WEBVTT - Stokley

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<v Speaker 1>And money. We are thank you, Jake Valentine. We are

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<v Speaker 1>the authority on all things R and B. Lady and gentlemen,

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<v Speaker 1>I am Tank, I'm Jay Valentine, and this man. This

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<v Speaker 1>is the Army Money Podcast. Yes, it is the authority,

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<v Speaker 1>the one in out on all things R and B. H.

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<v Speaker 1>As I go into my preacher cadence, I reminded at

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<v Speaker 1>the time, being a youngster desiring to sing, I'm desiring

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<v Speaker 1>to have the mechanics to be dazzling amongst the people.

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<v Speaker 1>And there was a man I studied. Ah, come on now,

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<v Speaker 1>so man, I watched. They were ingredients that I've stolen

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<v Speaker 1>from this man that I am not going to give

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<v Speaker 1>him back. I have taken these ingredients. I've gone on

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<v Speaker 1>to fort a career of my own. Ladies and gentlemen. Uh,

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<v Speaker 1>one of my heroes in the building. Man, that's the

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<v Speaker 1>best I can say. Get up a stoke top of

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<v Speaker 1>the top. Want oh you want to say? Have you

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<v Speaker 1>heard bro? Let me tell you something, man, I mean

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<v Speaker 1>going back to like being in at the Fine Arts

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<v Speaker 1>building in Howard University. You know what I mean? And

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<v Speaker 1>like it? Alright? Yeah, I was. I was. I was

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<v Speaker 1>a baby like she didn't go there though I didn't

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<v Speaker 1>go there. I skip skip school. I was skipped school

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<v Speaker 1>and come up to Howard and see guys with I

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<v Speaker 1>see see two drum sets to two guys going back

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<v Speaker 1>and forth, two drum sets in the room, in the

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<v Speaker 1>rooms in the basement, the people at the piano going crazy,

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<v Speaker 1>and I like it. It like started there, you know

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<v Speaker 1>what I mean? And then bro, you came out singing

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<v Speaker 1>like I had never heard before, and it had a

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<v Speaker 1>texture where it was like Stevie reminiscent, but it was

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<v Speaker 1>completely something new m And I was a hundred enamored

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<v Speaker 1>with it. Every day, Wow to church, drop my mom off,

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<v Speaker 1>picking my sister, drop my cousin off at boy stay

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<v Speaker 1>every day every day and people like, how do you

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<v Speaker 1>say like that? I wouldn't tell everybody for a long time,

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<v Speaker 1>Like where'd you get that from? No? Guy, right, I wouldn't.

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<v Speaker 1>I wouldn't tell everybody for a long time and take

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<v Speaker 1>it back to the church. Yeah, but like what did

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<v Speaker 1>what did you get? Because they of course they knew

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<v Speaker 1>if they knew if John, you know what I'm saying,

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<v Speaker 1>They knew I love John, They knew of Fred, they

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<v Speaker 1>knew I loved Fred. They knew, Um, Mitchell Jones, they

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<v Speaker 1>know I love Mitchell Jones. They didn't know about that

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<v Speaker 1>stokely wow to be mentioned with them. First of all,

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<v Speaker 1>it's it's crazy. Oh yeah, no you you're in a

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<v Speaker 1>heavy room and that's that's very heavy. You know, come on,

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<v Speaker 1>heavy room. Um we we what we like to do, right,

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<v Speaker 1>I hate it. I just wanted to start off there

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<v Speaker 1>and just give you just a perspective on just what

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<v Speaker 1>you mean to me, because it's it's it's very real

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<v Speaker 1>and it's a very big deal, you know what I mean.

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<v Speaker 1>So I want to say thank you. I think every

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<v Speaker 1>time I see you, I tell you, tell you this.

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<v Speaker 1>But I'm not gonna stopped telling me every time I

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<v Speaker 1>see you. Know what I'm saying, Man, your vocal, I'm

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<v Speaker 1>gonna say you every time because I just I just

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<v Speaker 1>think that even for our platform and creating this, you

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<v Speaker 1>know what I mean, we want to make sure I

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<v Speaker 1>said something earlier that that that the guys who are

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<v Speaker 1>well studied, the even the women who who did this

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<v Speaker 1>that way, like we couldn't skip no steps, no, not

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<v Speaker 1>a one. Like I'm pretty sure you guys recorded you

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<v Speaker 1>recorded on two inch Oh yeah, absolutely, you were two

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<v Speaker 1>inches right, and then finally the task. Finally the ada came.

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<v Speaker 1>Oh yeah, I used to actually cut take that. Yeah,

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<v Speaker 1>that's right, you know what I'm saying. One button? No, no,

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<v Speaker 1>it was the real Yeah, it wasn't nose the first

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<v Speaker 1>the bast actions sound good. We might as well fly

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<v Speaker 1>to base actions, right, are you sure you got it's

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<v Speaker 1>a commitment and take a lucky right, it'll take a

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<v Speaker 1>lunch of fun background, right, and you could have run

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<v Speaker 1>out of trucks right right, You can run out. You

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<v Speaker 1>could run out. So you have to be amazing right

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<v Speaker 1>in here. It's like your planning's got to be on point,

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<v Speaker 1>you know, way before pitch correction. I'm gonna I'm gonna

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<v Speaker 1>let you talk, but I'm still celebrating you right now.

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<v Speaker 1>Way pitch correction, all though, tune and what's the other one?

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<v Speaker 1>Meladon right? Right? You just gotta do it ten more times,

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<v Speaker 1>which is a little bit of extra rehearsal. You got

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<v Speaker 1>a little practice and then there and then there's stack. Yeah,

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<v Speaker 1>he came from the era of eight to ten hour rehearsals.

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<v Speaker 1>That's how he grew. Yeah, not by choice, man, but

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<v Speaker 1>it made you the man. I thank that the school

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<v Speaker 1>of my better work. You you I've survived, brother, and

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<v Speaker 1>those are the things, those are the differences that are

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<v Speaker 1>Sometimes it's hard to articulate the why. But you know

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<v Speaker 1>when when when the rubber meets the roll, those instincts

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<v Speaker 1>of what you've learned and what you've really had to um,

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<v Speaker 1>where you've really been battle tested, that's where that that

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<v Speaker 1>just kicks in you. Yeah, you float right all right, Stock,

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<v Speaker 1>This is about you, Um, it's about us. First of all,

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<v Speaker 1>standing ovation. I'm standing up right now, Jay Valentine, Tank,

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<v Speaker 1>thank you for doing this. People got to know this

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<v Speaker 1>is an amazing I've watched your show. I mean it's

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<v Speaker 1>a cross section of people, olderness like you are bringing

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<v Speaker 1>it all together. Man. We need this form, We need

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<v Speaker 1>this kind of platform to tell us stories, to share,

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<v Speaker 1>you know, the pass on, you know, because this is

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<v Speaker 1>you know, the younger generation. It's a different They're they're

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<v Speaker 1>they're great, everybody's great, but there's some information that that's

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<v Speaker 1>that's missing. This is like a bridge, sir. Thank you man, sir.

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<v Speaker 1>That's why that's why we're here. That's absolutely here. The

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<v Speaker 1>s um Stokely were like we are historical pod Historical

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<v Speaker 1>were like we don't get into the archives of of

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<v Speaker 1>of stokely like the beginning, when was it identified that

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<v Speaker 1>place that Minnesota, Minnesota, Yeah, Minnesota boys, but it's some

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<v Speaker 1>cold things too, Minnesota slept on. Shout out, shout, shout

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<v Speaker 1>out to brother window Muhammad's passed on. We were riding

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<v Speaker 1>through Minneapolis one day and it was below zero. And

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<v Speaker 1>I don't know how this is gonna come off, what

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<v Speaker 1>I'm gonna say to me, oh man, but we were

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<v Speaker 1>we were riding through Minneapolis and there were ladies of

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<v Speaker 1>the night m on the street corner Wow at fall below,

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<v Speaker 1>walking the walk and talking to talk getting it in

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<v Speaker 1>the brother. I'm gonna saying it said, a woman with

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<v Speaker 1>that kind of dedication, Wow, could run this country. That

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<v Speaker 1>type of dedication. It's a it's a different kind of cold,

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<v Speaker 1>it's a different kind of art. We were counting before

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<v Speaker 1>we got out of the cars. Okay on three on three,

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<v Speaker 1>we're gonna get out and tell them, open the door,

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<v Speaker 1>tell them so take us back, take us back, take

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<v Speaker 1>us back to where you first found it or at

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<v Speaker 1>first found Oh man, it's um. It's one of those things.

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<v Speaker 1>My um my parents seventies, but my parents are educators,

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<v Speaker 1>so we talked about history and my dad's you know,

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<v Speaker 1>his history teacher, anything to do with black folk, you know,

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<v Speaker 1>loving on black folks that kind of whether it be sports, politics,

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<v Speaker 1>you know, entertainment, etc. And my mother English all that stuff.

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<v Speaker 1>So I grew up a little bit different. So I

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<v Speaker 1>had my father had all these people around him, and

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<v Speaker 1>when I was like three or four, they would go back.

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<v Speaker 1>They started going to Ghana, going to Africa, back and forth.

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<v Speaker 1>So they'd bring all these things back and they trade

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<v Speaker 1>clothes and then you know, commune Africans would give them,

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<v Speaker 1>you know, stuff back, and he had some father had

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<v Speaker 1>some bongles on the wall. I was about three, and uh,

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<v Speaker 1>don't know how I got up and got him off

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<v Speaker 1>the wall. Whatever's much as silver mystery to me. I

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<v Speaker 1>don't know somehow I got up there and started playing

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<v Speaker 1>their sleep And as my father tells me, because I

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<v Speaker 1>don't really remember it, he said, it sounded like you

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<v Speaker 1>like somebody knew what they were doing. They're and actual patterns,

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<v Speaker 1>and uh, it's like what is that? No one is

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<v Speaker 1>they're both asleep. You hear that, like I don't hear

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<v Speaker 1>anything about Mom was like I don't hear nothing, and

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<v Speaker 1>they got up. He was like, wow, this dude is

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<v Speaker 1>in here. Plane. So he had a friend who had

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<v Speaker 1>this African dance Troop Aberdeen game. It's rather from Panama

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<v Speaker 1>and uh he said, I you know, I don't know him.

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<v Speaker 1>It's that I don't know if this is good or not.

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<v Speaker 1>You let me know. He said, oh, yeah, dude, it's good.

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<v Speaker 1>I'll take him with me. So three at about three,

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<v Speaker 1>so it actually knows about I was about that was four.

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<v Speaker 1>I was four, actually, yeah, it was four. So um,

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<v Speaker 1>because there'sn't there's a whole thing in the paper, local

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<v Speaker 1>paper at home. My first gig was First Bank of

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<v Speaker 1>Minneapolis standing on these steel you know, folding chair playing

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<v Speaker 1>congers with this African dance troupe. And that was the

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<v Speaker 1>beginning of it all from Major Yeah, my little dice

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<v Speaker 1>Chiki and my little half from Yeah, I was in it. Yeah.

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<v Speaker 1>So from there, man, that was just kind of mine thing.

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<v Speaker 1>And then at that time too, there was a lot

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<v Speaker 1>of groups like that. You know, I was playing and

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<v Speaker 1>ended up playing for a lot of poets. It's like that.

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<v Speaker 1>So that was like a thing. You go on the park,

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<v Speaker 1>you see brothers playing congers in the park. You know

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<v Speaker 1>that kind of they had like a little baby in

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<v Speaker 1>love Joan. Yeah, you know, that's pretty much pretty much man,

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<v Speaker 1>Revolutionary Chad. You know. So you say, you say Congers,

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<v Speaker 1>it's really Conga, but brothers in the Hill you say Congers,

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<v Speaker 1>it's really Congress. Okay, so I'm from DC. Yeah we

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<v Speaker 1>say congos. Oh that's right, say congos. He's saying. I'm like,

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<v Speaker 1>I know what he's talking about. We put oh, but

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<v Speaker 1>spelling in my head. I'm like, I don't spell that,

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<v Speaker 1>but I'm looking at the spellings in my head. I'm like,

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<v Speaker 1>it is Congers too. Yeah, yeah, Congress, and it's like

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<v Speaker 1>Congers in Bongo was in few so it's like Congos

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<v Speaker 1>longos you know. Yeah. So we was like decent, like yeah,

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<v Speaker 1>uh go go Mickey on the Congos he killed. Yeah,

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<v Speaker 1>yeah that was Yeah. We had a little tribal yeah yeah, yeah,

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<v Speaker 1>we was like Congas, like where are you? Ain't in it?

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<v Speaker 1>So yeah, yeah, man, but that was that was the beginning.

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<v Speaker 1>So I had, you know, with the Aberdeen Gay Group.

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<v Speaker 1>Later on, there was another um group I played with

0:12:33.160 --> 0:12:37.079
<v Speaker 1>instrument in my development, Black Arts Midwest. In this place

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<v Speaker 1>there was a space where they would have all these

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<v Speaker 1>kids coming to the the neighborhood and it was a place

0:12:42.800 --> 0:12:45.200
<v Speaker 1>called Inner City Youth League. So they had they had

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<v Speaker 1>a studio in there, they had where they teach like

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<v Speaker 1>art class so you know, I was involved in that,

0:12:50.640 --> 0:12:53.640
<v Speaker 1>martial arts everything. They had people speaking, just teaching all

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<v Speaker 1>kinds of classes there. So it was a place for

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<v Speaker 1>young kids to go and just kind of get right,

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<v Speaker 1>you know. And later on there's another group with Charlie Dances.

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<v Speaker 1>We played at the Renaissance Festival a lot, you know,

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<v Speaker 1>so I pretty much that was all those I called

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<v Speaker 1>africanisms was instilled to me very young, you know, I

0:13:11.679 --> 0:13:16.360
<v Speaker 1>was and and the the percussion side is really developed.

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<v Speaker 1>Yeah at this time too for you. Yeah, absolutely, so

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<v Speaker 1>that was there was instilled to me very young, and

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<v Speaker 1>I was you know, I was halfway home school and

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<v Speaker 1>didn't know it. But you being paid too. Did you

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<v Speaker 1>make some money to get a couple of dollars? Oh yeah,

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<v Speaker 1>a little bit. Yeah, yeah, you know, I mean right

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<v Speaker 1>now now, my pop my first it was Remember it

0:13:38.679 --> 0:13:40.920
<v Speaker 1>was twelve dollars and seventy five cent. Remember that's that check.

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<v Speaker 1>Get it? And I was like, yeah, get a whole candy,

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<v Speaker 1>Like what the what account? I was like how much

0:13:49.760 --> 0:13:52.280
<v Speaker 1>candy I get with that because I didn't get paid

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<v Speaker 1>frone of my street performance. But get whatever twelve seventy five,

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<v Speaker 1>what they said Fisherman's warf owes me Now, oh but goodness, yeah, man,

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<v Speaker 1>So you're playing You're playing Congos, Congas, congas, three of

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<v Speaker 1>those until about what egg So that started at four

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<v Speaker 1>and then um, I was let's see ten, eleven, twelve,

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<v Speaker 1>Are you putting in years? Yeah, so that's when that

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<v Speaker 1>was being a kid playing sports and all this stuff

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<v Speaker 1>in between, of course, and at the same time, there's

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<v Speaker 1>so many things happening at the at the same time.

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<v Speaker 1>You know, how you go through life and you go

0:14:34.320 --> 0:14:36.600
<v Speaker 1>through phases when your kid and go through sports and

0:14:36.640 --> 0:14:40.560
<v Speaker 1>football and basketball and track and all that. And so

0:14:41.400 --> 0:14:45.360
<v Speaker 1>at the same time, I'm listening all these records, you know,

0:14:45.520 --> 0:14:49.800
<v Speaker 1>my dad, I've hear Malcolm X, you're not here, Etha Franklin,

0:14:50.240 --> 0:14:55.040
<v Speaker 1>You're not here, Ella Fitzgerald, Serif on all these different things,

0:14:55.080 --> 0:14:57.480
<v Speaker 1>you know, just all the branches of three of black music,

0:14:57.960 --> 0:15:03.560
<v Speaker 1>you know, all these genres that we've created. And I'm like, wow,

0:15:03.600 --> 0:15:05.960
<v Speaker 1>I putting you know, it's just it's in you hear

0:15:06.080 --> 0:15:08.080
<v Speaker 1>music and I didn't know that how it's affecting me.

0:15:08.760 --> 0:15:13.080
<v Speaker 1>My my aunt was the musical director and the church,

0:15:13.320 --> 0:15:15.840
<v Speaker 1>so I didn't. I never sang in church. I played,

0:15:16.800 --> 0:15:18.360
<v Speaker 1>but so I mean I was you know, my ear

0:15:18.440 --> 0:15:20.400
<v Speaker 1>was pretty good even back then. I was like man,

0:15:20.440 --> 0:15:23.760
<v Speaker 1>I so that spirit just never left. And you know

0:15:23.760 --> 0:15:26.000
<v Speaker 1>how that is, it just gets in you, and that

0:15:26.080 --> 0:15:28.960
<v Speaker 1>just that whole spirit of it. So all that did

0:15:29.000 --> 0:15:34.000
<v Speaker 1>anyone know you could sing? No? No, So the singing came.

0:15:34.080 --> 0:15:36.800
<v Speaker 1>So the singing I was always I was a mimicer

0:15:37.360 --> 0:15:39.160
<v Speaker 1>as far as the cat who did it for me

0:15:39.560 --> 0:15:44.040
<v Speaker 1>was Al Green vocally, that was like twenty different people

0:15:44.080 --> 0:15:46.600
<v Speaker 1>in one side of one body. He's just the cat.

0:15:46.600 --> 0:15:49.080
<v Speaker 1>So I was always mimicking and you know that kind

0:15:49.080 --> 0:15:51.360
<v Speaker 1>of thing. So, but it wasn't until I got to

0:15:51.480 --> 0:15:54.800
<v Speaker 1>high school and we were talking about your friend who

0:15:54.800 --> 0:15:57.280
<v Speaker 1>went to high school in Minnesota. I don't know if

0:15:57.280 --> 0:16:00.880
<v Speaker 1>it was We went to a central so in Central

0:16:00.960 --> 0:16:04.440
<v Speaker 1>had it was something called a Magnan Arts program. So

0:16:05.840 --> 0:16:11.040
<v Speaker 1>I would liken it to like the LaGuardia Performing Art. Yeah,

0:16:11.240 --> 0:16:12.480
<v Speaker 1>you know, so it had a little bit of everything

0:16:12.480 --> 0:16:16.440
<v Speaker 1>and then had a studio in there had a still

0:16:16.520 --> 0:16:20.760
<v Speaker 1>drum orchestra, which that guy ended up being my a

0:16:20.760 --> 0:16:23.280
<v Speaker 1>great mentor to me. Rest in peace, calif Alexis Senior

0:16:23.840 --> 0:16:29.520
<v Speaker 1>and those things really helped shape me. And so what

0:16:29.680 --> 0:16:31.680
<v Speaker 1>I did I took there are two classes you could

0:16:31.680 --> 0:16:36.800
<v Speaker 1>take for the studio session. One was more engineering and

0:16:36.880 --> 0:16:40.840
<v Speaker 1>the other class was they put you with different people

0:16:40.920 --> 0:16:45.680
<v Speaker 1>played different genres. So the arm by dudes would be,

0:16:45.720 --> 0:16:47.200
<v Speaker 1>you know, we put you with the rock door just

0:16:47.200 --> 0:16:48.680
<v Speaker 1>so you can kind of expand your mind a little bit.

0:16:48.720 --> 0:16:51.400
<v Speaker 1>So like I didn't want to plass, Like I want

0:16:51.400 --> 0:16:55.200
<v Speaker 1>to learn how to actually push buttons when the knobs

0:16:55.280 --> 0:16:57.720
<v Speaker 1>on the engineering side, so then I can record my

0:16:57.760 --> 0:17:00.720
<v Speaker 1>own stuff. And you know, the big his dream was like,

0:17:00.720 --> 0:17:02.320
<v Speaker 1>I mean, I just want to four track a keyboard

0:17:02.360 --> 0:17:04.400
<v Speaker 1>little drum machine. That was just that was a dream,

0:17:04.480 --> 0:17:06.880
<v Speaker 1>you know what I mean. And so had a little

0:17:06.920 --> 0:17:10.199
<v Speaker 1>task AMP six eighty eight got in there and started

0:17:10.320 --> 0:17:13.240
<v Speaker 1>making it's making beats, making stuff, and it was just

0:17:13.280 --> 0:17:17.439
<v Speaker 1>like and to be honest with you, uh, stacking vocals

0:17:17.440 --> 0:17:20.800
<v Speaker 1>and that kind that's really what helped me sing I

0:17:20.880 --> 0:17:23.760
<v Speaker 1>felt like hil high school. Yeah, that's I felt like

0:17:23.800 --> 0:17:26.680
<v Speaker 1>I met myself for the first time hearing that. Oh

0:17:26.760 --> 0:17:30.920
<v Speaker 1>why me? So I get just stacking. It's just okay, wow.

0:17:31.800 --> 0:17:34.200
<v Speaker 1>So not just to sing it, but learning the process

0:17:34.280 --> 0:17:36.439
<v Speaker 1>of creating you all the frequencies, all the things you

0:17:36.440 --> 0:17:38.919
<v Speaker 1>can do, you know, bouncing, you know you got four tracks,

0:17:38.960 --> 0:17:40.639
<v Speaker 1>you do three tracks, bounce it was three to the

0:17:40.680 --> 0:17:42.560
<v Speaker 1>four and then you know all that kind of stuff.

0:17:42.560 --> 0:17:48.000
<v Speaker 1>So it's really that process helped shape me, you know

0:17:48.040 --> 0:17:49.320
<v Speaker 1>what I mean. And then you know, all he had

0:17:49.359 --> 0:17:53.960
<v Speaker 1>all these instruments around and not a yeah, more of

0:17:53.960 --> 0:17:55.520
<v Speaker 1>an ear player if I can, you know, pick stuff

0:17:55.560 --> 0:17:59.560
<v Speaker 1>up keys or guitar basing and that kind of stuff. Um,

0:17:59.640 --> 0:18:01.800
<v Speaker 1>but that's really the thing that really helped shape me

0:18:02.359 --> 0:18:05.960
<v Speaker 1>with the records and then so it was it was

0:18:06.000 --> 0:18:09.040
<v Speaker 1>an amazing time, you know. And then, like I said,

0:18:09.119 --> 0:18:12.199
<v Speaker 1>my mentor, but little bit of theory that I have,

0:18:12.359 --> 0:18:15.919
<v Speaker 1>Cliff Alexis, I learned off of steel pan, you know,

0:18:16.000 --> 0:18:19.240
<v Speaker 1>and that was just that instrument. It just blew my mind.

0:18:19.280 --> 0:18:20.760
<v Speaker 1>I was like, why so you just took like a

0:18:20.920 --> 0:18:24.920
<v Speaker 1>fifty five gallant oil drum, cut it in different shapes

0:18:24.960 --> 0:18:26.719
<v Speaker 1>and sides, and you're gonna make a cello voice, You're

0:18:26.720 --> 0:18:31.880
<v Speaker 1>gonna make a guitar voice. I was going, As you're talking,

0:18:33.000 --> 0:18:38.360
<v Speaker 1>I'm like hearing all of the influences. I'm hearing all

0:18:38.359 --> 0:18:42.119
<v Speaker 1>of it. Yeah, through through all the things, all the instruments,

0:18:42.119 --> 0:18:44.399
<v Speaker 1>and all the places he's been. I'm hearing the song,

0:18:44.680 --> 0:18:47.800
<v Speaker 1>hearing the interludes. I'm hearing all of them. Like because

0:18:47.800 --> 0:18:51.760
<v Speaker 1>I because a lot of it was gonna be why now,

0:18:52.160 --> 0:18:55.040
<v Speaker 1>I said, you get it? Okay, okay, get it. It

0:18:55.160 --> 0:18:57.320
<v Speaker 1>was all that stuff, and it's you know it just

0:18:57.400 --> 0:19:00.320
<v Speaker 1>and that continues, and like, man, I'm still discovering all that.

0:19:01.000 --> 0:19:02.720
<v Speaker 1>You know, the older you get, you're like, oh, that's

0:19:02.760 --> 0:19:05.320
<v Speaker 1>what that was. You know, how many instruments are you

0:19:05.359 --> 0:19:10.560
<v Speaker 1>into at this point? I mean basically it was, of course,

0:19:10.640 --> 0:19:15.400
<v Speaker 1>all the percussions stuff I started. I had some piano instruction,

0:19:15.880 --> 0:19:19.280
<v Speaker 1>you know, off and on um, but that was basically

0:19:19.480 --> 0:19:21.680
<v Speaker 1>the guitar and stuff, and that came later just from

0:19:21.760 --> 0:19:24.840
<v Speaker 1>thinking around and in the basement. You know, every band

0:19:24.840 --> 0:19:28.120
<v Speaker 1>that I played in that was pretty much the youngest guy,

0:19:28.600 --> 0:19:30.680
<v Speaker 1>a lot of a lot most of them payed drums,

0:19:30.960 --> 0:19:35.000
<v Speaker 1>always played drums, but all the every band played with,

0:19:35.040 --> 0:19:37.560
<v Speaker 1>most of the bands would rehearsing my parents' basement, so

0:19:37.600 --> 0:19:40.159
<v Speaker 1>all the instruments were left honor, you know. So I

0:19:40.280 --> 0:19:42.360
<v Speaker 1>was like, what was that he was playing earlier? You know, yeah,

0:19:42.680 --> 0:19:44.640
<v Speaker 1>what was that? But you know, I would just get

0:19:44.680 --> 0:19:46.000
<v Speaker 1>on the next thing, and then the next thing, you know,

0:19:46.080 --> 0:19:48.800
<v Speaker 1>I you know, I started picking up different phrases and

0:19:49.280 --> 0:19:52.280
<v Speaker 1>you know, I just started expanding my vocabulary. Your parents

0:19:52.320 --> 0:19:55.199
<v Speaker 1>opened up your home to it took I don't know

0:19:55.240 --> 0:19:58.199
<v Speaker 1>how they did that because it was loud and some

0:19:58.320 --> 0:20:03.920
<v Speaker 1>of it was wrong. Yeah, I remember my dad told

0:20:03.920 --> 0:20:05.440
<v Speaker 1>me one time. I was like, yeah, it was this

0:20:05.560 --> 0:20:17.960
<v Speaker 1>song and I was like, oh, ugly music. So I

0:20:18.000 --> 0:20:22.560
<v Speaker 1>have to switch to the beginnings of infancy stage of men. Okay,

0:20:22.840 --> 0:20:25.959
<v Speaker 1>so this is after high school, trying to figure out

0:20:25.960 --> 0:20:28.240
<v Speaker 1>what they are we gonna do. I went to Northern

0:20:28.240 --> 0:20:30.280
<v Speaker 1>Illinois University just to see if I wanted to go

0:20:30.320 --> 0:20:33.280
<v Speaker 1>because Cliff alexis my mentor, was going to teach there.

0:20:33.880 --> 0:20:37.440
<v Speaker 1>And I was like, Okay, maybe not. I'm gonna take

0:20:37.480 --> 0:20:39.480
<v Speaker 1>one year and you know, see what I can do.

0:20:39.520 --> 0:20:41.119
<v Speaker 1>So I was working and that kind of thing. So

0:20:41.480 --> 0:20:44.960
<v Speaker 1>in between that we meant put together, we put together,

0:20:45.000 --> 0:20:48.679
<v Speaker 1>I think, and we had I wasn't singing. I was

0:20:48.680 --> 0:20:52.080
<v Speaker 1>playing from us. There was this other guy who was

0:20:52.119 --> 0:20:54.280
<v Speaker 1>paying for the space, the rehearsal space, that we had

0:20:54.920 --> 0:20:58.760
<v Speaker 1>and he was singing, couldn't really he wasn't a singer,

0:20:59.000 --> 0:21:00.800
<v Speaker 1>you know, but he just know the whole prince thing

0:21:00.920 --> 0:21:03.960
<v Speaker 1>was going on, and he had this long weave. Nothing

0:21:03.960 --> 0:21:05.679
<v Speaker 1>the rest of it was just affro and that's like

0:21:05.680 --> 0:21:08.240
<v Speaker 1>all of a sudden, just weaves. Anyway, another story. And

0:21:08.359 --> 0:21:17.159
<v Speaker 1>he was breathing. He was breathing, breathed the way I was,

0:21:22.520 --> 0:21:25.920
<v Speaker 1>you ain't, Yeah, breathed all the way. And but he

0:21:26.119 --> 0:21:28.479
<v Speaker 1>wasn't you know, he could screamed like princes and all

0:21:28.480 --> 0:21:32.000
<v Speaker 1>that thing. But something it at some point where it's like,

0:21:32.000 --> 0:21:34.639
<v Speaker 1>you know what, you guys got it. I was just

0:21:34.720 --> 0:21:38.000
<v Speaker 1>keep paying for the plane, for the space, and you know,

0:21:38.080 --> 0:21:40.280
<v Speaker 1>y'all just keep you know, just come back and get

0:21:40.320 --> 0:21:42.640
<v Speaker 1>me when you know, when y'all make it. That kind

0:21:42.640 --> 0:21:45.440
<v Speaker 1>of thing. So that's what he said. That's what he said,

0:21:46.480 --> 0:21:53.320
<v Speaker 1>And I guess I don't know, And who's gonna saying

0:21:53.359 --> 0:21:55.240
<v Speaker 1>we needed singing that kind of thing, And you know,

0:21:55.480 --> 0:21:57.480
<v Speaker 1>I said, well I'll do it. You know. It's active foods,

0:21:57.480 --> 0:22:01.040
<v Speaker 1>pretty athletic, that kind of thing. And that's where it started.

0:22:01.400 --> 0:22:12.000
<v Speaker 1>And that was like nineteen hundred and nineteen hundred and

0:22:12.080 --> 0:22:16.560
<v Speaker 1>eighty six, you know, So that was the beginning of

0:22:16.640 --> 0:22:18.639
<v Speaker 1>that was the beginning of you singing league. That was

0:22:18.680 --> 0:22:20.840
<v Speaker 1>the beginning of it, of singing league. That was the

0:22:20.880 --> 0:22:23.480
<v Speaker 1>first time. And so were you singing from the drums? No,

0:22:23.600 --> 0:22:26.639
<v Speaker 1>I went up left to drums. We got another drummer

0:22:26.800 --> 0:22:30.400
<v Speaker 1>from high school. His name was Kenny Young and he yeah,

0:22:30.440 --> 0:22:32.840
<v Speaker 1>it was the drumming. I went up front and we

0:22:32.960 --> 0:22:35.399
<v Speaker 1>just started putting it together. Man, I know how drummers are.

0:22:35.400 --> 0:22:40.840
<v Speaker 1>Were you better than him? At that? We were? I

0:22:41.000 --> 0:22:42.679
<v Speaker 1>was nice then, I mean yeah, I mean it was

0:22:42.760 --> 0:22:44.960
<v Speaker 1>we was. We was coming up together at that time,

0:22:45.080 --> 0:22:47.400
<v Speaker 1>the tales of your nice. But I had I had

0:22:47.640 --> 0:22:50.200
<v Speaker 1>a few different gears just because I wasn't like every

0:22:50.200 --> 0:22:53.160
<v Speaker 1>other drummer just starting from percussion in the background of Yah.

0:22:53.320 --> 0:22:56.200
<v Speaker 1>They were always like where are you pulling that from? Right?

0:22:56.480 --> 0:22:58.320
<v Speaker 1>You know what I mean? And it's like I could

0:22:58.440 --> 0:23:01.000
<v Speaker 1>name some of the rhythms that there's just and everybody

0:23:01.040 --> 0:23:02.879
<v Speaker 1>just plays it. But I'm like, I could I know

0:23:02.920 --> 0:23:05.560
<v Speaker 1>what that is? Man, that's as mine, Johnny, that's okay

0:23:05.640 --> 0:23:08.399
<v Speaker 1>whatever that you know, Look what was it? So I

0:23:08.440 --> 0:23:11.760
<v Speaker 1>had a different It was just different, Yeah, better, I

0:23:11.760 --> 0:23:13.400
<v Speaker 1>don't know, that's for somebody else to say, I don't,

0:23:13.440 --> 0:23:16.119
<v Speaker 1>I don't know it was, but it was working it

0:23:16.760 --> 0:23:19.480
<v Speaker 1>he was doing Yeah, he got the job done. And

0:23:19.520 --> 0:23:22.280
<v Speaker 1>so I went up front. And at that time, you know,

0:23:22.320 --> 0:23:24.720
<v Speaker 1>it was very you know, the whole prince thing was

0:23:24.760 --> 0:23:26.720
<v Speaker 1>going on. You know how many outs thing. It was

0:23:26.840 --> 0:23:29.119
<v Speaker 1>very competitive. So what you see like preper reynoss that

0:23:29.359 --> 0:23:32.199
<v Speaker 1>was actually happens as a real thing. You know, you

0:23:32.280 --> 0:23:34.239
<v Speaker 1>better kick down, you know what I mean, kick your

0:23:34.240 --> 0:23:36.160
<v Speaker 1>ass down. You know, you bet it sound good. So

0:23:36.920 --> 0:23:41.400
<v Speaker 1>everything was like you had to play and you had

0:23:41.440 --> 0:23:44.200
<v Speaker 1>to step you call it stepping already stepping you know

0:23:44.200 --> 0:23:46.280
<v Speaker 1>what I mean, like a little choreography with it. So

0:23:46.359 --> 0:23:49.080
<v Speaker 1>it's like all three things. It's like, there's no wasn't

0:23:49.080 --> 0:23:53.040
<v Speaker 1>the keyboard player performance perform. It was the show and

0:23:53.080 --> 0:23:54.919
<v Speaker 1>that's where we learned how to put on the fools.

0:23:55.040 --> 0:23:58.240
<v Speaker 1>Like you the artistic thing came together because it was

0:23:58.280 --> 0:24:00.760
<v Speaker 1>always like that age old are you going to be

0:24:00.760 --> 0:24:05.640
<v Speaker 1>an artist or an entertainer? You know, so I yeah,

0:24:05.680 --> 0:24:09.280
<v Speaker 1>there's a difference, but I think I was always definitely

0:24:09.320 --> 0:24:10.840
<v Speaker 1>into the art of it. It was like why can't

0:24:10.840 --> 0:24:14.439
<v Speaker 1>you kind of why are you putting that together? You know,

0:24:14.760 --> 0:24:17.080
<v Speaker 1>that's from showmanship too, to keep people's attention, you know,

0:24:17.720 --> 0:24:22.159
<v Speaker 1>and that's where all that came from. And in Minnesota,

0:24:22.280 --> 0:24:26.359
<v Speaker 1>it seemed like like a lot of the audience that

0:24:26.440 --> 0:24:28.480
<v Speaker 1>we never thought we were It's like, man, we're not

0:24:28.560 --> 0:24:30.800
<v Speaker 1>doing enough because the response there, I think it was

0:24:30.840 --> 0:24:32.520
<v Speaker 1>just it would go over people's head. We play all

0:24:32.560 --> 0:24:34.760
<v Speaker 1>this music and shit, and it was just like, are

0:24:34.760 --> 0:24:36.679
<v Speaker 1>we not doing enough? So okay, maybe we need to

0:24:36.720 --> 0:24:40.840
<v Speaker 1>do something visually, you know, to get some kind of feedback.

0:24:41.480 --> 0:24:45.120
<v Speaker 1>And we didn't realize that we were doing more than

0:24:45.240 --> 0:24:48.280
<v Speaker 1>enough until we got outside of the you know, going

0:24:48.280 --> 0:24:50.240
<v Speaker 1>to New York in Chicago, like oh this is great,

0:24:50.280 --> 0:24:53.960
<v Speaker 1>you know, Oh okay, so we had this actually means

0:24:53.960 --> 0:24:57.040
<v Speaker 1>something that we're putting together. But it actually really worked.

0:24:57.200 --> 0:25:01.000
<v Speaker 1>Really thankful that they didn't give that immediate love back

0:25:01.040 --> 0:25:03.840
<v Speaker 1>to us because it helped put together the show. It

0:25:03.880 --> 0:25:06.960
<v Speaker 1>helped put you know, just like developed in a different way,

0:25:07.440 --> 0:25:10.159
<v Speaker 1>you know what I mean. And yeah, man, so all

0:25:10.200 --> 0:25:14.639
<v Speaker 1>that really was just it was it was a pivotal moment,

0:25:14.800 --> 0:25:17.520
<v Speaker 1>you know. The first the first main condition gig I

0:25:17.680 --> 0:25:20.280
<v Speaker 1>have to say, So you've been to the Mall of America. Yes,

0:25:20.560 --> 0:25:31.520
<v Speaker 1>So I wrote a roller coaster there say that there

0:25:31.600 --> 0:25:34.159
<v Speaker 1>was a place called the Carlton Celebrity Room and that

0:25:34.280 --> 0:25:37.040
<v Speaker 1>was our first gig, first show, and that's where the

0:25:37.080 --> 0:25:42.240
<v Speaker 1>mall it's right now and the Wings of Fire at

0:25:42.240 --> 0:25:48.840
<v Speaker 1>the mall? Where was the spot the Wings is fired? Bro,

0:25:49.200 --> 0:25:56.080
<v Speaker 1>I just remember where I was. The shrimp is nice

0:25:56.119 --> 0:26:02.919
<v Speaker 1>to Buffalo Stramp. I know you Buffalo Trump who does

0:26:03.080 --> 0:26:08.160
<v Speaker 1>Virginia But it's really nice. But yeah, so that's where

0:26:08.200 --> 0:26:11.280
<v Speaker 1>the mall sits. Now. That was the first That was

0:26:11.359 --> 0:26:16.120
<v Speaker 1>my nineteen eighty six, that was my first singing show

0:26:16.400 --> 0:26:19.280
<v Speaker 1>with men and that was first ment's first outing where

0:26:19.280 --> 0:26:21.880
<v Speaker 1>you guys called yeah men condition Yeah from the rep

0:26:22.320 --> 0:26:24.439
<v Speaker 1>from the rep. Yeah, we got put the names in

0:26:24.480 --> 0:26:26.359
<v Speaker 1>there and you know, trying to figure out what we

0:26:26.400 --> 0:26:29.000
<v Speaker 1>want to you know. And the group was created in

0:26:29.080 --> 0:26:31.840
<v Speaker 1>high school first. Yeah, so it had a couple of

0:26:31.840 --> 0:26:37.000
<v Speaker 1>different iterations. Um, but we're saying, you know, nineteen eighty

0:26:37.080 --> 0:26:43.200
<v Speaker 1>nine was really the core, really got it going, you know. Then, Uh,

0:26:43.240 --> 0:26:45.919
<v Speaker 1>the guy Kenny the drummer, he was in the Hunters,

0:26:45.960 --> 0:26:51.280
<v Speaker 1>another Calf from Milwaukee who played bass and who am

0:26:51.280 --> 0:26:56.360
<v Speaker 1>I'm forgetting? Don't kill me? Now spend a minute? Um oh,

0:26:56.520 --> 0:27:00.200
<v Speaker 1>and of course Roger Roger Troupman. So Roger Lynch, he

0:27:00.320 --> 0:27:04.160
<v Speaker 1>was thirteen when I met him. Amazing, ye had Roger Truman. Yeah,

0:27:04.240 --> 0:27:07.920
<v Speaker 1>Roger Lynch resting pieces has passed on, but yeah, he

0:27:08.000 --> 0:27:14.160
<v Speaker 1>was amazing talent, amazing talent. So um he went off

0:27:14.160 --> 0:27:16.240
<v Speaker 1>to do some stuff with his father at some point,

0:27:16.359 --> 0:27:21.600
<v Speaker 1>so we had lost him and the two gentlemen coming

0:27:21.640 --> 0:27:24.000
<v Speaker 1>behind him, you know, Kenny. Something happened to Kenny too,

0:27:24.040 --> 0:27:26.760
<v Speaker 1>so we lost the drummer, you know you and often

0:27:26.800 --> 0:27:30.760
<v Speaker 1>did whatever. And Carrie and Jeff Kerry Lewis and Jeff

0:27:30.800 --> 0:27:33.040
<v Speaker 1>Fallen were the next one. They were younger than that's

0:27:33.080 --> 0:27:35.960
<v Speaker 1>by the year two. And when't we just get them,

0:27:36.000 --> 0:27:38.000
<v Speaker 1>you know and just scarry doing some amazing stuff. When

0:27:38.040 --> 0:27:40.400
<v Speaker 1>the students all coming through the school, all coming through

0:27:40.440 --> 0:27:43.600
<v Speaker 1>that same same Paul Central. Wow, So there's a lot

0:27:43.640 --> 0:27:46.440
<v Speaker 1>of talent there, a lot of people doing an amazing things.

0:27:46.480 --> 0:27:50.160
<v Speaker 1>So that's what we call a core fromin condition as

0:27:50.160 --> 0:27:52.600
<v Speaker 1>we know it is. The world knows it. And yeah,

0:27:52.600 --> 0:27:55.639
<v Speaker 1>that was that was the first How did you feel

0:27:55.720 --> 0:27:58.440
<v Speaker 1>your for your first time singing lead in front of

0:27:59.200 --> 0:28:02.160
<v Speaker 1>how many people? To three hundred people? Well, the first

0:28:02.200 --> 0:28:07.040
<v Speaker 1>time that first show was that was probably eighteen hundred people.

0:28:07.080 --> 0:28:10.040
<v Speaker 1>Oh you jump right into the first show. It was

0:28:10.200 --> 0:28:12.200
<v Speaker 1>whatever we had. It was a big room. Yeah, yeah,

0:28:12.240 --> 0:28:13.879
<v Speaker 1>it was a big room. I think that. And we

0:28:13.920 --> 0:28:16.600
<v Speaker 1>only played like maybe ten fifteen minutes, like three songs.

0:28:17.240 --> 0:28:19.600
<v Speaker 1>It was a blur, you know. I think I was

0:28:19.720 --> 0:28:23.640
<v Speaker 1>so hyped, and there's footage of it. It's my curl

0:28:23.680 --> 0:28:28.680
<v Speaker 1>and everything else. I was breed too. I had the

0:28:28.720 --> 0:28:33.600
<v Speaker 1>asymmetrical cutting back and yeah, all right. Our outfits was crazy.

0:28:33.640 --> 0:28:35.439
<v Speaker 1>I mean it was we was real breed, so we

0:28:35.520 --> 0:28:44.520
<v Speaker 1>had it's there, but it is, yeah, I mean, it's

0:28:44.560 --> 0:28:47.640
<v Speaker 1>it's it's how we all got here. So it's outfit.

0:28:48.000 --> 0:28:50.440
<v Speaker 1>It looked like something from Star Trek. Black and Goal

0:28:50.600 --> 0:28:55.160
<v Speaker 1>had like these uh fringes cut one looked like it

0:28:55.200 --> 0:29:00.480
<v Speaker 1>was this foul leather. The other side were just net.

0:29:00.560 --> 0:29:02.680
<v Speaker 1>For some reason, I don't know, some of the shirts

0:29:02.680 --> 0:29:06.320
<v Speaker 1>that did Jamaicans we were one of Lake was net

0:29:07.120 --> 0:29:09.680
<v Speaker 1>a net leg and then some reason some of us

0:29:09.800 --> 0:29:16.120
<v Speaker 1>was like alsasua all away man no drawls, no, no, no, no,

0:29:16.960 --> 0:29:21.960
<v Speaker 1>that's not where I thought this is. It's like we

0:29:22.040 --> 0:29:32.480
<v Speaker 1>went we went when cold Minnesota, so I had no

0:29:32.560 --> 0:29:34.480
<v Speaker 1>I mean, it's like we're just going for it, trying

0:29:34.520 --> 0:29:36.880
<v Speaker 1>to trying to find the edge, trying to find the ledge.

0:29:37.480 --> 0:29:40.000
<v Speaker 1>I mean, everybody at the time was you know Jesse Johnson,

0:29:40.000 --> 0:29:43.080
<v Speaker 1>remember the Jets had big, a lot of people. Man,

0:29:43.200 --> 0:29:45.400
<v Speaker 1>it was just like you know, I just remember we

0:29:45.440 --> 0:29:47.640
<v Speaker 1>started with art. It was just back to the audience.

0:29:47.640 --> 0:29:49.400
<v Speaker 1>It was just a thing out there in Minnesota. It

0:29:49.520 --> 0:29:51.640
<v Speaker 1>was just like how far can we push it? How far?

0:29:51.720 --> 0:29:53.440
<v Speaker 1>What I mean if you if you think back to

0:29:54.280 --> 0:29:59.360
<v Speaker 1>this was happening everywhere. Everybody had it was on another

0:29:59.400 --> 0:30:04.640
<v Speaker 1>level because again for sure with me in the chapter

0:30:04.800 --> 0:30:08.560
<v Speaker 1>me like y'all, y'all, y'all took it there, took us

0:30:08.560 --> 0:30:11.560
<v Speaker 1>close off, y'all, y'all, y'all want to go see right

0:30:11.640 --> 0:30:16.760
<v Speaker 1>right right here? Bring the horse? Was there was there

0:30:16.880 --> 0:30:20.120
<v Speaker 1>pressure in a sense in Minnesota like this is what

0:30:20.280 --> 0:30:23.040
<v Speaker 1>we own that I'm from Minnesota. It's like if you

0:30:23.240 --> 0:30:26.720
<v Speaker 1>was from California in the eighties you had a cherry curl,

0:30:26.800 --> 0:30:31.760
<v Speaker 1>Yeah yeah, it's yeah, yeah, everybody had to have curl,

0:30:32.800 --> 0:30:35.520
<v Speaker 1>you know what I mean. Like, so that's that's what

0:30:35.680 --> 0:30:38.360
<v Speaker 1>That's what I'm saying by that, like with being from

0:30:38.360 --> 0:30:41.560
<v Speaker 1>Minnesota is just like, well, because you even said it

0:30:42.520 --> 0:30:47.440
<v Speaker 1>in the first performances, it's like, are we even doing enough? Right, yeah,

0:30:47.520 --> 0:30:52.240
<v Speaker 1>because they pushing the lemits out here. Yeah. Yeah, but

0:30:52.320 --> 0:30:55.440
<v Speaker 1>that that was more when I said I felt like

0:30:55.480 --> 0:30:58.680
<v Speaker 1>we weren't doing enough. It just seemed like what we

0:30:58.680 --> 0:31:01.920
<v Speaker 1>were doing the applause didn't match. It was like we

0:31:02.000 --> 0:31:05.800
<v Speaker 1>felt like I had a little shot yea, yeah, yeah, yeah, yeah,

0:31:05.880 --> 0:31:07.720
<v Speaker 1>I think that. Yeah, yeah, that's what it was, probably

0:31:07.880 --> 0:31:12.600
<v Speaker 1>like something else, you know, I don't even know how

0:31:12.680 --> 0:31:17.080
<v Speaker 1>it was just going there and at the time too, so, um,

0:31:18.200 --> 0:31:20.440
<v Speaker 1>the person who made if you look at the Rude

0:31:20.480 --> 0:31:22.000
<v Speaker 1>Boyd how Prince had it was it was one of

0:31:22.000 --> 0:31:24.760
<v Speaker 1>the outfits that he had on was at the Controversiy album.

0:31:25.840 --> 0:31:28.920
<v Speaker 1>There was a lady who actually made his close. She

0:31:29.000 --> 0:31:32.400
<v Speaker 1>used to actually manage us, so she sold those. Uh

0:31:32.520 --> 0:31:36.480
<v Speaker 1>and that was that's Andre Anderson Andrew Simone's sister Sylvia

0:31:36.760 --> 0:31:40.480
<v Speaker 1>and shout out Sylvia and uh yeah, so it was

0:31:40.520 --> 0:31:42.040
<v Speaker 1>we were going there, man, it need to get her

0:31:42.080 --> 0:31:46.800
<v Speaker 1>on the podcast. Yeah, that was made Prince's clothes and

0:31:47.000 --> 0:31:51.400
<v Speaker 1>management condition. Wow you are a leg Yeah, she was

0:31:51.640 --> 0:31:55.640
<v Speaker 1>something else. It's amazing. So yeah, that was that was

0:31:55.720 --> 0:31:57.920
<v Speaker 1>that was a moment and looking back at that foot

0:31:57.960 --> 0:32:04.200
<v Speaker 1>and I'm like, oh, what was on? It was? Yeah,

0:32:04.240 --> 0:32:06.400
<v Speaker 1>it was it was you guys are signed to Jam

0:32:06.400 --> 0:32:10.040
<v Speaker 1>and Lewis. Shit, no, so check it out. They were

0:32:10.040 --> 0:32:14.680
<v Speaker 1>in the audience at that first show. They were there

0:32:15.600 --> 0:32:18.000
<v Speaker 1>the first show Jam and Lewis in the audience. That's right.

0:32:18.200 --> 0:32:20.600
<v Speaker 1>I mean this you're talking about who's who in Minneapolis,

0:32:20.600 --> 0:32:25.840
<v Speaker 1>the whole thing. And mind you, at that time, Minnapolis

0:32:25.880 --> 0:32:29.440
<v Speaker 1>was so hot, like people were coming from everywhere, you know,

0:32:29.520 --> 0:32:34.280
<v Speaker 1>to La New York Shire. They were coming and I'm like, wow,

0:32:34.320 --> 0:32:37.239
<v Speaker 1>this is crazy, man. So yeah, they're there. And I

0:32:37.320 --> 0:32:43.320
<v Speaker 1>remember Um Sylvia manager at the time, had asked Terry Um,

0:32:43.360 --> 0:32:45.240
<v Speaker 1>well what do you think you know, I always tease

0:32:45.320 --> 0:32:50.480
<v Speaker 1>terrybody now like and he was like, well, they need work.

0:32:51.360 --> 0:32:54.160
<v Speaker 1>I was like, okay, yeah we thought we was. I

0:32:54.160 --> 0:32:55.560
<v Speaker 1>don't know what we thought. It was, like I said,

0:32:55.560 --> 0:32:56.880
<v Speaker 1>it was a blur to me. It was just like

0:32:56.920 --> 0:32:58.320
<v Speaker 1>I was just so hyped and it was like it

0:32:58.400 --> 0:32:59.920
<v Speaker 1>was just let's just go out here and do it.

0:33:00.600 --> 0:33:03.840
<v Speaker 1>And that was it, you know, just leave it alone.

0:33:03.880 --> 0:33:06.200
<v Speaker 1>Those notes is gone, can't do anything. Don't think about

0:33:06.200 --> 0:33:08.000
<v Speaker 1>it or I shouldn't did this is yeah? You know,

0:33:08.240 --> 0:33:11.080
<v Speaker 1>that was it. So yeah, it was, it was. It

0:33:11.160 --> 0:33:13.959
<v Speaker 1>was something, man. So the footage is out there, no

0:33:13.960 --> 0:33:17.840
<v Speaker 1>no, no no where. It ain't hard. It ain't hard to find.

0:33:18.400 --> 0:33:19.920
<v Speaker 1>It ain't hard to find. So how do you get

0:33:20.000 --> 0:33:23.560
<v Speaker 1>from how do you get from? They neque work too,

0:33:24.760 --> 0:33:31.720
<v Speaker 1>we should sign it whatever. Well, um, so from there, um,

0:33:31.760 --> 0:33:34.640
<v Speaker 1>there are a few things that happened. I'm still I

0:33:34.680 --> 0:33:37.160
<v Speaker 1>was always very active, playing different bands and one time

0:33:37.280 --> 0:33:39.400
<v Speaker 1>I was maybe in eight nine different bands one time

0:33:39.480 --> 0:33:43.560
<v Speaker 1>just love playing yeah, you know, and playing drums that

0:33:43.640 --> 0:33:46.840
<v Speaker 1>kind of thing, and we're trying to put together demos

0:33:46.880 --> 0:33:51.600
<v Speaker 1>and that kind of thing. It was interrupted and I

0:33:51.680 --> 0:33:54.080
<v Speaker 1>was seeing the nineteen eighty eight, eighty seven, eighty eight,

0:33:55.240 --> 0:33:57.320
<v Speaker 1>I had gotten a call from a friend to do

0:33:57.360 --> 0:34:00.640
<v Speaker 1>this tour with opening for I was playing for this

0:34:00.680 --> 0:34:04.080
<v Speaker 1>guy named George Pettis, and uh, we're gonna be opening

0:34:04.080 --> 0:34:08.080
<v Speaker 1>for Whitney. And it was an expansive and just just

0:34:08.120 --> 0:34:11.879
<v Speaker 1>a huge tour in Europe, Moment of Truth tour. And

0:34:11.920 --> 0:34:14.040
<v Speaker 1>so that took me out for about I don't know,

0:34:14.040 --> 0:34:17.839
<v Speaker 1>three four months, whatever it was, and that was an

0:34:17.880 --> 0:34:21.440
<v Speaker 1>amazing experience just get to really see on that level

0:34:22.040 --> 0:34:24.880
<v Speaker 1>the world, to see not only the world, but just

0:34:24.920 --> 0:34:28.640
<v Speaker 1>to watch her, to watch the musicians. He's gonna get

0:34:28.640 --> 0:34:33.319
<v Speaker 1>to this was like eighty seven, eighty eight. Yeah, she

0:34:33.440 --> 0:34:35.560
<v Speaker 1>was all the way up. Yeah, it was. It was

0:34:35.640 --> 0:34:39.000
<v Speaker 1>the Whitney that week, knowing love and all of that,

0:34:39.080 --> 0:34:43.640
<v Speaker 1>and it was it was. It was amazing, you know,

0:34:43.680 --> 0:34:45.800
<v Speaker 1>still thinking about it, and now I have some vivid memories,

0:34:45.800 --> 0:34:47.600
<v Speaker 1>so you know us and at the end of the

0:34:47.640 --> 0:34:49.880
<v Speaker 1>tour singing with her that kind of just jam session

0:34:49.960 --> 0:34:52.520
<v Speaker 1>kind of thing. And so many people that I met,

0:34:53.080 --> 0:34:55.200
<v Speaker 1>you know, some people I see on TV that are executives.

0:34:55.200 --> 0:34:57.279
<v Speaker 1>Now I'm like, wow, people moving this industry, and like,

0:34:57.400 --> 0:35:01.480
<v Speaker 1>it's amazing to see that. But m that was a

0:35:01.520 --> 0:35:04.520
<v Speaker 1>great experience for me just to see how it's done,

0:35:05.239 --> 0:35:07.200
<v Speaker 1>you know, how they're moving, how the business and backup

0:35:07.200 --> 0:35:09.719
<v Speaker 1>because I was always very aware and keen on that's

0:35:09.760 --> 0:35:12.200
<v Speaker 1>like what are they doing? Okay, after you get off stage,

0:35:12.200 --> 0:35:13.800
<v Speaker 1>what do you do? How do they you know what

0:35:13.840 --> 0:35:17.560
<v Speaker 1>I mean that kind of thing. So it was just

0:35:17.760 --> 0:35:21.799
<v Speaker 1>really really great time. So there is that comeback to Minneapolis,

0:35:21.840 --> 0:35:26.320
<v Speaker 1>Saint Paul and we start putting it together, put together

0:35:26.320 --> 0:35:30.680
<v Speaker 1>a demo four songs. Pretty Roney's was one of them,

0:35:31.600 --> 0:35:33.319
<v Speaker 1>and that was one of the songs was one of

0:35:33.320 --> 0:35:35.520
<v Speaker 1>the songs. Yeah, actually all four songs were on the

0:35:35.560 --> 0:35:37.520
<v Speaker 1>first album. But the funny thing is, like a lot

0:35:37.520 --> 0:35:39.759
<v Speaker 1>of executive he took him in the MCA, We took

0:35:39.840 --> 0:35:42.720
<v Speaker 1>him to you know a lot of different labels, and

0:35:43.800 --> 0:35:50.120
<v Speaker 1>matter of fact, we came out here in Actually, I

0:35:51.280 --> 0:35:53.440
<v Speaker 1>need to back up. This was before the chore that,

0:35:53.480 --> 0:35:56.440
<v Speaker 1>you know, so with Kenny Young and you know, Roger Troutman,

0:35:57.080 --> 0:36:00.000
<v Speaker 1>Roger Lynch. I should saying we actually came out here before.

0:36:00.080 --> 0:36:01.520
<v Speaker 1>It was like it was eighty six. So the year

0:36:01.520 --> 0:36:06.160
<v Speaker 1>after graduating, in search of a deal, and we had

0:36:06.200 --> 0:36:09.719
<v Speaker 1>these songs and they're like man, this is uh, this

0:36:09.880 --> 0:36:12.239
<v Speaker 1>is good stuff. Man, with everybody would ask us, well

0:36:13.200 --> 0:36:15.839
<v Speaker 1>why are you here. We're like what do you mean

0:36:16.320 --> 0:36:19.000
<v Speaker 1>everything's happening back in Minneapolis, you know, because it was

0:36:19.000 --> 0:36:23.320
<v Speaker 1>like wow, but this is La So and uh yeah,

0:36:23.360 --> 0:36:26.359
<v Speaker 1>but um, you know he probably need to go back home,

0:36:26.400 --> 0:36:28.040
<v Speaker 1>and you know, it's like wow. So that was kind

0:36:28.080 --> 0:36:31.160
<v Speaker 1>of crazy. So we stayed out here. We were in Altadena.

0:36:31.600 --> 0:36:33.360
<v Speaker 1>You know, I'm staying with a friend of a friend,

0:36:34.040 --> 0:36:36.640
<v Speaker 1>and I got my wallet stone and everything. We just

0:36:36.680 --> 0:36:41.360
<v Speaker 1>like had the this is a mess and so I

0:36:41.520 --> 0:36:45.640
<v Speaker 1>had to mention that just because uh, that trip here

0:36:46.560 --> 0:36:50.480
<v Speaker 1>we were knocking on A and M stories actually saw

0:36:50.600 --> 0:36:55.319
<v Speaker 1>Jam and Lewis, so, Jam um out in west? What's

0:36:55.320 --> 0:36:58.879
<v Speaker 1>the coed West? It's a place by UCLA Colton. What's what?

0:36:58.880 --> 0:37:01.400
<v Speaker 1>What's what is? What's what? Okay? Yeah, And it was

0:37:01.480 --> 0:37:02.960
<v Speaker 1>kind of you know how you see somebody in a

0:37:03.000 --> 0:37:05.960
<v Speaker 1>different place and you're like, I know you. Yeah, yeah,

0:37:06.040 --> 0:37:08.360
<v Speaker 1>so he knew. We say, hey, Jam, blah blahlah, you know,

0:37:08.400 --> 0:37:10.799
<v Speaker 1>we out here trying to search your deal was like okay,

0:37:10.880 --> 0:37:13.120
<v Speaker 1>yeah cool. It just kind of like the little brush

0:37:13.120 --> 0:37:15.520
<v Speaker 1>off thing with me. He meant well, but he was

0:37:15.560 --> 0:37:19.000
<v Speaker 1>just like my hand. And when we got home, he

0:37:19.160 --> 0:37:21.960
<v Speaker 1>was like, we've seen him beginnings, Like I knew, I knew, y'all.

0:37:21.960 --> 0:37:23.760
<v Speaker 1>I was like, I'm sorry, you just were out of place.

0:37:23.840 --> 0:37:25.640
<v Speaker 1>It just didn't you know, it didn't put it together.

0:37:25.680 --> 0:37:28.640
<v Speaker 1>So yeah, we're knocking on the endems doors seeing Jam

0:37:28.760 --> 0:37:31.480
<v Speaker 1>and then out here and then so fast forward to

0:37:31.480 --> 0:37:35.440
<v Speaker 1>getting back to creating the demo excuse me, and we

0:37:35.520 --> 0:37:38.319
<v Speaker 1>had those four songs and everybody's like, well, you know,

0:37:38.360 --> 0:37:39.840
<v Speaker 1>we don't hear a singer. We don't hear it. We

0:37:39.880 --> 0:37:42.880
<v Speaker 1>don't hear it. That kind of thing. So we started

0:37:42.880 --> 0:37:48.759
<v Speaker 1>singing pretty and at that The demo is still for me,

0:37:49.160 --> 0:37:51.520
<v Speaker 1>still better than the actual album. It's like the demos

0:37:51.520 --> 0:37:53.799
<v Speaker 1>like eight minutes long. We were all the weight. It

0:37:53.880 --> 0:37:57.200
<v Speaker 1>was just like really really spiritual. It was just yeah,

0:37:57.200 --> 0:37:59.120
<v Speaker 1>it was I remember having the lights off and the

0:37:59.160 --> 0:38:01.560
<v Speaker 1>little o're herstal space and it was just yeah, it

0:38:01.680 --> 0:38:05.839
<v Speaker 1>was a thing. And so we uh you had those

0:38:05.840 --> 0:38:07.960
<v Speaker 1>four songs were on there, man, and we decided to

0:38:08.000 --> 0:38:12.239
<v Speaker 1>put together like a little package and then we invited people,

0:38:12.440 --> 0:38:15.799
<v Speaker 1>invited Prince out, somebody from MCA, Jam and Lewis, and

0:38:15.880 --> 0:38:19.080
<v Speaker 1>we played at First Avenue. It said, you know, the

0:38:19.120 --> 0:38:23.879
<v Speaker 1>club made famous by purple ring Prince, and so we

0:38:23.920 --> 0:38:26.239
<v Speaker 1>did that and we used to start to start to

0:38:26.280 --> 0:38:28.359
<v Speaker 1>show off with Praddy Browns because it was just one

0:38:28.360 --> 0:38:32.319
<v Speaker 1>of those things that capture your attention like yeah, yeah,

0:38:33.960 --> 0:38:38.279
<v Speaker 1>you know, I almost scare you, yeah yeah, and a

0:38:38.400 --> 0:38:45.279
<v Speaker 1>parent that yeah, and then it started off and that

0:38:45.400 --> 0:38:47.400
<v Speaker 1>was um that was in. We did it. It It was

0:38:47.400 --> 0:38:54.719
<v Speaker 1>a showcase. And then that was oh so that was

0:38:54.760 --> 0:38:59.439
<v Speaker 1>a gentleman by the name of Michael Bland Prince drummer. Yeah, yeah,

0:38:59.480 --> 0:39:02.680
<v Speaker 1>so he was in. He was actually supposed to be

0:39:02.760 --> 0:39:04.800
<v Speaker 1>a part of the group. But you know, Prince and

0:39:04.840 --> 0:39:06.680
<v Speaker 1>asked him at the same time, so he went to

0:39:06.719 --> 0:39:09.719
<v Speaker 1>go do the new part generation with princes so many

0:39:09.719 --> 0:39:13.840
<v Speaker 1>there's so many things that you know, So that was

0:39:14.400 --> 0:39:21.120
<v Speaker 1>we only in a rehearsal session. So Lawrence, Jeffrey and myself,

0:39:21.560 --> 0:39:25.840
<v Speaker 1>Yeah this and he just started humming no nah and

0:39:26.000 --> 0:39:28.759
<v Speaker 1>just one of those things just kind of the lyrics

0:39:28.800 --> 0:39:31.279
<v Speaker 1>comedy was really simple, and you know, just kind of

0:39:31.480 --> 0:39:33.960
<v Speaker 1>as we kept playing it started adding parts and making

0:39:33.960 --> 0:39:36.640
<v Speaker 1>it more dynamic. So by the time we got to

0:39:36.680 --> 0:39:39.400
<v Speaker 1>the studio, it was you know, it was almost like

0:39:39.400 --> 0:39:41.680
<v Speaker 1>you're bringing to the stage, bringing the stage to the studio,

0:39:42.160 --> 0:39:44.960
<v Speaker 1>you know, instead of a lot of times you recorded music,

0:39:44.960 --> 0:39:48.640
<v Speaker 1>you know, you know what I mean. So I think

0:39:50.120 --> 0:39:55.040
<v Speaker 1>with recording that is a more honest way from uh

0:39:55.080 --> 0:39:57.359
<v Speaker 1>in the essence, that's what you're trying to capture a moment,

0:39:57.360 --> 0:39:59.719
<v Speaker 1>trying to capture a performance. That's where recordings came from.

0:39:59.719 --> 0:40:04.080
<v Speaker 1>I think m capturing somebody alive, you know, And now

0:40:04.120 --> 0:40:07.359
<v Speaker 1>we do it in a more contrived way. We try

0:40:07.400 --> 0:40:10.400
<v Speaker 1>to perfect a great moment over you know what I mean.

0:40:11.400 --> 0:40:17.040
<v Speaker 1>Father would say as backwards yeah, yeah, school, but I

0:40:17.040 --> 0:40:18.799
<v Speaker 1>mean that's what that's what we do now. So I mean,

0:40:18.840 --> 0:40:22.399
<v Speaker 1>that's what we captured. And I think that's even we

0:40:22.440 --> 0:40:24.319
<v Speaker 1>actually went in and did it in the studio, it's

0:40:24.320 --> 0:40:26.839
<v Speaker 1>still captured. There was something with that about that song,

0:40:27.560 --> 0:40:31.239
<v Speaker 1>about the vibration of it, the notes, the chords, just

0:40:31.280 --> 0:40:33.600
<v Speaker 1>the emotion of it, and just it transcended, you know,

0:40:33.640 --> 0:40:36.720
<v Speaker 1>it was definitely much bigger than us. So the effect

0:40:36.760 --> 0:40:39.640
<v Speaker 1>that it still has impacts, so I'm really thankful for that,

0:40:39.760 --> 0:40:43.439
<v Speaker 1>you know, an amazing impact. Yeah, man, every night. Wow, Yeah,

0:40:43.480 --> 0:40:45.680
<v Speaker 1>that's I mean, you don't matter where you at when

0:40:45.719 --> 0:40:49.080
<v Speaker 1>that record comes on, you stop if it comes on

0:40:49.200 --> 0:40:52.360
<v Speaker 1>while you're listening to the radio. Yeah, you do not change,

0:40:52.360 --> 0:40:56.239
<v Speaker 1>you turn up, turn It's it's one of those. It's

0:40:59.080 --> 0:41:00.719
<v Speaker 1>it's crazy because I was like, how do you feel

0:41:00.719 --> 0:41:03.320
<v Speaker 1>when you were as you know, I wish I knew

0:41:04.040 --> 0:41:07.480
<v Speaker 1>it's gonna sound weird? What I sounded like? I hear

0:41:07.560 --> 0:41:11.520
<v Speaker 1>me Sometimes I can't explain it. I wish people I

0:41:11.880 --> 0:41:16.320
<v Speaker 1>knew what people here because I don't. Well you should

0:41:16.320 --> 0:41:19.600
<v Speaker 1>probably look on the internet and see you see him

0:41:19.640 --> 0:41:22.200
<v Speaker 1>trying to see it. That's what they hear, but it

0:41:22.200 --> 0:41:24.919
<v Speaker 1>ain't and I hear it's like, I wish I knew

0:41:24.960 --> 0:41:28.480
<v Speaker 1>what they were here. When they hear the stor challenge coming,

0:41:29.960 --> 0:41:35.280
<v Speaker 1>I'll take care of it. Yeah, yeah, and you will see. Yeah.

0:41:35.360 --> 0:41:38.160
<v Speaker 1>And I didn't mean to throw you off from from

0:41:38.200 --> 0:41:41.439
<v Speaker 1>where you know you were you were talking about the showcase. Yes,

0:41:41.520 --> 0:41:45.160
<v Speaker 1>I definitely I got to hear the full story of

0:41:45.200 --> 0:41:48.360
<v Speaker 1>how that got prints in the house. Yes, what what

0:41:48.480 --> 0:41:53.680
<v Speaker 1>he brought? He brought a representative, so he did. He said, UM,

0:41:53.680 --> 0:41:55.799
<v Speaker 1>bring the tape back. I'd rather see them than here,

0:41:55.920 --> 0:42:00.680
<v Speaker 1>because you know, he's definitely about visual And I remember

0:42:00.840 --> 0:42:02.839
<v Speaker 1>at the end of the performance, I was walking through

0:42:02.840 --> 0:42:05.839
<v Speaker 1>my car across the street. I see jam and Lewis

0:42:06.600 --> 0:42:10.359
<v Speaker 1>and they were like, hey, stop, great job, we'll talk

0:42:10.480 --> 0:42:13.680
<v Speaker 1>next week. I'm like, I can't even think anything of it,

0:42:13.640 --> 0:42:15.280
<v Speaker 1>because at that time it was like, you know, people

0:42:15.280 --> 0:42:17.759
<v Speaker 1>say stuff, and you know, I'm just glad that they

0:42:17.920 --> 0:42:21.839
<v Speaker 1>came out, you know. And about a week or two later,

0:42:21.880 --> 0:42:26.120
<v Speaker 1>we're in Flight Time Studio and in the conference room, like,

0:42:26.200 --> 0:42:28.799
<v Speaker 1>you know, what do y'all want to do. It's like,

0:42:28.840 --> 0:42:31.480
<v Speaker 1>we want to make records, and you know, we'd like

0:42:31.600 --> 0:42:34.319
<v Speaker 1>to produce at least half the hour, isn't They're like

0:42:34.680 --> 0:42:36.359
<v Speaker 1>you guys can do the whole damn thing if you want.

0:42:36.600 --> 0:42:40.920
<v Speaker 1>We're like what we okay, yeah, but I'm sure they

0:42:41.000 --> 0:42:42.799
<v Speaker 1>knew what it was coming from a band. Being in

0:42:42.840 --> 0:42:45.560
<v Speaker 1>a band, want to express your stuff like we get it,

0:42:45.760 --> 0:42:48.920
<v Speaker 1>we got you. And that was the beginning of the

0:42:48.920 --> 0:42:51.560
<v Speaker 1>whole Were there other offers from that night or were

0:42:51.600 --> 0:42:54.160
<v Speaker 1>they were the only offer? Prince as he thought, He's like,

0:42:54.160 --> 0:42:55.880
<v Speaker 1>they were really good, but there wasn't you know, he

0:42:55.920 --> 0:42:57.680
<v Speaker 1>had so much going on at the time, you know,

0:42:57.760 --> 0:43:02.880
<v Speaker 1>I think so we didn't really hear anything back, uh MCA.

0:43:03.080 --> 0:43:04.839
<v Speaker 1>I think was more you know, they're like, well, there

0:43:04.840 --> 0:43:07.719
<v Speaker 1>were so many groups like that at the time, that

0:43:07.880 --> 0:43:13.000
<v Speaker 1>kind of Minneapolis kind of vibe. You know, though I

0:43:13.040 --> 0:43:15.239
<v Speaker 1>could tell that there's like, man, there were so many

0:43:15.239 --> 0:43:17.680
<v Speaker 1>people who had that out if you think about the

0:43:17.719 --> 0:43:21.759
<v Speaker 1>eighties from my perspective, at least, it was like like

0:43:21.840 --> 0:43:23.920
<v Speaker 1>when you heard I was listening to face talk about

0:43:24.640 --> 0:43:27.800
<v Speaker 1>the influence the Minneapolis thing, you know, and being breathing

0:43:27.880 --> 0:43:29.400
<v Speaker 1>that kind of thing, you know, and just there was

0:43:29.440 --> 0:43:33.239
<v Speaker 1>a sound you know, the Oberheim DMX drum machine, the

0:43:33.360 --> 0:43:35.600
<v Speaker 1>keyboard staff that you know, all these there was a

0:43:35.880 --> 0:43:39.120
<v Speaker 1>moment and I think mini Apoleis had, in my opinion,

0:43:39.800 --> 0:43:41.759
<v Speaker 1>a lot to do with that just how I think.

0:43:42.440 --> 0:43:47.680
<v Speaker 1>I think as it pertains to the area, it was

0:43:47.760 --> 0:43:51.400
<v Speaker 1>absolutely more so an influx of it. But as it

0:43:51.480 --> 0:43:56.680
<v Speaker 1>pertained to the industry from outside looking in, there was

0:43:56.800 --> 0:43:59.879
<v Speaker 1>no man condition. I had never seen anything like making

0:43:59.880 --> 0:44:02.839
<v Speaker 1>it there was. You know, I feel like I've seen

0:44:02.880 --> 0:44:05.439
<v Speaker 1>a lot in this music business. I had never seen

0:44:05.480 --> 0:44:09.239
<v Speaker 1>the main condition me personally at all. It's interesting still,

0:44:09.280 --> 0:44:11.839
<v Speaker 1>I feel like y'all want on one. Yeah, to this day,

0:44:12.160 --> 0:44:15.640
<v Speaker 1>I think so it's um. When we were coming in,

0:44:16.360 --> 0:44:18.680
<v Speaker 1>you gotta remember it was changing because people were trying

0:44:18.680 --> 0:44:22.160
<v Speaker 1>to be more cost effective. So bands were on the

0:44:22.200 --> 0:44:26.719
<v Speaker 1>way out. We're the out of ball out. So Joe

0:44:26.800 --> 0:44:30.000
<v Speaker 1>to see Voice of Men, you know, it was a

0:44:30.080 --> 0:44:32.680
<v Speaker 1>moment because I remember all these radio stations people go to.

0:44:33.280 --> 0:44:35.520
<v Speaker 1>Their thing was can we sing for you? Can we

0:44:35.520 --> 0:44:37.680
<v Speaker 1>sing for you? Was like it was that was the thing?

0:44:38.080 --> 0:44:41.520
<v Speaker 1>Because I think it was who was it. Michael Bevins

0:44:41.560 --> 0:44:44.040
<v Speaker 1>was telling the story of how a group of somebody's like,

0:44:44.040 --> 0:44:45.600
<v Speaker 1>well how did you guys got put on what they

0:44:45.680 --> 0:44:47.480
<v Speaker 1>sang for you? That kind of thing. So everybody started

0:44:47.480 --> 0:44:50.960
<v Speaker 1>doing that, you know, and but we were like, Okay,

0:44:50.960 --> 0:44:52.560
<v Speaker 1>we're a band, we do they have this whole thing,

0:44:52.600 --> 0:44:56.120
<v Speaker 1>you know, So we kind of got caught up and

0:44:56.400 --> 0:45:00.440
<v Speaker 1>that until we started distancings, a distancing ourselves away from

0:45:00.520 --> 0:45:02.400
<v Speaker 1>you know, the rest of the pack. You're like, all

0:45:02.480 --> 0:45:05.120
<v Speaker 1>you guys are actually saying, but your actual band, you're

0:45:05.120 --> 0:45:08.279
<v Speaker 1>self contained, you know. But that's what we saw, you know,

0:45:08.480 --> 0:45:10.600
<v Speaker 1>growing up. That's what we wanted to be seen. How

0:45:10.680 --> 0:45:18.440
<v Speaker 1>players you know, earth Wind EtuH six, the business of

0:45:18.480 --> 0:45:23.440
<v Speaker 1>that work. Well, the best way to me and for

0:45:23.480 --> 0:45:25.600
<v Speaker 1>all of us because we've seen you know, the great bands,

0:45:25.600 --> 0:45:28.479
<v Speaker 1>the things that broke those bands up with economics of course,

0:45:28.760 --> 0:45:31.160
<v Speaker 1>we've seen horn back, the great horn bands go from

0:45:31.239 --> 0:45:35.399
<v Speaker 1>ten to eight to five to three, and at some point,

0:45:35.440 --> 0:45:37.320
<v Speaker 1>you know, just time moves on and it's just you

0:45:37.640 --> 0:45:41.560
<v Speaker 1>can't compete with that, the economics of life and you know,

0:45:42.040 --> 0:45:46.560
<v Speaker 1>the things that you need and if you shit ain't hidden,

0:45:48.080 --> 0:45:52.279
<v Speaker 1>you know, that's yeah, that's so um so the best

0:45:52.280 --> 0:45:56.439
<v Speaker 1>way to split, Yeah, and I'm lucking know what, it'll

0:45:56.480 --> 0:45:58.879
<v Speaker 1>work itself out and jail. I mean, we just really

0:45:58.880 --> 0:46:02.400
<v Speaker 1>committed and at that time we were really artists, right,

0:46:02.680 --> 0:46:04.160
<v Speaker 1>you know what I mean for an art section really

0:46:04.560 --> 0:46:07.040
<v Speaker 1>he's really wanted and everything will take care of yourself.

0:46:07.040 --> 0:46:20.960
<v Speaker 1>We just really cared about the music. Anybody you want

0:46:20.960 --> 0:46:35.520
<v Speaker 1>to get into your mind? Oh boy lord, your top five?

0:46:36.360 --> 0:46:43.200
<v Speaker 1>Oh lord, don't top five, don't do it. You got

0:46:43.280 --> 0:46:50.759
<v Speaker 1>top five, don't do it? Do top five? Who is

0:46:50.840 --> 0:47:29.040
<v Speaker 1>your top five? Top lord? Y'all just dead or alive?

0:47:30.320 --> 0:47:35.160
<v Speaker 1>Dead are alive? Top five R and B singers dead

0:47:35.200 --> 0:47:38.200
<v Speaker 1>are alive? Yeah, y'all. You know, y'all the new meme

0:47:38.239 --> 0:47:41.000
<v Speaker 1>of the two R and B niggers trying to each other. Yeah,

0:47:41.080 --> 0:47:42.799
<v Speaker 1>you know exactly what I'm talking about too, when they

0:47:42.840 --> 0:47:53.319
<v Speaker 1>got like the comedian did that, y'all? Yeah, oh man,

0:47:53.600 --> 0:47:59.799
<v Speaker 1>oh lord, this is always people's come on, this is

0:48:00.000 --> 0:48:02.680
<v Speaker 1>in the moment right now, just because whoever, I can't

0:48:03.080 --> 0:48:09.880
<v Speaker 1>think of this? No, yeah, um man, Joel LeVert, come on.

0:48:10.040 --> 0:48:15.399
<v Speaker 1>Joe LeVert is definitely and think I've spent some time

0:48:15.400 --> 0:48:19.600
<v Speaker 1>and he's just yeah, the teddy bear roll around on

0:48:19.680 --> 0:48:22.000
<v Speaker 1>the ground, but he's he can. And why I say

0:48:22.040 --> 0:48:24.239
<v Speaker 1>that too, just because I've seen him perform so much

0:48:24.280 --> 0:48:28.880
<v Speaker 1>and he what it's like. He's always consistent, you know,

0:48:29.000 --> 0:48:32.680
<v Speaker 1>I always no, And I remembers one time backstage he

0:48:32.719 --> 0:48:35.279
<v Speaker 1>was doing something. He had to show together something. He's like,

0:48:35.280 --> 0:48:37.520
<v Speaker 1>oh man, I'm tiring, man, let me go on here,

0:48:37.600 --> 0:48:41.960
<v Speaker 1>roll around on the ground. And he did. I was like,

0:48:42.000 --> 0:48:46.880
<v Speaker 1>oh wow, that's yeah. I mean it's yeah. So yeah, Gerald,

0:48:47.560 --> 0:48:51.080
<v Speaker 1>uh you gotta put Steve in there. Yeah, yeah, you know,

0:48:51.360 --> 0:48:59.160
<v Speaker 1>um you did so much. Luther's another one tone placement, articulation.

0:48:59.239 --> 0:49:03.880
<v Speaker 1>I mean, just classic vocal, classic vocal, you know, tuxedo vocal.

0:49:04.120 --> 0:49:07.680
<v Speaker 1>I'm just gonna say, I like the carpenterice m You're

0:49:07.800 --> 0:49:11.799
<v Speaker 1>like pop mart you know it was Yeah, if that's

0:49:11.880 --> 0:49:15.200
<v Speaker 1>kind of like maybe a side m a subtitle, it's

0:49:15.200 --> 0:49:22.799
<v Speaker 1>like a garnish Yeah. Look, yeah she called him cilantro good.

0:49:23.160 --> 0:49:27.480
<v Speaker 1>A lot of people don't like cilantric yes, but yeah,

0:49:27.560 --> 0:49:29.239
<v Speaker 1>you know if you listen to the I mean what

0:49:29.280 --> 0:49:31.600
<v Speaker 1>they do pieces in there that are like, oh man,

0:49:31.719 --> 0:49:38.799
<v Speaker 1>just crazy, got you? Yeah, I mean Karen Carpenter drummer too.

0:49:39.160 --> 0:49:42.920
<v Speaker 1>You know, she played drums that. Yes, there's smoke footage o.

0:49:43.560 --> 0:49:47.040
<v Speaker 1>Um who else? So how do you even young Michael?

0:49:49.440 --> 0:49:53.720
<v Speaker 1>I mean, I love you get what I'm saying, wrong, Okay,

0:49:53.760 --> 0:49:57.120
<v Speaker 1>you know, yeah, but that was what we grew up on.

0:49:57.200 --> 0:50:00.479
<v Speaker 1>That's that was the influence. That was just so how

0:50:00.600 --> 0:50:05.440
<v Speaker 1>how young was Michael when he's saying right right, whose

0:50:05.480 --> 0:50:11.160
<v Speaker 1>soul was that? Who do that? Who does? He's too

0:50:11.200 --> 0:50:13.799
<v Speaker 1>young to do that? Note like that? Like you'd been

0:50:13.800 --> 0:50:16.759
<v Speaker 1>through he thought he powdering with his note? He do

0:50:17.040 --> 0:50:23.280
<v Speaker 1>about powders? Who are you doing? Attitude like his attitude

0:50:23.320 --> 0:50:26.960
<v Speaker 1>from Paul. You've been in a relationship before it wasn't

0:50:26.960 --> 0:50:38.600
<v Speaker 1>no pro tools. Yeah, yeah, that's tough right now with technology.

0:50:38.600 --> 0:50:41.319
<v Speaker 1>I feel like he I feel like he dumbed it

0:50:41.360 --> 0:50:45.200
<v Speaker 1>down as he got older. He made it. He made

0:50:45.200 --> 0:50:48.080
<v Speaker 1>it fully digest well, and I want to go step further.

0:50:48.880 --> 0:50:55.080
<v Speaker 1>He abandoned being a singer to become a stylist, hm,

0:50:55.840 --> 0:51:02.080
<v Speaker 1>to create a style of singing, because had he just

0:51:02.239 --> 0:51:06.440
<v Speaker 1>been a singer, You've been a great singer. But everybody's

0:51:06.480 --> 0:51:11.280
<v Speaker 1>a singer. There are very few people who are stylists

0:51:11.320 --> 0:51:16.120
<v Speaker 1>who actually creates something so unique that if anybody else

0:51:16.239 --> 0:51:18.759
<v Speaker 1>does it, it's like you're trying to be like Michael Jackson.

0:51:18.800 --> 0:51:24.200
<v Speaker 1>You do that right, there's no way, dude, Like there's

0:51:24.680 --> 0:51:32.759
<v Speaker 1>really good at this huh right? And pretty pretty flawless. Yeah,

0:51:36.760 --> 0:51:43.439
<v Speaker 1>I do. Sometimes I can't count over them. You count

0:51:43.520 --> 0:51:47.480
<v Speaker 1>you counting up you Absolutely right though, absolutely right. Yeah,

0:51:47.520 --> 0:51:51.520
<v Speaker 1>And it was the genius in him to do that,

0:51:51.840 --> 0:51:57.920
<v Speaker 1>like to beat too as a purist of completely abandoned

0:51:58.040 --> 0:52:01.920
<v Speaker 1>being one of the best singers out there, I mean,

0:52:02.880 --> 0:52:06.120
<v Speaker 1>arguably Michael Jackson and Stevie one of the best kids

0:52:06.200 --> 0:52:08.520
<v Speaker 1>singers of all time? Are you kidding me? Right? Yeah?

0:52:10.000 --> 0:52:13.080
<v Speaker 1>Campbell and Jasmine m I can't, I can't. Jack Selim

0:52:13.200 --> 0:52:17.239
<v Speaker 1>was fourteen singing like that, so he was already grown men.

0:52:18.760 --> 0:52:22.440
<v Speaker 1>Come on, Yeah, that's a that's a different that's a

0:52:22.480 --> 0:52:28.920
<v Speaker 1>different league they are, but they all they all stayed

0:52:28.960 --> 0:52:33.560
<v Speaker 1>true to their vocal Mike, Mike, he veered off. I

0:52:33.640 --> 0:52:35.640
<v Speaker 1>mean he's an alien. I mean you have to figure

0:52:35.680 --> 0:52:38.000
<v Speaker 1>I mean, just his upbringing, just the time that he

0:52:38.120 --> 0:52:41.759
<v Speaker 1>was born, everything. There's nobody like that ever. I just

0:52:41.960 --> 0:52:45.439
<v Speaker 1>want to know why. I wish man I pray because

0:52:45.480 --> 0:52:48.719
<v Speaker 1>that is like the day we were supposed to go

0:52:48.760 --> 0:52:52.239
<v Speaker 1>see him. M That's when all and and he had

0:52:52.280 --> 0:52:54.240
<v Speaker 1>invited Jamie to go out there, and we were rehearsing

0:52:54.320 --> 0:52:55.880
<v Speaker 1>with Jamie is supposed to go out there, and I

0:52:56.000 --> 0:52:58.120
<v Speaker 1>was like, I hope I get to ask him why,

0:52:59.280 --> 0:53:06.719
<v Speaker 1>like why me God? And sing? Right? Yeah, So much

0:53:06.760 --> 0:53:10.319
<v Speaker 1>passion in that. Man, I'm percussion very much. He so much,

0:53:11.440 --> 0:53:14.200
<v Speaker 1>very much in that. Why very much do that? Because

0:53:14.200 --> 0:53:16.759
<v Speaker 1>I remember I remember Genuine I was singing we're doing

0:53:16.800 --> 0:53:19.879
<v Speaker 1>TDT and Harvey was in there and he was like, yeah,

0:53:19.960 --> 0:53:24.480
<v Speaker 1>just just ad libine I was going. He said yeah,

0:53:24.840 --> 0:53:29.239
<v Speaker 1>and jeh. Harvey was like, what is that? And so

0:53:29.360 --> 0:53:32.399
<v Speaker 1>he stopped. He's like, He's like, man, like, what makes

0:53:32.440 --> 0:53:36.560
<v Speaker 1>you do that? And and Genuine didn't get it. He

0:53:36.680 --> 0:53:38.000
<v Speaker 1>was like, man, that's just why. I say, Man, what

0:53:38.080 --> 0:53:40.239
<v Speaker 1>you're saying? Like he thought he was he was this,

0:53:40.400 --> 0:53:43.319
<v Speaker 1>I said, I said no, no, I said, gee, he's

0:53:43.360 --> 0:53:46.640
<v Speaker 1>like enamored by the fact that you have your own

0:53:46.800 --> 0:53:51.320
<v Speaker 1>ad lib. Yeah, like that nobody else. He's like, Harvey

0:53:51.480 --> 0:53:53.520
<v Speaker 1>was like, what made you do that? What made you

0:53:53.640 --> 0:53:55.920
<v Speaker 1>create that? Like I love that? And I was like,

0:53:56.200 --> 0:53:58.080
<v Speaker 1>I was like, he's our stylist. I was like, that's

0:53:58.080 --> 0:53:59.400
<v Speaker 1>why we need That's why I was like when I

0:53:59.520 --> 0:54:02.120
<v Speaker 1>was when I was in with Harvard we were formulating

0:54:02.120 --> 0:54:04.440
<v Speaker 1>the background structure, I said, I said, Genuine has to

0:54:04.560 --> 0:54:07.520
<v Speaker 1>lead because he's our stylist in the group. He's the

0:54:07.560 --> 0:54:10.480
<v Speaker 1>guy that's gonna make us recognizable, right right, you know,

0:54:10.480 --> 0:54:13.960
<v Speaker 1>what's what I'm saying, like you're styless? Yeah what it

0:54:14.000 --> 0:54:18.600
<v Speaker 1>call it? Sonic icon? Sonic icons, Yeah, sonic icon. Thank you?

0:54:18.880 --> 0:54:28.080
<v Speaker 1>Something just stole that. Yeah yeah, this is Stokely's sonic Icon.

0:54:30.200 --> 0:54:34.880
<v Speaker 1>That's an award. Yeah yeah, yeah, right, yeah, that's an award.

0:54:35.239 --> 0:54:40.919
<v Speaker 1>Yeah you will, you will receive first and then wow, okay,

0:54:41.280 --> 0:54:45.919
<v Speaker 1>I gotta say too. As far as Beyonce, I love

0:54:46.440 --> 0:54:49.440
<v Speaker 1>all stuff. She's done something. The way her voice is

0:54:49.520 --> 0:54:52.160
<v Speaker 1>now after the kids, because you know when when the

0:54:52.440 --> 0:55:00.680
<v Speaker 1>voice after Lemonade, Beyonce got different. Man, the tone of yeah,

0:55:01.200 --> 0:55:03.880
<v Speaker 1>you know, it's just just so much. It's more season.

0:55:04.120 --> 0:55:07.239
<v Speaker 1>It's more season. And I think you know you she was,

0:55:07.600 --> 0:55:10.640
<v Speaker 1>she was, she was. She's a pristine and curated artist,

0:55:10.719 --> 0:55:12.000
<v Speaker 1>you know what I mean. It's so amazing with a

0:55:12.080 --> 0:55:15.400
<v Speaker 1>lot of big artists, like things are protected and things

0:55:15.480 --> 0:55:18.200
<v Speaker 1>are like, you know, let's just you know, let's keep

0:55:18.239 --> 0:55:19.880
<v Speaker 1>it here. You know what I'm saying. It's very and

0:55:20.000 --> 0:55:24.880
<v Speaker 1>I think that Lemonade album she let us in, Yeah, absolutely,

0:55:24.920 --> 0:55:27.440
<v Speaker 1>and let her hair down. Yeah you can feel that,

0:55:27.560 --> 0:55:30.840
<v Speaker 1>you feel all the other stuff was great because we

0:55:30.920 --> 0:55:33.279
<v Speaker 1>knew when she was younger, Like I remember hanging out

0:55:33.360 --> 0:55:36.080
<v Speaker 1>with I don't know where we were prints a matter

0:55:36.080 --> 0:55:38.680
<v Speaker 1>of fact, you like she was still on the come

0:55:38.760 --> 0:55:41.200
<v Speaker 1>up kinds like we're talking about something. I just remember

0:55:41.280 --> 0:55:45.320
<v Speaker 1>him saying, yeah, didn't you hear that Beyonce? I remember that?

0:55:45.560 --> 0:55:49.280
<v Speaker 1>Just that, So you know that's gonna be something special,

0:55:49.920 --> 0:55:54.320
<v Speaker 1>you know what I mean? It's that Beyonce and I

0:55:54.440 --> 0:55:56.880
<v Speaker 1>think people I have this argument all the time, like

0:55:57.040 --> 0:56:00.080
<v Speaker 1>I'm like, you guys don't know the half of what

0:56:00.160 --> 0:56:03.480
<v Speaker 1>Beyonce is capable of. I get that you got way

0:56:03.520 --> 0:56:05.960
<v Speaker 1>more in her bag. Oh you don't you know it?

0:56:06.239 --> 0:56:10.880
<v Speaker 1>You know it? You know because because we know the instrument,

0:56:12.239 --> 0:56:16.080
<v Speaker 1>we can hear her. That's right. It's build it correctly.

0:56:16.320 --> 0:56:20.640
<v Speaker 1>That's right, because if she really let loose when she

0:56:20.800 --> 0:56:24.200
<v Speaker 1>did that out of James. Come on, so y'all, now

0:56:24.200 --> 0:56:27.160
<v Speaker 1>you're gonna get a glimpse, just a taste, but this one. Okay,

0:56:27.200 --> 0:56:31.520
<v Speaker 1>here we go. I don't know no songs. Many do, Yes,

0:56:31.640 --> 0:56:35.160
<v Speaker 1>you do? You got you gang up too? So your

0:56:35.560 --> 0:56:39.440
<v Speaker 1>green steal in love? Okay? Quick? Quick? Was you know

0:56:39.680 --> 0:56:44.480
<v Speaker 1>vocally that? Uh? And my stuff will be kind of

0:56:44.480 --> 0:56:47.399
<v Speaker 1>all over place. Test of the task at Ella Fitzgerald, Wow,

0:56:47.600 --> 0:56:51.440
<v Speaker 1>because yeah, he's one of my favorite um house is

0:56:51.480 --> 0:56:54.920
<v Speaker 1>not a home Luther. Yeah, just we know what that

0:56:55.080 --> 0:57:00.520
<v Speaker 1>does for me. I do like Princess beautiful ones. Mm hmmm,

0:57:01.239 --> 0:57:04.399
<v Speaker 1>that's yeah, something the emotion and that it just took

0:57:04.440 --> 0:57:16.120
<v Speaker 1>me somewhere still. Um Freddy Brown Ice Man, I was waiting, Yeah,

0:57:16.480 --> 0:57:22.480
<v Speaker 1>I was. I sang it even though I sang it.

0:57:22.680 --> 0:57:25.800
<v Speaker 1>So know what I mean. I gonna I'm gonna invite

0:57:25.880 --> 0:57:28.439
<v Speaker 1>you just I'm gonna invite you to a dude whop.

0:57:31.760 --> 0:57:35.240
<v Speaker 1>Invite you to a dude whop my gardner fly guy,

0:57:36.680 --> 0:57:39.800
<v Speaker 1>go around the country and do some of the craziest

0:57:39.920 --> 0:57:42.960
<v Speaker 1>R and B parties all night, R and B all

0:57:43.080 --> 0:57:46.920
<v Speaker 1>night for five hours. Whoa, and you will see what

0:57:47.120 --> 0:57:51.720
<v Speaker 1>that record, What that record does, Wall wall every time,

0:57:52.000 --> 0:57:57.920
<v Speaker 1>every time. Wow, you don't miss Hi, Come in, Tank,

0:57:57.960 --> 0:58:03.840
<v Speaker 1>how to song? Come in? What are y'all doing down there?

0:58:04.880 --> 0:58:13.720
<v Speaker 1>Oh lord? Oh my god, you better shut up? We

0:58:13.800 --> 0:58:16.840
<v Speaker 1>got next. We're gonna do R and B voltron Okay,

0:58:17.320 --> 0:58:19.200
<v Speaker 1>So I need to know who you're gonna get the

0:58:19.280 --> 0:58:22.680
<v Speaker 1>vocal from, who you're gonna get the performance style from,

0:58:23.080 --> 0:58:25.560
<v Speaker 1>who you're gonna get the styling from, and who you're

0:58:25.560 --> 0:58:28.600
<v Speaker 1>gonna get the passion of the artists from. So let's

0:58:28.640 --> 0:58:37.400
<v Speaker 1>start with the vocal. Whose vocal are you snapch y'all? Rough? Yeah, yeah, trenches,

0:58:37.520 --> 0:58:45.560
<v Speaker 1>I love it money yeah yeah. Okay, so the vocal,

0:58:46.200 --> 0:58:49.800
<v Speaker 1>that's the first one. First one, God, man, I can't

0:58:49.840 --> 0:58:53.880
<v Speaker 1>do a hybrid because you know, oh man, okay, you

0:58:54.000 --> 0:58:56.760
<v Speaker 1>stokely man. We let you, you know, we you can

0:58:56.840 --> 0:58:58.640
<v Speaker 1>live if you want to do a hybrid of if

0:58:58.680 --> 0:59:00.800
<v Speaker 1>you want to, if you want to blend. Brother like,

0:59:00.920 --> 0:59:04.720
<v Speaker 1>we're not arguing with you about no saying I'm gonna.

0:59:05.000 --> 0:59:06.800
<v Speaker 1>I would just say just so I can cover all

0:59:06.840 --> 0:59:14.440
<v Speaker 1>of it. H uh. Stevie Van Stevie Van Draws. That's

0:59:14.480 --> 0:59:19.040
<v Speaker 1>other to be some new rappers like who yeah, Stevie

0:59:19.120 --> 0:59:39.760
<v Speaker 1>Van Drop Van Draws, Steve Steve iced uff grilling, iceduff,

0:59:39.800 --> 0:59:44.439
<v Speaker 1>grilled per signing. He's like signing. He's like a big

0:59:44.520 --> 0:59:58.840
<v Speaker 1>worm with a rapper. You have principalities, right, that's the vocal. Yeah,

0:59:59.440 --> 1:00:01.800
<v Speaker 1>that's great hybrid. You know I could get the tone,

1:00:01.800 --> 1:00:04.800
<v Speaker 1>you get all the other stuff and musicality. Yeah, who

1:00:04.840 --> 1:00:11.400
<v Speaker 1>are you getting? The the performance style? Prince Davis, Prince

1:00:11.480 --> 1:00:15.760
<v Speaker 1>and Sammy Davis. Mmm, he's really making a hybrid. Vote

1:00:18.360 --> 1:00:21.840
<v Speaker 1>think about it, because you talk. You talk about performance.

1:00:23.240 --> 1:00:27.680
<v Speaker 1>You know what Prince did, He's great. Sammy Davis is

1:00:27.880 --> 1:00:41.200
<v Speaker 1>the template, He's he's one for everyone. Trumpet, drums, vibes, piano, comedian, dancing, yeah, everything, Yeah, yeah,

1:00:41.480 --> 1:00:46.480
<v Speaker 1>but more, come on, He's the first Jamie Fox styling

1:00:47.800 --> 1:01:03.040
<v Speaker 1>the show drip, who got that? Daiki Washington be killing, yeah, becoming. Yeah,

1:01:04.680 --> 1:01:06.800
<v Speaker 1>I'm just gonna go with a classic and again I

1:01:06.880 --> 1:01:11.000
<v Speaker 1>gotta go with you're from Minnesota. Huh, You're from Minnesota

1:01:13.040 --> 1:01:18.480
<v Speaker 1>expecting something wild? I mean the oppostion somebody gonna say

1:01:18.520 --> 1:01:21.480
<v Speaker 1>prints or something. Yeah, I mean that's that's like there

1:01:21.520 --> 1:01:23.280
<v Speaker 1>are parts of that that I do like, some stuff

1:01:23.320 --> 1:01:27.040
<v Speaker 1>I probably wouldn't work with. But yeah, um, I don't

1:01:27.080 --> 1:01:29.320
<v Speaker 1>know what person that would be. I guess he would

1:01:29.360 --> 1:01:32.560
<v Speaker 1>be in some ways. Yeah, But then I have the

1:01:33.960 --> 1:01:36.880
<v Speaker 1>just classic side, like a Sammy Davis as well. I

1:01:37.000 --> 1:01:40.520
<v Speaker 1>do like that suits just well tailored, you know what

1:01:40.560 --> 1:01:42.600
<v Speaker 1>I mean. You talk about R and B, you talk

1:01:42.640 --> 1:01:44.480
<v Speaker 1>about like how James Brown is like they had a

1:01:44.560 --> 1:01:48.160
<v Speaker 1>certain way, certain air about them. You know, suits suit

1:01:48.240 --> 1:01:51.600
<v Speaker 1>it up. Yeah. So so maybe maybe I'll say James

1:01:51.640 --> 1:01:54.000
<v Speaker 1>Brown because I think he embodied a lot of that,

1:01:54.080 --> 1:01:56.560
<v Speaker 1>a lot of the pride mixed all of that, even

1:01:56.760 --> 1:02:01.320
<v Speaker 1>even things that Prince true Yeah Chile, Yeah, so ja

1:02:01.680 --> 1:02:04.080
<v Speaker 1>from Yeah yeah, James Brown was Yeah, he was out

1:02:04.120 --> 1:02:06.200
<v Speaker 1>there with it. Yeah for sure. Who are you getting

1:02:06.240 --> 1:02:12.000
<v Speaker 1>the passion from? So m I gotta go back to

1:02:12.200 --> 1:02:16.080
<v Speaker 1>Mike again when I think about intention and passion and

1:02:16.920 --> 1:02:19.000
<v Speaker 1>just everything we talked about, just like feeling it. You

1:02:19.000 --> 1:02:22.960
<v Speaker 1>can see it in his face intense that you know

1:02:23.000 --> 1:02:26.360
<v Speaker 1>what I mean, Just why he was singing with you know,

1:02:26.480 --> 1:02:28.560
<v Speaker 1>so he fired a nigga while he was singing with

1:02:28.800 --> 1:02:31.720
<v Speaker 1>a what are you going to and what are you

1:02:31.800 --> 1:02:41.160
<v Speaker 1>gonna do? You gonna do like you fired? That was great.

1:02:41.320 --> 1:02:46.240
<v Speaker 1>I wish Edd would have been out right back. That

1:02:46.440 --> 1:02:51.880
<v Speaker 1>was great. We got a very important segment of the show. Yeah,

1:02:54.320 --> 1:03:00.439
<v Speaker 1>him up the piano saying, it's kind of ain't saying

1:03:00.520 --> 1:03:03.040
<v Speaker 1>on that. I ain't saying no name. Where you've been,

1:03:04.080 --> 1:03:08.120
<v Speaker 1>who you with, what you did, and what you ain't

1:03:18.840 --> 1:03:23.720
<v Speaker 1>so in this second, as you've seen on this show,

1:03:23.760 --> 1:03:26.560
<v Speaker 1>because you watched the show, Yes, tell us a story

1:03:26.640 --> 1:03:32.120
<v Speaker 1>funnier fucked up about something that happened to you, you

1:03:32.240 --> 1:03:38.680
<v Speaker 1>know during your time in this business. Not only thing

1:03:40.600 --> 1:03:43.960
<v Speaker 1>ain't no name, ain't no names everything else? Do you mean? Listen?

1:03:44.000 --> 1:03:48.400
<v Speaker 1>You can, you can. You can identify things and people,

1:03:48.800 --> 1:03:52.840
<v Speaker 1>you just can't say their name. They must remain nameless.

1:03:53.560 --> 1:03:57.360
<v Speaker 1>Story funny? Are fucked up? Are funny and fucked up?

1:03:59.360 --> 1:04:00.960
<v Speaker 1>I don't know. So it's funny to me. I have

1:04:01.040 --> 1:04:04.120
<v Speaker 1>a weird sense of humor. We all do. You may

1:04:04.160 --> 1:04:05.920
<v Speaker 1>not be funny somebody else, but in the moments of

1:04:06.000 --> 1:04:13.400
<v Speaker 1>me or this is the legends, the legend stokely man condition,

1:04:14.080 --> 1:04:22.920
<v Speaker 1>Minnesota's own. I ain't saying on that. Oh man, uh,

1:04:24.920 --> 1:04:26.800
<v Speaker 1>I wasn't prepared for you. And I watched the show

1:04:26.840 --> 1:04:31.440
<v Speaker 1>and I shit and told this was coming. They want

1:04:31.480 --> 1:04:34.240
<v Speaker 1>to have something together. I'm just I'm trying to think

1:04:34.280 --> 1:04:37.720
<v Speaker 1>of something dynamic because I've had so many great cameras, digits.

1:04:37.720 --> 1:04:41.320
<v Speaker 1>You'll have had some great moments cameras in digital. Yeah,

1:04:41.520 --> 1:04:45.200
<v Speaker 1>and then like his segment was whacking, are they gonna

1:04:45.200 --> 1:04:49.360
<v Speaker 1>be on you if you don't give us? That's what

1:04:49.520 --> 1:04:55.600
<v Speaker 1>I know? What I know didn't give us nothing. We

1:04:55.800 --> 1:05:01.960
<v Speaker 1>know Prince stole one of his girl. Oh man, um

1:05:02.960 --> 1:05:18.200
<v Speaker 1>tried um um. I don't know nothing too. This ain't

1:05:18.280 --> 1:05:25.440
<v Speaker 1>really yeah, this ain't really. I remember being we you

1:05:25.520 --> 1:05:27.840
<v Speaker 1>know how you get to it, there's still this this

1:05:28.200 --> 1:05:31.760
<v Speaker 1>um competitiveness with you know, certain people space if you

1:05:31.800 --> 1:05:34.600
<v Speaker 1>don't know them and you know they I think, folks,

1:05:34.720 --> 1:05:37.880
<v Speaker 1>there's an air bottom if they don't know you, you know,

1:05:38.960 --> 1:05:41.640
<v Speaker 1>or they think they haven't, I wouldn't have an air

1:05:41.720 --> 1:05:48.200
<v Speaker 1>or something like that. And uh, this gentleman we were

1:05:48.360 --> 1:05:50.520
<v Speaker 1>on tour with, or had a couple of shows with,

1:05:51.200 --> 1:05:58.680
<v Speaker 1>and um meant black Men days. We just got the

1:05:58.880 --> 1:06:01.320
<v Speaker 1>vibe that it was just just real. They're just being

1:06:01.360 --> 1:06:04.120
<v Speaker 1>real kind of fucked up, you know, like not giving

1:06:04.160 --> 1:06:06.520
<v Speaker 1>their on doing the sound check and whatnot, and we're

1:06:06.560 --> 1:06:09.440
<v Speaker 1>just waiting and it was like a theater and just waiting,

1:06:09.600 --> 1:06:11.640
<v Speaker 1>you know, the kind of thing. And the thing about

1:06:11.720 --> 1:06:14.080
<v Speaker 1>us is like the more it fucked up, you treat us,

1:06:15.080 --> 1:06:18.840
<v Speaker 1>he'd be like, okay, that's one, that's two. We just

1:06:19.120 --> 1:06:20.960
<v Speaker 1>you know, we just counting it up, like okay, just

1:06:21.120 --> 1:06:26.640
<v Speaker 1>oh this is good, this is good. And so you

1:06:26.760 --> 1:06:28.800
<v Speaker 1>could see that this dude was just he's seen us

1:06:28.960 --> 1:06:31.320
<v Speaker 1>out there, you know, waiting for the sound check, right

1:06:31.800 --> 1:06:33.840
<v Speaker 1>and it's pretty much dumb, just waiting, just sitting around

1:06:33.840 --> 1:06:37.120
<v Speaker 1>and talking, sitting down and uh, which started up some

1:06:37.280 --> 1:06:40.240
<v Speaker 1>music is like h well, who's next, Sue. Sue's coming up,

1:06:41.120 --> 1:06:42.720
<v Speaker 1>and he knew We're sitting right there in front of

1:06:42.760 --> 1:06:46.840
<v Speaker 1>him and like, yeah, I don't know, man. He let

1:06:46.880 --> 1:06:49.439
<v Speaker 1>me do another song. It's like really, okay, doors about

1:06:49.440 --> 1:06:51.960
<v Speaker 1>to open, you know, that kind of thing. And uh

1:06:52.720 --> 1:06:57.000
<v Speaker 1>so wait after at some point he just like, whatever, okay,

1:06:57.320 --> 1:07:00.200
<v Speaker 1>just get the other band up. Now. We'd had some

1:07:00.360 --> 1:07:03.560
<v Speaker 1>hits up at this point, so put the other band up.

1:07:03.600 --> 1:07:06.440
<v Speaker 1>We just took that like okay, yeah, he said all

1:07:06.440 --> 1:07:09.520
<v Speaker 1>this over to mic, over to mic. Yeah, so it

1:07:09.720 --> 1:07:14.240
<v Speaker 1>was amplified, yeah, and it was amplified. But to us

1:07:14.280 --> 1:07:16.959
<v Speaker 1>we were like okay, you know. And at that point

1:07:17.080 --> 1:07:20.400
<v Speaker 1>we were so rehearsed. We would rehearsed everything. We rehearsed,

1:07:20.440 --> 1:07:23.040
<v Speaker 1>like sometimes we were gonna do this that sound check,

1:07:23.520 --> 1:07:25.160
<v Speaker 1>and we were just tied as a drama. Would do

1:07:25.240 --> 1:07:27.480
<v Speaker 1>one little thing, we just like it would stop over,

1:07:27.600 --> 1:07:29.440
<v Speaker 1>getting your dynams, would go up and down, all kind

1:07:29.440 --> 1:07:33.400
<v Speaker 1>of stuff. And so we did something like that that

1:07:33.520 --> 1:07:36.959
<v Speaker 1>we'd rehearsed, and then that pretty much changed the energy

1:07:37.000 --> 1:07:40.560
<v Speaker 1>in the room, you know, and I just it was like,

1:07:40.600 --> 1:07:43.560
<v Speaker 1>I thought that was interesting because after that all that

1:07:43.640 --> 1:07:47.000
<v Speaker 1>ship came off, all that artificial post writing. Yeah, I

1:07:48.480 --> 1:07:51.080
<v Speaker 1>know all that, you know, so it was fucked up

1:07:51.120 --> 1:07:53.400
<v Speaker 1>to me, but it's you know, you may not think,

1:07:53.440 --> 1:07:56.520
<v Speaker 1>but it was. I remember that. Like, but again, no names.

1:07:57.280 --> 1:08:01.920
<v Speaker 1>Some of the men fellas probably no sau Sometimes you

1:08:02.000 --> 1:08:11.080
<v Speaker 1>gotta you gotta show improve yes, like you think, oh yeah,

1:08:11.200 --> 1:08:14.480
<v Speaker 1>right right, sweet, you don't know, right right right, Yeah,

1:08:14.600 --> 1:08:17.000
<v Speaker 1>somebody didn't tell you. And that's kind of where I was,

1:08:17.240 --> 1:08:19.400
<v Speaker 1>because it's like we were younger and hongry just like okay,

1:08:19.800 --> 1:08:23.360
<v Speaker 1>and had that you know, we're going for the edge,

1:08:23.439 --> 1:08:27.720
<v Speaker 1>you know, we had the net shit on. Man was

1:08:30.000 --> 1:08:32.120
<v Speaker 1>that I said, I was hoping that y'all birth though, yeah,

1:08:32.800 --> 1:08:36.000
<v Speaker 1>way after Yeah, but we had that mentality to it's like, okay,

1:08:36.040 --> 1:08:37.640
<v Speaker 1>we ain't going over the edge like that, no more,

1:08:37.760 --> 1:08:40.160
<v Speaker 1>but putting it inside the music. And so you know,

1:08:40.479 --> 1:08:43.320
<v Speaker 1>anybody who's coming like that, it's okay, all right, I've

1:08:43.400 --> 1:08:47.479
<v Speaker 1>been there, and it's just you know, it's just like, okay, listen,

1:08:47.560 --> 1:08:50.160
<v Speaker 1>you got your song is harder than mine right now. Yeah,

1:08:50.200 --> 1:08:55.000
<v Speaker 1>it's okay. Don't think that I'm not him right right.

1:08:56.960 --> 1:08:59.439
<v Speaker 1>And we didn't care. We didn't care about like record,

1:08:59.479 --> 1:09:01.600
<v Speaker 1>We could not have anything. Is her thing was like,

1:09:02.600 --> 1:09:04.240
<v Speaker 1>we're just gonna get you off of what we do,

1:09:04.439 --> 1:09:07.519
<v Speaker 1>performance to do. That's it. You can know not know

1:09:07.640 --> 1:09:10.120
<v Speaker 1>who I am, and I still try to perform like

1:09:10.200 --> 1:09:11.800
<v Speaker 1>that to this day. It's like even if you don't know,

1:09:11.920 --> 1:09:13.880
<v Speaker 1>it's like, you know, I don't care if it's five people,

1:09:14.439 --> 1:09:17.840
<v Speaker 1>ten people, you know, fifty people, you gotta get they

1:09:17.880 --> 1:09:21.000
<v Speaker 1>came here, they paid their money. Yeah, that's the kind

1:09:21.040 --> 1:09:23.519
<v Speaker 1>of thing, you know, you know, the thing you gotta

1:09:23.560 --> 1:09:25.960
<v Speaker 1>have going forward. I call it. You're gonna remember the

1:09:26.080 --> 1:09:30.760
<v Speaker 1>night you played the Titans. Mmmm mm hmm, you're gonna

1:09:30.880 --> 1:09:33.400
<v Speaker 1>like that. M I don't care what I don't care

1:09:33.400 --> 1:09:36.040
<v Speaker 1>what's going on. Yeah, yeah, yeah. I mean that's the

1:09:36.120 --> 1:09:39.160
<v Speaker 1>other part too, about being a musician and being in

1:09:39.240 --> 1:09:44.120
<v Speaker 1>a band. She's too many cheat codes, too many minutes,

1:09:44.200 --> 1:09:53.280
<v Speaker 1>too many che hit them all kicking the exactly. But

1:09:53.280 --> 1:09:57.400
<v Speaker 1>then y'all got the singer it's just not cool. Y'all

1:09:57.439 --> 1:10:01.680
<v Speaker 1>came out saying it's not cool, it's not cool, it's

1:10:01.760 --> 1:10:05.560
<v Speaker 1>not cool. Um stokely my brother. Man, we got to

1:10:05.560 --> 1:10:07.880
<v Speaker 1>say thank you, bro, and we got to say thank you,

1:10:08.040 --> 1:10:10.960
<v Speaker 1>you know, not just you know, not just in this moment, man,

1:10:11.040 --> 1:10:14.760
<v Speaker 1>but for all the work that you've put in you

1:10:14.880 --> 1:10:19.680
<v Speaker 1>have you have been absolutely an inspiration. You have been

1:10:20.000 --> 1:10:26.280
<v Speaker 1>study material, wow to all of us becoming who we are,

1:10:26.600 --> 1:10:28.800
<v Speaker 1>you know what I mean, and being able to take

1:10:28.840 --> 1:10:32.600
<v Speaker 1>advantage of opportunities and to be in this business. Man,

1:10:32.680 --> 1:10:34.679
<v Speaker 1>as long as we have, I'm telling you, like you've

1:10:35.520 --> 1:10:38.320
<v Speaker 1>you've helped You've helped us do that. Thank you, you

1:10:38.360 --> 1:10:39.840
<v Speaker 1>know what I'm saying. And every time I've met you,

1:10:40.320 --> 1:10:41.960
<v Speaker 1>every time I've been able to shake your hand and

1:10:42.360 --> 1:10:45.040
<v Speaker 1>share energy which you share space with you, It's always

1:10:45.080 --> 1:10:48.559
<v Speaker 1>been amazing energy. And you know, I learned that from

1:10:48.640 --> 1:10:54.720
<v Speaker 1>genuine and from genuine and it continues through guys like

1:10:54.880 --> 1:10:57.080
<v Speaker 1>you that continues to remind me that that is the

1:10:57.160 --> 1:11:00.519
<v Speaker 1>right way to be. That that is that is correct,

1:11:01.040 --> 1:11:04.040
<v Speaker 1>and that's how we're gonna keep doing it. Absolutely that.

1:11:04.479 --> 1:11:07.599
<v Speaker 1>Thank you for having me. This is amazing. I'm tell

1:11:07.680 --> 1:11:09.439
<v Speaker 1>y'all keep doing what you're doing. Man, This is really

1:11:09.520 --> 1:11:11.519
<v Speaker 1>more amazing than what y'all know. It's like you're gonna

1:11:11.520 --> 1:11:16.200
<v Speaker 1>start seeing residuals, not money, but I mean it's bigger

1:11:16.240 --> 1:11:18.760
<v Speaker 1>than money. It's what y'all are doing. So and that

1:11:18.920 --> 1:11:21.400
<v Speaker 1>whatever I got, man, I'm giving everybody out here and

1:11:21.479 --> 1:11:23.519
<v Speaker 1>just we gonna keep shying y'all. Keep doing what you're doing.

1:11:23.960 --> 1:11:25.600
<v Speaker 1>You inspire me. You know, I see you out on

1:11:25.640 --> 1:11:28.320
<v Speaker 1>the road doing stuff. Man, here your records and just

1:11:28.520 --> 1:11:31.920
<v Speaker 1>everything y'are doing. Man, it's you know, it's this is,

1:11:32.120 --> 1:11:36.360
<v Speaker 1>this is I don't be money baby. Hey, well then

1:11:36.479 --> 1:11:41.040
<v Speaker 1>don't no life. This is the only Money podcast, the

1:11:41.120 --> 1:11:43.560
<v Speaker 1>A thirty on all things R and B and in

1:11:43.680 --> 1:11:47.200
<v Speaker 1>the building, we've had someone there special to our hearts. Man,

1:11:47.560 --> 1:11:59.080
<v Speaker 1>be amazing, comfortable, say go fine goney. R and B

1:11:59.160 --> 1:12:02.040
<v Speaker 1>Money is a production of the Black Effect Podcast Network.

1:12:02.400 --> 1:12:07.840
<v Speaker 1>For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1:12:08.000 --> 1:12:11.200
<v Speaker 1>or wherever you listen to your favorite shows. Don't forget

1:12:11.240 --> 1:12:14.040
<v Speaker 1>to subscribe to and rate our show, and you can

1:12:14.080 --> 1:12:17.479
<v Speaker 1>connect with us on social media at Jay Valentine and

1:12:17.640 --> 1:12:21.400
<v Speaker 1>at the Real Tank. For the extended episode, subscribe to

1:12:21.600 --> 1:12:25.200
<v Speaker 1>YouTube dot com, forward slash, R and B Money