WEBVTT - 221: Any Questions? w/ Betsy Beers

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<v Speaker 1>This episode was recorded prior to the SAG After Strike.

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<v Speaker 2>Unpacking the Toolbox is a production of Shondaland Audio in

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<v Speaker 2>partnership with Iheartradiots.

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<v Speaker 3>And Katie Tho.

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<v Speaker 4>I'm watching the episode that we're talking about today, and

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<v Speaker 4>I'm like, do you remember conversation Shonda would have where

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<v Speaker 4>it's like they would give such shit about sexual stuff

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<v Speaker 4>on the show, but like violence or death was like

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<v Speaker 4>fair game?

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<v Speaker 3>Did it matter? Yeah?

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<v Speaker 4>And I'm just like refreshing myself on the end of

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<v Speaker 4>season two, which is where we're currently at. There's just

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<v Speaker 4>guns held at people's heads.

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<v Speaker 3>All the time, ye constantly.

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<v Speaker 5>Yeah, motherfuckers are eating donuts right before they were about

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<v Speaker 5>to get shot.

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<v Speaker 3>Abby's holding a gun.

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<v Speaker 4>I'm holding a gun, and Charlie's holding a gun at

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<v Speaker 4>David Rosen, and then Jake Ballard has a gun because

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<v Speaker 4>he's about to take down Charlie. It's just like Rice,

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<v Speaker 4>why don't we And Adam Adam just did like the

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<v Speaker 4>top gun thing. He just did John Wick prequel series,

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<v Speaker 4>which is literally gun porn. It's like, how many fucking

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<v Speaker 4>things can we fucking light up?

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<v Speaker 3>Yeah?

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<v Speaker 6>What is that?

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<v Speaker 5>I haven't seen any of the John Wicks, but I

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<v Speaker 5>hear there's somebody just went to see it a friend

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<v Speaker 5>of mine and said it was super violent. And it's

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<v Speaker 5>like one of the most popular franchises. Right, there's like

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<v Speaker 5>what five part five now or four?

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<v Speaker 3>I don't even know.

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<v Speaker 4>Fast and the Furious. I have no idea what's going on.

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<v Speaker 4>I've never seen You're right, it's like porn yea. And

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<v Speaker 4>my son is like obsessed. He is, but yeah, he

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<v Speaker 4>just is like, you know, I want swords, I.

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<v Speaker 3>Want I want shields.

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<v Speaker 4>Everything is good guy, bad guy. Did you play like

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<v Speaker 4>that when you were a little kid or no?

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<v Speaker 5>No, I played with like a Donald Duck doll that

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<v Speaker 5>you would press his hands and he would walk, his

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<v Speaker 5>legs would move. You would press his right hand and

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<v Speaker 5>his left leg would move. Typical fucking gay shit. Like

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<v Speaker 5>I loved all the dolls. I loved all the superhero

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<v Speaker 5>dolls and Mickey Mouse and Donald Duck all that stuff.

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<v Speaker 6>Have you been in real fights in your life?

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<v Speaker 3>Just like two? But I don't like it, and I'm

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<v Speaker 3>not good at it at all.

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<v Speaker 5>I'm not I get very scared, like I'll defend myself,

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<v Speaker 5>but I'm still super I don't like it.

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<v Speaker 4>I don't like it like did you get ever get

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<v Speaker 4>hit or hit someone in the face, like when you

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<v Speaker 4>were a kid growing up.

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<v Speaker 6>I've never done that.

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<v Speaker 5>I did once I did. I hit someone in the face,

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<v Speaker 5>and I've been hitting the face.

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<v Speaker 3>Yeah.

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<v Speaker 6>Was it terrible.

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<v Speaker 5>Yeah, it was almost like I blacked out. Like afterwards,

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<v Speaker 5>I was like, I don't even remember doing that. It

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<v Speaker 5>was just like a reflex to Yeah, you know, I

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<v Speaker 5>was just being.

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<v Speaker 4>Protect yourself with fight or flight, like you went into

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<v Speaker 4>like animalistic mode.

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<v Speaker 3>But then it stopped. It didn't. It was like a

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<v Speaker 3>continued fight.

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<v Speaker 5>I would have friends that would be fighting on the

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<v Speaker 5>street for like fifteen minutes, like taking their shirts off,

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<v Speaker 5>like let's go, like taking you know, their shoes off.

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<v Speaker 3>I was like, what are you people doing?

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<v Speaker 6>Like, oh my god.

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<v Speaker 4>I remember in high school the girls fighting like way

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<v Speaker 4>worse than the guys. The girls like fucking ripping their

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<v Speaker 4>out and fucking dreads and shit out of their hair.

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<v Speaker 5>Bad bad like black girls. I mean, I said, I

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<v Speaker 5>blacked out, but girls black the fuck out.

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<v Speaker 3>They don't care. You can't pull them apart O.

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<v Speaker 6>Can this like not happen to my kids?

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<v Speaker 7>No?

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<v Speaker 3>Fighting, fighting is bad, Yeah.

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<v Speaker 6>But they're still fucking doing it. I think they are.

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<v Speaker 5>Well, and then you know, we're brought up, especially boys,

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<v Speaker 5>being like, fuck, you gotta fight, defend yourself, you gotta

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<v Speaker 5>learn how to fight, learn a fight, fight. You know,

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<v Speaker 5>it becomes like this thing that you feel you need

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<v Speaker 5>to be good at, or that it's a good thing

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<v Speaker 5>that you could beat somebody up.

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<v Speaker 3>Like that's not good. It's fucking you, it's not good.

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<v Speaker 4>But also like why even let it get to that?

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<v Speaker 4>And I was kind of lucky to I was sort

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<v Speaker 4>of friends with everyone. I don't know how, but I

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<v Speaker 4>was like a theater girl and I was on the

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<v Speaker 4>dance team and a few things. But I think being an adult

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<v Speaker 4>is so much harder because my anxiety. I didn't have

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<v Speaker 4>that as a kid, and now it's worse than it's

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<v Speaker 4>ever been, Like my real life worries everyone, kitty.

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<v Speaker 5>Do you ever think I think back on the times

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<v Speaker 5>when I first started acting and doing plays and everything

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<v Speaker 5>and having no anxiety whatsoever. I was fearless, And I

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<v Speaker 5>think back on those times and I'm like, wow, like

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<v Speaker 5>I wish I could feel that again, you know what

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<v Speaker 5>I mean. And of course there's fleeting moments when you

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<v Speaker 5>feel that way, but you're right, there's so much crap

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<v Speaker 5>that we're dealing with.

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<v Speaker 4>There's just real life worries, like I didn't worry, like

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<v Speaker 4>and look, that is such a fucking privilege, Like obviously

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<v Speaker 4>I wasn't worried about food or like rent or like

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<v Speaker 4>you know, because there are kids that have those fucking

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<v Speaker 4>worries of course.

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<v Speaker 6>Which is awful.

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<v Speaker 3>And did you say food? You know?

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<v Speaker 6>We have to talk to Betsy about that. She we

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<v Speaker 6>used to host the Scandal podcast.

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<v Speaker 3>Yes, I was thinking about that earlier.

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<v Speaker 4>Yeah, And I want to ask her all about like

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<v Speaker 4>how did she first hear that that the meeting went

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<v Speaker 4>great and like come on board?

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<v Speaker 6>And was she into it from the start?

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<v Speaker 4>And then we had to talk to her all about

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<v Speaker 4>reading stage directions scared.

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<v Speaker 5>Yes, I thought about that too, yes, yes, yes, and

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<v Speaker 5>she was.

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<v Speaker 6>A comedian and an actress yes in New York.

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<v Speaker 3>Yeah, yeah, start Betsy Beers. Yeah, I feel like always

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<v Speaker 3>say that I love it so much.

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<v Speaker 5>I do not as much as I love your last

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<v Speaker 5>name Beers, because I would love four right now?

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<v Speaker 8>Who wouldn't And it's totally what eleven o'clock here, Where

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<v Speaker 8>are you? Garma? Are you? I'm in La so morning drinking,

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<v Speaker 8>which is the.

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<v Speaker 4>Best, right right, because we're coming out at the time

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<v Speaker 4>of this recording of a three day weekend.

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<v Speaker 6>He we just are feeling very like, whoa, we really.

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<v Speaker 4>Had a Friday, Saturday, Sunday, Monday situation and our brain's

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<v Speaker 4>not firing, probably a level that Betsy Beers.

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<v Speaker 8>Is no minus minus a big sleepy pile of poo.

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<v Speaker 8>What's fun about this episode two is it's the episode

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<v Speaker 8>before the last episode, which, like I remembered really well

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<v Speaker 8>because we did that table.

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<v Speaker 3>Read yes in front of a live audience, Yeah, in.

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<v Speaker 8>Front of a live audience, and when we gave the

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<v Speaker 8>last line, which I'm not going to give away for

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<v Speaker 8>anybody who hasn't seen the show, which probably makes no

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<v Speaker 8>sense because everybody listens to this like, gosh, I hope

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<v Speaker 8>you've you've seen the show, but that there's that last line.

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<v Speaker 8>And I remember, because I was doing stage directions.

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<v Speaker 6>We were in were we at the Doldie.

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<v Speaker 8>It was some scary, weird situation, big theater. It was

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<v Speaker 8>a big theater, right, and I remember we all had

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<v Speaker 8>to stop because the screaming. Just for anybody who doesn't

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<v Speaker 8>know what the hell I'm talking about, I don't blame you.

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<v Speaker 8>So we did a season finale table read. I think

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<v Speaker 8>it was for charity.

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<v Speaker 6>I think it was for charity too.

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<v Speaker 8>Yeah, we did this table read and they were about, oh,

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<v Speaker 8>I don't know, four or five hundred people there, and

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<v Speaker 8>obviously the actors had already shot it, so we all

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<v Speaker 8>knew it was yeah, yeah, yeah, which often, by the way,

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<v Speaker 8>we didn't we don't.

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<v Speaker 3>Yeah.

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<v Speaker 8>But it was one of the most amazing experiences I've

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<v Speaker 8>ever had because I got to the last line, which,

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<v Speaker 8>as we all know, is Dad. None of these people

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<v Speaker 8>had seen the episode. We literally did it right as

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<v Speaker 8>the episode was airing. I remember we just we all

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<v Speaker 8>just sat there and look at each other. Yeah, while

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<v Speaker 8>people were sweating and screaming and running up and down

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<v Speaker 8>the aisles, and it was pretty great.

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<v Speaker 6>It was insane.

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<v Speaker 5>I remember Debbie Allen jumping out of her seat like

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<v Speaker 5>a mad woman and cheering, and I'm like, and she's

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<v Speaker 5>in Shondaland, and even she was like, oh my.

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<v Speaker 4>God, yeah, she must not have known. It was so crazy.

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<v Speaker 4>But Betsy, tell our listeners two things. One, you used

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<v Speaker 4>to host the Scandal podcast.

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<v Speaker 8>It was called Scandaled Revealed, and I forced every single

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<v Speaker 8>one of these poor actors to be on it, like

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<v Speaker 8>eight hundred times over the course of the period of

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<v Speaker 8>the show.

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<v Speaker 4>You knew before like podcasts are obviously such a thing now,

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<v Speaker 4>But my god, Betsy, you were hosting correct if I'm wrong,

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<v Speaker 4>was a grace.

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<v Speaker 8>Then we did Scandal, then we did Shondaland Revealed, and

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<v Speaker 8>then people became tired and had to lie down, so

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<v Speaker 8>I got out of it, and then of course it

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<v Speaker 8>got really popular so I can do my FM.

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<v Speaker 4>It just means that Betsy is always at the beginning

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<v Speaker 4>of the bell curve. She knows what's hot before everyone

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<v Speaker 4>else knows what's hot.

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<v Speaker 8>For timing's so good that she gets out just when

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<v Speaker 8>it gets hot.

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<v Speaker 6>Oh that is not.

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<v Speaker 4>The case now wait listen, but I remember everyone talking

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<v Speaker 4>about going on the Scandal Revealed podcast, And look, Betsy

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<v Speaker 4>is you're so famous in life and in in Shondaland for.

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<v Speaker 6>Just well you were an actor.

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<v Speaker 4>Tell us, like, yes, you're the greatest, one of the

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<v Speaker 4>most prolific producers in all of television history.

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<v Speaker 6>And you were an.

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<v Speaker 4>Actor in a comedian, which makes you amazing at hosting

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<v Speaker 4>pot and the best stage direction reader at a table

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<v Speaker 4>reader that's ever existed. So tell us what you did

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<v Speaker 4>on the podcast. Originally start there.

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<v Speaker 8>Okay, so on the podcast. Originally, the first podcast we

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<v Speaker 8>did was Gray's Anatomy. I think I don't remember if

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<v Speaker 8>it had a catchy name, except it was Shonda and

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<v Speaker 8>me and it was like, I don't know if it

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<v Speaker 8>was season two or season three. But we started doing

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<v Speaker 8>this because in those days, not that many people were

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<v Speaker 8>doing podcasts, and everybody was really excited with hers anatomy,

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<v Speaker 8>and Shanda, believe it or not, at that period of time,

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<v Speaker 8>didn't talk as much. She was not that vocal. All

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<v Speaker 8>she was doing was kind of working, and everybody sort

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<v Speaker 8>of wanted to know was in her brain. And so

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<v Speaker 8>we started doing this thing where we would start every

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<v Speaker 8>podcast night she'd go, I'm Shanda, and I go I'm Betsy,

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<v Speaker 8>and we'd go, and this is Gray's Anatomy. And then

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<v Speaker 8>we would I would just ask a bunch of questions

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<v Speaker 8>or I'd say, oh, man, this week was really hard.

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<v Speaker 8>You know, can you believe this week? This week just

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<v Speaker 8>was so hard, and you go, I know, we were

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<v Speaker 8>in so late doing X, Y and Z. And then

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<v Speaker 8>we'd ask questions about the story. And that's sort of

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<v Speaker 8>where I learned how to ask questions because it's not

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<v Speaker 8>like we had a script or anything like, Yeah, I

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<v Speaker 8>just asked her shit and then we talk about stuff,

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<v Speaker 8>and then I give my opinions as to what I

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<v Speaker 8>felt about things. And the only thing I remember about

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<v Speaker 8>that podcast was, for some reason, for some reason, it

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<v Speaker 8>was around the holidays, and we got obsessed talking about

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<v Speaker 8>wrapping paper.

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<v Speaker 6>Oh my god, she's obsessed with wrapping paper.

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<v Speaker 8>It was, you know, the holiday cliffhanger. And all we did,

0:10:31.920 --> 0:10:33.680
<v Speaker 8>I think was talked about wrapping paper, which is.

0:10:33.679 --> 0:10:36.320
<v Speaker 6>Just probably why it's podcast banter.

0:10:36.760 --> 0:10:40.000
<v Speaker 8>And then moved from the Gray's Anatomy one to the

0:10:40.040 --> 0:10:42.440
<v Speaker 8>Scandal one. That was just like a big excuse to

0:10:42.480 --> 0:10:45.480
<v Speaker 8>hang out with the actors and the crew and stuff

0:10:45.559 --> 0:10:48.920
<v Speaker 8>or anybody who's listening, because this is like in the call

0:10:49.040 --> 0:10:54.760
<v Speaker 8>of television fame, the most incredibly great cast in the world.

0:10:54.840 --> 0:10:57.440
<v Speaker 8>Like just we've been really lucky with her cast. So

0:10:57.520 --> 0:11:00.160
<v Speaker 8>it's not to disparage any for other phenomenal casts, but

0:11:00.200 --> 0:11:03.280
<v Speaker 8>you all were really close and also just you were

0:11:03.360 --> 0:11:05.080
<v Speaker 8>game for anything, you poor things.

0:11:05.120 --> 0:11:07.240
<v Speaker 6>So yeah, oh my gosh, we were so gay.

0:11:07.360 --> 0:11:09.839
<v Speaker 8>I'd go like, Hi, here's the opening of envelope, and

0:11:09.840 --> 0:11:10.760
<v Speaker 8>you'd be like, it's cool.

0:11:10.840 --> 0:11:12.280
<v Speaker 3>We'll go it's do it. It's good.

0:11:12.320 --> 0:11:14.600
<v Speaker 8>It's just it's an envelope. Envelopes are good.

0:11:14.920 --> 0:11:17.800
<v Speaker 5>I remember going into your office to do the podcast

0:11:17.840 --> 0:11:20.160
<v Speaker 5>to be a guest. It was always so exciting to

0:11:20.160 --> 0:11:24.280
<v Speaker 5>go into the Shondaland offices and your office and Hozo

0:11:24.480 --> 0:11:27.520
<v Speaker 5>is just like, oh, this is so fun and exciting, and.

0:11:27.600 --> 0:11:28.960
<v Speaker 6>You had a cool office.

0:11:29.040 --> 0:11:31.560
<v Speaker 4>I tell the listeners, what was the history behind that

0:11:31.640 --> 0:11:32.800
<v Speaker 4>Sunset Gower office?

0:11:32.840 --> 0:11:36.160
<v Speaker 8>Deal was? We were at Sunset Gower and I got

0:11:36.520 --> 0:11:38.720
<v Speaker 8>Harry Cohne's all office. And none of you will know

0:11:38.760 --> 0:11:42.840
<v Speaker 8>who Harry Cone was, but Harry Cone pretty much started

0:11:42.920 --> 0:11:45.520
<v Speaker 8>Columbia Pictures. I think it was Columbia Oh wow. And

0:11:45.720 --> 0:11:47.560
<v Speaker 8>this was during the period of time in which there

0:11:47.559 --> 0:11:52.720
<v Speaker 8>were like big moguls, like the gold Winds were sort

0:11:52.760 --> 0:11:54.320
<v Speaker 8>of a mogal family. That was a whole funny thing

0:11:54.320 --> 0:11:58.080
<v Speaker 8>when Tony came in that office. But this office was

0:11:58.200 --> 0:12:02.680
<v Speaker 8>so intense. It was like all wood paneled. It looked

0:12:02.720 --> 0:12:06.080
<v Speaker 8>like a really scary, gigantic study. It had a bathroom

0:12:06.160 --> 0:12:09.199
<v Speaker 8>off of it that used to have like a barber

0:12:09.280 --> 0:12:11.720
<v Speaker 8>shop or like a beauty shop or whatever. And then

0:12:11.720 --> 0:12:14.120
<v Speaker 8>it had a secret door. So Harry Cohne who was

0:12:14.160 --> 0:12:17.360
<v Speaker 8>a dirty dude could get the girls in and out

0:12:17.360 --> 0:12:18.240
<v Speaker 8>without anybody knowing.

0:12:18.440 --> 0:12:18.720
<v Speaker 4>No.

0:12:19.320 --> 0:12:24.120
<v Speaker 6>Oh, I remember said that. I mean you told me that.

0:12:24.160 --> 0:12:25.559
<v Speaker 4>When I was in there, I was like, oh, I

0:12:25.600 --> 0:12:28.960
<v Speaker 4>mean it's classic Hollywood, classic old Hollywood.

0:12:29.000 --> 0:12:31.120
<v Speaker 8>And then later I started realizing it was used in

0:12:31.160 --> 0:12:33.120
<v Speaker 8>all these movies. So like my husband and I were

0:12:33.120 --> 0:12:35.760
<v Speaker 8>watching the way, we were randomly oh yeah, I love it,

0:12:35.840 --> 0:12:38.400
<v Speaker 8>and the studio had is like sitting in my office

0:12:38.440 --> 0:12:39.520
<v Speaker 8>and I'm like what.

0:12:40.440 --> 0:12:40.720
<v Speaker 6>Yeah.

0:12:40.800 --> 0:12:43.120
<v Speaker 8>The other thing that was really cool was like every

0:12:43.160 --> 0:12:45.760
<v Speaker 8>time we'd get really short on budget money for any

0:12:45.800 --> 0:12:47.720
<v Speaker 8>show like How to Get with Murder, we used it

0:12:47.800 --> 0:12:50.320
<v Speaker 8>like three times as different things because they'd be like

0:12:51.320 --> 0:12:53.440
<v Speaker 8>a bud just really stress this episode, I go, what

0:12:53.600 --> 0:12:56.840
<v Speaker 8>can you use the office for? And we go Gentlemen's Club,

0:12:57.559 --> 0:13:01.560
<v Speaker 8>perfect college President. So it was also good.

0:13:02.360 --> 0:13:05.080
<v Speaker 4>I want to hear about when you first found out

0:13:05.120 --> 0:13:08.880
<v Speaker 4>like that Judy and Shonda had met, and were you like, okay.

0:13:08.720 --> 0:13:10.720
<v Speaker 8>I arranged I arranged that, you arranged.

0:13:11.080 --> 0:13:13.680
<v Speaker 6>Oh okay, so take us through that.

0:13:14.000 --> 0:13:15.120
<v Speaker 3>Yeah, how did you meet Judy?

0:13:15.480 --> 0:13:15.560
<v Speaker 7>So?

0:13:15.720 --> 0:13:18.880
<v Speaker 8>I met Judy through my agent, whose name is Larry Salz,

0:13:18.880 --> 0:13:23.480
<v Speaker 8>who's great at UTA, and he had called me and said,

0:13:24.040 --> 0:13:26.560
<v Speaker 8>we're wrapping this woman that I think you, I just

0:13:26.600 --> 0:13:29.120
<v Speaker 8>think you would really respond to and sent me all

0:13:29.160 --> 0:13:32.760
<v Speaker 8>this information and material and I took one look at

0:13:32.800 --> 0:13:36.480
<v Speaker 8>it and I was like, this is such an interesting

0:13:36.520 --> 0:13:38.240
<v Speaker 8>idea of what this woman does for a living in

0:13:38.280 --> 0:13:40.559
<v Speaker 8>that and we were both Shonda and I've always been

0:13:40.640 --> 0:13:44.080
<v Speaker 8>obsessed with politics, We've always been obsessed with journalism. I

0:13:44.200 --> 0:13:46.600
<v Speaker 8>was like, I think she's really going to respond to

0:13:46.600 --> 0:13:48.600
<v Speaker 8>this guy. I think she would be a really good

0:13:48.640 --> 0:13:52.920
<v Speaker 8>basis for a show. And at that point we were

0:13:53.080 --> 0:13:56.640
<v Speaker 8>like buried under Gray's anatomy in private practice, and we

0:13:56.640 --> 0:14:00.480
<v Speaker 8>were starting to produce for other people, and she was

0:14:00.480 --> 0:14:02.600
<v Speaker 8>sort of like, I don't want to don't give me anything.

0:14:03.320 --> 0:14:06.360
<v Speaker 8>So we arranged this meeting and Judy Smith walked in

0:14:06.760 --> 0:14:11.400
<v Speaker 8>and she was wearing this white suit. Come on, and

0:14:11.480 --> 0:14:14.640
<v Speaker 8>she was I mean, Judy, as you all have probably

0:14:14.679 --> 0:14:16.920
<v Speaker 8>seen her, she's like beautiful, she's glamorous, she had this

0:14:17.120 --> 0:14:18.559
<v Speaker 8>long brown hair.

0:14:18.480 --> 0:14:22.120
<v Speaker 4>She's tall, she's thin, she's very statuesque and graceful.

0:14:22.200 --> 0:14:25.400
<v Speaker 8>She still like gets to the point right away. Stuff. Yes,

0:14:25.680 --> 0:14:28.760
<v Speaker 8>five minutes in she's talking and Shonda looks at me

0:14:28.800 --> 0:14:32.160
<v Speaker 8>and she MAVs, fuck you, oh, because she knew she

0:14:32.200 --> 0:14:32.520
<v Speaker 8>wanted to.

0:14:32.600 --> 0:14:34.880
<v Speaker 3>She was like, I'm doing this.

0:14:35.000 --> 0:14:36.240
<v Speaker 8>Wow, I'm doing this.

0:14:36.520 --> 0:14:38.320
<v Speaker 6>Yeah, like I don't want anybody else to do it.

0:14:38.360 --> 0:14:39.800
<v Speaker 8>I want, I don't want, I want to do it.

0:14:39.920 --> 0:14:41.280
<v Speaker 8>And then it kind of got put on the back

0:14:41.280 --> 0:14:43.760
<v Speaker 8>burner for a while because she was so busy. And

0:14:43.800 --> 0:14:47.640
<v Speaker 8>then little by little by little, we have these conversations

0:14:47.680 --> 0:14:49.680
<v Speaker 8>and she was sort of playing with these different pieces

0:14:50.080 --> 0:14:53.080
<v Speaker 8>and eventually came up with a totally fictionalized and only

0:14:53.080 --> 0:14:55.320
<v Speaker 8>inspired by version of Judy Smith, which of course was

0:14:55.360 --> 0:14:56.720
<v Speaker 8>Olivia Pope.

0:14:57.160 --> 0:14:57.640
<v Speaker 6>Wow.

0:14:58.280 --> 0:15:00.520
<v Speaker 5>I know, I wonder what was going through Judy's Smith's

0:15:00.560 --> 0:15:02.160
<v Speaker 5>brain while she was meeting with Seawanda.

0:15:02.280 --> 0:15:04.320
<v Speaker 3>Was she like was she in on it? Like? Did

0:15:04.360 --> 0:15:06.320
<v Speaker 3>you she think, okay, they might do a show about

0:15:06.320 --> 0:15:06.840
<v Speaker 3>my life?

0:15:06.920 --> 0:15:09.440
<v Speaker 8>Oh? I think she was pitching herself as a show

0:15:09.480 --> 0:15:11.280
<v Speaker 8>about a life, Like she was sort of like life

0:15:11.360 --> 0:15:14.800
<v Speaker 8>rights type situation. Yeah, but she really liked us too.

0:15:14.880 --> 0:15:17.800
<v Speaker 8>I then became closer to Judy for a while, so

0:15:18.800 --> 0:15:20.880
<v Speaker 8>as the process was sort of going on. But yeah,

0:15:20.920 --> 0:15:23.840
<v Speaker 8>she I think was she was into it? And then

0:15:23.960 --> 0:15:26.600
<v Speaker 8>there were some other people who were interested, but we

0:15:26.920 --> 0:15:28.320
<v Speaker 8>strong armed our way in.

0:15:28.640 --> 0:15:32.720
<v Speaker 4>Nice crazy beers. I know, do you remember like the

0:15:32.840 --> 0:15:34.600
<v Speaker 4>casting process.

0:15:34.800 --> 0:15:37.400
<v Speaker 6>Oh yeah, you were. You were in my auditions.

0:15:37.440 --> 0:15:39.640
<v Speaker 3>Thank yeah, you were there for me too. You were in.

0:15:39.640 --> 0:15:41.880
<v Speaker 8>Everyone I love me those rooms.

0:15:42.400 --> 0:15:45.160
<v Speaker 4>Is it your produce storial brain that loves it or

0:15:45.200 --> 0:15:48.360
<v Speaker 4>is it like your I mean, you have to tell

0:15:48.440 --> 0:15:51.960
<v Speaker 4>us about your acting stand up comedy situation and you

0:15:52.080 --> 0:15:53.040
<v Speaker 4>even came out here.

0:15:53.400 --> 0:15:57.080
<v Speaker 8>It's a brief story. Basically, I studied acting from when

0:15:57.120 --> 0:15:58.840
<v Speaker 8>I was a kid. My dad was an agent and

0:15:58.880 --> 0:16:00.960
<v Speaker 8>he died when I was little. They were always like,

0:16:00.960 --> 0:16:02.560
<v Speaker 8>she should be an actress, she should be an actress.

0:16:02.560 --> 0:16:04.120
<v Speaker 8>And it was one of those things where everybody tells

0:16:04.120 --> 0:16:07.080
<v Speaker 8>you and you're like okay. And I could memorize lines

0:16:07.080 --> 0:16:10.119
<v Speaker 8>really easily, which I guess was all I thought was necessary,

0:16:11.080 --> 0:16:13.480
<v Speaker 8>which is really depressing. But I acted all the way

0:16:13.480 --> 0:16:17.040
<v Speaker 8>through elementary school, high school, college, I did summer theater,

0:16:18.080 --> 0:16:20.960
<v Speaker 8>and I remember in college they were sort of like

0:16:20.960 --> 0:16:23.320
<v Speaker 8>you shouldn't act, you should direct, and I was like,

0:16:23.400 --> 0:16:25.720
<v Speaker 8>I know, I know, it was really corol.

0:16:25.920 --> 0:16:28.400
<v Speaker 1>My mouth is on the ground. I'm like, how dam

0:16:28.520 --> 0:16:30.600
<v Speaker 1>they and all they did in those days? Because this

0:16:30.720 --> 0:16:32.240
<v Speaker 1>was like in eighteen forty two when I was in

0:16:32.280 --> 0:16:36.360
<v Speaker 1>college and all they did was like wrecked, but they

0:16:36.480 --> 0:16:38.200
<v Speaker 1>do it like as a Western.

0:16:38.280 --> 0:16:40.040
<v Speaker 6>Oh, nobody wants that.

0:16:40.160 --> 0:16:42.360
<v Speaker 8>It was like this period of time where nobody was

0:16:42.400 --> 0:16:45.000
<v Speaker 8>having any fun. Everybody was just doing like really really

0:16:45.000 --> 0:16:48.800
<v Speaker 8>serious plays. And I found out that I was like

0:16:48.920 --> 0:16:53.080
<v Speaker 8>funny because we did one or two things that weren't

0:16:53.080 --> 0:16:55.240
<v Speaker 8>and they were sort of like, yeah, if you did anything,

0:16:55.280 --> 0:16:56.960
<v Speaker 8>the only you could kind of do is like musical

0:16:57.000 --> 0:16:59.280
<v Speaker 8>comedy and stuff. I was okay, fine, So I ended

0:16:59.360 --> 0:17:01.600
<v Speaker 8>up doing some summer theater and then I went to

0:17:01.600 --> 0:17:03.720
<v Speaker 8>New York and I joined this improv group and.

0:17:03.640 --> 0:17:06.240
<v Speaker 1>That was really, to me really easy, right, well, because

0:17:06.240 --> 0:17:08.560
<v Speaker 1>you're so smart and so instinctual.

0:17:08.840 --> 0:17:11.199
<v Speaker 8>God. It was also I liked. I liked sort of

0:17:11.240 --> 0:17:15.120
<v Speaker 8>the producing aspect of it, I discovered. And I also

0:17:15.480 --> 0:17:17.960
<v Speaker 8>was taking acting classes, and like the acting teachers would

0:17:17.960 --> 0:17:20.760
<v Speaker 8>pull me aside and go, you're not making a very

0:17:20.800 --> 0:17:24.280
<v Speaker 8>good argument for your character. You're letting the other person

0:17:24.280 --> 0:17:26.000
<v Speaker 8>in this conversation just and I'd be like, well, I

0:17:26.040 --> 0:17:29.640
<v Speaker 8>get their point, Like I understand what point of view,

0:17:29.680 --> 0:17:30.440
<v Speaker 8>Like I think they're right.

0:17:30.480 --> 0:17:31.720
<v Speaker 6>I think I'm too smart.

0:17:31.840 --> 0:17:32.920
<v Speaker 8>I think I'm being a dick.

0:17:33.720 --> 0:17:34.359
<v Speaker 6>That's why.

0:17:34.480 --> 0:17:36.919
<v Speaker 8>No, it was because I can see all the points

0:17:36.920 --> 0:17:38.360
<v Speaker 8>of view, which make me a better.

0:17:38.160 --> 0:17:40.600
<v Speaker 3>Producer producer, Yes, and an actor.

0:17:40.920 --> 0:17:43.600
<v Speaker 5>Yes, Betsy, did you ever do a guest spot on

0:17:43.760 --> 0:17:44.640
<v Speaker 5>any of the shows?

0:17:44.680 --> 0:17:46.520
<v Speaker 3>Did you ever, like, were you ever in front of

0:17:46.560 --> 0:17:47.880
<v Speaker 3>the camera? Would you ever want to be?

0:17:48.320 --> 0:17:51.399
<v Speaker 8>No? And I honestly this, I don't know how you

0:17:51.440 --> 0:17:51.800
<v Speaker 8>all do.

0:17:51.800 --> 0:17:53.840
<v Speaker 3>It Honestly, I don't know how we do it either.

0:17:54.520 --> 0:17:57.840
<v Speaker 8>Really Like, I was watching this episode last night and

0:17:57.880 --> 0:18:00.400
<v Speaker 8>I'm like, I said to Bruce, my husband, who is also,

0:18:00.520 --> 0:18:04.119
<v Speaker 8>of course, the legal consultant on the show, what was like?

0:18:04.200 --> 0:18:08.359
<v Speaker 8>I remember intellectually, but I forgot emotionally was how much

0:18:08.440 --> 0:18:09.960
<v Speaker 8>freaking story is in there?

0:18:10.000 --> 0:18:11.520
<v Speaker 3>I mean, oh my god.

0:18:11.560 --> 0:18:13.400
<v Speaker 8>I was like, Okay, so hold on, hold on hold.

0:18:14.520 --> 0:18:17.320
<v Speaker 8>So they are having an affair and then she.

0:18:17.400 --> 0:18:19.680
<v Speaker 6>Likes, I'm like, who is the fucking mole?

0:18:19.800 --> 0:18:20.000
<v Speaker 3>Yes?

0:18:20.280 --> 0:18:21.160
<v Speaker 6>What is happening?

0:18:21.240 --> 0:18:23.320
<v Speaker 8>And Jake shows up with the mole? And then I

0:18:23.359 --> 0:18:26.120
<v Speaker 8>was like, the mole is with the the Chiron card

0:18:26.200 --> 0:18:29.800
<v Speaker 8>or whatever the hell's help draw card in that I

0:18:29.840 --> 0:18:32.320
<v Speaker 8>remember Abby stole the card and put it in the safe,

0:18:32.320 --> 0:18:35.160
<v Speaker 8>but I totally forgot that David was the guy who

0:18:35.240 --> 0:18:38.800
<v Speaker 8>actually was the guy who stole it. Yes, the introduction

0:18:38.920 --> 0:18:42.679
<v Speaker 8>to Charlie and I remember casting Charlie, like all this

0:18:42.720 --> 0:18:45.640
<v Speaker 8>stuff came back. Shanda couldn't be there, and we kept

0:18:45.720 --> 0:18:47.919
<v Speaker 8>seeing these people and she was looking at auditions and stuff,

0:18:48.440 --> 0:18:52.199
<v Speaker 8>but we had this conversation. She was like, Okay, I

0:18:52.240 --> 0:18:54.680
<v Speaker 8>want somebody unexpected. And we kept seeing these people are

0:18:54.720 --> 0:18:59.440
<v Speaker 8>like really like killers and serial kidders, and I kind

0:18:59.440 --> 0:19:01.600
<v Speaker 8>of go this guy like no, no, no, no, no no,

0:19:01.800 --> 0:19:06.480
<v Speaker 8>it's like a guy, like a normal guy. And Linda Loewie,

0:19:06.480 --> 0:19:10.640
<v Speaker 8>the brilliant casting director, totally pivoted and we brought Georgian

0:19:11.040 --> 0:19:16.200
<v Speaker 8>and we're all like, this is such a nasty idea, really,

0:19:16.359 --> 0:19:19.680
<v Speaker 8>because he seems so nice, but also he needed somebody

0:19:19.680 --> 0:19:21.639
<v Speaker 8>who really contrasted with you, huck.

0:19:21.760 --> 0:19:25.359
<v Speaker 4>So yeah, this middle aged middle age like what's his

0:19:25.680 --> 0:19:27.520
<v Speaker 4>big movie father that loves.

0:19:28.880 --> 0:19:30.439
<v Speaker 8>And he looks like he's dropping his kids off at

0:19:30.480 --> 0:19:31.919
<v Speaker 8>soccer practice, you.

0:19:31.920 --> 0:19:33.680
<v Speaker 3>Know, totally makes him frightening.

0:19:33.400 --> 0:19:35.520
<v Speaker 8>Which makes him so frightened when they made him a

0:19:35.640 --> 0:19:39.440
<v Speaker 8>sugar freak, and the whole sort of opening thing about

0:19:39.520 --> 0:19:43.399
<v Speaker 8>he's like he's having sex with this woman for the laptop.

0:19:43.800 --> 0:19:45.600
<v Speaker 6>I mean, oh my god, bird work.

0:19:47.440 --> 0:19:54.920
<v Speaker 3>Yes, we'll be right back, guys, before.

0:19:54.640 --> 0:19:56.160
<v Speaker 6>We talk about this episode, really quick.

0:19:56.160 --> 0:19:59.960
<v Speaker 4>One last question, how did you become this the Shonda

0:20:00.119 --> 0:20:03.960
<v Speaker 4>and special sauce that you read the stage directions for

0:20:04.040 --> 0:20:07.040
<v Speaker 4>graising down to me, Private Practice, Scandal, how to get Away?

0:20:07.240 --> 0:20:09.919
<v Speaker 4>I'm sure Bridgerton inventing Anna.

0:20:10.160 --> 0:20:12.800
<v Speaker 5>Betsy was like a character in the show doing the

0:20:12.800 --> 0:20:15.240
<v Speaker 5>stage directions. And for people that don't understand what the

0:20:15.320 --> 0:20:18.080
<v Speaker 5>stage directions are, there's sort of the description of what's happening,

0:20:18.359 --> 0:20:21.199
<v Speaker 5>you know, in between all the scenes. Sometimes it'll describe what,

0:20:21.400 --> 0:20:23.920
<v Speaker 5>you know, the feeling that a person is is feeling

0:20:24.000 --> 0:20:27.360
<v Speaker 5>and and it's usually super boring, right, but Betsy would

0:20:27.400 --> 0:20:29.960
<v Speaker 5>come in and just make it so freaking exciting and

0:20:30.000 --> 0:20:33.440
<v Speaker 5>you're but you matched our pace too, your pace point

0:20:33.480 --> 0:20:35.560
<v Speaker 5>you have to yeah, because people will fall asleep.

0:20:36.040 --> 0:20:38.359
<v Speaker 8>People fall asleep. And the thing that I realized, because

0:20:38.440 --> 0:20:40.280
<v Speaker 8>having actually been an actor, I'll be it a bad

0:20:40.359 --> 0:20:43.520
<v Speaker 8>one how difficult it is if you are actually reading

0:20:43.520 --> 0:20:46.400
<v Speaker 8>with people, which I found when I would read with actors,

0:20:46.480 --> 0:20:48.880
<v Speaker 8>is if you suck or you're really dep it, it's

0:20:48.880 --> 0:20:50.560
<v Speaker 8>really hard for the actor to do the best job.

0:20:50.640 --> 0:20:53.480
<v Speaker 3>Right. Of course, to lift the bottom of lifting.

0:20:53.359 --> 0:20:56.119
<v Speaker 8>Number two, I learned how to do it to some degree.

0:20:56.240 --> 0:20:58.919
<v Speaker 8>Pilots because I was selling the pilot to the studio network.

0:21:00.119 --> 0:21:01.960
<v Speaker 8>Of it was how do I help sell this pilot?

0:21:02.400 --> 0:21:04.800
<v Speaker 8>And I was like the stealth seller, and I just

0:21:05.040 --> 0:21:08.040
<v Speaker 8>I feel like what started to happen was when everybody

0:21:08.080 --> 0:21:11.800
<v Speaker 8>started realizing that somebody was reading stage directions and they

0:21:11.840 --> 0:21:14.960
<v Speaker 8>were paying attention. That started on Scandal. All the writers

0:21:14.960 --> 0:21:18.400
<v Speaker 8>started writing more stage directions and then to hear you say,

0:21:18.560 --> 0:21:21.720
<v Speaker 8>just to humiliate me, and then Shanda, all the sex

0:21:21.760 --> 0:21:23.840
<v Speaker 8>scenes normally would have just been sort of sex scene,

0:21:24.280 --> 0:21:28.520
<v Speaker 8>they started putting in every detail and it was the best,

0:21:29.119 --> 0:21:31.240
<v Speaker 8>just to force me to read it. Then they started

0:21:31.240 --> 0:21:33.919
<v Speaker 8>putting in songs that they wanted me to sing that

0:21:33.960 --> 0:21:36.280
<v Speaker 8>I then refused to sing, so then they would put

0:21:36.320 --> 0:21:39.080
<v Speaker 8>other stuff that it turned into a thing that was

0:21:39.119 --> 0:21:39.960
<v Speaker 8>actually really fun.

0:21:40.080 --> 0:21:40.920
<v Speaker 6>It's the best.

0:21:40.960 --> 0:21:44.520
<v Speaker 4>And these Scandal table reads were famous. Like, yeah, sometimes

0:21:44.560 --> 0:21:46.080
<v Speaker 4>you go into a table read and it's really like

0:21:46.160 --> 0:21:48.720
<v Speaker 4>respectful and kind of quiet, and everyone's sort of on

0:21:48.880 --> 0:21:53.600
<v Speaker 4>edge and scared, and like Scandal was like a fucking raucous.

0:21:53.280 --> 0:21:54.960
<v Speaker 8>That was like a revival meeting yea.

0:21:55.040 --> 0:21:58.400
<v Speaker 4>And what's great about Betsy is like sometimes you would

0:21:58.400 --> 0:22:01.040
<v Speaker 4>be at these table reads and you'd be watching some

0:22:01.080 --> 0:22:03.880
<v Speaker 4>of the best actors. We have the best stage actors

0:22:03.880 --> 0:22:06.200
<v Speaker 4>in our country, right, So you're watching someone who would

0:22:06.200 --> 0:22:08.200
<v Speaker 4>you would pay a three hundred and fifty dollars Broadway

0:22:08.200 --> 0:22:12.320
<v Speaker 4>ticket to see Jeff Perry and Kate Burton going head

0:22:12.320 --> 0:22:16.080
<v Speaker 4>to head or whatever, trained actors, and Betsy's like right

0:22:16.160 --> 0:22:20.639
<v Speaker 4>in there in the scenes doing crazy descriptions at their pace,

0:22:20.800 --> 0:22:23.160
<v Speaker 4>matching their energy, resetting us.

0:22:23.640 --> 0:22:26.080
<v Speaker 6>And then everyone who's listening it was like a show.

0:22:26.160 --> 0:22:30.439
<v Speaker 4>Everyone was like oh no, or like oh shit, or

0:22:30.560 --> 0:22:33.359
<v Speaker 4>like you know, oh yeh, or like there's sexy.

0:22:33.520 --> 0:22:34.080
<v Speaker 6>It was crazy.

0:22:34.119 --> 0:22:36.199
<v Speaker 8>Do you also just remember too, like we had to

0:22:36.240 --> 0:22:38.600
<v Speaker 8>limit the number of executives who would show up.

0:22:38.640 --> 0:22:41.000
<v Speaker 3>Oh, because everybody wanted to come to the table reads.

0:22:41.119 --> 0:22:42.760
<v Speaker 8>You may not have known this, but there are periods

0:22:42.800 --> 0:22:45.920
<v Speaker 8>of time where there was limited access to the table

0:22:45.960 --> 0:22:49.359
<v Speaker 8>reads because either a plot point, but mainly because it

0:22:49.400 --> 0:22:52.239
<v Speaker 8>was like we were just always overrun. And I have

0:22:52.280 --> 0:22:55.960
<v Speaker 8>to tell you small brag. I was doing the table

0:22:55.960 --> 0:22:57.480
<v Speaker 8>read for How to Get Away with Murder and it

0:22:57.640 --> 0:23:04.439
<v Speaker 8>was this pivotal episode and Denzel Washington randomly came I

0:23:04.440 --> 0:23:09.000
<v Speaker 8>guess guess he was doing fences with Viola. Oh, Denzel Washington.

0:23:10.680 --> 0:23:16.359
<v Speaker 4>My dabhood God and I'm.

0:23:14.600 --> 0:23:16.400
<v Speaker 3>Good, I could die now.

0:23:17.760 --> 0:23:19.520
<v Speaker 5>And the thing is you would you would get those

0:23:19.520 --> 0:23:21.320
<v Speaker 5>scripts when we got him, like you didn't get him

0:23:21.320 --> 0:23:22.840
<v Speaker 5>ahead of time and sort of go over this the

0:23:22.880 --> 0:23:23.600
<v Speaker 5>stage directions.

0:23:23.640 --> 0:23:25.440
<v Speaker 8>I don't know how much everybody's talked about this, but

0:23:26.200 --> 0:23:29.879
<v Speaker 8>basically it was like this crazy django where they'd start

0:23:29.880 --> 0:23:32.720
<v Speaker 8>the season and they'd dig a hole. The writers in

0:23:32.720 --> 0:23:34.760
<v Speaker 8>Shonda would just like, dig hole, get in the hole,

0:23:35.040 --> 0:23:37.040
<v Speaker 8>dump dirt on themselves, and then figure out the rest

0:23:37.040 --> 0:23:38.960
<v Speaker 8>of the way to get out of the season. And

0:23:39.000 --> 0:23:40.560
<v Speaker 8>they had an idea as to what was going to happen,

0:23:40.600 --> 0:23:45.200
<v Speaker 8>but it was such an incredibly complex puzzle that without

0:23:45.240 --> 0:23:48.680
<v Speaker 8>a doubt, like nobody would see scripts until do you

0:23:48.680 --> 0:23:49.840
<v Speaker 8>remember they were hot.

0:23:49.800 --> 0:23:52.320
<v Speaker 3>Hot Oh yeah, literally hot off the press.

0:23:52.400 --> 0:23:55.920
<v Speaker 4>Yep, we need the ticking clock like it really helped Scandal,

0:23:55.960 --> 0:24:00.520
<v Speaker 4>I think for this show exactly, the vibe was everyone

0:24:00.600 --> 0:24:03.480
<v Speaker 4>is stretch. It's like we're all freaking because it's all

0:24:03.480 --> 0:24:04.560
<v Speaker 4>so high stage.

0:24:04.400 --> 0:24:06.679
<v Speaker 8>And you're all finding out information in real time with

0:24:06.720 --> 0:24:08.359
<v Speaker 8>the audience anyway for the most part.

0:24:08.440 --> 0:24:11.679
<v Speaker 4>So yes, yeah, okay, let's talk about episode two twenty one,

0:24:11.720 --> 0:24:13.640
<v Speaker 4>because Betsy Beers is one of the most, Like I said,

0:24:13.680 --> 0:24:14.920
<v Speaker 4>prolific producers in Hollywood.

0:24:14.920 --> 0:24:15.359
<v Speaker 6>She's busy.

0:24:15.480 --> 0:24:16.840
<v Speaker 8>I know this is way more fun.

0:24:17.160 --> 0:24:20.800
<v Speaker 4>We're talking about episode two twenty one, which was called

0:24:21.000 --> 0:24:24.119
<v Speaker 4>Any Questions, which aired on May ninth, twenty thirteen.

0:24:24.160 --> 0:24:25.800
<v Speaker 6>It was written by Matt.

0:24:25.480 --> 0:24:28.800
<v Speaker 8>Byrne, who earned Matty Byrne, longtime member of the family

0:24:28.880 --> 0:24:33.280
<v Speaker 8>and has written prodigiously, even on the recent Inventing Anna

0:24:33.480 --> 0:24:34.520
<v Speaker 8>starring Katie Lows.

0:24:34.560 --> 0:24:35.520
<v Speaker 6>Of course, love him.

0:24:35.600 --> 0:24:38.920
<v Speaker 8>He worked on Queen Charlotte. He's phenomenal, and he wrote

0:24:39.000 --> 0:24:41.560
<v Speaker 8>this in a very Maddy Byrne way. And I think

0:24:41.560 --> 0:24:43.359
<v Speaker 8>it was directed by Mark Tinker.

0:24:43.800 --> 0:24:45.199
<v Speaker 3>Yes, directed by Mark Tinker.

0:24:45.720 --> 0:24:46.000
<v Speaker 7>Yes.

0:24:46.440 --> 0:24:49.639
<v Speaker 8>Mark Tinker longtime member of the Shondaland family. He was

0:24:49.720 --> 0:24:54.320
<v Speaker 8>the producing director on Private Practice and has worked on

0:24:54.400 --> 0:24:58.359
<v Speaker 8>many shows and was a big factor in an old

0:24:58.440 --> 0:25:02.440
<v Speaker 8>medical show called Saint Elsewhere, which we believe I swear

0:25:02.600 --> 0:25:04.920
<v Speaker 8>love him, love him, but Mark's hysterical and great.

0:25:05.240 --> 0:25:07.880
<v Speaker 3>But Mark directed a few episodes of Scandal right, and.

0:25:07.880 --> 0:25:10.560
<v Speaker 4>He directed my one guest star episode of Private Practice

0:25:10.560 --> 0:25:13.200
<v Speaker 4>where I just left my baby in the backseat.

0:25:14.920 --> 0:25:16.200
<v Speaker 8>You did you killed your child?

0:25:16.800 --> 0:25:18.119
<v Speaker 3>Geez okice.

0:25:18.720 --> 0:25:22.320
<v Speaker 4>This episode is guest starring, guest starring Scott Foley is

0:25:22.400 --> 0:25:25.320
<v Speaker 4>Jake Ballard, Joe Morton is Mysterious Man. Dan but Gatinsky

0:25:25.400 --> 0:25:28.000
<v Speaker 4>is James Novak. George Newburn is Charlie. Kate Burton is

0:25:28.080 --> 0:25:29.520
<v Speaker 4>Vice President, Sally Langston.

0:25:30.240 --> 0:25:33.159
<v Speaker 5>Matt Lesher is Billy Chambers. Brian Lesher is Tom Larson,

0:25:33.200 --> 0:25:37.560
<v Speaker 5>Samantha Sloyan is Janine, Alexander Griers Patrick the White House staffer,

0:25:37.960 --> 0:25:41.360
<v Speaker 5>Christy Myers is Perky counter Girl be six thirteen Operative,

0:25:41.600 --> 0:25:44.400
<v Speaker 5>and also John Barrowman as the Fixer.

0:25:44.600 --> 0:25:46.679
<v Speaker 8>I was just about to say John Berriman, who I

0:25:46.680 --> 0:25:48.520
<v Speaker 8>think the same year we had in a pilot called

0:25:48.520 --> 0:25:51.680
<v Speaker 8>The Gilded Lilies where he played hey brother and Katie.

0:25:51.720 --> 0:25:53.680
<v Speaker 3>He's a huge like Broadway.

0:25:53.280 --> 0:25:55.400
<v Speaker 8>Guy's also Doctor Who, right.

0:25:55.359 --> 0:25:57.160
<v Speaker 3>Yes, he's in Doctor Who. Yeah. Yeah.

0:25:57.160 --> 0:25:59.680
<v Speaker 5>He was in a show called Central Park West years ago,

0:25:59.720 --> 0:26:01.959
<v Speaker 5>which is the first time I saw him on anything,

0:26:02.000 --> 0:26:04.480
<v Speaker 5>and he's he's wonderful and he's hot as fuck and

0:26:04.600 --> 0:26:05.000
<v Speaker 5>he's hot.

0:26:05.240 --> 0:26:05.880
<v Speaker 3>Yeah.

0:26:05.960 --> 0:26:06.160
<v Speaker 1>Yeah.

0:26:06.560 --> 0:26:08.560
<v Speaker 8>The other thing I thought was very funny, which is

0:26:08.960 --> 0:26:12.840
<v Speaker 8>the actress who plays Janine actually looks like jen Saki,

0:26:13.440 --> 0:26:16.159
<v Speaker 8>the former White House correspondent, looks.

0:26:15.960 --> 0:26:21.040
<v Speaker 4>So much like Jensaki, it's yeah, okay, to remind our listeners.

0:26:21.040 --> 0:26:23.679
<v Speaker 4>What happens in this We're gonna read the synopsis. There

0:26:23.720 --> 0:26:28.280
<v Speaker 4>is so much, listeners, just so much that scandalpace.

0:26:28.320 --> 0:26:28.840
<v Speaker 6>Are you ready?

0:26:28.840 --> 0:26:29.600
<v Speaker 3>G yes?

0:26:29.680 --> 0:26:30.000
<v Speaker 6>Okay?

0:26:30.119 --> 0:26:32.520
<v Speaker 4>As Cyrus dodges questions about Fitz's affair, the opay team

0:26:32.560 --> 0:26:34.280
<v Speaker 4>tries to track down the mole once and for all.

0:26:34.280 --> 0:26:36.399
<v Speaker 4>Fitz tells Olivia and Cyrus that he's not planning of

0:26:36.480 --> 0:26:39.760
<v Speaker 4>running again, which Olivia is okay with as long as

0:26:39.800 --> 0:26:42.560
<v Speaker 4>it means they can be together Oh yeah, kissy kissing.

0:26:42.680 --> 0:26:45.000
<v Speaker 5>But when Cyrus learns it Fits might not have planned

0:26:45.240 --> 0:26:47.720
<v Speaker 5>to run regardless, Olivia convinces him not to throw away

0:26:47.720 --> 0:26:48.399
<v Speaker 5>his presidency.

0:26:48.640 --> 0:26:51.680
<v Speaker 4>Yus Charlie shows up seeking Olivia's protection, but instead almost

0:26:51.680 --> 0:26:53.920
<v Speaker 4>gets killed by Huck. Luckily, after Huck gets the name

0:26:53.920 --> 0:26:56.960
<v Speaker 4>of the mole, Quinn convinces Huck to let Charlie live,

0:26:57.160 --> 0:26:58.080
<v Speaker 4>which turns out to be.

0:26:58.040 --> 0:27:00.800
<v Speaker 6>A bad plan. When the Citron card goes missing.

0:27:00.800 --> 0:27:03.760
<v Speaker 5>Everyone thinks they know what happened to it. Bun David

0:27:03.880 --> 0:27:06.600
<v Speaker 5>Rosen has revealed to be the one who stolen what.

0:27:08.440 --> 0:27:12.399
<v Speaker 4>And that, Folks is our episode, Betsy, go watch your

0:27:12.560 --> 0:27:14.400
<v Speaker 4>favorite scenes from this.

0:27:14.440 --> 0:27:18.360
<v Speaker 6>Epp Oh, I think mine? Okay?

0:27:18.440 --> 0:27:21.119
<v Speaker 4>The Cyrus ripping James a new asshole.

0:27:21.240 --> 0:27:23.480
<v Speaker 8>That is so painful, that's so good.

0:27:24.080 --> 0:27:26.159
<v Speaker 4>He had a lip quiver at the end that I

0:27:26.240 --> 0:27:28.159
<v Speaker 4>was like, this motherfucker got the Emmy.

0:27:28.320 --> 0:27:30.840
<v Speaker 6>He got that the stars this role.

0:27:31.560 --> 0:27:35.200
<v Speaker 8>But don't you think that he There's two scenes in it.

0:27:35.520 --> 0:27:38.120
<v Speaker 8>The two scenes that go together are the sy will

0:27:38.119 --> 0:27:39.040
<v Speaker 8>you let me be a reporter?

0:27:39.160 --> 0:27:39.280
<v Speaker 2>Sy?

0:27:39.320 --> 0:27:40.760
<v Speaker 8>Will you let me be a reporter? Si? Will you

0:27:40.840 --> 0:27:43.040
<v Speaker 8>let me be a reporter? And Size totally distracted, is

0:27:43.080 --> 0:27:45.560
<v Speaker 8>paying any attention to him, and they're gonna be on air.

0:27:45.600 --> 0:27:47.200
<v Speaker 8>They're gonna let me be on air. Yeah, yeah, And

0:27:47.240 --> 0:27:49.760
<v Speaker 8>I'm going like sure, sure, shirt. And then the flip

0:27:49.800 --> 0:27:53.600
<v Speaker 8>side of it, which is you see sweaty James with Mellie.

0:27:54.040 --> 0:27:57.200
<v Speaker 8>It's the pet of like three scene beat.

0:27:57.640 --> 0:28:00.000
<v Speaker 6>It's like a play. Their their story is a play.

0:28:00.160 --> 0:28:00.480
<v Speaker 3>Yeah.

0:28:00.520 --> 0:28:03.320
<v Speaker 5>I came to the realization watching this episode and watching

0:28:03.359 --> 0:28:07.280
<v Speaker 5>those scenes with Jeff Perry flipping out, blowing his top

0:28:07.359 --> 0:28:10.479
<v Speaker 5>like he does, and I thought that is the reason

0:28:10.520 --> 0:28:13.760
<v Speaker 5>that why Jeff Perry the actor is always so chill.

0:28:13.840 --> 0:28:17.199
<v Speaker 5>He has that I just had an amazing orgasm vibe.

0:28:17.240 --> 0:28:18.239
<v Speaker 8>Well put you know what I mean.

0:28:18.280 --> 0:28:21.080
<v Speaker 5>He's so chill and relaxed and I'm like, it's because

0:28:21.080 --> 0:28:23.320
<v Speaker 5>he got that shit all out doing these scenes and

0:28:23.400 --> 0:28:25.879
<v Speaker 5>scandal like for seven seasons, right, oh.

0:28:25.760 --> 0:28:28.000
<v Speaker 8>Without a doubt. And like jeff Perry marches down a

0:28:28.040 --> 0:28:30.480
<v Speaker 8>hallway pissed better than anybody I've ever seen in my life.

0:28:30.640 --> 0:28:31.000
<v Speaker 3>Do you know that?

0:28:31.040 --> 0:28:33.240
<v Speaker 8>On that shot when he's walking down the tunnel.

0:28:32.960 --> 0:28:35.320
<v Speaker 3>Oh my god, doesn't he take his jacket off?

0:28:35.400 --> 0:28:38.160
<v Speaker 8>He's amazing. I'm also obsessed with Jeffrey's hair, but that's

0:28:38.200 --> 0:28:40.320
<v Speaker 8>a different issue. Oh my god, he's got this great

0:28:40.360 --> 0:28:42.320
<v Speaker 8>sort of like puffy hair in this which.

0:28:42.080 --> 0:28:46.920
<v Speaker 6>He just just totally totally does. I love that scene.

0:28:46.960 --> 0:28:51.360
<v Speaker 5>I love the scene with Olivia and Cyrus outside in

0:28:51.440 --> 0:28:54.000
<v Speaker 5>the park that used to be a graveyard, remember, And

0:28:54.000 --> 0:28:56.080
<v Speaker 5>then at the end Olivia says it also used to

0:28:56.120 --> 0:28:57.880
<v Speaker 5>be a zoo, which I think.

0:28:57.760 --> 0:28:58.640
<v Speaker 6>That what does that mean?

0:28:59.280 --> 0:29:02.520
<v Speaker 8>Well, I think I mean there's still animals there, exactly. Yeah,

0:29:02.680 --> 0:29:04.520
<v Speaker 8>it used to be a zoo, so we fit right in.

0:29:05.120 --> 0:29:07.600
<v Speaker 3>Yeah, yeah, yeah. Oh it's such a great scene.

0:29:07.960 --> 0:29:13.040
<v Speaker 8>I also loved, weirdly all the voyeuristic stuff, which was

0:29:14.360 --> 0:29:20.040
<v Speaker 8>fully Sorry, Jake, I know I love it, but Jake,

0:29:20.320 --> 0:29:23.880
<v Speaker 8>the constant scenes have been watching himself having sex with Olivia,

0:29:23.920 --> 0:29:24.680
<v Speaker 8>which is just you.

0:29:25.400 --> 0:29:27.320
<v Speaker 4>I want to make fun of him so bad. I

0:29:27.440 --> 0:29:29.720
<v Speaker 4>text him that all the times. I'm like, yep, I'm

0:29:29.760 --> 0:29:32.560
<v Speaker 4>on the episode where you're watching yourself throw Olivia on

0:29:32.600 --> 0:29:32.960
<v Speaker 4>the counter.

0:29:33.520 --> 0:29:35.320
<v Speaker 6>Jeez, weirdo.

0:29:36.000 --> 0:29:37.240
<v Speaker 3>Sometimes we have to look down.

0:29:37.320 --> 0:29:39.640
<v Speaker 5>Katie and I have have said this that sometimes we're

0:29:39.640 --> 0:29:42.280
<v Speaker 5>watching an episode where fits in Olivia or or you know,

0:29:42.320 --> 0:29:45.040
<v Speaker 5>Scott and Olivia and olivia're having sex, and I can't

0:29:45.040 --> 0:29:46.840
<v Speaker 5>look at the screen because I'm like, we know them,

0:29:46.880 --> 0:29:47.600
<v Speaker 5>they are friends.

0:29:47.600 --> 0:29:48.960
<v Speaker 3>It's like, what are you doing?

0:29:49.160 --> 0:29:51.880
<v Speaker 8>I have to say it is it's weirder now that

0:29:51.920 --> 0:29:53.400
<v Speaker 8>we've all known each other for so long.

0:29:53.520 --> 0:29:55.240
<v Speaker 3>Yes, yes, yes, I was.

0:29:55.240 --> 0:29:57.680
<v Speaker 8>Watching this stuff and I would have flashes of like,

0:29:58.440 --> 0:30:01.480
<v Speaker 8>can I remember going to the Democratic National Convention with

0:30:01.560 --> 0:30:06.000
<v Speaker 8>Tony what twenty sixteen or whatever it was, and Tony

0:30:06.040 --> 0:30:08.760
<v Speaker 8>and his wife and all anybody.

0:30:08.320 --> 0:30:12.640
<v Speaker 6>Could see was that, Oh yeah, women were as.

0:30:12.840 --> 0:30:15.160
<v Speaker 8>Swissed with him. They got it.

0:30:15.240 --> 0:30:15.960
<v Speaker 3>They still are.

0:30:16.400 --> 0:30:23.520
<v Speaker 4>It's really wild. Wait another one, the freaking Harrison Dean

0:30:24.080 --> 0:30:27.760
<v Speaker 4>oh in Olivia, Yes, where he's like end game, what is.

0:30:27.760 --> 0:30:29.600
<v Speaker 3>You're my client? Yeah?

0:30:29.600 --> 0:30:32.080
<v Speaker 8>And also this weird thing where she's passing the torch.

0:30:32.720 --> 0:30:34.640
<v Speaker 3>Yes, yes, I love that.

0:30:34.600 --> 0:30:37.560
<v Speaker 8>Scene because it's the first time she tries to patch

0:30:37.600 --> 0:30:39.400
<v Speaker 8>the torch. A couple of times over the course of

0:30:39.400 --> 0:30:41.400
<v Speaker 8>the series, but this, I think is the first time

0:30:42.040 --> 0:30:44.800
<v Speaker 8>you see her say I'm out. And I just kept

0:30:44.800 --> 0:30:51.440
<v Speaker 8>thinking how emotionally incredibly disappointing it is, how she always

0:30:51.480 --> 0:30:53.360
<v Speaker 8>has to do the right thing. And they did one

0:30:53.440 --> 0:30:55.840
<v Speaker 8>thing wrong, yeah, which was a big thing.

0:30:56.080 --> 0:30:57.479
<v Speaker 6>Oh, they just read a little election.

0:30:58.240 --> 0:31:00.560
<v Speaker 8>Hey, ye know, they did one thing wrong. But that

0:31:01.560 --> 0:31:05.120
<v Speaker 8>over and over and over again, she has to to

0:31:05.240 --> 0:31:09.760
<v Speaker 8>sacrifice that thing. You know where in the episode before

0:31:09.840 --> 0:31:12.840
<v Speaker 8>where they sit and they watch the clock and the album.

0:31:12.640 --> 0:31:13.680
<v Speaker 6>Leaf time have run out.

0:31:13.720 --> 0:31:15.959
<v Speaker 8>The album leaf stuff comes in, which is just like,

0:31:16.360 --> 0:31:19.440
<v Speaker 8>oh my god, and you know, Mellie's talking and she

0:31:19.600 --> 0:31:22.400
<v Speaker 8>realizes that it's actually really going to happen. And then

0:31:22.480 --> 0:31:26.920
<v Speaker 8>she starts this episode and she's she's like lighter. And

0:31:27.000 --> 0:31:29.160
<v Speaker 8>I keep watching the costumes too, in terms of what

0:31:29.200 --> 0:31:31.760
<v Speaker 8>people are wearing, like she's in a slightly sort of

0:31:31.800 --> 0:31:34.760
<v Speaker 8>like it feels slightly air and then little by little

0:31:34.800 --> 0:31:37.640
<v Speaker 8>by little, you see it dawn on her. And it's

0:31:37.640 --> 0:31:39.920
<v Speaker 8>a genius of Carrie, like you see it dawn on her.

0:31:40.000 --> 0:31:42.959
<v Speaker 8>Over the course of the episode that they can't do this,

0:31:43.240 --> 0:31:44.360
<v Speaker 8>that Cyrus is right.

0:31:44.680 --> 0:31:46.520
<v Speaker 4>That he needs to get a second term and he's

0:31:46.520 --> 0:31:48.719
<v Speaker 4>got to win. I know you're right. Her acting at

0:31:48.720 --> 0:31:51.080
<v Speaker 4>the beginning of this episode, there's so much about her like,

0:31:51.640 --> 0:31:54.240
<v Speaker 4>oh my god, I'm going to get what I want.

0:31:54.280 --> 0:31:56.400
<v Speaker 4>I'm gonna not live this life. I'm going to be

0:31:56.480 --> 0:31:58.920
<v Speaker 4>with the man that I love. I can have normal

0:31:59.200 --> 0:32:02.280
<v Speaker 4>or whatever. Yeah, whatever that means to her. And then

0:32:02.320 --> 0:32:06.560
<v Speaker 4>you watch it slowly, act by act break down. She's

0:32:06.560 --> 0:32:10.000
<v Speaker 4>holding onto it and she's passing over Opa. She's done

0:32:10.080 --> 0:32:10.840
<v Speaker 4>being a fixer.

0:32:11.000 --> 0:32:12.160
<v Speaker 6>She can do it. She can do it.

0:32:12.200 --> 0:32:14.320
<v Speaker 4>And in that scene you guys were talking about the zoo,

0:32:15.160 --> 0:32:17.600
<v Speaker 4>she's still holding onto it. And then she starts. There's

0:32:17.640 --> 0:32:19.520
<v Speaker 4>that part where Cyrus is like, don't do this to me,

0:32:20.040 --> 0:32:22.440
<v Speaker 4>don't do this to us. Then she finds out about

0:32:22.440 --> 0:32:24.600
<v Speaker 4>the paper that he never submitted.

0:32:25.040 --> 0:32:27.680
<v Speaker 6>That's the paper what's it called, what's it called?

0:32:27.720 --> 0:32:32.120
<v Speaker 5>The thing saying that he wants to again, Yeah.

0:32:32.000 --> 0:32:34.880
<v Speaker 4>Never submitted it because he didn't think he deserved it,

0:32:34.920 --> 0:32:38.240
<v Speaker 4>and so she ends their relationship again. It's just like,

0:32:39.800 --> 0:32:43.400
<v Speaker 4>they keep us on this line, man, for seven seasons.

0:32:43.480 --> 0:32:45.480
<v Speaker 6>They keep us on this They.

0:32:45.040 --> 0:32:49.200
<v Speaker 8>Super super do. But then I also am like, I

0:32:49.280 --> 0:32:52.320
<v Speaker 8>was so delighted about the fact that Charlie makes an

0:32:52.400 --> 0:32:55.480
<v Speaker 8>entrance and now there's a Charlie in the world as well.

0:32:55.760 --> 0:32:57.800
<v Speaker 8>But also I just have to say for the record,

0:32:57.880 --> 0:33:00.320
<v Speaker 8>and I will prove myself to be the idiot I am.

0:33:01.680 --> 0:33:04.440
<v Speaker 8>I totally had forgotten that Billy Chambers comes back.

0:33:05.120 --> 0:33:07.640
<v Speaker 3>Oh, I forgot too. I watched it. I was like, oh, Billy,

0:33:07.720 --> 0:33:10.560
<v Speaker 3>Billy Chambers, you're not alone.

0:33:11.440 --> 0:33:14.280
<v Speaker 8>I the last time I saw Billy Chambers was he

0:33:14.360 --> 0:33:15.840
<v Speaker 8>was stabbing somebody with scissors.

0:33:16.320 --> 0:33:17.800
<v Speaker 3>Yeah, yeah, yeah, Like.

0:33:17.760 --> 0:33:21.680
<v Speaker 8>To totally forgot that Billy Chambers is in the car, which, by.

0:33:21.560 --> 0:33:23.960
<v Speaker 4>The way, speaking of table reads, sometimes y'all would do

0:33:24.040 --> 0:33:26.760
<v Speaker 4>that to us too, which is we wouldn't know what

0:33:26.800 --> 0:33:28.360
<v Speaker 4>the storyline of what was happening, and then all of

0:33:28.360 --> 0:33:32.760
<v Speaker 4>a sudden, Billy Chambers would come back, or Greg Henry

0:33:32.920 --> 0:33:36.560
<v Speaker 4>or somebody had been around in two years or something,

0:33:36.560 --> 0:33:38.200
<v Speaker 4>and then they'd come back and we're.

0:33:37.960 --> 0:33:39.200
<v Speaker 3>Like, what are you doing?

0:33:40.120 --> 0:33:42.000
<v Speaker 6>Like we've learned that way that they're going to be

0:33:42.000 --> 0:33:42.520
<v Speaker 6>a part of it.

0:33:42.920 --> 0:33:45.520
<v Speaker 8>Oh, and how long did it take me to understand

0:33:45.600 --> 0:33:47.400
<v Speaker 8>that Billy and Tom are brothers?

0:33:49.120 --> 0:33:50.080
<v Speaker 3>Matt and Brian Lesher.

0:33:50.160 --> 0:33:52.240
<v Speaker 6>Yeah, Matt and Brian Lesher great actors.

0:33:52.560 --> 0:33:54.440
<v Speaker 8>It took me like. It wasn't until somebody said, you

0:33:54.440 --> 0:33:55.320
<v Speaker 8>know their brothers.

0:33:55.600 --> 0:33:58.959
<v Speaker 4>I was like, really, wait, So we learned that Charlie

0:33:59.040 --> 0:34:01.440
<v Speaker 4>took the cidetron hard but it's okay.

0:34:01.440 --> 0:34:03.760
<v Speaker 3>No, well we think he did, but it was really

0:34:04.080 --> 0:34:05.040
<v Speaker 3>it was really Rosen.

0:34:05.160 --> 0:34:08.759
<v Speaker 4>It was David Rosen, yes, and he gave it to

0:34:08.880 --> 0:34:10.560
<v Speaker 4>Billy Chamber because.

0:34:10.360 --> 0:34:13.600
<v Speaker 8>David Rosen is not happy with the election fraud and

0:34:13.640 --> 0:34:16.600
<v Speaker 8>he keeps making it clearer. No, it's listening to him.

0:34:17.200 --> 0:34:19.479
<v Speaker 8>All he wants to know is like, who's fits having

0:34:19.480 --> 0:34:21.279
<v Speaker 8>sex with? And you all did this really funny thing

0:34:21.280 --> 0:34:23.000
<v Speaker 8>where you keep going on that part. They take their

0:34:23.040 --> 0:34:25.160
<v Speaker 8>heads and they look around a lot, or they dip

0:34:25.239 --> 0:34:26.120
<v Speaker 8>their heads down.

0:34:26.120 --> 0:34:28.520
<v Speaker 4>Look down, look at each other, and he's like, oh,

0:34:28.560 --> 0:34:31.040
<v Speaker 4>I wonder who's banging the president and we all know

0:34:31.120 --> 0:34:32.440
<v Speaker 4>it's Olivia's that We're like, dude.

0:34:33.960 --> 0:34:37.479
<v Speaker 8>It was also this great moment where Quinn obviously knows

0:34:37.520 --> 0:34:40.319
<v Speaker 8>how to dismember a body. At this point, you look

0:34:40.360 --> 0:34:43.320
<v Speaker 8>at Huck and you're so pleased with yourself.

0:34:43.280 --> 0:34:45.040
<v Speaker 3>And Abby says, ooh baby, oh.

0:34:44.960 --> 0:34:48.560
<v Speaker 4>Baby, I say some shit about hacking We're like trying

0:34:48.640 --> 0:34:51.640
<v Speaker 4>to send a trojan horse to Sally Langston's daughter.

0:34:51.840 --> 0:34:52.319
<v Speaker 6>That was it.

0:34:52.400 --> 0:34:54.680
<v Speaker 8>I love this Sally Langston thing. And then it's David

0:34:54.760 --> 0:34:56.279
<v Speaker 8>Rosen who comes up with the thing.

0:34:56.640 --> 0:34:59.279
<v Speaker 6>Yeah, who's like, you got to get the meanest mean girl.

0:34:59.200 --> 0:35:01.000
<v Speaker 3>Which is so true. That's true.

0:35:01.920 --> 0:35:02.480
<v Speaker 6>Oh my god.

0:35:02.600 --> 0:35:04.600
<v Speaker 8>And then there's that really funny picture of this girl

0:35:04.600 --> 0:35:08.320
<v Speaker 8>with this nose before a nose job that was so vicious.

0:35:09.239 --> 0:35:12.960
<v Speaker 4>They must have built that, Like it looked so terrible

0:35:14.000 --> 0:35:16.840
<v Speaker 4>glue did you use like that?

0:35:17.360 --> 0:35:19.400
<v Speaker 3>It was like nozola on her face.

0:35:19.520 --> 0:35:21.680
<v Speaker 8>Wow, she was like the wicked witch in the Wizard

0:35:21.719 --> 0:35:23.000
<v Speaker 8>of Oz. Like.

0:35:23.320 --> 0:35:26.400
<v Speaker 4>I was like, is that like Shylock from Merchant to

0:35:26.520 --> 0:35:28.399
<v Speaker 4>Venice likes Shakespeare?

0:35:28.840 --> 0:35:31.920
<v Speaker 8>Katie Way to bring the level of the podcast up,

0:35:32.040 --> 0:35:33.560
<v Speaker 8>it looked really ridiculous.

0:35:33.600 --> 0:35:37.680
<v Speaker 4>I was like, this is so insane. Wait, some fun

0:35:37.719 --> 0:35:41.560
<v Speaker 4>facts about this episode. Sally says, the name of the

0:35:41.600 --> 0:35:43.600
<v Speaker 4>previous episode a woman scorn.

0:35:43.719 --> 0:35:44.840
<v Speaker 6>She's doing a walk and.

0:35:44.840 --> 0:35:47.439
<v Speaker 4>Talk down the White House hallways with Jeff and.

0:35:47.320 --> 0:35:48.880
<v Speaker 8>She's like trying to find out information.

0:35:49.280 --> 0:35:51.840
<v Speaker 4>Yeah, Mellie's gonna come out tonight, She's gonna say it,

0:35:51.880 --> 0:35:54.239
<v Speaker 4>and well, you know, like the Bible says, hell, haf

0:35:54.280 --> 0:35:58.560
<v Speaker 4>no fury, like a woman scorned, and Jeff says something

0:35:58.640 --> 0:36:02.000
<v Speaker 4>like not everything's in the bally. Yeah, we should do

0:36:02.080 --> 0:36:05.400
<v Speaker 4>the whole series again and Guillermo should play in Cyrus. Okay,

0:36:05.960 --> 0:36:08.000
<v Speaker 4>since it wasn't said last time, it has been said

0:36:08.040 --> 0:36:11.759
<v Speaker 4>in almost every episode so far. According to the timeline

0:36:11.800 --> 0:36:15.960
<v Speaker 4>within the Scandal universe, Billy has been missing for a

0:36:16.080 --> 0:36:17.320
<v Speaker 4>year and six months.

0:36:17.400 --> 0:36:20.120
<v Speaker 8>This is when I'm saying till like, this is what

0:36:20.160 --> 0:36:23.000
<v Speaker 8>I'm saying, What the hell? What's the deal?

0:36:23.320 --> 0:36:23.480
<v Speaker 3>Right?

0:36:23.560 --> 0:36:25.880
<v Speaker 6>I mean, where'd he go? What's he been doing?

0:36:26.040 --> 0:36:28.640
<v Speaker 3>But how exciting when he pops back up right and like,

0:36:28.760 --> 0:36:29.760
<v Speaker 3>what the fuck?

0:36:30.120 --> 0:36:31.359
<v Speaker 8>It's amazing, yo.

0:36:31.560 --> 0:36:33.440
<v Speaker 5>One thing that I loved is one of the opening

0:36:33.440 --> 0:36:36.719
<v Speaker 5>scenes when Jeff Perry when Cyrus goes to Olivia's apartment

0:36:37.000 --> 0:36:39.520
<v Speaker 5>and is trying to get into the apartment and he's

0:36:39.680 --> 0:36:42.040
<v Speaker 5>yelling at Tom and the other guy, the other security

0:36:42.080 --> 0:36:44.120
<v Speaker 5>guy blowing his top again I know.

0:36:44.160 --> 0:36:45.640
<v Speaker 8>And then don't you love it when he tries to

0:36:45.680 --> 0:36:48.440
<v Speaker 8>go back again and he has the assistant lie to

0:36:48.480 --> 0:36:51.200
<v Speaker 8>get him in. Oh yes, he gets there, and the

0:36:51.239 --> 0:36:54.680
<v Speaker 8>same thing happens this time it's Jake. It's just like

0:36:55.360 --> 0:36:57.600
<v Speaker 8>that man cannot get in that woman's apartment no matter

0:36:57.640 --> 0:36:58.240
<v Speaker 8>what he does.

0:36:58.560 --> 0:37:01.160
<v Speaker 4>Also, my god, how how much sex to fits in

0:37:01.200 --> 0:37:02.800
<v Speaker 4>Olivia I have to have in this series.

0:37:02.880 --> 0:37:06.759
<v Speaker 8>It's like unbelievable. As I would say, I think most

0:37:06.760 --> 0:37:09.120
<v Speaker 8>of us. It either makes you feel like that's incredible

0:37:09.239 --> 0:37:10.600
<v Speaker 8>or I just feel bad about my life.

0:37:11.239 --> 0:37:12.920
<v Speaker 6>Yeah, I just me.

0:37:13.160 --> 0:37:15.880
<v Speaker 4>I always think, like, God, did they have to shoot

0:37:15.880 --> 0:37:18.200
<v Speaker 4>that at five am on like a one day?

0:37:18.880 --> 0:37:19.399
<v Speaker 3>You know what I mean?

0:37:19.400 --> 0:37:22.600
<v Speaker 4>I alwaysistically, was it like at worked that day?

0:37:22.680 --> 0:37:22.799
<v Speaker 7>Oh?

0:37:22.880 --> 0:37:24.640
<v Speaker 8>Oh oh, teacher, teacher, teacher.

0:37:24.719 --> 0:37:26.719
<v Speaker 3>Also Beetsy Beer, thank you?

0:37:28.040 --> 0:37:29.920
<v Speaker 8>Did Josh Melina have a cold or the flu when

0:37:29.960 --> 0:37:31.040
<v Speaker 8>we were filming that episode?

0:37:31.040 --> 0:37:32.799
<v Speaker 3>Oh my god, Betsy, I thought the same thing.

0:37:32.920 --> 0:37:35.160
<v Speaker 8>I remember that there was a couple of episodes where

0:37:35.160 --> 0:37:38.560
<v Speaker 8>he was like really sick. When he was describing the nose.

0:37:38.680 --> 0:37:40.640
<v Speaker 8>I turned to Bruce and I said, I remember this

0:37:40.719 --> 0:37:42.840
<v Speaker 8>because I remember we didn't know if we could shoot

0:37:42.840 --> 0:37:46.040
<v Speaker 8>with Josh because I think Josh had the flu or something.

0:37:46.120 --> 0:37:46.720
<v Speaker 3>You could hear.

0:37:49.360 --> 0:37:51.840
<v Speaker 6>This and I was like, Oh, no, someone's got a cold.

0:37:52.640 --> 0:37:55.760
<v Speaker 6>And you know what's so funny in this post COVID.

0:37:55.400 --> 0:37:57.320
<v Speaker 3>World, like that would have never happened.

0:37:57.400 --> 0:37:58.959
<v Speaker 6>Things have changed so much.

0:37:59.000 --> 0:38:01.080
<v Speaker 4>Were like if you're really sick like that, Like you

0:38:01.080 --> 0:38:04.600
<v Speaker 4>can't go on a set and expose all of your castmates.

0:38:04.800 --> 0:38:08.080
<v Speaker 6>But the seven years of Scandal, we used to work,

0:38:08.520 --> 0:38:12.279
<v Speaker 6>oh full on fucking slugs. Oh you like, just get

0:38:12.320 --> 0:38:12.799
<v Speaker 6>it done.

0:38:12.840 --> 0:38:15.560
<v Speaker 4>If you can stand and you can walk, you can act,

0:38:15.640 --> 0:38:16.280
<v Speaker 4>get it together.

0:38:16.440 --> 0:38:18.640
<v Speaker 8>The only rule was you couldn't do love scenes if

0:38:18.680 --> 0:38:20.560
<v Speaker 8>you like had a fever or lots and lots of

0:38:20.600 --> 0:38:23.800
<v Speaker 8>snot right. So that was the only kind of waterloo.

0:38:23.920 --> 0:38:28.880
<v Speaker 8>But everybody would show up like hacking. Oh yeah, just

0:38:29.080 --> 0:38:34.120
<v Speaker 8>feeling sea dumbiting, he doesn't like a little diarrhea.

0:38:36.160 --> 0:38:38.319
<v Speaker 6>Gee, did you ever have to not come because you

0:38:38.360 --> 0:38:38.960
<v Speaker 6>were so sick?

0:38:39.600 --> 0:38:39.799
<v Speaker 3>No?

0:38:40.000 --> 0:38:42.040
<v Speaker 5>I remember the one time I almost didn't come. They

0:38:42.080 --> 0:38:43.160
<v Speaker 5>sent a doctor to my.

0:38:43.160 --> 0:38:45.400
<v Speaker 8>House to make sure you could.

0:38:45.840 --> 0:38:48.200
<v Speaker 5>Yeah, and she gave me like a shot and like

0:38:48.239 --> 0:38:50.080
<v Speaker 5>a Z pack, and I was fine the next day.

0:38:50.160 --> 0:38:51.400
<v Speaker 3>Yeah, I mean fine enough.

0:38:51.480 --> 0:38:53.120
<v Speaker 4>How about when you came to work and you'd been

0:38:53.160 --> 0:38:55.080
<v Speaker 4>in the emergency room the whole night before because you,

0:38:55.120 --> 0:38:57.480
<v Speaker 4>by accident, were at a restaurant and had nuts and

0:38:57.520 --> 0:39:00.280
<v Speaker 4>you're definitely allergic, and your whole body blew up.

0:39:00.560 --> 0:39:02.840
<v Speaker 5>Yes, And then I got a cold sore on my lip,

0:39:02.880 --> 0:39:05.640
<v Speaker 5>and we had to do that sex scene in the

0:39:05.680 --> 0:39:08.759
<v Speaker 5>conference room and Tom was like, Okay, it's gonna be

0:39:08.760 --> 0:39:11.879
<v Speaker 5>from behind, so we weren't facing each other.

0:39:12.800 --> 0:39:13.960
<v Speaker 3>Yeah, we had to adjust.

0:39:14.200 --> 0:39:17.560
<v Speaker 8>That would be Tom Verica, our producer. Yes, of course

0:39:17.560 --> 0:39:20.279
<v Speaker 8>it's an actor, and not only was like the show

0:39:20.320 --> 0:39:22.080
<v Speaker 8>must go on, but figured out a way to film it.

0:39:22.440 --> 0:39:27.040
<v Speaker 4>Yep, on top of g on the conference wooden table.

0:39:27.040 --> 0:39:28.520
<v Speaker 4>We were supposed to make out and have sex, and

0:39:28.520 --> 0:39:29.879
<v Speaker 4>then he walked in and he was like, I'm so sorry,

0:39:29.880 --> 0:39:33.880
<v Speaker 4>I'm a cold sore. So I remembered Tom being like, oh,

0:39:34.080 --> 0:39:34.880
<v Speaker 4>it's okay.

0:39:35.160 --> 0:39:37.160
<v Speaker 6>He could just flip you around and the whole thing

0:39:37.200 --> 0:39:40.719
<v Speaker 6>just happens from behind. I was like, okay, and we

0:39:40.800 --> 0:39:41.120
<v Speaker 6>did it.

0:39:41.719 --> 0:39:42.560
<v Speaker 3>What season was that?

0:39:42.680 --> 0:39:42.800
<v Speaker 2>Was that?

0:39:42.920 --> 0:39:47.320
<v Speaker 3>Like? Season three? I don't know your I think it's four.

0:39:47.440 --> 0:39:51.120
<v Speaker 6>Idea, we'll get there. We will be back with more

0:39:51.239 --> 0:39:52.000
<v Speaker 6>after the break.

0:39:55.200 --> 0:39:57.319
<v Speaker 5>We also forgot to talk about the scene with you,

0:39:57.560 --> 0:40:00.520
<v Speaker 5>me and George Newburn Katie. I love that when I

0:40:00.560 --> 0:40:03.319
<v Speaker 5>have him taped up and I'm about to shoot him

0:40:03.320 --> 0:40:05.399
<v Speaker 5>after he gives us gives me the name of the mole,

0:40:05.440 --> 0:40:08.439
<v Speaker 5>and then Katie walks in with this beautifully like dun

0:40:08.600 --> 0:40:11.440
<v Speaker 5>hair and like hot lipstick. Did you notice that you

0:40:11.440 --> 0:40:12.600
<v Speaker 5>were like all made up?

0:40:12.760 --> 0:40:14.440
<v Speaker 8>Well, that was the thing. One of the things that

0:40:14.480 --> 0:40:17.080
<v Speaker 8>you do really notice is how shiny it is, Like

0:40:17.120 --> 0:40:19.440
<v Speaker 8>the whole show is super shiny. Everybody's up. It's a

0:40:19.480 --> 0:40:22.600
<v Speaker 8>really clean and pressed and you always look neat and

0:40:22.800 --> 0:40:26.040
<v Speaker 8>even after sex like fits. His shirts are crisp and

0:40:26.080 --> 0:40:31.040
<v Speaker 8>they come and Katie looked like, oh, just come off

0:40:31.280 --> 0:40:34.160
<v Speaker 8>like guest hosting Good Morning America.

0:40:34.280 --> 0:40:36.640
<v Speaker 6>My hair was just had come out of a set

0:40:36.680 --> 0:40:37.360
<v Speaker 6>of rollers.

0:40:38.239 --> 0:40:42.759
<v Speaker 8>You literally look like you're a guest hosting with Ryan Seacrest.

0:40:42.840 --> 0:40:44.920
<v Speaker 6>Yeah, it was too much. I look better on this

0:40:45.040 --> 0:40:45.680
<v Speaker 6>show than.

0:40:45.520 --> 0:40:49.879
<v Speaker 4>That, honestly, Like I was like, also, I mean somebody,

0:40:50.560 --> 0:40:53.760
<v Speaker 4>I think I've gotten better at acting since then. My god,

0:40:53.840 --> 0:40:55.880
<v Speaker 4>it is hard for me to sometimes watch these scenes.

0:40:55.880 --> 0:40:59.360
<v Speaker 6>I'm like, what am I too doing? Like why, yeah.

0:40:59.280 --> 0:41:02.480
<v Speaker 8>I'm so good, You're so high on stupidity.

0:41:02.080 --> 0:41:04.040
<v Speaker 3>That's all in your head. We all need ourselves.

0:41:05.160 --> 0:41:08.680
<v Speaker 4>Nobody's thinking that how much chapstick lip gloss could I

0:41:08.719 --> 0:41:13.640
<v Speaker 4>possibly have on b Why am I talking like that?

0:41:13.840 --> 0:41:17.360
<v Speaker 4>Like why can't I just talk normal? Like what is happening?

0:41:17.640 --> 0:41:20.440
<v Speaker 4>I just am over the top acting and thank god,

0:41:21.320 --> 0:41:24.840
<v Speaker 4>Shanda and Betsy didn't kill Quinn off because I was like,

0:41:25.080 --> 0:41:27.400
<v Speaker 4>I am a failure, Like this.

0:41:27.400 --> 0:41:30.600
<v Speaker 8>Is hysterical, you're such a weirdo, Like you're so good.

0:41:30.960 --> 0:41:34.960
<v Speaker 8>And the whole point is Quinn was from the moment

0:41:34.960 --> 0:41:40.080
<v Speaker 8>you meet her, she's over eager, she's performative, she's she

0:41:40.200 --> 0:41:42.080
<v Speaker 8>puts that out there. That's the whole point. The same

0:41:42.080 --> 0:41:46.080
<v Speaker 8>way Huck is, you know, a semi vegetable half the

0:41:46.120 --> 0:41:47.560
<v Speaker 8>time until he comes.

0:41:47.320 --> 0:41:48.879
<v Speaker 6>Alive murdering people.

0:41:49.000 --> 0:41:50.359
<v Speaker 8>I mean, what's great is you get to know Huck

0:41:50.440 --> 0:41:52.640
<v Speaker 8>is you go It's almost like there's a trigger that

0:41:52.719 --> 0:41:56.600
<v Speaker 8>was built into him that at a particular point he

0:41:56.719 --> 0:41:59.640
<v Speaker 8>has to kill, like this is all he was good for.

0:42:00.239 --> 0:42:03.040
<v Speaker 8>Oh and that characters. What's great to me is as

0:42:03.040 --> 0:42:07.279
<v Speaker 8>you watch the show progress over the seasons, everybody really

0:42:07.360 --> 0:42:09.759
<v Speaker 8>knows how to write for the characters as they are.

0:42:10.080 --> 0:42:14.080
<v Speaker 8>You all pivoted as your characters would change. That's the

0:42:14.120 --> 0:42:17.280
<v Speaker 8>most incredible thing. So no shit talking about one's performance.

0:42:18.680 --> 0:42:20.040
<v Speaker 6>I say that to people all the time.

0:42:20.080 --> 0:42:21.719
<v Speaker 4>I feel really lucky, Like I think a lot of

0:42:21.760 --> 0:42:24.920
<v Speaker 4>times if you're if you're an actor and you're lucky

0:42:25.000 --> 0:42:28.000
<v Speaker 4>enough to land lightning in a bottle.

0:42:28.440 --> 0:42:29.840
<v Speaker 6>When you do, or if you do.

0:42:30.080 --> 0:42:32.319
<v Speaker 4>Most of the times the character you book is how

0:42:32.360 --> 0:42:35.360
<v Speaker 4>they stay for seven years, like especially on a sitcom

0:42:35.480 --> 0:42:38.920
<v Speaker 4>or especially like it is very rare for your character

0:42:39.040 --> 0:42:43.440
<v Speaker 4>to change. And that's what I thought was so awesome

0:42:43.480 --> 0:42:46.080
<v Speaker 4>about Scandal was like I got to do.

0:42:46.200 --> 0:42:49.080
<v Speaker 6>The craziest shit in the whole world.

0:42:49.480 --> 0:42:52.680
<v Speaker 4>And if you had showed me Quen season five, six

0:42:52.800 --> 0:42:55.160
<v Speaker 4>seven compared to one, two, three and all the I

0:42:55.160 --> 0:42:56.160
<v Speaker 4>mean the characters.

0:42:56.400 --> 0:43:03.960
<v Speaker 7>Melilly, Smelly, Melly, Yeah season two, like Mellie is she's

0:43:04.239 --> 0:43:06.640
<v Speaker 7>very self righteous and she's doing that low ballomy voice,

0:43:06.640 --> 0:43:11.320
<v Speaker 7>and she's wearing her suit and she's.

0:43:10.280 --> 0:43:12.879
<v Speaker 8>Very angry about everything. And then you think about where

0:43:12.920 --> 0:43:15.080
<v Speaker 8>we got to where you have, and so much of

0:43:15.080 --> 0:43:16.760
<v Speaker 8>it to me, in terms of the writing, is about

0:43:17.680 --> 0:43:20.200
<v Speaker 8>I've always said about this company, about what Shonda creates

0:43:20.200 --> 0:43:23.840
<v Speaker 8>and the writers. Everybody's three dimensional. As you start to

0:43:23.840 --> 0:43:25.719
<v Speaker 8>get to know a character, you think you know them,

0:43:25.760 --> 0:43:30.120
<v Speaker 8>and then something comes out, either in flashback or backstory

0:43:30.480 --> 0:43:35.560
<v Speaker 8>or their Achilles heel, and everything changes about how you

0:43:35.600 --> 0:43:39.040
<v Speaker 8>feel about those characters. And to the point where you know,

0:43:39.200 --> 0:43:43.320
<v Speaker 8>Olivia Pope brains the vice president with a chair.

0:43:44.440 --> 0:43:46.319
<v Speaker 3>That's right, and you're kind of like.

0:43:46.719 --> 0:43:49.800
<v Speaker 5>You had it coming well and also even fits killing Verna,

0:43:49.920 --> 0:43:51.239
<v Speaker 5>like all that shit was like.

0:43:51.480 --> 0:43:54.160
<v Speaker 4>What, yeah, how about the season where Fitz was just

0:43:54.200 --> 0:43:56.840
<v Speaker 4>a drunk, like just a mean, fucking drunk.

0:43:57.080 --> 0:43:59.080
<v Speaker 6>Sure, he's like awful to Melly.

0:43:58.880 --> 0:44:00.640
<v Speaker 3>He's after he got shot.

0:44:01.200 --> 0:44:04.000
<v Speaker 8>It's also like you meet us dad and you understand

0:44:04.000 --> 0:44:04.480
<v Speaker 8>the whole thing.

0:44:04.800 --> 0:44:08.200
<v Speaker 3>Yeah, yeah, yeah, Barry boss Wick like.

0:44:08.760 --> 0:44:10.600
<v Speaker 8>Oh, the poor Barry Poster. I mean he was like

0:44:10.600 --> 0:44:13.960
<v Speaker 8>the Robert bridegrim on Broadway and there he was just

0:44:14.000 --> 0:44:17.560
<v Speaker 8>being terrible. But yeah, No, it's those layers and depth

0:44:17.760 --> 0:44:21.560
<v Speaker 8>and the fact that very often the plot, which is

0:44:21.600 --> 0:44:27.600
<v Speaker 8>so incredibly engaging and involving, reveals not only another plot

0:44:27.600 --> 0:44:30.480
<v Speaker 8>point that either traumatizes or changes the way that you

0:44:30.560 --> 0:44:34.799
<v Speaker 8>operate as characters, but reveals something deeper that you didn't

0:44:34.840 --> 0:44:37.840
<v Speaker 8>know existed, which then allows the character to keep growing.

0:44:38.520 --> 0:44:40.480
<v Speaker 8>It's really cool and incredibly layered.

0:44:40.719 --> 0:44:43.880
<v Speaker 6>We felt very, very very lucky to do that.

0:44:44.000 --> 0:44:46.160
<v Speaker 4>Wait, fortunately, before we let you go, and we're going

0:44:46.200 --> 0:44:48.680
<v Speaker 4>to read some tweets at the time, was there any

0:44:48.760 --> 0:44:53.040
<v Speaker 4>of your favorite memories that come to mind.

0:44:53.760 --> 0:44:57.120
<v Speaker 5>Like meeting me and Katie for the first time, Well,

0:44:57.160 --> 0:44:57.759
<v Speaker 5>i'd met you.

0:44:57.800 --> 0:45:00.000
<v Speaker 8>Before, Gamo, so I was so excited to see you

0:45:00.200 --> 0:45:02.360
<v Speaker 8>because it was like a creepy reunion where I, like

0:45:02.400 --> 0:45:05.200
<v Speaker 8>you first meet. He was in two hundred Cigarettes, which

0:45:05.239 --> 0:45:10.160
<v Speaker 8>was the first movie I produced, and Ghirmo was hysterical

0:45:10.200 --> 0:45:12.080
<v Speaker 8>and really really good in the movie.

0:45:12.440 --> 0:45:16.920
<v Speaker 3>It's like a cult underground, like people love them. It's

0:45:16.960 --> 0:45:17.640
<v Speaker 3>such a great movie.

0:45:17.760 --> 0:45:19.719
<v Speaker 8>So I loved Gharma like and Ghirmou did me the

0:45:19.760 --> 0:45:22.080
<v Speaker 8>ultimate solid, which we talked about in the podcast, which

0:45:22.120 --> 0:45:24.799
<v Speaker 8>is yes, it's a long story, but he ended up

0:45:24.840 --> 0:45:26.960
<v Speaker 8>playing Angie Featherstone in the back of a cap so

0:45:27.000 --> 0:45:29.239
<v Speaker 8>I wouldn't have to dye my hair carrot orange and

0:45:29.280 --> 0:45:31.960
<v Speaker 8>do a double for her because she wasn't with us anymore.

0:45:32.400 --> 0:45:33.719
<v Speaker 8>She hadn't die, she just had to go on to

0:45:33.760 --> 0:45:38.360
<v Speaker 8>another job. But I remember distinctly like being really excited

0:45:38.400 --> 0:45:40.800
<v Speaker 8>to see Gheramo, and I'd met you a couple of times, Katie,

0:45:40.880 --> 0:45:44.040
<v Speaker 8>because we came really close to casting you twice before,

0:45:44.800 --> 0:45:47.160
<v Speaker 8>and we also had You've been You were in Gray's

0:45:47.160 --> 0:45:48.120
<v Speaker 8>Anatomy too, weren't you.

0:45:48.320 --> 0:45:49.320
<v Speaker 6>Yeah, I'm private practice.

0:45:49.440 --> 0:45:51.880
<v Speaker 8>Yeah, And I remember Seanda said, you get to call

0:45:51.920 --> 0:45:53.840
<v Speaker 8>Ghirrimo and tell me about the part because you know

0:45:53.920 --> 0:45:55.560
<v Speaker 8>him and you love him. So I got to call Ghirrimo.

0:45:56.520 --> 0:45:59.319
<v Speaker 3>Yes, yes, yes, I remember that.

0:45:59.680 --> 0:46:01.640
<v Speaker 8>Yes I got to call Gaermeau. But you know what,

0:46:01.680 --> 0:46:05.320
<v Speaker 8>there's so much the casting process was really fun. I

0:46:05.360 --> 0:46:07.040
<v Speaker 8>don't know if they're all of these weird because we

0:46:07.080 --> 0:46:09.759
<v Speaker 8>all we all would hang out together too. Sometimes I would,

0:46:09.920 --> 0:46:10.680
<v Speaker 8>I would see you all.

0:46:10.880 --> 0:46:14.440
<v Speaker 6>Yeah, we went upfronts together. We went two things together.

0:46:14.520 --> 0:46:16.640
<v Speaker 8>I remember, do you remember these sacks fit the avenue

0:46:16.680 --> 0:46:17.359
<v Speaker 8>window things?

0:46:17.400 --> 0:46:20.040
<v Speaker 3>Yes, Oh my god, we were Mannikins.

0:46:20.120 --> 0:46:23.040
<v Speaker 8>We took over Sacksmith Avenue and they had sacks with

0:46:23.120 --> 0:46:26.120
<v Speaker 8>avenue hosted. I think was Lynn pallow Is, the costume

0:46:26.280 --> 0:46:28.920
<v Speaker 8>our brilliant costume designer who worked with a lot since

0:46:29.080 --> 0:46:31.239
<v Speaker 8>and we sort of took over sacks We had this

0:46:31.280 --> 0:46:34.960
<v Speaker 8>big party and there were all of these scandal mannequins

0:46:34.960 --> 0:46:37.799
<v Speaker 8>with clothes on in the sax window, and all the

0:46:37.840 --> 0:46:40.880
<v Speaker 8>actors climbed into the windows and stood next to their mannequins.

0:46:40.920 --> 0:46:43.600
<v Speaker 8>And we couldn't get out of like a hotel without

0:46:43.640 --> 0:46:45.120
<v Speaker 8>bringing you guys through the kitchen.

0:46:45.360 --> 0:46:47.960
<v Speaker 3>It was Inese. Yes, we walked through so many kids.

0:46:48.000 --> 0:46:50.239
<v Speaker 8>We went through so many kitchens in those days. So

0:46:50.320 --> 0:46:52.960
<v Speaker 8>I remember, like all of those times the table reads.

0:46:52.960 --> 0:46:56.279
<v Speaker 8>I remarily really well, and I remember realizing when the

0:46:56.320 --> 0:46:58.920
<v Speaker 8>show was going to hit and sitting everyone down because

0:46:58.920 --> 0:47:00.320
<v Speaker 8>we've been through with Grays and as I mean, I

0:47:00.360 --> 0:47:04.840
<v Speaker 8>remember sitting down with you all and basically saying, Okay,

0:47:05.840 --> 0:47:08.640
<v Speaker 8>so your lives are going to change and you have

0:47:08.719 --> 0:47:10.400
<v Speaker 8>to be prepared for the fact that it's going to

0:47:10.480 --> 0:47:13.759
<v Speaker 8>get really weird. And Katie was like, what do you mean.

0:47:14.280 --> 0:47:17.080
<v Speaker 4>Oh yeah, I was like, why what are you talking about?

0:47:17.160 --> 0:47:19.040
<v Speaker 4>This is what I remember, though, you guys being so

0:47:19.239 --> 0:47:22.880
<v Speaker 4>giving and saying like, if you need anything, if something happens,

0:47:22.880 --> 0:47:25.440
<v Speaker 4>like you get a fender bender, all the shit, you

0:47:25.480 --> 0:47:28.319
<v Speaker 4>call me, call me. I don't want to find out

0:47:29.040 --> 0:47:31.520
<v Speaker 4>Monday morning and the trade like you know, you guys

0:47:31.520 --> 0:47:36.160
<v Speaker 4>had already been through a hit happening on Grays and

0:47:36.200 --> 0:47:38.920
<v Speaker 4>it's skyrocketing so quickly. I think the greatest thing that

0:47:38.960 --> 0:47:41.000
<v Speaker 4>happened to Scandal with it was a little bit more

0:47:41.000 --> 0:47:43.799
<v Speaker 4>of a slower burn that people got turned onto the

0:47:43.800 --> 0:47:46.839
<v Speaker 4>show like it was like it builds it was season two.

0:47:47.080 --> 0:47:49.520
<v Speaker 8>Yeah, it was like a bad season one under your belt.

0:47:49.520 --> 0:47:51.280
<v Speaker 8>But the weirdest thing about it was because it didn't

0:47:51.480 --> 0:47:54.040
<v Speaker 8>shoot out like a cannon when we started The weirdest

0:47:54.040 --> 0:47:56.320
<v Speaker 8>thing was you were already used to it being fine

0:47:56.320 --> 0:47:58.439
<v Speaker 8>to do whatever you wanted to do. You were going

0:47:58.440 --> 0:48:01.640
<v Speaker 8>into like Loman's dressing room. So what everybody needs to

0:48:01.640 --> 0:48:04.080
<v Speaker 8>know is like their Lomans was the store where you

0:48:04.120 --> 0:48:06.279
<v Speaker 8>went in. There were communal dressing rooms. They had them

0:48:06.280 --> 0:48:08.600
<v Speaker 8>in New York and different stores, And if you're from

0:48:08.600 --> 0:48:10.799
<v Speaker 8>the East Coast, you're really used to this. And we

0:48:10.880 --> 0:48:14.800
<v Speaker 8>found out as the show was becoming gigantic that Katie

0:48:14.840 --> 0:48:18.960
<v Speaker 8>was still going into Lomans in the public dressing room

0:48:19.640 --> 0:48:22.240
<v Speaker 8>and change your clothes. And I remember specifically saying, Katie,

0:48:22.280 --> 0:48:25.280
<v Speaker 8>you can't go in the public dressing rooms anymore. Nope,

0:48:25.560 --> 0:48:28.360
<v Speaker 8>because you're going to end up in your bronz panting.

0:48:28.400 --> 0:48:30.359
<v Speaker 6>People are going to take photos of me and your

0:48:30.480 --> 0:48:32.480
<v Speaker 6>underwear on the intranet.

0:48:32.800 --> 0:48:35.360
<v Speaker 4>Yeah no, thank God said something to me. I was like,

0:48:35.680 --> 0:48:37.640
<v Speaker 4>I think things are starting to get weird.

0:48:39.600 --> 0:48:41.640
<v Speaker 8>The sales, you missed, the.

0:48:41.400 --> 0:48:51.239
<v Speaker 6>Sales, sales all the time.

0:48:53.440 --> 0:48:56.840
<v Speaker 4>Listen to some tweets at a time, y'all is the

0:48:56.840 --> 0:48:57.839
<v Speaker 4>best improv.

0:48:57.560 --> 0:49:00.279
<v Speaker 3>Artists and Whistler apparently.

0:49:00.080 --> 0:49:03.040
<v Speaker 6>Wait, Betsy, did you join the Twitter for this show?

0:49:03.120 --> 0:49:05.080
<v Speaker 6>Like we all did? I'm not on it. Much anymore.

0:49:05.120 --> 0:49:08.399
<v Speaker 8>But I joined the tweets kate for this show specifically,

0:49:08.680 --> 0:49:10.680
<v Speaker 8>and now I'm not.

0:49:11.120 --> 0:49:13.640
<v Speaker 3>Yeah wait should I be off Twitter? Yes? Do I

0:49:13.719 --> 0:49:14.879
<v Speaker 3>need to get off Twitter? Yeah?

0:49:15.000 --> 0:49:17.279
<v Speaker 8>Right, I'm not off. I just don't check it or

0:49:17.520 --> 0:49:18.480
<v Speaker 8>go on it for age.

0:49:18.640 --> 0:49:20.640
<v Speaker 3>It's so sad and angry.

0:49:20.719 --> 0:49:23.480
<v Speaker 4>Now, I know what I like about these is that

0:49:23.520 --> 0:49:26.440
<v Speaker 4>it was a real time capsule for what was going on.

0:49:26.680 --> 0:49:30.880
<v Speaker 4>Like at official JP Peace and Power Planet is coming.

0:49:31.120 --> 0:49:33.600
<v Speaker 4>Me and my brother just had the ill convo trying

0:49:33.600 --> 0:49:35.960
<v Speaker 4>to figure out who the mole is on hashtag scandal.

0:49:36.000 --> 0:49:39.279
<v Speaker 6>This fool thinks it's fits. Lol, Guys the.

0:49:39.280 --> 0:49:43.239
<v Speaker 5>Mole, that damn mole and then do better, y'all. At

0:49:43.239 --> 0:49:46.600
<v Speaker 5>Miss Lynn ninety three tweeted, wait, what if how is

0:49:46.640 --> 0:49:50.320
<v Speaker 5>the mole? I knew he blinked too much hashtag scandal.

0:49:50.440 --> 0:49:51.279
<v Speaker 6>This is a good one.

0:49:51.320 --> 0:49:53.560
<v Speaker 4>At sunny Chaie tweeted, So I just told a friend

0:49:53.600 --> 0:49:55.440
<v Speaker 4>that I think Harrison is the mole on Scandal.

0:49:55.480 --> 0:49:58.160
<v Speaker 6>I think she just about passed out. Lol. We both

0:49:58.200 --> 0:50:00.319
<v Speaker 6>hope and I'm wrong. Here's the thing.

0:50:00.800 --> 0:50:04.080
<v Speaker 5>People were invested, man, They really were trying to figure

0:50:04.080 --> 0:50:04.840
<v Speaker 5>out who the male was.

0:50:04.960 --> 0:50:08.040
<v Speaker 4>We're so invested. And my favorite line of the episode

0:50:08.120 --> 0:50:10.359
<v Speaker 4>might be. Quinn was like, if I say the word

0:50:10.440 --> 0:50:11.480
<v Speaker 4>mole one more.

0:50:11.320 --> 0:50:15.319
<v Speaker 3>One more time? Yes, that was so good and you were.

0:50:15.280 --> 0:50:20.160
<v Speaker 8>Right, Betsy, Thank you so thank so much, so much fun.

0:50:20.200 --> 0:50:23.280
<v Speaker 8>Anytime you just want me on to talk randomly about

0:50:23.360 --> 0:50:25.440
<v Speaker 8>shit that has nothing to do with anything.

0:50:25.120 --> 0:50:27.319
<v Speaker 5>We definitely want to have you back on. We should

0:50:27.360 --> 0:50:29.520
<v Speaker 5>switch the roles and have her host and you and

0:50:29.600 --> 0:50:31.600
<v Speaker 5>I be the guests on on this podcast.

0:50:31.719 --> 0:50:33.520
<v Speaker 6>Yeah, because she's such a better host than.

0:50:34.280 --> 0:50:36.399
<v Speaker 8>Guys are so full of shit. Your eyes are brown.

0:50:38.200 --> 0:50:39.600
<v Speaker 6>I've never heard that before.

0:50:39.960 --> 0:50:41.440
<v Speaker 8>Thank you so much for having me. This was so

0:50:41.520 --> 0:50:43.239
<v Speaker 8>much fun. I didn't have to work for like an hour.

0:50:43.320 --> 0:50:45.120
<v Speaker 4>This was so great And now you have so much

0:50:45.160 --> 0:50:47.960
<v Speaker 4>to do. And next up we've got the finale of

0:50:48.040 --> 0:50:52.520
<v Speaker 4>season two, episode two two, which is so good. White

0:50:52.520 --> 0:50:55.279
<v Speaker 4>hats back on people, and I think we have a

0:50:55.360 --> 0:50:58.200
<v Speaker 4>very very very another very special guest in our back

0:50:58.239 --> 0:51:00.239
<v Speaker 4>pocket coming. So make sure you tune into all your

0:51:00.239 --> 0:51:03.880
<v Speaker 4>friends like subscribe Unpacking the tool Yes at Girmo, how

0:51:03.880 --> 0:51:05.200
<v Speaker 4>do we say it en Espano.

0:51:05.239 --> 0:51:09.360
<v Speaker 3>De Ramientas Unpacking the Toolbox and.

0:51:09.440 --> 0:51:11.080
<v Speaker 6>Espanol Adeos Gladiators.

0:51:11.160 --> 0:51:18.360
<v Speaker 5>Thank you everybody, by Betsy, thank you guys for joining

0:51:18.440 --> 0:51:21.799
<v Speaker 5>us on Unpacking the Toolbox. If you enjoyed the show,

0:51:21.840 --> 0:51:25.000
<v Speaker 5>please subscribe, share with your friends, rate, or leave us

0:51:25.000 --> 0:51:25.440
<v Speaker 5>a review.

0:51:25.600 --> 0:51:29.520
<v Speaker 4>Scandal is executive produced by Sandy Bailey, Alex Alce, Lauren Homan,

0:51:29.840 --> 0:51:33.600
<v Speaker 4>Tyler Klang, and Gabrielle Collins. Our producer and editor is

0:51:33.680 --> 0:51:37.319
<v Speaker 4>Vince De Johnny, with music by Chad Fisher. Unpacking the

0:51:37.320 --> 0:51:40.640
<v Speaker 4>Toolbox is a production of Shondaland Audio in partnership with iHeartRadio.

0:51:41.040 --> 0:51:44.560
<v Speaker 4>For more podcasts from Shondaland Audio, visit the iHeartRadio app

0:51:44.640 --> 0:51:50.720
<v Speaker 4>or anywhere you subscribe to your favorite shows.