20:27,600 --> 01:20:33,000
Speaker 1: was bullshit. That's bullshit about being on the motherfucking list. Nigga,

1576
01:20:33,479 --> 01:20:43,920
Speaker 1: this the jet life, you know what I mean? He

1577
01:20:44,040 --> 01:20:46,160
Speaker 1: started off right, he said, he says, like you know

1578
01:20:46,400 --> 01:20:48,439
Speaker 1: anticipated record, I mean like I said, when he came

1579
01:20:48,520 --> 01:20:51,200
Speaker 1: there this time for us to finish this record. That's

1580
01:20:51,240 --> 01:20:53,519
Speaker 1: what I was telling walking down the hall, like you,

1581
01:20:54,640 --> 01:20:58,960
Speaker 1: I'm gonna keep posting this way so people really want

1582
01:20:59,000 --> 01:21:01,400
Speaker 1: to hear and she what's going on. But but I

1583
01:21:01,520 --> 01:21:03,160
Speaker 1: want to say this to everybody out there that was

1584
01:21:03,479 --> 01:21:05,599
Speaker 1: that keeps saying I'm holding the music and they used

1585
01:21:05,640 --> 01:21:08,040
Speaker 1: to him putting the records out the way out. The

1586
01:21:08,120 --> 01:21:13,360
Speaker 1: only reason that's happening is because, like I said, this marketing. Yeah,

1587
01:21:14,640 --> 01:21:18,640
Speaker 1: they're seeing this. I'm learning every time. Oh y'all, Oh

1588
01:21:18,720 --> 01:21:21,640
Speaker 1: y'all want this type of song, okay, or y'all like

1589
01:21:21,760 --> 01:21:23,880
Speaker 1: this type of song. Okay, all right, So let me

1590
01:21:24,000 --> 01:21:25,640
Speaker 1: go back in the studio and make this. But the

1591
01:21:25,760 --> 01:21:30,040
Speaker 1: comments are changing to all right, bro, enough with the

1592
01:21:30,160 --> 01:21:33,720
Speaker 1: cool posts like and Leeds to give us a date.

1593
01:21:34,439 --> 01:21:36,000
Speaker 1: We got, we got you, we got we got you,

1594
01:21:36,920 --> 01:21:38,760
Speaker 1: saying that I'm just out of the way because I

1595
01:21:38,800 --> 01:21:41,759
Speaker 1: ain't never know nobody who went on toll with Michael Jackson.

1596
01:21:43,040 --> 01:21:46,840
Speaker 1: I never meant nobody who breakdancing and who then we

1597
01:21:46,960 --> 01:21:50,840
Speaker 1: dated j Jackson. Yeah, you know I'm talking about nobody work.

1598
01:21:51,160 --> 01:21:58,120
Speaker 1: I was never tripping. I was never tripping about that. Damn.

1599
01:21:58,160 --> 01:22:02,080
Speaker 1: That's that's why, you know, Oh my god, think about

1600
01:22:02,080 --> 01:22:08,639
Speaker 1: the body's work. It is what it is because because

1601
01:22:08,760 --> 01:22:11,120
Speaker 1: because the mother was on the wall and ship y'all

1602
01:22:11,160 --> 01:22:12,720
Speaker 1: went for and I was like, damn, I knew this

1603
01:22:12,800 --> 01:22:14,960
Speaker 1: nigga for two years. I ain't never said nothing about

1604
01:22:15,040 --> 01:22:24,479
Speaker 1: none of that shit. Y'all boys came in, Well, y'all

1605
01:22:24,520 --> 01:22:26,479
Speaker 1: know what this is, man, rapp right, our podcast. We

1606
01:22:26,600 --> 01:22:31,840
Speaker 1: appreciate you guys. This is the right the start right,

1607
01:22:32,200 --> 01:22:35,720
Speaker 1: that's right, that's right, that's the start of it right there.

1608
01:22:35,880 --> 01:22:39,679
Speaker 1: Holy shit, just just one of the most anticipated. Yeah,

1609
01:22:40,040 --> 01:22:41,920
Speaker 1: make that list, be that get it right, get it

1610
01:22:42,040 --> 01:22:45,640
Speaker 1: right now, y'all, y'all make your own list, man, you

1611
01:22:45,720 --> 01:22:49,080
Speaker 1: know what I mean. Make y'all own that shit count. Man.

1612
01:22:49,240 --> 01:22:51,719
Speaker 1: It's all good man. I'm just glad I was able

1613
01:22:51,760 --> 01:22:55,439
Speaker 1: to rule some joints up. And that's cool. Man. Last

1614
01:22:55,479 --> 01:22:59,599
Speaker 1: time I couldn't smoke, so j get get some shit

1615
01:22:59,680 --> 01:23:02,719
Speaker 1: out there way too. He needed to inform some people

1616
01:23:02,840 --> 01:23:04,760
Speaker 1: some shit. Did we touch on the fact that he

1617
01:23:05,080 --> 01:23:10,040
Speaker 1: was the first rap artist on MTV crips? I know,

1618
01:23:10,120 --> 01:23:13,720
Speaker 1: I think we did, but yeah, that was before we

1619
01:23:13,880 --> 01:23:17,040
Speaker 1: got back on Now that now that we're now that

1620
01:23:17,160 --> 01:23:20,400
Speaker 1: we're miked up. Now that were mike up, let's address

1621
01:23:20,439 --> 01:23:26,720
Speaker 1: it exactly. He said, you know you ain't gotta you

1622
01:23:26,840 --> 01:23:29,280
Speaker 1: had to bottle Chris stal and show the the Bentley.

1623
01:23:29,280 --> 01:23:30,600
Speaker 1: He said, you ain't got one of you ain't a

1624
01:23:30,640 --> 01:23:32,559
Speaker 1: ball at got one of these. Not a big dog,

1625
01:23:32,600 --> 01:23:35,120
Speaker 1: big dog. Everybody says there were a big dog. You

1626
01:23:35,240 --> 01:23:36,880
Speaker 1: don't have one of these. You're not a big dog.

1627
01:23:36,960 --> 01:23:39,800
Speaker 1: The reason that stuck with me is because he was

1628
01:23:39,880 --> 01:23:43,240
Speaker 1: the first rapper on MTV crips. I had been watching

1629
01:23:43,360 --> 01:23:47,040
Speaker 1: MTV crips. But its motherfucker's it shock, you know what

1630
01:23:47,080 --> 01:23:51,400
Speaker 1: I'm saying, all right, But then it was fucking with

1631
01:23:51,439 --> 01:23:54,639
Speaker 1: the icebergs and the sideways had in the due rag. Yeah.

1632
01:23:54,720 --> 01:23:59,560
Speaker 1: So I'm like, hold on, like, you can't do this

1633
01:24:00,439 --> 01:24:05,200
Speaker 1: right man. It didn't look how ship worked, bro. I

1634
01:24:05,320 --> 01:24:07,880
Speaker 1: told y'all before I lied, told my mom and told

1635
01:24:07,960 --> 01:24:10,200
Speaker 1: my mom. I was with Master Pete to explain why

1636
01:24:10,280 --> 01:24:12,080
Speaker 1: they had the range rover and from my house because

1637
01:24:12,080 --> 01:24:14,200
Speaker 1: my homes was doing some wild ship and they had

1638
01:24:14,240 --> 01:24:16,320
Speaker 1: the range rover at the crib when there shouldn't have been.

1639
01:24:16,360 --> 01:24:18,479
Speaker 1: When I was like, no, I've been hanging out with

1640
01:24:18,600 --> 01:24:21,759
Speaker 1: Master Pete and that wasn't the truth. But then lord behold,

1641
01:24:22,080 --> 01:24:25,439
Speaker 1: I started hanging out with me. Now I saw that

1642
01:24:25,560 --> 01:24:28,559
Speaker 1: fucking MTV crib. The shit stuck with me. Yea, all right,

1643
01:24:28,960 --> 01:24:31,680
Speaker 1: I imagine shit like this. Even when I was with

1644
01:24:31,880 --> 01:24:35,200
Speaker 1: Young Money, we shot a video with Little Wayne and

1645
01:24:35,280 --> 01:24:38,200
Speaker 1: Levant and Bro was was on or he did the

1646
01:24:38,280 --> 01:24:42,040
Speaker 1: record and ship, and I was like, I think maybe

1647
01:24:42,120 --> 01:24:44,400
Speaker 1: I'll fucking be around dude. You know what I'm saying

1648
01:24:44,520 --> 01:24:46,200
Speaker 1: that that would be fucking cool, you know, but it

1649
01:24:46,360 --> 01:24:49,800
Speaker 1: just wasn't my time and didn't and didn't when I

1650
01:24:49,920 --> 01:24:52,160
Speaker 1: mentioned them when I named the record after him, I

1651
01:24:52,640 --> 01:24:54,479
Speaker 1: still didn't think that because I feeled it was too

1652
01:24:54,560 --> 01:24:56,479
Speaker 1: fun gone at that point. You know what I'm saying.

1653
01:24:56,560 --> 01:24:59,479
Speaker 1: I'm like, you know, now I'm underground. I'm doing I

1654
01:24:59,520 --> 01:25:03,040
Speaker 1: didn't call my niche out and Bro exists on another planet,

1655
01:25:03,160 --> 01:25:06,280
Speaker 1: so it's cool. I'm gonna just say something because everybody

1656
01:25:06,439 --> 01:25:09,200
Speaker 1: saw this and now I know, you know what I'm saying,

1657
01:25:09,200 --> 01:25:11,439
Speaker 1: Like why Stuggar is because it was the first time

1658
01:25:11,840 --> 01:25:15,600
Speaker 1: a rapper was on MTV crib like just Cribs in

1659
01:25:15,680 --> 01:25:18,839
Speaker 1: itself was was groundbreaking because you got to see motherfucker's

1660
01:25:18,840 --> 01:25:21,360
Speaker 1: to see if they're really here. You know, like I

1661
01:25:21,479 --> 01:25:26,920
Speaker 1: think whole Colgan's rich and the baggage house and the

1662
01:25:27,040 --> 01:25:29,960
Speaker 1: dogs riping the monster truck. I write whole Coding rich.

1663
01:25:30,240 --> 01:25:32,200
Speaker 1: So it's like, no, I write money and the thing.

1664
01:25:33,000 --> 01:25:35,840
Speaker 1: You know what I'm saying, video shoot over baby? What's up?

1665
01:25:36,280 --> 01:25:38,280
Speaker 1: All that shit was in the road. They got like,

1666
01:25:38,360 --> 01:25:41,360
Speaker 1: all right, man, that's my dog right there. I didn't

1667
01:25:41,400 --> 01:25:44,880
Speaker 1: give a fuck. No mo yeah, hell yeah yeah. I

1668
01:25:44,960 --> 01:25:46,840
Speaker 1: had to have that, had to have that ship after

1669
01:25:46,920 --> 01:25:50,760
Speaker 1: that report because I said, that's only they used to read, right,

1670
01:25:51,240 --> 01:25:54,120
Speaker 1: that's all I used to read. It's like, I know,

1671
01:25:54,640 --> 01:25:57,720
Speaker 1: it's crazy because it's like when Biggie said, end up,

1672
01:25:58,200 --> 01:26:01,760
Speaker 1: real niggas do, and he said I bought, I bought.

1673
01:26:01,960 --> 01:26:05,280
Speaker 1: I bought the mafia, a crib, pool tables and candy.

1674
01:26:05,360 --> 01:26:08,320
Speaker 1: He talked about that. He talked about my house. Wow,

1675
01:26:09,439 --> 01:26:10,720
Speaker 1: you know what I mean, because that's where people used

1676
01:26:10,720 --> 01:26:12,200
Speaker 1: to come over my house and like you say, he

1677
01:26:12,479 --> 01:26:14,760
Speaker 1: come over my house. They see these books and I

1678
01:26:14,880 --> 01:26:17,160
Speaker 1: used to have candy just out, and I had a

1679
01:26:17,200 --> 01:26:19,560
Speaker 1: pool table and all the video games. Right, that's what

1680
01:26:19,680 --> 01:26:22,640
Speaker 1: you and that's what like when Big first came there,

1681
01:26:22,720 --> 01:26:26,200
Speaker 1: we did the B side he was. He was blown away,

1682
01:26:26,320 --> 01:26:29,280
Speaker 1: like like I didn't know niggas can have this type

1683
01:26:29,320 --> 01:26:31,800
Speaker 1: of ship. And I was like, oh, that's when I

1684
01:26:31,880 --> 01:26:35,560
Speaker 1: started realizing how different Atlanta was as far as the

1685
01:26:35,720 --> 01:26:40,960
Speaker 1: way black people lived out here compared to what I

1686
01:26:41,040 --> 01:26:43,280
Speaker 1: just New York this period. Yeah, you know, and that's

1687
01:26:43,320 --> 01:26:46,439
Speaker 1: when I that's because I didn't never know why more

1688
01:26:46,479 --> 01:26:48,519
Speaker 1: and more people was moving to Atlanta and they were saying,

1689
01:26:48,520 --> 01:26:50,479
Speaker 1: I want my kids to move there, and not even

1690
01:26:50,520 --> 01:26:53,000
Speaker 1: when like Minister Society at the end of the movie

1691
01:26:53,520 --> 01:27:00,759
Speaker 1: that's Off trying to go to Atlanta had my nigga

1692
01:27:00,880 --> 01:27:03,840
Speaker 1: running up place on the porch. He came out with

1693
01:27:04,040 --> 01:27:10,519
Speaker 1: such forces guns had that running. They wasn't even gonna

1694
01:27:10,560 --> 01:27:14,760
Speaker 1: hit that. And the fucking little big way under the thing.

1695
01:27:14,840 --> 01:27:17,640
Speaker 1: The niggas were hitting at you, brother, they told him,

1696
01:27:17,760 --> 01:27:29,439
Speaker 1: and they hit the positive DUDECI hit the movies this spuncier, Damn.

1697
01:27:31,600 --> 01:27:37,240
Speaker 1: The hunt is on, Damn, Damn, and you are the

1698
01:27:37,320 --> 01:27:42,080
Speaker 1: pre god. Damn. Rock got that nigga killed. Rock fucking

1699
01:27:42,160 --> 01:27:46,639
Speaker 1: spoke that shit into existence. Rock got that nigga smoke.

1700
01:27:46,760 --> 01:27:53,519
Speaker 1: That's crazy Black movies. Give me the top five greatest

1701
01:27:53,520 --> 01:27:57,840
Speaker 1: Black movies. Oh Man super Fly because he's the only

1702
01:27:57,880 --> 01:28:01,000
Speaker 1: one who won nineteen seventy two. The real he did.

1703
01:28:01,080 --> 01:28:03,920
Speaker 1: The only thing he lost was his fake best friend

1704
01:28:04,040 --> 01:28:09,479
Speaker 1: Eddie wasn't really his part, That's it. The MAC was cool,

1705
01:28:09,600 --> 01:28:12,680
Speaker 1: but they fucking you know, his mom got smoked, you know,

1706
01:28:13,080 --> 01:28:17,800
Speaker 1: super Fly truck turner. Isaac has boys in the hood.

1707
01:28:18,080 --> 01:28:20,479
Speaker 1: So sorry because you know we lose Rickey there, but

1708
01:28:20,600 --> 01:28:23,519
Speaker 1: we see a fucking cold ass set of Lottle rileson

1709
01:28:23,600 --> 01:28:26,840
Speaker 1: and that stuck with me forever. Tales from the Hood,

1710
01:28:28,000 --> 01:28:32,000
Speaker 1: that's your top Yeah, yeah, Tails from the Hood and

1711
01:28:32,200 --> 01:28:35,000
Speaker 1: yeah what other what Jad's Ranger was a better black

1712
01:28:35,080 --> 01:28:37,720
Speaker 1: horrible because look at my top five covered each job,

1713
01:28:38,680 --> 01:28:43,439
Speaker 1: covered each before and before he gets upset, before he

1714
01:28:43,479 --> 01:28:47,960
Speaker 1: gets up the winds with Michael Dad, all right, there

1715
01:28:48,040 --> 01:28:59,080
Speaker 1: you go the fuck by work? Hey, you should do something,

1716
01:29:01,040 --> 01:29:06,560
Speaker 1: tired of it? What it meantime? This is yeah, you

1717
01:29:06,640 --> 01:29:12,120
Speaker 1: know what I mean for motivational use sold j D.

1718
01:29:12,320 --> 01:29:24,599
Speaker 1: Thank you guys. Yeah. Rap Radar podcast yea yeah. Rap

1719
01:29:24,800 --> 01:29:28,080
Speaker 1: Rador is an interval presents original production from Hyperhouse, produced

1720
01:29:28,120 --> 01:29:31,400
Speaker 1: by Laura Wasser, hosting producers Elliott Wilson and Brian B.

1721
01:29:31,520 --> 01:29:36,400
Speaker 1: Doc Miller. Permittivo presents Executive producers Alan Coy and Jake Kleinberg,

1722
01:29:36,760 --> 01:29:41,759
Speaker 1: Executive producer Paul Rosenberg. Editing and sound design by Mike Dorsey,

1723
01:29:42,240 --> 01:29:47,160
Speaker 1: Recording engineer Xavier Hayes. Special things to Travis Cochrane, Caleb Steeles,

1724
01:29:47,479 --> 01:29:51,680
Speaker 1: Giles Williams, Writer and a War Operations Lead Sarah You,

1725
01:29:52,160 --> 01:29:56,240
Speaker 1: Business development Lead Cheffie ellen Swagg and Marketing Lead Samara Still.

1726
01:29:56,520 --> 01:29:59,720
Speaker 1: Make sure to follow Rapperator or listen on Apple Podcasts, Spotify,

1727
01:30:00,000 --> 01:30:02,360
Speaker 1: Amazon Music, Stitcher, or wherever you get your podcasts.